1 00:04:29,500 --> 00:04:31,390 ANDRES. 2 00:04:33,250 --> 00:04:35,750 ANDRES, WAKE UP. 3 00:04:35,750 --> 00:04:38,250 WHAT DO YOU WANT? 4 00:04:38,260 --> 00:04:40,770 DID THEY HIT YOU AT SCHOOL? 5 00:04:41,390 --> 00:04:43,260 OF COURSE THEY DID. 6 00:04:43,260 --> 00:04:45,140 I WON'T GO. 7 00:04:46,400 --> 00:04:47,660 WHERE? 8 00:04:47,650 --> 00:04:48,900 TO SCHOOL. 9 00:04:48,900 --> 00:04:52,650 BESIDES, I CAN ALREADY READ. 10 00:04:52,650 --> 00:04:55,770 I'LL GO TO AMERICA, LIKE OUR UNCLE DID... 11 00:04:55,770 --> 00:04:57,020 TO GET OUT OF THE WAR. 12 00:04:57,660 --> 00:04:59,520 WHAT ARE YOU SAYING? 13 00:04:59,530 --> 00:05:01,420 I DON'T WANT TO BE HIT. 14 00:05:01,410 --> 00:05:03,280 BY WHO? 15 00:05:03,280 --> 00:05:06,410 BY THE TEACHER. HE LOOKS MEAN. 16 00:05:06,420 --> 00:05:07,680 GO TO SLEEP. 17 00:05:08,290 --> 00:05:10,800 YOU DON'T WANT TO FALL ASLEEP IN SCHOOL. 18 00:05:12,040 --> 00:05:15,170 THEN YOU REALLY WOULD GET IT. 19 00:05:28,310 --> 00:05:30,200 LOOK, THERE HE IS. 20 00:05:30,190 --> 00:05:33,940 -GOOD MORNING. -GOOD MORNING. 21 00:05:33,950 --> 00:05:36,450 HERE HE IS. 22 00:05:36,450 --> 00:05:38,960 SO YOU KNOW HOW TO READ? 23 00:05:38,950 --> 00:05:42,070 HIS FATHER TAUGHT HIM WHILE HE WAS ILL. 24 00:05:42,070 --> 00:05:43,950 YOU SAID HE WAS ASTHMATIC. 25 00:05:43,960 --> 00:05:45,210 YES, BUT HE'S BETTER. 26 00:05:47,080 --> 00:05:48,330 HE'S SHY. 27 00:05:48,330 --> 00:05:52,090 HE NEEDS IT IN CASE HE HAS AN ATTACK. 28 00:05:52,080 --> 00:05:52,710 A KISS, SON. 29 00:05:55,220 --> 00:05:57,730 BE PATIENT WITH HIM. HE'S A SPARROW... 30 00:05:57,720 --> 00:06:00,220 OUT OF THE NEST FOR THE FIRST TIME. 31 00:06:00,220 --> 00:06:02,090 COME ON, SON. 32 00:06:45,270 --> 00:06:45,890 GOOD MORNING. 33 00:06:46,520 --> 00:06:48,390 GOOD MORNING, DON GREGORIO! 34 00:06:54,030 --> 00:06:56,530 YOU, THE NEW BOY... 35 00:06:56,530 --> 00:06:58,400 STAND UP! 36 00:07:01,530 --> 00:07:02,150 YOUR NAME? 37 00:07:02,150 --> 00:07:05,280 SPARROW! HIS NAME'S SPARROW! 38 00:07:08,410 --> 00:07:09,660 PLEASE! 39 00:07:11,540 --> 00:07:13,410 COME OVER HERE. 40 00:07:17,800 --> 00:07:19,660 [BOYS WHISPERING] 41 00:07:23,420 --> 00:07:27,810 ANSWER. OR DO YOU WANT US ALL TO CALL YOU SPARROW? 42 00:07:34,070 --> 00:07:35,940 HE'S WETTING HIS PANTS! 43 00:07:35,930 --> 00:07:37,180 [LOUD LAUGHTER] 44 00:07:43,440 --> 00:07:45,940 WAIT. COME BACK HERE! 45 00:07:45,940 --> 00:07:47,830 [LAUGHTER CONTINUES] 46 00:08:17,860 --> 00:08:19,720 [PANTING] 47 00:08:27,240 --> 00:08:29,130 WHAT'S WRONG, SON? 48 00:08:51,010 --> 00:08:53,510 MONCHO, WHAT ARE YOU DOING HERE? 49 00:09:19,170 --> 00:09:21,670 MONCHO! 50 00:09:32,300 --> 00:09:34,180 [MAN CALLING TO MONCHO] 51 00:09:54,820 --> 00:09:56,070 WHERE WERE YOU GOING? 52 00:09:58,580 --> 00:10:01,720 LIKE I SAID. HIS PLAN WAS TO GO... 53 00:10:01,710 --> 00:10:05,460 TO LA CORUNA AND GET ON A SHIP TO AMERICA. 54 00:10:05,470 --> 00:10:07,340 THAT LITTLE DEVIL. 55 00:10:07,340 --> 00:10:09,230 HAVE SOME CHEESE. 56 00:10:09,220 --> 00:10:12,340 YOU SHOULDN'T HAVE BOTHERED, MADAM. 57 00:10:12,340 --> 00:10:14,840 -HOW IS HE NOW? -PERFECT. 58 00:10:14,840 --> 00:10:16,720 I CAN'T BELIEVE IT. 59 00:10:16,730 --> 00:10:19,850 ALL NIGHT, OUTSIDE WITH NO FOOD... 60 00:10:19,850 --> 00:10:23,610 FREEZING, AND HE DIDN'T EVEN CATCH A COLD. 61 00:10:23,600 --> 00:10:25,480 WHY DOES HE THINK I HIT STUDENTS? 62 00:10:25,490 --> 00:10:28,000 THEY HIT ME AT SCHOOL. 63 00:10:27,990 --> 00:10:29,240 I DON'T. 64 00:10:29,240 --> 00:10:31,110 I'VE NEVER HIT ANYONE. 65 00:10:31,110 --> 00:10:32,990 LEAST OF ALL A CHILD. 66 00:10:33,610 --> 00:10:36,110 TELL HIM I'VE COME TO APOLOGIZE. 67 00:10:36,110 --> 00:10:38,000 PLEASE, DON GREGORIO... 68 00:10:38,000 --> 00:10:40,500 IT'S NOT YOUR FAULT. 69 00:10:40,500 --> 00:10:42,370 HE'S A SENSITIVE BOY. 70 00:10:43,000 --> 00:10:44,870 I WANT TO APOLOGIZE... 71 00:10:44,870 --> 00:10:48,010 AND ASK HIM TO RETURN TO SCHOOL. 72 00:10:48,010 --> 00:10:49,870 YOU WON'T HAVE ANY CHEESE? 73 00:10:51,130 --> 00:10:53,630 -PLEASE CALL HIM. -YES, SIR. 74 00:11:04,280 --> 00:11:07,400 I LIKE THAT NAME. SPARROW. 75 00:11:07,400 --> 00:11:09,900 WE'LL ONLY USE IT IF YOU LIKE IT. 76 00:11:09,900 --> 00:11:14,910 AND FORGIVE YOUR SCHOOLMATES, THEY AREN'T SO BAD. 77 00:11:14,900 --> 00:11:17,400 SOMEDAY YOU'LL LAUGH AT THEM. 78 00:11:21,160 --> 00:11:23,040 IT'S VERY GOOD. 79 00:11:24,300 --> 00:11:27,300 [LOUD CHATTERING] 80 00:11:27,300 --> 00:11:30,420 QUIET! QUIET! 81 00:11:30,420 --> 00:11:32,310 SIT DOWN! 82 00:11:32,920 --> 00:11:35,420 TODAY WE HAVE A NEW PUPIL. 83 00:11:35,420 --> 00:11:38,560 THAT IS A JOY FOR ALL... 84 00:11:38,560 --> 00:11:41,680 AND WE SHALL GREET HIM WITH APPLAUSE. 85 00:11:44,820 --> 00:11:47,320 VERY GOOD. 86 00:11:47,320 --> 00:11:51,080 PULL UP THAT CHAIR AND SIT DOWN NEXT TO ME. 87 00:11:53,570 --> 00:11:56,690 TODAY WE'LL BEGIN WITH A POEM. 88 00:11:56,690 --> 00:11:57,940 WHO? 89 00:11:59,200 --> 00:12:01,710 ROMUALDO. WHAT WILL YOU READ? 90 00:12:04,200 --> 00:12:06,080 A POEM, SIR. 91 00:12:06,090 --> 00:12:07,340 WHICH ONE? 92 00:12:07,340 --> 00:12:09,850 ANTONIO MACHADO'S "CHILDHOOD MEMORY." 93 00:12:09,840 --> 00:12:12,340 VERY GOOD. GO AHEAD. 94 00:12:12,340 --> 00:12:15,460 REMEMBER, SLOWLY AND CLEARLY. 95 00:12:15,460 --> 00:12:18,600 AND WATCH THE PUNCTUATION. 96 00:12:18,600 --> 00:12:20,460 [CLEARS THROAT] 97 00:12:20,470 --> 00:12:24,230 "A COLD GRAY WINTER AFTERNOON. 98 00:12:24,220 --> 00:12:26,100 THE PUPILS STUDY. 99 00:12:26,720 --> 00:12:30,470 MONOTONY OF RAIN BEHIND THE WINDOWS. 100 00:12:30,480 --> 00:12:32,370 THE CLASSROOM. 101 00:12:32,360 --> 00:12:36,110 A PICTURE SHOWS CAIN, FUGITIVE... 102 00:12:36,120 --> 00:12:37,370 AND ABEL DEAD... 103 00:12:37,370 --> 00:12:39,240 NEXT TO A CRIMSON STAIN." 104 00:12:39,240 --> 00:12:43,630 WHAT DOES "MONOTONY OF RAIN" MEAN, ROMUALDO? 105 00:12:44,240 --> 00:12:46,740 WHEN IT RAINS, IT POURS, DON GREGORIO. 106 00:12:46,740 --> 00:12:47,370 GOOD. 107 00:12:48,000 --> 00:12:50,500 NOW, A DICTATION... 108 00:12:53,000 --> 00:12:53,630 HELLO. 109 00:12:53,630 --> 00:12:56,130 COME IN, COME IN. 110 00:12:56,140 --> 00:12:57,390 HOW ARE YOU? 111 00:12:57,390 --> 00:13:01,150 I'M FINE. BUT THE BOY ISN'T. 112 00:13:01,140 --> 00:13:03,010 I DON'T UNDERSTAND. 113 00:13:03,010 --> 00:13:06,760 YESTERDAY I GAVE HIM A MATH PROBLEM... 114 00:13:06,760 --> 00:13:09,260 AND HE WAS HOPELESS. 115 00:13:09,270 --> 00:13:13,660 YES. IT'S TRUE HE SHOULD WORK A BIT HARDER, BUT-- 116 00:13:13,650 --> 00:13:16,150 SPARE THE ROD. 117 00:13:18,660 --> 00:13:21,160 GET THOSE NUMBERS INTO HIS HEAD. 118 00:13:21,160 --> 00:13:23,660 GIVE THEM TO THE TEACHER. 119 00:13:26,780 --> 00:13:28,670 [CHILDREN LAUGH] 120 00:13:29,920 --> 00:13:31,790 NO, I CAN'T ACCEPT THEM. 121 00:13:31,790 --> 00:13:33,670 YOU WON'T SNUB ME? 122 00:13:33,670 --> 00:13:35,540 PLEASE, DON AVELINO... 123 00:13:35,540 --> 00:13:38,040 I WOULDN'T. 124 00:13:38,050 --> 00:13:39,300 THEY'RE VERY GOOD. 125 00:13:40,550 --> 00:13:43,690 LIKE I SAID: MAKE AN EFFORT WITH THE BOY. 126 00:13:43,680 --> 00:13:45,550 GOOD-BYE. 127 00:13:54,310 --> 00:13:56,190 TAKE THESE CAPONS. 128 00:13:59,320 --> 00:14:01,210 WHAT? 129 00:14:01,200 --> 00:14:03,700 PUT THEM IN YOUR DESK... 130 00:14:03,700 --> 00:14:06,200 AND RETURN THEM TO YOUR FATHER. 131 00:14:06,210 --> 00:14:08,080 ALL RIGHT. 132 00:14:08,080 --> 00:14:09,970 BUT HE'LL BE ANGRY. 