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[ Y2flix.cc - Watch Movies and TV Shows Online for Free ]

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[Selma] I knew there was something
off about Elisa.

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She was born in some sort
of religious commune in Eyton.

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I find it easiest just to
tell myself I no longer have a daughter.

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She's saying that I left Lucia
with Rebecca because of how I grew up.

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This is harassment.
It's potentially defamatory.

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I just took a call from the Paris office.

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And a source at the lab
says they found her blood.

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Lucia can't be dead.

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Stay away from Elisa.

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[Rebecca] Lulu-Rose, I'm your mother.

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[Lucia] My birthmark.

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[♪ "Atmosphere" playing]

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[no audible dialogue]

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[Lucia] Did we cheat?

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Yes, but the rules are very complex.

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It's not as simple
as it seems, my darling.

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-[chuckles]
-[Elisa] Come here, honey bunny.

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You need some love.

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-[gasps] But we won.
-[giggles]

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You need some love.

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[kisses]

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This is Good Morning UK.
I'm Bethany Hastings.

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Seven weeks ago,

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the unthinkable happened
to my next guest, Elisa Blix.

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Elisa's daughter, Lucia, was kidnapped
while on a sleepover with a school friend.

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A week later,
the police found CCTV footage

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of Lucia at a service station in France.

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And then, in a very worrying development,

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traces of Lucia's blood were discovered
in a derelict house in northern France.

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Elisa.

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Thank you for being with us
at this incredibly difficult time.

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Can I start by asking how you are?

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[stammers, sighs] I'm… [sighs]

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…getting through it, uh, day by day.

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Lucia was last seen in France.

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Do you believe our listeners
in the UK can still help?

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Yes, I do.

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Uh, the woman that I left Lucia with
is English, so someone must know her.

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Um…

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I'm asking anyone who's got information
to come forward.

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There's been lots of stories
in the press about your family,

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your background.

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How are you coping with the attention?

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Well… [chuckles]
Well, obviously I don't like it,

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but if the stories about me keep Lucia
on the front pages and in people's minds,

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then it's worth it.

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But you've made a complaint
to IPSO about some of the stories?

49
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Yes, I believe that some
of the journalists,

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well, one in particular, crossed a line.

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I mean, she approached my mother,
invaded my privacy.

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Some would say you've invaded your
own privacy with your social media posts,

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-videos of you crying.
-[sighs]

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Were you concerned about privacy then?

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I'm just trying to be as open as I can.

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I… I want people
to know what this is like.

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I want them to see how hard it is.

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And… [sighs] …I really want people
to come forward,

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and I believe that social media
can help with that.

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You don't worry that the intense debate
about your handling of the campaign

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might become a distraction
from finding Lucia?

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Oh. [sighs] These questions.

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I'm just… I'm offering you a chance
to respond to the criticism.

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No. You…

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You're not.

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That's not what you're doing.

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You're just reinforcing the hate,
the negativity by repeating it.

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By making me respond to it.

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You don't know what this is like.

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No one can possibly know
unless you've lost a child.

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It is impossible to imagine.

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It's the most unbearable pain,

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and it's constant, and it's not going
to stop unless she comes home safe.

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I'm sure many of us will relate to that
sense of connection to your child.

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The desire to protect them above all else,

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which is perhaps why people have found
it so difficult to understand

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your decision to leave Lucia
with a virtual stranger.

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[stammers, sighs]

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I can't do this.

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[♪ "Out of the Sky" playing on radio]

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[knocks on door]

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-[Selma] Hi.
-[sighs]

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I feel like we're about to draw weapons.

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I've had a few unchristian thoughts
about smacking you in the mouth.

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You gave me an interview,
and you took my shoes.

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I didn't know what you were gonna write.

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You made us sound like freaks.

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And Elisa's already lost a child.
You didn't need to make it worse.

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Yeah.

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So why are you back?

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Because I never meant to hurt Elisa.

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I… I feel like I'm missing
something that could help her.

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[sighs] Look, I'm already
in enough trouble as it is,

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but you said the last time Elisa was here,

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-no one saw her.
-Yeah, so?

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You said that she came here
after her dad died.

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Was there not a funeral or something?
Did no one see her there?

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-I didn't say that.
-You didn't say what?

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I didn't say she came back after he died.
I said she was here when he died.

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[scoffs] Sorry, when he died?

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-As in on the day he died?
-Yeah.

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I… I, um… I looked up Elisa's father's
death certificate. Daniel Stanton, right?

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He fell down the stairs.

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S-So was she there when he fell?

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I don't know. I wasn't there.

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Well, do you know anything about that day?
W-Was there an argument of some kind?

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All I know is that Elisa came back,

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then she was gone again,
except Daniel was dead.

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[breathes shakily] And I'm not saying
any more because things can get twisted.

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I honestly don't know what happened.

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Apart from that Elisa came
and went that same day.

