1
00:00:22,823 --> 00:00:25,559
DO YOU THINK ABOUT
YOUR CHILDHOOD OFTEN?

2
00:00:28,829 --> 00:00:31,765
I THINK
ABOUT MINE

3
00:00:31,799 --> 00:00:34,635
WHEN THE
GOING GETS ROUGH.

4
00:00:34,668 --> 00:00:37,405
I THINK ABOUT
MY CHILDHOOD

5
00:00:37,438 --> 00:00:40,741
AT THE
STRANGEST TIMES.

6
00:00:40,774 --> 00:00:47,815
DO YOU, UH, THINK
ABOUT YOUR CHILDHOOD?

7
00:00:47,848 --> 00:00:49,150
DO YOU?

8
00:00:49,183 --> 00:00:52,820
*

9
00:00:52,853 --> 00:00:56,324
* PRAISE THE LORD AND
PASS THE AMMUNITION *

10
00:00:56,357 --> 00:00:59,860
* PRAISE THE LORD AND PASS
THE AMMUNITION *

11
00:00:59,893 --> 00:01:03,197
* PRAISE THE LORD AND
PASS THE AMMUNITION *

12
00:01:03,231 --> 00:01:07,635
* AND WE'LL
ALL STAY FREE *

13
00:01:07,668 --> 00:01:11,139
* PRAISE THE LORD AND
SWING INTO POSITION *

14
00:01:11,172 --> 00:01:14,675
* CAN'T AFFORD TO
BE A POLITICIAN *

15
00:01:14,708 --> 00:01:18,212
* PRAISE THE LORD WE'RE
ALL BETWEEN PERDITION *

16
00:01:18,246 --> 00:01:21,882
* AND THE DEEP
BLUE SEA *

17
00:01:21,915 --> 00:01:23,684
* YES, THE SKY
PILOT SAID IT *

18
00:01:23,717 --> 00:01:25,753
* YOU GOTTA
GIVE HIM CREDIT *

19
00:01:25,786 --> 00:01:29,257
* FOR A SON OF A GUN
OF A GUNNER WAS HE *

20
00:01:29,290 --> 00:01:31,392
* SHOUTING
PRAISE THE LORD *

21
00:01:31,425 --> 00:01:33,394
* WE'RE ON A
MIGHTY MISSION *

22
00:01:33,427 --> 00:01:37,131
* ALL ABOARD, WE
AIN'T A-GOING FISHIN' *

23
00:01:37,165 --> 00:01:40,401
* PRAISE THE LORD AND
PASS THE AMMUNITION *

24
00:01:40,434 --> 00:01:44,138
* AND WE'LL ALL
STAY FREE *

25
00:01:44,172 --> 00:01:54,182
*

26
00:01:54,215 --> 00:02:04,258
*

27
00:02:04,258 --> 00:02:14,168
*

28
00:02:14,202 --> 00:02:27,281
*

29
00:02:27,315 --> 00:02:29,683
* PRAISE THE LORD
(PRAISE THE LORD) *

30
00:02:29,717 --> 00:02:31,419
* AND PASS
THE AMMUNITION *

31
00:02:31,452 --> 00:02:33,287
* PRAISE THE LORD
(PRAISE THE LORD) *

32
00:02:33,321 --> 00:02:34,722
* AND PASS
THE AMMUNITION *

33
00:02:34,755 --> 00:02:36,824
* PRAISE THE LORD
(PRAISE THE LORD) *

34
00:02:36,857 --> 00:02:38,526
* AND PASS
THE AMMUNITION *

35
00:02:38,559 --> 00:02:42,596
* AND WE'LL
ALL STAY FREE *

36
00:02:42,630 --> 00:02:46,767
* PRAISE THE LORD AND
PASS THE AMMUNITION *

37
00:02:46,800 --> 00:02:50,538
* PRAISE THE LORD AND PASS
THE AMMUNITION *

38
00:02:50,571 --> 00:02:53,474
* PRAISE THE LORD AND
PASS THE AMMUNITION *

39
00:02:53,507 --> 00:03:03,751
* AND WE'LL ALL
STAY FREE-EE *

40
00:03:03,784 --> 00:03:06,287
WE GO NOW TO
THE WHITE HOUSE

41
00:03:06,320 --> 00:03:09,390
AND THE PRESIDENT OF
THE UNITED STATES.

42
00:03:09,423 --> 00:03:11,559
NIXON:
GOOD EVENING.

43
00:03:11,592 --> 00:03:14,595
I HAVE ASKED FOR THIS
RADIO AND TELEVISION TIME

44
00:03:14,628 --> 00:03:17,731
TONIGHT FOR THE
PURPOSE OF ANNOUNCING

45
00:03:17,765 --> 00:03:20,834
THAT WE TODAY HAVE
CONCLUDED AN AGREEMENT

46
00:03:20,868 --> 00:03:24,572
TO END THE WAR AND
BRING PEACE WITH HONOR

47
00:03:24,605 --> 00:03:27,675
IN VIETNAM AND IN
SOUTHEAST ASIA.

48
00:03:27,708 --> 00:03:29,643
THE FOLLOWING
STATEMENT IS BEING

49
00:03:29,677 --> 00:03:32,680
ISSUED AT THIS MOMENT IN
WASHINGTON AND HANOI.

50
00:03:32,713 --> 00:03:37,017
AT 12:30 PARIS TIME
TODAY, JANUARY 23, 1973,

51
00:03:37,050 --> 00:03:39,019
THE AGREEMENT
ON ENDING THE WAR

52
00:03:39,052 --> 00:03:40,954
AND RESTORING
PEACE IN VIETNAM

53
00:03:40,988 --> 00:03:42,923
WAS INITIALED BY
DR. HENRY KISSINGER

54
00:03:42,956 --> 00:03:44,658
ON BEHALF OF THE
UNITED STATES

55
00:03:44,692 --> 00:03:46,660
AND SPECIAL ADVISOR
LE DUC THO ON BEHALF

56
00:03:46,694 --> 00:03:48,796
OF THE DEMOCRATIC
REPUBLIC OF VIETNAM.

57
00:03:48,829 --> 00:03:50,998
THE AGREEMENT WILL BE
FORMALLY SIGNED BY THE

58
00:03:51,031 --> 00:03:53,401
PARTIES PARTICIPATING IN
THE PARIS CONFERENCE

59
00:03:53,434 --> 00:03:56,504
ON VIETNAM ON
JANUARY 27, 1973

60
00:03:56,537 --> 00:03:58,872
AT THE INTERNATIONAL
CONFERENCE CENTER IN PARIS.

61
00:03:58,906 --> 00:04:00,708
YOU'RE
COLLECTING ME?

62
00:04:00,741 --> 00:04:02,510
THAT'S FOUR TIMES!

63
00:04:02,543 --> 00:04:04,578
ADD TEN DOLLARS
TO YOUR SALARY!

64
00:04:04,612 --> 00:04:08,582
HEY! 1938,
CINCINNATI REDS.

65
00:04:08,616 --> 00:04:11,985
BACK TO BACK
NO-HITTERS IN '38.

66
00:04:12,019 --> 00:04:14,054
PITCHES A
SECOND NO-HITTER.

67
00:04:14,087 --> 00:04:16,357
FIRST NIGHT GAME,
THERE'S A LAUNDRY

68
00:04:16,390 --> 00:04:18,292
BEHIND LEFT
FIELD-

69
00:04:18,326 --> 00:04:19,727
WHAT'S THE
MATTER WITH HIM?

70
00:04:22,530 --> 00:04:23,797
OKAY, YOUR TURN.

71
00:04:23,831 --> 00:04:25,466
NO, I DON'T
WANT TO ANSWER.

72
00:04:25,499 --> 00:04:27,568
THEN WE HAVE A
RIGHT-HANDED PITCHER

73
00:04:27,601 --> 00:04:29,970
NAMED MURRY
DICKSON, RIGHT?

74
00:04:30,003 --> 00:04:31,805
SECOND BASEMAN.

75
00:04:31,839 --> 00:04:34,708
RIGHT, OKAY,
SHORTSTOP?

76
00:04:34,742 --> 00:04:36,310
SLATS
MARTY MARION.

77
00:04:36,344 --> 00:04:37,811
RIGHT. AND
THIRD BASEMAN,

78
00:04:37,845 --> 00:04:39,347
I MENTIONED
HIM BEFORE.

79
00:04:39,380 --> 00:04:40,981
WHITEY KUROWSKI -
HAD A BAD LEFT ELBOW.

80
00:04:41,014 --> 00:04:41,949
RIGHT.

81
00:04:41,982 --> 00:04:43,317
DO YOU MIND?

82
00:04:43,351 --> 00:04:44,352
NO.

83
00:04:45,619 --> 00:04:47,621
WHAT DO YOU
GOT IN THE BAG?

84
00:04:49,923 --> 00:04:51,792
WHAT YOU GOT
IN THE BAG?

85
00:04:51,825 --> 00:04:53,293
A SURPRISE.

86
00:04:56,397 --> 00:04:59,400
1947. WE'RE AT
YANKEE STADIUM.

87
00:05:03,771 --> 00:05:06,974
THE KIND OF WOMAN I COULD
NEVER GET MY HANDS ON,

88
00:05:07,007 --> 00:05:08,709
YOU KNOW
WHAT I MEAN?

89
00:05:08,742 --> 00:05:11,345
YOU KNOW
WHY THAT IS?

90
00:05:11,379 --> 00:05:13,013
BIG BROADCASTER
NOW...

91
00:05:13,046 --> 00:05:14,615
BALD-HEADED
MAN.

92
00:05:14,648 --> 00:05:16,950
HA HA! JOE
GARAGIOLA!

93
00:05:16,984 --> 00:05:18,752
AT FIRST BASE WE
HAVE STAN MUSIAL.

94
00:05:18,786 --> 00:05:20,053
ON AND
OFF, NOT...

95
00:05:20,087 --> 00:05:22,956
AND IN LEFT FIELD
WE HAVE STAN MUSIAL.

96
00:05:22,990 --> 00:05:24,692
MAN WITH A
GOOD ARM.

97
00:05:24,725 --> 00:05:26,560
(TRAIN HONKING)

98
00:05:26,594 --> 00:05:27,861
ARE YOU RICH?

99
00:05:27,895 --> 00:05:30,798
(TRAIN HONKING)

100
00:05:30,831 --> 00:05:32,700
DID SHE SAY
YES, SHE WAS RICH?

101
00:05:32,733 --> 00:05:34,402
SHE'S RICH?

102
00:05:34,435 --> 00:05:36,937
WHAT ARE YOU
DOING LATER?

103
00:05:36,970 --> 00:05:39,507
YOU GOT A RICH
FRIEND? FOR HIM?

104
00:05:39,540 --> 00:05:41,509
ARE THOSE
REAL DIAMONDS?

105
00:05:41,542 --> 00:05:43,677
ARE THEY?

106
00:05:43,711 --> 00:05:45,713
TELL ME
THE TRUTH.

107
00:05:45,746 --> 00:05:49,550
THOSE REMIND ME OF
WHEN I WAS A KID.

108
00:05:49,583 --> 00:05:51,685
IN RIGHT FIELD
WE HAVE ENOS WHO?

109
00:05:51,719 --> 00:05:52,986
SLAUGHTER!

110
00:05:56,990 --> 00:05:58,992
I GOTTA CHECK
OUT SOMETHING.

111
00:06:04,865 --> 00:06:07,134
CENTERFIELD THERE'S A
MAN NAMED AL GIONFRIDDO.

112
00:06:07,167 --> 00:06:09,102
NO, IN LEFT FIELD
IS AL GIONFRIDDO!

113
00:06:09,136 --> 00:06:11,171
HE'S IN CENTERFIELD
'CAUSE HE MADE THE-

114
00:06:11,204 --> 00:06:13,541
HE MADE THE CATCH
AGAINST THE 402.

115
00:06:13,574 --> 00:06:15,108
DO YOU KNOW ANYTHING
ABOUT BASEBALL?

116
00:06:18,879 --> 00:06:20,714
OH, YOU GOT
THE FUR, TOO.

117
00:06:20,748 --> 00:06:23,150
WHAT KIND OF
FUR IS IT? FOXY?

118
00:06:23,183 --> 00:06:25,052
FOXY LADY.

119
00:06:25,085 --> 00:06:26,820
SWEETIE?

120
00:06:26,854 --> 00:06:28,489
BYE, SWEETIE.

121
00:06:28,522 --> 00:06:30,157
WHO HIT THE BALL
GIONFRIDDO CAUGHT?

122
00:06:30,190 --> 00:06:31,859
JOE DIMAGGIO,
IT'S THE FIRST TIME

123
00:06:31,892 --> 00:06:33,561
WE EVER SAW HIM
SHOW ANY EMOTION.

124
00:06:33,594 --> 00:06:34,828
BETWEEN FIRST
AND SECOND BASE

125
00:06:34,862 --> 00:06:36,464
HE'S SUCH A GENTLEMAN,
ALL HE DID WAS

126
00:06:36,497 --> 00:06:38,666
KICK HIS RIGHT FOOT -
BOOM - THAT WAS IT.

127
00:06:38,699 --> 00:06:39,967
THAT WAS THE
WHOLE THING.

128
00:06:40,000 --> 00:06:41,001
GO.

129
00:06:45,739 --> 00:06:47,475
PRETTY, HUH?

130
00:06:47,508 --> 00:06:48,976
WHAT?

131
00:06:49,009 --> 00:06:50,978
THE GIRL,
SHE'S PRETTY.

132
00:06:51,011 --> 00:06:53,614
OH, THAT'S A SEMI YOGA
POSITION THAT SHE'S IN.

133
00:06:53,647 --> 00:06:56,216
ONE LEG IS CROSSED ON TOP
OF THE OTHER, IT'S A MORE

134
00:06:56,249 --> 00:06:59,620
RELAXED POSITION FOR
LONG TERM MEDITATION.

135
00:06:59,653 --> 00:07:01,121
SHE'S NOT
ASLEEP NOW,

136
00:07:01,154 --> 00:07:02,956
SHE'S ACTUALLY
MEDITATING.

137
00:07:02,990 --> 00:07:04,525
SHE'S MEDITATING?

138
00:07:04,558 --> 00:07:07,094
SURE, THAT'S AN IDEAL
POSITION FOR MEDITATING.

139
00:07:07,127 --> 00:07:09,162
IT REDUCES TENSION ON
THE BODY AND THERE'S

140
00:07:09,196 --> 00:07:11,699
A RELAXATION AND
IT'S VERY GOOD FOR

141
00:07:11,732 --> 00:07:13,967
SUPPLENESS OF THE
BODY AND SO FORTH.

142
00:07:14,001 --> 00:07:17,037
SHE CAN STAY IN THAT
POSITION INDEFINITELY

143
00:07:17,070 --> 00:07:19,072
PERFECTLY
COMFORTABLE.

144
00:07:30,818 --> 00:07:32,219
HOW FAR
YOU GOING?

145
00:07:32,252 --> 00:07:33,887
NEW YORK.

146
00:07:33,921 --> 00:07:35,689
IS THAT WHERE
YOU'RE FROM?

147
00:07:35,723 --> 00:07:36,890
YEAH.

148
00:07:36,924 --> 00:07:38,592
WOULD YOU
LIKE SOME?

149
00:07:38,626 --> 00:07:39,827
NO.

150
00:07:39,860 --> 00:07:41,595
I DON'T LIKE
COTTAGE CHEESE.

151
00:07:41,629 --> 00:07:42,930
ME EITHER.

152
00:07:42,963 --> 00:07:44,131
YOU DON'T
EITHER?

153
00:07:44,164 --> 00:07:45,799
WHAT ARE YOU
EATING IT FOR?

154
00:07:45,833 --> 00:07:47,835
WHAT? YOU
DON'T KNOW.

155
00:07:47,868 --> 00:07:48,936
IT'S GOOD
FOR ME.

156
00:07:48,969 --> 00:07:53,741
I TRIED TO EAT A
CHICKEN LAST NIGHT.

157
00:07:53,774 --> 00:07:55,142
COULDN'T
DO IT.

158
00:07:55,175 --> 00:07:56,710
COULDN'T
DO WHAT?

159
00:07:56,744 --> 00:07:58,512
EAT THE CHICKEN.

160
00:07:58,546 --> 00:08:00,948
I JUST KEPT THINKING
WHAT IT WAS, YOU KNOW?

161
00:08:00,981 --> 00:08:02,916
REAL LIVE
CHICKEN AND THEN

162
00:08:02,950 --> 00:08:04,885
IT'S SITTING IN
FRONT OF YOU.

163
00:08:04,918 --> 00:08:06,153
EXCUSE ME.

164
00:08:06,186 --> 00:08:10,558
I COULDN'T HELP
OVERHEARING, BUT...

165
00:08:10,591 --> 00:08:11,825
THE CHICKEN
IS DEAD.

166
00:08:11,859 --> 00:08:13,894
(LAUGHING)

167
00:08:13,927 --> 00:08:15,162
I'M SERIOUS.

168
00:08:15,195 --> 00:08:17,264
IF YOU START EATING
JUST VEGETABLES

169
00:08:17,297 --> 00:08:19,132
YOU'RE NOT GONNA
GET ANY PROTEIN.

170
00:08:19,166 --> 00:08:20,300
I'M NOT A
VEGETARIAN

171
00:08:20,333 --> 00:08:22,002
I JUST FEEL SORRY
FOR THE CHICKEN.

172
00:08:22,035 --> 00:08:23,170
WELL,
REGARDLESS,

173
00:08:23,203 --> 00:08:25,038
YOU SEEM LIKE A
VEGETARIAN BECAUSE-

174
00:08:25,072 --> 00:08:26,173
JACK.

175
00:08:26,206 --> 00:08:27,307
GENE.

176
00:08:27,340 --> 00:08:28,942
NICE MEETING
YOU.

177
00:08:28,976 --> 00:08:31,545
SEE, IF YOU DON'T EAT
REAL MEAT THEN YOU'RE

178
00:08:31,579 --> 00:08:33,581
GONNA GET A LOT OF
TROUBLE LATER ON.

179
00:08:33,614 --> 00:08:36,116
I SAW AN EDUCATIONAL
FILM OVER IN 'NAM

180
00:08:36,149 --> 00:08:38,552
ABOUT CHICKENS AND
IF YOU EAT THE SKIN

181
00:08:38,586 --> 00:08:40,120
IT'S PRETTY
BAD FOR YOU.

182
00:08:40,153 --> 00:08:41,622
I HAPPEN TO
LIKE THE SKIN.

183
00:08:41,655 --> 00:08:43,591
IT'S BAD FOR YOU,
IT'S DOESN'T DIGEST.

184
00:08:43,624 --> 00:08:45,092
IT'S TRUE.

185
00:08:45,125 --> 00:08:47,027
BUT IT'S THE
BEST MEAT FOR YOU

186
00:08:47,060 --> 00:08:48,762
IF YOU DON'T
EAT THE SKIN.

187
00:08:48,796 --> 00:08:50,998
SO YOU SKIN THE
CHICKEN AND EAT IT.

188
00:08:51,031 --> 00:08:53,834
IT'S NOT A MATTER
OF EATING THE SKIN.

189
00:08:53,867 --> 00:08:56,604
IF THEY GIVE YOU A PLATE
OF IT YOU SHOULD EAT IT.

190
00:08:56,637 --> 00:08:58,806
I HAPPEN TO LIKE
THE SKIN BECAUSE

191
00:08:58,839 --> 00:09:00,974
THE SKIN IS THE
PART OF THE CHICKEN

192
00:09:01,008 --> 00:09:02,643
THAT'S CLOSEST
TO THE DIRT.

193
00:09:02,676 --> 00:09:03,844
THAT'S
SICKENING.

194
00:09:03,877 --> 00:09:07,681
AND THE DIRT IS
PART OF THE LAND.

195
00:09:07,715 --> 00:09:10,718
AND THAT'S THE NATURAL
KIND OF THING TO EAT.

196
00:09:10,751 --> 00:09:12,820
I LIKE TO EAT
NATURAL THINGS.

197
00:09:12,853 --> 00:09:14,287
BECAUSE...