133 00:14:13,080 --> 00:14:14,330 HE'LL SLAP ME. 134 00:14:14,970 --> 00:14:16,840 GOOD LORD. 135 00:14:16,830 --> 00:14:18,080 WELL, THEN... 136 00:14:18,090 --> 00:14:21,230 TELL HIM I CAN'T EAT MEAT. 137 00:14:21,220 --> 00:14:24,970 FOWL, I MEAN. 138 00:14:24,980 --> 00:14:27,480 RIGHT, TELL HIM THAT. 139 00:14:27,480 --> 00:14:31,240 SPEAKING OF FOWL... 140 00:14:31,850 --> 00:14:33,730 IF A ROOSTER LAYS AN EGG... 141 00:14:34,350 --> 00:14:37,480 ON THE BORDER BETWEEN SPAIN AND FRANCE... 142 00:14:37,490 --> 00:14:40,610 WHICH COUNTRY'S EGG IS IT? 143 00:14:41,240 --> 00:14:41,860 SPAIN'S. 144 00:14:41,860 --> 00:14:43,740 WHY SPAIN? 145 00:14:43,740 --> 00:14:45,610 WE HAVE BIGGER BALLS! 146 00:14:49,370 --> 00:14:53,130 -WHAT DO YOU SAY? -ROOSTERS DON'T LAY EGGS. 147 00:14:53,120 --> 00:14:56,870 VERY GOOD, MONCHO. THAT'S THE RIGHT ANSWER. 148 00:14:56,870 --> 00:14:59,370 MONCHO... 149 00:15:00,630 --> 00:15:02,520 SIT THERE, WITH ROQUE. 150 00:15:08,140 --> 00:15:11,900 ROMUALDO, YOU CAN START THE DICTATION. 151 00:15:14,390 --> 00:15:15,640 "A COLD... 152 00:15:16,890 --> 00:15:19,390 AND GRAY... 153 00:15:19,400 --> 00:15:21,910 WINTER..." 154 00:15:21,900 --> 00:15:23,150 NEXT LINE. 155 00:15:25,040 --> 00:15:26,290 "...AFTERNOON." 156 00:15:26,900 --> 00:15:28,150 PERIOD. 157 00:15:28,160 --> 00:15:31,300 I SHAT MY PANTS MY FIRST DAY OF SCHOOL. 158 00:15:31,910 --> 00:15:33,790 [ROMUALDO CONTINUES] 159 00:15:33,790 --> 00:15:36,130 -HELLO. -HELLO, SON. 160 00:15:36,770 --> 00:15:38,640 DON GREGORIO DOESN'T HIT! 161 00:15:38,630 --> 00:15:40,520 -REALLY? -REALLY. 162 00:15:40,520 --> 00:15:44,270 AND HE RETURNED SOME CAPONS TO A POWERFUL RICH MAN. 163 00:15:44,270 --> 00:15:45,520 WHO SAID THAT? 164 00:15:45,520 --> 00:15:49,270 HIS SON, JOSE MARIA, TOLD ME. 165 00:15:49,280 --> 00:15:52,400 HIS DAD'S MORE POWERFUL THAN THE MAYOR. 166 00:15:52,400 --> 00:15:53,660 AND THE CAPONS? 167 00:15:53,650 --> 00:15:57,400 A GIFT TO THE TEACHER TO MAKE HIS SON LEARN. 168 00:15:57,400 --> 00:15:59,280 BUT HIS SON WON'T STUDY. 169 00:15:59,290 --> 00:16:01,800 HE SAYS HE'LL BE A BIG SHOT ANYWAY. 170 00:16:01,790 --> 00:16:04,290 [SAXOPHONE PLAYING] 171 00:16:09,920 --> 00:16:12,420 KNOW WHERE POTATOES COME FROM? 172 00:16:12,420 --> 00:16:15,560 FROM FIELDS, WHERE ELSE? 173 00:16:15,550 --> 00:16:17,420 THEY COME FROM AMERICA. 174 00:16:17,420 --> 00:16:19,920 DON'T BE RIDICULOUS. 175 00:16:19,930 --> 00:16:22,430 IT'S TRUE! DON GREGORIO SAID SO! 176 00:16:22,430 --> 00:16:26,820 BEFORE COLUMBUS, THERE WERE NO POTATOES IN SPAIN. 177 00:16:26,820 --> 00:16:28,690 WHAT DID PEOPLE EAT? 178 00:16:28,680 --> 00:16:31,820 CHESTNUTS. THERE WAS NO CORN, EITHER. 179 00:16:33,070 --> 00:16:35,570 THIS TEACHER IS GOOD. 180 00:16:35,570 --> 00:16:36,820 I LIKE HIM. 181 00:16:39,330 --> 00:16:40,590 DID YOU PRAY? 182 00:16:40,580 --> 00:16:43,080 -WHERE? -IN SCHOOL. 183 00:16:43,080 --> 00:16:45,580 YES. SOMETHING ABOUT CAIN AND ABEL. 184 00:16:45,580 --> 00:16:48,080 YOU CAN'T TRUST GOSSIP. 185 00:16:49,340 --> 00:16:51,210 DON GREGORIO, AN ATHEIST! 186 00:16:51,210 --> 00:16:53,720 -ATHEIST? -ONE WHO DOESN'T BELIEVE IN GOD. 187 00:16:53,710 --> 00:16:55,590 LIKE DADDY? 188 00:16:55,590 --> 00:16:58,710 HOW CAN YOU SAY THAT? 189 00:16:58,710 --> 00:17:00,600 HE CURSES GOD. 190 00:17:05,600 --> 00:17:08,100 [SAXOPHONE PLAYING] 191 00:17:08,110 --> 00:17:12,480 WELL, THAT'S... THAT'S A SIN. 192 00:17:12,480 --> 00:17:13,740 JUST A SIN. 193 00:17:14,360 --> 00:17:18,110 BUT HE BELIEVES IN GOD, LIKE ALL GOOD PEOPLE. 194 00:17:26,240 --> 00:17:27,490 AND THE DEVIL? 195 00:17:28,130 --> 00:17:30,640 -WHAT ABOUT THE DEVIL? -DOES HE EXIST? 196 00:17:31,250 --> 00:17:33,140 OF COURSE HE EXISTS! 197 00:17:33,130 --> 00:17:36,880 HE WAS AN ANGEL THAT REBELLED AGAINST GOD. 198 00:17:36,890 --> 00:17:39,390 HE GOT PALE IN HELL. 199 00:17:39,390 --> 00:17:41,900 SO NOW HE'S THE ANGEL OF DEATH. 200 00:17:45,640 --> 00:17:49,390 THEN WHY DIDN'T GOD KILL HIM? 201 00:17:49,400 --> 00:17:51,270 GOD DOESN'T KILL, MONCHO. 202 00:17:57,770 --> 00:18:01,520 THEY SAY THEY BURNED CHURCHES IN BARCELONA! 203 00:18:01,530 --> 00:18:04,040 THOSE REPUBLICANS ARE LIKE THAT! 204 00:18:04,030 --> 00:18:05,910 THEY DON'T BURN CHURCHES. 205 00:18:05,910 --> 00:18:09,660 AND THANKS TO THE REPUBLIC, WE WOMEN CAN VOTE. 206 00:18:09,670 --> 00:18:12,790 SO WHAT? I'D ONLY VOTE FOR CHRIST THE KING. 207 00:18:12,790 --> 00:18:15,300 KINGS AREN'T ELECTED. 208 00:18:15,290 --> 00:18:17,790 THINGS ARE BAD. 209 00:18:17,790 --> 00:18:20,930 BUT I KNOW THE SOLUTION. YES, I DO. 210 00:18:20,930 --> 00:18:23,430 WHAT SOLUTION? 211 00:18:23,430 --> 00:18:25,300 SET FIRE TO MADRID. 212 00:18:25,930 --> 00:18:27,180 DON'T BE BARBAROUS. 213 00:18:33,440 --> 00:18:35,310 - MAY I, DON GREGORY? - OF COURSE 214 00:18:35,310 --> 00:18:37,810 Come here, Ramoncino. 215 00:18:39,060 --> 00:18:41,560 LISTEN, DON GREGORY 216 00:18:41,570 --> 00:18:44,710 I entered the altar of God. - TO GOD... 217 00:18:45,320 --> 00:18:47,200 WHO MAKES MY YOUTH HAPPY. 218 00:18:47,210 --> 00:18:49,710 THE LAMB OF GOD THAT YOU TAKE SINS OF THE WORLD 219 00:18:49,710 --> 00:18:50,970 PRAY FOR US 220 00:18:50,960 --> 00:18:52,820 THE LAMB OF GOD THAT YOU TAKE SINS OF THE WORLD 221 00:18:52,830 --> 00:18:54,090 PRAY FOR US 222 00:18:54,080 --> 00:18:55,960 THE LAMB OF GOD THAT YOU TAKE SINS OF THE WORLD 223 00:18:57,220 --> 00:18:59,090 HOW MANY TIMES IS THAT? 224 00:18:59,080 --> 00:19:02,830 YOU SEE? HE CAN'T REMEMBER "GIVE US PEACE." 225 00:19:04,090 --> 00:19:06,590 HE'S GOING TO BE AN ALTAR BOY? 226 00:19:06,590 --> 00:19:10,340 HE WAS GOING TO BE AN ALTAR BOY. 227 00:19:10,350 --> 00:19:13,490 GO TO YOUR MOTHER. 228 00:19:13,480 --> 00:19:17,230 AS SOON AS HE STARTED SCHOOL, HE LOST INTEREST. 229 00:19:17,240 --> 00:19:21,000 YOU'RE NOT SAYING I'M RESPONSIBLE? 230 00:19:21,610 --> 00:19:26,000 I'M NOT SAYING ANYTHING. THE FACTS SPEAK FOR THEMSELVES. 231 00:19:25,990 --> 00:19:29,740 UNDERSTAND HIM. AFTER BEING LOCKED UP SO LONG... 232 00:19:29,750 --> 00:19:32,870 IT'S NATURAL FOR EVERYTHING TO INTEREST HIM. 233 00:19:32,870 --> 00:19:35,380 -WHAT ARE YOU DOING? -NOTHING. 234 00:19:35,370 --> 00:19:38,500 -YOUR BROTHER? -HE'S WORKING. LET'S GO. 235 00:19:38,510 --> 00:19:39,760 ALL RIGHT. 236 00:19:41,630 --> 00:19:43,520 MOMMY, I'M WITH AURORA! 237 00:19:45,380 --> 00:19:48,510 I SEE. 238 00:19:48,520 --> 00:19:51,640 NIDOS TEPENTES ABSILUNT AVES. 239 00:19:51,640 --> 00:19:55,400 "BIRDS LEAVE THE WARMTH OF THEIR NESTS." 240 00:19:55,390 --> 00:19:59,770 LIBERTAS VIRORUM FORTIUM PECTORA ACUIT. 241 00:19:59,780 --> 00:20:03,540 "FREEDOM STIMULATES THE SPIRITS OF STRONG MEN." 242 00:20:07,900 --> 00:20:10,400 GOD, THAT'S GOOD. 243 00:20:17,300 --> 00:20:22,310 "ASHES FROM AN ARNAU LIZARD... 244 00:20:22,300 --> 00:20:24,800 THAT WAS BURNED ALIVE. 245 00:20:24,800 --> 00:20:27,920 IF YOU MIX IT WITH COFFEE... 246 00:20:27,920 --> 00:20:31,670 IT FIRES THE DESIRE... 247 00:20:31,680 --> 00:20:36,690 OF EVEN THE HAUGHTIEST WOMAN... 248 00:20:36,680 --> 00:20:39,810 AND MAKES HER YOURS... 249 00:20:39,820 --> 00:20:41,080 FOR LIFE." 250 00:20:42,940 --> 00:20:45,450 HERE, ROQUE, IT'S YOURS. 251 00:20:46,070 --> 00:20:48,570 I STARTED THIS WAY WITH CARMINA... 252 00:20:48,580 --> 00:20:52,340 CARMINA DE SARADON! SHE'S FIRE, ROQUE, FIRE! 253 00:20:52,330 --> 00:20:54,200 HOW COME WE NEVER SEE HER? 254 00:20:54,200 --> 00:20:56,700 SHE SAYS SHE CAN'T LEAVE HER MOTHER... 