1 00:00:08,800 --> 00:00:16,200 "This is the tale of Vermilion O'Toole." 2 00:00:16,400 --> 00:00:23,500 "Who started a crime-wave when she was in school." 3 00:00:24,200 --> 00:00:32,000 "At first she stole kisses, and then she stole hearts." 4 00:00:32,200 --> 00:00:39,300 "The Warden said this is the way it all starts." 5 00:00:40,000 --> 00:00:47,400 "They locked up Vermilion, Vermilion O'Toole." 6 00:00:47,900 --> 00:00:54,200 "Who started a crime-wave when she broke every rule." 7 00:00:56,000 --> 00:01:03,500 "She out-foxed the Warden, she made him a fool." 8 00:01:04,100 --> 00:01:12,600 "Beginning the tale of Vermilion O'Toole..." 9 00:01:19,900 --> 00:01:24,900 Apples two cents, fresh-roasted goobers. Refreshing home-made lemon drops. 10 00:01:25,500 --> 00:01:28,500 Havana cigars - two for a nickel. 11 00:01:29,500 --> 00:01:33,200 Magazines - read them while you ride. Apples - two cents. 12 00:01:33,600 --> 00:01:35,100 Fresh roasted goobers. 13 00:01:35,800 --> 00:01:38,300 Magazines, read them... An apple, sir? - Fine... 14 00:01:39,300 --> 00:01:42,500 Thank you, sir. Magazines, read them while you ride. 15 00:01:42,800 --> 00:01:45,100 Magazines... read them while you ride. 16 00:01:45,400 --> 00:01:48,000 Apples - two cents. Havana cigars, two for a nickel. 17 00:01:48,200 --> 00:01:50,900 Junior... have you got anything to cool a lady off? 18 00:01:51,200 --> 00:01:53,100 Gee ma'am, not a thing. - Here, this. 19 00:01:53,700 --> 00:01:55,500 How much? - Twenty-five. 20 00:01:56,700 --> 00:01:59,600 "Love", "Romance", "Adventure". That's a heck of a lot for two bits. 21 00:01:59,800 --> 00:02:04,800 Gee-whiz, ma'am, I've read them stories. I tell you they won't cool you off. 22 00:02:05,100 --> 00:02:06,100 You wanna bet? 23 00:02:06,700 --> 00:02:11,500 Magazines... read them while you ride. Havana cigars... two for a nickel. 24 00:02:11,800 --> 00:02:15,500 Don't this railroad ever run out of desert? - We'll be there pretty soon, Mae. 25 00:02:17,700 --> 00:02:20,800 We're due in Reedsville in about an hour. - An hour? 26 00:02:22,800 --> 00:02:25,300 Well, if you gentlemen will excuse me. 27 00:02:32,800 --> 00:02:35,500 Now you can sit here next to laughing-boy. Thank you, Marshal. 28 00:02:41,400 --> 00:02:42,500 Sorry, Marshal. 29 00:03:05,200 --> 00:03:06,300 Do you hear anything? 30 00:03:08,100 --> 00:03:09,200 I think we'd better... 31 00:03:13,200 --> 00:03:14,400 Mae... Mae. 32 00:03:15,000 --> 00:03:17,500 Come on, bustle, I'm not leaving anything behind. 33 00:03:18,300 --> 00:03:21,200 Mae... Mae... Mae! 34 00:03:21,500 --> 00:03:22,900 Mae! 35 00:03:25,000 --> 00:03:26,100 Mae. 36 00:03:41,400 --> 00:03:44,000 As always Mae leaving like a lady. 37 00:03:58,900 --> 00:04:04,200 Magazines, read them while you ride. Apples - two cents, fresh-roasted goobers. 38 00:04:04,600 --> 00:04:08,400 Magazines, read them while you ride. Apples, fresh-roasted goobers. 39 00:04:08,700 --> 00:04:10,200 Havana cigars? Two for a nickel. 40 00:04:10,900 --> 00:04:12,500 Apples... magaz... 41 00:04:13,200 --> 00:04:16,400 What happened to your friends, mister? - Oh, they're out getting a breath of air. 42 00:04:17,400 --> 00:04:20,100 No, no. That way. - Oh, that's nice. 43 00:04:20,400 --> 00:04:22,400 Fresh roasted peanuts. 44 00:04:45,800 --> 00:04:46,600 Come in. 45 00:04:47,100 --> 00:04:49,400 Help yourself, ticket-rack is on the wall on your right. 46 00:04:49,700 --> 00:04:51,100 You going north or south? - North. 47 00:04:51,400 --> 00:04:52,800 All the way to Timberline? - Yeah. 48 00:04:53,000 --> 00:04:55,100 Train's due in a couple of minutes. You'll have to flag it. 49 00:04:55,500 --> 00:04:59,800 Top slot on your right. It's a green ticket. $27.50. Leave the money on the desk. 50 00:05:01,300 --> 00:05:02,400 Hey... 51 00:05:03,600 --> 00:05:06,300 Looks like you been playing a little rough. - You ought to see the other guy. 52 00:05:07,000 --> 00:05:08,300 What's the matter? Somebody get a little too familiar? 53 00:05:08,600 --> 00:05:11,100 Look handsome, all I want from you is a ticket. You said it was twenty... 54 00:05:11,400 --> 00:05:13,900 Seven fifty... - Oh, alright, I'll check the bank. 55 00:05:14,700 --> 00:05:17,800 Yeah... I ain't looking. - That's no compliment. 56 00:05:18,200 --> 00:05:19,800 Now let's see, here. 57 00:05:20,100 --> 00:05:22,700 Ten, twenty, five, one, two, three. 58 00:05:23,000 --> 00:05:24,900 That's eight. You owe me fifty cents. 59 00:05:25,100 --> 00:05:27,600 And I have two dollars left to see me through my old age. 60 00:05:28,100 --> 00:05:28,900 Yeah... 61 00:05:30,500 --> 00:05:32,100 Say, by the way... 62 00:05:32,600 --> 00:05:34,600 What kind of color is your hair anyway? 63 00:05:35,900 --> 00:05:36,500 Vermilion. 64 00:05:36,800 --> 00:05:38,600 Vermilion? I've never heard of such a thing. 65 00:05:39,000 --> 00:05:41,200 No? Just one step hotter than a redhead. 66 00:05:42,400 --> 00:05:43,400 Hey! 67 00:05:59,900 --> 00:06:02,400 Hey, kid... how far is it to Timberline? 68 00:06:02,900 --> 00:06:03,600 About eight miles. 69 00:06:04,000 --> 00:06:07,300 You got a blacksmith around here that knows the difference between a horse and a cow? 70 00:06:07,600 --> 00:06:10,900 We got Chuck Ryan. Ask him that and he'll throw your horse at you. 71 00:06:13,400 --> 00:06:14,500 A shooting star. 72 00:06:17,000 --> 00:06:18,200 Dude... 73 00:06:19,600 --> 00:06:20,700 I hate them. 74 00:06:21,600 --> 00:06:22,800 Here they come! 75 00:06:25,600 --> 00:06:28,400 Hey Bucket, don't be so slow or I'll give you a spanking. 76 00:06:31,500 --> 00:06:32,600 Hi. - Hi. 77 00:06:32,800 --> 00:06:35,800 Come on Bucket! -Come on, Bucket, or "Mama" will give you a spanking. 78 00:06:36,200 --> 00:06:38,300 Mama! - Think you're smart, don't you? 79 00:06:38,600 --> 00:06:41,000 I have some nice greenings, Mrs Stoffer, fine for apple sauce. 80 00:06:41,400 --> 00:06:44,200 I'll take a pound of those. - Yes. And how about tomatoes? 81 00:06:46,300 --> 00:06:47,800 They're over-ripe. 82 00:06:49,000 --> 00:06:51,800 Hello boys... doing the family marketing? 83 00:06:55,100 --> 00:06:57,100 "Mama" is doing the family marketing. 84 00:07:00,813 --> 00:07:03,024 Give him a licking, give him a licking! 85 00:07:06,000 --> 00:07:07,000 I like it! 86 00:07:09,500 --> 00:07:11,400 Here... here... here... here. 87 00:07:12,000 --> 00:07:13,220 If you boys don't want some real bumps, 88 00:07:13,340 --> 00:07:16,180 and not on your heads, you'd better be on your way. 89 00:07:16,300 --> 00:07:18,500 Alright, Mr Higgins... bye, "Mama". 90 00:07:23,800 --> 00:07:24,900 I hate him. 91 00:07:28,700 --> 00:07:31,200 I'll be with you in just a minute, boys... have a cracker. 92 00:07:32,500 --> 00:07:34,900 Now, is that everything, Mrs Stoffer? 93 00:07:35,900 --> 00:07:38,000 Let me see... I think so. 94 00:07:38,600 --> 00:07:39,600 Bacon. 95 00:07:41,000 --> 00:07:42,900 Yes, everything, put it in the book, please. 96 00:07:43,200 --> 00:07:43,900 Yes. 97 00:07:45,300 --> 00:07:48,000 Cornelius... how is your father? 98 00:07:48,400 --> 00:07:49,600 Fine, Mrs Stoffer. 99 00:07:50,000 --> 00:07:53,000 He wouldn't be very happy to see you fighting in the streets now, would he? 100 00:07:53,300 --> 00:07:55,000 No ma'am. - I should say not. 101 00:07:56,100 --> 00:07:58,300 Just look at them... like little field mice. 102 00:07:59,500 --> 00:08:01,700 A widower's house is just no place to bring up children. 103 00:08:02,000 --> 00:08:02,600 I agree. 104 00:08:03,200 --> 00:08:05,000 Children need a woman's hand around. 105 00:08:05,900 --> 00:08:07,900 Mrs Stoffer. - Yes, Mr Higgins. 106 00:08:08,200 --> 00:08:09,800 I'll read the list off to you now. 107 00:08:10,100 --> 00:08:13,000 A pound of cheese, pound of bacon, soft 'A' sugar, dried apricots, dried peaches... 108 00:08:13,200 --> 00:08:15,983 4 pounds of beans, 2 yards of gingham, allspice, quarter pound of tea, 109 00:08:16,103 --> 00:08:18,035 2 lamp chimneys and a bottle of tonic. 110 00:08:18,300 --> 00:08:19,700 Comes to a dollar-seventeen, Mrs Stoffer. 111 00:08:20,200 --> 00:08:22,800 Goodness! Things are expensive. - Yes. 112 00:08:23,900 --> 00:08:25,800 Good morning, ladies. - Good morning. 113 00:08:26,300 --> 00:08:27,000 Good morning, Louise. 114 00:08:27,100 --> 00:08:29,004 Here's a list of things Pa'll be needing. 115 00:08:29,124 --> 00:08:30,927 He's going up to the logging camp for the week. 116 00:08:31,047 --> 00:08:31,600 I see. 117 00:08:31,800 --> 00:08:34,900 The logging camp? Leaving you babies alone? 118 00:08:35,200 --> 00:08:36,200 I'm nine, ma'am. 119 00:08:36,500 --> 00:08:39,000 Being left like that! No wonder they're like wild things. 120 00:08:39,500 --> 00:08:41,500 If they were mine, I'd ship them off to school right now... 121 00:08:41,700 --> 00:08:43,500 Where they could learn something besides fishing. 122 00:08:44,100 --> 00:08:45,800 Cornelius. - Yes, ma'am. 123 00:08:45,900 --> 00:08:48,500 I want you to tell your father not to worry while he's away. 124 00:08:48,800 --> 00:08:51,300 Tell him I'll look in on you and your brothers from time to time. 125 00:08:52,400 --> 00:08:54,300 Did you hear me? - Yes, ma'am. 126 00:08:55,100 --> 00:08:56,200 Good day. 127 00:08:59,400 --> 00:09:00,300 Goodbye. 128 00:09:01,000 --> 00:09:02,500 Good day. - Good day. 129 00:09:04,200 --> 00:09:07,500 Mrs Stoffer's trying awful hard to be a mother to those boys and more... 130 00:09:08,400 --> 00:09:12,100 I never knew the widow Stoffer to fail anything she sets her mind to. 131 00:09:12,500 --> 00:09:15,300 She'll marry Will Hall, sure as you're born. 132 00:09:21,400 --> 00:09:23,668 Now let's see, oh yes. Oats. 133 00:09:24,073 --> 00:09:25,043 - Oats? - Oats! 134 00:09:25,314 --> 00:09:25,879 Oats. 135 00:09:34,200 --> 00:09:37,000 Rose's Elite Opera House. Palace Of Chance. 136 00:09:37,600 --> 00:09:39,800 Vermilion O'Toole, everybody's pal. 137 00:09:40,100 --> 00:09:41,700 Straight Gambling. Curved Showgirls. 138 00:09:41,800 --> 00:09:43,100 Weak girls and strong drinks. 139 00:09:44,400 --> 00:09:46,100 I expect all you men to shake the sawdust from your breeches... 140 00:09:46,200 --> 00:09:48,900 And travel down to Timberline, to see me and the girls. 141 00:09:49,500 --> 00:09:52,200 You know, us city girls is partial to you country men. 142 00:09:52,900 --> 00:09:54,000 They don't grow them so big in the city. 143 00:09:54,300 --> 00:09:56,800 We'll be down to see you, Rosie. How's Vermilion? 144 00:09:57,400 --> 00:09:59,500 Anxious for the sight of you, loggers. 145 00:10:00,500 --> 00:10:01,700 Be seeing you. 146 00:10:04,600 --> 00:10:06,300 Thanks for the hammer, Chuck. 147 00:10:07,300 --> 00:10:10,800 I'm looking forward especially to seeing you down at the Opera House, smithy. 148 00:10:14,300 --> 00:10:15,900 Timber! 149 00:10:18,100 --> 00:10:18,900 Who is the old gal? 150 00:10:19,200 --> 00:10:21,400 That's Rose. She owns the Elite Opera House. 151 00:10:21,700 --> 00:10:23,600 They ought to run her and her girls out of Timberline. 152 00:10:23,800 --> 00:10:26,100 That's Jake with me as long as they run 'em my way. 153 00:10:26,500 --> 00:10:28,300 Bye bye, Rosie... 154 00:10:28,900 --> 00:10:31,000 Don't forget now, fellas: "The Elite". 155 00:10:31,900 --> 00:10:33,600 Goodbye Rosie, we'll be there. 156 00:10:34,000 --> 00:10:37,000 Advertising sin!... I declare! 157 00:10:39,200 --> 00:10:41,200 Chuck Ryan, I'm surprised at you. 158 00:10:41,700 --> 00:10:45,100 A good church-going man, letting that woman spread her dirt around Pine Top. 159 00:10:45,500 --> 00:10:47,700 Tearing them posters down ain't going to help any, Edna. 160 00:10:48,200 --> 00:10:50,400 You got to tear down the Opera House if you're to be rid of them. 161 00:10:50,600 --> 00:10:54,700 How right you are! But until that glorious day... 162 00:10:58,900 --> 00:11:01,400 What would Pa want to marry Mrs Stoffer for? 163 00:11:01,900 --> 00:11:04,900 I like her. - Imagine her being our Ma. 164 00:11:05,600 --> 00:11:07,400 It would be terrible. 