198
00:09:14,321 --> 00:09:16,657
WHAT?

199
00:09:16,690 --> 00:09:18,258
IT'S CLOSE
TO THE EARTH.

200
00:09:18,291 --> 00:09:21,161
WHEN YOU GET THE
INSIDE OF THE CHICKEN,

201
00:09:21,194 --> 00:09:23,296
THE INSIDE OF
THE CHICKEN...

202
00:09:23,330 --> 00:09:27,134
IT DOESN'T GET EXPOSURE
TO THE REALITY OF

203
00:09:27,167 --> 00:09:30,337
THE LAND AND THAT'S WHAT
I SELL, I SELL LAND.

204
00:09:30,370 --> 00:09:32,906
I LOVE LAND, I
BELIEVE IN LAND.

205
00:09:32,940 --> 00:09:36,977
THAT'S WHY I SELL
IT AND I EAT IT.

206
00:09:37,010 --> 00:09:41,148
(LAUGHING)

207
00:09:41,181 --> 00:09:42,783
I HAVE TO
GO, I'M...

208
00:09:58,065 --> 00:09:59,733
AH, SOLDIER, DO
YOU MIND IF I

209
00:09:59,767 --> 00:10:00,834
SIT HERE FOR
A MINUTE?

210
00:10:00,868 --> 00:10:02,636
LUIS.

211
00:10:02,670 --> 00:10:04,137
ARE YOU
ON LEAVE?

212
00:10:04,171 --> 00:10:06,206
NO, I'M
ON DUTY.

213
00:10:06,239 --> 00:10:07,708
ON DUTY?
WHERE AT?

214
00:10:07,741 --> 00:10:10,944
I'M ESCORTING A
BODY CROSS COUNTRY.

215
00:10:10,978 --> 00:10:12,245
FROM WHERE?

216
00:10:12,279 --> 00:10:13,280
'NAM.

217
00:10:16,316 --> 00:10:18,151
(KNOCKING)

218
00:10:18,185 --> 00:10:19,753
COME IN.

219
00:10:19,787 --> 00:10:21,388
HI, YOU
RANG, MA'AM?

220
00:10:21,421 --> 00:10:23,623
YES, COME
IN, STEWARD.

221
00:10:30,330 --> 00:10:31,331
SIT DOWN.

222
00:10:40,473 --> 00:10:42,242
WHAT CAN I
DO FOR YOU?

223
00:10:42,275 --> 00:10:46,279
WHAT IS THERE TO
DO AFTER DINNER

224
00:10:46,313 --> 00:10:48,081
AND STUFF
LIKE THAT?

225
00:10:48,115 --> 00:10:50,183
YOU MEAN OUTSIDE
OF THE CLUB CAR?

226
00:10:50,217 --> 00:10:52,419
YEAH, OR
WHATEVER.

227
00:10:52,452 --> 00:10:54,755
DO YOU HAVE
A CIGARETTE?

228
00:10:54,788 --> 00:10:57,390
I'M NOT SUPPOSED
TO SMOKE, BUT...

229
00:10:57,424 --> 00:10:58,926
THANK YOU.

230
00:10:58,959 --> 00:11:00,327
NOW TELL ME
THE TRUTH.

231
00:11:00,360 --> 00:11:02,329
EXACTLY WHAT WERE
YOU LOOKING FOR?

232
00:11:02,362 --> 00:11:06,967
WELL, I WAS LOOKING
FOR SOMEONE TO,

233
00:11:07,000 --> 00:11:10,270
UH, TO TALK TO.

234
00:11:10,303 --> 00:11:13,040
TO SPEND SOME
TIME WITH.

235
00:11:17,945 --> 00:11:19,312
YEAH.

236
00:11:19,346 --> 00:11:24,952
WHEN I WAS IN THE CAR
BEFORE I SAW A SOLDIER.

237
00:11:30,090 --> 00:11:32,726
EMIL? YOU PLAY
BOTH SIDES,

238
00:11:32,760 --> 00:11:34,494
IS THAT HOW
YOU NEVER LOSE?

239
00:11:34,527 --> 00:11:36,764
I DON'T THINK YOU
COULD UNDERSTAND

240
00:11:36,797 --> 00:11:38,331
THE NATURE OF
WHAT I'M DOING.

241
00:11:38,365 --> 00:11:41,034
YOU CAN READ ABOUT THE
PSYCHOLOGY OF CHESS

242
00:11:41,068 --> 00:11:42,435
BUT LET ME
PLAY MY GAME.

243
00:11:42,469 --> 00:11:44,504
I JUST WANT TO KNOW HOW
YOU EVER LOSE, EMIL?

244
00:11:44,537 --> 00:11:46,740
I'M ANALYZING
STUDY POSITIONS.

245
00:11:54,815 --> 00:11:55,448
HI JACK.

246
00:11:55,482 --> 00:11:56,416
HI.

247
00:11:56,449 --> 00:11:57,350
TAKE CARE OF
YOUR BUSINESS?

248
00:11:57,384 --> 00:11:58,251
TCB.

249
00:11:58,285 --> 00:11:59,920
I SAW A COUPLE OF
GREAT LOOKING GIRLS

250
00:11:59,953 --> 00:12:01,088
BOARDING
THE TRAIN.

251
00:12:01,121 --> 00:12:02,155
I LOVE GIRLS.

252
00:12:02,189 --> 00:12:03,156
SO DO I.

253
00:12:03,190 --> 00:12:04,925
WHAT ARE WE
GONNA DO ABOUT IT?

254
00:12:04,958 --> 00:12:05,959
WAIT FOR THEM.

255
00:12:05,993 --> 00:12:08,061
WAIT FOR THEM?

256
00:12:08,095 --> 00:12:09,362
GREAT STRATEGY.

257
00:12:12,833 --> 00:12:15,135
HI GENE.

258
00:12:15,168 --> 00:12:17,170
EMIL, HOW
YOU DOING?

259
00:12:24,945 --> 00:12:26,847
I'VE GOTTA
REALLY LEAVE, OKAY?

260
00:12:26,880 --> 00:12:29,016
JUST GOTTA TAKE
CARE OF A THING.

261
00:12:29,049 --> 00:12:30,818
WHICH SIDE ARE
YOU PLAYING?

262
00:12:30,851 --> 00:12:32,285
IT'S POINTLESS
TO EXPLAIN IT.

263
00:12:32,319 --> 00:12:34,254
IF YOU WANT TO LEARN
ABOUT THE PSYCHOLOGY

264
00:12:34,287 --> 00:12:36,356
OF CHESS I SUGGEST
YOU READ THIS BOOK.

265
00:12:36,389 --> 00:12:38,125
I'VE GOTTA GET
THIS POSITION,

266
00:12:38,158 --> 00:12:39,927
I'VE GOTTA
FIGURE IT OUT.

267
00:12:39,960 --> 00:12:41,394
YOU'RE GONNA
LOSE THIS TIME.

268
00:12:41,428 --> 00:12:48,201
*

269
00:12:48,235 --> 00:12:52,472
* A CIGARETTE THAT BEARS
A LIPSTICK'S TRACES *

270
00:12:52,505 --> 00:12:58,145
* AN AIRLINE TICKET
TO ROMANTIC PLACES *

271
00:12:58,178 --> 00:13:03,216
* AND STILL MY
HEART HAS WINGS *

272
00:13:03,250 --> 00:13:09,823
* THESE FOOLISH THINGS
REMIND ME OF YOU *

273
00:13:09,857 --> 00:13:14,527
* A TINKLING PIANO IN
THE NEXT APARTMENT *

274
00:13:14,561 --> 00:13:17,931
* THOSE STUMBLING
WORDS THAT TOLD YOU *

275
00:13:17,965 --> 00:13:21,301
* WHAT MY
HEART MEANT *

276
00:13:21,334 --> 00:13:25,973
* A FAIRGROUND'S
PAINTED SWINGS *

277
00:13:26,006 --> 00:13:33,413
* THESE FOOLISH THINGS
REMIND ME OF YOU *

278
00:13:33,446 --> 00:13:43,924
* YOU CAME, YOU SAW,
YOU CONQUERED ME *

279
00:13:43,957 --> 00:13:49,863
* WHEN YOU DID
THAT TO ME *

280
00:13:49,897 --> 00:13:53,066
* I KNEW SOMEHOW-

281
00:13:53,100 --> 00:13:54,467
JACK, WE'RE IN-

282
00:13:54,501 --> 00:13:57,004
MARK...

283
00:13:57,037 --> 00:13:58,338
GOOD NEWS.

284
00:13:58,371 --> 00:14:02,042
DON'T EVER COME INTO MY
ROOM WITHOUT KNOCKING.

285
00:14:02,075 --> 00:14:04,077
THE TWO GIRLS
ARE AT THE BAR.

286
00:14:15,388 --> 00:14:20,928
I'LL KEEP MUM BECAUSE
LOOSE LIPS SINK SHIPS.

287
00:14:20,961 --> 00:14:24,097
WHAT'S THE
MYSTERY, JACK?

288
00:14:24,131 --> 00:14:26,466
THERE'S
NO MYSTERY.

289
00:14:26,499 --> 00:14:31,238
I GOT A FRIEND BACK
THERE IN A COFFIN.

290
00:14:31,271 --> 00:14:36,443
I'M ESCORTING
HIM BACK HOME.

291
00:14:36,476 --> 00:14:38,311
BACK WHERE?

292
00:14:38,345 --> 00:14:39,479
BACK HOME.

293
00:14:39,512 --> 00:14:41,481
I MEAN WHERE
IS YOUR FRIEND?

294
00:14:41,514 --> 00:14:43,650
HE'S IN THE
BAGGAGE CAR.

295
00:14:43,683 --> 00:14:45,685
WE USED TO SIT IN
THE FOXHOLE AT NIGHT,

296
00:14:45,718 --> 00:14:48,321
WE USED TO GET
HIGH FROM THAI WEED

297
00:14:48,355 --> 00:14:53,060
AND WATCH THE TRACER
BULLETS FLASH OVER US.

298
00:14:53,093 --> 00:14:55,428
I SAW HIM DO THE
MOST INCREDIBLE THINGS.

299
00:14:55,462 --> 00:14:57,464
THIS MAN WAS A
CONGRESSIONAL

300
00:14:57,497 --> 00:14:59,632
MEDAL OF
HONOR WINNER.

301
00:14:59,666 --> 00:15:02,302
BUT THE WAY
HE BOUGHT IT...

302
00:15:02,335 --> 00:15:06,006
A TRACER BULLET WENT
RIGHT INTO THE FOXHOLE.

303
00:15:06,039 --> 00:15:10,110
IT WAS LIKE A FLARE
COMING OUT OF HIM.

304
00:15:10,143 --> 00:15:12,312
HE WAS RUNNING
AROUND CRAZED.

305
00:15:12,345 --> 00:15:13,680
THAT'S THE WAY
HE BOUGHT IT

306
00:15:13,713 --> 00:15:15,515
AND I'M TAKING
HIM HOME.

307
00:15:15,548 --> 00:15:18,251
HE'S GONNA HAVE A BAND,
HE'S GONNA HAVE A PARADE-

308
00:15:18,285 --> 00:15:20,253
WHY DON'T WE
GO INTO THE BAR

309
00:15:20,287 --> 00:15:22,389
AND SEE THE
BEAUTIFUL GIRLS?

310
00:15:22,422 --> 00:15:23,723
ABSOLUTELY.

311
00:15:23,756 --> 00:15:25,225
THINK ABOUT IT.

312
00:15:29,529 --> 00:15:31,464
I WANT TO CHANGE
MY CLOTHES FIRST.

313
00:15:31,498 --> 00:15:32,966
I'LL MEET YOU
AT THE BAR.

314
00:15:33,000 --> 00:15:34,101
OKAY.

315
00:15:34,134 --> 00:15:36,003
LOOSE BRAINS
CRASH TRAINS.

316
00:15:36,036 --> 00:15:37,037
HURRY UP.

317
00:15:42,242 --> 00:15:52,252
(VARIOUS
CONVERSATIONS)

318
00:15:52,285 --> 00:15:59,726
(VARIOUS
CONVERSATIONS)

319
00:15:59,759 --> 00:16:00,760
INTRODUCTIONS...

320
00:16:00,793 --> 00:16:03,030
CLEO? CHLOE?

321
00:16:03,063 --> 00:16:05,032
STEPHANIE...
THIS IS JACK.

322
00:16:05,065 --> 00:16:06,066
HI.

323
00:16:08,701 --> 00:16:12,205
THEY HAVE A MEATLESS
MEAL, THAT'S NICE.

324
00:16:12,239 --> 00:16:14,241
ANYTHING GOOD
ON THE MENU?

325
00:16:14,274 --> 00:16:15,775
THE SOLE HAS
BEEN RECOMMENDED

326
00:16:15,808 --> 00:16:18,011
BY THE MAN IN
THE RED JACKET.

327
00:16:20,413 --> 00:16:23,350
DO YOU SEE
ANYTHING THAT YOU LIKE?

328
00:16:23,383 --> 00:16:27,487
HMM...

329
00:16:27,520 --> 00:16:34,427
WHAT ABOUT THIS
TORNADOS MEXICANA?

330
00:16:34,461 --> 00:16:38,231
UM, IT'S
TORONADO.

331
00:16:38,265 --> 00:16:39,732
WHAT ARE
YOU, 5'8"?

332
00:16:39,766 --> 00:16:41,534
5'10".

333
00:16:41,568 --> 00:16:45,472
THAT'S A LOT OF
LITTLE RED RIDING HOOD.

334
00:16:45,505 --> 00:16:46,639
YOU'RE WEIRD.

335
00:16:46,673 --> 00:16:48,441
YOU'RE
BLUSHING.

336
00:16:48,475 --> 00:16:51,578
DON'T BLOW
IT, STEFFY.

337
00:16:51,611 --> 00:16:53,246
STEPHANIE.

338
00:16:53,280 --> 00:16:55,082
I'M SORRY.
STEPHANIE.

339
00:16:55,115 --> 00:16:58,651
ARE YOU GONNA KISS
A FOOL, STEPHANIE?

340
00:17:02,422 --> 00:17:04,157
EXCUSE ME
FOR A SECOND.

341
00:17:14,701 --> 00:17:16,369
HE'S WEIRD.

342
00:17:16,403 --> 00:17:17,770
NO, HE'S NOT.

343
00:17:17,804 --> 00:17:22,142
HE DOESN'T SEEM
LIKE HE'S CONNECTED.

344
00:17:22,175 --> 00:17:25,145
IS HE JUST SHY?

345
00:17:25,178 --> 00:17:26,579
A SHY
GUY, YEAH.

346
00:17:29,316 --> 00:17:30,717
CAN I GET YOU
SOMETHING?

347
00:17:30,750 --> 00:17:32,785
YEAH, A SCOTCH
ON THE ROCKS.

348
00:17:32,819 --> 00:17:34,287
COMING
RIGHT UP.

349
00:17:46,833 --> 00:17:49,202
YOU LOOK LIKE
YOU'RE DOING OKAY.

350
00:17:49,236 --> 00:17:53,406
YOU PICKED UP ON
THOSE TWO PRETTY GIRLS.

351
00:17:53,440 --> 00:17:55,375
IT'S MORE LIKE
ONE OF US DID.

352
00:17:55,408 --> 00:17:57,310
I SEE, NO
ACTION, HUH?

353
00:17:57,344 --> 00:17:59,112
IT'S NOT
EXACTLY THAT.

354
00:17:59,146 --> 00:18:01,148
IF YOU DON'T FEEL LIKE
DEALING WITH THESE PEOPLE

355
00:18:01,181 --> 00:18:03,216
YOU CAN COME DEAL
WITH ME ANYTIME.

356
00:18:03,250 --> 00:18:04,484
DEAL WITH YOU?

357
00:18:04,517 --> 00:18:07,254
WHATEVER YOU NEED,
YOU KNOW. I GOT IT.

358
00:18:10,423 --> 00:18:11,558
EXCUSE ME.

359
00:18:11,591 --> 00:18:13,593
WHERE ARE
YOU GOING?

360
00:18:13,626 --> 00:18:15,628
I'LL BE
RIGHT BACK.

361
00:18:20,867 --> 00:18:22,302
DO YOU HAVE
SOME OLIVES?

362
00:18:22,335 --> 00:18:23,570
YES, MA'AM.
HELP YOURSELF.

363
00:18:23,603 --> 00:18:25,205
THANK YOU.

364
00:18:29,709 --> 00:18:31,378
DO YOU WANT
AN OLIVE?

365
00:18:31,411 --> 00:18:35,482
UM... NO, I DON'T
WANT AN OLIVE.

366
00:18:35,515 --> 00:18:37,817
WANT SOME
SCOTCH?

367
00:18:37,850 --> 00:18:39,319
NO, THANKS.

368
00:18:53,600 --> 00:18:56,669
DO YOU TRAVEL
OFTEN ON TRAINS?

369
00:18:56,703 --> 00:19:01,541
WELL...
SOMETIMES.

370
00:19:01,574 --> 00:19:04,211
YOU'RE SORT
OF NERVOUS.

371
00:19:04,244 --> 00:19:06,313
NERVOUS?

372
00:19:06,346 --> 00:19:09,249
YOU KNOW, LIKE,
YOU'RE SCARED OF-

373
00:19:09,282 --> 00:19:11,218
I'M SCARED OF
FLYING IN PLANES

374
00:19:11,251 --> 00:19:13,553
SO I TAKE
TRAINS ALWAYS

375
00:19:13,586 --> 00:19:16,956
SO I THOUGHT MAYBE YOU
WERE SCARED OF TRAINS.

376
00:19:16,989 --> 00:19:19,192
NAH.

377
00:19:19,226 --> 00:19:21,794
I'M NOT THAT SCARED
ANYMORE, YOU KNOW?

378
00:19:21,828 --> 00:19:23,430
NO?

379
00:19:23,463 --> 00:19:27,467
NO. I'M VERY
SELDOM AFRAID.

380
00:19:32,305 --> 00:19:33,840
SO WHAT DO
YOU DO?

381
00:19:33,873 --> 00:19:37,810
I'M ON EASTER
HOLIDAY FROM COLLEGE.

382
00:19:37,844 --> 00:19:40,580
I'M GOING UP TO THE
CAPE WITH MY FRIEND.

383
00:19:40,613 --> 00:19:43,950
HER PARENTS HAVE
A HOUSE THERE.

384
00:19:43,983 --> 00:19:45,952
YOU KNOW WHAT YOU
LOOK LIKE TO ME?

385
00:19:45,985 --> 00:19:48,255
YOU LOOK LIKE A
POSTER I SAW ONCE

386
00:19:48,288 --> 00:19:51,558
IN A WHEAT FIELD WITH
A HAMMER AND A SICKLE.

387
00:19:51,591 --> 00:19:55,295
I WAS OVERSEAS AND I
WENT TO EAST BERLIN,

388
00:19:55,328 --> 00:19:57,397
I SAW THIS GIRL
WITH THIS HAMMER

389
00:19:57,430 --> 00:19:58,965
AND SICKLE STANDING
IN A WHEAT FIELD.

390
00:19:58,998 --> 00:20:00,667
THERE'S A
GUY WITH HER

391
00:20:00,700 --> 00:20:02,702
BUT I HAVEN'T SEEN
HIM YET ON THE TRAIN.

392
00:20:04,837 --> 00:20:07,340
MAY I.. MAY I
SAY SOMETHING?

393
00:20:07,374 --> 00:20:08,741
I DON'T
KNOW YOU

394
00:20:08,775 --> 00:20:10,510
BUT I'D LIKE TO
TELL YOU SOMETHING.

395
00:20:10,543 --> 00:20:12,412
I THINK
YOU'RE BEAUTIFUL.

396
00:20:12,445 --> 00:20:15,582
I KNOW THAT'S VERY
CORNY THESE DAYS

397
00:20:15,615 --> 00:20:19,619
TO THINK SOMEBODY'S
BEAUTIFUL, BUT YOU ARE.

