1 00:00:03,300 --> 00:00:05,434 ( theme music playing ) 2 00:00:41,968 --> 00:00:45,067 IT'S ABSOLUTELY SCANDALOUS. 3 00:00:45,067 --> 00:00:48,767 MY FREESTYLE FLORAL DECORATION FOR A TABLE CENTERPIECE 4 00:00:48,767 --> 00:00:51,534 DESERVED A FIRST PRIZE. EVERYBODY SAID SO. 5 00:00:51,534 --> 00:00:53,667 WELL, YOU GOT A SECOND. 6 00:00:53,667 --> 00:00:56,334 ( mutters ) 7 00:00:56,334 --> 00:00:59,534 AND TO GIVE FIRST PRIZE TO LYDIA HAWKSWORTH! 8 00:00:59,534 --> 00:01:01,667 OF ALL PEOPLE! 9 00:01:01,667 --> 00:01:05,100 BETTER LUCK NEXT TIME. IT WAS JUST ONE OF THOSE THINGS, HYACINTH. 10 00:01:05,100 --> 00:01:08,534 ONE OF THOSE THINGS THAT DIDN'T DESERVE A FIRST PRIZE. 11 00:01:09,868 --> 00:01:12,167 IT'S NOT THAT I MIND LOSING, 12 00:01:12,167 --> 00:01:14,934 IT'S JUST THAT I HATE THE THOUGHT OF FIRST PRIZE 13 00:01:14,934 --> 00:01:17,200 BEING GIVEN TO SOMEBODY WHO'LL MAKE SUCH A MEAL OF IT. 14 00:01:17,200 --> 00:01:19,300 WE'LL NEVER HEAR THE LAST OF IT. 15 00:01:19,300 --> 00:01:21,434 IF THEY'D GIVEN IT TO ME, MY NATURAL MODESTY 16 00:01:21,434 --> 00:01:23,868 WOULD INSURE A MINIMUM OF FUSS, 17 00:01:23,868 --> 00:01:27,200 BUT TO GIVE IT TO LYDIA HAWKSWORTH! 18 00:01:27,200 --> 00:01:29,734 YOU SAW IT, YOU WERE THERE. WHAT DID YOU THINK? 19 00:01:31,033 --> 00:01:33,400 COME ALONG, RICHARD. BE HONEST. 20 00:01:33,400 --> 00:01:35,934 I HATED IT. 21 00:01:35,934 --> 00:01:38,334 I'M GLAD WE'RE OF THE SAME OPINION. 22 00:01:38,334 --> 00:01:41,601 I KNOW WHEN TO HATE SOMETHING OR NOT. 23 00:01:41,601 --> 00:01:44,067 THE WOMAN HAS NO TASTE. AND AS FOR THE JUDGES! 24 00:01:44,067 --> 00:01:46,200 WHERE DID THEY FIND THESE JUDGES? 25 00:01:46,200 --> 00:01:50,234 MUST BE THE SAME IDIOTS THAT KEEP LETTING PEOPLE OFF SERIOUS CRIME. 26 00:01:52,767 --> 00:01:55,834 LYDIA HAWKSWORTH! 27 00:01:55,834 --> 00:01:59,334 SHE WAS QUITE OBJECTIONABLE AT ONE OF MY CANDLELIGHT SUPPERS. 28 00:01:59,334 --> 00:02:01,367 I CAN'T REMEMBER. 29 00:02:01,367 --> 00:02:04,367 YOU SHOULD REMEMBER. YOU WERE THERE. 30 00:02:04,367 --> 00:02:07,634 SHE HAD THE IMPUDENCE TO SAY IN A LOUD VOICE: 31 00:02:07,634 --> 00:02:12,167 "I THINK KIWI FRUIT ARE SO LOWER MIDDLE CLASS, DON'T YOU?" 32 00:02:12,167 --> 00:02:16,234 - OH, THAT ONE! - YES, THAT ONE. 33 00:02:16,234 --> 00:02:18,300 AND ALL SHE COULD TALK ABOUT THE WHOLE EVENING, 34 00:02:18,300 --> 00:02:20,901 WAS THEIR HOLIDAY IN CORFU. 35 00:02:20,901 --> 00:02:23,534 I REMEMBER NOW, AND IN SELF-DEFENSE, 36 00:02:23,534 --> 00:02:27,200 YOU GAVE HER THE IMPRESSION THAT WE'D BEEN TO SOUTH AFRICA. 37 00:02:28,534 --> 00:02:30,901 WE'VE BEEN ABROAD. 38 00:02:30,901 --> 00:02:34,634 WE'VE BEEN TO JERSEY. 39 00:02:34,634 --> 00:02:38,534 I WILL NOT HAVE THAT WOMAN PUTTING MY NOSE OUT OF JOINT. 