1
00:00:08,909 --> 00:00:09,910
- YOU ARE SO GOING DOWN!

2
00:00:09,910 --> 00:00:10,911
- NO, YOU'RE GOING DOWN!

3
00:00:10,911 --> 00:00:11,945
- I'M THE KING OF SPIN!

4
00:00:11,945 --> 00:00:12,946
- OH, GOING DOWN!

5
00:00:12,946 --> 00:00:14,182
- I'M GOING DOWN!

6
00:00:14,182 --> 00:00:16,584
[all grunting]

7
00:00:16,584 --> 00:00:17,585
I'M GONNA BARF.

8
00:00:17,585 --> 00:00:18,586
OKAY.

9
00:00:18,586 --> 00:00:20,054
- [gasping]

10
00:00:20,054 --> 00:00:21,622
- WHY ARE YOU ALL DRESSED UP?

11
00:00:21,622 --> 00:00:22,623
- [gasps]

12
00:00:22,623 --> 00:00:23,924
AND WHY ARE THERE THREE OF YOU?

13
00:00:23,924 --> 00:00:27,161
- I AM ON MY WAY
TO OFFICIALLY ASK LUCY OUT

14
00:00:27,161 --> 00:00:28,162
ON A DATE.

15
00:00:28,162 --> 00:00:29,397
- WAIT.

16
00:00:29,397 --> 00:00:30,831
YOU STILL
HAVEN'T ASKED HER OUT YET?

17
00:00:30,831 --> 00:00:32,100
MAN, WHAT'S TAKING YOU SO LONG?

18
00:00:32,100 --> 00:00:33,567
- YOU KNOW, I DON'T KNOW.

19
00:00:33,567 --> 00:00:35,636
IT JUST SEEMS LIKE EVERY TIME
I'M ABOUT TO ASK HER OUT,

20
00:00:35,636 --> 00:00:38,606
THERE'S A COMPLICATION.

21
00:00:38,606 --> 00:00:41,642
LUCY, I WAS WONDERING,
UH, WOULD YOU LIKE TO--

22
00:00:41,642 --> 00:00:42,576
bonk!

23
00:00:44,245 --> 00:00:47,148
- DUDE, YOU CALL THAT A THROW?

24
00:00:47,148 --> 00:00:48,749
HEY.

25
00:00:50,918 --> 00:00:53,254
- LUCY,
IF YOU'RE NOT BUSY TONIGHT--

26
00:00:53,254 --> 00:00:54,922
- KENDALL!

27
00:00:54,922 --> 00:00:56,824
HELP! HE'S CRAZY!
- [yelling]

28
00:00:56,824 --> 00:00:59,093
HE ATE MY CHOCO-CRUNCHIES.
- OH, WHO BOUGHT THEM?

29
00:00:59,093 --> 00:01:00,961
[both yelling]

30
00:01:00,961 --> 00:01:05,266
- SO LISTEN, UM,
THERE'S THIS MOVIE, AND IF--

31
00:01:05,266 --> 00:01:07,868
- HEY, WHAT ARE YOU GUYS
DOING HERE?

32
00:01:07,868 --> 00:01:10,571
- OH, ARE YOU ASKING LUCY OUT?

33
00:01:10,571 --> 00:01:13,274
- "OH, KENDALL,
I WOULD LOVE TO."

34
00:01:13,274 --> 00:01:14,808
[smooching]

35
00:01:14,808 --> 00:01:17,245
[all smooching]

36
00:01:20,348 --> 00:01:22,683
- WELL, THAT
WILL NOT HAPPEN AGAIN.

37
00:01:22,683 --> 00:01:25,153
- 'CAUSE YOU
ARE GETTING THAT DATE.

38
00:01:25,153 --> 00:01:26,854
- MAKE WAY, PEOPLE.

39
00:01:26,854 --> 00:01:29,357
- BOY IN LOVE HERE!
- STEP ASIDE, THANK YOU!

40
00:01:29,357 --> 00:01:30,624
- OKAY, HERE WE GO!
- SORRY.

41
00:01:30,624 --> 00:01:33,661
- LET'S GO!
- MOVE! MOVE! MOVE!

42
00:01:33,661 --> 00:01:36,530
- NOW, GO UP TO HER APARTMENT
AND GET THAT DATE.

43
00:01:36,530 --> 00:01:37,565
- YOU GOT THIS, MAN.

44
00:01:37,565 --> 00:01:39,400
- [sighs]

45
00:01:40,868 --> 00:01:43,171
- OH.

46
00:01:43,171 --> 00:01:45,606
UH, HEY, GUYS.

47
00:01:45,606 --> 00:01:48,809
UH, THIS IS BEAU,
MY EX-BOYFRIEND.

48
00:01:50,411 --> 00:01:51,812
- DROVE ALL THE WAY OUT
FROM GEORGIA

49
00:01:51,812 --> 00:01:53,481
JUST TO WIN MY LUCY BACK.

50
00:01:55,749 --> 00:01:57,185
- [whispering]
NOW'S YOUR CHANCE.

51
00:01:57,185 --> 00:01:59,387
- * AH, AH, AH-AH, OH

52
00:01:59,387 --> 00:02:01,522
*

53
00:02:01,522 --> 00:02:03,291
- * MAKE IT COUNT,
PLAY IT STRAIGHT *

54
00:02:03,291 --> 00:02:05,193
* DON'T LOOK BACK,
DON'T HESITATE *

55
00:02:05,193 --> 00:02:09,263
- * WHEN YOU GO BIG TIME

56
00:02:09,263 --> 00:02:11,199
- * WHAT YOU WANT,
WHAT YOU FEEL *

57
00:02:11,199 --> 00:02:13,100
* NEVER QUIT
AND MAKE IT REAL *

58
00:02:13,100 --> 00:02:16,270
- * WHEN YOU ROLL BIG TIME

59
00:02:16,270 --> 00:02:17,305
- * OH-OH, OH-OH

60
00:02:17,305 --> 00:02:19,106
- * HEY, HEY

61
00:02:19,106 --> 00:02:21,209
- * LISTEN TO YOUR HEART NOW

62
00:02:21,209 --> 00:02:23,244
- * HEY, HEY

63
00:02:23,244 --> 00:02:25,213
- * DON'T YOU FEEL THE RUSH *

64
00:02:25,213 --> 00:02:27,080
- * OH-OH, OH-OH

65
00:02:27,080 --> 00:02:29,082
* OH-OH, OH-OH

66
00:02:29,082 --> 00:02:30,551
- * GO AND SHAKE IT UP

67
00:02:30,551 --> 00:02:33,020
* WHATCHA GOTTA LOSE

68
00:02:33,020 --> 00:02:34,522
* GO AND MAKE YOUR LUCK

69
00:02:34,522 --> 00:02:37,057
* WITH THE LIFE YOU CHOOSE

70
00:02:37,057 --> 00:02:40,494
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *

71
00:02:40,494 --> 00:02:45,065
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *

72
00:02:49,102 --> 00:02:50,571
- I CAN STILL ASK HER OUT.

73
00:02:50,571 --> 00:02:52,005
RIGHT?