398
00:20:23,290 --> 00:20:25,692
GOD, I WANT TO HOLD
YOU AND TALK TO YOU

399
00:20:25,725 --> 00:20:28,961
AND FEEL YOU, BUT
I DON'T KNOW HOW.

400
00:20:28,995 --> 00:20:32,265
I'M REALLY SHY AND
THIS IS HARD FOR ME.

401
00:20:32,299 --> 00:20:35,735
I THINK I'D LIKE TO
SEE YOU IN MY ROOM.

402
00:20:35,768 --> 00:20:39,339
DO YOU KNOW
WHAT I MEAN?

403
00:20:39,372 --> 00:20:44,444
OKAY, SO I SUGGEST
THAT YOU JUST FOLLOW ME.

404
00:20:44,477 --> 00:20:45,645
LOOK AT ME.

405
00:20:45,678 --> 00:20:47,714
I DON'T HAVE MUCH
TIME, LOOK AT ME.

406
00:20:47,747 --> 00:20:50,717
LOOK AT ME,
LOOK AT ME.

407
00:20:50,750 --> 00:20:52,919
LOOK AT
ME, PLEASE.

408
00:20:52,952 --> 00:20:54,687
YOU MAKE
ME NERVOUS.

409
00:20:54,721 --> 00:20:56,423
MEET ME
IN MY ROOM.

410
00:20:56,456 --> 00:20:58,391
YOU KNOW WHICH ROOM
I'M IN, DON'T YOU?

411
00:20:58,425 --> 00:20:59,559
NO, I DON'T.

412
00:20:59,592 --> 00:21:01,060
YES, YOU DO.
LOOK AT ME.

413
00:21:01,093 --> 00:21:03,563
COME ON, I DON'T
HAVE ALL THIS TIME.

414
00:21:03,596 --> 00:21:05,465
YOU KNOW WHICH ROOM
I'M IN, DON'T YOU?

415
00:21:05,498 --> 00:21:06,499
NO.

416
00:21:09,802 --> 00:21:14,407
UH, I THINK YOUR TORNADO
JUST HIT THE TABLE.

417
00:21:20,480 --> 00:21:28,421
JUST ONCE.
JUST... ONCE.

418
00:21:28,455 --> 00:21:29,989
OKAY,
I'M SORRY.

419
00:21:33,360 --> 00:21:34,627
HEY, MAN,
IT'S COOL.

420
00:21:46,606 --> 00:21:56,616
(VARIOUS
CONVERSATIONS)

421
00:21:56,649 --> 00:22:06,693
(VARIOUS
CONVERSATIONS)

422
00:22:06,693 --> 00:22:16,603
(VARIOUS
CONVERSATIONS)

423
00:22:16,636 --> 00:22:26,679
(VARIOUS
CONVERSATIONS)

424
00:22:26,679 --> 00:22:34,921
(VARIOUS
CONVERSATIONS)

425
00:22:34,954 --> 00:22:43,029
*

426
00:22:43,062 --> 00:22:44,664
(KNOCKING)

427
00:22:47,734 --> 00:22:49,035
COME IN.

428
00:22:49,068 --> 00:22:53,105
I JUST WENT TO THE
WRONG COMPARTMENT.

429
00:22:53,139 --> 00:22:55,742
CAN I COME IN?

430
00:22:55,775 --> 00:22:56,776
PLEASE.

431
00:22:59,011 --> 00:23:00,447
SIT DOWN.

432
00:23:00,480 --> 00:23:01,481
THANKS.

433
00:23:04,617 --> 00:23:06,986
ARE YOU PLAYING
YOUR MUSIC?

434
00:23:07,019 --> 00:23:09,021
CAN I
HEAR IT?

435
00:23:13,125 --> 00:23:22,602
* WITH ANYONE ELSE BUT ME
UNDER THE APPLE TREE *

436
00:23:22,635 --> 00:23:26,539
I DIDN'T KNOW IF
YOU'D COME OR NOT.

437
00:23:26,573 --> 00:23:30,477
WHAT'S IT LIKE TO
HAVE MEN TELL YOU

438
00:23:30,510 --> 00:23:32,812
THAT YOU'RE
BEAUTIFUL?

439
00:23:32,845 --> 00:23:36,483
IT MUST LOSE
ITS MEANING.

440
00:23:36,516 --> 00:23:38,184
DEPENDS
WHAT MAN.

441
00:23:41,521 --> 00:23:44,090
DO YOU KNOW WHAT
AN HONOR IT IS TO ME

442
00:23:44,123 --> 00:23:48,995
THAT YOU CAME HERE?
YOU REALLY DON'T.

443
00:23:49,028 --> 00:23:52,198
YOU'LL NEVER
REALLY KNOW.

444
00:23:52,231 --> 00:23:57,470
IT MAKES ME
FEEL SO GREAT.

445
00:23:57,504 --> 00:23:59,472
I MEAN, SEE?

446
00:23:59,506 --> 00:24:01,508
THAT DOESN'T...
YOU KNOW?

447
00:24:02,975 --> 00:24:04,977
LET'S JUST SIT
FOR A WHILE.

448
00:24:08,548 --> 00:24:09,549
WHEW.

449
00:24:12,785 --> 00:24:16,823
I HAVEN'T SEEN ANYTHING
LIKE YOU SINCE I WAS 16.

450
00:24:16,856 --> 00:24:20,860
I'M NOT EVEN SURE
THAT I SAW IT THEN.

451
00:24:24,163 --> 00:24:28,535
I'D ALWAYS FANTASIZE
ABOUT GETTING ON A TRAIN

452
00:24:28,568 --> 00:24:33,105
AND SOME MAN SAYING
THESE REALLY NICE THINGS.

453
00:24:55,261 --> 00:24:58,264
CAN I SHOW YOU HOW
I WANT TO BE KISSED?

454
00:25:55,287 --> 00:25:58,157
HOW LONG WERE
YOU AWAY?

455
00:25:58,190 --> 00:25:59,659
A LONG TIME.

456
00:26:47,807 --> 00:26:51,644
* DON'T SIT UNDER
THE APPLE TREE *

457
00:26:51,678 --> 00:26:54,714
* WITH ANYONE
ELSE BUT ME *

458
00:26:54,747 --> 00:26:58,918
* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

459
00:26:58,951 --> 00:27:02,321
* NO, NO, NO DON'T SIT
UNDER THE APPLE TREE *

460
00:27:02,354 --> 00:27:04,824
* WITH ANYONE
ELSE BUT ME *

461
00:27:04,857 --> 00:27:10,262
* TIL I COME
MARCHING HOME *

462
00:27:10,296 --> 00:27:12,832
* DON'T GO WALKING
DOWN LOVER'S LANE *

463
00:27:12,865 --> 00:27:15,301
* WITH ANYONE
ELSE BUT ME *

464
00:27:15,334 --> 00:27:19,338
* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

465
00:27:19,371 --> 00:27:20,773
* NO NO NO

466
00:27:20,807 --> 00:27:23,175
* DON'T GO WALKING
DOWN LOVER'S LANE *

467
00:27:23,209 --> 00:27:25,444
* WITH ANYONE
ELSE BUT ME *

468
00:27:25,477 --> 00:27:30,850
* TIL I COME
MARCHING HOME *

469
00:27:30,883 --> 00:27:33,219
* I JUST GOT WORD
FROM A GUY WHO HEARD *

470
00:27:33,252 --> 00:27:36,055
* FROM THE GUY
NEXT DOOR TO ME *

471
00:27:36,088 --> 00:27:38,725
* THE GIRL HE MET
JUST LOVES TO PET *

472
00:27:38,758 --> 00:27:41,127
* AND IT FITS
YOU TO A "T" *

473
00:27:41,160 --> 00:27:44,030
* NO, DON'T SIT
UNDER THE APPLE TREE *

474
00:27:44,063 --> 00:27:46,298
* WITH ANYONE
ELSE BUT ME *

475
00:27:46,332 --> 00:27:51,904
* TIL I COME
MARCHING HOME *

476
00:27:51,938 --> 00:27:57,343
*

477
00:27:57,376 --> 00:27:59,912
* DON'T GIVE OUT WITH
THOSE LIPS OF YOURS *

478
00:27:59,946 --> 00:28:02,314
* TO ANYONE
ELSE BUT ME *

479
00:28:02,348 --> 00:28:06,318
* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

480
00:28:06,352 --> 00:28:07,754
* NO NO NO

481
00:28:07,787 --> 00:28:10,189
* WATCH THE GIRLS ON
THE FOREIGN SHORES *

482
00:28:10,222 --> 00:28:12,759
* YOU'LL HAVE TO
REPORT TO ME *

483
00:28:12,792 --> 00:28:18,164
* WHEN YOU COME
MARCHING HOME *

484
00:28:18,197 --> 00:28:20,466
* DON'T HOLD ANYONE
ON YOUR KNEE *

485
00:28:20,499 --> 00:28:22,835
* YOU BETTER BE
TRUE TO ME *

486
00:28:22,869 --> 00:28:23,502
'MORNING.

487
00:28:23,535 --> 00:28:25,071
'MORNING.

488
00:28:25,104 --> 00:28:29,976
I WANT TO APOLOGIZE FOR
WHAT HAPPENED LAST NIGHT.

489
00:28:30,009 --> 00:28:33,512
I, UH...

490
00:28:33,545 --> 00:28:35,748
WELL... HI.

491
00:28:41,220 --> 00:28:42,488
SLEEP WELL?

492
00:28:45,091 --> 00:28:46,492
NO?

493
00:28:46,525 --> 00:28:49,361
I WAKE UP EVERY
ONCE IN A WHILE.

494
00:28:49,395 --> 00:28:51,297
I LIKE THE
MOVEMENT, THOUGH.

495
00:28:51,330 --> 00:28:52,932
I LIKE THE
MOVEMENT.

496
00:28:56,502 --> 00:28:58,805
IT ROCKS
YOU TO SLEEP.

497
00:28:58,838 --> 00:29:01,540
LIKE WHEN
YOU'RE A BABY.

498
00:29:01,573 --> 00:29:02,975
YEAH...

499
00:29:03,009 --> 00:29:05,344
LIKE A BABY.

500
00:29:05,377 --> 00:29:11,117
YOU ARE A BABY.
A SWEET BABY.

501
00:29:11,150 --> 00:29:13,152
SEE YOU IN
A WHILE.

502
00:29:23,529 --> 00:29:24,330
HI.

503
00:29:24,363 --> 00:29:25,331
HI.

504
00:29:25,364 --> 00:29:28,534
WHAT ARE
YOU DOING?

505
00:29:28,567 --> 00:29:32,805
I'M DOING MY
EXERCISES.

506
00:29:32,839 --> 00:29:34,974
YOU'RE DOING
YOUR EXERCISES?

507
00:29:35,007 --> 00:29:36,008
YUP.

508
00:29:41,180 --> 00:29:43,916
LISTEN, COULD I TALK
TO YOU FOR A SECOND?

509
00:29:43,950 --> 00:29:45,084
ABOUT WHAT?

510
00:29:45,117 --> 00:29:46,352
EXCUSE ME.

511
00:29:46,385 --> 00:29:49,288
IS THIS YOUR
COMPARTMENT HERE?

512
00:29:49,321 --> 00:29:51,490
YEAH.

513
00:29:51,523 --> 00:29:53,425
MAY I?

514
00:29:53,459 --> 00:29:55,127
I SAW YOU IN
THE CLUB CAR AND

515
00:29:55,161 --> 00:29:57,463
I WANTED TO ASK YOU
SOME QUESTIONS.

516
00:29:57,496 --> 00:29:59,932
I JUST GOT BACK FROM
VIETNAM AND I'D LIKE TO

517
00:29:59,966 --> 00:30:02,869
ASK YOU - WELL, DO
YOU HAVE ANY SHAMPOO?

518
00:30:02,902 --> 00:30:03,702
SHAMPOO?

519
00:30:03,735 --> 00:30:07,073
YEAH. IS THAT CRAZY
ENOUGH FOR YOU?

520
00:30:07,106 --> 00:30:08,908
DO YOU HAVE
ANY SHAMPOO?

521
00:30:08,941 --> 00:30:13,179
EVERY TIME I WEAR THESE
BOOTS I HAVE GOOD LUCK.

522
00:30:13,212 --> 00:30:15,214
THEY'RE MY
MAGIC BOOTS.

523
00:30:18,584 --> 00:30:20,219
WHAT ARE YOU
GONNA WEAR?

524
00:30:20,252 --> 00:30:22,454
I DON'T KNOW,
WHAT DO YOU SUGGEST?

525
00:30:22,488 --> 00:30:25,157
I HAVE, LET'S
SEE, THE...

526
00:30:25,191 --> 00:30:29,428
OH! UM, THE RED
AND POLKA DOT THING.

527
00:30:29,461 --> 00:30:31,130
THIS THING?

528
00:30:31,163 --> 00:30:32,498
YEAH.

529
00:30:32,531 --> 00:30:34,366
I'M SAVING THAT
FOR A BIG EVENT.

530
00:30:34,400 --> 00:30:35,968
WHY SAVE IT?

531
00:30:36,002 --> 00:30:38,204
IT MIGHT BE A BIG
EVENT, WHO KNOWS?

532
00:30:38,237 --> 00:30:39,438
VERY FUNNY.

533
00:30:39,471 --> 00:30:41,908
WELL, WHO KNOWS
WHAT WE'LL FIND

534
00:30:41,941 --> 00:30:43,876
IN THE
DINING CAR.

535
00:30:43,910 --> 00:30:45,912
THINK HE'LL BE IN
THE DINING CAR?

536
00:30:49,548 --> 00:30:51,984
THAT'S WHY I LIKE
TRAINS, YOU KNOW?

537
00:30:52,018 --> 00:30:53,252
WHY?

538
00:30:53,285 --> 00:30:55,988
YOU JUST NEVER KNOW
WHAT'S GOING TO HAPPEN.

539
00:30:56,022 --> 00:30:59,091
I TAKE TRAINS
ALL THE TIME.

540
00:30:59,125 --> 00:31:01,127
JUST TRAVEL
AND SEE PLACES.

541
00:31:06,098 --> 00:31:08,100
I NEVER KNOW WHAT'S
GOING TO HAPPEN.

542
00:31:11,270 --> 00:31:14,273
NO RESPONSIBILITY,
IT'S JUST AN EASY LIFE.

543
00:31:17,543 --> 00:31:20,679
THERE'S NO PASTS,
NO RECRIMINATIONS.

544
00:31:20,712 --> 00:31:23,449
THERE'S NO FUTURE,
THERE'S JUST NOW.

545
00:31:23,482 --> 00:31:28,487
THAT'S WHAT I
LIKE. JUST NOW.

546
00:31:34,961 --> 00:31:37,997
HOW ABOUT
YOU, SOLDIER?

547
00:31:38,030 --> 00:31:41,500
OH, BOY.

548
00:31:41,533 --> 00:31:43,002
I, UH...

549
00:31:48,407 --> 00:31:51,643
I THINK YOU'RE
WONDERFUL.

550
00:31:51,677 --> 00:31:53,145
YOU DO?

551
00:31:56,148 --> 00:31:59,385
DID YOU GUYS GET
TO KNOW EACH OTHER?

552
00:31:59,418 --> 00:32:01,620
DID YOU,
UH, DO IT?

553
00:32:01,653 --> 00:32:03,555
DID WE
DO WHAT?

554
00:32:03,589 --> 00:32:05,357
YOU KNOW WHAT!

555
00:32:05,391 --> 00:32:08,527
DID YOU DO IT WITH
JACK LAST NIGHT?

556
00:32:08,560 --> 00:32:10,729
I AM GETTING
READY.

557
00:32:10,762 --> 00:32:12,731
COME ON, I'M
YOUR BEST FRIEND.

558
00:32:12,764 --> 00:32:14,967
YOU'RE NOT EVEN TELLING
ME WHAT'S GOING ON,

559
00:32:15,001 --> 00:32:16,402
IF YOU'RE
DOING IT.

560
00:32:16,435 --> 00:32:18,337
YOU'RE GETTING ALL
WEIRD AND EMBARRASSED

561
00:32:18,370 --> 00:32:20,139
AND I DON'T
UNDERSTAND IT.

562
00:32:20,172 --> 00:32:22,308
I DON'T UNDERSTAND
A LOT OF IT.

563
00:32:22,341 --> 00:32:25,311
DO YOU KNOW HOW
LONG IT'S BEEN SINCE

564
00:32:25,344 --> 00:32:28,380
I'VE SEEN A WOMAN
WEAR A GARTER BELT?

565
00:32:28,414 --> 00:32:33,285
I HATE PANTYHOSE.

566
00:32:33,319 --> 00:32:40,392
MY MOTHER...
MY MOTHER...

567
00:32:40,426 --> 00:32:43,262
I USED TO LAY ON
THE KITCHEN FLOOR

568
00:32:43,295 --> 00:32:45,497
DOING MY HOMEWORK,
PRETENDING TO,

569
00:32:45,531 --> 00:32:47,399
MAKE HER
STEP OVER ME

570
00:32:47,433 --> 00:32:50,736
SO I COULD LOOK
UP HER DRESS.

571
00:32:50,769 --> 00:32:53,239
I LOVED THAT,

572
00:32:53,272 --> 00:32:59,111
WHERE THE GARTER
COMES TO THE STOCKING.

573
00:32:59,145 --> 00:33:03,149
YOU SEE THE
FLESH THERE AND, UH...

574
00:33:07,686 --> 00:33:17,696
(MOANING)

575
00:33:17,729 --> 00:33:27,773
(MOANING)

576
00:33:27,773 --> 00:33:37,749
(MOANING)

577
00:33:37,783 --> 00:33:49,695
(MOANING)

578
00:33:55,467 --> 00:33:57,469
I THINK IF MARK'S
IN THE DINING ROOM

579
00:33:57,503 --> 00:33:59,805
THAT I'LL SPEND
THE DAY WITH HIM.

580
00:33:59,838 --> 00:34:03,275
I MEAN, IF HE WANTS ME
TO, I'M NOT FORCING HIM.

581
00:34:03,309 --> 00:34:05,511
HE'S SORT OF
INTERESTING.

582
00:34:05,544 --> 00:34:07,146
HOW ABOUT YOU?

583
00:34:07,179 --> 00:34:09,448
YOU GOING TO SPEND
THE DAY WITH JACK?

584
00:34:13,719 --> 00:34:16,188
WHAT'S WITH
YOU? WHAT IS IT?

585
00:34:17,556 --> 00:34:21,493
WHAT'S GOTTEN
INTO YOU?

586
00:34:21,527 --> 00:34:27,666
* LET THEM SEE THE
BEAUTY THAT IS ME *

587
00:34:27,699 --> 00:34:29,801
GOD, YOU'RE REALLY
BEING A PISSER.

588
00:34:29,835 --> 00:34:34,206
JUST TELL ME WHAT'S
GOING ON, DID YOU DO IT?

589
00:34:34,240 --> 00:34:39,645
LISTEN, BAKED POTATO, I
DON'T- I HAVE NO DESIRE

590
00:34:39,678 --> 00:34:43,582
TO GET INVOLVED WITH
YOUR CONVERSATIONS

591
00:34:43,615 --> 00:34:46,418
AT THIS LATE HOUR
IN THE MORNING.

592
00:34:46,452 --> 00:34:48,654
I THINK I'LL
GO FOR A WALK.

593
00:34:48,687 --> 00:34:52,591
GEE, GENE, I'M NOT
SURE I UNDERSTAND

594
00:34:52,624 --> 00:34:55,827
EXACTLY WHAT
YOU'RE GETTING AT.

595
00:34:55,861 --> 00:34:58,464
YOU WANT TO SELL ME
SOMETHING, IS THAT IT?

596
00:34:58,497 --> 00:35:01,433
I WANT TO GIVE
YOU SOMETHING.

597
00:35:01,467 --> 00:35:02,801
OKAY.

598
00:35:02,834 --> 00:35:06,272
IN ORDER FOR ME TO GIVE
YOU SOMETHING I HAVE TO

599
00:35:06,305 --> 00:35:09,208
KNOW ABOUT YOU, I HAVE
TO KNOW WHAT YOU WANT.

