1 00:00:01,602 --> 00:00:04,175 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,175 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,344 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,344 --> 00:00:15,246 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,246 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:30,161 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:36,567 --> 00:00:38,569 (siren wailing) 14 00:00:38,569 --> 00:00:41,572 ♪♪ 15 00:00:50,181 --> 00:00:52,723 (man shouts indistinctly) 16 00:00:52,723 --> 00:00:54,555 (horn honks, brakes squeal) 17 00:00:54,555 --> 00:00:57,528 SORRY. SORRY. I'M SORRY. WHAT THE HELL IS WRONG WITH YOU?! 18 00:00:57,528 --> 00:01:00,531 CAN'T YOU SEE I'M DRIVING HERE? 19 00:01:04,165 --> 00:01:09,400 ♪♪ 20 00:01:09,400 --> 00:01:12,103 (gravel rustles) 21 00:01:12,103 --> 00:01:15,206 ♪♪ 22 00:01:20,151 --> 00:01:22,413 (gravel rustles) 23 00:01:22,413 --> 00:01:24,115 (squish) 24 00:01:24,115 --> 00:01:26,457 HMM. INITIAL IMPACT SIZE IS... 25 00:01:26,457 --> 00:01:28,859 14 INCHES. 26 00:01:28,859 --> 00:01:31,562 WHAT ARE YOU DOING? 27 00:01:31,562 --> 00:01:32,863 WE'RE STUDYING 28 00:01:32,863 --> 00:01:35,466 THE PRACTICAL APPLICATION OF SCIENCE AT SCHOOL. 29 00:01:35,466 --> 00:01:37,598 I'M FOCUSING ON FORENSICS, 30 00:01:37,598 --> 00:01:40,831 SPECIFICALLY THE PHYSICS OF SPATTER PATTERNS. OH. 31 00:01:40,831 --> 00:01:44,535 WHAT'S WRONG? WELL, WE USUALLY DO ALL YOUR SCIENCE PROJECTS TOGETHER. 32 00:01:44,535 --> 00:01:46,307 YOU REMEMBER THE VOLCANO WE MADE, 33 00:01:46,307 --> 00:01:48,379 THE FLATULENT ROBOT? 34 00:01:48,379 --> 00:01:49,880 EW. I'M SORRY, DAD. 35 00:01:49,880 --> 00:01:51,812 I JUST GOT EXCITED ABOUT IT... 36 00:01:51,812 --> 00:01:53,814 (camera beeps, shutter clicks) AND YOU WEREN'T HERE. 37 00:01:53,814 --> 00:01:56,647 OH, THAT'S OKAY. I CAN HELP YOU FINISH. YEAH-- 38 00:01:56,647 --> 00:01:58,149 (cell phone rings) 39 00:01:58,149 --> 00:01:59,220 (ring) 40 00:01:59,220 --> 00:02:00,821 BECKETT? (beep) 41 00:02:00,821 --> 00:02:02,523 YEAH. UM... 42 00:02:02,523 --> 00:02:05,526 I CAN STAY HOME. 43 00:02:05,526 --> 00:02:09,400 GO AHEAD. I'LL BE FINE WITHOUT YOU. (grunts) OOH. 44 00:02:09,400 --> 00:02:11,302 .5... 45 00:02:11,302 --> 00:02:13,364 SEVERE CONCUSSION... 46 00:02:13,364 --> 00:02:15,836 (camera shutter clicking) 47 00:02:15,836 --> 00:02:18,539 I GUESS I DON'T HAVE TO ASK ABOUT CAUSE OF DEATH. 48 00:02:18,539 --> 00:02:21,372 HE'S NOT EVEN MY FIRST DEATH BY FALLEN OBJECT THIS MONTH. 49 00:02:21,372 --> 00:02:23,374 TWO WEEKS AGO, AN INVESTMENT BANKER 50 00:02:23,374 --> 00:02:25,546 TOOK A FROZEN SAUSAGE TO THE HEAD 51 00:02:25,546 --> 00:02:28,919 FROM A TENTH-FLOOR WINDOW LEDGE. WELL, IT'S A PRETTY OLD BUILDING. 52 00:02:28,919 --> 00:02:31,682 MAYBE IT JUST FELL. MAYBE IT GOT A LITTLE HELP FROM SOMEONE. 53 00:02:31,682 --> 00:02:33,884 THERE'S MARKINGS HERE ON THE STONE. WHAT, A CHISEL? 54 00:02:33,884 --> 00:02:37,157 OR A CROWBAR. I FOUND MARKS UP ON THE PARAPET AS WELL. 55 00:02:37,157 --> 00:02:38,929 I GOT C.S.U. DUSTING IT FOR PRINTS. 56 00:02:38,929 --> 00:02:41,492 THAT'S A LONG WAY TO GO FOR A MURDER. 57 00:02:41,492 --> 00:02:44,395 WHO'D WANT TO DROP A GARGOYLE ON SOMEONE? WELL, SOMEONE WHO WANTS TO MAKE IT LOOK LIKE AN ACCIDENT. 58 00:02:44,395 --> 00:02:47,238 HE'D HAVE TO MAKE SURE OUR VICTIM STOOD THERE LONG ENOUGH. 59 00:02:47,238 --> 00:02:49,700 HAD SOMEONE TAMPERED WITH THE FRONT DOOR LOCK 60 00:02:49,700 --> 00:02:51,372 WHEN YOU GUYS ARRIVED? GIVE THAT MAN A PRIZE. 61 00:02:51,372 --> 00:02:53,374 YEAH, WE HAD TO POP THE LOCK TO GET IN THE BUILDING. 62 00:02:53,374 --> 00:02:55,376 SUPER SAYS OUR VICTIM'S NAME IS WILL MEDINA. 63 00:02:55,376 --> 00:02:57,378 HE'S GOT AN APARTMENT UP ON FOUR, 64 00:02:57,378 --> 00:02:59,380 AND GUESS WHO'S GOT THE KEYS. 65 00:02:59,380 --> 00:03:01,452 I DO. 66 00:03:01,452 --> 00:03:02,953 (police radio chatter) 67 00:03:02,953 --> 00:03:05,356 THIS PLACE LOOKS LIKE A MUSEUM. 68 00:03:05,356 --> 00:03:08,389 WELL, THAT'S BECAUSE MR. MEDINA WAS THE ASSOCIATE CURATOR... (Ryan speaking indistinctly) 69 00:03:08,389 --> 00:03:10,221 AT THE NEW YORK HISTORY MUSEUM. 70 00:03:10,221 --> 00:03:11,862 WELL, THAT WOULD EXPLAIN THIS. 71 00:03:11,862 --> 00:03:13,864 AND I THOUGHT A 100-INCH FLAT SCREEN 72 00:03:13,864 --> 00:03:16,697 WOULD BE THE ULTIMATE BACHELOR ACCESSORY. 73 00:03:16,697 --> 00:03:19,300 WELL, HE WASN'T A TOTAL BACHELOR. WHAT MAKES YOU THINK THAT? 74 00:03:19,300 --> 00:03:22,803 THE... SECOND TOOTHBRUSH IN THE BATHROOM. 75 00:03:22,803 --> 00:03:25,306 THE SCENTED CANDLE ON THE TUB. THE PAIR OF HIGH HEELS UNDER HIS BED, 76 00:03:25,306 --> 00:03:27,308 ALL SUGGESTING THAT HE WAS IN A CASUAL 77 00:03:27,308 --> 00:03:28,879 BUT STEADY RELATIONSHIP. 78 00:03:28,879 --> 00:03:30,441 HMM. 79 00:03:30,441 --> 00:03:31,942 NICELY PLAYED. 80 00:03:31,942 --> 00:03:33,944 HOWEVER I DO THINK YOU MISJUDGED THE RELATIONSHIP 81 00:03:33,944 --> 00:03:35,446 ONLY SLIGHTLY. 82 00:03:35,446 --> 00:03:37,418 "EAT, PRAY, LOVE." 83 00:03:37,418 --> 00:03:39,420 JUDGING FROM THE CONDITION, 84 00:03:39,420 --> 00:03:41,422 I'D SAY SHE'S READ IT MORE THAN ONCE, 85 00:03:41,422 --> 00:03:43,494 MEANING THAT SHE'S A WOMAN ON THE OTHER SIDE 86 00:03:43,494 --> 00:03:45,496 OF A SEARCH FOR IDENTITY-- A ROMANTIC, 87 00:03:45,496 --> 00:03:47,298 SOMEONE WHO WOULDN'T BE SATISFIED 88 00:03:47,298 --> 00:03:48,929 WITH JUST A CASUAL RELATIONSHIP. 89 00:03:48,929 --> 00:03:52,433 AND WHO'S TO SAY THAT THAT BOOK ISN'T HIS? 90 00:03:52,433 --> 00:03:55,306 OH, I LOVE THAT BOOK. NEIGHBOR ON TWO 91 00:03:55,306 --> 00:03:57,438 SAYS THE FRONT DOOR WORKED JUST FINE AT 7:00. 92 00:03:57,438 --> 00:03:59,770 (Beckett) WHICH MEANS THAT THE KILLER MUST HAVE 93 00:03:59,770 --> 00:04:02,543 TAMPERED WITH IT AFTER THEN. (Esposito) BECKETT, CALENDAR. 94 00:04:02,543 --> 00:04:05,015 CHECK OUT TODAY'S DATE. 95 00:04:05,015 --> 00:04:08,649 (Beckett) "C.T. 5:30. 1127 AVENUE OF THE AMERICAS." 96 00:04:08,649 --> 00:04:11,282 5:30. THAT'S TWO HOURS BEFORE THE MURDER. (Ryan) IT'S AN OFFICE BUILDING DOWNTOWN. 97 00:04:11,282 --> 00:04:14,024 LET'S CHECK IT OUT AFTER WE FINISH OUR SWEEP. OKAY. 98 00:04:14,024 --> 00:04:16,527 YOU KNOW, WE MIGHT WANT TO SWING DOWN BY THE MUSEUM, 99 00:04:16,527 --> 00:04:18,529 SEE IF ANY OF HIS COLLEAGUES CAN SHED SOME LIGHT 100 00:04:18,529 --> 00:04:21,562 ON WHO MIGHT WANT TO DROP A GARGOYLE ON MR. MEDINA'S HEAD. 101 00:04:21,562 --> 00:04:23,564 EITHER YOU'RE BEING A GOOD COP, 102 00:04:23,564 --> 00:04:26,036 OR YOU JUST WANT TO GO TO THE MUSEUM. THEY HAVE DINOSAURS THERE. 103 00:04:26,036 --> 00:04:28,569 (laughs) LET'S GO. 104 00:04:30,671 --> 00:04:32,673 OH, MAN. I LOVE THIS PLACE! 105 00:04:32,673 --> 00:04:33,974 WHEN ALEXIS WAS LITTLE, 106 00:04:33,974 --> 00:04:35,976 WE USED TO COME HERE EVERY SUNDAY. 107 00:04:35,976 --> 00:04:37,978 WE WOULD RUN AROUND HERE FOR HOURS 108 00:04:37,978 --> 00:04:39,980 PRETENDING LIKE WE WERE ON SAFARI IN AFRICA 109 00:04:39,980 --> 00:04:41,952 OR LOOKING FOR DINOSAURS IN CHINA. 110 00:04:41,952 --> 00:04:44,655 YOU KNOW, CASTLE, SOMETIMES I FORGET THAT YOU HAVE 111 00:04:44,655 --> 00:04:46,957 SUCH A CAPACITY FOR PURE INNOCENCE IN YOUR LIFE. 112 00:04:46,957 --> 00:04:49,590 YEAH. PLUS, IT WAS A GREAT PLACE TO PICK UP CHICKS. 113 00:04:49,590 --> 00:04:52,593 AND THEN YOU OPEN YOUR MOUTH AND YOU RUIN IT. 114 00:04:52,593 --> 00:04:55,666 HI. I NEED TO SPEAK WITH SOMEONE ABOUT WILL MEDINA. 115 00:04:55,666 --> 00:04:57,668 I JUST CAN'T BELIEVE WILL'S DEAD. 116 00:04:57,668 --> 00:05:00,471 DR. RAYNES, HOW LONG DID YOU AND MR. MEDINA KNOW EACH OTHER? 117 00:05:00,471 --> 00:05:02,533 TWO YEARS. THE FIRST THING I DID 118 00:05:02,533 --> 00:05:04,535 WHEN I GOT THE JOB AS MUSEUM CURATOR 119 00:05:04,535 --> 00:05:06,537 WAS TO HIRE HIM AWAY FROM THE U.S. GEOGRAPHIC INSTITUTE 120 00:05:06,537 --> 00:05:08,539 TO LEAD THE KAN-XUL EXPEDITION. 121 00:05:08,539 --> 00:05:10,811 KAN-XUL? THE LEGENDARY MAYAN KING. 122 00:05:10,811 --> 00:05:14,585 WHAT YOU SEE HERE REPRESENTS THE SINGLE MOST IMPORTANT 123 00:05:14,585 --> 00:05:16,547 ARCHEOLOGICAL FIND IN MAYAN HISTORY-- 124 00:05:16,547 --> 00:05:19,420 HIS BURIAL CHAMBER--WHERE HE WAS ENTOMBED WITH A DOZEN 125 00:05:19,420 --> 00:05:21,091 OF HIS MUMMIFIED SLAVES. 126 00:05:21,091 --> 00:05:24,054 SO KIND OF LIKE A MAYAN KING TUT? EXACTLY. 127 00:05:24,054 --> 00:05:26,597 YOU KNOW, THE EXHIBIT OPENS IN LESS THAN A MONTH. 128 00:05:26,597 --> 00:05:29,430 I-I CAN'T IMAGINE HAVING TO DO IT WITHOUT WILL. 129 00:05:29,430 --> 00:05:32,433 HE'S THE ONE THAT DISCOVERED THE SITE. WHEN WAS THE LAST TIME YOU SAW MR. MEDINA? 130 00:05:32,433 --> 00:05:35,766 4:30 TODAY. AND HOW WELL DID THE TWO OF YOU KNOW EACH OTHER? 