1
00:00:11,645 --> 00:00:13,847
- AH, WELL,

2
00:00:13,847 --> 00:00:17,818
BTR'S WHIRLWIND WORLD TOUR
IS OFFICIALLY OVER.

3
00:00:17,818 --> 00:00:19,253
- AND NOW IT'S BACK
TO THE PALMWOODS,

4
00:00:19,253 --> 00:00:20,788
WHERE THE NEW KIDS
HAVE MOVED IN,

5
00:00:20,788 --> 00:00:22,090
AND NONE OF THEM
WILL KNOW US.

6
00:00:22,090 --> 00:00:24,758
- WHICH MEANS
WE HAVE TO REESTABLISH

7
00:00:24,758 --> 00:00:28,429
OUR BIG TIME POOL, LOBBY,
AND HALLWAY CRED

8
00:00:28,429 --> 00:00:30,131
ALL OVER AGAIN.

9
00:00:30,131 --> 00:00:31,799
- I HATE REESTABLISHING CRED.

10
00:00:31,799 --> 00:00:32,966
- HEY.

11
00:00:32,966 --> 00:00:35,469
AFTER FOUR CONTINENTS
AND OUR HOTEL ROOMS

12
00:00:35,469 --> 00:00:38,406
BEING BROKEN INTO 19 TIMES,
I'M LOOK FORWARD TO A LITTLE

13
00:00:38,406 --> 00:00:42,376
"NOBODY KNOWS US
AT THE PALMWOODS" RELAXING TIME.

14
00:00:44,245 --> 00:00:46,247
all:
WELCOME BACK!

15
00:00:46,247 --> 00:00:47,815
[cheers and applause]

16
00:00:47,815 --> 00:00:50,484
[noisemakers rattling,
horns blowing]

17
00:00:50,484 --> 00:00:52,920
- HUH, MAYBE THINGS
WILL BE DIFFERENT THIS SEASON.

18
00:00:52,920 --> 00:00:53,921
[horn beeps]

19
00:00:53,921 --> 00:00:55,489
- AND HERE'S BIG TIME RUSH.

20
00:00:55,489 --> 00:00:58,626
NOW WOULD BE A GOOD TIME TO USE
YOUR COMPLIMENTARY SCISSORS

21
00:00:58,626 --> 00:01:00,228
TO GET SOME SOUVENIR HAIR.

22
00:01:00,228 --> 00:01:02,130
all:
VERY DIFFERENT.

23
00:01:02,130 --> 00:01:05,133
- * AH, AH, AH-AH, OH

24
00:01:05,133 --> 00:01:07,135
[all yelling]

25
00:01:07,135 --> 00:01:09,970
- AS YOU CAN SEE,
THEY ARE VERY FAST.

26
00:01:09,970 --> 00:01:11,805
- * MAKE IT COUNT,
PLAY IT STRAIGHT *

27
00:01:11,805 --> 00:01:13,707
* DON'T LOOK BACK,
DON'T HESITATE *

28
00:01:13,707 --> 00:01:17,911
- * WHEN YOU GO BIG TIME

29
00:01:17,911 --> 00:01:19,780
- * WHAT YOU WANT,
WHAT YOU FEEL *

30
00:01:19,780 --> 00:01:21,582
* NEVER QUIT
AND MAKE IT REAL *

31
00:01:21,582 --> 00:01:24,852
- * WHEN YOU ROLL BIG TIME

32
00:01:24,852 --> 00:01:25,953
- * OH-OH, OH-OH

33
00:01:25,953 --> 00:01:27,755
- * HEY, HEY

34
00:01:27,755 --> 00:01:29,790
- * LISTEN TO YOUR HEART NOW

35
00:01:29,790 --> 00:01:31,625
- * HEY, HEY

36
00:01:31,625 --> 00:01:33,661
- * DON'T YOU FEEL THE RUSH *

37
00:01:33,661 --> 00:01:35,496
- * UH-OH, UH-OH

38
00:01:35,496 --> 00:01:36,797
* UH-OH, UH-OH

39
00:01:36,797 --> 00:01:37,798
- * OH

40
00:01:37,798 --> 00:01:39,200
- * GO AND SHAKE IT UP

41
00:01:39,200 --> 00:01:41,635
* WHATCHA GOTTA LOSE

42
00:01:41,635 --> 00:01:43,171
* GO AND MAKE YOUR LUCK

43
00:01:43,171 --> 00:01:45,673
* WITH THE LIFE YOU CHOOSE

44
00:01:45,673 --> 00:01:49,177
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *

45
00:01:49,177 --> 00:01:53,481
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *

46
00:01:57,084 --> 00:01:58,886
- KEEP GOING! GO!

47
00:01:58,886 --> 00:02:00,921
[horn beeps]

48
00:02:01,989 --> 00:02:03,691
- JUST A SECOND,
AND LET ME, UH,

49
00:02:03,691 --> 00:02:05,092
JUST BACK THE VEHICLE UP,

50
00:02:05,092 --> 00:02:07,661
AND WE'LL CONTINUE ON
WITH THE BIG TIME EXPERIENCE.

51
00:02:07,661 --> 00:02:10,631
- WHAT IS GOING ON
AROUND HERE?

52
00:02:10,631 --> 00:02:12,633
- ONE, YOU'RE FAMOUS NOW.

53
00:02:12,633 --> 00:02:15,102
AND TWO, I'M JEALOUS
THAT BITTERS THOUGHT

54
00:02:15,102 --> 00:02:17,104
OF THE BIG TIME EXPERIENCE
BEFORE I DID.

55
00:02:17,104 --> 00:02:18,206
[horn beeps]

56
00:02:18,206 --> 00:02:19,407
- AND THREE, WELCOME-HOME HUG!

57
00:02:22,210 --> 00:02:24,878
- AND CAMILLE WILL BE CRASHING
DOWN THE DOOR ANY SECOND

58
00:02:24,878 --> 00:02:27,415
FOR HER WELCOME-HOME TACKLE.

59
00:02:27,415 --> 00:02:29,350
AND THIS YEAR,
I'M GONNA LET HER.

60
00:02:29,350 --> 00:02:31,319
- WAIT. SO YOU WANT TO GO OUT
WITH CAMILLE AGAIN?

61
00:02:31,319 --> 00:02:32,686
- YUP.

62
00:02:32,686 --> 00:02:34,788
BUT I'M GOING TO LET HER
MAKE THE FIRST MOVE,

63
00:02:34,788 --> 00:02:37,658
THUS PROTECTING MYSELF
FROM THE DATING DISADVANTAGE

64
00:02:37,658 --> 00:02:41,229
OF BEING THE PURSUER
INSTEAD OF THE PURSUEE.

65
00:02:41,229 --> 00:02:42,596
IT'S LOVE SCIENCE.

66
00:02:42,596 --> 00:02:43,964
- IT'S SOMETHING.

67
00:02:51,539 --> 00:02:52,940
- HUH.

68
00:02:52,940 --> 00:02:55,543
WELL, SHE MUCH HAVE FORGOT
WHAT TIME WE WERE ARRIVING.

69
00:02:55,543 --> 00:02:57,811
SO A LITTLE KNOCK ON THE DOOR
MIGHT HELP REMIND HER.

