1
00:00:08,775 --> 00:00:10,511
We stole her from
Livingston‐Kent.

2
00:00:10,511 --> 00:00:12,079
‐ Bob Livingston fired me.

3
00:00:12,079 --> 00:00:13,480
I pushed him back
into the arms of his wife.

4
00:00:13,480 --> 00:00:15,349
‐ You should have pushed
him into a woodchipper.

5
00:00:15,349 --> 00:00:18,118
‐ She spent eight years straight
in the Platinum Ring of Esteem.

6
00:00:18,118 --> 00:00:19,286
‐ What's the
Platinum Ring of Esteem?

7
00:00:19,286 --> 00:00:23,123
‐ It's just this club for people
who do ten million dollars

8
00:00:23,123 --> 00:00:25,259
in volume over a
12‐month period.

9
00:00:25,259 --> 00:00:28,762
‐ The world always assumes that
people who investigate heresies

10
00:00:28,762 --> 00:00:30,163
must be heretics.

11
00:00:30,163 --> 00:00:31,798
I would remind you
of the Travis house.

12
00:00:31,798 --> 00:00:33,734
‐ Those things,
they can hurt you.

13
00:00:33,734 --> 00:00:35,202
They are dangerous.

14
00:00:35,202 --> 00:00:36,503
[ Screaming ]

15
00:00:37,070 --> 00:00:38,739
♪ Gentle music ♪

16
00:00:38,739 --> 00:00:40,340
[ Elevator arriving chime ]

17
00:00:43,210 --> 00:00:44,578
[ August sighs ]

18
00:00:49,049 --> 00:00:50,484
‐ Post‐mortem in five, kids.

19
00:00:53,187 --> 00:00:55,189
[ Bag down ]

20
00:00:57,391 --> 00:00:59,092
‐ What exactly
was that thing?

21
00:00:59,092 --> 00:01:00,027
[ Sigh ]

22
00:01:00,027 --> 00:01:01,328
‐ We call it
a Roadie.

23
00:01:01,328 --> 00:01:03,230
We're going to cover
it all in the wrap‐up.

24
00:01:03,230 --> 00:01:04,598
‐ Those poor people.

25
00:01:05,399 --> 00:01:07,100
Nearly killed each other.

26
00:01:07,100 --> 00:01:08,569
‐ Speaking of
near‐death experiences,

27
00:01:09,469 --> 00:01:11,371
tomorrow night is
the big night.

28
00:01:11,371 --> 00:01:14,007
Platinum Ring of Esteem
annual banquet.

29
00:01:14,007 --> 00:01:15,342
Prom with business cards.

30
00:01:17,244 --> 00:01:19,246
‐ We mock what we
do not understand.

31
00:01:19,246 --> 00:01:20,280
‐ Seriously, though.

32
00:01:20,280 --> 00:01:23,317
Lifetime Achievement Award
at your tender age.

33
00:01:23,317 --> 00:01:25,519
‐ Some of us choose to
measure our lives in closings

34
00:01:25,519 --> 00:01:27,221
rather than years.

35
00:01:30,757 --> 00:01:32,359
‐ Look, sorry, Anthony. Um...

36
00:01:33,360 --> 00:01:34,795
[ Sighs ]

37
00:01:34,795 --> 00:01:36,496
No, that's great.

38
00:01:36,496 --> 00:01:38,398
Yes, no, thank you
for cleaning the house.

39
00:01:38,398 --> 00:01:39,733
I'm sure the
adoption agency people

40
00:01:39,733 --> 00:01:41,735
are going to be very impressed.

41
00:01:42,069 --> 00:01:45,205
Ah, just one more quick meeting
and then I'll be home.

42
00:01:45,205 --> 00:01:47,074
I'll heat it up.

43
00:01:47,074 --> 00:01:49,343
God, Anthony, it's a meatloaf,
not a donor organ.

44
00:01:49,343 --> 00:01:51,078
It'll keep.

45
00:01:51,078 --> 00:01:52,379
Yes, okay.

46
00:01:53,146 --> 00:01:55,015
I love you.
I gotta go. Bye.

47
00:01:55,015 --> 00:01:56,083
[ Hang up beep ]

48
00:01:56,517 --> 00:01:59,086
‐ All right, how long
is this thing going to take?

49
00:01:59,086 --> 00:02:01,088
‐ It shouldn't be too long.

50
00:02:01,088 --> 00:02:04,157
‐ Remarkable resilience
for a Roadie.

51
00:02:04,157 --> 00:02:06,360
I've never seen one
with such...

52
00:02:06,360 --> 00:02:08,095
Violent tendencies.

53
00:02:08,095 --> 00:02:09,496
‐ Okay...

54
00:02:09,496 --> 00:02:11,765
Let's wrap this up;
get into the weekend. ‐

55
00:02:11,765 --> 00:02:14,501
‐ Oh! You've got two new calls
from that reporter ‐‐

56
00:02:14,501 --> 00:02:16,470
Maria something?

57
00:02:16,470 --> 00:02:17,738
Uh, channel seven.

58
00:02:17,738 --> 00:02:19,740
‐ Yeah, she's been bugging
the cops, too.

59
00:02:19,740 --> 00:02:21,175
Where is Susan?

60
00:02:21,175 --> 00:02:22,409
‐ God, can we please
start without her?

61
00:02:22,409 --> 00:02:24,111
I've got places to be.

62
00:02:24,111 --> 00:02:27,247
‐ Sorry, I was just packing up a
little homework for the weekend.

63
00:02:27,247 --> 00:02:28,482
‐ Martyr.

64
00:02:28,482 --> 00:02:30,751
‐ Can we do
this please? Phil?

65
00:02:30,751 --> 00:02:32,319
‐ Okay...

66
00:02:32,486 --> 00:02:35,255
We worked the Jackson house
for two weeks.

67
00:02:35,756 --> 00:02:39,026
Mid‐level engagement
associated with an old fella

68
00:02:39,026 --> 00:02:41,228
who died in the upstairs bedroom
20 years ago

69
00:02:41,228 --> 00:02:43,030
but never got the memo.

70
00:02:43,030 --> 00:02:45,766
Luke helped him move on
but, in doing so,

71
00:02:45,766 --> 00:02:47,467
revealed our next contestant.

72
00:02:47,467 --> 00:02:49,736
‐ Basically a class‐three
shapeshifting demon

73
00:02:49,736 --> 00:02:52,506
that bounces from person
to person looking for a home.

74
00:02:52,506 --> 00:02:54,741
They are attracted
to our type of houses.

75
00:02:54,741 --> 00:02:57,211
They feed on
the spiritual turbulence.

76
00:02:57,211 --> 00:02:59,379
Heavier the engagement,
tastier the meal.

77
00:02:59,379 --> 00:03:01,248
Basically, it looks for
bad places to live

78
00:03:01,248 --> 00:03:03,217
and makes them worse.

79
00:03:03,217 --> 00:03:05,219
‐ What do they look like?

80
00:03:05,219 --> 00:03:07,354
‐ See, that's the thing
about Roadies...

81
00:03:07,354 --> 00:03:10,090
they have no corporeal mass
of their own‐‐

82
00:03:10,090 --> 00:03:12,759
only the host they occupy
at any given moment.

83
00:03:12,759 --> 00:03:14,361
‐ So, you've seen
these things before?

84
00:03:14,361 --> 00:03:15,762
‐ Only twice.

85
00:03:15,762 --> 00:03:18,232
Fortunately, that was enough
for our man, August,

86
00:03:18,232 --> 00:03:20,767
to figure out how modify the
M. E. D. to take it apart nicely.

87
00:03:20,767 --> 00:03:23,337
And that is what
saved our bacon tonight.

88
00:03:23,337 --> 00:03:25,239
‐ PHIL:
Yeah!

89
00:03:25,239 --> 00:03:27,074
[ Whooping ]

90
00:03:27,074 --> 00:03:29,710
‐ To be prepared
is half the victory.

91
00:03:29,710 --> 00:03:31,245
Cervantes.

92
00:03:31,478 --> 00:03:34,014
‐ Man, those Roadies
played rough.

93
00:03:34,014 --> 00:03:36,083
You saw what those Jackson kids
did to their parents.

94
00:03:36,083 --> 00:03:38,151
‐ Yeah. But that's
not the worst of it.

95
00:03:38,151 --> 00:03:41,355
‐ Mm‐mm. If they manage to stay
in the host long enough,

96
00:03:41,355 --> 00:03:43,156
they can take over.

97
00:03:43,156 --> 00:03:45,058
‐ Take over... how?

98
00:03:45,058 --> 00:03:48,128
‐ You know those stories you
hear about the nice, responsible

99
00:03:48,128 --> 00:03:51,732
insurance guy with a nice yard
who goes crazy one day

100
00:03:51,732 --> 00:03:54,201
and kills his entire family
with an axe?

101
00:03:54,201 --> 00:03:55,502
‐ My god.

102
00:03:55,502 --> 00:03:58,205
‐ Doesn't always go that way,
but often enough to, you know‐‐

103
00:03:58,205 --> 00:04:00,073
[ Alarm rings ]

104
00:04:00,073 --> 00:04:02,476
‐ Ooh. That's not
a happy sound.

105
00:04:02,476 --> 00:04:04,111
‐ AUGUST:
That is the breach alarm.

106
00:04:04,111 --> 00:04:05,212
‐ Zooey,

107
00:04:05,212 --> 00:04:07,347
lock down the elevators
and the stairwell, please.

