1 00:00:04,830 --> 00:00:07,485 GIRL: THIS IS SO STUPID. WHAT ARE WE, 12? 2 00:00:07,529 --> 00:00:09,574 SECOND GIRL: OK, WE'RE JUST HAVING FUN. IT'S ALL THIS IS. 3 00:00:09,618 --> 00:00:13,100 HUNTING FOR A GHOST IN THE WOODS IS NOT MY IDEA OF FUN. 4 00:00:13,143 --> 00:00:14,623 IT'S NOT FUN, IT'S REAL. 5 00:00:14,666 --> 00:00:16,929 AND WE'RE GONNA SEE HIM IF IT TAKES ALL NIGHT. 6 00:00:16,973 --> 00:00:18,583 ALL NIGHT? 7 00:00:18,627 --> 00:00:21,282 ALL NIGHT? ARE YOU-- WE LEFT A PERFECTLY GOOD PARTY FOR THIS. 8 00:00:21,325 --> 00:00:23,414 AND I'M NOT FREEZING MY ASS OFF OUT HERE ALL NIGHT. 9 00:00:25,851 --> 00:00:28,419 WELL, FINE, I'LL STAY OUT HERE BY MYSELF. 10 00:00:28,463 --> 00:00:31,205 TALL MAN, TALL MAN, 11 00:00:31,248 --> 00:00:33,555 LONG-HAIRED TALL MAN. 12 00:00:33,598 --> 00:00:37,515 NEVER GONNA CATCH ME. NEVER GONNA CATCH ME. 13 00:00:37,559 --> 00:00:39,430 NEVER GONNA CATCH ME. 14 00:00:39,474 --> 00:00:41,432 OK. ARE WE GONNA DO THIS OR NOT? 15 00:00:41,476 --> 00:00:44,174 YEAH. 16 00:00:44,218 --> 00:00:45,306 HEY, ALLY. 17 00:00:45,349 --> 00:00:46,742 WHAT? 18 00:00:46,785 --> 00:00:49,179 WAIT UP. 19 00:01:13,551 --> 00:01:16,337 IS THE FIRE OUT? 20 00:01:16,380 --> 00:01:17,816 IT'S OUT. 21 00:01:17,860 --> 00:01:19,905 DID YOU CHECK? 22 00:01:27,478 --> 00:01:29,698 YOU WERE RIGHT. I'M ON FIRE. 23 00:01:29,741 --> 00:01:30,699 THAT'S VERY FUNNY. 24 00:01:30,742 --> 00:01:32,614 PUT ME OUT, BRENT. PUT ME OUT. 25 00:01:32,657 --> 00:01:33,571 AHH. 26 00:01:37,445 --> 00:01:41,449 HE HAS THEM. HE HAS THEM. 27 00:01:41,492 --> 00:01:43,886 HE HAS MY FRIENDS. 28 00:01:43,929 --> 00:01:45,148 WOMAN: WHO 29 00:01:45,192 --> 00:01:48,673 THE TALL MAN. 30 00:01:50,588 --> 00:01:53,635 BREAKFAST IS SERVED. 31 00:01:53,678 --> 00:01:55,245 THANK YOU, BABE. 32 00:01:55,289 --> 00:01:56,464 SAY "THANK YOU," BOYS. 33 00:01:56,507 --> 00:01:57,943 THANK YOU. THANK YOU. 34 00:01:57,987 --> 00:01:59,075 YOU'RE WELCOME. 35 00:01:59,119 --> 00:02:00,990 ANY SPECIAL REQUESTS WHILE I'M UP? 36 00:02:01,033 --> 00:02:03,123 MAY I HAVE SOME KETCHUP WITH MY EGGS? 37 00:02:03,166 --> 00:02:05,560 CAN I HAVE LIME JUICE? 38 00:02:05,603 --> 00:02:08,563 LIME JUICE? 39 00:02:08,606 --> 00:02:10,478 WHAT 40 00:02:11,783 --> 00:02:12,828 I'LL GO GET SOME. 41 00:02:12,871 --> 00:02:15,483 WILL: LIME JUICE IS GOOD, RIGHT? 42 00:02:15,526 --> 00:02:18,486 HOW'S THE BACON? 43 00:02:18,529 --> 00:02:22,316 OOP. OOP. WE GOT A SPILL. 44 00:02:22,359 --> 00:02:25,754 UH-OH. HENRY. 45 00:02:27,234 --> 00:02:29,279 OUR NEXT CASE, 46 00:02:29,323 --> 00:02:31,847 WHERE WE'RE HEADED TO. 47 00:02:31,890 --> 00:02:34,197 EAST ALLEGHENY. YOUR HOMETOWN, HUH? 48 00:02:34,241 --> 00:02:37,069 I SWORE I WOULD GET OUT OF THERE 49 00:02:37,113 --> 00:02:39,376 AND NEVER GO BACK. 50 00:02:39,420 --> 00:02:41,204 I HAVE TO GO. 51 00:02:41,248 --> 00:02:42,727 RIGHT? 52 00:02:42,771 --> 00:02:45,121 WELL, YOU DON'T HAVE TO DO ANYTHING, DARLING. 53 00:02:45,165 --> 00:02:47,689 BUT THIS CASE, TWO GIRLS MISSING IN THE WOODS, 54 00:02:47,732 --> 00:02:49,691 IT'S GONNA BOTHER YOU IF YOU DON'T GO. 55 00:02:49,734 --> 00:02:51,606 WAIT, WAIT, WAIT. WHERE? 56 00:02:51,649 --> 00:02:53,129 WHERE? 57 00:02:53,173 --> 00:02:55,523 IN A PARK, DEAD MAN'S CONSERVATORY. 58 00:02:55,566 --> 00:02:57,699 IS THAT IMPORTANT? 59 00:02:57,742 --> 00:02:59,614 YEAH. 60 00:02:59,657 --> 00:03:02,182 I THINK I KNOW WHAT THEY WERE LOOKING FOR. 61 00:03:02,225 --> 00:03:04,662 JJ: LAST NIGHT 3 TEENAGE GIRLS 62 00:03:04,706 --> 00:03:06,577 WENT SEARCHING FOR THE TALL MAN. 63 00:03:06,621 --> 00:03:09,014 IT'S A REGIONAL GHOST STORY. 64 00:03:09,058 --> 00:03:12,017 ACCORDING TO THE SURVIVOR RECOVERED THIS MORNING, 65 00:03:12,061 --> 00:03:14,977 THEY FOUND HIM. 66 00:03:15,020 --> 00:03:17,240 ALVEZ: SHE LOOKS LIKE SHE WENT THROUGH HELL. 67 00:03:17,284 --> 00:03:18,328 SHE SAY WHAT HAPPENED? 68 00:03:18,372 --> 00:03:19,590 THAT WOULD BE ALLY MACREADY. 69 00:03:19,634 --> 00:03:20,852 AND ACCORDING TO HER, 70 00:03:20,896 --> 00:03:23,942 THE TALL MAN HELD THEM AND CUT THEM REPEATEDLY. 71 00:03:23,986 --> 00:03:26,293 THAT IS CONSISTENT WITH THE LEGEND. 72 00:03:26,336 --> 00:03:30,122 SO THE TALL MAN IS YOUR CLASSIC DON'T-GO-INTO-THE-WOODS DARE. 73 00:03:30,166 --> 00:03:31,994 SURVIVE THE NIGHT, YOU SURVIVE HIM. 74 00:03:32,037 --> 00:03:33,735 HE CATCHES YOU, HE CUTS YOU 75 00:03:33,778 --> 00:03:35,606 UNTIL YOU REVEAL YOUR DEEPEST SECRETS. 76 00:03:35,650 --> 00:03:37,478 LET'S GO BACK TO THE VICTIMS FOR A SECOND. 77 00:03:37,521 --> 00:03:39,306 DID THEY SNEAK OUT OR DID THEIR PARENTS KNOW? 78 00:03:39,349 --> 00:03:41,003 THEY TOLD THEIR PARENTS THAT THEY WERE GOING TO A PARTY, 79 00:03:41,046 --> 00:03:42,526 AND THEY ACTUALLY DID. 80 00:03:42,570 --> 00:03:43,701 OK, SO THEN OFF THE BAT WE HAVE 81 00:03:43,745 --> 00:03:45,312 TWO THEORIES ABOUT THE UNSUB. 82 00:03:45,355 --> 00:03:46,835 ONE IS THAT HE KNEW THEY WERE PLANNING THIS. 83 00:03:46,878 --> 00:03:48,793 WHICH PUTS HIM IN THE GIRLS' INNER CIRCLE. 84 00:03:48,837 --> 00:03:52,101 EXACTLY. OR TWO, HE WAITED IN THE WOODS OPPORTUNISTICALLY. 85 00:03:52,144 --> 00:03:54,712 BUT THAT STRATEGY ONLY WORKS IF HE PLAYS THE ODDS RIGHT. 86 00:03:54,756 --> 00:03:57,106 SO HOW FAR REACHING IS THIS GHOST STORY? 87 00:03:57,149 --> 00:03:58,281 MAYBE I CAN ANSWER THAT. 88 00:03:58,325 --> 00:03:59,761 THE STORY JJ GREW UP WITH, 89 00:03:59,804 --> 00:04:03,634 IT'S GONNA VIRAL, AND THE PHOTOSHOP WORK IS ON FLEEK. 90 00:04:03,678 --> 00:04:07,508 TALL MAN IS A STORY. WHAT HAPPENED TO THESE GIRLS IS REAL. 91 00:04:07,551 --> 00:04:10,467 THE FIRST 24 HOURS ARE CRUCIAL IN AN ABDUCTION CASE, 92 00:04:10,511 --> 00:04:13,165 AND WE ARE NOT DOWN TO 18. LET'S MOVE. 93 00:04:22,087 --> 00:04:23,263 GIRL: WHAT ARE YOU DOING? 94 00:04:23,306 --> 00:04:24,568 NOTHING. 95 00:04:24,612 --> 00:04:26,048 DON'T SAY "NOTHING." MY NECKLACE IS MISSING. 96 00:04:26,091 --> 00:04:27,441 YOU STOLE IT AGAIN, DIDN'T YOU? 97 00:04:27,484 --> 00:04:29,094 HOW MANY TIMES DO I HAVE TO SAY STAY OUT OF MY ROOM? 98 00:04:40,018 --> 00:04:41,890 WHY DO YOU EVEN LIKE THIS SO MUCH? 99 00:04:45,894 --> 00:04:48,679 BECAUSE IT'S YOURS. 100 00:04:53,902 --> 00:04:55,469 THEN I WANT YOU TO HAVE IT. 101 00:04:55,512 --> 00:04:57,514 REALLY? 102 00:04:57,558 --> 00:04:58,646 YEAH. 103 00:04:58,689 --> 00:05:00,735 ARE YOU SURE? 104 00:05:00,778 --> 00:05:02,693 I'M SURE. 105 00:05:06,741 --> 00:05:08,351 BECAUSE NO MATTER WHAT HAPPENS, 106 00:05:08,395 --> 00:05:10,048 I'LL ALWAYS LOVE YOU, JJ. 107 00:05:12,355 --> 00:05:13,617 PRENTISS: JJ? 108 00:05:15,750 --> 00:05:16,925 WHEELS UP. 109 00:05:16,968 --> 00:05:19,275 WHEELS UP. 110 00:05:26,761 --> 00:05:28,893 GOOD MORNING, ALLY. 111 00:05:28,937 --> 00:05:30,330 MY NAME IS BRENDA, AND I'M YOUR NURSE 112 00:05:30,373 --> 00:05:31,853 FOR THE NEXT 12 HOURS. 113 00:05:31,896 --> 00:05:33,637 THE POLICE HAVE ASKED THAT I SCRAPE 114 00:05:33,681 --> 00:05:35,552 UNDER YOUR FINGERNAILS FOR EVIDENCE. 115 00:05:35,596 --> 00:05:37,467 THIS WON'T HURT AT ALL. 116 00:05:37,511 --> 00:05:38,816 YOU'LL BARELY EVEN NOTICE 117 00:05:38,860 --> 00:05:40,514 THAT I'M DOING ANYTHING. 118 00:05:40,557 --> 00:05:41,819 ARE YOU OK WITH THAT? 119 00:05:47,521 --> 00:05:48,826 GIRL: HE'S COMING. ALLY HIDE. 120 00:05:48,870 --> 00:05:50,611 SECOND GIRL: SOMEONE IS COMING! 121 00:05:50,654 --> 00:05:52,700 NO. 122 00:06:03,406 --> 00:06:06,148 NO! NO, NO, NO. 123 00:06:16,419 --> 00:06:17,768 AAH! 124 00:06:18,900 --> 00:06:21,032 AAH! 125 00:06:21,076 --> 00:06:22,207 AAH! 126 00:06:22,251 --> 00:06:23,426 GET AWAY FROM ME! 127 00:06:23,470 --> 00:06:25,515 GET AWAY FROM ME! 128 00:06:52,324 --> 00:06:55,676 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 129 00:07:01,377 --> 00:07:03,248 JJ: "THE MOST IMPORTANT QUESTION ANYONE CAN ASK IS 130 00:07:03,292 --> 00:07:05,120 WHAT MYTH AM I LIVING?" 131 00:07:05,163 --> 00:07:08,732 CARL JUNG. 132 00:07:08,776 --> 00:07:11,779 I'D LIKE TO DIRECT YOUR ATTENTION TO TWO ODDITIES. 133 00:07:11,822 --> 00:07:14,608 ODDITY NUMBER ONE IS ALLY MACREADY'S MEDICAL EXAM. 134 00:07:14,651 --> 00:07:15,609 GIVE US THE HEADLINE. 135 00:07:15,652 --> 00:07:17,045 DESPITE OUTWARD APPEARANCES, 136 00:07:17,088 --> 00:07:19,656 ALLY HAD A SUM TOTAL OF ZERO WOUNDS ON HER. 137 00:07:19,700 --> 00:07:21,832 SO WHOSE BLOOD IS ON YOUR CLOTHES, YOU ASK? 138 00:07:21,876 --> 00:07:23,747 DNA REPORT IS NOT BACK YET, 139 00:07:23,791 --> 00:07:26,010 BUT TYPING AND MATCHING POINTS TO THE OTHER GIRLS. 140 00:07:26,054 --> 00:07:28,099 SHE COULD HAVE ESCAPED BEFORE THE UNSUB GOT TO HER. 141 00:07:28,143 --> 00:07:30,101 HOLDING 3 GIRLS TAKES A LOT OF CONTROL. 142 00:07:30,145 --> 00:07:31,233 WHAT'S ODDITY NUMBER TWO? 143 00:07:31,276 --> 00:07:32,800 THAT WOULD BE A TEXT EXCHANGE 144 00:07:32,843 --> 00:07:35,367 BETWEEN BETHANY AND CHELSEA. 145 00:07:35,411 --> 00:07:38,327 BETHANY SAYS TO CHELSEA, "WHAT IF WE DO IT IN THE WOODS TONIGHT?" 146 00:07:38,370 --> 00:07:42,113 TO WHICH CHELSEA RESPONDS, "WE'D HAVE TO DO IT FAST. 147 00:07:42,157 --> 00:07:44,072 ALLY CAN'T SEE US COMING." 148 00:07:44,115 --> 00:07:46,161 VAGUELY THREATENING. ALTHOUGH ALLY DIDN'T SAY 149 00:07:46,204 --> 00:07:47,641 ANYTHING LIKE THAT IN HER INTERVIEW. 150 00:07:47,684 --> 00:07:50,513 TWO OF THE GIRLS HAD SOME AGENDA BESIDES THE TALL MAN. 151 00:07:50,557 --> 00:07:53,124 WE NEED TO SEE IF IT PLAYED A PART IN THEIR DISAPPEARANCE. 152 00:07:53,168 --> 00:07:54,691 CHELSEA'S DAD, TOM, 153 00:07:54,735 --> 00:07:56,258 HE DATED MY SISTER IN HIGH SCHOOL, 154 00:07:56,301 --> 00:07:57,302 SO I CAN TALK TO HIM. 155 00:07:57,346 --> 00:07:58,608 PRENTISS: GOOD. DO THAT. 156 00:07:58,652 --> 00:08:00,392 WE WILL DIVIDE AND CONQUER WHEN WE LAND. 157 00:08:00,436 --> 00:08:04,396 WE WILL INVESTIGATE THIS AS IF BETHANY AND CHELSEA ARE STILL ALIVE, 158 00:08:04,440 --> 00:08:06,921 AND WE WILL NOT SLEEP UNTIL WE FIND THEM. 159 00:08:19,629 --> 00:08:22,240 ARE YOU WITH HIM? 160 00:08:22,284 --> 00:08:23,894 THE TALL MAN? 161 00:08:23,938 --> 00:08:28,159 NO, ALLY, WE TOLD YOU. WE'RE WITH THE FBI. 162 00:08:28,203 --> 00:08:30,858 WE'RE TRYING TO FIND BETHANY AND CHELSEA. 163 00:08:30,901 --> 00:08:33,208 AND YOU CAN HELP US BY LETTING US KNOW 164 00:08:33,251 --> 00:08:35,776 WHAT YOU REMEMBER ABOUT LAST NIGHT. 165 00:08:35,819 --> 00:08:39,519 START IN THE WOODS. WHAT DO YOU REMEMBER? 166 00:08:39,562 --> 00:08:41,085 ALLY: TALL MAN, TALL MAN. 167 00:08:41,129 --> 00:08:43,348 CHANTING. 168 00:08:43,392 --> 00:08:47,178 TALL MAN, TALL MAN, LONG-HAIRED TALL MAN. 169 00:08:47,222 --> 00:08:48,223 NEVER GONNA CATCH ME. 170 00:08:48,266 --> 00:08:49,137 CHELSEA: HEY, ALLY. 171 00:08:49,180 --> 00:08:50,225 WHAT? 172 00:08:50,268 --> 00:08:52,270 WAIT UP. 173 00:08:52,314 --> 00:08:55,317 WE, UH, WE NEED TO TALK. 174 00:08:55,360 --> 00:08:57,101 ABOUT WHAT? 175 00:08:57,145 --> 00:09:00,017 ABOUT YOU. 176 00:09:01,323 --> 00:09:04,935 I DON'T...I DON'T FEEL SO GOOD. 177 00:09:04,979 --> 00:09:07,634 WHAT--WHAT'S HAPPENING? 178 00:09:22,953 --> 00:09:26,304 ALLY: AND THEN HE PUT US TO SLEEP, 179 00:09:26,348 --> 00:09:28,306 BECAUSE HE CAN DO THAT. 180 00:09:28,350 --> 00:09:30,700 AND WHEN WE WOKE UP, 181 00:09:30,744 --> 00:09:32,746 WE WERE IN HIS DOMAIN. 182 00:09:32,789 --> 00:09:35,836 NO! NO! NO! 183 00:09:38,403 --> 00:09:40,667 WHERE IS IT? TELL ME. 184 00:09:40,710 --> 00:09:43,321 ALLY, RUN! 185 00:09:43,365 --> 00:09:44,801 AAH! 186 00:09:46,194 --> 00:09:48,196 WHAT DID HE MEAN, "WHERE IS IT?" 187 00:09:48,239 --> 00:09:50,415 WHERE'S CHELSEA'S DEEPEST, DARKEST SECRET. 188 00:09:50,459 --> 00:09:52,026 THAT'S WHAT HE ALWAYS WANTS, 189 00:09:52,069 --> 00:09:53,375 OUR SECRETS. 190 00:09:53,418 --> 00:09:55,769 DID HE ASK YOU FOR YOUR SECRETS? 191 00:09:55,812 --> 00:09:58,598 NO. 192 00:09:58,641 --> 00:10:02,297 HE JUST--HE PUT ME BACK TO SLEEP. 193 00:10:02,340 --> 00:10:04,734 AND WHEN I WOKE UP, I WAS IN THE WOODS. 194 00:10:04,778 --> 00:10:08,390 ARE YOU SURE YOU TWO AREN'T HIS MINIONS? 195 00:10:08,433 --> 00:10:11,045 WE PROMISE. 196 00:10:11,088 --> 00:10:12,655 BUT HOW COME YOU THINK WE ARE? 197 00:10:14,657 --> 00:10:16,485 BECAUSE YOU LOOK LIKE HIM. 198 00:10:18,618 --> 00:10:20,402 YOU DON'T HAVE FACES. 199 00:10:27,278 --> 00:10:29,150 ALLY HAS SCHIZOPHRENIA? 200 00:10:29,193 --> 00:10:30,281 EARLY ONSET. 201 00:10:30,325 --> 00:10:31,500 AND WE CONFIRMED IT WITH HER PARENTS. 202 00:10:31,543 --> 00:10:33,807 IT'S RARE IN TEENS, BUT IT CAN HAPPEN. 203 00:10:33,850 --> 00:10:36,244 THE TELLTALE SYMPTOM WAS HER FACE BLINDNESS. 204 00:10:36,287 --> 00:10:38,507 SCHIZOPHRENICS HAVE EXTREME VISUAL PROCESSING PROBLEMS, 205 00:10:38,550 --> 00:10:40,378 MOST OBVIOUSLY IN MEETING NEW PEOPLE 206 00:10:40,422 --> 00:10:41,945 OR EXPERIENCING NEW ENVIRONMENTS. 207 00:10:41,989 --> 00:10:43,947 ALVEZ: HER PARENTS WERE TRYING TO KEEP HER OFF MEDICATION. 208 00:10:43,991 --> 00:10:46,036 THAT'S WHY THE COPS AND GARCIA DIDN'T FLAG IT. 209 00:10:46,080 --> 00:10:47,342 BESIDES THE PARENTS, WHO ELSE KNEW? 210 00:10:47,385 --> 00:10:49,300 JUST BETHANY AND CHELSEA. WHY? 211 00:10:49,344 --> 00:10:50,475 LOT OF HOLES IN HER STORY. 