600
00:35:09,241 --> 00:35:10,876
YOU'RE GETTING THE
BETTER OUT OF THE BARGAIN

601
00:35:10,909 --> 00:35:13,712
BECAUSE IT'S BETTER TO
GIVE THAN TO RECEIVE.

602
00:35:13,745 --> 00:35:16,582
YOU KNOW, PAL, I HAVE
TROUBLE UNDERSTANDING

603
00:35:16,615 --> 00:35:18,417
SO MANY THINGS.

604
00:35:18,450 --> 00:35:20,152
PUT YOUR CARDS
ON THE TABLE.

605
00:35:20,186 --> 00:35:21,920
IF YOU GOT A DEAL
TELL ME WHAT IT IS

606
00:35:21,953 --> 00:35:23,789
AND MAYBE WE
CAN MAKE A DEAL.

607
00:35:23,822 --> 00:35:25,357
I DO HAVE SOMETHING
THAT MIGHT BE

608
00:35:25,391 --> 00:35:26,792
INTERESTING
TO YOU.

609
00:35:26,825 --> 00:35:29,561
IT'S RIGHT HERE. A
PLACE IN NEW MEXICO.

610
00:35:34,766 --> 00:35:36,302
IT'S A VERY
BEAUTIFUL PLACE,

611
00:35:36,335 --> 00:35:37,669
YOU CAN WALK
RIGHT INTO IT.

612
00:35:37,703 --> 00:35:39,205
I HAVEN'T GOT
A PASSPORT.

613
00:35:39,238 --> 00:35:41,207
TO GO TO
NEW MEXICO?

614
00:35:41,240 --> 00:35:44,210
I'M VERY SERIOUS
ABOUT THIS.

615
00:35:44,243 --> 00:35:46,578
I AM TOO. I DON'T
HAVE A PASSPORT.

616
00:35:46,612 --> 00:35:50,616
(LAUGHING)

617
00:35:52,551 --> 00:35:54,753
OKAY, THIS IS
THE WAY OF CUPS,

618
00:35:54,786 --> 00:35:56,422
THE WAY
OF EMOTIONS.

619
00:35:56,455 --> 00:35:58,357
YOU THINK YOU'RE IN
LOVE, IT'S ALL WONDERFUL.

620
00:35:58,390 --> 00:35:59,725
HUSBAND, WIFE,
COUPLE OF KIDS

621
00:35:59,758 --> 00:36:01,360
HAVING A GREAT
OL' TIME.

622
00:36:01,393 --> 00:36:02,728
AND THAT'S
WHAT LOVE IS.

623
00:36:02,761 --> 00:36:04,663
THEN YOU SEE
THAT BREAKS DOWN

624
00:36:04,696 --> 00:36:06,765
AND YOU CAN'T BELIEVE
IN THAT ANYMORE

625
00:36:06,798 --> 00:36:09,568
SO YOU GO TO RICHES,
BAUBLES AND RUBIES

626
00:36:09,601 --> 00:36:11,903
AND YOU THINK THAT'S
WHERE LOVE IS, RIGHT?

627
00:36:11,937 --> 00:36:13,772
BUT REALLY YOU'RE
ALL DARK INSIDE,

628
00:36:13,805 --> 00:36:15,807
YOU'RE ASLEEP, AND
FINALLY YOU UNDERSTAND

629
00:36:15,841 --> 00:36:17,943
THAT'S NOT GOING TO
DO IT FOR YOU EITHER.

630
00:36:17,976 --> 00:36:19,745
SO WHERE DO YOU
GO FROM THERE?

631
00:36:19,778 --> 00:36:22,681
YOU GO BACK UP
INTO THE MOUNTAINS,

632
00:36:22,714 --> 00:36:26,252
YOU'RE A LITTLE GIRL, YOU
KNOW, A FEW FARM HOUSES.

633
00:36:26,285 --> 00:36:27,753
I'M THE
LITTLE GIRL?

634
00:36:27,786 --> 00:36:29,421
YOU'RE THE
LITTLE GIRL AND YOU

635
00:36:29,455 --> 00:36:31,323
FIND YOURSELF
ON THE LAND.

636
00:36:31,357 --> 00:36:33,692
LITTLE RUSTIC
SETTING TO ACT LIKE

637
00:36:33,725 --> 00:36:35,494
CHILDREN TOGETHER
AND IT'S THE PERFECT

638
00:36:35,527 --> 00:36:38,397
KIND OF COUNTER-
CULTURAL LOVE STORY.

639
00:36:38,430 --> 00:36:39,965
YOU THINK
THIS IS IT

640
00:36:39,998 --> 00:36:41,967
AND YOU'VE GOT
IT ALL TOGETHER

641
00:36:42,000 --> 00:36:43,969
BUT THAT FALLS APART
AFTER A FEW YEARS.

642
00:36:44,002 --> 00:36:45,504
WHERE DO YOU
GO FROM THERE?

643
00:36:45,537 --> 00:36:46,605
ALONE.

644
00:36:46,638 --> 00:36:49,375
YOU FIND OUT IT
DOESN'T WORK, DOES IT?

645
00:36:49,408 --> 00:36:52,010
YOU'RE BACK ASLEEP,
YOU'RE BY THE RIVER,

646
00:36:52,043 --> 00:36:53,979
IT'S FLOWING PAST,
YOU CAN'T EVEN LOOK.

647
00:36:54,012 --> 00:36:58,317
I'VE GOT TO SPEAK TO YOU,
PLEASE COME WITH ME.

648
00:36:58,350 --> 00:36:59,718
WHAT'S
THE MATTER?

649
00:36:59,751 --> 00:37:01,353
PLEASE
COME WITH ME.

650
00:37:01,387 --> 00:37:03,522
HOW LONG IS THIS
GOING TO TAKE STILL?

651
00:37:03,555 --> 00:37:05,424
YOU KEEP CIRCLING,
IT'S THE OUROBOROS,

652
00:37:05,457 --> 00:37:07,426
IT'S A SNAKE THAT
EATS ITS OWN TAIL.

653
00:37:07,459 --> 00:37:08,860
PLEASE, PLEASE!

654
00:37:19,471 --> 00:37:22,374
ALRIGHT...

655
00:37:22,408 --> 00:37:24,676
OH. THAT'S
A BIGGIE.

656
00:37:24,710 --> 00:37:25,677
SEE THAT?

657
00:37:25,711 --> 00:37:28,447
YOU GOT ALL THE FLUIDS
GOING ON INSIDE OF YOU.

658
00:37:28,480 --> 00:37:30,682
IT'S NOT REALLY
FLUIDS, IT'S ENERGY.

659
00:37:30,716 --> 00:37:33,051
YOU GOTTA PUT THAT ENERGY
RIGHT IN THE PERINEUM.

660
00:37:33,084 --> 00:37:34,720
YOU KNOW WHAT
THE PERINEUM IS?

661
00:37:34,753 --> 00:37:37,423
THE PERINEUM IS
RIGHT BETWEEN

662
00:37:37,456 --> 00:37:38,957
THE ANUS AND
THE VAGINA.

663
00:37:38,990 --> 00:37:40,626
(LAUGHING)

664
00:37:40,659 --> 00:37:42,561
NOW IF YOU CAN GET
THAT ENERGY INTO YOUR

665
00:37:42,594 --> 00:37:45,063
PERINEUM, SEE, AND THEN
YOU BRING IT UP YOUR BACK

666
00:37:45,096 --> 00:37:47,566
INTO YOUR HEAD, THEN DROP
IT THROUGH YOUR HEAD

667
00:37:47,599 --> 00:37:49,901
BACK DOWN TO YOUR SOLAR
PLEXUS, THEN LET IT DROP

668
00:37:49,935 --> 00:37:52,304
BACK DOWN TO THE
PERINEUM, YOU'D NEVER

669
00:37:52,338 --> 00:37:54,340
HAVE TO MAKE LOVE AGAIN
'CAUSE YOU COULD JUST

670
00:37:54,373 --> 00:37:56,342
CIRCULATE YOUR
ENERGY RIGHT AROUND.

671
00:37:56,375 --> 00:37:58,377
YOU'LL NEVER HAVE
TO MAKE LOVE AGAIN.

672
00:38:19,931 --> 00:38:21,933
WELL, AREN'T YOU
GOING TO SAY ANYTHING?

673
00:38:24,936 --> 00:38:26,572
OH, I'M GOING TO
SAY SOMETHING.

674
00:38:26,605 --> 00:38:28,640
AREN'T YOU GOING TO
SAY SOMETHING TO ME?

675
00:38:28,674 --> 00:38:30,576
YOU'RE THE ONE WHO
BROUGHT ME HERE.

676
00:38:30,609 --> 00:38:33,612
NO, NO, YOU
BROUGHT ME HERE.

677
00:38:39,150 --> 00:38:41,453
YOU'RE NOT KIDDING
ME, YOU KNOW.

678
00:38:41,487 --> 00:38:42,888
ABOUT WHAT?

679
00:38:42,921 --> 00:38:43,922
ANYTHING.

680
00:38:52,631 --> 00:38:55,434
WHAT'S THE
MATTER WITH YOU?

681
00:38:55,467 --> 00:38:58,470
THE WAY YOU DEAL WITH
PEOPLE BESIDES ME?

682
00:39:01,873 --> 00:39:03,575
IS THAT FUNNY?

683
00:39:03,609 --> 00:39:05,677
IS THAT FUNNY
TO YOU?

684
00:39:05,711 --> 00:39:07,713
IT'S NOT
FUNNY TO ME.

685
00:39:13,151 --> 00:39:16,855
SERGEANT, CAN I
SEE YOU A MINUTE?

686
00:39:16,888 --> 00:39:19,391
YOU STAY HERE.

687
00:39:19,425 --> 00:39:20,426
YES, SIR.

688
00:39:31,670 --> 00:39:32,838
WERE YOU
OVER THERE?

689
00:39:32,871 --> 00:39:34,406
I WAS OVER
THERE.

690
00:39:34,440 --> 00:39:36,174
WELL, IT'S ABOUT
DONE NOW, I GUESS.

691
00:39:36,207 --> 00:39:38,710
IT'S ALL FINISHED
UP, EVERYBODY'S HOME.

692
00:39:38,744 --> 00:39:41,447
I WANTED
TO BE THERE.

693
00:39:41,480 --> 00:39:44,483
I WANTED TO BE
THERE BADLY.

694
00:39:44,516 --> 00:39:47,118
SO I COULD
BE THE-

695
00:39:47,152 --> 00:39:49,488
I'M ON OFFICIAL
DUTY HERE.

696
00:39:49,521 --> 00:39:50,989
THE GUY IN
THE COFFIN,

697
00:39:51,022 --> 00:39:52,758
THEY TELL ME
HE'S A WAR HERO.

698
00:39:56,027 --> 00:39:57,763
I GET FIVE DAYS
OFF OVER THERE.

699
00:39:57,796 --> 00:40:00,031
GET HIM TO
THE EAST COAST

700
00:40:00,065 --> 00:40:02,534
AND THEN I GET
FIVE DAYS OFF.

701
00:40:07,973 --> 00:40:09,975
IT'S TOUGH OVER
THERE, MISTER.

702
00:40:17,583 --> 00:40:20,151
PRETTY TOUGH
OVER THERE?

703
00:40:20,185 --> 00:40:22,120
AAH! KNOW
WHAT I MEAN?

704
00:40:22,153 --> 00:40:24,155
YOU WOULDN'T WANT
TO HAVE BEEN THERE.

705
00:40:24,189 --> 00:40:26,224
YOU KNOW,
YOU'RE RIGHT.

706
00:40:26,257 --> 00:40:30,696
A MAN LIKE YOU
WHO SMELLS THE LAND,

707
00:40:30,729 --> 00:40:32,230
WHO FEELS
THE LAND,

708
00:40:32,263 --> 00:40:35,100
REALLY BELIEVES THAT
THE LAND IS WHAT IT IS,

709
00:40:35,133 --> 00:40:38,470
YOU'LL BE GETTING
OUT OF THE SERVICE,

710
00:40:38,504 --> 00:40:40,038
YOU'LL WANT
TO RETIRE,

711
00:40:40,071 --> 00:40:41,840
YOU WANT TO FIND
A PIECE OF LAND.

712
00:40:41,873 --> 00:40:43,575
BELIEVE ME, I'M
NOT SELLING YOU,

713
00:40:43,609 --> 00:40:45,143
I'M NOT TELLING YOU TO
HAVE A PIECE OF LAND.

714
00:40:45,176 --> 00:40:46,211
NOT AT ALL.

715
00:40:46,244 --> 00:40:48,647
I'M JUST SAYING I KNOW
YOU'RE THINKING ABOUT IT.

716
00:40:48,680 --> 00:40:50,849
I KNOW YOU'RE
THINKING ABOUT IT.

717
00:40:50,882 --> 00:40:52,150
THAT DOESN'T MEAN
I'M LOOKING TO DO

718
00:40:52,183 --> 00:40:53,819
ANYTHING WITH
YOU BUT TELL YOU

719
00:40:53,852 --> 00:40:56,522
WHAT I BELIEVE MORE
THAN ANYTHING ELSE, MAN.

720
00:40:56,555 --> 00:40:58,724
AND THAT'S THE LAND
BECAUSE THAT'S THE SOIL,

721
00:40:58,757 --> 00:41:00,992
THAT'S THE EARTH,
THAT'S THE GREEN BEANS

722
00:41:01,026 --> 00:41:03,128
POPPING OUT -
THAT'S WHAT IT IS.

723
00:41:03,161 --> 00:41:05,163
AND WITHOUT THAT
YOU GOT NOTHING.

724
00:41:23,882 --> 00:41:25,183
YOU'LL LOVE
THE CAPE.

725
00:41:25,216 --> 00:41:26,852
IT'S SO
BEAUTIFUL THERE.

726
00:41:26,885 --> 00:41:29,655
WE CAN GO RIDING
AROUND THE WHOLE CAPE.

727
00:41:29,688 --> 00:41:31,657
THEY'VE MADE
BICYCLE PATHS.

728
00:41:31,690 --> 00:41:33,625
GET SOME
EXERCISE FINALLY.

729
00:41:33,659 --> 00:41:35,761
YEAH, MY BROTHER HAS
A BIKE HE'S LEFT THERE

730
00:41:35,794 --> 00:41:38,029
SO THERE WILL
BE TWO OF THEM.

731
00:41:38,063 --> 00:41:39,765
AND MY COUSIN
WILL BE THERE.

732
00:41:39,798 --> 00:41:42,534
YOU'LL LIKE HIM.

733
00:41:42,568 --> 00:41:44,269
I WAS FREEZING.

734
00:41:44,302 --> 00:41:46,705
I COULDN'T FIND
THE SWITCH

735
00:41:46,738 --> 00:41:48,006
AND I WAS SHAKING
ALL NIGHT LONG.

736
00:41:48,039 --> 00:41:49,641
I'M GETTING
CONGESTED,

737
00:41:49,675 --> 00:41:51,610
MY HEAD HURTS, MY
INSIDES ARE IN PAIN.

738
00:41:51,643 --> 00:41:54,112
YOU'RE SUGGESTING YOU CAN
GET A COLD FROM THE COLD?

739
00:41:54,145 --> 00:41:56,748
HOW CAN YOU BELIEVE A
SUPERSTITION LIKE THAT?

740
00:41:56,782 --> 00:41:58,617
THERE ARE AREAS IN
THE ANTARCTIC WHERE THE

741
00:41:58,650 --> 00:42:00,318
EXPLORERS GO WHERE THERE
ARE NO COLD VIRUSES

742
00:42:00,351 --> 00:42:02,020
AND PEOPLE DON'T
GET COLDS THERE.

743
00:42:02,053 --> 00:42:03,622
YOU DON'T GET A
COLD FROM THE COLD.

744
00:42:03,655 --> 00:42:05,223
I GET HOT
FROM HEAT.

745
00:42:05,256 --> 00:42:07,292
THE WORD "COLD" IS A
MISNOMER TO BEGIN WITH.

746
00:42:07,325 --> 00:42:11,029
THE CORRECT WORD IS
CORYZA. C-O-R-Y-Z-A.

747
00:42:11,062 --> 00:42:13,164
IT'S NOT A
COLD AT ALL.

748
00:42:13,198 --> 00:42:15,033
YOU DON'T GET
COLDS FROM COLD.

749
00:42:15,066 --> 00:42:17,168
YOU KNOW WHAT?
I GOT CORYZA.

750
00:42:17,202 --> 00:42:19,638
I WAS CORYZING
ALL NIGHT LONG.

751
00:42:19,671 --> 00:42:21,973
AND THE CORYZING'S
GONNA GIVE ME A COLD.

752
00:42:22,007 --> 00:42:23,809
NOT BECAUSE OF
THE COLD WEATHER.

753
00:42:23,842 --> 00:42:25,276
LOOK AT THE
JUNK FOOD YOU ATE.

754
00:42:25,310 --> 00:42:26,612
IF YOU ATE PROTEIN
AND VITAMINS,

755
00:42:26,645 --> 00:42:28,146
CUT YOUR
CALORIES IN HALF,

756
00:42:28,179 --> 00:42:30,582
RAT STUDIES SHOW
YOU'LL LIVE 35% LONGER.

757
00:42:30,616 --> 00:42:32,250
WHAT HAVE I GOT
TO DO WITH RATS?

758
00:42:32,283 --> 00:42:33,985
IT'S DIFFICULT TO
EXTRAPOLATE FROM

759
00:42:34,019 --> 00:42:35,887
RAT STUDIES BUT AS FAR
AS YOU'RE CONCERNED

760
00:42:35,921 --> 00:42:37,889
THERE'S A DEFINITE
RELATIONSHIP.

761
00:42:37,923 --> 00:42:39,825
YOU DRINK, YOU
SMOKE, YOU HARM ME

762
00:42:39,858 --> 00:42:41,893
BY RAISING THE
CARBON MONOXIDE LEVEL.

763
00:42:41,927 --> 00:42:43,662
LET ME ASK YOU
ONE QUESTION.

764
00:42:43,695 --> 00:42:45,631
I DON'T MIND WHAT
YOU DO TO YOURSELF.

765
00:42:45,664 --> 00:42:47,198
WILL YOU GIVE
ME ONE QUESTION?

766
00:42:47,232 --> 00:42:50,168
ARE YOU TRAVELING
ALONE ON THIS TRAIN?

767
00:42:50,201 --> 00:42:53,038
MAYBE LATER WE'LL
HAVE A DRINK TOGETHER

768
00:42:53,071 --> 00:42:55,240
AND GET
CORYZMA.

769
00:42:55,273 --> 00:42:57,008
CORYZA, CORYZA!

770
00:43:01,246 --> 00:43:03,048
DON'T WORRY
ABOUT HIM.

771
00:43:03,081 --> 00:43:05,116
I'VE GOTTA
GO NOW.

772
00:43:05,150 --> 00:43:07,152
I DON'T
BLAME YOU.

773
00:43:07,185 --> 00:43:09,187
TAKE YOUR
CIGARETTE WITH YOU.

774
00:43:12,691 --> 00:43:14,025
HI.

775
00:43:14,059 --> 00:43:15,861
I'M STILL STRONGER
THAN YOU WITH THE

776
00:43:15,894 --> 00:43:18,029
DRINKING AND SMOKING
AND I'LL PROVE IT.

777
00:43:18,063 --> 00:43:19,798
I'LL ARM
WRESTLE WITH YOU.

778
00:43:19,831 --> 00:43:20,966
ARE YOU
KIDDING?

779
00:43:20,999 --> 00:43:22,634
YOU WANT TO ARM
WRESTLE WITH ME?

780
00:43:22,668 --> 00:43:24,302
YOU THINK YOU
HAVE A CHANCE?

781
00:43:24,335 --> 00:43:25,871
DO I THINK I
HAVE A CHANCE?

782
00:43:25,904 --> 00:43:27,038
I THINK I'LL
BEAT YOU.

783
00:43:27,072 --> 00:43:29,775
COME ON,
COME ON!

784
00:43:29,808 --> 00:43:32,043
COME ON!

785
00:43:32,077 --> 00:43:34,813
WHY DON'T YOU TRY
A LITTLE HARDER?

