1 00:00:00,080 --> 00:00:04,280 Grand music 2 00:00:04,519 --> 00:00:10,720 {\an1}... 3 00:00:12,800 --> 00:00:17,079 Soft music 4 00:00:17,320 --> 00:00:28,760 {\an1}... 5 00:00:29,000 --> 00:00:31,800 The music gets darker. 6 00:00:32,040 --> 00:00:37,760 {\an1}... 7 00:00:37,960 --> 00:00:39,200 - It's not weird, 8 00:00:39,440 --> 00:00:40,640 {\an3}a boom at his age? 9 00:00:40,840 --> 00:00:44,680 {\an1}... 10 00:00:44,880 --> 00:00:46,479 - Ready? - In your opinion? 11 00:00:48,080 --> 00:00:49,360 - Tonight, 12 00:00:49,600 --> 00:00:53,520 {\an1}it's an evening without alcohol and without cigarettes. 13 00:00:53,760 --> 00:00:55,480 {\an3}- You were funnier before. 14 00:00:55,680 --> 00:00:58,040 {\an1}- I was funnier before, yes, 15 00:00:58,280 --> 00:01:00,360 but in the meantime... 16 00:01:00,560 --> 00:01:02,200 It sucks in air. 17 00:01:02,400 --> 00:01:05,240 High voice I became responsible. 18 00:01:05,480 --> 00:01:06,680 {\an3}- Did you call Olivia? 19 00:01:08,080 --> 00:01:10,000 ... - No, I didn't dare. 20 00:01:10,200 --> 00:01:11,520 {\an3}- Okay. 21 00:01:11,720 --> 00:01:14,160 {\an3}"I have become responsible..." 22 00:01:14,400 --> 00:01:16,400 Melancholic music 23 00:01:16,600 --> 00:01:20,440 {\an1}... 24 00:01:20,640 --> 00:01:24,400 {\an1}- Uh... Uh... Well yeah. 25 00:01:24,600 --> 00:01:26,520 {\an1}Yeah, it's going great. 26 00:01:26,720 --> 00:01:28,920 {\an1}Um... it's going great. 27 00:01:29,120 --> 00:01:30,400 {\an1}And you? 28 00:01:30,600 --> 00:01:32,600 YOU ? - Alright. 29 00:01:34,080 --> 00:01:36,400 The music intensifies. 30 00:01:36,640 --> 00:01:45,720 {\an1}... 31 00:01:45,959 --> 00:01:48,280 ... Hubbub 32 00:01:48,520 --> 00:02:18,240 ... ... 33 00:02:18,480 --> 00:02:20,480 - Jérôme, I'm sorry about yesterday. 34 00:02:22,040 --> 00:02:24,880 I was on edge, I shouldn't have said that. 35 00:02:25,080 --> 00:02:27,120 {\an1}- It's true that it wasn't cool. 36 00:02:28,320 --> 00:02:31,120 {\an1}But hey, you're right, I don't like risk. 37 00:02:34,960 --> 00:02:36,600 {\an1}I don't like unnecessary risk. 38 00:02:38,000 --> 00:02:41,400 {\an1}You see, me... I love life. 39 00:02:42,720 --> 00:02:44,400 {\an1}I don't want to die. 40 00:02:44,639 --> 00:02:48,360 {\an1}So if you want to do yourself adrenaline shots, you see, 41 00:02:48,560 --> 00:02:50,840 {\an1}well that's your problem. 42 00:02:51,080 --> 00:02:52,280 {\an1}It's not mine. 43 00:02:54,600 --> 00:02:55,960 {\an3}- You're right. 44 00:02:56,200 --> 00:02:57,400 {\an1}- Well then that’s okay. 45 00:02:59,200 --> 00:03:01,800 He inhales and sighs. 46 00:03:08,800 --> 00:03:11,000 Phone ringtone 47 00:03:11,200 --> 00:03:14,320 {\an1}... 48 00:03:14,520 --> 00:03:15,520 - Hello? 49 00:03:15,720 --> 00:03:18,320 *-Captain Costes, Maya escaped from prison 50 00:03:18,520 --> 00:03:20,840 with the complicity of Alexandre. - Shit... 51 00:03:21,040 --> 00:03:23,120 *Inaudible comments Tension music 52 00:03:23,320 --> 00:03:24,320 Okay, thanks. 53 00:03:25,400 --> 00:03:27,240 Maya escaped from jail. 54 00:03:27,440 --> 00:03:30,360 Alexandre is with her, They killed a nurse. 55 00:03:30,600 --> 00:03:31,960 {\an3}You go for it, I'll join you. 56 00:03:32,200 --> 00:03:33,440 Send a brigade 57 00:03:33,680 --> 00:03:35,200 at Balthazar for Alice. 58 00:03:35,400 --> 00:03:41,640 {\an1}... 59 00:03:41,840 --> 00:03:45,440 ... Phone vibrate 60 00:03:45,640 --> 00:03:47,960 {\an1}... 61 00:03:48,160 --> 00:03:49,600 *Raph? 62 00:03:49,840 --> 00:03:53,040 {\an1}Maya escaped, They killed a nurse. 63 00:03:53,280 --> 00:03:54,600 Your brother is with her. 64 00:03:54,800 --> 00:03:57,400 {\an1}... 65 00:03:57,600 --> 00:03:58,600 -Alice. 66 00:04:00,800 --> 00:04:03,400 Generic 67 00:04:03,640 --> 00:04:09,800 {\an1}... 68 00:04:10,040 --> 00:04:12,840 *Call tone 69 00:04:13,040 --> 00:04:14,720 Come on, Paloma, pick up. 70 00:04:14,960 --> 00:04:17,160 {\an1}*... 71 00:04:17,400 --> 00:04:20,480 Pick up, pick up, pick up, pick up, pick up... 72 00:04:20,680 --> 00:04:21,680 {\an1}*... 73 00:04:21,880 --> 00:04:22,920 Pick up! 74 00:04:23,160 --> 00:04:29,200 {\an1}... 75 00:04:29,400 --> 00:04:34,000 ... Phone vibrate 76 00:04:34,200 --> 00:04:35,839 Yeah? *-Did you call me? 77 00:04:36,040 --> 00:04:38,360 *Sobs - Why is she crying, Alice? 78 00:04:38,600 --> 00:04:41,200 - You are already relaxing, darling, everything is fine. 79 00:04:41,440 --> 00:04:43,160 {\an1}She's just hungry! 80 00:04:43,400 --> 00:04:45,600 What do you have there? Oh no, no, no! 81 00:04:45,800 --> 00:04:48,240 What is this ? *-What did you see? 82 00:04:48,440 --> 00:04:49,440 - A little rabbit 83 00:04:49,680 --> 00:04:51,360 made of wood, ugly, too. 84 00:04:51,600 --> 00:04:53,279 {\an1}*... 85 00:04:53,480 --> 00:04:56,279 - Okay. Listen to me carefully, Paloma. 86 00:04:56,520 --> 00:04:59,040 *Go to my room. Under my bed, 87 00:04:59,279 --> 00:05:01,120 there is a baseball bat. 88 00:05:01,360 --> 00:05:02,720 - I have it. *-OK. 89 00:05:02,960 --> 00:05:06,560 Now you will close the double-turned entrance door. 90 00:05:06,760 --> 00:05:09,800 You don't open to anyone, except to the cops. 91 00:05:11,600 --> 00:05:13,320 {\an1}Maya and my brother are back. 92 00:05:13,560 --> 00:05:14,400 - What ? 93 00:05:14,640 --> 00:05:16,600 Suspenseful music 94 00:05:16,800 --> 00:05:18,520 We ring the bell. 95 00:05:20,120 --> 00:05:22,720 ... (- Damn...) 96 00:05:22,920 --> 00:05:24,760 Knocks on the door (Fuck...) 97 00:05:24,960 --> 00:05:26,320 {\an1}... 98 00:05:28,960 --> 00:05:30,640 {\an1}... 99 00:05:30,880 --> 00:05:32,600 - Police, open! - Oh, damn. 100 00:05:32,800 --> 00:05:33,880 The bat falls. 101 00:05:34,080 --> 00:05:35,080 He sighs. 102 00:05:37,240 --> 00:05:38,440 {\an1}Hi, girls. 103 00:05:38,640 --> 00:05:39,680 {\an1}Come on, come home. 104 00:05:45,160 --> 00:05:47,680 - The cops arrive with Alice, it's not the... 105 00:05:50,520 --> 00:05:52,040 {\an1}- Shit, isn’t Camille there? 106 00:05:53,760 --> 00:05:55,040 {\an3}- No, she is with you. 107 00:05:55,279 --> 00:05:57,440 - She didn't come to the prison. 108 00:05:57,680 --> 00:05:59,279 {\an1}I thought I would find her here. 109 00:05:59,480 --> 00:06:01,960 Suspenseful music 110 00:06:02,160 --> 00:06:03,920 {\an3}- When did you talk to him? 111 00:06:04,160 --> 00:06:06,320 {\an3}- At least an hour ago, and since then, 112 00:06:06,560 --> 00:06:08,000 {\an1}I can't reach her. 113 00:06:09,600 --> 00:06:11,920 *-You are on the cell phone by Camille... 