212 00:10:50,519 --> 00:10:51,999 WELL, WE NOTICED THAT, TOO. 213 00:10:52,042 --> 00:10:54,392 SHE WASN'T BOUND, BUT THE OTHER TWO WERE. 214 00:10:54,436 --> 00:10:55,611 SHE COULD HAVE ESCAPED, 215 00:10:55,655 --> 00:10:58,048 INSTEAD SHE MAGICALLY WOKE UP IN THE FOREST. 216 00:10:58,092 --> 00:10:59,441 COVERED IN HER FRIENDS' BLOOD. 217 00:10:59,484 --> 00:11:01,269 MOST SCHIZOPHRENICS ARE NOT VIOLENT, 218 00:11:01,312 --> 00:11:03,401 BUT THEY CAN BE PUSHED TO VIOLENCE IF THEY'RE THREATENED. 219 00:11:03,445 --> 00:11:05,621 MAYBE SHE DID THIS, BUT IN HER MIND, 220 00:11:05,665 --> 00:11:06,970 IT WAS THE TALL MAN. 221 00:11:07,014 --> 00:11:08,580 AND THAT BRINGS US BACK TO BETHANY 222 00:11:08,624 --> 00:11:10,844 AND CHELSEA'S TEXTS ABOUT ALLY, 223 00:11:10,887 --> 00:11:13,542 AND IF THEIR AGENDA WAS UPSETTING ENOUGH TO INDUCE A BREAK. 224 00:11:13,585 --> 00:11:15,196 JJ'S WITH CHELSEA'S DAD NOW. 225 00:11:15,239 --> 00:11:17,764 MAYBE SHE CAN FIND OUT WHAT THEY NEEDED TO TALK ABOUT. 226 00:11:17,807 --> 00:11:20,027 MY DAUGHTER AND HER BEST FRIEND ARE MISSING 227 00:11:20,070 --> 00:11:22,029 AND YOU'RE ASKING ABOUT THEIR TEXTS? 228 00:11:22,072 --> 00:11:24,292 GOD, JJ, IS THAT REALLY WHAT'S IMPORTANT? 229 00:11:27,469 --> 00:11:28,775 I'M SORRY. 230 00:11:28,818 --> 00:11:30,646 IT'S OK. 231 00:11:30,690 --> 00:11:33,344 IT'S THE WORST DAY OF MY LIFE. 232 00:11:33,388 --> 00:11:35,303 AND THEN ROSLYN JAREAU'S 233 00:11:35,346 --> 00:11:38,654 LITTLE SISTER SHOWS UP TO ASK ME ABOUT IT. 234 00:11:38,698 --> 00:11:42,963 I USUALLY DON'T SEE PEOPLE ON THEIR BEST DAY. 235 00:11:43,006 --> 00:11:46,575 THAT'S WHY IT'S IMPORTANT TO LOOK INTO EVERY LEAD. 236 00:11:46,618 --> 00:11:48,925 OK? 237 00:11:48,969 --> 00:11:51,493 SO THESE TEXTS BETWEEN BETHANY AND CHELSEA 238 00:11:51,536 --> 00:11:53,103 DIDN'T SOUND TOO FRIENDLY. 239 00:11:53,147 --> 00:11:55,323 ALLY'S GETTING WORSE-- 240 00:11:55,366 --> 00:11:57,891 SINGING, TALKING TO HERSELF. 241 00:11:57,934 --> 00:11:59,762 SO LAST NIGHT THEY WERE GOING TO TRY 242 00:11:59,806 --> 00:12:01,895 TO TALK ALLY INTO GETTING SOME HELP. 243 00:12:01,938 --> 00:12:06,160 WHY IN THE WOODS? I MEAN, THERE ARE AT LEAST A HUNDRED BETTER PLACES 244 00:12:06,203 --> 00:12:07,378 TO HAVE THAT CONVERSATION. 245 00:12:07,422 --> 00:12:09,511 I DON'T KNOW. 246 00:12:09,554 --> 00:12:11,382 I REALLY DON'T. 247 00:12:15,604 --> 00:12:17,388 WHAT ARE YOU DOING HERE? 248 00:12:20,478 --> 00:12:21,958 WHAT DO YOU MEAN? 249 00:12:23,220 --> 00:12:26,006 I MEAN, I REMEMBER YOUR SISTER'S FUNERAL 250 00:12:26,049 --> 00:12:27,921 LIKE IT WAS YESTERDAY. 251 00:12:29,749 --> 00:12:32,316 I COULD BARELY KEEP IT TOGETHER. 252 00:12:33,317 --> 00:12:37,582 BUT YOU--YOU LIVE IN THIS WORLD NOW. 253 00:12:41,717 --> 00:12:43,806 I DO. 254 00:12:43,850 --> 00:12:47,462 I GUESS I DO LIVE IN THIS WORLD NOW. 255 00:12:47,505 --> 00:12:49,464 BUT YOU KNOW WHAT? 256 00:12:49,507 --> 00:12:51,640 I ALSO GET TO MAKE A DIFFERENCE IN IT. 257 00:12:53,990 --> 00:12:57,559 THEN TELL ME I WON'T HAVE TO BURY MY DAUGHTER. 258 00:13:03,086 --> 00:13:04,566 BETHANY: CHELSEA. 259 00:13:04,609 --> 00:13:06,437 YEAH? 260 00:13:06,481 --> 00:13:08,831 HOW BAD ARE YOU? 261 00:13:08,875 --> 00:13:11,007 BAD. 262 00:13:11,051 --> 00:13:12,487 HE'S REAL. 263 00:13:12,530 --> 00:13:13,575 I CAN'T BELIEVE HE'S REAL, 264 00:13:13,618 --> 00:13:14,750 AND THIS IS HAPPENING TO US. 265 00:13:14,794 --> 00:13:16,360 STOP IT. STOP. 266 00:13:16,404 --> 00:13:17,971 THE TALL MAN IS NOT REAL. 267 00:13:18,014 --> 00:13:19,537 THIS IS JUST SOME FREAK WHO GETS HIS KICKS 268 00:13:19,581 --> 00:13:20,843 OUT OF FLICKING US WITH A RAZOR. 