108
00:04:07,347 --> 00:04:08,482
Talk to me, Augie.

109
00:04:08,482 --> 00:04:09,783
‐ Checking now.

110
00:04:09,783 --> 00:04:11,084
‐ What? Is there a fire?

111
00:04:11,084 --> 00:04:12,286
‐ I wish.

112
00:04:12,286 --> 00:04:15,088
‐ I think something
followed us home.

113
00:04:15,088 --> 00:04:16,456
♪ Opening score ♪

114
00:04:22,796 --> 00:04:24,364
[ Man screams ]

115
00:04:26,300 --> 00:04:27,768
‐ AUGUST:
Bear in mind that this

116
00:04:27,768 --> 00:04:30,470
merely indicates presence,
not location.

117
00:04:30,470 --> 00:04:32,472
‐ Now, how did it survive
that blast from the M. E. D.?

118
00:04:32,472 --> 00:04:33,774
‐ It didn't.

119
00:04:33,774 --> 00:04:35,209
It was gone.

120
00:04:35,209 --> 00:04:37,344
Ontologically disassembled.

121
00:04:37,344 --> 00:04:38,278
‐ And yet here it is.

122
00:04:38,278 --> 00:04:40,013
‐ I killed it.

123
00:04:40,013 --> 00:04:41,248
It's dead.

124
00:04:41,248 --> 00:04:43,083
‐ So, I talked to
the building sup.

125
00:04:43,083 --> 00:04:45,352
He's shutting down the elevators
at the ninth floor

126
00:04:45,352 --> 00:04:46,520
and securing
the stairwell.

127
00:04:46,520 --> 00:04:50,224
‐ We have to walk down ten
flights of stairs to get out?

128
00:04:50,224 --> 00:04:52,492
‐ Do you want to
tell her or can I?

129
00:04:52,492 --> 00:04:54,761
‐ Until we manage to wipe this
thing out properly,

130
00:04:54,761 --> 00:04:56,430
we can't take a chance
on letting it out.

131
00:04:56,430 --> 00:04:58,165
‐ Lockdown, baby.

132
00:04:58,165 --> 00:04:59,766
[ Scoffs ]

133
00:04:59,766 --> 00:05:01,301
‐ You're kidding?

134
00:05:03,203 --> 00:05:04,571
He's kidding, right?

135
00:05:05,472 --> 00:05:07,074
‐ ZOOEY:
Nope.

136
00:05:07,074 --> 00:05:08,075
So, we're stuck here?

137
00:05:08,075 --> 00:05:09,176
For how long?

138
00:05:09,176 --> 00:05:11,211
‐ Well, hopefully not for long
but you saw how that thing

139
00:05:11,211 --> 00:05:12,980
hopped from person to person.

140
00:05:13,247 --> 00:05:15,215
We can't risk it
getting out of here.

141
00:05:15,215 --> 00:05:18,085
‐ Can it pass through
walls and doors?

142
00:05:18,085 --> 00:05:20,487
‐ Were you not
paying attention?

143
00:05:20,487 --> 00:05:23,524
It doesn't have a body
except for the host.

144
00:05:23,524 --> 00:05:26,493
It's a Roadie;
never travels alone,

145
00:05:26,493 --> 00:05:28,295
only with the band.

146
00:05:28,295 --> 00:05:30,364
‐ So, how did
it get up here?

147
00:05:30,364 --> 00:05:32,332
‐ It found a host.

148
00:05:33,233 --> 00:05:35,035
♪ Suspenseful music ♪

149
00:05:36,203 --> 00:05:37,571
[ Deep sigh ]

150
00:05:40,474 --> 00:05:42,409
‐ Oh, come on!

151
00:05:42,409 --> 00:05:44,344
‐ The truth is
we don't know.

152
00:05:44,344 --> 00:05:47,147
This thing can sit dormant
in a person for...

153
00:05:47,147 --> 00:05:48,215
Phil, help me out here.

154
00:05:48,215 --> 00:05:51,084
‐ Latency seems to be
uncomfortable for Roadies.

155
00:05:51,084 --> 00:05:51,985
They...

156
00:05:51,985 --> 00:05:55,055
They like to move around,
like a virus.

157
00:05:55,289 --> 00:05:57,524
It infects different people
and takes control

158
00:05:57,524 --> 00:06:00,494
after varying periods of
dormancy and the host

159
00:06:00,494 --> 00:06:02,095
never knows until...

160
00:06:03,230 --> 00:06:05,365
he wakes up holding the axe.
[ Stabbing sounds ]

161
00:06:06,099 --> 00:06:08,402
‐ It was around eight P. M.
when we last saw this thing‐‐

162
00:06:08,402 --> 00:06:10,237
when August thought
that he killed it.

163
00:06:10,237 --> 00:06:12,139
‐ Oh, August
killed it, all right.

164
00:06:12,139 --> 00:06:13,340
‐ Your tech says otherwise.

165
00:06:13,340 --> 00:06:15,742
‐ Then there was
more than one.

166
00:06:15,742 --> 00:06:17,444
‐ A Mary‐Kate and Ashley?

167
00:06:19,112 --> 00:06:20,214
Uh...

168
00:06:20,214 --> 00:06:21,515
I guess it's possible.

169
00:06:21,515 --> 00:06:23,217
‐ Okay.

170
00:06:24,017 --> 00:06:25,085
We stay here for now.

171
00:06:25,085 --> 00:06:27,254
We keep an eye on each other
and we see what pops up.

172
00:06:27,254 --> 00:06:28,288
‐ For how long?

173
00:06:28,288 --> 00:06:30,757
‐ Until we find it and August
smokes it for real.

174
00:06:30,757 --> 00:06:34,027
Phil, do your thing.
See what else you can find out‐‐

175
00:06:34,027 --> 00:06:37,231
And you might want to
look at your own device.

176
00:06:37,497 --> 00:06:39,233
We are on the buddy system.

177
00:06:39,233 --> 00:06:42,002
Susan, you and I can talk
about the Menendez proposal

178
00:06:42,002 --> 00:06:43,337
in my office.

179
00:06:43,337 --> 00:06:45,205
You guys
stick together.

180
00:06:45,205 --> 00:06:47,441
Eyes on each other
all the time.

181
00:06:48,475 --> 00:06:51,144
‐ You've got somebody
to feed Schrodinger?

182
00:06:51,144 --> 00:06:53,480
‐ Yes, I‐‐I'll
call my neighbor.

183
00:06:53,480 --> 00:06:56,483
‐ I gotta call Anthony.
He's gonna freak out.

184
00:06:57,217 --> 00:06:58,752
‐ Yeah, I got people
I gotta call, too.

185
00:06:58,752 --> 00:07:01,021
‐ Why don't you go ahead and get
us some food while you're at it.

186
00:07:01,021 --> 00:07:02,222
Okay, what sounds good?

187
00:07:02,222 --> 00:07:03,757
‐ Mm... a morphine drip?

188
00:07:03,757 --> 00:07:05,092
‐ How's Chinese food?

189
00:07:05,092 --> 00:07:07,094
Is that okay with everybody?

190
00:07:07,094 --> 00:07:08,428
‐ Chinese.

191
00:07:08,428 --> 00:07:10,030
‐ Great. And get the usual.

192
00:07:10,030 --> 00:07:11,365
In the meantime...

193
00:07:13,767 --> 00:07:16,069
Let's all keep our eyes
on each other.

194
00:07:16,069 --> 00:07:17,437
Susan?

195
00:07:23,277 --> 00:07:24,978
[ Sigh ]

196
00:07:26,113 --> 00:07:28,081
[ Three phone lines trilling ]

197
00:07:28,081 --> 00:07:29,449
‐ ALL THREE:
Hello?

198
00:07:30,083 --> 00:07:32,085
‐ No, it's just one of
those work things, Megan.

199
00:07:32,085 --> 00:07:33,754
It could be late.

200
00:07:33,754 --> 00:07:35,589
Certainly no longer
than absolutely necessary.

201
00:07:38,759 --> 00:07:40,761
Okay, bye.

202
00:07:40,761 --> 00:07:42,362
[ Phone drops on desk ]

203
00:07:42,362 --> 00:07:44,164
‐ Just how long are we
going to be stuck here?

204
00:07:44,164 --> 00:07:45,432
‐ It's hard to say.

205
00:07:45,432 --> 00:07:49,069
‐ I don't have to tell you that
I am accepting a major award

206
00:07:49,069 --> 00:07:50,370
in less than 24 hours

207
00:07:50,370 --> 00:07:53,273
and there are certain acts of...
personal maintenance

208
00:07:53,273 --> 00:07:55,209
that need to take place
between now and then.

209
00:07:55,209 --> 00:07:57,077
‐ You look great.
You always look great.

210
00:07:57,077 --> 00:07:58,745
‐ To the untrained eye.

211
00:07:58,745 --> 00:08:02,749
In my own mind, I'm the chick
in the tub in room 237

212
00:08:02,749 --> 00:08:04,251
of the Overlook Hotel.

213
00:08:06,386 --> 00:08:08,488
‐ Look, you are just being
too hard on yourself.

214
00:08:08,488 --> 00:08:11,024
‐ But it is my night, Luke.

215
00:08:11,024 --> 00:08:13,093
It's my one night!

216
00:08:13,093 --> 00:08:15,762
I'll never win an Oscar,
or a Stanley Cup

217
00:08:15,762 --> 00:08:17,764
and the Nobel Prize committee
has an obvious

218
00:08:17,764 --> 00:08:20,133
anti‐real estate bias.

