1 00:00:02,020 --> 00:00:03,830 (cheering) (trumpets blaring) 2 00:00:03,830 --> 00:00:05,260 >> Voiceover: Ladies and gentlemen, 3 00:00:05,260 --> 00:00:08,190 please welcome Olympic gold medalists 4 00:00:08,190 --> 00:00:11,670 Kristi Yamaguchi and Brian Boitano. 5 00:00:11,670 --> 00:00:14,150 (cheering) 6 00:00:22,140 --> 00:00:23,260 >> Good evening. 7 00:00:23,570 --> 00:00:26,530 You're probably wondering why Brian and I are here. 8 00:00:26,920 --> 00:00:29,380 It's because music is a big part 9 00:00:29,380 --> 00:00:31,870 of every skater's performance. 10 00:00:32,250 --> 00:00:34,320 >> Over the years, I have had to choose 11 00:00:34,320 --> 00:00:37,530 a lot of music for my routines and I 12 00:00:37,530 --> 00:00:40,230 noticed one name kept popping up 13 00:00:40,230 --> 00:00:42,380 over and over again. 14 00:00:42,830 --> 00:00:44,630 I was so drawn to his music, 15 00:00:44,630 --> 00:00:46,680 but I didn't know who this guy was. 16 00:00:47,000 --> 00:00:48,540 >> It was the same for me, Brian, 17 00:00:48,540 --> 00:00:50,270 but I also noticed that many of the 18 00:00:50,270 --> 00:00:52,670 themes and songs used at the opening 19 00:00:52,670 --> 00:00:55,070 and closing ceremonies of the Olympics 20 00:00:55,070 --> 00:00:57,760 were written by this same guy. 21 00:00:58,280 --> 00:01:00,080 Here to performance his magnificent 22 00:01:00,080 --> 00:01:03,810 theme from the 1988 Calgary Winter Olympics 23 00:01:03,810 --> 00:01:05,940 is the Hit Man himself. 24 00:01:06,450 --> 00:01:08,070 >> David Foster. >> David Foster. 25 00:01:08,720 --> 00:01:11,610 (cheering) 26 00:01:25,842 --> 00:01:30,842 (uplifting piano music) (accompanying orchestra) 27 00:03:13,152 --> 00:03:15,602 (cheering) 28 00:03:19,292 --> 00:03:20,892 >> Good evening, everyone, and welcome 29 00:03:20,892 --> 00:03:22,942 back to Mandalay Bay! 30 00:03:23,992 --> 00:03:25,112 Woo! 31 00:03:28,662 --> 00:03:30,762 It's really hard to imagine it's 32 00:03:30,762 --> 00:03:32,532 been two a half years since we 33 00:03:32,532 --> 00:03:35,452 were here in Vegas taping my first special. 34 00:03:35,902 --> 00:03:36,742 And guess what? 35 00:03:36,742 --> 00:03:39,412 We left out many great songs, many great stars, 36 00:03:39,412 --> 00:03:43,762 we just had to come here and do it again tonight. 37 00:03:49,952 --> 00:03:52,722 So I was always this guy that people knew, 38 00:03:52,722 --> 00:03:54,022 but they really didn't know because 39 00:03:54,022 --> 00:03:55,422 I was working behind the scenes, 40 00:03:55,422 --> 00:03:57,122 producing and writing the music. 41 00:03:58,082 --> 00:03:59,692 Sliding it under the door, they 42 00:03:59,692 --> 00:04:01,492 slid food back under the door, 43 00:04:01,492 --> 00:04:04,482 and I never saw the daylight for 30 years. 44 00:04:05,392 --> 00:04:07,552 Early in my career I was a piano player. 45 00:04:08,232 --> 00:04:10,822 Like most musicians, always looking for a gig. 46 00:04:11,302 --> 00:04:12,542 I found out that there was this 47 00:04:12,542 --> 00:04:14,412 band that needed a pianist, so I asked 48 00:04:14,412 --> 00:04:16,012 my neighbor Willy to give me a ride 49 00:04:16,012 --> 00:04:17,462 to the audition. 50 00:04:18,612 --> 00:04:20,382 We get there, my friend Willy 51 00:04:20,382 --> 00:04:23,682 jumps on the drums just to "help out," 52 00:04:23,682 --> 00:04:28,472 and of course he gets the gig and I don't. 53 00:04:29,492 --> 00:04:30,672 I hate Willy. 54 00:04:31,082 --> 00:04:33,412 I hate him, I hate the band, I hate everyone. 55 00:04:33,792 --> 00:04:35,032 Oh, and the name of the band? 56 00:04:35,032 --> 00:04:37,152 Loggins and Messina, I hate them. 57 00:04:37,432 --> 00:04:38,632 (laughing) 58 00:04:38,632 --> 00:04:39,902 Fortunately, I got over it and 59 00:04:39,902 --> 00:04:41,502 years later I had the chance to 60 00:04:41,502 --> 00:04:43,572 write and produce for one of 61 00:04:43,572 --> 00:04:46,312 the all time great voices and talent, 62 00:04:46,312 --> 00:04:49,712 this California genius, doing a couple 63 00:04:49,712 --> 00:04:51,402 of songs we wrote and produced together, 64 00:04:51,402 --> 00:04:52,782 ladies and gentlemen, give it up 65 00:04:52,782 --> 00:04:54,652 for Kenny Loggins! 66 00:04:54,652 --> 00:04:56,792 (cheering) 67 00:05:06,422 --> 00:05:07,482 >> Yeah! 68 00:05:17,742 --> 00:05:21,992 ♫ You ain't crazy, I don't lie anymore 69 00:05:23,342 --> 00:05:27,132 ♫ What you're feeling, there's a reason for 70 00:05:27,612 --> 00:05:29,532 ♫ I wanna do right 71 00:05:30,282 --> 00:05:32,602 ♫ Oh, I gotta do right 72 00:05:34,592 --> 00:05:38,412 ♫ Do I love you, mama, you know I've tried 73 00:05:39,832 --> 00:05:41,552 ♫ Darling, what you're after 74 00:05:41,552 --> 00:05:44,132 ♫ You won't find in my eyes 75 00:05:44,132 --> 00:05:46,182 ♫ I wanna do right 76 00:05:47,302 --> 00:05:48,912 ♫ But not tonight 77 00:05:49,602 --> 00:05:54,602 ♫ Darling, tell the truth, don't turn away 78 00:05:55,942 --> 00:06:00,942 ♫ This is our last chance, touch each other's hearts 79 00:06:03,282 --> 00:06:05,962 ♫ Does anything last forever 80 00:06:06,492 --> 00:06:08,742 ♫ I don't know 81 00:06:09,292 --> 00:06:11,192 ♫ But maybe we're need the end 82 00:06:11,192 --> 00:06:13,342 ♫ So darling tell me 83 00:06:13,852 --> 00:06:17,312 ♫ Oh, how can we go on together 84 00:06:17,932 --> 00:06:19,902 ♫ Now that we've grown apart 85 00:06:19,902 --> 00:06:22,722 ♫ Well the only way to start 86 00:06:23,272 --> 00:06:25,552 ♫ Is heart to heart 87 00:06:28,172 --> 00:06:31,132 (electric guitar solo) 88 00:06:36,022 --> 00:06:40,632 ♫ One by one, we're collecting lies 89 00:06:41,522 --> 00:06:46,522 ♫ When you can't give love, you give alibis 90 00:06:47,052 --> 00:06:48,682 ♫ I wanna do right 91 00:06:49,302 --> 00:06:51,012 ♫ Right here tonight 92 00:06:51,962 --> 00:06:55,302 ♫ Darling, tell me the truth 93 00:06:55,302 --> 00:06:58,052 ♫ Don't you turn away 94 00:06:58,562 --> 00:07:01,092 ♫ This is our last chance 95 00:07:01,512 --> 00:07:05,062 ♫ To touch each others heart 96 00:07:05,712 --> 00:07:08,032 ♫ Does anything last forever 97 00:07:08,612 --> 00:07:10,702 ♫ I don't know 98 00:07:11,312 --> 00:07:13,092 ♫ Maybe we're near the end 99 00:07:13,092 --> 00:07:15,252 ♫ So darling tell me 100 00:07:15,252 --> 00:07:19,182 ♫ Oh, how can we go on together 101 00:07:19,732 --> 00:07:21,592 ♫ Now that we've grown apart 102 00:07:21,592 --> 00:07:24,882 ♫ I know the only way to start 103 00:07:25,332 --> 00:07:28,052 ♫ Is heart to heart 104 00:07:28,272 --> 00:07:30,302 ♫ Why are you so torn apart 105 00:07:30,302 --> 00:07:32,912 ♫ I need a little more loving in my heart 106 00:07:32,912 --> 00:07:35,712 ♫ People say that love will grow 107 00:07:35,712 --> 00:07:37,992 ♫ So how was I to know 108 00:07:38,382 --> 00:07:40,612 ♫ Love that's come through years and years 109 00:07:40,612 --> 00:07:44,372 ♫ Can't find a way back home anymore 110 00:07:44,722 --> 00:07:46,782 (saxophone solo) 111 00:07:46,782 --> 00:07:48,072 >> David: Kenny G! 112 00:08:00,932 --> 00:08:01,882 ♫ Yeah 113 00:08:05,162 --> 00:08:08,512 ♫ Darling tell the truth 114 00:08:08,512 --> 00:08:11,362 ♫ Don't you turn away 115 00:08:12,012 --> 00:08:14,462 ♫ This is our last chance 116 00:08:14,952 --> 00:08:18,432 ♫ To touch each others heart 117 00:08:19,112 --> 00:08:21,442 ♫ Does anything last forever 118 00:08:21,922 --> 00:08:24,302 ♫ Baby, I don't know 119 00:08:24,822 --> 00:08:26,562 ♫ But maybe we're near the end 120 00:08:26,562 --> 00:08:29,112 ♫ So darling tell me 121 00:08:29,432 --> 00:08:32,702 ♫ Oh, how can we go on together 122 00:08:32,702 --> 00:08:34,902 ♫ Now that we have grown apart 123 00:08:34,902 --> 00:08:38,222 ♫ I know, the only way to start 124 00:08:38,642 --> 00:08:42,292 ♫ Is heart to heart ♫ 125 00:08:54,352 --> 00:08:56,572 (cheering) 126 00:08:58,062 --> 00:08:59,412 >> Kenny G! 127 00:09:02,762 --> 00:09:04,252 Kenny Loggins! 128 00:09:05,872 --> 00:09:07,082 Thank you, Kenny! 129 00:09:07,592 --> 00:09:08,802 Awesome, buddy. 130 00:09:13,512 --> 00:09:14,572 That brings back memories. 131 00:09:14,572 --> 00:09:17,272 >> Yes, here we are in one of your 132 00:09:17,272 --> 00:09:19,382 typical living room settings. 133 00:09:20,512 --> 00:09:23,152 >> Kenny and I have a long history together 134 00:09:23,152 --> 00:09:24,382 even though you fired me before 135 00:09:24,382 --> 00:09:26,672 I even got started way back in the 70s. 136 00:09:28,132 --> 00:09:29,572 >> I was just jealous. 137 00:09:30,292 --> 00:09:32,292 >> I really treasure the time that 138 00:09:32,292 --> 00:09:34,262 we spent writing together, we still write together, 139 00:09:34,262 --> 00:09:38,112 and we wrote what I think is one of my best songs. 140 00:09:38,532 --> 00:09:40,372 >> Well thank you, I remember the night 141 00:09:40,372 --> 00:09:42,802 we wrote this was a dinner party 142 00:09:42,802 --> 00:09:45,542 that we had, and we had what, an hour 143 00:09:45,542 --> 00:09:47,572 and a half to mess around in the studio 144 00:09:47,572 --> 00:09:49,382 while the ladies made dinner, and 145 00:09:49,382 --> 00:09:52,232 so we wrote a hit. 146 00:09:52,712 --> 00:09:54,562 >> That's beautiful, it goes like this. 147 00:10:16,502 --> 00:10:21,502 ♫ Now, while we're here alone 148 00:10:23,282 --> 00:10:27,532 ♫ And all is said and done 149 00:10:30,782 --> 00:10:33,942 ♫ Now I can let you know 150 00:10:36,892 --> 00:10:40,482 ♫ Because of all you've shown 151 00:10:41,792 --> 00:10:45,482 ♫ I've grown enough to tell you 152 00:10:48,732 --> 00:10:53,252 ♫ You'll always be inside of me 153 00:10:56,242 --> 00:11:00,462 ♫ How many roads have gone by 154 00:11:02,082 --> 00:11:07,082 ♫ So many words left unspoken 155 00:11:08,052 --> 00:11:12,142 ♫ I needed to be by your side 156 00:11:12,692 --> 00:11:16,812 ♫ If only to hold you 157 00:11:18,232 --> 00:11:21,582 ♫ Forever in my heart 158 00:11:24,072 --> 00:11:27,482 ♫ Forever we will be 159 00:11:30,112 --> 00:11:34,362 ♫ And even when I'm gone 160 00:11:36,082 --> 00:11:39,772 ♫ You'll be here in me 161 00:11:42,012 --> 00:11:45,212 ♫ Forever 162 00:11:51,362 --> 00:11:56,362 ♫ Once, I dreamed that you were gone 163 00:11:58,742 --> 00:12:02,462 ♫ I cried out trying to find you 164 00:12:03,032 --> 00:12:06,292 ♫ I begged the dream to fade away 165 00:12:06,682 --> 00:12:10,032 ♫ And please awaken me 166 00:12:13,322 --> 00:12:17,972 ♫ Night took a hold of my heart 167 00:12:18,892 --> 00:12:23,892 ♫ And left me with no one to follow 168 00:12:24,962 --> 00:12:28,552 ♫ The love that I'd lost to the dark 169 00:12:29,372 --> 00:12:34,162 ♫ I'll always remember 170 00:12:35,412 --> 00:12:38,392 ♫ Forever in my heart 171 00:12:41,152 --> 00:12:44,972 ♫ Forever we will be 172 00:12:47,292 --> 00:12:50,812 ♫ And even when I'm gone 173 00:12:53,082 --> 00:12:57,082 ♫ You'll be here with me 174 00:12:59,062 --> 00:13:04,062 ♫ Forever in my heart 175 00:13:05,142 --> 00:13:09,892 ♫ You always thought I'd be 176 00:13:11,572 --> 00:13:13,652 ♫ I'd be yours 177 00:13:14,432 --> 00:13:19,432 (piano solo music) 178 00:13:39,272 --> 00:13:43,562 ♫ Forever ♫ 179 00:13:52,382 --> 00:13:54,862 (cheering) 180 00:13:58,192 --> 00:13:59,742 >> David: Kenny Loggins! 181 00:14:01,492 --> 00:14:02,712 Thank you, Kenny. 182 00:14:03,232 --> 00:14:04,582 Awesome, buddy. 183 00:14:05,432 --> 00:14:06,782 >> Thank you! 184 00:14:09,132 --> 00:14:11,112 What a way to start out, man. 185 00:14:12,542 --> 00:14:13,562 Wow. 186 00:14:14,512 --> 00:14:17,762 Now I wanna go back to 1975. 187 00:14:18,212 --> 00:14:20,252 I was a piano player playing piano 188 00:14:20,252 --> 00:14:21,982 and arranging on a lot of sessions, 189 00:14:21,982 --> 00:14:24,052 including an album with George Harrison 190 00:14:24,052 --> 00:14:25,282 which was thrilling to me to actually 191 00:14:25,282 --> 00:14:27,512 be with a Beatle, so George called me 192 00:14:27,512 --> 00:14:29,292 and he asked me if I would play on an album 193 00:14:29,292 --> 00:14:34,242 with a friend of his from a band called Spooky Tooth. 194 00:14:34,762 --> 00:14:36,822 Now I never heard of a band called Spooky Tooth, 195 00:14:36,822 --> 00:14:39,682 but it just sounded kinda interesting to me. 196 00:14:40,102 --> 00:14:41,802 What ends up happening is the drummer, 197 00:14:41,802 --> 00:14:44,272 Jim Kellner and I, end up doing 198 00:14:44,272 --> 00:14:46,292 the whole album with this guy. 199 00:14:46,312 --> 00:14:48,472 I was mesmorized by his talent 200 00:14:48,472 --> 00:14:51,412 and especially by his wizardry, 201 00:14:51,412 --> 00:14:53,482 his machines, he was into synthesizers 202 00:14:53,482 --> 00:14:55,192 and it was amazing to me. 203 00:14:55,552 --> 00:14:56,852 Here he is, this song was such 204 00:14:56,852 --> 00:15:00,002 a mega mega mega hit. 205 00:15:00,352 --> 00:15:02,992 Please welcome my friend, singing 206 00:15:02,992 --> 00:15:05,682 Dream Weaver, Gary Wright! 207 00:15:05,682 --> 00:15:08,142 (cheering) 208 00:15:40,662 --> 00:15:45,082 ♫ I've just closed my eyes again 209 00:15:46,572 --> 00:15:50,622 ♫ Climbed aboard the dream weaver train 210 00:15:53,902 --> 00:15:58,532 ♫ Driver take away my worries of today 211 00:16:00,712 --> 00:16:04,382 ♫ And leave tomorrow behind 212 00:16:04,382 --> 00:16:05,472 >> Here we go. 213 00:16:06,052 --> 00:16:08,902 ♫ Ooh dream weaver 214 00:16:09,652 --> 00:16:14,412 ♫ I believe you can get me through the night 215 00:16:18,902 --> 00:16:22,382 ♫ Ooh dream weaver 216 00:16:23,172 --> 00:16:28,172 ♫ I believe we can reach the morning light 217 00:16:31,212 --> 00:16:35,862 ♫ Fly me high through the starry skies 218 00:16:37,422 --> 00:16:41,402 ♫ Or maybe to an astral plane 219 00:16:44,552 --> 00:16:49,112 ♫ Cross the highways of fantasy 220 00:16:51,332 --> 00:16:55,052 ♫ Help me to forget today's pain 221 00:16:56,202 --> 00:16:59,692 ♫ Ooh dream weaver 222 00:17:00,332 --> 00:17:05,332 ♫ I believe you can get me through the night 223 00:17:09,522 --> 00:17:13,102 ♫ Ooh dream weaver 224 00:17:13,852 --> 00:17:18,742 ♫ I believe we can reach the morning light 225 00:17:22,192 --> 00:17:26,312 ♫ Though the dawn may be coming soon 226 00:17:28,602 --> 00:17:31,992 ♫ There still may be some time 227 00:17:35,412 --> 00:17:40,232 ♫ Fly me away to the bright side of the moon 228 00:17:42,212 --> 00:17:46,872 ♫ And meet me on the other side 229 00:17:50,422 --> 00:17:53,712 ♫ Ooh dream weaver 230 00:17:54,462 --> 00:17:59,152 ♫ I believe you can get me through the night 231 00:18:03,942 --> 00:18:07,122 ♫ Ooh dream weaver 232 00:18:08,002 --> 00:18:12,732 ♫ I believe we can reach the morning light 233 00:18:17,722 --> 00:18:20,802 ♫ Dream weaver 234 00:18:22,962 --> 00:18:24,902 ♫ Help me through the night 235 00:18:26,332 --> 00:18:28,682 ♫ Help me through the night 236 00:18:30,552 --> 00:18:31,952 ♫ Yeah yeah ♫ 237 00:18:35,472 --> 00:18:37,592 (cheering) 238 00:18:45,782 --> 00:18:47,102 >> Gary Wright! 239 00:18:48,782 --> 00:18:50,662 35 years, brother. 240 00:19:05,162 --> 00:19:07,832 So I often get asked, when you write a song, 241 00:19:07,832 --> 00:19:09,382 do you have someone in mind. 242 00:19:09,842 --> 00:19:12,522 And the answer is always no. 243 00:19:13,012 --> 00:19:13,862 Never. 244 00:19:14,312 --> 00:19:16,242 There's only one occasion ever 245 00:19:16,242 --> 00:19:18,562 where I actually had somebody in mind. 246 00:19:19,412 --> 00:19:23,152 I was so positive that that artist 247 00:19:23,152 --> 00:19:25,452 would do this song that when I wrote 248 00:19:25,452 --> 00:19:26,722 the instrumental with my friend 249 00:19:26,722 --> 00:19:31,722 Tom Keene, I actually called it Chaka. 250 00:19:35,752 --> 00:19:38,062 And then my friend, Cynthia Well, 251 00:19:38,062 --> 00:19:39,762 put a stunning lyric to it. 252 00:19:40,392 --> 00:19:42,492 Here to sing Through the Fire, 253 00:19:42,492 --> 00:19:45,652 the one, the only Chaka Khan! 254 00:19:46,002 --> 00:19:48,422 (cheering) 255 00:19:57,222 --> 00:19:58,202 >> Hi! 256 00:20:00,752 --> 00:20:01,842 Hi, darling. 