269 00:13:20,887 --> 00:13:22,149 WHAT DOES HE WANT? 270 00:13:22,192 --> 00:13:23,454 I DON'T KNOW. 271 00:13:23,498 --> 00:13:25,456 OH, MY GOD, HE'S COMING. 272 00:13:25,500 --> 00:13:27,632 HE'S COMING BACK. 273 00:13:40,515 --> 00:13:41,995 NO. 274 00:13:44,084 --> 00:13:46,390 WHERE IS IT? 275 00:13:46,434 --> 00:13:49,219 STOP. 276 00:13:49,263 --> 00:13:51,091 I DON'T KNOW. 277 00:13:58,228 --> 00:13:59,708 GO AHEAD, GARCIA. 278 00:13:59,751 --> 00:14:00,840 GARCIA: THE POLICE RECOVERED ALL 3 GIRLS' PHONES 279 00:14:00,883 --> 00:14:02,102 IN THE WOODS. 280 00:14:02,145 --> 00:14:03,930 AND YOU KNOW HOW TEENS AND MYSELF 281 00:14:03,973 --> 00:14:05,627 SPEND WAY TOO MUCH TIME ON OUR SCREENS? 282 00:14:05,670 --> 00:14:07,194 WELL, THE BREAKDOWN ON THE LAB REPORT 283 00:14:07,237 --> 00:14:09,849 FROM THE GIRLS' CELL PHONES SUGGESTS A SUREFIRE WAY 284 00:14:09,892 --> 00:14:11,067 TO GET US ALL TO STOP. 285 00:14:11,111 --> 00:14:14,941 PLEASE LOOK AT THAT REPORT ON YOUR TABLETS. 286 00:14:17,378 --> 00:14:19,293 FENTANYL AS IN THE OPIOID DERIVATIVE? 287 00:14:19,336 --> 00:14:21,991 YEAH, TRACE ELEMENTS WERE FOUND ON ALL 3 SCREENS. 288 00:14:22,035 --> 00:14:24,776 NOW, THE MEDICAL PATCH IT COMES IN KNOCKS YOU OUT INSTANTANEOUSLY. 289 00:14:24,820 --> 00:14:26,604 WAIT, HOLD UP. FULL STOP. 290 00:14:26,648 --> 00:14:28,302 LET'S RETRACE THE GIRLS' TIMELINE. 291 00:14:28,345 --> 00:14:29,651 THEY WENT TO A PARTY, 292 00:14:29,694 --> 00:14:32,088 THEN SOMEHOW THE UNSUB MANAGES 293 00:14:32,132 --> 00:14:36,440 TO GET HIS HANDS ON ALL 3 OF THE GIRLS' PHONES TO LACE THEM? 294 00:14:36,484 --> 00:14:37,920 HE COULD HAVE BEEN AT THE PARTY. 295 00:14:37,964 --> 00:14:39,617 BUT THEN HE'D HAVE TO TIME THAT OUT 296 00:14:39,661 --> 00:14:40,749 WITH WHEN THEY WENT INTO THE WOODS. 297 00:14:40,792 --> 00:14:42,359 NO ONE'S THAT GOOD. 298 00:14:42,403 --> 00:14:44,535 FACTOR THIS IN NOW. 299 00:14:44,579 --> 00:14:46,450 YOU'RE A TEENAGE GIRL. 300 00:14:46,494 --> 00:14:48,800 YOU KEEP YOUR CELL PHONE ON YOU AT ALL TIMES. 301 00:14:48,844 --> 00:14:51,760 WHO WOULD YOU MAYBE HAND IT OVER TO? 302 00:14:51,803 --> 00:14:52,892 YOUR BEST FRIEND. 303 00:14:52,935 --> 00:14:53,980 UH-HUH. 304 00:14:54,023 --> 00:14:55,895 I'M STARTING TO THINK BETHANY OR CHELSEA 305 00:14:55,938 --> 00:14:57,374 MIGHT BE PULLING THE STRINGS HERE. 306 00:14:57,418 --> 00:14:58,810 WHOA, SLOW DOWN. 307 00:14:58,854 --> 00:15:01,030 ALL 3 GIRLS' PHONES WERE DRUGGED, 308 00:15:01,074 --> 00:15:02,727 AND ALLY HAD THE OTHER GIRLS' BLOOD ON HER. 309 00:15:02,771 --> 00:15:05,513 I'M WITH ROSSI. IF ONE OF THE GIRLS WAS STAGING THIS, 310 00:15:05,556 --> 00:15:06,688 SHE WOULD HAVE HAD TO HAVE KNOCKED HERSELF OUT 311 00:15:06,731 --> 00:15:08,603 AND LET HERSELF GET CUT. 312 00:15:08,646 --> 00:15:09,996 THAT'S ONE HELL OF A GASLIGHT. 313 00:15:10,039 --> 00:15:12,563 BUT NOT AN IMPOSSIBLE ONE, ESPECIALLY WITH A PARTNER. 314 00:15:15,653 --> 00:15:17,742 WELL, IF THAT'S TRUE, I THINK WE'RE MISSING THE BIGGER PICTURE HERE. 315 00:15:17,786 --> 00:15:19,222 CHELSEA AND BETHANY ARE BEST FRIENDS. 