70
00:02:57,811 --> 00:02:59,480
- BUT IF YOU KNOCK
ON HER DOOR,

71
00:02:59,480 --> 00:03:02,082
ISN'T THAT YOU
MAKING THE FIRST MOVE?

72
00:03:02,082 --> 00:03:04,852
- DON'T QUESTION LOVE SCIENCE.

73
00:03:08,756 --> 00:03:10,123
[horn beeps]

74
00:03:10,123 --> 00:03:12,059
- AND THERE'S LOGAN NOW.

75
00:03:13,394 --> 00:03:15,863
- SPEAKING OF LOVE,
NOW THAT BTR IS FAMOUS

76
00:03:15,863 --> 00:03:17,265
AND HAS A TOP TEN HIT,

77
00:03:17,265 --> 00:03:19,433
THE JENNIFERS
WILL TOTALLY DATE ME.

78
00:03:19,433 --> 00:03:21,269
- ISN'T THAT KIND OF SHALLOW?

79
00:03:21,269 --> 00:03:22,570
- YEAH.

80
00:03:22,570 --> 00:03:24,272
BYE!

81
00:03:24,272 --> 00:03:25,273
- HUH.

82
00:03:25,273 --> 00:03:27,508
WITH CARLOS PURSUING
THE JENS,

83
00:03:27,508 --> 00:03:29,277
THAT LEAVES ME WITH SOLE DIBS

84
00:03:29,277 --> 00:03:30,678
ON THE LOVE OF MY LIFE:

85
00:03:30,678 --> 00:03:31,879
LUCY.

86
00:03:31,879 --> 00:03:33,947
- LUCY IS THE LOVE OF YOUR LIFE?

87
00:03:33,947 --> 00:03:37,751
- WELL, SHE'S SMART AND HOT,
SO YEAH.

88
00:03:37,751 --> 00:03:39,420
- WHAT WOULD YOU SAY
IF I TOLD YOU

89
00:03:39,420 --> 00:03:42,556
THAT SHE WINKED AT ME
BEFORE WE LEFT FOR TOUR,

90
00:03:42,556 --> 00:03:44,492
YOU KNOW, WHEN WE SANG
BY THE POOL?

91
00:03:44,492 --> 00:03:47,194
- I WOULD SAY SHE PROBABLY
HAD SOMETHING IN HER EYE

92
00:03:47,194 --> 00:03:50,030
AND DIDN'T WINK AT YOU.

93
00:03:50,030 --> 00:03:51,332
- OKAY, SWEETIE, LET'S GO.

94
00:03:51,332 --> 00:03:52,600
- BUT I THINK
THEY'RE GONNA FIGHT.

95
00:03:57,371 --> 00:04:01,542
- ALL I'M SAYING IS,
IS THAT SHE WINKED AT ME.

96
00:04:01,542 --> 00:04:04,378
- AND ALL I'M SAYING
IS THAT YOU SHOULD FOLLOW

97
00:04:04,378 --> 00:04:06,179
THE RULE OF DIBS,

98
00:04:06,179 --> 00:04:07,781
WHICH STATES
THAT THE FIRST PERSON

99
00:04:07,781 --> 00:04:09,383
TO UTTER THE WORD "DIBS"

100
00:04:09,383 --> 00:04:11,485
HAS PROPRIETARY CLAIM
ON ALL

101
00:04:11,485 --> 00:04:12,786
CAR SEATING, REMOTE CONTROLS,

102
00:04:12,786 --> 00:04:15,523
FOUND MONEY, TASTY SNACK FOOD,
AND GIRLS.

103
00:04:15,523 --> 00:04:16,524
- W--

104
00:04:16,524 --> 00:04:18,326
- ANY VIOLATION OF SAID RULE

105
00:04:18,326 --> 00:04:21,329
WILL RESULT IN THE VIOLATOR
HAVING TO RUN ONE HALF MILE

106
00:04:21,329 --> 00:04:24,465
THROUGH A CROWDED PUBLIC AREA
IN HIS UNDERWEAR.

107
00:04:24,465 --> 00:04:26,199
ANYTHING ELSE?

108
00:04:26,199 --> 00:04:28,336
I DIDN'T THINK SO.

109
00:04:34,608 --> 00:04:36,344
- WHOA, WHOA,
WAIT A MINUTE!

110
00:04:36,344 --> 00:04:38,479
WAIT!
HEY, WHERE ARE YOU TAKING ME?

111
00:04:38,479 --> 00:04:39,480
HEY, HELP ME!

112
00:04:40,714 --> 00:04:42,182
OKAY, WHAT--

113
00:04:42,182 --> 00:04:44,718
WHERE ARE YOU TAKING ME?

114
00:04:44,718 --> 00:04:45,986
- HELLO, CARLOS.

115
00:04:45,986 --> 00:04:47,054
WELCOME BACK.

116
00:04:47,054 --> 00:04:48,522
- GRIFFIN?

117
00:04:48,522 --> 00:04:50,023
YOU COULD HAVE JUST CALLED,
YOU KNOW.

118
00:04:50,023 --> 00:04:52,960
- NO, I ALWAYS PREFER
TO DO BUSINESS FACE-TO-FACE

119
00:04:52,960 --> 00:04:54,161
WITH SACKS.

120
00:04:54,161 --> 00:04:56,664
- OKAY, WELL,
IT WAS GREAT TO SEE YOU.

121
00:04:56,664 --> 00:04:57,698
BUT I NEED TO RETURN TO--

122
00:04:57,698 --> 00:04:59,099
- WHAT UP, YO?

123
00:04:59,099 --> 00:05:02,135
IT'S JOJO ON THE RADIO,
AND TOMORROW, BIG TIME RUSH

124
00:05:02,135 --> 00:05:04,538
IS GONNA BE HERE LIVE
TO DEBUT THEIR NEW SINGLE.

125
00:05:04,538 --> 00:05:05,973
- SWEET.

126
00:05:05,973 --> 00:05:08,409
- EVEN SWEETER, GUSTAVO AND I
HAVE DECIDED TO LET YOU

127
00:05:08,409 --> 00:05:11,512
PICK WHICH BIG TIME SONG
JOJO PLAYS.

128
00:05:11,512 --> 00:05:14,081
- GREAT, UM, OKAY.

129
00:05:14,081 --> 00:05:15,215
I-I PICK, UH--

130
00:05:15,215 --> 00:05:16,950
- LOVE ME, LOVE ME,
I AGREE.

131
00:05:16,950 --> 00:05:18,419
LET'S GO TELL GUSTAVO.

132
00:05:18,419 --> 00:05:20,721
- WAIT.
I THOUGHT THAT I WAS GONNA PICK.

133
00:05:20,721 --> 00:05:21,822
- YOU ARE,

134
00:05:21,822 --> 00:05:23,657
AS LONG AS IT'S
LOVE ME, LOVE ME.

135
00:05:23,657 --> 00:05:25,192
- * LOVE ME, LOVE ME

136
00:05:25,192 --> 00:05:27,027
* SAY YOU'RE GONNA LOVE ME *

137
00:05:27,027 --> 00:05:28,662
* I KNOW YOU'RE READY TO GO *

138
00:05:28,662 --> 00:05:30,230
* I-I'M READY TO GO *

139
00:05:32,032 --> 00:05:33,501
- BUT IF YOU KNOCK
ON HER DOOR,

140
00:05:33,501 --> 00:05:35,603
ISN'T THAT YOU
MAKING THE FIRST MOVE?