74
00:02:52,005 --> 00:02:53,807
I MEAN, JUST 'CAUSE THEY DATED
FOR THREE YEARS

75
00:02:53,807 --> 00:02:55,576
AND HE DROVE ALL THE WAY
OUT HERE FROM GEORGIA

76
00:02:55,576 --> 00:02:57,511
DOESN'T MEAN
SHE'S GONNA TAKE HIM BACK.

77
00:02:57,511 --> 00:03:00,080
- YEAH, IT DOES...

78
00:03:00,080 --> 00:03:03,384
'CAUSE THAT'S THE BEST-LOOKING
GUY AT THE PALMWOODS EVER.

79
00:03:03,384 --> 00:03:04,818
- WHAT?

80
00:03:06,587 --> 00:03:08,055
GIVE ME THAT.

81
00:03:08,055 --> 00:03:11,292
- OKAY, BUT THIS IS THE GUY
THAT BROKE HER HEART.

82
00:03:11,292 --> 00:03:13,060
SHE'S PROBABLY DOWN THERE
RIGHT NOW

83
00:03:13,060 --> 00:03:14,262
TELLING HIM TO GET LOST.

84
00:03:16,730 --> 00:03:18,299
OR THE OPPOSITE.

85
00:03:18,299 --> 00:03:19,567
- OKAY, NEW PLAN.

86
00:03:19,567 --> 00:03:20,868
WE TELL GUSTAVO
YOU'RE VOMITING

87
00:03:20,868 --> 00:03:22,336
AND CAN'T COME IN
AND RECORD TODAY.

88
00:03:22,336 --> 00:03:23,671
- YES.

89
00:03:23,671 --> 00:03:26,440
AND YOU CAN STAY HERE
AND BEAT SUPERHOT AND HUNKY GUY.

90
00:03:26,440 --> 00:03:28,476
- HE'S NOT THAT HOT, OKAY?

91
00:03:28,476 --> 00:03:29,977
- JAMES!

92
00:03:29,977 --> 00:03:31,512
HAVE YOU SEEN THE NEW GUY?

93
00:03:31,512 --> 00:03:33,046
HE'S GORGEOUS!

94
00:03:33,046 --> 00:03:35,148
WE GOT TO GET RID OF HIM.

95
00:03:35,148 --> 00:03:38,018
- NO, YES, NO, NO.

96
00:03:38,018 --> 00:03:40,053
- SURPRISE!
- [yells]

97
00:03:40,053 --> 00:03:42,523
GRIFFIN, I KNOW
WHY YOU'RE HERE.

98
00:03:42,523 --> 00:03:43,657
YOU WANT A NEW HIT.

99
00:03:43,657 --> 00:03:44,925
WE ALL DO.

100
00:03:44,925 --> 00:03:46,394
AND I'M WORKING ON IT.

101
00:03:46,394 --> 00:03:47,828
- CLOSE.

102
00:03:47,828 --> 00:03:48,962
I WANT YOU TO KIDNAP ME.

103
00:03:48,962 --> 00:03:50,431
- COME AGAIN?

104
00:03:50,431 --> 00:03:52,366
- BEING AN INCREDIBLY
WEALTHY CEO

105
00:03:52,366 --> 00:03:54,134
OF THE FIFTH-LARGEST COMPANY
IN THE WORLD

106
00:03:54,134 --> 00:03:55,469
ALSO MAKES ME A TARGET

107
00:03:55,469 --> 00:03:58,339
FOR HOODLUMS WANTING CASH,
CORPORATE SECRETS,

108
00:03:58,339 --> 00:03:59,407
AND MY PANDA COLLECTION.

109
00:03:59,407 --> 00:04:02,376
AND I NEED TO BE PREPARED.

110
00:04:02,376 --> 00:04:04,578
- MM, GRIFFIN,
WE DON'T HAVE TIME TO--

111
00:04:04,578 --> 00:04:06,547
- MAKE TIME.

112
00:04:06,547 --> 00:04:07,848
HIRE WHOEVER YOU WANT.

113
00:04:07,848 --> 00:04:10,050
DO WHATEVER YOU HAVE TO.

114
00:04:10,050 --> 00:04:13,321
SO...

115
00:04:13,321 --> 00:04:15,623
COME AND GET ME!

116
00:04:17,057 --> 00:04:18,792
- I AM NOT
CHASING GRIFFIN AROUND.

117
00:04:18,792 --> 00:04:21,228
BESIDES, HE WILL KILL ME.

118
00:04:21,228 --> 00:04:23,697
- WELL, WHO ELSE IS GONNA DO IT?

119
00:04:23,697 --> 00:04:25,399
both: HELLO.

120
00:04:28,168 --> 00:04:31,505
- I KNOW THIS MYSTERIOUS TOWN
IS FULL OF MYSTERIES,

121
00:04:31,505 --> 00:04:34,508
BUT HERE'S A NOT-MYSTERY:

122
00:04:34,508 --> 00:04:37,411
NOBODY WILL TEAR US APART.

123
00:04:37,411 --> 00:04:39,647
[door bangs and wind blows]

124
00:04:39,647 --> 00:04:42,182
YOU.

125
00:04:42,182 --> 00:04:43,751
YOU'RE BACK.

126
00:04:46,186 --> 00:04:47,621
- WHAT?

127
00:04:47,621 --> 00:04:49,923
IT'S OVER?
WHO'S BACK?

128
00:04:49,923 --> 00:04:52,860
- NOW WE HAVE TO WAIT A WEEK
TO FIND OUT WHAT HAPPENS.

129
00:04:52,860 --> 00:04:54,462
- WAIT A MINUTE.

130
00:04:54,462 --> 00:04:55,963
NO, WE DON'T.

131
00:04:55,963 --> 00:04:56,964
[knocking]

132
00:04:59,867 --> 00:05:01,502
- WHY ARE YOU DRESSED LIKE THAT?

133
00:05:01,502 --> 00:05:03,371
- I GOT TO GET RID
OF THE HOT NEW GUY.

134
00:05:03,371 --> 00:05:04,438
I MEAN...

135
00:05:04,438 --> 00:05:06,374
NOTHING.

136
00:05:06,374 --> 00:05:09,076
- WE WANT TO KNOW WHO'S BACK
ON NEW TOWN HIGH.

137
00:05:09,076 --> 00:05:10,077
- FORGET IT.

138
00:05:10,077 --> 00:05:12,480
I'M SWORN TO STUDIO SECRECY.

139
00:05:12,480 --> 00:05:14,181
AND DON'T TRY
TO BREAK INTO MY ROOM

140
00:05:14,181 --> 00:05:15,949
AND FIND THE SCRIPT
OR LOOK FOR PICTURES

141
00:05:15,949 --> 00:05:17,651
OF THE NEW SCENE
ON MY COMPUTER.

142
00:05:17,651 --> 00:05:18,586
[door bangs]

143
00:05:25,025 --> 00:05:27,094
- [whispering] I CAN'T MAKE OUT
WHAT THEY'RE SAYING.