114 00:06:12,120 --> 00:06:13,240 - Direct answering machine. 115 00:06:14,800 --> 00:06:16,000 {\an1}- Oh shit... 116 00:06:16,200 --> 00:06:18,600 {\an1}... 117 00:06:18,800 --> 00:06:20,000 - It wasn't Alice. 118 00:06:21,440 --> 00:06:22,440 It's Camille. 119 00:06:23,720 --> 00:06:25,920 She's the target. - Okay. 120 00:06:28,960 --> 00:06:30,560 {\an3}OK, OK, thank you. 121 00:06:30,760 --> 00:06:32,320 {\an3}No one knows where she is. 122 00:06:32,560 --> 00:06:34,120 - Always answering machine. 123 00:06:36,000 --> 00:06:37,640 *SMS alert 124 00:06:41,880 --> 00:06:44,880 Suspenseful music 125 00:06:45,120 --> 00:07:02,520 {\an1}... 126 00:07:02,720 --> 00:07:04,080 *-Hi, little brother. 127 00:07:04,320 --> 00:07:06,600 {\an1}So, good news, we're back. 128 00:07:06,800 --> 00:07:08,440 - Can I say something? - Go ahead. 129 00:07:08,640 --> 00:07:09,880 {\an3}- And I hope 130 00:07:10,120 --> 00:07:11,920 that Alice is fine. 131 00:07:12,160 --> 00:07:14,120 {\an1}- We haven't finished playing, you and me. 132 00:07:14,360 --> 00:07:17,400 {\an3}So, little brother, Are you ready for the last part? 133 00:07:17,600 --> 00:07:19,880 {\an1}... 134 00:07:20,080 --> 00:07:21,440 {\an1}- What is this? 135 00:07:21,680 --> 00:07:23,360 {\an1}... 136 00:07:23,600 --> 00:07:25,400 ... *SMS alert 137 00:07:25,640 --> 00:07:38,720 {\an1}... 138 00:07:38,960 --> 00:07:41,360 Female gasps 139 00:07:41,560 --> 00:07:43,560 Lighter clicking 140 00:07:43,760 --> 00:07:46,360 Gasps 141 00:07:46,560 --> 00:07:55,960 {\an1}... 142 00:08:00,360 --> 00:08:01,560 (- What is that?) 143 00:08:08,880 --> 00:08:11,280 Suspenseful music 144 00:08:11,520 --> 00:08:12,760 (Fuck...) 145 00:08:12,960 --> 00:08:15,760 {\an1}... ... 146 00:08:15,960 --> 00:08:16,960 (Fuck...) 147 00:08:17,160 --> 00:08:19,360 She hits. 148 00:08:19,560 --> 00:08:21,320 Is anyone there? 149 00:08:21,520 --> 00:08:23,960 Is anyone there? What the hell is this... 150 00:08:24,200 --> 00:08:29,160 {\an1}... 151 00:08:29,360 --> 00:08:30,360 Cries of effort 152 00:08:30,600 --> 00:08:32,679 {\an1}... 153 00:08:32,920 --> 00:08:40,520 {\an1}... 154 00:08:40,760 --> 00:08:42,000 {\an1}... ... 155 00:08:42,200 --> 00:08:44,280 Sobbing Damn! 156 00:08:44,520 --> 00:08:46,280 Screams of rage 157 00:08:46,520 --> 00:08:47,920 What the hell is this? 158 00:08:48,160 --> 00:08:51,320 {\an1}... 159 00:08:51,559 --> 00:08:52,559 {\an1}... 160 00:08:55,640 --> 00:08:56,640 What is... 161 00:08:57,920 --> 00:09:00,120 What is... What the hell is this? 162 00:09:00,320 --> 00:09:01,880 She gasps. 163 00:09:02,120 --> 00:09:04,000 Is there anyone there? Are you filming me? 164 00:09:04,200 --> 00:09:05,600 What is this camera? 165 00:09:11,960 --> 00:09:13,760 Are you looking at me? 166 00:09:15,400 --> 00:09:17,200 Who is it ? She hits. 167 00:09:17,400 --> 00:09:18,400 Who is it ? 168 00:09:20,640 --> 00:09:22,120 Why am I here? 169 00:09:22,360 --> 00:09:24,840 Inaudible words Scary music 170 00:09:25,080 --> 00:09:27,080 {\an1}... 171 00:09:27,320 --> 00:09:28,880 - What do they want? 172 00:09:29,120 --> 00:09:30,520 {\an1}those bastards? 173 00:09:30,720 --> 00:09:32,920 - It's a game, he wants to play with me. 174 00:09:33,120 --> 00:09:35,120 {\an1}... 175 00:09:35,320 --> 00:09:38,000 Except if I lose, this is the last time 176 00:09:38,240 --> 00:09:39,679 {\an1}that we see Camille alive. 177 00:09:40,800 --> 00:09:42,920 - I'm calling my colleagues. 178 00:09:43,160 --> 00:09:45,559 Disappearance alert on Captain Costes. 179 00:09:45,760 --> 00:09:47,760 - Okay, so it's a game. - OK. 180 00:09:47,960 --> 00:09:50,800 - He obviously left it lying around a clue somewhere 181 00:09:51,000 --> 00:09:52,000 so that we find 182 00:09:52,240 --> 00:09:53,240 {\an3}where to go. 183 00:09:54,880 --> 00:09:56,559 Inaudible words 184 00:09:56,800 --> 00:09:58,400 {\an1}What is that? 185 00:09:58,600 --> 00:10:02,800 Suspenseful music 186 00:10:03,000 --> 00:10:06,000 - She's a mole cricket. - A “courti” what? 187 00:10:06,240 --> 00:10:07,520 What is this? 188 00:10:07,720 --> 00:10:11,240 {\an3}- We call it the mole ant because it digs galleries. 189 00:10:13,679 --> 00:10:16,360 {\an3}That means they buried her. 190 00:10:16,600 --> 00:10:19,679 {\an1}... 191 00:10:19,920 --> 00:10:21,440 Cry of rage 192 00:10:21,679 --> 00:10:25,480 {\an1}... 193 00:10:25,679 --> 00:10:28,800 - And why not Kuala Lumpur? - Of course, we can also 194 00:10:29,000 --> 00:10:30,720 {\an3}spend our lives on a sofa. 195 00:10:30,920 --> 00:10:33,800 You're a homebody! - I knew you were a careerist, 196 00:10:34,000 --> 00:10:37,320 but that comes before our relationship. - This is a golden opportunity. 197 00:10:37,520 --> 00:10:39,400 {\an3}Lead an IML, I can't say no. 198 00:10:39,600 --> 00:10:42,120 {\an1}- Why are you talking to me about it if you can't say no? 199 00:10:44,360 --> 00:10:47,480 {\an1}- So the box must be 180 by 70 by 70, which makes... 200 00:10:47,679 --> 00:10:49,240 {\an1}- What's going on? 201 00:10:49,440 --> 00:10:50,960 - Camille was buried 202 00:10:51,200 --> 00:10:52,760 and Maya and Alexander 203 00:10:53,000 --> 00:10:54,000 {\an3}escaped. 204 00:10:54,200 --> 00:10:56,080 {\an3}There is no trace of Camille. 205 00:10:56,320 --> 00:10:58,360 - ... then subtract the volume 206 00:10:58,600 --> 00:11:00,559 by Camille... - 53 kilos. 207 00:11:00,800 --> 00:11:03,559 - It's in the... approximately 62 liters, 208 00:11:03,760 --> 00:11:06,640 820 liters of air remain, 21% oxygen in the air... 209 00:11:06,840 --> 00:11:09,800 It makes... Approximately 172 liters of oxygen 210 00:11:10,040 --> 00:11:14,160 {\an3}in the coffin, which pretty much leaves him... 211 00:11:14,400 --> 00:11:17,640 86 minutes, a little less an hour and a half. 212 00:11:18,880 --> 00:11:20,800 In theory. - How so ? 213 00:11:21,000 --> 00:11:22,000 {\an1}- Camille 214 00:11:22,240 --> 00:11:23,640 {\an1}is in a state of acute stress. 215 00:11:23,840 --> 00:11:27,320 {\an1}She hyperventilates, therefore it consumes more oxygen. 216 00:11:27,520 --> 00:11:30,679 {\an3}- We have an hour to spare before it starts 217 00:11:30,920 --> 00:11:33,160 {\an1}to asphyxiate, a little more if she calms down. 218 00:11:34,720 --> 00:11:36,520 Inaudible remarks 219 00:11:36,720 --> 00:11:39,520 - Okay... You will calm down. 220 00:11:39,760 --> 00:11:42,720 Okay, okay... She sighs. 221 00:11:44,480 --> 00:11:46,000 Think of “The Rat Line”. 222 00:11:52,920 --> 00:11:54,520 She gasps. 223 00:11:58,280 --> 00:11:59,760 I don't want to die. 224 00:12:00,000 --> 00:12:03,040 Suspenseful music 225 00:12:03,280 --> 00:12:07,600 {\an1}... 226 00:12:07,840 --> 00:12:14,600 ... ... 227 00:12:14,840 --> 00:12:19,480 {\an1}... 228 00:12:19,679 --> 00:12:21,240 {\an3}- Um, can we help you? 229 00:12:22,400 --> 00:12:23,400 {\an1}- Don’t move! 230 00:12:24,480 --> 00:12:25,880 {\an3}- Chouquettes. 231 00:12:26,120 --> 00:12:28,480 {\an3}- Raise your hands! - Always attack 232 00:12:28,720 --> 00:12:30,200 {\an3}his enemy 233 00:12:30,440 --> 00:12:32,320 where he doesn't expect it. 234 00:12:32,559 --> 00:12:36,000 {\an3}"The art of war", Sun Tzu. 235 00:12:36,240 --> 00:12:37,440 - Where the fuck is she? 236 00:12:37,679 --> 00:12:39,200 {\an3}Where is she? 237 00:12:39,440 --> 00:12:40,880 {\an3}- Raphaël, ask 238 00:12:41,120 --> 00:12:44,679 {\an3}to your friend not to play the hero, It doesn't look like him. 239 00:12:44,920 --> 00:12:46,400 {\an3}And... 240 00:12:46,640 --> 00:12:48,240 {\an3}we are not armed! 241 00:12:48,480 --> 00:12:50,720 - Tell me where she is? - What are you going to do? 242 00:12:50,960 --> 00:12:51,720 - I'm going... 243 00:12:51,960 --> 00:12:53,920 {\an3}- What are you going to do? - Stop! 244 00:12:54,160 --> 00:12:56,040 - Are you going to shoot? - Where is she? 245 00:12:56,280 --> 00:12:57,480 {\an3}- Go ahead. 246 00:12:57,720 --> 00:12:58,559 Go ahead. 247 00:12:58,800 --> 00:12:59,720 Eh ! 248 00:13:00,840 --> 00:13:02,800 {\an3}Go ahead, shoot me now. 249 00:13:03,880 --> 00:13:05,640 There ? There ? 250 00:13:05,880 --> 00:13:06,640 - Jerome, 251 00:13:06,880 --> 00:13:08,080 {\an1}if he came, 252 00:13:08,320 --> 00:13:10,920 {\an1}he has something planned. Lower your weapon. 253 00:13:13,520 --> 00:13:15,920 Suspenseful music 254 00:13:16,160 --> 00:13:21,080 {\an1}... 255 00:13:23,280 --> 00:13:24,320 - Pan. 256 00:13:24,559 --> 00:13:26,160 She laughs. 257 00:13:26,360 --> 00:13:34,480 {\an1}... 258 00:13:34,720 --> 00:13:36,360 {\an3}No need for that. 259 00:13:37,880 --> 00:13:39,480 {\an3}In any case, not right away. 260 00:13:39,720 --> 00:13:45,480 {\an1}... 261 00:13:45,679 --> 00:13:46,720 - Honey. 262 00:13:46,960 --> 00:13:48,000 {\an3}Honey? 263 00:13:48,200 --> 00:13:49,480 It's almost over. 264 00:13:49,720 --> 00:13:53,000 Afterwards, the three of us will be reunited with Alice, it will be okay. 265 00:13:54,840 --> 00:13:57,400 {\an1}- So, uh... 266 00:13:57,600 --> 00:13:58,880 {\an1}on the other hand, 267 00:13:59,120 --> 00:14:02,000 {\an3}we don't need of attached parts. 268 00:14:03,360 --> 00:14:04,800 {\an1}We'll sort this out between us. 269 00:14:07,360 --> 00:14:09,040 With family. 270 00:14:09,280 --> 00:14:17,360 {\an1}... 271 00:14:17,559 --> 00:14:19,880 {\an3}- And... you didn't say anything about my outfit. 272 00:14:21,720 --> 00:14:23,240 {\an3}It's a change from prison, huh? 273 00:14:23,480 --> 00:14:24,680 She laughs. 274 00:14:24,880 --> 00:14:26,400 In prison, it was... 275 00:14:26,640 --> 00:14:29,400 {\an1}... 276 00:14:29,640 --> 00:14:33,720 {\an3}Your brother told me that Alice started to chirp, it's... 277 00:14:33,960 --> 00:14:36,440 Did she like the little wooden rabbit? 278 00:14:38,120 --> 00:14:40,920 {\an3}- It was nice, this little diversion, right? 279 00:14:41,120 --> 00:14:44,040 {\an1}... 280 00:14:44,240 --> 00:14:45,480 {\an3}You still don't believe 281 00:14:45,720 --> 00:14:47,600 that I would have attacked my niece? 282 00:14:49,360 --> 00:14:51,560 - I hope you are well took advantage of her 283 00:14:51,760 --> 00:14:53,600 because you're going to give it back to me. 284 00:14:53,800 --> 00:14:55,680 You don't have a choice now. 285 00:14:55,920 --> 00:15:08,000 {\an1}... 286 00:15:08,200 --> 00:15:09,800 {\an1}- So you want to play with me? 287 00:15:11,120 --> 00:15:12,560 {\an3}- Yes. 288 00:15:12,760 --> 00:15:15,840 {\an3}You against me, like when we were kids. 289 00:15:16,040 --> 00:15:17,880 {\an3}I guess you don't remember. 290 00:15:19,320 --> 00:15:22,360 {\an1}- What should I do to get her out of there? 291 00:15:24,720 --> 00:15:28,360 {\an3}- She can go out on her own, but she only has one solution. 292 00:15:29,640 --> 00:15:32,840 {\an3}And it's only you who can help him get out. 293 00:15:36,000 --> 00:15:37,920 - If I find it, how do I do it? 294 00:15:38,160 --> 00:15:39,360 {\an1}to tell him? 295 00:15:41,960 --> 00:15:42,960 - Like that. 296 00:15:43,160 --> 00:15:45,440 *Beep *-I want to go out! 297 00:15:45,680 --> 00:15:47,920 {\an1}- Camille, it’s me! Do you hear me? 298 00:15:48,160 --> 00:15:49,200 {\an1}Can you hear me? 299 00:15:50,280 --> 00:15:51,280 *-Raph? 300 00:15:51,520 --> 00:15:53,160 Is that you? *-Yeah, it's me! 301 00:15:53,400 --> 00:15:54,600 {\an3}- Oh damn... 302 00:15:57,120 --> 00:15:59,480 She laughs and mumbles. 303 00:15:59,720 --> 00:16:01,640 *What's going on? 304 00:16:01,880 --> 00:16:04,840 - Maya and Alexander They put you in there. 305 00:16:05,080 --> 00:16:08,600 They got out of prison, and keep us all here. 306 00:16:09,840 --> 00:16:10,960 *-Fuck! 307 00:16:11,200 --> 00:16:14,120 Motherfuckers! You motherfuckers! 308 00:16:14,360 --> 00:16:15,960 Screams of rage 309 00:16:16,200 --> 00:16:17,920 {\an3}-Stop! Stop. 310 00:16:18,120 --> 00:16:20,160 {\an3}Stop, Camille, it's useless. 311 00:16:20,400 --> 00:16:23,440 Try to conserve your oxygen. *-Where am I? 312 00:16:23,680 --> 00:16:26,080 Where am I, Raph? *-I... 313 00:16:26,320 --> 00:16:29,560 {\an3}I don't know where you are yet, but I will find it. 314 00:16:31,600 --> 00:16:33,000 *-How much time do I have? 315 00:16:33,200 --> 00:16:39,200 {\an1}... 316 00:16:39,400 --> 00:16:42,680 I know that the first thing What you did was this calculation. 317 00:16:42,880 --> 00:16:44,200 How much time do I have? 318 00:16:44,400 --> 00:16:47,520 *-You still have a little time, don't worry. 319 00:16:47,720 --> 00:16:48,760 - How much ? 320 00:16:48,960 --> 00:16:52,000 {\an1}... 321 00:16:52,200 --> 00:16:53,200 How much? 322 00:16:53,400 --> 00:16:56,920 {\an1}... 323 00:16:57,120 --> 00:16:58,760 She screams. How much ? 324 00:16:59,000 --> 00:17:00,400 {\an3}- 50 minutes, 325 00:17:00,640 --> 00:17:03,560 {\an1}but more if you arrive to save your oxygen. 326 00:17:03,800 --> 00:17:04,720 {\an3}You know 327 00:17:04,960 --> 00:17:07,960 {\an1}square breathing? Breathe in four phases 328 00:17:08,200 --> 00:17:11,440 {\an3}of equal durations. Inspiration, full lung retention, 329 00:17:11,680 --> 00:17:14,119 {\an3}expiration, retention of empty lungs, 330 00:17:14,359 --> 00:17:17,440 and you start again, okay? *-OK. 331 00:17:17,680 --> 00:17:19,680 OK, four strokes... 332 00:17:19,880 --> 00:17:22,720 She inspires 333 00:17:27,160 --> 00:17:28,560 She expires. 334 00:17:28,800 --> 00:17:31,359 {\an1}... 335 00:17:31,560 --> 00:17:32,680 *She coughs. 336 00:17:32,920 --> 00:17:35,320 *I can't do it. - Listen, there is a way 337 00:17:35,560 --> 00:17:38,240 {\an3}to get out of this box. We'll find him. 338 00:17:38,480 --> 00:17:39,640 {\an3}Look everywhere. 339 00:17:39,880 --> 00:17:42,680 *You see something sticking out, something? 340 00:17:44,240 --> 00:17:45,640 - No. 341 00:17:46,840 --> 00:17:47,840 Wait. 342 00:17:52,560 --> 00:17:56,560 Suspenseful music 343 00:17:56,800 --> 00:17:59,240 {\an3}No, there's just this hatch. 344 00:17:59,480 --> 00:18:01,359 {\an3}There is a screw on the hatch, 345 00:18:01,600 --> 00:18:03,359 *maybe food 346 00:18:03,600 --> 00:18:05,040 *from the camera. I don't know. 347 00:18:06,800 --> 00:18:09,440 {\an3}- OK, you can try to open this hatch? 348 00:18:09,680 --> 00:18:12,400 {\an1}... 349 00:18:12,640 --> 00:18:15,440 ... She gasps. 350 00:18:15,640 --> 00:18:17,280 - Damn... 351 00:18:17,520 --> 00:18:26,440 {\an1}... 352 00:18:26,680 --> 00:18:29,800 ... Rattling 353 00:18:30,040 --> 00:18:32,400 *-Come on, you'll get there. 354 00:18:32,640 --> 00:18:35,640 *-No, it doesn't fit. - Yes, try again. 355 00:18:37,280 --> 00:18:39,480 - It doesn't fit, damn it! - You use 356 00:18:39,720 --> 00:18:41,720 {\an1}too much oxygen, stop! 357 00:18:41,960 --> 00:18:43,880 *-It doesn't fit! Get me out of here! 358 00:18:44,080 --> 00:18:47,520 Get me out of here, Raph... - OK, Camille, stop, stop. 359 00:18:47,760 --> 00:18:50,160 {\an3}We'll find it. I'm with Olivia, 360 00:18:50,400 --> 00:18:51,960 {\an3}Eddy, Fatim, Delgado, 361 00:18:52,200 --> 00:18:54,680 {\an3}we're doing it together. *-OK... 362 00:18:54,920 --> 00:18:57,000 - We'll find it. *Camille gasps. 363 00:18:57,240 --> 00:18:59,640 Suspenseful music 364 00:18:59,880 --> 00:19:13,080 {\an1}... 365 00:19:13,280 --> 00:19:15,160 - If we get out of this... - I'm going to say no 366 00:19:15,400 --> 00:19:17,600 for Copenhagen. - No, no. 367 00:19:17,800 --> 00:19:20,200 {\an3}You have to say yes, I will come with you. 368 00:19:21,960 --> 00:19:23,480 {\an3}I'll follow you anywhere. 369 00:19:23,680 --> 00:19:33,119 {\an1}... 370 00:19:33,320 --> 00:19:35,359 {\an3}- Why are you looking at me like that ? 371 00:19:36,800 --> 00:19:39,040 {\an3}You look at me like I was crazy. 372 00:19:39,240 --> 00:19:40,840 {\an1}... 373 00:19:41,040 --> 00:19:43,880 {\an3}You would do the same if your child was taken from you. 374 00:19:46,760 --> 00:19:49,760 Intriguing music 375 00:19:49,960 --> 00:19:51,560 ... Camille gasps. 376 00:19:51,800 --> 00:20:00,000 ... ... 377 00:20:00,200 --> 00:20:01,400 - I don't know. 378 00:20:03,160 --> 00:20:05,760 If you left him nothing to open this trapdoor, 379 00:20:05,960 --> 00:20:06,960 I don't know. 380 00:20:07,200 --> 00:20:09,880 She moaned. - Tick, tock... 381 00:20:11,000 --> 00:20:13,000 {\an3}Tick, tock. 382 00:20:13,200 --> 00:20:14,720 She pants. 383 00:20:14,920 --> 00:20:16,320 {\an1}- Think of your brother. 384 00:20:17,600 --> 00:20:19,560 {\an1}It's your childhood, the key. 385 00:20:19,800 --> 00:20:20,800 - Shut up ! 386 00:20:21,000 --> 00:20:22,240 He's the one playing. 387 00:20:22,440 --> 00:20:28,720 {\an1}... ... 388 00:20:28,920 --> 00:20:30,400 ... She moaned. 389 00:20:30,600 --> 00:20:32,960 {\an1}... 390 00:20:33,160 --> 00:20:34,160 {\an1}- The closet. 391 00:20:35,320 --> 00:20:36,600 {\an3}The one in which 392 00:20:36,840 --> 00:20:39,440 our parents locked you up. - Let me go! 393 00:20:39,680 --> 00:20:41,280 {\an3}- Calm down now! 394 00:20:41,520 --> 00:20:43,320 He's fed up, of your cries! 395 00:20:43,560 --> 00:20:45,119 {\an3}Come home! - Let me go! 396 00:20:45,359 --> 00:20:47,119 - Calm down! Go in there. 397 00:20:48,600 --> 00:20:50,240 - You were never in there. 398 00:20:50,440 --> 00:20:54,119 - I have nothing to do with it, if they were hard on you. 399 00:20:54,359 --> 00:20:55,359 {\an1}- Stop. 400 00:20:55,560 --> 00:20:57,720 {\an1}... 401 00:20:57,920 --> 00:20:58,920 {\an1}Raphael... 402 00:20:59,119 --> 00:21:00,760 {\an1}Are you starting to understand? 403 00:21:00,960 --> 00:21:01,960 {\an1}Huh? 404 00:21:02,960 --> 00:21:04,400 {\an1}Are you starting to understand? 405 00:21:06,480 --> 00:21:08,280 {\an1}It's revenge losers, 406 00:21:08,480 --> 00:21:11,080 {\an1}the revenge of those who always had to fight 407 00:21:11,280 --> 00:21:12,840 {\an1}to get out of it! 408 00:21:14,480 --> 00:21:15,480 {\an1}Come on! 409 00:21:16,480 --> 00:21:17,480 {\an1}Come on. 410 00:21:17,680 --> 00:21:20,680 Heavy music 411 00:21:20,880 --> 00:21:23,320 - You always succeeded to come out of this closet. 412 00:21:23,560 --> 00:21:29,160 {\an1}... 413 00:21:29,359 --> 00:21:30,600 How did you do it? 414 00:21:30,800 --> 00:21:34,960 {\an1}... 415 00:21:36,119 --> 00:21:37,080 - Are you there? 416 00:21:37,320 --> 00:21:42,160 {\an1}... 417 00:21:42,359 --> 00:21:44,200 {\an3}They can always lock me up, 418 00:21:44,440 --> 00:21:45,600 I go out when I want. 419 00:21:46,960 --> 00:21:49,040 Do you want me to show you? 420 00:21:49,280 --> 00:21:52,119 {\an1}... 421 00:21:52,359 --> 00:21:53,920 - I know. 422 00:21:54,160 --> 00:21:55,880 {\an3}Camille, do you have your cigarettes? 423 00:21:56,119 --> 00:21:57,760 {\an3}*-Yes. What do I do? 424 00:21:58,000 --> 00:21:58,960 *-Take one. 425 00:21:59,200 --> 00:22:01,080 She's breathing hard. 426 00:22:01,320 --> 00:22:03,400 Trust me. Take a cigarette. 427 00:22:04,880 --> 00:22:06,000 Detach a filter. 428 00:22:07,000 --> 00:22:09,960 You are going to use the lighter to burn the end of the filter. 429 00:22:10,160 --> 00:22:12,160 - Eh ? *-Then you're going to crush it. 430 00:22:12,359 --> 00:22:14,000 She moaned. Against the wall. 431 00:22:14,200 --> 00:22:15,880 With the lighter. 432 00:22:16,080 --> 00:22:17,080 {\an1}- Okay. 433 00:22:17,280 --> 00:22:20,040 *-You're going to start again until it's all hard. 434 00:22:20,240 --> 00:22:22,160 This will make you a screwdriver. - Okay. 435 00:22:22,359 --> 00:22:24,359 Suspenseful music ... 436 00:22:24,560 --> 00:22:26,560 {\an1}... 437 00:22:26,760 --> 00:22:42,440 ... ... 438 00:22:42,640 --> 00:22:43,840 {\an1}OK... 439 00:22:44,040 --> 00:22:48,720 ... ... 440 00:22:48,960 --> 00:22:50,359 Okay... I'll go. 441 00:22:50,560 --> 00:22:53,320 {\an1}... 442 00:22:53,520 --> 00:22:54,520 - So. 443 00:22:54,760 --> 00:23:02,480 ... ... 444 00:23:02,720 --> 00:23:04,960 That works ? *-I think so, yes. 445 00:23:05,160 --> 00:23:06,280 - Awesome. 446 00:23:06,480 --> 00:23:08,680 OK, unscrew and tell me what's inside. 447 00:23:08,880 --> 00:23:11,320 ... ... 448 00:23:11,560 --> 00:23:13,080 Oppressive music ... 449 00:23:13,320 --> 00:23:16,720 ... ... 450 00:23:16,960 --> 00:23:19,040 Camille, forget it. 451 00:23:19,280 --> 00:23:20,520 *I don’t feel it! 452 00:23:20,760 --> 00:23:22,720 Heavy music Muffled cries 453 00:23:22,960 --> 00:23:24,960 ... She coughs. 454 00:23:25,160 --> 00:23:31,320 ... ... 455 00:23:31,560 --> 00:23:33,520 {\an1}- Oops... 456 00:23:33,760 --> 00:23:37,119 ... ... 457 00:23:37,359 --> 00:23:39,160 {\an1}- Stop, Balthazar! Stop! 458 00:23:39,400 --> 00:23:40,520 She is suffocating. 459 00:23:40,760 --> 00:23:43,040 - Stop! - Raphael, stop! 460 00:23:43,280 --> 00:23:44,520 - Stop! - Stop! 461 00:23:44,760 --> 00:23:46,440 {\an1}- Stop, now! 462 00:23:46,640 --> 00:23:48,000 Balthazar screams in rage. 463 00:23:48,240 --> 00:23:49,880 - Let me go! - Stop! Stop! 464 00:23:50,080 --> 00:23:51,280 - Let me go! - Stop! 465 00:23:51,480 --> 00:23:53,760 - Let me go! Let me go! - Stop, damn it. 466 00:23:53,960 --> 00:23:56,400 {\an3}Stop. Stop. Stop. 467 00:23:56,600 --> 00:23:58,400 He sobs. Stop. Stop. 468 00:23:59,600 --> 00:24:00,600 *-Raph? 469 00:24:00,800 --> 00:24:02,359 Camille coughs. Raph... 470 00:24:02,560 --> 00:24:03,760 Alexander coughs. 471 00:24:04,760 --> 00:24:05,760 Raph... 472 00:24:05,960 --> 00:24:07,359 She coughs again. 473 00:24:07,560 --> 00:24:10,560 Balthazar sobs. 474 00:24:10,760 --> 00:24:19,560 {\an1}... 475 00:24:19,760 --> 00:24:21,800 {\an3}- It's not like that that we are going to save her. 476 00:24:22,000 --> 00:24:24,000 Alexandre chuckles. 477 00:24:24,200 --> 00:24:25,640 - If... 478 00:24:26,960 --> 00:24:28,240 Yes, precisely. 479 00:24:28,440 --> 00:24:29,960 He catches his breath. 480 00:24:30,160 --> 00:24:32,160 {\an1}... 481 00:24:32,400 --> 00:24:35,160 *-Raph, what's going on? 482 00:24:35,400 --> 00:24:37,480 - And you, now, shut up. 483 00:24:38,640 --> 00:24:39,880 - No ! Raph! 484 00:24:40,080 --> 00:24:41,960 No ! Don't let me... 485 00:24:42,160 --> 00:24:45,040 Scary music 486 00:24:45,240 --> 00:24:48,359 ... She coughs. 487 00:24:48,600 --> 00:24:50,520 ... Alexander gasps. 488 00:24:50,760 --> 00:24:53,520 ... ... 489 00:24:53,720 --> 00:24:56,560 Intriguing music 490 00:24:56,800 --> 00:25:02,359 {\an1}... 491 00:25:02,560 --> 00:25:03,880 - The game we play 492 00:25:04,119 --> 00:25:06,560 {\an1}cannot end only one way: 493 00:25:06,800 --> 00:25:08,320 the death of one or the other. 494 00:25:09,359 --> 00:25:10,960 {\an1}And me, I don't want to kill you. 495 00:25:11,160 --> 00:25:17,320 {\an1}... 496 00:25:17,520 --> 00:25:18,960 - Do you want me to kill you? 497 00:25:19,160 --> 00:25:25,880 {\an1}... 498 00:25:26,080 --> 00:25:29,200 {\an3}You did all that just so I can kill you? 499 00:25:30,359 --> 00:25:33,080 Just to try to prove to myself that we are the same. 500 00:25:34,240 --> 00:25:38,800 {\an1}... 501 00:25:39,000 --> 00:25:41,200 {\an1}- Right now where my heart stops... 502 00:25:43,400 --> 00:25:46,720 You receive GPS coordinates from the box. 503 00:25:46,920 --> 00:25:47,920 Smirk 504 00:25:48,160 --> 00:25:50,160 Tension music 505 00:25:50,359 --> 00:25:54,760 {\an1}... 506 00:25:54,960 --> 00:25:56,680 - Wait, wait, wait... 507 00:25:58,040 --> 00:25:59,560 It's not what we had said. 508 00:25:59,760 --> 00:26:03,280 We said we were trading Alice against the cop, and after... 509 00:26:03,520 --> 00:26:05,000 - Don't worry about that. 510 00:26:06,000 --> 00:26:08,200 - I need of my little girl... 511 00:26:08,400 --> 00:26:11,200 She needs me... - It's between my brother and me. 512 00:26:11,400 --> 00:26:12,400 You get out. 513 00:26:12,640 --> 00:26:14,640 ... She sobs. 514 00:26:14,840 --> 00:26:21,480 {\an1}... 515 00:26:21,680 --> 00:26:23,000 {\an3}- What proves to me 516 00:26:23,240 --> 00:26:25,680 that I will have the GPS coordinates if I kill you? 517 00:26:25,920 --> 00:26:26,920 - Well, nothing. 518 00:26:27,119 --> 00:26:28,119 He sneers. 519 00:26:29,320 --> 00:26:30,760 Well otherwise, It's not a game! 520 00:26:32,240 --> 00:26:33,520 And then, without that... 521 00:26:34,680 --> 00:26:36,200 Well, she's dead. 522 00:26:36,400 --> 00:26:38,280 So where is it, where she died. 523 00:26:38,480 --> 00:26:40,920 Dark music 524 00:26:41,160 --> 00:26:44,960 {\an1}... 525 00:26:45,200 --> 00:26:46,400 ... He whistles. 526 00:26:46,600 --> 00:26:59,440 {\an1}... 527 00:26:59,680 --> 00:27:01,200 {\an1}- No! Raphael! 528 00:27:03,200 --> 00:27:04,960 - Don't do that. - Give me the gun. 529 00:27:05,160 --> 00:27:06,160 {\an3}- Don't do that. 530 00:27:06,359 --> 00:27:08,160 - Given. We will say that I stole it. 531 00:27:08,400 --> 00:27:09,359 - No... 532 00:27:09,560 --> 00:27:11,440 Camille wouldn't leave you do that. 533 00:27:11,640 --> 00:27:13,400 {\an1}- I don't care. Give me the gun. 534 00:27:13,640 --> 00:27:14,640 Please. 535 00:27:14,840 --> 00:27:16,119 Please... 536 00:27:17,920 --> 00:27:19,320 Dramatic music 537 00:27:19,520 --> 00:27:21,000 - You know that if you do that... 538 00:27:21,200 --> 00:27:25,240 {\an1}... 539 00:27:25,440 --> 00:27:27,359 Your life will no longer be the same. 540 00:27:27,600 --> 00:27:31,160 {\an1}... 541 00:27:31,359 --> 00:27:32,359 - I know, yes. 542 00:27:33,880 --> 00:27:36,880 And how will your life be, when will she be dead? 543 00:27:37,119 --> 00:27:41,040 {\an1}... 544 00:27:41,240 --> 00:27:43,440 You choose Camille or your principles? 545 00:27:43,640 --> 00:27:55,080 {\an1}... 