165 00:11:08,100 --> 00:11:10,780 I hate her! - Come on, Bucket. 166 00:11:10,900 --> 00:11:13,600 Featuring Vermilion O'Toole. 167 00:11:13,800 --> 00:11:16,000 Buster, you ought to get a look at her while you're in these parts. 168 00:11:16,700 --> 00:11:18,000 That Vermilion's a honey. 169 00:11:18,400 --> 00:11:21,100 Yeah, I know, I saw a picture of her in the Pictorial Gazette. 170 00:11:24,100 --> 00:11:26,800 So I'm counting on all of you to keep going just like when I'm here. 171 00:11:27,300 --> 00:11:29,700 I'll be back Saturday night, if the cutting goes like we figure. 172 00:11:30,300 --> 00:11:32,357 Petey, you and Bucket being the youngest 173 00:11:32,477 --> 00:11:34,780 you stick close to Corney and help him with the chores. 174 00:11:34,900 --> 00:11:36,100 Corney. - Yes, Pa? 175 00:11:36,400 --> 00:11:37,900 You're the boss man of the camp now. 176 00:11:38,100 --> 00:11:41,700 Pa, Mrs Stoffer said to tell you she'd look in on us while you're away. 177 00:11:41,900 --> 00:11:44,000 Well, now that's nice of her. She's a fine woman. 178 00:11:44,200 --> 00:11:46,700 Do you think Mrs Stoffer is very pretty, Pa? 179 00:11:47,000 --> 00:11:49,900 Oh, well uh, sort of... why? - Pretty as Ma was? 180 00:11:50,500 --> 00:11:53,800 Oh, your Ma was very pretty. - Do you like Mrs Stoffer? 181 00:11:54,400 --> 00:11:56,500 I hate her. - Be quiet, Bucket. 182 00:11:56,800 --> 00:11:58,600 Mrs Stoffer is a very nice woman. 183 00:11:59,100 --> 00:12:01,600 - I like her. - Be quiet, Bucket. 184 00:12:02,200 --> 00:12:04,400 Very nice? - Oh I'd say so, yes. 185 00:12:05,200 --> 00:12:07,600 You boys mind what she has to say when she comes by to see you, 186 00:12:08,400 --> 00:12:10,700 Goodbye. - Goodbye Dad, see you Saturday. 187 00:12:13,800 --> 00:12:16,100 Bye... - Bye... 188 00:12:16,500 --> 00:12:18,200 See you Saturday, goodbye. 189 00:12:18,400 --> 00:12:21,200 What do you think, Corney? - He said he likes her. 190 00:12:21,400 --> 00:12:22,900 I hate her. - Shush. 191 00:12:23,300 --> 00:12:26,800 So what do you think? - For once, I've got to agree with Bucket. 192 00:12:27,200 --> 00:12:29,000 Something's got to be done. 193 00:12:29,300 --> 00:12:32,500 We got to look around to find somebody better than Mrs Stoffer. 194 00:12:32,800 --> 00:12:34,400 Someone who won't always be picking at ya. 195 00:12:35,200 --> 00:12:37,300 There ain't no-one around Pine Top. 196 00:12:38,000 --> 00:12:40,141 Then I say we take a ride over to Timberline 197 00:12:40,261 --> 00:12:42,280 and take a look at the ladies they got over there. 198 00:12:42,400 --> 00:12:43,700 Agreed? - Agreed. 199 00:12:44,000 --> 00:12:46,100 Come on, Bucket. - Hurry up, baby. 200 00:12:46,600 --> 00:12:48,400 Come on... shorty. 201 00:13:08,766 --> 00:13:10,400 Whoa. Down boys! 202 00:13:11,039 --> 00:13:15,288 Thank you Dick. Hi there, Sam. 203 00:13:17,700 --> 00:13:24,300 I am happy, happy as can be, for I am a member of the Souse family. 204 00:13:24,600 --> 00:13:27,700 Glorious... glorious! 205 00:13:28,000 --> 00:13:31,200 One tank of beer was a part of us. 206 00:13:31,600 --> 00:13:37,100 Set them up again, they'll be more of us, for we can't drink it all alone! 207 00:13:41,200 --> 00:13:43,600 Vermilion O'Toole. - Yes, Rosie. 208 00:13:44,000 --> 00:13:45,100 Jack, the cash-box. 209 00:13:45,700 --> 00:13:47,600 What do you think I put that stage in for? 210 00:13:47,900 --> 00:13:50,400 To get you off the bar, and get the place a little class. 211 00:13:50,700 --> 00:13:52,000 Where you been all day, honey? 212 00:13:52,200 --> 00:13:55,800 Putting up posters from here to China, letting the men know what we got here. 213 00:13:56,500 --> 00:13:58,700 Not the posters with the drawing of me on them, I hope. 214 00:13:59,000 --> 00:14:01,900 Baby, I told you I'd burned all of them, now stop your fretting... 215 00:14:02,200 --> 00:14:04,600 Only fifty-eight dollars on a bank holiday? 216 00:14:05,300 --> 00:14:08,000 I'm starting the overture in ten minutes, Miss O'Toole... 217 00:14:08,200 --> 00:14:10,600 And you'd better be on that stage when the curtain goes up. 218 00:14:10,800 --> 00:14:12,600 I'll be there dearie, wearing a smile. 219 00:14:12,800 --> 00:14:14,600 You'd better be wearing a costume. 220 00:14:15,000 --> 00:14:16,900 Always the same dull show... 221 00:14:17,700 --> 00:14:20,100 - Hi Vermilion. - Hi, Long-John. How's your health? 222 00:14:20,300 --> 00:14:22,600 Hearty, Miss Vermilion. And yours? - Hearty. 223 00:14:23,000 --> 00:14:26,500 I come in special to get you to sign the picture on the Pictorial Gazette. 224 00:14:27,900 --> 00:14:29,300 A picture of me on the Gazette? 225 00:14:29,900 --> 00:14:33,400 Well it don't look much like me, does it? - Sure don't do you justice. 226 00:14:34,300 --> 00:14:37,700 Thanks. I've got to change now, but after the show I'll put a love-note on it for you. 227 00:14:38,000 --> 00:14:39,200 Yes, ma'am. Thank you. 228 00:14:44,600 --> 00:14:46,600 Oh, Vermilion. - Yes, Sammy? 229 00:14:48,000 --> 00:14:49,318 There's a gentleman friend of yours from Denver 230 00:14:49,438 --> 00:14:50,680 waiting for you in the dressing-room. 231 00:14:50,800 --> 00:14:52,300 Oh... thanks. 232 00:15:00,800 --> 00:15:02,600 I thought you were in jail, where you belong. 233 00:15:02,800 --> 00:15:03,700 Mae! 234 00:15:04,400 --> 00:15:06,100 Or should I say "Vermilion"? 235 00:15:07,000 --> 00:15:08,400 "Vermilion O'Toole". 236 00:15:09,900 --> 00:15:12,500 Nobody but you could think of a name as wild as that. 237 00:15:13,300 --> 00:15:15,500 You miss me, baby? - Miss you? That's funny... 238 00:15:16,300 --> 00:15:18,800 I'm not going back to the way it was before if that's what's on your mind. 239 00:15:19,000 --> 00:15:20,300 Alright then, something new. 240 00:15:20,800 --> 00:15:22,400 You and me can do pretty good right here, don't you think? 241 00:15:22,800 --> 00:15:24,600 Hands off! - Now, baby... 242 00:15:25,000 --> 00:15:27,900 Why didn't you tell the Marshal in Denver I had nothing to do with your shady dealings? 243 00:15:28,300 --> 00:15:30,500 I tried to... - But you weren't very convincing. 244 00:15:31,400 --> 00:15:32,300 Come in. 245 00:15:32,900 --> 00:15:34,800 We're ready any time you are, Vermilion. - Thanks. 246 00:15:35,400 --> 00:15:37,400 Go on, beat it. - See you later. 247 00:15:37,700 --> 00:15:40,700 I've got to check in to the hotel. - You're wasting your time, Newt. 248 00:15:41,600 --> 00:15:42,400 I don't think so. 249 00:15:42,900 --> 00:15:45,000 Go on, get out! I don't want to see you around. 250 00:15:45,700 --> 00:15:46,900 See you, pretty baby. 251 00:16:11,400 --> 00:16:12,100 Whoa... 252 00:16:28,500 --> 00:16:30,500 How about her? - No. 253 00:16:32,800 --> 00:16:34,200 Corney, look! 254 00:16:36,800 --> 00:16:38,500 How about her? - No. 255 00:16:40,600 --> 00:16:42,100 Bucket, come back here. 256 00:16:45,000 --> 00:16:46,100 Come on. 257 00:16:57,350 --> 00:16:58,345 Bucket! Come back here! 258 00:16:58,465 --> 00:17:01,000 Gentlemen, gentlemen, don't go back there. 259 00:17:11,500 --> 00:17:14,900 Petey... oh Petey. - Yeah... 260 00:17:16,900 --> 00:17:19,100 Oh, there you are... come on, outside. 261 00:17:20,200 --> 00:17:21,200 Come on. 262 00:17:22,200 --> 00:17:24,800 Kids need lots of fresh air, and there ain't none in here. 263 00:17:25,305 --> 00:17:26,100 Go on. 264 00:17:26,101 --> 00:17:31,680 I ain't a soprano, as you'll deduce 265 00:17:31,800 --> 00:17:34,200 I'll tickle the piano... 266 00:17:34,500 --> 00:17:36,600 And introduce... 267 00:17:36,800 --> 00:17:39,700 A flame in red, carrot-head... 268 00:17:40,000 --> 00:17:42,500 Who's as gingery as ginger-bread. 269 00:17:42,700 --> 00:17:45,700 Now gents, try to be cool... 270 00:17:46,100 --> 00:17:51,300 With Vermilion O'Toole. 271 00:17:59,700 --> 00:18:04,400 My father and mother... 272 00:18:05,100 --> 00:18:08,700 Taught me to be shy... 273 00:18:10,400 --> 00:18:14,900 One boy and another... 274 00:18:15,700 --> 00:18:19,500 I passed with downcast eyes. 275 00:18:20,800 --> 00:18:26,000 Met a special boy... on a special night. 276 00:18:26,500 --> 00:18:31,800 The way he'd kiss me... was so polite. 277 00:18:32,400 --> 00:18:36,400 That's how it all started. 278 00:18:37,900 --> 00:18:43,000 That's how I... became... 279 00:18:43,700 --> 00:18:48,200 A... flaming red-head, I'm a flaming red-head. 280 00:18:48,400 --> 00:18:50,800 If you play with fire, you'll get burned. 281 00:18:51,800 --> 00:18:54,900 It always has been a dangerous game. 282 00:18:55,500 --> 00:18:58,100 You'll get hurt flirtin' with a flame. 283 00:18:58,700 --> 00:19:01,600 A flaming red-head, I'm a flaming red-head. 284 00:19:01,800 --> 00:19:04,700 And the reputation was earned. 285 00:19:05,600 --> 00:19:08,500 There may be a storm, but you'll be nice and warm... 286 00:19:08,700 --> 00:19:11,700 With that red... hot... flame! 287 00:19:34,700 --> 00:19:35,500 I like her. 288 00:19:35,900 --> 00:19:37,900 Yeah. - Yup. 289 00:20:06,300 --> 00:20:09,200 All you red-heads, all you flaming red-heads. 290 00:20:12,400 --> 00:20:19,000 I amble in, look around the joint, things go up to the boiling point. 291 00:20:19,500 --> 00:20:23,000 All you red-heads, all you fiery red-heads. 292 00:20:26,300 --> 00:20:29,200 The whole human race won't need a fireplace. 293 00:20:29,400 --> 00:20:35,200 With... that... red... hot... FLAME! 294 00:20:35,700 --> 00:20:37,500 You heard 'em, boys! 295 00:20:51,500 --> 00:20:53,000 Whoa... 296 00:21:03,200 --> 00:21:03,800 Thanks. 297 00:21:04,000 --> 00:21:06,900 The Opera House, that's the place to spend your dough. 298 00:21:49,000 --> 00:21:51,900 What do we say? - Nothing. I'll do the asking. 299 00:21:52,200 --> 00:21:55,500 I wish Pa was here. - You can thank your breeches he ain't. 300 00:21:59,300 --> 00:22:00,800 [ door knocks ] 301 00:22:02,000 --> 00:22:03,100 Come in. 302 00:22:11,300 --> 00:22:13,700 Hi, men. What's the matter, you lost or something? 303 00:22:13,900 --> 00:22:16,400 No, ma'am, we come here especially to see you. 304 00:22:16,700 --> 00:22:18,700 Well, it's mighty nice of you fellas to pay me a visit... 305 00:22:19,000 --> 00:22:21,300 But I don't think your Ma would like you visiting around here. 306 00:22:21,700 --> 00:22:22,700 We ain't got a Ma. 307 00:22:23,200 --> 00:22:25,700 So please... if you don't mind... 308 00:22:26,600 --> 00:22:28,400 We'd sure appreciate it... talking to you. 309 00:22:29,000 --> 00:22:31,300 Well alright, now just what can I do for you gentlemen? 310 00:22:31,800 --> 00:22:33,600 Miss Vermilion... - Yeah, that's my name. 311 00:22:33,800 --> 00:22:37,000 Well, I'm Corney, this here is Petey, and the wart's Bucket. 312 00:22:37,300 --> 00:22:39,700 Oh well, how do you do. It's mighty nice to meet you, gents. 313 00:22:40,300 --> 00:22:43,900 We come from Pine Top, ma'am, and well, we'd like to make you a proposition. 314 00:22:45,100 --> 00:22:47,500 Well, let's just have a listen to this proposition of yours. 315 00:22:48,100 --> 00:22:51,100 Well ma'am, me and my brothers are out looking for a woman. 316 00:22:52,800 --> 00:22:56,100 Oh... and just what types suit you fancy gentlemen? 317 00:22:56,400 --> 00:22:58,200 You're just fancy enough, ma'am. 318 00:22:59,300 --> 00:23:02,100 You smell good too. - Oh, well thanks. 319 00:23:02,800 --> 00:23:04,400 Would you like to get married? 320 00:23:04,900 --> 00:23:07,100 And have three kids, all at once? 321 00:23:07,400 --> 00:23:10,500 Oh, now wait a minute fellas, give it to me slow, just one thing at a time. 322 00:23:10,800 --> 00:23:12,900 Pa's got to get married. - Why? 323 00:23:13,300 --> 00:23:16,900 I mean, he's got to get married to you, or else Mrs Stoffer is going to get him. 324 00:23:17,500 --> 00:23:21,000 Oh, and what's wrong with Mrs Stoffer? - She's always picking at us. 325 00:23:21,400 --> 00:23:24,400 And does Pa like Mrs Stoffer? - Pa likes everybody. 