786
00:43:34,846 --> 00:43:36,414
UNGH....

787
00:43:36,447 --> 00:43:40,285
I WANT YOU
SO BAD...

788
00:43:40,318 --> 00:43:43,655
AAAAAGH!

789
00:43:43,689 --> 00:43:44,690
GAH!

790
00:43:46,391 --> 00:43:48,159
I LOST MY
STRENGTH.

791
00:43:48,193 --> 00:43:50,862
WE'RE COMING
INTO THE STATION.

792
00:43:50,896 --> 00:43:53,298
I'LL BE BACK IN
FIVE MINUTES.

793
00:43:53,331 --> 00:43:54,900
WHERE ARE
YOU GOING?

794
00:43:54,933 --> 00:43:56,668
I'LL BE BACK IN
FIVE MINUTES.

795
00:43:59,938 --> 00:44:02,173
I WISH WE COULD
TRAVEL LONGER.

796
00:44:02,207 --> 00:44:05,210
YOU GUYS GOING TO
SEE EACH OTHER AFTER?

797
00:44:08,379 --> 00:44:09,981
IS IT SERIOUS,
STEPH?

798
00:44:18,223 --> 00:44:27,198
(ALL TALKING
AT ONCE)

799
00:44:27,232 --> 00:44:28,700
HE'S OUT, MAN,
HE'S OUT.

800
00:44:28,734 --> 00:44:30,035
THAT'S MY ACE.

801
00:44:30,068 --> 00:44:31,903
THAT'S YOUR FIVE
AND HIS DEUCE.

802
00:44:31,937 --> 00:44:33,338
WAIT A MINUTE.

803
00:44:33,371 --> 00:44:35,373
YOU TWO GUYS
ARE OUT.

804
00:44:38,209 --> 00:44:40,846
WHAT'S GOING
ON HERE?

805
00:44:40,879 --> 00:44:42,814
DID YOU FOLD
YOUR CARDS?

806
00:44:42,848 --> 00:44:44,282
WHAT'S GOING ON?

807
00:44:44,315 --> 00:44:46,317
WHAT ARE YOU
DOING ON THIS TRAIN?

808
00:44:53,191 --> 00:44:56,728
I'M ESCORTING A COFFIN
ACROSS THE COUNTRY.

809
00:44:56,762 --> 00:44:59,765
IT'S A BLACK MAN
IN THAT COFFIN.

810
00:44:59,798 --> 00:45:01,800
IT'S A GREAT
BLACK MAN.

811
00:45:01,833 --> 00:45:06,337
HE SAVED MY LIFE AND
I'M TAKING HIM HOME.

812
00:45:06,371 --> 00:45:08,339
I'M TAKING HIM
HOME A HERO.

813
00:45:08,373 --> 00:45:10,108
HE'S GONNA BE
JACKIE ROBINSON

814
00:45:10,141 --> 00:45:11,442
WHEN HE
GETS HOME.

815
00:45:11,476 --> 00:45:13,211
UNDERSTAND
WHAT I'M SAYING?

816
00:45:14,412 --> 00:45:16,782
I LOST 21
GUYS IN KOREA.

817
00:45:16,815 --> 00:45:18,516
THEY'RE BURIED
OVER THERE.

818
00:45:18,549 --> 00:45:20,285
THIS ISN'T MY
KIND OF GAME.

819
00:45:22,854 --> 00:45:24,956
WHY THE HELL YOU THINK
YOU HAVE A MONOPOLY

820
00:45:24,990 --> 00:45:26,491
ON FEELING SORRY
FOR YOURSELF?

821
00:45:26,524 --> 00:45:29,127
YOU ONLY HAVE ONE.
I HAD 21.

822
00:45:29,160 --> 00:45:33,799
SERGEANT, GET OFF MY
BACK WITH THIS BULL.

823
00:45:33,832 --> 00:45:36,467
I LIVED A
LIFETIME,

824
00:45:36,501 --> 00:45:40,205
A LIFETIME WITH
21 DEAD MEN.

825
00:45:40,238 --> 00:45:43,809
YOU'RE WALKING
AROUND WITH A CHIP

826
00:45:43,842 --> 00:45:45,343
ON YOUR
SHOULDER.

827
00:45:45,376 --> 00:45:47,946
BIG SARGE, "HEY, I'M
SORRY MY BUDDY'S DEAD".

828
00:45:47,979 --> 00:45:49,815
HELL, I LOST 21!

829
00:45:49,848 --> 00:45:51,817
WHO THE HELL
ARE YOU?

830
00:45:51,850 --> 00:45:53,118
GET OUTTA
MY FACE.

831
00:45:53,151 --> 00:45:56,054
A HERO.

832
00:45:56,087 --> 00:45:58,456
JACKIE ROBINSON.

833
00:45:58,489 --> 00:46:02,227
JACKIE ROBINSON 1946,
1957 BROOKLYN DODGERS,

834
00:46:02,260 --> 00:46:04,129
SECOND BASEMAN,
STARTED OFF

835
00:46:04,162 --> 00:46:06,131
IN '46 AS A
FIRST BASEMAN.

836
00:46:06,164 --> 00:46:09,134
CAME UP IN '45
WITH MONTREAL ROYALS.

837
00:46:09,167 --> 00:46:11,837
JACKIE ROBINSON'S
NOT THE FIRST.

838
00:46:11,870 --> 00:46:13,471
LEROY
"SATCHEL" PAIGE.

839
00:46:13,504 --> 00:46:20,178
SATCHEL PAIGE, UH, 1952,
ROBINSON WAS THE FIRST.

840
00:46:20,211 --> 00:46:23,114
CLEVELAND INDIANS,
HESITATION PITCH,

841
00:46:23,148 --> 00:46:25,817
DON'T EAT FRIED FOODS,
DON'T LOOK BEHIND YOU,

842
00:46:25,851 --> 00:46:27,352
SOMEBODY MAY
BE GAINING.

843
00:46:27,385 --> 00:46:28,553
RUN FAST,
LIVE LONG,

844
00:46:28,586 --> 00:46:32,023
ONE OF THE FINEST
HITTERS IN BASEBALL.

845
00:46:32,057 --> 00:46:34,525
WHO'S THE FIRST HERO,
ROBINSON OR PAIGE?

846
00:46:34,559 --> 00:46:38,463
OKAY, YOU
WANT TO GO BACK?

847
00:46:38,496 --> 00:46:40,231
THEY WERE
ALL GREAT.

848
00:46:49,474 --> 00:47:00,886
* THIS LOVE OF MINE
GOES ON AND ON *

849
00:47:00,919 --> 00:47:13,398
* THOUGH LIFE IS EMPTY
SINCE YOU HAVE GONE *

850
00:47:13,431 --> 00:47:20,005
* YOU'RE ALWAYS
ON MY MIND *

851
00:47:20,038 --> 00:47:26,011
* THOUGH OUT
OF SIGHT *

852
00:47:26,044 --> 00:47:32,483
* IT'S LONESOME
THROUGH THE DAY *

853
00:47:32,517 --> 00:47:38,523
* AND ALL
THE NIGHT *

854
00:47:38,556 --> 00:47:49,434
(VARIOUS
CONVERSATIONS)

855
00:47:49,467 --> 00:47:51,036
COULD YOU PLEASE
KEEP YOUR CIGARETTE

856
00:47:51,069 --> 00:47:52,603
OUT OF MY NOSE?

857
00:47:52,637 --> 00:47:54,372
YOU HAVE A
LITTLE IN HERE.

858
00:47:54,405 --> 00:47:56,241
COULD YOU PLEASE
KEEP YOUR NOSE

859
00:47:56,274 --> 00:47:58,009
OUT OF OUR
CIGARETTES?

860
00:47:58,043 --> 00:47:59,444
CHLOE!

861
00:48:03,314 --> 00:48:08,053
(SPEAKING
FRENCH)

862
00:48:08,086 --> 00:48:09,354
CHEERS...

863
00:48:09,387 --> 00:48:13,324
TO PROSPERITY AND A
WONDERFUL TRAIN RIDE.

864
00:48:13,358 --> 00:48:15,260
NOW AS GOOD AS
MASTURBATION IS FOR MEN,

865
00:48:15,293 --> 00:48:17,228
LOOK HOW GOOD
MASTURBATION IS

866
00:48:17,262 --> 00:48:18,229
FOR WOMEN.

867
00:48:18,263 --> 00:48:20,465
THOSE WOMEN WHO GREW UP
IN A REPRESSED SOCIETY,

868
00:48:20,498 --> 00:48:22,467
NO MATTER WHAT PROBLEMS
THEY HAD SEXUALLY,

869
00:48:22,500 --> 00:48:24,970
IF THEY HAD THE HABIT
OF ALWAYS MASTURBATING

870
00:48:25,003 --> 00:48:29,007
THEN THEY KNEW IN THEIR
BODY THEY HAD A SEXUALITY

871
00:48:29,040 --> 00:48:32,043
THAT NOTHING COULD
REPRESS AND AS SOON AS

872
00:48:32,077 --> 00:48:34,045
THEY GOT A GOOD ENOUGH
PARTNER IT CAME OUT,

873
00:48:34,079 --> 00:48:36,447
OR IT CAME OUT IN
THEIR OWN SATISFACTION.

874
00:48:36,481 --> 00:48:39,951
THIS MAN HERE
THINKS THAT I'M SICK.

875
00:48:39,985 --> 00:48:43,221
THIS IS A DIFFERENT LEVEL
THAN HE CAN DEAL WITH.

876
00:48:43,254 --> 00:48:47,358
HE LIKES TO HAVE A FEW
DRINKS AND HAVE A FUCK.

877
00:48:47,392 --> 00:48:49,494
YOU'RE GODDAMN
RIGHT I DO.

878
00:48:49,527 --> 00:48:52,397
WOULD YOU LIKE TO
COME TO MY ROOM?

879
00:48:52,430 --> 00:48:56,367
I SAID WOULD YOU LIKE
TO COME TO MY ROOM?

880
00:48:56,401 --> 00:48:58,269
I'D LIKE TO COME
TO YOUR ROOM.

881
00:48:58,303 --> 00:49:00,405
THAT'S A SHAME.

882
00:49:00,438 --> 00:49:02,540
WHAT ARE
YOU DOING?

883
00:49:02,573 --> 00:49:04,109
YOU'RE THE KIND OF
GUY, AFTER YOU'RE

884
00:49:04,142 --> 00:49:06,244
FINISHED HAVING SEX,
YOU SMOKE A CIGARETTE

885
00:49:06,277 --> 00:49:08,113
'CAUSE THAT'S YOUR
FAVORITE ACTIVITY.

886
00:49:08,146 --> 00:49:10,415
AND THAT'S THE
DESSERT AFTER THE SEX.

887
00:49:10,448 --> 00:49:12,050
IS THAT TRUE,
YES OR NO?

888
00:49:12,083 --> 00:49:14,285
NO. I NEVER SMOKE
AFTER I HAVE SEX.

889
00:49:14,319 --> 00:49:15,987
I COLLAPSE.

890
00:49:16,021 --> 00:49:19,290
'CAUSE WHEN I GIVE
I GIVE COMPLETELY.

891
00:49:19,324 --> 00:49:20,591
I LAY IT
ALL DOWN.

892
00:49:22,260 --> 00:49:24,262
EXCUSE ME, I'LL
BE RIGHT BACK.

893
00:49:27,498 --> 00:49:30,768
THERE'S SOMETHING ODDLY
ENDEARING ABOUT THE MAN.

894
00:49:30,801 --> 00:49:44,015
* I CRY MY HEART OUT,
IT'S BOUND TO BREAK *

895
00:49:44,049 --> 00:49:57,228
* SINCE NOTHING
MATTERS LET IT BREAK *

896
00:49:57,262 --> 00:50:03,234
* I ASK THE SUN
AND THE MOON *

897
00:50:03,268 --> 00:50:09,774
* THE STARS
THAT SHINE *

898
00:50:09,807 --> 00:50:15,513
* WHAT'S TO
BECOME OF THIS *

899
00:50:15,546 --> 00:50:19,517
* THIS LOVE
OF MINE? *

900
00:50:19,550 --> 00:50:21,018
WHAT'S THAT?

901
00:50:23,754 --> 00:50:25,690
IT'S THE
COMBAT AREAS.

902
00:50:29,127 --> 00:50:31,462
WHAT'S
IT LIKE?

903
00:50:31,496 --> 00:50:33,498
YOU KNOW WHAT
I'M DOING HERE?

904
00:50:37,168 --> 00:50:42,540
I GOT A COFFIN IN
THE BAGGAGE CAR.

905
00:50:42,573 --> 00:50:44,575
HE'S A GOOD
FRIEND OF MINE.

906
00:50:46,711 --> 00:50:49,847
DO YOU BELIEVE SEX
IS DIRECTLY RELATED

907
00:50:49,880 --> 00:50:51,549
WITH CHESS?

908
00:50:51,582 --> 00:50:53,418
DIDN'T YOU SAY YOU WERE
GOING TO LET ME STUDY

909
00:50:53,451 --> 00:50:56,421
THE POSITION IF YOU
SAT HERE WITH ME?

910
00:50:56,454 --> 00:50:58,389
I'VE GOT TO GET
THIS POSITION DOWN.

911
00:50:58,423 --> 00:51:00,591
OF COURSE SEX IS
RELATED WITH CHESS.

912
00:51:00,625 --> 00:51:02,527
THE MERE FACT
YOU SAY "POSITION"

913
00:51:02,560 --> 00:51:05,530
"POSITION" TO ME HAS
A SEXUAL CONNOTATION.

914
00:51:05,563 --> 00:51:08,866
YOU USE IT IN THE
SAME CONTEXT AS CHESS.

915
00:51:08,899 --> 00:51:11,236
WELL, THERE'S A
THEORY THAT THERE'S

916
00:51:11,269 --> 00:51:13,271
A DISTINCT
RELATIONSHIP.

917
00:51:13,304 --> 00:51:15,573
WHEN YOU PLAY CHESS
IT'S AN AGGRESSIVE THING

918
00:51:15,606 --> 00:51:18,743
IN THE WAY THAT THERE'S
A SEXUAL DISPLACEMENT.

919
00:51:18,776 --> 00:51:21,512
IT'S RELATED TO ALL
KINDS OF THINGS

920
00:51:21,546 --> 00:51:24,482
LIKE ANAL SADISM,
FATHER MURDER.

921
00:51:24,515 --> 00:51:26,551
WHEN YOU TOUCH A PIECE
YOU HAVE TO MOVE IT.

922
00:51:26,584 --> 00:51:28,586
THE WHOLE POINT
ABOUT THAT IT'S LIKE

923
00:51:28,619 --> 00:51:30,788
YOU'RE RESTRAINING THE
URGE TO MASTURBATE.

924
00:51:30,821 --> 00:51:32,690
WHERE DID YOU
GET YOUR WATCH?

925
00:51:32,723 --> 00:51:34,892
WALT DISNEY
GAVE ME THIS.

926
00:51:34,925 --> 00:51:37,128
IT'S
MICKEY MOUSE.

927
00:51:39,930 --> 00:51:41,532
WHAT FOR?

928
00:51:41,566 --> 00:51:44,169
WELL, BECAUSE...

929
00:51:44,202 --> 00:51:45,903
YOU
INSPIRED HIM?

930
00:51:45,936 --> 00:51:47,805
YEAH, I GAVE HIM
DONALD DUCK

931
00:51:47,838 --> 00:51:49,840
AND HE GAVE ME
MICKEY MOUSE.

932
00:51:52,210 --> 00:51:53,478
YOU'RE SO
BEAUTIFUL.

933
00:51:56,314 --> 00:51:57,915
YOU'RE SO
BEAUTIFUL.

934
00:51:57,948 --> 00:51:59,450
DO YOU ENJOY
PLAYING CHESS

935
00:51:59,484 --> 00:52:01,452
AS MUCH AS YOU
DO HAVING SEX?

936
00:52:01,486 --> 00:52:04,155
UM, IT'S DIFFICULT
TO EQUATE IT.

937
00:52:04,189 --> 00:52:07,258
IF I HAD TO GIVE UP ONE
OR THE OTHER FOR THE

938
00:52:07,292 --> 00:52:09,560
REST OF MY LIFE WHICH
WOULD I CHOOSE?

939
00:52:09,594 --> 00:52:11,529
WELL, I THINK YOU
KNOW THE ANSWER TO THAT.

940
00:52:11,562 --> 00:52:13,398
I WANT YOU TO THINK
BEFORE YOU ANSWER

941
00:52:13,431 --> 00:52:14,765
BECAUSE I HAVE
GREAT POWERS.

942
00:52:14,799 --> 00:52:16,234
IT'S THE ANSWER
YOU SUSPECT.

943
00:52:16,267 --> 00:52:18,636
IF YOU SUSPECT THE ONE I
DON'T THINK YOU SUSPECT

944
00:52:18,669 --> 00:52:20,471
THEN YOU
DESERVE THAT ANSWER.

945
00:52:20,505 --> 00:52:21,772
SO IT WOULD
BE CHESS THEN?

946
00:52:21,806 --> 00:52:23,808
ALRIGHT, IT
WOULD BE CHESS.

947
00:52:24,975 --> 00:52:27,778
* ALTHOUGH SOME
PEOPLE SAY *

948
00:52:27,812 --> 00:52:30,681
* HE'S JUST
A CRAZY GUY *

949
00:52:30,715 --> 00:52:36,387
* TO ME HE MEANS A
MILLION OTHER THINGS *

950
00:52:36,421 --> 00:52:38,889
* FOR HE'S THE ONE
WHO TAUGHT THIS *

951
00:52:38,923 --> 00:52:42,427
* HAPPY HEART
OF MINE TO FLY *

952
00:52:42,460 --> 00:52:48,666
* HE WEARS A PAIR
OF SILVER WINGS *

953
00:52:48,699 --> 00:52:51,269
* AND THOUGH IT'S
PRETTY TOUGH *

954
00:52:51,302 --> 00:52:53,938
* THE JOB HE
DOES ABOVE *

955
00:52:53,971 --> 00:52:59,810
* I WOULDN'T HAVE HIM
CHANGE IT FOR A KING *

956
00:52:59,844 --> 00:53:05,783
* AN ORDINARY FELLOW
IN THE UNIFORM I LOVE *

957
00:53:05,816 --> 00:53:11,856
* HE WEARS A PAIR
OF SILVER WINGS *

958
00:53:11,889 --> 00:53:17,562
* I'M SO FULL OF PRIDE
WHEN WE GO WALKING *

959
00:53:17,595 --> 00:53:23,568
* EVERY TIME HE'S
HOME ON LEAVE *

960
00:53:23,601 --> 00:53:28,973
* HE WITH THOSE
WINGS ON HIS TUNIC *

961
00:53:29,006 --> 00:53:35,813
* ME WITH MY
HEART ON MY SLEEVE *

962
00:53:35,846 --> 00:53:41,352
* BUT WHEN I'M LEFT ALONE
AND WE ARE FAR APART *

963
00:53:41,386 --> 00:53:46,891
* I SOMETIMES WONDER
WHAT TOMORROW BRINGS *

964
00:53:46,924 --> 00:53:49,994
* FOR I ADORE
THAT CRAZY GUY *

965
00:53:50,027 --> 00:53:52,963
* WHO TAUGHT MY
HAPPY HEART *

966
00:53:52,997 --> 00:53:57,001
* TO WEAR A PAIR
OF SILVER WINGS *

967
00:53:58,936 --> 00:54:00,905
THE GOING GOT
ROUGH OUT THERE.

968
00:54:00,938 --> 00:54:03,641
YOU THINK OF THE
STRANGEST THINGS.

969
00:54:03,674 --> 00:54:05,276
LIKE WHAT?

970
00:54:05,310 --> 00:54:09,547
CHILD THINGS.
YOU EVER DO THAT?

971
00:54:09,580 --> 00:54:13,418
BE A CHILD? THINK
OF STRANGE THINGS?

972
00:54:13,451 --> 00:54:15,386
BETTER
BELIEVE IT.