144
00:05:27,094 --> 00:05:29,397
- [whispering]
DON'T WORRY. I CAN READ LIPS.

145
00:05:29,397 --> 00:05:31,198
"FRIES, FRUIT, FRUIT, FRUIT,

146
00:05:31,198 --> 00:05:33,934
"I LIKE TO LOOK AROUND.

147
00:05:33,934 --> 00:05:35,603
"I AM UNATTRACTIVE.

148
00:05:35,603 --> 00:05:37,170
"NOW I'M GETTING UP

149
00:05:37,170 --> 00:05:39,306
AND GOING SOMEWHERE
THAT'S NOT HERE."

150
00:05:39,306 --> 00:05:40,608
NOW'S YOUR CHANCE.

151
00:05:40,608 --> 00:05:42,810
ASK HER OUT SO THAT
OPEN-SHIRT BOY CAN GO BYE-BYE.

152
00:05:46,046 --> 00:05:47,681
- LUCY.

153
00:05:47,681 --> 00:05:50,317
HEY, WHAT'S--
WHAT'S GOING ON?

154
00:05:50,317 --> 00:05:52,252
- YOU MEAN WITH ME AND BEAU?

155
00:05:52,252 --> 00:05:54,287
- NO, NO, NOT THAT.

156
00:05:54,287 --> 00:05:56,857
BUT IF YOU WANT TO TALK
ABOUT THAT, THEN THAT'S COOL.

157
00:05:56,857 --> 00:05:58,025
WHAT'S UP WITH ALL THAT?

158
00:05:58,025 --> 00:06:01,161
- LOOK, BEAU CAUGHT ME
TOTALLY BY SURPRISE,

159
00:06:01,161 --> 00:06:03,997
BUT WE HAVE A LONG HISTORY
TOGETHER.

160
00:06:03,997 --> 00:06:05,065
YOU KNOW?

161
00:06:05,065 --> 00:06:08,436
[dramatic spy music]

162
00:06:08,436 --> 00:06:10,804
- BUT YOU SAID
HE CHEATED ON YOU.

163
00:06:10,804 --> 00:06:11,939
- YEAH.

164
00:06:11,939 --> 00:06:14,341
AND HE JUST SPENT
THE LAST HOUR

165
00:06:14,341 --> 00:06:17,144
TELLING ME IT WAS
THE BIGGEST MISTAKE OF HIS LIFE.

166
00:06:17,144 --> 00:06:25,085
*

167
00:06:30,591 --> 00:06:32,626
- SO...

168
00:06:32,626 --> 00:06:35,696
UH, ARE YOU
GONNA GET BACK TOGETHER?

169
00:06:35,696 --> 00:06:37,798
- OH, NO.

170
00:06:37,798 --> 00:06:39,066
I DON'T KNOW.

171
00:06:39,066 --> 00:06:43,203
IT'S COMPLICATED,
ESPECIALLY WITH YOU HERE.

172
00:06:43,203 --> 00:06:44,805
AND--

173
00:06:44,805 --> 00:06:46,073
BEAU.

174
00:06:48,308 --> 00:06:50,177
- OH, UH, I SHOULD PROBABLY
GET GOING.

175
00:06:50,177 --> 00:06:51,512
- NO, STAY.

176
00:06:51,512 --> 00:06:54,314
I WANT EVERYONE TO SEE
HOW MUCH I WANT MY LUCY BACK.

177
00:06:56,484 --> 00:06:59,487
- BEAU, I DON'T KNOW
WHAT TO SAY.

178
00:06:59,487 --> 00:07:01,121
- SAY YOU'LL WEAR IT.

179
00:07:01,121 --> 00:07:04,124
[somber music]

180
00:07:04,124 --> 00:07:09,396
*

181
00:07:12,265 --> 00:07:14,034
- SO GRIFFIN
WANTS TO BE KIDNAPPED

182
00:07:14,034 --> 00:07:16,169
TO PREPARE
FOR HIS WORST CEO SCENARIO?

183
00:07:16,169 --> 00:07:18,038
- HE SAID I COULD HIRE ANYONE,

184
00:07:18,038 --> 00:07:20,774
AND I IMMEDIATELY
THOUGHT OF YOU TWO.

185
00:07:20,774 --> 00:07:22,242
- OKAY, WHAT'S IN IT FOR US?

186
00:07:22,242 --> 00:07:23,711
- WHAT DO YOU WANT?

187
00:07:23,711 --> 00:07:25,312
both: SOLO RECORDS.

188
00:07:25,312 --> 00:07:26,947
- WHAT?

189
00:07:26,947 --> 00:07:29,517
- CARLOS ALONE.

190
00:07:29,517 --> 00:07:31,318
- LOGALICIOUS.

191
00:07:31,318 --> 00:07:33,420
[upbeat music]

192
00:07:35,322 --> 00:07:37,558
both: MOVE OUT!

193
00:07:40,628 --> 00:07:42,696
- ARE YOU REALLY GIVING THEM
SOLO RECORDS?

194
00:07:45,633 --> 00:07:48,736
- UH, NO, BECAUSE THERE'S NO WAY
THEY'RE KIDNAPPING GRIFFIN.

195
00:07:51,171 --> 00:07:53,607
- SO IT'S A REALLY BIG CLOG.

196
00:07:53,607 --> 00:07:55,308
- HUGE--
AND ONLY ONE YOU CAN FIX.

197
00:07:55,308 --> 00:07:56,644
- OH.

198
00:07:56,644 --> 00:07:57,645
WAIT.

199
00:07:57,645 --> 00:07:58,946
THIS ISN'T YOUR APARTMENT.

200
00:08:05,185 --> 00:08:06,554
- OKAY, GET HIS COMPUTER!

201
00:08:06,554 --> 00:08:08,021
- I GOT THE LAPTOP.

202
00:08:08,021 --> 00:08:09,623
- HA-HA,
AND I GOT THE TV.

203
00:08:09,623 --> 00:08:10,624
- WAIT. HEY, WAIT.

204
00:08:10,624 --> 00:08:11,792
WE'RE NOT LOOTING.
- HUH?

205
00:08:11,792 --> 00:08:13,393
- WE JUST WANT TO KNOW
THE SURPRISE ENDING

206
00:08:13,393 --> 00:08:15,095
ON NEW TOWN HIGH.

207
00:08:15,095 --> 00:08:18,699
- SO I SHOULD
PUT THIS BACK, THEN?

208
00:08:18,699 --> 00:08:20,167
OH.

209
00:08:24,071 --> 00:08:26,607
- AH, NOW I CAN RECYCLE
THIS BOTTLE.

210
00:08:26,607 --> 00:08:27,908
both: GO! GO! GO! GO! GO!

211
00:08:27,908 --> 00:08:31,779
[all yelling]

212
00:08:31,779 --> 00:08:32,913
- LOCK IT!

213
00:08:32,913 --> 00:08:35,115
- HELP!
LET ME OUT!

214
00:08:35,115 --> 00:08:37,284
both: SOLO RECORD DANCE!