219
00:08:20,133 --> 00:08:22,069
Are you really going to
deny me exfoliation

220
00:08:22,069 --> 00:08:24,404
on my very special day?

221
00:08:24,404 --> 00:08:26,473
Are you that cruel?

222
00:08:26,473 --> 00:08:28,141
‐ I am not denying you anything.

223
00:08:28,141 --> 00:08:29,276
But if this thing
is inside of you,

224
00:08:29,276 --> 00:08:30,444
you don't want it popping out
in the middle of your

225
00:08:30,444 --> 00:08:34,348
acceptance speech and do
some kind of Roadie Rumspringa.

226
00:08:34,348 --> 00:08:36,216
It's going to do nothing
for your personal brand.

227
00:08:36,216 --> 00:08:39,119
Now, do you want to talk
Menendez or not?

228
00:08:39,486 --> 00:08:41,021
[ Deep sigh ]

229
00:08:41,021 --> 00:08:42,256
♪ Gentle music ♪

230
00:08:42,256 --> 00:08:43,757
‐ Yes.

231
00:08:43,757 --> 00:08:46,393
‐ I don't know, Jeffrey!
It's part of my job.

232
00:08:46,393 --> 00:08:48,362
Well, maybe if you ever
had a job, you'd understand.

233
00:08:48,362 --> 00:08:51,365
‐ I thought you'd understand,
but I guess not.

234
00:08:51,365 --> 00:08:52,533
You're stressed out?

235
00:08:52,533 --> 00:08:55,102
Anthony, how do you
think I feel?

236
00:08:55,102 --> 00:08:58,071
Quite honestly, the longer
I stand here talking to you,

237
00:08:58,071 --> 00:09:00,741
‐ ...the longer cat food soaks
in the warm water,

238
00:09:00,741 --> 00:09:02,342
the better she likes it.

239
00:09:03,210 --> 00:09:06,213
No, I'm all out of
the canned food she prefers.

240
00:09:06,213 --> 00:09:09,349
I didn't get to the, uh...
[ Deep rumble ]

241
00:09:09,349 --> 00:09:11,084
♪ Ominous music ♪

242
00:09:11,084 --> 00:09:12,386
[ Squelching ]

243
00:09:15,355 --> 00:09:17,090
To the, uh...

244
00:09:17,491 --> 00:09:19,193
store.

245
00:09:20,761 --> 00:09:24,198
I'm afraid we'll all have to
struggle through this together.

246
00:09:27,301 --> 00:09:29,002
♪ Gentle music ♪

247
00:09:29,736 --> 00:09:31,738
‐ PHIL:
Boy, it's a crowded field.

248
00:09:32,773 --> 00:09:34,508
Okay...

249
00:09:34,508 --> 00:09:36,310
The Slavs call it a Leshy.

250
00:09:37,611 --> 00:09:40,514
The Japanese have a
shape‐shifting trickster fox

251
00:09:40,514 --> 00:09:42,683
called a Kitsune.

252
00:09:42,683 --> 00:09:45,285
For the Algonquins,
a Wendigo.

253
00:09:45,285 --> 00:09:48,155
When it possessed somebody,

254
00:09:48,155 --> 00:09:50,057
it developed
a violent compulsion

255
00:09:50,057 --> 00:09:51,692
to feast on human flesh.

256
00:09:51,692 --> 00:09:53,093
[ Phone reminder chime ]

257
00:09:53,093 --> 00:09:54,595
‐ Hn! Who's hungry?

258
00:09:57,264 --> 00:10:00,133
‐ I had no idea you could
break them down by income.

259
00:10:00,133 --> 00:10:01,502
‐ Used to be you couldn't.

260
00:10:01,502 --> 00:10:03,036
But I developed
this algorithm

261
00:10:03,036 --> 00:10:04,705
that scrapes the
property tax database

262
00:10:04,705 --> 00:10:06,273
and extrapolates
household income

263
00:10:06,273 --> 00:10:07,741
on a separate tab.

264
00:10:07,741 --> 00:10:09,142
‐ Whew. It's fantastic.

265
00:10:09,142 --> 00:10:11,245
‐ Mm‐hm.
‐ Is it legal?

266
00:10:11,245 --> 00:10:13,280
‐ Susan Ireland:
real estate renegade.

267
00:10:15,249 --> 00:10:17,017
‐ Dinner's downstairs.

268
00:10:17,017 --> 00:10:19,286
‐ Why is it downstairs?
He usually brings it upstairs.

269
00:10:19,286 --> 00:10:21,522
‐ Ah, 'cause he can usually
use the elevator.

270
00:10:21,522 --> 00:10:22,689
‐ So where is our dinner?

271
00:10:22,689 --> 00:10:24,658
‐ Down at the security desk.

272
00:10:24,658 --> 00:10:27,794
Larry is probably sniffing
your Crab Rangoon as we speak.

273
00:10:27,794 --> 00:10:29,196
‐ Larry the, uh...

274
00:10:29,196 --> 00:10:31,598
‐ Larry the
security guard.

275
00:10:31,598 --> 00:10:33,667
You know ‐‐ the one
who looks at Susan the way

276
00:10:33,667 --> 00:10:35,202
Kanye looks at Kanye.

277
00:10:35,202 --> 00:10:36,703
♪ Mischievous music ♪

278
00:10:43,177 --> 00:10:45,179
‐ Yeah. Just do
the voice.

279
00:10:48,048 --> 00:10:49,550
‐ Larry!

280
00:10:49,716 --> 00:10:51,285
Hey, you!

281
00:10:51,285 --> 00:10:53,086
[ Fluorescent tubes buzz ]

282
00:10:54,087 --> 00:10:56,056
[ Papers rustle ]

283
00:11:03,030 --> 00:11:04,565
‐ What are these?

284
00:11:04,698 --> 00:11:07,067
‐ The Jacksons had 'em
up on the fridge.

285
00:11:07,067 --> 00:11:10,637
Think the youngest kid drew 'em
when he was chock full o' demon.

286
00:11:10,637 --> 00:11:12,239
‐ What do they mean?

287
00:11:12,239 --> 00:11:13,974
‐ Swirls, chaos...

288
00:11:14,741 --> 00:11:16,276
Two parents,
one sibling...

289
00:11:17,177 --> 00:11:18,612
Who knows?

290
00:11:18,612 --> 00:11:20,214
‐ We should probably
take turns

291
00:11:20,214 --> 00:11:21,048
getting some sleep.

292
00:11:21,048 --> 00:11:24,117
Two of us need to be awake
at all times.

293
00:11:24,117 --> 00:11:27,688
‐ Well, I need a tool
from my workshop.

294
00:11:28,121 --> 00:11:29,690
Who would like to
accompany me to witness

295
00:11:29,690 --> 00:11:33,093
any horrid transformations
that might take place?

296
00:11:33,660 --> 00:11:36,263
‐ Oh, I'd buy
a ticket for that.

297
00:11:38,632 --> 00:11:40,300
[ Light switch clicks ]

298
00:11:40,300 --> 00:11:42,002
♪ Gentle music ♪

299
00:11:42,736 --> 00:11:44,771
[ Electronic hums
and whooshes ]

300
00:11:44,771 --> 00:11:46,173
‐ It's like

301
00:11:46,173 --> 00:11:48,509
Marie Curie/
Edgar Allen Poe

302
00:11:48,509 --> 00:11:50,744
gave birth to Steve Jobs
and we're

303
00:11:50,744 --> 00:11:52,713
looking inside
of its brain.

304
00:11:52,713 --> 00:11:54,281
‐ I've been meaning to tidy up

305
00:11:54,281 --> 00:11:58,051
but there always seems to be
some more compelling need.

306
00:11:59,620 --> 00:12:00,787
‐ Ooh!

307
00:12:00,787 --> 00:12:03,590
Sweet Virgin Airlines!
What is that?

308
00:12:04,658 --> 00:12:07,761
‐ It was living in the furnace
of a mid‐century bungalow

309
00:12:07,761 --> 00:12:09,696
some years ago.

310
00:12:09,696 --> 00:12:11,331
It, uh, obstructed
the ventilation.

311
00:12:12,533 --> 00:12:16,236
Made it impossible to pass the
buyers' pre‐closing inspection.

312
00:12:16,236 --> 00:12:18,472
‐ Can't have that.
‐ Plus...

313
00:12:18,472 --> 00:12:20,040
it ate their cat.

314
00:12:23,710 --> 00:12:26,747
‐ Uh, I don't even understand
most of this shit.

315
00:12:26,747 --> 00:12:30,217
‐ It must be difficult to focus
when you're always

316
00:12:30,217 --> 00:12:33,587
busy trying to formulate
your next ironic remark.

317
00:12:33,587 --> 00:12:35,689
Rather lazy
intellectually, though.

318
00:12:36,690 --> 00:12:38,292
‐ Excuse me?

319
00:12:38,292 --> 00:12:40,027
[ Phone buzzes ]

320
00:12:40,027 --> 00:12:41,695
Uh, I need to take this.

321
00:12:41,695 --> 00:12:44,131
(Demonic voice creeps in)
‐ Oh, I know you do.

322
00:12:44,131 --> 00:12:45,666
‐ What is your problem?

323
00:12:45,666 --> 00:12:47,501
‐ You're strong.

324
00:12:47,501 --> 00:12:50,537
Makes me sad to see you
act so needy.

325
00:12:50,537 --> 00:12:52,172
[ Scoffs ]
‐ Needy?

326
00:12:52,673 --> 00:12:54,508
You think I'm needy?