255 00:20:56,700 --> 00:20:58,580 BUT I THINK IT'S SHAME. 256 00:20:58,590 --> 00:21:03,600 SHE HAS NO SHAME AT ALL IN BED! 257 00:21:03,590 --> 00:21:07,340 AND IF SHE HAD, GIVE HER SOME ANISETTE. 258 00:21:07,350 --> 00:21:08,600 NO, THAT'S FOR HER MOTHER. 259 00:21:09,210 --> 00:21:11,710 CARMINA DOESN'T NEED HELP WARMING UP HER BODY. 260 00:21:11,720 --> 00:21:15,480 AS SOON AS I SHOW UP, SHE LIGHTS UP... 261 00:21:15,470 --> 00:21:19,220 AND PRESSES THOSE ROCK-HARD TITS AGAINST ME. 262 00:21:19,220 --> 00:21:20,470 I LAY HER DOWN... 263 00:21:20,480 --> 00:21:23,620 AND SHE MELTS LIKE BUTTER IN MY HANDS. 264 00:21:23,610 --> 00:21:26,730 -YOU HUMP HER EVERY DAY? -I WISH. 265 00:21:26,730 --> 00:21:27,980 WORKING IN CORUNA... 266 00:21:27,980 --> 00:21:30,480 WHAT'S GOING ON? 267 00:21:30,490 --> 00:21:33,630 BUT SUNDAY MAKES UP FOR THE REST OF THE WEEK. 268 00:21:34,240 --> 00:21:38,620 -YOU SEEM STUCK ON HER. -SHE'S WORTH IT. 269 00:21:38,630 --> 00:21:42,390 IF I TOUCH HER, MY VISION IS BLURRED. 270 00:21:42,380 --> 00:21:46,130 SHE KISSES ME, MY HEAD FILLS WITH BELLS. 271 00:21:46,130 --> 00:21:49,880 SHE EMBRACES ME, AND I EMBRACE HEAVEN. 272 00:21:49,890 --> 00:21:51,150 AND HER MOTHER? 273 00:21:51,140 --> 00:21:53,000 I HAVEN'T EVEN SEEN HER. 274 00:21:53,010 --> 00:21:56,150 SHE'S ALWAYS IN BED. SHE CAN'T GET UP. 275 00:21:58,650 --> 00:22:01,160 BUT THAT FUCKING DOG... 276 00:22:01,150 --> 00:22:03,650 -THE DOG? -IT'S NAMED TARZAN. 277 00:22:04,270 --> 00:22:06,150 -DOES IT BITE? -ALMOST. 278 00:22:06,150 --> 00:22:08,650 THE BASTARD. I DROP MY PANTS... 279 00:22:08,660 --> 00:22:11,780 AND I FEEL HIM GNASHING HIS TEETH BEHIND ME. 280 00:22:11,780 --> 00:22:13,670 IT'S LIKE HE WAS JEALOUS. 281 00:22:14,280 --> 00:22:15,530 KNOW WHAT CARMINA DOES? 282 00:22:15,530 --> 00:22:18,660 THE MORE THE DOG GROWLS AND BARKS... 283 00:22:18,670 --> 00:22:21,790 THE MORE SHE PRESSES HERSELF AGAINST ME. 284 00:22:21,790 --> 00:22:23,680 LIKE IT EXCITED HER. 285 00:22:24,920 --> 00:22:27,420 WELL, I'M ON MY WAY. 286 00:22:29,930 --> 00:22:32,440 CAREFUL WITH THE DOG. 287 00:22:32,430 --> 00:22:33,680 I'LL KILL THAT BASTARD SOME DAY. 288 00:22:33,680 --> 00:22:35,550 WHAT WILL IT BE? 289 00:22:35,550 --> 00:22:36,800 AN ORUJO. 290 00:22:36,800 --> 00:22:39,930 THREE GLASSES OF WINE. 291 00:22:51,950 --> 00:22:53,200 WHERE ARE WE GOING? 292 00:22:53,200 --> 00:22:56,320 I TOLD YOU: TO SEE HIM HUMP HER. 293 00:23:25,730 --> 00:23:27,600 [BARKING] 294 00:23:35,110 --> 00:23:36,360 [SHOUTS] 295 00:23:38,860 --> 00:23:40,750 [SHOUTS, LAUGHS] 296 00:23:49,510 --> 00:23:51,380 THAT'S HUMPING? 297 00:23:51,380 --> 00:23:53,890 -HAVEN'T YOU SEEN DOGS? -WHEN? 298 00:23:53,880 --> 00:23:57,630 WHEN A DOG GETS STUCK TO A BITCH. 299 00:23:57,630 --> 00:23:58,880 [BARKING CONTINUES] 300 00:23:58,880 --> 00:24:00,770 PEOPLE DO THE SAME THING. 301 00:24:01,390 --> 00:24:05,780 BUT MEN HUMP WOMEN WHEN THEY'RE IN LOVE. 302 00:24:05,770 --> 00:24:08,270 WHEN THEY LOVE EACH OTHER. 303 00:24:08,280 --> 00:24:10,790 [TARZAN WHINING] 304 00:24:10,780 --> 00:24:12,030 [BARKING] 305 00:24:20,160 --> 00:24:22,660 TIE UP THE DOG, CARMINA. 306 00:24:23,910 --> 00:24:25,790 WHAT DO YOU CARE? 307 00:24:35,170 --> 00:24:36,420 LEAVE HIM ALONE. 308 00:24:55,190 --> 00:24:57,070 HE'LL HUMP HER NOW. 309 00:25:07,700 --> 00:25:10,200 THE DOG WILL BITE HIM! 310 00:25:12,090 --> 00:25:13,340 GODDAMN DOG! 311 00:25:15,210 --> 00:25:17,090 -GET OUT! -TARZAN! 312 00:25:17,100 --> 00:25:18,350 [DOOR OPENS] 313 00:25:18,350 --> 00:25:20,190 [DOOR CLOSES] 314 00:25:20,180 --> 00:25:22,050 [TARZAN BARKING OUTSIDE] 315 00:25:28,310 --> 00:25:31,450 [BARKING FADES AWAY] 316 00:25:31,440 --> 00:25:32,690 WHAT'S WRONG? 317 00:25:32,690 --> 00:25:33,940 NOTHING. 318 00:25:34,560 --> 00:25:35,810 NOTHING? 319 00:25:47,080 --> 00:25:48,970 TARZAN! 320 00:25:48,960 --> 00:25:50,210 [SHOUTING FOR TARZAN] 321 00:26:05,840 --> 00:26:08,340 YOU SAID THEY LOVED EACH OTHER. 322 00:26:08,350 --> 00:26:10,240 -SO? -THEY DON'T. 323 00:26:11,480 --> 00:26:12,730 TARZAN! 324 00:26:17,740 --> 00:26:20,240 [SAXOPHONE PLAYING] 325 00:26:39,590 --> 00:26:42,090 YOU KNOW THERE ARE RACES? 326 00:26:42,100 --> 00:26:43,350 LOOK. 327 00:26:49,600 --> 00:26:51,440 I LIKE CHINESE GIRLS. 328 00:26:51,440 --> 00:26:55,190 THE TEACHER SAYS WE'RE ALL THE SAME. 329 00:26:55,190 --> 00:26:58,310 CHINESE GIRLS ARE PRETTIER. 330 00:26:58,310 --> 00:27:02,060 WHEN I'M OLDER, I'LL GO TO CHINA AND MARRY ONE. 331 00:27:08,960 --> 00:27:12,080 DO YOU KNOW WHY MEN HUMP WOMEN? 332 00:27:15,210 --> 00:27:17,710 THE TEACHER TAUGHT YOU THAT, TOO? 333 00:27:17,720 --> 00:27:20,220 THEY KISS AND PUSH EACH OTHER. 334 00:27:20,220 --> 00:27:21,480 WHO? 335 00:27:21,470 --> 00:27:23,970 MEN AND WOMEN. 336 00:27:23,970 --> 00:27:26,470 GO TO SLEEP. 337 00:27:28,980 --> 00:27:30,850 [SAXOPHONE PLAYING] 338 00:27:42,740 --> 00:27:45,190 AND THEY TOUCH EACH OTHER'S ASSES. 339 00:27:47,080 --> 00:27:50,190 AND NOW, THE SQUASH. 340 00:27:50,200 --> 00:27:55,210 MAKE YOUR PENCILS COINCIDE WITH THE TOP... 341 00:27:55,200 --> 00:27:57,700 OF THE SQUASH, AND THEN... 342 00:27:57,710 --> 00:28:02,100 AND THEN USE YOUR FINGER TO MARK... 343 00:28:02,090 --> 00:28:04,590 WHERE THE BOTTOM IS. 344 00:28:04,600 --> 00:28:09,610 WE NOW TRANSFER THE OBJECT'S HEIGHT TO THE PAPER. 345 00:28:09,600 --> 00:28:13,350 GENTLEMEN, QUIET, PLEASE. 346 00:28:15,220 --> 00:28:20,220 IF IT DOESN'T WORK FOR YOU, RAISE YOUR HAND. 347 00:28:25,870 --> 00:28:27,130 GENTLEMEN. 348 00:28:28,990 --> 00:28:30,880 QUIET. GENTLEMEN. 349 00:28:32,120 --> 00:28:33,990 QUIET. 350 00:28:36,490 --> 00:28:40,880 FINE. IF YOU WON'T BE QUIET, I'LL HAVE TO BE QUIET. 351 00:28:59,020 --> 00:29:00,270 WHAT? 352 00:29:02,150 --> 00:29:04,020 [SHUSHING] 353 00:29:05,270 --> 00:29:07,160 [CHATTERING SUBSIDES] 354 00:29:16,530 --> 00:29:20,920 [BLOWING] 355 00:29:20,920 --> 00:29:22,170 ANDRES! 356 00:29:27,800 --> 00:29:30,300 [BLOWING] 357 00:29:33,430 --> 00:29:34,680 [WHISTLES] 358 00:29:34,690 --> 00:29:37,810 -WHAT ARE YOU DOING? -ROQUE TAUGHT ME HOW. 359 00:29:39,690 --> 00:29:41,560 IF DAD SEES YOU... 360 00:29:41,560 --> 00:29:43,440 HE WON'T IF YOU DON'T TELL HIM. 361 00:29:47,820 --> 00:29:49,070 HOW'S SCHOOL? 362 00:29:49,070 --> 00:29:50,960 WE WERE DRAWING. 363 00:29:50,950 --> 00:29:54,070 TODAY HE SHOULD HAVE HIT US. 364 00:29:54,710 --> 00:29:55,330 WHY? 365 00:29:55,320 --> 00:29:58,460 WE WERE SHOUTING AND IGNORING HIM. 366 00:29:58,460 --> 00:30:01,580 INSTEAD OF HITTING US, HE GOT VERY QUIET. 367 00:30:01,580 --> 00:30:02,830 AND THEN? 368 00:30:02,830 --> 00:30:05,960 THEN BIT BY BIT, WE QUIETED DOWN. 369 00:30:05,970 --> 00:30:09,090 -DIDN'T HE SAY ANYTHING? -"THANK YOU." 370 00:30:10,970 --> 00:30:14,090 LOOK. I'M GOING TO LEARN TO PLAY IT. 371 00:30:18,480 --> 00:30:20,340 [PIANO PLAYS SCALE] 372 00:30:26,600 --> 00:30:28,490 [SAXOPHONE REPEATS SCALE AWKWARDLY] 373 00:30:45,370 --> 00:30:48,510 HOW MANY TIMES DO I HAVE TO TELL YOU? 374 00:30:48,510 --> 00:30:52,260 YOU HAVE TO HOLD IT LIKE IT WAS A GIRL. 375 00:30:52,260 --> 00:30:54,760 YOU'VE NEVER HELD A GIRL? 376 00:30:56,020 --> 00:30:57,280 YOUTH TODAY! 377 00:30:57,270 --> 00:30:59,130 THIS WAY. 378 00:30:59,770 --> 00:31:04,140 THIS WAY. FIRM BUT LOVINGLY. 379 00:31:04,140 --> 00:31:04,770 LIKE A LOVER. 380 00:31:05,390 --> 00:31:06,640 EXACTLY! 381 00:31:07,280 --> 00:31:09,780 YOUR BROTHER MAY BE THE MUSICIAN. 382 00:31:12,900 --> 00:31:14,780 [PLAYING AWKWARDLY] 383 00:31:19,790 --> 00:31:24,790 MUSIC HAS THE FACE OF A WOMAN YOU WANT TO LOVE YOU! 384 00:31:24,800 --> 00:31:27,920 CLOSE YOUR EYES AND IMAGINE HER! 385 00:31:27,920 --> 00:31:31,680 IMAGINE HER HAIR... 386 00:31:31,670 --> 00:31:33,550 [PLAYING PIANO] 387 00:31:33,550 --> 00:31:35,420 HER EYES. 388 00:31:36,060 --> 00:31:38,570 [PLAYING SAXOPHONE] 389 00:31:42,930 --> 00:31:45,430 YOU ARE DOING WELL. 390 00:31:45,430 --> 00:31:47,320 YOU ARE DOING VERY WELL. 391 00:31:52,270 --> 00:31:54,160 [PLAYING SOUR NOTES] 392 00:32:21,800 --> 00:32:24,300 -CAN I PLAY? -NO, THERE ARE TOO MANY OF US. 393 00:32:54,970 --> 00:32:56,830 [BOYS SHOUTING] 394 00:33:08,730 --> 00:33:10,600 STOP! 395 00:33:10,600 --> 00:33:11,850 STOP, I SAID! 396 00:33:16,240 --> 00:33:17,490 WHAT HAPPENED? 397 00:33:17,490 --> 00:33:19,360 HE HIT ME WITH THE BALL. 398 00:33:19,360 --> 00:33:21,240 HE RAN INTO ROQUE. 399 00:33:21,250 --> 00:33:25,620 YOU'RE LIKE A COUPLE OF BUTTING RAMS. TIME FOR CLASS! 400 00:33:42,520 --> 00:33:45,030 STAND UP, RAMS. 401 00:33:48,770 --> 00:33:51,270 YOU, JOSE MARIA... 402 00:33:51,280 --> 00:33:53,780 CHANGE PLACES WITH ROQUE. 403 00:33:56,900 --> 00:33:58,160 DON GREGORIO. 404 00:33:59,400 --> 00:34:01,900 -BUT... -YES? 405 00:34:01,900 --> 00:34:04,400 ROQUE IS MY FRIEND. 406 00:34:04,410 --> 00:34:06,910 ALL RIGHT. 407 00:34:06,910 --> 00:34:09,420 SHAKE HANDS WITH JOSE MARIA. 408 00:34:13,160 --> 00:34:15,050 SIT DOWN. 409 00:34:17,550 --> 00:34:19,420 LET'S SEE. 410 00:34:24,430 --> 00:34:30,070 I DON'T KNOW IF YOU'VE REALIZED, BUT IT'S ALMOST SPRING. 411 00:34:30,060 --> 00:34:33,180 SO AS SOON AS THE WEATHER'S BETTER... 412 00:34:33,180 --> 00:34:36,930 WE'LL DO THE NATURAL HISTORY CLASS OUTSIDE. 413 00:34:38,190 --> 00:34:40,690 DO YOU LIKE NATURE? 414 00:34:42,580 --> 00:34:43,830 RIGHT. 415 00:34:43,830 --> 00:34:46,340 YOU'VE NEVER EVEN NOTICED IT. 416 00:34:46,330 --> 00:34:48,830 NATURE, MY FRIENDS... 417 00:34:48,830 --> 00:34:53,830 IS THE MOST SURPRISING SPECTACLE MAN CAN BEHOLD. 418 00:34:53,840 --> 00:34:57,600 DID YOU KNOW ANTS HAVE HERDS OF LIVESTOCK... 419 00:34:57,590 --> 00:35:00,710 THAT GIVE THEM MILK AND SUGAR? 420 00:35:00,710 --> 00:35:05,050 THAT SPIDERS INVENTED THE SUBMARINE... 421 00:35:05,050 --> 00:35:07,550 MILLIONS OF YEARS AGO? 422 00:35:07,550 --> 00:35:11,940 DID YOU KNOW THAT BUTTERFLIES HAVE TONGUES? 423 00:35:11,940 --> 00:35:15,690 THE TONGUE OF A BUTTERFLY... 424 00:35:15,690 --> 00:35:17,560 IS LIKE AN ELEPHANT'S TRUNK... 425 00:35:17,560 --> 00:35:22,560 BUT VERY THIN AND WOUND UP LIKE A WATCH SPRING. 426 00:35:35,710 --> 00:35:39,460 -YOU KNOW WHERE AUSTRALIA IS? -IN AMERICA. 427 00:35:40,080 --> 00:35:41,970 IN OCEANIA. 428 00:35:41,970 --> 00:35:44,470 YOU KNOW WHAT A "TILONORRINCO" IS? 429 00:35:46,340 --> 00:35:48,840 IT'S A BIRD FROM AUSTRALIA. 430 00:35:48,840 --> 00:35:52,590 WHEN IT'S IN LOVE, IT GIVES ITS GIRLFRIEND AN ORCHID... 431 00:35:52,600 --> 00:35:56,360 A FLOWER THAT'S BEAUTIFUL AND VERY EXPENSIVE. 432 00:35:56,350 --> 00:35:57,600 HEY, KIDS. 433 00:35:57,600 --> 00:36:00,100 YOU'RE THE TAILOR'S SONS, RIGHT? 434 00:36:01,360 --> 00:36:02,610 AN INSTRUMENT? 435 00:36:03,240 --> 00:36:04,490 A SAXOPHONE. 436 00:36:04,490 --> 00:36:06,990 I THOUGHT SO. 437 00:36:06,990 --> 00:36:10,740 -DO YOU PLAY WELL? -GREAT. I'LL BE A MUSICIAN, TOO. 438 00:36:10,750 --> 00:36:12,010 WHAT WILL YOU PLAY? 439 00:36:12,000 --> 00:36:15,120 THE PIANO. THE SAX ISN'T GOOD FOR MY LUNGS. 440 00:36:15,120 --> 00:36:16,370 GREAT. 441 00:36:16,370 --> 00:36:18,870 I HAVE A BAND, "THE BLUE ORCHESTRA." 442 00:36:18,870 --> 00:36:23,260 YOUR FATHER MADE OUR COSTUMES. 443 00:36:23,260 --> 00:36:27,010 "FROM THE FARTHEST SHORE, THE SUNSET BEHIND US... 444 00:36:27,010 --> 00:36:30,760 THE BLUE ORCHESTRA, FROM GALICIA!" 445 00:36:30,770 --> 00:36:32,640 COME WITH ME. 446 00:36:38,280 --> 00:36:40,780 THEN WE WENT TO THE CHOCOLATE FACTORY... 447 00:36:40,780 --> 00:36:43,290 AND THEY ASKED WHAT HE COULD PLAY... 448 00:36:43,280 --> 00:36:45,150 AND I SAID, "IN THE WORLD." 449 00:36:45,780 --> 00:36:47,030 HOLD ON, HOLD ON. 450 00:36:47,030 --> 00:36:50,780 WHY DID HE TAKE YOU TO THE FACTORY? 451 00:36:50,790 --> 00:36:53,910 -THE ORCHESTRA PRACTICES THERE. -THAT'S NEWS TO ME. 452 00:36:53,910 --> 00:36:55,800 LOOK! 453 00:36:55,790 --> 00:36:59,540 IN EXCHANGE, THEY ADVERTISE THE CHOCOLATE. 454 00:36:59,550 --> 00:37:02,060 BETWEEN SONGS, THE MUSICIANS SAY: 455 00:37:02,050 --> 00:37:03,910 "EXPRES CHOCOLATE, THE BEST!" 456 00:37:03,920 --> 00:37:07,680 THEY ALL SAY IT TOGETHER: "EXPRES CHOCOLATE, THE BEST!" 457 00:37:07,670 --> 00:37:09,550 THAT'S FRIVOLOUS. 458 00:37:10,170 --> 00:37:12,060 WHY SHOULD A DANCE BAND BE SERIOUS? 459 00:37:12,060 --> 00:37:13,920 THEY'LL PAY YOU? 460 00:37:13,930 --> 00:37:17,070 MACIAS SAID IF I'M GOOD, WE'LL SEE. 461 00:37:17,060 --> 00:37:18,930 YOU SEE? 462 00:37:18,930 --> 00:37:20,180 AFTER ALL... 463 00:37:20,180 --> 00:37:22,680 WHAT HAS HE GOT TO LOSE? 464 00:37:22,690 --> 00:37:24,580 SAY YES, MOM! 465 00:37:24,570 --> 00:37:26,440 YOU HAVE TO MEND THIS. 466 00:37:30,190 --> 00:37:32,690 IT'S BIG ENOUGH FOR BOTH OF YOU. 467 00:37:35,200 --> 00:37:38,950 FIRST I'LL WASH IT. GOD KNOWS WHO WORE IT. 468 00:37:38,950 --> 00:37:40,200 A SAX PLAYER. 469 00:37:40,200 --> 00:37:43,340 NOW I DON'T WANT TO PLAY PIANO, MOM. 470 00:37:43,340 --> 00:37:46,460 MR. MACIAS WILL TEACH ME THE DRUMS. 471 00:37:46,460 --> 00:37:47,710 GREAT. 472 00:37:48,960 --> 00:37:51,460 CALM DOWN. 473 00:37:51,470 --> 00:37:53,970 -WHEN DO YOU START? -DURING THE CARNIVAL. 474 00:38:08,870 --> 00:38:11,380 [BLOWING HORN] 475 00:38:23,250 --> 00:38:25,140 [TUNING] 476 00:38:32,640 --> 00:38:34,510 LADIES AND GENTLEMEN! 477 00:38:36,390 --> 00:38:38,890 LADIES AND GENTLEMEN! 478 00:38:38,900 --> 00:38:41,410 YOUR ATTENTION, PLEASE. 479 00:38:42,650 --> 00:38:43,900 LADIES AND GENTLEMEN... 480 00:38:44,520 --> 00:38:47,020 WE'RE GOING TO SPEAK CASTILIAN SPANISH... 481 00:38:47,660 --> 00:38:53,280 SINCE WE FORGOT GALLEGO ON OUR LAST TOUR OF SOUTH AMERICA. 482 00:38:58,920 --> 00:39:01,430 YOU DON'T HAVE TO PLAY. 483 00:39:01,420 --> 00:39:04,540 BUT MAKE IT LOOK LIKE YOU'RE PLAYING... 484 00:39:04,540 --> 00:39:06,420 GET THAT BODY MOVEMENT GOING. 485 00:39:08,930 --> 00:39:10,800 ONE, TWO, THREE... 486 00:39:10,790 --> 00:39:12,680 [BAND PLAYING] 487 00:39:20,800 --> 00:39:26,440 PEANUTS 488 00:39:26,440 --> 00:39:28,940 IF YOU WANT A LITTLE FUN 489 00:39:28,950 --> 00:39:33,320 BUY YOURSELF A BAG OF PEANUTS 490 00:39:36,450 --> 00:39:39,570 WHEN THE EVENING IS LONELY 491 00:39:39,570 --> 00:39:44,580 MY LOVELY LITTLE CUSTOMER 492 00:39:46,460 --> 00:39:48,960 THE PEANUT SELLER BELTS OUT HIS PRETTY TUNE 493 00:39:48,970 --> 00:39:52,090 IF THE LITTLE GIRL HEARS HIS SONG 494 00:39:52,090 --> 00:39:57,100 SHE'LL COME DOWN FROM HER BALCONY 495 00:40:02,100 --> 00:40:04,610 LITTLE CUSTOMER, DON'T GO TO BED 496 00:40:04,600 --> 00:40:06,480 YOU SEE THAT? 497 00:40:08,990 --> 00:40:10,860 AND YOU DIDN'T WANT HIM TO PLAY. 498 00:40:10,850 --> 00:40:13,350 I DIDN'T KNOW HE COULD PLAY. 499 00:40:17,750 --> 00:40:22,120 PEANUTS 500 00:40:22,120 --> 00:40:24,630 LITTLE CUSTOMER, DON'T GO TO BED 501 00:40:24,620 --> 00:40:27,120 WITHOUT BUYING A BAG 502 00:40:27,120 --> 00:40:29,620 LET'S DANCE! 503 00:40:29,620 --> 00:40:30,870 I DON'T KNOW HOW. 504 00:40:31,510 --> 00:40:32,760 IT'S TIME YOU LEARNED. 