215
00:08:37,284 --> 00:08:38,586
* SOLO RECORD DANCE

216
00:08:38,586 --> 00:08:40,420
* IN MY SOLO RECORD PANTS

217
00:08:40,420 --> 00:08:42,489
* SOLO RECORD DANCE
IN MY SOLO-- *

218
00:08:42,489 --> 00:08:45,025
[both yelling]

219
00:08:45,025 --> 00:08:47,394
[tires squealing]

220
00:08:47,394 --> 00:08:49,462
- WHAT DO YOU MEAN,
YOU'RE NOT GONNA FIGHT FOR LUCY,

221
00:08:49,462 --> 00:08:51,264
THUS GETTING RID OF BEAU?

222
00:08:51,264 --> 00:08:53,200
I CANNOT BE
THE SECOND-BEST-LOOKING GUY

223
00:08:53,200 --> 00:08:54,201
AT THE PALMWOODS.

224
00:08:54,201 --> 00:08:56,103
- YOU MEAN THIRD.

225
00:08:56,103 --> 00:08:57,337
I'M BETTER-LOOKING THAN YOU.

226
00:08:57,337 --> 00:08:58,806
- NO, YOU'RE NOT.
- YES, I AM.

227
00:08:58,806 --> 00:08:59,907
- NO, YOU'RE NOT.
- YES, I AM.

228
00:08:59,907 --> 00:09:01,642
TELL HIM, KENDALL,
THE TRUTH.

229
00:09:01,642 --> 00:09:03,611
- GUYS!

230
00:09:03,611 --> 00:09:06,513
ALL I'M DOING
IS PUTTING MYSELF IN HER SHOES.

231
00:09:06,513 --> 00:09:08,381
HER EX-BOYFRIEND CAME BACK.

232
00:09:08,381 --> 00:09:11,484
IF JO CAME BACK,
I'D BE CONFUSED TOO.

233
00:09:11,484 --> 00:09:13,020
- BEAU HAS GOT TO GO.

234
00:09:13,020 --> 00:09:14,221
HE'S UNTRUSTWORTHY,
KENDALL.

235
00:09:14,221 --> 00:09:15,623
I KNOW BECAUSE
I'M UNTRUSTWORTHY.

236
00:09:15,623 --> 00:09:16,657
- TRUE.

237
00:09:16,657 --> 00:09:19,292
- LOOK, SHE'S NOT
MY GIRLFRIEND.

238
00:09:19,292 --> 00:09:22,395
IF LUCY IS GOING TO GIVE BEAU
ANOTHER SHOT,

239
00:09:22,395 --> 00:09:24,297
THEN WE SHOULD TOO.

240
00:09:27,034 --> 00:09:28,636
- I'M HONESTLY
BETTER-LOOKING THAN YOU.

241
00:09:28,636 --> 00:09:29,770
- NOT IN MY MIRROR.

242
00:09:31,404 --> 00:09:32,706
[elevator dings]

243
00:09:39,713 --> 00:09:43,851
- WELL, IF IT ISN'T KENDALL,

244
00:09:43,851 --> 00:09:45,185
THE GUY AFTER MY LUCY.

245
00:09:45,185 --> 00:09:47,855
- THAT WASN'T YOUR LUCY.

246
00:09:47,855 --> 00:09:49,723
- BUT IT'S YOUR WORD
AGAINST MINE,

247
00:09:49,723 --> 00:09:50,858
AND SHE'LL BELIEVE ME.

248
00:09:50,858 --> 00:09:54,161
AND IS SHE WEARING
YOUR $900 NECKLACE?

249
00:09:54,161 --> 00:09:55,162
NO.

250
00:09:55,162 --> 00:09:57,364
- YOU JUST KISSED
ANOTHER GIRL.

251
00:09:57,364 --> 00:10:00,968
- SEE, NOW, THAT JUST SOUNDS
LIKE A JEALOUS WEASEL TO ME.

252
00:10:00,968 --> 00:10:04,304
I MEAN, WHY WOULD YOU LIE
TO BREAK US UP?

253
00:10:04,304 --> 00:10:06,740
HOW COULD YOU, KENDALL?

254
00:10:11,278 --> 00:10:12,946
- NOW.

255
00:10:12,946 --> 00:10:14,848
crash!

256
00:10:14,848 --> 00:10:15,849
YOU MISSED.

257
00:10:15,849 --> 00:10:18,085
- I KNOW THAT.

258
00:10:18,085 --> 00:10:19,753
- OKAY.

259
00:10:19,753 --> 00:10:20,821
LET'S GET RID OF HIM.

260
00:10:26,860 --> 00:10:29,096
[knocking]

261
00:10:29,096 --> 00:10:30,964
- OH, HEY, GUYS.
WHAT'S UP?

262
00:10:30,964 --> 00:10:33,033
- HAVE YOU MET BEAU,
LUCY'S EX?

263
00:10:33,033 --> 00:10:34,868
- NO, BUT I HEAR HE'S DREAMY

264
00:10:34,868 --> 00:10:37,204
AND GAVE HER
SOME AMAZING NECKLACE.

265
00:10:37,204 --> 00:10:38,872
- KENDALL SAW HIM
KISSING ANOTHER GIRL.

266
00:10:38,872 --> 00:10:39,940
- I HATE HIM.

267
00:10:39,940 --> 00:10:41,308
WHAT'S THE PLAN?

268
00:10:41,308 --> 00:10:43,811
- WE'RE GONNA SET
A HOT GIRL TRAP

269
00:10:43,811 --> 00:10:47,047
AND CATCH HIM
IN THE ACT OF MACKING.

270
00:10:47,047 --> 00:10:49,016
- HE'S FROM GEORGIA, RIGHT?

271
00:10:49,016 --> 00:10:52,185
I THINK I KNOW
EXACTLY WHAT HE'S LOOKING FOR.

272
00:10:52,185 --> 00:10:53,586
[door bangs]

273
00:10:55,856 --> 00:10:57,991
[with Southern accent]
WHY, MR. BEAUREGARD,

274
00:10:57,991 --> 00:10:59,960
I DO DECLARE.

275
00:10:59,960 --> 00:11:01,394
- YEAH, HE'S NOT
LOOKING FOR THAT.

276
00:11:01,394 --> 00:11:03,563
- NOBODY'S LOOKING FOR THAT.

277
00:11:03,563 --> 00:11:04,898
- [with normal voice]
WELL, HOW DO YOU GUYS

278
00:11:04,898 --> 00:11:05,866
WANT ME TO DRESS?

279
00:11:05,866 --> 00:11:08,736
[all stammering]

280
00:11:08,736 --> 00:11:11,739
[all giggling
and speaking at once]

281
00:11:16,109 --> 00:11:18,912
- [clears throat]
- YUP.

282
00:11:18,912 --> 00:11:19,913
- HOW'S THIS?

283
00:11:19,913 --> 00:11:21,281
- YUP.
- THAT'S IT.

284
00:11:21,281 --> 00:11:23,416
- I'M BETTER-LOOKING
THAN JAMES.