327
00:12:54,508 --> 00:12:56,710
[ Phone buzzes ]
[ Exasperated sigh ]

328
00:12:56,710 --> 00:12:58,779
I‐I'm gonna take this and
when I get back, you and me,

329
00:12:58,779 --> 00:13:00,614
we're going to have
a little chat.

330
00:13:00,614 --> 00:13:02,182
What is it, Jeffrey?

331
00:13:02,182 --> 00:13:03,650
Why, what did she say?

332
00:13:03,650 --> 00:13:13,193
♪ Mysterious music ♪

333
00:13:13,193 --> 00:13:14,695
[ Deep rumbling ]

334
00:13:18,165 --> 00:13:19,700
[ Squelching ]

335
00:13:29,076 --> 00:13:30,577
[ Squelching ]

336
00:13:32,312 --> 00:13:34,214
[ Door rumbles closed ]

337
00:13:34,781 --> 00:13:37,217
‐ So, this one version
of the Roadie

338
00:13:37,217 --> 00:13:39,286
supposedly manifests
in a large

339
00:13:39,286 --> 00:13:41,021
red, bird‐shaped rash

340
00:13:41,722 --> 00:13:43,724
on the infected person's
left buttock.

341
00:13:46,093 --> 00:13:49,696
‐ What exactly am I supposed
to do with that information?

342
00:13:49,696 --> 00:13:51,698
[ Phone dings ]
‐ Hm.

343
00:13:52,099 --> 00:13:54,201
[ Text whoosh ]
‐ Oh, God.

344
00:13:55,736 --> 00:13:57,271
[ Button clicks ]

345
00:13:59,273 --> 00:14:01,008
[ Text sent swoop ]

346
00:14:01,008 --> 00:14:03,076
[ Text whooshes,
clicks and swoops ]

347
00:14:12,252 --> 00:14:13,754
♪ Gentle music ♪

348
00:14:14,655 --> 00:14:16,089
[ Phone down on table ]

349
00:14:16,089 --> 00:14:17,591
‐ Trouble at home?

350
00:14:19,059 --> 00:14:22,729
‐ I told you Anthony and I
are trying to adopt?

351
00:14:22,729 --> 00:14:25,332
Well, the people are
coming over tomorrow morning.

352
00:14:25,732 --> 00:14:27,167
Anthony's freaking out.

353
00:14:27,167 --> 00:14:28,969
‐ They're gonna love you.

354
00:14:29,770 --> 00:14:31,738
‐ I hope so.

355
00:14:31,738 --> 00:14:34,107
‐ You can trust me
on two subjects...

356
00:14:34,107 --> 00:14:37,110
adjustable‐rate mortgages
and screwed‐up families.

357
00:14:37,244 --> 00:14:39,646
You and Anthony will be
the best dads ever.

358
00:14:39,646 --> 00:14:41,048
[ Chuckles ]

359
00:14:41,048 --> 00:14:43,050
I wish you would adopt me!

360
00:14:44,084 --> 00:14:46,553
‐ We could never afford
the wardrobe.

361
00:14:46,553 --> 00:14:48,522
‐ I cannot believe you are
breaking up with me

362
00:14:48,522 --> 00:14:50,157
over the phone right now!

363
00:14:52,559 --> 00:14:54,661
At least it's not a text.

364
00:14:57,097 --> 00:14:59,099
Can you hold that
whiny rationalization

365
00:14:59,666 --> 00:15:01,201
for a hot second?

366
00:15:05,305 --> 00:15:07,007
Augie?

367
00:15:08,642 --> 00:15:10,677
We're su‐supposed to be...

368
00:15:10,677 --> 00:15:13,113
[ Loud whoosh ]
[ Growl ]

369
00:15:13,113 --> 00:15:14,648
♪ Pulsing music ♪

370
00:15:16,583 --> 00:15:18,785
♪ Music crescendos,
fades out quickly ♪

371
00:15:18,785 --> 00:15:20,621
[ Deep breaths ]

372
00:15:20,621 --> 00:15:22,222
‐ You okay?

373
00:15:23,123 --> 00:15:25,225
‐ Oh, it was just
that stupid dream

374
00:15:25,225 --> 00:15:28,195
where you're doing a closing

375
00:15:28,195 --> 00:15:29,730
and Justin Timberlake's
the buyer

376
00:15:29,730 --> 00:15:32,733
and just as he's about to
sign the HUD‐One statement,

377
00:15:32,733 --> 00:15:35,135
he looks straight into your eyes
and starts singing

378
00:15:35,135 --> 00:15:38,038
"I'm Lovin' It"
and then his pen

379
00:15:38,038 --> 00:15:40,107
turns into this big snake.

380
00:15:40,107 --> 00:15:41,642
[ Inhales ]

381
00:15:45,746 --> 00:15:48,549
Oh, come on.
You've never had that dream?

382
00:15:49,783 --> 00:15:51,618
♪ Gentle music ♪

383
00:15:51,618 --> 00:15:53,620
Where's Zooey
and, uh...

384
00:15:54,688 --> 00:15:56,256
August?

385
00:15:57,024 --> 00:15:58,525
‐ Luke...

386
00:15:59,726 --> 00:16:01,261
I'm‐‐

387
00:16:01,261 --> 00:16:02,796
afraid we have a problem.

388
00:16:02,796 --> 00:16:04,331
♪ Music crescendos ♪

389
00:16:07,067 --> 00:16:08,435
♪ Mysterious music ♪

390
00:16:11,071 --> 00:16:12,372
[ Glass down ]

391
00:16:17,744 --> 00:16:21,181
‐ I was certain I'd blasted
that thing to smithereens.

392
00:16:21,481 --> 00:16:24,084
I still believe...

393
00:16:24,084 --> 00:16:25,385
‐ Where's Zooey?

394
00:16:26,053 --> 00:16:27,454
‐ I don't know.

395
00:16:31,391 --> 00:16:33,393
I sat down at my workbench,

396
00:16:35,229 --> 00:16:38,065
trying to figure out
how to integrate the...

397
00:16:39,533 --> 00:16:41,301
chopping mechanism
into an M. E. D.

398
00:16:43,470 --> 00:16:45,472
The next thing I knew, my‐‐

399
00:16:47,074 --> 00:16:50,244
My arms felt like they were
out of joint and‐‐

400
00:16:52,513 --> 00:16:54,748
Zooey was nowhere
to be found.

401
00:16:54,748 --> 00:16:56,216
‐ We are on lockdown.

402
00:16:56,216 --> 00:16:58,085
She is in this office.

403
00:16:58,085 --> 00:16:59,486
We'll find Zooey.

404
00:16:59,486 --> 00:17:02,756
‐ And we somehow need to
find the blades to a

405
00:17:02,756 --> 00:17:05,225
Karnaj model number 6800

406
00:17:05,225 --> 00:17:07,094
FYB food processor.

407
00:17:07,094 --> 00:17:08,395
‐ There's plenty
of time for that.

408
00:17:08,395 --> 00:17:10,063
‐ No!

409
00:17:10,063 --> 00:17:13,166
The demon focused
on those particular blades.

410
00:17:13,166 --> 00:17:15,736
It took a file
and dulled them

411
00:17:15,736 --> 00:17:17,237
Destroyed them!

412
00:17:18,071 --> 00:17:19,506
If it made that effort,

413
00:17:20,340 --> 00:17:22,075
there is something there.

414
00:17:24,211 --> 00:17:25,746
‐ Okay.

415
00:17:27,714 --> 00:17:29,349
You guys look for Zooey.

416
00:17:30,117 --> 00:17:33,053
And you keep an eye
on each other.

417
00:17:35,489 --> 00:17:37,191
[ Footsteps away ]

418
00:17:38,091 --> 00:17:39,459
‐ Luke,

419
00:17:41,295 --> 00:17:43,797
what if I did to her
what those...

420
00:17:43,797 --> 00:17:45,399
boys did to‐‐?

421
00:17:45,399 --> 00:17:47,067
‐ I can't.

422
00:17:48,735 --> 00:17:50,237
Hey. It's me.

423
00:17:50,504 --> 00:17:53,140
You know that 24‐hour
Sav‐Mor on Brighton?

424
00:17:53,140 --> 00:17:55,442
Yeah, the one across
from the park.

425
00:17:56,143 --> 00:17:59,346
Do you know if they have any
high‐end small appliances?

426
00:18:02,482 --> 00:18:04,351
‐ Elevators are
still locked down.

427
00:18:04,351 --> 00:18:06,053
Stairway door
shows locked.

428
00:18:07,487 --> 00:18:09,189
‐ Zooey!

429
00:18:09,189 --> 00:18:11,491
‐ I mean, it's
a small office.

430
00:18:11,491 --> 00:18:13,760
‐ Come on, Zooey,
quit screwing around!

431
00:18:33,347 --> 00:18:35,082
♪ Ominous music swell ♪

432
00:18:40,354 --> 00:18:41,755
‐ PHIL:
Anything?

433
00:18:41,755 --> 00:18:43,357
‐ Let's check his workshop.

434
00:18:46,093 --> 00:18:47,494
[ Thud ]

435
00:18:47,494 --> 00:18:49,229
♪ Eerie music ♪

436
00:18:49,229 --> 00:18:50,998
[ Squelching ]

437
00:18:56,503 --> 00:18:58,205
[ Animalistic growls ]

438
00:19:25,032 --> 00:19:26,400
‐ Augie.

439
00:19:26,400 --> 00:19:28,068
[ Fingers snapping ]

440
00:19:30,070 --> 00:19:31,738
‐ Any luck?
‐ No.

441
00:19:31,738 --> 00:19:33,340
‐ I've been texting her.
Nothing.

442
00:19:33,340 --> 00:19:35,342
‐ Not Zooey's style
to run away.

443
00:19:35,342 --> 00:19:37,277
‐ Maybe Zooey
wasn't driving.

444
00:19:37,277 --> 00:19:38,412
‐ I need to find her.

445
00:19:38,412 --> 00:19:39,479
‐ You stay where you are.

446
00:19:39,479 --> 00:19:42,316
‐ Luke, we need
to talk to you.

447
00:19:43,083 --> 00:19:44,451
Outside.

448
00:19:46,753 --> 00:19:49,223
‐ You can speak
in front of me.

449
00:19:49,223 --> 00:19:51,191
‐ We looked in
your workshop.

450
00:19:51,391 --> 00:19:53,093
The M. E. D is dismantled.

451
00:19:54,795 --> 00:19:58,265
‐ I told you, the Roadie
filed down the blades.

452
00:19:58,265 --> 00:20:01,034
‐ And what did
you do to Zooey?

453
00:20:02,069 --> 00:20:03,504
‐ Mm, guys, chill out.

454
00:20:03,504 --> 00:20:05,739
‐ Zooey!
‐ PHIL: Where the hell were you?

455
00:20:05,739 --> 00:20:08,141
‐ I was in the hallway.
‐ And before that?

456
00:20:08,141 --> 00:20:09,476
‐ Um...

457
00:20:09,743 --> 00:20:11,311
I was...

458
00:20:11,512 --> 00:20:13,213
Ooh.

459
00:20:14,214 --> 00:20:15,749
I was, um...

460
00:20:16,750 --> 00:20:19,186
Talking on the phone
with Jeffrey and...

461
00:20:20,387 --> 00:20:22,756
I think he broke up with me.

462
00:20:23,357 --> 00:20:25,092
‐ On the phone?

463
00:20:25,092 --> 00:20:26,059
‐ Classy.

464
00:20:26,059 --> 00:20:28,228
‐ Um, I think you're
automatically disqualified

465
00:20:28,228 --> 00:20:30,297
from commenting
on awkward breakups.

466
00:20:30,297 --> 00:20:33,233
Anyway, I was talking
on the phone with Jeffrey

467
00:20:33,233 --> 00:20:35,068
and then I was...

468
00:20:36,069 --> 00:20:37,471
outside the conference room.

469
00:20:37,471 --> 00:20:39,206
[ Phone dings and buzzes ]

470
00:20:39,206 --> 00:20:41,241
‐ Let me see your eyes.

471
00:20:41,241 --> 00:20:43,076
‐ It's too bright in here.
‐ I know.

472
00:20:43,076 --> 00:20:45,012
‐ It's a text from my mom.

473
00:20:45,012 --> 00:20:47,447
"Turn on the TV, local news,
channel seven."

474
00:20:52,386 --> 00:20:54,421
‐ REPORTER:
...where an unidentified couple

475
00:20:54,421 --> 00:20:57,090
are in critical condition
tonight,

476
00:20:57,090 --> 00:21:00,227
their two pre‐teen sons
in the care of social services

477
00:21:00,227 --> 00:21:03,497
following a confrontation that
occurred earlier this evening.

478
00:21:03,497 --> 00:21:06,400
Details are sketchy,
but early reports say that

479
00:21:06,400 --> 00:21:11,004
one or both sons are responsible
for their parents' injuries.

480
00:21:11,004 --> 00:21:14,474
However, Spotlight Seven
has discovered a strange link

481
00:21:14,474 --> 00:21:17,377
between tonight's incident
and a tragedy

482
00:21:17,377 --> 00:21:20,347
that occurred under a year ago.

483
00:21:20,347 --> 00:21:23,150
Questions still linger
about the explosion

484
00:21:23,150 --> 00:21:25,252
that caused the death
of the Travis family...

485
00:21:25,252 --> 00:21:26,787
‐ Oh, dear.

486
00:21:26,787 --> 00:21:28,355
‐ REPORTER:
...but we've discovered

487
00:21:28,355 --> 00:21:29,356
that both the Travises

488
00:21:29,356 --> 00:21:32,359
and the unidentified victims
of tonight's incident

489
00:21:32,359 --> 00:21:35,329
were clients of the same
shadowy real estate firm.

490
00:21:36,230 --> 00:21:38,765
‐ Um, we are
so not shadowy.

491
00:21:38,765 --> 00:21:41,201
‐ We're a little shadowy.

492
00:21:41,201 --> 00:21:42,736
‐ ...and the police
will not comment

493
00:21:42,736 --> 00:21:44,738
on the details
of tonight's incident

494
00:21:44,738 --> 00:21:47,074
or the Travis explosion.

495
00:21:47,074 --> 00:21:48,775
But does this
seeming coincidence

496
00:21:48,775 --> 00:21:50,777
raise some troubling questions

497
00:21:50,777 --> 00:21:53,514
for other clients
of the mysterious firm?

498
00:21:53,514 --> 00:21:55,482
Reporting live, I'm Mari‐‐

499
00:21:55,482 --> 00:21:57,985
[ Remote clatters on table ]

500
00:21:58,752 --> 00:22:00,254
‐ We're so screwed.

501
00:22:04,424 --> 00:22:06,126
♪ Mysterious waltz ♪

502
00:22:24,077 --> 00:22:25,512
♪ Ominous music ♪

503
00:22:26,346 --> 00:22:28,248
[ Struggling for breath ]

504
00:22:37,758 --> 00:22:39,226
‐ ALL:
No!

505
00:22:39,359 --> 00:22:41,361
‐ Nice to see you, too.

506
00:22:42,296 --> 00:22:43,497
‐ How'd you get in here?

507
00:22:43,497 --> 00:22:45,032
‐ The security guy
brought me up.

508
00:22:45,032 --> 00:22:46,099
He has a key.

509
00:22:46,099 --> 00:22:47,334
‐ The security guy has a key?

510
00:22:47,334 --> 00:22:50,070
‐ Yeah, I think they gave it to
him roughly around the same time

511
00:22:50,070 --> 00:22:52,206
they started calling him
"the security guy."

512
00:22:52,206 --> 00:22:54,208
‐ What's going on here?
‐ It's a long story.

513
00:22:54,208 --> 00:22:55,742
The punch line is you're
gonna be stuck in here

514
00:22:55,742 --> 00:22:57,211
with us for a while.
I'll explain in a minute.

515
00:22:57,211 --> 00:22:58,745
Is that the food processor?

516
00:22:58,745 --> 00:23:01,215
‐ Uh, the last one in stock!

517
00:23:01,215 --> 00:23:04,218
Plus I had a coupon
for ten percent off.

518
00:23:07,387 --> 00:23:09,356
‐ Model number 6800‐FYB.

519
00:23:10,023 --> 00:23:11,758
Brilliant.

520
00:23:11,758 --> 00:23:13,026
Thank you.

521
00:23:13,026 --> 00:23:15,095
‐ I, uh, hope the color's okay.

522
00:23:15,095 --> 00:23:16,396
‐ Lovely.

523
00:23:16,396 --> 00:23:19,399
‐ Are you going to
give it to somebody?

524
00:23:20,234 --> 00:23:22,202
‐ I'm certainly going to try.

525
00:23:22,202 --> 00:23:23,303
♪ Mysterious music ♪

526
00:23:26,006 --> 00:23:28,208
‐ So, if that machine
didn't work the first time,

527
00:23:28,208 --> 00:23:30,344
what makes you think
it's going to work now?

528
00:23:30,344 --> 00:23:33,080
‐ First, I maintain
that it did work.

529
00:23:34,014 --> 00:23:37,417
Second, on the remote
possibility that I am wrong,

530
00:23:37,417 --> 00:23:40,020
I am significantly
increasing the speed,

531
00:23:40,020 --> 00:23:41,455
efficiency

532
00:23:41,455 --> 00:23:44,258
and lethality of the device.

533
00:23:44,258 --> 00:23:45,759
‐ So...

534
00:23:46,493 --> 00:23:50,197
we never did deconstruct
that "needy" remark.

535
00:23:51,498 --> 00:23:54,735
‐ Well, perhaps I was commenting
on your apparent need

536
00:23:54,735 --> 00:23:56,737
to be with a certain...

537
00:23:56,737 --> 00:23:58,238
type.

538
00:23:58,238 --> 00:23:59,740
[ Scoffs ]

539
00:23:59,740 --> 00:24:03,043
‐ Okay, I do not have a type.

540
00:24:05,078 --> 00:24:09,149
I‐‐ Jeffrey was nothing
like A. J. who was nothing ‐‐

541
00:24:09,149 --> 00:24:10,484
nothing like Chris.

542
00:24:12,152 --> 00:24:14,354
‐ I stand corrected.

543
00:24:14,354 --> 00:24:16,089
[ August whistles happily ]

544
00:24:22,095 --> 00:24:26,133
‐ I mean, none of them had,
like, careers to speak of but,

545
00:24:26,133 --> 00:24:28,335
once again, that's not a type.

546
00:24:28,335 --> 00:24:31,271
A.J. was studying to
become a bartender.

547
00:24:31,271 --> 00:24:33,473
Took the exam, like,
three times.

548
00:24:33,473 --> 00:24:35,742
Always tripped up
on the mojito.

549
00:24:35,742 --> 00:24:36,910
So, I came up with this
secret phrase,

550
00:24:36,910 --> 00:24:39,479
it's like a memory aid for him
to remember the ingredients ‐‐

551
00:24:39,479 --> 00:24:42,482
rum, lime, mint,
club soda, sugar, ice...

552
00:24:42,482 --> 00:24:45,752
Real Life Murders,
Crime Scene Investigators.

553
00:24:45,752 --> 00:24:47,254
That's so simple, right?

554
00:24:48,222 --> 00:24:50,190
Mmm... Not for A. J.

555
00:24:50,490 --> 00:24:52,226
And Chris?

556
00:24:52,226 --> 00:24:53,527
Chris wrote poetry.

557
00:24:54,761 --> 00:24:55,796
Used to go on these huge rants

558
00:24:55,796 --> 00:25:00,133
about how social media
was commoditizing free verse.

559
00:25:00,133 --> 00:25:04,137
"If everything's a poem,
nothing's a poem."

560
00:25:04,137 --> 00:25:07,374
So, I suggested that maybe she
was better suited for something

561
00:25:07,374 --> 00:25:09,510
like construction.

562
00:25:09,510 --> 00:25:12,079
And let's just say
that ended badly.

563
00:25:13,747 --> 00:25:15,315
And Jeffrey...

564
00:25:16,750 --> 00:25:18,318
Jeffrey does stand‐up.

565
00:25:20,354 --> 00:25:22,289
Not very funny.

566
00:25:22,289 --> 00:25:23,991
Not intentionally, at least.

567
00:25:25,092 --> 00:25:28,529
‐ Would you, uh, mind handing me
that small Allen wrench?

568
00:25:35,469 --> 00:25:38,472
All I'm saying is that
you seem to need...

569
00:25:39,406 --> 00:25:41,108
projects rather than people.

570
00:25:42,442 --> 00:25:44,178
♪ Contemplative music ♪

571
00:25:44,478 --> 00:25:47,047
‐ That's a terrible
thing to say.

572
00:25:52,352 --> 00:25:54,488
‐ You should be with someone...

573
00:25:54,488 --> 00:25:56,223
wonderful.

574
00:25:56,523 --> 00:25:59,393
But such people are
available fully assembled.

575
00:26:00,260 --> 00:26:02,362
You needn't keep
acquiring them

576
00:26:02,362 --> 00:26:04,064
in kit form.

577
00:26:13,740 --> 00:26:15,309
‐ I'm not needy.

578
00:26:16,210 --> 00:26:18,045
You're needy.

579
00:26:19,780 --> 00:26:21,348
[ Chuckles quietly ]

580
00:26:25,352 --> 00:26:27,221
♪ Music fades out ♪

581
00:26:27,221 --> 00:26:28,755
‐ MEGAN:
I can't believe it.

582
00:26:28,755 --> 00:26:30,257
‐ LUKE:
What?

583
00:26:31,225 --> 00:26:33,126
‐ That I believe it.

584
00:26:33,493 --> 00:26:35,762
‐ More things than
heaven and earth, Horatio.

585
00:26:35,762 --> 00:26:37,231
♪ Gentle music ♪

586
00:26:37,231 --> 00:26:39,199
‐ I'm a science girl, Luke.

587
00:26:39,499 --> 00:26:43,303
This haunted house demon stuff
is really a leap for me.

588
00:26:45,005 --> 00:26:47,474
The Travis thing,
that really bothers you.

589
00:26:50,744 --> 00:26:52,312
So, what
really happened?

590
00:26:54,114 --> 00:26:55,482
‐ I got sloppy.

591
00:26:57,217 --> 00:26:58,585
Complacent.

592
00:26:59,219 --> 00:27:00,521
Naive.

593
00:27:01,722 --> 00:27:05,592
I was so eager to believe that
everything would be all right

594
00:27:06,326 --> 00:27:09,096
that I ignored
that voice in my ear.

595
00:27:09,263 --> 00:27:10,764
It's just, I'm‐‐

596
00:27:12,766 --> 00:27:14,301
You already know this...

597
00:27:15,469 --> 00:27:18,338
I have this kind of connection
to these things all my life.

598
00:27:19,139 --> 00:27:22,176
I don't just see them,
I can feel them.

599
00:27:22,509 --> 00:27:24,511
And I can talk to them.

600
00:27:25,078 --> 00:27:28,482
And I can hear them talk
to me, if I listen.

601
00:27:30,117 --> 00:27:31,485
Sometimes people around me,

602
00:27:33,086 --> 00:27:34,454
they can see them.

603
00:27:35,088 --> 00:27:36,490
They can talk to them

604
00:27:37,257 --> 00:27:38,992
just because I'm there.

605
00:27:39,226 --> 00:27:42,196
‐ So, then, what happened
at the Travis house?

606
00:27:45,098 --> 00:27:47,034
‐ I didn't listen
close enough.

607
00:27:47,367 --> 00:27:49,069
‐ SUSAN:
What a waste.

608
00:27:49,736 --> 00:27:51,238
‐ Excuse me?

609
00:27:52,339 --> 00:27:54,041
‐ God, look at you.

610
00:27:54,408 --> 00:27:56,109
You're so smart.

611
00:27:56,743 --> 00:27:58,445
Fairly well‐adjusted,
all things considered.

612
00:27:59,479 --> 00:28:01,181
Objectively attractive.

613
00:28:02,216 --> 00:28:06,053
But you are just like these
houses we're trying to sell.

614
00:28:06,220 --> 00:28:07,754
Damaged.

615
00:28:08,222 --> 00:28:09,790
Horribly damaged.

616
00:28:09,790 --> 00:28:11,458
‐ Susan!

617
00:28:11,758 --> 00:28:13,493
‐ Oh, come on!

618
00:28:13,493 --> 00:28:16,296
You go from that Brock guy
to Luke here?

619
00:28:16,296 --> 00:28:19,099
You are the luckiest woman
on the planet.

620
00:28:20,367 --> 00:28:22,336
You should be
buying lotto tickets.

621
00:28:25,472 --> 00:28:27,241
What?

622
00:28:27,241 --> 00:28:29,142
‐ You guys okay?

623
00:28:29,142 --> 00:28:32,212
‐ Well, Roadies seldom occupy
the same individual twice.

624
00:28:33,013 --> 00:28:36,216
‐ August, Zooey, is the Roadie
inside either of you?

625
00:28:37,084 --> 00:28:39,319
‐ What?
‐ Just answer the question.

626
00:28:41,288 --> 00:28:43,090
‐ BOTH:
No.

627
00:28:43,090 --> 00:28:44,791
‐ How about you?
‐ No.

628
00:28:44,791 --> 00:28:46,994
‐ Megan?
‐ Of course not.

629
00:28:49,096 --> 00:28:50,464
‐ Susan?

630
00:28:50,764 --> 00:28:52,366
‐ Come on, it's not
going to just tell you.

631
00:28:52,366 --> 00:28:54,334
‐ It's this old
Nordic legend I found‐‐

632
00:28:54,334 --> 00:28:56,270
a demon called a Tregastar.

633
00:28:56,270 --> 00:28:58,472
When this thing
takes you over,

634
00:28:58,472 --> 00:29:00,174
you say

635
00:29:00,340 --> 00:29:02,342
what you feel

636
00:29:02,342 --> 00:29:04,011
and you cannot lie.

637
00:29:05,012 --> 00:29:07,047
‐ Were you always this dorky?

638
00:29:07,347 --> 00:29:09,216
Or was that something
that happened

639
00:29:09,216 --> 00:29:10,517
when you and God broke up?

640
00:29:10,517 --> 00:29:13,220
‐ Susan, is it inside you?!

641
00:29:13,220 --> 00:29:15,222
[ Demonic growl ]

642
00:29:15,222 --> 00:29:17,024
‐ PHIL:
Ah! Oh!

643
00:29:17,024 --> 00:29:18,325
♪ Edgy music ♪

644
00:29:19,092 --> 00:29:21,495
‐ The house!
You live in the house!

645
00:29:21,495 --> 00:29:23,096
‐ Screw this.

646
00:29:23,096 --> 00:29:24,364
‐ The wonderful house.

647
00:29:24,364 --> 00:29:26,133
‐ Ah!

648
00:29:26,133 --> 00:29:27,434
[ Growling ]

649
00:29:27,734 --> 00:29:29,269
‐ Get off!

650
00:29:31,238 --> 00:29:33,073
Get her off of me!

651
00:29:33,073 --> 00:29:34,374
[ Growling ]

652
00:29:38,145 --> 00:29:41,381
[ Growling stops ]
[ Susan thuds to floor ]

653
00:29:41,381 --> 00:29:43,183
[ Device powers up ]

654
00:29:44,251 --> 00:29:45,752
[ Device powers down ]

655
00:29:45,752 --> 00:29:47,754
♪ Exciting music ends ♪

656
00:29:47,754 --> 00:29:49,423
‐ SUSAN:
Oh, my god!

657
00:29:49,423 --> 00:29:52,459
‐ Where is it, Augie?
Did we get it?

658
00:29:52,759 --> 00:29:54,761
‐ It rests in pieces.

659
00:29:54,761 --> 00:29:56,363
[ Panting ]

660
00:29:56,363 --> 00:29:58,098
♪ Gentle music ♪

661
00:29:59,499 --> 00:30:03,036
‐ Put it up on the scope
and make sure.

662
00:30:06,240 --> 00:30:07,708
[ Beep]

663
00:30:07,708 --> 00:30:10,344
‐ We got five green.
We're all good.

664
00:30:11,011 --> 00:30:12,513
‐ Nice work.

665
00:30:12,513 --> 00:30:14,081
‐ Ow!

666
00:30:14,081 --> 00:30:16,483
‐ Yeah, there's gonna be
some residual stiffness.

667
00:30:16,483 --> 00:30:19,152
After having that thing bounce
around inside you a while.

668
00:30:19,152 --> 00:30:23,056
‐ No... kidding. This must be
what it feels like to be 30.

669
00:30:23,056 --> 00:30:24,324
[ Silence ]

670
00:30:24,324 --> 00:30:26,059
Ohh.

671
00:30:28,428 --> 00:30:31,231
I seriously need to sleep
for, like, two days.

672
00:30:31,231 --> 00:30:32,332
‐ Okay, I gotta
get outta here.

673
00:30:32,332 --> 00:30:36,036
‐ Zooey, call down and
have them unlock the elevator.

674
00:30:38,071 --> 00:30:39,373
‐ Oh, yeah. Um...

675
00:30:40,073 --> 00:30:41,375
One thing.

676
00:30:42,209 --> 00:30:45,512
So, just before we all
group hug and go home,

677
00:30:46,313 --> 00:30:48,115
can we just acknowledge that

678
00:30:48,482 --> 00:30:50,150
some of us...

679
00:30:50,150 --> 00:30:51,251
♪ Emotional music ♪

680
00:30:51,251 --> 00:30:54,488
said some really hurtful
shit tonight and meant it?

681
00:31:00,027 --> 00:31:03,063
‐ We've been in each other's
faces all night and you‐‐

682
00:31:03,497 --> 00:31:05,232
probably had enough of me.

683
00:31:08,068 --> 00:31:10,470
Last thing you all
need to do is

684
00:31:10,470 --> 00:31:12,472
go to some stupid
banquet tomorrow.

685
00:31:15,008 --> 00:31:16,343
‐ It's tonight.

686
00:31:24,084 --> 00:31:25,452
‐ Sorry.

687
00:31:47,307 --> 00:31:49,042
♪ Thumping party music ♪

688
00:31:49,042 --> 00:31:50,410
[ Indistinct conversations ]

689
00:32:00,754 --> 00:32:02,756
‐ RITA WEISS:
Is that her mother?

690
00:32:02,756 --> 00:32:04,725
It's got to be her mother.

691
00:32:07,361 --> 00:32:10,230
None of the others had
the guts to show their faces.

692
00:32:10,230 --> 00:32:11,331
‐ BOB LIVINGSTON:
I think that's best.

693
00:32:11,331 --> 00:32:12,366
‐ But, Bob, seriously,

694
00:32:12,366 --> 00:32:15,002
who brings their mother
to one of these things?

695
00:32:15,002 --> 00:32:17,304
‐ Leo DiCaprio brought
his mom to the Oscars.

696
00:32:17,304 --> 00:32:20,440
‐ Leonardo DiCaprio
was king of the world.

697
00:32:20,440 --> 00:32:24,411
Susan Ireland is, basically,
Daphne in Scooby Doo.

698
00:32:24,411 --> 00:32:26,146
‐ Well, they did
give our industry

699
00:32:26,146 --> 00:32:28,148
a huge slap
in the face.

700
00:32:28,148 --> 00:32:30,751
‐ Can we just...
not hand out the award?

701
00:32:30,751 --> 00:32:32,452
‐ STACEY:
Not an option.

702
00:32:32,452 --> 00:32:34,221
‐ Well, perhaps
I can talk to her.

703
00:32:34,221 --> 00:32:36,423
We used to be, uh...

704
00:32:36,423 --> 00:32:38,158
‐ Colleagues.
‐ Mmm.

705
00:32:38,158 --> 00:32:40,060
‐ STACEY:
And what are you going to say?

706
00:32:40,060 --> 00:32:43,163
‐ I'll ask her to keep it
brief and tasteful.

707
00:32:43,163 --> 00:32:44,698
She'll listen to me.

708
00:32:44,698 --> 00:32:47,267
I'm a bit of a mentor.

709
00:32:47,267 --> 00:32:48,969
‐ Mm.

710
00:32:49,403 --> 00:32:51,071
‐ BOTH:
Mentor.

711
00:32:54,174 --> 00:32:57,177
‐ Oh, go easy, honey.
Remember, you're speaking soon.

712
00:32:57,444 --> 00:33:00,414
‐ I'm targeting that fine line
that separates relaxed and witty

713
00:33:00,414 --> 00:33:02,282
from actually
opening with a dick joke.

714
00:33:02,282 --> 00:33:04,284
‐ I hope you hit it.

715
00:33:05,052 --> 00:33:06,286
‐ Susan,

716
00:33:06,286 --> 00:33:07,988
you look radiant.

717
00:33:08,222 --> 00:33:09,723
A vision.

718
00:33:10,224 --> 00:33:11,425
‐ How are you, Bob?

719
00:33:11,425 --> 00:33:13,227
‐ Fantastic!

720
00:33:13,227 --> 00:33:15,529
And this must be
your sister?

721
00:33:17,030 --> 00:33:18,398
‐ My mom, Constance.

722
00:33:19,466 --> 00:33:21,168
Mom, Bob Livingston.

723
00:33:22,002 --> 00:33:23,704
He's the guy who stepped out
of the left‐hand tub

724
00:33:23,704 --> 00:33:25,305
in that boner pill commercial.

725
00:33:25,739 --> 00:33:28,175
‐ So much for that fine line.

726
00:33:29,142 --> 00:33:30,978
‐ What a magical evening.

727
00:33:31,211 --> 00:33:34,248
Susan, could I borrow you
for half a shake?

728
00:33:38,318 --> 00:33:39,686
‐ Yep.

729
00:33:39,686 --> 00:33:41,188
‐ Great.

730
00:33:42,689 --> 00:33:44,725
A pleasure to meet you,
Constance.

731
00:33:45,759 --> 00:33:47,995
‐ Die in a fire, Bob.

732
00:33:54,234 --> 00:33:55,669
‐ BOB:
How you doin'?

733
00:33:55,669 --> 00:33:57,104
♪ Gentle music ♪

734
00:33:57,104 --> 00:33:58,739
You know, we were
all very surprised

735
00:33:58,739 --> 00:34:01,175
when you took the job
with Roman.

736
00:34:01,175 --> 00:34:02,709
It's so...

737
00:34:03,210 --> 00:34:04,678
Off‐brand.

738
00:34:04,678 --> 00:34:06,713
Running around with
that bunch of misfits.

739
00:34:06,713 --> 00:34:08,215
You're too good for this.

740
00:34:08,215 --> 00:34:09,683
‐ You fired me, Bob.

741
00:34:09,683 --> 00:34:10,918
I obviously wasn't
too good for that.

742
00:34:10,918 --> 00:34:14,154
‐ Yeah, well that was because
of my wife and she insisted.

743
00:34:14,154 --> 00:34:16,423
‐ Oh, yeah, how is Twyla?
I saw her in here earlier,

744
00:34:16,423 --> 00:34:19,726
checking that big fur coat
made from Dalmatian puppies.

745
00:34:22,196 --> 00:34:24,031
‐ I was hoping we could
keep this civil.

746
00:34:24,031 --> 00:34:26,366
Look, I'm just here as a friend
to ask you to keep your comments

747
00:34:26,366 --> 00:34:28,335
brief and tasteful.

748
00:34:28,335 --> 00:34:31,738
And not to reference your
current employer or his,

749
00:34:31,738 --> 00:34:33,740
you know, band of weirdos.

750
00:34:33,740 --> 00:34:35,409
‐ It's my agency.

751
00:34:35,409 --> 00:34:37,077
And those are my friends.

752
00:34:37,077 --> 00:34:38,478
‐ Oh.

753
00:34:38,478 --> 00:34:40,180
Yeah?

754
00:34:40,681 --> 00:34:42,149
Why aren't they here?

755
00:34:42,149 --> 00:34:43,517
To support you.

756
00:34:45,419 --> 00:34:47,321
I'm here, as a friend,

757
00:34:48,222 --> 00:34:50,224
asking you to please,

758
00:34:50,224 --> 00:34:52,359
please don't
embarrass yourself.

759
00:34:52,359 --> 00:34:54,161
And the rest of us.

760
00:34:55,696 --> 00:34:57,197
And Susan...

761
00:34:58,298 --> 00:35:00,033
Congrats!

762
00:35:08,008 --> 00:35:09,443
♪ Dance music ♪

763
00:35:20,020 --> 00:35:21,321
‐ Are you okay?

764
00:35:21,321 --> 00:35:23,056
‐ STACEY:
Good evening!

765
00:35:23,056 --> 00:35:26,059
Everyone, please
return to your seats.

766
00:35:26,059 --> 00:35:27,694
[ Light conversations ]

767
00:35:29,730 --> 00:35:31,298
Good evening

768
00:35:31,298 --> 00:35:35,669
and welcome to the awards
portion of our program.

769
00:35:35,669 --> 00:35:37,171
[ Applause ]

770
00:35:39,139 --> 00:35:41,308
Ladies and gentlemen,

771
00:35:41,308 --> 00:35:42,776
please join me in‐‐

772
00:35:42,776 --> 00:35:44,444
[ Door opens loudly ]

773
00:35:47,114 --> 00:35:48,448
♪ Funky music ♪

774
00:35:53,720 --> 00:35:55,255
‐ God.

775
00:36:08,402 --> 00:36:10,103
‐ Sorry we're late.

776
00:36:13,140 --> 00:36:15,309
You were right about
the personal maintenance.

777
00:36:16,677 --> 00:36:18,278
‐ Yeah.

778
00:36:19,346 --> 00:36:22,149
‐ As I was saying,
please join me...

779
00:36:22,149 --> 00:36:23,183
‐ Hey.
‐ Hey.

780
00:36:23,183 --> 00:36:26,753
‐ ...in welcoming the new
eight‐time laureate

781
00:36:26,753 --> 00:36:29,289
of the Platinum Ring of Esteem

782
00:36:29,289 --> 00:36:33,227
and the recipient of
our special award

783
00:36:33,227 --> 00:36:37,097
for lifetime achievement
in the real estate arts

784
00:36:37,097 --> 00:36:39,266
and sciences...

785
00:36:39,266 --> 00:36:41,134
Susan Ireland!

786
00:36:41,134 --> 00:36:42,469
♪ Uplifting music ♪

787
00:36:42,469 --> 00:36:44,271
[ Whoops and cheers ]

788
00:36:59,720 --> 00:37:01,722
[ Applause and cheers continue ]

789
00:37:05,225 --> 00:37:08,495
‐ Have none of these people
seen the movie "Carrie"?

790
00:37:08,495 --> 00:37:11,064
[ Music and applause fade out ]

791
00:37:15,702 --> 00:37:17,471
‐ Thank you.

792
00:37:17,471 --> 00:37:20,707
There are many people
I want to acknowledge.

793
00:37:20,707 --> 00:37:24,077
My mom, who is here.

794
00:37:24,077 --> 00:37:26,213
My dad, who isn't,

795
00:37:26,213 --> 00:37:28,448
although I kinda
feel like he is.

796
00:37:30,050 --> 00:37:32,452
I hope he'd have
made time for it.

797
00:37:35,055 --> 00:37:36,690
My current colleagues:

798
00:37:36,690 --> 00:37:40,160
Luke, Phil, August and Zooey,

799
00:37:40,160 --> 00:37:42,296
who gave me a work‐home.

800
00:37:42,296 --> 00:37:44,031
My former colleagues,

801
00:37:44,031 --> 00:37:46,166
who made me realize
I deserved one.

802
00:37:46,166 --> 00:37:47,434
[ Snorts ]

803
00:37:48,068 --> 00:37:50,304
‐ Hope they're wearing
their asbestos underwear.

804
00:37:51,171 --> 00:37:53,740
‐ But I want to thank
all of you, too,

805
00:37:53,740 --> 00:37:56,476
for believing in...

806
00:37:56,476 --> 00:37:58,178
something.

807
00:37:58,345 --> 00:38:00,047
Anything.

808
00:38:00,280 --> 00:38:03,217
Some of you believe in me,
and for that I am

809
00:38:03,217 --> 00:38:05,219
more grateful
than you could know.

810
00:38:05,219 --> 00:38:07,087
♪ Emotional music ♪

811
00:38:07,087 --> 00:38:09,323
Some of you believe
in other things.

812
00:38:10,691 --> 00:38:12,192
Odd things,

813
00:38:12,659 --> 00:38:14,261
amazing things,
beyond imagination.

814
00:38:16,463 --> 00:38:18,198
You've opened my mind

815
00:38:19,166 --> 00:38:21,168
and that's never a bad thing.

816
00:38:22,736 --> 00:38:25,138
But, most of all,
I want to thank you ‐‐

817
00:38:25,138 --> 00:38:27,708
all of you,
everyone in this room,

818
00:38:28,175 --> 00:38:29,977
for believing in this business.

819
00:38:31,144 --> 00:38:32,446
Our business.

820
00:38:33,747 --> 00:38:35,349
The good we do,

821
00:38:35,349 --> 00:38:39,186
helping people move on
and find their way home.

822
00:38:41,755 --> 00:38:43,423
Thank you.

823
00:38:43,423 --> 00:38:45,192
[ Cheers and applause ]

824
00:38:56,069 --> 00:38:57,437
[ Whoosh ]

825
00:38:58,739 --> 00:39:00,474
‐ Oh!
‐ Ah!

826
00:39:00,474 --> 00:39:02,209
[ Crowd reaction]

827
00:39:14,521 --> 00:39:17,191
‐ ANTHONY:
The adoption police
loved us.
They weren't mean at all.

828
00:39:17,191 --> 00:39:18,258
They just wanted
to check us out.

829
00:39:18,258 --> 00:39:22,162
You know, get our views on
education and nutrition.

830
00:39:22,162 --> 00:39:23,530
Running with scissors.

831
00:39:23,697 --> 00:39:24,965
‐ So, what's next?

832
00:39:24,965 --> 00:39:27,401
‐ Well, there's still a lot of
flaming hoops to jump through,

833
00:39:27,401 --> 00:39:29,336
but so far so good.

834
00:39:30,437 --> 00:39:32,139
‐ What's wrong?

835
00:39:33,340 --> 00:39:35,475
‐ There's just something
about last night.

836
00:39:35,475 --> 00:39:37,477
Can't put my finger on it.

837
00:39:38,612 --> 00:39:40,314
‐ Hm.

838
00:39:42,616 --> 00:39:44,484
‐ You were great.

839
00:39:51,525 --> 00:39:53,527
‐ Hey. Thank you
for coming.

840
00:39:55,195 --> 00:39:57,197
‐ That was a fine speech.

841
00:39:57,497 --> 00:40:00,601
What you said about
belief, believing...

842
00:40:00,601 --> 00:40:01,668
Very true.

843
00:40:01,668 --> 00:40:03,370
‐ Mm‐hm.

844
00:40:03,604 --> 00:40:06,173
‐ But the truth isn't
always welcome, is it?

845
00:40:06,173 --> 00:40:07,574
♪ Thumping music
from Zooey's car ♪

846
00:40:07,574 --> 00:40:09,576
It often comes with a cost.

847
00:40:11,345 --> 00:40:13,213
‐ Get in, Mister Needy.

848
00:40:13,213 --> 00:40:15,682
‐ I think I shall be
paying for it for a while.

849
00:40:15,682 --> 00:40:17,384
‐ Hm.

850
00:40:25,125 --> 00:40:26,527
‐ Hey, Susan!

851
00:40:27,427 --> 00:40:29,229
You were pretty badass tonight.

852
00:40:29,229 --> 00:40:30,631
[ Chuckles ]

853
00:40:38,438 --> 00:40:40,174
♪ Gentle music ♪

854
00:40:40,174 --> 00:40:42,075
‐ You really
didn't have to come.

855
00:40:42,075 --> 00:40:43,644
‐ Yeah, we really did.

856
00:40:45,612 --> 00:40:47,481
‐ What are we gonna do?

857
00:40:47,481 --> 00:40:49,516
That news story's
gonna kill us.

858
00:40:52,085 --> 00:40:53,520
‐ We'll figure it out.

859
00:40:55,689 --> 00:40:57,658
‐ I just...

860
00:40:57,658 --> 00:41:00,460
I always try so hard
to be positive.

861
00:41:01,295 --> 00:41:04,131
To make people feel good
and like me.

862
00:41:05,132 --> 00:41:08,235
But I don't always say
everything I'm thinking.

863
00:41:09,069 --> 00:41:10,537
‐ I mean, who does?

864
00:41:11,171 --> 00:41:12,506
But, Susan,

865
00:41:13,607 --> 00:41:15,309
on your worst day,

866
00:41:16,210 --> 00:41:17,544
I like you a lot.

867
00:41:17,544 --> 00:41:19,246
[ Laughs ]

868
00:41:22,482 --> 00:41:24,251
‐ Still think she's lucky.

869
00:41:24,484 --> 00:41:26,220
[ Quiet chuckles ]

870
00:41:31,225 --> 00:41:32,559
Thank you.

871
00:41:35,495 --> 00:41:37,698
‐ Hey! So, where to now?

872
00:41:37,698 --> 00:41:39,399
Wanna grab a bite?

873
00:41:41,335 --> 00:41:43,337
‐ I want to go home.

874
00:41:43,637 --> 00:41:46,440
‐ You want to go
to my place?

875
00:41:46,440 --> 00:41:48,342
‐ Mine.

876
00:41:48,342 --> 00:41:49,710
My place.

877
00:41:51,178 --> 00:41:52,513
‐ I don't‐‐

878
00:41:53,213 --> 00:41:55,415
Why do you want to go there?
I mean, we agreed...

879
00:41:55,415 --> 00:41:57,351
I didn't‐‐

880
00:41:57,351 --> 00:41:59,286
[ Uber car arrived chime ]

881
00:42:00,087 --> 00:42:01,522
Did you call an Uber?

882
00:42:04,291 --> 00:42:06,093
Megan?

883
00:42:06,093 --> 00:42:07,427
♪ Mysterious music ♪

884
00:42:09,696 --> 00:42:11,398
Megan, what's going on?

885
00:42:18,172 --> 00:42:19,506
‐ How are we tonight?

886
00:42:21,241 --> 00:42:22,609
‐ We are wonderful.

887
00:42:28,615 --> 00:42:30,584
[ Animalistic growl ]

888
00:42:30,584 --> 00:42:32,286
[ Squelching ]

889
00:42:33,120 --> 00:42:35,122
(Demonic voice)
Now take us home.

890
00:42:37,658 --> 00:42:39,459
[ Car engine revving ]

891
00:42:41,094 --> 00:42:43,263
♪ Closing credit theme ♪