316 00:15:19,266 --> 00:15:21,746 WHY WOULD ONE RECRUIT A PARTNER TO TERRORIZE THE OTHER? 317 00:15:21,790 --> 00:15:25,707 OK, IT HAS SOMETHING TO DO WITH THIS. 318 00:15:25,750 --> 00:15:28,753 "WHERE IS IT?" THAT'S WHAT ALLY HEARD. 319 00:15:28,797 --> 00:15:30,973 SO THEY'RE LOOKING FOR SOMETHING THEY LOST, 320 00:15:31,017 --> 00:15:33,758 SOMETHING THEY THINK THE OTHER GIRL CAN FIND. 321 00:15:33,802 --> 00:15:35,847 I THINK WE NEED TO TAKE ANOTHER LOOK AT THEIR HIGH SCHOOL, 322 00:15:35,891 --> 00:15:37,066 SEE WHAT WE CAN FIND. 323 00:15:37,110 --> 00:15:39,155 I KNOW A GUY OVER THERE THAT COULD HELP US. 324 00:15:39,199 --> 00:15:41,462 GREAT. 325 00:15:46,423 --> 00:15:47,990 MAN: JENNIFER JAREAU. 326 00:15:48,034 --> 00:15:49,905 IS THAT YOU? 327 00:15:49,949 --> 00:15:51,907 WELL, HOW ARE YOU, MR. HOWARD? 328 00:15:51,951 --> 00:15:53,126 I'M GOOD. I'M GOOD. 329 00:15:53,169 --> 00:15:54,997 LISTEN, YOU GRADUATED, YOU CAN CALL ME ETHAN. 330 00:15:55,041 --> 00:15:57,086 I HEARD YOU GOT PROMOTED. 331 00:15:57,130 --> 00:15:59,654 CAN'T BELIEVE YOU'RE NOT THE GUIDANCE COUNSELOR ANYMORE. 332 00:15:59,697 --> 00:16:01,134 OH, I'M STILL THE GUIDANCE COUNSELOR. 333 00:16:01,177 --> 00:16:02,962 YEAH, I'M ALSO THE A.P. ENGLISH TEACHER, 334 00:16:03,005 --> 00:16:05,965 AND SOME KINDS ACTUALLY THINK I'M PRINCIPAL. 335 00:16:06,008 --> 00:16:07,227 SO DID YOU GET MY MESSAGE? 336 00:16:07,270 --> 00:16:09,011 I DID. AND I PULLED ALL THE KIDS 337 00:16:09,055 --> 00:16:10,752 THAT BETHANY AND CHELSEA WERE LINKED IN WITH. 338 00:16:10,795 --> 00:16:11,753 GREAT. 339 00:16:11,796 --> 00:16:13,711 THIS WAY. 340 00:16:17,846 --> 00:16:19,152 THERE'S NOT MUCH I CAN TELL YOU. 341 00:16:19,195 --> 00:16:21,981 BETHANY AND CHELSEA, THEY LOVED EACH OTHER. 342 00:16:22,024 --> 00:16:24,070 THEY WERE MORE LIKE SISTERS THAN FRIENDS. 343 00:16:24,113 --> 00:16:25,985 WELL, SISTERS FIGHT. 344 00:16:26,028 --> 00:16:27,638 DID THEY GET ON EACH OTHER'S NERVES? 345 00:16:27,682 --> 00:16:30,641 THEY EVER HAVE ANY KIND OF DISAGREEMENT? 346 00:16:30,685 --> 00:16:33,383 I MEAN, THIS IS LIKE TOTALLY A RUMOR, 347 00:16:33,427 --> 00:16:36,169 BUT BETHANY HAD THIS SECRET BOYFRIEND. 348 00:16:36,212 --> 00:16:38,258 SHE WOULDN'T TELL ANYONE WHO HE WAS. 349 00:16:38,301 --> 00:16:40,869 AND CHELSEA MADE FUN OF HER FOR IT, 350 00:16:40,912 --> 00:16:42,740 ABOUT BETHANY KEEPING IT A SECRET. 351 00:16:42,784 --> 00:16:45,265 AND BETHANY WAS LIKE, "WHY CAN'T YOU UNDERSTAND?" 352 00:16:45,308 --> 00:16:46,875 ROSLYN: YOU DON'T UNDERSTAND THAT WE'RE IN LOVE. 353 00:16:46,918 --> 00:16:48,094 HE LOVES ME. 354 00:16:48,137 --> 00:16:49,834 MAN: ROSLYN, YOU AND TOM ARE IN HIGH SCHOOL. 355 00:16:49,878 --> 00:16:51,010 YOU DON'T KNOW WHAT LOVE IS. 356 00:16:51,053 --> 00:16:52,272 YOU DON'T GET IT. 357 00:16:52,315 --> 00:16:55,275 GIRL: DO YOU KNOW THAT FEELING? 358 00:16:55,318 --> 00:16:57,059 YEAH. YEAH, I KNOW THAT FEELING. 359 00:16:57,103 --> 00:16:58,887 COULD YOU TELL ME MORE ABOUT THIS BOYFRIEND? 360 00:16:58,930 --> 00:17:00,802 WE MIGHT NEED TO TALK TO HIM. 361 00:17:00,845 --> 00:17:03,283 ALL I CAN TELL YOU, HE GAVE BETHANY A GIFT. 362 00:17:03,326 --> 00:17:05,241 JEWELRY, I THINK. 