505 00:40:32,760 --> 00:40:40,260 WHEN THE EVENING IS LONELY, MY LITTLE LOVELY CUSTOMER 506 00:40:42,140 --> 00:40:44,650 THE PEANUT SELLER BELTS OUT HIS PRETTY TUNE 507 00:40:44,640 --> 00:40:47,140 IF THE LITTLE GIRL HEARS HIS SONG 508 00:40:47,140 --> 00:40:52,780 SHE'LL COME DOWN FROM HER BALCONY 509 00:40:52,780 --> 00:40:55,280 -YOU KNOW WHO I AM? -YES. 510 00:40:55,280 --> 00:40:57,780 -WHO? -AURORA. 511 00:40:57,790 --> 00:41:00,290 HOW DID YOU RECOGNIZE ME? 512 00:41:00,290 --> 00:41:02,160 I DON'T KNOW. 513 00:41:02,160 --> 00:41:05,920 -BECAUSE YOU'RE THE PRETTIEST. -YOU COULDN'T SEE MY FACE. 514 00:41:07,160 --> 00:41:10,290 LOOK, THE SAX PLAYER IS MY BROTHER. 515 00:41:12,800 --> 00:41:15,920 -DO YOU KNOW HOW TO DANCE? -MORE OR LESS. 516 00:41:15,920 --> 00:41:17,170 COME ON. 517 00:41:18,420 --> 00:41:20,920 [SINGING CONTINUES] 518 00:41:46,580 --> 00:41:48,450 WELL DONE, SPARROW. 519 00:41:55,960 --> 00:41:57,840 [THUNDER RUMBLING] 520 00:42:00,350 --> 00:42:02,220 [PEOPLE GASPING] 521 00:42:02,220 --> 00:42:04,110 [BAND STOPS PLAYING] 522 00:42:27,990 --> 00:42:29,870 WAIT. 523 00:42:31,130 --> 00:42:37,390 REMEMBER WHAT I SAID ABOUT A BUTTERFLY'S TONGUE? 524 00:42:37,380 --> 00:42:41,130 -IT'S LIKE A WATCH SPRING. -RIGHT. 525 00:42:42,390 --> 00:42:43,640 AND WHY? 526 00:42:43,640 --> 00:42:46,140 TO REACH THE NECTAR... 527 00:42:46,760 --> 00:42:48,640 FLOWERS KEEP IN THEIR CHALICES. 528 00:42:51,150 --> 00:42:53,660 CAREFULLY, WITHOUT BOTHERING THEM. 529 00:42:54,270 --> 00:42:55,530 WHAT'S NECTAR? 530 00:42:55,520 --> 00:42:59,900 NECTAR IS A SUGARY JUICE FLOWERS SECRETE... 531 00:42:59,910 --> 00:43:01,780 TO ATTRACT INSECTS. 532 00:43:01,780 --> 00:43:03,030 IN EXCHANGE... 533 00:43:03,030 --> 00:43:07,420 INSECTS SPREAD THE SEED OF THE FLOWERS. 534 00:43:07,410 --> 00:43:10,530 LOOK, THERE'S ONE. 535 00:43:10,530 --> 00:43:16,170 WHEN YOU TOUCH THE SUGAR JAR WITH A MOISTENED FINGER... 536 00:43:16,170 --> 00:43:19,290 DON'T YOU ALREADY TASTE IT... 537 00:43:19,290 --> 00:43:23,040 AS IF YOUR FINGERTIP WERE YOUR TONGUE? 538 00:43:23,050 --> 00:43:26,190 THE TONGUE OF A BUTTERFLY IS LIKE THAT. 539 00:43:26,180 --> 00:43:28,050 SMELLING THE NECTAR... 540 00:43:28,050 --> 00:43:31,180 THE BUTTERFLY UNROLLS ITS TONGUE... 541 00:43:31,810 --> 00:43:34,950 AND REACHES THE BOTTOM OF THE CHALICE. 542 00:43:34,940 --> 00:43:37,440 LOOK AT THIS ANTHILL! 543 00:43:46,820 --> 00:43:48,070 [WHEEZING] 544 00:43:49,960 --> 00:43:51,830 DON GREGORIO! 545 00:43:51,830 --> 00:43:53,720 DON GREGORIO! 546 00:43:56,210 --> 00:43:57,460 HE'S CHOKING! 547 00:44:16,850 --> 00:44:19,980 [BOYS CHATTERING] 548 00:44:19,990 --> 00:44:21,240 [CHEERING] 549 00:44:22,490 --> 00:44:25,610 THANK GOD YOU THOUGHT OF THE WATER THING. 550 00:44:25,610 --> 00:44:28,110 IT HAPPENED BEFORE. 551 00:44:28,110 --> 00:44:30,610 ON HIS FIRST COMMUNION. 552 00:44:30,610 --> 00:44:34,360 HE WAS ABOUT TO TAKE COMMUNION, AND HE WAS SO EXCITED... 553 00:44:34,370 --> 00:44:36,260 HE GOT AN ATTACK. 554 00:44:36,250 --> 00:44:37,500 A MIRACLE! 555 00:44:37,500 --> 00:44:41,870 WE GOT SOME HOLY WATER, SPLASHED IT ON HIS FACE... 556 00:44:41,880 --> 00:44:45,020 AND HE WAS CURED. 557 00:44:45,010 --> 00:44:48,760 WELL, THE RIVER WATER ISN'T HOLY... 558 00:44:48,770 --> 00:44:50,640 AND IT WORKED, TOO. 559 00:44:51,890 --> 00:44:55,650 I'LL GIVE YOU SOME SOUP TO WARM YOU UP. 560 00:44:57,520 --> 00:44:58,770 SHE'S MYSTICAL. 561 00:44:58,780 --> 00:45:01,900 AND YOU'RE REPUBLICAN. 562 00:45:01,900 --> 00:45:04,400 I'M IN MANUEL AZANA'S PARTY. 563 00:45:11,910 --> 00:45:14,410 -DON GREGORIO. -YES? 564 00:45:14,410 --> 00:45:16,920 IF IT'S NOT A PROBLEM... 565 00:45:16,910 --> 00:45:20,040 I'D LIKE TO MEASURE YOU FOR A SUIT. 566 00:45:20,050 --> 00:45:21,300 A SUIT? 567 00:45:21,300 --> 00:45:23,170 A GIFT. 568 00:45:23,170 --> 00:45:26,930 IT'S JUST I'D LIKE TO DO SOMETHING FOR YOU. 569 00:45:26,920 --> 00:45:29,420 AND I KNOW HOW TO MAKE SUITS. 570 00:45:29,420 --> 00:45:30,670 IT'S MY TRADE. 571 00:45:30,670 --> 00:45:33,810 I HAVE A GREAT DEAL OF RESPECT FOR TRADES. 572 00:45:34,430 --> 00:45:37,570 AND I APPRECIATE YOUR OFFER. BUT MY PRINCIPLES-- 573 00:45:38,180 --> 00:45:40,680 PRINCIPLES BETWEEN FRIENDS? 574 00:45:40,680 --> 00:45:43,180 WE ARE FRIENDS, AREN'T WE? 575 00:45:50,080 --> 00:45:51,950 FIFTY-FOUR. 576 00:45:55,080 --> 00:45:56,330 SEVENTY-ONE. 577 00:46:00,090 --> 00:46:01,340 FORTY-THREE. 578 00:46:02,590 --> 00:46:05,710 MEASUREMENTS DON GREGORIO 579 00:46:08,210 --> 00:46:11,960 -WHAT ARE YOU THINKING ABOUT? -THE TEACHER. 580 00:46:11,970 --> 00:46:14,470 HE'S SUCH A GOOD PERSON. 581 00:46:14,470 --> 00:46:16,980 I'M GLAD YOU'RE MAKING HIM THE SUIT. 582 00:46:16,970 --> 00:46:20,720 TEACHERS DON'T EARN WHAT THEY SHOULD. 583 00:46:20,720 --> 00:46:23,220 THEY'RE THE LIGHT OF THE REPUBLIC. 584 00:46:23,230 --> 00:46:24,480 THE REPUBLIC! 585 00:46:25,110 --> 00:46:27,610 WHERE WILL WE END UP WITH THAT AZANA? 586 00:46:27,610 --> 00:46:30,110 WHAT'S WRONG WITH AZANA? 587 00:46:30,120 --> 00:46:32,630 WHAT YOU HEAR AT MASS, I'M SURE. 588 00:46:32,620 --> 00:46:35,120 I GO TO MASS TO PRAY. 589 00:46:35,120 --> 00:46:37,620 YOU DO, BUT THE PRIESTS... 590 00:46:37,620 --> 00:46:40,120 GO FOR ANOTHER REASON. 591 00:46:40,130 --> 00:46:43,250 WELL, DON'T GET ANGRY. 592 00:46:43,880 --> 00:46:46,380 MONCHO IS ALL RIGHT. 593 00:46:46,380 --> 00:46:48,250 GIVE ME A KISS. 594 00:46:49,500 --> 00:46:53,250 -GOOD NIGHT. -DON'T BE SO BORING. 595 00:47:22,290 --> 00:47:25,430 YOUR FATHER REALLY IS AN ARTIST. 596 00:47:26,040 --> 00:47:29,170 LOOK HOW ELEGANT I AM! 597 00:47:31,680 --> 00:47:34,790 MY POOR WIFE. I LOST HER... 598 00:47:35,430 --> 00:47:37,930 WHEN SHE WAS ONLY TWENTY-TWO. 599 00:47:37,930 --> 00:47:41,690 AS THE POET SAID, "AN ABANDONED BED... 600 00:47:41,690 --> 00:47:44,800 A CLOUDY MIRROR, AND AN EMPTY HEART." 601 00:47:44,810 --> 00:47:46,700 "AN ABANDONED BED... 602 00:47:46,690 --> 00:47:50,440 A CLOUDY MIRROR, AND AN EMPTY HEART." 603 00:47:50,450 --> 00:47:54,210 IN OTHER WORDS, I ENDED UP ALL ALONE. 604 00:47:55,450 --> 00:47:56,700 YOU READ MUCH? 605 00:47:56,700 --> 00:47:58,570 COMIC BOOKS. 606 00:47:58,570 --> 00:48:02,320 IT'S TIME YOU START READING REAL BOOKS. 607 00:48:02,330 --> 00:48:04,830 BOOKS ARE LIKE A HOME. 608 00:48:04,830 --> 00:48:06,720 THE CONQUEST OF BREAD 609 00:48:10,470 --> 00:48:12,340 IN BOOKS... 610 00:48:12,340 --> 00:48:16,730 OUR DREAMS TAKE REFUGE SO AS NOT TO FREEZE TO DEATH. 611 00:48:19,840 --> 00:48:22,340 HERE, BORROW THIS. 612 00:48:22,350 --> 00:48:23,600 TREASURE ISLAND 613 00:48:23,600 --> 00:48:24,850 YOU'LL LIKE IT. 614 00:48:27,980 --> 00:48:31,100 AND I HAVE A PRESENT FOR YOU. 615 00:48:36,740 --> 00:48:37,990 OPEN IT. 616 00:48:44,870 --> 00:48:47,380 YOU KNOW WHAT IT'S FOR? 617 00:48:51,760 --> 00:48:53,010 I GOT IT! 618 00:48:54,260 --> 00:48:54,870 BE CAREFUL. 619 00:48:57,380 --> 00:48:58,630 DON'T HURT IT. 620 00:49:00,520 --> 00:49:04,280 IT'S AN IRIS. BEAUTIFUL! 621 00:49:04,890 --> 00:49:08,030 YOU SEE? IT HAS FOUR WINGS. 622 00:49:08,020 --> 00:49:09,890 THE COLOR AND SHINE... 623 00:49:09,890 --> 00:49:13,640 COME FROM A SERIES OF OVERLAPPING PLATES... 624 00:49:13,650 --> 00:49:18,040 SCALES PLACED ONE OVER THE OTHER, LIKE ROOF TILES. 625 00:49:18,030 --> 00:49:19,280 AND THE TONGUE? 626 00:49:19,290 --> 00:49:21,800 THE TONGUE IS CALLED "PROBOSCIS." 