546 00:27:55,280 --> 00:27:56,680 Alexander shouts with joy. 547 00:27:57,960 --> 00:27:59,800 - Come on, bro! Come on. 548 00:28:00,040 --> 00:28:02,760 You're wasting time hesitating there. - No, Raphael! No ! 549 00:28:03,760 --> 00:28:05,680 {\an1}- Come on, do it! Take the weapon! 550 00:28:07,880 --> 00:28:08,880 {\an1}Go ahead. Shoot. 551 00:28:10,080 --> 00:28:11,880 {\an1}Come on! Shoot! 552 00:28:12,119 --> 00:28:15,560 I'm dead, anyway. When you were born, I was dead! 553 00:28:15,800 --> 00:28:18,080 {\an1}... 554 00:28:18,320 --> 00:28:21,640 So take it now. For once in your life! 555 00:28:21,880 --> 00:28:25,200 Look death in the face! Look at her. Look at me! 556 00:28:25,440 --> 00:28:27,560 - No, Raphael! - Don't do that... 557 00:28:27,800 --> 00:28:29,760 - Shoot. Come on, go ahead. - Don't do that. 558 00:28:30,000 --> 00:28:31,880 {\an1}- Shoot. - Don't do that. Don't do that... 559 00:28:32,080 --> 00:28:34,560 {\an1}- Come on! Shoot! - Please don't do that... 560 00:28:34,800 --> 00:28:36,280 - Yes! Yes ! 561 00:28:36,520 --> 00:28:37,960 (- Don't do that.) 562 00:28:38,200 --> 00:28:39,760 {\an1}- Come on, shoot! - No ! 563 00:28:39,960 --> 00:28:41,360 {\an1}- But do it, dammit! 564 00:28:41,600 --> 00:28:42,840 Maya screams in rage. 565 00:28:43,080 --> 00:28:46,480 Shut up, you big shit! 566 00:28:46,720 --> 00:28:49,080 Damn liar! 567 00:28:49,320 --> 00:28:52,160 {\an1}... 568 00:28:52,360 --> 00:28:53,640 ... Alexander groaned. 569 00:28:53,880 --> 00:29:00,480 {\an1}... ... 570 00:29:00,720 --> 00:29:02,480 I did this for you. 571 00:29:03,880 --> 00:29:06,040 I didn't want let him ruin your life. 572 00:29:06,240 --> 00:29:09,240 {\an1}... 573 00:29:09,440 --> 00:29:12,320 You are the most beautiful thing that happened to me in my life. 574 00:29:12,520 --> 00:29:36,440 {\an1}... 575 00:29:36,640 --> 00:29:37,800 ... He chokes. 576 00:29:38,040 --> 00:29:40,880 ... ... 577 00:29:41,120 --> 00:29:43,120 ... He pants. 578 00:29:43,320 --> 00:29:59,480 ... ... 579 00:29:59,680 --> 00:30:01,680 ... He coughs. 580 00:30:01,880 --> 00:30:23,520 {\an1}... 581 00:30:23,720 --> 00:30:25,680 Notification and vibration 582 00:30:27,200 --> 00:30:28,520 He sniffs. 583 00:30:28,720 --> 00:30:31,440 Dark music 584 00:30:31,640 --> 00:30:36,480 {\an1}... 585 00:30:37,760 --> 00:30:42,120 Eerie music 586 00:30:42,360 --> 00:30:44,040 Panting 587 00:30:45,160 --> 00:30:47,080 Camille jumps. 588 00:30:47,320 --> 00:30:49,560 - Camilla? Camille, can you hear me? 589 00:30:49,760 --> 00:30:51,320 {\an3}I reconnected us! 590 00:30:51,520 --> 00:30:54,280 {\an3}Balthazar and Delgado are on their way, hold on! 591 00:30:54,520 --> 00:30:55,800 {\an3}They hear you too! 592 00:30:57,280 --> 00:30:59,400 *She is breathing with difficulty. 593 00:30:59,600 --> 00:31:02,520 {\an1}*... 594 00:31:03,880 --> 00:31:05,400 *-You are holding on, my Camille! 595 00:31:05,640 --> 00:31:07,840 I sent the cops, They are coming! 596 00:31:08,040 --> 00:31:09,320 You're holding on, huh? 597 00:31:09,560 --> 00:31:11,480 He accelerates. 598 00:31:11,720 --> 00:31:17,000 ... ... 599 00:31:17,200 --> 00:31:18,480 His tires screech. 600 00:31:18,720 --> 00:31:24,840 {\an1}... 601 00:31:25,080 --> 00:31:27,000 The engine roars. 602 00:31:27,200 --> 00:31:32,520 ... ... 603 00:31:32,760 --> 00:31:34,920 He slows down. 604 00:31:35,120 --> 00:31:37,320 He brakes suddenly. 605 00:31:37,560 --> 00:31:47,840 {\an1}... 606 00:31:48,960 --> 00:31:51,200 {\an1}I'm coming, Camille! I'm right next door! 607 00:31:51,400 --> 00:31:52,640 {\an1}I'm not far! 608 00:31:52,880 --> 00:31:59,760 {\an1}... 609 00:32:05,600 --> 00:32:08,200 Enigmatic music - The coffin is empty! 610 00:32:08,400 --> 00:32:09,680 He made fun of us. 611 00:32:09,920 --> 00:32:23,040 {\an1}... 612 00:32:23,280 --> 00:32:25,800 *Camille breathes weakly 613 00:32:28,320 --> 00:32:30,440 {\an1}*... 614 00:32:32,600 --> 00:32:34,600 {\an1}*... 615 00:32:34,800 --> 00:32:36,960 *-You didn't find me, right? 616 00:32:37,200 --> 00:32:39,000 Low music 617 00:32:39,240 --> 00:32:46,880 {\an1}... 618 00:32:47,080 --> 00:32:48,240 - One second. 619 00:32:48,440 --> 00:32:49,840 One second, Camille. 620 00:32:50,040 --> 00:32:53,280 {\an1}... 621 00:32:53,480 --> 00:32:55,120 He sobs. 622 00:32:55,320 --> 00:33:04,600 {\an1}... 623 00:33:04,840 --> 00:33:12,640 {\an1}*... ... 624 00:33:12,840 --> 00:33:13,960 {\an3}*(- Raph...) 625 00:33:14,200 --> 00:33:16,400 {\an1}... 626 00:33:16,600 --> 00:33:17,800 *(I'm scared!) 627 00:33:20,160 --> 00:33:21,160 - Listen... 628 00:33:23,920 --> 00:33:25,520 *(- I don't want to...) 629 00:33:25,720 --> 00:33:28,480 *She sobs. 630 00:33:28,680 --> 00:33:31,000 - You know how stupid they are, the cops... 631 00:33:31,200 --> 00:33:33,400 *-I don't want to die... 632 00:33:33,600 --> 00:33:35,280 I don't want to die... 633 00:33:35,480 --> 00:33:37,240 {\an1}*... 634 00:33:37,440 --> 00:33:40,080 - They dug 15 meters from where it was needed. 635 00:33:40,280 --> 00:33:43,000 It's going to take a little while but we are arriving. 636 00:33:46,080 --> 00:33:47,800 {\an3}(- I want to know Victor...) 637 00:33:48,000 --> 00:33:58,320 {\an1}... 638 00:33:58,520 --> 00:34:00,080 {\an3}I want him to know... 639 00:34:01,320 --> 00:34:03,400 *I want him to know where it comes from. 640 00:34:04,800 --> 00:34:07,080 I want him to know... that I love him. 641 00:34:07,280 --> 00:34:12,640 {\an1}... 642 00:34:12,840 --> 00:34:14,719 Jerome, are you there? 643 00:34:17,040 --> 00:34:18,680 - Yes, my Camille. 644 00:34:20,800 --> 00:34:22,400 {\an3}- You're a great guy. 645 00:34:23,880 --> 00:34:25,360 He sniffs. 646 00:34:27,400 --> 00:34:29,600 He sobs. 647 00:34:31,440 --> 00:34:33,960 {\an1}... 648 00:34:34,160 --> 00:34:37,000 *Fuck, say it's you who will autopsy me... 649 00:34:37,239 --> 00:34:38,440 She laughs weakly. 650 00:34:40,239 --> 00:34:42,040 {\an1}... 651 00:34:44,400 --> 00:34:46,520 {\an3}Don't judge me for the tattoo... 652 00:34:46,760 --> 00:34:48,040 *I was 15 years old. 653 00:34:48,239 --> 00:34:53,520 {\an1}... 654 00:34:53,719 --> 00:34:56,600 *-I'm not going to autopsy you, we started digging there. 655 00:34:58,680 --> 00:35:01,600 - You have to do it again something for me, Raph... 656 00:35:03,040 --> 00:35:04,320 *-Go ahead, tell me. 657 00:35:04,520 --> 00:35:09,200 {\an1}... 658 00:35:09,400 --> 00:35:10,960 You need to forgive yourself. 659 00:35:11,160 --> 00:35:14,400 {\an1}... 660 00:35:14,600 --> 00:35:16,320 *Only you can do it. 661 00:35:17,560 --> 00:35:18,840 We have to forgive each other. 662 00:35:19,040 --> 00:35:25,760 {\an1}... 663 00:35:26,000 --> 00:35:28,000 Invite Olivia to dinner. 664 00:35:29,080 --> 00:35:30,960 You are meant to be together. 665 00:35:33,440 --> 00:35:35,160 *It's only you who doesn't see it. 666 00:35:35,360 --> 00:35:39,760 {\an1}... 667 00:35:39,960 --> 00:35:41,280 *Make him babies. 668 00:35:43,040 --> 00:35:44,360 Enjoy. 669 00:35:47,640 --> 00:35:50,440 Bittersweet music 670 00:35:50,640 --> 00:35:52,040 {\an1}Take advantage for me... 671 00:35:52,239 --> 00:35:56,920 {\an1}... 672 00:35:57,120 --> 00:35:58,800 *Do you promise me? 673 00:35:59,000 --> 00:36:00,400 Promise me... 674 00:36:00,600 --> 00:36:08,400 {\an1}... 675 00:36:08,600 --> 00:36:09,800 - I promise you. 676 00:36:10,000 --> 00:36:16,840 {\an1}... 677 00:36:17,040 --> 00:36:18,680 {\an1}- So, everything is fine. 678 00:36:18,880 --> 00:36:24,239 {\an1}... 679 00:36:24,440 --> 00:36:25,680 *(Everything is fine...) 680 00:36:25,880 --> 00:36:34,200 {\an1}... 681 00:36:34,400 --> 00:36:36,000 *-Camille, can you hear me? 682 00:36:36,239 --> 00:36:37,840 Camille? 683 00:36:39,000 --> 00:36:41,320 Camille, please, I'm still here. 684 00:36:41,520 --> 00:36:50,960 {\an1}... 685 00:36:51,160 --> 00:36:52,560 - “Game over”, it seems. 686 00:36:52,760 --> 00:36:54,000 Disturbing music 687 00:36:54,200 --> 00:36:56,080 {\an1}We know the name of the winner... 688 00:36:57,320 --> 00:36:58,560 {\an3}(- Shut up.) 689 00:36:58,760 --> 00:37:00,600 {\an1}... 690 00:37:00,840 --> 00:37:04,440 {\an1}- I don't understand how the parents may have preferred you. 691 00:37:04,640 --> 00:37:06,200 {\an1}No but seriously, 692 00:37:06,400 --> 00:37:07,960 {\an1}you're a complete idiot. 693 00:37:08,160 --> 00:37:10,200 {\an1}... 694 00:37:10,400 --> 00:37:12,239 {\an1}An idiot, 695 00:37:12,440 --> 00:37:13,880 {\an1}lost in his emotions, 696 00:37:14,120 --> 00:37:16,200 {\an1}incapable of the slightest reflection. 697 00:37:16,400 --> 00:37:19,760 (- What do you want to tell me? Why are you here? 698 00:37:19,960 --> 00:37:22,280 (Why are you in my head all the time?) 699 00:37:23,320 --> 00:37:24,360 {\an1}- Raphael? 700 00:37:25,520 --> 00:37:27,400 - You didn't listen to me well. 701 00:37:27,640 --> 00:37:29,560 Oppressive music 702 00:37:29,760 --> 00:37:31,840 {\an3}- I listened to everything, you bastard! 703 00:37:32,040 --> 00:37:34,520 {\an3}You told me I would have GPS coordinates. 704 00:37:34,760 --> 00:37:37,960 - I wanted you to feel what I felt. 705 00:37:38,200 --> 00:37:39,960 Pain, fear, violence! 706 00:37:40,160 --> 00:37:43,080 Are you starting to understand me? Come on ! Do it, dammit! 707 00:37:43,280 --> 00:37:45,760 Do it, look death in the face! Look at her! 708 00:37:46,000 --> 00:37:48,760 Look at me! Look there, damn it! 709 00:37:49,000 --> 00:37:50,600 For once in your life... 710 00:37:50,800 --> 00:37:53,160 {\an1}- Why “for once”? I am a forensic scientist, 711 00:37:53,360 --> 00:37:55,600 {\an1}I see her every day, death in the face. 712 00:37:59,440 --> 00:38:00,680 - By acting like a puppet 713 00:38:00,880 --> 00:38:03,880 at crime scenes and inventing ghosts for you. 714 00:38:04,080 --> 00:38:06,200 {\an1}No. You never accepted her, death. 715 00:38:06,400 --> 00:38:10,080 {\an1}... 716 00:38:10,280 --> 00:38:12,480 Lisa - You never accepted my death, Raph. 717 00:38:14,360 --> 00:38:16,760 (- But if... Of course it does...) 718 00:38:18,080 --> 00:38:19,120 - Oh yes? 719 00:38:20,920 --> 00:38:23,440 So why did you never come? on my grave? 720 00:38:23,640 --> 00:38:31,080 {\an1}... 721 00:38:31,320 --> 00:38:34,440 Intense music 722 00:38:34,680 --> 00:39:09,640 {\an1}... 723 00:39:09,840 --> 00:39:11,920 He approaches running. 724 00:39:12,120 --> 00:39:23,280 {\an1}... 725 00:39:23,520 --> 00:39:25,840 *He gasps. *Shovel blows 726 00:39:26,080 --> 00:39:27,840 {\an1}*... 727 00:39:28,080 --> 00:39:29,080 - Come on! 728 00:39:29,280 --> 00:39:39,920 ... ... 729 00:39:40,160 --> 00:39:51,760 {\an1}... 730 00:39:52,000 --> 00:39:55,520 Scratching ... 731 00:39:55,719 --> 00:40:02,040 ... ... 732 00:40:02,280 --> 00:40:04,560 Come on! Ah, shit! 733 00:40:04,760 --> 00:40:07,600 He gasps. ... 734 00:40:07,800 --> 00:40:13,760 ... ... 735 00:40:13,960 --> 00:40:14,960 He shouts. 736 00:40:16,400 --> 00:40:18,040 Camille? Camille! 737 00:40:18,239 --> 00:40:20,760 {\an1}... 738 00:40:20,960 --> 00:40:23,400 {\an1}OK, Camille, can you hear me? Okay. 739 00:40:25,640 --> 00:40:26,640 Wait. 740 00:40:26,840 --> 00:40:35,840 {\an1}... 741 00:40:36,040 --> 00:40:36,960 {\an3}OK. 742 00:40:37,160 --> 00:40:39,120 {\an3}There you go. Breathe. Breathe. 743 00:40:39,320 --> 00:40:40,520 {\an3}Yes, that's good. 744 00:40:42,800 --> 00:40:44,080 {\an3}(Oh, damn.) 745 00:40:44,280 --> 00:40:45,480 {\an3}(Come on!) 746 00:40:46,800 --> 00:40:48,080 {\an3}Breathe. 747 00:40:48,280 --> 00:40:50,520 Yes ! It's good. She gags. 748 00:40:50,719 --> 00:40:52,200 {\an3}Yes... Yes... 749 00:40:53,719 --> 00:40:54,880 {\an3}Again... 750 00:40:55,080 --> 00:40:56,280 {\an1}... 751 00:40:56,480 --> 00:41:01,000 {\an1}... 752 00:41:01,200 --> 00:41:02,520 (It's over.) 753 00:41:03,600 --> 00:41:04,640 (It's over...) 754 00:41:04,840 --> 00:41:05,840 He sighs. 755 00:41:06,080 --> 00:41:14,040 {\an1}... 756 00:41:17,880 --> 00:41:20,480 *Cheerful music 757 00:41:20,680 --> 00:41:22,680 {\an1}*... 758 00:41:22,880 --> 00:41:23,960 {\an1}Hey! 759 00:41:24,160 --> 00:41:28,280 {\an1}*... 760 00:41:28,480 --> 00:41:30,520 Babbering 761 00:41:30,760 --> 00:41:34,200 And who is going to book her very first dance to her daddy? 762 00:41:34,400 --> 00:41:35,760 It's you! 763 00:41:37,000 --> 00:41:39,600 {\an3}- Mmh... It's easy, right? 764 00:41:39,800 --> 00:41:41,480 {\an3}It's small, it's cute... 765 00:41:41,680 --> 00:41:43,120 {\an3}It's after that that things get bad. 766 00:41:43,320 --> 00:41:46,360 {\an3}Adolescence is worse than a psychopathic brother 767 00:41:46,560 --> 00:41:49,040 {\an3}and a serial killer ex-wife... 768 00:41:49,239 --> 00:41:50,440 {\an3}You know that? 769 00:41:50,680 --> 00:41:52,680 {\an1}*... 770 00:41:52,880 --> 00:41:56,040 - What if she becomes like them? - No, Raph. 771 00:41:56,239 --> 00:41:57,719 Not with you. 772 00:41:59,200 --> 00:42:00,360 {\an3}Not with them. 773 00:42:00,560 --> 00:42:05,560 *... Indistinct conversation. 774 00:42:05,800 --> 00:42:07,560 {\an3}- It seems that you move up in rank? 775 00:42:07,760 --> 00:42:08,840 {\an1}- Yeah. Captain. 776 00:42:09,040 --> 00:42:11,200 {\an3}- "Captain Delgado", It’s crazy, isn’t it? 777 00:42:11,400 --> 00:42:13,600 - Class. - I'm going to miss you, chick. 778 00:42:13,800 --> 00:42:15,960 {\an3}- You will come see me in my bush. 779 00:42:16,160 --> 00:42:18,760 The intercom rings. You will really need it, 780 00:42:18,960 --> 00:42:20,560 “captain”. - I will come! 781 00:42:20,800 --> 00:42:23,120 ... - Did you do it to me again? 782 00:42:23,320 --> 00:42:24,440 She laughs. 783 00:42:24,640 --> 00:42:26,360 {\an1}- Jeg elsker dig. 784 00:42:26,560 --> 00:42:28,080 {\an3}- What does that mean? 785 00:42:28,280 --> 00:42:29,440 {\an1}- “I love you.” 786 00:42:29,640 --> 00:42:35,880 {\an1}*... 787 00:42:36,080 --> 00:42:37,520 {\an3}- What are you doing here? 788 00:42:38,520 --> 00:42:40,080 {\an1}- Raphaël invited me. 789 00:42:42,400 --> 00:42:44,320 - Well, come back... Come back, sorry. 790 00:42:44,560 --> 00:42:47,080 {\an1}*... 791 00:42:47,280 --> 00:42:49,000 {\an1}- So you're no longer the police? 792 00:42:50,080 --> 00:42:51,760 {\an3}- No. Finally... 793 00:42:51,960 --> 00:42:53,560 {\an3}No, for the moment... 794 00:42:53,760 --> 00:42:56,160 I don't think it'll last. - Okay. 795 00:42:57,239 --> 00:43:00,200 {\an1}Well, so much the better. I find it stylish to have a cop mother. 796 00:43:00,400 --> 00:43:03,160 Peaceful music 797 00:43:03,360 --> 00:43:06,440 {\an1}... 798 00:43:06,640 --> 00:43:08,719 {\an3}- Well come on, I will introduce you. 799 00:43:08,920 --> 00:43:09,920 {\an1}- Okay. 800 00:43:10,120 --> 00:43:25,880 {\an1}... 801 00:43:26,080 --> 00:43:27,120 {\an3}- Are you okay? 802 00:43:28,800 --> 00:43:30,040 {\an1}- Yes, it's okay. 803 00:43:31,120 --> 00:43:33,800 It's Eddy's departure, Fatim, Camille... 804 00:43:34,000 --> 00:43:38,560 {\an1}... 805 00:43:38,760 --> 00:43:41,560 It's a bit like the end of an era, what. 806 00:43:41,760 --> 00:43:44,960 {\an1}- The end of an era, it’s always the start of something else. 807 00:43:45,160 --> 00:43:46,160 {\an1}No? 808 00:43:49,280 --> 00:43:51,080 Soft music 809 00:43:51,280 --> 00:43:52,280 - Yeah. 810 00:43:53,440 --> 00:43:54,520 Yeah. 811 00:43:54,719 --> 00:43:59,520 {\an1}... 812 00:43:59,719 --> 00:44:01,800 Hmm... - Mmh... 813 00:44:02,040 --> 00:44:04,000 ... - And so it is in jubilation, 814 00:44:04,200 --> 00:44:07,719 joy, total happiness, and lots of food 815 00:44:07,920 --> 00:44:10,200 this chapter has closed of my life. 816 00:44:10,440 --> 00:44:12,760 - I know it by heart, this story. 817 00:44:12,960 --> 00:44:15,320 You're rambling, do you know? 818 00:44:15,520 --> 00:44:17,600 And Olivia and you, and blah blah blah... 819 00:44:17,800 --> 00:44:20,520 The couple of the century, and love... - Hey, stop. 820 00:44:20,760 --> 00:44:23,840 {\an1}One second. It's like this that an intern addresses 821 00:44:24,040 --> 00:44:26,920 {\an1}to a professor of forensic medicine, today? 822 00:44:27,120 --> 00:44:29,320 {\an1}... 823 00:44:29,560 --> 00:44:31,360 She brakes loudly. 824 00:44:31,600 --> 00:44:33,840 {\an1}It's not bad. Think carefully about appealing, 825 00:44:34,040 --> 00:44:36,560 {\an1}counter-appeal, and there, you pull the handbrake, 826 00:44:36,760 --> 00:44:40,160 {\an1}like that, you're a good hunter. People watch you arrive. 827 00:44:40,360 --> 00:44:42,719 {\an1}It's important, the first impression. 828 00:44:42,920 --> 00:44:45,360 {\an3}- This is to avoid damaging your antiquity. 829 00:44:45,560 --> 00:44:48,760 {\an1}- Don't worry, my "antique", she saw others. 830 00:45:03,280 --> 00:45:05,000 {\an1}Don't forget your pound cake. 831 00:45:08,200 --> 00:45:10,239 - “NEVER A BODY ON AN EMPTY STUMP”. 832 00:45:15,880 --> 00:45:17,440 She exhales slowly. 833 00:45:17,640 --> 00:45:18,880 {\an1}It's going to be fine. 834 00:45:19,880 --> 00:45:20,920 {\an1}I'm here. 835 00:45:28,480 --> 00:45:30,080 It's okay, she's with me. 836 00:45:34,239 --> 00:45:36,960 {\an3}Yeah! Very dirty, just the way I like it. 837 00:45:37,160 --> 00:45:38,280 - Mmh. 838 00:45:38,480 --> 00:45:40,480 {\an1}- Yeah, I agree. 839 00:45:41,600 --> 00:45:42,760 {\an1}Disgusting. 840 00:45:43,960 --> 00:45:46,560 Will you be okay, miss? - Whoa, “miss”? 841 00:45:46,760 --> 00:45:49,280 - “Doctor” is better. - “Doctor”, sorry. 842 00:45:49,480 --> 00:45:51,239 {\an1}It's always impressive, 843 00:45:51,480 --> 00:45:53,880 {\an1}the first time. If things don't go well, I'm here... 844 00:45:54,080 --> 00:45:56,760 (- He’s hitting on you!) - I opened lots of them in college. 845 00:45:57,000 --> 00:45:58,080 (- Sorry.) 846 00:46:00,840 --> 00:46:01,840 - Good. 847 00:46:03,920 --> 00:46:05,360 A priori, 848 00:46:07,120 --> 00:46:08,680 he is dead. 849 00:46:08,920 --> 00:46:10,600 {\an3}Raphaël bursts out laughing. 850 00:46:10,800 --> 00:46:12,080 {\an3}- I love this valve! 851 00:46:12,280 --> 00:46:13,640 {\an3}This is my favorite valve. 852 00:46:13,880 --> 00:46:16,040 {\an3}You will make a great forensic pathologist. - Come. 853 00:46:16,280 --> 00:46:18,400 {\an3}Best legal expert in Europe. Wide. 854 00:46:19,640 --> 00:46:22,760 {\an1}- Otherwise, I become a serial killer, huh? Like mom! 855 00:46:24,440 --> 00:46:25,640 {\an3}-Alice... 856 00:46:25,840 --> 00:46:26,840 {\an3}Funny? 857 00:46:28,040 --> 00:46:29,920 {\an3}Think. Funny or not funny? 858 00:46:30,120 --> 00:46:31,560 - Not funny. - No. 859 00:46:32,960 --> 00:46:34,600 I'm going to give you "some" advice. 860 00:46:35,680 --> 00:46:37,920 Never take death too seriously, 861 00:46:38,120 --> 00:46:39,520 because in the end, 862 00:46:39,719 --> 00:46:40,840 we survive it! 863 00:46:42,000 --> 00:46:43,280 {\an1}- Thank you! 864 00:46:43,480 --> 00:46:44,719 {\an1}Thanks, Dad. 865 00:46:44,920 --> 00:46:46,640 {\an1}Great advice! 866 00:46:47,680 --> 00:46:48,920 {\an1}- Excuse me, 867 00:46:49,160 --> 00:46:50,440 Who are you talking to there? 868 00:46:52,520 --> 00:46:53,960 - To the dead. 869 00:46:55,280 --> 00:46:56,400 {\an1}- To the dead? 870 00:46:57,680 --> 00:46:58,800 {\an1}(- OK, well...) 871 00:47:07,560 --> 00:47:11,080 Ethereal music 872 00:47:11,320 --> 00:47:35,320 {\an1}... 873 00:47:35,520 --> 00:47:39,480 SUBTITLE: RED BEE MEDIA 874 00:48:08,960 --> 00:48:09,000 .