257 00:20:04,162 --> 00:20:09,112 ♫ I look in your eyes and I can see 258 00:20:09,932 --> 00:20:12,812 ♫ We've loved so dangerously 259 00:20:13,372 --> 00:20:17,852 ♫ You're not trusting your heart to anyone 260 00:20:18,942 --> 00:20:23,362 ♫ You tell me you're gonna play it smart 261 00:20:24,032 --> 00:20:27,062 ♫ We're through before we start 262 00:20:28,052 --> 00:20:32,532 ♫ But I believe that we've only just begun 263 00:20:34,352 --> 00:20:38,272 ♫ When it's this good, there's no saying no 264 00:20:41,352 --> 00:20:45,712 ♫ I need you so, I'm ready to go 265 00:20:47,232 --> 00:20:48,752 ♫ Through the fire 266 00:20:49,262 --> 00:20:52,522 ♫ To the limit, to the wall 267 00:20:54,272 --> 00:20:56,262 ♫ For a chance to be with you 268 00:20:56,842 --> 00:21:00,232 ♫ I'd gladly risk it all 269 00:21:01,812 --> 00:21:03,502 ♫ Through the fire 270 00:21:03,922 --> 00:21:07,772 ♫ Through whatever, come what may 271 00:21:09,192 --> 00:21:11,252 ♫ For a chance to be with you 272 00:21:12,152 --> 00:21:15,282 ♫ Take it all the way 273 00:21:15,762 --> 00:21:18,312 ♫ Right down to the wire 274 00:21:19,062 --> 00:21:23,692 ♫ Even through a fire 275 00:21:28,442 --> 00:21:32,662 ♫ I know you're afraid of what you feel 276 00:21:33,712 --> 00:21:36,792 ♫ You still need time to heal 277 00:21:37,682 --> 00:21:42,072 ♫ I can help if you'll only let me try 278 00:21:42,852 --> 00:21:47,312 ♫ You touched me and something in me knew 279 00:21:48,292 --> 00:21:51,452 ♫ What I have with you 280 00:21:52,202 --> 00:21:57,202 ♫ I'm not willing to kiss that dream goodbye 281 00:21:58,502 --> 00:22:02,192 ♫ When it's this sweet, there's no saying no 282 00:22:02,942 --> 00:22:04,762 ♫ No no no no no 283 00:22:05,682 --> 00:22:10,332 ♫ I need you so, I'm ready to go 284 00:22:11,982 --> 00:22:13,192 ♫ Through the fire 285 00:22:13,592 --> 00:22:16,572 ♫ To the limit, to the wall 286 00:22:18,722 --> 00:22:20,772 ♫ For a chance to be with you 287 00:22:21,292 --> 00:22:24,352 ♫ I'd rather risk it all 288 00:22:26,042 --> 00:22:27,672 ♫ Through the fire 289 00:22:27,672 --> 00:22:31,352 ♫ Through whatever come what may 290 00:22:36,442 --> 00:22:39,032 ♫ I'd take it all the way 291 00:22:39,612 --> 00:22:42,562 ♫ Right down to the wire 292 00:22:43,222 --> 00:22:46,232 ♫ Even through the fire 293 00:22:55,422 --> 00:22:56,782 ♫ Through the wire 294 00:22:57,202 --> 00:22:58,412 ♫ To the limit 295 00:22:58,662 --> 00:23:00,282 ♫ Can you feel the heat 296 00:23:00,602 --> 00:23:02,102 ♫ Can you feel the (mumble) 297 00:23:03,972 --> 00:23:05,322 ♫ To the limit 298 00:23:06,332 --> 00:23:07,492 ♫ Through the fire 299 00:23:10,372 --> 00:23:13,862 ♫ Baby baby baby 300 00:23:16,412 --> 00:23:18,632 ♫ Ever through the fire 301 00:23:19,082 --> 00:23:20,372 ♫ To the limit 302 00:23:21,492 --> 00:23:22,702 ♫ Through the fire 303 00:23:25,492 --> 00:23:28,112 ♫ Can't you see (mumble) 304 00:23:28,662 --> 00:23:29,632 ♫ Through the fire 305 00:23:31,832 --> 00:23:33,182 ♫ Through the fire 306 00:23:36,972 --> 00:23:38,622 ♫ Through the fire ♫ 307 00:23:39,302 --> 00:23:41,422 (cheering) 308 00:23:42,232 --> 00:23:43,262 >> Thank you! 309 00:23:44,242 --> 00:23:46,232 >> David: Chaka Khan! 310 00:23:46,652 --> 00:23:47,732 >> Thank you. 311 00:23:48,582 --> 00:23:50,062 >> Woohoo! 312 00:23:53,152 --> 00:23:54,242 Wow! 313 00:24:01,162 --> 00:24:06,162 After the 80s, my 90s were actually pretty good. 314 00:24:07,132 --> 00:24:08,472 I thought we might perform a couple 315 00:24:08,472 --> 00:24:09,732 of number one songs, but I had 316 00:24:09,732 --> 00:24:12,152 trouble figuring out who could perform them. 317 00:24:12,942 --> 00:24:15,052 Then like an idiot, I realized... 318 00:24:15,912 --> 00:24:20,132 Why not get the guys that did these two songs with me? 319 00:24:20,452 --> 00:24:21,702 Here's the funny thing. 320 00:24:22,082 --> 00:24:24,182 We made this record almost 20 years ago. 321 00:24:24,182 --> 00:24:26,872 These guys are still in their early 30s. 322 00:24:28,452 --> 00:24:31,322 They sound amazing still and we're gonna 323 00:24:31,322 --> 00:24:33,832 relive a little bit of our history together 324 00:24:33,832 --> 00:24:35,802 with a couple of hits that we did. 325 00:24:36,062 --> 00:24:38,282 Please welcome, from California, 326 00:24:39,272 --> 00:24:40,282 All-4-One. 327 00:24:40,962 --> 00:24:43,322 (cheering) 328 00:24:52,092 --> 00:24:54,422 ♫ Ooooooh 329 00:24:57,982 --> 00:24:59,992 ♫ I can love you love you love you 330 00:24:59,992 --> 00:25:02,062 ♫ If you were my girl 331 00:25:03,292 --> 00:25:05,742 ♫ They read you Cinderella 332 00:25:06,292 --> 00:25:08,332 ♫ You hoped it would come true 333 00:25:08,332 --> 00:25:13,332 ♫ That one day your prince charming would come rescue you 334 00:25:13,922 --> 00:25:16,272 ♫ You like romantic movies 335 00:25:16,272 --> 00:25:18,892 ♫ And you never will forget 336 00:25:19,342 --> 00:25:23,992 ♫ The way you felt when Romeo kissed Juliet 337 00:25:24,512 --> 00:25:28,502 ♫ And all this time that you've been waiting 338 00:25:29,652 --> 00:25:33,432 ♫ You don't have to wait no more 339 00:25:35,792 --> 00:25:38,002 ♫ I can love you like that 340 00:25:38,462 --> 00:25:40,812 ♫ I would make you my world 341 00:25:41,462 --> 00:25:46,052 ♫ Move Heaven and Earth if you were my girl 342 00:25:46,532 --> 00:25:48,652 ♫ I would give you my heart 343 00:25:49,202 --> 00:25:51,722 ♫ Be all that you need 344 00:25:52,262 --> 00:25:56,462 ♫ Show you you're everything that's precious to me 345 00:25:57,042 --> 00:26:02,042 ♫ If you give me a chance, I can love you like that 346 00:26:05,142 --> 00:26:07,272 ♫ I love you like that 347 00:26:08,022 --> 00:26:10,872 ♫ If you want tenderness 348 00:26:11,322 --> 00:26:13,632 ♫ I've got tenderness 349 00:26:14,332 --> 00:26:19,132 ♫ And I see through to the heart of you 350 00:26:19,132 --> 00:26:23,922 ♫ If you want a man who will understand 351 00:26:25,072 --> 00:26:29,062 ♫ You don't have to look very far 352 00:26:31,102 --> 00:26:32,562 ♫ I can love you 353 00:26:33,652 --> 00:26:35,832 ♫ I can love you, love you 354 00:26:36,482 --> 00:26:38,832 ♫ I can love you like that 355 00:26:39,282 --> 00:26:41,772 ♫ I would make you my world 356 00:26:42,392 --> 00:26:46,752 ♫ Move Heaven and Earth if you were my girl 357 00:26:46,752 --> 00:26:49,442 ♫ I would give you my heart 358 00:26:49,962 --> 00:26:52,412 ♫ Be all that you need 359 00:26:52,962 --> 00:26:57,292 ♫ Show you you're everything that's precious to me 360 00:26:57,842 --> 00:27:00,992 ♫ I can love you like that ♫ 361 00:27:06,282 --> 00:27:07,432 >> Oh man. 362 00:27:08,012 --> 00:27:10,502 (cheering) Oh man, now wait. 363 00:27:11,582 --> 00:27:13,032 Wait just a second. 364 00:27:13,552 --> 00:27:15,112 I gotta tell you a little story 'cause I'm just 365 00:27:15,112 --> 00:27:17,712 thinking about Alfred, the bass singer of the group. 366 00:27:18,192 --> 00:27:21,092 He says David, I'm never one to complain, 367 00:27:21,092 --> 00:27:23,462 but I want a solo line. 368 00:27:23,462 --> 00:27:26,112 Bass singers never get a solo line, right? 369 00:27:26,562 --> 00:27:27,822 So I gave him... 370 00:27:29,232 --> 00:27:30,572 ♫ If you were my girl ♫ 371 00:27:30,572 --> 00:27:32,072 >> I forgot about that, thank you, David. 372 00:27:32,072 --> 00:27:33,142 >> If you were my girl. 373 00:27:33,142 --> 00:27:34,792 >> If you were my girl. 374 00:27:35,212 --> 00:27:36,582 >> David: And that's how that worked. 375 00:27:36,942 --> 00:27:38,182 That was a great success, that song, 376 00:27:38,182 --> 00:27:40,202 but we had another hit together 377 00:27:40,202 --> 00:27:41,982 that I produced for you guys, 378 00:27:41,982 --> 00:27:43,282 and it was a great time for me, 379 00:27:43,282 --> 00:27:44,632 a great time for you. 380 00:27:45,282 --> 00:27:46,382 >> A very good time for us. 381 00:27:46,382 --> 00:27:47,052 >> Oh yeah. 382 00:27:47,052 --> 00:27:49,942 >> 11 weeks at number one. 383 00:28:04,872 --> 00:28:09,872 ♫ I see the questions in your eyes 384 00:28:10,642 --> 00:28:15,622 ♫ I know what's weighing on your mind 385 00:28:16,312 --> 00:28:21,312 ♫ And you can be sure I know my part 386 00:28:23,152 --> 00:28:28,152 ♫ And when just the two of us are there 387 00:28:30,852 --> 00:28:35,622 ♫ You won't have to ask if I still care 388 00:28:36,432 --> 00:28:40,022 ♫ 'Cause as time turns the page 389 00:28:40,572 --> 00:28:45,192 ♫ My love won't age at all 390 00:28:46,012 --> 00:28:51,012 ♫ And I swear, by the moon and the stars in the sky 391 00:28:54,052 --> 00:28:57,532 ♫ I'll be there, I'll be there 392 00:28:57,562 --> 00:29:02,562 ♫ And I swear, like the shadow that's by your side 393 00:29:05,632 --> 00:29:09,052 ♫ I'll be there, I'll be there 394 00:29:09,862 --> 00:29:11,952 ♫ For better or worse 395 00:29:12,542 --> 00:29:14,812 ♫ 'Till death do us part 396 00:29:15,512 --> 00:29:19,982 ♫ I'll love you with every beat of my heart 397 00:29:19,982 --> 00:29:22,232 ♫ And I swear 398 00:29:23,152 --> 00:29:24,282 >> Come on, everybody, just raise 399 00:29:24,282 --> 00:29:26,252 one hand up from side to side like this! 400 00:29:26,252 --> 00:29:27,802 Come on, everybody! 401 00:29:29,692 --> 00:29:33,112 >> Everybody wave your hands in the air! 402 00:29:33,592 --> 00:29:35,212 Come on! 403 00:29:35,732 --> 00:29:40,732 ♫ And I swear, by the moon and the stars in the sky 404 00:29:43,232 --> 00:29:46,302 ♫ I'll be there, I'll be there 405 00:29:46,302 --> 00:29:51,302 ♫ And I swear, like the shadow that's by your side 406 00:29:54,812 --> 00:29:58,332 ♫ I'll be there, I'll be there 407 00:29:59,082 --> 00:30:01,002 ♫ For better or worse 408 00:30:01,622 --> 00:30:04,172 ♫ 'Till death do us part 409 00:30:04,762 --> 00:30:09,702 ♫ I'll love you with every single beat of my heart 410 00:30:10,302 --> 00:30:12,712 ♫ And I swear 411 00:30:13,162 --> 00:30:15,152 ♫ I swear 412 00:30:17,712 --> 00:30:22,712 ♫ I swear ♫ 413 00:30:26,042 --> 00:30:28,052 (cheering) 414 00:30:28,052 --> 00:30:29,362 >> Thank you. 415 00:30:29,982 --> 00:30:31,532 >> Thank you, thank you. 416 00:30:32,782 --> 00:30:34,172 >> All-4-One! 417 00:30:34,952 --> 00:30:39,772 Tony, Delious, Jamie, Alfred, thank you guys! 418 00:30:39,992 --> 00:30:41,042 Woo! 419 00:30:45,962 --> 00:30:48,102 You know, one of the greatest moments 420 00:30:48,102 --> 00:30:50,022 in my career came... 421 00:30:51,542 --> 00:30:53,592 When I got asked to work with our next guest. 422 00:30:54,142 --> 00:30:55,972 She was a superstar long before 423 00:30:55,972 --> 00:30:57,872 I got a hold of her, but we did manage 424 00:30:57,872 --> 00:31:01,602 to carve out a little piece of history together. 425 00:31:02,112 --> 00:31:03,762 And a few Grammys along the way. 426 00:31:04,682 --> 00:31:06,322 When we teamed her up with her father, 427 00:31:06,322 --> 00:31:08,802 the late great Nat King Cole. 428 00:31:11,722 --> 00:31:14,662 It remains a shining moment in 429 00:31:14,662 --> 00:31:16,312 both of our lives. 430 00:31:16,922 --> 00:31:19,962 Here to sing a duet from The Unforgettable Time, 431 00:31:19,962 --> 00:31:23,332 please welcome the awesome sexy voice 432 00:31:23,332 --> 00:31:25,702 of Reuben Studdard and of course 433 00:31:25,702 --> 00:31:29,462 the incomparable Natalie Cole! 434 00:31:29,842 --> 00:31:32,192 (cheering) 435 00:31:50,832 --> 00:31:55,832 ♫ And the moment I can feel that 436 00:31:57,872 --> 00:32:01,662 ♫ You feel that way too 437 00:32:04,202 --> 00:32:09,202 ♫ Is when I fall in love with you 438 00:32:23,492 --> 00:32:26,452 ♫ When I fall in love 439 00:32:28,162 --> 00:32:31,952 ♫ It will be forever 440 00:32:32,902 --> 00:32:37,902 ♫ Or I'll never fall in love 441 00:32:44,282 --> 00:32:49,282 ♫ In a restless world, like this is 442 00:32:50,922 --> 00:32:55,742 ♫ Love is ended before it's begun 443 00:32:57,262 --> 00:33:02,122 ♫ And too many moonlight kisses 444 00:33:03,372 --> 00:33:08,372 ♫ Seem to cool in the warmth of the sun 445 00:33:10,512 --> 00:33:13,892 ♫ When I give my heart 446 00:33:14,282 --> 00:33:16,662 ♫ Give my heart 447 00:33:17,312 --> 00:33:21,172 ♫ It will be completely 448 00:33:21,522 --> 00:33:23,542 ♫ Completely 449 00:33:24,062 --> 00:33:29,062 ♫ Or I'll never give my heart 450 00:33:31,162 --> 00:33:33,682 ♫ Give my heart 451 00:33:34,932 --> 00:33:39,932 ♫ And the moment I can feel that 452 00:33:42,572 --> 00:33:46,392 ♫ You feel that way too 453 00:33:48,012 --> 00:33:52,222 ♫ Is when I fall in love 454 00:33:52,222 --> 00:33:54,012 ♫ When I fall in love 455 00:33:54,012 --> 00:33:56,042 ♫ With you 456 00:33:56,052 --> 00:33:59,202 (saxophone solo) 457 00:34:04,502 --> 00:34:08,122 ♫ This love feels so right 458 00:34:20,312 --> 00:34:24,832 ♫ Oh when I give my heart 459 00:34:25,082 --> 00:34:26,902 ♫ Give my heart 460 00:34:27,452 --> 00:34:30,822 ♫ It will be completely 461 00:34:30,822 --> 00:34:33,072 ♫ Completely 462 00:34:33,622 --> 00:34:38,622 ♫ Or I'll never give my heart 463 00:34:41,032 --> 00:34:44,082 ♫ Never give my heart 464 00:34:44,802 --> 00:34:49,802 ♫ And the moment I can feel that 465 00:34:52,142 --> 00:34:55,902 ♫ You feel that way too 466 00:34:57,082 --> 00:35:02,082 ♫ Is when I fall in love 467 00:35:03,922 --> 00:35:08,042 ♫ When I fall in love 468 00:35:10,162 --> 00:35:15,162 ♫ When I fall in love with you 469 00:35:29,852 --> 00:35:32,112 ♫ I love you 470 00:35:32,112 --> 00:35:35,272 ♫ I love you too ♫ 471 00:35:36,752 --> 00:35:41,752 (cheering) 472 00:35:54,102 --> 00:35:55,462 >> I'm speechless. 473 00:35:55,772 --> 00:35:57,112 >> Thank you, David, he's divine. 474 00:35:57,112 --> 00:35:58,042 >> David: Isn't he? 475 00:35:58,042 --> 00:35:59,792 He really is divine. 476 00:36:00,112 --> 00:36:02,102 >> David: Reuben will be back, by the way. 477 00:36:03,782 --> 00:36:06,652 I love my own music, but... 478 00:36:06,652 --> 00:36:08,102 >> It's pretty obvious. 479 00:36:08,552 --> 00:36:09,392 >> I just... 480 00:36:09,392 --> 00:36:11,162 (laughing) 481 00:36:11,522 --> 00:36:12,612 Ta-da! 482 00:36:15,092 --> 00:36:17,192 But this next song, I had nothing 483 00:36:17,192 --> 00:36:20,232 to do with this song, I just love it so much. 484 00:36:20,232 --> 00:36:21,772 I love it so much, I just wanna watch, 485 00:36:21,772 --> 00:36:23,922 I don't even wanna play on it. 486 00:36:24,272 --> 00:36:26,882 I had nothing to do with it, I'm backing away. 487 00:36:27,202 --> 00:36:28,612 I'm gonna get my friend Mo Pleasure 488 00:36:28,612 --> 00:36:29,912 to play the piano on this, and you 489 00:36:29,912 --> 00:36:31,112 guys are just gonna rock out, 490 00:36:31,112 --> 00:36:32,762 Natalie Cole. >> All right, okay. 491 00:36:33,312 --> 00:36:35,562 (cheering) 492 00:36:41,222 --> 00:36:43,772 You can put some hands together if you feel like it. 493 00:36:47,462 --> 00:36:51,552 ♫ Ooooh, aha 494 00:36:52,202 --> 00:36:54,822 ♫ Ooooh, aha 495 00:37:02,542 --> 00:37:03,522 What? 496 00:37:07,142 --> 00:37:10,882 ♫ This will be an everlasting love 497 00:37:10,882 --> 00:37:14,622 ♫ This will be the one I've waited for 498 00:37:14,622 --> 00:37:19,622 ♫ This will be the first time anyone has loved me 499 00:37:22,332 --> 00:37:26,132 ♫ I'm so glad you found me in time 500 00:37:26,132 --> 00:37:29,972 ♫ I'm so glad that you recrefied my mind 501 00:37:29,972 --> 00:37:34,972 ♫ This will be an everlasting love for me 502 00:37:37,842 --> 00:37:41,382 ♫ Loving you is some kind of wonderful 503 00:37:41,382 --> 00:37:45,252 ♫ Because you've shown me just how much you care 504 00:37:45,252 --> 00:37:48,672 ♫ You've given me the thrill of a lifetime 505 00:37:48,992 --> 00:37:52,392 ♫ And made me believe you've got more thrills to spare 506 00:37:53,162 --> 00:37:57,912 ♫ This will be an everlasting love 507 00:37:58,502 --> 00:38:00,382 ♫ Oh, yes it will now 508 00:38:04,602 --> 00:38:07,722 ♫ You brought a lot of a sunshine into my life 509 00:38:08,472 --> 00:38:12,092 ♫ You filled me with happiness I never knew 510 00:38:12,442 --> 00:38:15,382 ♫ You gave me more joy then I ever could've dreamed of 511 00:38:15,382 --> 00:38:19,232 ♫ And no one, nobody can take the place of you 512 00:38:19,782 --> 00:38:22,972 ♫ This will be, you and me 513 00:38:23,452 --> 00:38:26,672 ♫ Yes sir-ee, eternally 514 00:38:27,122 --> 00:38:28,662 ♫ Hugging and squeezing, and kissing and pleasing 515 00:38:28,662 --> 00:38:31,182 ♫ Together forever through ever whatever. 