141
00:05:41,174 --> 00:05:43,043
[pounding on door]

142
00:05:44,445 --> 00:05:46,113
- JIMBO, WHAT'S UP?

143
00:05:46,113 --> 00:05:47,481
IT'S SO GOOD TO BE BACK.

144
00:05:47,481 --> 00:05:49,817
BIG TIME RUSH IS BACK.

145
00:05:49,817 --> 00:05:51,051
WHOO!

146
00:05:51,051 --> 00:05:53,053
- I'M CALLING THE COPS.

147
00:05:53,053 --> 00:05:54,154
- WHAT?

148
00:05:56,424 --> 00:05:58,759
- LOGAN?

149
00:05:58,759 --> 00:05:59,893
- HELLO, CAMILLE.

150
00:06:02,763 --> 00:06:04,465
- SO YOU GUYS GOT BACK TODAY.

151
00:06:05,866 --> 00:06:07,935
- YEAH, GOT BACK TODAY.

152
00:06:07,935 --> 00:06:10,538
LET ME JUST SAY
IT IS SO GOOD TO BE BACK.

153
00:06:11,605 --> 00:06:14,107
- GREAT.

154
00:06:14,107 --> 00:06:15,175
- GREAT.

155
00:06:15,175 --> 00:06:16,577
GREAT, GREAT.

156
00:06:16,577 --> 00:06:19,346
[siren wailing]

157
00:06:19,346 --> 00:06:21,449
WELL, I SHOULD BE GOING.

158
00:06:21,449 --> 00:06:23,116
- OKAY.

159
00:06:23,116 --> 00:06:24,852
- SEE YOU AROUND.

160
00:06:24,852 --> 00:06:28,188
- OKAY, I'LL SEE YOU AROUND.

161
00:06:28,188 --> 00:06:30,491
- I REALLY WANT TO TACKLE HIM.

162
00:06:30,491 --> 00:06:31,825
- NO.

163
00:06:31,825 --> 00:06:33,927
LOGAN HAS TO MAKE THE FIRST MOVE
THIS TIME.

164
00:06:33,927 --> 00:06:36,764
YOU ALWAYS MAKE THE FIRST MOVE,
AND WHAT'S IT GOTTEN YOU?

165
00:06:36,764 --> 00:06:39,733
- AN ON-AGAIN, OFF-AGAIN ROMANCE
FILLED WITH QUESTION MARKS

166
00:06:39,733 --> 00:06:40,901
AND NO COMMITMENT.

167
00:06:40,901 --> 00:06:41,935
- JUST TRUST ME.

168
00:06:41,935 --> 00:06:42,970
IT'S LOVE SCIENCE.

169
00:06:42,970 --> 00:06:44,572
OH, HEY,
I'LL BE ON CHANNEL FOUR

170
00:06:44,572 --> 00:06:46,940
IF YOU HAVE ANY MORE
MAN OR BATHROOM PROBLEMS

171
00:06:46,940 --> 00:06:48,909
OR MAN-IN-THE-BATHROOM PROBLEMS.

172
00:06:51,712 --> 00:06:53,080
- LUCY.

173
00:06:53,080 --> 00:06:54,615
DO YOU KNOW
WHAT I WAS THINKING ABOUT

174
00:06:54,615 --> 00:06:55,749
ALL TOUR LONG,

175
00:06:55,749 --> 00:06:58,351
BESIDES,
"DOES THIS HAVE NUTS IN IT?"

176
00:06:58,351 --> 00:06:59,720
YOU.

177
00:06:59,720 --> 00:07:02,022
- SAY NO MORE.

178
00:07:02,022 --> 00:07:03,524
CLOSE YOUR EYES.

179
00:07:13,300 --> 00:07:14,301
both:
OH!

180
00:07:15,769 --> 00:07:17,538
- HI.

181
00:07:17,538 --> 00:07:18,972
- HI.

182
00:07:21,742 --> 00:07:24,512
- SO HOW WAS YOUR TOUR?

183
00:07:24,512 --> 00:07:26,514
- MAYBE YOU SHOULD ASK JAMES
ABOUT THAT.

184
00:07:26,514 --> 00:07:28,516
- I WOULD,
BUT HE'S CRUSHING ON ME AGAIN,

185
00:07:28,516 --> 00:07:30,918
AND YOU'RE NOT CRUSHING ON ME,
WHICH MEANS WE CAN HAVE,

186
00:07:30,918 --> 00:07:33,654
YOU KNOW,
AN INTELLIGENT CONVERSATION.

187
00:07:33,654 --> 00:07:35,889
- YEAH, CAN'T DO THAT RIGHT NOW.

188
00:07:35,889 --> 00:07:36,990
- WHY NOT?

189
00:07:36,990 --> 00:07:38,391
- BECAUSE THEN I'D HAVE TO RUN

190
00:07:38,391 --> 00:07:40,661
A HALF MILE THROUGH A CROWD
IN MY UNDERWEAR.

191
00:07:40,661 --> 00:07:43,163
- [laughs]

192
00:07:43,163 --> 00:07:44,698
OH, MY GOD, YOU'RE SERIOUS.

193
00:07:46,534 --> 00:07:48,335
WHY ARE YOU ALL SO WEIRD?

194
00:07:48,335 --> 00:07:49,870
[horn beeps]

195
00:07:49,870 --> 00:07:52,139
- AND ON YOUR RIGHT,
A POSSIBLE FUTURE LOVE INTEREST

196
00:07:52,139 --> 00:07:54,675
FOR KENDALL AND/OR JAMES.

197
00:07:54,675 --> 00:07:56,910
[camera shutters clicking]

198
00:07:56,910 --> 00:08:00,113
- CARLOS, I WAS JUST
GONNA CALL YOU.

199
00:08:00,113 --> 00:08:02,950
GRIFFIN AND I ALWAYS ARGUE
OVER WHICH NEW SONG TO RELEASE,

200
00:08:02,950 --> 00:08:05,686
SO WE'VE DECIDED
TO LET YOU PICK IT.

201
00:08:05,686 --> 00:08:08,722
- BECAUSE YOU ARE
THE MOST HONEST PERSON WE KNOW.

202
00:08:08,722 --> 00:08:10,157
- I'M NOT ALWAYS HONEST.

203
00:08:10,157 --> 00:08:11,592
- SEE?

204
00:08:11,592 --> 00:08:14,762
- NOW, GRIFFIN WANTS
LOVE ME, LOVE ME,

205
00:08:14,762 --> 00:08:17,197
BUT I THINK OUR NEW HIT SONG
SHOULD BE ELEVATE.

206
00:08:17,197 --> 00:08:18,298
- I LIKE LOVE ME, LOVE ME.

207
00:08:18,298 --> 00:08:20,267
- NO, YOU DON'T.

208
00:08:20,267 --> 00:08:22,770
- YES, I DO.

209
00:08:22,770 --> 00:08:25,873
- YES, I DO.

210
00:08:25,873 --> 00:08:27,074
- WHY?

211
00:08:27,074 --> 00:08:28,408
- BECAUSE LOVE ME, LOVE ME

212
00:08:28,408 --> 00:08:29,943
CONNECTS TO TODAY'S 12-...

213
00:08:29,943 --> 00:08:33,581
- TO 21-YEAR-OLDS WHO POSSESS
THE MOST DISPOSABLE CASH,

214
00:08:33,581 --> 00:08:36,850
THUS SELLING MORE
BIG TIME RUSH MERCHANDISE.

215
00:08:42,022 --> 00:08:43,657
- [clears throat]

216
00:08:43,657 --> 00:08:45,458
both:
WHAT'S GOING ON HERE?

217
00:08:45,458 --> 00:08:48,228
- LOVE ME, LOVE ME
IS OUR NEXT BIG TIME HIT.

218
00:08:48,228 --> 00:08:50,097
- UH, NO.
ELEVATE IS.

219
00:08:50,097 --> 00:08:52,099
- LOVE ME, LOVE ME.
- ELEVATE.

220
00:08:52,099 --> 00:08:53,601
- LOVE ME, LOVE ME.
- ELEVATE!

221
00:08:53,601 --> 00:08:54,902
- HEY, HEY.

222
00:08:54,902 --> 00:08:57,104
DOESN'T ANYBODY WANT TO KNOW
WHAT I THINK

223
00:08:57,104 --> 00:08:58,405
THE NEXT HIT SHOULD BE?

224
00:08:58,405 --> 00:08:59,773
both:
NO!

225
00:09:02,042 --> 00:09:03,043
- NOW.

226
00:09:06,614 --> 00:09:08,181
- JUST MAKE THE FIRST MOVE.

227
00:09:08,181 --> 00:09:10,017
- KATIE, YOU KNOW NOTHING
OF TEEN LOVE.

228
00:09:10,017 --> 00:09:11,652
NOW, CAMILLE'S
COMING TO THE POOL

229
00:09:11,652 --> 00:09:12,853
TO READ SOME SCRIPTS,

230
00:09:12,853 --> 00:09:15,255
BUT INSTEAD,
SHE'S GONNA BE TACKLING ME.

231
00:09:26,667 --> 00:09:28,535
- HE'S GLOWING.

232
00:09:28,535 --> 00:09:30,237
- YOU CAN'T MAKE
THE FIRST MOVE.

233
00:09:31,872 --> 00:09:33,273
- BUT HE'S GLOWING.

234
00:09:33,273 --> 00:09:35,843
- SHIELD YOUR EYES
AND GET OUT OF THERE.

235
00:09:35,843 --> 00:09:37,277
RUN.

236
00:09:40,881 --> 00:09:44,117
- CAMILLE JUST WALKIE-TALKIE'D
TO SOMEONE AND THEN LEFT.

237
00:09:44,117 --> 00:09:46,486
- SOMEONE TOLD HER TO LEAVE ME?

238
00:09:46,486 --> 00:09:48,488
I JUST WANT TO BE TACKLED.

239
00:09:48,488 --> 00:09:49,690
[horn beeps]

240
00:09:49,690 --> 00:09:51,458
- OKAY, EVERYONE,
NOW WOULD BE A GREAT TIME

241
00:09:51,458 --> 00:09:53,861
TO GET OUT
AND TACKLE GLOWING LOGAN.

242
00:09:55,929 --> 00:09:56,930
- YOU SAW ME TALK TO HER.

243
00:09:56,930 --> 00:09:58,031
- YEAH, I DID.

244
00:09:58,031 --> 00:09:59,700
NOW RUN IN YOUR UNDERWEAR.

245
00:09:59,700 --> 00:10:01,034
- NO.

246
00:10:01,034 --> 00:10:03,070
BECAUSE SHE BUMPED INTO ME.

247
00:10:03,070 --> 00:10:04,672
DID WE KISS?
NO.

248
00:10:04,672 --> 00:10:07,841
AND MAYBE THE RULE OF DIBS
IS STUPID.

249
00:10:07,841 --> 00:10:09,042
- [gasps]

250
00:10:09,042 --> 00:10:12,179
WITHOUT RULES LIKE DIBS,
THERE'S ONLY CHAOS,

251
00:10:12,179 --> 00:10:13,213
TOTAL GIRL CHAOS,

252
00:10:13,213 --> 00:10:15,649
WHICH SOUNDS GOOD
BUT ISN'T.

253
00:10:15,649 --> 00:10:20,120
HOW WOULD YOU LIKE IT
IF I...

254
00:10:20,120 --> 00:10:21,321
UN-DIB-IFIED

255
00:10:21,321 --> 00:10:23,056
THE FRUIT PIE, CUPCAKE,
MINI DOUGHNUTS,

256
00:10:23,056 --> 00:10:26,794
AND PINKIE PUFFS THAT CARLOS,
LOGAN, AND ME, AND, OH, YOU

257
00:10:26,794 --> 00:10:28,261
CALLED DIBS ON
IN THE SEVENTH GRADE?

258
00:10:28,261 --> 00:10:30,230
- YOU PUT THOSE DOWN.
THOSE ARE MINE.

259
00:10:30,230 --> 00:10:32,332
- OH, I'LL STAY AWAY
FROM YOUR PINKIE PUFFS,

260
00:10:32,332 --> 00:10:34,067
AND YOU STAY AWAY
FROM MY LUCY.

261
00:10:34,067 --> 00:10:36,069
- FINE, I'LL STAY AWAY.

262
00:10:41,274 --> 00:10:42,542
DON'T TALK TO ME.

263
00:10:44,044 --> 00:10:46,446
- SO YOU CAN'T TALK TO ME
ANYMORE?

264
00:10:46,446 --> 00:10:48,716
YOU'RE SOME BIG STAR NOW
WHO DOESN'T HAVE ANY TIME

265
00:10:48,716 --> 00:10:50,017
FOR HIS FRIENDS?

266
00:10:51,451 --> 00:10:53,787
- JAMES HAS DIBS ON YOU.

267
00:10:53,787 --> 00:10:56,256
THAT'S WHY I CAN'T TALK
OR HANG OUT WITH YOU.

268
00:10:56,256 --> 00:10:58,025
- JAMES HAS DIBS ON ME?

269
00:10:58,025 --> 00:10:59,092
- SHH!

270
00:10:59,092 --> 00:11:00,828
- SO BIG TIME RUSH

271
00:11:00,828 --> 00:11:02,429
JUST PICKS OUT A GIRL

272
00:11:02,429 --> 00:11:04,798
AND DECIDES WHO THEY CAN
AND CANNOT DATE?

273
00:11:04,798 --> 00:11:06,166
- YEAH.

274
00:11:06,166 --> 00:11:08,568
BUT IT'S RULES
THAT PREVENT TOTAL GIRL CHAOS,

275
00:11:08,568 --> 00:11:10,403
WHICH SOUNDS GOOD,
BUT IT ISN'T.

276
00:11:10,403 --> 00:11:13,774
- WHAT IF I CALLED DIBS
ON YOU, HUH?

277
00:11:13,774 --> 00:11:15,375
- WELL, I GUESS
WE NEVER REALLY THOUGHT--

278
00:11:15,375 --> 00:11:17,577
- HEY, EVERYBODY.

279
00:11:17,577 --> 00:11:20,213
DIBS ON KENDALL.

280
00:11:20,213 --> 00:11:22,950
AND NO GIRL CAN TALK TO
OR LOOK AT HIM.

281
00:11:24,317 --> 00:11:26,053
MWAH!

282
00:11:26,053 --> 00:11:27,821
WHAT DO YOU GOT TO SAY
ABOUT THAT?

283
00:11:31,892 --> 00:11:35,028
- DO YOU MIND
HOLDING MY PANTS?

284
00:11:35,028 --> 00:11:37,164
- * AH, AH, AH-AH, OH
[girls screaming]

285
00:11:37,164 --> 00:11:38,465
- STOP IT! STOP IT!

286
00:11:38,465 --> 00:11:40,667
- YES, ON BITTERS'
BIG TIME EXPERIENCE,

287
00:11:40,667 --> 00:11:41,802
YOU SEE YOUR FAVORITE STARS

288
00:11:41,802 --> 00:11:44,037
LIKE YOU'VE NEVER
SEEN THEM BEFORE.

289
00:11:47,908 --> 00:11:49,042
- JOJO ON THE RADIO HERE.

290
00:11:49,042 --> 00:11:50,643
AND REMEMBER, TOMORROW,
BIG TIME RUSH.

291
00:11:50,643 --> 00:11:53,380
THEY'RE GONNA BE HERE LIVE
TO PLAY THEIR NEW SINGLE.

292
00:11:53,380 --> 00:11:57,951
- SO WHAT'S THAT SONG
GONNA BE, CARLOS?

293
00:11:57,951 --> 00:12:00,453
- WELL, IF IT WASN'T
FOR GUSTAVO,

294
00:12:00,453 --> 00:12:03,156
I'D STILL BE IN MINNESOTA
SHOVELING DRIVEWAYS.

295
00:12:03,156 --> 00:12:05,092
- YOU'RE DARN RIGHT YOU WOULD.

296
00:12:05,092 --> 00:12:06,960
- BUT I LOVE THE PONY
THAT GRIFFIN GOT ME.

297
00:12:06,960 --> 00:12:08,796
[horse neighs]

298
00:12:08,796 --> 00:12:10,563
- AND THERE'S MORE PONIES
WHERE THAT CAME FROM.

299
00:12:10,563 --> 00:12:11,799
- NOT FAIR.

300
00:12:11,799 --> 00:12:13,133
YOU'RE TRYING
TO BUY CARLOS' VOTE.

301
00:12:13,133 --> 00:12:14,134
- WRONG.

302
00:12:14,134 --> 00:12:15,435
I'M SIMPLY DOING BUSINESS,

303
00:12:15,435 --> 00:12:16,804
WITH PONIES.

304
00:12:16,804 --> 00:12:18,939
NOW, WHAT SONG'S IT GOING TO BE?

305
00:12:18,939 --> 00:12:20,240
LOVE ME, LOVE ME?

306
00:12:20,240 --> 00:12:21,608
- * SAY YOU'RE GONNA LOVE ME *

307
00:12:21,608 --> 00:12:23,176
[knuckles cracking]

308
00:12:23,176 --> 00:12:24,177
- OR ELEVATE?

309
00:12:24,177 --> 00:12:25,245
- * ELEVATE A LITTLE HIGHER

310
00:12:25,245 --> 00:12:26,179
[knuckles cracking]

311
00:12:31,218 --> 00:12:32,385
[horse neighs]

312
00:12:35,255 --> 00:12:37,290
- WILDFIRE, AWAY!

313
00:12:40,894 --> 00:12:45,298
- FOR THE LAST TIME,
I DON'T WANT TO DATE LUCY.

314
00:12:45,298 --> 00:12:47,100
BUT LUCY THINKS
WE SHOULD TAKE GIRLS

315
00:12:47,100 --> 00:12:49,702
OFF THE DIBS RULE,
AND MAYBE SHE'S RIGHT.

316
00:12:49,702 --> 00:12:52,672
- OH, YEAH, THEN YOU CAN GO
TELL HER HOW AMAZING SHE IS

317
00:12:52,672 --> 00:12:53,706
TO WIN HER LOVE.

318
00:12:53,706 --> 00:12:54,842
[laughs]

319
00:12:54,842 --> 00:12:56,910
PLUS, YOU NEED
ALL FOUR MEMBERS PRESENT

320
00:12:56,910 --> 00:12:58,846
TO REMOVE A DIB-ULATION.

321
00:12:58,846 --> 00:13:00,313
- HE'S RIGHT.

322
00:13:00,313 --> 00:13:02,215
- I WAS THERE WHEN YOU SIGNED
THAT STUPID THING.

323
00:13:02,215 --> 00:13:04,551
- AS YOU CAN SEE,
KENDALL AND JAMES

324
00:13:04,551 --> 00:13:06,753
ARE FIGHTING OVER A GIRL.

325
00:13:06,753 --> 00:13:09,256
AND IF YOU'LL ALL LOOK LEFT,

326
00:13:09,256 --> 00:13:13,126
THIS IS THE TIME
MOM USUALLY EXITS THE BATHROOM.

327
00:13:13,126 --> 00:13:15,762
- BITTERS!

328
00:13:15,762 --> 00:13:17,030
- AND THIS
IS THE PART OF THE TOUR

329
00:13:17,030 --> 00:13:18,131
WHERE WE LEAVE VERY QUICKLY.

330
00:13:18,131 --> 00:13:19,132
GO!

331
00:13:19,132 --> 00:13:20,067
[shouts]

332
00:13:21,534 --> 00:13:22,903
- KATIE, LET'S GO.

333
00:13:22,903 --> 00:13:25,873
- NO, I DON'T UNDERSTAND
TEEN LOVE, REMEMBER?

334
00:13:25,873 --> 00:13:27,574
- WE HAVE TO FIND OUT
WHO'S COACHING CAMILLE

335
00:13:27,574 --> 00:13:29,409
AND MEDDLING
WITH MY LOVE SCIENCE.

336
00:13:29,409 --> 00:13:31,511
NOW, GRAB A MEASURING CUP,
AND LET'S GO.

337
00:13:31,511 --> 00:13:32,980
- NO.

338
00:13:32,980 --> 00:13:35,182
COULD I TROUBLE YOU
FOR A CUP OF SUGAR?

339
00:13:35,182 --> 00:13:36,649
- OKAY.

340
00:13:36,649 --> 00:13:38,618
SURE.

341
00:13:38,618 --> 00:13:40,287
- [whistling]

342
00:13:40,287 --> 00:13:41,321
OH, HELLO.

343
00:13:41,321 --> 00:13:42,355
WHAT'S GOING ON?

344
00:13:42,355 --> 00:13:43,790
- LOGAN.

345
00:13:43,790 --> 00:13:45,058
WHAT ARE YOU DOING?

346
00:13:45,058 --> 00:13:47,460
- OH, YOU KNOW,
PROBABLY JUST GONNA TACKLE

347
00:13:47,460 --> 00:13:48,896
SOME CHORES AROUND THE CRIB,

348
00:13:48,896 --> 00:13:50,663
MAYBE PLAY SOME TACKLE FOOTBALL,

349
00:13:50,663 --> 00:13:52,799
AND THEN AFTER THAT,
MAYBE DO SOME FISHING...