285
00:11:29,923 --> 00:11:32,092
- HEY, I'M SORRY
TO BOTHER YOU GUYS,

286
00:11:32,092 --> 00:11:33,794
BUT SOMETHING
VERY IMPORTANT GOT RECYCLED

287
00:11:33,794 --> 00:11:34,928
AT OUR OFFICE BY MISTAKE.

288
00:11:34,928 --> 00:11:36,797
- YES, AND WE WOULD LIKE
TO GET IT BACK, PLEASE.

289
00:11:36,797 --> 00:11:37,765
- WHAT WAS IT?

290
00:11:37,765 --> 00:11:41,068
- A MAN.

291
00:11:41,068 --> 00:11:42,469
- ...USCRIPT, A MANUSCRIPT.
- YEAH.

292
00:11:42,469 --> 00:11:44,237
- BECAUSE WE'RE WRITERS,
AND--HELLO.

293
00:11:44,237 --> 00:11:47,107
YOU KNOW, NO BOOK IF YOU
CAN'T FIND THE MANUSCRIPTS.

294
00:11:48,541 --> 00:11:50,577
- YOU'RE FROM DISTRICT SEVEN,

295
00:11:50,577 --> 00:11:53,513
SO DUMPSTERS FROM YOUR ZONE
AWAITING RECYCLING

296
00:11:53,513 --> 00:11:54,514
WOULD BE HERE.

297
00:11:54,514 --> 00:11:58,385
[fence rattling]

298
00:11:58,385 --> 00:12:00,620
[eagle shrieks]

299
00:12:00,620 --> 00:12:02,522
- START SEARCHING!

300
00:12:02,522 --> 00:12:05,325
- GRIFFIN!
- GRIFFIN!

301
00:12:05,325 --> 00:12:06,794
GRIFFIN?

302
00:12:11,799 --> 00:12:13,533
- THERE'S NO SCRIPT OR EMAIL

303
00:12:13,533 --> 00:12:15,068
OF THE NEW TOWN HIGH
SEASON FINALE,

304
00:12:15,068 --> 00:12:17,270
JUST HEAD SHOTS OF JETT

305
00:12:17,270 --> 00:12:20,874
AND A CONTACT LIST
FROM THE SHOW.

306
00:12:20,874 --> 00:12:23,376
- WE STOLE A COMPUTER
TO FIND OUT THE SURPRISE ENDING

307
00:12:23,376 --> 00:12:25,645
OF A TV SHOW.

308
00:12:25,645 --> 00:12:27,247
WE'RE TERRIBLE PEOPLE.

309
00:12:27,247 --> 00:12:28,816
- I NEED TO KNOW WHO'S BACK!

310
00:12:28,816 --> 00:12:29,983
- WAIT.

311
00:12:29,983 --> 00:12:31,819
DID YOU SAY HEAD SHOTS
AND A CONTACT LIST?

312
00:12:31,819 --> 00:12:33,120
- YEAH.

313
00:12:33,120 --> 00:12:37,657
- WELL, MAYBE WE
CAN'T FIND THE ANSWERS

314
00:12:37,657 --> 00:12:42,129
BUT JETT CAN.

315
00:12:42,129 --> 00:12:43,864
- WHAT HAVE WE GOT TO LOSE?

316
00:12:43,864 --> 00:12:45,032
[elevator dings]

317
00:12:45,032 --> 00:12:48,836
- OKAY, SO BEAU HAS A THING
FOR ELEVATORS,

318
00:12:48,836 --> 00:12:51,238
AND THAT'S WHERE WE'LL TRAP HIM.

319
00:12:51,238 --> 00:12:54,942
- SO I'M GONNA RIDE THE ELEVATOR
UNTIL I RUN INTO BEAU.

320
00:12:54,942 --> 00:12:55,943
[elevator dings]

321
00:12:55,943 --> 00:12:57,077
- YEAH.

322
00:12:57,077 --> 00:12:59,012
THEN HE'S GONNA TRY
AND KISS YOU.

323
00:12:59,012 --> 00:13:01,148
AND JAMES AND JETT
WILL BE WAITING IN THE LOBBY

324
00:13:01,148 --> 00:13:02,249
TO GET IT ALL ON FILM.

325
00:13:02,249 --> 00:13:03,851
- [gasps]

326
00:13:03,851 --> 00:13:05,552
LET'S DO THIS.

327
00:13:07,855 --> 00:13:09,522
[elevator dings]

328
00:13:14,995 --> 00:13:16,229
[whispering]
HAVE YOU SEEN HIM?

329
00:13:16,229 --> 00:13:18,665
- [whispering]
NO.

330
00:13:18,665 --> 00:13:19,867
- HEY, CAMILLE.

331
00:13:19,867 --> 00:13:20,901
- OH!

332
00:13:20,901 --> 00:13:23,403
YOU LOOK HOT.

333
00:13:23,403 --> 00:13:24,704
[elevator dings]

334
00:13:26,439 --> 00:13:27,740
[elevator dings]

335
00:13:27,740 --> 00:13:30,878
- HEY, COMPETITION.

336
00:13:30,878 --> 00:13:32,880
LOOK WHO JUST GOT A PLACE
ON THE FIFTH FLOOR.

337
00:13:32,880 --> 00:13:34,381
ME.

338
00:13:34,381 --> 00:13:36,349
- HE'S IN THE NORTH ELEVATOR.

339
00:13:36,349 --> 00:13:38,218
I REPEAT,
HE'S IN THE NORTH ELEVATOR!

340
00:13:38,218 --> 00:13:39,987
- * ELEVATE A LITTLE HIGHER

341
00:13:39,987 --> 00:13:41,889
- HEY, I'VE BEEN LOOKING
FOR YOU.

342
00:13:41,889 --> 00:13:42,890
- UH-HUH.

343
00:13:42,890 --> 00:13:44,057
- BEAU GOT A PLACE HERE,

344
00:13:44,057 --> 00:13:45,425
BUT I HAVEN'T TAKEN HIM
BACK YET.

345
00:13:45,425 --> 00:13:48,161
BUT I ALSO HAVEN'T
SAID NO EITHER.

346
00:13:48,161 --> 00:13:49,229
[elevator dings]

347
00:13:49,229 --> 00:13:50,463
WAIT. WAIT. WAIT.
WAIT. WAIT.

348
00:13:50,463 --> 00:13:51,464
WAIT. WAIT. WAIT.

349
00:13:51,464 --> 00:13:53,633
- * COME ON, LET'S ELEVATE *

350
00:13:53,633 --> 00:13:55,602
- * FORGET ABOUT YOUR DAY

351
00:13:55,602 --> 00:13:57,070
* UNDER THE MILKY WAY

352
00:13:57,070 --> 00:13:58,705
- I'M BEAU.

353
00:13:58,705 --> 00:14:00,373
JUST MOVED IN.

354
00:14:00,373 --> 00:14:02,542
both: HE MOVED IN?

355
00:14:02,542 --> 00:14:04,811
- * COME ON,
I'LL DEMONSTRATE *

356
00:14:04,811 --> 00:14:06,213
- YOU KNOW WHAT?

357
00:14:06,213 --> 00:14:08,481
YOU SHOULD GO UPSTAIRS AND
FINISH THAT TALK WITH KENDALL.