131 00:05:35,766 --> 00:05:38,769 WHY? I'M GONNA HAVE TO CONTACT HIS NEXT OF KIN. 132 00:05:38,769 --> 00:05:40,771 HIS PARENTS ARE BOTH DEAD, 133 00:05:40,771 --> 00:05:44,344 AND I BELIEVE HE WAS AN ONLY CHILD. AND WHAT ABOUT HIS GIRLFRIEND? 134 00:05:44,344 --> 00:05:47,117 LAST I HEARD, HE WAS SINGLE. 135 00:05:47,117 --> 00:05:50,381 (dramatic music playing) 136 00:05:50,381 --> 00:05:51,982 (lightning crackles) 137 00:05:57,087 --> 00:06:00,461 (music continues) 138 00:06:00,461 --> 00:06:03,734 (rumbling) 139 00:06:03,734 --> 00:06:06,737 (birds squawking) 140 00:06:06,737 --> 00:06:13,744 (music continues) 141 00:06:13,744 --> 00:06:16,747 (squawking continues) 142 00:06:23,854 --> 00:06:25,556 (click) 143 00:06:25,556 --> 00:06:27,588 (motor whirring) 144 00:06:27,588 --> 00:06:30,521 (dramatic music plays) 145 00:06:30,521 --> 00:06:32,523 (music stops) (coughs and spits) 146 00:06:32,523 --> 00:06:35,165 WHAT ARE YOU DOING?! THIS MUMMY'S OVER 2,000 YEARS OLD. 147 00:06:35,165 --> 00:06:37,968 (motor whirs) EXPOSURE TO AIR IN AN UNFILTERED ENVIRONMENT 148 00:06:37,968 --> 00:06:41,071 COULD BE CATASTROPHIC. SORRY. I-I DIDN'T-- I DIDN'T KNOW. THIS-- 149 00:06:41,071 --> 00:06:43,504 RACHEL. IT'S OKAY. HE'S WITH THE POLICE. (glass shatters) 150 00:06:43,504 --> 00:06:45,836 RACHEL WALTERS IS OUR MUMMIFICATION EXPERT. 151 00:06:45,836 --> 00:06:48,479 SHE WORKED WITH WILL. DID SOMETHING HAPPEN TO HIM? 152 00:06:48,479 --> 00:06:49,640 UH... 153 00:06:49,640 --> 00:06:51,742 HE WAS KILLED EARLIER TONIGHT. 154 00:06:51,742 --> 00:06:54,685 THAT--THAT'S NOT POSSIBLE. 155 00:06:54,685 --> 00:06:57,017 WERE THE TWO OF YOU CLOSE? ONLY PROFESSIONALLY. 156 00:06:57,017 --> 00:06:59,490 STANFORD-- IT DOESN'T MEAN ANYTHING. 157 00:06:59,490 --> 00:07:01,492 IT'S JUST A TERRIBLE ACCIDENT. 158 00:07:01,492 --> 00:07:03,494 ACTUALLY, WE BELIEVE HE WAS MURDERED. 159 00:07:03,494 --> 00:07:05,956 (man) IT WASN'T MURDER. 160 00:07:05,956 --> 00:07:07,998 IT WAS THE CURSE. 161 00:07:07,998 --> 00:07:10,731 DETECTIVE BECKETT, MR. CASTLE, 162 00:07:10,731 --> 00:07:12,032 RUPERT BENTLEY, OUR CO-FINANCIER... 163 00:07:12,032 --> 00:07:14,064 PLEASURE. OF THE EXPEDITION. 164 00:07:14,064 --> 00:07:16,507 I'M SORRY, DID YOU SAY "CURSE"? 165 00:07:16,507 --> 00:07:18,108 TELL THEM, STANFORD. 166 00:07:18,108 --> 00:07:19,970 TELL THEM WHAT WAS WRITTEN 167 00:07:19,970 --> 00:07:22,072 AT THE ENTRANCE TO THE BURIAL CHAMBER. 168 00:07:22,072 --> 00:07:24,775 "ALL WHO GAZE ON THE FACE OF THE MAYAN KING 169 00:07:24,775 --> 00:07:26,777 SHALL BE STRUCK DOWN BY HIS WRATH." 170 00:07:26,777 --> 00:07:30,080 MAYAN KING? THIS MAYAN KING? 171 00:07:30,080 --> 00:07:32,623 THAT VERY ONE. THEY ALL LOOKED INSIDE, 172 00:07:32,623 --> 00:07:35,726 AND THEY'RE ALL DEAD. THERE WERE OTHER INCIDENTS? 173 00:07:35,726 --> 00:07:37,457 ALL EASILY EXPLAINABLE. 174 00:07:37,457 --> 00:07:39,459 ONE OF OUR GRAD STUDENTS, NICOLE GRAHAM, 175 00:07:39,459 --> 00:07:41,832 WAS MAULED TO DEATH BY A JAGUAR OUTSIDE THE DIG SITE. 176 00:07:41,832 --> 00:07:44,234 AND PROFESSOR FISHER DIED OF DENGUE FEVER. 177 00:07:44,234 --> 00:07:46,066 WHICH IS COMMON IN THAT REGION, 178 00:07:46,066 --> 00:07:47,898 AS ARE CURSES WRITTEN ABOVE GRAVE SITES. 179 00:07:47,898 --> 00:07:50,000 IT'S HOW THEY KEPT PEOPLE FROM ROBBING THEM 180 00:07:50,000 --> 00:07:52,142 FOR THOUSANDS OF YEARS. WELL, I CAN ASSURE YOU 181 00:07:52,142 --> 00:07:54,244 THAT WHATEVER KILLED MR. MEDINA WAS VERY HUMAN. 182 00:07:54,244 --> 00:07:57,948 DO YOU KNOW IF HE HAD ANY ENEMIES? WILL WAS PASSIONATE. 183 00:07:57,948 --> 00:08:00,681 NOTHING COULD STOP HIM FROM GETTING WHAT HE WANTED. 184 00:08:00,681 --> 00:08:02,653 IT'S WHAT MADE HIM SUCH A GREAT ARCHEOLOGIST, 185 00:08:02,653 --> 00:08:05,516 BUT IT ALSO RUBBED SOME PEOPLE THE WRONG WAY. 186 00:08:05,516 --> 00:08:07,918 WHAT DO YOU MEAN? THE INDIGENOUS MAYANS HE WORKED WITH 187 00:08:07,918 --> 00:08:09,920 CLAIMED THAT HE TRICKED THEM INTO REVEALING 188 00:08:09,920 --> 00:08:12,222 THE LOCATION OF THE BURIAL SITE. 189 00:08:12,222 --> 00:08:15,165 HE'D RECEIVED DEATH THREATS. AND HOW DO YOU KNOW THAT? 190 00:08:15,165 --> 00:08:17,497 I'D RECEIVED ONE, TOO. 191 00:08:23,073 --> 00:08:26,577 THIS IS JUST LIKE THE ONE THAT WE FOUND IN MEDINA'S APARTMENT. 192 00:08:26,577 --> 00:08:28,078 WHAT DOES IT SAY? 193 00:08:28,078 --> 00:08:31,111 "DEATH AWAITS THE ROBBER OF GRAVES." 194 00:08:34,845 --> 00:08:37,588 ♪♪ 195 00:08:48,859 --> 00:08:50,861 GREAT. THANKS. THAT WAS THE LAB. 196 00:08:50,861 --> 00:08:53,033 THEY DIDN'T FIND ANY FINGERPRINTS 197 00:08:53,033 --> 00:08:55,706 ON EITHER ONE OF THE DEATH THREATS, 198 00:08:55,706 --> 00:08:57,708 WHICH MEANS ALL WE'VE GOT TO GO ON IS THE POSTMARK. 199 00:08:57,708 --> 00:08:59,209 SO WE'RE LOOKING FOR AN ANGRY MAYAN 200 00:08:59,209 --> 00:09:02,142 WHO MAILED A DEATH THREAT FROM SPANISH HARLEM THREE DAYS AGO. 201 00:09:02,142 --> 00:09:04,144 HOW TOUGH CAN THAT BE? WELL, I CALLED THE MEXICAN EMBASSY 202 00:09:04,144 --> 00:09:05,846 AND ASKED THEM 203 00:09:05,846 --> 00:09:08,649 TO PUT THEIR FEELERS OUT TO THE INDIGENOUS RIGHTS COMMUNITY. 204 00:09:08,649 --> 00:09:11,251 YOU NEVER KNOW. YOU MIGHT GET A DECENT TIP. YOU KNOW, THIS GUY MEDINA-- 205 00:09:11,251 --> 00:09:14,124 WHEN HE WAS A GRAD STUDENT, HE WALKED INTO THE AMAZON 206 00:09:14,124 --> 00:09:16,256 WITH NOTHING BUT A BACKPACK AND SOME SATELLITE IMAGES. 207 00:09:16,256 --> 00:09:20,791 HE WALKED OUT A MONTH LATER WITH THE GOLDEN HEAD OF YAX PAC. 208 00:09:20,791 --> 00:09:23,764 THIS GUY IS LIKE INDIANA JONES, BUT WITH SPACE-AGE TECHNOLOGY. 209 00:09:23,764 --> 00:09:27,067 (Ryan) HEY, BECKETT. OOH! WHICH WOULD'VE BEEN SUCH A BETTER MOVIE 210 00:09:27,067 --> 00:09:30,070 THAN THAT LAST ONE. HEY, DID YOU GUYS GET LUCKY WITH THE MYSTERIOUS "C.T."? 211 00:09:30,070 --> 00:09:32,242 EIGHT PEOPLE WITH THE INITIALS C.T. 212 00:09:32,242 --> 00:09:35,145 WORK OUT OF 1127 AVENUE OF THE AMERICAS. 213 00:09:35,145 --> 00:09:37,277 NONE OF 'EM HAVE HEARD OF MEDINA. (Ryan) AND THERE'S A COFFEE SHOP ON THE GROUND FLOOR. 214 00:09:37,277 --> 00:09:38,979 MAYBE HE MET C.T. THERE, 215 00:09:38,979 --> 00:09:40,981 BUT NONE OF THE WAITRESSES RECOGNIZED MEDINA'S PHOTOGRAPH. 216 00:09:40,981 --> 00:09:43,153 ANYTHING ON THE GIRLFRIEND? NO ONE FROM THE MUSEUM 217 00:09:43,153 --> 00:09:45,856 CAN EVEN VERIFY THAT MEDINA HAD A GIRLFRIEND. 218 00:09:45,856 --> 00:09:48,288 AND THAT SECOND SET OF PRINTS THAT WE FOUND AT HIS APARTMENT 219 00:09:48,288 --> 00:09:50,290 DOESN'T MATCH ANYTHING IN OUR SYSTEM. 220 00:09:50,290 --> 00:09:52,663 SO FAR THIS CASE IS NOTHING BUT DEAD ENDS. 221 00:09:52,663 --> 00:09:54,594 MM. YOU KNOW WHY? WHY? 222 00:09:54,594 --> 00:09:57,097 BECAUSE CASTLE'S CURSED. 223 00:09:58,699 --> 00:10:01,702 YOU HAD TO TELL THEM, DID YOU? 224 00:10:01,702 --> 00:10:03,974 YES. YES, I DID. 225 00:10:03,974 --> 00:10:05,976 WELL, GENTLEMEN, YOU'LL BE HAPPY TO KNOW, 226 00:10:05,976 --> 00:10:08,138 I DON'T BELIEVE IN CURSES. 227 00:10:08,138 --> 00:10:09,940 SERIOUSLY, BRO, 228 00:10:09,940 --> 00:10:12,012 I SAW A SPECIAL ON TV. 229 00:10:12,012 --> 00:10:14,144 BUNCH OF THE GUYS WHO FOUND KING TUT'S TOMB 230 00:10:14,144 --> 00:10:17,087 ENDED UP DYING UNDER WEIRD CIRCUMSTANCES. 231 00:10:17,087 --> 00:10:19,389 YES, AND THERE'S AN EXPLANATION FOR THAT. 232 00:10:19,389 --> 00:10:22,152 EVIDENCE SHOWS THAT SOME TOXINS WERE RELEASED 233 00:10:22,152 --> 00:10:24,624 WHEN THEY OPENED THE SARCOPHAGUS. WELL, DIDN'T YOU SAY THAT THAT MUMMY SMELLED KINDA FUNNY? 234 00:10:24,624 --> 00:10:26,827 WELL, YES, BUT THERE WAS-- 235 00:10:26,827 --> 00:10:29,259 AND YOU DID GAZE UPON THE FACE OF THE MUMMY? 236 00:10:32,933 --> 00:10:36,136 YOU GUYS, THERE IS NO CURSE. 237 00:10:36,136 --> 00:10:39,309 OW. (lips smack) PAPER CUT. 238 00:10:39,309 --> 00:10:40,410 MM-HMM. 239 00:10:40,410 --> 00:10:44,174 YES, THE CURSE GAVE ME A PAPER CUT. 240 00:10:44,174 --> 00:10:47,047 THESE THINGS START SMALL. THEN THEY SNOWBALL. 241 00:10:47,047 --> 00:10:50,050 MM. YEP. MY ABUELA ALWAYS SAID... 242 00:10:50,050 --> 00:10:52,052 (speaks Spanish) (Ryan) MM-HMM. 243 00:10:52,052 --> 00:10:53,984 BAD LUCK ALWAYS COMES IN THREES. 244 00:10:53,984 --> 00:10:56,226 THREES, LIKE CELEBRITIES. THEY ALWAYS DIE IN THREES. 245 00:10:56,226 --> 00:10:59,159 (lips smack) I'M LIVING IN THE DARK AGES HERE. 246 00:10:59,159 --> 00:11:01,962 WHY DON'T YOU GUYS CHECK WITH LANIE 247 00:11:01,962 --> 00:11:04,264 AND SEE IF SHE FOUND ANYTHING, OKAY? (Esposito) MM-HMM. 248 00:11:10,040 --> 00:11:13,073 MEDINA'S CELL PHONE. IT WAS IN HIS JACKET POCKET. 249 00:11:13,073 --> 00:11:16,346 I DOUBT GARGOYLE ATTACK IS COVERED UNDER HIS WARRANTY. 250 00:11:16,346 --> 00:11:18,949 GET IT--PHONE, WARRANTY? 251 00:11:18,949 --> 00:11:22,052 I'LL HAVE TECH PULL THE SIM CARD. SPEAKING OF GARGOYLES, WE FOUND TRACE AMOUNTS 252 00:11:22,052 --> 00:11:24,084 OF A SUBSTANCE BY THE CHISEL MARKINGS. 