350
00:13:52,799 --> 00:13:55,235
WITH A TACKLE BOX.

351
00:13:55,235 --> 00:13:56,569
WELL, I'LL SEE YOU GUYS LATER.

352
00:13:56,569 --> 00:13:57,905
TACKLE.

353
00:13:59,139 --> 00:14:00,307
- YOU KNOW WHAT?

354
00:14:00,307 --> 00:14:01,909
FORGET ABOUT THE SUGAR.

355
00:14:03,776 --> 00:14:05,345
[static crackling]

356
00:14:05,345 --> 00:14:07,347
- I'M TELLING YOU,
HE'S TOO CUTE.

357
00:14:07,347 --> 00:14:10,583
I DON'T KNOW HOW MUCH MORE
OF THIS I CAN TAKE.

358
00:14:10,583 --> 00:14:13,253
- THINK ABOUT BOOGERS
HANGING OUT OF HIS NOSE

359
00:14:13,253 --> 00:14:15,923
AND KIND OF DANGLING
IN THE WIND.

360
00:14:15,923 --> 00:14:19,092
- BUDDHA BOB IS STOPPING
HER TACKLES OF LOVE?

361
00:14:19,092 --> 00:14:21,428
WELL, NOT FOR LONG!

362
00:14:23,196 --> 00:14:25,732
- HEY.

363
00:14:25,732 --> 00:14:27,067
HELLO.

364
00:14:36,109 --> 00:14:38,311
WILL YOU PLEASE UN-DIBS ME?

365
00:14:38,311 --> 00:14:41,048
NO GIRLS AT THE PALMWOODS
WILL EVEN LOOK OR TALK TO ME.

366
00:14:41,048 --> 00:14:44,651
- DO YOU KNOW WHAT THE TERM
"DIBS" STANDS FOR?

367
00:14:44,651 --> 00:14:46,186
"DEALER IDENTIFICATION BOOK,"

368
00:14:46,186 --> 00:14:48,055
AS IN, FARMERS
WOULD PUT A CHALK MARK

369
00:14:48,055 --> 00:14:50,390
ON THE BACK OF COWS
THAT WERE FOR SALE.

370
00:14:50,390 --> 00:14:51,758
AM I A COW TO YOU?

371
00:14:51,758 --> 00:14:54,361
- YOU'RE NOT A COW.

372
00:14:54,361 --> 00:14:55,495
YOU'RE GREAT.

373
00:14:55,495 --> 00:14:57,097
AND YOU'RE AN AWESOME
GUITAR PLAYER.

374
00:14:57,097 --> 00:14:58,365
AND YOU SPEAK YOUR MIND.

375
00:14:58,365 --> 00:14:59,466
- HECK, YEAH, I DO.

376
00:14:59,466 --> 00:15:01,969
- AND YOU'RE
KIND OF MYSTERIOUS.

377
00:15:01,969 --> 00:15:04,237
- OH, I'M VERY MYSTERIOUS.

378
00:15:04,237 --> 00:15:08,308
- AND YOU'RE A GOOD
CHEEK KISSER.

379
00:15:14,514 --> 00:15:15,848
- DO YOU NEED ME
TO HOLD YOUR PANTS?

380
00:15:15,848 --> 00:15:18,251
- YEAH.

381
00:15:18,251 --> 00:15:19,552
[girls screaming]

382
00:15:19,552 --> 00:15:21,989
- THIS IS UNBELIEVABLE.

383
00:15:23,190 --> 00:15:25,325
- MR. BITTERS.

384
00:15:25,325 --> 00:15:27,995
I WOULD LIKE TO TALK TO YOU
ABOUT YOUR LITTLE TOUR.

385
00:15:27,995 --> 00:15:30,230
- OF COURSE.

386
00:15:30,230 --> 00:15:31,831
NOW, TOUR, AT THIS MOMENT,
I'D LIKE YOU ALL

387
00:15:31,831 --> 00:15:34,534
TO HOLD ON TO THE HAND RAILINGS,
BECAUSE...

388
00:15:34,534 --> 00:15:37,004
[tires squealing]

389
00:15:37,004 --> 00:15:38,705
- WE'RE NOT DONE HERE.

390
00:15:41,841 --> 00:15:43,610
- WHY ARE YOU TELLING CAMILLE
TO AVOID ME?

391
00:15:43,610 --> 00:15:44,744
HUH?

392
00:15:44,744 --> 00:15:47,347
I WANT SOME ANSWERS NOW.

393
00:15:47,347 --> 00:15:49,782
- WELL, CLEARLY,
YOU HAVE COMMITMENT ISSUES,

394
00:15:49,782 --> 00:15:51,551
AND YOU'LL NEVER
BE A STEADY BOYFRIEND

395
00:15:51,551 --> 00:15:53,286
TILL YOU CONQUER
YOUR INSECURITIES

396
00:15:53,286 --> 00:15:55,555
AND YOUR FEAR OF REJECTION.

397
00:15:55,555 --> 00:15:58,358
- NOT THOSE ANSWERS.

398
00:15:58,358 --> 00:16:00,160
- LOGAN?

399
00:16:00,160 --> 00:16:01,261
IS THAT TRUE?

400
00:16:04,031 --> 00:16:06,833
- WHAT'S TRUE IS, EVERY TIME
I COME BACK FROM A LONG TRIP,

401
00:16:06,833 --> 00:16:08,035
YOU TACKLE ME,

402
00:16:08,035 --> 00:16:10,670
AND THIS TIME, YOU DIDN'T.

403
00:16:10,670 --> 00:16:14,774
- THAT'S BECAUSE THIS TIME,
I WANT THINGS TO BE DIFFERENT.

404
00:16:16,476 --> 00:16:18,878
- WHY DON'T YOU JUST TACKLE
EACH OTHER AT THE SAME TIME?

405
00:16:18,878 --> 00:16:22,049
THAT WAY, YOU BOTH
MAKE THE FIRST MOVE.

406
00:16:22,049 --> 00:16:23,116
[laughter]

407
00:16:23,116 --> 00:16:25,152
- TACKLE EACH OTHER
AT THE SAME TIME?

408
00:16:25,152 --> 00:16:26,219
- [laughs]

409
00:16:26,219 --> 00:16:27,554
KATIE, YOU'VE PROVED
ONCE AGAIN

410
00:16:27,554 --> 00:16:30,057
THAT YOU KNOW NOTHING
OF TEEN LOVE.

411
00:16:30,057 --> 00:16:32,359
- THAT'S NOT A TERRIBLE IDEA.

412
00:16:33,793 --> 00:16:36,796
[joyful orchestral music]

413
00:16:36,796 --> 00:16:44,737
*

414
00:16:52,379 --> 00:16:53,746
- WHOA!

415
00:16:53,746 --> 00:16:55,415
- OUCH, AH.

416
00:17:00,520 --> 00:17:01,621
- HE'S RIGHT.

417
00:17:01,621 --> 00:17:03,290
I DO NOT GET TEEN LOVE.

418
00:17:03,290 --> 00:17:04,291
- MM.