358
00:14:08,481 --> 00:14:10,783
- * WHOA-OH, WHOA-OH

359
00:14:10,783 --> 00:14:13,120
- BYE.
- BYE.

360
00:14:13,120 --> 00:14:15,155
both: HE'S HEADING UPSTAIRS
WITH A GIRL!

361
00:14:15,155 --> 00:14:16,223
- WHAT?

362
00:14:16,223 --> 00:14:20,327
- * WHOA-OH, WHOA-OH

363
00:14:20,327 --> 00:14:22,429
- CAMERA, CAMERA.

364
00:14:22,429 --> 00:14:25,032
- * ELEVATE A LITTLE HIGHER

365
00:14:25,032 --> 00:14:27,634
- ANYWAY, I WANTED TO TALK
TO YOU ABOUT THE NECKLACE,

366
00:14:27,634 --> 00:14:28,801
WHICH I REALLY LIKE.

367
00:14:28,801 --> 00:14:31,138
BUT I ALSO REALLY LIKE...

368
00:14:31,138 --> 00:14:33,373
- WELL, WHY DON'T YOU
COME OUT HERE

369
00:14:33,373 --> 00:14:34,374
AND WE CAN TALK ABOUT IT?

370
00:14:34,374 --> 00:14:35,542
- OKAY.

371
00:14:35,542 --> 00:14:37,077
OH, WAIT. WAIT. WAIT.
- DOOR, DOOR OPEN.

372
00:14:37,077 --> 00:14:39,012
- DOOR OPEN.
- OH, NO.

373
00:14:39,012 --> 00:14:41,381
both: HE'S IN THE ELEVATOR
WITH A HOT GIRL.

374
00:14:41,381 --> 00:14:43,050
- AND THEY'RE HEADING
DOWNSTAIRS.

375
00:14:43,050 --> 00:14:44,484
both: GO! GO! GO.

376
00:14:44,484 --> 00:14:45,618
- GO.

377
00:14:45,618 --> 00:14:48,188
[elevator dings]

378
00:14:48,188 --> 00:14:50,557
both: UPSTAIRS.
GO! GO! GO.

379
00:14:50,557 --> 00:14:52,292
[elevator dings]

380
00:14:52,292 --> 00:14:54,361
- * ELEVATE

381
00:14:54,361 --> 00:14:57,064
- ANYWAY, IT WAS SO NICE
TO MEET YOU, BEAU.

382
00:14:57,064 --> 00:14:59,699
- OH, IT WAS SO NICE
TO MEET LUCY'S BEST FRIEND

383
00:14:59,699 --> 00:15:00,700
AT THE PALMWOODS.

384
00:15:00,700 --> 00:15:01,701
- UH-HUH.

385
00:15:05,472 --> 00:15:06,706
[elevator dings]

386
00:15:06,706 --> 00:15:09,309
- WE'LL SEE YOU LATER.

387
00:15:09,309 --> 00:15:11,444
- [grunts]

388
00:15:11,444 --> 00:15:13,280
- IT'S TOO LATE.

389
00:15:13,280 --> 00:15:14,847
HE KNOWS CAMILLE.

390
00:15:14,847 --> 00:15:17,417
- DARN IT!

391
00:15:17,417 --> 00:15:19,319
- OKAY,
THIS IS THE LAST DUMPSTER.

392
00:15:19,319 --> 00:15:21,821
- [zooms and crashes]

393
00:15:24,157 --> 00:15:25,725
- NO GRIFFIN.

394
00:15:25,725 --> 00:15:27,760
- WELL, IF HE'S NOT HERE,
THEN WHERE IS HE?

395
00:15:27,760 --> 00:15:29,662
OH, EXCUSE ME, SIR.

396
00:15:29,662 --> 00:15:31,431
WHAT HAPPENS
TO ALL THE RECYCLABLES

397
00:15:31,431 --> 00:15:33,000
ONCE THEY LEAVE
THIS WAITING AREA?

398
00:15:33,000 --> 00:15:37,870
- FIRST WE DUMP THE DUMPSTERS
INTO OUR GIANT SHREDDER.

399
00:15:37,870 --> 00:15:39,006
[both yell]

400
00:15:39,006 --> 00:15:40,640
THEN IT ALL GOES
THROUGH A MELTING PROCESS...

401
00:15:40,640 --> 00:15:42,009
[both yell]

402
00:15:42,009 --> 00:15:44,777
WHERE WE TURN EVERYTHING
INTO CLEAN REUSABLE BOTTLES.

403
00:15:44,777 --> 00:15:47,580
[both whimper]

404
00:15:47,580 --> 00:15:49,882
THIS ONE'S PROBABLY MADE
FROM THESE DUMPSTERS RIGHT HERE.

405
00:15:49,882 --> 00:15:52,252
[somber instrumental music]

406
00:15:52,252 --> 00:15:56,289
both: WE RECYCLED GRIFFIN.

407
00:15:56,289 --> 00:15:58,025
- WELL, BEAU'S
NOT GONNA HIT ON CAMILLE

408
00:15:58,025 --> 00:15:59,792
NOW THAT HE KNOWS
SHE'S LUCY'S BEST FRIEND.

409
00:15:59,792 --> 00:16:01,428
- WELL, I'M SORRY.

410
00:16:01,428 --> 00:16:04,564
IT WAS A VERY CONFUSING
ELEVATOR RIDE.

411
00:16:04,564 --> 00:16:06,666
- THIS GUY IS JUST GONNA
BREAK LUCY'S HEART AGAIN.

412
00:16:06,666 --> 00:16:08,535
- YEAH, WELL,
HOW MANY OTHER HOT GIRLS

413
00:16:08,535 --> 00:16:09,736
DO YOU KNOW AT THE PALMWOODS

414
00:16:09,736 --> 00:16:11,538
THAT WOULD GO ALONG
WITH THIS STUPID PLAN?

415
00:16:11,538 --> 00:16:12,572
- HA.

416
00:16:16,543 --> 00:16:17,910
[elevator dings]

417
00:16:17,910 --> 00:16:20,947
[sultry music]

418
00:16:20,947 --> 00:16:22,415
*

419
00:16:22,415 --> 00:16:24,284
- YOU GUYS LOOK HOT.

420
00:16:24,284 --> 00:16:27,687
- YOU BETTER DATE HER
AFTER THIS.

421
00:16:29,056 --> 00:16:30,323
- I'M PRETTIER THAN YOU.

422
00:16:30,323 --> 00:16:32,792
- YOU ARE NOT!

423
00:16:32,792 --> 00:16:35,728
[electronic beeping]

424
00:16:35,728 --> 00:16:36,963
- HEY, JETT.

425
00:16:36,963 --> 00:16:40,567
- HEY, IT'S ME,
YOUR COSTAR JETT STETSON.

426
00:16:40,567 --> 00:16:41,568
- YEAH?

427
00:16:41,568 --> 00:16:43,103
YOU SOUND KIND OF WEIRD.

428
00:16:43,103 --> 00:16:46,973
- UH, I ATE A SCORPION.