40 00:02:41,934 --> 00:02:46,601 LOOK, THERE SHE IS NOW, DRIVING LIKE A LUNATIC! 41 00:02:46,601 --> 00:02:49,033 IN A NEW CAR. WAS IT A NEW CAR? 42 00:02:49,033 --> 00:02:51,100 ACCORDING TO THE REGISTRATION, IT IS. 43 00:02:51,100 --> 00:02:53,000 TSK-- TYPICAL! 44 00:02:55,634 --> 00:02:58,100 ( door slams ) 45 00:02:58,100 --> 00:03:00,467 WAS THAT THE FRONT DOOR? 46 00:03:00,467 --> 00:03:02,767 PROBABLY. 47 00:03:02,767 --> 00:03:04,601 IT SOUNDED LIKE SOMEBODY GOING OUT. 48 00:03:04,601 --> 00:03:06,367 PROBABLY. 49 00:03:06,367 --> 00:03:08,167 IT CAN'T HAVE BEEN OUR ROSE, 50 00:03:08,167 --> 00:03:11,501 OUR ROSE WOULD HAVE SAID IF SHE WAS GOING OUT. 51 00:03:11,501 --> 00:03:15,234 YOU DON'T THINK IT'S FATHER GOING OUT AT THIS HOUR? 52 00:03:15,234 --> 00:03:17,801 PROBABLY. 53 00:03:17,801 --> 00:03:21,200 AN OLD MAN SHOULDN'T BE WANDERING OUT AT THIS HOUR. 54 00:03:21,200 --> 00:03:23,167 YOU'RE JUST GONNA SIT THERE? 55 00:03:23,167 --> 00:03:24,868 PROBABLY. 56 00:03:30,267 --> 00:03:33,334 Daisy: NOW, COME ON BACK IN, DADDY. 57 00:03:33,334 --> 00:03:35,734 COME ON! 58 00:03:35,734 --> 00:03:38,634 UP YOU GO, BACK UP TO BED. 59 00:03:38,634 --> 00:03:40,801 I'LL BRING YOU SOME COCOA. 60 00:03:40,801 --> 00:03:44,167 WE'LL GO OUT TOMORROW. 61 00:03:44,167 --> 00:03:46,267 HE WANTED TO GO OUT SOMEWHERE. 62 00:03:46,267 --> 00:03:48,200 I TOLD HIM WE'D TAKE HIM TOMORROW. 63 00:03:48,200 --> 00:03:52,033 AND IF YOU SAY "PROBABLY" ONCE MORE, I'LL HIT YOU WITH MY LIBRARY BOOK. 64 00:03:53,067 --> 00:03:55,801 CAN YOU MAKE THAT TWO COCOAS? 65 00:03:56,801 --> 00:03:59,133 PROBABLY. 66 00:03:59,133 --> 00:04:02,200 I'VE BEEN SO HUMILIATED. 67 00:04:02,200 --> 00:04:04,767 - WHEN? - TODAY. 68 00:04:04,767 --> 00:04:07,634 SECOND PRIZE FOR MY-- 69 00:04:07,634 --> 00:04:10,968 FREESTYLE FLORAL TABLE CENTERPIECE, 70 00:04:10,968 --> 00:04:13,701 BEATEN BY LYDIA HAWKSWORTH! 71 00:04:13,701 --> 00:04:17,667 AND THEN TO BE OVERTAKEN BY HER IN HER NEW CAR! 72 00:04:21,701 --> 00:04:23,701 HYACINTH, 73 00:04:23,701 --> 00:04:26,300 WE DON'T NEED A NEW CAR. 74 00:04:26,300 --> 00:04:29,767 THE ONE WE HAVE RUNS VERY WELL, 75 00:04:29,767 --> 00:04:32,267 NOT THAT MANY MILES ON THE CLOCK. 76 00:04:32,267 --> 00:04:33,868 IT'S JUST DECENTLY RUN IN, REALLY. 77 00:04:33,868 --> 00:04:35,901 RICHARD, WHAT ARE YOU TALKING ABOUT, DEAR? 78 00:04:35,901 --> 00:04:40,634 WHO SAID ANYTHING ABOUT A NEW CAR? GOODNESS ME! 79 00:04:49,868 --> 00:04:52,133 I MUST SAY, RICHARD. 80 00:04:52,133 --> 00:04:54,801 YOU KEEP THAT VEHICLE IMMACULATE. 81 00:04:54,801 --> 00:04:58,334 - LOUDER, PLEASE, LIZ. - LOOKS LIKE A NEW CAR. 82 00:04:58,334 --> 00:05:01,734 I WISH YOU'D KEEP REPEATING THAT, AGAIN AND AGAIN. 83 00:05:03,100 --> 00:05:05,868 WHY IS THAT, RICHARD? 