419
00:17:05,325 --> 00:17:06,959
- HEY, GUYS.

420
00:17:06,959 --> 00:17:08,095
[horse neighs]

421
00:17:11,431 --> 00:17:14,667
- WELL, IF IT ISN'T
THE DIB-SY TWINS.

422
00:17:14,667 --> 00:17:16,103
- GO ON.

423
00:17:16,103 --> 00:17:17,137
ASK HER.

424
00:17:17,137 --> 00:17:19,339
BECAUSE I AM DONE
RUNNING 95% NAKED

425
00:17:19,339 --> 00:17:20,607
THROUGH THE PALMWOODS.

426
00:17:22,475 --> 00:17:26,113
- LUCY, I HAVE BEEN THINKING
A LOT ABOUT YOU

427
00:17:26,113 --> 00:17:29,116
AND WAS WONDERING IF YOU
WOULD LIKE TO GO ON A DATE

428
00:17:29,116 --> 00:17:30,817
WITH ME.

429
00:17:33,853 --> 00:17:36,589
- YOU'RE REALLY SWEET, JAMES.

430
00:17:36,589 --> 00:17:38,758
BUT IT'S LIKE I SAID BEFORE.

431
00:17:38,758 --> 00:17:40,127
I GOT OUT
OF A MESSY RELATIONSHIP,

432
00:17:40,127 --> 00:17:41,828
AND I'M JUST NOT READY
FOR ANOTHER ONE.

433
00:17:41,828 --> 00:17:43,496
- SO IT'S NOT A NO.

434
00:17:43,496 --> 00:17:45,765
- OH, IT'S A NO.

435
00:17:45,765 --> 00:17:47,834
- RIGHT, BECAUSE
YOU LIKE KENDALL,

436
00:17:47,834 --> 00:17:50,137
AND YOU WINKED AT HIM
BEFORE WE LEFT FOR THE TOUR.

437
00:17:50,137 --> 00:17:51,938
- I NEVER WINKED AT KENDALL.

438
00:17:51,938 --> 00:17:54,141
- UH, YEAH, YOU DID.

439
00:17:54,141 --> 00:17:56,476
- I MIGHT HAVE HAD
SOME DUST IN MY EYE,

440
00:17:56,476 --> 00:17:58,578
BUT I NEVER WINKED AT YOU.

441
00:17:58,578 --> 00:18:01,781
- SO YOU DON'T WANT TO GO OUT
WITH KENDALL EITHER?

442
00:18:01,781 --> 00:18:03,583
- LET'S JUST SAY...

443
00:18:05,518 --> 00:18:08,054
KENDALL'S UNDIBBED.

444
00:18:13,426 --> 00:18:15,295
- WELL, GLAD
THERE'S NO MORE CONFUSION.

445
00:18:19,366 --> 00:18:20,900
- IS IT DUSTY OUT HERE?

446
00:18:20,900 --> 00:18:21,834
- NO.

447
00:18:27,207 --> 00:18:28,675
HELP US.

448
00:18:28,675 --> 00:18:30,910
- CAMILLE AND I
ARE DATING AGAIN.

449
00:18:30,910 --> 00:18:33,413
- AND GUSTAVO AND GRIFFIN
ARE GONNA KILL ME

450
00:18:33,413 --> 00:18:34,814
IF I DON'T PICK
THEIR FAVORITE SONG

451
00:18:34,814 --> 00:18:36,383
TO PLAY FOR JOJO ON THE RADIO.

452
00:18:36,383 --> 00:18:37,450
- THAT'S SIMPLE.

453
00:18:37,450 --> 00:18:39,619
JUST PICK THE SONG
YOU WANT TO PLAY.

454
00:18:39,619 --> 00:18:41,488
- OH, YEAH, I WOULD LOVE TO.

455
00:18:41,488 --> 00:18:42,622
BUT QUESTION:

456
00:18:42,622 --> 00:18:45,192
HOW DOES THAT SOLVE
THE "KILL ME" PART?

457
00:18:45,192 --> 00:18:46,793
both:
WE BRING HOCKEY STICKS.

458
00:18:49,529 --> 00:18:50,530
- GOOD MORNING, L.A.

459
00:18:50,530 --> 00:18:51,564
WHAT UP?

460
00:18:51,564 --> 00:18:52,932
IT'S JOJO ON THE RADIO

461
00:18:52,932 --> 00:18:55,067
IN THE STUDIO WITH KENDALL,
LOGAN, JAMES, AND CARLOS.

462
00:18:55,067 --> 00:18:58,605
CARLOS, I UNDERSTAND YOU HAVE
BTR'S NEXT HIT SINGLE WITH YOU.

463
00:19:00,207 --> 00:19:02,108
- I GOT TO BE HONEST, JOJO.

464
00:19:02,108 --> 00:19:04,677
IT'S MY FAVORITE SONG
ON THE ALBUM.

465
00:19:04,677 --> 00:19:06,679
- WHICH IS LOVE ME, LOVE ME.
- WHICH IS ELEVATE.

466
00:19:06,679 --> 00:19:08,114
- LOVE ME, LOVE ME.
- ELEVATE.

467
00:19:08,114 --> 00:19:10,950
- LOVE ME, LOVE ME!
- ELEVATE!

468
00:19:10,950 --> 00:19:13,686
- WELL, LET'S HEAR THIS THING.

469
00:19:13,686 --> 00:19:15,422
[upbeat rock music]

470
00:19:15,422 --> 00:19:16,456
- * THROW IT UP

471
00:19:16,456 --> 00:19:20,260
* WOO HOO

472
00:19:20,260 --> 00:19:22,562
* WOO HOO

473
00:19:22,562 --> 00:19:23,796
* YEAH, YEAH

474
00:19:23,796 --> 00:19:27,133
- * YOU'RE PRETTY, BABY *

475
00:19:27,133 --> 00:19:30,903
* BUT YOU KNOW THAT

476
00:19:30,903 --> 00:19:34,241
* WISH I COULD BRING YOU

477
00:19:34,241 --> 00:19:36,909
* ACROSS THE MAP

478
00:19:36,909 --> 00:19:38,144
* YEAH

479
00:19:38,144 --> 00:19:40,247
- * I CAN FEEL IT
IN THE AIR *

480
00:19:40,247 --> 00:19:42,749
* THAT IT'S ON TONIGHT *

481
00:19:42,749 --> 00:19:46,353
* I DON'T REALLY CARE
IF IT'S WRONG OR RIGHT *

482
00:19:46,353 --> 00:19:50,022
* PEDAL TO THE METAL,
BABY, HOLD ME TIGHT *

483
00:19:50,022 --> 00:19:52,124
* ANYTHING YOU WANT,
I CAN GET THAT, GIRL *

484
00:19:52,124 --> 00:19:53,693
* IF YOU'RE WITH THAT GIRL *

485
00:19:53,693 --> 00:19:57,264
- * EVERYBODY KNOWS
THAT I WANT YOU *

486
00:19:57,264 --> 00:20:01,434
* IF YOU WANT ME,
BABY, SHOW ME *

487
00:20:01,434 --> 00:20:04,404
* ROLL THE WINDOWS DOWN,
LET YOUR HAIR FLOW *

488
00:20:04,404 --> 00:20:06,138
* LET IT ALL GO

489
00:20:06,138 --> 00:20:08,941
* TONIGHT-NIGHT-NIGHT-
NIGHT-NIGHT-NIGHT *

490
00:20:08,941 --> 00:20:10,042
* PARTY PEOPLE

491
00:20:10,042 --> 00:20:12,345
* WOO HOO

492
00:20:12,345 --> 00:20:13,613
* ALL THE WINDOWS DOWN

493
00:20:13,613 --> 00:20:15,482
* WOO HOO

494
00:20:15,482 --> 00:20:17,183
* WHEN I'M ROLLIN'
THROUGH YOUR TOWN *

495
00:20:17,183 --> 00:20:19,319
* WOO HOO

496
00:20:19,319 --> 00:20:20,953
* SAYING YEAH, YEAH

497
00:20:20,953 --> 00:20:21,954
- * STOP

498
00:20:21,954 --> 00:20:23,122
- * IT'S ON AND ON *

499
00:20:23,122 --> 00:20:24,156
- * WHOO!