429
00:16:46,973 --> 00:16:49,809
LISTEN, I CAN'T FIND MY SCRIPT,
AND I TOTALLY FORGOT.

430
00:16:49,809 --> 00:16:52,379
WHAT'S THE SUPERSECRET
SURPRISE ENDING OF OUR SHOW?

431
00:16:52,379 --> 00:16:53,646
- OH, DON'T YOU REMEMBER?

432
00:16:53,646 --> 00:16:54,814
- MM-MM.

433
00:16:54,814 --> 00:16:56,683
- THE SURPRISE IS...

434
00:17:00,087 --> 00:17:01,288
WAIT.

435
00:17:01,288 --> 00:17:02,789
YOU'RE NOT JETT.

436
00:17:02,789 --> 00:17:04,157
- [grunts]

437
00:17:04,157 --> 00:17:06,093
- YOU'RE A NUT JOB
THAT STOLE JETT'S COMPUTER.

438
00:17:06,093 --> 00:17:07,827
- [grunting]
- NO, HE'S NOT!

439
00:17:09,362 --> 00:17:11,231
- I'M GONNA GIVE THIS IP ADDRESS
TO THE COPS.

440
00:17:11,231 --> 00:17:12,799
- [gasps]

441
00:17:12,799 --> 00:17:15,468
- UNPLUG THE COMPUTER
SO THEY CAN'T TRACE IT!

442
00:17:15,468 --> 00:17:17,570
- [grunting]

443
00:17:17,570 --> 00:17:18,938
AND DESTROY THE EVIDENCE!

444
00:17:18,938 --> 00:17:21,674
[hammer pounding]

445
00:17:21,674 --> 00:17:22,775
[all yelling]

446
00:17:25,678 --> 00:17:28,615
[computer sizzling]

447
00:17:28,615 --> 00:17:32,852
- THIS IS TELEVISION'S FAULT.

448
00:17:32,852 --> 00:17:37,557
- I CAN'T BELIEVE
YOU RECYCLED GRIFFIN.

449
00:17:37,557 --> 00:17:42,562
- THE WHITE CAP
IS THE SAME COLOR OF HIS HAIR.

450
00:17:42,562 --> 00:17:44,897
- OKAY, HE WAS KIND OF CRAZY.

451
00:17:44,897 --> 00:17:46,566
BUT THAT'S WHAT WE LIKED
ABOUT HIM.

452
00:17:46,566 --> 00:17:47,967
- HE ORDERED US
TO KIDNAP HIM.

453
00:17:47,967 --> 00:17:49,569
IT WILL HOLD UP
IN THE COURT OF LAW.

454
00:17:49,569 --> 00:17:51,404
- YOU HAD TO TOSS HIM
IN A DUMPSTER.

455
00:17:51,404 --> 00:17:52,572
- DON'T WORRY.

456
00:17:52,572 --> 00:17:54,274
I'M IN A BETTER PLACE NOW.

457
00:17:54,274 --> 00:17:56,008
- OH, WE KNOW, GRIFFIN.

458
00:17:56,008 --> 00:17:57,844
WE KNOW.

459
00:17:57,844 --> 00:17:59,312
- WAIT.

460
00:17:59,312 --> 00:18:02,349
RECYCLED BOTTLES
DON'T TALK.

461
00:18:02,349 --> 00:18:03,916
all: GRIFFIN!

462
00:18:03,916 --> 00:18:05,885
- THANKS FOR THROWING ME
IN THAT DUMPSTER, FELLAS.

463
00:18:05,885 --> 00:18:08,321
NOW I KNOW MY CEO-FINDING
IN-HEAD MICROCHIP

464
00:18:08,321 --> 00:18:09,889
WORKS PERFECTLY.

465
00:18:09,889 --> 00:18:12,392
- YOU HAVE A MICROCHIP
IN YOUR HEAD?

466
00:18:12,392 --> 00:18:13,760
- MY HEAD BEEPED,

467
00:18:13,760 --> 00:18:16,196
AND OBDUL WAS ABLE
TO TRACK AND FIND ME.

468
00:18:16,196 --> 00:18:21,634
AND, WELL, I LIKE
YOUR KIND OF CRAZY TOO.

469
00:18:21,634 --> 00:18:23,436
- OKAY, WELL,
WE KIDNAPPED YOU.

470
00:18:23,436 --> 00:18:25,037
AND YOU'RE ALIVE.

471
00:18:25,037 --> 00:18:28,175
- SO I GUESS WE KNOW
WHAT THAT MEANS.

472
00:18:28,175 --> 00:18:29,676
both: SOLO RECORD DANCE!

473
00:18:29,676 --> 00:18:32,712
* SOLO RECORD DANCE
IN MY SOLO RECORD PANTS *

474
00:18:32,712 --> 00:18:33,880
- STOP!

475
00:18:33,880 --> 00:18:36,716
BECAUSE THAT IS NOT HAPPENING.

476
00:18:36,716 --> 00:18:38,451
SOLO RECORDS.

477
00:18:40,587 --> 00:18:42,189
LET ME OUT!
LET ME OUT!

478
00:18:42,189 --> 00:18:43,423
[yelling]

479
00:18:43,423 --> 00:18:45,425
- I WOULDN'T LEAVE HIM IN THERE
MORE THAN TWO HOURS.

480
00:18:45,425 --> 00:18:47,527
IT STARTS TO GET HOT.

481
00:18:47,527 --> 00:18:48,595
both: WE'LL THINK ABOUT IT.

482
00:18:48,595 --> 00:18:49,796
- LET ME OUT OF HERE!

483
00:18:49,796 --> 00:18:51,731
- NOPE.

484
00:18:57,404 --> 00:18:59,972
- RELEASE THE HOUNDS.

485
00:18:59,972 --> 00:19:03,042
[sultry music]

486
00:19:03,042 --> 00:19:05,945
*

487
00:19:05,945 --> 00:19:09,382
- LADIES.

488
00:19:09,382 --> 00:19:12,752
WHERE IS THE PARTY, AND HOW
CAN I GET ON THE GUEST LIST?

489
00:19:12,752 --> 00:19:15,288
- THE PARTY'S WHEREVER YOU ARE.

490
00:19:15,288 --> 00:19:16,289
- MM.

491
00:19:16,289 --> 00:19:17,290
HALLWAY PARTY.

492
00:19:17,290 --> 00:19:18,625
- [giggles]

493
00:19:18,625 --> 00:19:21,628
- WELL, THEN WHY DON'T WE
SKIP THE GUEST LIST...

494
00:19:21,628 --> 00:19:23,830
AND GET TO THE KISS LIST?

495
00:19:23,830 --> 00:19:24,831
- OH, GREAT.

496
00:19:24,831 --> 00:19:26,233
YOU SHOULD REALLY
KISS HER FIRST.

497
00:19:26,233 --> 00:19:27,834
SHE'S WAY PRETTIER THAN ME.

498
00:19:27,834 --> 00:19:29,068
- AH-HA-HA-HA,
DON'T BE SILLY.

499
00:19:29,068 --> 00:19:30,403
SHE'S FAR PRETTIER THAN ME.

