1
00:00:00,080 --> 00:00:11,840
{\an1}...

2
00:00:12,080 --> 00:00:14,080
*Jazz music

3
00:00:14,280 --> 00:00:18,440
{\an1}*...

4
00:00:18,640 --> 00:00:20,720
*...
The electric train whistles.

5
00:00:20,960 --> 00:00:22,600
{\an1}*...

6
00:00:22,800 --> 00:00:24,280
{\an1}*...
...

7
00:00:24,520 --> 00:00:27,560
{\an1}*...

8
00:00:27,760 --> 00:00:31,040
{\an1}*...
...

9
00:00:31,240 --> 00:00:33,880
*...
The coffee machine hums.

10
00:00:34,120 --> 00:00:35,880
<font color="magenta">*...</font>
The train whistles.

11
00:00:36,080 --> 00:00:40,680
{\an1}*...
...

12
00:00:40,880 --> 00:00:43,880
{\an1}- Next station:
Raphaël Balthazar!

13
00:00:44,080 --> 00:00:46,360
{\an1}No one comes down,
apart from coffee.

14
00:00:47,440 --> 00:00:49,520
{\an1}- Come on! One more round.

15
00:00:51,680 --> 00:00:54,800
{\an3}- Well no...
I'm on my tenth coffee now.

16
00:00:55,040 --> 00:00:56,480
{\an1}- Well what, then?

17
00:00:56,680 --> 00:00:57,880
{\an1}DIY?

18
00:00:59,280 --> 00:01:00,800
You haven't finished the thruster.

19
00:01:01,000 --> 00:01:03,520
- I spent the whole night on it.
<font color="yellow">I'm fed up.</font>

20
00:01:03,760 --> 00:01:05,840
(I'm fed up...)

21
00:01:06,080 --> 00:01:07,840
{\an1}- Can you imagine if I was there?

22
00:01:08,040 --> 00:01:09,959
Sad music

23
00:01:10,160 --> 00:01:11,160
{\an1}Hm?

24
00:01:12,160 --> 00:01:14,480
{\an1}Whatever we could do,
both?

25
00:01:14,720 --> 00:01:16,959
{\an1}Closed here,
all day.

26
00:01:17,160 --> 00:01:19,440
{\an1}...

27
00:01:19,640 --> 00:01:20,640
{\an3}(- Yeah...)

28
00:01:21,640 --> 00:01:23,200
But hey, you're not there.

29
00:01:23,400 --> 00:01:29,000
{\an1}...

30
00:01:30,000 --> 00:01:32,640
Intriguing music

31
00:01:32,840 --> 00:01:33,840
{\an1}- So?

32
00:01:34,080 --> 00:01:36,040
The hottie
take out your trash?

33
00:01:36,280 --> 00:01:38,440
{\an1}<font color="magenta">...</font>

34
00:01:38,680 --> 00:01:41,840
{\an3}- No. There is no one there.
They actually have a life.

35
00:01:42,040 --> 00:01:43,040
- Hmm.

36
00:01:44,520 --> 00:01:46,959
{\an3}- Okay, I don't care.
I'm going to IML.

37
00:01:47,200 --> 00:01:49,520
{\an3}- Hey?
Haven't you forgotten anything?

38
00:01:51,040 --> 00:01:53,600
...
The bracelet beeps.

39
00:01:53,840 --> 00:01:56,000
{\an1}If you go out with this,
it’s escape.

40
00:01:56,240 --> 00:01:59,520
{\an1}Only a few more days to go
before the end of the instruction.

41
00:01:59,760 --> 00:02:00,880
{\an1}Be patient.

42
00:02:01,080 --> 00:02:03,360
- Patience,
is this when we get pissed off?

43
00:02:03,600 --> 00:02:06,360
She laughs.
At school, I loved this subject.

44
00:02:06,600 --> 00:02:07,600
{\an1}- Clearly.

45
00:02:07,800 --> 00:02:09,960
- You know what nickname I had
being a child?

46
00:02:10,200 --> 00:02:11,560
- Patience.
- Patience.

47
00:02:11,800 --> 00:02:13,280
{\an3}I am the most patient.

48
00:02:13,520 --> 00:02:15,400
Dynamic music
Vibration

49
00:02:15,639 --> 00:02:17,880
- Yeah, Raph, tell me.
I'm working there.

50
00:02:18,120 --> 00:02:20,000
- I know.
I know you work.

51
00:02:20,200 --> 00:02:21,680
I didn't want to bother you.

52
00:02:21,919 --> 00:02:23,600
<font color="yellow">I would like to know...</font>
Uh...

53
00:02:23,840 --> 00:02:26,040
You still don't have
any news from the judge?

54
00:02:26,240 --> 00:02:28,880
And Alexander?
You still haven't found it?

55
00:02:29,120 --> 00:02:31,760
- Since your last call,
that is to say there is...

56
00:02:31,960 --> 00:02:33,840
Barely 20 minutes,
nothing has changed.

57
00:02:34,080 --> 00:02:36,360
- Hmm.
*-Raph, stop stressing.

58
00:02:36,600 --> 00:02:37,760
He's got the cops on his ass!

59
00:02:37,960 --> 00:02:39,919
We will find him,
but here, I'm working.

60
00:02:40,160 --> 00:02:41,480
{\an1}Leave me alone.

61
00:02:41,680 --> 00:02:44,400
She hangs up.
- Anyway, I'll call back.

62
00:02:44,600 --> 00:02:45,800
- Your roommate,

63
00:02:46,040 --> 00:02:49,280
{\an1}Gabrielle Gautier, you don't have it
not seen since when?

64
00:02:49,520 --> 00:02:52,280
{\an1}- 2 weeks ago,
before I go on vacation.

65
00:02:54,080 --> 00:02:56,120
At the beginning,
we gave each other news,

66
00:02:56,320 --> 00:02:58,320
but when
She didn't give any more...

67
00:02:58,520 --> 00:02:59,800
I didn't worry

68
00:03:00,040 --> 00:03:02,360
{\an3}until I see
the apartment as well.

69
00:03:02,560 --> 00:03:05,200
{\an3}- Was she seeing someone?
- No, not at the moment...

70
00:03:05,400 --> 00:03:07,400
<font color="magenta">Eerie music</font>

71
00:03:07,600 --> 00:03:10,639
{\an1}...

72
00:03:10,880 --> 00:03:13,480
Generic

73
00:03:13,720 --> 00:03:18,040
{\an1}...

74
00:03:18,280 --> 00:03:20,560
- Hello, my kittens.
I hope it's okay.

75
00:03:20,760 --> 00:03:23,520
I'm happy
to meet you for this video

76
00:03:23,720 --> 00:03:26,800
on a theme that is close to my heart:
positive thinking.

77
00:03:27,040 --> 00:03:29,680
*It's very simple:
positive attracts positive.

78
00:03:29,880 --> 00:03:31,919
The more good you do
around you,

79
00:03:32,120 --> 00:03:34,440
the more we will give it back to you.
It's mathematical.

80
00:03:34,639 --> 00:03:37,600
Don't forget, my little kittens:
think positive!

81
00:03:37,840 --> 00:03:40,920
{\an1}- Gabrielle Gautier. She is 20 years old.
She is an influencer.

82
00:03:41,120 --> 00:03:43,320
{\an1}She is followed
by 2 million subscribers.

83
00:03:43,520 --> 00:03:46,360
{\an1}He's a kind of guru
well-being that is a hit

84
00:03:46,600 --> 00:03:49,080
{\an3}since Covid.
I had his parents.

85
00:03:49,320 --> 00:03:52,600
{\an1}They often call each other,
but for 5 days, radio silence.

86
00:03:52,800 --> 00:03:55,440
{\an3}- Okay. On the networks,
are there traces of activity?

87
00:03:55,640 --> 00:03:58,000
- No.
- Okay...

88
00:03:58,200 --> 00:03:59,640
{\an3}Luigi will analyze

89
00:03:59,880 --> 00:04:03,360
{\an3}<font color="yellow">the marks on the wall. It looks like</font>
human blood, surely his own.

90
00:04:03,600 --> 00:04:05,880
{\an3}It's not like that
to put it all on display.

91
00:04:06,080 --> 00:04:09,600
A search notice is issued.
- It couldn't be a follower,

92
00:04:09,840 --> 00:04:11,800
{\an1}a weirdo who does
a fixation on her?

93
00:04:12,000 --> 00:04:16,000
{\an3}- Well yes. Calls you the platform
and you ask for the names of the subscribers.

94
00:04:16,200 --> 00:04:19,400
{\an3}In the meantime, you watch his networks
and you watch his videos.

95
00:04:19,600 --> 00:04:21,320
{\an1}- That’s a lot of content!

96
00:04:21,560 --> 00:04:24,600
{\an3}- Focus on comments
hateful or sexual.

97
00:04:24,800 --> 00:04:27,480
A psycho could have acted out.
- Okay, boss.

98
00:04:28,760 --> 00:04:30,760
Enigmatic music

99
00:04:30,960 --> 00:04:35,520
{\an1}...

100
00:04:36,680 --> 00:04:39,480
- Delivery!
- Aaah, great!

101
00:04:39,680 --> 00:04:42,520
So cool. THANKS !
- Are you preparing a banquet?

102
00:04:42,760 --> 00:04:45,240
{\an3}- No, that's right
to last 1 or 2 days.

103
00:04:45,480 --> 00:04:48,200
{\an1}What do you have?
Let me see. Okay...

104
00:04:48,400 --> 00:04:51,360
{\an3}Drouhot shouts.
- Hey! Your bracelet there?

105
00:04:51,600 --> 00:04:54,440
{\an3}- Don't worry. I demarcated
the area where I can go.

106
00:04:54,640 --> 00:04:56,279
{\an3}There is no possible accident!

107
00:04:56,520 --> 00:04:58,000
{\an3}Inside, outside!

108
00:04:58,200 --> 00:05:01,000
Drouhot agrees.
Inside, outside!

109
00:05:01,240 --> 00:05:03,560
{\an3}Inside...Outside!

110
00:05:03,800 --> 00:05:06,360
{\an3}I only have 5 seconds.
Afterwards, the cops arrive.

111
00:05:06,600 --> 00:05:08,279
- You won't be bored!

112
00:05:08,520 --> 00:05:11,920
{\an3}- Yes, a little, but come see!
I have something amazing to show you!

113
00:05:12,160 --> 00:05:13,800
{\an3}You will love it!
Come see!

114
00:05:17,279 --> 00:05:19,640
{\an3}Wait! Wait !
I will relieve you.

115
00:05:19,880 --> 00:05:21,760
{\an3}I'll take that.
THANKS.

116
00:05:23,880 --> 00:05:25,880
<font color="magenta">Funny music</font>

117
00:05:26,080 --> 00:05:29,080
{\an1}Shit...
Damn, I lost it. Wait.

118
00:05:30,200 --> 00:05:33,400
{\an3}- Basically, you're so bored
that you spy on your neighbors.

119
00:05:34,600 --> 00:05:37,760
- Not at all,
I sharpen my sense of observation.

120
00:05:38,000 --> 00:05:40,880
It's a bit like when
we study corpses at the IML.

121
00:05:41,080 --> 00:05:43,600
There, it's the same
except that it's on living people

122
00:05:43,839 --> 00:05:46,160
{\an1}who live opposite
and who don't know.

123
00:05:46,360 --> 00:05:47,360
{\an1}It's great!

124
00:05:47,600 --> 00:05:49,040
{\an3}Hop! There, look!

125
00:05:49,279 --> 00:05:50,960
{\an1}Look at the woman,
<font color="yellow">3rd floor...</font>

126
00:05:51,200 --> 00:05:53,000
{\an1}On the left.
The woman in leggings.

127
00:05:53,240 --> 00:05:55,960
Do you see her? Every time
that her husband goes tennis,

128
00:05:56,200 --> 00:05:59,200
{\an1}3 minutes later,
there is her lover who arrives,

129
00:05:59,440 --> 00:06:01,600
supposedly
to play sports.

130
00:06:01,839 --> 00:06:04,760
He gives other courses,
and what she doesn't know,

131
00:06:05,000 --> 00:06:08,200
the poor thing is that it's not
<font color="yellow">the only one to benefit from this.</font>

132
00:06:08,440 --> 00:06:10,320
- We can imagine, thank you.
Exciting.

133
00:06:10,520 --> 00:06:12,800
{\an1}- Wait!
You didn't see anything!

134
00:06:13,040 --> 00:06:15,120
Come see.
Look, for example...

135
00:06:15,360 --> 00:06:18,000
{\an1}The father of the family, there.
1st floor, left.

136
00:06:18,240 --> 00:06:21,000
On Saturdays, when his wife
and her kid leave...

137
00:06:21,200 --> 00:06:22,160
Eddie,

138
00:06:22,400 --> 00:06:24,839
{\an1}you can't imagine what the guy does.
It’s wow!

139
00:06:25,080 --> 00:06:27,360
{\an3}Frankly,
<font color="yellow">it's pretty incredible</font>

140
00:06:27,600 --> 00:06:31,040
{\an1}what we can see when people
Don't close their shutters!

141
00:06:31,279 --> 00:06:33,480
{\an1}It's an invitation,
no messing around!

142
00:06:33,720 --> 00:06:35,480
{\an1}At home, you close or...

143
00:06:35,680 --> 00:06:37,720
{\an1}You invite people
to look at you

144
00:06:37,960 --> 00:06:41,720
when you do stuff...
- Article 226-3-1 of the penal code:

145
00:06:41,960 --> 00:06:43,120
{\an3}crime of voyeurism.

146
00:06:43,320 --> 00:06:45,680
{\an3}1 year in prison
and a fine of 15,000 euros,

147
00:06:45,920 --> 00:06:48,880
{\an3}unless you want to rent
in front of my house.

148
00:06:49,120 --> 00:06:52,080
They clear their throats.
- 3rd floor, on the right.

149
00:06:52,320 --> 00:06:55,040
Did he come home from school?
- It's okay, he's back.

150
00:06:55,279 --> 00:06:57,240
{\an3}It's good and...

151
00:06:57,480 --> 00:07:00,640
Ah! It's true
that they are original, your neighbors.

152
00:07:00,880 --> 00:07:02,600
{\an1}- I tell you,
it's great!

153
00:07:02,839 --> 00:07:05,000
An extraordinary pastime!

154
00:07:05,240 --> 00:07:07,760
{\an3}- Okay, we have to go!
It's too late...

155
00:07:07,960 --> 00:07:09,240
{\an3}And we have to leave.

156
00:07:09,440 --> 00:07:11,600
- Already ?
You've only just arrived!

157
00:07:11,800 --> 00:07:13,520
{\an1}Stay!
I show you stuff

158
00:07:13,760 --> 00:07:15,040
sick!
-Balthazar?

159
00:07:15,240 --> 00:07:16,800
- Really !
Crazy stuff!

160
00:07:17,040 --> 00:07:19,280
-Balthazar...
- As a kid, I loved Batman.

161
00:07:19,480 --> 00:07:21,120
{\an1}I also wanted gadgets.

162
00:07:21,360 --> 00:07:25,240
So, I made them...
- Balthasar! We have to go.

163
00:07:25,480 --> 00:07:27,880
{\an3}But you...
Are you going to be okay?

164
00:07:28,120 --> 00:07:29,120
Eh ?

165
00:07:29,320 --> 00:07:30,720
- Yeah...

166
00:07:30,920 --> 00:07:32,720
I'll be fine.
- Come on.

167
00:07:32,960 --> 00:07:34,040
{\an1}- See you later.
- Ciao.

168
00:07:34,240 --> 00:07:35,240
- Ciao.

169
00:07:39,840 --> 00:07:41,640
Upbeat music

170
00:07:41,880 --> 00:07:43,880
...
Balthazar hums.

171
00:07:44,080 --> 00:07:49,880
{\an1}...
...

172
00:07:50,080 --> 00:07:52,080
...
The electric train whistles.

173
00:07:52,280 --> 00:07:55,760
{\an1}<font color="magenta">...</font>
...

174
00:07:55,960 --> 00:07:57,960
...
Balthazar hums.

175
00:07:58,160 --> 00:08:01,520
{\an1}...
...

176
00:08:01,720 --> 00:08:03,720
...
A timer rings.

177
00:08:04,960 --> 00:08:06,560
...
Already ?

178
00:08:08,400 --> 00:08:10,400
{\an1}...
...

179
00:08:10,600 --> 00:08:11,920
Okay. Okay. I'm coming !

180
00:08:13,600 --> 00:08:15,600
...
Balthazar hums.

181
00:08:15,800 --> 00:08:19,280
{\an1}<font color="magenta">...</font>
...

182
00:08:19,480 --> 00:08:20,960
...
Satisfied laughter

183
00:08:21,200 --> 00:08:25,200
Right on time.
Come on... Let's warm up!

184
00:08:25,400 --> 00:08:32,720
{\an1}...

185
00:08:32,920 --> 00:08:34,040
Oh?

186
00:08:35,480 --> 00:08:36,960
He laughs.

187
00:08:37,200 --> 00:08:39,360
Did you think it was
Mardi Gras, or what?

188
00:08:39,559 --> 00:08:41,160
What are you doing...

189
00:08:41,400 --> 00:08:43,920
<font color="magenta">Tension music</font>
(What are you doing...)

190
00:08:44,160 --> 00:08:45,480
What are you doing?

191
00:08:47,320 --> 00:08:48,360
Oh, damn!

192
00:08:48,600 --> 00:08:57,240
{\an1}...

193
00:08:57,480 --> 00:08:59,600
...
Call tone

194
00:08:59,800 --> 00:09:02,400
...
Pick up. Pick up. Pick up.

195
00:09:02,640 --> 00:09:05,160
*-Yeah, it's been months
that you no longer respond.

196
00:09:06,240 --> 00:09:08,080
I'm sorry,
for the other time.

197
00:09:08,280 --> 00:09:10,440
I shouldn't have tried
to kiss you,

198
00:09:10,679 --> 00:09:11,920
<font color="yellow">but I don't know...</font>

199
00:09:12,120 --> 00:09:14,000
Vibration
What I feel...

200
00:09:14,240 --> 00:09:17,040
...
It's really... Really strong.

201
00:09:20,400 --> 00:09:22,679
It's as if
we had always known each other.

202
00:09:26,679 --> 00:09:29,240
Call tone
- Come on. Pick up.

203
00:09:29,480 --> 00:09:33,120
Answering machine
Camille, it's Baltha. Remind me.

204
00:09:33,360 --> 00:09:35,400
Something is happening
at my neighbor's!

205
00:09:35,640 --> 00:09:37,640
Disturbing music

206
00:09:37,840 --> 00:09:39,720
{\an1}<font color="magenta">...</font>

207
00:09:39,960 --> 00:09:42,200
(Why
does he do that?)

208
00:09:42,440 --> 00:09:44,679
{\an1}...

209
00:09:44,920 --> 00:09:45,920
But...

210
00:09:46,120 --> 00:09:50,559
{\an1}...

211
00:09:50,760 --> 00:09:52,760
...
Thunder rumbles.

212
00:09:52,960 --> 00:09:55,240
{\an1}...
...

213
00:09:55,480 --> 00:09:56,520
(Stop...)

214
00:09:57,600 --> 00:09:58,720
Codeine,

215
00:09:58,960 --> 00:10:00,400
antiepileptic...

216
00:10:01,760 --> 00:10:02,760
It looks like...

217
00:10:04,120 --> 00:10:05,120
{\an1}A hypnotic?

218
00:10:06,200 --> 00:10:07,200
{\an1}Oh, the idiot!

219
00:10:07,440 --> 00:10:13,800
{\an1}...

220
00:10:14,040 --> 00:10:16,040
<font color="magenta">Tension music</font>

221
00:10:16,240 --> 00:10:17,880
...
We ring the bell.

222
00:10:18,120 --> 00:10:19,400
...
We knock.

223
00:10:19,600 --> 00:10:20,960
{\an1}Your son's room?

224
00:10:21,200 --> 00:10:23,480
{\an1}- But who are you?
- Where is his room?

225
00:10:23,720 --> 00:10:25,480
She is there.
Oh ! My son...

226
00:10:25,720 --> 00:10:27,640
Frightened moans

227
00:10:27,880 --> 00:10:29,160
Arthur...

228
00:10:29,400 --> 00:10:32,200
- He's off work. Call SAMU.
Right away !

229
00:10:32,440 --> 00:10:34,480
<font color="red">She is sobbing.</font>
Come on...

230
00:10:34,720 --> 00:10:36,760
Disturbing music

231
00:10:37,000 --> 00:10:38,520
Balthazar groaned with effort.

232
00:10:38,760 --> 00:10:40,080
{\an1}Come on, Arthur.

233
00:10:40,320 --> 00:10:41,559
I know you.

234
00:10:41,800 --> 00:10:44,960
{\an1}I know that you sleep with the shutters open,
because you're afraid of the dark.

235
00:10:45,200 --> 00:10:47,880
{\an1}...

236
00:10:48,120 --> 00:10:50,200
{\an1}I also know
that you like the student

237
00:10:50,400 --> 00:10:52,840
{\an1}who comes to give you
evening classes, right?

238
00:10:53,080 --> 00:10:54,200
{\an1}You want to see her again.

239
00:10:54,440 --> 00:10:56,679
- Let him go! Let him go!
- No !

240
00:10:56,920 --> 00:10:58,000
He's stopped!

241
00:10:58,200 --> 00:10:59,360
{\an3}- Let him go!

242
00:10:59,600 --> 00:11:00,800
- You are wrong!

243
00:11:01,040 --> 00:11:02,880
{\an3}Give him a massage!

244
00:11:03,120 --> 00:11:06,880
*-An individual attacks passers-by
randomly and causes victims.

245
00:11:07,120 --> 00:11:09,880
We are on site...
- Go take care of the kid!

246
00:11:10,080 --> 00:11:13,120
*-These attacks caused
5 dead in the capital.

247
00:11:13,360 --> 00:11:15,240
A still provisional assessment.

248
00:11:15,480 --> 00:11:18,200
<font color="yellow">The killer is on the loose...</font>
- We'll take care of it.

249
00:11:18,440 --> 00:11:19,559
{\an3}- Come on!

250
00:11:19,800 --> 00:11:21,960
*-The murderer
wear a mask

251
00:11:22,200 --> 00:11:23,200
duck.

252
00:11:23,400 --> 00:11:26,320
{\an1}...

253
00:11:26,559 --> 00:11:29,520
{\an1}- The attack of this duck
left 3 dead and 2 injured.

254
00:11:29,760 --> 00:11:32,720
{\an1}Arthur is in a coma.
We don't know if he'll wake up.

255
00:11:32,920 --> 00:11:35,920
{\an1}Didn't you see it earlier
leave his house with a hammer?

256
00:11:36,120 --> 00:11:38,760
{\an3}- Um... No, no, no.
He didn't leave his room.

257
00:11:38,960 --> 00:11:40,040
{\an3}Don't you have a staple?

258
00:11:40,240 --> 00:11:43,760
{\an1}- He has the same mask as the killer,
wants to commit suicide after the attack,

259
00:11:43,960 --> 00:11:46,320
{\an1}it's no coincidence.
He knows the culprit.

260
00:11:46,520 --> 00:11:47,520
{\an3}- Yeah...

261
00:11:49,720 --> 00:11:51,880
{\an3}You have no link
between the victims?

262
00:11:52,080 --> 00:11:53,720
{\an1}- No. No, none.

263
00:11:53,920 --> 00:11:56,080
{\an1}A priori,
the killer chooses them at random.

264
00:11:56,280 --> 00:12:00,080
{\an1}Olivia is on the autopsies.
She will say if he left any traces.

265
00:12:00,280 --> 00:12:03,040
- Okay, will you take them off me?
- Olivier?

266
00:12:05,280 --> 00:12:06,440
- THANKS.
- Come on.

267
00:12:06,640 --> 00:12:08,520
- What ?
No, no, no, no, no!

268
00:12:08,720 --> 00:12:11,800
Camille, please,
you're not going to send me home?

269
00:12:12,000 --> 00:12:14,040
I beg you,
let me help you!

270
00:12:14,240 --> 00:12:17,520
I will make all the coffees you want,
in the cups you want!

271
00:12:17,720 --> 00:12:20,800
Please ! No, don't leave.
She's going to change her mind.

272
00:12:21,000 --> 00:12:22,720
{\an1}- Get a pet.

273
00:12:22,960 --> 00:12:25,240
The train whistles.

274
00:12:35,320 --> 00:12:36,920
{\an1}- You know as well as I do

275
00:12:37,160 --> 00:12:39,320
{\an3}that Arthur will not come back
right away.

276
00:12:39,520 --> 00:12:40,800
{\an3}Think of something else.

277
00:12:42,240 --> 00:12:43,440
Your daughter.

278
00:12:43,679 --> 00:12:44,880
{\an3}She must be 4 months old.

279
00:12:45,080 --> 00:12:47,280
{\an3}You want to know
what does she look like?

280
00:12:47,480 --> 00:12:48,679
- Rather eat a rat.

281
00:12:48,880 --> 00:12:52,280
Pardon. I'm not saying this for you.
I'm very glad you're here.

282
00:12:53,679 --> 00:12:56,440
Even though I fear
let our relationships be limited.

283
00:12:56,679 --> 00:12:58,720
{\an1}Why it's yours
What am I talking about here?

284
00:12:58,920 --> 00:13:00,840
- Because
you talk less to Lise.

285
00:13:01,040 --> 00:13:02,640
You need to talk about it

286
00:13:02,880 --> 00:13:04,559
{\an3}and have no one else.

287
00:13:04,760 --> 00:13:06,640
- Lots of people
dream of talking to me.

288
00:13:06,880 --> 00:13:07,880
- Hmm?

289
00:13:09,160 --> 00:13:10,920
- Pardon.
I'm calling Camille.

290
00:13:11,160 --> 00:13:13,160
Dynamic music

291
00:13:13,360 --> 00:13:15,480
{\an1}You will see
if I can talk to anyone.

292
00:13:15,720 --> 00:13:16,720
*-It’s Camille.

293
00:13:16,920 --> 00:13:18,000
Leave a message,

294
00:13:18,200 --> 00:13:20,960
unless your first name starts with R
<font color="yellow">and your name by B.</font>

295
00:13:21,160 --> 00:13:23,440
In this case,
leave me alone. THANKS.

296
00:13:23,640 --> 00:13:24,600
Beep

297
00:13:24,840 --> 00:13:26,800
{\an3}- Yeah, Camille, it's Baltha.

298
00:13:27,000 --> 00:13:28,480
{\an3}You know other people

299
00:13:28,679 --> 00:13:31,840
{\an3}whose first name begins with R
and the last name by B?

300
00:13:32,040 --> 00:13:34,640
{\an3}We never talked about it,
but if you pay attention,

301
00:13:34,840 --> 00:13:37,880
My first name starts with R and the...
End of call tone

302
00:13:39,040 --> 00:13:40,120
{\an1}<font color="yellow">What do you notice there?</font>

303
00:13:41,720 --> 00:13:43,040
Olivia.

304
00:13:45,480 --> 00:13:46,640
She loves talking to me.

305
00:13:46,840 --> 00:13:48,679
*-I'm busy at the moment.

306
00:13:48,880 --> 00:13:51,280
Follow the procedure
to leave a message.

307
00:13:51,480 --> 00:13:54,559
If you are a canvasser
telephone, law 2020-901...

308
00:13:54,760 --> 00:13:55,760
He hangs up.

309
00:13:56,000 --> 00:13:57,920
The train whistles.

310
00:13:58,120 --> 00:13:59,520
{\an3}<font color="yellow">- You can't go to IML,</font>

311
00:13:59,760 --> 00:14:01,840
{\an3}then read
autopsy reports.

312
00:14:02,080 --> 00:14:03,440
- Olivia will never want to.

313
00:14:03,640 --> 00:14:06,000
She's going to take me out again
a stupid article.

314
00:14:06,200 --> 00:14:07,520
{\an3}- She, perhaps,

315
00:14:07,760 --> 00:14:11,280
{\an3}but you still know a member
of the corruptible team, right?

316
00:14:15,240 --> 00:14:16,679
{\an1}- Yeah, Eddy? It's me.

317
00:14:16,880 --> 00:14:19,880
{\an1}Um... You can send me
autopsy reports

318
00:14:20,080 --> 00:14:23,360
{\an1}victims of the mad duck,
when you are finished? THANKS.

319
00:14:23,600 --> 00:14:26,440
{\an1}<font color="yellow">Yes. Of course.</font>
Olivia doesn't want to. Obviously.

320
00:14:26,680 --> 00:14:29,200
{\an1}Imagine if she knew
that you and Fatim,

321
00:14:29,440 --> 00:14:32,520
{\an1}you do sexual things
on his desk?

322
00:14:32,760 --> 00:14:34,080
{\an1}Are you really doing this?

323
00:14:34,280 --> 00:14:35,480
{\an1}Well no, I didn't know!

324
00:14:35,680 --> 00:14:38,080
{\an1}You just told me.
It's disgusting!

325
00:14:38,320 --> 00:14:40,120
{\an1}No, no, no, no, no.
No, no.

326
00:14:40,320 --> 00:14:43,640
{\an1}It's not blackmail. You know well
I would never say that...

327
00:14:44,640 --> 00:14:47,000
{\an1}If you send me
autopsy reports.

328
00:14:47,240 --> 00:14:50,560
The phones are ringing.
- Calm down, ma'am. Calm down.

329
00:14:50,760 --> 00:14:53,480
Wait, I have a consultation call.
I'll transfer you.

330
00:14:53,680 --> 00:14:56,040
{\an3}Yes, hello?
Judicial police, hello?

331
00:14:56,240 --> 00:14:59,040
*-... by an individual
wearing a duck mask...

332
00:14:59,240 --> 00:15:01,320
{\an1}- I still don't have
identification.

333
00:15:01,520 --> 00:15:03,360
I know, but...
- Captain?

334
00:15:03,560 --> 00:15:05,640
{\an1}- Wait, I'll call you back.
Sorry.

335
00:15:05,840 --> 00:15:09,160
{\an3}- I have LCI. They want to know
if you want to make a statement.

336
00:15:09,360 --> 00:15:12,080
- No, I don't...
- And Gabrielle, who cares?

337
00:15:12,280 --> 00:15:14,240
{\an1}If it doesn't come on TV,
who cares?

338
00:15:14,440 --> 00:15:16,720
- No, Eliane. Calm down.
- No !

339
00:15:16,920 --> 00:15:19,440
I've been here for 2 hours...
- I know well.

340
00:15:19,640 --> 00:15:22,480
{\an3}We are on all fronts.
We won't let her down, okay?

341
00:15:22,680 --> 00:15:25,120
{\an3}We're going to find her.
There's no point in staying here.

342
00:15:25,320 --> 00:15:28,040
{\an3}Come inside and I'll call you
if we have anything new. OK?

343
00:15:28,240 --> 00:15:30,320
{\an3}Trust me. Paul?
- Yes ?

344
00:15:30,520 --> 00:15:32,960
- We'll take you home.
- Sorry.

345
00:15:33,160 --> 00:15:34,840
- It's normal.
You are welcome.

346
00:15:35,040 --> 00:15:37,800
Take Miss back.
Paul? By taxi.

347
00:15:38,000 --> 00:15:40,000
{\an1}...

348
00:15:40,200 --> 00:15:41,800
No, sorry.

349
00:15:42,000 --> 00:15:44,320
{\an3}*-The witnesses begin
to be questioned

350
00:15:44,520 --> 00:15:46,680
by the police
arrived at the scene.

351
00:15:46,920 --> 00:15:49,880
{\an1}...

352
00:15:50,080 --> 00:15:53,160
{\an3}- The prosecutor is putting pressure on me,
the media are harassing me

353
00:15:53,360 --> 00:15:55,640
and I have to find this duck!
- What ?

354
00:15:55,840 --> 00:15:58,560
{\an3}- No, nothing. Provided that the IML
find something.

355
00:15:58,760 --> 00:16:00,080
{\an3}Where are you, on the little one?

356
00:16:00,320 --> 00:16:02,360
{\an1}- I can't take it anymore
of these Care Bears!

357
00:16:02,600 --> 00:16:04,800
- The positive attitude...
- Yes, Olivia?

358
00:16:05,040 --> 00:16:07,920
*-"I am a warrior.
Nothing can stop me."

359
00:16:08,160 --> 00:16:09,360
- I am a warrior.

360
00:16:09,560 --> 00:16:11,600
Nothing and no one
won't be able to stop me.

361
00:16:11,800 --> 00:16:13,040
{\an3}- Oh, great!

362
00:16:13,240 --> 00:16:15,200
- I am a warrior.
Nothing and no one

363
00:16:15,440 --> 00:16:17,520
won't be able to stop me.
- It was Olivia.

364
00:16:17,720 --> 00:16:21,000
{\an3}They got skin tissue from the killer
under a victim's fingernail.

365
00:16:21,200 --> 00:16:23,840
{\an3}The DNA matched.
Alban Dubreuil, 16 years old.

366
00:16:24,040 --> 00:16:27,560
- How do you say? “Dubrèye”?
- Dubreuil. D-U-B-R-E-U-I-L.

367
00:16:29,000 --> 00:16:30,200
{\an1}- 16 years old...

368
00:16:30,400 --> 00:16:33,720
Tension music

369
00:16:33,960 --> 00:16:35,280
- Look at them.

370
00:16:36,320 --> 00:16:38,040
Look at them there.
Look at them.

371
00:16:38,280 --> 00:16:40,080
{\an3}Assume.
Take responsibility for what you did.

372
00:16:41,760 --> 00:16:44,840
{\an3}We found this at your house,
plus your DNA on the victim.

373
00:16:45,080 --> 00:16:47,480
Vibes
<font color="yellow">So what's the thing? Huh?</font>

374
00:16:48,760 --> 00:16:50,280
What does he mean,
this mask?

375
00:16:50,480 --> 00:16:52,480
Enigmatic music

376
00:16:52,680 --> 00:16:55,200
{\an1}...

377
00:16:55,400 --> 00:16:56,920
Arthur Delpias,
do you know?

378
00:16:57,160 --> 00:16:58,840
{\an3}Have you seen this guy before?

379
00:17:00,000 --> 00:17:01,040
{\an3}No?

380
00:17:01,280 --> 00:17:04,240
{\an1}...

381
00:17:04,440 --> 00:17:06,400
Colleagues stopped you
not long ago,

382
00:17:06,600 --> 00:17:09,480
because you were vandalizing a cemetery.
What is your lease?

383
00:17:09,720 --> 00:17:11,960
{\an3}<font color="yellow">You're looking</font>
strong sensations?

384
00:17:12,160 --> 00:17:14,320
Suspenseful music

385
00:17:14,560 --> 00:17:17,080
Answer me!
- Stop! It's intimidation.

386
00:17:17,320 --> 00:17:19,200
{\an3}- No, I'm interrogating a criminal.

387
00:17:19,400 --> 00:17:22,240
- And the presumption of innocence?
- The presumption...

388
00:17:22,440 --> 00:17:24,440
The young man stammers.

389
00:17:24,640 --> 00:17:26,800
{\an1}...

390
00:17:27,000 --> 00:17:29,359
<font color="magenta">- A... little duck...</font>

391
00:17:29,600 --> 00:17:31,960
At the water's edge...
- Are you kidding me?

392
00:17:33,560 --> 00:17:36,080
- He jumps into the pond
He is so beautiful

393
00:17:36,320 --> 00:17:38,880
- Do you think we're having a laugh?
- A little duck

394
00:17:40,000 --> 00:17:41,400
At the water's edge

395
00:17:42,160 --> 00:17:44,240
He jumps into the pond

396
00:17:44,440 --> 00:17:47,760
He is so beautiful
<font color="yellow">- Master, reason with your client.</font>

397
00:17:48,000 --> 00:17:49,119
Get out! It's good !

398
00:17:49,359 --> 00:17:50,800
Get him out there.

399
00:17:51,000 --> 00:17:53,720
- Come with me. Come on.
- He jumps into the pond

400
00:17:53,920 --> 00:17:57,240
{\an3}- We will have to make him talk
if you want to have something.

401
00:17:57,440 --> 00:17:58,440
{\an3}Really, huh?

402
00:17:58,640 --> 00:18:00,640
The young man continues to sing.

403
00:18:02,040 --> 00:18:03,080
{\an3}Is he a junkie or what?

404
00:18:03,280 --> 00:18:06,320
{\an3}- He is negative for narcotics
and has no history

405
00:18:06,560 --> 00:18:07,840
{\an1}psychiatric.

406
00:18:08,040 --> 00:18:11,000
- What is his link?
with Arthur Delpias? It's what ?

407
00:18:11,200 --> 00:18:12,960
{\an1}- Apart
that they fucked up

408
00:18:13,200 --> 00:18:15,160
{\an3}their cell phone and computer,
that's all there is.

409
00:18:15,400 --> 00:18:18,280
{\an3}- We need to re-interview the parents,
spend their lives in...

410
00:18:18,480 --> 00:18:19,760
{\an3}under the sieve!

411
00:18:20,000 --> 00:18:21,760
{\an3}You need the link
between teenagers.

412
00:18:22,000 --> 00:18:23,000
{\an3}That's the key.

413
00:18:23,200 --> 00:18:25,520
{\an1}- A package for Captain Corte.
- Costes.

414
00:18:25,720 --> 00:18:26,720
- Costs...

415
00:18:28,440 --> 00:18:30,840
{\an1}- Are you waiting for something?
THANKS.

416
00:18:31,080 --> 00:18:32,080
- THANKS.

417
00:18:33,520 --> 00:18:35,240
- Wait, wait, wait...

418
00:18:36,240 --> 00:18:37,240
You never know.

419
00:18:37,440 --> 00:18:40,800
Disturbing music

420
00:18:41,000 --> 00:18:43,119
Go slowly.
- Yeah.

421
00:18:43,359 --> 00:18:58,800
{\an1}...

422
00:18:59,040 --> 00:19:01,040
Funny music

423
00:19:01,240 --> 00:19:06,720
{\an1}...

424
00:19:06,920 --> 00:19:08,080
{\an1}- Zen, Camille.

425
00:19:09,160 --> 00:19:12,200
{\an1}The positive
attracts the positive.

426
00:19:12,400 --> 00:19:13,800
{\an1}Repeat after me.

427
00:19:14,040 --> 00:19:16,240
{\an1}"I am a warrior...

428
00:19:16,440 --> 00:19:18,720
{\an1}"And nothing and no one
can't stop me."

429
00:19:19,720 --> 00:19:20,800
{\an1}"I am a warrior

430
00:19:21,000 --> 00:19:23,280
{\an1}"and nothing and no one
can't stop me."

431
00:19:23,480 --> 00:19:25,240
{\an3}- I'm going to punch your face.
Get out.

432
00:19:27,119 --> 00:19:28,320
{\an1}- Not very positive, that.

433
00:19:28,560 --> 00:19:30,560
Soft music

434
00:19:30,760 --> 00:19:46,480
{\an1}...

435
00:19:46,720 --> 00:19:48,440
{\an3}- It's not the dream death.

436
00:19:48,640 --> 00:19:49,960
{\an3}- What is this era

437
00:19:50,200 --> 00:19:52,760
{\an3}where we die for no reason,
just by crossing

438
00:19:53,000 --> 00:19:55,200
{\an3}a disturbed kid
with a duck mask?

439
00:19:57,800 --> 00:20:00,080
It's the world
that you want to give to your daughter,

440
00:20:00,320 --> 00:20:01,280
{\an3}Balthazar?

441
00:20:01,480 --> 00:20:04,440
- She's not my daughter.
- What is this scientific denial?

442
00:20:04,680 --> 00:20:07,000
{\an3}It's his sperm
who fertilized

443
00:20:07,240 --> 00:20:10,160
his mother's oocyte.
- Technically, yes.

444
00:20:10,359 --> 00:20:13,200
But being a dad is not
than a question of gametes.

445
00:20:13,400 --> 00:20:16,000
It takes love,
lots of love.

446
00:20:16,200 --> 00:20:17,200
But...

447
00:20:19,200 --> 00:20:21,200
for that, I already have a guinea pig.

448
00:20:21,440 --> 00:20:23,040
You have to let me work.

449
00:20:24,400 --> 00:20:27,440
- I didn't see my killer.
Finally if,

450
00:20:27,680 --> 00:20:30,600
{\an1}I saw his immense shadow.
<font color="yellow">He had two heads</font>

451
00:20:30,840 --> 00:20:33,520
more than me.
- Oh yes ?

452
00:20:33,720 --> 00:20:36,119
{\an1}Me, I didn't realize,
he killed me instantly.

453
00:20:36,359 --> 00:20:39,359
It was incredibly violent.
- You were lucky.

454
00:20:39,600 --> 00:20:41,119
{\an3}He tried twice,

455
00:20:41,359 --> 00:20:43,800
{\an3}with me.
He hesitated as if he regretted it.

456
00:20:44,040 --> 00:20:45,560
{\an3}I suffered martyrdom.

457
00:20:45,800 --> 00:20:48,200
Suspenseful music

458
00:20:48,400 --> 00:20:59,560
{\an1}<font color="magenta">...</font>

459
00:20:59,760 --> 00:21:01,960
*Electronic beeps

460
00:21:02,160 --> 00:21:04,760
{\an1}*...

461
00:21:13,359 --> 00:21:15,760
Dynamic music

462
00:21:15,960 --> 00:21:19,160
{\an1}...

463
00:21:19,359 --> 00:21:20,560
- Call Camille.

464
00:21:20,760 --> 00:21:23,960
*-Hi, it's Camille,
leave me a message.

465
00:21:24,200 --> 00:21:25,160
- Call Camille.

466
00:21:25,359 --> 00:21:28,000
*-Hi, it's Camille,
leave me a message.

467
00:21:28,200 --> 00:21:30,800
<font color="yellow">- Call Camille?</font>
*-Hi, it's Camille...

468
00:21:31,000 --> 00:21:33,920
- Call Camille!
*-Hi, it's Camille...

469
00:21:34,160 --> 00:21:36,920
- Call Camille...
*-if your first name starts with I...

470
00:21:37,160 --> 00:21:39,600
*19 missed calls,
you know what you are incurring

471
00:21:39,800 --> 00:21:41,640
for harassment?

472
00:21:41,880 --> 00:21:43,840
15,000 euros
and one year in prison.

473
00:21:44,080 --> 00:21:47,600
- I feel like everyone
wants to send me to jail.

474
00:21:47,800 --> 00:21:49,240
It's a female fantasy

475
00:21:49,480 --> 00:21:51,440
*or what?
- Well maybe.

476
00:21:51,680 --> 00:21:55,040
- Wouldn't you hang out with Olivia?
*-Why not ?

477
00:21:55,280 --> 00:21:58,800
I hope you don't call me
for a cockfight, give birth.

478
00:21:59,000 --> 00:22:00,880
*-Listen carefully
what I'm going to tell you.

479
00:22:01,119 --> 00:22:04,520
The blows suffered by Alban Dubreuil
on Djibril Saadoun

480
00:22:04,720 --> 00:22:07,320
seem intense
much weaker

481
00:22:07,520 --> 00:22:10,720
as for Vanessa Lopez
and Elodie Blanc.

482
00:22:10,920 --> 00:22:14,400
And I had fun measuring
the heights of the points of impact

483
00:22:14,640 --> 00:22:16,400
on the victims.
For Vanessa,

484
00:22:16,600 --> 00:22:18,320
it seems
that his attacker

485
00:22:18,560 --> 00:22:21,000
measures less than 1.70 m
while for Elodie,

486
00:22:21,200 --> 00:22:24,960
his killer, anyway
according to the points of impact,

487
00:22:25,200 --> 00:22:27,760
was over 1.85 m tall.

488
00:22:29,320 --> 00:22:31,040
You're not going to like it

489
00:22:31,280 --> 00:22:32,520
<font color="yellow">what I'm going to tell you.</font>

490
00:22:32,720 --> 00:22:34,040
{\an3}- There are other killers.

491
00:22:34,240 --> 00:22:35,560
*Remarks on television

492
00:22:35,760 --> 00:22:39,359
I'll call you back.
*-The prefect asks Parisians

493
00:22:39,600 --> 00:22:43,080
to stay at home. It's amazement
throughout France.

494
00:22:43,280 --> 00:22:46,920
So who is hiding behind
these duck masks?

495
00:22:47,119 --> 00:22:49,040
What are the demands?

496
00:22:49,240 --> 00:22:52,359
For now,
the police have no leads

497
00:22:52,600 --> 00:22:54,800
{\an1}but formula
<font color="yellow">many hypotheses</font>

498
00:22:55,000 --> 00:22:58,400
{\an1}as for the meaning that can be given
to these masks and these hammers,

499
00:22:58,600 --> 00:23:01,480
{\an1}new operating mode
in criminal history,

500
00:23:01,680 --> 00:23:03,520
{\an1}faced with these attacks,

501
00:23:03,760 --> 00:23:07,560
which I remind you, did
five deaths in recent hours

502
00:23:07,800 --> 00:23:10,680
{\an1}in the capital.
<font color="yellow">This is a provisional assessment.</font>

503
00:23:12,520 --> 00:23:13,760
*-Terror in Paris.

504
00:23:13,960 --> 00:23:16,200
We are on the spot
of these attacks,

505
00:23:16,440 --> 00:23:19,320
new attacks on individuals
masked people who made

506
00:23:19,560 --> 00:23:22,320
five deaths in recent hours
in the capital...

507
00:23:22,520 --> 00:23:25,560
- Damn, but how many are there?
- In all, at least five.

508
00:23:27,280 --> 00:23:30,960
{\an1}Last night, three managed to escape
and we took two as flags.

509
00:23:31,200 --> 00:23:32,800
{\an1}They brought them to us.

510
00:23:33,040 --> 00:23:35,720
{\an1}Look,
Edouard Diallo and Noé Leroux,

511
00:23:35,960 --> 00:23:38,520
15 years old and 16 years old.
- More kids?

512
00:23:38,720 --> 00:23:41,119
{\an3}What is it?
Apprentice terrorists?

513
00:23:41,320 --> 00:23:43,520
{\an1}- The DGSI has never
heard about them,

514
00:23:43,760 --> 00:23:45,680
{\an1}ni of Alban Dubreuil

515
00:23:45,920 --> 00:23:47,880
{\an1}nor of Arthur Delpias.

516
00:23:48,119 --> 00:23:51,680
{\an1}Nothing connects them together,
except perhaps their young age

517
00:23:51,880 --> 00:23:52,880
{\an1}and this.

518
00:23:54,840 --> 00:23:56,280
{\an1}Edouard Diallo was arrested

519
00:23:56,520 --> 00:23:59,800
{\an1}7 days ago for damage
at the La Villette cemetery

520
00:24:00,040 --> 00:24:01,320
{\an1}and Noé Leroux climbed

521
00:24:01,520 --> 00:24:04,440
a wall of Père Lachaise.
- Like Alban Dubreuil.

522
00:24:05,760 --> 00:24:07,960
{\an3}It might be
a group of Satanists.

523
00:24:08,160 --> 00:24:10,760
{\an3}On the networks, there are things
or they destroyed

524
00:24:11,000 --> 00:24:14,880
their computers and phones?
- We will receive the fadettes

525
00:24:15,119 --> 00:24:17,600
shortly.
- Children who put themselves

526
00:24:17,800 --> 00:24:20,880
{\an3}to vandalize cemeteries
and kill people in the street,

527
00:24:21,119 --> 00:24:22,720
{\an3}there has to be a reason.

528
00:24:22,920 --> 00:24:26,040
- That wouldn't be a way
to make people talk about them?

529
00:24:26,240 --> 00:24:28,760
{\an3}- Can you imagine teenagers organizing this?

530
00:24:29,000 --> 00:24:31,560
{\an3}there must be an adult
who pulls the strings.

531
00:24:31,760 --> 00:24:32,760
{\an3}A guru,

532
00:24:33,000 --> 00:24:34,800
{\an3}someone who influences them...

533
00:24:35,000 --> 00:24:36,960
- THANK YOU.
- I will try

534
00:24:37,200 --> 00:24:38,720
{\an3}to talk to them

535
00:24:38,960 --> 00:24:40,359
{\an3}before it starts again.

536
00:24:40,560 --> 00:24:44,480
What ? They shut it down too?
- Well no, exactly.

537
00:24:44,720 --> 00:24:46,520
- ...WATERFRONT

538
00:24:46,720 --> 00:24:49,520
HE JUMPS INTO THE POND

539
00:24:49,720 --> 00:24:51,720
HE IS SO BEAUTIFUL

540
00:24:51,920 --> 00:24:56,240
<font color="magenta">A LITTLE DUCK</font>
AT THE WATER'S EDGE...

541
00:24:56,440 --> 00:24:58,440
- What is it?
this stupid song?

542
00:24:58,640 --> 00:25:00,720
- It couldn't be a thing
subliminal

543
00:25:00,920 --> 00:25:02,280
who listens backwards?

544
00:25:02,480 --> 00:25:03,800
- ...A LITTLE DUCK...

545
00:25:04,000 --> 00:25:05,960
- I don't know,
but it drives me crazy.

546
00:25:06,200 --> 00:25:07,400
- ...IN THE POND...

547
00:25:07,600 --> 00:25:09,560
- Stop.
<font color="magenta">- ...he's so beautiful...</font>

548
00:25:09,800 --> 00:25:12,520
- Calm down.
- A little duck...

549
00:25:12,760 --> 00:25:14,119
- Stop singing.

550
00:25:14,359 --> 00:25:17,600
- ...at the water's edge...
- There, are you with me?

551
00:25:17,840 --> 00:25:20,160
- Stay with me.
What is this song?

552
00:25:20,359 --> 00:25:21,720
Why are you singing that?

553
00:25:21,960 --> 00:25:24,160
- ... LITTLE DUCK
AT THE WATER'S EDGE...

554
00:25:24,359 --> 00:25:28,240
- Do you know what your name is?
- ... coming out of the pond...

555
00:25:28,480 --> 00:25:30,680
(- Stop singing
this song...)

556
00:25:30,880 --> 00:25:32,400
Stop...
Stop, stop,

557
00:25:32,640 --> 00:25:34,000
{\an1}stop!

558
00:25:34,240 --> 00:25:36,720
You remember
that you killed someone?

559
00:25:36,960 --> 00:25:38,200
{\an1}Were you drugged?

560
00:25:39,720 --> 00:25:42,000
{\an3}- He... jumps into the pond!

561
00:25:42,240 --> 00:25:45,000
He is so beautiful!
- Piss off, damn it!

562
00:25:45,240 --> 00:25:48,240
- ...A LITTLE DUCK...
- Ask Olivia

563
00:25:48,480 --> 00:25:51,080
to examine them.
- Especially for a psychologist to evaluate them.

564
00:25:51,280 --> 00:25:52,200
{\an3}I want to know

565
00:25:52,440 --> 00:25:55,359
<font color="yellow">if they act voluntarily</font>
or under the influence,

566
00:25:55,600 --> 00:25:58,280
constrained, even.
- ... LITTLE DUCK...

567
00:25:58,520 --> 00:26:00,600
- They lost me!
- ...WATER...

568
00:26:00,800 --> 00:26:04,400
{\an1}- I'm going to check their homes
and redo those of Alban and Arthur

569
00:26:04,600 --> 00:26:06,040
{\an1}in case we missed a clue.

570
00:26:06,240 --> 00:26:07,800
Is your name Olivia?
- Okay.

571
00:26:08,000 --> 00:26:09,000
{\an1}- I can't take it anymore!

572
00:26:09,240 --> 00:26:11,440
I can't take it anymore!
<font color="magenta">- ...WATER'S EDGE...</font>

573
00:26:13,320 --> 00:26:17,119
HE JUMPS INTO THE POND
HE IS SO BEAUTIFUL

574
00:26:17,320 --> 00:26:20,320
A LITTLE DUCK...

575
00:26:27,000 --> 00:26:30,840
Intriguing music

576
00:26:31,040 --> 00:26:32,200
-Raph?

577
00:26:34,520 --> 00:26:35,720
Raph, are you there?

578
00:26:35,920 --> 00:26:43,320
{\an1}...

579
00:26:44,520 --> 00:26:46,400
- Ta-da!
- Yeah...

580
00:26:46,600 --> 00:26:49,400
{\an3}You were spying
and you saw me arrive?

581
00:26:49,600 --> 00:26:51,080
- No way.

582
00:26:51,280 --> 00:26:54,280
I made you your favorite coffee.
- THANKS.

583
00:26:57,200 --> 00:26:58,440
Wow!
- SO ?

584
00:26:59,680 --> 00:27:02,880
{\an1}You found something
in Arthur's room?

585
00:27:03,080 --> 00:27:05,400
{\an3}- No, nor among the killers
that we arrested.

586
00:27:05,640 --> 00:27:08,160
But I came
to keep you company.

587
00:27:08,400 --> 00:27:09,440
{\an1}- Oh good?

588
00:27:09,680 --> 00:27:12,720
{\an3}- To prevent you from harassing me
all day.

589
00:27:12,920 --> 00:27:17,680
{\an3}So go ahead, stock up
because I'm here 5 minutes,

590
00:27:17,920 --> 00:27:20,440
and then I break.
- Yeah, but...

591
00:27:21,720 --> 00:27:24,320
No, I don't need it anymore.
- Ah good ?

592
00:27:24,520 --> 00:27:27,960
{\an1}- Yes, I listened to your advice,
I got a pet.

593
00:27:28,200 --> 00:27:30,359
{\an1}This is Camillo.
- Oh !

594
00:27:30,600 --> 00:27:33,560
It's a cute real name.
- We don't talk much,

595
00:27:33,800 --> 00:27:37,040
{\an1}for now,
but it will evolve.

596
00:27:37,240 --> 00:27:39,119
{\an1}I took the one
who looked like you.

597
00:27:39,359 --> 00:27:40,960
- You're really not doing well.

598
00:27:41,200 --> 00:27:44,680
{\an1}- Camillo does exactly
the same circumference

599
00:27:44,920 --> 00:27:47,320
{\an1}than my ankle.
What a coincidence!

600
00:27:47,560 --> 00:27:49,880
{\an1}I had time to measure,
I'm pissing myself off.

601
00:27:50,080 --> 00:27:51,600
{\an1}Is it R and B, your stalker?

602
00:27:51,840 --> 00:27:54,080
Pass it to me, I'll talk to him.
- No.

603
00:27:55,960 --> 00:27:57,160
It's...

604
00:28:00,240 --> 00:28:02,040
He's my biological son.

605
00:28:02,280 --> 00:28:03,600
{\an3}Victor.

606
00:28:06,640 --> 00:28:09,760
- I thought you...
I thought you had it...

607
00:28:10,000 --> 00:28:11,800
abandoned...
- Yeah.

608
00:28:12,000 --> 00:28:14,200
Melancholic music

609
00:28:14,400 --> 00:28:15,600
Well you see, I...

610
00:28:16,640 --> 00:28:18,640
I wanted...
I don't know...

611
00:28:18,840 --> 00:28:23,720
{\an1}...

612
00:28:23,920 --> 00:28:25,119
I wanted to know

613
00:28:25,359 --> 00:28:28,640
{\an3}<font color="yellow">what he was becoming.</font>
So I found it,

614
00:28:28,880 --> 00:28:31,320
I approached him,
I told him anything.

615
00:28:32,680 --> 00:28:33,720
{\an1}- And?

616
00:28:34,800 --> 00:28:35,800
- And now,

617
00:28:36,040 --> 00:28:37,800
he has a big crush on me...

618
00:28:39,160 --> 00:28:41,600
and if I tell him the truth,
he won't forgive me.

619
00:28:41,840 --> 00:28:43,840
{\an1}- Well that makes us
a common point.

620
00:28:44,040 --> 00:28:46,560
{\an1}We are both
in trouble with a child.

621
00:28:46,800 --> 00:28:47,800
- No.

622
00:28:48,920 --> 00:28:50,840
You, it's not too late.

623
00:28:53,480 --> 00:28:54,640
{\an1}- I'll show you something.

624
00:28:54,880 --> 00:28:58,040
I found a tutorial for making
an incredible machine.

625
00:28:58,240 --> 00:28:59,240
- Yeah ?

626
00:28:59,480 --> 00:29:00,920
OK, I'm coming, thank you.

627
00:29:01,120 --> 00:29:02,240
Tools rattling

628
00:29:02,440 --> 00:29:04,280
I'm going, Arthur woke up.

629
00:29:04,480 --> 00:29:05,600
- I'm coming !
- No !

630
00:29:05,800 --> 00:29:06,560
- If !

631
00:29:06,800 --> 00:29:08,920
I'm coming, wait for me!
- No.

632
00:29:09,120 --> 00:29:10,360
Smash

633
00:29:10,600 --> 00:29:13,160
Light music

634
00:29:13,400 --> 00:29:14,960
Coward!
- It's been days

635
00:29:15,200 --> 00:29:17,080
{\an3}that I observe this kid.
I'm coming !

636
00:29:17,320 --> 00:29:18,480
- Let go of my foot!

637
00:29:20,320 --> 00:29:21,520
Let me go!
*Beeps

638
00:29:21,760 --> 00:29:25,400
Let go of my foot, Raph!
- I'm pissing myself off, don't leave me!

639
00:29:25,640 --> 00:29:26,800
{\an1}- Damn!

640
00:29:28,640 --> 00:29:29,640
He laughs.

641
00:29:31,360 --> 00:29:35,080
- You're not going to go there in socks?
What image are you going to give?

642
00:29:37,640 --> 00:29:39,440
- Yeah, Victor, it's Dorothée.

643
00:29:39,640 --> 00:29:41,840
I'm calling to tell you
that I am transferred

644
00:29:42,040 --> 00:29:43,560
in a hospital in Mayotte.

645
00:29:43,760 --> 00:29:46,560
So it's better
that you don't call me anymore.

646
00:29:46,760 --> 00:29:47,760
So.

647
00:29:48,960 --> 00:29:50,200
Well take care of yourself.

648
00:29:57,320 --> 00:29:59,480
{\an1}- I'll come back to see you
within 20 minutes.

649
00:30:01,360 --> 00:30:02,280
{\an1}- Ah!

650
00:30:03,440 --> 00:30:05,720
- Thank you, I'll explain.
- You'll love it.

651
00:30:05,960 --> 00:30:07,160
{\an1}They are superb.

652
00:30:08,920 --> 00:30:10,600
{\an1}Huh?

653
00:30:12,560 --> 00:30:14,080
They're cool, aren't they?

654
00:30:14,320 --> 00:30:15,920
There is a knock at the door.

655
00:30:23,880 --> 00:30:24,960
- Hello, Arthur.

656
00:30:26,840 --> 00:30:28,880
I am Captain Camille Costes.

657
00:30:29,920 --> 00:30:32,360
It's my colleague Jérôme Delgado.
- Hi.

658
00:30:33,520 --> 00:30:35,560
- We would like to ask you
questions.

659
00:30:37,640 --> 00:30:40,560
People on the street
have the same duck mask as you

660
00:30:40,760 --> 00:30:42,080
and kill innocent people.

661
00:30:43,800 --> 00:30:45,480
We know you didn't kill anyone,

662
00:30:45,680 --> 00:30:48,880
but we would like to understand
why you hurt yourself.

663
00:30:50,520 --> 00:30:53,120
We think that perhaps,
someone is forcing you

664
00:30:53,320 --> 00:30:55,480
to do what you did,
and which obliges

665
00:30:55,720 --> 00:30:56,720
{\an3}the others too.

666
00:30:57,680 --> 00:30:59,520
{\an3}You're the only one who can help us.

667
00:30:59,720 --> 00:31:01,160
Dark music

668
00:31:01,360 --> 00:31:02,360
- Sorry.

669
00:31:04,480 --> 00:31:06,240
I can't tell you anything.

670
00:31:06,480 --> 00:31:08,000
{\an3}- What are you afraid of, Arthur?

671
00:31:08,200 --> 00:31:10,600
{\an3}Someone is putting pressure on you,
threaten you?

672
00:31:10,840 --> 00:31:13,600
Arthur gasps.
- Arthur, calm down.

673
00:31:13,840 --> 00:31:15,880
You're in no danger here, OK?

674
00:31:16,080 --> 00:31:18,200
We put a policeman
in front of your room.

675
00:31:18,400 --> 00:31:19,920
We are here to protect you.

676
00:31:20,160 --> 00:31:22,920
{\an3}<font color="yellow">No one can hurt you,</font>
Arthur.

677
00:31:23,120 --> 00:31:24,760
- If I speak, I'm screwed.

678
00:31:25,000 --> 00:31:28,320
- You need to tell us
if someone threatens you, okay?

679
00:31:29,520 --> 00:31:32,120
You have to tell us,
that you help others.

680
00:31:33,760 --> 00:31:35,280
{\an1}You're the only one who can

681
00:31:35,520 --> 00:31:36,560
{\an3}help us.

682
00:31:36,760 --> 00:31:39,080
Dark music

683
00:31:39,320 --> 00:31:44,160
{\an1}...

684
00:31:44,360 --> 00:31:46,440
{\an1}The shape of the scar there,

685
00:31:46,680 --> 00:31:48,440
{\an3}<font color="yellow">what does that make you think of?</font>

686
00:31:51,840 --> 00:31:53,120
It's madness!

687
00:31:53,320 --> 00:31:55,440
According to you,
it is she who would manipulate

688
00:31:55,680 --> 00:31:58,360
young people?
- Lots of kids follow her.

689
00:31:58,560 --> 00:32:00,880
Whose guess who.
- Arthur, our killer?

690
00:32:01,120 --> 00:32:02,680
{\an3}- Well there you go.

691
00:32:02,880 --> 00:32:06,040
{\an3}His site has an algorithm
which classifies its subscribers according to

692
00:32:06,280 --> 00:32:08,440
{\an3}geographic proximity,

693
00:32:08,680 --> 00:32:11,000
age, different interactions...

694
00:32:11,200 --> 00:32:14,080
Maybe she can spot
the most influenceable.

695
00:32:14,320 --> 00:32:16,280
{\an3}And I had access to messaging

696
00:32:16,520 --> 00:32:18,800
killers.
They all received this video

697
00:32:19,040 --> 00:32:20,120
{\an3}from her in private.

698
00:32:20,360 --> 00:32:22,760
Voice changed
*-A little duck

699
00:32:22,960 --> 00:32:24,800
At the water's edge

700
00:32:25,000 --> 00:32:27,600
He jumps into the pond

701
00:32:27,800 --> 00:32:29,400
He is so beautiful

702
00:32:30,480 --> 00:32:32,760
Do you like to move?
Do you like to play?

703
00:32:32,960 --> 00:32:35,440
So join
the duckyduck challenge!

704
00:32:35,640 --> 00:32:38,240
A little duck...

705
00:32:38,480 --> 00:32:39,720
- A challenge?

706
00:32:39,960 --> 00:32:41,240
- In 10 steps.

707
00:32:41,440 --> 00:32:44,800
It starts soft, you have to listen
sad music,

708
00:32:45,040 --> 00:32:46,280
{\an3}summon spirits.

709
00:32:46,480 --> 00:32:48,320
{\an3}Afterwards, things get bad, you have to send

710
00:32:48,560 --> 00:32:50,960
a photo of you naked,
degrade a cemetery,

711
00:32:51,160 --> 00:32:54,200
kill small animals,
and if you get caught,

712
00:32:54,440 --> 00:32:57,200
{\an3}you must sing the song,
and it's like that until

713
00:32:57,400 --> 00:32:58,840
{\an3}<font color="yellow">step 9: kill a stranger</font>

714
00:32:59,040 --> 00:33:01,040
with a duck mask.
- And the 10th,

715
00:33:01,280 --> 00:33:04,400
what is it?
- I don't know, they receive it

716
00:33:04,640 --> 00:33:06,320
{\an3}only if they passed the 9th

717
00:33:06,560 --> 00:33:09,240
without getting caught.
- Send a photo of yourself naked,

718
00:33:09,440 --> 00:33:11,280
{\an1}that's how she holds them.

719
00:33:11,480 --> 00:33:16,000
{\an1}She must have threatened to release it,
and that, when you're 15...

720
00:33:16,200 --> 00:33:18,120
{\an3}- We prefer to kill than to be humiliated.

721
00:33:18,360 --> 00:33:19,360
- Yeah.

722
00:33:20,240 --> 00:33:22,640
I don't believe it,
that she was kidnapped.

723
00:33:23,520 --> 00:33:24,880
She had to stage

724
00:33:25,120 --> 00:33:28,800
{\an1}its disappearance just in case
we would go back to her.

725
00:33:29,040 --> 00:33:30,400
*Notification

726
00:33:30,640 --> 00:33:32,480
- There's a new video here.

727
00:33:34,080 --> 00:33:35,360
{\an3}It's live.

728
00:33:38,040 --> 00:33:40,040
Dark music

729
00:33:40,240 --> 00:33:50,040
{\an1}...

730
00:33:50,280 --> 00:33:53,680
(- Damn...)
- I completely screwed up.

731
00:33:53,920 --> 00:33:56,160
*-Let me out,
please!

732
00:33:56,360 --> 00:33:58,000
What do you want from me?

733
00:34:01,160 --> 00:34:02,840
{\an1}- She was kidnapped,

734
00:34:03,080 --> 00:34:05,840
<font color="yellow">it's not her.</font>
*-Let me out!

735
00:34:06,040 --> 00:34:07,520
{\an3}- That's it, the 10th step...

736
00:34:07,720 --> 00:34:10,040
*-if you want money,
I have some!

737
00:34:10,239 --> 00:34:11,640
No, no!

738
00:34:11,880 --> 00:34:13,840
{\an1}- ... kill Gabrielle.

739
00:34:14,080 --> 00:34:16,160
*She screams.

740
00:34:17,600 --> 00:34:19,560
*-The influencer whose kidnapping

741
00:34:19,760 --> 00:34:21,840
would be linked
to mysterious attacks

742
00:34:22,040 --> 00:34:24,719
will she die drowned?
<font color="yellow">After strangers...</font>

743
00:34:24,960 --> 00:34:26,280
{\an1}- It's not possible.

744
00:34:26,480 --> 00:34:28,760
{\an1}It's going to stop
to go up at some point.

745
00:34:28,960 --> 00:34:29,960
{\an1}It's awful.

746
00:34:30,160 --> 00:34:33,280
*-... love and positivity
on social networks.

747
00:34:33,480 --> 00:34:35,719
How far will we go
in the provocation?

748
00:34:37,800 --> 00:34:39,040
{\an3}- All these likes,

749
00:34:39,280 --> 00:34:42,280
it's hundreds of thousands
of people watching.

750
00:34:42,520 --> 00:34:45,520
{\an3}But it remains virtual, for them.
It's a screen,

751
00:34:45,760 --> 00:34:48,320
It’s not palpable.
*-Let me out!

752
00:34:48,520 --> 00:34:51,280
{\an1}- It's just entertainment
for their striatum.

753
00:34:51,520 --> 00:34:54,239
So easy, too,
just click.

754
00:34:55,800 --> 00:34:58,000
Dark music

755
00:34:58,200 --> 00:34:59,840
{\an1}...

756
00:35:00,040 --> 00:35:03,400
{\an1}- Attacks and kidnapping
by Gabrielle Gautier are linked.

757
00:35:03,640 --> 00:35:05,440
{\an1}<font color="yellow">Someone hacked their site</font>

758
00:35:05,680 --> 00:35:09,600
{\an3}to launch his deadly challenge.
- We don't know why he does that,

759
00:35:09,800 --> 00:35:12,160
{\an3}but clearly, the media,
live,

760
00:35:12,400 --> 00:35:15,560
{\an1}mass killing...
It's a crazy buzz.

761
00:35:15,800 --> 00:35:18,280
{\an3}So if we cut the show,
everything collapses.

762
00:35:18,520 --> 00:35:22,080
- He has a VPN, so we forget
its IP address.

763
00:35:22,280 --> 00:35:24,880
On the other hand,
the video is 2160p.

764
00:35:25,080 --> 00:35:27,440
So he needs
a high upload speed.

765
00:35:27,640 --> 00:35:30,080
But she is fluid,
so it has low ping.

766
00:35:30,320 --> 00:35:31,880
{\an1}We call the suppliers

767
00:35:32,120 --> 00:35:34,960
{\an1}access and we target the areas
who emit a stream

768
00:35:35,160 --> 00:35:37,600
{\an1}with a higher flow rate
to normal continuously

769
00:35:37,800 --> 00:35:40,600
{\an1}for less than 30 minutes.
Are we OK with that?

770
00:35:40,840 --> 00:35:43,120
It's good ?
Whispers

771
00:35:43,320 --> 00:35:45,239
- Honestly, meh...

772
00:35:45,480 --> 00:35:46,600
{\an1}- OK, I'll take care of it.

773
00:35:48,040 --> 00:35:49,280
- We're getting closer

774
00:35:49,520 --> 00:35:51,960
{\an3}in 500,000 likes.
<font color="yellow">- Can we turn the sound back on?</font>

775
00:35:53,360 --> 00:35:56,880
{\an1}*-The font would be
on a serious track,

776
00:35:57,120 --> 00:36:00,920
{\an1}and sources close to the investigation
evoke a deadly challenge.

777
00:36:01,160 --> 00:36:03,600
- They don't understand
that the more they talk about it,

778
00:36:03,800 --> 00:36:05,160
the more likes?

779
00:36:06,360 --> 00:36:07,800
What are you still doing here?

780
00:36:08,040 --> 00:36:10,280
{\an1}Find a way to stop this!

781
00:36:10,520 --> 00:36:14,080
<font color="magenta">Suspenseful music</font>

782
00:36:18,920 --> 00:36:20,120
- What are you doing there?

783
00:36:20,360 --> 00:36:23,960
{\an3}- I'm looking for a detail,
a little thing,

784
00:36:24,200 --> 00:36:28,280
{\an1}something that could perhaps
allow me to understand,

785
00:36:28,520 --> 00:36:31,880
{\an3}which would allow me
to feel less useless!

786
00:36:32,120 --> 00:36:33,840
{\an1}...

787
00:36:34,080 --> 00:36:36,000
{\an3}Wait, wait... What?

788
00:36:37,440 --> 00:36:38,800
- What ?

789
00:36:39,000 --> 00:36:43,200
{\an1}...

790
00:36:43,400 --> 00:36:46,160
- Something a bit like that,
for example, you see?

791
00:36:46,400 --> 00:36:47,719
{\an3}I burned you.

792
00:36:49,200 --> 00:36:51,840
<font color="red">Vibrate</font>

793
00:36:53,480 --> 00:36:57,040
*Hello, am I on speakerphone?
Is everyone listening to me?

794
00:36:57,239 --> 00:36:58,840
- Yeah.
- Yes yes.

795
00:36:59,040 --> 00:37:02,400
*-I don't know if you don't
something else and the human brain

796
00:37:02,600 --> 00:37:05,280
is not able to do
two things at the same time.

797
00:37:05,480 --> 00:37:06,480
{\an3}- Abbreviate, Raph.

798
00:37:06,719 --> 00:37:09,000
*Now is not the time.
- Okay, I'll go.

799
00:37:09,200 --> 00:37:10,560
I would like to talk to you

800
00:37:10,800 --> 00:37:12,960
of the striatum,
this is the part of the brain

801
00:37:13,200 --> 00:37:16,120
{\an1}which secretes dopamine,
the pleasure hormone.

802
00:37:16,360 --> 00:37:19,440
*The more the effort is limited
and the quick reward

803
00:37:19,680 --> 00:37:22,600
and more neurons
secrete dopamine

804
00:37:22,840 --> 00:37:24,480
and the more powerful the shot.

805
00:37:24,680 --> 00:37:28,040
This is why all beings
<font color="yellow">humans always choose</font>

806
00:37:28,239 --> 00:37:29,239
ease.

807
00:37:29,480 --> 00:37:32,640
Our ugly ducklings
do not deviate from this rule.

808
00:37:32,840 --> 00:37:34,360
Besides,
all the killers

809
00:37:34,600 --> 00:37:37,840
always chose the victim
the easiest.

810
00:37:38,080 --> 00:37:40,120
Except once, victim number 4,

811
00:37:40,360 --> 00:37:42,719
Titouan Erabio.
If you watch the video,

812
00:37:42,960 --> 00:37:44,520
you see that at the beginning,

813
00:37:44,760 --> 00:37:47,560
{\an1}the running killer
on his right

814
00:37:47,800 --> 00:37:49,960
to an old gentleman
in a wheelchair.

815
00:37:50,200 --> 00:37:52,880
*No, he's not going there.
In front of him,

816
00:37:53,120 --> 00:37:56,080
he has a relatively frail wife,
he's not going there either.

817
00:37:56,320 --> 00:37:57,320
He chose

818
00:37:57,560 --> 00:38:00,640
Titouan Erabio, who is taller
and stronger than him.

819
00:38:00,880 --> 00:38:04,280
So either this duck has a brain
which works strangely,

820
00:38:04,520 --> 00:38:07,120
either...
- Either he chose his victim.

821
00:38:07,320 --> 00:38:09,040
Titouan was his target.

822
00:38:09,239 --> 00:38:12,520
So the hacker would have organized
a mass killing

823
00:38:12,719 --> 00:38:15,320
to kill Titouan
without us going back to him.

824
00:38:15,520 --> 00:38:18,080
*-Well done, frankly,
you are too strong.

825
00:38:18,280 --> 00:38:20,600
No, I'm kidding, it's me.
I think

826
00:38:20,840 --> 00:38:24,160
that's why he hacked
an influencer's account

827
00:38:24,360 --> 00:38:26,880
super popular,
because he wanted

828
00:38:27,120 --> 00:38:28,719
count on the multitude
<font color="yellow">murders</font>

829
00:38:28,920 --> 00:38:31,040
to blend in with the crowd.

830
00:38:31,280 --> 00:38:34,080
But that was without counting
on the intervention

831
00:38:34,280 --> 00:38:37,520
of the most brilliant lawyer
of his generation in France,

832
00:38:37,719 --> 00:38:39,320
and maybe even...

833
00:38:39,520 --> 00:38:41,080
*Busy tone
Hello?

834
00:38:41,320 --> 00:38:43,560
{\an3}- Go ahead, look for Titouan Erabio.

835
00:38:43,800 --> 00:38:46,280
- Titouan Erabio...

836
00:38:47,680 --> 00:38:51,000
{\an1}21 years old, law student,
4th victim of the ducks.

837
00:38:51,239 --> 00:38:53,080
A complaint has been filed
against him

838
00:38:53,320 --> 00:38:56,640
in 2017 for cyberharassment
<font color="yellow">against a 9 year old girl.</font>

839
00:38:56,880 --> 00:38:58,920
She had just come up
his video channel

840
00:38:59,160 --> 00:39:00,160
{\an1}on the Net.

841
00:39:02,880 --> 00:39:03,719
{\an3}- Look

842
00:39:03,960 --> 00:39:05,320
his t-shirt.

843
00:39:05,560 --> 00:39:08,600
*-My name is Cléo and I am going
sing you a song

844
00:39:08,800 --> 00:39:10,840
that I wrote
for my big sister.

845
00:39:15,600 --> 00:39:16,880
A little duck

846
00:39:17,120 --> 00:39:20,160
At the water's edge

847
00:39:20,360 --> 00:39:22,440
He jumps

848
00:39:22,680 --> 00:39:25,880
In the sea
He is so beautiful

849
00:39:28,480 --> 00:39:32,760
<font color="magenta">A little duck</font>
At the water's edge

850
00:39:34,120 --> 00:39:35,239
He jumps

851
00:39:35,480 --> 00:39:37,800
In the sea
He is so beautiful

852
00:39:38,000 --> 00:39:39,400
{\an1}- Titouan had sent him

853
00:39:39,640 --> 00:39:42,600
{\an1}hundreds of messages like:
“You’re just good.

854
00:39:42,840 --> 00:39:44,680
“to throw yourself into the river.”

855
00:39:44,920 --> 00:39:47,280
{\an3}- Yeah, and she killed herself.

856
00:39:47,480 --> 00:39:48,480
{\an3}The killer

857
00:39:48,719 --> 00:39:51,760
must be avenging her.
What is her name?

858
00:39:52,000 --> 00:39:52,920
{\an1}- Cléo Dubois.

859
00:39:53,160 --> 00:39:55,239
His body was found

860
00:39:55,480 --> 00:39:56,840
{\an1}by his half-sister,

861
00:39:57,080 --> 00:39:59,920
{\an1}Eliane Jacquemin.
- Gabrielle's roommate.

862
00:40:00,120 --> 00:40:01,360
Suspenseful music

863
00:40:03,880 --> 00:40:06,480
- Cléo had been accepted
at the conservatory.

864
00:40:06,680 --> 00:40:10,719
I held the admission letter
when I discovered his body.

865
00:40:11,960 --> 00:40:14,680
{\an3}- That's why you killed
Titouan, her stalker,

866
00:40:14,880 --> 00:40:15,960
{\an3}and that you had killed

867
00:40:16,200 --> 00:40:18,640
these innocents
by launching this challenge?

868
00:40:20,200 --> 00:40:21,960
{\an3}We found this at your house.

869
00:40:22,200 --> 00:40:24,800
It was you who organized
these killings.

870
00:40:25,040 --> 00:40:27,040
You killed the stalker
of your sister.

871
00:40:27,280 --> 00:40:29,800
{\an1}- I tried to do
condemn Titouan.

872
00:40:30,000 --> 00:40:31,120
{\an1}I tried everything.

873
00:40:31,360 --> 00:40:32,440
For everyone,

874
00:40:32,640 --> 00:40:35,600
what he had done remained
virtual and not concrete.

875
00:40:35,840 --> 00:40:37,719
- Tell us where Gabrielle is.

876
00:40:37,920 --> 00:40:40,239
She has nothing to do with it.
- Like the others

877
00:40:40,480 --> 00:40:41,920
innocent people who died.

878
00:40:42,120 --> 00:40:44,400
For what ?
To disguise your revenge?

879
00:40:44,600 --> 00:40:45,960
{\an1}- Innocents?

880
00:40:47,640 --> 00:40:49,239
{\an1}Are you kidding me?

881
00:40:49,480 --> 00:40:53,040
You're not talking about innocence.
Cléo was nine years old.

882
00:40:53,280 --> 00:40:55,440
She was innocent.
I wanted Gab

883
00:40:55,680 --> 00:40:58,760
talks about it on his channel:
she had 2 million followers.

884
00:40:58,960 --> 00:41:00,920
It wasn't positive enough for her.

885
00:41:01,160 --> 00:41:04,200
It didn't match.
- Eliane, tell us where Gabrielle is.

886
00:41:04,400 --> 00:41:05,560
<font color="yellow">- It's because of her</font>

887
00:41:05,800 --> 00:41:09,560
{\an1}that Cléo started her videos.
She wanted to do everything like her.

888
00:41:09,800 --> 00:41:12,160
Every day,
young people kill themselves

889
00:41:12,400 --> 00:41:14,000
because of social media.

890
00:41:14,200 --> 00:41:18,480
- Except that it's not the Internet
who will kill Gabrielle but you!

891
00:41:18,719 --> 00:41:20,920
- Prove it to me.

892
00:41:21,160 --> 00:41:23,800
Prove to me it's me.
There is nothing.

893
00:41:24,000 --> 00:41:26,880
You have no proof.
<font color="yellow">- Tell me where she is.</font>

894
00:41:27,080 --> 00:41:28,719
- I don't know.

895
00:41:28,920 --> 00:41:31,840
She is with the follower
who won the challenge.

896
00:41:32,040 --> 00:41:34,520
- Who is it ?
- It could be any one.

897
00:41:34,719 --> 00:41:36,160
- Who is it ?
- I don't know !

898
00:41:38,000 --> 00:41:39,960
*-In horror and provocation.

899
00:41:40,160 --> 00:41:43,040
<font color="magenta">Intriguing music</font>

900
00:41:43,239 --> 00:41:46,480
Sources close to the investigation
evoke a challenge...

901
00:41:46,719 --> 00:41:48,520
{\an1}...

902
00:41:48,719 --> 00:41:49,760
- Damn...

903
00:41:50,000 --> 00:41:52,520
They are all
on Gabrielle's live.

904
00:41:52,760 --> 00:41:55,080
The world is crazy.
- It's akrasia,

905
00:41:55,320 --> 00:41:57,880
the attraction
for what repulses us,

906
00:41:58,120 --> 00:41:59,920
what makes us look

907
00:42:00,160 --> 00:42:02,640
when we see an accident
car.

908
00:42:02,880 --> 00:42:05,600
{\an3}Even you came back
to attend the show.

909
00:42:06,800 --> 00:42:07,800
{\an1}- Oh yes.

910
00:42:08,040 --> 00:42:09,440
*-You are welcome.

911
00:42:09,640 --> 00:42:12,719
- To miss the era of sound
without the image.

912
00:42:12,960 --> 00:42:14,640
*-Let me out!

913
00:42:14,840 --> 00:42:17,640
Intriguing music

914
00:42:17,880 --> 00:42:21,680
{\an1}...

915
00:42:21,880 --> 00:42:25,360
Complete silence

916
00:42:25,560 --> 00:42:28,560
Balthazar increases the volume.
<font color="red">*Cries of Gabrielle</font>

917
00:42:28,800 --> 00:42:30,360
{\an1}*...

918
00:42:30,560 --> 00:42:33,719
{\an1}*-Help!
Help! Help!

919
00:42:33,920 --> 00:42:36,840
{\an1}*...

920
00:42:40,280 --> 00:42:43,880
- It looks like a little music.
- Yes.

921
00:42:45,400 --> 00:42:46,920
*-Please...

922
00:42:47,160 --> 00:42:50,280
- What are you doing?
- These people in front of their screens,

923
00:42:50,520 --> 00:42:52,000
{\an3}these thousands of people?

924
00:42:52,239 --> 00:42:54,800
It's not all bad,

925
00:42:56,440 --> 00:42:57,600
{\an3}social networks.

926
00:42:57,840 --> 00:42:59,719
{\an3}It is also the strength of the collective.

927
00:43:01,360 --> 00:43:03,840
Collaboration.

928
00:43:04,080 --> 00:43:05,120
It's music

929
00:43:05,360 --> 00:43:07,640
particular.
Those in the area should

930
00:43:07,840 --> 00:43:09,840
recognize it.
- Will they respond?

931
00:43:10,080 --> 00:43:12,040
{\an3}- You have to have faith.

932
00:43:12,280 --> 00:43:14,560
- Shit, it's gone.
- Wait.

933
00:43:14,800 --> 00:43:16,040
There is really

934
00:43:16,280 --> 00:43:19,600
<font color="yellow">horrible comments.</font>
- I can't believe

935
00:43:19,840 --> 00:43:21,480
{\an3}let there be only assholes

936
00:43:21,719 --> 00:43:23,120
on the Internet.

937
00:43:23,360 --> 00:43:26,800
{\an1}- Ah there.
There are some who answer you.

938
00:43:27,040 --> 00:43:28,719
{\an3}- Some recognize it.

939
00:43:28,960 --> 00:43:31,239
- “It’s in a park
attractions..."

940
00:43:31,440 --> 00:43:34,200
- “In the 78.”
-Western Park.

941
00:43:34,440 --> 00:43:35,560
{\an3}-Western Park!

942
00:43:40,000 --> 00:43:42,080
<font color="red">A phone vibrates.</font>

943
00:43:42,280 --> 00:43:50,440
{\an1}...

944
00:43:50,680 --> 00:43:53,560
Come on, pick up.
Go! Go! Go.

945
00:43:53,760 --> 00:43:56,080
*-Leave me a message.
- Damn!

946
00:43:56,280 --> 00:43:59,120
Intriguing music

947
00:43:59,320 --> 00:44:01,239
{\an3}I can't let her die.

948
00:44:01,440 --> 00:44:04,160
{\an1}- Even if you drive hard,
you will arrive too late.

949
00:44:04,360 --> 00:44:07,160
{\an3}- Yes, but not with something
who flies.

950
00:44:08,440 --> 00:44:10,840
Dark music

951
00:44:11,040 --> 00:44:17,200
{\an1}...

952
00:44:17,400 --> 00:44:18,760
<font color="red">*Gabrielle suffocates.</font>

953
00:44:30,400 --> 00:44:32,239
- Uh oh.

954
00:44:33,800 --> 00:44:35,680
Oooh ooh.

955
00:44:35,920 --> 00:44:37,320
Ah!

956
00:44:41,120 --> 00:44:44,280
Repeated beeps
- What's happening to him?

957
00:44:44,520 --> 00:44:47,640
Is he cracking or what?
- He is within the authorized perimeter.

958
00:44:59,880 --> 00:45:02,080
Whirring

959
00:45:02,320 --> 00:45:10,400
{\an1}...

960
00:45:10,640 --> 00:45:13,239
*-The breeding period
capybara

961
00:45:13,480 --> 00:45:15,400
traditionally takes place...

962
00:45:17,120 --> 00:45:21,040
{\an1}<font color="red">...</font>

963
00:45:21,280 --> 00:45:23,840
Balthazar shouts.

964
00:45:24,080 --> 00:45:26,719
Tension music

965
00:45:26,920 --> 00:45:28,560
{\an1}...

966
00:45:28,760 --> 00:45:31,440
Whirring
- Get me out of here!

967
00:45:31,640 --> 00:45:33,000
Gabrielle screams.

968
00:45:33,200 --> 00:45:34,239
In the dry...

969
00:45:38,920 --> 00:45:40,400
{\an1}...

970
00:45:41,840 --> 00:45:43,120
- No, no, no...

971
00:45:44,719 --> 00:45:46,280
- Get me out of here!

972
00:45:46,520 --> 00:45:48,080
- Oh shit...

973
00:45:48,320 --> 00:45:53,280
{\an1}...

974
00:45:53,480 --> 00:45:55,239
Damn...I'm coming.

975
00:45:55,480 --> 00:46:01,960
{\an1}...

976
00:46:02,200 --> 00:46:03,560
{\an1}Hold on, Gabrielle.

977
00:46:03,800 --> 00:46:08,280
{\an1}...

978
00:46:08,480 --> 00:46:10,719
{\an1}It's over.
Come on.

979
00:46:10,960 --> 00:46:12,680
Gabrielle gasps.

980
00:46:12,920 --> 00:46:14,680
Gabrielle sobs.

981
00:46:14,920 --> 00:46:16,800
{\an1}...

982
00:46:17,040 --> 00:46:18,120
It's over.

983
00:46:18,320 --> 00:46:20,960
Soft music
...

984
00:46:23,200 --> 00:46:26,160
*"Dancing the Groove",
Brandon Combs

985
00:46:26,360 --> 00:46:29,480
{\an1}*...

986
00:46:29,680 --> 00:46:32,440
<font color="magenta">- Whatcha doin' baby later tonight?</font>

987
00:46:32,640 --> 00:46:35,600
I got some new steps
I think that you'll like

988
00:46:35,800 --> 00:46:37,480
{\an1}*...

989
00:46:37,680 --> 00:46:39,680
{\an1}- But stop, not here!

990
00:46:39,920 --> 00:46:41,680
{\an3}- They played this song

991
00:46:41,880 --> 00:46:44,080
{\an3}a week ago
at the prefect's party.

992
00:46:44,320 --> 00:46:45,800
I didn't see you.
- No.

993
00:46:46,000 --> 00:46:49,960
{\an1}I will be at the bar mitzvah
of his son next week.

994
00:46:51,640 --> 00:47:05,000
{\an1}*...

995
00:47:05,239 --> 00:47:06,880
{\an3}- It's pretty, what you're wearing,

996
00:47:07,080 --> 00:47:09,560
{\an3}but it's a costume party.
change

997
00:47:09,800 --> 00:47:11,600
and put on a suit.
- Are you kidding?

998
00:47:13,480 --> 00:47:15,760
{\an1}I hope because it made me
cost 200 balls.

999
00:47:15,960 --> 00:47:18,239
{\an3}- I thought you stole it
to a child.

1000
00:47:18,480 --> 00:47:20,000
She repeats, exaggerating.

1001
00:47:20,239 --> 00:47:22,600
{\an3}I have to take a photo.
You are too beautiful.

1002
00:47:22,840 --> 00:47:26,200
{\an1}*...

1003
00:47:26,400 --> 00:47:28,640
{\an1}I'll post it,
I'm going to make a hit.

1004
00:47:28,840 --> 00:47:31,239
{\an3}- Absolutely?
Gabrielle's account has passed

1005
00:47:31,440 --> 00:47:32,960
{\an3}from 2 to 10 million subscribers.

1006
00:47:33,160 --> 00:47:36,320
{\an3}People are stupid.
Afterwards, she must be happy.

1007
00:47:36,560 --> 00:47:37,760
{\an3}- And Arthur?

1008
00:47:37,960 --> 00:47:41,239
- Arthur, he's out of the hospital.
- Oh great!

1009
00:47:41,440 --> 00:47:44,480
{\an3}And all thanks to me,
without me even moving

1010
00:47:44,719 --> 00:47:46,320
{\an3}from my couch, or almost.

1011
00:47:46,520 --> 00:47:49,000
- How did you get out
without getting burned?

1012
00:47:49,239 --> 00:47:53,239
{\an1}*...

1013
00:47:53,440 --> 00:47:54,719
{\an3}- I have a friend

1014
00:47:54,960 --> 00:47:56,280
{\an3}who covered me.

1015
00:47:56,480 --> 00:47:59,480
He looks a bit like you.
- It must be beautiful.

1016
00:47:59,719 --> 00:48:01,640
{\an3}- Magnificent.
What are you waiting for?

1017
00:48:01,880 --> 00:48:04,440
{\an1}to take away my thing?

1018
00:48:04,680 --> 00:48:06,120
- Are you talking about the bracelet?

1019
00:48:06,320 --> 00:48:09,160
I make a point of honor
to remove it myself.

1020
00:48:09,360 --> 00:48:13,840
{\an1}*...

1021
00:48:14,040 --> 00:48:15,520
Don't make me regret it.

1022
00:48:15,719 --> 00:48:17,719
I know there is
a gangster in you.

1023
00:48:17,920 --> 00:48:19,880
A phone vibrates.

1024
00:48:20,080 --> 00:48:21,080
{\an1}- Sorry.

1025
00:48:21,280 --> 00:48:28,160
{\an1}*...

1026
00:48:28,719 --> 00:48:31,600
*The music continues in the distance.

1027
00:48:31,800 --> 00:48:41,360
{\an1}*...

1028
00:48:47,960 --> 00:48:49,520
*Happy music

1029
00:48:49,760 --> 00:48:58,640
{\an1}*...

1030
00:48:58,880 --> 00:49:01,320
*-A word on the duck affair?

1031
00:49:02,680 --> 00:49:04,440
<font color="yellow">Captain, a statement?</font>

1032
00:49:04,640 --> 00:49:07,640
*Leave me alone.
*-How many murders have there been?

1033
00:49:07,880 --> 00:49:10,520
Captain, please,
a declaration.

1034
00:49:10,760 --> 00:49:14,000
Intriguing music
Doorbell

1035
00:49:14,239 --> 00:49:17,239
*Festive music
...

1036
00:49:17,440 --> 00:49:20,120
{\an1}*...

1037
00:49:20,320 --> 00:49:21,520
{\an1}- Squeak-squeak-squeak.

1038
00:49:22,760 --> 00:49:24,120
{\an1}It's me, I'm kidding!

1039
00:49:25,600 --> 00:49:28,560
{\an1}Is it too early?
I knew it was too soon.

1040
00:49:29,800 --> 00:49:32,800
{\an3}Thank you!
Squeak-squeak-squeak!

1041
00:49:34,640 --> 00:49:35,960
{\an1}...

1042
00:49:36,160 --> 00:49:41,280
{\an1}*...

1043
00:49:41,520 --> 00:49:43,880
- Sorry, are we making too much noise?

1044
00:49:44,120 --> 00:49:47,239
- No way.
This is Maya Balthazar, your wife.

1045
00:49:47,480 --> 00:49:48,800
She hit

1046
00:49:49,040 --> 00:49:50,920
{\an1}a supervisor and she is

1047
00:49:51,160 --> 00:49:52,320
in isolation.

1048
00:49:52,520 --> 00:49:54,800
{\an3}- And what does this have to do with me?

1049
00:49:55,040 --> 00:49:57,160
{\an1}- You just have to sign there.

1050
00:49:57,400 --> 00:50:01,400
{\an1}<font color="magenta">*...</font>

1051
00:50:01,600 --> 00:50:03,239
{\an1}And... I have this for you.

1052
00:50:03,440 --> 00:50:05,120
{\an1}*...

1053
00:50:05,320 --> 00:50:07,560
Dark music

1054
00:50:07,800 --> 00:50:09,520
{\an1}...

1055
00:50:09,719 --> 00:50:11,920
SUBTITLE: RED BEE MEDIA

1056
00:50:39,960 --> 00:50:40,000
.