973
00:54:15,420 --> 00:54:18,823
YOU CAME FROM A SMALL
TOWN, DIDN'T YOU?

974
00:54:18,856 --> 00:54:20,658
YEAH.

975
00:54:20,691 --> 00:54:23,928
I CAME FROM A
BIG ONE. BIG CITY.

976
00:54:23,961 --> 00:54:26,497
I RAN AWAY FROM
HOME WHEN I WAS SEVEN.

977
00:54:26,531 --> 00:54:29,367
IT WAS A WHOLE
DIFFERENT TYPE OF TRIP

978
00:54:29,400 --> 00:54:31,302
BUT DEFINITELY
STRANGE.

979
00:54:31,336 --> 00:54:33,738
YOU RAN AWAY WHEN
YOU WERE SEVEN?

980
00:54:37,508 --> 00:54:40,077
I RAN AWAY
WHEN I WAS 14.

981
00:54:40,110 --> 00:54:42,313
TOOK ME
TWICE AS LONG.

982
00:54:45,082 --> 00:54:47,618
I SPENT...
OH, GOD...

983
00:54:47,652 --> 00:54:50,388
YEARS, IF YOU
PUT 'EM TOGETHER,

984
00:54:50,421 --> 00:54:53,023
ON TRAINS GOING
ACROSS COUNTRY,

985
00:54:53,057 --> 00:54:55,893
BACK AND FORTH,
BACK AND FORTH.

986
00:54:55,926 --> 00:54:58,829
ONE THING THAT
STICKS OUT IN MY MIND,

987
00:54:58,863 --> 00:55:04,769
OR MAYBE IT'S MY SOUL,
WAS ALBUQUERQUE.

988
00:55:04,802 --> 00:55:07,705
IT WAS SANTA FE
RAILROAD, SUPER CHEAP,

989
00:55:07,738 --> 00:55:09,574
WE'D STOP IN
ALBUQUERQUE AND

990
00:55:09,607 --> 00:55:12,543
I NEVER GOT OFF THE
TRAIN, I DON'T KNOW WHY.

991
00:55:12,577 --> 00:55:14,879
THE INDIAN WOMAN WOULD
BE ON THE PLATFORM

992
00:55:14,912 --> 00:55:17,815
WITH THE RUGS
AND THE JEWELRY,

993
00:55:17,848 --> 00:55:19,984
WHICH I WENT
BACK TO LATER ON.

994
00:55:20,017 --> 00:55:22,052
YEAH, AND THE
QUALITY OF LIGHT

995
00:55:22,086 --> 00:55:24,889
THERE IN
NEW MEXICO.

996
00:55:24,922 --> 00:55:28,926
I'VE NEVER GOTTEN OVER
THAT, THAT'S FOR SURE.

997
00:55:32,763 --> 00:55:36,701
THEN BACK ON THE
TRAIN. CH-CH-CH-CH.

998
00:55:36,734 --> 00:55:39,870
EVERY ONCE IN A WHILE,
ON CERTAIN TRAINS,

999
00:55:39,904 --> 00:55:43,574
THE UPPER BERTH
IF YOU WERE LUCKY

1000
00:55:43,608 --> 00:55:45,710
YOU GOT THE
LITTLE WINDOW

1001
00:55:45,743 --> 00:55:48,112
THEN WHEN IT WAS
ALL DARK YOU COULD

1002
00:55:48,145 --> 00:55:51,516
PEEK OUT THE WINDOW AND
WATCH THE LIGHTS GO BY.

1003
00:55:51,549 --> 00:55:53,718
I'D HAVE STRANGE
DREAMS THEN.

1004
00:55:53,751 --> 00:55:56,120
I ALWAYS THOUGHT
I WAS ON A SHIP.

1005
00:55:56,153 --> 00:55:57,988
I ALWAYS THOUGHT
ABOUT THE WAKE

1006
00:55:58,022 --> 00:56:01,592
I WAS LEAVING BEHIND;
PHOSPHORUS AND WHITE.

1007
00:56:01,626 --> 00:56:04,061
IT WAS JUST MOON ON
THE RAILS, I GUESS.

1008
00:56:04,094 --> 00:56:07,031
YEAH, I'D SEE THAT HIT
THE WIRES SOMETIMES

1009
00:56:07,064 --> 00:56:08,933
WHEN WE WERE
ON A TRAIN.

1010
00:56:08,966 --> 00:56:11,802
IT HITS THE WIRES,
IT HITS THE TRACKS.

1011
00:56:11,836 --> 00:56:14,872
I'D WANT TO KNOW
WHERE THEY WERE GOING.

1012
00:56:14,905 --> 00:56:16,641
WHERE WHAT
WERE GOING?

1013
00:56:16,674 --> 00:56:17,642
THE TRAINS.

1014
00:56:17,675 --> 00:56:20,411
OH, YOU WANTED TO KNOW
WHERE THEY WERE GOING?

1015
00:56:20,445 --> 00:56:22,513
YEAH. 'CAUSE I
COULDN'T GO ANYWHERE.

1016
00:56:22,547 --> 00:56:25,583
WE WERE REAL POOR. I
COULDN'T GO ANYWHERE

1017
00:56:25,616 --> 00:56:28,653
AND I WONDERED WHERE
THEY WERE GOING.

1018
00:56:28,686 --> 00:56:30,855
AND SO I JOINED
THE ARMY.

1019
00:56:30,888 --> 00:56:33,658
I KNEW THERE WAS A
REASON I LIKED YOU.

1020
00:56:33,691 --> 00:56:35,426
COUPLA
RUNAWAYS.

1021
00:56:37,528 --> 00:56:38,529
YUP.

1022
00:56:45,169 --> 00:56:49,474
I WISH I COULD REMEMBER
WHAT THAT SIGN SAID.

1023
00:56:49,507 --> 00:56:52,042
IT WAS SOMETHING
ABOUT POVERTY.

1024
00:56:57,982 --> 00:56:58,983
CAN'T REMEMBER...

1025
00:56:59,016 --> 00:57:00,485
WHAT SIGN?

1026
00:57:03,754 --> 00:57:06,123
* WHAT MY
HEART MEANT *

1027
00:57:06,156 --> 00:57:11,128
(WHISTLING)

1028
00:57:11,161 --> 00:57:16,934
* THESE FOOLISH THINGS
REMIND ME OF YOU *

1029
00:57:16,967 --> 00:57:27,512
* YOU CAME, YOU SAW,
YOU CONQUERED ME *

1030
00:57:27,545 --> 00:57:32,950
* WHEN YOU DID
THAT TO ME *

1031
00:57:32,983 --> 00:57:40,090
* I KNEW SOMEHOW
THIS WAS MEANT TO BE *

1032
00:57:40,124 --> 00:57:46,731
* THE WINDS OF MARCH THAT
MAKE MY HEART A DANCER *

1033
00:57:46,764 --> 00:57:53,838
* A TELEPHONE THAT RINGS
AND WHO'S TO ANSWER? *

1034
00:57:53,871 --> 00:58:00,110
* OH, HOW THE GHOST
OF YOU CLINGS *

1035
00:58:00,144 --> 00:58:08,953
* THESE FOOLISH THINGS
REMIND ME OF YOU *

1036
00:58:08,986 --> 00:58:16,260
* FIRST DAFFODIL AND
LONG EXCITED CABLES *

1037
00:58:16,293 --> 00:58:22,299
* AND CANDLELIGHTS ON
LITTLE CORNER TABLES *

1038
00:58:22,332 --> 00:58:27,004
* AND STILL MY
HEART HAS WINGS *

1039
00:58:27,037 --> 00:58:34,144
* THESE FOOLISH THINGS
REMIND ME OF YOU *

1040
00:58:34,178 --> 00:58:39,784
* THE PARK AT EVENING WHEN
THE BELL HAS SOUNDED *

1041
00:58:39,817 --> 00:58:45,756
* THE ILE-DE-FRANCE WITH
ALL THE GULLS AROUND IT *

1042
00:58:45,790 --> 00:58:50,027
* THE BEAUTY
THAT IS SPRING *

1043
00:58:50,060 --> 00:58:54,665
* THESE FOOLISH THINGS
REMIND ME OF YOU *

1044
00:58:57,134 --> 00:59:04,575
YOU KNOW, I JUST WISH
I HADN'T BEEN IN 'NAM.

1045
00:59:04,609 --> 00:59:07,645
THEY BROUGHT BACK MY
COUSIN ON THE TRAIN.

1046
00:59:07,678 --> 00:59:12,049
MY COUSIN
ARTURO.

1047
00:59:12,082 --> 00:59:16,787
HE CAME BACK
ON A TRAIN.

1048
00:59:16,821 --> 00:59:20,925
ALL THE FAMILY WAS AT
THE STATION WAITING,

1049
00:59:20,958 --> 00:59:24,028
YOU KNOW, HEREFORD,
TEXAS, THE PANHANDLE

1050
00:59:24,061 --> 00:59:27,097
WHERE WHEN IT RAINS
IT RAINS VERY DARKLY.

1051
00:59:27,131 --> 00:59:29,900
IT WAS RAINING
THAT DAY

1052
00:59:29,934 --> 00:59:32,336
AND THEY BROUGHT
HIM OFF THE...

1053
00:59:35,906 --> 00:59:38,242
YOU KNOW,
THAT CAR.

1054
00:59:38,275 --> 00:59:40,277
THEY BROUGHT
HIM OFF IN A BOX.

1055
00:59:42,780 --> 00:59:45,750
ARTURO WAS
VERY YOUNG.

1056
00:59:45,783 --> 00:59:48,786
WHY ARE YOU IN
THE SERVICE?

1057
00:59:55,159 --> 00:59:57,995
I THINK IT'S ONE OF
THE MOST PROFOUND

1058
00:59:58,028 --> 01:00:02,366
OBSESSIONS A MAN OR
A WOMAN SHOULD HAVE:

1059
01:00:02,399 --> 01:00:03,868
DEATH.

1060
01:00:06,671 --> 01:00:09,039
AND WE ALL HAVE
OUR FANTASIES.

1061
01:00:09,073 --> 01:00:17,648
*

1062
01:00:17,682 --> 01:00:19,083
* WE'RE GONNA
HAVE TO SLAP *

1063
01:00:19,116 --> 01:00:20,785
* THE DIRTY
LITTLE JAP *

1064
01:00:20,818 --> 01:00:24,054
* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

1065
01:00:24,088 --> 01:00:25,756
* WE'LL SKIN THAT
STREAK OF YELLA *

1066
01:00:25,790 --> 01:00:27,357
* FROM THE SNEAKY
LITTLE FELLA AND *

1067
01:00:27,391 --> 01:00:30,895
* HE'LL THINK A CYCLONE
STRUCK HIM WHEN WE DO IT *

1068
01:00:30,928 --> 01:00:32,663
* WE'LL TAKE THAT
DOUBLE CROSSER *

1069
01:00:32,697 --> 01:00:34,231
* TO THE OLD
WOODSHED *

1070
01:00:34,264 --> 01:00:35,900
* WE'LL START RIGHT
ON HIS BOTTOM *

1071
01:00:35,933 --> 01:00:37,434
* AND WE'LL GO
TO HIS HEAD *

1072
01:00:37,467 --> 01:00:38,936
* WHEN WE GET
DONE WITH HIM *

1073
01:00:38,969 --> 01:00:40,971
* HE'LL WISH THAT
HE WAS DEAD *

1074
01:00:41,005 --> 01:00:43,440
* WE'VE GOTTA SLAP
THE DIRTY LITTLE JAP *

1075
01:00:43,473 --> 01:00:46,276
*

1076
01:00:46,310 --> 01:00:49,446
* UNCLE SAM'S A MAN WHO'S
GIVEN A HELPING HAND *

1077
01:00:49,479 --> 01:00:52,950
* TO MANY A FOREIGN
LAND DON'T FORGET IT *

1078
01:00:52,983 --> 01:00:56,286
* BUT WHEN SOMEBODY GOES
TO TROMPIN' ON HIS TOES *

1079
01:00:56,320 --> 01:00:57,788
* THEY BETTER
GUARD THEIR NOSE *

1080
01:00:57,822 --> 01:00:59,790
* OR THEY'LL
REGRET IT *

1081
01:00:59,824 --> 01:01:01,325
* WE'RE GONNA
HAVE TO SLAP *

1082
01:01:01,358 --> 01:01:03,160
* THE DIRTY
LITTLE JAP *

1083
01:01:03,193 --> 01:01:06,396
* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

1084
01:01:06,430 --> 01:01:08,132
* THE JAPS AND
ALL THEIR HOOEY *

1085
01:01:08,165 --> 01:01:09,967
* WILL BE CHANGED
INTO CHOP SUEY *

1086
01:01:10,000 --> 01:01:11,168
* AND THE RISING
SUN WILL SET *

1087
01:01:11,201 --> 01:01:13,270
* WHEN WE GET
THROUGH IT *

1088
01:01:13,303 --> 01:01:16,807
* THEIR ALIBI FOR FIGHTING
IS TO SAVE THEIR FACE *

1089
01:01:16,841 --> 01:01:20,144
* FOR ANCESTORS WAITING
IN CELESTIAL SPACE *

1090
01:01:20,177 --> 01:01:21,979
* WE'LL KICK THEIR
PRECIOUS FACE *

1091
01:01:22,012 --> 01:01:23,781
* DOWN TO THE
OTHER PLACE *

1092
01:01:23,814 --> 01:01:26,216
* WE GOTTA SLAP THE
DIRTY LITTLE JAP *

1093
01:01:26,250 --> 01:01:35,059
*

1094
01:01:35,092 --> 01:01:36,761
* WE'RE GONNA
HAVE TO SLAP *

1095
01:01:36,794 --> 01:01:38,295
* THE DIRTY
LITTLE JAP *

1096
01:01:38,328 --> 01:01:41,465
* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

1097
01:01:41,498 --> 01:01:43,200
* I WOULDN'T
FOOL YA, MISTER *

1098
01:01:43,233 --> 01:01:45,069
* HE CAN RAISE AN
AWFUL BLISTER *

1099
01:01:45,102 --> 01:01:46,804
* AND SOMEBODY'S
PANTS WILL BURN *

1100
01:01:46,837 --> 01:01:48,338
* BEFORE WE'RE
THROUGH IT *

1101
01:01:48,372 --> 01:01:50,140
* WE'LL REACH
ACROSS THE OCEAN *

1102
01:01:50,174 --> 01:01:51,909
* AND GRAB THAT
YELLA JAP *

1103
01:01:51,942 --> 01:01:53,310
* AND TURN HIM
UPSIDE DOWN *

1104
01:01:53,343 --> 01:01:55,245
* RIGHT ON
DEMOCRACY'S LAP *

1105
01:01:55,279 --> 01:01:58,515
* WE'LL BLISTER HIS AXIS
AND DO IT WITH A SNAP *

1106
01:01:58,548 --> 01:02:01,151
* WE GOTTA SLAP THE
DIRTY LITTLE JAP *

1107
01:02:03,988 --> 01:02:07,291
* UNCLE SAM IS MILD, AS
PEACEFUL AS A CHILD *

1108
01:02:07,324 --> 01:02:10,795
* BUT NEVER GET HIM
RILED OR YOU WILL RUE IT *

1109
01:02:10,828 --> 01:02:12,362
* SO NOW THEY
WANNA FIGHT *

1110
01:02:12,396 --> 01:02:14,264
* WELL, THEY BIT
OFF QUITE A BITE *

1111
01:02:14,298 --> 01:02:17,501
* AND UNCLE SAM IS
GONNA MAKE 'EM CHEW IT *

1112
01:02:17,534 --> 01:02:19,436
* WE'RE GONNA
HAVE TO SLAP *

1113
01:02:19,469 --> 01:02:21,205
* THE DIRTY
LITTLE JAP *

1114
01:02:21,238 --> 01:02:24,341
* AND UNCLE SAM'S THE
GUY WHO CAN DO IT *

1115
01:02:24,374 --> 01:02:26,210
* 'CAUSE IT REALLY
IS A PEACHER *

1116
01:02:26,243 --> 01:02:27,878
* WHEN HE STARTS
TO BE A TEACHER *

1117
01:02:27,912 --> 01:02:29,914
* WE CAN SHOW YOU
SEVERAL PUPILS WHO- *

1118
01:02:34,819 --> 01:02:37,387
LISTEN TO ME, YOU
GOTTA HELP ME, OKAY?

1119
01:02:37,421 --> 01:02:40,925
UM, I'M NOT
WHAT I SEEM.

1120
01:02:40,958 --> 01:02:43,193
I'M NOT THE GUY
YOU EVEN MET.

1121
01:02:43,227 --> 01:02:46,563
I'M POLITICAL,
VERY POLITICAL.

1122
01:02:46,596 --> 01:02:50,300
RADICAL, AND ALL MY
JOY IS JUST A COVER.

1123
01:02:50,334 --> 01:02:52,937
'CAUSE I'M UNDERGROUND.
VERY UNDERGROUND.

1124
01:02:52,970 --> 01:02:56,073
AND THERE'S SOMEONE
ON THIS FUCKIN' TRAIN

1125
01:02:56,106 --> 01:02:57,808
THAT'S A FAKE!

1126
01:02:57,842 --> 01:02:59,343
SO ALL YOU GOTTA
DO IS HIDE ME,

1127
01:02:59,376 --> 01:03:00,945
WILL YOU DO
THAT FOR ME?

1128
01:03:00,978 --> 01:03:03,080
I'LL HIDE IN
THE BATHROOM.

1129
01:03:03,113 --> 01:03:04,514
JUST TALK
TO HIM.

1130
01:03:04,548 --> 01:03:07,084
ARE YOU GOING TO
PUT YOUR UNIFORM ON?

1131
01:03:07,117 --> 01:03:09,519
YOU'RE A SOLDIER,
THEY'LL BELIEVE YOU.

1132
01:03:15,625 --> 01:03:17,494
WILL YOU DO
IT, BUDDY?

1133
01:03:17,527 --> 01:03:19,129
FALEN,
HELP ME!

1134
01:03:19,163 --> 01:03:20,397
WILL YOU
HELP ME?

1135
01:03:20,430 --> 01:03:22,332
HELP ME,
FALEN!

1136
01:03:22,366 --> 01:03:24,334
CAN'T DO IT.

1137
01:03:24,368 --> 01:03:26,971
KNOW WHY I
CAN'T DO IT?

1138
01:03:27,604 --> 01:03:28,939
DO YOU KNOW
WHY I CAN'T-

1139
01:03:28,973 --> 01:03:30,507
NO, I DON'T!

1140
01:03:30,540 --> 01:03:33,343
'CAUSE I DON'T
HAVE MY UNIFORM!

1141
01:03:33,377 --> 01:03:36,213
I WANT TO BRING
YOU BACK ALIVE, MAN.

1142
01:03:36,246 --> 01:03:40,317
SO I FAILED WITH
YOUR BUDDY, OKAY?

1143
01:03:40,350 --> 01:03:43,988
BUT I'VE BEEN
WORKING MY ASS OFF.

1144
01:03:44,021 --> 01:03:46,490
MY BUDDY DIED BECAUSE
OF GUYS LIKE YOU!

1145
01:03:46,523 --> 01:03:48,125
YOU'RE THE GUYS
THAT KILLED HIM!

1146
01:03:48,158 --> 01:03:50,027
YOU'RE THE GUYS
THAT KILLED HIM!

1147
01:03:50,060 --> 01:03:51,962
I WANT YOU OUT
IN THE HALL.

1148
01:03:51,996 --> 01:03:54,932
I WANT YOU OUT IN
THE HALLWAY RIGHT NOW!

1149
01:03:54,965 --> 01:03:57,101
YOU GOTTA GET
OUT OF HERE!

1150
01:03:57,134 --> 01:03:58,535
GET OUT!

1151
01:04:06,977 --> 01:04:08,512
(BANGING)

1152
01:04:16,220 --> 01:04:18,222
GET AWAY FROM
MY DOOR, MAN!