326 00:23:25,300 --> 00:23:26,400 That can lead to trouble. 327 00:23:27,900 --> 00:23:28,600 Look, fellas... 328 00:23:28,800 --> 00:23:30,485 Something tells me your Pa wouldn't pick out anybody 329 00:23:30,497 --> 00:23:33,028 to be your Ma who wasn't a real good woman. 330 00:23:33,300 --> 00:23:36,400 Thanks for the offer, boys, but I'm not in the market for marriage right now. 331 00:23:37,200 --> 00:23:40,400 Although the idea of having three such fine boys is sure a sweet one. 332 00:23:41,200 --> 00:23:43,500 And about this Mrs Stoffer picking on you. 333 00:23:44,100 --> 00:23:46,700 Well, most likely she's only trying to do what's right. 334 00:23:47,000 --> 00:23:49,017 You're lucky to have someone who cares enough about you 335 00:23:49,137 --> 00:23:51,080 to look after you and pick at you to be good. 336 00:23:51,200 --> 00:23:53,900 And maybe you fellas haven't given Mrs Stoffer a real chance. 337 00:23:54,400 --> 00:23:57,000 Ma'am, you don't know her. - I hate her! 338 00:23:57,200 --> 00:24:01,400 Bucket! I'm sorry, Miss Vermilion, he's a little squirt. 339 00:24:02,000 --> 00:24:04,100 I like her. - Thank you, young man. 340 00:24:04,400 --> 00:24:06,600 Now come on, you kids get going. Your Pa will be worried. 341 00:24:07,100 --> 00:24:09,300 Pa's gone until Saturday. - You kids alone? 342 00:24:09,600 --> 00:24:10,100 Yup. 343 00:24:10,400 --> 00:24:13,800 Well, you got to get anyway, I'm a working girl. Come on, I'll show you to the door. 344 00:24:19,400 --> 00:24:22,800 Rose, Rosie... I want you to meet three gentlemen friends of mine. 345 00:24:23,000 --> 00:24:25,000 Corney, Petey and Bucket. - Ain't they handsome? 346 00:24:25,200 --> 00:24:26,300 Ain't they though? 347 00:24:27,800 --> 00:24:28,400 Straight shot. 348 00:24:28,700 --> 00:24:29,900 Rosie, Rosie... quick. 349 00:24:30,400 --> 00:24:32,200 You know a fella by the name of Cole? - Cole? 350 00:24:32,600 --> 00:24:33,700 Newt Cole. 351 00:24:34,800 --> 00:24:35,500 No. 352 00:24:36,600 --> 00:24:37,800 Quick! Close the other curtain. 353 00:24:38,200 --> 00:24:40,500 That's the Marshal that was taking us in. He must have followed Newt up here. 354 00:24:40,900 --> 00:24:42,500 Newt? Is Newt here too? 355 00:24:42,700 --> 00:24:44,216 Yes, he came by the dressing room just before the show. 356 00:24:44,217 --> 00:24:45,680 I've got to get out of here right now. 357 00:24:45,800 --> 00:24:46,700 But honey, where'll you go? - I don't know. 358 00:24:46,900 --> 00:24:47,800 Howdy! 359 00:24:48,900 --> 00:24:49,900 Come here. 360 00:24:51,900 --> 00:24:54,100 Did you say that you kids were going to be alone 'til Saturday? 361 00:24:54,400 --> 00:24:55,600 Pa's gone up to the logging camp. 362 00:24:56,400 --> 00:24:57,400 I tell you what. 363 00:25:00,900 --> 00:25:02,510 You kids wait for me right out there. 364 00:25:02,630 --> 00:25:04,780 Go on, go on, hurry. I'll get some duds together. 365 00:25:04,900 --> 00:25:08,200 You mean, you're going with us? - Sure, if the invitation is still good. 366 00:25:08,400 --> 00:25:09,300 You're going with them? 367 00:25:09,500 --> 00:25:12,200 Yep. You stay here and keep Daggett entertained while I slip out the back. 368 00:25:16,400 --> 00:25:18,000 Right through the doorway over there, mister. 369 00:25:18,800 --> 00:25:19,500 Thanks. 370 00:25:23,600 --> 00:25:25,800 I'm Sorry, I wasn't looking, excuse it. - Excuse me, ma'am. 371 00:25:26,000 --> 00:25:28,700 Well say, you're new around these parts, ain't you? 372 00:25:28,900 --> 00:25:30,100 Yes, I just came in from Frisco. 373 00:25:30,300 --> 00:25:33,600 Frisco? Well... my name's Rose. I own the place. 374 00:25:33,800 --> 00:25:34,700 Ed Daggett's mine. 375 00:25:34,900 --> 00:25:37,700 Well come on Ed, I'll introduce you to the girls. - I was looking for a friend of mine. 376 00:25:37,800 --> 00:25:40,800 I saw in the Pictorial Gazette that she was appearing here: "Vermilion O'Toole". 377 00:25:41,000 --> 00:25:43,000 Or "Mae Madison" when I knew her. - Vermilion? 378 00:25:43,100 --> 00:25:46,900 Is she around? - Well now, ain't that a shame. She just now left. 379 00:25:47,800 --> 00:25:50,400 When do you expect her back? - It's hard to tell with Vermilion. 380 00:25:50,600 --> 00:25:53,300 Sometimes she's gone for an hour, sometimes for weeks... 381 00:25:53,900 --> 00:25:55,900 Oh? Her gentleman friend leave with her? - Her gentleman friend? 382 00:25:56,100 --> 00:25:58,000 A tall, dark, good-looking fellow... Newt Cole. 383 00:25:58,562 --> 00:26:00,073 Well there're lots of tall, dark, good-looking friends 384 00:26:00,193 --> 00:26:01,880 around Vermilion, but no one special. 385 00:26:02,000 --> 00:26:06,200 Her dressing-room's through there, I believe. - Yeah, but I tell you Ed, she's not here. 386 00:26:06,500 --> 00:26:08,700 Come on... let's us get acquainted. 387 00:26:08,900 --> 00:26:11,600 I hope you won't mind showing me around backstage. 388 00:26:19,550 --> 00:26:23,656 ...really Mr Daggett, it's most unprofessional to come backstage during a performance. 389 00:26:23,776 --> 00:26:27,089 I'm sorry, this is official business. I'm a Federal Marshal. 390 00:26:27,098 --> 00:26:28,912 Oh, I didn't realise. 391 00:26:29,032 --> 00:26:30,114 Whose room is this? 392 00:26:30,372 --> 00:26:31,244 That's mine. 393 00:26:31,834 --> 00:26:32,523 And this one? 394 00:26:32,643 --> 00:26:36,601 No, you can't go in there. My girls are changing back here. 395 00:26:37,105 --> 00:26:38,616 Then this room must be hers. 396 00:26:38,736 --> 00:26:39,482 Yes, but Marshal... 397 00:26:39,602 --> 00:26:42,027 It's got so I hardly use doors at all. 398 00:26:45,900 --> 00:26:47,500 I told you she was gone. 399 00:26:54,800 --> 00:26:56,100 And so she is. 400 00:26:57,200 --> 00:26:59,000 While I'm waiting for Miss O'Toole to return... 401 00:26:59,100 --> 00:27:01,500 I'll take you up on that offer to get better acquainted. 402 00:27:01,911 --> 00:27:04,300 But er, but she might be gone for weeks. 403 00:27:04,700 --> 00:27:07,500 We should be real good friends by then, eh Rosie? Hmm? 404 00:27:19,600 --> 00:27:21,300 Don't your mother want to go with us? 405 00:27:21,700 --> 00:27:24,300 My mother?... Oh you mean Rosie. 406 00:27:24,700 --> 00:27:25,900 No, mother is very strict. 407 00:27:26,200 --> 00:27:28,900 But me, I go for a week in the country with three gents. 408 00:27:29,200 --> 00:27:30,500 Shall we be off? - Yep. 409 00:28:12,300 --> 00:28:14,900 Whoa... whoa. - Hello, Edna. 410 00:28:19,500 --> 00:28:21,500 Will... you got company. 411 00:28:21,800 --> 00:28:23,500 Will! Will Hall! 412 00:28:26,900 --> 00:28:29,800 Edna, are the boys alright? - Now Will, I don't want you to get upset. 413 00:28:30,500 --> 00:28:32,400 But you know how I've warned you about leaving your children. 414 00:28:32,700 --> 00:28:33,300 What happened? 415 00:28:33,600 --> 00:28:36,100 This morning, I went by to look in on them like I promised. 416 00:28:36,500 --> 00:28:40,300 Well, as I was approaching the cabin, I spotted a strange woman. 417 00:28:40,700 --> 00:28:42,800 A what? - A redhead... in your kitchen. 418 00:28:43,600 --> 00:28:46,100 A redhead? Well, who is she? - I don't know who she is. 419 00:28:46,300 --> 00:28:49,800 Didn't you talk to her? - Heavens, no... I came directly. 420 00:28:50,500 --> 00:28:53,100 Mike, there's a little trouble at home, I'll be back in the morning. 421 00:28:53,300 --> 00:28:55,600 You need any help, Will? - No, thanks. I can handle it myself. 422 00:28:56,700 --> 00:28:59,000 Will... you can ride back with me. 423 00:28:59,700 --> 00:29:01,800 Well, thanks very much, Edna, there's nothing I'd rather do. 424 00:29:02,200 --> 00:29:03,800 But I can make better time on the horse. 425 00:29:06,900 --> 00:29:08,600 Don't that smell good? 426 00:29:09,400 --> 00:29:11,600 Gee, Miss Vermilion, you're pretty special. 427 00:29:11,900 --> 00:29:14,900 You sing and dance, and know how to make meat pies too. 428 00:29:15,700 --> 00:29:17,800 My Ma thought of that, God bless her. 429 00:29:18,200 --> 00:29:20,300 She always said there was two ways to a man's heart. 430 00:29:20,700 --> 00:29:21,900 Through her face, and his stomach. 431 00:29:22,600 --> 00:29:26,200 Now when I was a little wart like you kids, you couldn't see my face for the freckles. 432 00:29:26,600 --> 00:29:29,900 And I had feet like river-boats, so Ma saw to it that I learned how to cook. 433 00:29:30,300 --> 00:29:33,200 You didn't figure on your face turning out to be so good, huh? 434 00:29:33,400 --> 00:29:34,000 I like it! 435 00:29:34,400 --> 00:29:35,600 Thank you, sir. 436 00:29:39,700 --> 00:29:41,200 You looking for someone, mister? 437 00:29:43,400 --> 00:29:45,100 Hello, Pa... 438 00:29:45,900 --> 00:29:46,700 Pa? 439 00:29:47,800 --> 00:29:49,200 Well, what's going on here? 440 00:29:50,000 --> 00:29:51,400 What are you doing here with my boys? 441 00:29:51,800 --> 00:29:55,500 Pa... this is Miss O'Toole. Miss O'Toole, this is Pa. 442 00:29:55,800 --> 00:29:59,900 She's come to be our housekeeper, Pa. She can sing and dance and everything. 443 00:30:00,200 --> 00:30:03,900 She may have feet like river-boats, but wait until you see her meat pie. 444 00:30:05,400 --> 00:30:07,200 Petey, Corney, that's enough! 445 00:30:08,200 --> 00:30:09,300 I'm trying to make some sense out of this. 446 00:30:09,700 --> 00:30:12,200 My boys led you to believe we needed a housekeeper, Miss... 447 00:30:12,600 --> 00:30:16,700 O'Toole. The name is Vermilion O'Toole. Yeah, they said you was away. 448 00:30:17,400 --> 00:30:19,500 Why, Corney, you know we can't afford a housekeeper. 449 00:30:19,800 --> 00:30:22,000 I can't understand what got into you, doing a thing like this. 450 00:30:22,300 --> 00:30:24,900 Now wait a minute, Mr Hall, it's as much my fault as theirs. 451 00:30:25,200 --> 00:30:28,100 You see, I needed a place to stay for a few days and they was kind enough to... 452 00:30:28,900 --> 00:30:31,800 Oh, wait a minute! The pie, the pie... 453 00:30:38,300 --> 00:30:39,999 Can't explanations wait until after supper? 454 00:30:40,000 --> 00:30:43,300 Everything is hot and ready, and this gets all soggy if you don't eat it right away. 455 00:30:43,500 --> 00:30:44,600 Now, look here, Miss O... 456 00:30:44,800 --> 00:30:47,200 O'Toole. Now you look here, Mister Hall. 457 00:30:47,400 --> 00:30:50,300 We can't waste this good food, so you go outside and wash and let's eat. 458 00:30:54,100 --> 00:30:56,800 Very well, Miss O'Toole, as you say, we can't waste the food. 459 00:31:01,200 --> 00:31:02,800 Miss Vermilion. - Huh? 460 00:31:03,200 --> 00:31:04,500 I think he likes you. 461 00:31:04,900 --> 00:31:08,200 What makes you think that? - The way he looked at your meat pie. 462 00:31:18,300 --> 00:31:20,100 Will, did you see her? Is she still here? 463 00:31:20,400 --> 00:31:22,000 Yes, she's still here, but she's about to leave. 464 00:31:22,400 --> 00:31:24,580 It will be very easy for us to get rid of her. - Thanks, but... 465 00:31:24,700 --> 00:31:27,800 Believe me, Will, a woman knows better how to cope with another woman. 466 00:31:28,000 --> 00:31:30,600 I'm perfectly capable of taking care of this myself, Edna. 467 00:31:31,000 --> 00:31:32,200 Thank you and goodnight. 468 00:31:33,100 --> 00:31:34,000 Goodnight. 469 00:31:56,900 --> 00:31:58,300 Thank thee, oh Father... 470 00:32:00,000 --> 00:32:01,800 for this food we are about to receive. 471 00:32:03,100 --> 00:32:05,000 Amen. - Amen. 472 00:32:06,200 --> 00:32:08,100 Sure smells good, don't it, Petey? 473 00:32:09,800 --> 00:32:11,500 Yeah... 474 00:32:18,900 --> 00:32:20,000 Get into bed, boys. 475 00:32:22,800 --> 00:32:25,200 Miss O'Toole. I meant what I said before dinner. 