84 00:05:05,868 --> 00:05:07,834 I RATHER SUSPECT 85 00:05:07,834 --> 00:05:10,667 HYACINTH HAS FIXED HER SIGHTS ON SOMETHING NEW. 86 00:05:10,667 --> 00:05:12,667 OH, DEAR. 87 00:05:12,667 --> 00:05:15,601 STILL, SHE CAN'T DENY HOW SMART THAT ONE STILL LOOKS. 88 00:05:15,601 --> 00:05:17,667 THANK YOU. 89 00:05:20,601 --> 00:05:24,267 RICHARD, WHY ARE YOU POLISHING THIS OLD THING? 90 00:05:24,267 --> 00:05:26,267 GOOD MORNING, ELIZABETH. 91 00:05:26,267 --> 00:05:27,968 GOOD MORNING, HY-- 92 00:05:29,400 --> 00:05:31,267 OH DEAR. 93 00:05:33,534 --> 00:05:36,234 YOU BETTER GET A MOVE ON. FATHER'S READY. 94 00:05:36,234 --> 00:05:38,000 READY FOR WHAT? 95 00:05:38,000 --> 00:05:42,100 FOR GOING OUT. YOU SAID LAST NIGHT, YOU'D TAKE HIM OUT. 96 00:05:43,501 --> 00:05:45,801 WE DIDN'T MEAN AT THE CRACK OF DAWN. 97 00:05:45,801 --> 00:05:48,734 OH, COME ON. IT'S TIME YOU WERE UP, ANYWAY. 98 00:05:48,734 --> 00:05:51,033 AND HE'S SITTING THERE IN HIS BEST SUIT. 99 00:05:51,033 --> 00:05:54,667 AND WHY'S ONSLOW READING "THE FINANCIAL TIMES"? 100 00:05:54,667 --> 00:05:57,701 I LIKE TO KEEP AN EYE ON THE ECONOMY. 101 00:05:57,701 --> 00:06:01,434 A BLOKE IN MY POSITION HAS TO WONDER HOW LONG THE COUNTRY CAN AFFORD HIM. 102 00:06:03,601 --> 00:06:05,868 IF WE DON'T GET THE ECONOMY RIGHT, 103 00:06:05,868 --> 00:06:09,434 PEOPLE LIKE ME ARE GONNA BE IN TROUBLE. 104 00:06:09,434 --> 00:06:13,567 IT'S THE DUTY OF ALL OF US TO BE CONCERNED ABOUT THE SHRINKING POUND. 105 00:06:16,434 --> 00:06:18,834 AND WHEN I MARRIED HIM, 106 00:06:18,834 --> 00:06:21,400 I THOUGHT HE WAS JUST A SEX SYMBOL. 107 00:06:25,634 --> 00:06:28,567 TURN RIGHT HERE, DEAR. 108 00:06:28,567 --> 00:06:30,868 FOR SOMEONE WHO DOESN'T KNOW WHERE WE'RE GOING, 109 00:06:30,868 --> 00:06:33,767 YOU SEEM TO KNOW JUST WHERE WE'RE GOING. 110 00:06:40,267 --> 00:06:42,534 YOU'RE GOING TO HAVE TO IRON THIS SHIRT, DAISE. 111 00:06:42,534 --> 00:06:44,234 CAN'T YOU FIND ANOTHER? 112 00:06:44,234 --> 00:06:49,200 I CAN, BUT YOU'RE GONNA HAVE TO WASH AND IRON THAT ONE. 113 00:06:49,200 --> 00:06:52,367 NO CONTEST. BUT YOU'LL HAVE TO WAIT TILL I'VE IRONED THIS BLOUSE. 114 00:06:53,367 --> 00:06:55,501 ( TV plays ) 115 00:06:56,701 --> 00:06:58,834 OH GOOD, YOU GOT THE IRON OUT. 116 00:06:58,834 --> 00:07:00,968 COULD YOU IRON MY FROCK, PLEASE, DAISE? 117 00:07:00,968 --> 00:07:03,100 I GOTTA DO HIS SHIRT FIRST. 118 00:07:03,100 --> 00:07:04,834 WE'RE ONLY TAKING FATHER OUT, 119 00:07:04,834 --> 00:07:06,434 WHAT DOES HE WANT HIS SHIRT IRONED FOR? 120 00:07:06,434 --> 00:07:09,734 BECAUSE IT WAS ON THE FLOOR IN THE WARDROBE. 121 00:07:09,734 --> 00:07:11,868 SO WAS I LAST CHRISTMAS. 122 00:07:11,868 --> 00:07:15,133 GUESS IT WAS THAT MR. BLENKINSOPP. 