627 00:49:21,790 --> 00:49:23,040 LET'S SEE IT. 628 00:49:23,660 --> 00:49:26,170 NO, RIGHT NOW IT'S ROLLED UP... 629 00:49:26,160 --> 00:49:28,040 OTHERWISE IT COULDN'T FLY. 630 00:49:28,040 --> 00:49:31,160 WE'D NEED A MICROSCOPE TO SEE IT. 631 00:49:31,160 --> 00:49:32,410 WHAT'S THAT? 632 00:49:33,050 --> 00:49:36,170 A DEVICE FOR SEEING INFINITELY SMALL THINGS. 633 00:49:36,800 --> 00:49:38,670 I ORDERED ONE FOR THE SCHOOL... 634 00:49:38,670 --> 00:49:42,420 BUT YOU KNOW THINGS GO SLOWLY IN MADRID. 635 00:49:44,930 --> 00:49:48,070 IF WE GET ONE, WE CAN SEE ITS TONGUE. 636 00:49:48,060 --> 00:49:49,930 [CRICKET CHIRPING] 637 00:49:49,930 --> 00:49:51,180 A CRICKET! 638 00:49:51,180 --> 00:49:53,070 IT'S A "PRINCE CRICKET." 639 00:49:53,070 --> 00:49:54,320 HOW DO YOU KNOW? 640 00:49:54,320 --> 00:49:56,820 IT SINGS BETTER THAN A "KING CRICKET." 641 00:49:56,820 --> 00:49:58,070 THAT WAY. 642 00:50:43,740 --> 00:50:45,630 HERE IT IS! 643 00:50:54,380 --> 00:50:55,630 [URINATING] 644 00:50:56,250 --> 00:50:58,130 [CHIRPING STOPS] 645 00:51:06,610 --> 00:51:08,480 [KNOCK ON DOOR] 646 00:51:09,110 --> 00:51:13,480 WHO COULD THAT BE AT THIS HOUR? GO SEE, SON. 647 00:51:25,380 --> 00:51:28,500 THIS GIRL WANTS TO SEE DAD. 648 00:51:28,500 --> 00:51:31,000 SHE SAYS HER MOTHER'S DIED. 649 00:51:37,890 --> 00:51:39,760 GO TO YOUR ROOM. 650 00:51:39,760 --> 00:51:42,260 -WE'RE EATING. -SO TAKE YOUR FOOD! 651 00:51:51,020 --> 00:51:52,270 HOW DID IT HAPPEN? 652 00:51:52,270 --> 00:51:56,660 IT MUST HAVE BEEN HER HEART. I FOUND HER DEAD. 653 00:51:57,280 --> 00:52:01,030 -DID YOU CALL THE DOCTOR? -WHY? I WENT TO SEE THE PRIEST. 654 00:52:01,670 --> 00:52:02,920 RIGHT. 655 00:52:02,920 --> 00:52:06,040 THE COFFIN AND BURIAL COST FORTY-FIVE PESETAS. 656 00:52:06,040 --> 00:52:08,550 BUT I HAVE NO MONEY. 657 00:52:08,540 --> 00:52:09,790 WAIT. 658 00:52:24,190 --> 00:52:26,690 -WHAT? -I DIDN'T SAY ANYTHING. 659 00:52:26,690 --> 00:52:28,560 DO WHAT YOU MUST DO. 660 00:52:36,070 --> 00:52:37,960 WHY CAN'T WE SEE HER? 661 00:52:38,570 --> 00:52:40,450 THAT'S A SECRET. 662 00:52:40,460 --> 00:52:42,330 -TELL ME. -NO. 663 00:52:44,830 --> 00:52:46,720 I HAVE A SECRET, TOO. 664 00:52:47,960 --> 00:52:49,830 ABOUT CARMINA. 665 00:52:49,830 --> 00:52:52,330 WHO TOLD YOU HER NAME? 666 00:52:52,330 --> 00:52:56,080 TELL ME YOUR SECRET, I'LL TELL YOU MINE. 667 00:52:58,590 --> 00:53:01,090 SHE'S DAD'S DAUGHTER. 668 00:53:02,340 --> 00:53:06,090 SO, WHY DOESN'T SHE LIVE WITH US? 669 00:53:07,980 --> 00:53:11,730 DAD HAD HER WITH THAT DEAD WOMAN BEFORE HE MARRIED MOM. 670 00:53:12,990 --> 00:53:14,860 HOW DO YOU KNOW HER? 671 00:53:15,490 --> 00:53:19,860 ROQUE AND I FOLLOWED THIS MAN O'LIS UP TO CARMINA'S HOUSE. 672 00:53:20,500 --> 00:53:21,120 AND? 673 00:53:21,110 --> 00:53:23,610 THEY GOT NAKED, AND HE HUMPED HER. 674 00:53:23,610 --> 00:53:25,500 THAT'S WHY MOM SENT US AWAY. 675 00:53:25,500 --> 00:53:28,000 -WHY? -SHE'S A SLUT. 676 00:53:29,250 --> 00:53:31,120 WHAT DOES DAD SAY? 677 00:53:32,370 --> 00:53:34,870 NOTHING. WHAT COULD HE SAY? 678 00:53:38,630 --> 00:53:40,510 [PRIEST SPEAKING LATIN] 679 00:53:40,520 --> 00:53:42,390 [BELL TOLLING] 680 00:53:53,030 --> 00:53:54,900 [TARZAN WHINING] 681 00:54:51,840 --> 00:54:54,350 HELLO, SPARROW! 682 00:54:54,340 --> 00:54:55,590 HELLO. 683 00:54:56,840 --> 00:54:59,960 -IS THIS YOUR GARDEN? -IT'S A FRIEND'S. 684 00:54:59,960 --> 00:55:03,090 BUT HE LETS ME PICK FRUIT HERE. 685 00:55:03,100 --> 00:55:05,610 I GOT SOME APPLES. WANT ONE? 686 00:55:08,720 --> 00:55:10,600 THEY'RE DELICIOUS. 687 00:55:11,860 --> 00:55:13,730 VERY JUICY. 688 00:55:14,980 --> 00:55:16,230 WHAT ARE YOU DOING HERE? 689 00:55:16,230 --> 00:55:18,120 WATCHING A FUNERAL. 690 00:55:18,110 --> 00:55:19,980 REALLY? 691 00:55:20,620 --> 00:55:21,870 WHO DIED? 692 00:55:24,990 --> 00:55:29,380 WHEN SOMEONE DIES, DO THEY DIE OR NOT? 693 00:55:31,240 --> 00:55:33,740 WHAT DO YOUR FOLKS SAY? 694 00:55:33,740 --> 00:55:36,880 MY MOM SAYS GOOD PEOPLE GO TO HEAVEN... 695 00:55:36,880 --> 00:55:39,380 AND BAD PEOPLE GO TO HELL. 696 00:55:39,380 --> 00:55:41,250 AND YOUR FATHER? 697 00:55:41,250 --> 00:55:44,390 THAT IF THERE'S A FINAL JUDGMENT... 698 00:55:44,390 --> 00:55:46,890 THE RICH WILL BRING THEIR LAWYERS. 699 00:55:46,890 --> 00:55:48,760 MY MOTHER DOESN'T FIND IT FUNNY. 700 00:55:50,010 --> 00:55:51,260 WHAT DO YOU THINK? 701 00:55:55,020 --> 00:55:56,910 I'M AFRAID. 702 00:55:58,150 --> 00:56:00,650 CAN YOU KEEP A SECRET? 703 00:56:02,520 --> 00:56:05,020 BETWEEN YOU AND I: 704 00:56:05,030 --> 00:56:08,790 AN OTHERWORLDLY HELL DOES NOT EXIST. 705 00:56:08,780 --> 00:56:11,910 HATE AND CRUELTY... 706 00:56:11,920 --> 00:56:13,790 THAT'S HELL. 707 00:56:15,040 --> 00:56:18,800 AT TIMES, WE OURSELVES ARE HELL. 708 00:56:26,600 --> 00:56:29,720 APRIL 14, 1936 LONG LIVE THE REPUBLIC! 709 00:56:29,720 --> 00:56:32,230 [MUSIC PLAYING] 710 00:56:32,220 --> 00:56:34,720 WHO WANTS COFFEE? 711 00:56:35,360 --> 00:56:37,230 COFFEE? 712 00:56:39,730 --> 00:56:42,240 -A TOAST! -LONG LIVE THE REPUBLIC! 713 00:56:42,230 --> 00:56:43,480 LONG LIVE! 714 00:57:07,250 --> 00:57:09,140 THE KING'S LOST HIS CROWN 715 00:57:09,140 --> 00:57:12,260 IT'S ONLY PAPER 716 00:57:12,260 --> 00:57:14,140 THE GOLD ONE WAS 717 00:57:14,150 --> 00:57:16,020 TAKEN AWAY BY BERENGUER 718 00:57:16,010 --> 00:57:17,900 THE KING'S LOST HIS CROWN 719 00:57:17,900 --> 00:57:19,760 IT'S ONLY CARDBOARD 720 00:57:19,770 --> 00:57:22,280 THE SPANISH CROWN 721 00:57:22,270 --> 00:57:24,150 WILL BE WORN BY NO THIEF! 722 00:57:24,160 --> 00:57:27,920 RAMON. THE CIVIL GUARDS. 723 00:57:31,660 --> 00:57:33,530 SO WHAT? 724 00:57:41,040 --> 00:57:42,920 [BAND TUNING UP] 725 00:57:49,800 --> 00:57:52,940 THE DOCTORS HAD ME ON PORRIDGE FOR SEVEN YEARS. 726 00:57:52,930 --> 00:57:54,800 MY STOMACH GOT WORSE. 727 00:57:54,800 --> 00:57:56,680 ONE DAY I TOLD MY WIFE... 728 00:57:56,690 --> 00:58:01,070 TO MAKE ME A STEW WITH HAM, SAUSAGE, AND LARD. 729 00:58:01,060 --> 00:58:04,190 -AND I WAS CURED. -HELLO. 730 00:58:04,810 --> 00:58:06,690 [ACCORDION PLAYING] 731 00:58:28,590 --> 00:58:29,840 WHAT'S THAT SONG? 732 00:58:29,840 --> 00:58:32,980 I DON'T KNOW. I HEARD IT ON THE RADIO. 733 00:58:34,230 --> 00:58:38,600 ROSE-COLORED DAWN 734 00:58:38,600 --> 00:58:41,740 AT SUNRISE 735 00:58:41,730 --> 00:58:45,480 MELODIOUS NOTE 736 00:58:45,490 --> 00:58:49,250 OF A CRYING VIOLIN 737 00:58:49,240 --> 00:58:51,740 LIKE IN A NOVEL 738 00:58:51,740 --> 00:58:56,110 THE INSOMNIA WHERE SHE LIVED 739 00:58:56,110 --> 00:58:58,000 HER STORY OF LOVE 740 00:59:04,870 --> 00:59:08,010 [PLAYING FLUTE] 741 00:59:09,880 --> 00:59:11,140 GENTLEMEN! 742 00:59:11,130 --> 00:59:11,760 LISTEN UP. 743 00:59:12,380 --> 00:59:14,260 WE'RE GOING ABROAD! 744 00:59:16,130 --> 00:59:19,270 WE'VE BEEN HIRED IN SANTA MARTA DE LOMBAS. 745 00:59:19,270 --> 00:59:23,020 ALL EXPENSES PAID AND SEVENTY PESETAS. 746 00:59:23,020 --> 00:59:24,890 SEVENTY BEAUTIFUL PESETAS! 747 00:59:31,150 --> 00:59:33,030 GET THOSE SHIRTS CLEAN. 748 00:59:33,030 --> 00:59:36,150 SANTA MARTA DE LOMBAS, LOOK OUT! 749 00:59:36,150 --> 00:59:38,040 ME, TOO? 750 00:59:38,040 --> 00:59:39,900 OF COURSE! 751 00:59:41,160 --> 00:59:41,790 AND ME? 752 00:59:43,040 --> 00:59:44,910 [BAND PLAYING] 753 01:00:19,330 --> 01:00:23,080 YOU WON'T BE HUNGRY HERE. I TELL YOU AS THE MAYOR. 754 01:00:23,700 --> 01:00:26,830 SAUSAGE, HAM, CHEESE, WHATEVER YOU WANT. 755 01:00:28,710 --> 01:00:31,850 I'LL SMASH YOUR HEAD IN, CAROLINA! 756 01:00:31,840 --> 01:00:33,090 YOU KNOW I WILL! 757 01:00:34,960 --> 01:00:38,710 I CHOSE YOU BECAUSE I DON'T WANT MEN IN MY HOUSE. 758 01:00:38,720 --> 01:00:42,480 ADULT MEN ARE AS THICK AS MULES. 759 01:00:43,720 --> 01:00:45,600 BABY! COFFEE! 760 01:01:01,870 --> 01:01:03,120 DON'T BE SCARED. 761 01:01:04,380 --> 01:01:07,500 THEY MAKE GOOD MANURE. 762 01:01:13,750 --> 01:01:16,880 SHE DOESN'T SPEAK, BUT SHE CAN HEAR. 763 01:01:20,640 --> 01:01:24,390 COME ON. SHOW THE MUSICIANS THEIR ROOM. 764 01:01:24,400 --> 01:01:26,270 BE QUICK. 765 01:02:11,310 --> 01:02:13,810 THANK YOU. THANK YOU VERY MUCH. 766 01:02:17,560 --> 01:02:21,320 SHE'S THE CHINESE GIRL FROM THE BOOK! 767 01:02:22,570 --> 01:02:23,820 YOU'RE RIGHT! 768 01:02:36,970 --> 01:02:38,840 NO, THAT'S TOO MUCH. 769 01:02:39,470 --> 01:02:41,340 NO ONE SAYS "NO" HERE. 770 01:02:41,340 --> 01:02:43,220 EAT AND GROW, KID. 771 01:02:45,730 --> 01:02:46,980 AND HER? 772 01:02:46,980 --> 01:02:48,240 WHO? 773 01:02:51,980 --> 01:02:55,100 SHE ALREADY ATE. SHE EATS LIKE A BIRD. 774 01:02:56,990 --> 01:02:58,860 WANT TO SEE SOMETHING? 775 01:03:00,740 --> 01:03:02,610 COME HERE, BABY. 776 01:03:08,250 --> 01:03:09,500 LOOK! 777 01:03:12,000 --> 01:03:14,500 THIS IS WHERE THE WOLF BIT HER! 778 01:03:18,260 --> 01:03:18,870 COVER YOURSELF. 779 01:03:22,010 --> 01:03:24,510 SHE WAS ONLY FOUR. 780 01:03:26,380 --> 01:03:28,880 WE WERE WITH THE LIVESTOCK. 781 01:03:30,770 --> 01:03:34,520 THE WOLVES WERE HUNGRY, AND THEY TRICKED ME. 782 01:03:37,030 --> 01:03:39,540 GOD, DID THEY TRICK ME! 783 01:03:44,540 --> 01:03:47,660 AREN'T YOU GOING TO EAT? I'LL GET ANGRY. 784 01:03:52,660 --> 01:03:55,160 WE WERE IN A MEADOW NEAR THE WOODS. 785 01:03:58,300 --> 01:04:00,800 ONE OF THOSE BASTARDS APPEARED... 786 01:04:00,800 --> 01:04:03,300 AND THEN WENT BACK INTO THE WOODS. 787 01:04:04,560 --> 01:04:09,570 THE DOGS TORE OFF AFTER HIM, AND I WENT WITH THEM. 788 01:04:10,810 --> 01:04:14,560 WE LEFT HER THERE, ALONE... 789 01:04:14,570 --> 01:04:17,070 SITTING ON A SACK. 790 01:04:17,070 --> 01:04:19,580 IT WAS JUST A MOMENT... 791 01:04:19,570 --> 01:04:21,440 BUT WHEN WE RETURNED... 792 01:04:22,690 --> 01:04:23,940 SHE WAS GONE. 793 01:04:27,690 --> 01:04:30,830 GOD, BUT THOSE BASTARDS TRICKED ME! 794 01:04:32,700 --> 01:04:33,950 BUT SHE SURVIVED. 795 01:04:35,200 --> 01:04:38,340 THE WOLF DIDN'T WANT TO KILL HER. 796 01:04:38,340 --> 01:04:40,840 HE JUST BIT HER BACK. 797 01:04:40,840 --> 01:04:45,210 THE OLD PEOPLE SAID THE BITE WAS TO SILENCE HER... 798 01:04:45,210 --> 01:04:47,090 SO SHE WOULDN'T SCREAM. 799 01:04:48,350 --> 01:04:50,850 AND IT SURE DID WORK. 800 01:04:52,100 --> 01:04:54,600 WE FOUND HER IN A WOLF DEN. 801 01:04:54,610 --> 01:04:57,730 SHE WAS FINE... 802 01:04:57,720 --> 01:05:00,220 BUT SHE NEVER SPOKE AGAIN. 803 01:05:00,230 --> 01:05:02,120 WHY IS SHE CHINESE? 804 01:05:02,110 --> 01:05:03,360 WHO? 805 01:05:03,360 --> 01:05:04,610 YOUR DAUGHTER. 806 01:05:05,870 --> 01:05:08,990 SHE'S MY WIFE. 807 01:05:10,240 --> 01:05:12,000 [BAND PLAYING] 808 01:05:42,020 --> 01:05:46,400 THE WISE BIRD, USING THE SCIENCE OF CLAIRVOYANCE... 809 01:05:46,410 --> 01:05:50,170 PICKS OUT YOUR FORTUNE FROM THE MAGIC BOX. 810 01:05:50,160 --> 01:05:52,660 WANT THE BIRD TO TELL YOUR FORTUNE? 811 01:08:45,340 --> 01:08:47,840 SHE CAME INTO MY ROOM, TOOK MY HAND... 812 01:08:47,840 --> 01:08:50,960 AND WE ESCAPED ON HORSEBACK. 813 01:08:50,960 --> 01:08:54,100 -WHAT DID HE DO? -HE WENT AFTER US WITH A KNIFE. 814 01:08:54,090 --> 01:08:57,210 BUT IN CORUNA, WE GOT ON A BOAT TO CHINA. 815 01:09:02,220 --> 01:09:03,470 LOOK! 816 01:09:30,380 --> 01:09:34,130 I REMEMBER SOMETHING THE TEACHER SAID. 817 01:09:34,130 --> 01:09:37,250 A BED, A MIRROR... 818 01:09:37,250 --> 01:09:39,140 AND A HEART... 819 01:09:39,140 --> 01:09:41,000 ARE ALL EMPTY. 820 01:09:42,890 --> 01:09:46,010 IN OTHER WORDS, YOU'RE ALL ALONE. 821 01:09:47,900 --> 01:09:52,280 I'M GOING TO MARRY ROQUE'S SISTER WHEN I GROW UP. 822 01:09:55,410 --> 01:09:58,780 TODAY, AFTER A LIFETIME DEDICATED TO TEACHING... 823 01:09:58,780 --> 01:10:01,280 DON GREGORIO IS RETIRING. 824 01:10:01,280 --> 01:10:03,170 AS MAYOR OF THIS TOWN... 825 01:10:03,160 --> 01:10:05,660 AND IN THE NAME OF THE AUTHORITIES... 826 01:10:05,670 --> 01:10:06,920 STUDENTS AND PARENTS... 827 01:10:06,920 --> 01:10:10,040 I WANT TO MAKE CLEAR OUR GRATITUDE... 828 01:10:10,040 --> 01:10:13,180 FOR WHAT YOU'VE DONE FOR OUR CHILDREN: 829 01:10:13,170 --> 01:10:15,670 PREPARE THEM FOR LIFE... 830 01:10:15,680 --> 01:10:18,800 AND ESPECIALLY FOR BEING GOOD CITIZENS. 831 01:10:20,680 --> 01:10:25,680 DON GREGORIO, YOU KNOW I'M NOT ONE FOR SPEECHES. 832 01:10:25,690 --> 01:10:29,450 ALL I CAN REALLY SAY... IS THANK YOU. 833 01:10:29,440 --> 01:10:31,940 THANK YOU FROM THE BOTTOM OF OUR HEARTS. 834 01:10:31,940 --> 01:10:33,810 [APPLAUSE] 835 01:10:41,950 --> 01:10:44,450 HONORABLE AUTHORITIES... 836 01:10:45,710 --> 01:10:46,960 DEAR CHILDREN... 837 01:10:46,960 --> 01:10:50,720 AND DISTINGUISHED CITIZENS. 838 01:10:50,710 --> 01:10:52,580 IN SPRINGTIME... 839 01:10:52,580 --> 01:10:57,580 THE WILD DUCK RETURNS TO ITS HOME TO MATE. 840 01:10:57,580 --> 01:11:00,720 NOTHING CAN STOP HIM. 841 01:11:00,720 --> 01:11:04,470 IF YOU CUT OFF HIS WINGS, HE'LL SWIM. 842 01:11:04,470 --> 01:11:08,220 IF YOU CUT OFF HIS FEET, HE'LL ROW WITH HIS BEAK... 843 01:11:08,230 --> 01:11:11,350 LIKE AN OAR AGAINST THE STREAM. 844 01:11:11,350 --> 01:11:12,610 THIS JOURNEY... 845 01:11:12,600 --> 01:11:15,730 IS HIS RAISON D'ETRE. 846 01:11:15,740 --> 01:11:20,750 IN THE AUTUMN OF MY LIFE, I SHOULD BE SKEPTICAL. 847 01:11:20,740 --> 01:11:23,860 AND IN A WAY, I AM. 848 01:11:23,860 --> 01:11:28,240 THE WOLF WILL NEVER LIE DOWN... 849 01:11:28,250 --> 01:11:30,120 WITH THE LAMB. 850 01:11:31,370 --> 01:11:33,260 BUT I AM SURE OF ONE THING. 851 01:11:33,250 --> 01:11:37,000 IF WE CAN ALLOW ONE GENERATION... 852 01:11:37,620 --> 01:11:41,370 JUST ONE GENERATION, TO GROW UP FREE IN SPAIN... 853 01:11:41,380 --> 01:11:47,020 THEN NO ONE WILL EVER BE ABLE TO TAKE AWAY THEIR LIBERTY. 854 01:11:48,270 --> 01:11:49,530 LET'S GO! 855 01:12:02,030 --> 01:12:05,780 NO ONE WILL BE ABLE TO STEAL THAT TREASURE FROM THEM! 856 01:12:05,790 --> 01:12:07,660 [APPLAUSE] 857 01:12:15,160 --> 01:12:18,290 THANK YOU VERY MUCH. 858 01:12:18,300 --> 01:12:20,810 AND NOW, FLY FREE! 859 01:12:20,800 --> 01:12:23,300 [CHATTERING] 860 01:12:58,960 --> 01:13:01,460 -WHAT'S WRONG? -NOTHING. 861 01:13:01,460 --> 01:13:04,600 WE WON'T GO BUG HUNTING ANYMORE? 862 01:13:04,590 --> 01:13:05,840 WHY NOT? 863 01:13:05,850 --> 01:13:10,220 NOW THAT IT'S SUMMER, WE CAN GO EVERY DAY. 864 01:13:10,220 --> 01:13:11,470 LOOK. 865 01:13:12,100 --> 01:13:13,350 BETTER LATE THAN NEVER. 866 01:13:15,220 --> 01:13:17,720 FROM THE MINISTRY OF EDUCATION. 867 01:13:17,720 --> 01:13:20,860 WE GET THE MICROSCOPE, SPARROW! 868 01:13:32,620 --> 01:13:33,870 WHAT'S THAT? 869 01:13:33,870 --> 01:13:36,370 S A LUCANUS CERVUS... 870 01:13:37,630 --> 01:13:38,890 A FLYING DEER. 871 01:13:38,880 --> 01:13:41,380 IT'S CALLED THAT BECAUSE ITS MANDIBLES... 872 01:13:42,000 --> 01:13:44,500 LOOK LIKE ANTLERS... 873 01:13:44,500 --> 01:13:47,630 AND THEY FIGHT OVER FEMALES WITH THEM. 874 01:13:47,640 --> 01:13:50,760 THEY'RE THE BIGGEST BEETLES IN EUROPE. 875 01:13:52,010 --> 01:13:53,260 THERE'S ONE! 876 01:13:56,400 --> 01:13:58,270 GIVE IT TO ME! 877 01:14:08,270 --> 01:14:10,160 I GOT IT! 878 01:14:12,030 --> 01:14:14,530 CAREFUL. 879 01:14:14,530 --> 01:14:17,030 VERY CAREFULLY... 880 01:14:17,670 --> 01:14:19,540 [CHILDREN CHATTERING] 881 01:14:20,790 --> 01:14:24,550 NOW WE'LL GET TO SEE THE TONGUE UNDER THE MICROSCOPE. 882 01:14:42,690 --> 01:14:43,940 WON'T YOU COME IN? 883 01:14:43,940 --> 01:14:47,060 HE'S SCARED! HE'S CHICKEN! 884 01:14:47,060 --> 01:14:48,310 DON'T LET HIM COME! 885 01:14:51,450 --> 01:14:54,570 REMEMBER THE TILONORRINCO? 886 01:14:54,570 --> 01:14:57,700 THAT BIRD THAT GIVES ITS GIRLFRIEND... 887 01:14:57,710 --> 01:15:00,220 A FLOWER THAT'S VERY EXPENSIVE. 888 01:15:00,830 --> 01:15:01,470 RIGHT! 889 01:15:02,080 --> 01:15:03,330 AN ORCHID. 890 01:15:08,970 --> 01:15:10,830 COME ON. 891 01:15:10,840 --> 01:15:12,730 BE LIKE A TILONORRINCO. 892 01:15:13,970 --> 01:15:15,840 BUT THIS ISN'T AN ORCHID. 893 01:15:15,840 --> 01:15:17,720 THAT DOESN'T MATTER. 894 01:15:46,510 --> 01:15:49,020 -CAN YOU SWIM? -NO. 895 01:15:49,010 --> 01:15:50,260 ME, NEITHER. 896 01:15:51,510 --> 01:15:52,760 DON'T LOOK. 897 01:15:53,380 --> 01:15:54,010 HERE. 898 01:15:55,270 --> 01:15:56,520 SHUT YOUR EYES. 899 01:16:21,910 --> 01:16:26,300 IN HIS SPEECH TO PARLIAMENT TODAY... 900 01:16:26,300 --> 01:16:28,170 MINISTER ROBLES SAID... 901 01:16:28,160 --> 01:16:31,910 THE COUNTRY CANNOT CONTINUE ON ITS PRESENT COURSE. 902 01:16:31,920 --> 01:16:38,820 WE MUST CHOOSE ONCE AND FOR ALL BETWEEN COMMUNISM AND FASCISM... 903 01:16:38,810 --> 01:16:41,310 OR ELSE WE WILL FALL INTO ANARCHY! 904 01:16:41,310 --> 01:16:45,680 HE DECLARED SPANISH DEMOCRACY DEAD. 905 01:16:45,680 --> 01:16:48,180 THAT PEAR-HEADED BASTARD! 906 01:16:48,180 --> 01:16:50,680 THEY WANT IT DEAD! 907 01:16:51,940 --> 01:16:53,830 MINISTER SOTELO AGREED... 908 01:16:53,820 --> 01:16:57,570 THAT THE GOVERNMENT WAS NO LONGER VIABLE. 909 01:16:57,580 --> 01:17:02,590 HE EMPHASIZED THAT THE COUNTRY MUST BE RULED WITH AN IRON FIST! 910 01:17:04,450 --> 01:17:06,330 THE REPUBLIC WILL SURVIVE! 911 01:17:08,840 --> 01:17:11,950 SOME MAY CALL MY VIEWS FASCISM. 912 01:17:12,590 --> 01:17:15,090 IF THAT'S WHAT IT TAKES FOR A STRONG STATE... 913 01:17:15,090 --> 01:17:18,210 THEN I AM PROUD TO CALL MYSELF A FASCIST! 914 01:17:18,210 --> 01:17:19,460 CAREFUL. 915 01:17:21,350 --> 01:17:23,220 CAREFUL. 916 01:17:25,720 --> 01:17:27,600 AN ORUJO. 917 01:17:31,980 --> 01:17:33,240 YOU'VE ALREADY HAD A FEW. 918 01:17:33,860 --> 01:17:35,110 I'VE HAD... 919 01:17:36,980 --> 01:17:38,870 WHAT I'VE HAD TO. 920 01:17:39,490 --> 01:17:41,380 DRIVING OXEN? 921 01:17:43,870 --> 01:17:45,120 MAYBE. 922 01:17:45,120 --> 01:17:46,990 COME ON. 923 01:17:46,990 --> 01:17:49,490 GIVE ME THAT. IT'S DANGEROUS. 924 01:17:49,500 --> 01:17:52,000 I NEED IT. 925 01:18:00,140 --> 01:18:01,390 [BOTTLE CLANGS] 926 01:18:05,760 --> 01:18:08,900 I'LL PAY FOR IT... I'LL PAY. 927 01:18:22,660 --> 01:18:24,530 LET'S GO. 928 01:18:24,530 --> 01:18:27,030 I HAVE TO GO HOME WITH MY DAD. 929 01:18:27,030 --> 01:18:29,530 THEY'RE TALKING ABOUT POLITICS. 930 01:18:55,190 --> 01:18:56,440 LET'S GO. 931 01:19:26,480 --> 01:19:27,730 [TARZAN WHINES] 932 01:19:28,980 --> 01:19:31,480 [SHUSHES] 933 01:19:31,480 --> 01:19:33,350 GOOD DOGGY. 934 01:19:33,350 --> 01:19:35,230 GOOD DOGGY. 935 01:19:36,490 --> 01:19:38,360 DOGGY...DOGGY... 936 01:19:38,350 --> 01:19:40,240 [TARZAN BARKING] 937 01:19:40,240 --> 01:19:41,490 [SHUSHES] 938 01:19:42,740 --> 01:19:44,610 [TARZAN WHIMPERS] 939 01:19:48,360 --> 01:19:49,610 [SHUSHES] 940 01:19:51,500 --> 01:19:52,750 [TARZAN WHIMPERS] 941 01:20:07,770 --> 01:20:09,640 TARZAN! 942 01:20:20,400 --> 01:20:21,650 STEAL IT! 943 01:20:23,530 --> 01:20:24,780 [BICYCLE BELL RINGS] 944 01:20:24,780 --> 01:20:26,030 MONCHO! 945 01:20:28,540 --> 01:20:30,410 MONCHO! 946 01:20:33,540 --> 01:20:36,040 -WHAT? -COME TO THE HOUSE. 947 01:20:36,050 --> 01:20:37,920 WE'RE PLAYING A GAME! 948 01:20:37,910 --> 01:20:42,300 THERE'S A WAR IN AFRICA. I HEARD IT ON THE RADIO. 949 01:20:42,300 --> 01:20:43,550 WHY? 950 01:20:43,550 --> 01:20:46,050 SOMETHING ABOUT SPAIN AND GOD... 951 01:20:46,060 --> 01:20:48,560 -UP WITH SPAIN! -HOORAY! 952 01:20:49,810 --> 01:20:51,670 [MAN SPEAKING ON RADIO] 953 01:20:51,680 --> 01:20:54,190 GET THE NEWSPAPERS, RAMON. 954 01:20:56,070 --> 01:20:56,690 THANK GOD! 955 01:21:02,320 --> 01:21:03,570 YOUR CARD. 956 01:21:03,570 --> 01:21:04,820 YOUR CARD. 957 01:21:10,450 --> 01:21:11,700 IT'S THE WAR? 958 01:21:14,200 --> 01:21:15,450 YES. 959 01:21:15,450 --> 01:21:18,580 THEY SAY THE MILITARY HAS RISEN UP. 960 01:21:24,840 --> 01:21:27,340 HELP ME. 961 01:21:27,350 --> 01:21:29,220 IF ANYONE ASKS... 962 01:21:29,220 --> 01:21:32,980 DAD NEVER SAID ANYTHING AGAINST THE PRIESTS. 963 01:21:32,970 --> 01:21:34,850 AND HE'S NOT A REPUBLICAN. 964 01:21:36,720 --> 01:21:40,470 MONCHO, LISTEN CAREFULLY TO WHAT I'M SAYING. 965 01:21:40,480 --> 01:21:44,240 DAD NEVER GAVE A SUIT TO THE TEACHER. 966 01:21:44,230 --> 01:21:45,480 YOU UNDERSTAND? 967 01:21:45,480 --> 01:21:47,980 -YES, HE DID. -NO, HE DIDN'T! 968 01:21:47,980 --> 01:21:49,870 YOU UNDERSTAND? 969 01:21:49,870 --> 01:21:51,120 HE DIDN'T! 970 01:21:51,120 --> 01:21:54,240 NO, HE DIDN'T GIVE HIM THE SUIT. 971 01:22:01,750 --> 01:22:03,010 LONG LIVE THE REPUBLIC! 972 01:22:03,000 --> 01:22:04,880 LONG LIVE. 973 01:22:14,260 --> 01:22:15,510 [KNOCK ON DOOR] 974 01:22:17,400 --> 01:22:19,910 -WHO IS IT? -OPEN THE DOOR, MADAM. 975 01:22:23,020 --> 01:22:25,520 -IS YOUR HUSBAND HERE? -NO, HE ISN'T. 976 01:22:25,520 --> 01:22:28,020 KNOW WHERE HE IS? 977 01:22:28,020 --> 01:22:31,160 PLEASE TELL HIM THE MAYOR WANTS TO SEE US. 978 01:22:31,160 --> 01:22:32,410 HE NEEDS US. 979 01:22:32,410 --> 01:22:33,660 I'LL TELL HIM. 980 01:23:45,600 --> 01:23:47,480 ANDRES. 981 01:23:49,990 --> 01:23:51,240 ANDRES. 982 01:24:58,280 --> 01:25:00,150 [BELLS TOLLING] 983 01:25:27,050 --> 01:25:30,800 -UP WITH SPAIN! -UP WITH SPAIN! 984 01:25:38,930 --> 01:25:40,810 -UP WITH SPAIN! -UP WITH SPAIN! 985 01:25:48,940 --> 01:25:50,190 GOD FORGIVE US. 986 01:25:50,830 --> 01:25:53,950 GOD FORGIVE US ALL. 987 01:26:18,360 --> 01:26:19,610 READY. 988 01:26:22,110 --> 01:26:23,970 [BELL TOLLING] 989 01:26:46,500 --> 01:26:48,380 TRAITORS! 990 01:26:48,390 --> 01:26:49,640 REDS! 991 01:26:50,890 --> 01:26:52,760 BASTARDS! 992 01:26:52,760 --> 01:26:54,650 ATHEISTS! 993 01:26:57,140 --> 01:26:59,640 RED BASTARDS! 994 01:27:08,410 --> 01:27:10,280 CLOWN! 995 01:27:10,270 --> 01:27:11,520 RED! 996 01:27:17,160 --> 01:27:19,030 ATHEIST! 997 01:27:19,030 --> 01:27:20,280 ATHEIST! 998 01:27:25,920 --> 01:27:27,170 ATHEIST! 999 01:27:29,040 --> 01:27:32,790 RAMON, FOR GOD'S SAKE, SHOUT! 1000 01:27:34,050 --> 01:27:35,310 TRAITORS! 1001 01:27:35,300 --> 01:27:39,050 CRIMINALS! REDS! 1002 01:27:39,050 --> 01:27:41,550 THUGS! CRIMINALS! TRAI-- 1003 01:27:49,700 --> 01:27:53,460 NO! ROQUE! 1004 01:27:54,700 --> 01:27:57,200 -ROQUE, NO! -DAD! 1005 01:28:13,470 --> 01:28:14,720 BASTARDS! 1006 01:28:46,620 --> 01:28:49,120 SHOUT NOW, RAMON! NOW! 1007 01:28:52,260 --> 01:28:54,120 MURDERER! 1008 01:28:54,130 --> 01:28:56,640 ANARCHIST! BASTARD! 1009 01:28:56,630 --> 01:28:58,510 SON OF A BITCH! 1010 01:29:04,770 --> 01:29:07,270 YOU, TOO, MONCHO. YOU SHOUT, TOO. 1011 01:29:17,900 --> 01:29:20,400 ATHEIST! RED! 1012 01:29:21,660 --> 01:29:22,910 RED! 1013 01:29:22,910 --> 01:29:25,420 RED! 1014 01:29:59,190 --> 01:29:59,820 ATHEIST! 1015 01:30:01,700 --> 01:30:03,560 RED! 1016 01:30:06,050 --> 01:30:08,550 TILONORRINCO! 1017 01:30:08,550 --> 01:30:10,420 PROBOSCIS!