500
00:20:24,156 --> 00:20:25,592
- * IT'S ON AND ON *

501
00:20:25,592 --> 00:20:28,728
* IT'S ON,
ON, ON, ON, ON AND ON *

502
00:20:28,728 --> 00:20:31,063
- * WOO HOO

503
00:20:31,063 --> 00:20:32,532
* ALL THE WINDOWS DOWN

504
00:20:32,532 --> 00:20:34,066
* WOO HOO

505
00:20:34,066 --> 00:20:36,235
* WHEN I'M ROLLIN'
THROUGH YOUR TOWN *

506
00:20:36,235 --> 00:20:37,904
* WOO HOO

507
00:20:37,904 --> 00:20:39,839
* SAYING YEAH, YEAH

508
00:20:39,839 --> 00:20:41,641
* WOO HOO

509
00:20:41,641 --> 00:20:44,377
- I GOT TO SAY, GUYS.

510
00:20:44,377 --> 00:20:45,745
I LIKE THAT SONG.

511
00:20:45,745 --> 00:20:49,816
I PREDICT THAT IS THE NEXT
BIG TIME HIT RIGHT THERE.

512
00:20:49,816 --> 00:20:50,983
- AH.

513
00:20:50,983 --> 00:20:52,619
- THAT'S IT
FOR THE JOJO ON THE RADIO SHOW.

514
00:20:52,619 --> 00:20:55,021
SPECIAL GUESTS BIG TIME RUSH,
THANK YOU GUYS FOR HANGING OUT.

515
00:20:55,021 --> 00:20:56,088
- THANK YOU FOR HAVING US.

516
00:20:56,088 --> 00:20:57,490
- NOW LET'S GO BACK
TO THE PALMWOODS

517
00:20:57,490 --> 00:20:59,326
SO WE CAN WRAP UP THEIR SHOW.

518
00:21:00,860 --> 00:21:03,330
- NOW THAT WE'RE ALL ASSEMBLED

519
00:21:03,330 --> 00:21:04,997
AND HAVE AGREED
THAT DIBS ON GIRLS

520
00:21:04,997 --> 00:21:06,833
CREATES TOTAL GIRL CHAOS

521
00:21:06,833 --> 00:21:08,134
RATHER THAN PREVENTING IT...

522
00:21:08,134 --> 00:21:12,204
- GIRLS ARE HEREBY REMOVED
FROM THE RULE OF DIBS.

523
00:21:12,204 --> 00:21:13,139
both:
AGREED.

524
00:21:17,477 --> 00:21:21,047
- AND NOW LET'S CELEBRATE
THIS HISTORIC OCCASION

525
00:21:21,047 --> 00:21:24,384
BY FEASTING ON THE SNACK CAKES
THAT WE'VE COVETED AND DIBBED

526
00:21:24,384 --> 00:21:26,986
FOR ALMOST SIX YEARS.

527
00:21:26,986 --> 00:21:28,655
- GO!

528
00:21:31,391 --> 00:21:32,959
- YOU GUYS KNOW YOU'RE EATING

529
00:21:32,959 --> 00:21:35,027
ALL THE WRONG SNACK CAKES,
RIGHT?

530
00:21:35,027 --> 00:21:38,030
KENDALL DIBBED THE FRUIT PIE;
JAMES, THE CUPCAKES;

531
00:21:38,030 --> 00:21:42,869
CARLOS, THE PINKIE PUFFS;
AND LOGAN, THE MINI DOUGHNUTS.

532
00:21:42,869 --> 00:21:44,471
- * AH, AH, AH-AH, OH
[girls screaming]

533
00:21:44,471 --> 00:21:45,838
- OKAY, WHEN WE
GET BACK TO THE CRIB,

534
00:21:45,838 --> 00:21:48,074
LET'S JUST GET RID
OF THE RULE OF DIBS ALTOGETHER.

535
00:21:48,074 --> 00:21:49,075
[horn beeps]

536
00:21:49,075 --> 00:21:50,577
- TAKE YOUR PICTURES NOW,

537
00:21:50,577 --> 00:21:52,545
'CAUSE I THINK THIS IS BITTERS'
LAST BIG TIME EXPERIENCE!

538
00:21:53,813 --> 00:21:54,947
- BITTERS!

539
00:21:58,017 --> 00:21:59,018
- * STEP IT UP,
GET IN GEAR *

540
00:21:59,018 --> 00:22:00,620
* GO FOR BROKE,
MAKE IT CLEAR *

541
00:22:00,620 --> 00:22:03,255
- * GOT TO GO BIG TIME

542
00:22:03,255 --> 00:22:04,791
- * HEY, HEY

543
00:22:04,791 --> 00:22:06,826
- * MAKE IT WORK,
GET IT RIGHT *

544
00:22:06,826 --> 00:22:08,761
* CHANGE THE WORLD OVERNIGHT

545
00:22:08,761 --> 00:22:11,931
- * GOT TO DREAM BIG TIME

546
00:22:11,931 --> 00:22:12,999
- * OH-OH, OH-OH

547
00:22:12,999 --> 00:22:14,834
- * HEY, HEY

548
00:22:14,834 --> 00:22:16,836
- * GIVE IT ALL YOU GOT NOW

549
00:22:16,836 --> 00:22:18,805
- * HEY, HEY

550
00:22:18,805 --> 00:22:20,907
- * ISN'T IT A RUSH *

551
00:22:20,907 --> 00:22:22,875
- * OH-OH, OH-OH

552
00:22:22,875 --> 00:22:24,911
* OH-OH, OH-OH

553
00:22:24,911 --> 00:22:26,413
- * GO AND SHAKE IT UP

554
00:22:26,413 --> 00:22:28,881
* WHATCHA GOTTA LOSE

555
00:22:28,881 --> 00:22:32,919
* GO AND MAKE YOUR LUCK
WITH THE LIFE YOU CHOOSE *

556
00:22:32,919 --> 00:22:36,122
* IF YOU WANT IT ALL,
LAY IT ON THE LINE *

557
00:22:36,122 --> 00:22:41,060
* IT'S THE ONLY LIFE YOU GOT
SO YOU GOT TO LIVE IT BIG TIME *