476 00:32:25,600 --> 00:32:27,900 We can't afford to keep a housekeeper, not even for a few days. 477 00:32:28,500 --> 00:32:33,600 Afford? Why, Mr Hall, I don't want any pay. I just want a roof over my head. 478 00:32:34,300 --> 00:32:36,200 This is much too small a place for you to stay. 479 00:32:36,800 --> 00:32:39,100 With a gentleman like yourself and your three fine boys... 480 00:32:39,700 --> 00:32:42,500 Why, Mr Hall, I tell you I'd be much safer here than in the city. 481 00:32:42,700 --> 00:32:44,600 Why, there, if a girl just walks down the street... 482 00:32:45,100 --> 00:32:47,500 All this talk isn't getting us any place, and it's getting late. 483 00:32:48,000 --> 00:32:50,400 You can sleep here for tonight, on the sofa in there. 484 00:32:51,200 --> 00:32:52,300 Goodnight, Miss O'Toole. 485 00:32:52,700 --> 00:32:54,600 I'll be leaving early in the morning for the logging-camp, 486 00:32:54,720 --> 00:32:56,080 so I'll not be seeing you again. 487 00:32:56,200 --> 00:32:57,900 Corney will escort you back to Timberline. 488 00:32:59,100 --> 00:33:01,700 Goodbye. - Goodbye, Mr Hall. Thanks anyway. 489 00:33:02,800 --> 00:33:04,400 That was a real, fine meal, Miss O'Toole. 490 00:33:14,500 --> 00:33:17,900 .. and they lived happily ever after. - What happened "ever after"? 491 00:33:18,200 --> 00:33:21,916 Ah, that's a story for another night. - Bucket loves you. - And I love you. 492 00:33:22,200 --> 00:33:24,800 Pa, can I have a drink of water? - No, you cannot. 493 00:33:25,900 --> 00:33:28,200 Goodnight, Pa. - Goodnight, boys, settle down now. 494 00:33:34,200 --> 00:33:35,100 Yes? 495 00:33:36,400 --> 00:33:39,000 If it's alright with you, Miss, I'd like to come through and check the doors. 496 00:33:39,600 --> 00:33:41,400 By all means, sir. Come in and check. 497 00:34:14,500 --> 00:34:17,000 Don't forget to blow out the light. - I... 498 00:34:18,000 --> 00:34:18,900 Goodnight. 499 00:34:32,900 --> 00:34:34,300 Goodbye, Pa. Goodbye... 500 00:35:08,500 --> 00:35:10,600 Are you sick, Miss Vermilion? 501 00:35:11,000 --> 00:35:12,600 I don't know... what time is it? 502 00:35:13,000 --> 00:35:14,300 Why, it's way past six. 503 00:35:14,900 --> 00:35:17,300 Six? What's the matter, can't you kids sleep? 504 00:35:17,600 --> 00:35:20,800 We've been up since five. - Oh, you poor darlings... 505 00:35:21,200 --> 00:35:23,600 We got up to have breakfast with Pa. 506 00:35:24,600 --> 00:35:25,800 Is he gone? - Yep. 507 00:35:26,200 --> 00:35:26,900 Good. 508 00:35:27,100 --> 00:35:29,600 He said I've got to take you back to Timberline today, ma'am. 509 00:35:30,100 --> 00:35:33,300 Alright... but later today... much later. 510 00:35:33,600 --> 00:35:36,200 Pa says the morning hours are the golden ones. 511 00:35:37,100 --> 00:35:39,200 Yeah. Well, every man to his own time. 512 00:35:39,400 --> 00:35:41,800 Me, I always felt the morning hours were a little dangerous. 513 00:35:42,300 --> 00:35:43,700 Try me again after lunch. 514 00:35:58,900 --> 00:36:01,400 Miss Vermilion! Miss Vermilion! - What's the matter? Are we on fire? 515 00:36:01,700 --> 00:36:04,200 It's Bucket! He's cornered by a grizzly. - A grizzly what? 516 00:36:04,400 --> 00:36:07,901 A bear. Bucket wandered into his cave and he's up there playing with the cubs. 517 00:36:08,021 --> 00:36:08,801 Oh, that's nice. 518 00:36:08,900 --> 00:36:11,700 Hurry, Miss Vermilion. - But, kid, I've got to finish dressing. 519 00:36:12,000 --> 00:36:13,300 No time for that. 520 00:36:14,300 --> 00:36:17,100 The bear is down at the bottom of the hill. Petey's trying to keep him there. 521 00:36:17,400 --> 00:36:21,300 You go help Petey. I'll try and catch up with Pa. - But, Corney! Corney! 522 00:36:21,700 --> 00:36:23,700 What is it? - I don't know how to shoot a gun. 523 00:36:23,900 --> 00:36:24,900 It's easy. 524 00:36:25,500 --> 00:36:28,300 Just look through the sight, and pull the trigger. 525 00:36:28,500 --> 00:36:30,700 Well, where is Petey? Where do I find him? 526 00:36:31,000 --> 00:36:32,100 Just follow that path. 527 00:36:32,500 --> 00:36:35,400 Don't shoot him unless you have to. You miss and he'll really tear into you. 528 00:36:35,900 --> 00:36:38,200 Well, if I don't shoot the bear, how do I keep him away from Bucket? 529 00:36:38,600 --> 00:36:41,000 By throwing rocks at him. - Then he'll come after me. 530 00:36:41,300 --> 00:36:43,300 That's the idea. - Corney! 531 00:36:44,700 --> 00:36:48,500 Mr Higgins... seen my Pa? - He stopped by here earlier. 532 00:36:48,700 --> 00:36:50,800 Try the river road, he'd be there about now. 533 00:36:54,300 --> 00:36:55,300 Oh... 534 00:37:05,500 --> 00:37:06,300 Petey! 535 00:37:08,300 --> 00:37:11,800 Oh... for the peace and quiet of a nice bar-room brawl. 536 00:37:19,300 --> 00:37:20,500 Petey! Petey, where are you? 537 00:37:20,900 --> 00:37:24,400 Miss Vermilion, up here! Come on up here... 538 00:37:24,600 --> 00:37:26,600 What are you doing up in that tree? Come on down. 539 00:37:27,100 --> 00:37:29,100 Petey, do you hear me? - Yes, I do... 540 00:37:29,400 --> 00:37:32,900 But you'd better come on up here because the bear is right over there. 541 00:37:34,100 --> 00:37:35,100 Oh,Where? 542 00:37:37,700 --> 00:37:40,100 That's reason enough! Move over, I'll join you. 543 00:37:42,200 --> 00:37:44,700 Hurry up, Miss Vermilion, before the bear sees you. 544 00:37:45,300 --> 00:37:47,200 Well, what do you think I'm doing? This is quite a climb. 545 00:37:49,500 --> 00:37:51,900 Where is Bucket? - Over there, in the cave. 546 00:37:52,700 --> 00:37:54,700 Oh, there... do you think he's alright? 547 00:37:55,100 --> 00:37:57,500 Sure... hey Bucket, how you doing? 548 00:37:57,900 --> 00:37:59,600 I like it. - He likes it. 549 00:37:59,800 --> 00:38:01,900 Oh fine, I wish I could say the same thing. 550 00:38:05,300 --> 00:38:07,800 Here comes the bear. - Oh Petey, what are we going to do? 551 00:38:08,000 --> 00:38:11,700 All we got to do is keep him interested until Corney gets here with Pa. 552 00:38:11,900 --> 00:38:14,400 Well, if you ask me, Bruno looks plenty interested right now. 553 00:38:22,000 --> 00:38:23,900 You let go of that! You let go! 554 00:38:25,600 --> 00:38:27,700 You let go of that. Stop it! Stop! 555 00:38:30,300 --> 00:38:31,300 Oh stop that! 556 00:38:32,000 --> 00:38:34,000 Come on, fuzzy, stop being... come on. 557 00:38:39,300 --> 00:38:41,700 There. That takes care of him. There he goes. 558 00:38:41,900 --> 00:38:44,200 You shouldn't have done that, Miss Vermilion. 559 00:38:44,900 --> 00:38:46,743 Why I don't care, Petey. I'm not staying up here 560 00:38:46,755 --> 00:38:48,580 exposed to the morning breezes, bear or no bear. 561 00:38:48,700 --> 00:38:50,100 Look, it's Bucket. 562 00:38:56,300 --> 00:39:00,700 He should have stayed in the cave. - Bucket, go back. Go back! 563 00:39:05,500 --> 00:39:06,900 No, Bucket, no! 564 00:39:07,200 --> 00:39:09,800 Shoot, shoot! Before the bear gets him. 565 00:39:10,100 --> 00:39:11,700 And don't miss. 566 00:39:15,500 --> 00:39:17,500 You got him, you got him! 567 00:39:17,900 --> 00:39:18,700 I did? 568 00:39:19,600 --> 00:39:21,000 Maybe he's only playing possum. 569 00:39:29,500 --> 00:39:32,500 Stay away from him, Bucket. Keep away. We're coming right down. 570 00:39:35,400 --> 00:39:36,300 I like it. 571 00:39:36,700 --> 00:39:38,900 You alright, fella? Huh? 572 00:39:40,200 --> 00:39:42,500 Miss Vermilion, look at them fangs. 573 00:39:43,000 --> 00:39:45,000 Yeah, there are an awful lot of teeth there. 574 00:39:48,400 --> 00:39:50,723 Whoa, whoa... - Whoa, Ned! 575 00:39:52,100 --> 00:39:52,700 What happened? 576 00:39:52,900 --> 00:39:56,400 Everybody's alright, Pa, but she just gave out. 577 00:39:56,600 --> 00:39:57,700 Miss O'Toole? 578 00:39:58,000 --> 00:40:01,300 Howdy, Mr Hall. You folks sure have some mighty exciting times up here. 579 00:40:02,400 --> 00:40:04,500 Things are fine now, thanks to you. 580 00:40:05,000 --> 00:40:06,000 I hope I win the skin. 581 00:40:06,600 --> 00:40:09,200 I've always fancied a painting of myself on a bear rug. 582 00:40:10,100 --> 00:40:11,600 Right now we'd better get you back to the house. 583 00:40:11,900 --> 00:40:13,600 Do you feel strong enough for me to put you onto the horse? 584 00:40:14,300 --> 00:40:16,900 Do you feel strong enough? There's a lot of girl here. 585 00:40:21,100 --> 00:40:24,000 Hmm, there's a lot of man here. I may never walk again. 586 00:40:27,900 --> 00:40:30,000 Gee, Petey, she's pretty special. 587 00:40:30,500 --> 00:40:33,800 She can sing and dance and cook, and she's a sharpshooter too. 588 00:40:45,100 --> 00:40:45,900 Hi. 589 00:40:50,000 --> 00:40:51,600 Well, looks like you're going to be alright. 590 00:40:51,900 --> 00:40:53,888 I'll live. That was just my first waltz with a bear. 591 00:40:54,008 --> 00:40:55,680 Next time I'll put on a better show. 592 00:40:55,800 --> 00:40:57,900 That was a pretty good one today, I am sure grateful to you. 593 00:40:58,300 --> 00:40:59,100 Oh, forget it. 594 00:40:59,600 --> 00:41:02,400 I've got to be starting out for the camp again. - I hope you make it this time. 595 00:41:03,700 --> 00:41:05,600 I'll be gone until Saturday and uh... 596 00:41:06,300 --> 00:41:09,300 If you like, Miss O'Toole, you're welcome to stay on. 597 00:41:10,100 --> 00:41:12,400 You won't be worried, having a stranger here with your kids? 598 00:41:13,000 --> 00:41:16,200 Oh, no. After today, I'd be mighty relieved to know you were watching over them. 599 00:41:17,200 --> 00:41:18,900 Would you stay? - I'd be glad to, Mr Hall. 600 00:41:20,000 --> 00:41:21,700 Oh! And Mr Hall. - Yes, Miss O'Toole. 601 00:41:22,100 --> 00:41:25,000 How about your calling me Vermilion and me calling you Will, huh? 602 00:41:25,400 --> 00:41:27,900 I'd be pleased to call you Vermilion. - That's nice. 603 00:41:28,500 --> 00:41:29,200 What? 604 00:41:29,400 --> 00:41:32,400 Just the way you said that: "I'd be pleased to call you Vermilion". 605 00:41:32,900 --> 00:41:34,600 You know, countrymen sure are different. 606 00:41:35,100 --> 00:41:38,200 Country men are just what their women expect them to be. It's the same all over. 607 00:41:38,500 --> 00:41:40,300 But you haven't got a woman around to keep you in line. 608 00:41:40,400 --> 00:41:43,500 But I did have. A woman gets a man pretty well trained, in ten years... 609 00:41:44,000 --> 00:41:46,800 I figure your wife must have been alright. - You figure rightly. 610 00:41:47,700 --> 00:41:51,300 You know, it wasn't easy for a woman to make out up here twelve years ago. 611 00:41:52,400 --> 00:41:53,500 It's not easy now. 612 00:41:54,000 --> 00:41:57,000 My wife and I built this place, and started our family together. 613 00:41:58,200 --> 00:41:59,600 Yes, ma'am, my woman was alright. 614 00:42:00,600 --> 00:42:04,400 I wonder... why does a love like that come to so few people? 615 00:42:04,700 --> 00:42:05,400 So few? 616 00:42:05,800 --> 00:42:08,000 Love comes to everyone... provided they'll let it. 617 00:42:08,500 --> 00:42:12,400 Oh no, mister... it never came to me like that, nor anyone I've ever known. 618 00:42:13,400 --> 00:42:15,500 It will, Miss O'Toole... Vermilion. 619 00:42:16,000 --> 00:42:19,700 You know, you said something just now, "men are what women expect them to be". 620 00:42:20,200 --> 00:42:23,200 I've been going along expecting nothing, and that's exactly what I've got. 621 00:42:24,000 --> 00:42:25,700 I never met the likes of you before. 622 00:42:26,400 --> 00:42:28,100 I never met the likes of you before. 623 00:42:28,800 --> 00:42:30,800 Well goodbye, I'll see you Saturday. - Goodbye. 624 00:42:34,400 --> 00:42:36,000 Bye, Pa... - Bye, daddy... 625 00:42:36,900 --> 00:42:40,200 Miss Vermilion, Miss Vermilion... You want to go swimming? 626 00:42:40,600 --> 00:42:41,300 Petey! 627 00:42:41,600 --> 00:42:43,500 What's the matter, don't you want to go? 628 00:42:43,800 --> 00:42:45,400 You know the way we go, don't you? 629 00:42:46,200 --> 00:42:47,589 You kids go ahead. One of these days 630 00:42:47,709 --> 00:42:50,315 I'll make us up some suits and we'll all go. Now come on, scoot! 631 00:42:51,500 --> 00:42:53,700 Be careful... watch out for Bucket. 632 00:42:54,400 --> 00:42:55,900 And come back before dark! 633 00:42:56,900 --> 00:42:58,900 Stay out of the deep water, don't get your feet wet. 634 00:42:59,300 --> 00:43:01,500 Be good boys... oh, Mother O'Toole... 635 00:43:12,900 --> 00:43:14,200 Whoa, boy. 636 00:43:33,700 --> 00:43:40,000 Amble in, look around the joint, things go up to the boiling point. 637 00:43:40,372 --> 00:43:43,713 All you red heads, all you firey red heads� 638 00:43:49,000 --> 00:43:50,600 Sammy!... Psst. 639 00:43:51,400 --> 00:43:52,600 Sammy. 640 00:43:56,700 --> 00:43:59,300 Vermilion, am I glad to see you. You know the blonde took your place... 641 00:43:59,500 --> 00:44:02,100 Sammy, Sammy, tell Rose I'm here, will you? I'll wait in the dressing room. 642 00:44:02,500 --> 00:44:03,500 Sure. 643 00:44:26,400 --> 00:44:28,400 Hello, Sammy. - Oh, hi Marshal. 644 00:44:28,600 --> 00:44:30,500 How'd the show go tonight? - Go? It went... 645 00:44:30,800 --> 00:44:31,700 Oh, Rosie... 646 00:44:31,900 --> 00:44:34,000 You know the blonde on the end who passes herself off as a brunette? 647 00:44:34,400 --> 00:44:36,000 She ruined my shoot-the-star step tonight. 648 00:44:36,200 --> 00:44:37,400 Your what? - My shoot-the-star step. 649 00:44:37,600 --> 00:44:41,000 It's very simple, any lame-brain can do it... even you... watch. 650 00:44:49,100 --> 00:44:51,900 What's Daggett doing still here? I gave you a week to get rid of him. 651 00:44:52,500 --> 00:44:54,900 I don't know, baby... he must like the scenery or something. 652 00:44:55,500 --> 00:44:57,319 I told him after a few days that I'd had a letter 653 00:44:57,439 --> 00:44:59,280 from you from Frisco and that you wasn't coming back. 654 00:44:59,400 --> 00:45:01,211 But either he don't believe me or he 655 00:45:01,432 --> 00:45:03,980 just don't care or something, because he's still here. 656 00:45:04,100 --> 00:45:06,200 Well, have you seen Newt around? Maybe he's keeping the Marshal here? 657 00:45:06,500 --> 00:45:09,000 I never did see Newt, nobody did after that first day. 658 00:45:09,200 --> 00:45:10,400 Hello, Miss. 659 00:45:12,200 --> 00:45:13,100 It's Daggett. 660 00:45:16,800 --> 00:45:17,900 Where are you? 661 00:45:18,900 --> 00:45:20,800 Oh, there you are, Rosie. 662 00:45:21,400 --> 00:45:23,500 Hello, Mr Daggett. - What you doing, baby? 663 00:45:23,700 --> 00:45:26,100 Just leaving... - Oh hun, let's stay in here a little while. 664 00:45:26,200 --> 00:45:28,400 I never get a chance to see enough of you alone. 665 00:45:29,100 --> 00:45:31,920 Oh, Mr Daggett! - What's the matter, am I tickling you? 666 00:45:32,600 --> 00:45:35,400 It's time for supper. Ain't you hungry? - All I want is a bite out of you. 667 00:45:40,400 --> 00:45:43,300 Stop it! Oh... Ed... Really... 668 00:45:44,000 --> 00:45:46,466 Really... Ed... Really! 669 00:45:46,586 --> 00:45:50,600 Now go. On your way! - Oh, alright... 670 00:45:52,100 --> 00:45:53,100 Just one kiss. 671 00:46:00,400 --> 00:46:01,400 He's gone. 672 00:46:02,100 --> 00:46:04,600 I don't know, baby, he just must like the scenery or something. 673 00:46:05,300 --> 00:46:07,800 The only landscape that's keeping that Marshal here is yours. 674 00:46:08,300 --> 00:46:10,900 Oh Rosie, is that the way to treat a friend? 675 00:46:11,400 --> 00:46:15,600 I'm sorry. I'm sorry, Vermilion, but I'm just crazy about the old fool. 676 00:46:15,800 --> 00:46:18,800 Well, I'm happy for you honey, but the Marshal of all people... 677 00:46:19,000 --> 00:46:22,000 I'm working on Ed to turn in his badge and settle down here. 678 00:46:22,200 --> 00:46:23,400 Oh Rosie, if you can do that... 679 00:46:23,600 --> 00:46:25,600 Do you think you could stay up there a while longer? 680 00:46:25,900 --> 00:46:29,900 I think maybe so. I'll take some clothes back with me to see me through another week. 681 00:46:30,500 --> 00:46:33,900 Vermilion... in a week I'm sure I could swing it. 682 00:46:34,100 --> 00:46:36,200 Oh Rosie, you're the wildest of them all. 683 00:46:37,600 --> 00:46:41,000 25 cents... one broom. Thank you, Miss Stoffer. 684 00:46:42,000 --> 00:46:43,300 Come back again soon. 685 00:46:45,600 --> 00:46:47,300 And... what can I do for you, ma'am? 686 00:46:47,900 --> 00:46:50,100 This will do the trick. - How many yards, please? 687 00:46:50,700 --> 00:46:52,300 Oh, let me see... 688 00:46:55,400 --> 00:46:58,738 Oh, I can use all of it. - Oh, yes ma'am. 689 00:46:59,800 --> 00:47:02,000 You must be the lady who's a friend of Will Hall's? 690 00:47:03,100 --> 00:47:06,000 I'm taking care of his boys while he's away, if that's what you mean. 691 00:47:07,300 --> 00:47:08,000 Yes, ma'am. 692 00:47:09,200 --> 00:47:11,800 That's her... that's the woman. - What's she doing still here? 693 00:47:12,000 --> 00:47:14,200 Didn't you hear? Taking care of his boys. 694 00:47:14,600 --> 00:47:16,800 That Will evidently never got around to telling her to go. 695 00:47:17,300 --> 00:47:18,900 That might strike you as humorous, Felice.... 696 00:47:19,200 --> 00:47:20,710 But if Will Hall's taken leave of his senses 697 00:47:20,830 --> 00:47:22,580 to the point of letting that creature stay on, 698 00:47:22,700 --> 00:47:24,600 then what we're in for won't be very funny. 699 00:47:25,900 --> 00:47:27,300 Good morning, ladies... 700 00:47:33,700 --> 00:47:35,500 She means trouble to all of us. 701 00:47:36,200 --> 00:47:37,500 You mark my words. 702 00:47:53,400 --> 00:47:55,700 Oh no, it's too cold. - But, Miss Vermilion... 703 00:47:56,000 --> 00:47:58,300 How can I teach you to swim if you won't even get wet? 704 00:47:58,900 --> 00:48:01,700 Thanks just the same, Corney, but I think I'm more the beach type. 705 00:48:02,000 --> 00:48:02,800 I'll hold you up. 706 00:48:03,100 --> 00:48:06,900 Now swing your arms like this, and kick your feet real fast, and you'll see. 707 00:48:07,400 --> 00:48:08,100 I'll bet. 708 00:48:08,700 --> 00:48:11,200 All you have to do is fall into my arms. 709 00:48:11,900 --> 00:48:13,700 Oh, this is madness. 710 00:48:17,700 --> 00:48:20,600 Corney, there're just some people who don't take to water. I'm one of them. 711 00:48:23,300 --> 00:48:25,800 I like it. - Alright, you can have it. 712 00:48:26,283 --> 00:48:28,125 Oh, women! 713 00:48:31,300 --> 00:48:32,800 Well... 714 00:48:34,100 --> 00:48:36,000 Will Hall. When did you get back from camp? 715 00:48:36,200 --> 00:48:37,800 Just now. What's going on here? 716 00:48:38,100 --> 00:48:40,800 My first and last swimming lesson. They launched me and I sank. 717 00:48:40,900 --> 00:48:43,600 Pa... Pa... Howdy Pa, look at me. 718 00:48:44,200 --> 00:48:47,400 She made them for us, Pa. Miss Vermilion can do just about everything. 719 00:48:47,800 --> 00:48:48,400 But swim... 720 00:48:48,600 --> 00:48:50,800 I tried to teach her, but I'm afraid it's a job for you. 721 00:48:51,200 --> 00:48:53,100 Well, let's see how your swimming is coming along. 722 00:48:53,500 --> 00:48:54,200 Good, Pa. 723 00:48:54,900 --> 00:48:58,100 Hello, Mike... Chuck. - Hello, Will. 724 00:48:58,900 --> 00:48:59,800 Come on. 725 00:49:02,200 --> 00:49:04,200 Who are they? - A couple of our neighbors. 726 00:49:05,800 --> 00:49:08,600 Well, I'd better get out of these wet clothes... if you'll excuse me. 727 00:49:13,400 --> 00:49:14,405 You think that was her? 728 00:49:15,100 --> 00:49:16,677 Couldn't tell... from the look I got, 729 00:49:16,797 --> 00:49:19,772 and Edna Stoffer's description, it sure could be Vermilion. 730 00:49:20,200 --> 00:49:23,200 But I can't figure, what in the devil's name will she be doing up here? 731 00:49:23,600 --> 00:49:26,100 Just that - she's here in the devil's name. 732 00:49:29,900 --> 00:49:32,100 How'd the week go? - Oh, fine. 733 00:49:33,100 --> 00:49:35,400 Well, the life up here seems to agree with you. 734 00:49:35,600 --> 00:49:38,200 All but the early-morning hours. I die a little each dawn. 735 00:49:38,400 --> 00:49:41,500 Thank goodness tomorrow is Sunday. You don't get up at the golden hour on Sundays too? 736 00:49:41,800 --> 00:49:44,800 Oh, no, Church day. Sleep 'til six on Sunday. 737 00:49:45,000 --> 00:49:48,200 Six, oh good... Six? On the day of rest? Oh! 738 00:49:49,800 --> 00:49:50,800 Come on, boys. 739 00:50:16,400 --> 00:50:18,100 Good morning. - Morning. 740 00:50:19,800 --> 00:50:21,534 Well, don't you look grand. 741 00:50:21,654 --> 00:50:23,880 If you're not careful, folks'll take you for the preacher. 742 00:50:24,000 --> 00:50:25,900 Folks do. And they're right, I am... 743 00:50:26,300 --> 00:50:28,500 Corney, Petey, Bucket, let's get the buggy out. 744 00:50:30,500 --> 00:50:34,100 You... you're the preacher? - Yes, ma'am... duly ordained. 745 00:50:35,200 --> 00:50:38,200 And the preacher can't be late. So let's get. 746 00:50:39,500 --> 00:50:41,600 Well... if I didn't step right into it. 747 00:50:43,000 --> 00:50:44,400 Miss O'Toole and the preacher... 748 00:50:45,500 --> 00:50:46,600 Oh, no... 749 00:51:15,700 --> 00:51:17,200 He's brought her here. 750 00:51:17,800 --> 00:51:19,700 It's heavenly here, Will, but where's the church? 751 00:51:20,000 --> 00:51:22,800 Well, I figure the church will be just about where those benches are now. 752 00:51:23,400 --> 00:51:25,700 And after the church is finished, we're going to build us a school right over there. 753 00:51:26,400 --> 00:51:27,800 Come on, I want you to meet some of the folks. 754 00:51:28,600 --> 00:51:30,400 Felice, they're coming this way. 755 00:51:31,100 --> 00:51:31,800 Good morning. 756 00:51:32,100 --> 00:51:35,900 Oh... good morning, good morning. - I'd like you to meet Miss O'Toole. 757 00:51:36,000 --> 00:51:37,600 She's looking after my boys now. 758 00:51:37,700 --> 00:51:40,000 Miss O'Toole, Felice and Louise Picket. 759 00:51:40,500 --> 00:51:42,300 Picket?... How do you do? 760 00:51:43,000 --> 00:51:45,000 The Pickets are in charge of the church-building fund. 761 00:51:45,600 --> 00:51:48,700 How nice... well I guess it costs a lot to build you a church. 762 00:51:49,100 --> 00:51:50,800 If I can do anything to help out, I'll be glad to. 763 00:51:51,500 --> 00:51:52,800 We're planning a bazaar. 764 00:51:53,100 --> 00:51:55,300 There will be work for everyone. Won't there, Louise? 765 00:51:55,700 --> 00:51:57,000 A bazaar? Great... 766 00:51:57,300 --> 00:51:59,400 Set up a blackjack table, and I'll build you a cathedral. 767 00:51:59,700 --> 00:52:00,500 Blackjack? 768 00:52:01,000 --> 00:52:04,900 Isn't that a game of chance? - Not with my shuffle. 769 00:52:05,200 --> 00:52:07,000 What she means is, it's a game of skill. 770 00:52:07,900 --> 00:52:10,900 Well, nice to have met you girls. - Happy to have met you too. 771 00:52:11,200 --> 00:52:12,700 I want you to meet some of the others. 772 00:52:15,900 --> 00:52:17,100 She's got him hexed. 773 00:52:17,600 --> 00:52:20,900 It's not at all like Will. It's just not like him at all. 774 00:52:21,300 --> 00:52:22,700 We've got to help him. - Yes, we do. 775 00:52:23,300 --> 00:52:26,200 She's like the devil wrapped in a maiden's form. 776 00:52:28,100 --> 00:52:30,200 Why don't you sit down here? - You're not going to leave me. 777 00:52:30,600 --> 00:52:34,500 Just relax... talk to the folks. Get to know them. Let them get to know you. 778 00:52:34,700 --> 00:52:37,000 Yeah... to know me is to love me. - That's right. 779 00:52:38,200 --> 00:52:39,600 Good morning, Edna. - Good morning. 780 00:52:40,100 --> 00:52:43,600 Edna... do you have a moment? There's someone I'd like to introduce. 781 00:52:43,800 --> 00:52:46,200 Mrs Stoffer, this is Miss O'Toole. - How do you do? 782 00:52:46,700 --> 00:52:50,500 How do you do... if you'll excuse me... I have to set up the organ. 783 00:52:54,700 --> 00:52:57,000 That's what I like... a nice, warm personality. 784 00:52:57,600 --> 00:52:59,700 Yep... Sure charmed her. - You will. 785 00:53:00,400 --> 00:53:02,500 Next time, I'll sit cross-legged and play a flute. 786 00:53:03,100 --> 00:53:04,900 You'd better hop up there and give out with the good word, 787 00:53:05,100 --> 00:53:07,200 while I sit here and charm the rest of the congregation. 788 00:53:07,700 --> 00:53:08,900 The boys will be over to keep you company. 789 00:53:09,300 --> 00:53:10,000 Thanks. 790 00:53:15,100 --> 00:53:16,700 Good morning, Mike. - Morning, Will... 791 00:53:17,100 --> 00:53:19,000 Let me give you a hand. - Let me take your coat, Will. 792 00:53:20,400 --> 00:53:22,318 Is there so little business down at the Opera House 793 00:53:22,438 --> 00:53:24,280 that you have to come looking for business up here? 794 00:53:24,400 --> 00:53:27,000 Who are you? - Never mind. I know who you are. 795 00:53:27,400 --> 00:53:29,300 Why don't you go back where you belong? - Look, Will Hall... 796 00:53:29,500 --> 00:53:31,800 Will Hall is our man of God. Leave him be. 797 00:53:33,000 --> 00:53:36,500 Get out of our church. This is no place for the likes of you. 798 00:53:39,100 --> 00:53:42,300 - The service is about to start, Miss Vermillion. - We want to sit with you. 799 00:53:42,500 --> 00:53:43,700 Well alright, sit down. 800 00:53:45,500 --> 00:53:48,300 Will, what are you thinking of? You got a position to uphold around here. 801 00:53:48,700 --> 00:53:52,000 You're not just one of these timber-rats. What's she doing here, Will? 802 00:53:53,100 --> 00:53:54,800 Taking care of my kids. - That woman? 803 00:53:55,300 --> 00:53:56,500 Do you know who she is, son? 804 00:53:57,000 --> 00:53:59,400 She's the Queen-bee of the Opera House in Timberline. 805 00:54:00,200 --> 00:54:02,600 Well, she's just a housekeeper at mine. - Housekeeper? 806 00:54:03,300 --> 00:54:06,400 Ain't you got eyes? All you got to do is look at her and know. 807 00:54:07,100 --> 00:54:08,700 Think of us... we need you. 808 00:54:09,200 --> 00:54:11,600 Don't turn your back on a whole community for one of those 'creatures'. 809 00:54:11,900 --> 00:54:13,300 Let's not discuss it here, Chuck. 810 00:54:14,000 --> 00:54:16,800 You brought her here... you asked... - That's enough, I said. 811 00:54:17,600 --> 00:54:19,200 You're standing in a house of worship. 812 00:54:20,200 --> 00:54:22,300 A place of worship should be kept clean. 813 00:54:22,800 --> 00:54:24,800 Some day we aim to have a fine church here. 814 00:54:25,200 --> 00:54:27,300 And when we do, the outside wall will be right there. 815 00:54:28,000 --> 00:54:30,500 We're outside the church now, so what is it you want to say, Chuck? 816 00:54:31,000 --> 00:54:32,200 What kind of church can you have... 817 00:54:32,400 --> 00:54:35,300 when you soil it up with a woman who is nothing more than a dirty, cheap... 818 00:54:42,500 --> 00:54:43,600 Stop them! 819 00:54:51,300 --> 00:54:54,828 - I hate him. - Bucket, you stay here. 820 00:55:05,000 --> 00:55:07,000 Mike... ladies... if you'll take your seats. 821 00:55:08,500 --> 00:55:09,500 Edna, sit down. 822 00:55:11,900 --> 00:55:14,600 My apologies to all of you for the delay in the service. 823 00:55:15,800 --> 00:55:17,400 Folks, if you'll please be seated. 824 00:55:20,100 --> 00:55:23,800 My sermon this morning... oddly enough is on brotherly love. 825 00:55:24,500 --> 00:55:27,800 I'll wager it's not often that a preacher stands before his congregation and... 826 00:55:28,000 --> 00:55:30,208 talks with them about the importance of brotherly love 827 00:55:30,328 --> 00:55:33,340 after he's just whipped the daylights out of one his brothers. 828 00:55:33,800 --> 00:55:38,600 But love of brother... love of country... love of anyone or anything... 829 00:55:39,000 --> 00:55:44,200 must be defended not by words alone, but by all the strength that God has given us. 830 00:55:44,900 --> 00:55:47,600 Now let us all stand and clear the air with song. 831 00:55:48,700 --> 00:55:50,500 Edna, hymn 367. 832 00:55:59,700 --> 00:56:05,800 Holy, holy, holy Lord 833 00:56:06,000 --> 00:56:12,100 God of Hosts, eternal King, 834 00:56:12,400 --> 00:56:18,300 By the heavens and earth adored; 835 00:56:18,800 --> 00:56:24,800 Angels and archangels sing, 836 00:56:25,300 --> 00:56:31,200 Chanting everlastingly 837 00:56:31,600 --> 00:56:37,900 To the blessed Trinity. 838 00:56:38,200 --> 00:56:44,400 Amen... 839 00:57:07,900 --> 00:57:11,400 Oh... well... oh, Edna. Well, Won't you come in? 840 00:57:15,000 --> 00:57:16,300 Good afternoon, Mrs Stoffer. 841 00:57:16,500 --> 00:57:18,600 Will, we'd like to speak to you alone. 842 00:57:19,400 --> 00:57:20,900 Of course, if you'll excuse me. 843 00:57:22,700 --> 00:57:23,500 Vermi... 844 00:57:26,200 --> 00:57:28,300 Corney, take your brothers out and get them some fresh air. 845 00:57:29,900 --> 00:57:32,200 Sit down, Edna... ladies. 846 00:57:38,300 --> 00:57:42,800 Why is it grown folks is always interested kids should have so much air? 847 00:57:43,200 --> 00:57:44,900 Yeah... I hate it. 848 00:57:45,400 --> 00:57:48,500 Will, as the preacher, we all look to you to set the example. 849 00:57:49,100 --> 00:57:50,600 You're responsible to us for your actions. 850 00:57:51,200 --> 00:57:53,200 And this fight over that woman... - You're right, Edna. 851 00:57:53,800 --> 00:57:55,600 I am responsible to you for my actions. 852 00:57:56,100 --> 00:57:59,400 But don't you think that as your preacher that I, in turn, am entitled to your confidence? 853 00:57:59,600 --> 00:58:02,000 We've got all the confidence in the world in you, Will, haven't we? 854 00:58:02,200 --> 00:58:04,899 But having that woman around just... - don't look Christian. 855 00:58:04,900 --> 00:58:06,200 And for the sake of looking like Christians... 856 00:58:06,400 --> 00:58:09,600 you want us to be so un-Christian as to turn our backs on someone who's come for help. 857 00:58:09,800 --> 00:58:11,900 Help? You really think she wants our help? 858 00:58:12,300 --> 00:58:14,800 I hardly think so... I don't know what her scheme is... 859 00:58:15,200 --> 00:58:17,700 But she's got some good reason for hiding herself away up here. 860 00:58:18,200 --> 00:58:19,700 Why, you make her sound like a common criminal. 861 00:58:19,900 --> 00:58:21,400 How do you know she's not, Will? 862 00:58:22,300 --> 00:58:23,900 I'm a pretty good judge of people, Edna. 863 00:58:24,900 --> 00:58:27,000 And I'll stake my reputation on Miss O'Toole. 864 00:58:29,300 --> 00:58:33,500 Why don't you get to know her as I do? You'll find that she's honest... and good. 865 00:58:34,200 --> 00:58:37,300 Will... just how much of this deep concern is Christian? 866 00:58:37,800 --> 00:58:38,900 And how much personal? 867 00:58:39,300 --> 00:58:41,700 I try to make my personal concerns Christian ones, Edna. 868 00:58:42,400 --> 00:58:43,400 As we all should. 869 00:58:43,800 --> 00:58:45,503 Perhaps the meeting of the Ladies Aid would be 870 00:58:45,623 --> 00:58:48,480 a good time for us to get better acquainted with Miss O'Toole. 871 00:58:48,600 --> 00:58:49,600 What do you think, ladies? 872 00:58:50,200 --> 00:58:51,600 I for one think it would be a mistake. 873 00:58:52,200 --> 00:58:54,000 We've got the church building fund to get under way, 874 00:58:54,400 --> 00:58:56,100 and I'm sure Miss O'Toole wouldn't be interested. 875 00:58:56,600 --> 00:58:58,000 Why don't you ask her and find out? 876 00:58:58,300 --> 00:58:59,600 It's alright with me, Will. 877 00:58:59,900 --> 00:59:03,100 I think Edna's right. We have more important work to attend to. 878 00:59:03,500 --> 00:59:05,900 But if Will wants us to... Will... 879 00:59:06,500 --> 00:59:08,800 There's a meeting at the store Thursday night at 8 o'clock. 880 00:59:09,000 --> 00:59:10,800 If you want her to be there, you can tell her about it. 881 00:59:11,200 --> 00:59:11,800 Thank you, Louise. 882 00:59:11,900 --> 00:59:13,400 This is the wrong way to handle this, Louise. 883 00:59:13,800 --> 00:59:15,000 It's the Christian way, Edna. 884 00:59:16,300 --> 00:59:17,800 If you think so, Will. 885 00:59:19,400 --> 00:59:21,100 Goodbye, Will. - Good day. 886 00:59:21,841 --> 00:59:23,280 I think we'd better be going. 887 00:59:23,400 --> 00:59:24,900 Goodbye, Will. - Goodbye. 888 00:59:25,800 --> 00:59:27,800 Goodbye, Will. - Felice... 889 00:59:37,500 --> 00:59:38,300 Come in. 890 00:59:41,000 --> 00:59:43,200 I heard all the ladies had to say, and they're right. 891 00:59:43,700 --> 00:59:45,100 I'm just what they say I am. 892 00:59:45,700 --> 00:59:48,000 You're a sweet, wonderful guy, who always thinks the best of people. 893 00:59:48,300 --> 00:59:50,400 But this time you're wrong, Will. I'm leaving. 894 00:59:51,000 --> 00:59:53,900 Leaving?... For Timberline? 895 00:59:54,300 --> 00:59:57,800 No, I can't go back there. There's a Federal Marshal waiting for me. 896 00:59:58,200 --> 01:00:01,400 Well... what's a Federal Marshal waiting for you for? 897 01:00:01,700 --> 01:00:03,100 I was arrested a year ago in Denver... 898 01:00:03,400 --> 01:00:04,563 because a saloon I was singing in 899 01:00:04,683 --> 01:00:06,880 turned out to be a clearing house for a bunch of thieves. 900 01:00:07,000 --> 01:00:09,004 I'm a pretty smart girl, Will, but honestly I didn't know 901 01:00:09,124 --> 01:00:10,880 there was anything crooked going on there. 902 01:00:11,000 --> 01:00:12,800 Except maybe a little dealing from the bottom of the deck. 903 01:00:13,100 --> 01:00:15,000 Give me a hand... will you? 904 01:00:16,400 --> 01:00:18,900 Well, if you're innocent, couldn't you prove it? 905 01:00:19,100 --> 01:00:21,600 I tried. I guess I just haven't got an honest face. 906 01:00:22,700 --> 01:00:26,500 You see, I was a very close friend of Newt Cole, the guy who owned the place. 907 01:00:27,100 --> 01:00:30,100 The police thought I was much too close to him, not to be in on what was going on. 908 01:00:31,400 --> 01:00:34,500 We were together a lot of the time but he never talked business. 909 01:00:37,900 --> 01:00:40,800 Vermilion, this guy Newt... Were you going to marry him? 910 01:00:43,300 --> 01:00:45,400 No... no, it was nothing like that. 911 01:00:46,200 --> 01:00:48,800 He was just a good-looking guy with a sort of a way about him... 912 01:00:54,600 --> 01:00:58,400 You're disappointed in me... I'm sorry. Maybe you expected too much. 913 01:01:01,300 --> 01:01:04,300 I can't understand how Mrs Stoffer knew so much more about you than I did. 914 01:01:04,500 --> 01:01:06,500 It's easy to see what a person's been, Will... 915 01:01:06,900 --> 01:01:08,800 It's much tougher to find out what they want to be. 916 01:01:10,300 --> 01:01:12,700 Well, you running away isn't going to help them find out any. 917 01:01:14,300 --> 01:01:16,800 Why don't you stay and show these people... prove it to them. 918 01:01:18,600 --> 01:01:20,900 And to yourself... - Myself? 919 01:01:21,300 --> 01:01:23,500 Lots of times we think we want something until we try it. 920 01:01:24,300 --> 01:01:26,500 Life here is quiet and very simple. 921 01:01:27,100 --> 01:01:28,700 It might prove too simple for you. 922 01:01:30,300 --> 01:01:31,400 Will... 923 01:01:33,100 --> 01:01:36,300 Do you want me to stay? - Yes, I do. 924 01:01:36,500 --> 01:01:37,900 Dad! - Yes. 925 01:01:38,100 --> 01:01:40,300 Can we come in now? We're full of fresh air. 926 01:01:40,600 --> 01:01:41,900 Why sure, come on in. 927 01:01:48,400 --> 01:01:52,100 Now, if each lady put up five jars of her very special... 928 01:01:52,500 --> 01:01:55,400 Oh, I'm sorry Felice, Pa's sick and I had to do the milking. 929 01:01:55,800 --> 01:01:58,600 The door, dear... carry on, Felice. - Now where was I... 930 01:01:58,800 --> 01:02:03,000 Now... if each lady put up five jars of her very special preserves... 931 01:02:03,200 --> 01:02:05,100 Like my pickled walnut. - Oh, yes... 932 01:02:05,500 --> 01:02:08,100 And we sold them for, say, ten cents a jar... 933 01:02:08,500 --> 01:02:11,900 That's not too much, do you think, considering the money for the church. 934 01:02:12,100 --> 01:02:15,100 Mrs Picket. Mrs Picket. - Yes, Miss O'Toole? 935 01:02:15,600 --> 01:02:16,200 Er... 936 01:02:18,700 --> 01:02:19,600 Nothing. 937 01:02:20,300 --> 01:02:21,400 Go on. - Well, uh... 938 01:02:21,800 --> 01:02:23,200 You were saying ten cents a jar. 939 01:02:23,400 --> 01:02:26,200 Yes. At ten cents a jar, if we each put up, say, five... 940 01:02:26,600 --> 01:02:29,500 Well, it should at least be enough to start the foundation, shouldn't it? 941 01:02:29,800 --> 01:02:32,900 We could also make up some lovely aprons and pot-holders. 942 01:02:33,100 --> 01:02:34,300 Look, ladies. 943 01:02:34,700 --> 01:02:37,800 I know I'm new in the club, but I'd like to see that church built fast. 944 01:02:38,100 --> 01:02:39,800 Not just the foundation, the whole thing. 945 01:02:40,200 --> 01:02:43,300 Miss O'Toole... I'm sure that's the wish of every lady here. 946 01:02:43,800 --> 01:02:46,100 Then let�s start talking in terms of higher finance. 947 01:02:46,400 --> 01:02:48,900 Not just a dime-a-jar and a nickel-a-pot holder. 948 01:02:49,000 --> 01:02:52,200 Let's start talking in terms of dollars, girls. Lots and lots of dollars. 949 01:02:52,700 --> 01:02:55,200 I trust this all leads to a practical suggestion. 950 01:02:55,500 --> 01:02:59,200 It sure does, honey. I know how we can get us a bucket of gold in one day. 951 01:02:59,500 --> 01:03:02,200 Enough to build the whole church and put a bell and pidgeons in the steeple. 952 01:03:02,400 --> 01:03:05,300 In one day? How? - By putting on a show. 953 01:03:05,600 --> 01:03:08,100 A show! - Felice... really! 954 01:03:08,700 --> 01:03:10,600 You mean a theatrical show? Ridiculous. 955 01:03:11,200 --> 01:03:11,900 Why? 956 01:03:12,400 --> 01:03:14,200 The ladies here don't happen to be actresses. 957 01:03:14,400 --> 01:03:17,100 Oh, that's where you're wrong. There's a lot of actress in everybody. 958 01:03:17,400 --> 01:03:19,600 I'm afraid Miss O'Toole, a show is out of the question. 959 01:03:20,300 --> 01:03:22,800 And music? We have Mrs Stoffer here to play the piano. 960 01:03:23,100 --> 01:03:25,000 And after hearing the singing in church last Sunday... 961 01:03:25,200 --> 01:03:28,500 I know that all you ladies and most of the men can sing to rival the birds. 962 01:03:28,700 --> 01:03:30,800 My sister and I have studied dancing. 963 01:03:31,400 --> 01:03:35,600 Oh, Felice, that was years ago. I don't remember a step really. 964 01:03:35,800 --> 01:03:38,800 Well, I can help perk up your old routine with a high kick or two of my own. 965 01:03:39,000 --> 01:03:40,800 Now come on, anyone else got any hidden talents? 966 01:03:41,100 --> 01:03:44,300 My Alvin plays the cornet, and his sister the drums. 967 01:03:44,600 --> 01:03:46,700 You see, we can have a regular opera before we're done. 968 01:03:47,000 --> 01:03:48,800 Come on, ladies, speak up. Don't be bashful. 969 01:03:49,100 --> 01:03:51,300 We can raise all the money we want and have fun while we're doing it. 970 01:03:51,500 --> 01:03:57,000 Miss O'Toole... Ida. Ida studied dramatics by correspondence. Ida... 971 01:03:57,200 --> 01:03:59,600 Romeo, wherefore art thou Romeo? 972 01:03:59,900 --> 01:04:03,000 Oh, that's good, that's very good. - And I can help with the sewing. 973 01:04:03,500 --> 01:04:05,900 My husband will build you anything you want. 974 01:04:05,901 --> 01:04:06,901 S'cuse me. 975 01:04:07,400 --> 01:04:11,300 Miss O'Toole, I once considered very seriously going on the stage. 976 01:04:11,900 --> 01:04:12,800 As an actor. 977 01:04:13,100 --> 01:04:14,900 Well, consider it again, Mr Higgins. 978 01:04:15,400 --> 01:04:17,100 I thought there was a bit of the devil in you. 979 01:04:17,600 --> 01:04:19,900 Oh... Miss O'Toole. 980 01:04:20,500 --> 01:04:22,100 Oh... Mr Higgins. 981 01:04:24,000 --> 01:04:26,700 Red and yellow on all the flowers, and lots of green on the leaves. 982 01:04:26,900 --> 01:04:28,646 And be sure to do it very fast so they'll dry 983 01:04:28,766 --> 01:04:31,180 before you put them up. Get the snow whiter, will you? 984 01:04:31,300 --> 01:04:36,000 Ah my lovely, I'll not be gone for long. I'll be back tomorrow for the rent. 985 01:04:36,200 --> 01:04:38,600 and if perchance you haven't got the money... - Raised the money. 986 01:04:38,900 --> 01:04:41,900 Er, raised the money. - Oh, ho, then what, Squire Davidson? 987 01:04:42,300 --> 01:04:44,900 Then out into the snow with you and your deaf old... 988 01:04:45,200 --> 01:04:46,600 Uhuh... uhuh. 989 01:04:47,200 --> 01:04:49,000 With you and your blind old father. 990 01:04:49,200 --> 01:04:51,100 Curtain. There won't be a dry eye in the house. 991 01:04:52,100 --> 01:04:53,300 Do you think I'm mean enough? 992 01:04:53,500 --> 01:04:57,000 Mean? Why, Mr Higgins, you'll be lucky if anyone speaks to you after this show. 993 01:04:57,900 --> 01:05:02,600 Then out into the snow with you and your... and your blind old father. 994 01:05:02,800 --> 01:05:04,200 Oh, have pity, have pity. 995 01:05:04,400 --> 01:05:06,000 No, no, Louise, that's not right... 996 01:05:06,500 --> 01:05:09,900 First is up here, and then down there. - No, no, no. 997 01:05:10,200 --> 01:05:12,400 I know you're wrong - up there... 998 01:05:12,600 --> 01:05:14,900 You have to get that curtain way over to the left or they'll see backstage. 999 01:05:15,300 --> 01:05:16,300 Miss O'Toole? - Yes? 1000 01:05:16,900 --> 01:05:18,500 A friend of yours came by my shop today. 1001 01:05:19,100 --> 01:05:20,600 Who? - Newt Cole. 1002 01:05:21,500 --> 01:05:24,000 He wants pretty bad to see you. - Where is he? 1003 01:05:24,300 --> 01:05:25,600 I'm to take you to him. 1004 01:05:26,100 --> 01:05:28,900 He wants to talk over some plans he's got for the two of you. 1005 01:05:29,200 --> 01:05:32,700 You can tell Mr Cole what I said the other day still goes. He's wasting his time. 1006 01:05:32,900 --> 01:05:35,200 Why don't you go with him? He's your kind. 1007 01:05:35,600 --> 01:05:37,600 We're poor people, there's nothing for you up here. 1008 01:05:37,900 --> 01:05:40,600 You're wrong, mister, there's everything for me right here. 1009 01:05:50,000 --> 01:05:51,600 Alvin, turn the page. 1010 01:05:52,300 --> 01:05:54,700 You're not with us, Mrs Stoffer. - Pardon me? 1011 01:05:55,000 --> 01:05:57,400 Let's do it again please, girls. Felice! Louise! 1012 01:06:02,000 --> 01:06:05,500 Take me to town, my darling, take me to town. 1013 01:06:06,200 --> 01:06:10,000 I'll wear my bonnet and my new gingham gown. 1014 01:06:10,200 --> 01:06:14,200 Take me to town, my darling, show me around. 1015 01:06:14,600 --> 01:06:18,200 I might even kiss you... if you take me to town. 1016 01:06:18,400 --> 01:06:22,000 Oh, take me to town, my darling, I'll look so cute. 1017 01:06:23,100 --> 01:06:26,700 And just like New Year's Eve, we'll go on a toot. 1018 01:06:27,100 --> 01:06:31,200 We'll have our pictures taken doing the crown. 1019 01:06:31,400 --> 01:06:34,800 I might even hug you if you take me to town. 1020 01:06:35,200 --> 01:06:39,400 Oh, take me to town, my darling, take me to dine... 1021 01:06:40,200 --> 01:06:41,900 Mrs Stoffer, more lively, please. 1022 01:06:42,400 --> 01:06:45,000 Girls, girls, more zip... Here, let me show you. 1023 01:06:45,800 --> 01:06:46,700 Zip...? 1024 01:06:48,800 --> 01:06:50,200 I never saw anything like it. 1025 01:06:50,500 --> 01:06:51,876 If I had her cutting timber for me, 1026 01:06:51,889 --> 01:06:54,280 she'd keep the river full of logs the year round. 1027 01:06:54,400 --> 01:06:57,200 Take me to town, my darling, take me to town. 1028 01:06:57,800 --> 01:07:00,900 I'll wear my bonnet and my new gingham gown. 1029 01:07:01,400 --> 01:07:04,200 Take me to town, my darling, show me around. 1030 01:07:04,700 --> 01:07:07,700 I might even kiss you if you take me to town. 1031 01:07:08,400 --> 01:07:11,400 Take me to town, my darling, take me to dine. 1032 01:07:12,000 --> 01:07:15,000 I'll ask my mom if I can stay up till nine. 1033 01:07:15,500 --> 01:07:18,500 Take me to town, my darling, show me around. 1034 01:07:19,100 --> 01:07:22,400 I might even kiss you, I might even hug you... 1035 01:07:22,700 --> 01:07:27,600 Oh, how much I'll love you if you take me to... TOWN! 1036 01:07:28,700 --> 01:07:30,500 Now girls, try to do it at least that fast. 1037 01:07:30,800 --> 01:07:32,469 Mrs Stoffer, that was almost right that time. 1038 01:07:32,469 --> 01:07:34,298 Now let's do it again and put some snap into it. 1039 01:07:34,418 --> 01:07:36,200 One, two, three, four... 1040 01:07:37,400 --> 01:07:38,600 Miss O'Toole. 1041 01:07:39,600 --> 01:07:40,400 Yes, Mrs Stoffer? 1042 01:07:40,600 --> 01:07:42,500 I'm not used to people snapping their fingers at me. 1043 01:07:42,700 --> 01:07:45,700 And what's more I don't intend to get used to it, or you, or this vulgar show. 1044 01:07:46,200 --> 01:07:48,600 No doubt you'll be happier with a piano player who can pound out... 1045 01:07:48,800 --> 01:07:50,700 this cheap music as fast as you can snap it. 1046 01:07:51,100 --> 01:07:53,400 But they'll play it on somebody else's piano. 1047 01:07:55,000 --> 01:07:59,300 Alvin, Magnus... please see to it that my piano is loaded on to my buggy. 1048 01:08:05,200 --> 01:08:07,100 Edna, you can't walk out on us now. 1049 01:08:07,900 --> 01:08:12,200 Will... that woman's gone too far. - But we can't get anyone else to play. 1050 01:08:12,500 --> 01:08:14,000 Oh, the heck we can't! 1051 01:08:14,400 --> 01:08:17,800 You're right, Mrs Stoffer. What this show needs is a little more snap in the music. 1052 01:08:18,000 --> 01:08:19,796 And I'll get it there if I have to play it on a comb. 1053 01:08:20,200 --> 01:08:21,344 That's alright honey, you go ahead, 1054 01:08:21,464 --> 01:08:23,980 because the only snap you've got left is in your garter. 1055 01:08:24,100 --> 01:08:26,000 Ah... ah... 1056 01:08:27,100 --> 01:08:29,300 Edna... I'll talk to her. 1057 01:08:32,800 --> 01:08:35,500 And so the Prince and the Princess lived happily ever after 1058 01:08:35,900 --> 01:08:37,100 What happened "ever after"? 1059 01:08:37,700 --> 01:08:39,400 That's another story for another night. 1060 01:08:39,600 --> 01:08:41,099 Now to sleep you kids, come on. 1061 01:08:41,100 --> 01:08:44,000 I love you. - And I love you too. 1062 01:08:44,200 --> 01:08:45,800 Miss Vermilion, can I have a drink of water, please? 1063 01:08:46,100 --> 01:08:47,800 No, go to sleep... 1064 01:08:55,100 --> 01:08:57,300 You were late, Will, so I put the kids to bed. 1065 01:08:57,600 --> 01:09:01,300 Well, we don't have a band for tomorrow so we might as well call the whole show off. 1066 01:09:01,500 --> 01:09:02,100 What? 1067 01:09:02,400 --> 01:09:03,793 Edna wouldn't change her mind, and it seems 1068 01:09:03,913 --> 01:09:06,814 she's talked Alvin and Magnus into quitting too. 1069 01:09:07,100 --> 01:09:10,600 Don't worry, in the morning I'll send Corney into Timberline to get my friend Rose. 1070 01:09:11,200 --> 01:09:11,900 Rose? 1071 01:09:12,100 --> 01:09:12,800 Pa? 1072 01:09:13,300 --> 01:09:14,700 Alright Corney, I'll be there in a minute. 1073 01:09:15,100 --> 01:09:17,300 Do you think your friend will come up here and bring her piano with her? 1074 01:09:17,700 --> 01:09:20,400 Strapped to her back if that's the only way she can move it. Rose is a wonder. 1075 01:09:20,600 --> 01:09:22,600 Pa! - Coming, Corney. 1076 01:09:24,300 --> 01:09:25,900 Goodnight. - Goodnight, Will. 1077 01:09:28,400 --> 01:09:32,000 Pa, turn up the light. - Shush, you'll wake the others. 1078 01:09:32,200 --> 01:09:35,900 We're awake. Turn up the light, Pa. We want to show you something. 1079 01:09:38,600 --> 01:09:42,100 Alright, what is it? - There. You got one too. 1080 01:09:42,400 --> 01:09:45,100 Just tonight, we finished sewing the buttons on. 1081 01:09:45,400 --> 01:09:47,600 Now you can teach Miss Vermilion to swim. 1082 01:09:48,700 --> 01:09:50,600 Alright boys, now settle down, we'll get some sleep. 1083 01:09:50,900 --> 01:09:51,900 Pa... - Yup. 1084 01:09:52,400 --> 01:09:54,600 We was thinking... me, Petey and Bucket. 1085 01:09:55,300 --> 01:09:58,200 It'd sure be nice if we was to call Miss Vermilion Ma. 1086 01:09:58,500 --> 01:09:59,800 And it'd be shorter, too. 1087 01:10:00,200 --> 01:10:03,200 She's awful fine, Pa. - I like her. 1088 01:10:03,900 --> 01:10:05,500 You know, it's funny. I was thinking about that. 1089 01:10:06,100 --> 01:10:08,400 How would you fellas like it if Miss Vermilion was to stay on? 1090 01:10:08,600 --> 01:10:11,500 - You mean for good Pa? - Gee Pa, that'd be handsome. 1091 01:10:12,000 --> 01:10:13,000 You'd like that, huh? 1092 01:10:14,870 --> 01:10:17,462 It'd be wonderful. It'd be grand. 1093 01:10:17,700 --> 01:10:19,000 What's going on? 1094 01:10:19,800 --> 01:10:24,100 Now look here, fellas, no all-night brawling. This is a respectable house. 1095 01:10:24,400 --> 01:10:26,600 Sorry, ma'am. - Well, it's not you so much, Will Hall. 1096 01:10:26,700 --> 01:10:29,800 It's these ruffians you hang out with. - Well, I try to keep them in tow, miss. 1097 01:10:30,000 --> 01:10:32,300 But it seems they've got a certain gal on their mind, and they can't quiet down. 1098 01:10:32,400 --> 01:10:35,400 Oh... well I'll quiet them down. 1099 01:10:36,200 --> 01:10:37,800 Get back in that bed. 1100 01:10:38,400 --> 01:10:40,000 Come here, come here. 1101 01:10:40,300 --> 01:10:42,899 Well, one large foot and one small one. Hadn't noticed that before. 1102 01:10:42,900 --> 01:10:44,900 I am the bedbug! - Who? 1103 01:10:45,300 --> 01:10:46,800 Oh, Corney. 1104 01:10:47,300 --> 01:10:48,900 Miss Vermilion. - Yes, dear? 1105 01:10:49,500 --> 01:10:52,200 You know what? You're the girl we had in mind. 1106 01:10:53,100 --> 01:10:55,700 Our Pa wants you to stay on for good. 1107 01:11:02,300 --> 01:11:04,400 Gee, Pa, what'd she do that for? 1108 01:11:05,500 --> 01:11:08,200 Well, that's the way women do things, boys. You're going to have to get used to it. 1109 01:11:16,600 --> 01:11:18,800 Vermilion. - Yes. 1110 01:11:22,000 --> 01:11:24,100 Could you see yourself staying up here for good? 1111 01:11:25,300 --> 01:11:28,400 For good is a long time, Will. - It won't always be as rough as this. 1112 01:11:28,800 --> 01:11:31,500 When the church is finished, I'll build us a nicer cabin up in the far meadow. 1113 01:11:31,800 --> 01:11:33,700 And later on, when the congregation is bigger... 1114 01:11:33,900 --> 01:11:36,200 Why I'll give up logging and be a full-time preacher. 1115 01:11:36,900 --> 01:11:39,600 And, you know, preacher's wives get to sleep later than logger's wives. 1116 01:11:39,900 --> 01:11:42,400 It doesn't matter, Will, all that I've told you about myself? 1117 01:11:42,800 --> 01:11:45,300 The kids love you and I love you. That's all that matters. 1118 01:11:46,100 --> 01:11:48,500 And you love us. - I do love you, darling. 1119 01:11:49,300 --> 01:11:51,900 I think I knew from the first moment I saw you. 1120 01:11:59,400 --> 01:12:01,200 Then we'll be married when the church is finished. 1121 01:12:02,000 --> 01:12:06,700 But Will... is it alright? With the folks up here, I mean. 1122 01:12:07,500 --> 01:12:10,800 Oh, sure, they'll come around. Even Mrs Stoffer and Chuck. 1123 01:12:11,600 --> 01:12:12,903 In that case I'm going to get me a hammer 1124 01:12:13,023 --> 01:12:15,396 and help you build that church, so it won't take so long. 1125 01:12:16,100 --> 01:12:17,600 And when it's finished, we will be married. 1126 01:12:18,000 --> 01:12:19,600 If I'm not too tired. 1127 01:12:26,000 --> 01:12:29,400 What do you say? - I like it... yeah... 1128 01:12:38,000 --> 01:12:40,000 Thanks, men... Sammy... 1129 01:12:40,200 --> 01:12:41,491 If Mr Daggett gets back from Frisco, 1130 01:12:41,611 --> 01:12:44,080 tell him I've gone to visit a sick friend for the night. 1131 01:12:44,200 --> 01:12:46,400 With a piano. - Better still, tell him nothing. 1132 01:12:46,700 --> 01:12:49,800 I don't what could be so important to Vermilion to drag you a-way up there. 1133 01:12:50,100 --> 01:12:53,700 All I know is what the kid told me. She's building a church and wants me to help her. 1134 01:12:54,100 --> 01:12:56,100 Oh, she�s building a... a what? 1135 01:12:56,500 --> 01:12:57,500 Giddup... 1136 01:13:13,000 --> 01:13:15,900 The church is practically built. - If they like the show and fill up the hat. 1137 01:13:16,200 --> 01:13:17,610 If they don't dig down deep enough, I'll take them 1138 01:13:17,730 --> 01:13:19,780 by the heels and shake the money out of them. 1139 01:13:19,900 --> 01:13:20,900 And I'll help you. - Will. 1140 01:13:21,300 --> 01:13:23,200 Will, could you come here and help us just a minute? 1141 01:13:23,600 --> 01:13:26,700 He sure is something special. - Isn't he though. 1142 01:13:27,000 --> 01:13:29,000 Now, how about you? We haven't had a chance to talk. 1143 01:13:29,200 --> 01:13:32,000 How did you manage to get away from that man of yours, piano and all? 1144 01:13:32,300 --> 01:13:36,700 He's in Frisco, turning in that little tin star he was always scratching me with. 1145 01:13:37,000 --> 01:13:38,100 Oh, Rose... thank heavens. 1146 01:13:38,400 --> 01:13:39,954 He still wants to see you and Newt in jail. 1147 01:13:40,074 --> 01:13:41,480 That fall from the train almost killed him, you know. 1148 01:13:41,600 --> 01:13:42,329 Well, I didn't have anything to do with the fall. 1149 01:13:42,449 --> 01:13:43,263 I know, honey. 1150 01:13:43,383 --> 01:13:44,900 Vermilion, may I see you a moment? 1151 01:13:47,700 --> 01:13:48,400 It's about this gunshot. 1152 01:13:48,600 --> 01:13:49,500 It's when I say: 1153 01:13:49,800 --> 01:13:51,395 "A bargain is a bargain pretty lady, 1154 01:13:51,515 --> 01:13:54,680 so step aside, Jack Dalton, or I'll give you a taste of bitter lead." 1155 01:13:54,800 --> 01:13:57,900 Bang! That's when I shoot off the gun. - No. That's when I've got my big speech. 1156 01:13:58,100 --> 01:14:00,800 There aren't enough bullets in that gun, squire, to make me stand aside... 1157 01:14:01,100 --> 01:14:03,700 Fine, fine, fine, honey, but save some of it for later. 1158 01:14:04,000 --> 01:14:06,600 But he's right. You shoot off the gun after his big speech. 1159 01:14:06,700 --> 01:14:08,400 Now all of you finish dressing and good luck. 1160 01:14:11,600 --> 01:14:13,900 How much later do preacher's wives get to sleep? 1161 01:14:14,600 --> 01:14:17,100 Days. The only time you have to get out of bed is on Sundays. 1162 01:14:17,500 --> 01:14:18,300 Wonderful. 1163 01:14:24,700 --> 01:14:26,000 Da, da, dum, dee, dee. 1164 01:14:31,585 --> 01:14:32,912 Ed! 1165 01:14:33,600 --> 01:14:34,700 How did you get up here? 1166 01:14:34,800 --> 01:14:37,400 Since you're not at the Opera House, everybody's coming up here to see the show. 1167 01:14:37,600 --> 01:14:40,100 How are you, Rosie? Have you been a good girl? 1168 01:14:40,200 --> 01:14:42,100 Sure. Ed, you know, this show is... 1169 01:14:42,300 --> 01:14:45,000 Well, it's mostly kids and long speeches. You won't like it. 1170 01:14:45,500 --> 01:14:48,100 You get on back to town. - Who's going to look at the show? 1171 01:14:48,400 --> 01:14:51,900 Haven't you got a little kiss for me? There's no star to scratch you now. 1172 01:14:52,100 --> 01:14:54,000 Rose... Rose... 1173 01:14:57,400 --> 01:14:59,700 Now, Ed... you just forget you saw her. 1174 01:15:00,000 --> 01:15:03,300 You've turned in your badge now, so it's none of your business. Not anymore. 1175 01:15:04,000 --> 01:15:07,000 Mae... I'd like to do better than just forget I saw you. 1176 01:15:07,200 --> 01:15:09,400 I'd like to clear you completely of that Denver mess. 1177 01:15:09,600 --> 01:15:11,700 But we'll need Newt to do it. Where is he, Mae? 1178 01:15:12,400 --> 01:15:13,700 I don't know, Mr Daggett. 1179 01:15:14,000 --> 01:15:17,100 Don't protect him, Mae. He never went out of his way for you, I can tell you. 1180 01:15:17,300 --> 01:15:20,499 I don't know where he is, believe me. I need your help, I'd tell you if I knew. 1181 01:15:20,500 --> 01:15:21,400 She don't lie, Ed. 1182 01:15:21,600 --> 01:15:23,500 I think she does. She's got you all buffaloed. 1183 01:15:23,600 --> 01:15:26,000 I'm not buffaloing anyone. You've no right to say that. 1184 01:15:26,200 --> 01:15:28,400 Rose knows the chance I've got up here for a decent life. 1185 01:15:28,500 --> 01:15:30,600 I wouldn't throw any part of it away to protect Newt. 1186 01:15:30,900 --> 01:15:32,600 You've got to believe me. - Vermilion! 1187 01:15:33,000 --> 01:15:36,700 You'd better get changed. They're starting and you're on right after the melodrama. 1188 01:15:38,000 --> 01:15:41,000 Alright, do your show... but I'll be around keeping an eye on you. 1189 01:15:41,400 --> 01:15:43,200 Don't try anything like last time. 1190 01:15:45,900 --> 01:15:48,200 And you, Rose... please keep out of this. 1191 01:15:50,100 --> 01:15:52,500 Miss Rose, they're starting. You gotta get. 1192 01:16:08,400 --> 01:16:10,800 What a cold and cruel winter this has been. 1193 01:16:11,500 --> 01:16:16,000 Mother died, and me, left penniless. I haven't even money for firewood. 1194 01:16:17,300 --> 01:16:19,300 Who can that be?... come in. 1195 01:16:20,300 --> 01:16:23,500 Oh, the squire Davidson. Won't you sit down? 1196 01:16:23,700 --> 01:16:27,100 No, I've come for the rent. - What can I do? 1197 01:16:28,300 --> 01:16:31,800 Squire Davidson, if you just give me a little more time, I'm sure I'll have... 1198 01:16:36,500 --> 01:16:38,600 And wouldn't you have to show up right now? 1199 01:16:39,500 --> 01:16:40,800 What's the matter, baby? 1200 01:16:42,200 --> 01:16:44,600 Newt, don't... leave me alone! 1201 01:16:44,800 --> 01:16:48,200 So you didn't know where he was, did you? You're a fool, Mae. 1202 01:16:51,200 --> 01:16:52,400 Get the gun, Mae! 1203 01:16:54,000 --> 01:16:55,800 Get off him, Newt. Newt! 1204 01:16:58,200 --> 01:16:59,200 What's the matter with you? 1205 01:16:59,500 --> 01:17:00,800 Keep away from him. 1206 01:17:08,100 --> 01:17:09,300 Thanks, Mae. 1207 01:17:18,300 --> 01:17:20,400 Cole, give up or I'll shoot. 1208 01:17:21,200 --> 01:17:25,500 Stand aside, Jack Dalton, stand aside I say, or I'll give you a taste of bitter lead. 1209 01:17:27,000 --> 01:17:28,400 Not yet. - I haven't... 1210 01:17:29,100 --> 01:17:32,300 "There are not enough bullets left..." - Not yet! 1211 01:17:33,311 --> 01:17:36,504 Stand aside! Desist I say! 1212 01:17:45,000 --> 01:17:47,800 "There are not enough bullets in that gun, squire..." 1213 01:17:48,200 --> 01:17:49,300 Mr Daggett. 1214 01:17:50,600 --> 01:17:52,500 Who shot him? - Nobody. 1215 01:17:53,000 --> 01:17:55,900 Get Cole! - Cole? - Yes, Newt. He's up there hiding. 1216 01:17:57,000 --> 01:17:57,700 Will... 1217 01:17:58,100 --> 01:17:59,000 Where's my gun? 1218 01:18:03,744 --> 01:18:05,648 "Shoot! Shoot! - Don't!" 1219 01:18:06,900 --> 01:18:08,500 "Your lead can not be so bitter." 1220 01:18:08,800 --> 01:18:10,500 "No!" - Now Will. 1221 01:18:13,900 --> 01:18:17,500 "It is but a scratch, my dear... and now, squire, for your comeuppance..." 1222 01:19:07,600 --> 01:19:08,600 Will...! 1223 01:19:45,300 --> 01:19:46,500 Will... 1224 01:19:48,500 --> 01:19:55,500 "This was the tale of Vermilion O'Toole." 1225 01:19:56,000 --> 01:20:02,700 "Who now is a teacher in the new Sunday School." 1226 01:20:03,300 --> 01:20:10,600 "She has a cute family as you ever saw." 1227 01:20:10,700 --> 01:20:19,400 "The former O'Toole who is now known as... Ma." 1228 01:20:48,400 --> 01:20:50,600 T-G 2015; PBT 2017.