123 00:07:15,133 --> 00:07:18,934 I'VE NEVER KNOWN ANYBODY GET SO WOUND UP ON BRITISH SHERRY. 124 00:07:20,367 --> 00:07:22,300 WHERE DOES FATHER WANTS TO GO, ANYWAY? 125 00:07:22,300 --> 00:07:25,734 - I DON'T KNOW, HE HASN'T SAID. - GO AND ASK HIM. 126 00:07:25,734 --> 00:07:28,367 WE OUGHT TO KNOW WHAT WE'RE ALL BEING IRONED FOR. 127 00:07:31,701 --> 00:07:35,467 HOW LONG DID SHE HAVE HER MR. BLENKINSOPP IN THE WARDROBE? 128 00:07:35,467 --> 00:07:37,601 I DON'T KNOW. 129 00:07:37,601 --> 00:07:40,300 I DON'T GO PRYING INTO WHAT SHE'S GOT IN HER WARDROBE. 130 00:07:40,300 --> 00:07:42,567 YOU WOULD IF HER STUFF FITTED YOU. 131 00:07:43,734 --> 00:07:45,834 I KNOW, SHE'S GOT SOME LOVELY THINGS. 132 00:07:47,834 --> 00:07:49,601 WELL, WHERE DOES HE WANT TO GO? 133 00:07:49,601 --> 00:07:51,000 AFRICA! 134 00:07:52,234 --> 00:07:54,834 WE'RE ONLY GOING OUT FOR A COUPLE OF HOURS. 135 00:07:54,834 --> 00:07:57,868 I TOLD HIM THAT BUT HE STILL WANTS AFRICA. 136 00:07:57,868 --> 00:08:01,868 WELL, WHEN WE GET THERE, TELL HIM IT'S AFRICA. HE WON'T KNOW THE DIFFERENCE. 137 00:08:17,367 --> 00:08:19,367 HYACINTH... 138 00:08:19,367 --> 00:08:23,033 WHAT ARE WE DOING HERE? 139 00:08:23,033 --> 00:08:25,667 I ASKED YOU TO PULL IN FOR A MOMENT, 140 00:08:25,667 --> 00:08:27,667 BECAUSE I FELT FAINT. 141 00:08:27,667 --> 00:08:30,667 NOW THAT WE ARE HERE, LOOKING AT THESE PRICES, 142 00:08:30,667 --> 00:08:32,734 I FEEL FAINT. 143 00:08:32,734 --> 00:08:35,067 PLEASE DON'T WORRY ABOUT ME, DEAR. 144 00:08:35,067 --> 00:08:37,267 I'M STARTING TO FEEL BETTER ALREADY. 145 00:08:37,267 --> 00:08:40,634 A FEW MINUTES OUT OF THE CAR AND I'LL BE FINE. 146 00:08:42,300 --> 00:08:44,400 I THOUGHT THERE WAS SOMETHING 147 00:08:44,400 --> 00:08:47,367 BEHIND THIS SUDDEN URGE TO GO FOR A DRIVE. 148 00:08:47,367 --> 00:08:50,334 I DON'T KNOW WHAT YOU MEAN. 149 00:08:50,334 --> 00:08:54,701 YOU KNEW WHERE WE WERE GOING ALL THE TIME. 150 00:08:54,701 --> 00:08:57,667 NONSENSE. I MERELY THOUGHT WE... 151 00:08:57,667 --> 00:09:01,100 MIGHT AS WELL POP IN AND HAVE A LOOK WHILE WE WERE PASSING. 152 00:09:01,100 --> 00:09:04,400 AND YOU MADE SURE WE WERE PASSING. 153 00:09:06,167 --> 00:09:10,100 IT LOOKS A VERY RESPECTABLE GARAGE. 154 00:09:10,100 --> 00:09:12,834 IT LOOKS A VERY EXPENSIVE GARAGE. 155 00:09:15,133 --> 00:09:17,000 HYACINTH! 156 00:09:17,000 --> 00:09:19,534 I DON'T WANT YOU TO GET CARRIED AWAY. 157 00:09:19,534 --> 00:09:24,467 ( gasps ) LOOK AT THAT BEAUTIFUL MACHINE. 158 00:09:24,467 --> 00:09:26,234 SEE WHAT I MEAN? 159 00:09:26,234 --> 00:09:29,601 HYACINTH, IF WE'RE THINKING ABOUT A NEW CAR, 160 00:09:29,601 --> 00:09:35,067 WE SHOULD BE LOOKING AT SMALL, ECONOMICAL FAMILY SALOONS. 161 00:09:35,067 --> 00:09:37,801 PREFERABLY WITH ONE PREVIOUS OWNER. 162 00:09:37,801 --> 00:09:40,300 YOU'RE QUITE WRONG, RICHARD. 163 00:09:40,300 --> 00:09:43,667 WHAT THIS FAMILY NEEDS IS SOMETHING BIGGER. 164 00:09:43,667 --> 00:09:45,968 HOW MUCH BIGGER? 165 00:09:45,968 --> 00:09:47,968 WELL... 166 00:09:47,968 --> 00:09:50,400 BIGGER THAN LYDIA HAWKSWORTH'S. 167 00:09:53,734 --> 00:09:55,534 WHERE'S YOUR FATHER GOT TO NOW? 168 00:09:55,534 --> 00:09:57,634 HE'S COMING. HE'S COMING. 169 00:09:57,634 --> 00:09:59,534 I THOUGHT YOU SAID HE WAS READY, OUR ROSE. 170 00:09:59,534 --> 00:10:02,033 HE WAS READY. HE WAS READY BEFORE YOU GOT UP. 171 00:10:02,033 --> 00:10:04,300 WHERE IS HE, THEN? 172 00:10:05,300 --> 00:10:07,300 ( honking ) 173 00:10:07,300 --> 00:10:10,033 DON'T BE SO IMPETUOUS. 174 00:10:10,033 --> 00:10:13,868 WELL... NOT TILL LATER, ANYWAY. 175 00:10:13,868 --> 00:10:16,267 I'LL GO AND GET HIM. 176 00:10:24,200 --> 00:10:26,200 NO WONDER THIS SHIRT WAS ON THE FLOOR. 177 00:10:26,200 --> 00:10:28,200 THE ONLY PLACE IT FITS IS ON THE FLOOR. 178 00:10:31,000 --> 00:10:34,133 - WHERE IS HE? - HE'S COMING, HE'S COMING. 179 00:10:40,133 --> 00:10:43,033 "TELL HIM IT'S AFRICA. HE WON'T KNOW THE DIFFERENCE." 180 00:10:43,033 --> 00:10:45,501 I THINK HE LOOKS VERY SMART FOR HIS AGE. 181 00:10:45,501 --> 00:10:47,734 JUST AS LONG AS HE'S CAREFUL WITH THAT HAT. 182 00:10:47,734 --> 00:10:51,601 IT WAS ONCE FULL OF... LONELY AUSTRALIA. 183 00:10:56,467 --> 00:10:59,133 HYACINTH, WOULD YOU COME AWAY FROM THAT CAR? 184 00:10:59,133 --> 00:11:01,834 IT'S NOT IN OUR LEAGUE. 185 00:11:01,834 --> 00:11:04,100 OH, RICHARD! 186 00:11:05,434 --> 00:11:08,834 YOU SHOULD FEEL THE PAINTWORK. 187 00:11:08,834 --> 00:11:12,000 HYACINTH, WE'RE GOING. 188 00:11:13,267 --> 00:11:18,300 - I'M ONLY LOOKING. - WELL, I DON'T LIKE IT. 189 00:11:19,334 --> 00:11:22,767 HOW COULD YOU NOT LIKE IT? 190 00:11:22,767 --> 00:11:25,734 I DON'T MEAN THE CAR. I MEAN THE LOOKING. 191 00:11:26,968 --> 00:11:29,100 ( deep sniff ) 192 00:11:29,100 --> 00:11:31,901 OH, SMELL THAT UPHOLSTERY! 193 00:11:31,901 --> 00:11:35,834 HYACINTH, WILL YOU COME AWAY FROM THERE BEFORE SOMEBODY SEES US? 194 00:11:35,834 --> 00:11:39,734 I'M DOING NO HARM. I'M JUST ADMIRING THE QUALITY. 195 00:11:39,734 --> 00:11:42,767 I HOPE WHEN SOMEBODY COMES THAT YOU'LL TELL THEM THAT. 196 00:11:42,767 --> 00:11:47,000 I WILL... I'LL TELL THEM JUST THAT. 197 00:11:48,000 --> 00:11:50,701 I MEAN IT. THE MINUTE SOMEBODY COMES, 198 00:11:50,701 --> 00:11:54,000 TELL THEM WE'RE NOT SERIOUSLY INTERESTED, YOU'RE ADMIRING THE QUALITY. 199 00:11:54,000 --> 00:11:56,133 I WILL, DEAR. I WILL, I WILL, I WILL. 200 00:11:56,133 --> 00:11:58,167 BECAUSE WE'RE NOT SERIOUSLY INTERESTED. 201 00:11:58,167 --> 00:12:01,133 OF COURSE WE'RE NOT SERIOUSLY INTERESTED. 202 00:12:01,133 --> 00:12:03,133 HOW COULD WE POSSIBLY BE SERIOUSLY INTERESTED? 203 00:12:03,133 --> 00:12:05,701 EXACTLY, SO YOU JUST TELL THEM THAT. 204 00:12:05,701 --> 00:12:09,400 I'M NOT A FOOL, RICHARD. 205 00:12:14,300 --> 00:12:16,334 GOOD MORNING, MADAM. 206 00:12:16,334 --> 00:12:18,834 ARE YOU INTERESTED IN THIS BEAUTIFUL MACHINE? 207 00:12:18,834 --> 00:12:21,000 YES I AM, ACTUALLY. 208 00:12:24,567 --> 00:12:27,367 Onslow: WILL YOU KEEP YOUR FATHER STILL IN THE BACK? 209 00:12:27,367 --> 00:12:29,501 WHAT'S HE JUMPING ABOUT FOR? 210 00:12:29,501 --> 00:12:32,934 - Rose: HE'S EXCITED. - WHAT'S TO GET EXCITED ABOUT? 211 00:12:32,934 --> 00:12:35,234 OF COURSE, HE'S EXCITED, 212 00:12:35,234 --> 00:12:37,234 IT'S THE FIRST TIME HE'S BEEN TO AFRICA. 213 00:12:40,934 --> 00:12:44,601 NOT THAT ROLLS-ROYCE'S OWNERS SPEND MUCH TIME UNDER THE BONNET, 214 00:12:44,601 --> 00:12:47,300 BUT YOU MUST ADMIT, IT'S WORTH A LOOK. 215 00:12:49,501 --> 00:12:52,467 OH, RICHARD. LOOK AT IT PROPERLY, DEAR. 216 00:12:52,467 --> 00:12:56,968 I AM LOOKING AT IT PROPERLY-- AS PROPERLY AS I DARE. 217 00:12:56,968 --> 00:13:00,801 IT'S A BEAUTIFUL INTERIOR. 218 00:13:00,801 --> 00:13:05,067 OH, AND A LITTLE LIGHT ABOVE THE VANITY MIRROR. 219 00:13:06,634 --> 00:13:09,334 HAVE YOU ANY PARTICULAR QUESTIONS ABOUT THIS MODEL? 220 00:13:09,334 --> 00:13:11,334 NO, THANK YOU. 221 00:13:11,334 --> 00:13:15,400 I THINK THAT I'VE SEEN ALL I NEED TO SEE. 222 00:13:15,400 --> 00:13:18,334 OF COURSE, THE ULTIMATE ROLLS EXPERIENCE IS IN THE DRIVING, 223 00:13:18,334 --> 00:13:21,167 YOU HAVE TO SAMPLE THE SHEER SUMPTUOUSNESS OF THE RIDE. 224 00:13:21,167 --> 00:13:24,434 OH, I THINK MY HUSBAND WOULD LIKE TO EXPERIENCE 225 00:13:24,434 --> 00:13:27,234 THE SHEER SUMPTUOUSNESS OF THE RIDE. 226 00:13:27,234 --> 00:13:29,367 RIGHT. I'LL GET THE KEYS, AND WE'LL TAKE HER FOR A DRIVE. 227 00:13:29,367 --> 00:13:32,801 - N-NO. - YES! THAT WOULD BE IDEAL. 228 00:13:32,801 --> 00:13:36,334 RIGHT, I'LL HAVE THE CAR MOVED OUTSIDE. 229 00:13:41,334 --> 00:13:43,601 TELL HIM HE HASN'T SEEN ONE. 230 00:13:43,601 --> 00:13:46,000 TELL HIM HE CAN'T HAVE SEEN ONE. 231 00:13:46,000 --> 00:13:48,767 OH, LET HIM THINK HE'S SEEN ONE IF HE WANTS. 232 00:13:48,767 --> 00:13:51,934 HE WANTS TO GET OUT FOR A CLOSER LOOK. 233 00:13:55,601 --> 00:13:59,067 GO WITH HIM, ONSLOW. TAKE HIM FOR A CLOSER LOOK. 234 00:13:59,067 --> 00:14:02,400 AT WHAT? THERE'S NOTHING THERE. 235 00:14:02,400 --> 00:14:05,234 FATHER SAID THERE WAS. HE SAW IT DISTINCTLY. 236 00:14:05,234 --> 00:14:07,501 ( groaning ) 237 00:14:13,601 --> 00:14:15,701 MIND HOW YOU GO. 238 00:14:15,701 --> 00:14:18,200 WHEN WE GET HOME, IF YOU TELL ANYBODY 239 00:14:18,200 --> 00:14:20,534 THAT I WAS IN THE WOODS WITH YOUR FATHER-- LOOKING FOR AN ELEPHANT-- 240 00:14:20,534 --> 00:14:23,534 OH, COME ON, HUMOR HIM! 241 00:14:25,200 --> 00:14:26,868 I'M COMING, I'M COMING! 242 00:14:26,868 --> 00:14:29,000 ( laughing ) 243 00:14:32,033 --> 00:14:36,100 OH, RICHARD! I'M SO LOOKING FORWARD TO OUR SUMPTUOUS RIDE. 244 00:14:36,100 --> 00:14:37,701 DO YOU REALIZE THAT IF I SCRATCH IT... 245 00:14:37,701 --> 00:14:39,467 WHY SHOULD YOU SCRATCH IT, DEAR? 246 00:14:39,467 --> 00:14:42,734 I WILL NOT ALLOW YOU TO SCRATCH IT. 247 00:14:42,734 --> 00:14:45,067 WHAT IF SOMETHING HAPPENS AND IT GETS SCRATCHED, 248 00:14:45,067 --> 00:14:47,901 AND IT NEEDS A RESPRAY? WE'LL HAVE TO RE-MORTGAGE THE HOUSE. 249 00:14:47,901 --> 00:14:50,033 OH, RICHARD! 250 00:14:50,033 --> 00:14:54,734 YOU WILL NOT SCRATCH OUR ROLLS-ROYCE. 251 00:14:54,734 --> 00:14:57,434 I DIDN'T HEAR THAT. I DIDN'T HEAR THAT PROPERLY. 252 00:14:57,434 --> 00:15:01,634 YOU DIDN'T CALL THIS CAR "OUR" ROLLS-ROYCE? 253 00:15:01,634 --> 00:15:05,634 WELL, FOR A WHILE THIS MORNING, IT IS. 254 00:15:05,634 --> 00:15:07,667 OH, COME ON! 255 00:15:07,667 --> 00:15:11,067 THANK YOU. SHALL WE GO? 256 00:15:11,067 --> 00:15:12,267 TELEPHONE, MR. HUNT. 257 00:15:12,267 --> 00:15:14,667 OH, THANK YOU. 258 00:15:14,667 --> 00:15:17,567 I'M SORRY, THIS MAY BE AN IMPORTANT CALL THAT I'M EXPECTING. 259 00:15:17,567 --> 00:15:20,133 I WON'T BE A MOMENT, THEN WE CAN TAKE HER FOR A DRIVE. 260 00:15:20,133 --> 00:15:22,734 YES. 261 00:15:22,734 --> 00:15:26,601 IN THE MEANTIME, SIT DOWN AND GET THE FEEL OF HER. 262 00:15:27,934 --> 00:15:32,033 COME ON, RICHARD. YOU HEARD WHAT HE SAID. 263 00:15:32,033 --> 00:15:34,234 GET IN, DEAR. 264 00:15:40,767 --> 00:15:45,133 OH, WHAT A LOVELY SEAT BELT. 265 00:15:45,133 --> 00:15:47,200 FEEL THE QUALITY OF THAT, RICHARD. 266 00:15:47,200 --> 00:15:49,567 VERY NICE. 267 00:15:52,634 --> 00:15:55,133 COME ON DEAR, PUT YOURS ON. 268 00:15:55,133 --> 00:15:56,834 WE'RE NOT GOING ANYWHERE. 269 00:15:56,834 --> 00:15:59,501 WE WILL BE WHEN HE COMES BACK. 270 00:16:04,701 --> 00:16:07,434 WHILST WE'RE WAITING, START THE ENGINE. 271 00:16:07,434 --> 00:16:11,267 I WANT TO BE ABLE NOT TO HEAR THE ENGINE. 272 00:16:14,968 --> 00:16:17,968 ( engine starts softly ) 273 00:16:28,200 --> 00:16:31,868 JUST DRIVE A LITTLE WAY FORWARD. 274 00:16:33,601 --> 00:16:35,601 DO YOU THINK WE SHOULD? 275 00:16:35,601 --> 00:16:38,400 HE SAID TO "GET THE FEEL OF HER." 276 00:16:38,400 --> 00:16:41,033 I'M NOT USED TO THIS GEARBOX. 277 00:16:41,033 --> 00:16:43,133 OH, RICHARD! 278 00:16:43,133 --> 00:16:45,834 NO WONDER YOU NEVER FINISH THE TIMES' CROSSWORD. 279 00:16:48,133 --> 00:16:50,267 ( tires squeal ) 280 00:16:53,834 --> 00:16:55,901 SEE? THAT WASN'T DIFFICULT, WAS IT? 281 00:17:03,467 --> 00:17:06,634 THIS TIME, TRY GOING FORWARD. 