253 00:11:24,084 --> 00:11:26,717 IT WAS PROBABLY ON THE KILLER'S CLOTHES AND WAS TRANSFERRED 254 00:11:26,717 --> 00:11:29,259 TO THE STATUE WHEN HE PUSHED IT OVER. 255 00:11:29,259 --> 00:11:32,092 WHAT IS IT? THE LAB SAYS THEY'VE NEVER SEEN ANYTHING LIKE IT. 256 00:11:32,092 --> 00:11:34,795 IT'S A MIXTURE OF MOSTLY ORGANIC COMPOUNDS, 257 00:11:34,795 --> 00:11:37,798 INCLUDING TRACE AMOUNTS OF POLLEN. 258 00:11:37,798 --> 00:11:39,800 MEDINA'S APARTMENT'S NOT FAR FROM THE PARK. 259 00:11:39,800 --> 00:11:43,103 MAYBE OUR KILLER CUT THROUGH THERE ON HIS WAY TO DO THE DEED. NICE IDEA, 260 00:11:43,103 --> 00:11:45,776 BUT THIS POLLEN IS FROM A PARTICULAR KIND OF CALABASH 261 00:11:45,776 --> 00:11:48,408 THAT ONLY GROWS IN THE LOWLANDS OF THE YUCATáN PENINSULA. 262 00:11:48,408 --> 00:11:50,410 WHERE THE DIG SITE WAS. OH, IT GETS BETTER. 263 00:11:50,410 --> 00:11:54,044 WE FOUND TRACE AMOUNTS OF THE SAME POLLEN 264 00:11:54,044 --> 00:11:55,345 ON BOTH DEATH THREATS. 265 00:11:55,345 --> 00:11:57,047 THERE'S A GOOD CHANCE, 266 00:11:57,047 --> 00:11:59,049 WHOEVER SENT THIS IS YOUR KILLER. 267 00:11:59,049 --> 00:12:00,490 AND IT'S UNLIKELY 268 00:12:00,490 --> 00:12:02,953 HE WOULD STILL HAVE TRACE AMOUNTS OF POLLEN ON HIM 269 00:12:02,953 --> 00:12:04,955 UNLESS HE HAD BEEN IN THE YUCATáN 270 00:12:04,955 --> 00:12:07,097 SOMETIME IN THE LAST FEW DAYS. 271 00:12:07,097 --> 00:12:09,259 (Beckett) UH, YES, WE'LL HOLD. 272 00:12:09,259 --> 00:12:12,002 WHY IS THIS TAKING SO LONG? 273 00:12:12,002 --> 00:12:14,164 HOW MANY MAYANS FROM THE YUCATáN LOWLANDS 274 00:12:14,164 --> 00:12:16,306 COULD POSSIBLY HAVE FLOWN INTO THE NEW YORK AREA 275 00:12:16,306 --> 00:12:19,009 IN THE LAST FEW DAYS? T.S.A. COMPUTERS ARE DOWN. 276 00:12:19,009 --> 00:12:20,340 OH. WELL, THAT'S REASSURING. 277 00:12:20,340 --> 00:12:24,014 YOU KNOW, CASTLE, THIS KAN-XUL WAS NO JOKE. LEGEND HAS, 278 00:12:24,014 --> 00:12:26,276 HE PERSONALLY CONDUCTED HUNDREDS OF HUMAN SACRIFICES. 279 00:12:26,276 --> 00:12:28,949 YOU KNOW WHY HIS BURIAL CHAMBER WAS SO HARD TO FIND, RIGHT? 280 00:12:28,949 --> 00:12:30,951 BECAUSE HIS OWN PEOPLE BURIED IT SO THAT HE COULDN'T 281 00:12:30,951 --> 00:12:33,183 COME BACK FROM THE GRAVE AND GET THEM. 282 00:12:33,183 --> 00:12:36,156 YES, YES, YES. SCARY MUMMY, I GET IT. THANK YOU. 283 00:12:36,156 --> 00:12:38,088 (metal clanks and thuds) 284 00:12:40,130 --> 00:12:43,133 YOU OKAY? (whispers) YEAH, YEAH. IT'S AN OLD CHAIR, THAT'S ALL. 285 00:12:43,133 --> 00:12:46,196 JUST, UH, KEEP TELLING YOURSELF THAT. (groans) 286 00:12:46,196 --> 00:12:47,868 YES. 287 00:12:47,868 --> 00:12:51,001 OKAY. UH, GREAT. COULD YOU FAX IT OVER RIGHT AWAY? 288 00:12:51,001 --> 00:12:52,973 THANKS. 289 00:12:52,973 --> 00:12:55,105 T.S.A. REPORTS THAT A MAYAN NAMED CACAW TE 290 00:12:55,105 --> 00:12:57,978 ARRIVED IN J.F.K. FOUR DAYS AGO ON A TOURIST VISA. 291 00:12:57,978 --> 00:12:59,880 CACAW TE? CACAW TE? C.T.! 292 00:12:59,880 --> 00:13:01,952 HIS VISA APPLICATION PUTS HIS HOME ADDRESS 293 00:13:01,952 --> 00:13:04,955 RIGHT IN THE MIDDLE OF OUR POLLEN ZONE. (fax machine beeps) 294 00:13:06,556 --> 00:13:09,359 I'M GUESSING THAT GUY WAS NOT CLASS CLOWN IN HIGH SCHOOL. 295 00:13:09,359 --> 00:13:12,262 THIS IS A LOCAL ADDRESS. LET'S GO GET HIM. 296 00:13:12,262 --> 00:13:15,966 (Ryan) OOH, CAN I DRIVE? (Esposito) NO. 297 00:13:15,966 --> 00:13:19,199 CAN WE CALL YOU MR. T.? 298 00:13:19,199 --> 00:13:22,202 IT'S TE. CACAW TE. 299 00:13:22,202 --> 00:13:24,334 (Beckett) YOU'VE GOT QUITE A RéSUMé, MR. TE. 300 00:13:24,334 --> 00:13:26,336 ACCORDING TO THE MEXICAN EMBASSY, 301 00:13:26,336 --> 00:13:30,210 YOU WERE ARRESTED IN 2007 FOR ASSAULTING A GROUP OF TOURISTS. 302 00:13:30,210 --> 00:13:33,513 THEY WERE TRESPASSING ON SACRED MAYAN SOIL. 303 00:13:33,513 --> 00:13:36,516 YOU SENT TWO OF THEM TO THE HOSPITAL. THINGS GOT OUT OF HAND, 304 00:13:36,516 --> 00:13:38,518 BUT THAT'S NOT WHY I'M HERE, IS IT? 305 00:13:38,518 --> 00:13:41,521 SENDING DEATH THREATS THROUGH THE U.S. MAIL IS A FELONY. 306 00:13:41,521 --> 00:13:44,995 OH, AND SO IS MURDER, OR AS YOUR ANCESTORS LIKE TO CALL IT, 307 00:13:44,995 --> 00:13:46,256 HUMAN SACRIFICE. 308 00:13:46,256 --> 00:13:49,099 I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 309 00:13:49,099 --> 00:13:51,131 DOES THIS JOG YOUR MEMORY? 310 00:13:52,933 --> 00:13:56,036 (sighs) MEDINA REFUSED TO SEE ME WHEN I WENT TO THE MUSEUM. 311 00:13:56,036 --> 00:13:59,339 I SENT THAT BECAUSE HE LEFT ME NO OTHER CHOICE. 312 00:13:59,339 --> 00:14:01,841 AND HE NEEDED TO BE TOLD 313 00:14:01,841 --> 00:14:03,843 THAT THE MUSEUM MUST RETURN THE ARTIFACTS 314 00:14:03,843 --> 00:14:05,876 THAT THEY STOLE FROM MY PEOPLE. 315 00:14:05,876 --> 00:14:07,377 THOSE ITEMS WEREN'T STOLEN. 316 00:14:07,377 --> 00:14:10,120 YOUR GOVERNMENT MADE A DEAL WITH THE MUSEUM. BUT NOT WITH US. 317 00:14:10,120 --> 00:14:12,322 THE MAYANS ARE NOT A DEAD RACE. 318 00:14:12,322 --> 00:14:15,325 THERE ARE SEVEN MILLION OF US IN MEXICO AND CENTRAL AMERICA-- 319 00:14:15,325 --> 00:14:17,327 THE DIRECT DESCENDANTS OF KAN-XUL. 320 00:14:17,327 --> 00:14:20,991 HIS REMAINS AND ALL THAT WAS BURIED WITH HIM BELONG TO US. 321 00:14:20,991 --> 00:14:23,133 IS THAT WHY YOU SENT THE DEATH THREAT TO MEDINA? 322 00:14:23,133 --> 00:14:25,135 IT WASN'T A THREAT. IT WAS A REMINDER 323 00:14:25,135 --> 00:14:27,137 OF THE FATE THAT AWAITED HIM 324 00:14:27,137 --> 00:14:29,369 IF HE DID NOT RETURN WHAT HE STOLE. 325 00:14:29,369 --> 00:14:32,142 WHERE WERE YOU LAST NIGHT BETWEEN 7:00 AND 8:00? 326 00:14:32,142 --> 00:14:35,275 I DIDN'T KILL HIM. I DIDN'T NEED TO. 327 00:14:35,275 --> 00:14:38,308 BECAUSE ALL WHO SUFFER FROM THE MUMMY'S CURSE 328 00:14:38,308 --> 00:14:40,280 ARE DOOMED TO DIE. 329 00:14:42,652 --> 00:14:45,155 (Ryan) HEY, BECKETT. 330 00:14:45,155 --> 00:14:48,218 LOOKS LIKE CACAW TE ISN'T OUR C.T. AFTER ALL. 331 00:14:48,218 --> 00:14:50,220 HE WAS UPTOWN MEETING WITH A TELEMUNDO REPORTER 332 00:14:50,220 --> 00:14:53,163 ABOUT THE, UH, INJUSTICE OF THE EXHIBIT AT 5:30. 333 00:14:53,163 --> 00:14:55,365 HE DIDN'T FINISH UNTIL AFTER 8:00. 334 00:14:55,365 --> 00:14:58,128 WELL, WHAT ABOUT THE POLLEN? TURNS OUT THE AREA WHERE THE EXPEDITION WAS CAMPED 335 00:14:58,128 --> 00:14:59,669 WOULD'VE BEEN COVERED WITH THE STUFF. 336 00:14:59,669 --> 00:15:02,202 LANIE SAYS IT'S A SAFE BET 337 00:15:02,202 --> 00:15:05,175 THAT THERE'S TRACES OF IT ALL OVER THE EXHIBIT. OKAY, BUT LET'S HOLD HIM ON THE DEATH THREATS. 338 00:15:05,175 --> 00:15:08,208 I GOT A FEELING HE KNOWS MORE THAN HE'S LETTING ON. CONTENTS OF MEDINA'S PHONE. 339 00:15:08,208 --> 00:15:11,541 THERE WAS NOTHING INTERESTING IN THE CALL LIST OR THE CALENDAR. 340 00:15:11,541 --> 00:15:15,085 BUT WE HIT THE GIRLFRIEND JACKPOT WITH THE PHOTOS. HE'S SLEEPING WITH A MUMMY? 341 00:15:15,085 --> 00:15:17,447 YE--WHAT? NO. 342 00:15:17,447 --> 00:15:20,550 OH, SORRY. YOU HAVE TO FLIP TO THE LAST ONE. 343 00:15:20,550 --> 00:15:22,522 BAM. 344 00:15:22,522 --> 00:15:25,355 THAT'S RACHEL WALTERS. NO ONE AT THE MUSEUM KNEW THEY WERE SEEING EACH OTHER? 345 00:15:25,355 --> 00:15:28,228 MAYBE SHE'S GOT SOMETHING TO HIDE. 346 00:15:28,228 --> 00:15:31,061 LIKE MURDER? 347 00:15:38,368 --> 00:15:41,541 IT STARTED AFTER WE GOT BACK FROM MEXICO. 348 00:15:41,541 --> 00:15:44,975 WHY DID YOU LIE TO EVERYONE? I DIDN'T WANT TO GET FIRED. 349 00:15:44,975 --> 00:15:46,716 WHY WOULD STANFORD FIRE YOU? 350 00:15:46,716 --> 00:15:49,079 BECAUSE HE AND WILL HATED EACH OTHER. 351 00:15:49,079 --> 00:15:50,280 WHY? 352 00:15:50,280 --> 00:15:52,522 STANFORD BLAMED WILL FOR NICOLE'S DEATH. 353 00:15:52,522 --> 00:15:56,426 THE GIRL WHO WAS KILLED IN MEXICO? STANFORD PUT WILL IN CHARGE OF ALL THE GRAD STUDENTS. 354 00:15:56,426 --> 00:15:58,288 HE WANTED WILL TO TEACH THEM 355 00:15:58,288 --> 00:16:00,260 HOW TO SURVIVE IN SUCH A HOSTILE ENVIRONMENT. 356 00:16:00,260 --> 00:16:02,262 WHEN NICOLE DIED, STANFORD WAS DEVASTATED. 357 00:16:02,262 --> 00:16:04,264 HE FELT WILL HAD BETRAYED HIS TRUST, 358 00:16:04,264 --> 00:16:07,197 LETTING HER GO ALONE INTO THE JUNGLE AT NIGHT. 359 00:16:07,197 --> 00:16:09,199 AND EVER SINCE WE GOT BACK, 360 00:16:09,199 --> 00:16:12,172 STANFORD'S BEEN TRYING TO GET RID OF WILL, BUT HE CAN'T, 361 00:16:12,172 --> 00:16:14,444 BECAUSE WILL'S THE ONE WHO DISCOVERED THE BURIAL CHAMBER. 362 00:16:14,444 --> 00:16:17,207 DO YOU THINK HE WOULD'VE GONE AS FAR AS MURDER 363 00:16:17,207 --> 00:16:19,409 TO GET RID OF WILL? 364 00:16:21,281 --> 00:16:22,982 STANFORD TOLD ME 365 00:16:22,982 --> 00:16:25,255 THAT WILL IS THE ONE THAT SHOULD'VE DIED THAT NIGHT, 366 00:16:25,255 --> 00:16:27,287 NOT NICOLE. 367 00:16:27,287 --> 00:16:29,459 THE FACT THAT WILL AND I DIDN'T GET ALONG 368 00:16:29,459 --> 00:16:32,062 DOESN'T MEAN I KILLED HIM. NOT GETTING ALONG WITH SOMEONE IS A LOT DIFFERENT 369 00:16:32,062 --> 00:16:34,364 THAN BLAMING HIM FOR A GIRL'S DEATH. 370 00:16:34,364 --> 00:16:37,527 YOU THOUGHT HE SHOULD'VE DONE A BETTER JOB WATCHING OVER HER. NO, I THOUGHT HE SHOULDN'T BE 371 00:16:37,527 --> 00:16:39,769 SNEAKING INTO THE JUNGLE TO HAVE SEX WITH HER. 372 00:16:39,769 --> 00:16:42,502 THAT'S WHY SHE WAS OUT THERE THE NIGHT SHE DIED. 373 00:16:42,502 --> 00:16:46,005 ONLY WILL STOOD HER UP, AND SHE PAID THE PRICE. AND HOW DO YOU KNOW THIS? 374 00:16:46,005 --> 00:16:49,008 I CAUGHT THEM TOGETHER TWO DAYS BEFORE SHE DIED. 375 00:16:49,008 --> 00:16:51,311 I TOLD HIM TO BREAK IT OFF-- HE WAS HER BOSS-- 376 00:16:51,311 --> 00:16:53,012 BUT HE REFUSED. 377 00:16:53,012 --> 00:16:55,715 THAT GIRL HAD A BRIGHT FUTURE. 378 00:16:55,715 --> 00:16:59,349 AND HIS CARELESSNESS TOOK IT FROM HER. WHERE WERE YOU WHEN MEDINA WAS KILLED? 379 00:16:59,349 --> 00:17:00,720 RIGHT HERE, WORKING. 380 00:17:00,720 --> 00:17:02,792 YOU CAN CHECK WITH SECURITY, ASK THE STAFF. 381 00:17:02,792 --> 00:17:06,196 I'M BASICALLY LIVING HERE UNTIL THE EXHIBIT LAUNCHES. GREAT. THEN WE'LL KNOW 382 00:17:06,196 --> 00:17:09,229 WHERE TO FIND YOU IN CASE YOUR ALIBI DOESN'T CHECK OUT. 383 00:17:09,229 --> 00:17:10,530 THANK YOU. 384 00:17:10,530 --> 00:17:13,133 WHAT HAPPENED TO WILL WASN'T THE CURSE. 385 00:17:13,133 --> 00:17:16,366 IT WAS KARMA. 386 00:17:18,738 --> 00:17:21,241 DO YOU BELIEVE THAT PEOPLE GET WHAT THEY DESERVE? 387 00:17:21,241 --> 00:17:23,243 WELL, IF THEY DO, THEN I MUST HAVE DONE 388 00:17:23,243 --> 00:17:25,745 SOMETHING PRETTY TERRIBLE TO BE PUNISHED WITH YOU. 389 00:17:25,745 --> 00:17:27,577 FUNNY. 390 00:17:27,577 --> 00:17:29,379 MR. CASTLE, DETECTIVE. 391 00:17:29,379 --> 00:17:31,351 SEEN OUR NEW AD CAMPAIGN? 392 00:17:31,351 --> 00:17:33,683 "DO YOU DARE SEE... 393 00:17:33,683 --> 00:17:36,326 THE MUMMY OF THE MAYAN KING." 394 00:17:36,326 --> 00:17:38,088 TASTEFUL. 395 00:17:38,088 --> 00:17:41,231 COME ON, DETECTIVE. YOU GOTTA GIVE PEOPLE WHAT THEY WANT. 396 00:17:41,231 --> 00:17:43,763 THEY ARE EATING THE CURSE UP. 397 00:17:43,763 --> 00:17:45,765 EVER SINCE THE STORY BROKE, 398 00:17:45,765 --> 00:17:48,067 TICKET PRESALES HAVE JUMPED 20%. (laughs) 399 00:17:48,067 --> 00:17:51,101 YEAH, BUT WHAT ABOUT WHEN PEOPLE COME AND SEE THE MUMMY 400 00:17:51,101 --> 00:17:54,604 AND THEN THEY GET HIT BY A CAR OR SLIP ON A BANANA PEEL? 401 00:17:54,604 --> 00:17:57,247 THEN THEY'RE GONNA SUE YOU. I HAVE TO MAKE A CALL. 402 00:18:01,311 --> 00:18:03,183 OKAY. THANKS, BILL. 403 00:18:03,183 --> 00:18:05,315 HEY, DID YOU GET A CONFIRMATION 404 00:18:05,315 --> 00:18:07,787 ON STANFORD'S AND RACHEL'S ALIBIS? MUSEUM SECURITY HAS THEM BOTH LOGGED IN, 405 00:18:07,787 --> 00:18:09,789 BUT I HAVEN'T BEEN ABLE TO FIND ANYONE 406 00:18:09,789 --> 00:18:12,122 WHO COULD DEFINITIVELY STATE THAT STANFORD OR RACHEL 407 00:18:12,122 --> 00:18:14,494 WERE THERE DURING THE HOUR IT WOULD'VE TAKEN TO KILL WILL 408 00:18:14,494 --> 00:18:17,297 AND GET BACK TO THE MUSEUM. YO. I THINK I FOUND SOMETHING. 409 00:18:17,297 --> 00:18:20,270 TURNS OUT OUR VICTIM DEPOSITED 10 GRAND INTO HIS BANK ACCOUNT 410 00:18:20,270 --> 00:18:23,233 FOUR DAYS BEFORE HE WAS KILLED. WHERE'D HE GET THAT KIND OF MONEY? 411 00:18:23,233 --> 00:18:25,135 UNKNOWN, BUT HE WITHDREW THE SAME AMOUNT 412 00:18:25,135 --> 00:18:27,137 THE MORNING HE DIED. $10,000 IN, $10,000 OUT. 413 00:18:27,137 --> 00:18:29,479 SOUNDS LIKE HE'S LAUNDERING MONEY TO ME. OKAY, YOU GUYS CHECK WITH THE BANK 414 00:18:29,479 --> 00:18:31,181 FIRST THING IN THE MORNING. 415 00:18:31,181 --> 00:18:34,244 LET'S SEE WHERE THAT MONEY CAME FROM. (loud bang) 416 00:18:34,244 --> 00:18:36,386 (dish shatters, screams indistinctly) (Esposito) OW! 417 00:18:36,386 --> 00:18:38,688 OW! (steam hisses) 418 00:18:38,688 --> 00:18:40,220 WHAT HAPPENED? 419 00:18:40,220 --> 00:18:43,223 I DON'T KNOW. I WAS JUST GONNA MAKE A COFFEE, 420 00:18:43,223 --> 00:18:45,625 AND... THE CAPPUCCINO MACHINE STARTED SHAKING. 421 00:18:45,625 --> 00:18:48,228 AND JUST AS I HIT THE DECK, IT EXPLODED. 422 00:18:48,228 --> 00:18:51,331 YOU COULD'VE BEEN KILLED. I KNOW! 423 00:18:51,331 --> 00:18:53,863 (cappuccino machine squeals) MM. 424 00:18:53,863 --> 00:18:56,466 (snickers) 425 00:18:56,466 --> 00:18:58,338 (Esposito giggles) 426 00:18:58,338 --> 00:19:00,610 (Ryan, Beckett and Esposito stifling laughter) 427 00:19:00,610 --> 00:19:02,572 OH, VERY--OKAY. VERY FUNNY. 428 00:19:02,572 --> 00:19:04,544 YES, YOU GOT ME. 429 00:19:04,544 --> 00:19:07,447 OOH. I'M CASTLE. I DON'T BELIEVE IN CURSES. 430 00:19:07,447 --> 00:19:11,321 (Ryan, Beckett and Esposito laugh) WHAT, DID YOU GET BOMB DISPOSAL TO RIG SOMETHING UP? 431 00:19:11,321 --> 00:19:14,524 YEAH, IT WAS ALL FLASH AND NO DAMAGE. AND THE CHAIR? 432 00:19:14,524 --> 00:19:17,887 I JUST PULLED A COUPLE OF SCREWS AND LET GRAVITY DO THE REST. 433 00:19:17,887 --> 00:19:20,390 NIGHT, CASTLE. (laughs) (laughs) 434 00:19:20,390 --> 00:19:21,591 (snickers and laughs) 435 00:19:21,591 --> 00:19:23,763 I'M NOT CLEANING THIS UP! 436 00:19:23,763 --> 00:19:25,935 (cup piece clatters) 437 00:19:25,935 --> 00:19:28,738 I BETTER CLEAN THIS UP. 438 00:19:30,470 --> 00:19:33,373 THAT WAS SO MEAN. OH, I KNEW THE WHOLE TIME. 439 00:19:33,373 --> 00:19:36,175 OH, SURE YOU DID. YOU KNOW, THERE ARE SOME MYSTERIES 440 00:19:36,175 --> 00:19:37,547 THAT SCIENCE CAN'T EXPLAIN, 441 00:19:37,547 --> 00:19:39,649 LIKE STONEHENGE AND DéJà VU. 442 00:19:39,649 --> 00:19:42,412 AND SOME CURSES ARE REAL, LIKE THE SCOTTISH PLAY. 443 00:19:42,412 --> 00:19:44,484 OH, HERE WE GO. 444 00:19:44,484 --> 00:19:47,287 THERE'S NO ONE MORE SUPERSTITIOUS THAN AN ACTOR. 445 00:19:47,287 --> 00:19:49,789 (sighs) THE "SCOTTISH PLAY"? ARE YOU TALKING ABOUT "MACBETH"? 446 00:19:49,789 --> 00:19:52,422 NO, DARLING. YOU NEVER SAY THE NAME. 447 00:19:52,422 --> 00:19:54,364 "MACBETH." NO. (spits) 448 00:19:54,364 --> 00:19:56,195 TO DO SO... 449 00:19:56,195 --> 00:19:58,728 IS TO INVITE GRAVE MISFORTUNE. NO, I AM SERIOUS. 450 00:19:58,728 --> 00:20:01,371 YOU KNOW, I DIDN'T-- I DIDN'T KNOW IT AT THE TIME-- 451 00:20:01,371 --> 00:20:03,373 I WAS IN MY HIGH SCHOOL DRAMA CLASS, 452 00:20:03,373 --> 00:20:05,375 I SAID THE NAME, I WASN'T THINKING. 453 00:20:05,375 --> 00:20:07,407 FOR THE NEXT TWO DAYS, NOTHING WENT RIGHT. 454 00:20:07,407 --> 00:20:09,409 I MEAN, LADY MACBETH TWISTED HER ANKLE, 455 00:20:09,409 --> 00:20:10,940 THE THREE WITCHES CAUGHT PNEUMONIA. 456 00:20:10,940 --> 00:20:12,442 FINALLY THE DIRECTOR SAID, 457 00:20:12,442 --> 00:20:14,744 "ALL RIGHT, THIS IS WHAT YOU HAVE TO DO." 458 00:20:14,744 --> 00:20:16,286 I HAD TO RUN AROUND 459 00:20:16,286 --> 00:20:18,748 THE OUTSIDE OF THE THEATER BUILDING COUNTERCLOCKWISE, 460 00:20:18,748 --> 00:20:21,421 KNOCK ON THE DOOR TILL SOMEONE LET ME IN. MM-HMM. 461 00:20:21,421 --> 00:20:23,353 WELL, I'D LOVE TO STAND AROUND 462 00:20:23,353 --> 00:20:27,357 AND TELL SCARY STORIES ALL DAY 'CAUSE I'M REALLY GOOD AT IT... (Alexis laughs) 463 00:20:27,357 --> 00:20:29,829 BUT I HAVE A DATE WITH A MURDER INVESTIGATION. MM. 464 00:20:29,829 --> 00:20:32,732 IT'S LUCKY YOUR FATHER DOESN'T BELIEVE IN THE CURSE. 465 00:20:32,732 --> 00:20:35,004 WHY? BECAUSE HE'S GOING INTO A BUILDING... 466 00:20:35,004 --> 00:20:37,937 (whispers) FULL OF GUNS. I HEARD THAT. 467 00:20:37,937 --> 00:20:41,441 HEY, GUYS. WHAT'D YOU FIND OUT AT MEDINA'S BANK? WELL, IT TURNS OUT THE DEPOSIT 468 00:20:41,441 --> 00:20:43,743 AND THE WITHDRAWAL WERE BOTH MADE IN CASH. 469 00:20:43,743 --> 00:20:45,975 THE BANK MANAGER REMEMBERS THE WITHDRAWAL 470 00:20:45,975 --> 00:20:48,348 BECAUSE HE HAD TO PERSONALLY AUTHORIZE IT. THE BANK MANAGER WAS PRETTY SURE 471 00:20:48,348 --> 00:20:50,380 MEDINA WAS WITH SOMEBODY AT THE TIME, 472 00:20:50,380 --> 00:20:52,882 SO HE PULLED THE SURVEILLANCE VIDEO, 473 00:20:52,882 --> 00:20:55,585 REVEALING THIS SHINING EXAMPLE OF THUGGERY. ANY IDEA WHO HE IS? 474 00:20:55,585 --> 00:20:59,258 DO YOU WANNA? YOU SURE? NO, BRO, YOU CAUGHT IT. YEAH, IT'S YOURS. GO AHEAD. 475 00:20:59,258 --> 00:21:02,962 YOU KNOW, WHENEVER YOU GUYS ARE DONE BEING CUTE. (clears throat and makes beeping sounds) 476 00:21:02,962 --> 00:21:04,964 NO, HE DIDN'T. (Esposito) YEAH, HE DID. 477 00:21:04,964 --> 00:21:08,438 ARUBA IS NICE THIS TIME OF YEAR. MEET MR. NORTON GRIMES. 478 00:21:08,438 --> 00:21:10,400 HE RECENTLY HAD THE PRIVILEGE OF DOING TWO YEARS 479 00:21:10,400 --> 00:21:12,372 FOR DRUG TRAFFICKING AT FRANKLIN CORRECTIONAL. 480 00:21:12,372 --> 00:21:14,474 THAT'S WHAT THE MONEY WAS FOR. MEXICO IS COCAINE CENTRAL. 481 00:21:14,474 --> 00:21:17,447 WHAT BETTER WAY TO SNEAK DRUGS INTO THE COUNTRY 482 00:21:17,447 --> 00:21:19,409 OTHER THAN INSIDE AN ARCHEOLOGICAL SHIPMENT? 483 00:21:19,409 --> 00:21:21,411 MEDINA WAS IN BED WITH A DRUG TRAFFICKER, 484 00:21:21,411 --> 00:21:23,753 GOT HIM KILLED. YOU KNOW, THERE'S A CURRENT ADDRESS HERE. 485 00:21:23,753 --> 00:21:26,416 WHAT'S SAY WE GO SEE IF HE'S AWAKE? LET'S DO IT. 486 00:21:26,416 --> 00:21:29,759 COME ON, CASTLE. LET'S GO. CAN I DRIVE? 487 00:21:29,759 --> 00:21:32,762 ARE YOU KIDDING? YOU'RE CURSED. (laughs) 488 00:21:38,428 --> 00:21:40,830 I GOT TWO UNIFORMS POSTED OUT IN BACK 489 00:21:40,830 --> 00:21:42,832 IN CASE HE DECIDES TO RABBIT. 490 00:21:42,832 --> 00:21:45,705 CASTLE, YOU SURE YOU DON'T WANT TO STAY IN THE CAR? 491 00:21:45,705 --> 00:21:48,338 WE DON'T WANT THE CURSE TO GET YOU. I'M GOOD TO GO. 492 00:21:48,338 --> 00:21:49,879 (Beckett) OKAY. READY? 493 00:21:49,879 --> 00:21:51,641 (exhales deeply) (whispers) GO. 494 00:21:54,013 --> 00:21:56,886 (Beckett) NORTON GRIMES. POLICE. SHOW ME YOUR HANDS. 495 00:21:56,886 --> 00:21:58,448 (dog growling) (Ryan) DOG! 496 00:21:58,448 --> 00:22:00,450 (Esposito) CASTLE. (Castle) NICE DOGGY. GOOD DOGGY. 497 00:22:00,450 --> 00:22:03,393 CASTLE, LOOK OUT! AH! HE GOT ME! HE GOT ME! 498 00:22:03,393 --> 00:22:05,395 (Beckett) CASTLE, RUN! AAH! 499 00:22:05,395 --> 00:22:08,558 OH! (growling and barking) 500 00:22:12,001 --> 00:22:15,104 (growling and barking continue) 501 00:22:24,514 --> 00:22:26,115 RIGHT THIS WAY, MR. GRIMES. I COULD'VE BEEN KILLED. 502 00:22:26,115 --> 00:22:27,817 (singsong voice) BUT YOU WEREN'T. 503 00:22:27,817 --> 00:22:30,520 (normal voice) LOOK, YOU GO THROUGH ENOUGH DOORS, 504 00:22:30,520 --> 00:22:33,423 AT SOME POINT, YOU'RE GONNA FIND A DOG ON THE OTHER SIDE. YES, BUT IT DIDN'T HAPPEN AT SOME POINT, DID IT? 505 00:22:33,423 --> 00:22:35,925 IT HAPPENED TODAY... (cell phone ringing) 506 00:22:35,925 --> 00:22:38,888 RIGHT AFTER I GAZED INTO THE FACE OF THE MUMMY. OKAY, I ADMIT THAT THE TIMING WAS A LITTLE TROUBLESOME, 507 00:22:38,888 --> 00:22:40,890 BUT I PROMISE YOU, THERE IS NO CURSE. 508 00:22:40,890 --> 00:22:43,793 BECKETT. OH, HEY. (lowered voice) IT'S LANIE. 509 00:22:43,793 --> 00:22:46,095 (normal voice) OKAY. 510 00:22:46,095 --> 00:22:48,638 RIGHT. 511 00:22:48,638 --> 00:22:51,441 WELL, WHAT DOES THAT MEAN? 512 00:22:51,441 --> 00:22:53,372 WHAT? ARE YOU SURE? 513 00:22:53,372 --> 00:22:54,844 WHAT? THANKS. 514 00:22:54,844 --> 00:22:57,577 (cell phone beeps) WHAT? WHAT'D SHE SAY? 515 00:22:57,577 --> 00:23:00,550 NOTHING. THAT WAS NOT NOTHING. 516 00:23:00,550 --> 00:23:02,051 OKAY. FINE. 517 00:23:02,051 --> 00:23:05,054 THE LAB IDENTIFIED THE SUBSTANCE FOUND ON THE GARGOYLE, 518 00:23:05,054 --> 00:23:08,057 AND IT WAS A COMBINATION OF SODIUM NITRATE, IRON OXIDE, 519 00:23:08,057 --> 00:23:11,390 DECOMPOSED HEMP FIBERS AND... (mumbles) TISSUE. 520 00:23:11,390 --> 00:23:13,593 I'M S--I'M SORRY. WHAT? 521 00:23:13,593 --> 00:23:15,765 ANCIENT HUMAN TISSUE. 522 00:23:15,765 --> 00:23:17,427 MUMMIFIED TISSUE? 523 00:23:17,427 --> 00:23:19,098 LIKE MUMMY FLESH? 524 00:23:19,098 --> 00:23:20,600 WHICH MEANS AT SOME POINT, 525 00:23:20,600 --> 00:23:23,102 OUR KILLER CAME INTO CONTACT WITH THE MUMMIES 526 00:23:23,102 --> 00:23:25,104 AND SOMEHOW TRANSFERRED THE SUBSTANCE 527 00:23:25,104 --> 00:23:28,407 ONTO HIS OR HER CLOTHING BEFORE KILLING MEDINA. 528 00:23:28,407 --> 00:23:29,679 OR MAYBE... 529 00:23:29,679 --> 00:23:31,681 THE MUMMY HIMSELF HAS RISEN FROM THE GRAVE 530 00:23:31,681 --> 00:23:34,914 AND IS ROAMING NEW YORK SEEKING VENGEANCE. 531 00:23:34,914 --> 00:23:36,446 I'M KIDDING. 532 00:23:38,918 --> 00:23:41,090 SORT OF. 533 00:23:41,090 --> 00:23:44,193 YOU KNOW, IF MEDINA WAS TRAFFICKING DRUGS FOR GRIMES 534 00:23:44,193 --> 00:23:46,195 THROUGH THE SARCOPHAGUS, 535 00:23:46,195 --> 00:23:48,758 THEN MAYBE GRIMES GOT THE SUBSTANCE ON HIMSELF 536 00:23:48,758 --> 00:23:51,200 WHEN HE WENT TO GET THE DRUGS OUT. 537 00:23:51,200 --> 00:23:52,862 (wolf whistles) 538 00:23:52,862 --> 00:23:55,204 (police radio chatter) 539 00:23:55,204 --> 00:23:58,207 YOU MIND FLYING SOLO ON THIS ONE 540 00:23:58,207 --> 00:24:00,840 WHILE I HEAD HOME AND CHANGE MY CLOTHES? 541 00:24:00,840 --> 00:24:02,512 I THINK I CAN MANAGE. 542 00:24:02,512 --> 00:24:05,144 HEY, CASTLE. 543 00:24:05,144 --> 00:24:07,647 WATCH OUT FOR THE MUMMY. 544 00:24:07,647 --> 00:24:09,148 REALLY? 545 00:24:14,123 --> 00:24:17,687 DOG ATTACK? ICING ON THE CAKE. YEAH, IT WAS SORT OF LIKE A LITTLE BONUS, WASN'T IT? 546 00:24:17,687 --> 00:24:21,090 YOU HAD TO MESS WITH THE CURSE, DIDN'T YOU? TRYING TO BE FUNNY. 547 00:24:21,090 --> 00:24:23,733 YOU KNOW WHAT KIND OF HELL I'D CATCH IF CASTLE GOT EATEN 548 00:24:23,733 --> 00:24:26,135 IN THE LINE OF DUTY? DON'T TELL ME YOU REALLY BELIEVE IN THAT STUFF, SIR. 549 00:24:26,135 --> 00:24:28,498 YOU KNOW WHAT I BELIEVE IN, DETECTIVE? THERE'S NO UPSIDE 550 00:24:28,498 --> 00:24:30,600 IN SCREWING WITH THINGS THAT YOU CAN'T EXPLAIN. 551 00:24:30,600 --> 00:24:33,472 FIRST YEAR OF HOMICIDE, RIGHT, MY PARTNER TACKLES A SUSPECT 552 00:24:33,472 --> 00:24:35,845 THROUGH THE WINDOW OF A GYPSY SMOKE SHOP. 553 00:24:35,845 --> 00:24:38,147 OWNER'S FURIOUS, THREATENS ALL KINDS OF HEXES ON OUR HOUSES 554 00:24:38,147 --> 00:24:40,149 IF WE DON'T PERSONALLY GO AND CLEAN IT UP, 555 00:24:40,149 --> 00:24:42,852 AND WE TELL HER, "YEAH, TAKE IT UP WITH THE CITY." 556 00:24:42,852 --> 00:24:45,955 TWO HOURS LATER, MY PARTNER DROPS DEAD--HEART ATTACK. 557 00:24:45,955 --> 00:24:47,957 AND YOU THINK IT WAS THE HEXES? 558 00:24:47,957 --> 00:24:51,120 NO. THE MAN ATE BACON WITH EVERY MEAL. (snickers) 559 00:24:51,120 --> 00:24:53,122 BUT THE NEXT MORNING, I WENT OVER THERE, 560 00:24:53,122 --> 00:24:55,795 FIXED THAT WINDOW, AND YOU KNOW WHY? 561 00:24:55,795 --> 00:24:57,667 (both) BECAUSE THERE'S NO UPSIDE 562 00:24:57,667 --> 00:25:00,229 IN SCREWING WITH THINGS YOU CAN'T EXPLAIN? AND DON'T YOU EVER FORGET IT. 563 00:25:00,229 --> 00:25:02,271 OKAY. 564 00:25:02,271 --> 00:25:05,274 YOU KNOW, IF OUR BOY GRIMES SAW THE FACE OF THE MUMMY, 565 00:25:05,274 --> 00:25:08,608 IT'S LIKELY HE'S CURSED, TOO. YEAH, WELL, I'D RATHER SUFFER A THOUSAND CURSES 566 00:25:08,608 --> 00:25:10,780 THAN GO UP AGAINST BECKETT IN THE BOX. 567 00:25:10,780 --> 00:25:12,782 LADY, YOU GOT THE WRONG GUY. 568 00:25:12,782 --> 00:25:15,785 I DROPPED OUTTA THE DRUG GAME AFTER I LEFT THE JOINT. 569 00:25:15,785 --> 00:25:17,246 THAT'S FUNNY, 570 00:25:17,246 --> 00:25:19,248 BECAUSE I'VE GOT SURVEILLANCE PHOTOS 571 00:25:19,248 --> 00:25:22,652 SHOWING YOU TAKING $10,000 IN CASH FROM WILL MEDINA 572 00:25:22,652 --> 00:25:24,724 THE DAY THAT HE WAS MURDERED. 573 00:25:24,724 --> 00:25:27,196 AND GIVEN YOUR RAP SHEET, 574 00:25:27,196 --> 00:25:29,198 I DON'T THINK IT WOULD BE TOO DIFFICULT 575 00:25:29,198 --> 00:25:32,201 TO CONVINCE A JURY THAT YOU WERE INVOLVED. OKAY, OKAY, HOLD ON. 576 00:25:32,201 --> 00:25:35,735 I DIDN'T MURDER ANYONE, AND I DON'T SMUGGLE DRUGS ANYMORE. 577 00:25:35,735 --> 00:25:38,067 I USED MY CONNECTIONS TO GET A NEW GIG-- 578 00:25:38,067 --> 00:25:40,269 ANTIQUITIES. 579 00:25:40,269 --> 00:25:41,771 REALLY? 580 00:25:41,771 --> 00:25:43,773 AND WHY WOULD WILL MEDINA 581 00:25:43,773 --> 00:25:46,275 BE BUYING ANTIQUITIES FROM YOU? 582 00:25:46,275 --> 00:25:48,247 HMM. NOT BUYING. SELLING. 583 00:25:48,247 --> 00:25:50,780 I MET HIM AT A MUSEUM FUND-RAISER LAST YEAR. 584 00:25:50,780 --> 00:25:52,922 I GAVE HIM MY CARD. I TOLD HIM I'M ALWAYS INTERESTED 585 00:25:52,922 --> 00:25:54,924 IN RARE ITEMS THAT MAY NEED A NEW HOME. 586 00:25:54,924 --> 00:25:56,856 HE GAVE ME A CALL A FEW WEEKS LATER. 587 00:25:56,856 --> 00:25:58,858 HE SAID HE HAD A BOX OF INCAN ARROWHEADS 588 00:25:58,858 --> 00:26:01,230 THAT HAD JUST BEEN SITTING ON A SHELF SINCE THE 1940s. 589 00:26:01,230 --> 00:26:03,963 I FOUND HIM A BUYER, AND WE MADE A NICE A LITTLE PROFIT. 590 00:26:03,963 --> 00:26:06,766 AND WHAT WERE YOU BUYING THIS TIME? 591 00:26:06,766 --> 00:26:09,098 A MUMMY. A MUMMY? 592 00:26:09,098 --> 00:26:11,100 WHO WOULD WANT A MUMMY? 593 00:26:11,100 --> 00:26:13,903 A COLLECTOR IN TAIPEI. SO I STOP BY THE MUSEUM. 594 00:26:13,903 --> 00:26:15,805 YOU KNOW, I THOUGHT HE WOULD SAY NO. 595 00:26:15,805 --> 00:26:18,247 BUT HE JUMPED AT THE OPPORTUNITY. 596 00:26:18,247 --> 00:26:20,650 DIDN'T HE EVER THINK THAT SOMEBODY WOULD NOTICE 597 00:26:20,650 --> 00:26:23,653 THIS MISSING MUMMY? HE SAID ALL THE ATTENTION WAS BEING PAID 598 00:26:23,653 --> 00:26:26,656 TO THE MUMMY OF THE MAYAN KING, NOT TO SLAVE GIRL NUMBER SIX. 599 00:26:26,656 --> 00:26:29,158 SHE WAS DESTINED FOR THE STORAGE ROOM IN THE BASEMENT. 600 00:26:29,158 --> 00:26:31,260 SO IT'D BE YEARS BEFORE ANYONE WENT LOOKING FOR HER. 601 00:26:31,260 --> 00:26:33,262 AT WHICH POINT, HER DISAPPEARANCE, 602 00:26:33,262 --> 00:26:36,065 IT COULD NEVER BE LINKED TO HIM. 603 00:26:36,065 --> 00:26:39,228 AND THIS $10,000 WAS A DOWN PAYMENT? OF A QUARTER-MILLION-DOLLAR PAYOUT. 604 00:26:39,228 --> 00:26:41,831 BUT THEN YOU SHOWED UP AND YOU TOOK IT BACK. WHY? 605 00:26:41,831 --> 00:26:43,833 MY CLIENT CHANGED THEIR MIND. 606 00:26:43,833 --> 00:26:45,905 GUESS THEY DIDN'T LIKE THE MUMMY. 607 00:26:45,905 --> 00:26:47,206 WHY NOT? 608 00:26:47,206 --> 00:26:49,839 I DON'T KNOW. ALL I KNOW IS, 609 00:26:49,839 --> 00:26:53,142 THEY SENT SOMEONE DOWN TO THE MUSEUM TO TAKE A LOOK. WHO DID HE SEND? 610 00:26:53,142 --> 00:26:55,214 I HAVE NO IDEA. I SWEAR. 611 00:26:55,214 --> 00:26:57,887 WHATEVER THEY TOLD HIM TURNED MY CLIENT OFF. 612 00:26:57,887 --> 00:26:59,618 MAYBE THE MUMMY WAS TOO SHORT. 613 00:26:59,618 --> 00:27:01,620 MAYBE IT DIDN'T HAVE ENOUGH TEETH. 614 00:27:01,620 --> 00:27:04,093 THESE PRIVATE COLLECTORS, THEY'RE VERY PARTICULAR. 615 00:27:04,093 --> 00:27:06,195 THEY WANT EXACTLY WHAT THEY WANT 616 00:27:06,195 --> 00:27:07,857 AND NOTHING ELSE. 617 00:27:07,857 --> 00:27:11,030 SELLING MUMMIES? HOW STUPID DOES HE THINK WE ARE? 618 00:27:11,030 --> 00:27:13,332 I KNOW. THE DRUG STORY IS A HELL OF A LOT MORE PLAUSIBLE. 619 00:27:13,332 --> 00:27:16,335 BUT IT JUST DOESN'T SEEM TO BE MEDINA'S STYLE. THERE'S ONE WAY TO FIND OUT. 620 00:27:16,335 --> 00:27:19,008 TAKE SAMPLES FROM THIS MUMMY'S SARCOPHAGUS. 621 00:27:19,008 --> 00:27:21,310 IF IT TESTS POSITIVE FOR DRUGS, GRIMES IS LYING 622 00:27:21,310 --> 00:27:23,813 AND MOST LIKELY OUR MURDERER. GREAT. THANKS. 623 00:27:28,848 --> 00:27:30,950 (footsteps approach) 624 00:27:30,950 --> 00:27:33,853 HEY. WHAT ARE YOU DOING HOME? 625 00:27:33,853 --> 00:27:35,685 FACING MY MORTALITY. 626 00:27:35,685 --> 00:27:39,088 ALL THIS CURSE STUFF HAS GOT ME THINKING-- 627 00:27:39,088 --> 00:27:40,930 IF SOMETHING WERE TO HAPPEN TO ME, 628 00:27:40,930 --> 00:27:43,092 YOU'D TAKE GOOD CARE OF ALEXIS, RIGHT? OH, OF COURSE. 629 00:27:43,092 --> 00:27:45,194 BETTER THAN YOU TOOK CARE OF ME? 630 00:27:45,194 --> 00:27:47,867 OH, PLEASE. YOU TURNED OUT FINE. 631 00:27:47,867 --> 00:27:50,099 LOOK, LOOK, LOOK, THE CHANCES OF THIS CURSE BEING REAL 632 00:27:50,099 --> 00:27:52,101 ARE ALMOST NONEXISTENT. YOU KNOW THAT. 633 00:27:52,101 --> 00:27:53,402 MAYBE. 634 00:27:53,402 --> 00:27:56,375 WHAT KIND OF FATHER WOULD I BE IF I DIDN'T DO 635 00:27:56,375 --> 00:27:59,709 EVERYTHING I COULD TO MAKE SURE I STICK AROUND? 636 00:27:59,709 --> 00:28:01,781 WELL, THEN I THINK MAYBE WE SHOULD TRY 637 00:28:01,781 --> 00:28:04,283 TO FIGURE OUT A WAY TO, UH, REVERSE THE CURSE-- 638 00:28:04,283 --> 00:28:05,985 YOU KNOW, THE MUMMY EQUIVALENT 639 00:28:05,985 --> 00:28:07,987 OF MY RUNNING AROUND THE THEATER. 640 00:28:07,987 --> 00:28:10,219 SOMEONE AT THE MUSEUM MUST KNOW THAT. 641 00:28:12,361 --> 00:28:15,194 YOU HAVE BECOME VERY WISE IN YOUR OLD AGE. 642 00:28:15,194 --> 00:28:18,127 (sighs) WATCH IT, BUSTER. 643 00:28:18,127 --> 00:28:20,970 NO, I'M AFRAID THERE'S NOTHING IN THE LITERATURE 644 00:28:20,970 --> 00:28:22,902 ABOUT REVERSING THE CURSE. (sighs) HEY. 645 00:28:22,902 --> 00:28:25,034 CASTLE. WHAT ARE YOU DOING HERE? 646 00:28:25,034 --> 00:28:27,336 OH, NOTHING. JUST WAITING FOR YOU. HUH. 647 00:28:27,336 --> 00:28:29,038 DETECTIVES, ARE YOU HERE 648 00:28:29,038 --> 00:28:31,140 TO TALK ABOUT REVERSING THE CURSE AS WELL? 649 00:28:31,140 --> 00:28:34,283 NO, I'M HERE TO SEE A MAN ABOUT A MUMMY. SO NO LUCK WITH THE CURSE, HUH? 650 00:28:34,283 --> 00:28:36,045 LOOK ON THE BRIGHT SIDE, CASTLE. 651 00:28:36,045 --> 00:28:38,047 YOU DIE, YOUR BOOK SALES SKYROCKET. GREAT. 652 00:28:38,047 --> 00:28:40,189 WHAT DID BECKETT MEAN, "SEE A MAN ABOUT A MUMMY"? 653 00:28:40,189 --> 00:28:43,292 WHICH MUMMY? THE ONE GRIMES SAID MEDINA WAS TRYING TO SELL. 654 00:28:43,292 --> 00:28:45,294 FILL ME IN. SPARE NO DETAIL. 655 00:28:45,294 --> 00:28:47,957 WELL, IN SOME ANCIENT CULTURES, INSTEAD OF BURYING-- FAST-FORWARD A LITTLE BIT. 656 00:28:47,957 --> 00:28:51,300 DETECTIVE, THIS IS A SIGNIFICANT ARCHEOLOGICAL FIND. 657 00:28:51,300 --> 00:28:54,303 YOU CAN'T JUST WALK IN HERE AND OPEN IT UP. I'VE GOT A WARRANT THAT SAYS OTHERWISE. 658 00:28:54,303 --> 00:28:57,366 THIS IS PREPOSTEROUS. TELL THAT TO THE DRUG DEALER IN MY LOCKUP 659 00:28:57,366 --> 00:29:00,009 WHO WAS DOING BUSINESS WITH YOUR ASSOCIATE CURATOR. 660 00:29:00,009 --> 00:29:04,173 PLEASE. I JUST HAVE TO REITERATE HOW FRAGILE THESE MUMMIES ARE. 661 00:29:04,173 --> 00:29:06,475 THEY SHOULD ONLY BE HANDLED IN A CONTROLLED ENVIRONMENT. 662 00:29:06,475 --> 00:29:09,178 DON'T WORRY. IT'S JUST A SIMPLE SWAB TEST. 663 00:29:09,178 --> 00:29:11,380 I PROMISE. I WON'T DAMAGE ANYTHING. 664 00:29:11,380 --> 00:29:14,353 (motor whirring) 665 00:29:18,928 --> 00:29:20,429 (whirring stops) 666 00:29:20,429 --> 00:29:23,092 OH, MY GOD. IT'S GONE. 667 00:29:23,092 --> 00:29:27,336 I'M NOT SAYING I BELIEVE... 668 00:29:27,336 --> 00:29:29,298 BUT WHERE'S THE MUMMY? 669 00:29:40,349 --> 00:29:42,251 (siren whoops, camera shutter clicks) 670 00:29:42,251 --> 00:29:44,253 (Esposito) C.S.U. FIELD TEST SHOWS 671 00:29:44,253 --> 00:29:46,415 THAT THERE'S NO DRUG RESIDUE INSIDE THE SARCOPHAGUS. 672 00:29:46,415 --> 00:29:49,388 AND ALL THE OTHER MUMMIES ARE ACCOUNTED FOR. 673 00:29:49,388 --> 00:29:51,961 NO DRUGS IN THEM EITHER. WELL, IF IT WASN'T THE DRUGS, 674 00:29:51,961 --> 00:29:54,093 THEN WHAT'S SO SPECIAL ABOUT THE MISSING MUMMY? (Castle) WELL, MAYBE GRIMES WAS TELLING THE TRUTH. 675 00:29:54,093 --> 00:29:55,564 MAYBE MEDINA WAS TRYING TO SELL IT. 676 00:29:55,564 --> 00:29:57,867 AND THEN WHEN GRIMES WOULDN'T BUY IT, 677 00:29:57,867 --> 00:30:00,369 HE SOLD IT TO SOMEONE ELSE? EXCEPT THAT ONE OF THE RESEARCHERS SWEARS 678 00:30:00,369 --> 00:30:03,102 IT WAS IN ITS SARCOPHAGUS THE DAY AFTER MEDINA WAS KILLED. 679 00:30:03,102 --> 00:30:05,334 WELL, THAT COULD ONLY MEAN ONE THING. PLEASE DON'T SAY 680 00:30:05,334 --> 00:30:08,807 THAT IT'S WALKING AMONG US SEEKING REVENGE. OKAY. DON'T SAY I DIDN'T WARN YOU. 681 00:30:08,807 --> 00:30:10,309 THIS PLACE IS GIGANTIC. 682 00:30:10,309 --> 00:30:12,942 THEY HAVE OVER 30 MILLION SPECIMENS DOWN HERE. 683 00:30:12,942 --> 00:30:15,214 WE GOT A CANINE UNIT COMING IN TO HELP, 684 00:30:15,214 --> 00:30:18,447 BUT FINDING THIS MUMMY MIGHT BE LIKE FINDING THE LOST ARK. 685 00:30:18,447 --> 00:30:21,120 IF IT IS EVEN STILL HERE. ALL RIGHT, HAVE C.S.U. SWEEP THE AREA, 686 00:30:21,120 --> 00:30:24,123 AND SEE IF THEY CAN GET ANY PRINTS OFF OF THE SARCOPHAGUS. 687 00:30:24,123 --> 00:30:27,256 WHOEVER STOLE THE MUMMY MUST HAVE LEFT SOME EVIDENCE BEHIND. 688 00:30:27,256 --> 00:30:29,298 DISASTER! P.R. DISASTER! 689 00:30:29,298 --> 00:30:32,161 I ONLY HOPE THE PRESS DOESN'T HEAR ABOUT THIS. 690 00:30:32,161 --> 00:30:34,163 10 BUCKS SAYS HE CALLS THE PRESS 691 00:30:34,163 --> 00:30:36,305 JUST AS SOON AS WE'RE OUT THE FRONT DOOR. 692 00:30:36,305 --> 00:30:38,607 HEY, YOU DON'T THINK HE COULD'VE ORCHESTRATED THIS WHOLE THING 693 00:30:38,607 --> 00:30:40,910 JUST TO GENERATE INTEREST IN THE EXHIBIT, DO YOU? 694 00:30:40,910 --> 00:30:43,112 MURDERED MEDINA JUST TO BOOST TICKET SALES? NO. 695 00:30:43,112 --> 00:30:46,115 THAT WOULD MAKE THIS "SCOOBY-DOO," AND I'M NOT VELMA. 696 00:30:46,115 --> 00:30:48,517 VELMA? ARE YOU KIDDING? YOU'RE DAPHNE. 697 00:30:48,517 --> 00:30:51,220 YOU'RE HOT, SMART BUT NOT AGGRESSIVELY BRAINY 698 00:30:51,220 --> 00:30:53,082 WITH LONG LEGS, SHORT SKIRT-- STOP. 699 00:30:53,082 --> 00:30:54,383 FINE. NOW. 700 00:30:54,383 --> 00:30:55,624 GOT IT. 701 00:30:57,286 --> 00:31:00,359 NO. HE DIDN'T KNOW ANYTHING ABOUT HOW TO REVERSE THE CURSE. 702 00:31:00,359 --> 00:31:03,432 BUT I'VE DECIDED, IT'S OKAY. I WAS JUST OVERREACTING. 703 00:31:03,432 --> 00:31:06,435 IT'S LIKE YOU SAID, THE CHANCES OF THERE ACTUALLY BEING A CURSE 704 00:31:06,435 --> 00:31:08,437 ARE--ARE VIRTUALLY NONEXISTENT. (motor stops) 705 00:31:08,437 --> 00:31:10,499 (elevator rattles) 706 00:31:10,499 --> 00:31:13,102 (clattering) 707 00:31:13,102 --> 00:31:15,574 THAT WAS WEIRD. THE ELEVATOR JUST STOPPED. 708 00:31:15,574 --> 00:31:17,276 (cell phone line clicks) 709 00:31:17,276 --> 00:31:18,877 MOTHER? 710 00:31:20,409 --> 00:31:22,411 OKAY. 711 00:31:22,411 --> 00:31:24,914 NO REASON TO PANIC. 712 00:31:24,914 --> 00:31:26,385 (electricity powers down) 713 00:31:26,385 --> 00:31:28,487 SMALL REASON TO PANIC. 714 00:31:28,487 --> 00:31:30,489 (emergency lights click) 715 00:31:30,489 --> 00:31:32,891 HELLO? 716 00:31:36,295 --> 00:31:38,667 (creaking) 717 00:31:38,667 --> 00:31:41,130 (laughs) 718 00:31:41,130 --> 00:31:43,332 THERE IS NO CURSE. THERE IS NO CURSE. 719 00:31:43,332 --> 00:31:45,034 THERE IS NO CURSE. 720 00:31:45,034 --> 00:31:46,475 (clattering) 721 00:31:46,475 --> 00:31:49,238 WHAT DO I DO? WHAT DO I DO IF THE ELEVATOR FALLS? 722 00:31:49,238 --> 00:31:52,241 OKAY. I, UM, I THINK I'M SUPPOSED TO JUMP IN THE AIR? 723 00:31:52,241 --> 00:31:55,084 NO! LAY ON THE GROUND. (thuds) 724 00:31:55,084 --> 00:31:57,346 (elevator bell dings) 725 00:31:57,346 --> 00:31:59,388 (Beckett) CASTLE? 726 00:31:59,388 --> 00:32:01,390 WHAT ARE YOU DOING? 727 00:32:01,390 --> 00:32:04,994 (mutters) THAT WAS-- THAT WHOLE THING-- 728 00:32:04,994 --> 00:32:07,426 THEN THE LIGHT--THE LIGHT, AND THEN THE WHOLE THING WENT-- 729 00:32:07,426 --> 00:32:09,398 I THOUGHT--I THOUGHT THE ELEVATOR WAS GONNA FALL. 730 00:32:09,398 --> 00:32:11,400 THAT WASN'T YOU, WAS IT? BECAUSE THAT WASN'T FUNNY. 731 00:32:11,400 --> 00:32:15,464 NO, NO. I'M NOT THAT CRUEL. IT'S AN OLD ELEVATOR. 732 00:32:15,464 --> 00:32:17,406 YOU KNOW WHAT? LET'S GET MAINTENANCE UP HERE 733 00:32:17,406 --> 00:32:21,140 AND TELL 'EM NOT TO LET ANYONE ON HERE BEFORE IT'S FIXED. 734 00:32:21,140 --> 00:32:23,142 ARE YOU OKAY? YEAH. NO. YEAH. I'M--I'M-- 735 00:32:23,142 --> 00:32:25,144 I'M GONNA SPLASH SOME W-WATER ON MY FACE 736 00:32:25,144 --> 00:32:27,616 AND THEN... THROW UP A LITTLE BIT. 737 00:32:31,550 --> 00:32:33,983 (creaks) 738 00:32:33,983 --> 00:32:36,355 (Beckett) ROGUE ARCHEOLOGISTS, MAYAN DEATH THREATS 739 00:32:36,355 --> 00:32:39,058 DRUG DEALERS CLAIMING TO DEAL IN ANTIQUITIES 740 00:32:39,058 --> 00:32:41,060 AND MISSING MUMMIES? 741 00:32:41,060 --> 00:32:45,734 THERE'S GOTTA BE A STORY THAT MAKES ALL OF THIS MAKE SENSE. 742 00:32:45,734 --> 00:32:48,637 (indistinct conversations) 743 00:32:48,637 --> 00:32:50,469 WHAT? 744 00:32:50,469 --> 00:32:52,171 (whispers) NOTHING. 745 00:32:52,171 --> 00:32:54,273 CASTLE. IF SOMETHING WERE TO HAPPEN TO ME, 746 00:32:54,273 --> 00:32:57,176 I WANT YOU TO WATCH OUT FOR ALEXIS. 747 00:32:57,176 --> 00:32:58,477 SHE LOOKS UP TO YOU, 748 00:32:58,477 --> 00:33:00,549 AND IF HER BOYFRIENDS GET FRISKY, 749 00:33:00,549 --> 00:33:02,611 YOU CAN SHOOT THEM. 750 00:33:02,611 --> 00:33:04,353 NOTHING'S GONNA HAPPEN TO YOU. 751 00:33:04,353 --> 00:33:07,486 BUT IF IT DOES... 752 00:33:09,388 --> 00:33:11,420 OKAY. 753 00:33:13,222 --> 00:33:15,194 AND WOULD YOU ALSO GO INTO MY CLOSET 754 00:33:15,194 --> 00:33:17,626 AND GET RID OF MY PORN COLLECTION BEFORE SHE FINDS IT? 755 00:33:17,626 --> 00:33:20,199 DON'T WORRY, BRO. I GOT YOU COVERED ON THAT. WE HIT A HOME RUN 756 00:33:20,199 --> 00:33:22,331 WITH THE PRINTS FROM THE SARCOPHAGUS. 757 00:33:22,331 --> 00:33:24,473 ONE POPPED THAT DOESN'T BELONG 758 00:33:24,473 --> 00:33:26,475 TO ANYONE WHO WORKS AT THE MUSEUM. 759 00:33:26,475 --> 00:33:28,477 BUT ACCORDING TO THE BACKGROUND CHECK, 760 00:33:28,477 --> 00:33:30,479 HE DOES WORK AT 1127 AVENUE OF THE AMERICAS-- 761 00:33:30,479 --> 00:33:32,711 THE ADDRESS ON MEDINA'S CALENDAR. AT A COMPANY CALLED BIO INC. 762 00:33:32,711 --> 00:33:35,384 AND HERE IS THE BEST PART-- HIS NAME IS CHARLES TAYLOR. 763 00:33:35,384 --> 00:33:38,087 (Beckett and Castle) C.T.? SPOKE TO THE GUY TWO DAYS AGO, 764 00:33:38,087 --> 00:33:40,089 AND HE INSISTED HE'D NEVER MET MEDINA. 765 00:33:40,089 --> 00:33:41,620 LIED RIGHT TO MY FACE. 766 00:33:41,620 --> 00:33:45,154 NO, NO. I DIDN'T LIE. I SWEAR TO YOU, I DON'T KNOW WILL MEDINA. 767 00:33:45,154 --> 00:33:47,326 YOU DIDN'T SEE HIM TWO DAYS AGO AT 5:30? 768 00:33:47,326 --> 00:33:50,159 NO. YOU GOT THE WRONG GUY. BUT YOU ADMIT 769 00:33:50,159 --> 00:33:53,532 THAT YOU WERE IN THE BASEMENT OF THE NEW YORK HISTORY MUSEUM. NO. 770 00:33:53,532 --> 00:33:56,365 CHARLES, WE HAVE YOUR FINGERPRINTS ON A SARCOPHAGUS. 771 00:33:56,365 --> 00:33:58,437 SO YOU CAN EITHER START TELLING US THE TRUTH NOW 772 00:33:58,437 --> 00:34:01,140 OR AFTER SPENDING AN AFTERNOON IN THE HOLDING CELL 773 00:34:01,140 --> 00:34:03,472 ENTERTAINING A METH ADDICT THROUGH THE VIOLENT PHASE 774 00:34:03,472 --> 00:34:06,375 OF HIS WITHDRAWAL. I MIGHT HAVE BEEN DOWN THERE. 775 00:34:06,375 --> 00:34:08,447 WHEN? (sighs) 776 00:34:08,447 --> 00:34:10,419 OKAY. HOLDING CELL IT IS. 777 00:34:10,419 --> 00:34:13,582 FIVE DAYS AGO. 778 00:34:13,582 --> 00:34:15,754 AND MEDINA? 779 00:34:15,754 --> 00:34:17,756 LOOK, I HEARD HE WAS DEAD. 780 00:34:17,756 --> 00:34:19,758 I DIDN'T WANT TO GET MIXED UP IN THAT. 781 00:34:19,758 --> 00:34:22,491 I-I WAS ONLY SENT THERE TO CHECK OUT THE MUMMY. THE MUMMY? 782 00:34:22,491 --> 00:34:24,463 YEAH. I WAS SENT BY A PRIVATE COLLECTOR TO EXAMINE IT. 783 00:34:24,463 --> 00:34:26,465 (lowered voice) GRIMES WAS TELLING THE TRUTH. 784 00:34:26,465 --> 00:34:28,537 MEDINA WAS TRYING TO SELL THE MUMMY. 785 00:34:28,537 --> 00:34:30,539 THIS IS GETTING GOOD. 786 00:34:30,539 --> 00:34:33,642 THIS COLLECTOR, WHERE IS HE FROM? TAIPEI. I'VE DONE TESTING FOR HIM BEFORE-- 787 00:34:33,642 --> 00:34:36,475 UH, UH, HOMINID SKULLS, A MAMMOTH TUSK. 788 00:34:36,475 --> 00:34:38,477 HE ASKED ME TO CARBON DATE THEM, 789 00:34:38,477 --> 00:34:41,250 WANTED ME TO MAKE SURE IT WAS REAL. AND WAS IT? 790 00:34:41,250 --> 00:34:44,113 IT'S COMPLICATED. WE'LL TRY AND KEEP UP. 791 00:34:44,113 --> 00:34:47,186 AS SOON AS AN ORGANISM DIES, IT STOPS TAKING IN NEW CARBON. 792 00:34:47,186 --> 00:34:49,188 SPECIFICALLY, WE FOCUS ON CARBON 14, 793 00:34:49,188 --> 00:34:51,460 WHICH STARTS TO DECAY IN THE BODY AS SOON AS IT DIES, 794 00:34:51,460 --> 00:34:53,392 AND BY EXAMINING THE RATE OF DECAY, WE CAN ACTUALLY DATE 795 00:34:53,392 --> 00:34:56,265 THE AGE OF THE DEAD ORGANISM WITH INCREDIBLE ACCURACY. 796 00:34:56,265 --> 00:34:59,268 WHEN I TESTED THE MUMMY, I TOOK SAMPLES FROM THE SARCOPHAGUS 797 00:34:59,268 --> 00:35:02,231 THE CLOTH THE MUMMY WAS WRAPPED IN AND A SMALL PIECE OF BONE, 798 00:35:02,231 --> 00:35:05,134 AND THEN I RAN THEM THROUGH A MASS SPECTROMETER AND... 799 00:35:05,134 --> 00:35:07,306 THAT'S WHEN THINGS GOT WEIRD. 800 00:35:07,306 --> 00:35:08,877 DEFINE "WEIRD." 801 00:35:08,877 --> 00:35:10,879 THE SAMPLES FROM THE SARCOPHAGUS AND THE CLOTH 802 00:35:10,879 --> 00:35:12,881 DATED AT OVER 2,000 YEARS OLD, 803 00:35:12,881 --> 00:35:16,245 BUT THE PIECE OF BONE... WAS TOO YOUNG TO DATE, 804 00:35:16,245 --> 00:35:19,248 MEANING THAT IT WAS LESS THAN 500 YEARS OLD. 805 00:35:19,248 --> 00:35:21,350 HOW MUCH LESS? I HAVE NO IDEA. 806 00:35:21,350 --> 00:35:23,652 500 YEARS IS AS LOW AS THE TEST GOES. 807 00:35:23,652 --> 00:35:26,325 ARE YOU SAYING THAT THE MUMMY MEDINA WAS TRYING TO SELL 808 00:35:26,325 --> 00:35:27,626 WAS A FAKE? 809 00:35:27,626 --> 00:35:30,329 WELL, ALL I KNOW IS THAT THERE WAS A DISCREPANCY 810 00:35:30,329 --> 00:35:32,331 AND I CALLED HIM AND I TOLD HIM THAT, 811 00:35:32,331 --> 00:35:33,632 AND HE DIDN'T BELIEVE ME. 812 00:35:33,632 --> 00:35:36,635 HE INSISTED ON COMING TO THE OFFICE TO SEE ME... 813 00:35:36,635 --> 00:35:38,907 THE NIGHT THAT HE DIED. 814 00:35:38,907 --> 00:35:40,209 BECKETT. 815 00:35:40,209 --> 00:35:42,411 UNIFORMS JUST FOUND YOUR MUMMY. 816 00:35:42,411 --> 00:35:45,414 WHERE? IN A DARK CORNER OF THE MUSEUM BASEMENT. 817 00:35:45,414 --> 00:35:48,717 SOMEONE WAS DOING THEIR BEST TO MAKE SURE IT WAS NEVER FOUND. MEDINA'S BUYER REJECTED THE MUMMY 818 00:35:48,717 --> 00:35:50,449 BECAUSE IT WASN'T REAL. 819 00:35:50,449 --> 00:35:52,381 AND THEN WHEN MEDINA STARTED ASKING QUESTIONS, 820 00:35:52,381 --> 00:35:55,354 HE WAS KILLED. AND NOW SOMEONE'S TRYING TO MAKE IT DISAPPEAR? 821 00:35:55,354 --> 00:35:58,427 I THINK WE NEED TO TAKE A CLOSER LOOK AT THAT MUMMY. 822 00:35:58,427 --> 00:36:00,389 (Lanie) YOUR CARBON DATER WAS RIGHT. 823 00:36:00,389 --> 00:36:03,562 THIS GIRL'S BODY IS DEFINITELY LESS THAN 500-YEARS DEAD. 824 00:36:03,562 --> 00:36:05,294 HOW MUCH LESS? 825 00:36:05,294 --> 00:36:08,166 SHE DIED FOUR MONTHS AGO. IF SHE'S BEEN DEAD FOR FOUR MONTHS, 826 00:36:08,166 --> 00:36:12,571 WHY DOES SHE LOOK JUST LIKE THE OTHER MUMMIES? BECAUSE WHOEVER MUMMIFIED HER KNEW WHAT THEY WERE DOING. 827 00:36:12,571 --> 00:36:14,403 HER BLOOD'S BEEN DRAINED, THERE'S AN INCISION 828 00:36:14,403 --> 00:36:17,776 ON HER LEFT SIDE, WHICH HER KILLER USED TO REMOVE HER ORGANS 829 00:36:17,776 --> 00:36:20,509 BEFORE STARTING THE DESICCATION PROCESS. HOW DID SHE DIE? 830 00:36:20,509 --> 00:36:23,582 BLUNT FORCE TRAUMA. SOMEONE HIT HER IN THE BACK OF THE HEAD. 831 00:36:23,582 --> 00:36:26,555 SHE NEVER SAW IT COMING. AND THEN DO YOU HAVE ANY IDEA WHO SHE IS? 832 00:36:26,555 --> 00:36:29,518 NO, AND I WAS UNABLE TO GET A USABLE FINGERPRINT. 833 00:36:29,518 --> 00:36:32,461 WE DON'T NEED THEM. 834 00:36:32,461 --> 00:36:34,293 SHE DIED FOUR MONTHS AGO. 835 00:36:34,293 --> 00:36:36,565 I KNOW EXACTLY WHO THIS IS. 836 00:36:50,509 --> 00:36:52,210 DENTAL RECORDS CONFIRM 837 00:36:52,210 --> 00:36:55,484 THAT THE BODY IS NICOLE GRAHAM, THE FIRST VICTIM OF THE CURSE. 838 00:36:55,484 --> 00:36:59,488 I THOUGHT THIS GIRL WAS KILLED BY AN ANIMAL IN THE JUNGLE. TURNS OUT THEY NEVER ACTUALLY FOUND THE BODY. 839 00:36:59,488 --> 00:37:01,550 JUST HER BLOODY CLOTHES AND A PIECE OF SCALP. 840 00:37:01,550 --> 00:37:04,693 IT SEEMED OBVIOUS TO THE MEXICAN AUTHORITIES WHAT HAD HAPPENED. 841 00:37:04,693 --> 00:37:07,696 INSTEAD SOMEBODY KILLED HER AND TURNED HER INTO A MUMMY? HELL OF A WAY TO GET RID OF A BODY-- 842 00:37:07,696 --> 00:37:10,829 HIDE IT IN PLAIN SIGHT, SHIP IT OUT WITH THE OTHER ARTIFACTS. 843 00:37:10,829 --> 00:37:12,831 AND NO ONE WOULD'VE EVER FOUND OUT 844 00:37:12,831 --> 00:37:15,233 IF MEDINA HADN'T DECIDED TO SELL THE WRONG MUMMY. 845 00:37:15,233 --> 00:37:17,536 WHEN THE COLLECTOR REFUSED IT, MEDINA MUST HAVE DECIDED 846 00:37:17,536 --> 00:37:20,539 TO TAKE A CLOSER LOOK. AND THEN THAT SUSPICION MUST HAVE TIPPED OFF OUR KILLER, 847 00:37:20,539 --> 00:37:24,643 WHO HAD TO MURDER MEDINA IN ORDER TO KEEP THE SECRET SAFE. IT MAKES SENSE, BUT WHO'S OUR KILLER? 848 00:37:24,643 --> 00:37:27,776 THE ONLY PERSON WITH THE SKILL TO MUMMIFY A BODY. 849 00:37:29,548 --> 00:37:31,019 WHAT'S GOING ON? 850 00:37:31,019 --> 00:37:32,521 FOUR WORDS-- 851 00:37:32,521 --> 00:37:35,624 EAT, PRAY, LOVE, KILL. 852 00:37:35,624 --> 00:37:37,586 LITTLE FRIENDLY ADVICE-- 853 00:37:37,586 --> 00:37:40,028 NEXT TIME YOU KILL SOMEONE, SKIP THE PART 854 00:37:40,028 --> 00:37:42,260 WHERE YOU PROVE ONLY YOU COULD'VE COVERED IT UP. 855 00:37:42,260 --> 00:37:45,834 KILL SOMEONE? WHAT ARE YOU TALKING ABOUT? WE'RE TALKING ABOUT NICOLE GRAHAM. 856 00:37:45,834 --> 00:37:47,536 YOU KILLED HER IN MEXICO, 857 00:37:47,536 --> 00:37:49,468 AND THEN YOU MUMMIFIED HER BODY IN ORDER TO COVER IT UP. 858 00:37:49,468 --> 00:37:51,870 WHAT? NO, NICOLE WAS KILLED IN A JAGUAR ATTACK. 859 00:37:51,870 --> 00:37:54,002 EXCEPT THEY NEVER FOUND HER BODY. BUT WE DID. 860 00:37:54,002 --> 00:37:56,475 AND SO DID MEDINA WHEN HE DISCOVERED THE DISCREPANCY 861 00:37:56,475 --> 00:38:00,278 IN THE CARBON DATING. AND THAT'S WHEN YOU KNEW THAT YOU HAD TO KILL HIM. 862 00:38:00,278 --> 00:38:01,750 THAT'S INSANE. 863 00:38:01,750 --> 00:38:03,612 WHAT HAPPENED, RACHEL? 864 00:38:03,612 --> 00:38:06,585 DID YOU FIND HER IN THE JUNGLE MAKING TIME WITH YOUR MAN? 865 00:38:06,585 --> 00:38:09,618 A LITTLE "GIRLS GONE WILD" JEALOUSY TURNED DEADLY? 866 00:38:09,618 --> 00:38:11,560 NO, NICOLE AND I WERE FRIENDS. 867 00:38:11,560 --> 00:38:14,563 AND WHOEVER TOLD YOU SHE WAS SLEEPING WITH WILL WAS LYING. 868 00:38:14,563 --> 00:38:17,326 SURE, SHE HAD A CRUSH ON HIM. OKAY? WE ALL DID. 869 00:38:17,326 --> 00:38:19,328 BUT SHE BACKED OFF WHEN SHE REALIZED 870 00:38:19,328 --> 00:38:21,330 THAT WILL WAS INTERESTED IN ME. 871 00:38:21,330 --> 00:38:22,971 BUT STANFORD... 872 00:38:22,971 --> 00:38:24,473 STANFORD. 873 00:38:24,473 --> 00:38:26,735 STANFORD WAS THE ONE WHO WAS JEALOUS. 874 00:38:26,735 --> 00:38:28,907 ASK ANY OF THE WOMEN DOWN THERE. 875 00:38:28,907 --> 00:38:31,910 HE HAD A THING FOR NICOLE EVER SINCE SHE JOINED THE PROGRAM. 876 00:38:31,910 --> 00:38:34,713 YOU'D ALWAYS SEE HIM STANDING AROUND WATCHING HER. 877 00:38:34,713 --> 00:38:36,715 IT WAS CREEPY. YOU WERE THE EXPERT, RACHEL. 878 00:38:36,715 --> 00:38:39,718 YOU WERE THE ONLY ONE WHO KNEW HOW TO DO IT. NO, I WASN'T. 879 00:38:39,718 --> 00:38:41,720 EVERYTHING I KNOW ABOUT MUMMIFICATION, 880 00:38:41,720 --> 00:38:45,424 I LEARNED FROM STANFORD RAYNES. 881 00:38:45,424 --> 00:38:47,726 LOOK, DETECTIVE, MUMMIFYING A BODY IS HANDS-ON PROCESS. 882 00:38:47,726 --> 00:38:49,428 I PROMISE YOU, 883 00:38:49,428 --> 00:38:51,730 WHOEVER DID THAT TO NICOLE LEFT BEHIND SOME D.N.A. 884 00:38:51,730 --> 00:38:54,002 I'M HAPPY TO PROVIDE A SAMPLE. 885 00:38:54,002 --> 00:38:56,665 WHY DON'T YOU SEE IF STANFORD WANTS TO DO THE SAME? 886 00:38:56,665 --> 00:38:58,867 (Beckett) STANFORD RAYNES. 887 00:38:58,867 --> 00:39:00,469 YES. 888 00:39:00,469 --> 00:39:03,372 YOU'RE UNDER ARREST FOR THE MURDER OF NICOLE GRAHAM. 889 00:39:03,372 --> 00:39:05,844 AND DON'T FORGET WILL MEDINA. YOU HAD TO KILL HIM, TOO, 890 00:39:05,844 --> 00:39:08,076 WHEN YOU CAUGHT HIM SNIFFING AROUND HER MUMMY. 891 00:39:08,076 --> 00:39:11,079 ONLY WAY TO PROTECT YOUR SECRET. YOU CAN'T BE SERIOUS. 892 00:39:11,079 --> 00:39:13,852 SERIOUS ENOUGH TO GET A WARRANT FOR YOUR D.N.A. 893 00:39:13,852 --> 00:39:15,684 THIS IS THE PART WHERE YOU SAY, 894 00:39:15,684 --> 00:39:17,686 "AND I WOULD'VE GOTTEN AWAY WITH IT, TOO, 895 00:39:17,686 --> 00:39:20,689 IF IT WEREN'T FOR YOU MEDDLING KIDS." 896 00:39:20,689 --> 00:39:22,891 (gasps) 897 00:39:22,891 --> 00:39:24,593 (panting) 898 00:39:24,593 --> 00:39:27,536 IS HE ACTUALLY... RUNNING AWAY? 899 00:39:27,536 --> 00:39:30,138 YEAH, IT'S PRIMAL INSTINCT-- 900 00:39:30,138 --> 00:39:31,640 FIGHT OR FLIGHT. 901 00:39:31,640 --> 00:39:33,472 SHOULD WE RUN AFTER HIM? 902 00:39:33,472 --> 00:39:35,143 EH, NO NEED. 903 00:39:36,645 --> 00:39:39,007 (pants) 904 00:39:41,580 --> 00:39:42,681 (grunts) 905 00:39:42,681 --> 00:39:44,152 (panting) 906 00:39:44,152 --> 00:39:46,054 (grunts) OH! OHH! 907 00:39:46,054 --> 00:39:48,056 (rumbles and thuds) 908 00:39:48,056 --> 00:39:49,688 (footsteps approach) 909 00:39:49,688 --> 00:39:53,061 (Stanford groans) 910 00:39:53,061 --> 00:39:55,924 OHH. OH. 911 00:39:55,924 --> 00:39:58,126 (Stanford) OHH. 912 00:39:58,126 --> 00:40:00,469 STILL SAY THERE'S NO CURSE? 913 00:40:00,469 --> 00:40:02,801 (Stanford moans) OHH. 914 00:40:02,801 --> 00:40:04,673 RUH-ROH. 915 00:40:04,673 --> 00:40:07,536 (Castle) ONCE STANFORD GOT OUT OF SURGERY, 916 00:40:07,536 --> 00:40:09,037 HE CONFESSED TO EVERYTHING-- 917 00:40:09,037 --> 00:40:11,039 HOW HE LURED NICOLE INTO THE BURIAL CHAMBER 918 00:40:11,039 --> 00:40:14,042 AND HOW THEY FOUGHT WHEN SHE REFUSED TO CELEBRATE WITH HIM. 919 00:40:14,042 --> 00:40:16,585 SO WHAT HAPPENED TO THE MUMMY HE SWAPPED FOR NICOLE'S BODY? 920 00:40:16,585 --> 00:40:19,548 THE BODY WAS SO FRAGILE THAT ALL STANFORD HAD TO DO 921 00:40:19,548 --> 00:40:21,720 WAS STRIP OFF THE WRAPPING AND STOMP IT INTO DUST. 922 00:40:21,720 --> 00:40:24,453 AND THEN HE REWRAPPED NICOLE'S BODY, 923 00:40:24,453 --> 00:40:26,755 STUFFED IT IN THE SARCOPHAGUS, SEALED IT UP TIGHT, 924 00:40:26,755 --> 00:40:29,458 AND BY THE TIME IT GOT TO THE U.S. MONTHS LATER, 925 00:40:29,458 --> 00:40:32,861 MUMMIFICATION PROCESS WAS COMPLETE. AND WHEN STANFORD DECIDED TO KILL MEDINA, 926 00:40:32,861 --> 00:40:34,863 HE JUST USED ONE OF THE PRY BARS 927 00:40:34,863 --> 00:40:37,466 FROM THE MUSEUM TO TIP THE GARGOYLE 928 00:40:37,466 --> 00:40:40,168 AND HOPED THAT MEDINA'S DEATH WOULD BE BLAMED ON THE CURSE. THREE MEMBERS OF THE EXPEDITION DEAD, 929 00:40:40,168 --> 00:40:43,111 ONE ON THE WAY TO JAIL--SOUNDS LIKE THE CURSE IS REAL TO ME. 930 00:40:43,111 --> 00:40:45,143 SPEAKING OF WHICH... 931 00:40:47,445 --> 00:40:50,178 (Beckett) I HAVE A DEAL TO PROPOSE. 932 00:40:50,178 --> 00:40:51,680 I SPOKE TO THE D.A., 933 00:40:51,680 --> 00:40:54,683 AND HE'S AGREED TO DROP THE FELONY THREAT CHARGES 934 00:40:54,683 --> 00:40:56,224 BASED ON YOUR COOPERATION. 935 00:40:56,224 --> 00:41:01,089 WHAT KIND OF COOPERATION? 936 00:41:02,661 --> 00:41:05,634 TELL HIM HOW TO REVERSE THE CURSE. 937 00:41:05,634 --> 00:41:07,636 WHY SHOULD I? 938 00:41:07,636 --> 00:41:09,638 BECAUSE THANKS TO US, MR. BENTLEY HAS AGREED 939 00:41:09,638 --> 00:41:11,640 TO SEND THE ENTIRE COLLECTION 940 00:41:11,640 --> 00:41:14,773 BACK TO THE MEXICAN MUSEUM AFTER THE EXHIBIT ENDS. 941 00:41:14,773 --> 00:41:17,145 AND WHY WOULD HE AGREE TO THAT? 942 00:41:17,145 --> 00:41:19,147 WELL, LET'S JUST SAY HE'S GOT 943 00:41:19,147 --> 00:41:21,149 A LITTLE PUBLIC RELATIONS PROBLEM RIGHT NOW, 944 00:41:21,149 --> 00:41:24,613 AND HE COULD USE ALL THE GOOD PUBLICITY HE CAN GET. 945 00:41:26,955 --> 00:41:31,860 (whispering indistinctly) 946 00:41:31,860 --> 00:41:34,523 THAT'S ALL I HAVE TO DO? 947 00:41:34,523 --> 00:41:35,594 MM-HMM. 948 00:41:35,594 --> 00:41:38,697 AND ONE MORE THING. HMM? 949 00:41:38,697 --> 00:41:41,700 I WOULDN'T SAY NO TO A RIDE TO THE AIRPORT. 950 00:41:41,700 --> 00:41:43,171 LET'S GO. 951 00:41:43,171 --> 00:41:44,803 (whistling) 952 00:41:44,803 --> 00:41:47,175 YOU'RE IN A GOOD MOOD. 953 00:41:47,175 --> 00:41:50,178 THE CURSE HAS OFFICIALLY BEEN LIFTED. 954 00:41:50,178 --> 00:41:52,811 HOW'D YOU MANAGE THAT? YOU DON'T WANT TO KNOW. 955 00:41:52,811 --> 00:41:55,544 (laughs) BUT I TEMPTED FATE ALL THE WAY HOME 956 00:41:55,544 --> 00:41:57,115 JUST TO MAKE SURE. JAYWALKING? 957 00:41:57,115 --> 00:42:00,118 MM-HMM. EVEN WALKED UNDER A LADDER. 958 00:42:00,118 --> 00:42:02,851 WHAT MURDEROUS EXPERIMENTS ARE YOU PERFORMING ON TOMATOES NOW-- 959 00:42:02,851 --> 00:42:05,253 STABBING, FILLETING? DICING FOR A SALAD. 960 00:42:05,253 --> 00:42:07,626 WANT TO HELP? 961 00:42:07,626 --> 00:42:10,528 I WOULD LOVE TO. 962 00:42:10,528 --> 00:42:12,530 SO I WAS THINKING, MAYBE THIS WEEKEND 963 00:42:12,530 --> 00:42:14,202 WE COULD GO TO THE MUSEUM. 964 00:42:14,202 --> 00:42:15,834 IT'S BEEN A WHILE. 965 00:42:15,834 --> 00:42:17,906 YEAH. 966 00:42:17,906 --> 00:42:20,038 HOW ABOUT THE ZOO? 967 00:42:20,038 --> 00:42:21,539 THAT SOUNDS GREAT. 968 00:42:21,539 --> 00:42:24,573 THANK YOU. (squishes) 969 00:42:24,573 --> 00:42:27,876 WHAT'S THE DIFFERENCE BETWEEN CURSED AND CLUMSY? 970 00:42:27,876 --> 00:42:29,547 I'LL GET A BAND-AID. 971 00:42:29,547 --> 00:42:31,980 (strained voice) GET TWO.