500
00:19:30,403 --> 00:19:31,704
KISS HER.

501
00:19:31,704 --> 00:19:33,105
- OH, NO, NO, NO,
KISS HER.

502
00:19:33,105 --> 00:19:35,242
SHE'S, LIKE, REALLY PRETTY.
- THAT'S NOT TRUE.

503
00:19:35,242 --> 00:19:36,509
- NO, NO, NO,
SHE'S GORGEOUS.

504
00:19:36,509 --> 00:19:38,345
- THAT'S NOT TRUE.
- LOOK AT THE SIZE OF HER LIPS.

505
00:19:38,345 --> 00:19:39,512
[both speaking at once]

506
00:19:39,512 --> 00:19:40,980
- LADIES.
- HER EYES--

507
00:19:40,980 --> 00:19:42,449
- I DON'T MIND DOUBLE-DATING.

508
00:19:42,449 --> 00:19:44,150
- HMM, OH.

509
00:19:45,952 --> 00:19:46,919
OH.

510
00:19:48,921 --> 00:19:50,390
whack!

511
00:19:50,390 --> 00:19:51,724
YOU GET ENOUGH?

512
00:19:51,724 --> 00:19:53,993
- I THINK
WE HAVE ENOUGH EVIDENCE.

513
00:19:53,993 --> 00:19:56,363
- OH, I SEE.

514
00:19:56,363 --> 00:19:59,466
THIS IS YOUR LITTLE PLAN
TO GET LUCY TO TELL ME TO LEAVE.

515
00:19:59,466 --> 00:20:02,101
- I'M JUST TRYING
TO PROTECT HER.

516
00:20:02,101 --> 00:20:03,703
AND IT'S ALL RIGHT HERE.

517
00:20:06,506 --> 00:20:09,842
AND NOW IT'S ALL DOWN THERE.

518
00:20:09,842 --> 00:20:12,412
- WHAT ARE YOU
GONNA SHOW LUCY NOW?

519
00:20:12,412 --> 00:20:14,981
- NOTHING.

520
00:20:14,981 --> 00:20:17,617
BECAUSE I HEARD EVERYTHING.

521
00:20:17,617 --> 00:20:20,219
YOU KNOW, I WAS GONNA BRING YOU
A LITTLE HOUSEWARMING GIFT.

522
00:20:20,219 --> 00:20:23,155
BUT WHY DON'T WE MAKE IT
A GOING-AWAY PRESENT INSTEAD?

523
00:20:23,155 --> 00:20:25,057
- LUCY.

524
00:20:25,057 --> 00:20:27,927
THEY SET UP.

525
00:20:27,927 --> 00:20:31,664
I DROVE OUT HERE
TO BE WITH YOU.

526
00:20:31,664 --> 00:20:34,334
HEY, I DON'T EVEN HAVE
ANY MONEY TO GET HOME.

527
00:20:34,334 --> 00:20:37,270
- WELL, THEN...

528
00:20:37,270 --> 00:20:39,772
USE THIS.

529
00:20:39,772 --> 00:20:41,608
- YOU KNOW WHAT?

530
00:20:41,608 --> 00:20:44,877
I'M GLAD I'M LEAVING, BECAUSE
YOU'RE ALL NUTS HERE ANYWAYS.

531
00:20:46,613 --> 00:20:47,947
- HMM.

532
00:20:47,947 --> 00:20:49,916
- WELL, HE IS RIGHT.

533
00:20:49,916 --> 00:20:52,752
EVERYONE HERE IS NUTS...

534
00:20:52,752 --> 00:20:56,489
AND AMAZING.

535
00:20:58,325 --> 00:21:00,192
[elevator dings]

536
00:21:00,192 --> 00:21:03,596
OKAY, SO ANYONE
UP FOR SOMETHING?

537
00:21:03,596 --> 00:21:07,367
[all speaking at once]

538
00:21:07,367 --> 00:21:09,101
- YOU GUYS HAVE FUN.
- YEAH, YOU ENJOY.

539
00:21:09,101 --> 00:21:10,136
- WE'LL SEE YOU LATER.
- ALL RIGHT.

540
00:21:13,506 --> 00:21:15,942
- THAT WAS REALLY SWEET,

541
00:21:15,942 --> 00:21:19,812
WHAT YOU DID FOR ME.

542
00:21:19,812 --> 00:21:22,649
- LISTEN, UM...

543
00:21:22,649 --> 00:21:24,584
IF YOU'RE NOT
DOING ANYTHING TONIGHT,

544
00:21:24,584 --> 00:21:29,622
I CAN GET US ON THE GUEST LIST
FOR THIS COOL PARTY,

545
00:21:29,622 --> 00:21:30,623
DATE--

546
00:21:30,623 --> 00:21:31,958
[sighs]

547
00:21:31,958 --> 00:21:33,893
A DATE.

548
00:21:36,629 --> 00:21:39,799
[elevator dings]

549
00:21:39,799 --> 00:21:42,969
- KENDALL?

550
00:21:42,969 --> 00:21:45,137
- JO?

551
00:21:45,137 --> 00:21:47,540
- SO THAT'S THE SURPRISE ENDING.

552
00:21:47,540 --> 00:21:48,975
all: JO'S BACK!

553
00:21:48,975 --> 00:21:52,144
- * AH, AH, AH-AH, OH

554
00:21:57,684 --> 00:21:58,685
- * STEP IT UP,
GET IN GEAR *

555
00:21:58,685 --> 00:22:00,286
* GO FOR BROKE,
MAKE IT CLEAR *

556
00:22:00,286 --> 00:22:02,789
- * GOT TO GO BIG TIME

557
00:22:02,789 --> 00:22:04,391
- * HEY, HEY

558
00:22:04,391 --> 00:22:06,426
- * MAKE IT WORK,
GET IT RIGHT *

559
00:22:06,426 --> 00:22:08,495
* CHANGE THE WORLD OVERNIGHT

560
00:22:08,495 --> 00:22:11,531
- * GOT TO DREAM BIG TIME

561
00:22:11,531 --> 00:22:12,632
- * OH-OH, OH-OH

562
00:22:12,632 --> 00:22:14,634
- * HEY, HEY

563
00:22:14,634 --> 00:22:16,603
- * GIVE IT ALL YOU GOT NOW

564
00:22:16,603 --> 00:22:18,605
- * HEY, HEY

565
00:22:18,605 --> 00:22:20,440
- * ISN'T IT A RUSH *

566
00:22:20,440 --> 00:22:22,509
- * OH-OH, OH-OH

567
00:22:22,509 --> 00:22:24,711
* OH-OH, OH-OH

568
00:22:24,711 --> 00:22:26,045
- * GO AND SHAKE IT UP

569
00:22:26,045 --> 00:22:28,415
* WHATCHA GOTTA LOSE

570
00:22:28,415 --> 00:22:32,685
* GO AND MAKE YOUR LUCK
WITH THE LIFE YOU CHOOSE *

571
00:22:32,685 --> 00:22:35,988
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *

572
00:22:35,988 --> 00:22:40,960
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *


