1 00:01:03,314 --> 00:01:06,567 [NARRATOR] GOLD IS WHERE YOU FIND IT, THE MINERS SAY, 2 00:01:06,567 --> 00:01:08,444 AND THIS WAS NEVER BETTER DEMONSTRATED 3 00:01:08,444 --> 00:01:10,321 THAN AT CRIPPLE CREEK, COLORADO, 4 00:01:10,321 --> 00:01:13,532 WHERE BACK IN 1892 A COWBOY STUBBED HIS TOE 5 00:01:13,532 --> 00:01:15,784 ON A STRANGE-LOOKING PIECE OF ROCK 6 00:01:15,784 --> 00:01:17,953 AND STARTED ONE OF THE LAST GOLD RUSHES 7 00:01:17,953 --> 00:01:19,663 IN WESTERN HISTORY. 8 00:01:19,663 --> 00:01:21,957 WITHIN A YEAR, 50 DEEP SHAFTS 9 00:01:21,957 --> 00:01:25,377 WERE POURING OUT TONS OF THE RICHEST ORE EVER FOUND. 10 00:01:25,377 --> 00:01:27,630 THE TOWN GREW FAST AND LOUD, 11 00:01:27,630 --> 00:01:32,384 AND, AS USUAL, MEN DIED FASTER, LOUDER. 12 00:01:49,818 --> 00:01:51,654 BUT ALONG WITH THE CUSTOMARY VIOLENCE 13 00:01:51,654 --> 00:01:53,489 AND BLOODSHED OF A GOLD CAMP, 14 00:01:53,489 --> 00:01:57,034 SOMETHING NEW WAS ADDED TO MAKE CRIPPLE CREEK UNIQUE 15 00:01:57,034 --> 00:01:59,078 AMONG ALL HER SINFUL SISTERS 16 00:01:59,078 --> 00:02:00,871 WAYLAYING SHIPMENTS OF SMELTED GOLD 17 00:02:00,871 --> 00:02:03,415 WAS TOO OLD-FASHIONED FOR THE CRIPPLE CREEK GANG. 18 00:02:03,415 --> 00:02:04,917 THESE BOYS WEREN'T WAITING 19 00:02:04,917 --> 00:02:07,253 FOR THE ORE TO REACH THE SMELTER. 20 00:02:07,253 --> 00:02:10,965 WAGON LOAD UPON WAGON LOAD OF THE HIGHEST-GRADE STUFF, 21 00:02:10,965 --> 00:02:14,426 SOME OF IT RUNNING AS MUCH AS $60,000 A LOAD, 22 00:02:14,426 --> 00:02:16,220 WAS SIMPLY DISAPPEARING 23 00:02:16,220 --> 00:02:18,806 IN THE THIN, ROCKY-MOUNTAIN AIR. 24 00:02:33,487 --> 00:02:35,614 THEY GOT SAM THE DRIVER, TWO OF THE MINE CREW, 25 00:02:35,614 --> 00:02:37,700 AND WOUNDED FOUR OTHERS, BESIDES ME. 26 00:02:37,700 --> 00:02:39,577 WELL, COULDN'T YOU IDENTIFY ANY OF THEM? 27 00:02:39,577 --> 00:02:41,245 NO, MARSHAL, THEY WERE ALL MASKED. 28 00:02:41,245 --> 00:02:43,414 THAT'S THE TENTH WAGON LOAD OF MY RICHEST ORE 29 00:02:43,414 --> 00:02:44,915 THAT'S BEEN HIJACKED THIS MONTH. 30 00:02:44,915 --> 00:02:46,792 SIX LOADS OF MINE NEVER GOT TO THE SMELTER. 31 00:02:46,792 --> 00:02:49,128 THE WAY THEY SELECT ONLY THE RICHEST ORE, 32 00:02:49,128 --> 00:02:51,880 YOU'D THINK THEY HAD ACCESS TO MY SECRET ASSAYER REPORTS. 33 00:02:51,880 --> 00:02:55,759 I THINK YOU GENTLEMEN SHOULD APPEAL TO YOUR SENATORS IN WASHINGTON. 34 00:02:55,759 --> 00:02:57,595 WHAT DO YOU SUGGEST, SULLIVAN? 35 00:02:57,595 --> 00:03:01,265 WELL, AS A GOVERNMENT ASSAYER, I MUST AGREE WITH THE MARSHAL. 36 00:03:01,265 --> 00:03:02,641 THE LOSS OF GOLD IN SUCH QUANTITIES 37 00:03:02,641 --> 00:03:05,519 IS A MATTER OF NATIONAL CONCERN. 38 00:03:05,519 --> 00:03:08,314 GENTLEMEN, I THINK THAT'S A GOOD IDEA. 39 00:03:08,314 --> 00:03:09,940 [NARRATOR] THEY WERE RIGHT ABOUT THAT. 40 00:03:09,940 --> 00:03:12,860 IT WAS A MATTER OF NATIONAL CONCERN. 41 00:03:12,860 --> 00:03:16,071 THIS YEAR OF 1893 WAS ONE OF FINANCIAL DEPRESSION 42 00:03:16,071 --> 00:03:17,990 AND NEAR PANIC. 43 00:03:17,990 --> 00:03:20,367 THE COUNTRY'S GOLD RESERVE HAD REACHED SUCH A LOW EBB 44 00:03:20,367 --> 00:03:22,911 THAT PRESIDENT CLEVELAND PLACED AN EMBARGO 45 00:03:22,911 --> 00:03:25,372 ON THE SALE AND SHIPMENT OF THAT PRECIOUS METAL 46 00:03:25,372 --> 00:03:27,374 TO FOREIGN NATIONS. 47 00:03:27,374 --> 00:03:28,876 EVERY OUNCE OF GOLD 48 00:03:28,876 --> 00:03:31,128 WAS NEEDED BY THE NATIONAL TREASURY, 49 00:03:31,128 --> 00:03:34,214 SO THE PROBLEM OF THE WHOLESALE LOOTING OF CRIPPLE CREEK MINE 50 00:03:34,214 --> 00:03:37,259 BECAME THE IMMEDIATE AND URGENT BUSINESS 51 00:03:37,259 --> 00:03:39,470 OF THE UNITED STATES SECRET SERVICE. 52 00:03:46,185 --> 00:03:50,147 [HORSE GALLOPING] 53 00:03:52,149 --> 00:03:55,694 [GUNS FIRING] 54 00:04:27,768 --> 00:04:30,437 [FIRING CONTINUES] 55 00:05:05,889 --> 00:05:08,475 [MAN] REACH. 56 00:05:19,862 --> 00:05:23,365 TURN AROUND, EASY-LIKE. 57 00:05:26,285 --> 00:05:27,578 LARRY! 58 00:05:27,578 --> 00:05:29,037 KINDA JUMPY, AIN'T YA, BRET? 59 00:05:29,037 --> 00:05:30,873 THAT TEXAS LINGO OF YOURS HAD ME FOOLED. 60 00:05:30,873 --> 00:05:33,834 I THOUGHT THE PANHANDLE BOYS-- WELL, CHIEF BRUMMICK. 61 00:05:33,834 --> 00:05:35,961 HELLO, IVERS. GLAD TO SEE YOU, SIR. 62 00:05:35,961 --> 00:05:37,087 SO YOU DID GET MY WIRE AFTER ALL. 63 00:05:37,087 --> 00:05:38,714 YEAH, I GOT IT ALL RIGHT, 64 00:05:38,714 --> 00:05:40,549 BUT I HAD QUITE A TIME FOLLOWING YOUR INSTRUCTIONS. 65 00:05:40,549 --> 00:05:42,634 [CHUCKLES] WHEN YOU DIDN'T REACH RATON ON TIME, 66 00:05:42,634 --> 00:05:44,762 GALLAND AND I STARTED DOWN TO SEE WHAT HAD HAPPENED TO YOU. 67 00:05:44,762 --> 00:05:46,180 EVERY PEACE OFFICER IN TEXAS 68 00:05:46,180 --> 00:05:48,182 WAS AFTER MY SCALP FOR THAT BORDER JOB. 69 00:05:48,182 --> 00:05:49,850 HOW COME YOU DIDN'T CLEAR ME WITH THE STATE AUTHORITIES? 70 00:05:49,850 --> 00:05:51,894 IT'S BETTER THIS WAY, BRET. 71 00:05:51,894 --> 00:05:54,188 YOUR TEXAS REPUTATION MAY HELP A LOT 72 00:05:54,188 --> 00:05:55,647 ON THAT CRIPPLE CREEK CASE. 73 00:05:55,647 --> 00:05:57,232 OH, SO THAT'S WHERE WE'RE GOING. 74 00:05:57,232 --> 00:05:58,817 IT'S THE BIGGEST GOLD-STEALING CASE IN HISTORY. 75 00:05:58,817 --> 00:06:00,736 THEY'RE GETTING AWAY WITH TONS OF IT. 76 00:06:00,736 --> 00:06:02,154 WELL, HOW CAN THEY HOPE TO SELL TONS OF GOLD 77 00:06:02,154 --> 00:06:03,989 IN THE UNITED STATES, HERE? 78 00:06:03,989 --> 00:06:06,200 THEY DON'T. THEY'RE SMUGGLING IT OUT OF THE COUNTRY. 79 00:06:06,200 --> 00:06:07,201 SOUNDS LIKE A BIG JOB. 80 00:06:07,201 --> 00:06:09,244 BIG AND DANGEROUS. 81 00:06:09,244 --> 00:06:11,538 MORE THAN A DOZEN LOCAL PEACE OFFICERS HAVE ALREADY BEEN KILLED, 82 00:06:11,538 --> 00:06:12,956 MERELY TRYING TO STOP THE HIGH GRADERS. 83 00:06:12,956 --> 00:06:14,291 IS THAT AS FAR AS THEY GOT? 84 00:06:14,291 --> 00:06:15,959 YES, BUT THAT'S ONLY THE FIRST LINK, 85 00:06:15,959 --> 00:06:18,086 AND WE WANT EVERY LINK IN THAT CHAIN, 86 00:06:18,086 --> 00:06:19,838 BUT MOST OF ALL, THE MEN WHO ENGINEERED THE SCHEME 87 00:06:19,838 --> 00:06:21,965 AND ARRANGED THE PAYOFF. 88 00:06:21,965 --> 00:06:23,592 IS THIS BIG BRONC THE ONLY HELP I'M TO HAVE? 89 00:06:23,592 --> 00:06:25,677 NOW, AIN'T THAT NICE? 90 00:06:25,677 --> 00:06:27,095 YOU WON'T GO WRONG WITH LARRY, 91 00:06:27,095 --> 00:06:28,347 BUT YOU'LL ALSO HAVE HIS BROTHER STRAP. 92 00:06:28,347 --> 00:06:29,389 WELL, NOW THAT'S BETTER! 93 00:06:29,389 --> 00:06:30,808 WHERE DO WE PICK HIM UP? 94 00:06:30,808 --> 00:06:32,059 HE'S ALREADY IN CRIPPLE CREEK, 95 00:06:32,059 --> 00:06:33,310 GIVING IT THE ONCE OVER. 96 00:06:33,310 --> 00:06:34,311 ANY REPORT FROM HIM YET? 97 00:06:34,311 --> 00:06:35,896 NOTHING DEFINITE, 98 00:06:35,896 --> 00:06:37,731 BUT HE SPOTTED ONE OF THE TOUGHEST GANGS IN THE WEST: 99 00:06:37,731 --> 00:06:38,982 THE MULDOON OUTFIT. 100 00:06:38,982 --> 00:06:41,318 WORKING FOR THE CABEAU LIBERTY STABLE. 101 00:06:41,318 --> 00:06:42,653 WELL, THAT MIGHT BE A LEAD, SIR. 102 00:06:42,653 --> 00:06:45,155 MAYBE. ANYHOW, STRAP SUGGESTS 103 00:06:45,155 --> 00:06:46,907 THAT A COUPLE OF NEW GUNFIGHTERS 104 00:06:46,907 --> 00:06:49,368 AND OUTLAWS MIGHT FIND IT EASY TO MAKE A HOOK UP. 105 00:06:49,368 --> 00:06:50,869 WELL, WITH BILLY THE KID 106 00:06:50,869 --> 00:06:52,120 HERE AS A PARTNER, I CAN'T MISS. 107 00:06:52,120 --> 00:06:54,122 WELL, DON'T FORCE YOUR HAND. 108 00:06:54,122 --> 00:06:55,415 THE RIGHT PEOPLE WILL SPOT YOU SOON ENOUGH. 109 00:06:55,415 --> 00:06:56,834 WHERE DO WE FIND STRAP? 110 00:06:56,834 --> 00:06:57,960 DON'T TRY. HE'LL BE WATCHING FOR YOU. 111 00:06:57,960 --> 00:06:59,419 LET HIM MAKE THE CONTACT. 112 00:06:59,419 --> 00:07:00,629 WELL, THAT'S ALL I HAVE TO TELL YOU. 113 00:07:00,629 --> 00:07:01,880 FROM HERE ON, YOU'RE ON YOUR OWN. 114 00:07:01,880 --> 00:07:03,131 THANKS, CHIEF. 115 00:07:03,131 --> 00:07:04,550 BUT I'M COUNTING ON THE THREE OF YOU. 116 00:07:04,550 --> 00:07:07,135 THANK YOU, SIR. 117 00:07:07,135 --> 00:07:09,930 [MEN CAROUSING, PIANO PLAYING] 118 00:07:26,154 --> 00:07:27,948 WHICH WAY TO THE LIBERTY STABLE, FRIEND? 119 00:07:27,948 --> 00:07:29,408 LIBERTY STABLE? 120 00:07:29,408 --> 00:07:31,660 RIGHT DOWN THERE, AT THE END OF THE STREET. 121 00:07:31,660 --> 00:07:33,704 HOLLY, JACK, 122 00:07:33,704 --> 00:07:36,623 THREE WAGONS TO GO BACK TO THE WOOD CUTTER'S CAMP TONIGHT. 123 00:07:36,623 --> 00:07:39,668 FRESH HORSES... AND SOBER DRIVERS. 124 00:07:39,668 --> 00:07:41,962 [MAN] YES, BOSS. 125 00:07:41,962 --> 00:07:43,964 YOU'RE EARLY, MULDOON. WE DON'T ROLL FOR A COUPLE OF HOURS. 126 00:07:43,964 --> 00:07:45,549 WE WON'T ROLL AT ALL... 127 00:07:45,549 --> 00:07:48,552 TILL WE GET OUR PAY FOR THOSE LAST THREE JOBS. 128 00:07:48,552 --> 00:07:50,846 YOU'LL GET YOUR PAY WHEN I GET MINE, 129 00:07:50,846 --> 00:07:52,472 BUT NOT BEFORE. 130 00:07:52,472 --> 00:07:53,765 WE WANT OURS NOW, 131 00:07:53,765 --> 00:07:56,268 OR YOU CAN GET YOURSELF A NEW CREW. 132 00:07:56,268 --> 00:08:00,355 NOBODY QUITS THIS OUTFIT. 133 00:08:00,355 --> 00:08:02,858 I'LL SEE THE BOSS. 134 00:08:02,858 --> 00:08:04,943 GO AHEAD. 135 00:08:11,533 --> 00:08:13,160 STABLE YOUR PONIES, GENTS? 136 00:08:13,160 --> 00:08:15,162 THANKS. WE'LL TAKE CARE OF THEM FOR YOU. 137 00:08:15,162 --> 00:08:17,205 ANY IDEAS AS TO WHERE WE CAN GET A ROOM AROUND HERE? 138 00:08:17,205 --> 00:08:21,251 IT'S HARD TO SAY. TOWN'S OVERCROWDED. 139 00:08:21,251 --> 00:08:23,420 MIGHT TRY OVER THE SILVER PALACE. 140 00:08:23,420 --> 00:08:26,673 MUCH OBLIGED. CUSTOMERS, JAKE. 141 00:08:57,996 --> 00:08:59,539 WHAT'LL IT BE, GENTS? 142 00:08:59,539 --> 00:09:01,208 WHO DO YOU SEE ABOUT GETTING A ROOM HERE? 143 00:09:01,208 --> 00:09:04,461 YOU CAN ASK THE BOSS THERE, MR. KIRBY. 144 00:09:04,461 --> 00:09:06,171 MR. KIRBY? 145 00:09:06,171 --> 00:09:08,799 BETTER KNOWN AS SILVER KIRBY. WHAT CAN I DO FOR YOU GENTLEMEN? 146 00:09:08,799 --> 00:09:10,258 WELL, WE'D LIKE TO GET A ROOM. 147 00:09:10,258 --> 00:09:11,760 OH, I'M SORRY, 148 00:09:11,760 --> 00:09:13,720 BUT I'M AFRAID WE'RE ALL FILLED UP. 149 00:09:13,720 --> 00:09:17,265 DELIVERYMAN AND CABEAU FIGURED YOU MIGHT BE ABLE TO TAKE CARE OF US. 150 00:09:17,265 --> 00:09:19,059 SO, I SEE. 151 00:09:19,059 --> 00:09:20,686 AND YOU BOYS MUST HAVE RIDDEN UP FROM THE VALLEY TONIGHT. 152 00:09:20,686 --> 00:09:22,980 YEAH, 40-MILE DAY. 153 00:09:22,980 --> 00:09:24,690 IT'S A LONG PULL. 154 00:09:24,690 --> 00:09:27,025 LET'S SEE IF WE CAN'T DO SOMETHING FOR YOU. 155 00:09:27,025 --> 00:09:28,652 JULIE! 156 00:09:32,614 --> 00:09:35,742 HAVE WE A CANCELED RESERVATION AVAILABLE FOR THESE GENTLEMEN? 157 00:09:35,742 --> 00:09:38,078 WHY, YES, WE HAD A ROOM READY FOR MR. MCKEE, 158 00:09:38,078 --> 00:09:39,454 BUT HE'S GONE BACK TO VICTOR. 159 00:09:39,454 --> 00:09:41,873 WELL, BOYS, IT LOOKS LIKE YOU'RE IN LUCK. 160 00:09:41,873 --> 00:09:43,208 COME ALONG, GENTLEMEN, I'LL SHOW YOU THE WAY. 161 00:09:43,208 --> 00:09:44,501 THANKS, MA'AM, 162 00:09:44,501 --> 00:09:46,503 AND THANK YOU FOR BEING SO ACCOMMODATING. 163 00:09:46,503 --> 00:09:49,464 GLAD TO OBLIGE. THAT'S WHAT WE'RE HERE FOR. 164 00:10:00,308 --> 00:10:04,062 I WONDER WHAT CABEAU SAW IN THOSE TWO TO WORRY ABOUT. 165 00:10:04,062 --> 00:10:06,398 MAYBE IT'S THE WAY THEY SLING THEIR ARTILLERY: 166 00:10:06,398 --> 00:10:09,151 TEXAS STYLE, LOW AND HANDY. 167 00:10:11,236 --> 00:10:13,030 I SUPPOSE YOU BOYS CAME HERE HOPING TO GET RICH QUICKLY, 168 00:10:13,030 --> 00:10:14,614 LIKE ALL THE OTHERS. 169 00:10:14,614 --> 00:10:16,199 NO, MA'AM, WE JUST DRIFTED UP FROM TEXAS 170 00:10:16,199 --> 00:10:18,618 TO TAKE IN THE SIGHTS OF CRIPPLE CREEK. 171 00:10:18,618 --> 00:10:22,789 YEAH, AND WE SURE LIKE WHAT WE'VE SEEN SO FAR. 172 00:10:22,789 --> 00:10:25,625 THEY MUST HAVE MOVED THE BLARNEY STONE TO TEXAS. 173 00:10:25,625 --> 00:10:28,211 HERE'S THE ROOM. WE HAD IT READY FOR MR. MCKEE. 174 00:10:28,211 --> 00:10:30,297 HE OWNS THE GOLD DOLLAR MINE, 175 00:10:30,297 --> 00:10:31,673 SO AT LEAST YOU BOYS'LL SLEEP IN A MILLIONAIRE'S BED. 176 00:10:31,673 --> 00:10:35,719 AH, LOOKS REAL COZY-LIKE. THANKS, MISS JULIE. 177 00:10:35,719 --> 00:10:37,888 NOT AT ALL, IT'S PART OF MY JOB. 178 00:10:37,888 --> 00:10:39,639 NOW, IF YOU'LL GIVE ME YOUR NAMES, I'LL REGISTER FOR YOU. 179 00:10:39,639 --> 00:10:43,351 IVERS IS MINE. BRET IVERS. THIS IS LARRY GALLAND. 180 00:10:43,351 --> 00:10:45,771 MINE'S JULIE HANSON. GOOD NIGHT. 181 00:10:45,771 --> 00:10:48,148 GOOD NIGHT, MISS JULIE. GOOD NIGHT, MA'AM. 182 00:10:52,027 --> 00:10:54,029 YA SEE STRAP DOWN THERE, DEALING FARO? 183 00:10:54,029 --> 00:10:55,530 YEAH, LOOKS LIKE A REAL SWEET LISTENING. 184 00:10:55,530 --> 00:10:57,991 I SURE HOPE-- 185 00:10:57,991 --> 00:11:00,911 WHY, DO YOU THINK SOMEBODY'S WORRIED ABOUT US ALREADY? 186 00:11:00,911 --> 00:11:03,622 WE'RE IN THE RIGHT PLACE, THEY'D WORRY ABOUT ANY STRANGERS. 187 00:11:12,672 --> 00:11:15,092 SURE HOPE STRAP GETS IN TOUCH WITH US TONIGHT. 188 00:11:15,092 --> 00:11:17,594 WELL, WE'LL LEAVE THAT TO HIM. IT'S HIS PLAY. 189 00:11:25,727 --> 00:11:26,978 SILVER SAYS, "NO DICE." 190 00:11:26,978 --> 00:11:29,523 EVERYBODY WAITS FOR THE BIG PAYOFF. 191 00:11:29,523 --> 00:11:32,359 SO WE WAIT, IS THAT IT? 192 00:11:32,359 --> 00:11:35,946 NO. WE MAKE OUR OWN COLLECTION TONIGHT. 193 00:11:35,946 --> 00:11:39,074 NOW, YOU TWO STAY HERE. I'LL GET THE BOYS IN THE OTHER ROOM. 194 00:12:03,723 --> 00:12:06,184 OKAY, JUDGE. 195 00:12:17,445 --> 00:12:19,948 ONE DEALER LEFT. GET THE BOYS. 196 00:12:27,038 --> 00:12:28,290 NIGHT, GILLETTE. 197 00:12:28,290 --> 00:12:30,125 G'NIGHT, MR. KIRBY. 198 00:12:34,129 --> 00:12:36,381 [WHISTLES] 199 00:12:38,049 --> 00:12:40,677 IT'S STRAP. YEAH. 200 00:12:40,677 --> 00:12:44,514 [OMINOUS MUSIC] 201 00:12:47,809 --> 00:12:49,936 HOLD IT. 202 00:12:54,191 --> 00:12:56,234 MUST'VE GOTTEN WISE TO STRAP. 203 00:12:56,234 --> 00:12:59,821 WAIT! THEY'RE USING HIM AS A DECOY FOR A HOLDUP. 204 00:13:05,160 --> 00:13:06,703 [KNOCKS] 205 00:13:06,703 --> 00:13:08,413 MR. KIRBY! MR. KIRBY! 206 00:13:13,668 --> 00:13:16,796 ALL RIGHT, KEEP IT QUIET, YOU TWO. THIS IS A PRIVATE GOLD STRIKE IN THE HOUSE. 207 00:13:18,048 --> 00:13:21,176 WELL, I'M NOT WAITING ANYMORE. 208 00:14:14,771 --> 00:14:19,067 I RECKON IT'S ALL HERE, MR. KIRBY. 209 00:14:19,067 --> 00:14:22,445 YOU DIDN'T GIVE THEM A CHANCE TO SPEND ANY OF IT, THAT'S CERTAIN. 210 00:14:22,445 --> 00:14:24,281 PUT IT AWAY, ED. 211 00:14:24,281 --> 00:14:27,450 I DON'T LIKE TO LOOK A GIFT HORSE IN THE MOUTH, 212 00:14:27,450 --> 00:14:30,578 BUT HOW DID YOU HAPPEN TO INVITE YOURSELVES TO MULDOON'S PARTY? 213 00:14:30,578 --> 00:14:32,747 AH, I RECKON IT'S JUST FORCE OF HABIT. 214 00:14:32,747 --> 00:14:36,084 YOU SEE, LARRY AND ME, WE'RE SORTA GROUND-FLOOR FELLAS. 215 00:14:36,084 --> 00:14:39,129 ANYTIME WE'RE SLEEPING TWO STORIES HIGH, WE GET KINDA NERVOUS. 216 00:14:39,129 --> 00:14:41,047 SO, I WAS JUST LOOKING OUT THE WINDOW, 217 00:14:41,047 --> 00:14:43,133 JUST TO MAKE SURE WE COULD REACH THE GROUND EASY-- 218 00:14:43,133 --> 00:14:45,093 IN CASE OF FIRE. 219 00:14:45,093 --> 00:14:49,514 YEAH, FIRE, OR EVEN THE WRONG KIND OF KNOCK ON THE DOOR. 220 00:14:49,514 --> 00:14:51,683 THEN YOU SAW THAT MULDOON OUT TO JUMP ME. 221 00:14:51,683 --> 00:14:54,144 YEAH, FOUR GUNS ON ONE MAN. 222 00:14:54,144 --> 00:14:57,605 WE DON'T LIKE THAT KIND OF ODDS DOWN IN TEXAS. 223 00:14:57,605 --> 00:14:59,149 IT'S A LUCKY BREAK, ALL THE WAY AROUND. 224 00:14:59,149 --> 00:15:02,152 GENTLEMEN, THIS CALLS FOR A DRINK ON THE HOUSE. 225 00:15:13,038 --> 00:15:14,956 AND THAT'S BILL TATE OF COLORADO SPRINGS. 226 00:15:14,956 --> 00:15:16,207 HE WORK FOR YOU TOO? 227 00:15:16,207 --> 00:15:18,752 DROVE FOR ME ONCE IN A WHILE. 228 00:15:18,752 --> 00:15:20,962 VERY SAD AFFAIR, 229 00:15:20,962 --> 00:15:24,799 BUT THE BEST NIGHT'S BUSINESS WE'VE HAD FOR SOME TIME. 230 00:15:24,799 --> 00:15:28,803 I CAN MAKE A VERY ATTRACTIVE CLUB RATE FOR ALL SIX. 231 00:15:31,306 --> 00:15:33,183 WELL, SILVER, YOU CAN LOCK UP NOW. 232 00:15:33,183 --> 00:15:34,601 CORPUS DELICTI'S BEEN IDENTIFIED, 233 00:15:34,601 --> 00:15:37,020 AND HAWKINS HERE OFFERS A VERY GOOD CLUB RATE. 234 00:15:37,020 --> 00:15:40,148 SIX COFFINS, NO FLOWERS, NO MOURNERS. 235 00:15:40,148 --> 00:15:41,941 SEEMS TO ME THAT'S UP TO CABEAU. 236 00:15:41,941 --> 00:15:44,527 I'D BE MORE CAREFUL ABOUT MY HIRED HELP IF I WERE YOU. 237 00:15:44,527 --> 00:15:46,780 LOOK, I GOTTA TAKE WHAT I CAN GET. 238 00:15:46,780 --> 00:15:49,991 CUTTING AND HAULING THIS TOWN'S SUPPLY OF CORDWOOD IS A TOUGH JOB. 239 00:15:49,991 --> 00:15:51,618 BUT IF THAT'S ALL, MARSHAL, I'LL BE ROLLING. 240 00:15:51,618 --> 00:15:53,536 I GOTTA HUSTLE UP A NEW CREW. 241 00:15:53,536 --> 00:15:54,871 THAT'S ALL, CABEAU. THANKS. 242 00:15:54,871 --> 00:15:56,998 I CAN MAKE IT EASIER FOR YOU, MR. CABEAU, 243 00:15:56,998 --> 00:15:58,958 IF YOU'LL FURNISH ONE OF YOUR OWN WAGONS. 244 00:15:58,958 --> 00:16:03,046 MY LARGEST HEARSE IS ONLY A TWO-PASSENGER JOB. 245 00:16:03,046 --> 00:16:04,923 SEE JAKE AT THE STABLE. 246 00:16:04,923 --> 00:16:06,633 OH, SPLENDID! 247 00:16:06,633 --> 00:16:09,427 I'LL SEND MY DECORATOR OVER TO DRAPE IT IN BLACK. 248 00:16:09,427 --> 00:16:13,473 YOU CAN DRAPE IT IN RED, WHITE, AND BLUE, FOR ALL I CARE. 249 00:16:13,473 --> 00:16:16,267 A PATRIOTIC IDEA, 250 00:16:16,267 --> 00:16:19,813 BUT A LITTLE TOO UNCONVENTIONAL FOR CRIPPLE CREEK. 251 00:16:19,813 --> 00:16:21,815 WELL, GOOD NIGHT, ALL, 252 00:16:21,815 --> 00:16:26,361 AND THANKS AGAIN, GENTLEMEN, FOR BEING SO COOPERATIVE. 253 00:16:35,620 --> 00:16:37,580 MISS JULIE? 254 00:16:37,580 --> 00:16:40,458 SURE GLAD YOU WEREN'T DOWN HERE WHEN THIS HAPPENED, MISS JULIE. 255 00:16:40,458 --> 00:16:42,460 SO AM I. 256 00:16:42,460 --> 00:16:44,462 YEAH, IT'S PRETTY ROUGH. 257 00:16:44,462 --> 00:16:46,005 COULDN'T BE HELPED, ONCE IT STARTED. 258 00:16:46,005 --> 00:16:47,632 I SUPPOSE NOT. 259 00:16:47,632 --> 00:16:50,135 AND I'M SURE MR. KIRBY'S VERY GRATEFUL TO YOU. 260 00:16:50,135 --> 00:16:51,261 GOOD NIGHT. 261 00:16:51,261 --> 00:16:53,054 GOOD NIGHT, MA'AM. 262 00:16:59,811 --> 00:17:03,648 I'LL RECKON LARRY AND ME'LL SHOVE OFF OUR BED. GOOD NIGHT, MEN. 263 00:17:03,648 --> 00:17:05,733 CONSIDER YOURSELF THE HONORED GUESTS OF THE HOUSE, 264 00:17:05,733 --> 00:17:07,527 FOR AS LONG AS YOU WANT TO STAY. 265 00:17:07,527 --> 00:17:10,238 WELL NOW, THAT'S REAL HANDSOME OF YOU. 266 00:17:10,238 --> 00:17:11,781 SEE YA IN THE MORNING. 267 00:17:11,781 --> 00:17:14,159 GOOD NIGHT. G'NIGHT. 268 00:17:16,995 --> 00:17:19,497 [KIRBY] NOTHING LIKE GOOD OL' SOUTHERN CHIVALRY. 269 00:17:19,497 --> 00:17:21,958 IMAGINE THOSE BOYS, 270 00:17:21,958 --> 00:17:26,754 RISKING THEIR LIVES FOR A TOTAL STRANGER LIKE YOU. 271 00:17:26,754 --> 00:17:29,757 OR AM I TAKING TOO MUCH FOR GRANTED? 272 00:17:29,757 --> 00:17:31,718 I NEVER SAW THEM BEFORE, BOSS. 273 00:17:31,718 --> 00:17:33,970 AND IT'S MY HUNCH THEY MADE THIS GRANDSTAND PLAY 274 00:17:33,970 --> 00:17:35,430 TO GET IN YOUR GOOD BOOK, 275 00:17:35,430 --> 00:17:36,681 NOT MINE. 276 00:17:36,681 --> 00:17:37,682 WHAT DO YA THINK, DENVER? 277 00:17:37,682 --> 00:17:39,017 WELL, ALL I SAY IS, BOSS, 278 00:17:39,017 --> 00:17:40,685 YOU BETTER KEEP THAT SAFE LOCKED 279 00:17:40,685 --> 00:17:42,812 WHILE YOUR NEW GUESTS OF HONOR ARE IN TOWN. 280 00:17:42,812 --> 00:17:45,607 I AGREE WITH DENVER. I'D NOT ONLY LOCK THE SAFE, 281 00:17:45,607 --> 00:17:47,358 I'D CHANGE THE COMBINATION. 282 00:17:51,070 --> 00:17:53,907 NIGHT, GENTS. 283 00:17:53,907 --> 00:17:55,241 WELL, MARSHAL, 284 00:17:55,241 --> 00:17:57,076 HOW DOES IT CHECK OUT FROM THE POINT OF VIEW 285 00:17:57,076 --> 00:17:58,495 OF THE LAW? 286 00:17:58,495 --> 00:17:59,787 WELL, I'D SAY THE TOWN 287 00:17:59,787 --> 00:18:01,998 IS WELL RID OF THE MULDOON OUTFIT, 288 00:18:01,998 --> 00:18:05,084 BUT I'M NOT SO SURE IT'LL BENEFIT BY THE CHANGE. 289 00:18:05,084 --> 00:18:07,170 THOSE TWO GUN ARTISTS AIN'T HERE FOR THEIR HEALTH. 290 00:18:07,170 --> 00:18:10,089 MAYBE I BETTER CONTACT MY OLD FRIEND 291 00:18:10,089 --> 00:18:11,925 SHERIFF SUMMERS DOWN IN AMARILLO. 292 00:18:11,925 --> 00:18:14,969 HE'S GOT A RECORD OF EVERY GUNFIGHTER IN TEXAS. 293 00:18:14,969 --> 00:18:17,013 IT'S A SMART IDEA, MARSHAL. 294 00:18:17,013 --> 00:18:19,682 WE LAW-ABIDING CITIZENS CAN'T BE TOO CAREFUL. 295 00:18:19,682 --> 00:18:21,684 HMM. 296 00:18:35,657 --> 00:18:37,242 WHY DON'T YOU LOOK UNDER THE BED? 297 00:18:37,242 --> 00:18:39,202 WHY DON'T I KNOCK YOUR BLOCK OFF, YOU MEAN. 298 00:18:39,202 --> 00:18:41,329 I'M SORRY, BRET. YOU'RE DEAD RIGHT. 299 00:18:41,329 --> 00:18:42,497 I NEARLY WRECKED OUR CASE. 300 00:18:42,497 --> 00:18:43,748 [STRAP] YOU SURE DID. 301 00:18:43,748 --> 00:18:46,167 [IVERS] STRAP! 302 00:18:53,633 --> 00:18:55,218 HIYA, STRAP. 303 00:18:55,218 --> 00:18:57,470 I OUGHT TO TAKE YOU ACROSS MY KNEE AND SPANK YOU, 304 00:18:57,470 --> 00:18:58,638 LIKE I DID WHEN YOU WERE A KID. 305 00:18:58,638 --> 00:18:59,681 OH, ALL RIGHT. BALL ME OUT. 306 00:18:59,681 --> 00:19:02,350 I GOT IT COMING. 307 00:19:02,350 --> 00:19:03,726 IT ISN'T THAT BAD, LARRY. 308 00:19:03,726 --> 00:19:04,894 YOU JUST BROKE A PLATE. 309 00:19:04,894 --> 00:19:06,563 I THINK I SAVED THE PIECES, 310 00:19:06,563 --> 00:19:07,939 BUT YOU GUYS'LL HAVE TO GLUE 'EM TOGETHER. 311 00:19:07,939 --> 00:19:09,065 HOW BAD IS IT BROKEN? 312 00:19:09,065 --> 00:19:10,692 I CAN'T TELL FOR SURE. 313 00:19:10,692 --> 00:19:13,111 SILVER KIRBY'S GRATEFUL, BUT SUSPICIOUS. 314 00:19:13,111 --> 00:19:15,238 NOW, THAT FISH-EYED KILLER OF HIS, DENVER JONES, 315 00:19:15,238 --> 00:19:17,073 FIGURES YOU'RE A COUPLE OF REFUGEE OUTLAWS 316 00:19:17,073 --> 00:19:18,408 LOOKING FOR A SOFT TOUCH. 317 00:19:18,408 --> 00:19:19,576 I HELPED THE IDEA ALONG. 318 00:19:19,576 --> 00:19:21,536 SWELL! IF KIRBY RUNS THINGS, 319 00:19:21,536 --> 00:19:23,413 HE MIGHT MAKE US A PROPOSITION. 320 00:19:23,413 --> 00:19:24,914 HOW DOES KIRBY ADD UP? 321 00:19:24,914 --> 00:19:26,499 I'VE GOT NOTHING BUT HUNCHES SO FAR, 322 00:19:26,499 --> 00:19:28,459 BUT THERE'S A TIE-IN BETWEEN HIM AND CABEAU. 323 00:19:28,459 --> 00:19:30,169 YEAH, I FIGURED AS MUCH, 324 00:19:30,169 --> 00:19:33,590 THE WAY CABEAU'S NAME GOT US THIS ROOM. 325 00:19:33,590 --> 00:19:34,966 HOW DO THEY WORK IT? 326 00:19:34,966 --> 00:19:36,509 HERE'S ALL I GOT-- 327 00:19:36,509 --> 00:19:38,386 CABEAU HAS TEN FOUR-HORSE WAGONS 328 00:19:38,386 --> 00:19:39,637 HAULING CORDWOOD. 329 00:19:39,637 --> 00:19:40,847 THAT'S THE ONLY FUEL THEY HAVE HERE. 330 00:19:40,847 --> 00:19:42,432 WHERE DO THEY GET IT? 331 00:19:42,432 --> 00:19:44,183 I DON'T KNOW, BUT HIS WOODCUTTERS' CAMP 332 00:19:44,183 --> 00:19:46,060 RUNS FULL BLAST ALL SUMMER, 333 00:19:46,060 --> 00:19:47,562 AND HIS RIGS ROLL DAY AND NIGHT. 334 00:19:47,562 --> 00:19:49,397 OUT EMPTY, AND BACK LOADED, HUH? 335 00:19:49,397 --> 00:19:52,025 HASN'T ANYBODY EVER TRIED TO TRAIL THEM? YEAH. 336 00:19:52,025 --> 00:19:53,693 SIX MARSHALS AND TEN DEPUTIES, 337 00:19:53,693 --> 00:19:54,694 BUT THEY NEVER GOT BACK. 338 00:19:54,694 --> 00:19:55,695 HMM. 339 00:19:55,695 --> 00:19:57,989 WELL, IT BEGINS TO FIGURE. 340 00:19:57,989 --> 00:19:59,407 YOU'VE DONE ALL RIGHT, STRAP. 341 00:19:59,407 --> 00:20:00,950 FOR A GUY ANCHORED TO A FERAL BANK LAYOUT 342 00:20:00,950 --> 00:20:02,368 AND ONLY HERE A WEEK. 343 00:20:02,368 --> 00:20:06,456 WHAT ABOUT THIS GAL, JULIE HANSON? 344 00:20:06,456 --> 00:20:08,333 ALL I KNOW IS SHE WORKS FOR A LIVING 345 00:20:08,333 --> 00:20:10,793 TO KEEP HER OLD MAN EATING. 346 00:20:10,793 --> 00:20:11,961 HE'S AN OLD, HARD-LUCK PROSPECTOR 347 00:20:11,961 --> 00:20:13,212 WHO'S DUG MORE HOLES 348 00:20:13,212 --> 00:20:14,547 THAN ALL THE GOPHERS IN THE WEST. 349 00:20:14,547 --> 00:20:16,674 WELL, WE CAN'T OVERLOOK ANYBODY 350 00:20:16,674 --> 00:20:18,259 CONNECTED WITH KIRBY. 351 00:20:18,259 --> 00:20:20,303 I GUESS I'LL HAVE TO GIVE MISS JULIE 352 00:20:20,303 --> 00:20:21,638 MY PERSONAL ATTENTION. 353 00:20:21,638 --> 00:20:23,014 THERE HE GOES AGAIN, 354 00:20:23,014 --> 00:20:25,266 GRABBING OFF THE BEST ASSIGNMENT. 355 00:20:26,351 --> 00:20:28,394 [WAGONS ROLLING] 356 00:20:38,363 --> 00:20:42,700 MR. CORDWOOD CABEAU HIMSELF AT THE REINS. 357 00:20:42,700 --> 00:20:43,701 OFF THE BED, LARRY, AND HARNESS UP. WE'RE GOING FOR A RIDE. 358 00:20:43,701 --> 00:20:45,078 YOU GOT IT, BRET. 359 00:20:45,078 --> 00:20:46,537 THAT WAGON MAY PUT US ON FIRST BASE. 360 00:20:46,537 --> 00:20:48,289 I HAVE A HUNCH IT'LL DO MORE THAN THAT. 361 00:20:48,289 --> 00:20:50,541 MAY BUY US A SEAT AT SILVER KIRBY'S TABLE. 362 00:20:50,541 --> 00:20:52,543 THAT'S THE BEST NIGHT'S SLEEP I'VE HAD 363 00:20:52,543 --> 00:20:55,088 SINCE I MET UP WITH HIM. 364 00:20:57,382 --> 00:20:59,759 STRAP, BLOW OUT THE LAMP. 365 00:21:16,818 --> 00:21:18,903 [SUSPENSEFUL MUSIC] 366 00:21:18,903 --> 00:21:24,200 [♪♪] 367 00:22:31,768 --> 00:22:34,020 [DRIVER] THAT'S IT, BOYS. 368 00:22:46,115 --> 00:22:47,784 WELL NOW, HOW D'YA LIKE THAT? 369 00:22:47,784 --> 00:22:48,826 I'LL BE DOGGONE. 370 00:22:48,826 --> 00:22:50,536 WHAT DO WE DO NOW? 371 00:22:50,536 --> 00:22:52,914 FOLLOW CABEAU TO THE SECOND LINK IN THE CHAIN? 372 00:22:52,914 --> 00:22:55,416 NO, WE HAVEN'T GOT TIME. IT'S TOO NEAR MORNING. 373 00:22:55,416 --> 00:22:57,168 BESIDES, I'VE GOT A BETTER IDEA. 374 00:22:57,168 --> 00:22:59,128 MASK UP. 375 00:24:12,368 --> 00:24:14,412 HEY OH. 376 00:24:20,710 --> 00:24:22,211 [GALLAND] WHAT DO WE DO WITH THE STUFF WE GOT? 377 00:24:22,211 --> 00:24:24,338 [IVERS] DUMP IT IN SOME ABANDONED HOLE. 378 00:25:18,893 --> 00:25:21,187 [GALLAND] IT'LL BE SAFE IN THIS DEAD SHAFT. 379 00:25:31,781 --> 00:25:33,074 [STRAP] WELL, I COULDN'T SLEEP, 380 00:25:33,074 --> 00:25:34,408 SO I GOT TO THE WINDOW FOR A SMOKE, 381 00:25:34,408 --> 00:25:35,868 AND THERE'S THOSE TWO BUCKAROOS 382 00:25:35,868 --> 00:25:38,162 CLIMBING DOWN FROM THE ROOF TO THE GROUND. 383 00:25:38,162 --> 00:25:40,206 WHY DIDN'T YOU TAIL 'EM? 384 00:25:40,206 --> 00:25:41,624 I'M JUST A FARO DEALER. 385 00:25:41,624 --> 00:25:44,126 I HAVEN'T BEEN HIRED TO TAIL ANYBODY. 386 00:25:44,126 --> 00:25:47,088 I APPRECIATE YOUR LOYALTY, GILLIS. 387 00:25:47,088 --> 00:25:49,507 PERHAPS I CAN THROW SOMETHING YOUR WAY. 388 00:25:49,507 --> 00:25:51,133 TO START WITH, TAKE YOUR THINGS AND MOVE 389 00:25:51,133 --> 00:25:53,928 INTO THAT EMPTY ROOM NEXT TO OUR TEXAS GUESTS. 390 00:25:53,928 --> 00:25:55,680 KEEP CASES ON THEM, NIGHT AND DAY. 391 00:25:55,680 --> 00:25:58,516 I'LL STICK TO 'EM LIKE A BROTHER. 392 00:25:59,767 --> 00:26:00,977 [FOOTSTEPS] 393 00:26:05,314 --> 00:26:06,607 WHERE HAVE YOU BEEN? 394 00:26:06,607 --> 00:26:07,900 SLEEPING IN YOUR STABLE? 395 00:26:07,900 --> 00:26:09,402 I'VE BEEN WALKING TEN MILES. 396 00:26:09,402 --> 00:26:10,736 CAN I SEE YOU IN PRIVATE? 397 00:26:10,736 --> 00:26:12,071 WELL, THAT'S ALL RIGHT. 398 00:26:12,071 --> 00:26:13,197 I'VE, UH, JUST TAKEN GILLIS 399 00:26:13,197 --> 00:26:15,074 INTO THE CORPORATION. 400 00:26:15,074 --> 00:26:18,828 POUR OUR ROUGHED-UP FRIEND A CUP OF COFFEE, STRAP. 401 00:26:18,828 --> 00:26:20,246 WHAT'S THE SAD STORY? 402 00:26:20,246 --> 00:26:21,831 TWO MASKED GUNMEN KILLED BEN FRY 403 00:26:21,831 --> 00:26:22,873 AND HIJACKED MY WAGON LAST NIGHT. 404 00:26:22,873 --> 00:26:24,458 THEY GET THE ORE? 405 00:26:24,458 --> 00:26:26,377 YEAH, AND THE WAGON'S BACK AT THE STABLE-- 406 00:26:26,377 --> 00:26:28,921 EMPTY, SO THEY'VE CASHED THE LOAD SOME PLACE. 407 00:26:30,923 --> 00:26:33,342 [IVERS] MORNING, MISS JULIE. [GALLAND] MORNING, MA'AM. 408 00:26:33,342 --> 00:26:34,844 [KIRBY] MORNING, BOYS. 409 00:26:34,844 --> 00:26:36,178 MORNING, MR. KIRBY. MORNING. 410 00:26:36,178 --> 00:26:38,222 [KIRBY] HAVE BREAKFAST WITH US. 411 00:26:38,222 --> 00:26:42,184 WELL, THAT'S AN INVITATION WE NEVER REFUSE. 412 00:26:42,184 --> 00:26:43,185 THAT BELT BUCKLE! 413 00:26:43,185 --> 00:26:44,186 WHY, YOU! 414 00:26:44,186 --> 00:26:45,771 [KIRBY] CABEAU! 415 00:26:45,771 --> 00:26:47,273 THESE ARE THE TWO YEGGS WHO STUCK ME UP. 416 00:26:47,273 --> 00:26:49,525 THERE MUST BE SOME MISTAKE. 417 00:26:49,525 --> 00:26:50,609 THESE MEN ARE MY FRIENDS, 418 00:26:50,609 --> 00:26:52,278 THEY'VE PROVED IT. 419 00:26:53,821 --> 00:26:55,531 [KIRBY] HOW 'BOUT IT, IVERS? 420 00:26:55,531 --> 00:26:57,408 WELL, WE'RE MIGHTY SORRY, MR. KIRBY. 421 00:26:57,408 --> 00:26:58,909 LARRY AND ME HAD NO IDEA 422 00:26:58,909 --> 00:27:01,537 YOU WERE MIXED UP WITH CABEAU'S OUTFIT. 423 00:27:01,537 --> 00:27:03,456 NATURALLY, WE'D HAVE LAID OFF THAT ORE WAGON. 424 00:27:03,456 --> 00:27:05,207 [KIRBY] NATURALLY... 425 00:27:05,207 --> 00:27:07,960 AND, THAT BEING THE CASE, ALL YOU HAVE TO DO IS TELL US 426 00:27:07,960 --> 00:27:09,462 WHERE YOU DUMPED THOSE SACKS, 427 00:27:09,462 --> 00:27:11,380 AND THERE'LL BE NO HARD FEELINGS. 428 00:27:11,380 --> 00:27:13,424 THAT WAS MIGHTY RICH ORE, MR. KIRBY. 429 00:27:13,424 --> 00:27:14,717 YEAH, FROM WHAT WE HEAR, 430 00:27:14,717 --> 00:27:17,553 MUST BE WORTH CLOSE TO $40,000. 431 00:27:17,553 --> 00:27:18,554 [MEN SHOUTING] 432 00:27:18,554 --> 00:27:19,555 [HANSON] GOLD! 433 00:27:19,555 --> 00:27:22,308 GATHER AROUND! 434 00:27:29,398 --> 00:27:32,318 "CANCELED POLLY," YOU CALLED THAT CLAIM OF MINE, DID YA? 435 00:27:32,318 --> 00:27:34,695 HEY, GIVE ME THAT, YOU GOPHER! 436 00:27:34,695 --> 00:27:37,490 IT'S JULIE'S FATHER. HE STRUCK IT RICH. 437 00:27:37,490 --> 00:27:39,950 NONSENSE. THAT OLD CLAIM OF HIS ISN'T WORTH A QUARTER. 438 00:27:39,950 --> 00:27:42,161 NEVER WILL BE. IF THERE'S ANY GOLD IN IT, 439 00:27:42,161 --> 00:27:43,996 SOMEBODY DUMPED IT DOWN THE SHAFT. 440 00:27:43,996 --> 00:27:46,624 [MR. HANSON] THREE COUNT CHORUS TO THE OLD JULIANA, 441 00:27:46,624 --> 00:27:47,792 THE RICHEST STRIKE THIS YEAR. 442 00:27:47,792 --> 00:27:50,127 THE JULIANA. 443 00:27:50,127 --> 00:27:53,005 SO, THAT'S WHERE YOU DUMPED IT. 444 00:27:54,298 --> 00:27:56,050 OUR MISTAKE. 445 00:27:56,050 --> 00:27:58,135 WE THOUGHT IT WAS JUST AN ABANDONED HOLE IN THE GROUND. 446 00:27:58,135 --> 00:28:01,472 I ADMIRE YOUR NERVE, IVERS. 447 00:28:01,472 --> 00:28:03,015 THIS SORT OF CHANGES YOUR PLANS, DOESN'T IT? 448 00:28:03,015 --> 00:28:05,267 I DON'T THINK SO. 449 00:28:05,267 --> 00:28:06,811 IF WE CAN TAKE IT AWAY FROM CABEAU, 450 00:28:06,811 --> 00:28:09,897 THERE SHOULDN'T BE MUCH TROUBLE HANDLING HANSON, 451 00:28:09,897 --> 00:28:11,148 ESPECIALLY SINCE THE OLD MAN IS TRYING 452 00:28:11,148 --> 00:28:12,650 TO GET AWAY WITH IT HIMSELF. 453 00:28:12,650 --> 00:28:15,611 GRANTED. LETS PRESUME YOU RECOVER THE GOLD. 454 00:28:15,611 --> 00:28:17,113 HOW DO YOU DISPOSE OF IT? 455 00:28:17,113 --> 00:28:18,989 YOU CAN'T GO DRIVING AROUND A MOUNTAIN 456 00:28:18,989 --> 00:28:22,076 WITH A WAGON LOAD OF STOLEN GOLD. 457 00:28:22,076 --> 00:28:23,869 LARRY, LOOKS LIKE HE'S GOT US, THERE. 458 00:28:23,869 --> 00:28:26,580 YEAH, WE NEVER FIGURED ON THAT. 459 00:28:26,580 --> 00:28:29,708 OKAY, MR. KIRBY, IT'S YOUR DEAL. 460 00:28:29,708 --> 00:28:32,586 I'D THOUGHT YOU'D SEE IT MY WAY. 461 00:28:32,586 --> 00:28:34,505 LARRY, SINCE WE'VE CAUSED ALL THIS TROUBLE, 462 00:28:34,505 --> 00:28:36,132 THE LEAST WE COULD DO IS HELP MR. KIRBY 463 00:28:36,132 --> 00:28:37,133 GET THAT ORE BACK. 464 00:28:37,133 --> 00:28:39,343 THAT'S STRAIGHT TALKING. 465 00:28:39,343 --> 00:28:41,011 YOU WON'T LOSE BY IT. 466 00:28:41,011 --> 00:28:42,930 CABEAU, YOU'VE GOT YOURSELF A COUPLE OF MEN 467 00:28:42,930 --> 00:28:44,390 WORTH A DOZEN MULDOONS. 468 00:28:44,390 --> 00:28:46,559 YOU'RE ASKING A LOT OF ME, SILVER. 469 00:28:46,559 --> 00:28:47,935 KISS AND MAKE UP WITH A COUPLE OF GUYS WHO 470 00:28:47,935 --> 00:28:50,020 PULLED ME OFF MY WAGON AND NEAR BREAK MY NECK. 471 00:28:50,020 --> 00:28:53,649 [CHUCKLES] CABEAU, YOU SURPRISE ME. 472 00:28:53,649 --> 00:28:55,151 THESE TWO TEXAS TORNADOS 473 00:28:55,151 --> 00:28:57,736 MIGHT BE JUST WHAT THE DOCTOR ORDERED. 474 00:28:57,736 --> 00:28:59,113 ONE WAY TO FIND OUT IS... 475 00:28:59,113 --> 00:29:00,447 LET THEM SIT IN THE GAME, 476 00:29:00,447 --> 00:29:01,699 DEAL 'EM A FEW HANDS, 477 00:29:01,699 --> 00:29:03,242 AND SEE HOW THEY PLAY 'EM. 478 00:29:03,242 --> 00:29:05,578 IF THAT'S THE WAY YOU WANT IT. 479 00:29:05,578 --> 00:29:08,998 THAT'S THE WAY I WANT IT. 480 00:29:08,998 --> 00:29:11,667 WON'T BE LONG NOW BEFORE I BE JOININ' 481 00:29:11,667 --> 00:29:14,420 THAT MILLIONAIRE CLUB OF YOURS, MR. HATTON, YESSIR. 482 00:29:14,420 --> 00:29:16,130 MY CONGRATULATIONS. 483 00:29:16,130 --> 00:29:17,590 IT'S BEAUTIFUL STUFF, HANSON. 484 00:29:17,590 --> 00:29:19,175 AFTER I GET A FEW TONS OUT, MR. SULLIVAN, 485 00:29:19,175 --> 00:29:21,177 WILL YA ASSAY IT FOR ME, SO I KNOW THAT I GOT A VEIN, 486 00:29:21,177 --> 00:29:22,595 NOT JUST A POCKET? 487 00:29:22,595 --> 00:29:24,263 ANY TIME. I'LL BE GLAD TO OBLIGE. 488 00:29:24,263 --> 00:29:25,890 THANKS, THANKS. 489 00:29:25,890 --> 00:29:28,434 OH, DAD, THIS IS WONDERFUL. I CAN HARDLY BELIEVE IT. 490 00:29:28,434 --> 00:29:30,644 WON'T BE LONG BEFORE WE HAVE THAT BIG HOUSE IN DENVER, 491 00:29:30,644 --> 00:29:34,023 LIKE WE BOTH WANTED, HONEY. 492 00:29:34,023 --> 00:29:37,443 MY GAL WON'T HAVE TO WORK HERE MUCH LONGER, MR. SILVER. 493 00:29:37,443 --> 00:29:39,904 COME ON, HONEY, I WANT TO TALK TO YOU ALONE. 494 00:29:45,743 --> 00:29:47,536 NOW LISTEN, HONEY, AND DON'T JUMP. 495 00:29:47,536 --> 00:29:49,413 THAT ORE REALLY ISN'T OURS. 496 00:29:49,413 --> 00:29:51,165 A GANG OF HIGH-GRADING SKUNKS DUMPED 497 00:29:51,165 --> 00:29:53,459 A WHOLE LOAD OF IT DOWN THE JULIANA SHAFT. 498 00:29:53,459 --> 00:29:55,920 DAD, YOU'RE GOING TO PASS IT OFF AS YOURS? 499 00:29:55,920 --> 00:29:58,088 OH, NOW YOU KNOW YOUR DAD BETTER THAN THAT. 500 00:29:58,088 --> 00:29:59,965 BUT ALL THE EXCITEMENT YOU STARTED. 501 00:29:59,965 --> 00:30:01,717 BUT I FIGURED IT WAS THE BEST WAY 502 00:30:01,717 --> 00:30:03,385 TO CATCH THE CROOKS THAT DUMPED THE ORE ON US, 503 00:30:03,385 --> 00:30:05,054 AND THEY'RE SURE TO HIJACK IT AWAY FROM ME. 504 00:30:05,054 --> 00:30:06,513 I WON'T HAVE YOU TRYING TO FIGHT OFF HIJACKERS. 505 00:30:06,513 --> 00:30:09,350 THEN NOT ME. I'LL GET MARSHAL TETHEROE 506 00:30:09,350 --> 00:30:10,976 TO SET A TRAP FOR 'EM. 507 00:30:10,976 --> 00:30:12,811 WELL, THAT'S DIFFERENT. 508 00:30:12,811 --> 00:30:14,647 AND YOU'RE NOT TOO DISAPPOINTED? 509 00:30:14,647 --> 00:30:17,316 NO, DAD, AND I'M PROUD OF YOU. 510 00:30:17,316 --> 00:30:19,318 WE'LL STRIKE IT RICH, SOMEDAY, AND IT'LL BE 511 00:30:19,318 --> 00:30:21,070 ON THE UP AND UP TOO. SURE, WE WILL. 512 00:30:21,070 --> 00:30:22,613 NOW, REMEMBER, DON'T SAY A WORD 513 00:30:22,613 --> 00:30:23,864 TO ANYBODY ABOUT THIS, WILL YA? 514 00:30:23,864 --> 00:30:26,408 I UNDERSTAND. AND YOU BE CAREFUL. 515 00:30:26,408 --> 00:30:29,703 I WILL BE, HONEY. DON'T YOU WORRY ABOUT YOUR OLD MAN. 516 00:30:34,667 --> 00:30:37,336 [OMINOUS MUSIC] 517 00:31:06,365 --> 00:31:08,951 [PIANO PLAYING] 518 00:31:13,289 --> 00:31:15,916 [KNOCKS] 519 00:31:17,584 --> 00:31:19,670 IT'S OKAY. OPEN UP. 520 00:31:26,635 --> 00:31:28,095 WHERE'S SILVER? 521 00:31:28,095 --> 00:31:30,055 HE HAD DINNER OUT. HE'LL BE BACK SOON. 522 00:31:30,055 --> 00:31:31,890 WELL, I CAN'T WAIT. 523 00:31:31,890 --> 00:31:33,058 TELL HIM THIS JUST CAME IN 524 00:31:33,058 --> 00:31:34,768 FROM A FRIEND OF MINE IN TEXAS. 525 00:31:34,768 --> 00:31:36,145 HE WANTS ANYTHING DONE ABOUT IT TONIGHT, 526 00:31:36,145 --> 00:31:37,313 HE KNOWS WHERE TO FIND ME. 527 00:31:37,313 --> 00:31:39,565 OKAY, MARSHAL. 528 00:31:48,198 --> 00:31:49,658 1,200, GILLES. 529 00:31:49,658 --> 00:31:51,618 SIGN THE BOOK. 530 00:32:16,435 --> 00:32:17,644 SIT IN FOR ME, WILL YOU, GEORGE? 531 00:32:17,644 --> 00:32:18,896 WHILE I RUN AN ERRAND. 532 00:32:18,896 --> 00:32:20,856 SURE, STRAP. 533 00:32:24,985 --> 00:32:26,487 GOOD EVENING, MR. KIRBY. 534 00:32:26,487 --> 00:32:29,198 EVENING, ED. NICE CROWD OUT THERE. 535 00:32:29,198 --> 00:32:32,576 MARSHAL TETHEROE LEFT A LETTER FOR YOU TO READ. 536 00:32:32,576 --> 00:32:34,453 WHERE? RIGHT THERE ON MY DESK. 537 00:32:34,453 --> 00:32:37,081 SOUNDED IMPORTANT. SOMETHING FROM TEXAS. 538 00:32:42,127 --> 00:32:44,088 THERE'S NO LETTER HERE. 539 00:32:45,464 --> 00:32:47,674 WHY, HE PUT IT RIGHT DOWN THERE. 540 00:32:47,674 --> 00:32:49,009 GILLIS JUST SIGNED THE MONEY BOOK. 541 00:32:49,009 --> 00:32:51,762 HE WAS THE LAST MAN IN HERE. 542 00:32:56,809 --> 00:32:59,686 ALL RIGHT, MEN. GET YOUR BETS DOWN. 543 00:33:02,564 --> 00:33:04,733 GET THE HORSES. WE GOTTA SEE THE MARSHAL RIGHT AWAY. 544 00:33:08,529 --> 00:33:10,531 [OMINOUS MUSIC] 545 00:33:10,531 --> 00:33:15,911 ♪♪ 546 00:33:24,336 --> 00:33:26,672 WELL, I GUESS THAT DOES IT, MARSHAL. 547 00:33:26,672 --> 00:33:28,424 NOW YOU WAIT HERE WHILE I GO GET ENERGY. 548 00:33:28,424 --> 00:33:29,591 WELL, UH, NEVER MIND. 549 00:33:29,591 --> 00:33:31,427 WE CAN TAKE IT FROM HERE ON. 550 00:33:31,427 --> 00:33:32,636 NOW, GAL DARN IT, MARSHAL, 551 00:33:32,636 --> 00:33:33,762 I WANT TO SEE THAT ORE DELIVERED 552 00:33:33,762 --> 00:33:35,055 JUST LIKE I PROMISED. 553 00:33:35,055 --> 00:33:36,890 NOW, HANSON, LET'S BE REASONABLE. 554 00:33:36,890 --> 00:33:38,684 I WANT TO MAKE IT AS EASY AS POSSIBLE 555 00:33:38,684 --> 00:33:39,768 FOR THE HIJACKERS. 556 00:33:39,768 --> 00:33:41,437 JUST ME AND THE DRIVER. 557 00:33:41,437 --> 00:33:42,980 THEN MY DEPUTIES CAN RIDE DOWN 558 00:33:42,980 --> 00:33:44,398 FROM THE HILLS AND GET THEM ALL. 559 00:33:44,398 --> 00:33:45,399 WELL, ME GOING AIN'T GONNA STOP 560 00:33:45,399 --> 00:33:47,109 THEM HIGH-GRADERS FROM-- 561 00:33:47,109 --> 00:33:48,110 NAH, NOTHIN' DOIN'. 562 00:33:48,110 --> 00:33:49,570 BESIDES, I PROMISED JULIE 563 00:33:49,570 --> 00:33:51,029 I WOULDN'T LET YOU TAKE ANY CHANCES. 564 00:33:51,029 --> 00:33:53,115 NOW YOU JUST RAMBLE ON BACK TO TOWN. 565 00:33:53,115 --> 00:33:55,742 EH, ALL RIGHT. I'LL GO. 566 00:33:55,742 --> 00:33:57,786 BUT I DON'T LIKE IT. 567 00:34:07,004 --> 00:34:09,673 "HANSON, GO BACK TO TOWN." WELL, I AIN'T GOING. 568 00:34:09,673 --> 00:34:12,134 THIS IS MY BUSINESS TOO. 569 00:34:12,134 --> 00:34:15,053 ENERGY! ARE YOU LISTENING? 570 00:34:15,053 --> 00:34:17,931 THIS IS MY IDEA, AND I AIN'T GONNA GET FROZE OUT OF IT. 571 00:34:19,975 --> 00:34:24,021 LET'S GO. C'MON. C'MON. C'MON, ENERGY! C'MON! 572 00:34:24,021 --> 00:34:26,398 COME ON! 573 00:34:42,706 --> 00:34:43,832 [WHISTLES] 574 00:34:55,886 --> 00:34:57,888 HIYA, BOYS. MARSHALL. 575 00:34:57,888 --> 00:34:59,389 ALL RIGHT, CABEAU, TAKE IT OVER. 576 00:34:59,389 --> 00:35:03,018 THERE'S NOTHING LIKE HAVING THE LAW ON YOUR SIDE. 577 00:35:03,018 --> 00:35:05,312 ALL RIGHT, LET'S GET ALONG. 578 00:35:08,774 --> 00:35:10,275 HI, COWBOY. 579 00:35:10,275 --> 00:35:12,236 MARSHAL, SILVER WANTS TO SEE YOU RIGHT AWAY. 580 00:35:12,236 --> 00:35:13,737 DID HE GET THAT LETTER? 581 00:35:13,737 --> 00:35:15,322 HE SURE DID. 582 00:35:15,322 --> 00:35:17,115 HE SAID TO LET ALL BETS RIDE AS THEY LIE. 583 00:35:17,115 --> 00:35:18,867 HE'LL TAKE CARE OF IT. 584 00:35:18,867 --> 00:35:20,744 WELL, BOYS, HAVE A NICE TRIP. 585 00:35:22,871 --> 00:35:25,582 COME ON, YOUNG FELLA. 586 00:35:37,844 --> 00:35:40,305 WE'VE BEEN TWO-TIMED BY THE ORNERIEST CRITTER 587 00:35:40,305 --> 00:35:42,099 THAT EVER WORE A TIN BADGE. 588 00:35:42,099 --> 00:35:43,600 COME ON, LET'S GET TO TOWN. 589 00:35:43,600 --> 00:35:45,227 COME ON, ENERGY. I GOTTA GO, NOW. 590 00:35:45,227 --> 00:35:46,562 I'VE GOT BUSINESS TO ATTEND TO. 591 00:35:46,562 --> 00:35:48,772 WILL YOU COME ON? COME ON, ENERGY, 592 00:35:48,772 --> 00:35:52,568 WILL YA COME ON? COME ON. 593 00:36:01,159 --> 00:36:03,495 RIDE UP AND TELL CABEAU MY HORSE PICKED UP A STONE. 594 00:36:03,495 --> 00:36:06,081 I'LL BE ALONG IN A MINUTE. 595 00:36:49,958 --> 00:36:52,836 I DIDN'T KNOW YOU WERE IN SO DEEP ON THIS PLAY, GILLIS. 596 00:36:52,836 --> 00:36:54,338 I WASN'T, TILL TONIGHT. 597 00:36:54,338 --> 00:36:56,048 THAT LETTER PUT ME IN. 598 00:36:56,048 --> 00:36:57,758 WHAT DID YOU MAKE OF IT? 599 00:36:57,758 --> 00:36:59,426 SAME AS YOU DID, MARSHAL. 600 00:36:59,426 --> 00:37:01,845 IVERS IN THIS TOWN MIGHT BE GOVERNMENT MEN. 601 00:37:01,845 --> 00:37:03,013 I DON'T KNOW WHY SILVER DIDN'T 602 00:37:03,013 --> 00:37:05,724 WIPE THEM BOTH OUT RIGHT THERE. 603 00:37:05,724 --> 00:37:07,476 RECKON IT'S BECAUSE HE NEVER SAW THE LETTER. 604 00:37:07,476 --> 00:37:10,729 TAKE IT EASY. 605 00:37:10,729 --> 00:37:12,272 ALL RIGHT, GILLIS, WHAT IS IT? 606 00:37:12,272 --> 00:37:13,482 FEDERAL OR STATE? 607 00:37:13,482 --> 00:37:16,151 SECRET SERVICE. 608 00:37:16,151 --> 00:37:18,111 NOW, RIDE SLOW. LEFT TURN. 609 00:37:18,111 --> 00:37:19,863 WELL, CRIPPLE CREEK'S TO THE RIGHT. 610 00:37:19,863 --> 00:37:22,199 I'M TAKING YOU DOWN TO COLORADO SPRINGS, 611 00:37:22,199 --> 00:37:23,742 AND LET AN HONEST SHERIFF PUT YOU ON ICE 612 00:37:23,742 --> 00:37:25,535 TILL THIS CASE IS CLOSED. 613 00:37:25,535 --> 00:37:27,329 OH, DON'T DO THAT, GILLIS. 614 00:37:27,329 --> 00:37:28,789 THEY DON'T GIVE A DOUBLE-DEALING MARSHAL 615 00:37:28,789 --> 00:37:30,165 LIKE ME AN EVEN BREAK IN THIS STATE. 616 00:37:30,165 --> 00:37:32,292 I HATE CROOKS, 617 00:37:32,292 --> 00:37:34,378 BUT MOST OF ALL A SWORN OFFICER OF THE LAW 618 00:37:34,378 --> 00:37:35,837 WITH A DIRTY BADGE. 619 00:37:35,837 --> 00:37:38,965 [GALLAND] GET GOING. 620 00:37:43,345 --> 00:37:45,764 [GUN FIRES] 621 00:37:49,935 --> 00:37:51,353 ANY EXPLANATIONS? 622 00:37:51,353 --> 00:37:52,979 GIVE ME TIME, AND I'LL THINK OF ONE. 623 00:37:52,979 --> 00:37:54,272 WHERE'S THAT LETTER? 624 00:37:54,272 --> 00:37:56,483 WHAT LETTER? 625 00:37:56,483 --> 00:37:57,484 LET'S GO. 626 00:37:57,484 --> 00:37:58,527 WHAT ABOUT THE MARSHAL? 627 00:37:58,527 --> 00:38:00,028 HAVEN'T YOU HEARD? 628 00:38:00,028 --> 00:38:01,613 HE DIED IN THE LINE OF DUTY. 629 00:38:01,613 --> 00:38:03,949 THE HIGH-GRADERS GOT HIM. 630 00:38:26,346 --> 00:38:28,473 ALL RIGHT, YOU TWO. WE DON'T NEED YOU ANY LONGER. 631 00:38:28,473 --> 00:38:30,058 YOU CAN GO BACK TO TOWN. 632 00:38:30,058 --> 00:38:32,227 RIGHT. 633 00:38:50,454 --> 00:38:53,331 RECKON HERE'S WHERE THEY WANT TO STOP OUR EDUCATION. 634 00:38:53,331 --> 00:38:55,292 YEAH, I'LL GUESS WE'LL HAVE TO WORK OUR WAY THROUGH COLLEGE. 635 00:40:38,603 --> 00:40:40,438 TAKE IT BACK TO THE STABLES, BOYS. 636 00:40:40,438 --> 00:40:41,940 HYAH! 637 00:41:43,543 --> 00:41:45,170 LEAD. 638 00:41:45,170 --> 00:41:47,130 THIS SLAG IS FULL OF IT. 639 00:41:47,130 --> 00:41:48,965 THAT'S WHAT YOU GET FROM PROCESSING SILVER ORE. 640 00:41:48,965 --> 00:41:51,051 RIGHT. THIS USED TO BE A SILVER CAMP. 641 00:41:51,051 --> 00:41:52,552 THEY'VE GOT SOME OF THE OLD MACHINERY 642 00:41:52,552 --> 00:41:54,179 DOWN THERE RUNNING THE GOLD ORE THROUGH. 643 00:41:54,179 --> 00:41:56,890 YEAH, BUT I WONDER HOW THEY SHIP THAT GOLD OUT. 644 00:41:56,890 --> 00:41:58,558 WELL, WE HAVEN'T GOT TIME TO FIND OUT NOW. 645 00:41:58,558 --> 00:42:01,227 WE'VE GOT TO BEAT CABEAU BACK INTO TOWN. 646 00:42:01,227 --> 00:42:03,188 THIS IS SURE THE MAIN LINK IN OUR CHAIN. 647 00:42:03,188 --> 00:42:05,440 BREAK THIS, AND WE BREAK THE CASE. 648 00:42:08,151 --> 00:42:11,071 LET'S TRY THIS WAY. 649 00:42:23,792 --> 00:42:26,670 ALL RIGHT, MR. SECRET SERVICE. 650 00:42:26,670 --> 00:42:29,506 I KNOW ALL I NEED TO KNOW ABOUT YOU. 651 00:42:29,506 --> 00:42:31,967 THERE'S ONE OTHER QUESTION: 652 00:42:31,967 --> 00:42:36,930 ARE BRET IVERS AND LARRY GALLAND WORKING WITH YOU? 653 00:42:36,930 --> 00:42:40,392 THOSE TWO TRIGGER-HAPPY HILLBILLIES? 654 00:42:40,392 --> 00:42:41,726 NOT A CHANCE. 655 00:42:41,726 --> 00:42:44,521 I NEVER SAW 'EM BEFORE IN MY LIFE. 656 00:42:44,521 --> 00:42:46,523 THAT'S A GOOD ANSWER, GILLIS. 657 00:42:46,523 --> 00:42:49,275 LET'S SEE HOW LONG YOU STICK WITH IT. 658 00:42:49,275 --> 00:42:51,403 WE'RE GOING TO PLAY A LITTLE GAME... 659 00:42:51,403 --> 00:42:54,030 MY OWN VERSION OF RUSSIAN ROULETTE. 660 00:42:54,030 --> 00:42:56,241 DID YOU EVER HEAR OF IT? 661 00:42:56,241 --> 00:42:57,993 NO. 662 00:42:57,993 --> 00:43:01,454 STAND HIM OVER THERE, AGAINST THE WALL, LEFTY. 663 00:43:10,130 --> 00:43:12,132 THERE'S ONE CARTRIDGE IN THIS GUN, 664 00:43:12,132 --> 00:43:13,967 AND FIVE EMPTY CHAMBERS. 665 00:43:13,967 --> 00:43:15,510 THE SLUG WITH YOUR NAME ON IT 666 00:43:15,510 --> 00:43:18,430 MAY BE IN THE FIRST, OR THE LAST. 667 00:43:18,430 --> 00:43:20,640 OR, SOMEWHERE IN BETWEEN. 668 00:43:20,640 --> 00:43:22,726 CHIEF, THAT'S ONE FOR THE BOOK. 669 00:43:22,726 --> 00:43:26,021 I'D THOUGHT YOU'D LIKE THAT. 670 00:43:26,021 --> 00:43:28,148 I'M GOING TO GIVE YOU A GAMBLING CHANCE. 671 00:43:28,148 --> 00:43:31,317 IF YOU GIVE ME AN HONEST ANSWER TO MY QUESTION, 672 00:43:31,317 --> 00:43:34,446 YOU WALK OUT THAT DOOR A FREE MAN. 673 00:43:34,446 --> 00:43:36,406 YOU EXPECT ME TO BELIEVE THAT? 674 00:43:36,406 --> 00:43:41,161 THAT'S ANOTHER GAMBLE YOU'LL HAVE TO TAKE. 675 00:43:41,161 --> 00:43:42,996 AT THE MOMENT, THE ODDS ARE FIVE TO ONE 676 00:43:42,996 --> 00:43:46,624 THAT THIS IS AN EMPTY CHAMBER. 677 00:43:46,624 --> 00:43:49,961 READY, GILLIS? 678 00:43:49,961 --> 00:43:53,923 HOW 'BOUT MY ANSWER? 679 00:43:53,923 --> 00:43:55,884 [KIRBY] HAVE IT YOUR WAY. 680 00:43:55,884 --> 00:43:58,511 [GUN CLICKS] 681 00:43:58,511 --> 00:44:00,930 THAT WAS A LONG SHOT, GILLIS. 682 00:44:00,930 --> 00:44:05,685 NOW IT'S FOUR TO ONE. 683 00:44:05,685 --> 00:44:10,273 [KIRBY] SAME QUESTION. 684 00:44:10,273 --> 00:44:12,984 SAME ANSWER. 685 00:44:12,984 --> 00:44:15,361 [GUN CLICKS] 686 00:44:18,573 --> 00:44:21,451 THIS IS GETTING INTERESTING. 687 00:44:21,451 --> 00:44:25,622 ONE OF THE NEXT FOUR. IT MAY BE THE VERY NEXT. 688 00:44:25,622 --> 00:44:27,248 [KIRBY] ANY CHANGE OF MIND? 689 00:44:30,877 --> 00:44:34,089 HERE GOES YOUR THREE-TO-ONE SHOT. 690 00:44:34,089 --> 00:44:38,510 [GUN CLICKS] 691 00:44:38,510 --> 00:44:40,762 WELL, WHAT DO YOU KNOW? 692 00:44:40,762 --> 00:44:44,057 WITH LUCK LIKE YOURS, A MAN COULD GET RICH. 693 00:44:44,057 --> 00:44:46,935 I'LL LAY TWO TO ONE ON OUR LUCKY FRIEND FROM WASHINGTON. 694 00:44:46,935 --> 00:44:48,770 I'LL TAKE TEN. ME, TOO, BOSS. 695 00:44:48,770 --> 00:44:52,607 FORTY TO TWENTY, IT IS. 696 00:44:52,607 --> 00:44:54,484 GOOD LUCK, GILLIS. 697 00:44:54,484 --> 00:44:57,278 MY MONEY'S ON YOU. 698 00:44:57,278 --> 00:44:58,738 [GUN CLICKS] 699 00:44:58,738 --> 00:45:02,117 UNCLE SAM HAS SOME DURABLE EMPLOYEES, 700 00:45:02,117 --> 00:45:04,994 I'LL SAY THAT FOR YOU, GILLIS. 701 00:45:04,994 --> 00:45:07,330 BUT NOW WE'RE DOWN TO CASES. 702 00:45:07,330 --> 00:45:09,457 ONE OF THE NEXT TWO. 703 00:45:09,457 --> 00:45:11,709 AN EVEN MONEY BET. 704 00:45:11,709 --> 00:45:14,420 [KIRBY] STILL GAMBLING, GILLIS, 705 00:45:14,420 --> 00:45:16,089 OR DO I GET MY HONEST ANSWER? 706 00:45:16,089 --> 00:45:19,384 YOU HAD IT, SILVER. 707 00:45:19,384 --> 00:45:22,470 GO AHEAD. WIND IT UP. 708 00:45:22,470 --> 00:45:26,349 WHAT DO YOU SAY, BOYS? DOUBLE OR NOTHING? 709 00:45:26,349 --> 00:45:29,144 YOU'RE ON. SHOOT, BOSS. YOU'RE FATED. 710 00:45:29,144 --> 00:45:32,230 [GUN CLICKS] 711 00:45:36,151 --> 00:45:38,653 [KIRBY] MY HAT'S OFF TO YOU, GILLIS. 712 00:45:38,653 --> 00:45:41,030 I'VE BEEN A GAMBLER ALL MY LIFE, 713 00:45:41,030 --> 00:45:44,284 AND I'VE NEVER SEEN A BETTER PLAY. 714 00:45:46,452 --> 00:45:47,579 AS FAR AS I'M CONCERNED, 715 00:45:47,579 --> 00:45:48,663 YOU'VE EARNED A BREAK. 716 00:45:54,085 --> 00:45:56,713 YOU DON'T BELIEVE ME? 717 00:45:56,713 --> 00:45:58,590 I'M GOING TO TURN YOU LOOSE. 718 00:45:58,590 --> 00:46:02,177 THAT IS, WHEN MY GOLD INVESTMENTS PAY OFF. 719 00:46:02,177 --> 00:46:04,470 TAKE HIM TO HIS ROOM, LEFTY. 720 00:46:13,438 --> 00:46:15,523 [KIRBY] HAVE A GOOD SLEEP, GILLIS. 721 00:46:15,523 --> 00:46:17,192 YOU'VE GOT IT COMING. 722 00:46:34,584 --> 00:46:36,586 TOO BAD. 723 00:46:38,254 --> 00:46:41,007 HE WAS THE BEST FARO DEALER I EVER HAD. 724 00:46:53,978 --> 00:46:56,731 THAT YOU, GILLIS? 725 00:46:56,731 --> 00:46:57,899 [GALLAND] OH, HI, DENVER. 726 00:46:57,899 --> 00:47:00,026 HELLO, GENTS. JUST GET BACK? 727 00:47:00,026 --> 00:47:02,570 YEAH, WE JUST ROLLED IN WITH A ROLL OF LOGS. WHERE'S GILLIS? 728 00:47:02,570 --> 00:47:04,364 HE ISN'T WITH US ANY MORE. 729 00:47:04,364 --> 00:47:06,407 SOMETHING HAPPEN TO HIM? 730 00:47:06,407 --> 00:47:08,201 THAT SKUNK TURNED OUT TO BE A GOVERNMENT MAN. 731 00:47:08,201 --> 00:47:09,786 HOW'D YOU FIND OUT? 732 00:47:09,786 --> 00:47:10,828 MARSHAL TITHEROE GOT A TIP-OFF LETTER FROM TEXAS, 733 00:47:10,828 --> 00:47:11,829 FROM AN OLD FRIEND. 734 00:47:11,829 --> 00:47:13,373 WHAT DOES GILLIS DO, 735 00:47:13,373 --> 00:47:16,167 BUT STEAL THE LETTER, AND SHOOT THE MARSHAL? 736 00:47:16,167 --> 00:47:17,627 SILVER AND I GOT THERE JUST IN TIME. 737 00:47:17,627 --> 00:47:19,045 JUST IN TIME FOR WHAT? 738 00:47:19,045 --> 00:47:21,923 TO GRAB GILLIS AND BRING HIM IN. 739 00:47:21,923 --> 00:47:24,300 WE WORKED HIM OVER PLENTY. 740 00:47:24,300 --> 00:47:26,010 FINALLY CAME THROUGH AND ADMITTED EVERYTHING. 741 00:47:26,010 --> 00:47:29,180 CAN YOU IMAGINE A WEASEL LIKE THAT? 742 00:47:29,180 --> 00:47:30,848 HOW 'BOUT THAT? 743 00:47:30,848 --> 00:47:32,558 WHAT'D YA DO TO HIM? 744 00:47:32,558 --> 00:47:35,436 I ALWAYS GIVE A GAME GUY A BREAK. 745 00:47:35,436 --> 00:47:38,731 I PLUGGED HIM IN THE BACK SO HE WOULDN'T SEE IT COMING. 746 00:47:38,731 --> 00:47:39,857 SEE YA DOWNSTAIRS. 747 00:47:39,857 --> 00:47:41,234 RIGHT. 748 00:47:44,404 --> 00:47:46,322 LARRY. 749 00:47:50,994 --> 00:47:53,288 FUNNY ABOUT THAT LETTER. 750 00:47:53,288 --> 00:47:56,749 NOBODY IN TEXAS KNEW STRAP'S BUSINESS BUT ME. 751 00:47:56,749 --> 00:47:59,002 NOT EVEN OUR OWN FOLKS. 752 00:47:59,002 --> 00:48:00,295 THAT LETTER WAS ABOUT ME, LARRY. 753 00:48:00,295 --> 00:48:01,921 NOT STRAP. 754 00:48:01,921 --> 00:48:03,089 HOW DO YOU NOW? 755 00:48:03,089 --> 00:48:05,174 HE GAVE IT TO ME LAST NIGHT. 756 00:48:05,174 --> 00:48:07,593 HE WROTE A MESSAGE ON IT THAT HE'D HAVE TO DROP OFF THE CASE 757 00:48:07,593 --> 00:48:10,096 AND TAKE TETHEROE WITH HIM. LET'S SEE IT. 758 00:48:10,096 --> 00:48:11,806 I BURNED IT BACK ON THE ROAD WHEN I STALLED 759 00:48:11,806 --> 00:48:14,726 TO TAKE CARE OF THE HORSE'S HOOF. 760 00:48:14,726 --> 00:48:16,644 IT'S ALL MY FAULT, LARRY, FOR HOLDING OUT ON YOU. 761 00:48:16,644 --> 00:48:19,897 YOU COULDN'T OF KNOWN THEY'D CATCH UP WITH STRAP. 762 00:48:19,897 --> 00:48:21,566 ALL HE HAD TO DO WAS LIGHT OUT FOR 763 00:48:21,566 --> 00:48:23,318 COLORADO SPRINGS WITH THE MARSHAL. 764 00:48:23,318 --> 00:48:24,819 COULD HAVE HUNG BACK LONG ENOUGH 765 00:48:24,819 --> 00:48:26,070 TO COVER THE ROAD FOR HIM. 766 00:48:26,070 --> 00:48:27,238 HE DIDN'T ASK YOU TO, DID HE? 767 00:48:27,238 --> 00:48:29,699 NO. 768 00:48:29,699 --> 00:48:33,453 NO. HE JUST SAID, "GOOD LUCK." 769 00:48:33,453 --> 00:48:35,204 YOU DID JUST WHAT HE WANTED YOU TO DO. 770 00:48:35,204 --> 00:48:36,831 THAT'S WHY HE SLIPPED THE LETTER TO YOU 771 00:48:36,831 --> 00:48:38,207 INSTEAD OF ME. 772 00:48:38,207 --> 00:48:40,752 I MIGHT HAVE JUMPED IN LIKE I DID ON MULDOON, 773 00:48:40,752 --> 00:48:43,880 AND TAKEN ALL THREE OF US OFF THE CASE. 774 00:48:43,880 --> 00:48:48,301 AS IT IS, HE... HE COVERED US GOOD. 775 00:48:48,301 --> 00:48:50,928 SO... 776 00:48:50,928 --> 00:48:53,056 LET'S GET BACK ON THE JOB. 777 00:48:53,056 --> 00:48:55,933 I'LL WASH FIRST, IF YOU DON'T MIND. 778 00:49:10,114 --> 00:49:12,408 I RUBBED IT IN GOOD, BUT IT DIDN'T SEEM 779 00:49:12,408 --> 00:49:15,411 TO MEAN A THING TO HIM. THEY NEVER BATTED AN EYE. 780 00:49:15,411 --> 00:49:17,497 THEN IN YOUR BOOK, THEY'RE OKAY? 781 00:49:17,497 --> 00:49:20,166 YOU KNOW ME. I DON'T BUY MANY GOLD BRICKS, 782 00:49:20,166 --> 00:49:23,669 BUT I'M ALMOST SOLD ON THAT PAIR. 783 00:49:23,669 --> 00:49:25,004 KEEP YOUR WALLET IN YOUR POCKET. 784 00:49:25,004 --> 00:49:27,382 TILL WE CHECKED WITH THAT OLD FRIEND 785 00:49:27,382 --> 00:49:31,135 OF THE MARSHAL'S DOWN IN TEXAS. 786 00:49:41,229 --> 00:49:44,107 STRAP'S LUCKY GUN, 787 00:49:44,107 --> 00:49:45,191 AND IF HE HAD IT ON HIM, 788 00:49:45,191 --> 00:49:47,693 HE MIGHT BE ALIVE TODAY. 789 00:49:47,693 --> 00:49:51,114 STRAP WAS ONLY WORRYING ABOUT KEEPING THE CASE ALIVE. 790 00:49:51,114 --> 00:49:52,698 NOW THAT WE HAVEN'T GOT HIM AS A LISTENING POST, 791 00:49:52,698 --> 00:49:55,785 WE'RE ON OUR OWN. YEAH, NOBODY TO TIP US OFF 792 00:49:55,785 --> 00:49:57,954 HOW CLOSE WE'RE BEING WATCHED. 793 00:49:57,954 --> 00:50:00,665 AND TIME'S RUNNING SHORT, TOO. 794 00:50:00,665 --> 00:50:02,208 SOMEHOW, ONE OF US WILL HAVE TO GET AWAY 795 00:50:02,208 --> 00:50:04,794 AND DOWN INTO THAT SMELTER IN BUENA VISTA. 796 00:50:04,794 --> 00:50:06,796 GOT ANY IDEAS? 797 00:50:06,796 --> 00:50:08,756 NOT A GLIMMER. 798 00:50:12,510 --> 00:50:14,804 HANSON, ALL SLICKED UP. 799 00:50:16,431 --> 00:50:18,141 LOOKS LIKE HE'S GOING AWAY. 800 00:50:26,190 --> 00:50:28,484 LET'S FIND OUT WHERE'S HE'S GOING. 801 00:50:29,777 --> 00:50:30,903 BUT WHY DIDN'T YOU EXPLAIN 802 00:50:30,903 --> 00:50:32,321 TO MR. STRATTON AND THE OTHERS? 803 00:50:32,321 --> 00:50:34,323 WELL, DOGGONE IT, I TRIED TO, 804 00:50:34,323 --> 00:50:35,324 BUT THEY WOULDN'T BELIEVE ME. 805 00:50:35,324 --> 00:50:36,742 WHY, THE WAY THEY ACTED, 806 00:50:36,742 --> 00:50:39,078 YOU MIGHT THINK I STOLE THAT ORE MYSELF, 807 00:50:39,078 --> 00:50:41,414 AND THAT MARSHAL WAS IN WITH THAT GANG, TOO. 808 00:50:41,414 --> 00:50:43,332 I'M GOING TO TAKE ACTION, THAT'S ALL. 809 00:50:43,332 --> 00:50:44,917 DAD, I WON'T HAVE YOU MIXED UP IN THIS. IT'S TOO DANGEROUS. 810 00:50:44,917 --> 00:50:46,836 I AIN'T AFEARED! 811 00:50:46,836 --> 00:50:49,422 I'M GOING TO SEE MY FRIEND LIEUTENANT GOVERNOR JIM BLACK. 812 00:50:49,422 --> 00:50:51,424 HE AND ME USED TO PROSPECT TOGETHER, 813 00:50:51,424 --> 00:50:52,842 AND WHEN I TELL HIM ABOUT THIS ORE, 814 00:50:52,842 --> 00:50:54,510 HE'LL BUST THIS GANG WIDE OPEN. 815 00:50:54,510 --> 00:50:56,387 DAD, PLEASE, DON'T. YOU JUST DON'T-- 816 00:50:56,387 --> 00:50:58,931 NO, JULIE. I'M GOING, AND NOTHING'S GOING TO STOP ME. 817 00:50:58,931 --> 00:51:02,059 [HANSON] DON'T WORRY ABOUT YOUR OLD MAN. HE'LL BE ALL RIGHT. 818 00:51:02,059 --> 00:51:04,061 GOOD BYE, NOW. 819 00:51:11,444 --> 00:51:13,905 LOOKS LIKE YOUR DAD MEANS BUSINESS. 820 00:51:13,905 --> 00:51:15,865 YES, AND I'M WORRIED TO DEATH ABOUT HIM. 821 00:51:15,865 --> 00:51:17,450 I DON'T BLAME YOU FOR WORRYING, MA'AM. 822 00:51:17,450 --> 00:51:19,577 IF THE WRONG FOLKS HEARD ABOUT THAT, 823 00:51:19,577 --> 00:51:21,287 YOUR DAD'S LIFE WOULDN'T BE WORTH A NICKEL. 824 00:51:21,287 --> 00:51:22,330 THAT'S WHAT I TOLD HIM, 825 00:51:22,330 --> 00:51:23,789 BUT HIS MIND'S MADE UP, 826 00:51:23,789 --> 00:51:25,458 AND THERE'S NOTHING I CAN DO ABOUT IT. 827 00:51:25,458 --> 00:51:27,502 I WISH WE COULD DO SOMETHING TO HELP HIM, MISS JULIE. 828 00:51:27,502 --> 00:51:29,170 I DON'T SEE HOW-- 829 00:51:29,170 --> 00:51:31,047 THERE IS SOMEONE WHO COULD HELP. 830 00:51:31,047 --> 00:51:32,298 MR. KIRBY LIKES FATHER. 831 00:51:32,298 --> 00:51:33,966 HE'S BEEN VERY KIND TO HIM. 832 00:51:33,966 --> 00:51:35,676 MAYBE HE COULD THINK OF SOME WAY TO STOP HIM. 833 00:51:35,676 --> 00:51:37,053 I'M SURE HE COULD. 834 00:51:37,053 --> 00:51:39,847 I'LL GO SEE HIM RIGHT AWAY. 835 00:51:39,847 --> 00:51:41,516 THIS IS THE BREAK WE NEED. 836 00:51:41,516 --> 00:51:43,392 WE'LL GRAB OLD MAN HANSON OFF THAT STAGE 837 00:51:43,392 --> 00:51:45,561 AND STASH HIM AWAY SOMEWHERE. HOW'LL THAT HELP? 838 00:51:45,561 --> 00:51:47,605 IT'LL PUT US IN SOLID WITH SILVER. 839 00:51:47,605 --> 00:51:49,190 AND WHILE WE'RE GUARDING HANSON, 840 00:51:49,190 --> 00:51:51,234 I'LL TAKE A SHOT AT THAT BUENA VISTA LEAD. 841 00:51:51,234 --> 00:51:52,443 LET'S RIDE. 842 00:51:52,443 --> 00:51:53,861 HANSON WASN'T ON THE STAGE. 843 00:51:53,861 --> 00:51:55,279 A COUPLE OF GUYS WITH MASKS HELD IT UP 844 00:51:55,279 --> 00:51:56,948 AND TOOK THE OLD MAN AWAY. 845 00:51:56,948 --> 00:51:59,492 WELL, I RECKON I'M GUILTY, YOUR HONOR. 846 00:51:59,492 --> 00:52:00,785 YOU MAKE RATHER HASTY DECISIONS, 847 00:52:00,785 --> 00:52:01,953 DON'T YOU, IVERS? 848 00:52:01,953 --> 00:52:04,413 WE HAD TO. THE STAGE HAD LEFT. 849 00:52:04,413 --> 00:52:06,123 I KNEW YOU DIDN'T WANT HANSON STIRRING THINGS UP 850 00:52:06,123 --> 00:52:08,584 AROUND DENVER, SO LARRY AND ME PICKED HIM OFF THE COACH. 851 00:52:08,584 --> 00:52:10,002 WHERE IS HE? 852 00:52:10,002 --> 00:52:11,337 LARRY'S GOT HIM IN THAT OLD TRAPPERS CABIN, 853 00:52:11,337 --> 00:52:13,005 UP ON TABOR MOUNTAIN. 854 00:52:13,005 --> 00:52:15,049 I CAME IN TO TELL YOU AND TAKE SOME SUPPLIES 855 00:52:15,049 --> 00:52:16,050 OUT TO THEM. 856 00:52:16,050 --> 00:52:17,301 SMART THINKING, IVERS. 857 00:52:17,301 --> 00:52:19,178 AFTER ALL, YOU COULDN'T KNOW 858 00:52:19,178 --> 00:52:20,638 THAT JULIE HANSON WOULD BE FOOLISH ENOUGH TO 859 00:52:20,638 --> 00:52:22,139 TELL US ABOUT HER FATHER. 860 00:52:22,139 --> 00:52:24,267 THAT'S RIGHT. OF COURSE IF YOU DON'T THINK 861 00:52:24,267 --> 00:52:25,893 HOLDING THE OLD MAN ALIVE IS SAFE ENOUGH-- 862 00:52:25,893 --> 00:52:27,895 WELL, THAT'S GOOD ENOUGH FOR NOW. 863 00:52:27,895 --> 00:52:29,230 BESIDES, I OWE HIM A RAIN CHECK 864 00:52:29,230 --> 00:52:30,982 FOR HELPING ME GET BACK THAT ORE 865 00:52:30,982 --> 00:52:32,316 THAT YOU BOYS LIFTED. 866 00:52:32,316 --> 00:52:33,859 YEAH. 867 00:52:35,403 --> 00:52:36,862 AM I INTERRUPTING? 868 00:52:36,862 --> 00:52:39,031 [KIRBY] NOT AT ALL. COME IN, JULIE. 869 00:52:40,741 --> 00:52:42,118 I WAS JUST WONDERING IF 870 00:52:42,118 --> 00:52:43,411 YOU'D DONE ANYTHING ABOUT FATHER. 871 00:52:43,411 --> 00:52:44,829 HE'S IN GOOD HANDS. 872 00:52:44,829 --> 00:52:46,455 HE'S THE GUEST OF OUR TEXAS FRIEND, 873 00:52:46,455 --> 00:52:48,207 IN A MOUNTAIN LODGE. 874 00:52:48,207 --> 00:52:50,376 OH, THAT'S WONDERFUL. THANKS, MR. KIRBY. 875 00:52:50,376 --> 00:52:52,253 AND THANK YOU, MR. IVERS. 876 00:52:52,253 --> 00:52:54,338 ONLY, PLEASE DON'T TELL HIM I HAD ANYTHING TO DO WITH IT. 877 00:52:54,338 --> 00:52:56,007 HE'D BE FURIOUS WITH ME. 878 00:52:56,007 --> 00:52:58,175 OH, WE WON'T, MA'AM. WHY, HE DOESN'T EVEN KNOW 879 00:52:58,175 --> 00:52:59,927 THAT MR. KIRBY ACTED FOR YA. 880 00:52:59,927 --> 00:53:02,179 HE THINKS WE'RE MEMBERS OF THE HIGH-GRADERS 881 00:53:02,179 --> 00:53:05,766 AND KIDNAPPED HIM TO KEEP HIS MOUTH SHUT. 882 00:53:05,766 --> 00:53:08,019 THANKS AGAIN, MR. IVERS. 883 00:53:14,900 --> 00:53:16,902 CAN'T SMOKE UNTIL I GET SOMETHING TO EAT. 884 00:53:25,077 --> 00:53:27,663 AIN'T ENOUGH YOU HAVE TO KIDNAP ME, 885 00:53:27,663 --> 00:53:29,957 YOU'RE TRYING TO STARVE ME TO DEATH, TOO. 886 00:53:40,384 --> 00:53:42,803 [IVERS WHISTLING] 887 00:53:42,803 --> 00:53:44,096 HEY, WHERE YOU GOING NOW? 888 00:53:44,096 --> 00:53:45,306 WELL, THERE'S MY PARTNER WITH THE GRUB. 889 00:53:45,306 --> 00:53:47,391 JUST TAKE IT EASY, POP. 890 00:53:47,391 --> 00:53:49,935 AM I GLAD TO SEE YOU. 891 00:53:49,935 --> 00:53:51,812 HI, LARRY. HOW'D YOU'D MAKE OUT? 892 00:53:51,812 --> 00:53:54,190 WELL, IF THERE ARE ANY NAMES HE HASN'T CALLED ME, 893 00:53:54,190 --> 00:53:55,232 I DON'T KNOW WHAT THEY ARE. 894 00:53:55,232 --> 00:53:56,817 COFFEE AND BACON! 895 00:53:56,817 --> 00:53:58,027 MAYBE THIS'LL SOFTEN THE OL' BOY'S HEART. 896 00:53:58,027 --> 00:53:59,570 HOW'D YOU MAKE OUT WITH KIRBY? 897 00:53:59,570 --> 00:54:02,740 FINE. WE'RE NOW HIS FAIR-HAIRED PLAYMATES. 898 00:54:02,740 --> 00:54:04,492 BETTER GET HIM TO SEND ME UP SOME HELP. 899 00:54:04,492 --> 00:54:05,785 I CAN'T STAY AWAKE ANOTHER NIGHT 900 00:54:05,785 --> 00:54:07,161 LISTENING TO HANSON CUSS. 901 00:54:07,161 --> 00:54:09,246 WELL, STICK WITH IT UNTIL I GET BACK. 902 00:54:09,246 --> 00:54:12,708 I'M GOING DOWN TO BUENA NOW TO SMOKE OUT LINK NUMBER TWO. 903 00:54:12,708 --> 00:54:14,669 SEE YA PRONTO. 904 00:54:16,962 --> 00:54:18,964 [SUSPENSEFUL MUSIC] 905 00:54:18,964 --> 00:54:23,969 ♪♪ 906 00:58:00,185 --> 00:58:02,104 I'LL GET THE WAGON PACKED UP. 907 00:58:02,104 --> 00:58:04,023 WE HAVE TO MAKE TODAY'S TRAIN TO LEADVILLE. 908 00:58:33,928 --> 00:58:36,055 HEY, JOE, GIVE HIM A HAND OVER HERE. 909 00:59:02,539 --> 00:59:04,750 [SUSPENSEFUL MUSIC] 910 00:59:04,750 --> 00:59:10,130 ♪♪ 911 00:59:33,487 --> 00:59:35,364 NOW GET BACK TO WORK. 912 01:00:10,983 --> 01:00:13,402 HERE YOU ARE, YOU GRINNING TEXAS HYENA. 913 01:00:13,402 --> 01:00:15,612 ONLY WISH I HAD SOME RATS TO PUT IN IT. 914 01:00:15,612 --> 01:00:17,406 'PRECIATE THAT, PA. 915 01:00:17,406 --> 01:00:20,200 AND DON'T CALL ME POP, GALL DARN YA. 916 01:00:20,200 --> 01:00:23,037 LIKE WHEN I SAID WHEN I FOUGHT WITH GENERAL ULYSSES GRANT, 917 01:00:23,037 --> 01:00:25,956 A JOHNNY REB IS JUST A NO GOOD CUSS, 918 01:00:25,956 --> 01:00:28,083 AND NEVER WILL BE ANYTHING ELSE. 919 01:00:28,083 --> 01:00:29,585 AND THAT GOES FOR YOU TOO! 920 01:00:29,585 --> 01:00:31,128 NOW HOLD IT. HOLD IT, OLD TIMER, 921 01:00:31,128 --> 01:00:32,755 YOU'VE GOT US ALL WRONG. [GALLAND] HI, BRET. 922 01:00:32,755 --> 01:00:34,798 HI, LARRY. AND JUST TO PROVE IT, 923 01:00:34,798 --> 01:00:36,633 I'M GONNA SEND YOU IN THIS AFTERNOON ON A TRAIN TO DENVER. 924 01:00:36,633 --> 01:00:40,137 WHAT KIND OF NEW WEASEL-PUSSING YOU TRYING NOW? 925 01:00:40,137 --> 01:00:42,514 EH, MAYBE WE GOT RELIGION AND TURNED HONEST. 926 01:00:42,514 --> 01:00:43,640 GO PACK YOUR VALISE AND HURRY. 927 01:00:43,640 --> 01:00:45,392 GLORY BE, WILL I! 928 01:00:55,736 --> 01:00:57,404 I GOT DOWN IN AMONG THE GOPHERS, LARRY. 929 01:00:57,404 --> 01:00:59,073 SLICKEST OPERATION EVER PULLED. 930 01:00:59,073 --> 01:01:00,282 YOU MEAN THEY'RE SMELTING THAT GOLD UNDERGROUND? 931 01:01:00,282 --> 01:01:01,825 NOT ONLY THAT, 932 01:01:01,825 --> 01:01:03,410 THEY'RE PLATING IT TO MAKE IT LOOK LIKE 933 01:01:03,410 --> 01:01:05,788 ORDINARY PIG LEAD, AND SHIPPING IT OUT THAT WAY. 934 01:01:05,788 --> 01:01:08,540 LEAD-PLATED GOLD BRICKS. WELL, WHAT DO YOU KNOW? 935 01:01:08,540 --> 01:01:10,209 NOW GET THIS: 936 01:01:10,209 --> 01:01:11,835 THE GOLD SHIPMENT'S GOING OUT ON THE SAME TRAIN 937 01:01:11,835 --> 01:01:13,587 WITH YOU AND HANSON. 938 01:01:13,587 --> 01:01:16,673 THE CRATES ARE MARKED, "PIER 63, SAN FRANCISCO." 939 01:01:16,673 --> 01:01:18,258 PIER 63. WHAT ABOUT HANSON? 940 01:01:18,258 --> 01:01:19,760 WELL, JUST KEEP HIM PACIFIED 941 01:01:19,760 --> 01:01:21,220 UNTIL YOU GET HIM TO DENVER 942 01:01:21,220 --> 01:01:22,638 AND THEN TURN HIM OVER TO THE U.S. MARSHAL 943 01:01:22,638 --> 01:01:24,389 THERE TO HOLD HIS... FRIENDLY CUSTODY. 944 01:01:24,389 --> 01:01:26,934 AND, AT THE SAME TIME, I FOLLOW THE PIG LEAD. 945 01:01:26,934 --> 01:01:28,602 RIGHT. NOW, GET ALL THE DOPE YOU CAN 946 01:01:28,602 --> 01:01:30,395 AND THEN MEET ME BACK HERE AT THE SHACK. 947 01:01:30,395 --> 01:01:32,231 I'LL LET YOU KNOW WHEN I'M GETTING IN. 948 01:01:32,231 --> 01:01:34,274 ONE OF THOSE "LOVE FOR MOTHER" TELEGRAMS. 949 01:01:34,274 --> 01:01:35,692 CHECK. 950 01:01:35,692 --> 01:01:38,237 WELL, WHAT'S HOLDING US UP? I'M READY. 951 01:01:38,237 --> 01:01:39,905 AND IF THIS AIN'T SOME MORE MONKEY SHINES, 952 01:01:39,905 --> 01:01:41,573 WHY, MAYBE I CAN GET THE GOVERNOR 953 01:01:41,573 --> 01:01:43,325 TO LET YOU BOYS OFF WITH 20 YEARS. 954 01:01:43,325 --> 01:01:44,743 THANKS! 955 01:01:44,743 --> 01:01:47,621 WELL, COME ON. LETS GET GOING, COME ON. 956 01:02:06,473 --> 01:02:09,017 [DISTANT FOGHORN BLOWS] 957 01:02:33,250 --> 01:02:35,627 [SPEAKING CHINESE] 958 01:03:11,872 --> 01:03:14,208 WELL, WHAT DO YOU KNOW? 959 01:03:14,208 --> 01:03:17,419 THE LAUNDRY MAN OF CRIPPLE CREEK. 960 01:03:28,889 --> 01:03:32,517 TRANSLATE THIS FOR ME, WILL YA? 961 01:03:32,517 --> 01:03:34,811 IT MEANS, "WHEN THIS IS IN YOUR HANDS, 962 01:03:34,811 --> 01:03:36,772 FULFILL ALL OBLIGATIONS." 963 01:03:36,772 --> 01:03:39,107 SO, IN OTHER WORDS, "ON RECEIPT OF THIS, PAY OFF." 964 01:03:39,107 --> 01:03:40,817 YES. 965 01:03:40,817 --> 01:03:43,278 CAN YOU TELL ME WHEN THIS WILL REACH CRIPPLE CREEK? 966 01:03:43,278 --> 01:03:47,199 WELL, UH, LETS SEE. DENVER: TWO DAYS. 967 01:03:47,199 --> 01:03:49,451 COLORADO SPRINGS: THREE. 968 01:03:49,451 --> 01:03:51,787 STAGE COACH TO CRIPPLE CREEK... 969 01:03:51,787 --> 01:03:53,497 IT OUGHT TO BE THURSDAY MORNING. 970 01:03:53,497 --> 01:03:56,166 GOOD. SO WILL I. 971 01:03:56,166 --> 01:03:57,834 THANKS VERY MUCH, MR. POSTMASTER. 972 01:03:57,834 --> 01:03:58,752 NOT AT ALL. 973 01:04:20,899 --> 01:04:22,067 YOUR NAME'S IVERS, ISN'T? 974 01:04:22,067 --> 01:04:23,360 THAT'S RIGHT. 975 01:04:23,360 --> 01:04:24,403 THE OPERATOR DOWN AT THE SPRINGS 976 01:04:24,403 --> 01:04:25,862 SENT THIS UP TO YOU. 977 01:04:25,862 --> 01:04:28,323 MUCH OBLIGED. 978 01:04:53,598 --> 01:04:54,766 CABEAU. 979 01:04:54,766 --> 01:04:56,393 SILVER. 980 01:04:56,393 --> 01:04:57,894 WHAT ARE YOU SO GLUM ABOUT? TODAY'S PAYDAY. 981 01:04:57,894 --> 01:04:59,104 THE BIGGEST WE'VE EVER HAD, 982 01:04:59,104 --> 01:05:00,605 SET FOR 2:00. 983 01:05:00,605 --> 01:05:01,773 HERE'S HOW THE CUTS ARE GOING TO RUN. 984 01:05:01,773 --> 01:05:03,400 YOU'RE GONNA-- 985 01:05:03,400 --> 01:05:05,944 DENVER, YOU'RE JUST IN TIME FOR THE BIG NEWS. 986 01:05:05,944 --> 01:05:08,280 MINE'S NOT SO GOOD, BOSS. 987 01:05:08,280 --> 01:05:09,865 WELL, THAT'S WHAT I GET FOR COUNTING 988 01:05:09,865 --> 01:05:11,283 MY CHIPS WHILE THE GAME'S STILL RUNNING. 989 01:05:11,283 --> 01:05:12,617 GO HEAD. SPILL IT. 990 01:05:12,617 --> 01:05:13,910 SHERRIFF SUMMERS OF DAYTON COUNTY 991 01:05:13,910 --> 01:05:15,579 MET ME HALFWAY, AT TRINIDAD. 992 01:05:15,579 --> 01:05:17,039 THAT LETTER HE WROTE THE MARSHAL 993 01:05:17,039 --> 01:05:19,249 WAS ABOUT IVERS, NOT GILLIS. 994 01:05:19,249 --> 01:05:20,667 IT SAID THE SET-UP IN TEXAS LOOKED LIKE 995 01:05:20,667 --> 01:05:22,377 IVERS WAS A GOVERNMENT MAN, 996 01:05:22,377 --> 01:05:24,838 WORKING ON THE INSIDE WITH THE BORDER SMUGGLER. 997 01:05:24,838 --> 01:05:27,090 AND GILLIS COVERED FOR IVERS AND GALLAND. 998 01:05:27,090 --> 01:05:28,467 A THREE-HORSE TEAM. 999 01:05:28,467 --> 01:05:30,135 LOOKS THAT WAY, BUT WHAT ARE THEY WAITING FOR? 1000 01:05:30,135 --> 01:05:31,762 THEY MUST KNOW EVERYTHING THERE IS TO KNOW BY NOW. 1001 01:05:31,762 --> 01:05:33,555 NO. NO, THEY CAN'T POSSIBLE KNOW 1002 01:05:33,555 --> 01:05:35,599 WHO PAYS US OFF OR WHEN IT'S TO BE. 1003 01:05:35,599 --> 01:05:37,684 COULD BE THAT'S WHAT THEY'RE WAITING FOR. 1004 01:05:37,684 --> 01:05:39,311 SEND A COUPLE OF MEN UP TO THE CABIN 1005 01:05:39,311 --> 01:05:40,562 AND BRING IN GALLAND AND THE OLD MAN, 1006 01:05:40,562 --> 01:05:42,314 AND TELL IVERS I WANT TO SEE HIM. 1007 01:05:44,691 --> 01:05:46,693 SHOULDN'T TAKE US LONG TO FIND OUT EXACTLY 1008 01:05:46,693 --> 01:05:48,820 HOW MUCH THEY DO KNOW. 1009 01:05:57,996 --> 01:06:00,499 HEY, GALLAND. 1010 01:06:12,302 --> 01:06:14,763 NOBODY HERE. IT'S A COLD CAMP. 1011 01:06:14,763 --> 01:06:17,474 THERE HASN'T BEEN ANYBODY HERE FOR DAYS. 1012 01:06:54,094 --> 01:06:55,220 HI. 1013 01:06:55,220 --> 01:06:56,847 WELL, HOWDY. 1014 01:06:56,847 --> 01:06:58,014 WHERE'S THE OLD MAN? 1015 01:06:58,014 --> 01:06:59,766 RAN OUT ON ME WHILE I WAS ASLEEP. 1016 01:06:59,766 --> 01:07:01,977 I JUST WENT AFTER HIM. 1017 01:07:01,977 --> 01:07:03,353 SADDLEBAGS? 1018 01:07:04,813 --> 01:07:08,483 OH, YOU BOYS GET FUNNY IDEAS, DON'T YOU? 1019 01:07:47,856 --> 01:07:49,149 HI, IVERS. 1020 01:07:49,149 --> 01:07:50,442 HI, CABEAU. 1021 01:07:50,442 --> 01:07:51,902 I FIGURED YOU MIGHT BE HERE. 1022 01:07:51,902 --> 01:07:53,570 YEAH, I WAS JUST LOOKING FOR MY PAL, LARRY. 1023 01:07:53,570 --> 01:07:55,363 OH, HE'S GONE ON IN WITH THE BOYS. 1024 01:07:55,363 --> 01:07:58,074 SAY, SILVER WANTS TO SEE US ALL THERE. THIS IS PAYDAY. 1025 01:07:58,074 --> 01:08:02,537 A BIG PAYOFF, HEY? SOUNDS MIGHTY FINE. 1026 01:08:02,537 --> 01:08:04,414 YOU SAID IT. 1027 01:08:04,414 --> 01:08:06,208 LOOK'S LIKE THERE'S BEEN A FIGHT IN THE CABIN. 1028 01:08:06,208 --> 01:08:07,584 SURE LARRY'S ALL RIGHT? 1029 01:08:07,584 --> 01:08:11,338 OH, SURE HE IS. I PASSED HIM ON THE WAY UP. 1030 01:08:11,338 --> 01:08:13,465 FUNNY, I DIDN'T. 1031 01:08:13,465 --> 01:08:15,258 THEY TOOK THE CUT OFF. 1032 01:08:15,258 --> 01:08:17,260 COME ON, I'LL SHOW YOU. 1033 01:08:17,260 --> 01:08:19,262 MAYBE IT WAS OLD MAN HANSON 1034 01:08:19,262 --> 01:08:20,680 WHO PUT UP THE FIGHT. 1035 01:08:20,680 --> 01:08:21,806 HOW DID HE LOOK? 1036 01:08:21,806 --> 01:08:23,266 OH, FINE AND DANDY. 1037 01:08:23,266 --> 01:08:27,187 STILL CUSSING EVERYBODY IN SIGHT. 1038 01:08:35,654 --> 01:08:37,739 [PIANO PLAYING] 1039 01:08:37,739 --> 01:08:42,911 ♪♪ 1040 01:08:48,166 --> 01:08:50,460 ALL I WANT TO KNOW, GALLAND, IS, UH, 1041 01:08:50,460 --> 01:08:52,712 WHERE YOU WENT WITH THE OLD MAN. 1042 01:08:52,712 --> 01:08:54,881 AND WHETHER YOU AND IVERS SENT FOR ANY HELP. 1043 01:08:54,881 --> 01:08:56,883 KEEP ON TRYING, SILVER. 1044 01:08:56,883 --> 01:08:58,510 I MAY BREAK DOWN ANY MINUTE. 1045 01:09:10,146 --> 01:09:11,439 OUR OBSTINATE YOUNG FRIEND 1046 01:09:11,439 --> 01:09:13,149 HAS TOLD ME MORE THAN HE REALIZES. 1047 01:09:13,149 --> 01:09:14,776 IF HE WERE EXPECTING HELP, 1048 01:09:14,776 --> 01:09:16,486 HE'D BE BRAGGING ABOUT IT. 1049 01:09:16,486 --> 01:09:18,405 I THINK IT'S SAFE TO GO AHEAD WITH THE PAYOFF. 1050 01:09:18,405 --> 01:09:22,701 IN THE MEANTIME, KEEP OUR FRIEND WELL ENTERTAINED. 1051 01:09:45,682 --> 01:09:46,975 HELLO, IVERS. 1052 01:09:46,975 --> 01:09:48,184 CABEAU TELL YOU THE GOOD NEWS? 1053 01:09:48,184 --> 01:09:49,811 YEAH, HE SURE DID. 1054 01:09:49,811 --> 01:09:52,188 I'M GIVING A LITTLE PARTY IN HONOR OF THE OCCASION. 1055 01:09:52,188 --> 01:09:53,607 COME ON UP AND JOIN THE BOYS. 1056 01:09:53,607 --> 01:09:54,983 I'LL BE BACK IN A LITTLE WHILE. 1057 01:09:54,983 --> 01:09:56,359 RIGHT. 1058 01:09:56,359 --> 01:09:58,612 ENJOY YOURSELVES. 1059 01:10:12,459 --> 01:10:14,419 YOU FIRST, CABEAU. 1060 01:10:17,797 --> 01:10:20,467 HOLD IT. 1061 01:10:20,467 --> 01:10:21,885 GET RID OF THOSE GUNS. 1062 01:10:21,885 --> 01:10:24,095 LEFT HAND! 1063 01:10:25,847 --> 01:10:28,099 UNTIE HIM. 1064 01:10:28,099 --> 01:10:30,852 EVERYBODY'S PAYDAY BUT OURS. IS THAT THE IDEA, DENVER? 1065 01:10:30,852 --> 01:10:32,145 IT'S YOUR PLAY, IVERS. 1066 01:10:32,145 --> 01:10:33,438 SPREAD YOUR CARDS ON THE TABLE. 1067 01:10:33,438 --> 01:10:36,066 OKAY, YOU'RE ALL UNDER ARREST. 1068 01:10:36,066 --> 01:10:37,776 HOLD IT. 1069 01:10:37,776 --> 01:10:40,111 GET 'EM UP. 1070 01:10:40,111 --> 01:10:41,488 TAKE EM DOWN TO THE MINER'S COMMITTEE 1071 01:10:41,488 --> 01:10:43,198 AND LET THEM TAKE CARE OF THEM. 1072 01:10:43,198 --> 01:10:45,200 ALL RIGHT, GET MOVING. 1073 01:11:09,849 --> 01:11:11,351 ACES FULL. 1074 01:13:04,130 --> 01:13:05,632 OKAY, GET UP. 1075 01:13:08,343 --> 01:13:11,346 I'M GOING TO SAVE YOU FOR THE HANGERS. 1076 01:13:11,346 --> 01:13:13,890 STRAP WOULD LIKE IT BETTER THAT WAY. 1077 01:13:13,890 --> 01:13:14,974 OKAY, LET'S GO. 1078 01:13:14,974 --> 01:13:17,185 COME ON, GET UP. 1079 01:13:36,371 --> 01:13:38,706 GENTLEMEN! 1080 01:13:38,706 --> 01:13:40,458 I'M SPEAKING TO YOU AS AGENT 1081 01:13:40,458 --> 01:13:42,377 OF THE U.S. SECRET SERVICE. 1082 01:13:42,377 --> 01:13:45,797 THESE MEN ARE LEADERS OF THE HIGH-GRADERS. 1083 01:13:45,797 --> 01:13:47,173 MR. HATTON... 1084 01:13:49,551 --> 01:13:51,719 I'M PLACING THEM IN YOUR CHARGE. TAKE OVER. 1085 01:13:51,719 --> 01:13:54,013 [HATTON] I'LL BE VERY GLAD TO DO SO. 1086 01:13:54,013 --> 01:13:57,559 MORT, JOHNSON, HIBBS! 1087 01:14:07,902 --> 01:14:09,445 WELL, KID, THERE'S ONLY ONE CHANCE NOW 1088 01:14:09,445 --> 01:14:10,780 TO COMPLETE OUR CASE. 1089 01:14:10,780 --> 01:14:12,031 IF SILVER KIRBY IS STILL AROUND, 1090 01:14:12,031 --> 01:14:13,575 HE MAY TRY TO COLLECT THE PAYOFF. 1091 01:14:13,575 --> 01:14:15,660 THE CHINESE LAUNDRY IS THE SPOT TO WATCH. 1092 01:14:15,660 --> 01:14:17,453 I LEARNED THAT IN 'FRISCO. 1093 01:14:17,453 --> 01:14:19,372 WELL, WHAT ARE WE WAITING FOR? 1094 01:14:31,217 --> 01:14:32,427 WELL, AT LEAST MISS JULIE 1095 01:14:32,427 --> 01:14:34,345 DON'T HAVE TO DO HER OWN WASHING. 1096 01:14:38,683 --> 01:14:40,685 YOU DON'T GET YOUR LAUNDRY IN THE BACK ROOM. 1097 01:14:40,685 --> 01:14:43,396 CAN SHE BE IN ON THIS, TOO? 1098 01:14:59,203 --> 01:15:00,788 YOU BETTER LEAVE, TOO. 1099 01:15:00,788 --> 01:15:02,206 THERE'S NO TELLING HOW MUCH THEY FOUND OUT. 1100 01:15:02,206 --> 01:15:03,583 IF THEY DON'T KNOW ABOUT YOU, 1101 01:15:03,583 --> 01:15:05,919 THEY COULDN'T HAVE ANY SUSPICIONS ABOUT ME. 1102 01:15:05,919 --> 01:15:07,378 AND MY MARKET FOR UNLISTED GOLD 1103 01:15:07,378 --> 01:15:08,922 IS INEXHAUSTIBLE. 1104 01:15:08,922 --> 01:15:11,049 SORRY, MR. SULLIVAN, BUT THE MARKET IS CLOSED. 1105 01:15:11,049 --> 01:15:12,967 I'LL TAKE THAT BAG, JULIE. 1106 01:15:15,178 --> 01:15:16,554 NOT A PAYOFF, LARRY! 1107 01:15:16,554 --> 01:15:19,223 ALL IN BRAND NEW, U.S. YELLOWBACKS. 1108 01:15:19,223 --> 01:15:20,850 YOU'RE A PRISONER OF THE GOVERNMENT 1109 01:15:20,850 --> 01:15:23,353 YOU WERE SUPPOSED TO SERVE, MR. JAMES C. SULLIVAN. 1110 01:15:23,353 --> 01:15:26,105 SIR, THE NAME IS JAMES CHANG SULLIVAN, 1111 01:15:26,105 --> 01:15:28,942 AND I ONLY OWE ALLEGIANCE TO MY MOTHER'S COUNTRY. 1112 01:15:28,942 --> 01:15:30,526 BY NOW THE GOLD IS WELL ON ITS WAY 1113 01:15:30,526 --> 01:15:32,070 TO THE DOWAGER EMPRESS OF CHINA. 1114 01:15:32,070 --> 01:15:33,696 SORRY TO DISAPPOINT YOU, 1115 01:15:33,696 --> 01:15:35,448 BUT BY NOW, IT'S IN THE MINT IN SAN FRANCISCO. 1116 01:15:37,450 --> 01:15:39,911 TAKE OUR ORIENTAL FRIENDS TO THE MINER'S COMMITTEE. 1117 01:15:39,911 --> 01:15:42,705 WHILE I ASK MISS HANSON SOME QUESTIONS. 1118 01:15:42,705 --> 01:15:44,666 DROP THAT GUN, GALLAND. 1119 01:15:47,460 --> 01:15:49,253 JULIE, DEAR, 1120 01:15:49,253 --> 01:15:52,423 TAKE THAT BAG OUT TO THE BUCKBOARD AND WAIT FOR ME. 1121 01:15:52,423 --> 01:15:54,550 GIVE HER THE BAG, IVERS. 1122 01:15:54,550 --> 01:15:56,010 JULIE CAN'T STAND BLOODSHED. 1123 01:15:57,762 --> 01:15:59,681 [GUN FIRES] 1124 01:16:07,230 --> 01:16:10,191 NOT A BAD TRY FOR A GAL WHO CAN'T STAND BLOODSHED. 1125 01:16:10,191 --> 01:16:11,317 HE WAS MY HUSBAND. 1126 01:16:16,990 --> 01:16:19,617 ALL RIGHT, LARRY, TAKE HER AWAY. 1127 01:16:19,617 --> 01:16:21,285 I'LL GET THE LOOT. 1128 01:16:29,043 --> 01:16:31,254 WHAT A FOOLISH PAIR OF YOUNG MEN YOU ARE. 1129 01:16:31,254 --> 01:16:32,797 THERE'S A HALF MILLION IN THAT BAG, 1130 01:16:32,797 --> 01:16:34,757 AND THE POSSIBILITY OF MUCH MORE TO COME. 1131 01:16:34,757 --> 01:16:36,884 AND I'LL BET HE COULD EVEN GET US AN INTRODUCTION 1132 01:16:36,884 --> 01:16:38,344 TO THE EMPRESS OF CHINA. 1133 01:16:38,344 --> 01:16:41,139 I'LL BET HE COULD! 1134 01:16:41,139 --> 01:16:42,598 THAT'S TOO BAD, LARRY. 1135 01:16:42,598 --> 01:16:44,058 WE'RE JUST A COUPLE OF CHUMPS. 1136 01:16:44,058 --> 01:16:46,894 BORN TO DIE POOR, BUT HONEST. 1137 01:16:46,894 --> 01:16:49,022 YEAH, RECKON THAT'S ABOUT THE MOST MONEY 1138 01:16:49,022 --> 01:16:50,857 WE EVER DON'T GET AS LONG AS WE LIVE. 1139 01:16:50,857 --> 01:16:52,483 OH, GOOD AFTERNOON, GENTLEMEN. 1140 01:16:52,483 --> 01:16:55,778 AM I WRONG, OR ARE MY SERVICES AGAIN IN DEMAND? 1141 01:16:55,778 --> 01:16:57,488 YOU GET AROUND FAST, DON'T YOU? 1142 01:16:57,488 --> 01:16:59,615 IT MY PROFESSION, IT PAYS TO KEEP ONE'S EAR 1143 01:16:59,615 --> 01:17:02,035 ATTUNED TO THE BARK OF A SIX-GUN. 1144 01:17:02,035 --> 01:17:04,454 IF THIS KEEPS UP, I'LL REALLY HAVE TO PUT YOU TWO 1145 01:17:04,454 --> 01:17:06,622 ON A COMMISSION BASIS. 1146 01:17:06,622 --> 01:17:10,251 AND, THANK YOU AGAIN, GENTLEMEN. 1147 01:17:11,878 --> 01:17:14,297 WELL, IF WE EVER NEED ONE, WE GOT A JOB.