1153
01:04:28,465 --> 01:04:31,501
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1154
01:04:31,535 --> 01:04:34,371
* WHEN THE YANKS
GO MARCHIN' IN *

1155
01:04:34,404 --> 01:04:37,441
* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

1156
01:04:37,474 --> 01:04:40,344
* WHEN THEY
TAKE OLD BERLIN *

1157
01:04:40,377 --> 01:04:43,547
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1158
01:04:43,580 --> 01:04:46,483
* WHEN THE BROOKLYN
BOYS BEGIN *

1159
01:04:46,516 --> 01:04:50,087
* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

1160
01:04:50,120 --> 01:04:52,689
* WHEN THEY
TAKE OLD BERLIN *

1161
01:04:52,722 --> 01:04:56,060
* THEY'RE GONNA START A
ROW AND SHOW 'EM HOW *

1162
01:04:56,093 --> 01:04:59,229
* WE PAINT THE TOWN
BACK IN KOKOMO *

1163
01:04:59,263 --> 01:05:02,366
* THEY'RE GONNA TAKE A HIKE
THROUGH HITLER'S REICH *

1164
01:05:02,399 --> 01:05:05,369
* AND CHANGE THE "HEIL"
TO "WHAT YA KNOW, JOE?" *

1165
01:05:05,402 --> 01:05:08,372
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1166
01:05:08,405 --> 01:05:11,141
* WHEN THE YANKS
GO MARCHIN' IN *

1167
01:05:11,175 --> 01:05:13,077
* YOU COULD NEVER
KEEP 'EM HAPPY *

1168
01:05:13,110 --> 01:05:14,678
* DOWN ON
THE FARM *

1169
01:05:14,711 --> 01:05:17,581
* AFTER THEY
TAKE BERLIN *

1170
01:05:17,614 --> 01:05:21,051
*

1171
01:05:21,085 --> 01:05:23,687
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1172
01:05:23,720 --> 01:05:26,456
* WHEN THE YANKS
GO MARCHING IN *

1173
01:05:26,490 --> 01:05:29,693
* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

1174
01:05:29,726 --> 01:05:32,362
* WHEN THEY
TAKE OLD BERLIN *

1175
01:05:32,396 --> 01:05:35,632
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1176
01:05:35,665 --> 01:05:38,402
* WHEN THE
BROOKLYN BOYS BEGIN *

1177
01:05:38,435 --> 01:05:41,671
* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

1178
01:05:41,705 --> 01:05:44,608
* WHEN THEY
TAKE OLD BERLIN *

1179
01:05:44,641 --> 01:05:47,978
* THEY'RE GONNA START A
ROW AND SHOW 'EM HOW *

1180
01:05:48,012 --> 01:05:50,981
* WE PAINT THE TOWN
BACK IN MICHIGAN *

1181
01:05:51,015 --> 01:05:54,084
* THEY'RE GONNA TAKE A HIKE
THROUGH HITLER'S REICH *

1182
01:05:54,118 --> 01:05:56,987
* AND CHANGE THE "HEIL"
TO "GIMME SOME SKIN" *

1183
01:05:57,021 --> 01:05:59,589
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1184
01:05:59,623 --> 01:06:02,392
* WHEN THE YANKS
GO MARCHIN' IN *

1185
01:06:02,426 --> 01:06:04,328
* YOU'RE NEVER GONNA
KEEP 'EM HAPPY *

1186
01:06:04,361 --> 01:06:06,096
* DOWN ON
THE FARM *

1187
01:06:06,130 --> 01:06:08,732
* AFTER THEY
TAKE BERLIN *

1188
01:06:08,765 --> 01:06:21,045
*

1189
01:06:21,078 --> 01:06:23,780
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1190
01:06:23,813 --> 01:06:26,416
* WHEN THE YANKS
GO MARCHIN' IN *

1191
01:06:26,450 --> 01:06:29,653
* I WANT TO BE THERE,
BOY, SPREAD SOME JOY *

1192
01:06:29,686 --> 01:06:32,322
* WHEN THEY
TAKE OLD BERLIN *

1193
01:06:32,356 --> 01:06:35,525
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1194
01:06:35,559 --> 01:06:38,295
* WHEN THE BROOKLYN
BOYS BEGIN *

1195
01:06:38,328 --> 01:06:41,531
* TO TAKE THE JOINT
APART AND TEAR IT DOWN *

1196
01:06:41,565 --> 01:06:44,301
* WHEN THEY
TAKE BERLIN *

1197
01:06:44,334 --> 01:06:48,438
* THERE'LL BE A HOT TIME
IN THE TOWN OF BERLIN *

1198
01:06:48,472 --> 01:06:52,176
* WHEN THE YANKS
GO MARCHING IN *

1199
01:06:52,209 --> 01:06:53,643
* YOU COULD NEVER
KEEP 'EM HAPPY *

1200
01:06:53,677 --> 01:06:55,379
* DOWN ON
THE FARM *

1201
01:06:55,412 --> 01:06:56,780
* A LIFE OF EASE
WOULD NEVER PLEASE *

1202
01:06:56,813 --> 01:06:58,382
* THEY SHUDDER
WITH ALARM *

1203
01:06:58,415 --> 01:06:59,816
* YOU KNOW YOU COULDN'T
KEEP 'EM HAPPY *

1204
01:06:59,849 --> 01:07:01,385
* DOWN ON
THE FARM *

1205
01:07:01,418 --> 01:07:07,424
* AFTER THEY TAKE
BERLI-I-I-I-N. *

1206
01:07:46,230 --> 01:07:47,631
HE'S ALL
YOURS NOW.

1207
01:07:49,899 --> 01:07:52,102
OH, GOOD. WE'RE
FINALLY MOVING.

1208
01:07:52,136 --> 01:07:53,737
WHERE ARE
WE, ANYWAY?

1209
01:07:53,770 --> 01:08:03,780
(VARIOUS
CONVERSATIONS)

1210
01:08:03,813 --> 01:08:13,857
(VARIOUS
CONVERSATIONS)

1211
01:08:13,857 --> 01:08:20,297
(VARIOUS
CONVERSATIONS)

1212
01:08:20,330 --> 01:08:22,266
DON'T THINK YOU'VE
AFFECTED THE SUBJECT

1213
01:08:22,299 --> 01:08:24,268
OR SOMETHING LIKE
THAT BUT, YOU SEE,

1214
01:08:24,301 --> 01:08:26,436
I HAVE THIS THING
ABOUT SNEEZING.

1215
01:08:26,470 --> 01:08:28,772
YOU KNOW WHAT I
DO FOR A LIVING?

1216
01:08:28,805 --> 01:08:30,207
WHAT?

1217
01:08:30,240 --> 01:08:32,742
I WORK FOR
THE GOVERNMENT.

1218
01:08:32,776 --> 01:08:34,444
THERE'S A TREMENDOUS
SEXUAL RELATIONSHIP

1219
01:08:34,478 --> 01:08:36,746
BETWEEN SNEEZING AND
ORGASMS ALTOGETHER.

1220
01:08:36,780 --> 01:08:38,415
DON'T YOU
KNOW THAT?

1221
01:08:38,448 --> 01:08:40,584
WHY DON'T YOU LOOK AT
ME WHEN I TALK TO YOU?

1222
01:08:40,617 --> 01:08:42,186
I'M LOOKING
AROUND...

1223
01:08:42,219 --> 01:08:43,720
SURE, YOU'RE LOOKING
AROUND THERE,

1224
01:08:43,753 --> 01:08:46,156
BUT THAT'S WHAT I DO.
I'M THE GOVERNMENT MAN.

1225
01:08:46,190 --> 01:08:47,624
BUT THAT'S NOT
WHAT I LOVE TO DO,

1226
01:08:47,657 --> 01:08:49,159
I LOVE TO SELL
THE LAND.

1227
01:08:49,193 --> 01:08:51,761
ALL THE REST IS BULLSHIT
BUT IT MAKES ME A LIVING.

1228
01:08:51,795 --> 01:08:54,331
YOU CAN'T PUT
THAT DOWN, CAN YOU?

1229
01:08:54,364 --> 01:08:56,800
I'D RATHER HAVE AN
ORGASM THAN SNEEZE.

1230
01:08:56,833 --> 01:08:58,902
BUT I'M QUESTIONING
HOW GOOD YOUR ORGASMS

1231
01:08:58,935 --> 01:09:00,804
CAN BE UNDER THOSE
CIRCUMSTANCES.

1232
01:09:00,837 --> 01:09:02,539
I'M THE
GOVERNMENT MAN!

1233
01:09:02,572 --> 01:09:03,940
LISTEN TO 'EM
LAUGHING.

1234
01:09:03,973 --> 01:09:05,875
YOU LIKE TO
LAUGH? HUH?

1235
01:09:05,909 --> 01:09:07,444
GENE, YOU'RE
MY FRIEND...

1236
01:09:07,477 --> 01:09:08,512
BULLSHIT!

1237
01:09:08,545 --> 01:09:09,813
YOU'RE NOT
MY FRIEND.

1238
01:09:09,846 --> 01:09:11,315
I AM YOUR
FRIEND.

1239
01:10:34,698 --> 01:10:35,565
MORNING.

1240
01:10:35,599 --> 01:10:36,533
MORNING.

1241
01:10:36,566 --> 01:10:38,302
WE'RE ARRIVING
IN 15 MINUTES,

1242
01:10:38,335 --> 01:10:40,704
WE'LL HAVE A THREE AND
A HALF HOUR LAYOVER.

1243
01:10:40,737 --> 01:10:42,038
HAVE A
BEAUTIFUL DAY.

1244
01:10:42,071 --> 01:10:43,840
CHLOE?

1245
01:10:43,873 --> 01:10:44,874
WHAT?

1246
01:10:56,386 --> 01:10:58,388
WE'RE CHANGING
TRAINS NOW.

1247
01:11:06,996 --> 01:11:09,566
I'M STAYING ON
THE TRAIN WITH HIM.

1248
01:11:09,599 --> 01:11:13,737
I'M NOT GOING TO YOUR
PARENTS' HOUSE ANYMORE.

1249
01:11:13,770 --> 01:11:15,572
WHAT?

1250
01:11:15,605 --> 01:11:18,475
I'M STAYING ON
THE TRAIN WITH HIM.

1251
01:11:18,508 --> 01:11:23,413
AFTER WHAT HAPPENED
WITH MARK AND EVERYTHING?

1252
01:11:23,447 --> 01:11:26,316
YOU CAN'T
DO THAT.

1253
01:11:26,350 --> 01:11:28,818
DON'T YOU JUST WANT
TO GET OUT OF HERE?

1254
01:11:28,852 --> 01:11:30,987
I'M REALLY
SCARED.

1255
01:11:31,020 --> 01:11:33,690
COME ON, PLEASE?

1256
01:11:33,723 --> 01:11:37,694
PLEASE DON'T STAY
WITH HIM, PLEASE?

1257
01:11:37,727 --> 01:11:46,470
(CRYING)

1258
01:11:46,503 --> 01:11:49,673
I DON'T WANT
YOU TO GO.

1259
01:11:49,706 --> 01:11:51,508
PLEASE DON'T GO.

1260
01:11:51,541 --> 01:11:53,910
PLEASE? PLEASE?

1261
01:11:53,943 --> 01:11:55,545
I CAN'T, CHLOE.

1262
01:11:57,514 --> 01:12:00,784
I JUST WANT TO GIVE HIM
SOMETHING NICE JUST ONCE.

1263
01:12:03,487 --> 01:12:06,122
HE'S HAD NOTHING NICE
IN HIS WHOLE LIFE,

1264
01:12:06,155 --> 01:12:08,525
DON'T YOU
UNDERSTAND?

1265
01:12:08,558 --> 01:12:11,961
NO! NO...

1266
01:12:18,868 --> 01:12:22,472
NOW WHAT ARE YOU
WORRIED ABOUT?

1267
01:12:22,506 --> 01:12:24,774
DON'T YOU KNOW
THAT EVERYTHING'S

1268
01:12:24,808 --> 01:12:26,976
GOING TO BE
JUST FINE?

1269
01:12:27,010 --> 01:12:30,046
YOU'RE GOING TO FORGET
THIS IN NO TIME FLAT.

1270
01:12:30,079 --> 01:12:32,081
MY GOOD HEAVENS.

1271
01:12:36,486 --> 01:12:38,988
I'VE SEEN THIS HAPPEN
TO SO MANY PEOPLE AND

1272
01:12:39,022 --> 01:12:42,025
SOME OF THEM CAN'T TAKE
IT BUT YOU CAN TAKE IT.

1273
01:12:42,058 --> 01:12:44,994
I CAN SEE IT
RIGHT IN YOUR EYES.

1274
01:12:45,028 --> 01:12:47,831
YOU'RE A COURAGEOUS
LITTLE BOY

1275
01:12:47,864 --> 01:12:50,600
AND YOU'VE NOTHING TO
WORRY ABOUT, BELIEVE ME.

1276
01:12:56,540 --> 01:13:02,512
(SCREAMING)

1277
01:13:21,164 --> 01:13:22,966
THEY'RE GONNA
FUCKIN' GET YOU AND

1278
01:13:22,999 --> 01:13:24,968
THEY'RE GONNA BEAT THE
FUCKIN' SHIT OUTTA YOU

1279
01:13:25,001 --> 01:13:26,202
FOR WHAT
YOU'VE DONE!

1280
01:13:26,235 --> 01:13:28,472
'CAUSE THEY KNOW
WHAT YOU'VE DONE!

1281
01:13:28,505 --> 01:13:30,039
YOU WANT
SOMETHING TO EAT?

1282
01:13:30,073 --> 01:13:31,808
CAN I GET YOU
SOMETHING?

1283
01:13:53,096 --> 01:13:54,097
WATCH
YOURSELF.

1284
01:13:55,765 --> 01:13:57,734
NO, REALLY.
WATCH YOURSELF.

1285
01:13:57,767 --> 01:14:02,171
THERE ARE DANGERS - MANY,
MANY, MANY, MANY DANGERS

1286
01:14:02,205 --> 01:14:09,245
AND YOU HAVE
BEEN BAD.

1287
01:14:09,278 --> 01:14:11,948
YES, YOU
HAVE BEEN BAD.

1288
01:14:11,981 --> 01:14:16,085
YOU MUST NOT BE BAD OR
THERE WILL BE TROUBLE -

1289
01:14:16,119 --> 01:14:19,623
TERRIBLE, TERRIBLE,
TERRIBLE TROUBLE.

1290
01:14:19,656 --> 01:14:25,161
YOU CAN BE HURT
BADLY, BADLY, BADLY HURT!

1291
01:14:25,194 --> 01:14:27,897
YOU CAN REALLY BE
MANGLED IN THIS LIFE.

1292
01:14:27,931 --> 01:14:29,499
THERE ARE THINGS
THAT HAPPEN TO PEOPLE

1293
01:14:29,533 --> 01:14:30,767
THAT YOU
DON'T YET KNOW

1294
01:14:30,800 --> 01:14:32,902
BECAUSE YOU ARE TOO
YOUNG TO UNDERSTAND

1295
01:14:32,936 --> 01:14:35,138
HOW PEOPLE KICK
YOU AND SUCK YOU

1296
01:14:35,171 --> 01:14:37,574
AND BLEED YOU AND
WANT TO KILL YOU!

1297
01:14:41,645 --> 01:14:43,613
LET ME STUDY THE
POSITION, THEN.

1298
01:14:43,647 --> 01:14:48,017
YOU KEEP GOING
BACK TO "POSITION".

1299
01:14:48,051 --> 01:14:51,054
I'LL PLAY CHECKERS IF YOU
WANT TO PLAY FOR MONEY.

1300
01:14:56,192 --> 01:14:57,260
HI GENE.

1301
01:14:57,293 --> 01:14:58,895
SERGEANT,
HOW ARE YA?

1302
01:14:58,928 --> 01:15:01,998
IT WILL BE
ALRIGHT.

1303
01:15:02,031 --> 01:15:05,935
WHY DON'T YOU SIT DOWN,
HAVE A DRINK WITH ME?

1304
01:15:05,969 --> 01:15:07,704
SIT DOWN,
WILL YA?

1305
01:15:11,641 --> 01:15:13,777
YOU KNOW, I SIT HERE
AND I LOOK AT THIS LAND

1306
01:15:13,810 --> 01:15:15,679
AND NOBODY IN
THEIR RIGHT MIND

1307
01:15:15,712 --> 01:15:17,547
SHOULD BE
WITHOUT THEIR OWN-

1308
01:15:17,581 --> 01:15:20,283
WASN'T SOMEBODY
SITTING HERE?

1309
01:15:20,316 --> 01:15:22,151
JUST NOW,
YOU MEAN?

1310
01:15:22,185 --> 01:15:23,887
THE CHESS
PLAYER, EMIL.

1311
01:15:23,920 --> 01:15:25,922
EMIL? I DON'T
KNOW ANY EMIL.

1312
01:15:25,955 --> 01:15:27,290
YOUR
FRIEND, EMIL.

1313
01:15:27,323 --> 01:15:28,925
I DON'T KNOW
ANY EMIL,

1314
01:15:28,958 --> 01:15:30,727
I DON'T KNOW ANY
CHESS PLAYER.

1315
01:15:30,760 --> 01:15:32,929
I KNEW A GUY ONCE, I
SOLD HIM SOME LAND.

1316
01:15:32,962 --> 01:15:36,165
HIS NAME WAS EMIL BUT
HE'S NOT ON THIS TRAIN.

1317
01:15:36,199 --> 01:15:37,601
YOU ALRIGHT?

1318
01:15:37,634 --> 01:15:38,802
(WATCH OUT,
SERGEANT)

1319
01:15:38,835 --> 01:15:41,037
CAN I GET YOU
GUYS A DRINK?

1320
01:15:41,070 --> 01:15:42,305
A COUPLE
OF BEERS.

1321
01:15:42,338 --> 01:15:43,773
ANY PARTICULAR
KIND?

1322
01:15:43,807 --> 01:15:45,875
I DON'T CARE, I
JUST WANT SOME BEER.

1323
01:15:45,909 --> 01:15:48,311
ARE YOU
ALRIGHT NOW?

1324
01:15:48,344 --> 01:15:50,847
CAN WE TALK SERIOUSLY
FOR A MINUTE?

1325
01:15:50,880 --> 01:15:52,849
TAKE A LOOK
OUT THE WINDOW.

1326
01:15:52,882 --> 01:15:54,283
YEAH, I
PLAY CHESS.

1327
01:15:54,317 --> 01:15:55,852
I DON'T
PLAY CHESS.

1328
01:15:55,885 --> 01:15:58,021
NOW WOULD YOU LOOK
OUT THE WINDOW

1329
01:15:58,054 --> 01:16:00,156
AND SEE WHAT'S
GOING BY?

1330
01:16:00,189 --> 01:16:02,158
AT THE TOP OF THE
HILL YOU SEE HOMES,

1331
01:16:02,191 --> 01:16:04,060
YOU SEE LAND,
YOU SEE BEAUTY-

1332
01:16:04,093 --> 01:16:05,962
THAT WAS HIS
LAST NAME, CHARLOT.

1333
01:16:05,995 --> 01:16:07,263
EMIL CHARLOT.

1334
01:16:07,296 --> 01:16:08,297
(CAREFUL)

1335
01:16:08,331 --> 01:16:11,701
A GUY I KNEW
BACK HOME.