516 00:38:31,632 --> 00:38:34,302 ♫ Yeah yeah yeah, you and me 517 00:38:34,302 --> 00:38:35,962 ♫ So long as I'm living true love I'll be giving 518 00:38:35,962 --> 00:38:38,752 ♫ To you I'll be serving cause you're so deserving 519 00:38:39,372 --> 00:38:42,812 ♫ Hey, you're so deserving, you're so deserving 520 00:38:42,812 --> 00:38:45,792 ♫ Yeah yeah yeah whoa 521 00:38:46,582 --> 00:38:51,582 ♫ Love, love, love, love, love love love 522 00:38:53,152 --> 00:38:54,372 ♫ From now on 523 00:38:54,942 --> 00:38:56,502 ♫ From now on 524 00:38:56,952 --> 00:38:58,022 ♫ From now on 525 00:38:58,022 --> 00:38:59,152 ♫ What you say 526 00:38:59,152 --> 00:39:00,492 ♫ From now on 527 00:39:00,492 --> 00:39:01,662 ♫ From now on 528 00:39:01,662 --> 00:39:02,892 ♫ I can't hear you 529 00:39:02,892 --> 00:39:04,282 ♫ From now on 530 00:39:04,702 --> 00:39:06,052 ♫ From now on 531 00:39:06,432 --> 00:39:09,482 ♫ From now on, yeah 532 00:39:11,102 --> 00:39:12,492 ♫ (mumble) 533 00:39:13,072 --> 00:39:16,322 ♫ From now oooooon 534 00:39:19,212 --> 00:39:21,802 ♫ Yeeeeeah ♫ 535 00:39:27,182 --> 00:39:29,442 (cheering) 536 00:39:32,092 --> 00:39:34,042 >> Now that's what I'm talking about! 537 00:39:35,192 --> 00:39:36,642 Natalie Cole! 538 00:39:52,082 --> 00:39:53,332 Thank you. 539 00:39:53,882 --> 00:39:55,832 Why am I standing on this box? 540 00:39:58,882 --> 00:40:00,922 When I discover somebody new, 541 00:40:00,922 --> 00:40:02,842 it is not a special talent. 542 00:40:03,352 --> 00:40:04,692 I just look at it and I go I think 543 00:40:04,692 --> 00:40:07,372 millions of people are gonna love this. 544 00:40:07,862 --> 00:40:10,032 Such is the case with our next performer, 545 00:40:10,032 --> 00:40:12,852 and I can't take credit for discovering her. 546 00:40:13,662 --> 00:40:16,032 She was born on America's Got Talent actually. 547 00:40:16,032 --> 00:40:18,352 (cheering) 548 00:40:20,072 --> 00:40:21,522 But I gotta tell you. 549 00:40:22,272 --> 00:40:25,402 Honest to God, in all my years 550 00:40:25,402 --> 00:40:28,612 of doing music, which is 45 years, 551 00:40:28,612 --> 00:40:33,612 I don't think I have ever seen anything quite like this. 552 00:40:35,652 --> 00:40:37,692 I hope you're as excited as I am to 553 00:40:37,692 --> 00:40:41,742 witness, first hand, this beautiful child... 554 00:40:42,332 --> 00:40:44,032 Jackie Evancho! 555 00:40:44,032 --> 00:40:46,782 (cheering) 556 00:41:01,412 --> 00:41:06,302 ("Pie Jesu" by Celtic Woman) 557 00:42:54,829 --> 00:42:57,099 (cheering) 558 00:43:17,019 --> 00:43:18,549 >> You know, you and I met before 559 00:43:18,549 --> 00:43:19,689 America's Got Talent. 560 00:43:19,689 --> 00:43:21,209 You came and sang with me when 561 00:43:21,209 --> 00:43:22,959 I was on tour a year ago, is that right? 562 00:43:22,959 --> 00:43:25,499 >> It was one of the best experiences of my life. 563 00:43:25,829 --> 00:43:27,279 >> Aww, thank you. 564 00:43:27,759 --> 00:43:28,859 Of course you were born an hour ago, 565 00:43:28,859 --> 00:43:30,609 so you got a few more to come. 566 00:43:30,929 --> 00:43:32,269 (laughing) 567 00:43:32,269 --> 00:43:33,489 You know, she was only scheduled 568 00:43:33,489 --> 00:43:34,799 to do one song, but I think 569 00:43:34,799 --> 00:43:36,779 she should do a second song. 570 00:43:38,298 --> 00:43:39,868 Should we do that, we were fooling 571 00:43:39,868 --> 00:43:41,278 around on the piano with that piece, 572 00:43:41,278 --> 00:43:43,178 I hope I can play it the way 573 00:43:43,178 --> 00:43:44,178 you need it to be played, don't 574 00:43:44,178 --> 00:43:45,478 look at me and yell at me 575 00:43:45,478 --> 00:43:46,608 if I get it wrong, okay? 576 00:43:46,608 --> 00:43:48,768 >> Oh I won't, trust me, okay. 577 00:43:58,328 --> 00:44:03,328 ("O Mio Babbino Caro" by Giacomo Puccini) 578 00:46:05,488 --> 00:46:07,698 (cheering) 579 00:46:13,088 --> 00:46:14,278 >> Thank you. 580 00:46:17,098 --> 00:46:18,578 >> Jackie Evanko! 581 00:46:18,998 --> 00:46:21,288 Do you think you'll hear more from her? 582 00:46:21,698 --> 00:46:22,718 Wow! 583 00:46:34,948 --> 00:46:37,018 If I stand on this box, can I sing like that? 584 00:46:37,018 --> 00:46:38,138 No. 585 00:46:38,578 --> 00:46:39,838 (laughing) 586 00:46:41,788 --> 00:46:44,468 I love when I'm in on something from the start. 587 00:46:45,558 --> 00:46:49,408 This next group, I ran into them about three years ago. 588 00:46:50,018 --> 00:46:52,198 They have been ripping it up all over the world 589 00:46:52,198 --> 00:46:54,038 singing for our president one day, 590 00:46:54,038 --> 00:46:55,198 the Queen of England the next, 591 00:46:55,198 --> 00:46:56,778 even Nelson Mandela. 592 00:46:57,468 --> 00:46:58,728 But the reason I really love them 593 00:46:58,728 --> 00:47:01,858 is because they record a lot of my songs. 594 00:47:03,238 --> 00:47:04,958 Feeds the ex-wives. 595 00:47:08,178 --> 00:47:10,418 Here to sing a song that I wrote 596 00:47:10,418 --> 00:47:12,818 for Andrea Bocelli at the Torino Olympics, 597 00:47:12,818 --> 00:47:14,958 a song called Because We Believe, 598 00:47:14,958 --> 00:47:19,738 and girls, girls, they are good looking. 599 00:47:21,298 --> 00:47:22,808 Please welcome... 600 00:47:23,458 --> 00:47:25,168 The Canadian Tenors! 601 00:47:25,168 --> 00:47:27,138 (cheering) 602 00:47:43,848 --> 00:47:47,498 (singing in French) 603 00:48:53,718 --> 00:48:58,718 ♫ Like stars across the sky 604 00:49:00,858 --> 00:49:04,418 (singing in French) 605 00:49:10,398 --> 00:49:15,398 ♫ We were born to shine 606 00:49:18,108 --> 00:49:23,108 ♫ All of us here because we believe 607 00:49:25,908 --> 00:49:30,238 (singing in French) 608 00:50:02,418 --> 00:50:07,418 ♫ Like stars across the sky 609 00:50:11,098 --> 00:50:16,098 ♫ We were born to shine ♫ 610 00:50:18,738 --> 00:50:23,188 (singing in French) 611 00:50:50,838 --> 00:50:53,388 (cheering) 612 00:50:56,938 --> 00:50:58,558 >> David: The Canadian Tenors! 613 00:51:04,518 --> 00:51:05,638 Yes! 614 00:51:10,718 --> 00:51:12,118 I've been working with this next 615 00:51:12,118 --> 00:51:14,128 artist for a few years, and I gotta tell you, 616 00:51:14,128 --> 00:51:17,478 once in awhile you really bond with somebody. 617 00:51:17,828 --> 00:51:20,028 We recorded a very successful album last year 618 00:51:20,028 --> 00:51:23,348 and we are releasing a new one as we speak. 619 00:51:23,898 --> 00:51:26,458 His sound is absolutely unique. 620 00:51:26,938 --> 00:51:29,858 You hear one bar and you know it's him. 621 00:51:30,308 --> 00:51:32,438 That is the unmistakable sound of 622 00:51:32,438 --> 00:51:34,868 a true genius at work. 623 00:51:35,318 --> 00:51:39,418 The truth is, I actually have a man crush on him as well. 624 00:51:39,418 --> 00:51:40,958 (laughing) 625 00:51:40,958 --> 00:51:43,968 And I have a man crush on his wife as well. 626 00:51:44,758 --> 00:51:47,288 And so do all of you, you just don't know it yet 627 00:51:47,288 --> 00:51:49,828 'cause you don't know exactly who I'm talking about. 628 00:51:49,828 --> 00:51:51,318 The one and only... 629 00:51:51,798 --> 00:51:52,798 Seal! 630 00:51:52,798 --> 00:51:55,148 (cheering) 631 00:52:15,518 --> 00:52:20,518 ♫ You must know me, I'm one of your secrets 632 00:52:26,628 --> 00:52:31,628 ♫ You must know me, I'm one of your secrets 633 00:52:36,038 --> 00:52:38,188 ♫ I belong to you 634 00:52:41,778 --> 00:52:43,998 ♫ I belong to you. 635 00:52:46,818 --> 00:52:49,438 ♫ And you belong to me 636 00:52:54,858 --> 00:52:59,858 ♫ You must know me, I'm one of your secrets 637 00:53:05,998 --> 00:53:10,998 ♫ From what I see, you're trying to hard to keep it 638 00:53:13,048 --> 00:53:14,898 ♫ Oh yes you are 639 00:53:15,678 --> 00:53:17,798 ♫ Well I belong to you 640 00:53:21,058 --> 00:53:23,568 ♫ Yes, I belong to you 641 00:53:26,588 --> 00:53:28,878 ♫ I belong to you 642 00:53:31,728 --> 00:53:35,878 ♫ And you belong to me, yeah 643 00:53:40,168 --> 00:53:45,168 ♫ Look at me, I'm your heart's keeper 644 00:53:50,978 --> 00:53:55,978 ♫ Meant for 3:21 AM, she will be here 645 00:53:57,928 --> 00:53:59,578 ♫ Oh yes she will 646 00:54:00,688 --> 00:54:02,548 ♫ 'Cause I belong to you 647 00:54:05,998 --> 00:54:08,388 ♫ Yes, I belong to you 648 00:54:11,338 --> 00:54:13,918 ♫ I belong to you 649 00:54:16,638 --> 00:54:19,098 ♫ And you belong to me 650 00:54:30,618 --> 00:54:35,618 ♫ Look at me, I'm one of your secrets 651 00:54:41,668 --> 00:54:46,668 ♫ From what I see, you're trying hard to keep it 652 00:54:48,538 --> 00:54:50,088 ♫ Oh yeah 653 00:54:51,078 --> 00:54:53,258 ♫ But I belong to you 654 00:54:56,778 --> 00:54:59,058 ♫ Yes, I belong to you 655 00:55:02,418 --> 00:55:04,978 ♫ I belong to you 656 00:55:07,458 --> 00:55:10,068 ♫ And you belong to me 657 00:55:13,568 --> 00:55:15,948 ♫ You belong to me 658 00:55:19,038 --> 00:55:22,858 ♫ You belong to me ♫ 659 00:55:25,278 --> 00:55:26,958 (cheering) 660 00:55:28,048 --> 00:55:29,138 >> Thank you. 661 00:55:29,678 --> 00:55:32,338 >> Seal, and he'll be back! 662 00:55:40,258 --> 00:55:42,128 Surely there could not be a person 663 00:55:42,128 --> 00:55:44,098 on this planet that has not been touched 664 00:55:44,098 --> 00:55:47,418 in some way by the voice of our next guest. 665 00:55:48,338 --> 00:55:50,228 He and I worked together first in 1991 666 00:55:50,228 --> 00:55:51,538 and I'll always remember that moment 667 00:55:51,538 --> 00:55:52,738 when he stepped up to the microphone 668 00:55:52,738 --> 00:55:54,608 and completely blew my mind. 669 00:55:54,608 --> 00:55:56,208 I thought wow, I'm getting paid 670 00:55:56,208 --> 00:55:58,128 to hear this guy sing. 671 00:55:58,608 --> 00:56:01,868 What a voice, what a great guy, what a friend. 672 00:56:02,178 --> 00:56:05,238 Please welcome the one and only... 673 00:56:07,328 --> 00:56:09,248 Michael Bolton! 674 00:56:09,248 --> 00:56:11,908 (cheering) 675 00:56:33,778 --> 00:56:38,298 ♫ When a man loves a woman 676 00:56:40,288 --> 00:56:43,838 ♫ He can't keep his mind on nothing else 677 00:56:45,228 --> 00:56:50,228 ♫ He'd trade the world for the good thing he's found 678 00:56:53,068 --> 00:56:57,308 ♫ If she's bad, he can't see it 679 00:57:00,068 --> 00:57:03,628 ♫ She can do no wrong 680 00:57:04,878 --> 00:57:09,878 ♫ Turns his back on his best friend if he puts her down 681 00:57:12,548 --> 00:57:17,368 ♫ When a man loves a woman 682 00:57:19,388 --> 00:57:22,908 ♫ He spend his very last dime 683 00:57:23,958 --> 00:57:28,958 ♫ Just trying to hold on, hold on to what he needs 684 00:57:31,508 --> 00:57:36,488 ♫ He'd give up all his comforts 685 00:57:38,408 --> 00:57:42,498 ♫ And sleep out in the rain 686 00:57:43,278 --> 00:57:45,798 ♫ If she said that's the way 687 00:57:46,218 --> 00:57:49,108 ♫ Baby, that's the way it oughta be 688 00:57:53,758 --> 00:57:58,758 ♫ When this man loves, when this man really loves a woman 689 00:58:02,968 --> 00:58:07,458 ♫ I gave you everything, I mean everything 690 00:58:08,038 --> 00:58:10,948 ♫ Baby, everything I've got 691 00:58:11,938 --> 00:58:14,298 ♫ Just trying to hold on 692 00:58:15,848 --> 00:58:19,298 ♫ To your precious love 693 00:58:20,148 --> 00:58:25,148 ♫ Baby, baby please, don't treat me bad ♫ 694 00:58:31,598 --> 00:58:33,008 >> Seal: Wow, Michael. 695 00:58:33,328 --> 00:58:34,798 You know, that was pretty sensational, 696 00:58:34,798 --> 00:58:36,898 but I have a slightly different take on things. 697 00:58:36,898 --> 00:58:39,258 >> David: Ladies and gentlemen, Seal! 698 00:58:40,388 --> 00:58:41,758 >> Bring it, Seal. 699 00:58:53,188 --> 00:58:55,868 ♫ This is a man's world 700 00:58:58,988 --> 00:59:01,838 ♫ This is a man's world 701 00:59:04,798 --> 00:59:07,038 ♫ But it wouldn't be nothing 702 00:59:08,538 --> 00:59:13,538 ♫ Nothing without a woman or a girl 703 00:59:19,808 --> 00:59:24,528 ♫ You see, man made the car 704 00:59:26,908 --> 00:59:29,168 ♫ To take us over the road 705 00:59:31,428 --> 00:59:36,428 ♫ Man made the train to carry the heavy load 706 00:59:40,288 --> 00:59:42,388 ♫ Man made the electric light 707 00:59:44,668 --> 00:59:47,518 ♫ To take us out of the dark 708 00:59:49,138 --> 00:59:54,138 ♫ A man made the boat for the water, like Noah made the ark 709 00:59:56,278 --> 01:00:01,128 ♫ This is a man's world, a man's world 710 01:00:01,548 --> 01:00:05,438 ♫ But it would mean nothing, nothing 711 01:00:06,928 --> 01:00:09,748 ♫ Without a woman or a girl 712 01:00:11,218 --> 01:00:14,178 ♫ Oooooh yeah 713 01:00:16,958 --> 01:00:20,558 ♫ When a man loves a woman 714 01:00:25,478 --> 01:00:27,728 ♫ Man makes them happy 715 01:00:28,718 --> 01:00:32,198 ♫ 'Cause you know that man makes them toys 716 01:00:33,588 --> 01:00:38,538 ♫ When a man loves a woman 717 01:00:42,098 --> 01:00:45,448 ♫ You know that man makes the bread 718 01:00:46,528 --> 01:00:48,818 ♫ To buy from another man 719 01:00:49,668 --> 01:00:54,668 ♫ The world would mean nothing without a woman 720 01:00:57,508 --> 01:00:59,718 ♫ Woman or a girl 721 01:01:01,618 --> 01:01:04,198 ♫ When a man loves 722 01:01:06,888 --> 01:01:09,008 ♫ This is a man's world 723 01:01:09,618 --> 01:01:11,418 ♫ Oh, it's a man's world 724 01:01:11,418 --> 01:01:13,538 ♫ (mumble) of man 725 01:01:14,148 --> 01:01:16,508 ♫ Not one in fact 726 01:01:18,028 --> 01:01:23,028 ♫ When a man loves a woman 727 01:01:24,458 --> 01:01:26,788 ♫ You never need 728 01:01:27,268 --> 01:01:29,288 ♫ Don't need 729 01:01:32,108 --> 01:01:33,998 ♫ Not one in fact 730 01:01:35,248 --> 01:01:39,768 ♫ When a man loves a woman ♫ 731 01:01:41,778 --> 01:01:45,008 (cheering) 732 01:02:00,768 --> 01:02:02,658 >> I think we got a little trouble here. 733 01:02:09,148 --> 01:02:13,048 >> There's just way too much testosterone up here. 734 01:02:13,048 --> 01:02:14,938 (laughing) 735 01:02:15,978 --> 01:02:17,908 >> One, two, three! 736 01:02:21,958 --> 01:02:25,868 >> This is for all the sisters, all the mothers, 737 01:02:25,868 --> 01:02:29,318 all the grandmothers, all the aunties! 738 01:02:30,158 --> 01:02:31,888 You know who you are, girls. 739 01:02:34,568 --> 01:02:39,568 ♫ I'm every woman, it's all in me 740 01:02:41,148 --> 01:02:45,298 ♫ Anything you want done, baby, I'll do it naturally 741 01:02:49,218 --> 01:02:54,218 ♫ I'm every woman, it's all in me 742 01:02:55,958 --> 01:02:57,898 ♫ I can read your thoughts right now 743 01:02:57,898 --> 01:03:00,378 ♫ Every one from A to Z 744 01:03:00,968 --> 01:03:05,968 ♫ Whoa whoa whoa, whoa whoa whoa 745 01:03:08,138 --> 01:03:12,358 ♫ I can cast a spell, secrets you can tell 746 01:03:12,908 --> 01:03:16,928 ♫ Mix a special brew, put fire inside of you 747 01:03:17,418 --> 01:03:20,298 ♫ Anytime you feel danger or fear 748 01:03:20,718 --> 01:03:24,618 ♫ Instantly I will appear 'cause 749 01:03:24,618 --> 01:03:29,618 ♫ I'm every woman, it's all in me 750 01:03:31,158 --> 01:03:35,988 ♫ Anything you want done, baby, I'll do it naturally 751 01:03:36,438 --> 01:03:41,438 ♫ Whoa whoa whoa, whoa whoa whoa 752 01:03:43,278 --> 01:03:46,008 ♫ I can sense your needs 753 01:03:46,008 --> 01:03:48,358 ♫ Like rain unto the seeds 754 01:03:48,778 --> 01:03:52,268 ♫ I can make a rhyme of confusion in your mind 755 01:03:52,718 --> 01:03:55,658 ♫ And when it comes down to some good old-fashioned love 756 01:03:55,658 --> 01:03:57,138 ♫ That's what I've got 757 01:04:00,568 --> 01:04:05,568 ♫ I'm every woman, it's all in me 758 01:04:06,468 --> 01:04:10,748 ♫ Anything you want done, baby, I'll do it naturally 759 01:04:11,138 --> 01:04:16,138 ♫ Whoa whoa whoa, whoa whoa whoa 760 01:04:18,038 --> 01:04:19,158 ♫ Now listen 761 01:04:19,878 --> 01:04:23,958 ♫ I ain't bragging 'cause I'm the one 762 01:04:24,448 --> 01:04:28,138 ♫ You just ask me, ooh, it shall be done 763 01:04:28,518 --> 01:04:33,518 ♫ And don't bother to compare, I've got it 764 01:04:35,618 --> 01:04:38,878 ♫ I'm every woman 765 01:04:39,928 --> 01:04:42,978 ♫ I'm every woman 766 01:04:43,938 --> 01:04:47,178 ♫ I'm every woman 767 01:04:48,108 --> 01:04:51,388 ♫ I'm every woman 768 01:04:52,498 --> 01:04:55,498 ♫ I'm every woman 769 01:04:56,478 --> 01:04:59,668 ♫ I'm every woman 770 01:05:00,688 --> 01:05:03,798 ♫ I'm every woman 771 01:05:04,758 --> 01:05:08,008 ♫ I'm every woman 772 01:05:09,398 --> 01:05:12,518 ♫ I'm every woman ♫ 773 01:05:33,118 --> 01:05:35,708 (cheering) 774 01:05:44,698 --> 01:05:49,698 (uplifting trumpet music) 775 01:05:56,108 --> 01:05:58,138 >> You can't believe how excited I am 776 01:05:58,138 --> 01:06:03,138 to introduce my favorite band of all time, 777 01:06:04,178 --> 01:06:06,938 Earth, Wind, and Fire! 778 01:06:07,448 --> 01:06:10,308 (cheering) 779 01:06:38,588 --> 01:06:40,898 ♫ I found that love provides the key 780 01:06:42,248 --> 01:06:45,268 ♫ Unlocks the heart and souls of you and me 781 01:06:46,658 --> 01:06:49,708 ♫ Love will learn to sing your song 782 01:06:51,058 --> 01:06:52,728 ♫ Love is written in the stone 783 01:06:52,728 --> 01:06:54,418 ♫ Is written in the stone 784 01:06:54,998 --> 01:06:57,878 ♫ Every man I meet is walking time 785 01:06:59,168 --> 01:07:02,288 ♫ Free to wander, past his conscious mind 786 01:07:03,408 --> 01:07:06,358 ♫ Love will come and take you home 787 01:07:07,408 --> 01:07:09,178 ♫ Love is written in the stone 788 01:07:09,178 --> 01:07:10,858 ♫ It's written in the stone 789 01:07:11,348 --> 01:07:14,988 ♫ In the stone, you'll find the meaning 790 01:07:14,988 --> 01:07:18,438 ♫ You're not standing tall 791 01:07:19,788 --> 01:07:23,258 ♫ In the stone the light is shining 792 01:07:23,258 --> 01:07:27,178 ♫ Ever touching all 793 01:07:27,968 --> 01:07:32,968 ♫ Never, never my darling, never you'll be alone 794 01:07:36,408 --> 01:07:39,928 ♫ Ever forever my darling 795 01:07:40,448 --> 01:07:44,028 ♫ True love is written in the stone 796 01:07:44,718 --> 01:07:49,718 ♫ Never, never my darling, never you'll be alone 797 01:07:52,988 --> 01:07:56,708 ♫ Ever forever my darling 798 01:07:57,198 --> 01:08:00,748 ♫ True love is written in the stone ♫ 799 01:08:02,668 --> 01:08:04,448 >> Two, three, four! 800 01:08:05,768 --> 01:08:07,288 >> Come on, everybody! 801 01:08:08,338 --> 01:08:10,118 Come on and get on your feet! 802 01:08:22,658 --> 01:08:24,308 ♫ Do you remember 803 01:08:25,158 --> 01:08:27,908 ♫ The 21st night of September 804 01:08:28,758 --> 01:08:31,978 ♫ Love was changing the minds of pretenders 805 01:08:32,888 --> 01:08:36,418 ♫ While chasing the clouds away 806 01:08:38,198 --> 01:08:39,948 ♫ Our hearts were ringing 807 01:08:40,468 --> 01:08:43,618 ♫ In the key that our souls were singing 808 01:08:44,478 --> 01:08:47,498 ♫ As we dance through the night, remember 809 01:08:48,678 --> 01:08:51,368 ♫ True love is shared today 810 01:08:51,778 --> 01:08:53,568 >> Now everybody sing! 811 01:08:54,348 --> 01:08:58,018 ♫ Ba de ya, say do you remember 812 01:08:58,018 --> 01:09:01,888 ♫ Ba de ya, dancing in September 813 01:09:01,888 --> 01:09:06,888 ♫ Ba de ya, never was a cloudy day 814 01:09:09,198 --> 01:09:11,088 ♫ My thoughts are with you 815 01:09:11,538 --> 01:09:14,658 ♫ Holding hands with your heart to see you 816 01:09:15,378 --> 01:09:17,078 ♫ Only blue talk and love 817 01:09:17,078 --> 01:09:22,078 ♫ Remember we knew love was here to stay 818 01:09:24,948 --> 01:09:29,948 ♫ Now September, found the love we shared in September 819 01:09:30,758 --> 01:09:33,238 ♫ Only blue talk and love 820 01:09:34,318 --> 01:09:39,318 ♫ Remember the true love we shared today 821 01:09:40,868 --> 01:09:44,468 ♫ Ba de ya, say do you remember 822 01:09:44,468 --> 01:09:48,308 ♫ Ba de ya, dancing in September 823 01:09:48,308 --> 01:09:53,308 ♫ Ba de ya, never was a cloudy day 824 01:09:56,648 --> 01:10:00,348 ♫ The bells was ringing, aha 825 01:10:00,348 --> 01:10:03,728 ♫ Our souls were singing 826 01:10:04,388 --> 01:10:05,978 ♫ Do you remember 827 01:10:06,428 --> 01:10:09,908 ♫ Never was a cloudy day 828 01:10:10,758 --> 01:10:11,798 >> Everybody sing! 829 01:10:11,798 --> 01:10:14,978 ♫ Ba de ya de ya de ya 830 01:10:14,978 --> 01:10:18,538 >> Sing the song with me! ♫ Ba de ya de ya de ya 831 01:10:18,538 --> 01:10:22,988 ♫ Ba de ya de ya de ya ♫ 832 01:10:26,248 --> 01:10:27,918 >> Make some noise! 833 01:10:28,448 --> 01:10:31,368 (cheering) 834 01:10:32,618 --> 01:10:35,708 >> Earth, Wind, and Fire! 835 01:10:36,988 --> 01:10:39,638 Ralph, Phillip, Verdine! 836 01:10:41,128 --> 01:10:42,338 Oh man. 837 01:10:47,528 --> 01:10:48,938 (laughing) 838 01:10:49,368 --> 01:10:51,618 My God, wow! 839 01:10:53,408 --> 01:10:56,238 Ralph Johnson, Verdine White, Philip Bailey, 840 01:10:56,238 --> 01:10:59,928 Philip Bailey Jr, you got second generation going now. 841 01:11:02,608 --> 01:11:06,288 And the band, I mean okay, there's not a person in 842 01:11:06,288 --> 01:11:09,238 the world that doesn't love Earth, Wind, and Fire, or... 843 01:11:09,238 --> 01:11:11,228 (cheering) 844 01:11:11,688 --> 01:11:14,958 Tonight, as we wanna call it, Earth, Wind, and Foster. 845 01:11:14,958 --> 01:11:16,228 >> Hey, perfect. 846 01:11:16,228 --> 01:11:17,298 >> That's a good one. 847 01:11:17,298 --> 01:11:18,258 >> That works. 848 01:11:18,258 --> 01:11:20,678 >> But I wanna take a little time right now 849 01:11:21,468 --> 01:11:24,498 because my songwriting and producing career 850 01:11:24,498 --> 01:11:28,228 really started with you guys, and in 1978 851 01:11:28,228 --> 01:11:32,278 I went very nervously to Sunset Sound Studios 852 01:11:32,278 --> 01:11:34,708 and played this song for you guys 853 01:11:34,708 --> 01:11:37,278 that I wrote with my buddies Jay Gradin 854 01:11:37,278 --> 01:11:39,668 and Bill Champell and it goes... 855 01:11:40,188 --> 01:11:43,138 ♫ Something happened along the way 856 01:11:43,588 --> 01:11:46,138 ♫ Yesterday was all we had 857 01:11:47,188 --> 01:11:50,838 ♫ Something happened along the way 858 01:11:51,158 --> 01:11:52,828 ♫ We used to be happy 859 01:11:52,828 --> 01:11:56,788 >> Help me guys, please, two, three, four. 860 01:11:57,328 --> 01:12:01,618 ♫ Oh, after the love has gone 861 01:12:02,778 --> 01:12:05,558 ♫ How could you lead me on 862 01:12:06,608 --> 01:12:09,868 ♫ And not let me stay around 863 01:12:10,648 --> 01:12:15,648 ♫ Oh oh oh, after the love has gone 864 01:12:18,318 --> 01:12:21,198 ♫ What used to be right is wrong 865 01:12:22,228 --> 01:12:24,498 ♫ Can love that's lost be found 866 01:12:24,498 --> 01:12:25,518 >> Come on and help us take it up! 867 01:12:25,518 --> 01:12:26,428 >> Come on! 868 01:12:26,428 --> 01:12:31,428 ♫ Oh oh oh oh oh oh after the love has gone 869 01:12:35,308 --> 01:12:37,478 ♫ After the love is gone 870 01:12:37,478 --> 01:12:39,108 ♫ What used to be right is wrong 871 01:12:39,108 --> 01:12:41,408 ♫ What used to be right is wrong 872 01:12:41,408 --> 01:12:44,148 ♫ Can love that's lost be found 873 01:12:44,148 --> 01:12:49,148 ♫ Oh whoa whoa ♫ 874 01:12:54,188 --> 01:12:56,538 (cheering) 875 01:12:56,758 --> 01:12:58,078 >> What a song! 876 01:12:58,528 --> 01:13:00,018 What a song! 877 01:13:00,598 --> 01:13:04,788 >> Well for you guys, another hit. 878 01:13:05,028 --> 01:13:06,258 For me... 879 01:13:06,708 --> 01:13:08,918 The real start of my career. 880 01:13:09,378 --> 01:13:10,528 So thank you. 881 01:13:12,478 --> 01:13:15,798 The band, as you know, were truly trendsetters. 882 01:13:16,318 --> 01:13:19,098 They paved the way for so many people. 883 01:13:19,488 --> 01:13:21,188 As I already mentioned, Verdine and Philip 884 01:13:21,188 --> 01:13:24,068 and Ralph, I am so indebted to you guys. 885 01:13:25,158 --> 01:13:27,078 There's also someone here tonight. 886 01:13:28,158 --> 01:13:30,698 A man who taught me more about making music, 887 01:13:30,698 --> 01:13:35,298 about decency, about calmness, about wellbeing, 888 01:13:35,298 --> 01:13:38,398 and about the true spirit of music than 889 01:13:38,398 --> 01:13:42,558 any other human being on the planet. 890 01:13:43,168 --> 01:13:45,278 The least of his many accomplishments 891 01:13:45,278 --> 01:13:47,428 is that he is my mentor. 892 01:13:48,208 --> 01:13:53,208 His fusion of rock, RandB, jazz, and soul 893 01:13:53,248 --> 01:13:56,088 has been cemented into the history books, 894 01:13:56,088 --> 01:13:58,568 documented forever. 895 01:13:59,458 --> 01:14:01,528 And every single artist that had a 896 01:14:01,528 --> 01:14:05,768 career since this man trailblazed owes him a debt, 897 01:14:05,768 --> 01:14:08,828 whether it's Lionel Richie, Prince, Luther Vandross, 898 01:14:08,828 --> 01:14:12,558 Jay-Z, Kanye, Michael Jackson, you name him. 899 01:14:13,408 --> 01:14:16,738 I finally get to publicly thank the man 900 01:14:16,738 --> 01:14:19,048 who has given the world so much with 901 01:14:19,048 --> 01:14:22,308 every musical fiber of his body, he gave me 902 01:14:22,308 --> 01:14:25,718 the chance to explore way beyond what 903 01:14:25,718 --> 01:14:27,998 I thought I was capable of doing. 904 01:14:28,588 --> 01:14:30,358 Tonight, this is selfish for me because he 905 01:14:30,358 --> 01:14:32,068 doesn't want the accolades. 906 01:14:32,988 --> 01:14:37,008 But I have to tell him how much he has meant to me. 907 01:14:37,758 --> 01:14:39,218 And to the world. 908 01:14:39,688 --> 01:14:41,378 One thing I know for sure. 909 01:14:42,028 --> 01:14:43,758 If he hadn't been born, pop music 910 01:14:43,758 --> 01:14:46,688 would sound a lot different today. 911 01:14:47,208 --> 01:14:50,938 That man is the genius behind Earth, Wind, and Fire. 912 01:14:50,938 --> 01:14:53,498 Ladies and gentlemen, he's here with us tonight. 913 01:14:54,008 --> 01:14:58,578 In a rare public appearance, lead singer Maurice White. 914 01:14:58,578 --> 01:15:01,698 (cheering) 915 01:15:04,718 --> 01:15:09,548 My hero, my mentor, and a true American treasure! 916 01:15:26,178 --> 01:15:29,628 Ladies and gentlemen, Earth, Wind, and Fire! 917 01:15:40,628 --> 01:15:42,528 I am gonna introduce you to someone 918 01:15:42,528 --> 01:15:44,378 that's gonna blow your mind. 919 01:15:44,828 --> 01:15:48,048 Her voice will, I can only describe it as heavenly. 920 01:15:48,568 --> 01:15:50,238 When she burst onto the scene, 921 01:15:50,238 --> 01:15:52,548 we couldn't believe what we were hearing. 922 01:15:52,568 --> 01:15:55,388 It was a voice like from another planet or something. 923 01:15:55,808 --> 01:15:57,308 She made her mark here, and then she 924 01:15:57,308 --> 01:15:59,408 conquered Europe where she has 925 01:15:59,408 --> 01:16:01,328 lived for most of her life. 926 01:16:01,908 --> 01:16:03,538 I'm so fortunate to have lived in a world 927 01:16:03,538 --> 01:16:04,908 of great voices, but believe me, 928 01:16:04,908 --> 01:16:07,748 this voice is at the top of the heap of great voices 929 01:16:07,748 --> 01:16:09,858 and she is going to put her own mark 930 01:16:09,858 --> 01:16:11,788 on a song that I actually once produced 931 01:16:11,788 --> 01:16:16,608 for Josh Grobin, and wait 'till you hear this woman sing. 932 01:16:17,028 --> 01:16:20,618 Please welcome Lara Fabian! 933 01:16:21,328 --> 01:16:24,308 (cheering) 934 01:16:37,448 --> 01:16:42,448 ("Caruso" by Lucio Dalla") 935 01:20:03,024 --> 01:20:05,504 (cheering) 936 01:20:09,094 --> 01:20:10,214 Wow! 937 01:20:12,364 --> 01:20:13,844 Lara Fabian! 938 01:20:20,034 --> 01:20:22,504 Let's hear it for Lara Fabian, amazing! 939 01:20:22,504 --> 01:20:23,724 >> Thank you! 940 01:20:24,104 --> 01:20:25,294 Grazie! 941 01:20:27,814 --> 01:20:28,764 >> Wow! 942 01:20:31,744 --> 01:20:33,244 Everyone is always asking me 943 01:20:33,244 --> 01:20:34,514 what are you gonna do next, 944 01:20:34,514 --> 01:20:35,614 it's like you're only as good 945 01:20:35,614 --> 01:20:37,234 as your last three minutes, okay. 946 01:20:37,684 --> 01:20:38,694 Well for one thing I have been 947 01:20:38,694 --> 01:20:40,654 writing a broadway musical 948 01:20:40,654 --> 01:20:44,474 for the last two years called Betty Boop. 949 01:20:45,524 --> 01:20:46,994 I thought it would be fun if we 950 01:20:46,994 --> 01:20:49,654 gave you a little preview tonight. 951 01:20:52,504 --> 01:20:54,324 Now here's the setup. 952 01:20:54,774 --> 01:20:56,664 Betty Boop's grandfather Marvin 953 01:20:56,664 --> 01:20:58,724 is a failed inventor. 954 01:20:59,364 --> 01:21:02,694 He fell in love in his 20s with Sally. 955 01:21:03,384 --> 01:21:05,384 But he disappear from her life suddenly 956 01:21:05,384 --> 01:21:07,534 for no apparent reason. 957 01:21:08,154 --> 01:21:12,644 So in this scene, they meet again, but with a catch. 958 01:21:13,424 --> 01:21:16,074 Poor Marvin's memory is all but gone. 959 01:21:16,624 --> 01:21:19,344 So for her, the spark is still there. 960 01:21:20,124 --> 01:21:22,364 For him, well, I'm sure it would be 961 01:21:22,364 --> 01:21:25,114 if he could just remember. 962 01:21:25,634 --> 01:21:27,834 Now to play the part of their younger selves, 963 01:21:27,834 --> 01:21:30,574 two up and comers with incredible voices, 964 01:21:30,574 --> 01:21:33,134 Mark Masri and Megan Hilty who 965 01:21:33,134 --> 01:21:35,524 was in Wicked not too long ago. 966 01:21:35,914 --> 01:21:38,184 For the older couple, this is so cool, 967 01:21:38,184 --> 01:21:40,784 she is the lovable but nosy neighbor 968 01:21:40,784 --> 01:21:43,764 on the hit show Desperate Housewives. 969 01:21:44,284 --> 01:21:46,724 And he is her new TV husband on 970 01:21:46,724 --> 01:21:48,254 that same show and they're both 971 01:21:48,254 --> 01:21:50,984 so delightful, both television legends, 972 01:21:50,984 --> 01:21:55,984 please welcome Catherine Joosten and Orson Bean. 973 01:21:56,464 --> 01:21:59,354 (cheering) 974 01:22:03,044 --> 01:22:04,244 >> Are you saying that you don't 975 01:22:04,244 --> 01:22:06,154 remember me, I'm Sally. 976 01:22:06,574 --> 01:22:09,954 >> Your perfume smells familiar. 977 01:22:10,214 --> 01:22:11,594 >> Nothing else? 978 01:22:12,004 --> 01:22:15,674 >> Are you saying that we've met before? 979 01:22:23,364 --> 01:22:28,364 ♫ Everything stopped and smiled the day we met 980 01:22:30,334 --> 01:22:35,334 ♫ Please say you remember it too 981 01:22:37,244 --> 01:22:42,244 ♫ Yours is a face that no one should forget 982 01:22:44,574 --> 01:22:49,574 ♫ Please say you remember it too 983 01:22:51,554 --> 01:22:56,554 ♫ Seems to me I've felt this way before 984 01:22:58,494 --> 01:23:03,494 ♫ There was this girl that I once knew 985 01:23:06,434 --> 01:23:11,434 ♫ Please say you remember her too 986 01:23:13,744 --> 01:23:18,744 ♫ Time can pass before you know it 987 01:23:19,114 --> 01:23:24,114 ♫ And before you know it, memories can fade 988 01:23:29,424 --> 01:23:30,614 >> Sit down? 989 01:23:30,794 --> 01:23:31,944 Come on. 990 01:23:35,964 --> 01:23:40,964 ♫ Here that I have the world most perfect life 991 01:23:42,734 --> 01:23:47,394 ♫ Please say you believe in it too 992 01:23:49,514 --> 01:23:54,514 ♫ I'm gonna be the world's most perfect wife 993 01:23:56,954 --> 01:24:01,954 ♫ And yes, I believe in it too 994 01:24:04,364 --> 01:24:09,364 ♫ We will make the world a better place 995 01:24:10,564 --> 01:24:15,564 ♫ Instead of merely passing through 996 01:24:18,804 --> 01:24:23,804 ♫ Please say you believe in it too 997 01:24:26,414 --> 01:24:31,334 ♫ I'll have all my life to be with 998 01:24:31,884 --> 01:24:36,884 ♫ Kiss or disagree with, love and comfort you 999 01:24:40,194 --> 01:24:45,194 ♫ People, everywhere who see us 1000 01:24:45,404 --> 01:24:48,924 ♫ Wish that they could be us 1001 01:24:49,444 --> 01:24:53,094 ♫ Guess that I would too 1002 01:25:02,484 --> 01:25:07,484 ♫ And people everywhere who see us 1003 01:25:08,854 --> 01:25:12,334 ♫ Wish that they could be us 1004 01:25:12,334 --> 01:25:16,504 ♫ Guess that I would too 1005 01:25:17,834 --> 01:25:22,654 ♫ Time can pass before you know it 1006 01:25:23,174 --> 01:25:28,174 ♫ And before you know it, memories can fade 1007 01:25:31,984 --> 01:25:35,674 ♫ Awaaaaaay 1008 01:25:46,064 --> 01:25:50,884 ♫ Everything stopped and smiled the day we met 1009 01:25:53,074 --> 01:25:58,014 ♫ Please say you remember it too 1010 01:25:59,974 --> 01:26:04,974 ♫ Yours is a face that no one should forget 1011 01:26:06,814 --> 01:26:10,844 ♫ Please, say you remember it 1012 01:26:10,844 --> 01:26:14,844 ♫ Wish I could remember 1013 01:26:15,694 --> 01:26:20,694 ♫ Please says I'll remember it too ♫ 1014 01:26:27,974 --> 01:26:30,824 (cheering) 1015 01:26:48,014 --> 01:26:51,594 >> Megan, Mark, Kathy, and Orson, 1016 01:26:51,594 --> 01:26:53,414 thank you guys so much! 1017 01:26:53,434 --> 01:26:54,944 Give it up for them! 1018 01:27:00,204 --> 01:27:02,004 This next artist has an immense talent 1019 01:27:02,004 --> 01:27:04,154 and he's really only getting started. 1020 01:27:04,504 --> 01:27:06,544 You tell your kids that you saw him tonight 1021 01:27:06,544 --> 01:27:10,434 and your hip factor will go up a thousand points. 1022 01:27:11,114 --> 01:27:12,974 He is the current rage all over the radio, 1023 01:27:12,974 --> 01:27:15,284 all over the world, and I gotta tell you, 1024 01:27:15,284 --> 01:27:17,454 I spent some time with him and you really 1025 01:27:17,454 --> 01:27:19,494 get to see a guy that's gonna be around 1026 01:27:19,494 --> 01:27:21,324 50 years from now because he really 1027 01:27:21,324 --> 01:27:24,894 really cares and he really is taking his time 1028 01:27:24,894 --> 01:27:27,354 with his career, this guy is amazing. 1029 01:27:27,354 --> 01:27:28,834 I'm going outside my box again, 1030 01:27:28,834 --> 01:27:30,334 I had nothing to do with this song, 1031 01:27:30,334 --> 01:27:31,914 I just want you to enjoy it. 1032 01:27:32,634 --> 01:27:34,724 Please welcome Ne-Yo! 1033 01:27:48,374 --> 01:27:49,704 ♫ Let's go let's go 1034 01:27:51,014 --> 01:27:55,804 ♫ Yeah, yeah, yeah, yeah 1035 01:27:57,564 --> 01:28:00,184 >> A dedication to the independent woman. 1036 01:28:01,554 --> 01:28:03,004 ♫ There's something about 1037 01:28:03,004 --> 01:28:06,184 ♫ Just something about the way she move 1038 01:28:06,934 --> 01:28:10,954 ♫ I can't figure it out, there's something about her 1039 01:28:12,044 --> 01:28:14,144 ♫ Said ooh there's something about a 1040 01:28:14,144 --> 01:28:17,394 ♫ Kind of woman that want you but don't need you 1041 01:28:18,044 --> 01:28:22,234 ♫ Hey, I can't figure it out, it's something about her 1042 01:28:23,154 --> 01:28:24,984 ♫ Cause she walk like a boss, hold on 1043 01:28:27,864 --> 01:28:30,224 ♫ Talk like a boss, manicured nails 1044 01:28:30,224 --> 01:28:32,174 ♫ Set the pedicure off 1045 01:28:32,954 --> 01:28:35,614 ♫ She fly effortlessly 1046 01:28:37,164 --> 01:28:40,174 ♫ And she move like a boss, do what a boss 1047 01:28:40,174 --> 01:28:43,154 ♫ Do she got me thinking about getting involved 1048 01:28:43,804 --> 01:28:46,894 ♫ That's the kind of girl I need 1049 01:28:47,844 --> 01:28:52,844 ♫ She got her own thing, that's why I love her 1050 01:28:53,554 --> 01:28:55,754 ♫ Miss Independent 1051 01:28:55,754 --> 01:28:59,004 ♫ Won't you come and spend a little time 1052 01:28:59,194 --> 01:29:03,914 ♫ She got her own thing, that's why I love her 1053 01:29:04,524 --> 01:29:06,644 ♫ Miss Independent 1054 01:29:07,164 --> 01:29:09,144 ♫ Ooh the way you shine 1055 01:29:09,604 --> 01:29:11,514 ♫ Miss Independent 1056 01:29:12,204 --> 01:29:17,204 ♫ Yeah yeah, yeah yeah, yeah yeah 1057 01:29:22,524 --> 01:29:24,044 ♫ Ooh there's something about 1058 01:29:24,044 --> 01:29:27,134 ♫ Kind of woman that can do for herself 1059 01:29:27,714 --> 01:29:29,724 ♫ I look at her and it makes me proud 1060 01:29:29,724 --> 01:29:31,934 ♫ There's something about her 1061 01:29:32,694 --> 01:29:34,994 ♫ Something oh so sexy about 1062 01:29:34,994 --> 01:29:38,444 ♫ Kind of woman that don't even need my help 1063 01:29:38,824 --> 01:29:40,164 ♫ She said she got it she got it 1064 01:29:40,164 --> 01:29:43,084 ♫ No doubt, it's something about her 1065 01:29:43,764 --> 01:29:47,004 ♫ Cause she work like a boss play like a boss 1066 01:29:47,004 --> 01:29:50,244 ♫ Car and a crib, 'bout to pay them both off 1067 01:29:51,094 --> 01:29:53,924 ♫ And her bills are paid on time 1068 01:29:55,374 --> 01:29:58,384 ♫ She made for a boss, only a boss 1069 01:29:58,384 --> 01:30:01,434 ♫ Anything less, telling them to get lost 1070 01:30:02,054 --> 01:30:05,174 ♫ That's the girl that's on my mind 1071 01:30:05,814 --> 01:30:10,814 ♫ She got her own thing, that's why I love her 1072 01:30:11,524 --> 01:30:13,874 ♫ Miss Independent 1073 01:30:14,334 --> 01:30:16,964 ♫ Won't you come and spend a little time 1074 01:30:16,964 --> 01:30:21,964 ♫ She got her own thing, that's why I love her 1075 01:30:22,644 --> 01:30:24,954 ♫ Miss Independent 1076 01:30:26,074 --> 01:30:27,594 ♫ Ooh the way you shine 1077 01:30:28,044 --> 01:30:29,934 ♫ Miss Independent 1078 01:30:31,704 --> 01:30:35,204 ♫ Her favorite thing to say, don't worry I got it 1079 01:30:37,354 --> 01:30:40,974 ♫ And everything she got best believe she bought it 1080 01:30:42,254 --> 01:30:46,114 ♫ She gonna steal my heart, ain't no doubt about it 1081 01:30:46,654 --> 01:30:49,714 ♫ Girl, you're everything I need 1082 01:30:50,204 --> 01:30:52,784 ♫ Said you're everything I need 1083 01:31:01,514 --> 01:31:06,514 ♫ She got her own thing, that's why I love her 1084 01:31:07,454 --> 01:31:09,774 ♫ Miss Independent 1085 01:31:10,174 --> 01:31:12,724 ♫ Won't you come and spend a little time 1086 01:31:12,724 --> 01:31:17,724 ♫ She got her own thing, that's why I love her 1087 01:31:18,424 --> 01:31:20,644 ♫ Miss Independent 1088 01:31:21,064 --> 01:31:23,114 ♫ Ooh the way you shine 1089 01:31:23,594 --> 01:31:28,594 ♫ Miss Independent, that's why I love her ♫ 1090 01:31:30,804 --> 01:31:33,894 >> David: Las Vegas's own Ne-Yo! 1091 01:31:34,114 --> 01:31:36,294 (cheering) 1092 01:31:36,544 --> 01:31:37,764 He'll be back! 1093 01:31:38,214 --> 01:31:39,434 Give it up! 1094 01:31:41,684 --> 01:31:43,034 Thank you, buddy. 1095 01:31:48,714 --> 01:31:53,244 The world mourned when Michael Jackson passed away. 1096 01:31:53,834 --> 01:31:54,884 For sure. 1097 01:31:55,394 --> 01:31:57,704 For me, there'll always be special memories 1098 01:31:57,704 --> 01:32:00,004 because we worked together a lot over the years. 1099 01:32:00,004 --> 01:32:02,204 I wrote a song with my friend Carole Bayer Sager 1100 01:32:02,204 --> 01:32:04,554 on his breakout album Off The Wall. 1101 01:32:05,204 --> 01:32:07,044 I played and arranged on the Thriller 1102 01:32:07,044 --> 01:32:09,074 album with my friend Quincy Jones 1103 01:32:09,074 --> 01:32:10,584 and I produced some songs on the 1104 01:32:10,584 --> 01:32:14,254 History album, my biggest regret with 1105 01:32:14,254 --> 01:32:16,154 Michael was in all the time that 1106 01:32:16,154 --> 01:32:18,154 I spent with him, I didn't 1107 01:32:18,154 --> 01:32:20,194 cherish those moments more because 1108 01:32:20,194 --> 01:32:21,914 we were sitting at the piano together, 1109 01:32:21,914 --> 01:32:23,094 we were writing, we were thinking, 1110 01:32:23,094 --> 01:32:24,724 we were planning, even something 1111 01:32:24,724 --> 01:32:26,094 as simple as when we went to 1112 01:32:26,094 --> 01:32:28,064 the movies together, none of us 1113 01:32:28,064 --> 01:32:30,964 could possibly have known that 1114 01:32:30,964 --> 01:32:32,954 he wouldn't be with us today. 1115 01:32:33,474 --> 01:32:35,634 So I thought I would pay my own homage 1116 01:32:35,634 --> 01:32:37,104 to probably the greatest song and dance 1117 01:32:37,104 --> 01:32:39,674 man of the last 50 years by performing 1118 01:32:39,674 --> 01:32:43,564 a couple of songs that I produced for Michael. 1119 01:32:44,144 --> 01:32:46,514 Here to help me perform is pop sensation 1120 01:32:46,514 --> 01:32:48,554 Ne-Yo and the extraordinary 1121 01:32:48,554 --> 01:32:50,574 slide guitarist Robert Randolph. 1122 01:32:50,954 --> 01:32:52,804 Robert Randolph and Ne-Yo! 1123 01:32:53,254 --> 01:32:55,644 (cheering) 1124 01:33:12,944 --> 01:33:15,564 ♫ What about sunrise 1125 01:33:16,404 --> 01:33:18,394 ♫ What about rain 1126 01:33:19,814 --> 01:33:21,814 ♫ What about all the things 1127 01:33:21,814 --> 01:33:24,834 ♫ That you said we were to gain 1128 01:33:26,554 --> 01:33:29,404 ♫ What about killing fields 1129 01:33:30,164 --> 01:33:32,044 ♫ Is there a time 1130 01:33:33,484 --> 01:33:35,494 ♫ What about all the things 1131 01:33:35,494 --> 01:33:38,454 ♫ That you said were yours and mine 1132 01:33:39,434 --> 01:33:41,984 ♫ Did you ever stop to notice 1133 01:33:42,604 --> 01:33:45,494 ♫ All the blood we've shed before 1134 01:33:46,314 --> 01:33:48,924 ♫ Did you ever stop to notice 1135 01:33:49,544 --> 01:33:52,434 ♫ This crying Earth, its weeping shores 1136 01:33:53,154 --> 01:33:57,194 ♫ Aaaaaaaaah 1137 01:33:59,224 --> 01:34:02,974 ♫ Oooooooooh 1138 01:34:06,934 --> 01:34:08,684 ♫ I used to dream 1139 01:34:10,064 --> 01:34:12,914 ♫ I used to glance beyond the stars 1140 01:34:13,834 --> 01:34:16,394 ♫ Now I don't know where we are 1141 01:34:17,104 --> 01:34:20,724 ♫ Although I know we've drifted far 1142 01:34:21,314 --> 01:34:24,554 ♫ Aaaaaaaaah 1143 01:34:27,014 --> 01:34:30,204 ♫ Oooooooooh 1144 01:34:33,624 --> 01:34:37,744 ♫ Aaaaaaaaah 1145 01:34:40,634 --> 01:34:44,784 ♫ Oooooooooh 1146 01:34:46,904 --> 01:34:48,424 ♫ Hey, hey 1147 01:34:50,754 --> 01:34:52,394 ♫ What about us 1148 01:34:54,014 --> 01:34:55,764 ♫ What about us 1149 01:34:57,314 --> 01:34:59,134 ♫ What about us 1150 01:35:00,914 --> 01:35:02,564 ♫ What about us 1151 01:35:04,184 --> 01:35:05,834 ♫ What about us 1152 01:35:07,624 --> 01:35:09,164 ♫ What about us 1153 01:35:14,584 --> 01:35:16,184 ♫ What about us 1154 01:35:16,564 --> 01:35:18,064 ♫ What about yesterday 1155 01:35:19,654 --> 01:35:21,984 ♫ What about the seas 1156 01:35:23,204 --> 01:35:25,754 ♫ The heavens are falling down 1157 01:35:26,444 --> 01:35:28,764 ♫ I can't even breathe 1158 01:35:30,004 --> 01:35:32,154 ♫ Hey, what about yesterday 1159 01:35:33,184 --> 01:35:36,134 ♫ What about the seas 1160 01:35:36,884 --> 01:35:39,134 ♫ What about about the joy 1161 01:35:40,054 --> 01:35:42,904 ♫ (mumble) 1162 01:35:43,694 --> 01:35:46,744 ♫ Aaaaaaaaah 1163 01:35:49,034 --> 01:35:52,814 ♫ Oooooooooh 1164 01:35:55,964 --> 01:36:00,364 ♫ Aaaaaaaaah 1165 01:36:02,644 --> 01:36:07,264 ♫ Oooooooooh 1166 01:36:14,384 --> 01:36:15,204 ♫ Hey 1167 01:36:17,424 --> 01:36:19,944 ♫ What about us ♫ 1168 01:36:22,194 --> 01:36:24,914 (cheering) 1169 01:36:25,264 --> 01:36:27,684 >> Ne-Yo and Charice! 1170 01:36:31,874 --> 01:36:33,224 Robert Randolph! 1171 01:36:33,744 --> 01:36:34,624 Woo! 1172 01:36:46,834 --> 01:36:50,964 I was actually shocked when Michael Jackson 1173 01:36:50,964 --> 01:36:53,434 told me that the favorite song he ever 1174 01:36:53,434 --> 01:36:56,234 recorded was a song I produced for him, 1175 01:36:56,234 --> 01:36:58,714 Charlie Chaplin's Smile. 1176 01:37:00,134 --> 01:37:01,474 It was meaningful to him I guess 1177 01:37:01,474 --> 01:37:03,494 in a way that we'll never understand. 1178 01:37:03,904 --> 01:37:05,004 I thought it would be interesting 1179 01:37:05,004 --> 01:37:06,534 if we went a different way with it tonight, 1180 01:37:06,534 --> 01:37:08,344 so I presented it to our next performer 1181 01:37:08,344 --> 01:37:10,984 and she said I was hoping that you'd 1182 01:37:10,984 --> 01:37:13,554 ask me to sing something outside 1183 01:37:13,554 --> 01:37:15,434 of what I normally do. 1184 01:37:15,914 --> 01:37:18,304 And Smile is perfect. 1185 01:37:18,824 --> 01:37:22,704 She has had the perfect career in country music. 1186 01:37:23,224 --> 01:37:26,194 Every award possible, millions of fans, 1187 01:37:26,194 --> 01:37:29,844 millions of albums sold, she is a country icon. 1188 01:37:30,324 --> 01:37:32,564 But like every true superstar, she dared 1189 01:37:32,564 --> 01:37:34,634 to go outside of the box trusting me 1190 01:37:34,634 --> 01:37:37,554 to make this great for her. 1191 01:37:39,044 --> 01:37:40,544 And what a job she does and what 1192 01:37:40,544 --> 01:37:42,274 a treat for all of us, ladies and gentlemen, 1193 01:37:42,274 --> 01:37:45,944 please welcome the one and only 1194 01:37:45,944 --> 01:37:47,654 Martina McBride! 1195 01:37:47,654 --> 01:37:50,034 (cheering) 1196 01:37:52,824 --> 01:37:53,904 Woo! 1197 01:38:12,504 --> 01:38:17,504 ♫ Smile though your heart is aching 1198 01:38:19,384 --> 01:38:24,384 ♫ Smile even though it's breaking 1199 01:38:25,584 --> 01:38:30,584 ♫ When there are clouds in the sky, you'll get by 1200 01:38:36,224 --> 01:38:41,224 ♫ If you smile through your fear and sorrow 1201 01:38:43,604 --> 01:38:48,604 ♫ Smile and maybe tomorrow 1202 01:38:50,344 --> 01:38:55,344 ♫ You'll see the sun come shining through for you 1203 01:39:05,324 --> 01:39:10,324 ♫ Light up your face with gladness 1204 01:39:12,904 --> 01:39:17,554 ♫ Hide every trace of sadness 1205 01:39:18,544 --> 01:39:23,544 ♫ Although a tear may be ever so near 1206 01:39:28,854 --> 01:39:33,854 ♫ That's the time you must keep on trying 1207 01:39:36,624 --> 01:39:41,574 ♫ Smile, what's the use of crying 1208 01:39:42,464 --> 01:39:47,464 ♫ You'll find that life is still worthwhile 1209 01:39:50,444 --> 01:39:55,444 ♫ If you just smile 1210 01:39:55,574 --> 01:39:59,294 ♫ Though your heart is aching 1211 01:40:00,114 --> 01:40:05,114 ♫ Smile even though it's breaking 1212 01:40:06,054 --> 01:40:11,054 ♫ When there are clouds in the sky, you'll get by 1213 01:40:16,934 --> 01:40:21,934 ♫ That's the time you must keep on trying 1214 01:40:25,504 --> 01:40:30,504 ♫ Smile, what's the use of crying 1215 01:40:32,014 --> 01:40:37,014 ♫ You'll find that life is still worthwhile 1216 01:40:41,694 --> 01:40:46,694 ♫ If you just smile ♫ 1217 01:40:57,174 --> 01:40:59,664 (cheering) 1218 01:41:08,254 --> 01:41:09,954 >> Thank you very much, wow, thank you. 1219 01:41:09,954 --> 01:41:11,304 >> Dang, wow! 1220 01:41:17,864 --> 01:41:19,524 I think Michael would be very very proud 1221 01:41:19,524 --> 01:41:21,254 of that rendition, and it just brought me 1222 01:41:21,254 --> 01:41:22,734 right back to when we did that song 1223 01:41:22,734 --> 01:41:25,474 in New York City, thank you for that. 1224 01:41:25,934 --> 01:41:28,004 So I did another song that I produced back 1225 01:41:28,004 --> 01:41:32,754 around that time for Sheena Easton and Kenny Rogers. 1226 01:41:33,544 --> 01:41:35,924 We just talked about it today in rehersal 1227 01:41:35,924 --> 01:41:37,744 And out of nowhere Martina said 1228 01:41:37,744 --> 01:41:39,344 I wouldn't mind singing that song, 1229 01:41:39,344 --> 01:41:41,354 so we ran it down a couple 1230 01:41:41,354 --> 01:41:43,314 of times in rehearsal and she said 1231 01:41:43,314 --> 01:41:45,234 let's do it and I said yeah, let's do it. 1232 01:41:45,904 --> 01:41:47,064 >> Let's do it. 1233 01:42:01,734 --> 01:42:06,734 ♫ I know it's late, I know you're weary 1234 01:42:08,974 --> 01:42:13,974 ♫ I know your plans don't include me 1235 01:42:16,454 --> 01:42:21,454 ♫ Still here we are, both of us lonely 1236 01:42:25,194 --> 01:42:30,194 ♫ Longing for shelter from all that we see 1237 01:42:33,134 --> 01:42:38,134 ♫ Why should we worry, no one will care 1238 01:42:41,514 --> 01:42:46,514 ♫ Look at the stars now so far away 1239 01:42:49,914 --> 01:42:54,914 ♫ We've got tonight, who needs tomorrow 1240 01:42:58,324 --> 01:43:01,644 ♫ We've got tonight babe 1241 01:43:02,434 --> 01:43:05,474 ♫ Why don't you stay 1242 01:43:06,524 --> 01:43:11,524 ♫ Deep in my soul, I've been so lonely 1243 01:43:14,814 --> 01:43:19,814 ♫ All of my hopes fading away 1244 01:43:22,914 --> 01:43:27,914 ♫ I've longed for love, like everyone else does 1245 01:43:30,894 --> 01:43:35,894 ♫ I know I'll keep searching after today 1246 01:43:39,164 --> 01:43:44,164 ♫ We've got tonight, who needs tomorrow 1247 01:43:47,044 --> 01:43:50,194 ♫ We've got tonight babe 1248 01:43:51,044 --> 01:43:53,964 ♫ Why don't you stay 1249 01:43:57,454 --> 01:44:02,454 ♫ I know it's late, I know you're weary 1250 01:44:05,224 --> 01:44:09,644 ♫ I know your plans don't include me 1251 01:44:10,264 --> 01:44:15,264 ♫ Still here we are, both of us lonely 1252 01:44:18,904 --> 01:44:22,294 ♫ Both of us lonely 1253 01:44:27,814 --> 01:44:32,814 ♫ We've got tonight, who needs tomorrow 1254 01:44:36,154 --> 01:44:41,154 ♫ Let's make it last, let's find a way 1255 01:44:43,664 --> 01:44:48,664 ♫ Turn out the light, come take my hand now 1256 01:44:52,204 --> 01:44:55,824 ♫ We've got tonight babe 1257 01:44:56,544 --> 01:44:59,454 ♫ Why don't we stay 1258 01:45:00,684 --> 01:45:05,204 ♫ We've got tonight babe 1259 01:45:06,584 --> 01:45:11,584 ♫ Why don't we stay ♫ 1260 01:45:16,034 --> 01:45:18,854 (cheering) 1261 01:45:23,004 --> 01:45:24,504 >> Martina McBride! 1262 01:45:24,504 --> 01:45:25,854 >> Thank you so much. 1263 01:45:42,994 --> 01:45:44,964 >> There's a song that I produced for Michael Buble 1264 01:45:44,964 --> 01:45:47,034 that actually my daughter wrote with him, 1265 01:45:47,034 --> 01:45:48,784 a song called Home. 1266 01:45:49,794 --> 01:45:51,814 (cheering) Yeah, a great song. 1267 01:45:53,304 --> 01:45:54,934 So when I toured with Ruben Studdard, 1268 01:45:54,934 --> 01:45:56,974 he said that he really loved that song 1269 01:45:56,974 --> 01:45:59,194 and he wanted to give it a shot. 1270 01:46:00,644 --> 01:46:02,234 It was amazing, every night we 1271 01:46:02,234 --> 01:46:04,514 did this song and it brought the house 1272 01:46:04,514 --> 01:46:06,784 down because of course he put his 1273 01:46:06,784 --> 01:46:10,534 own unbelievable spin to it. 1274 01:46:11,054 --> 01:46:12,984 So here back to sing again, 1275 01:46:12,984 --> 01:46:16,154 this beautiful song with his own RandB twist, 1276 01:46:16,154 --> 01:46:19,494 the one and only Ruben Studdard! 1277 01:46:19,494 --> 01:46:21,644 (cheering) 1278 01:46:37,644 --> 01:46:39,394 ♫ Another summer day 1279 01:46:40,414 --> 01:46:42,234 ♫ Has come and gone away 1280 01:46:43,684 --> 01:46:45,674 ♫ Maybe in Paris and Rome 1281 01:46:46,654 --> 01:46:49,044 ♫ But I wanna go home 1282 01:46:52,324 --> 01:46:54,484 ♫ Let me go home 1283 01:46:59,064 --> 01:47:00,944 ♫ Maybe surrounded by 1284 01:47:02,074 --> 01:47:03,984 ♫ A million people I 1285 01:47:04,944 --> 01:47:07,824 ♫ Just feel so alone 1286 01:47:08,974 --> 01:47:11,334 ♫ I wanna go home 1287 01:47:13,244 --> 01:47:16,564 ♫ Oh I miss you, you know 1288 01:47:19,384 --> 01:47:23,504 ♫ And I've been keeping all the letters 1289 01:47:25,464 --> 01:47:27,384 ♫ That I wrote to you 1290 01:47:29,054 --> 01:47:31,774 ♫ Each one a line or two 1291 01:47:33,734 --> 01:47:36,854 ♫ I'm fine baby, how are you 1292 01:47:39,144 --> 01:47:44,144 ♫ I would send them but I know that it's just not enough 1293 01:47:48,584 --> 01:47:52,434 ♫ My words were cold and flat 1294 01:47:53,324 --> 01:47:57,574 ♫ And you deserve more than that 1295 01:48:02,264 --> 01:48:03,884 ♫ Another summer day 1296 01:48:04,304 --> 01:48:06,284 ♫ Has come and gone away 1297 01:48:06,734 --> 01:48:08,914 ♫ Maybe in Paris and Rome 1298 01:48:09,504 --> 01:48:12,954 ♫ But I wanna go home 1299 01:48:13,974 --> 01:48:16,094 ♫ Let me go home 1300 01:48:16,374 --> 01:48:18,384 >> If y'all know this song, sing it with me, come on! 1301 01:48:18,384 --> 01:48:20,964 ♫ Let me go home 1302 01:48:23,584 --> 01:48:25,634 ♫ Oh yeah 1303 01:48:27,224 --> 01:48:31,234 ♫ I'm much too far from where you are 1304 01:48:31,724 --> 01:48:33,474 ♫ Let me go home 1305 01:48:33,864 --> 01:48:36,984 ♫ Let the band play, play it, y'all 1306 01:48:37,664 --> 01:48:40,684 (electric guitar solo) 1307 01:48:45,944 --> 01:48:50,944 ♫ Oooooooooh yeah 1308 01:48:53,284 --> 01:48:56,634 ♫ I've been keeping all the letters 1309 01:48:57,784 --> 01:48:59,634 ♫ That I wrote to you 1310 01:49:01,624 --> 01:49:04,074 ♫ Each one a line or two 1311 01:49:04,554 --> 01:49:08,884 ♫ Listen, I'm fine baby, how are you 1312 01:49:10,254 --> 01:49:15,254 ♫ Now I would send them but I know that it's just not enough 1313 01:49:18,444 --> 01:49:21,214 ♫ My words were cold and flat 1314 01:49:22,374 --> 01:49:27,164 ♫ And you deserve more than that 1315 01:49:30,654 --> 01:49:32,534 ♫ Another summer day 1316 01:49:33,084 --> 01:49:35,074 ♫ Has come and gone away 1317 01:49:35,694 --> 01:49:37,724 ♫ Maybe in Paris and Rome 1318 01:49:37,724 --> 01:49:40,944 ♫ But I wanna go home 1319 01:49:42,554 --> 01:49:45,414 ♫ Let me go home 1320 01:49:46,234 --> 01:49:47,454 ♫ Listen, y'all 1321 01:49:48,234 --> 01:49:50,054 ♫ I may be surrounded by 1322 01:49:50,544 --> 01:49:52,324 ♫ A million people I 1323 01:49:52,774 --> 01:49:54,994 ♫ Still feel so alone 1324 01:49:55,474 --> 01:49:59,364 ♫ But I wanna go, I gotta go 1325 01:49:59,784 --> 01:50:01,634 ♫ Let me go home 1326 01:50:03,554 --> 01:50:05,994 ♫ Let me go home 1327 01:50:12,264 --> 01:50:14,214 ♫ I'm much too far 1328 01:50:15,434 --> 01:50:17,754 ♫ From where you are 1329 01:50:21,304 --> 01:50:26,304 ♫ Let me go home 1330 01:50:30,144 --> 01:50:35,144 ♫ Oooooh yeeeeeah 1331 01:50:36,574 --> 01:50:37,534 ♫ Yeah ♫ 1332 01:50:40,794 --> 01:50:42,244 >> Ruben Studdard! 1333 01:50:42,494 --> 01:50:43,324 >> Thank you. 1334 01:50:43,324 --> 01:50:44,474 >> Woo! 1335 01:50:45,564 --> 01:50:46,744 Ruben! 1336 01:50:53,464 --> 01:50:56,314 If Oprah and I had a love child... 1337 01:50:56,734 --> 01:50:58,724 (laughing) 1338 01:50:59,264 --> 01:51:01,724 It could very well be our next guest. 1339 01:51:04,304 --> 01:51:06,584 None of us, none of us could have 1340 01:51:06,584 --> 01:51:09,614 predicted or guessed at the laser beam 1341 01:51:09,614 --> 01:51:12,234 trajectory of her career. 1342 01:51:13,024 --> 01:51:15,524 You cannot deny this immense talent 1343 01:51:15,524 --> 01:51:18,274 in this little little body. 1344 01:51:19,094 --> 01:51:21,184 Now a lot of you know and she was 1345 01:51:21,184 --> 01:51:22,434 on the show last time, I have a 1346 01:51:22,434 --> 01:51:25,084 long history with Celine Dion. 1347 01:51:25,904 --> 01:51:29,434 Finding someone to do justice to 1348 01:51:29,434 --> 01:51:33,914 those songs is almost impossible until 1349 01:51:33,914 --> 01:51:36,974 we found this dynamo from the Philippines. 1350 01:51:36,974 --> 01:51:39,294 (cheering) 1351 01:51:39,944 --> 01:51:42,914 Now this first song that she's gonna do 1352 01:51:42,914 --> 01:51:45,384 is a song that I actually wrote with 1353 01:51:45,384 --> 01:51:47,394 my friend Edgar Bronfman, Jr, now for 1354 01:51:47,394 --> 01:51:49,594 those of you who don't know, at the time 1355 01:51:49,594 --> 01:51:53,594 Edgar Bronfman Jr owned Universal Pictures 1356 01:51:53,594 --> 01:51:55,064 and it was so surreal to be sitting in 1357 01:51:55,064 --> 01:51:57,764 the studio working with Celine and Edgar Bronfman 1358 01:51:57,764 --> 01:51:59,304 is sitting there working on lyrics 1359 01:51:59,304 --> 01:52:00,634 at 2 o'clock in the morning, I said 1360 01:52:00,634 --> 01:52:03,684 don't you have this huge thing you're running? 1361 01:52:04,044 --> 01:52:07,044 But he loves to write songs, so here she is, 1362 01:52:07,044 --> 01:52:09,914 with Edgar's and my song that we wrote for Celine, 1363 01:52:09,914 --> 01:52:13,784 the new star of Glee, you saw her here first, Charice! 1364 01:52:13,784 --> 01:52:16,604 (cheering) 1365 01:52:34,174 --> 01:52:39,174 ♫ Take me back into the arms I love 1366 01:52:42,074 --> 01:52:47,074 ♫ Need me like you did before 1367 01:52:49,014 --> 01:52:52,234 ♫ Touch me once again 1368 01:52:53,154 --> 01:52:56,504 ♫ And remember when 1369 01:52:57,224 --> 01:53:02,224 ♫ There was no one that you wanted more 1370 01:53:05,834 --> 01:53:10,834 ♫ Don't go, you know you'll break my heart 1371 01:53:13,864 --> 01:53:18,864 ♫ She won't love you like I will 1372 01:53:21,284 --> 01:53:24,604 ♫ I'm the one who'll stay 1373 01:53:25,554 --> 01:53:28,604 ♫ When she walks away 1374 01:53:29,324 --> 01:53:34,324 ♫ And you know I'll be standing here still 1375 01:53:37,034 --> 01:53:40,924 ♫ I'll be waiting for you 1376 01:53:41,974 --> 01:53:44,714 ♫ Here inside my heart 1377 01:53:45,304 --> 01:53:50,304 ♫ I'm the one who wants to love you more 1378 01:53:53,144 --> 01:53:56,964 ♫ You will see I can give you 1379 01:53:57,954 --> 01:54:00,634 ♫ Everything you need 1380 01:54:01,224 --> 01:54:06,224 ♫ Let me be the one to love you more 1381 01:54:09,894 --> 01:54:14,894 ♫ And some way all the love that we had can be saved 1382 01:54:18,674 --> 01:54:23,674 ♫ Whatever it takes, we'll find a way 1383 01:54:26,744 --> 01:54:29,964 (solo violin music) 1384 01:54:42,034 --> 01:54:43,844 ♫ Believe me 1385 01:54:45,064 --> 01:54:48,054 ♫ I will make you see 1386 01:54:49,134 --> 01:54:54,134 ♫ All the things that your heart needs to know 1387 01:54:57,014 --> 01:55:01,524 ♫ I'll be waiting for you 1388 01:55:02,884 --> 01:55:05,574 ♫ Here inside my heart 1389 01:55:06,224 --> 01:55:11,224 ♫ I'm the one who wants to love you more 1390 01:55:13,924 --> 01:55:17,954 ♫ Can't you see I can give you 1391 01:55:18,934 --> 01:55:21,754 ♫ Everything you need 1392 01:55:22,294 --> 01:55:27,294 ♫ Let me be the one to love you more 1393 01:55:31,044 --> 01:55:34,194 ♫ Ooooooh 1394 01:55:39,454 --> 01:55:44,454 ♫ Ooooooh 1395 01:55:46,994 --> 01:55:50,744 ♫ Ooooooh 1396 01:55:55,534 --> 01:56:00,534 ♫ Ooooooh ♫ 1397 01:56:07,014 --> 01:56:09,304 (cheering) 1398 01:56:31,844 --> 01:56:33,714 >> You are all grown up now! 1399 01:56:36,274 --> 01:56:37,194 Wow. 1400 01:56:40,114 --> 01:56:42,084 It's just wonderful to see what's 1401 01:56:42,084 --> 01:56:43,814 been happening with you, and now 1402 01:56:43,814 --> 01:56:46,234 with Glee, it's just, it's endless. 1403 01:56:50,854 --> 01:56:53,324 I produced a song for Celine a few years ago 1404 01:56:53,324 --> 01:56:55,164 that I really am proud of this song, 1405 01:56:55,164 --> 01:56:56,964 the way it turned out and the way 1406 01:56:56,964 --> 01:56:59,134 we changed it around, it was the only 1407 01:56:59,134 --> 01:57:00,664 time that I recalled that Celine 1408 01:57:00,664 --> 01:57:02,674 actually got really, well she may have got 1409 01:57:02,674 --> 01:57:04,504 annoyed with me a lot, but she 1410 01:57:04,504 --> 01:57:05,774 really got annoyed with me because there's 1411 01:57:05,774 --> 01:57:07,704 a particularly high note in this song 1412 01:57:07,704 --> 01:57:09,774 which is ridiculously high, she sang it 1413 01:57:09,774 --> 01:57:11,084 perfect the first time, I made her 1414 01:57:11,084 --> 01:57:12,934 do it seven more times. 1415 01:57:13,284 --> 01:57:14,674 Why, I don't know, but then of course 1416 01:57:14,674 --> 01:57:16,014 I told her not to sing the Titanic song, 1417 01:57:16,014 --> 01:57:17,364 so what do I know? 1418 01:57:17,584 --> 01:57:18,784 (laughing) 1419 01:57:18,784 --> 01:57:20,534 Anyway, should we give it a try? 1420 01:57:22,254 --> 01:57:24,544 (cheering) 1421 01:57:37,204 --> 01:57:39,024 ♫ When I was young 1422 01:57:41,174 --> 01:57:44,364 ♫ I never needed anyone 1423 01:57:47,784 --> 01:57:51,134 ♫ And making love was just for fun 1424 01:57:52,724 --> 01:57:55,344 ♫ Those days are gone 1425 01:57:59,594 --> 01:58:01,814 ♫ Living alone 1426 01:58:03,094 --> 01:58:06,754 ♫ I think of all the friends I've known 1427 01:58:09,434 --> 01:58:13,524 ♫ But when I dial the telephone 1428 01:58:14,774 --> 01:58:17,624 ♫ Nobody's home 1429 01:58:25,724 --> 01:58:30,724 ♫ All by myself 1430 01:58:31,794 --> 01:58:33,424 ♫ Don't wanna be 1431 01:58:33,424 --> 01:58:38,044 ♫ All by myself 1432 01:58:38,664 --> 01:58:40,984 ♫ Anymore 1433 01:58:41,774 --> 01:58:43,554 ♫ Hard to be sure 1434 01:58:45,304 --> 01:58:48,424 ♫ Sometimes I feel so insecure 1435 01:58:50,634 --> 01:58:54,694 ♫ And love so distant and obscure 1436 01:58:55,714 --> 01:58:58,834 ♫ Remains the cure 1437 01:59:05,924 --> 01:59:10,924 ♫ All by myself 1438 01:59:12,104 --> 01:59:13,804 ♫ Don't wanna be 1439 01:59:13,804 --> 01:59:18,554 ♫ All by myself 1440 01:59:19,044 --> 01:59:21,364 ♫ Anymore 1441 01:59:22,044 --> 01:59:27,044 ♫ All by myself 1442 01:59:28,254 --> 01:59:29,874 ♫ Don't wanna live 1443 01:59:29,874 --> 01:59:34,274 ♫ All by myself 1444 01:59:35,344 --> 01:59:37,204 ♫ Anymore 1445 01:59:40,494 --> 01:59:43,504 (solo piano music) 1446 02:00:12,164 --> 02:00:16,884 ♫ All by myself 1447 02:00:18,234 --> 02:00:20,004 ♫ Don't wanna be 1448 02:00:20,004 --> 02:00:24,594 ♫ All by myself 1449 02:00:25,104 --> 02:00:27,794 ♫ Anymore 1450 02:00:37,214 --> 02:00:40,634 ♫ Don't wanna be by myself 1451 02:00:46,224 --> 02:00:51,224 ♫ All by myself 1452 02:00:52,334 --> 02:00:54,414 ♫ Don't wanna live 1453 02:00:57,634 --> 02:01:01,174 ♫ Don't wanna live by myself, by myself 1454 02:01:01,174 --> 02:01:04,764 ♫ Anymore 1455 02:01:08,914 --> 02:01:11,164 ♫ All by myself 1456 02:01:13,524 --> 02:01:16,994 ♫ Don't wanna live by myself anymore 1457 02:01:16,994 --> 02:01:18,964 ♫ By myself any more 1458 02:01:18,964 --> 02:01:21,444 ♫ By myself any 1459 02:01:22,964 --> 02:01:26,884 ♫ Mooooore ♫ 1460 02:01:31,464 --> 02:01:34,594 (cheering) 1461 02:01:39,674 --> 02:01:40,964 >> Charice! 1462 02:01:54,634 --> 02:01:55,614 Wow. 1463 02:02:02,304 --> 02:02:04,134 I got a call from my friend Michael Bolton, 1464 02:02:04,134 --> 02:02:07,194 he said I'd really love to sing The Prayer. 1465 02:02:07,644 --> 02:02:09,364 Who should I sing it with? 1466 02:02:10,014 --> 02:02:12,684 And I said well the best person 1467 02:02:12,684 --> 02:02:17,054 on the planet to sing it with is Lara Fabien, 1468 02:02:17,054 --> 02:02:19,624 but she lives in Europe, so we had 1469 02:02:19,624 --> 02:02:20,884 to figure that one out and we actually 1470 02:02:20,884 --> 02:02:23,294 recorded it over the internet, 1471 02:02:23,294 --> 02:02:25,864 but they're here to sing it live tonight, 1472 02:02:25,864 --> 02:02:29,834 please welcome back Michael Bolton and Lara Fabian! 1473 02:02:29,834 --> 02:02:32,814 (cheering) 1474 02:02:54,894 --> 02:02:59,364 ♫ I pray you'll be our eyes 1475 02:03:01,764 --> 02:03:05,814 ♫ And watch us where we go 1476 02:03:08,094 --> 02:03:12,284 ♫ And help us to be wise 1477 02:03:14,204 --> 02:03:17,964 ♫ In times when we don't know 1478 02:03:20,584 --> 02:03:24,534 ♫ Let this be our prayer 1479 02:03:27,284 --> 02:03:31,244 ♫ When we lose our way 1480 02:03:35,234 --> 02:03:38,584 ♫ Lead us to the place 1481 02:03:39,234 --> 02:03:42,784 ♫ Guide us with your grace 1482 02:03:43,404 --> 02:03:48,404 ♫ To a place where we'll be safe 1483 02:03:52,544 --> 02:03:55,854 ♫ La luce che tu hai 1484 02:03:55,854 --> 02:03:58,774 ♫ I pray we'll find your light 1485 02:03:58,774 --> 02:04:01,584 ♫ Nel cuore resterà 1486 02:04:01,584 --> 02:04:04,694 ♫ And hold it in our hearts 1487 02:04:04,694 --> 02:04:07,694 ♫ A ricordarci che 1488 02:04:07,694 --> 02:04:11,134 ♫ When stars go out each night 1489 02:04:11,134 --> 02:04:13,984 ♫ L'eterna stella sei 1490 02:04:13,984 --> 02:04:17,214 ♫ And lights up where you are 1491 02:04:17,214 --> 02:04:20,544 ♫ Nella mia preghiera 1492 02:04:20,544 --> 02:04:23,614 ♫ Let this be our prayer 1493 02:04:23,614 --> 02:04:26,614 ♫ Quanta fede c'è 1494 02:04:26,614 --> 02:04:30,064 ♫ When shadows fill our day 1495 02:04:31,954 --> 02:04:35,374 ♫ Lead us to a place 1496 02:04:36,054 --> 02:04:39,674 ♫ Guide us with your grace 1497 02:04:40,394 --> 02:04:45,394 ♫ Give us faith so we'll be safe 1498 02:04:49,674 --> 02:04:54,424 (singing in Italian) 1499 02:05:25,104 --> 02:05:28,424 ♫ La forza che ci dà 1500 02:05:28,914 --> 02:05:31,744 ♫ We ask that life be kind 1501 02:05:31,744 --> 02:05:34,654 ♫ È il desiderio che 1502 02:05:34,654 --> 02:05:37,884 ♫ And watch us from above 1503 02:05:37,884 --> 02:05:41,054 ♫ Ognuno trovi amor 1504 02:05:41,054 --> 02:05:44,254 ♫ We hope each soul will find 1505 02:05:44,254 --> 02:05:47,324 ♫ Intorno e dentro a sé 1506 02:05:47,324 --> 02:05:50,844 ♫ Another soul to love 1507 02:05:51,434 --> 02:05:54,264 ♫ Let this be our prayer 1508 02:05:54,264 --> 02:05:57,734 ♫ Let this be our prayer 1509 02:05:57,734 --> 02:06:00,774 ♫ Just like every child 1510 02:06:00,774 --> 02:06:04,324 ♫ Just like every child 1511 02:06:06,584 --> 02:06:09,904 ♫ Need to find a place 1512 02:06:10,584 --> 02:06:13,934 ♫ Guide us with your grace 1513 02:06:14,754 --> 02:06:19,754 ♫ Give us faith so we'll be safe 1514 02:06:22,234 --> 02:06:25,984 ♫ È la fede che 1515 02:06:26,804 --> 02:06:30,754 ♫ Hai acceso in noi 1516 02:06:35,274 --> 02:06:40,274 ♫ Sento che ci salverà ♫ 1517 02:06:53,164 --> 02:06:55,984 (cheering) 1518 02:07:00,264 --> 02:07:03,124 >> Lara Fabian and Michael Bolton! 1519 02:07:04,034 --> 02:07:04,954 Fabulous! 1520 02:07:05,474 --> 02:07:06,254 Wow! 1521 02:07:06,644 --> 02:07:08,594 >> The one and only David Foster. 1522 02:07:16,554 --> 02:07:17,804 >> Dang. 1523 02:07:19,554 --> 02:07:21,854 Speaking of friends, my friend Diane Warren 1524 02:07:21,854 --> 02:07:24,654 who's sitting here and I have had a lot 1525 02:07:24,654 --> 02:07:26,544 of success over the years. 1526 02:07:27,094 --> 02:07:29,814 She writes them and I produce them. 1527 02:07:30,364 --> 02:07:31,534 Some of them you might remember, 1528 02:07:31,534 --> 02:07:33,764 Have You Ever for Brandy, Because You Love Me 1529 02:07:33,764 --> 02:07:36,204 for Celine Dion, Can I Have This Kiss Forever 1530 02:07:36,204 --> 02:07:38,454 for Whitney and Enrique Iglesias. 1531 02:07:39,004 --> 02:07:42,254 But this next song was one of our biggest, you and I. 1532 02:07:42,744 --> 02:07:47,034 11 weeks at number one for Toni Braxton. 1533 02:07:47,584 --> 02:07:49,944 Now I wondered who on Earth could tackle this song 1534 02:07:49,944 --> 02:07:52,264 and make a meal out of it. 1535 02:07:53,324 --> 02:07:57,924 I truly cannot find the words to introduce her, 1536 02:07:57,924 --> 02:08:00,314 so I will simply say... 1537 02:08:02,494 --> 02:08:04,864 Ladies and gentlemen, with a little help 1538 02:08:04,864 --> 02:08:07,014 from someone you saw earlier... 1539 02:08:08,694 --> 02:08:10,804 Donna Summer! 1540 02:08:10,804 --> 02:08:13,124 (cheering) 1541 02:08:24,114 --> 02:08:27,834 ♫ Unbreak my heart 1542 02:08:28,844 --> 02:08:32,474 ♫ Say you'll love me again 1543 02:08:33,784 --> 02:08:37,604 ♫ Undo this hurt you caused 1544 02:08:37,604 --> 02:08:39,764 ♫ When you walked out the door 1545 02:08:39,764 --> 02:08:42,784 ♫ And walked out of my life 1546 02:08:43,504 --> 02:08:46,894 ♫ Uncry these tears 1547 02:08:48,004 --> 02:08:52,494 ♫ I cried so many nights 1548 02:08:53,314 --> 02:08:57,634 ♫ Unbreak my heart 1549 02:09:00,854 --> 02:09:03,304 ♫ My heart 1550 02:09:06,784 --> 02:09:09,394 ♫ Don't leave me in all this pain 1551 02:09:11,214 --> 02:09:14,354 ♫ Don't leave me out in the rain 1552 02:09:15,404 --> 02:09:17,804 ♫ Come back and bring back my smile 1553 02:09:17,804 --> 02:09:21,594 ♫ Come and take these tears away 1554 02:09:22,744 --> 02:09:26,594 ♫ I need your love to hold me now 1555 02:09:27,244 --> 02:09:30,504 ♫ The nights are so unkind 1556 02:09:32,844 --> 02:09:37,204 ♫ Bring back those nights that I held you beside me 1557 02:09:38,264 --> 02:09:41,444 ♫ Unbreak my heart 1558 02:09:42,464 --> 02:09:45,814 ♫ Say you'll love me again 1559 02:09:46,934 --> 02:09:50,434 ♫ Undo this hurt you caused 1560 02:09:50,434 --> 02:09:52,604 ♫ When you walked out of the door 1561 02:09:52,604 --> 02:09:55,444 ♫ And walked out of my life 1562 02:09:55,444 --> 02:09:58,934 ♫ Uncry these tears 1563 02:10:00,144 --> 02:10:03,204 ♫ I cried so many nights 1564 02:10:04,584 --> 02:10:09,404 ♫ Unbreak my heart 1565 02:10:10,654 --> 02:10:13,474 ♫ Unbreak me ♫ 1566 02:10:16,534 --> 02:10:19,504 >> You know David, you are so fantastic 1567 02:10:19,504 --> 02:10:21,554 and I love all of your songs. 1568 02:10:22,004 --> 02:10:24,224 And Seal, you are amazing. 1569 02:10:24,224 --> 02:10:25,204 >> Thank you. 1570 02:10:25,204 --> 02:10:28,194 >> I mean don't you wanna see him get a little crazy? 1571 02:10:35,274 --> 02:10:36,404 Come on now. 1572 02:10:39,484 --> 02:10:42,544 ♫ A man decides after seventy years 1573 02:10:42,924 --> 02:10:44,924 ♫ That what he goes there for 1574 02:10:44,924 --> 02:10:47,774 ♫ Is to unlock the door 1575 02:10:48,934 --> 02:10:52,384 ♫ While those around him criticize and sleep 1576 02:10:58,304 --> 02:11:01,304 ♫ And through a fracture on that breaking wall 1577 02:11:01,304 --> 02:11:06,224 ♫ I see you my friend and touch your face again 1578 02:11:07,444 --> 02:11:10,604 ♫ Miracles will happen as we trip 1579 02:11:17,194 --> 02:11:21,744 ♫ But we're never gonna survive unless 1580 02:11:22,364 --> 02:11:25,254 ♫ We get a little crazy 1581 02:11:26,324 --> 02:11:31,114 ♫ No we're never gonna survive unless 1582 02:11:31,674 --> 02:11:35,194 ♫ We get a little crazy 1583 02:11:35,244 --> 02:11:37,794 ♫ Crazy 1584 02:11:38,144 --> 02:11:41,044 ♫ Are the people walking through my head 1585 02:11:41,044 --> 02:11:46,044 ♫ One of them got a gun to shoot the other one 1586 02:11:46,984 --> 02:11:50,424 ♫ And yet together they were friends at school 1587 02:11:50,424 --> 02:11:55,424 ♫ Yeah yeah yeah, no no no 1588 02:11:56,494 --> 02:11:59,534 ♫ If all were there when we first took the pill 1589 02:11:59,534 --> 02:12:04,534 ♫ Then maybe, maybe, maybe, maybe 1590 02:12:05,874 --> 02:12:09,114 ♫ Miracles will happen as we speak 1591 02:12:10,634 --> 02:12:13,994 ♫ Miracles will happen when they speak 1592 02:12:15,414 --> 02:12:19,974 ♫ No we're never gonna survive unless 1593 02:12:20,584 --> 02:12:23,404 ♫ We get a little crazy 1594 02:12:24,554 --> 02:12:29,414 ♫ No we're never gonna survive unless 1595 02:12:29,864 --> 02:12:33,114 ♫ We are a little crazy 1596 02:12:34,004 --> 02:12:36,924 ♫ Oh no, we'll never survive 1597 02:12:37,474 --> 02:12:42,194 ♫ Unless we get a little crazy 1598 02:12:42,714 --> 02:12:45,434 ♫ Crazy ♫ 1599 02:12:48,484 --> 02:12:49,604 >> All right. 1600 02:12:50,414 --> 02:12:52,034 >> Well done, that was... 1601 02:12:52,224 --> 02:12:53,304 >> Thank you. 1602 02:12:53,654 --> 02:12:55,054 >> That was quite something, but you know what, 1603 02:12:55,054 --> 02:12:57,344 I think I should sing one of your songs. 1604 02:12:57,794 --> 02:12:59,434 >> Which one do you wanna sing? 1605 02:13:01,124 --> 02:13:06,124 ♫ Someone found a letter you wrote me on the radio 1606 02:13:09,504 --> 02:13:13,824 ♫ And they told the world just how you felt 1607 02:13:16,774 --> 02:13:18,784 ♫ It must have fallen out of 1608 02:13:18,784 --> 02:13:22,894 ♫ A hole in your old brown overcoat 1609 02:13:25,124 --> 02:13:30,124 ♫ They never said your name, I knew who they meant 1610 02:13:34,094 --> 02:13:39,094 ♫ I was so surprised and shocked, and I wondered too 1611 02:13:42,374 --> 02:13:46,584 ♫ If by chance you heard it for yourself 1612 02:13:50,414 --> 02:13:55,414 ♫ I never told a soul just how I've been feeling about you 1613 02:13:58,524 --> 02:14:00,384 ♫ But they said it really loud 1614 02:14:00,384 --> 02:14:04,004 ♫ They said it on the air, on the radio 1615 02:14:04,494 --> 02:14:07,714 ♫ Whoa, on the radio 1616 02:14:08,224 --> 02:14:11,444 ♫ Whoa, on the radio 1617 02:14:11,964 --> 02:14:15,154 ♫ Whoa, on the radio 1618 02:14:15,674 --> 02:14:17,624 ♫ Whoa 1619 02:14:18,544 --> 02:14:21,004 ♫ Don't it kinda strike you sad 1620 02:14:21,004 --> 02:14:22,914 ♫ When you hear our song 1621 02:14:22,914 --> 02:14:25,264 ♫ Oh yeah, baby 1622 02:14:25,944 --> 02:14:30,054 ♫ Things are not the same since we broke up last June 1623 02:14:30,054 --> 02:14:32,774 ♫ Ooh baby, ooh baby, ooh baby 1624 02:14:33,414 --> 02:14:38,174 ♫ The only thing that I wanna hear is that you love me still 1625 02:14:40,824 --> 02:14:45,084 ♫ And that you think you'll be coming home real soon 1626 02:14:47,424 --> 02:14:50,634 ♫ Whoa oh yeah and it made me feel 1627 02:14:50,634 --> 02:14:53,294 ♫ Proud when I heard them say 1628 02:14:55,844 --> 02:14:59,994 ♫ You couldn't find the words to say it yourself 1629 02:15:02,984 --> 02:15:07,984 ♫ And now in my heart I hear, I can see what I really feel 1630 02:15:10,094 --> 02:15:11,894 ♫ 'Cause they said it really loud 1631 02:15:11,894 --> 02:15:13,524 ♫ They said it on the air 1632 02:15:13,524 --> 02:15:18,524 ♫ On the radio, whoa, on the radio 1633 02:15:19,534 --> 02:15:22,834 ♫ Whoa, on the radio 1634 02:15:22,834 --> 02:15:26,504 ♫ Whoa, on the radio 1635 02:15:26,504 --> 02:15:30,314 ♫ Whoa, on the radio 1636 02:15:30,314 --> 02:15:33,914 ♫ Whoa, on the radio 1637 02:15:33,914 --> 02:15:37,614 ♫ Whoa, on the radio 1638 02:15:37,614 --> 02:15:42,614 ♫ Whoa, on the radio 1639 02:15:42,894 --> 02:15:45,264 ♫ Radio radio radio radio radio ♫ 1640 02:15:45,264 --> 02:15:46,614 >> Thank you! 1641 02:15:47,364 --> 02:15:49,184 (cheering) 1642 02:16:11,354 --> 02:16:13,684 >> In 1975, I got a call to play on a record 1643 02:16:13,684 --> 02:16:16,354 and the producer, which wasn't me, 1644 02:16:16,354 --> 02:16:20,274 he said we're gonna start this song out... 1645 02:16:20,924 --> 02:16:22,404 >> Slow. >> Like a ballad. 1646 02:16:22,824 --> 02:16:24,244 Then we're gonna go into up tempo. 1647 02:16:24,764 --> 02:16:26,604 I thought that is the stupidest idea 1648 02:16:26,604 --> 02:16:28,554 I've ever heard in my life. 1649 02:16:29,204 --> 02:16:30,584 (laughing) 1650 02:16:31,374 --> 02:16:32,844 But we did it, and that was my 1651 02:16:32,844 --> 02:16:36,674 first connection with you and I'd love it 1652 02:16:36,674 --> 02:16:40,144 if we could relive that moment right now. 1653 02:16:40,144 --> 02:16:41,194 >> Okay. 1654 02:16:46,644 --> 02:16:47,774 Thank you. 1655 02:16:59,334 --> 02:17:01,184 ♫ Last dance 1656 02:17:02,394 --> 02:17:07,394 ♫ Last chance for love 1657 02:17:09,474 --> 02:17:14,474 ♫ Yes it's my last chance for romance 1658 02:17:17,584 --> 02:17:20,104 ♫ Tonight 1659 02:17:22,924 --> 02:17:26,944 ♫ I need you by me 1660 02:17:28,464 --> 02:17:33,214 ♫ Beside me, to guide me 1661 02:17:34,324 --> 02:17:39,124 ♫ To hold me, and scold me 1662 02:17:39,804 --> 02:17:44,804 ♫ 'Cause when I'm bad, I'm so so bad 1663 02:17:53,284 --> 02:17:57,404 ♫ So let's dance the last dance 1664 02:17:58,154 --> 02:18:01,144 ♫ Let's dance the last dance 1665 02:18:01,894 --> 02:18:06,894 ♫ Let's dance the last dance tonight 1666 02:18:09,434 --> 02:18:14,434 ♫ Last dance is my last chance for love 1667 02:18:16,234 --> 02:18:21,234 ♫ Yes, it's my last chance for romance tonight 1668 02:18:23,654 --> 02:18:27,904 ♫ Oh I need you by me 1669 02:18:28,424 --> 02:18:31,644 ♫ Beside me, to guide me 1670 02:18:32,224 --> 02:18:35,544 ♫ And to hold me and to scold me 1671 02:18:35,964 --> 02:18:39,514 ♫ 'Cause when I'm bad I'm so so bad 1672 02:18:40,064 --> 02:18:43,284 ♫ So let's dance the last dance 1673 02:18:43,904 --> 02:18:47,054 ♫ So let's dance the last dance 1674 02:18:47,774 --> 02:18:52,774 ♫ Let's dance the last dance tonight 1675 02:19:07,794 --> 02:19:12,454 ♫ I can be sure that you're the one for me 1676 02:19:13,204 --> 02:19:14,814 ♫ Well well well well 1677 02:19:15,574 --> 02:19:19,954 ♫ All that I ask is that you dance with me 1678 02:19:20,674 --> 02:19:23,994 ♫ Dance with me, dance with me 1679 02:19:24,444 --> 02:19:26,894 ♫ Yeeeeeeeah 1680 02:19:33,254 --> 02:19:35,744 ♫ Oh I need you 1681 02:19:37,854 --> 02:19:39,244 ♫ By me 1682 02:19:40,784 --> 02:19:45,784 ♫ Beside me, to guide me 1683 02:19:46,464 --> 02:19:51,464 ♫ Ooooooh hold me, scold me, scold me, scold me daddy 1684 02:19:54,974 --> 02:19:59,974 ♫ I'm so, so so very baaaaad 1685 02:20:09,224 --> 02:20:12,774 ♫ Soooooooo 1686 02:20:13,564 --> 02:20:16,434 ♫ Let's dance the last dance 1687 02:20:16,434 --> 02:20:18,314 ♫ Come on people now 1688 02:20:19,024 --> 02:20:20,784 ♫ Your very last chance 1689 02:20:21,224 --> 02:20:24,104 ♫ Let's dance the last dance 1690 02:20:24,104 --> 02:20:26,294 ♫ Tonight 1691 02:20:36,484 --> 02:20:38,294 >> Come on, sing it with me now! 1692 02:20:39,224 --> 02:20:43,944 ♫ Ooooh, ooooh, oooh 1693 02:20:46,354 --> 02:20:50,514 ♫ Oh I need you by me 1694 02:20:51,164 --> 02:20:54,484 ♫ Beside me, to guide me 1695 02:20:55,204 --> 02:20:58,684 ♫ Oh hold me, scold me 1696 02:20:59,844 --> 02:21:02,894 ♫ I'm so so, so so bad 1697 02:21:03,414 --> 02:21:06,894 ♫ Come on baby, do the last dance 1698 02:21:07,444 --> 02:21:10,934 ♫ Come on baby, one more last chance 1699 02:21:11,384 --> 02:21:16,384 ♫ Come on baby, last dance tonight ♫ 1700 02:21:26,604 --> 02:21:28,434 (cheering) 1701 02:21:28,434 --> 02:21:29,684 >> Thank you 1702 02:21:32,384 --> 02:21:33,594 David! 1703 02:21:39,644 --> 02:21:42,264 ♫ Oh I need you 1704 02:21:42,784 --> 02:21:44,334 ♫ To guide me 1705 02:21:45,854 --> 02:21:47,904 ♫ Beside me 1706 02:21:48,684 --> 02:21:51,664 ♫ To hold me, to scold me 1707 02:21:55,884 --> 02:21:57,184 ♫ Come on, baby 1708 02:21:57,764 --> 02:21:59,274 ♫ Come on, sugar 1709 02:21:59,864 --> 02:22:01,084 ♫ Pump it up 1710 02:22:01,534 --> 02:22:03,084 ♫ Come on now 1711 02:22:07,304 --> 02:22:10,024 ♫ Tonight ♫ 1712 02:22:19,184 --> 02:22:21,634 >> Thank you all very much and goodnight! 1713 02:22:22,924 --> 02:22:24,774 Woo, what a night! 1714 02:22:25,894 --> 02:22:27,374 Thank you so much! 1715 02:22:37,074 --> 02:22:39,524 Thank you all very much and goodnight! 1716 02:22:40,874 --> 02:22:42,664 Woo, what a night! 1717 02:22:43,014 --> 02:22:45,294 (tape rewinding) 1718 02:22:45,984 --> 02:22:50,984 (uplifting piano music) 1719 02:23:00,484 --> 02:23:05,294 (transition guitar music) 1720 02:23:05,294 --> 02:23:07,764 >> All right, so we're here at center staging in Burbank 1721 02:23:07,764 --> 02:23:11,454 rehearsing madly for the big show on Friday night. 1722 02:23:11,804 --> 02:23:12,854 Let's just try it. 1723 02:23:13,564 --> 02:23:15,964 We're heading out to Vegas actually tonight. 1724 02:23:16,474 --> 02:23:18,364 Two more days of mad rehearsing. 1725 02:23:18,774 --> 02:23:20,714 Friday night, it's like turkey dinner 1726 02:23:20,714 --> 02:23:22,684 at Christmas, you spend days preparing it, 1727 02:23:22,684 --> 02:23:24,554 only in this case it's a couple months, 1728 02:23:24,554 --> 02:23:26,904 and then it's over in three hours. 1729 02:23:27,384 --> 02:23:32,274 (transition guitar music) 1730 02:23:34,564 --> 02:23:36,264 When we had done The Hit Man two and 1731 02:23:36,264 --> 02:23:38,334 a half years ago, and the response was so great 1732 02:23:38,334 --> 02:23:41,054 it exceeded I think everyone's expectations. 1733 02:23:41,404 --> 02:23:43,734 For the second Hit Man, I had to dig 1734 02:23:43,734 --> 02:23:45,394 a little deeper, so I did unique things 1735 02:23:45,394 --> 02:23:47,574 like invite Gary Wright to play on the 1736 02:23:47,574 --> 02:23:49,474 show, now he had a hit called Dream Weaver 1737 02:23:49,474 --> 02:23:51,744 which I played and helped him arrange, 1738 02:23:51,744 --> 02:23:53,184 so it was a little bit of a cheat 1739 02:23:53,184 --> 02:23:54,444 to have him on the show, but it was, 1740 02:23:54,444 --> 02:23:56,304 it's a piece of my past. 1741 02:23:56,704 --> 02:23:58,114 >> You can sing that way twice 1742 02:23:58,114 --> 02:24:00,534 and then I say (mumble). 1743 02:24:01,044 --> 02:24:03,354 >> And then we went to Chaka Khan who 1744 02:24:03,354 --> 02:24:05,724 was not able to make the first show, 1745 02:24:05,724 --> 02:24:07,294 I wrote the song Through The Fire 1746 02:24:07,294 --> 02:24:10,794 for her and produced it, but we did 1747 02:24:10,794 --> 02:24:12,194 dig a little deeper and we cheated 1748 02:24:12,194 --> 02:24:13,404 a few times, but I cheated a couple 1749 02:24:13,404 --> 02:24:14,834 of times on the first show, I had 1750 02:24:14,834 --> 02:24:16,034 Brian McKnight and Josh Grobin 1751 02:24:16,034 --> 02:24:17,274 sing Bridge over Troubled Water, 1752 02:24:17,274 --> 02:24:19,384 now everybody knows I didn't write that song. 1753 02:24:20,254 --> 02:24:21,324 Or did I? 1754 02:24:22,844 --> 02:24:24,274 >> Voiceover: Ladies and gentlemen, 1755 02:24:24,274 --> 02:24:27,514 please welcome Olympic gold medalists 1756 02:24:27,514 --> 02:24:31,304 Kristi Yamaguchi and Brian Boitano. 1757 02:24:31,784 --> 02:24:33,384 >> It kinda made sense, last time Andre Agassi 1758 02:24:33,384 --> 02:24:34,784 introduced me and I thought let's just 1759 02:24:34,784 --> 02:24:36,444 keep that sports theme going. 1760 02:24:36,854 --> 02:24:38,424 I wanted to open the show with my 1761 02:24:38,424 --> 02:24:40,124 '88 Winter Olympics theme anyway, 1762 02:24:40,124 --> 02:24:41,854 so I thought that would be great 1763 02:24:41,854 --> 02:24:44,124 to have two gold medalists who 1764 02:24:44,124 --> 02:24:45,804 have actually skated to a lot 1765 02:24:45,804 --> 02:24:47,504 of my music to intro me. 1766 02:24:47,504 --> 02:24:48,704 >> Voiceover: Okay David, here we go, David. 1767 02:24:48,704 --> 02:24:50,074 He's making his entrance. 1768 02:24:50,074 --> 02:24:53,594 >> The Hit Man himself, David Foster. 1769 02:24:54,704 --> 02:24:56,694 (cheering) 1770 02:24:57,814 --> 02:24:59,384 >> Good evening everyone, and welcome 1771 02:24:59,384 --> 02:25:01,364 back to Mandalay Bay! 1772 02:25:02,014 --> 02:25:03,374 We shot the show at the Mandalay Bay 1773 02:25:03,374 --> 02:25:06,554 which is a great arena, that's where 1774 02:25:06,554 --> 02:25:07,724 we did the first show. 1775 02:25:07,724 --> 02:25:08,744 It's really hard to imagine it's been 1776 02:25:08,744 --> 02:25:10,284 two and a half years since we were 1777 02:25:10,284 --> 02:25:12,974 here in Vegas taping my first special. 1778 02:25:13,424 --> 02:25:14,474 Guess what? 1779 02:25:14,864 --> 02:25:17,064 We left out many great songs, many great stars, 1780 02:25:17,064 --> 02:25:20,204 we just had to come here and do it again. 1781 02:25:20,204 --> 02:25:25,204 (transition jazz music) 1782 02:25:26,874 --> 02:25:27,674 Can I have a little string help 1783 02:25:27,674 --> 02:25:29,264 with this, do you know, do you have a chart? 1784 02:25:29,264 --> 02:25:31,244 We were rehearsing in Los Angeles mostly, 1785 02:25:31,244 --> 02:25:32,914 but then we got to Vegas on Wednesday 1786 02:25:32,914 --> 02:25:35,394 and then just crammed on Thursday and Friday. 1787 02:25:35,784 --> 02:25:37,754 The repeat is good, but not really. 1788 02:25:37,754 --> 02:25:39,644 When I go into rehearsal mode where 1789 02:25:39,644 --> 02:25:41,484 everything just stops and all I know 1790 02:25:41,484 --> 02:25:43,924 is I gotta get through 31 pieces of music 1791 02:25:43,924 --> 02:25:45,454 and they've all gotta be done, 1792 02:25:45,454 --> 02:25:46,464 they've all gotta be played, 1793 02:25:46,464 --> 02:25:48,044 they've all gotta be right. 1794 02:25:48,324 --> 02:25:49,234 It's a slugfest. 1795 02:25:49,234 --> 02:25:50,864 Michael Bolton comes in, Seal slides out, 1796 02:25:50,864 --> 02:25:52,434 Martina McBridge comes in, 1797 02:25:52,434 --> 02:25:53,834 Donna Summer goes out and for me 1798 02:25:53,834 --> 02:25:56,864 it's like it's day and night focus. 1799 02:25:56,864 --> 02:26:01,864 (transition piano music) 1800 02:26:05,414 --> 02:26:06,434 We're going good now, we're picking 1801 02:26:06,434 --> 02:26:08,034 up steam now, I think we're doing good. 1802 02:26:08,644 --> 02:26:10,704 Bit of a scene, but we're rocking. 1803 02:26:11,154 --> 02:26:12,944 We've got 34 minutes to get this right. 1804 02:26:12,944 --> 02:26:14,514 I have this saying that you get it 1805 02:26:14,514 --> 02:26:16,594 done in the time you're given. 1806 02:26:16,594 --> 02:26:17,854 Had we been given another week 1807 02:26:17,854 --> 02:26:18,994 it would've been great, had we been 1808 02:26:18,994 --> 02:26:21,864 given one day less, we would've 1809 02:26:21,864 --> 02:26:23,154 made it work somehow. 1810 02:26:23,154 --> 02:26:25,374 Let's try to top that, steal the cameras. 1811 02:26:26,334 --> 02:26:27,634 God help you if you get it wrong. 1812 02:26:27,634 --> 02:26:29,264 (laughing) My band, well I say 1813 02:26:29,264 --> 02:26:30,434 my band, but they're not my band, 1814 02:26:30,434 --> 02:26:31,704 it's just the band that I'm lucky 1815 02:26:31,704 --> 02:26:33,204 enough to get to use and these are guys 1816 02:26:33,204 --> 02:26:36,344 that have been with me, basically I 1817 02:26:36,344 --> 02:26:38,744 played sessions with some of them in the 70s, 1818 02:26:38,744 --> 02:26:40,634 so 30 plus years. 1819 02:26:41,284 --> 02:26:43,114 You think about Nathan East on bass, 1820 02:26:43,114 --> 02:26:45,184 arguably the greatest bass player on the planet. 1821 02:26:45,184 --> 02:26:48,284 Dean Parks and Tark Aconi on guitar, 1822 02:26:48,284 --> 02:26:50,954 it's just all veterans, and JR the drummer 1823 02:26:50,954 --> 02:26:52,294 who was Michael Jackson's drummer 1824 02:26:52,294 --> 02:26:54,024 back in the day, Quincy's drummer. 1825 02:26:54,024 --> 02:26:55,394 Then a couple of great keyboard players, 1826 02:26:55,394 --> 02:26:57,654 Bo Cooper and Mo Pleasure, both 1827 02:26:57,654 --> 02:26:59,764 incredible players, both better than 1828 02:26:59,764 --> 02:27:01,834 me by the way by a long stretch. 1829 02:27:01,834 --> 02:27:04,204 Can one of you guys cover the... 1830 02:27:04,204 --> 02:27:06,614 (plays piano tune) 1831 02:27:07,304 --> 02:27:09,624 'Cause I think I might talk instead of play. 1832 02:27:09,714 --> 02:27:11,314 Musically, I was definitely the weak 1833 02:27:11,314 --> 02:27:13,244 link up on stage, and I really mean this 1834 02:27:13,244 --> 02:27:16,784 because I had so much traffic cop stuff to do. 1835 02:27:16,784 --> 02:27:18,654 The entire time that I was playing a song, 1836 02:27:18,654 --> 02:27:20,714 all my brain was doing was thinking 1837 02:27:20,714 --> 02:27:22,724 what's coming next, who's coming on next, 1838 02:27:22,724 --> 02:27:24,894 how do I introduce them, what do I say, 1839 02:27:24,894 --> 02:27:26,974 how do I get this person out on stage. 1840 02:27:27,464 --> 02:27:28,824 The strings, there was just so much 1841 02:27:28,824 --> 02:27:30,654 going on in my head and trying to 1842 02:27:30,654 --> 02:27:32,334 look cool which is hard to do sometimes, 1843 02:27:32,334 --> 02:27:34,954 so my playing suffered. 1844 02:27:35,464 --> 02:27:40,464 (transition rock music) 1845 02:27:42,244 --> 02:27:43,414 David Horn, we're gonna try running it, 1846 02:27:43,414 --> 02:27:45,194 can we have a little stage help? 1847 02:27:45,574 --> 02:27:46,784 Poor David Horn, the director, 1848 02:27:46,784 --> 02:27:48,714 who's magnificent, really didn't 1849 02:27:48,714 --> 02:27:51,084 get a dress rehearsal and I think it's 1850 02:27:51,084 --> 02:27:53,524 to his testament that he made this 1851 02:27:53,524 --> 02:27:55,654 show look as beautiful as it does, 1852 02:27:55,654 --> 02:27:58,194 there's the occasional crane shot where 1853 02:27:58,194 --> 02:27:59,794 you can see the crane in the shot 1854 02:27:59,794 --> 02:28:01,524 and we just didn't have any other choices, 1855 02:28:01,524 --> 02:28:03,794 but it's because he didn't get a rehearsal, 1856 02:28:03,794 --> 02:28:06,454 I mean he literally did not get a dress rehearsal. 1857 02:28:06,864 --> 02:28:08,664 He was calling the show on the fly. 1858 02:28:08,664 --> 02:28:09,834 >> Just tell David he surprised me, 1859 02:28:09,834 --> 02:28:11,234 I didn't know he was gonna talk. 1860 02:28:11,234 --> 02:28:12,504 >> You know with me, things always 1861 02:28:12,504 --> 02:28:14,644 happen out there, the unexpected always happens. 1862 02:28:14,644 --> 02:28:17,624 >> Good evening everybody, guess what just happened! 1863 02:28:18,404 --> 02:28:20,534 I already screwed up! 1864 02:28:20,884 --> 02:28:22,084 >> Yeah, the beginning of the show was 1865 02:28:22,084 --> 02:28:23,414 really rocky, adjusting for monitors 1866 02:28:23,414 --> 02:28:26,304 and clicks in the ear and entrances and exits. 1867 02:28:26,754 --> 02:28:28,954 Somebody said to go out, so I went out 1868 02:28:28,954 --> 02:28:31,024 in the middle of your speech, so 1869 02:28:31,024 --> 02:28:33,294 we're gonna do that one more time, okay? 1870 02:28:33,294 --> 02:28:35,594 The song, it's a great song which 1871 02:28:35,594 --> 02:28:38,684 I can't take credit for, it's called... 1872 02:28:40,124 --> 02:28:41,104 What's it called? 1873 02:28:41,104 --> 02:28:42,304 ♫ That's the ♫ 1874 02:28:47,644 --> 02:28:48,874 >> Can you imagine anything worse 1875 02:28:48,874 --> 02:28:50,414 than having to stop a superstar 1876 02:28:50,414 --> 02:28:51,714 while she's singing a song? 1877 02:28:51,714 --> 02:28:53,084 She will never speak to me again, 1878 02:28:53,084 --> 02:28:54,314 but when she watches this back 1879 02:28:54,314 --> 02:28:56,184 in the March pledge of PBS, she'll 1880 02:28:56,184 --> 02:28:57,984 be very happy that I stopped her. 1881 02:28:57,984 --> 02:28:58,684 >> Okay. 1882 02:28:58,684 --> 02:29:00,084 >> And it was nothing you did, 1883 02:29:00,084 --> 02:29:01,254 it was something I did, I was 1884 02:29:01,254 --> 02:29:02,824 actually playing it in the wrong key. 1885 02:29:02,824 --> 02:29:04,194 But we got rolling, and the magic 1886 02:29:04,194 --> 02:29:05,894 of television is you can make it perfect. 1887 02:29:05,894 --> 02:29:08,624 I don't like to leave any mistakes in the show anywhere. 1888 02:29:08,624 --> 02:29:10,264 They're all cut out, but it was great 1889 02:29:10,264 --> 02:29:12,844 and it's editing down into a beautiful show. 1890 02:29:13,264 --> 02:29:16,334 Ladies and gentlemen, give it up for Kenny Loggins! 1891 02:29:16,894 --> 02:29:19,294 Kenny Loggins and I have had a long history together. 1892 02:29:19,294 --> 02:29:20,244 >> Were you there -- 1893 02:29:20,244 --> 02:29:21,204 >> Hi, I'm David. 1894 02:29:21,204 --> 02:29:22,344 (laughing) 1895 02:29:22,344 --> 02:29:23,814 It got cut out of the show, but the story 1896 02:29:23,814 --> 02:29:25,614 that I told about I auditioned for his 1897 02:29:25,614 --> 02:29:27,164 band when it was Loggins Messina 1898 02:29:28,454 --> 02:29:29,584 and my drummer friend next door gave 1899 02:29:29,584 --> 02:29:31,384 me a ride up there and he jumped 1900 02:29:31,384 --> 02:29:32,714 on the drums, he ended up getting 1901 02:29:32,714 --> 02:29:34,224 the gig and I didn't get the gig, 1902 02:29:34,224 --> 02:29:36,234 so I hated Kenny Loggins for years. 1903 02:29:41,094 --> 02:29:42,224 I always walk the fine line with 1904 02:29:42,224 --> 02:29:44,264 artists of no, it's gotta be this way, 1905 02:29:44,264 --> 02:29:48,004 this is my show or whatever power trip you wanna pull, 1906 02:29:48,004 --> 02:29:49,764 but I could never do that because 1907 02:29:49,764 --> 02:29:52,084 it's, really, it's their face. 1908 02:29:52,494 --> 02:29:53,924 >> It's just in the middle (mumble). 1909 02:29:54,704 --> 02:29:56,074 >> So on that particular instance, a thing 1910 02:29:56,074 --> 02:29:57,644 we had to change, that took about 1911 02:29:57,644 --> 02:29:59,544 half an hour to change that one thing 1912 02:29:59,544 --> 02:30:01,614 because I had, in editing his song, 1913 02:30:01,614 --> 02:30:05,254 I cut his lyric in half, something 1914 02:30:05,254 --> 02:30:06,654 that I don't pay that close 1915 02:30:06,654 --> 02:30:08,224 attention to, but obviously he does, 1916 02:30:08,224 --> 02:30:09,624 they're his lyrics, I had written 1917 02:30:09,624 --> 02:30:11,124 the music, he wrote the lyrics. 1918 02:30:11,124 --> 02:30:12,254 It just didn't work for him, 1919 02:30:12,254 --> 02:30:14,324 so we had to drill down and that 1920 02:30:14,324 --> 02:30:16,834 took a half hour of super super valuable 1921 02:30:16,834 --> 02:30:19,564 rehearsal time, but he needed to be 1922 02:30:19,564 --> 02:30:21,054 the way he wanted it. 1923 02:30:21,504 --> 02:30:23,274 ♫ Forever 1924 02:30:23,274 --> 02:30:24,724 >> Three, four. 1925 02:30:32,044 --> 02:30:33,834 ♫ Ooooh ♫ 1926 02:30:35,014 --> 02:30:36,224 >> So you go... 1927 02:30:38,354 --> 02:30:42,004 ♫ When a man loves a woman ♫ 1928 02:30:42,974 --> 02:30:45,044 >> Five, six. 1929 02:30:45,894 --> 02:30:47,794 Well with the pairings, you know, if you 1930 02:30:47,794 --> 02:30:49,164 could imagine, I was like a kid 1931 02:30:49,164 --> 02:30:50,494 in the candy store, okay I've got 1932 02:30:50,494 --> 02:30:53,204 20 artists and basically any of them 1933 02:30:53,204 --> 02:30:55,864 are pretty much willing to sing with anyone. 1934 02:30:55,864 --> 02:30:56,874 These are the kind of things that 1935 02:30:56,874 --> 02:30:58,134 kept me awake at night laying in bed, 1936 02:30:58,134 --> 02:31:00,444 I literally woke up at 6 o'clock one morning 1937 02:31:00,444 --> 02:31:03,014 think wow, Bolton and Seal, 1938 02:31:03,014 --> 02:31:05,364 that's just too good. 1939 02:31:05,814 --> 02:31:09,864 ♫ When a man loves a woman 1940 02:31:12,924 --> 02:31:15,524 ♫ You're gonna (mumble) ♫ 1941 02:31:15,524 --> 02:31:16,684 >> But then how does that end, 1942 02:31:16,684 --> 02:31:18,154 it just ends that's not gonna be right, 1943 02:31:18,154 --> 02:31:19,584 so then that's when I came up 1944 02:31:19,584 --> 02:31:20,844 with the Chaka thing. 1945 02:31:21,194 --> 02:31:22,844 >> I think we got a little trouble here. 1946 02:31:23,134 --> 02:31:24,494 What I told Chaka is I said well 1947 02:31:24,494 --> 02:31:25,794 you come out and interrupt them. 1948 02:31:25,794 --> 02:31:26,834 I want you to come up there 1949 02:31:26,834 --> 02:31:27,964 and just bust out and interrupt them 1950 02:31:27,964 --> 02:31:30,554 and go wait a minute, I got a different take on this. 1951 02:31:30,934 --> 02:31:32,304 Then go into I'm Every Woman. 1952 02:31:32,304 --> 02:31:33,404 She busts out and she goes 1953 02:31:33,404 --> 02:31:34,644 with the great line that I could 1954 02:31:34,644 --> 02:31:35,774 have never thought of. 1955 02:31:35,774 --> 02:31:39,594 >> There's just way too much testosterone up here. 1956 02:31:39,944 --> 02:31:41,514 >> And I planned that in my mind, 1957 02:31:41,514 --> 02:31:44,414 Bolton into Seal into Chaka in this 1958 02:31:44,414 --> 02:31:46,354 great 10 minute piece of theater. 1959 02:31:46,354 --> 02:31:48,404 It's just fun, I mean it's what I do. 1960 02:31:48,924 --> 02:31:50,824 >> Voiceover: Okay here we go guys, stand by. 1961 02:31:50,824 --> 02:31:52,204 >> So second half opens. 1962 02:31:54,594 --> 02:31:55,664 Yeah, well when we were trying to 1963 02:31:55,664 --> 02:31:56,794 build the show we were thinking, 1964 02:31:56,794 --> 02:31:58,094 we knew we had to have an intermission 1965 02:31:58,094 --> 02:31:59,564 and I wanted to end big and I wanted 1966 02:31:59,564 --> 02:32:02,184 to start the second half big. 1967 02:32:03,064 --> 02:32:05,004 You can't believe how excited I am 1968 02:32:05,004 --> 02:32:09,074 to introduce my favorite band of all 1969 02:32:09,074 --> 02:32:13,834 time, Earth, Wind, and Fire! 1970 02:32:14,244 --> 02:32:15,514 I was the guy that would stand in 1971 02:32:15,514 --> 02:32:17,054 line at midnight at Tower Records 1972 02:32:17,054 --> 02:32:18,524 waiting for their new album. 1973 02:32:18,984 --> 02:32:20,084 So I was a super fan. 1974 02:32:21,694 --> 02:32:24,104 ♫ Hey hey hey hey ♫ 1975 02:32:24,624 --> 02:32:25,814 >> They started my career. 1976 02:32:25,814 --> 02:32:27,764 I mean really, I had been a successful 1977 02:32:27,764 --> 02:32:29,864 keyboard player and session player 1978 02:32:29,864 --> 02:32:34,864 and arranger a little bit, but in 1978, 1979 02:32:35,134 --> 02:32:38,634 when I was brought to them by my friend Carol Childs 1980 02:32:38,634 --> 02:32:40,454 and I sat down and I played... 1981 02:32:40,944 --> 02:32:42,704 (plays "After The Love is Gone") 1982 02:32:42,704 --> 02:32:44,964 ♫ After the love is gone 1983 02:32:46,174 --> 02:32:48,934 ♫ How could you lead me on ♫ 1984 02:32:49,314 --> 02:32:50,814 >> And they went yeah, we'll record that. 1985 02:32:50,814 --> 02:32:52,114 We'll record that right now. 1986 02:32:52,114 --> 02:32:53,924 That started me off on a journey 1987 02:32:53,924 --> 02:32:55,324 with them and I learned so much 1988 02:32:55,324 --> 02:32:56,354 from them because they were 1989 02:32:56,354 --> 02:32:57,524 my favorite band. 1990 02:33:06,064 --> 02:33:07,784 I'll be when... 1991 02:33:08,834 --> 02:33:10,034 It's just always hard when you're 1992 02:33:10,034 --> 02:33:11,604 in the moment, and I did my share 1993 02:33:11,604 --> 02:33:13,174 of cursings, like oh I can't do it, 1994 02:33:13,174 --> 02:33:14,244 I'll never do this again 'cause 1995 02:33:14,244 --> 02:33:15,744 it's like moving a giant wall, 1996 02:33:15,744 --> 02:33:17,574 it's like moving a mountain. 1997 02:33:17,574 --> 02:33:18,894 I don't remember. 1998 02:33:19,684 --> 02:33:20,934 Oh, I see. 1999 02:33:24,654 --> 02:33:26,434 >> Oooh, I'll be. 2000 02:33:29,834 --> 02:33:33,314 >> Artists by nature are particular. 2001 02:33:33,884 --> 02:33:35,524 Artists by nature are peculiar, and that's 2002 02:33:35,524 --> 02:33:36,564 what makes them wanna get 2003 02:33:36,564 --> 02:33:37,834 up in front of 20,000 people 2004 02:33:37,834 --> 02:33:39,154 and pull it off, it was just amazing 2005 02:33:39,154 --> 02:33:40,324 that they all came out for me 2006 02:33:40,324 --> 02:33:41,734 and the camaraderie and the, 2007 02:33:41,734 --> 02:33:43,774 I mean they were just all so willing 2008 02:33:43,774 --> 02:33:45,224 to try and make it work. 2009 02:33:45,564 --> 02:33:47,564 They knew that I was putting in the work. 2010 02:33:47,564 --> 02:33:49,144 That I wanted it to be great and 2011 02:33:49,144 --> 02:33:50,464 I wanted it to be great for them because 2012 02:33:50,464 --> 02:33:51,844 in the end, when you're watching the show, 2013 02:33:51,844 --> 02:33:53,214 you're not watching me play piano. 2014 02:33:53,214 --> 02:33:54,614 You're watching Donna Summer sing, 2015 02:33:54,614 --> 02:33:56,484 you're watching Seal, you're watching Martina McBride, 2016 02:33:56,484 --> 02:33:57,884 you're not watching me playing the piano. 2017 02:33:57,884 --> 02:34:00,024 I am still the guy behind the scenes 2018 02:34:00,024 --> 02:34:01,484 that gets to jump up from the 2019 02:34:01,484 --> 02:34:02,624 piano and introduce everybody 2020 02:34:02,624 --> 02:34:04,474 and sing their praises, so all in all 2021 02:34:05,464 --> 02:34:07,774 I think it was a job well done. 2022 02:34:08,194 --> 02:34:11,364 It was a team effort and when people see the 2023 02:34:11,364 --> 02:34:13,354 final show, I think they're gonna be thrilled. 2024 02:34:13,764 --> 02:34:14,814 I know I am. 2025 02:34:15,064 --> 02:34:16,484 And I'm a hard guy to please. 2026 02:34:18,234 --> 02:34:20,354 Thank you all very much and goodnight! 2027 02:34:21,974 --> 02:34:23,694 Woo, what a night! 2028 02:34:24,904 --> 02:34:26,694 Thank you so much!