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Yeah.

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She left before the ambulance got here.

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Hello. You're the journalist
who wants to talk to me?

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Yes. Uh, that's me. I'm S… I'm Selma.

116
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Um, I was wondering
if you might be able to help me,

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um, with background about a story I'm
writing about the community up at Eyton.

118
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-Right, well, I can give you two minutes.
-Oh.

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I've got a party of schoolchildren
arriving to learn about crime prevention.

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Don't ask me which I'd rather deal with.

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-[chuckles]
-I'll be quick, I promise.

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Um, I was told that you were first
on the scene to a death there in 2019,

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um, of, uh… [stammers] …Daniel Stanton.

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Right, yeah.

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Great. I'd love if you could tell me

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what relations are like
between the community and police.

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Well, we don't often have reason
to go up there, to be honest with you.

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Maybe the occasional run-in
over dye waste polluting the river.

129
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Oh.

130
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Uh, and did the community cooperate
with the Stanton inquiry?

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[chuckles] Yeah, they're a quirky bunch,
to put it politely. Colourful.

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'Cause Daniel Stanton fell
down the stairs, right?

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So you must have had reason to treat that
as… [inhales sharply] …suspicious?

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So this article about Dan…
Daniel Stanton's death, is it?

135
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No, no. God, no. No, no, no.

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It's, um… It's about, um… It's just
about communities like this around the UK,

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but, um, you know,
he's Elisa Blix's father, so…

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-Mm-hmm.
-…gonna mention it for topicality.

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Well, there was a thorough investigation,
and his death was ruled to be an accident.

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I know, yeah. Um. How-How long
had he been dead when-when you arrived?

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A couple of hours.

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There was a fatal road traffic accident
the same day,

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so I had to wait to hand over
to the roads policing team.

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Oh, uh, where-where was…
Where was the accident?

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B332, half a mile outside Eyton.

146
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-That's your two minutes. Okay?
-Okay. Um, thank you.

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[♪ hip-hop playing on radio]

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[police officer speaking French on radio]

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[speaking French]

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[phone chimes]

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[sighs]

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[tapping]

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-[line ringing]
-[sniffs]

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[voicemail beeps]

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I know I shouldn't call,
but it's an emergency.

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I need a passport.

157
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[sniffs]

158
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[sniffs]

159
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[sighs]

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[phone buzzes]

161
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Okay. Yeah, well, how long will
it be till we get a report?

162
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[Shona] Today or tomorrow. I'll call you.

163
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[Fred] Yeah, as soon as you hear anything.

164
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-[Shona] Okay, will do. Thanks, Fred.
-All right, thank you.

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[sighs]

166
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-[people chattering]
-[children laughing]

167
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Don't film Oscar.

168
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You may use your son all you like,
but you won't use mine.

169
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-I'm not using him. I wouldn't do that.
-I'm his mother.

170
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It's my job to protect my son.

171
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Just like it should be your job
to protect your son.

172
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Excuse me?

173
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I don't have to repeat myself,
but just so we're clear,

174
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the way that you make your son perform

175
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so that you can be in the centre
of everything

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makes me nauseous.

177
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Oscar, darling. Time to go. Come on.

178
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[whispers] Good boy.

179
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Here you go, baby. You just wait for me.

180
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-[George exclaims]
-[Elisa sighs]

181
00:12:56,000 --> 00:12:57,480
Now, come here.

182
00:12:57,560 --> 00:13:00,040
[Fred, visitor speaking indistinctly]

183
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Come on. Let's go in. Let's…
Let's have some… [sighs]

184
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Oh, hi.

185
00:13:11,680 --> 00:13:13,680
-Hey. Hey, uh…
-Who is this, Fred?

186
00:13:13,760 --> 00:13:15,000
Elisa, this… this is…

187
00:13:15,080 --> 00:13:16,080
-Sandra.
-Sandra.

188
00:13:16,160 --> 00:13:18,000
-Uh, she's a social worker.
-[Elisa] Hi, Sandra.

189
00:13:18,080 --> 00:13:19,840
She's come to do a
welfare check on George.

190
00:13:19,920 --> 00:13:21,600
-[Sandra] Mm-hmm.
-[Fred] Yeah.

191
00:13:21,680 --> 00:13:24,160
Listen, mate, do you wanna go
and, uh… go and get your toys?

192
00:13:24,240 --> 00:13:26,720
-Go on, I'll be in in a minute.
-Go and grab some of your new toys.

193
00:13:28,000 --> 00:13:31,360
I'm so sorry, but I'm… I'm confused.

194
00:13:31,440 --> 00:13:33,040
-What's going on?
-[sighs]

195
00:13:33,120 --> 00:13:36,600
Elisa, we've had a call from someone
concerned about George's welfare.

196
00:13:37,200 --> 00:13:39,160
That's why I've come
to do a routine check.

197
00:13:39,240 --> 00:13:40,280
Who called you?

198
00:13:40,360 --> 00:13:45,120
We've actually had more than one call,
and we need to follow them up.

199
00:13:45,200 --> 00:13:47,160
We're only concerned
about George's well-being.

200
00:13:47,240 --> 00:13:48,480
Yeah, yeah, of course.

201
00:13:48,560 --> 00:13:51,640
Hold on, do we get a say in this?

202
00:13:51,720 --> 00:13:53,720
We're his parents.

203
00:13:53,800 --> 00:13:55,360
Can you just walk in here and…

204
00:13:55,440 --> 00:13:59,360
Your husband was happy for me to come in.
I've had a look around.

205
00:14:00,720 --> 00:14:03,840
Would you mind if I speak to George?
Alone?

206
00:14:05,640 --> 00:14:07,240
No, that's fine. Absolutely fine.

207
00:14:07,320 --> 00:14:08,320
That's okay, yeah?

208
00:14:09,360 --> 00:14:10,360
Yeah.

209
00:14:10,960 --> 00:14:11,960
Yeah, sure.

210
00:14:18,760 --> 00:14:19,760
Mmm.

211
00:14:19,840 --> 00:14:21,160
I've filed my copy.

212
00:14:21,240 --> 00:14:23,680
-Before my deadline.
-What, do you want a bun or something?

213
00:14:23,760 --> 00:14:26,680
Not if it means having to write a story
about where bread comes from.

214
00:14:26,760 --> 00:14:28,200
Egypt, by the way.

215
00:14:28,880 --> 00:14:31,640
Right, I just mean I've got time now
to do other things.

216
00:14:32,600 --> 00:14:34,600
And you're not gonna be totally happy
about this,

217
00:14:34,680 --> 00:14:37,520
but I did go back to Eyton
the other day, on my day off,

218
00:14:37,600 --> 00:14:40,520
and I don't have the full picture yet,
but Elisa was there when her dad died.

219
00:14:40,600 --> 00:14:42,080
-It could be really inter--
-In there.

220
00:14:49,120 --> 00:14:50,560
-[inhales sharply]
-[door closes]

221
00:14:50,640 --> 00:14:53,600
I don't know what the fuck you think
you're doing, but you need to stop.

222
00:14:53,680 --> 00:14:56,520
Do you have any idea how hard I had
to argue with management for you?

223
00:14:56,600 --> 00:14:58,520
If they got wind of the fact you've
been to Eyton…

224
00:14:58,600 --> 00:15:01,080
I went on my day off, and I made it clear
that I wasn't going to write--

225
00:15:01,160 --> 00:15:03,240
Do you have any idea
how fucking irritating you can be?

226
00:15:03,320 --> 00:15:04,640
I need you to listen to me.

227
00:15:04,720 --> 00:15:06,000
Leave this alone.

228
00:15:06,080 --> 00:15:07,800
We're already treading
a difficult line here

229
00:15:07,880 --> 00:15:10,960
-with Elisa's complaint not being settled.
-I know. I know that. I'm just…

230
00:15:11,040 --> 00:15:13,560
I'm finding it hard because there's
definitely something going on--

231
00:15:13,640 --> 00:15:15,560
The first complaint probably
won't ruin your career,

232
00:15:15,640 --> 00:15:17,680
but the second one, it really will.

233
00:15:17,760 --> 00:15:19,680
I know you think I'm five minutes
older than you,

234
00:15:19,760 --> 00:15:22,840
you don't want to hear my advice, but I've
been through this, and I got through it.

235
00:15:22,920 --> 00:15:25,240
So I need you to listen to me when I say,
put this one down,

236
00:15:25,320 --> 00:15:27,880
find something else
and prove yourself again out there.

237
00:16:23,200 --> 00:16:25,200
[♪ French ballad playing, muffled]

238
00:16:32,080 --> 00:16:33,080
[sighs]

239
00:16:38,320 --> 00:16:40,360
-Bonjour.
-Bonjour.

240
00:16:41,000 --> 00:16:42,080
João?

241
00:16:42,160 --> 00:16:43,160
Oui.

242
00:16:44,360 --> 00:16:46,840
I need a passport.

243
00:16:46,920 --> 00:16:49,280
Milan Matkovic gave me your name.

244
00:16:50,040 --> 00:16:51,360
Milan. [chuckles]

245
00:16:51,960 --> 00:16:52,960
Come in.

246
00:16:55,680 --> 00:16:58,040
[♪ French ballad continues]

247
00:16:58,120 --> 00:17:00,120
-I need it soon.
-Mm-hmm.

248
00:17:06,840 --> 00:17:10,360
Like good food and good wine,
it takes time to make.

249
00:17:10,440 --> 00:17:11,560
I'd pay you well.

250
00:17:17,320 --> 00:17:18,440
Mmm.

251
00:17:18,960 --> 00:17:20,240
Merde.

252
00:17:20,320 --> 00:17:22,200
Look, I make documents for people.

253
00:17:22,280 --> 00:17:25,800
I never ask why they want them, but this?
Not worth it.

254
00:17:27,880 --> 00:17:29,120
[sighs] It's bad news.

255
00:17:29,960 --> 00:17:31,720
It's best not to get involved.

256
00:17:31,800 --> 00:17:34,680
If I don't get a passport,
the police will find me.

257
00:17:34,760 --> 00:17:36,200
And if the police find me,

258
00:17:37,680 --> 00:17:38,680
they will find you.

259
00:17:38,760 --> 00:17:43,200
Do you realise how stupid it is for you
to come here in my house and threaten me?

260
00:17:43,280 --> 00:17:44,960
I don't have another option.

261
00:17:45,520 --> 00:17:48,800
It's this,
or I turn myself in to the police.

262
00:17:50,240 --> 00:17:52,200
You're quite the negotiator, aren't you?

263
00:17:52,280 --> 00:17:54,920
[sighs]

264
00:17:55,480 --> 00:18:01,080
But you're gonna need
a biometric passport, and that's 15K.

265
00:18:01,160 --> 00:18:04,160
Half now, half tomorrow when I pick it up.

266
00:18:07,080 --> 00:18:08,120
Can you do it in time?

267
00:18:08,200 --> 00:18:12,280
You want a hamburger?
I'll make you a hamburger.

268
00:18:23,520 --> 00:18:24,640
[door opens]

269
00:18:26,720 --> 00:18:27,720
[door closes]

270
00:18:31,240 --> 00:18:32,240
[gasps]

271
00:18:33,880 --> 00:18:35,120
[sighs]

272
00:18:44,400 --> 00:18:46,480
[camera shutter clicking]

273
00:18:51,640 --> 00:18:52,760
[Fred] Elisa?

274
00:18:53,400 --> 00:18:55,560
The press have found out
she's a social worker.

275
00:18:55,640 --> 00:18:57,600
-Right, we're getting slaughtered.
-I have to talk to them.

276
00:18:57,680 --> 00:18:59,480
No, no, we need to leave
and get out of here.

277
00:18:59,560 --> 00:19:00,560
I'm not leaving.

278
00:19:01,040 --> 00:19:02,840
Well, we can't stay here. It's madness.

279
00:19:02,920 --> 00:19:06,200
I can't leave. Lucia's things are here.
I'm not leaving.

280
00:19:09,000 --> 00:19:13,720
[Lucia] Five, four, three, two, one.

281
00:19:13,800 --> 00:19:15,400
Coming, ready or not.

282
00:21:20,200 --> 00:21:21,400
[whispers] Marcus Turner.

283
00:21:27,920 --> 00:21:29,000
[phone buzzes]

284
00:21:36,520 --> 00:21:37,520
[gasps]

285
00:21:42,040 --> 00:21:44,800
[breathing shakily]

286
00:23:03,320 --> 00:23:04,560
[exhales sharply]

287
00:23:11,640 --> 00:23:13,160
[sighs]

288
00:23:15,760 --> 00:23:17,480
Thanks for seeing me.

289
00:23:19,280 --> 00:23:21,880
Um, are you okay?

290
00:23:21,960 --> 00:23:23,760
[Elisa sighs, sniffles]

291
00:23:28,840 --> 00:23:30,240
What does this mean?

292
00:23:30,320 --> 00:23:32,480
Why were you sending me this?

293
00:23:33,120 --> 00:23:34,600
I have lost everything.

294
00:23:36,120 --> 00:23:37,960
Why are you doing this to me?

295
00:23:39,200 --> 00:23:41,960
Everything. I have lost everything.

296
00:23:42,040 --> 00:23:45,680
There is nothing,
nothing left for you to take.

297
00:23:47,600 --> 00:23:49,000
[sobs, sighs]

298
00:23:49,080 --> 00:23:52,880
-You don't seem okay, Elisa. Is there--
-No, I'm not okay. How could I be okay?

299
00:23:52,960 --> 00:23:55,000
Well, is there someone I can call for you?

300
00:23:55,600 --> 00:23:57,640
I'm sorry my article caused
so many problems.

301
00:23:57,720 --> 00:24:00,760
I don't want your apology.

302
00:24:00,840 --> 00:24:05,040
Just stop printing vile stories about me.
They have nothing to do with Lucia.

303
00:24:05,720 --> 00:24:08,880
[breathing shakily]

304
00:24:09,840 --> 00:24:11,080
[sniffles]

305
00:24:11,160 --> 00:24:14,160
You went to Eyton to visit your parents
just before your dad died.

306
00:24:16,840 --> 00:24:19,040
You went to visit your parents
when you were pregnant with George.

307
00:24:19,120 --> 00:24:20,760
I worked it out. The dates fit.

308
00:24:21,640 --> 00:24:22,680
Yeah, so?

309
00:24:23,760 --> 00:24:26,400
You were with a man when you went back.

310
00:24:26,480 --> 00:24:28,160
I'd assumed it was Fred, but…

311
00:24:29,320 --> 00:24:31,040
I think you do know Marcus Turner.

312
00:24:31,120 --> 00:24:32,760
[breathing shakily]

313
00:24:34,120 --> 00:24:37,560
He's in prison. Manslaughter,
causing death by dangerous driving.

314
00:24:38,320 --> 00:24:40,880
Happened just outside Eyton
the day your dad died.

315
00:24:40,960 --> 00:24:42,800
I don't know what you're talking about.

316
00:24:42,880 --> 00:24:46,360
Marcus Turner owned
a small chain of hotels.

317
00:24:46,960 --> 00:24:48,320
You stayed at one of them actually.

318
00:24:48,400 --> 00:24:50,680
You were travelling a lot that year

319
00:24:50,760 --> 00:24:54,160
and tagged yourself in several cities
where Marcus owned a hotel.

320
00:24:55,120 --> 00:24:57,880
My guess is that he was flying
with you a lot around that time.

321
00:24:58,760 --> 00:25:01,640
-Did you have an affair with him?
-[sighs] It wasn't an affair.

322
00:25:01,720 --> 00:25:04,080
-But you didn't tell the police about him.
-[sighs]

323
00:25:04,160 --> 00:25:05,160
Did you?

324
00:25:07,400 --> 00:25:09,600
Has this got anything to do with Lucia?

325
00:25:13,040 --> 00:25:15,200
Elisa, let me help you.

326
00:25:15,280 --> 00:25:17,720
It's got nothing to do with Lucia.

327
00:25:19,200 --> 00:25:21,440
Fine, then you won't mind
if I speak to Marcus then.

328
00:25:21,520 --> 00:25:23,240
I've already emailed a request to see him.

329
00:25:24,640 --> 00:25:26,760
[breathing shakily]

330
00:25:53,320 --> 00:25:54,320
[Rebecca gasps]

331
00:25:55,600 --> 00:25:58,320
-[whispers] There's someone in the house.
-[muffled banging]

332
00:26:00,240 --> 00:26:01,800
Go to Lulu-Rose,

333
00:26:01,880 --> 00:26:04,240
lock the door, get in the closet,

334
00:26:04,320 --> 00:26:06,440
and don't come out
unless you know it's me.

335
00:26:20,040 --> 00:26:21,040
[lock clicks]

336
00:26:22,520 --> 00:26:24,520
[muffled banging continues]

337
00:26:55,600 --> 00:26:57,440
[Rebecca] What are you doing here?

338
00:26:57,520 --> 00:26:58,680
You can't be here.

339
00:26:58,760 --> 00:27:01,640
-The police are looking for you. [shushes]
-They searched Laure's café.

340
00:27:01,720 --> 00:27:03,800
-All my safe houses.
-[shushes] My daughters are in the house.

341
00:27:03,880 --> 00:27:05,080
No one would come near me.

342
00:27:05,160 --> 00:27:08,520
-Friends, people I worked with for years.
-That is not my problem.

343
00:27:09,080 --> 00:27:11,760
[shushes, breathes shakily]

344
00:27:13,800 --> 00:27:14,800
[Rebecca gasps]

345
00:27:16,280 --> 00:27:18,000
I need more money to disappear.

346
00:27:19,320 --> 00:27:22,120
-I know you must have money stashed here.
-I paid you.

347
00:27:23,680 --> 00:27:25,560
I paid you well.

348
00:27:26,680 --> 00:27:29,080
I didn't know what it was. You lied to me.

349
00:27:29,640 --> 00:27:31,880
-You told me she was yours.
-She is mine.

350
00:27:31,960 --> 00:27:34,440
She was… She was… She was taken from me.

351
00:27:35,040 --> 00:27:36,280
You're fucking crazy.

352
00:27:36,360 --> 00:27:39,480
Where is the money? Tell me.
I know it's somewhere here.

353
00:27:42,520 --> 00:27:43,840
Get out!

354
00:27:44,440 --> 00:27:49,440
-[grunts] Get out of my house!
-[speaking French]

355
00:27:49,520 --> 00:27:50,840
Where is it?

356
00:27:50,920 --> 00:27:52,920
-I know it's here somewhere.
-[Rebecca grunts]

357
00:27:54,440 --> 00:27:57,160
[panting, straining]

358
00:27:58,520 --> 00:28:00,400
-[choking]
-I find it anyway.

359
00:28:00,480 --> 00:28:02,440
I'll kill you and search the house.

360
00:28:03,800 --> 00:28:05,400
-[grunts]
-[Rebecca gasps, choking]

361
00:28:11,040 --> 00:28:12,040
Mummy!

362
00:28:12,880 --> 00:28:15,680
-[Rebecca shouts]
-[grunts, screams]

363
00:28:15,760 --> 00:28:18,040
-[Rebecca coughs]
-[groaning]

364
00:28:19,680 --> 00:28:23,080
[gasps, panting]

365
00:28:23,160 --> 00:28:25,040
[breathing shakily]

366
00:28:27,160 --> 00:28:29,160
[breathing softly]

367
00:28:58,520 --> 00:29:00,720
[breathing shakily]

368
00:29:18,760 --> 00:29:19,840
[sighs]

369
00:29:49,200 --> 00:29:51,280
[people chattering]

370
00:30:10,480 --> 00:30:12,440
[gate opens, closes]

371
00:30:20,280 --> 00:30:21,760
[line ringing]

372
00:30:23,280 --> 00:30:24,520
[prison worker] Visitors office.

373
00:30:24,600 --> 00:30:28,840
Hi, yeah, um, I'm trying to get permission
to visit a prisoner.

374
00:30:28,920 --> 00:30:31,840
Okay, uh, I need to take a name.
Which prisoner is it?

375
00:30:31,920 --> 00:30:33,160
Marcus Turner.

376
00:30:33,920 --> 00:30:37,720
All right.
Okay, are you a friend or family?

377
00:30:37,800 --> 00:30:39,360
Yeah, I'm, uh, press with Dash Voice.

378
00:30:39,440 --> 00:30:41,240
Right. We don't normally--

379
00:30:41,320 --> 00:30:44,800
Uh, uh, no, I understand,
but I really do need to see him.

380
00:30:44,880 --> 00:30:48,280
Sure, but there is a block
on his visits from journalists.

381
00:30:48,360 --> 00:30:51,520
-Okay. Yeah. All right, thanks. Bye. Bye.
-Okay, bye.

382
00:31:38,880 --> 00:31:40,160
[line ringing]

383
00:31:42,000 --> 00:31:43,600
-[journalist] Hello?
-Yeah, hi, um,

384
00:31:43,680 --> 00:31:45,480
this is Selma Desai from Dash Voice.

385
00:31:45,560 --> 00:31:47,160
-Oh, hi. How can I help?
-Yeah, hi.

386
00:31:47,240 --> 00:31:51,520
I'm trying to get, um,
images of the sentencing of Marcus Turner…

387
00:31:51,600 --> 00:31:54,400
-Okay.
-…on the 6th of June 2021.

388
00:31:54,480 --> 00:31:56,720
[journalist speaks indistinctly]

389
00:31:56,800 --> 00:31:59,280
Yeah, no, uh, we didn't cover it,
but he pled guilty.

390
00:31:59,360 --> 00:32:00,640
It wasn't a massive story.

391
00:32:01,160 --> 00:32:03,680
You had a photographer there though,
I think, right?

392
00:32:03,760 --> 00:32:05,120
-Yeah, we did.
-Are there any images

393
00:32:05,200 --> 00:32:06,760
from the sentencing that
weren't published?

394
00:32:06,840 --> 00:32:09,000
-Sure, I can find you some.
-Oh, yeah, no, that would be great.

395
00:32:09,080 --> 00:32:10,680
And shall I email them to you as well?

396
00:32:10,760 --> 00:32:12,680
-Yeah, yeah, yeah.
-I'm sending them across now.

397
00:32:14,200 --> 00:32:17,040
-Yes, I've got it. Thanks, bye.
-Thanks very much.

398
00:32:58,840 --> 00:33:01,000
[people chattering]

399
00:33:09,640 --> 00:33:12,840
[breathes shakily, sighs]

400
00:33:35,280 --> 00:33:36,520
I'm sorry.

401
00:33:40,400 --> 00:33:41,520
I should have…

402
00:33:43,360 --> 00:33:44,520
come to visit you.

403
00:33:44,600 --> 00:33:48,800
I should have… answered your letters.

404
00:33:51,720 --> 00:33:53,320
I didn't know how I…

405
00:34:00,000 --> 00:34:01,920
What happened to your face?

406
00:34:03,600 --> 00:34:05,640
[Marcus] It happens in here.

407
00:34:10,480 --> 00:34:12,600
I didn't believe it
when they said you were coming.

408
00:34:14,600 --> 00:34:15,760
Yeah.

409
00:34:20,600 --> 00:34:22,080
Marcus, I, um…

410
00:34:26,400 --> 00:34:27,840
[breathes shakily]

411
00:34:27,920 --> 00:34:31,000
I need to know if you told anyone
about what happened.

412
00:34:31,080 --> 00:34:32,840
How can you ask me that, Elisa?

413
00:34:34,560 --> 00:34:35,560
[Elisa] Um.

414
00:34:36,840 --> 00:34:39,120
-Look at where I'm sitting.
-I know.

415
00:34:42,160 --> 00:34:43,560
I did this for us.

416
00:34:48,160 --> 00:34:49,480
For our son.

417
00:34:52,560 --> 00:34:55,720
[breathing shakily]

418
00:35:01,120 --> 00:35:04,760
Is there news about Lucia?

419
00:35:05,440 --> 00:35:06,640
[sighs]

420
00:35:08,640 --> 00:35:09,640
No.

421
00:35:10,600 --> 00:35:11,600
Nothing.

422
00:35:20,760 --> 00:35:21,760
I'm sorry.

423
00:35:25,400 --> 00:35:31,480
If you'd replied to any of my letters,
I would have… said that before.

424
00:35:33,600 --> 00:35:34,960
If I'd known,

425
00:35:36,800 --> 00:35:39,160
I never would have encouraged you
to go back to Eyton.

426
00:35:39,240 --> 00:35:41,800
Marcus, no, you can't do that.

427
00:35:43,720 --> 00:35:45,920
You didn't know because I didn't tell you.

428
00:35:47,840 --> 00:35:48,840
I couldn't.

429
00:35:51,160 --> 00:35:52,520
I didn't tell anyone.

430
00:35:54,880 --> 00:35:57,640
What you've done for me,

431
00:35:59,160 --> 00:36:00,360
for George…

432
00:36:02,560 --> 00:36:03,560
That's his name.

433
00:36:04,920 --> 00:36:06,520
George. [sobs]

434
00:36:09,000 --> 00:36:10,080
[Elisa sniffles]

435
00:36:11,560 --> 00:36:13,480
-George.
-[Elisa chuckles]

436
00:36:14,200 --> 00:36:15,200
Georgie.

437
00:36:15,720 --> 00:36:16,800
[chuckles]

438
00:36:19,600 --> 00:36:22,040
I'm never gonna be able
to repay you, Marcus.

439
00:36:23,880 --> 00:36:24,920
Not ever.

440
00:36:27,680 --> 00:36:29,120
I'm so sorry.

441
00:36:35,480 --> 00:36:40,040
But I need you to tell me
if anyone else knows.

442
00:36:41,360 --> 00:36:42,360
Anyone.

443
00:36:43,640 --> 00:36:47,160
Please, Marcus, you have to tell me.

444
00:36:57,280 --> 00:37:00,840
His wife came to see me.

445
00:37:03,160 --> 00:37:04,440
Nicolas's wife.

446
00:37:05,080 --> 00:37:06,080
Nina.

447
00:37:08,000 --> 00:37:09,320
What? She came here?

448
00:37:11,240 --> 00:37:13,280
Why? [stammers] What did she say?

449
00:37:13,360 --> 00:37:15,560
She wanted to know where I'd been.

450
00:37:17,400 --> 00:37:19,280
What I was doing on the road that day.

451
00:37:21,920 --> 00:37:24,160
I said I'd been visiting Eyton alone.

452
00:37:25,040 --> 00:37:26,800
But I didn't tell her about you.

453
00:37:27,480 --> 00:37:28,520
Of course not.

454
00:37:32,080 --> 00:37:34,280
-Of course not.
-[sighs] Okay. Okay.

455
00:37:36,880 --> 00:37:38,200
[exhales shakily]

456
00:37:45,640 --> 00:37:46,640
[phone buzzes]

457
00:37:59,880 --> 00:38:00,920
[Elisa gasps]

458
00:38:11,280 --> 00:38:13,480
-Hi.
-Hey.

459
00:38:14,440 --> 00:38:16,800
-You all right?
-Is that Sarah Banks?

460
00:38:17,760 --> 00:38:18,920
What?

461
00:38:24,240 --> 00:38:25,960
Where did you get this?

462
00:38:26,040 --> 00:38:27,480
Is it her?

463
00:38:27,560 --> 00:38:29,520
Is that the woman who approached you?

464
00:38:30,440 --> 00:38:31,520
Yeah, yeah.

465
00:38:32,760 --> 00:38:33,760
Yeah, it is.

466
00:38:37,000 --> 00:38:38,360
Where did you get this?

467
00:38:38,440 --> 00:38:41,160
From that journalist that
I complained about. She sent it to me.

468
00:38:41,240 --> 00:38:43,120
What? She just… She just sent it to you?

469
00:38:44,360 --> 00:38:46,800
Hang on. [stammers]
How do you know that's Sarah Banks?

470
00:38:46,880 --> 00:38:48,520
-[stammers] Do you know her?
-Listen to me.

471
00:38:48,600 --> 00:38:50,040
-No. Do you know her?
-Listen to me.

472
00:38:50,560 --> 00:38:51,680
I need you to think.

473
00:38:51,760 --> 00:38:55,480
Did… Did she ever say anything
about France to you?

474
00:38:55,560 --> 00:38:58,480
Hang on. You've got to tell me
everything that's going on, all right?

475
00:38:58,560 --> 00:39:00,600
-Tell me what-what's going on.
-Fred, please, I will.

476
00:39:00,680 --> 00:39:04,320
Just-Just… right now I need you to think.

477
00:39:05,360 --> 00:39:08,840
Did she ever mention visiting
anywhere in France?

478
00:39:08,920 --> 00:39:11,160
-[sighs, stammers]
-Anything.

479
00:39:11,720 --> 00:39:15,640
-We talked about going on holidays.
-Yeah, and wh-what did she say?

480
00:39:16,880 --> 00:39:19,160
You know, I-I mentioned that
we went to La Seyne-sur-Mer,

481
00:39:19,240 --> 00:39:24,080
and she mentioned and talked about…
[sniffs] …uh, another place near there.

482
00:39:24,760 --> 00:39:26,880
You know, it sounded like
she knew it pretty well, yeah.

483
00:39:26,960 --> 00:39:28,880
[stammers] Was it… Was it Toulon?

484
00:39:28,960 --> 00:39:31,800
-What? Where the car was found?
-Yes.

485
00:39:32,800 --> 00:39:33,840
Fred, that's her.

486
00:39:33,920 --> 00:39:35,520
Uh. Are you sure?

487
00:39:35,600 --> 00:39:36,960
She has Lucia. I…

488
00:39:38,440 --> 00:39:39,440
I have to go.

489
00:39:59,320 --> 00:40:01,880
[grunts, pants]

490
00:40:03,760 --> 00:40:05,000
[sighs]

491
00:40:07,640 --> 00:40:10,320
[grunting]

492
00:40:31,960 --> 00:40:34,840
[panting]

493
00:40:37,520 --> 00:40:38,720
[grunting continues]

494
00:41:49,360 --> 00:41:50,520
[Josie sniffles]

495
00:42:04,680 --> 00:42:05,800
[Lucia] It's okay.

496
00:42:06,600 --> 00:42:07,600
He's gone now.

497
00:42:14,520 --> 00:42:15,520
[sniffles]

498
00:42:20,360 --> 00:42:23,400
[whimpering]

499
00:42:26,240 --> 00:42:28,400
[sobbing]

500
00:42:50,280 --> 00:42:52,040
[sobbing continues, muffled]

501
00:42:54,440 --> 00:42:55,800
[Elisa] Hi, Joe.

502
00:42:55,880 --> 00:42:57,440
Listen, I… I don't have time to explain,

503
00:42:57,520 --> 00:43:00,000
but I-I really need
to get to Toulon today.

504
00:43:00,080 --> 00:43:01,880
Do you know if there's anyone flying?

505
00:43:02,640 --> 00:43:04,320
-Okay, I'll try Rob.
-[knock on door]

506
00:43:08,040 --> 00:43:09,280
What are you doing here?

507
00:43:11,600 --> 00:43:14,240
Nicolas Thibault's family was from Toulon.

508
00:43:15,400 --> 00:43:16,760
You need to call the police.

509
00:43:17,600 --> 00:43:19,280
Have you called them already?

510
00:43:20,000 --> 00:43:21,480
No, not yet, but I should.

511
00:43:22,280 --> 00:43:24,240
I'm already in enough trouble as it is.

512
00:43:25,760 --> 00:43:26,920
Just come in.

513
00:43:32,160 --> 00:43:33,840
Selma, you can't call the police.

514
00:43:33,920 --> 00:43:37,160
If Nina Thibault finds out
that she's a suspect, she'll run.

515
00:43:37,240 --> 00:43:39,520
Then I might never see Lucia again.

516
00:43:40,160 --> 00:43:42,080
Okay, so what then? What's your plan?

517
00:43:42,160 --> 00:43:44,840
-At least the police can help you.
-I can't call the police.

518
00:43:44,920 --> 00:43:46,360
They'll… They'll arrest me.

519
00:43:47,800 --> 00:43:49,280
-Why?
-Look, Selma.

520
00:43:50,040 --> 00:43:54,160
There is a really strong chance
that I am going to find Lucia.

521
00:43:55,080 --> 00:44:01,040
So, I'm asking you, please, please,
please, please don't fuck this up for me.

522
00:44:02,880 --> 00:44:04,200
I'll do anything.

523
00:44:06,480 --> 00:44:08,880
Fine. Yeah, I won't call the police.

524
00:44:08,960 --> 00:44:10,440
[sighs] Thank you.

525
00:44:10,520 --> 00:44:11,760
If you drop your complaint.

526
00:44:13,960 --> 00:44:16,120
And I need to know everything
that you know.

527
00:44:16,920 --> 00:44:18,120
And I mean everything.

528
00:44:19,280 --> 00:44:20,840
Also, I'm coming with you.

529
00:44:25,720 --> 00:44:26,720
Okay.