1336
01:16:11,735 --> 01:16:13,202
(LOOK OUT THERE)

1337
01:16:13,236 --> 01:16:15,304
(THAT'S YOUR
LIFE, JACK)

1338
01:16:15,338 --> 01:16:17,373
(THAT'S YOUR
LIFE OUT THERE)

1339
01:16:17,406 --> 01:16:20,109
(I'MA MAKE IT
HAPPEN FOR YOU)

1340
01:16:20,143 --> 01:16:23,146
(I'M GONNA GET YOU
YOUR OWN HOME)

1341
01:16:23,179 --> 01:16:25,815
* DON'T GIVE OUT WITH
THOSE LIPS OF YOURS *

1342
01:16:25,849 --> 01:16:28,251
* TO ANYONE
ELSE BUT ME *

1343
01:16:28,284 --> 01:16:32,656
* ANYONE ELSE BUT ME
ANYONE ELSE BUT ME *

1344
01:16:32,689 --> 01:16:33,857
* NO, NO, NO

1345
01:16:33,890 --> 01:16:36,359
* WATCH THE GIRLS
ON FOREIGN SHORES *

1346
01:16:36,392 --> 01:16:38,762
* YOU HAVE TO
REPORT TO ME *

1347
01:16:38,795 --> 01:16:44,067
* WHEN YOU COME
MARCHING HOME *

1348
01:16:44,100 --> 01:16:46,803
* DON'T HOLD ANYONE
ON YOUR KNEE *

1349
01:16:46,836 --> 01:16:49,305
* YOU BETTER BE
TRUE TO ME *

1350
01:16:49,338 --> 01:16:53,977
* BETTER BE TRUE TO ME
BETTER BE TRUE TO ME *

1351
01:16:54,010 --> 01:16:55,779
I'D LIKE TO
BE SOME PLACE

1352
01:16:55,812 --> 01:16:57,346
REALLY BEAUTIFUL
WITH YOU.

1353
01:16:59,816 --> 01:17:01,084
I'D LIKE...

1354
01:17:06,455 --> 01:17:09,092
THERE'S A PLACE A COUPLE
OF HOURS AWAY FROM HERE

1355
01:17:09,125 --> 01:17:11,728
THAT I WENT TO WHEN
I WAS A LITTLE GIRL

1356
01:17:11,761 --> 01:17:13,663
WITH MY FAMILY.

1357
01:17:13,697 --> 01:17:15,732
IT'S THIS
BEAUTIFUL PARK

1358
01:17:15,765 --> 01:17:21,337
WITH LOTS OF
TREES, BIRDS...

1359
01:17:21,370 --> 01:17:26,309
I THINK I CAN REMEMBER,
IT WAS A LONG TIME AGO.

1360
01:17:26,342 --> 01:17:30,313
ARE YOU ASKING ME IF
I'D GET OFF THE TRAIN?

1361
01:17:30,346 --> 01:17:33,082
(LISTEN TO ME,
JACK. WATCH OUT)

1362
01:17:33,116 --> 01:17:35,418
I JUST HAVE TO BE
THERE BY MONDAY.

1363
01:17:35,451 --> 01:17:37,921
I COULD TAKE
A DAY OFF.

1364
01:17:37,954 --> 01:17:40,189
YOU WANT TO TAKE A
DAY OFF WITH ME?

1365
01:17:40,223 --> 01:17:41,190
SURE.

1366
01:17:41,224 --> 01:17:43,960
OH...YEAH.

1367
01:17:45,962 --> 01:17:47,897
(DO YOURSELF
A FAVOR, JACK)

1368
01:17:47,931 --> 01:17:49,198
(BE CAREFUL)

1369
01:18:50,526 --> 01:18:52,728
MARK CAME TO
ME FOR HELP.

1370
01:18:56,165 --> 01:18:58,201
I COULDN'T
HELP HIM.

1371
01:18:58,234 --> 01:18:59,969
WHAT ARE YOU
TALKING ABOUT?

1372
01:19:00,003 --> 01:19:02,806
GUYS LIKE THAT, IN WAR,
HAVE TO BE SACRIFICED.

1373
01:19:02,839 --> 01:19:05,474
MARK CAME TO ME FOR
HELP AND I COULDN'T...

1374
01:19:05,508 --> 01:19:06,976
I COULDN'T
HELP HIM.

1375
01:19:07,010 --> 01:19:09,112
I'M ON A VERY
IMPORTANT MISSION.

1376
01:19:09,145 --> 01:19:11,948
GUYS LIKE THAT HAVE
TO BE SACRIFICED.

1377
01:19:11,981 --> 01:19:13,950
NO MATTER HOW
MUCH YOU LIKE 'EM.

1378
01:19:13,983 --> 01:19:18,321
I'M ON A VERY
IMPORTANT MISSION!

1379
01:19:18,354 --> 01:19:20,123
YOU'RE CRAZY!

1380
01:19:20,156 --> 01:19:22,158
GET AWAY
FROM ME!

1381
01:19:24,360 --> 01:19:28,364
YOU'RE CRAZY!
YOU'RE CRAZY!

1382
01:19:34,103 --> 01:19:37,006
IT'S GUYS LIKE THAT,
EVEN IF YOU LIKE 'EM,

1383
01:19:37,040 --> 01:19:41,277
IT'S GUYS LIKE
THAT, IN A WAR...

1384
01:19:41,310 --> 01:19:42,946
THEY HAVE TO
BE SACRIFICED.

1385
01:19:42,979 --> 01:19:43,980
(GUNSHOT)

1386
01:19:46,983 --> 01:19:50,920
* THE WARM AND
LOVELY WORLD WE KNEW *

1387
01:19:50,954 --> 01:19:55,324
* HAS BEEN STRUCK
BY A BITTER FROST *

1388
01:19:55,358 --> 01:20:00,363
* BUT MY SISTER AND I
RECALL WITH A SIGH *

1389
01:20:00,396 --> 01:20:05,501
* THE WORLD WE KNEW
AND LOVED AND LOST *

1390
01:20:05,534 --> 01:20:10,173
* MY SISTER AND I
REMEMBER STILL *

1391
01:20:10,206 --> 01:20:15,144
* A TULIP GARDEN BY
AN OLD DUTCH MILL *

1392
01:20:15,178 --> 01:20:20,083
* AND THE HOME THAT
WAS ALL OUR OWN UNTIL *

1393
01:20:20,116 --> 01:20:24,520
* BUT WE DON'T
TALK ABOUT THAT *

1394
01:20:24,553 --> 01:20:29,926
* MY SISTER AND I
RECALL ONCE MORE *

1395
01:20:29,959 --> 01:20:34,497
* THE FISHING SCHOONERS
PULLING INTO SHORE *

1396
01:20:34,530 --> 01:20:39,602
* AND THE DOG-CART WE
DROVE IN DAYS BEFORE *

1397
01:20:39,635 --> 01:20:44,540
* BUT WE DON'T
TALK ABOUT THAT *

1398
01:20:44,573 --> 01:20:49,212
* WE'RE LEARNING
TO FORGET THE FEAR *

1399
01:20:49,245 --> 01:20:54,217
* THAT CAME FROM
A TROUBLED SKY *

1400
01:20:54,250 --> 01:20:58,654
* WE'RE ALMOST
HAPPY OVER HERE *

1401
01:20:58,687 --> 01:21:03,526
* BUT SOMETIMES WE
WAKE AT NIGHT AND CRY *

1402
01:21:03,559 --> 01:21:08,664
* MY SISTER AND I
RECALL THE DAY *

1403
01:21:08,697 --> 01:21:13,402
* WE SAID GOODBYE
AND THEN SAILED AWAY *

1404
01:21:13,436 --> 01:21:18,641
* AND WE THINK OF OUR
FRIENDS WHO HAD TO STAY *

1405
01:21:18,674 --> 01:21:23,346
* BUT WE DON'T
TALK ABOUT THAT *

1406
01:21:23,379 --> 01:21:25,414
I THOUGHT THERE'D
BE A PARADE HERE -

1407
01:21:25,448 --> 01:21:27,616
NOT A PARADE, I
THOUGHT THERE'D BE

1408
01:21:27,650 --> 01:21:30,253
A BAND, OR
PEOPLE HERE.

1409
01:21:30,286 --> 01:21:32,088
DIDN'T YOU GET
THE TELEGRAM?

1410
01:21:32,121 --> 01:21:33,589
THIS MAN'S
A WAR HERO.

1411
01:21:33,622 --> 01:21:35,624
NO, SIR,
I DIDN'T.

1412
01:21:40,663 --> 01:21:42,465
WHAT TIME IS
THE FUNERAL?

1413
01:21:42,498 --> 01:21:44,367
THE FUNERAL'S
AT 4:00, SIR.

1414
01:21:44,400 --> 01:21:46,970
YOU TOLD ME TO
ARRANGE IT AT 4:00.

1415
01:21:47,003 --> 01:21:49,538
I'D LIKE TO SYNCHRONIZE
OUR WATCHES, PLEASE.

1416
01:21:49,572 --> 01:21:51,507
I DON'T
HAVE ONE.

1417
01:21:51,540 --> 01:21:53,242
WHAT TIME DO
YOU HAVE?

1418
01:21:53,276 --> 01:21:55,378
I KEEP MINE FIVE
MINUTES AHEAD

1419
01:21:55,411 --> 01:21:58,347
BUT I'VE
GOT 10:05.

1420
01:21:58,381 --> 01:21:59,983
FOUR O'CLOCK...

1421
01:22:00,016 --> 01:22:01,517
THE OTHER
SIDE OF TOWN,

1422
01:22:01,550 --> 01:22:03,619
HALF A MILE
DOWN THIS ROAD-

1423
01:22:03,652 --> 01:22:05,721
LISTEN, WHEN YOU
MOVE THIS COFFIN

1424
01:22:05,754 --> 01:22:08,357
YOU KEEP THE
STARS IN FRONT.

1425
01:22:08,391 --> 01:22:09,592
YES, SIR.

1426
01:22:09,625 --> 01:22:11,194
THIS MAN'S
A HERO,

1427
01:22:11,227 --> 01:22:12,628
I WANT HIM
TREATED LIKE ONE.

1428
01:22:12,661 --> 01:22:13,629
YES, SIR.

1429
01:22:13,662 --> 01:22:16,565
I'LL TAKE A WALK AND
SEE YOU AT THE CEMETERY.

1430
01:22:31,047 --> 01:22:41,324
*

1431
01:22:41,357 --> 01:22:47,230
* SOME DAY WHEN
I'M AWFULLY LOW *

1432
01:22:47,263 --> 01:22:50,499
* WHEN THE
WORLD IS COLD *

1433
01:22:50,533 --> 01:22:56,639
* I WILL FEEL A GLOW
JUST THINKING OF YOU *

1434
01:22:56,672 --> 01:23:05,248
* AND THE WAY
YOU LOOK TONIGHT *

1435
01:23:05,281 --> 01:23:09,652
* OH, BUT
YOU'RE LOVELY *

1436
01:23:09,685 --> 01:23:12,721
* WITH YOUR
SMILE SO WARM *

1437
01:23:12,755 --> 01:23:16,025
* AND YOUR
CHEEK SO SOFT *

1438
01:23:16,059 --> 01:23:22,298
* THERE IS NOTHING FOR
ME BUT TO LOVE YOU *

1439
01:23:22,331 --> 01:23:27,336
* JUST THE WAY
YOU LOOK TONIGHT *

1440
01:23:32,308 --> 01:23:38,347
* WITH EACH WORD YOUR
TENDERNESS GROWS *

1441
01:23:38,381 --> 01:23:44,653
* TEARING MY
FEAR APART *

1442
01:23:44,687 --> 01:23:51,194
* AND THAT LAUGH THAT
WRINKLES YOUR NOSE *

1443
01:23:51,227 --> 01:23:57,433
* TOUCHES MY
FOOLISH HEART *

1444
01:23:57,466 --> 01:24:03,772
* LOVELY, NEVER,
NEVER CHANGE *

1445
01:24:03,806 --> 01:24:07,243
* KEEP THAT
BREATHLESS CHARM *

1446
01:24:07,276 --> 01:24:09,678
* WON'T YOU PLEASE
ARRANGE IT *

1447
01:24:09,712 --> 01:24:13,749
* 'CAUSE I
LOVE YOU *

1448
01:24:13,782 --> 01:24:19,122
* JUST THE WAY
YOU LOOK TONIGHT *

1449
01:24:19,155 --> 01:24:29,132
*

1450
01:24:29,165 --> 01:24:39,208
*

1451
01:24:39,208 --> 01:24:49,118
*

1452
01:24:49,152 --> 01:24:59,195
*

1453
01:24:59,195 --> 01:25:09,605
*

1454
01:25:09,638 --> 01:25:13,676
* 'CAUSE I
LOVE YOU *

1455
01:25:13,709 --> 01:25:18,447
* JUST THE WAY YOU
LOOK TONIGHT *

1456
01:25:23,452 --> 01:25:31,194
* JUST THE WAY
YOU LOOK TONIGHT *

1457
01:25:38,467 --> 01:25:41,437
HE'S THE BIGGEST HERO
THAT'S EVER BEEN HERE.

1458
01:25:41,470 --> 01:25:44,507
NO ONE
SHOWED UP.

1459
01:25:44,540 --> 01:25:47,510
NO ONE.

1460
01:25:47,543 --> 01:25:49,945
LET'S JUST
LOWER IT, OKAY?

1461
01:25:49,978 --> 01:25:52,181
LET'S
LOWER IT.

1462
01:26:08,764 --> 01:26:10,499
NO ONE
SHOWED UP.

1463
01:26:14,303 --> 01:26:16,572
DO YOU MIND IF
I HAVE A MOMENT

1464
01:26:16,605 --> 01:26:18,474
ALONE WITH
MY FRIEND?

1465
01:26:18,507 --> 01:26:20,476
IT'S NOT
PROCEDURE-

1466
01:26:20,509 --> 01:26:23,646
I WANT TO BE
ALONE WITH MY FRIEND.

1467
01:26:23,679 --> 01:26:27,483
I HAVE SOME THINGS I
HAVE TO TAKE CARE OF.

1468
01:26:27,516 --> 01:26:30,686
JUST BETWEEN MY
FRIEND AND ME.

1469
01:26:30,719 --> 01:26:33,722
I WANT YOU
TO LEAVE.

1470
01:26:35,791 --> 01:26:37,593
PLEASE!

1471
01:26:37,626 --> 01:26:40,563
GIVE ME AN HOUR!
GIVE ME AN HOUR!

1472
01:26:40,596 --> 01:26:42,931
I HAVE THINGS
I HAVE TO DO.

1473
01:26:42,965 --> 01:26:45,968
A LOT OF THINGS
I HAVE TO DO.

1474
01:26:46,001 --> 01:26:48,203
A LOT
OF THINGS...

1475
01:26:55,744 --> 01:27:03,319
A LOT OF
THINGS I LOVE...

1476
01:27:03,352 --> 01:27:04,687
I LOVE...

1477
01:27:04,720 --> 01:27:08,724
I LOVE...

1478
01:27:08,757 --> 01:27:10,593
I REALLY LOVE...

1479
01:27:10,626 --> 01:27:13,629
I REALLY DO LOVE
I REALLY DO LOVE..

1480
01:27:13,662 --> 01:27:17,266
I LOVE... I
LOVE... I LOVE...

1481
01:27:17,300 --> 01:27:21,270
AND I HATE AND
I HATE AND I HATE

1482
01:27:21,304 --> 01:27:24,373
AND THE GUYS I LOVE
'CAUSE I LOVE I HATE!

1483
01:27:24,407 --> 01:27:25,974
'CAUSE I
LOVE I HATE!

1484
01:27:26,008 --> 01:27:29,912
'CAUSE I LOVE!
'CAUSE I LOVE!

1485
01:27:29,945 --> 01:27:31,680
YOU MOTHERFUCKERS!

1486
01:27:36,519 --> 01:27:38,253
YOU MOTHERFUCKERS!

1487
01:27:39,355 --> 01:27:40,689
YOU
MOTHERFUCKERS!

1488
01:27:40,723 --> 01:27:42,325
YOU MOTHERFUCKERS!

1489
01:27:44,493 --> 01:27:46,795
TCB, TAKE CARE
OF BUSINESS, TCB.

1490
01:27:46,829 --> 01:27:50,399
OKAY, WE KNOW
YOU'RE STONED ON WEED.

1491
01:27:50,433 --> 01:27:52,301
WE KNOW
WHERE WE ARE.

1492
01:27:52,335 --> 01:27:54,570
OKAY, OKAY.

1493
01:27:54,603 --> 01:27:56,639
ALRIGHT...

1494
01:27:56,672 --> 01:27:58,774
LET'S COOL
DOWN HERE.

1495
01:27:58,807 --> 01:28:06,449
YOU DIDN'T JUST BE IN THE
ARMY FOR NOTHIN', MISTER.

1496
01:28:06,482 --> 01:28:08,951
THEY SEND YOU TO
'NAM, DON'T THEY?

1497
01:28:08,984 --> 01:28:10,819
THEY SEND
YOU THERE.

1498
01:28:10,853 --> 01:28:12,988
YOU WANT TO
GO TO 'NAM.

1499
01:28:13,021 --> 01:28:14,623
YOU WANT TO
GO TO 'NAM?

1500
01:28:14,657 --> 01:28:17,693
I'LL TAKE YOU TO 'NAM!
I'LL TAKE YOU TO 'NAM!

1501
01:28:17,726 --> 01:28:20,463
YOU WANT TO
GO TO 'NAM?!

1502
01:28:20,496 --> 01:28:21,997
YOU WANT TO GO
TO 'NAM?!

1503
01:28:22,030 --> 01:28:23,566
YOU WANT TO
GO THERE?!

1504
01:28:23,599 --> 01:28:24,600
I'LL TAKE
YA THERE!

1505
01:29:37,740 --> 01:29:40,843
YOU WANNA GO TO 'NAM?
YOU WANNA GO TO 'NAM?

1506
01:29:40,876 --> 01:29:43,746
I'LL TAKE YOU TO 'NAM!
I'LL TAKE YOU TO 'NAM!

1507
01:29:43,779 --> 01:29:47,049
YOU WANNA GO TO 'NAM?!
YOU WANNA GO TO 'NAM?!

1508
01:29:47,082 --> 01:29:52,888
(BATTLEFIELD SOUNDS)

1509
01:29:52,921 --> 01:30:03,999
*

1510
01:30:04,032 --> 01:30:09,137
* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

1511
01:30:09,171 --> 01:30:14,543
* IN A DISTANT LAND
SO MANY MILES AWAY *

1512
01:30:14,577 --> 01:30:19,715
* ONLY UNCLE SAM'S GREAT
HEROES GET TO GO THERE *

1513
01:30:19,748 --> 01:30:25,120
* WHERE I WISH THAT I
COULD ALSO LIVE SOME DAY *

1514
01:30:25,153 --> 01:30:31,226
* I'D SEE LINCOLN, CUSTER,
WASHINGTON AND PERRY *

1515
01:30:31,259 --> 01:30:35,898
* NATHAN HALE AND
COLIN KELLY TOO *

1516
01:30:35,931 --> 01:30:41,236
* THERE'S A SPANGLED
BANNER WAVING SOMEWHERE *

1517
01:30:41,269 --> 01:30:46,809
* WAVING O'ER THE LAND OF
HEROES BRAVE AND TRUE *

1518
01:30:46,842 --> 01:30:55,183
*

1519
01:30:55,217 --> 01:31:00,088
* IN THIS WAR WITH ITS MAD
SCHEMES OF DESTRUCTION *

1520
01:31:00,122 --> 01:31:05,528
* OF A COUNTRY FAIR
AND OUR SWEET LIBERTY *

1521
01:31:05,561 --> 01:31:10,833
* BY THE MAD DICTATOR
LEADERS OF CORRUPTION *

1522
01:31:10,866 --> 01:31:16,038
* CAN'T THE US USE A
MOUNTAIN BOY LIKE ME? *

1523
01:31:16,071 --> 01:31:21,810
* GOD GAVE ME THE RIGHT
TO BE A FREE AMERICAN *

1524
01:31:21,844 --> 01:31:27,115
* FOR THAT PRECIOUS
RIGHT I'D GLADLY DIE *

1525
01:31:27,149 --> 01:31:32,621
* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

1526
01:31:32,655 --> 01:31:37,793
* THAT IS WHERE I WANT
TO LIVE WHEN I DIE *

1527
01:31:37,826 --> 01:31:46,301
*

1528
01:31:46,334 --> 01:31:51,740
* IF I DO SOME GREAT
DEED I WILL BE A HERO *

1529
01:31:51,774 --> 01:31:57,112
* AND A HERO BRAVE IS
WHAT I WANT TO BE *

1530
01:31:57,145 --> 01:32:02,284
* THERE'S A STAR SPANGLED
BANNER WAVING SOMEWHERE *

1531
01:32:02,317 --> 01:32:12,527
* IN THAT HEAVEN THERE
SHOULD BE A PLACE FOR ME *