282 00:17:13,567 --> 00:17:15,968 JUST A LITTLE FASTER, RICHARD. 283 00:17:23,868 --> 00:17:25,801 WELL, YOU MAY AS WELL KEEP GOING NOW. 284 00:17:25,801 --> 00:17:28,801 WE'RE SUPPOSED TO WAIT FOR HIM. 285 00:17:28,801 --> 00:17:31,267 I WAS GETTING TIRED OF WAITING FOR HIM. 286 00:17:31,267 --> 00:17:33,300 DRIVE ON, RICHARD! 287 00:17:33,300 --> 00:17:35,367 NO, I'M GOING TO REVERSE. 288 00:17:37,133 --> 00:17:41,934 I DON'T THINK YOU CAN. IT'S A ONE-WAY STREET. 289 00:17:41,934 --> 00:17:44,000 ( honking ) 290 00:17:45,868 --> 00:17:49,100 - ( honking continues ) - YOU'LL HAVE TO GO ROUND THE BLOCK. 291 00:17:54,033 --> 00:17:56,501 ( honking ) 292 00:18:02,133 --> 00:18:04,234 ( tires squeal ) 293 00:18:04,234 --> 00:18:06,601 MIND THE PEDESTRIAN! 294 00:18:06,601 --> 00:18:08,868 YOU SHOULDN'T KNOCK THEM DOWN, RICHARD. 295 00:18:08,868 --> 00:18:10,934 EVEN IN A ROLLS. 296 00:18:12,634 --> 00:18:15,434 RICHARD, SURELY IT GOES QUICKER THAN THIS. 297 00:18:17,067 --> 00:18:20,300 NOT WITH ME DRIVING, IT DOESN'T. 298 00:18:22,267 --> 00:18:25,501 WE'RE BEING OVERTAKEN BY EVERYTHING. 299 00:18:25,501 --> 00:18:29,634 WHAT DOES IT MATTER IF WE'RE BEING PASSED BY A FEW OTHER VEHICLES? 300 00:18:35,467 --> 00:18:37,667 WHERE'S THE NEXT LEFT? 301 00:18:37,667 --> 00:18:40,334 IT'S COMING UP. 302 00:18:40,334 --> 00:18:43,000 OH DEAR. IT'S A NO-ENTRY. 303 00:18:43,000 --> 00:18:45,968 JUST KEEP GOING FOR THE MOMENT. 304 00:18:45,968 --> 00:18:49,133 WE MAY FIND OURSELVES SOMEWHERE WITH RATHER LESS TRAFFIC. 305 00:18:51,133 --> 00:18:55,400 Hyacinth: THERE'S NO TRAFFIC HERE. NOW YOU CAN LET HER RIP! 306 00:18:59,667 --> 00:19:02,200 RICHARD, I DON'T CALL THIS A RIP, DEAR. 307 00:19:02,200 --> 00:19:04,467 IT'S NOT EVEN HALF A RIP. 308 00:19:04,467 --> 00:19:06,968 JUST ENJOY THE SCENERY. 309 00:19:08,000 --> 00:19:10,000 TAKE THE FIRST RIGHT, DEAR. 310 00:19:10,000 --> 00:19:12,033 BUT WHERE ARE WE GOING? 311 00:19:12,033 --> 00:19:14,133 NOWHERE IN PARTICULAR. 312 00:19:15,367 --> 00:19:17,701 AND THEN, THE SECOND LEFT. 313 00:19:21,167 --> 00:19:23,267 PULL INTO THE HOTEL. 314 00:19:25,634 --> 00:19:28,534 WE'VE GOT TO GET THIS CAR BACK TO THE SHOWROOM. 315 00:19:28,534 --> 00:19:31,200 I'M SURE WE'VE TIME FOR A COFFEE, RICHARD. 316 00:19:31,200 --> 00:19:34,567 BUT THEY COULD THINK WE'VE STOLEN IT. 317 00:19:34,567 --> 00:19:36,367 NONSENSE. 318 00:19:36,367 --> 00:19:39,467 YOU CAN'T BUY A ROLLS-ROYCE IN FIVE MINUTES. 319 00:19:39,467 --> 00:19:41,801 WE'RE NOT BUYING A ROLLS-ROYCE! 320 00:19:41,801 --> 00:19:44,901 BUT THEY DON'T KNOW THAT, DEAR. KEEP GOING. 321 00:19:51,167 --> 00:19:54,701 PARK IT SOMEWHERE WHERE THEY CAN SEE US FROM THE WINDOWS. 0 00:00:0,500 --> 00:00:2,00