363 00:17:05,285 --> 00:17:07,330 CHELSEA GOT HER HANDS ON IT SOMEHOW, 364 00:17:07,374 --> 00:17:10,638 AND SHE MADE IT HER MISSION TO FIND OUT WHO BETHANY GOT IT FROM. 365 00:17:10,681 --> 00:17:12,161 AND DID SHE? 366 00:17:12,205 --> 00:17:14,990 SHE TRIED. 367 00:17:15,034 --> 00:17:16,948 SHE NEVER GOT THERE. 368 00:17:21,214 --> 00:17:23,433 OK, SO LET'S ROLL WITH THIS FOR A SECOND. 369 00:17:23,477 --> 00:17:25,479 BETHANY HAS A SECRET BOYFRIEND. 370 00:17:25,522 --> 00:17:27,089 HE DOESN'T WANT TO BE EXPOSED, 371 00:17:27,133 --> 00:17:28,395 NEITHER DOES SHE. 372 00:17:28,438 --> 00:17:30,397 BUT THEN CHELSEA GETS HER HANDS ON SOMETHING 373 00:17:30,440 --> 00:17:32,007 NEITHER ONE WANTS HER TO HAVE. 374 00:17:32,051 --> 00:17:33,704 RIGHT. 375 00:17:33,748 --> 00:17:35,054 SO THE JEWELRY 376 00:17:35,097 --> 00:17:37,230 HAS TO BE THE KEY TO ALL OF IT. 377 00:17:37,273 --> 00:17:40,537 WHAT MOTIVATES THEM TO THIS EXTREME? 378 00:17:43,975 --> 00:17:45,325 PRENTISS: JJ? 379 00:17:47,240 --> 00:17:49,024 YOU WANT TO TALK ABOUT IT? 380 00:17:53,028 --> 00:17:55,248 LOOK, EVER SINCE WE TOOK THIS CASE, 381 00:17:55,291 --> 00:17:57,032 ALL OF THESE... 382 00:17:57,076 --> 00:18:01,254 MEMORIES ARE COMING BACK, 383 00:18:01,297 --> 00:18:03,647 AND THEY ARE NOT GOOD MEMORIES. 384 00:18:03,691 --> 00:18:05,475 YOU KNOW? 385 00:18:05,519 --> 00:18:08,174 ABOUT ROSLYN? 386 00:18:08,217 --> 00:18:10,915 YEAH. 387 00:18:10,959 --> 00:18:15,006 LIKE THAT MORNING SHE TOOK MY FATHER'S RAZOR. 388 00:18:20,969 --> 00:18:22,666 I FOUND HER. 389 00:18:25,843 --> 00:18:30,021 AND I JUST STOOD THERE... 390 00:18:30,065 --> 00:18:32,328 FROZEN... 391 00:18:34,678 --> 00:18:36,637 FOR PROBABLY 10 MINUTES. 392 00:18:40,641 --> 00:18:43,687 IT'S LIKE BRAIN COULDN'T, UM, COMPREHEND 393 00:18:43,731 --> 00:18:45,907 WHAT I WAS SEEING. 394 00:18:45,950 --> 00:18:48,127 YOU KNOW, SOMETIMES I THINK-- 395 00:18:48,170 --> 00:18:50,520 I THINK THAT'S WHY I TOOK THIS JOB, 396 00:18:50,564 --> 00:18:52,609 SO I'D ALWAYS KNOW WHAT TO DO, 397 00:18:52,653 --> 00:18:55,351 SO I WOULD NEVER FREEZE AGAIN. 398 00:18:59,312 --> 00:19:03,098 SO CAN YOU--CAN YOU GIVE ME SOMETHING TO DO, EMILY? 399 00:19:03,142 --> 00:19:05,492 BECAUSE I AM STARTING TO FREEZE UP AGAIN. 400 00:19:06,754 --> 00:19:10,192 OK. UM, ALL RIGHT, HOW ABOUT THIS? 401 00:19:10,236 --> 00:19:12,368 LUKE AND TARA ARE GOING BACK ALLY. 402 00:19:12,412 --> 00:19:15,632 THEY ARE GOING TO USE THE EMDR TECHNIQUE ON HER. 403 00:19:15,676 --> 00:19:18,026 IT'S SUPPOSED TO BE ESPECIALLY EFFECTIVE 404 00:19:18,069 --> 00:19:19,810 WITH SCHIZOPHRENICS. 405 00:19:21,551 --> 00:19:24,032 LEWIS: THIS PROCESS IS CALLED EYE MOVEMENT 406 00:19:24,075 --> 00:19:26,469 DESENSITIZATION AND RECONDITIONING. 407 00:19:26,513 --> 00:19:30,169 AND ALL YOU HAVE TO DO IS FOCUS ON THE MOVEMENT OF THE METRONOME 408 00:19:30,212 --> 00:19:32,040 AND THE SOUND OF OUR VOICES. 409 00:19:34,173 --> 00:19:36,262 ALVEZ: OK, LET'S GO BACK TO THE LAST THING YOU REMEMBER 410 00:19:36,305 --> 00:19:37,959 IN HIS LAIR. 411 00:19:38,002 --> 00:19:39,656 I DON'T WANT TO. 412 00:19:39,700 --> 00:19:41,832 NOTHING BAD IS GOING TO HAPPEN TO YOU, ALLY. 413 00:19:41,876 --> 00:19:44,835 YOU'RE SAFE. OK? 414 00:19:48,056 --> 00:19:50,232 AAH! 415 00:19:50,276 --> 00:19:54,976 WHERE IS IT? 416 00:19:55,019 --> 00:19:56,891 ALLY: HE'S HERE. 417 00:19:56,934 --> 00:20:00,764 HE'S HERE. HE'S HERE. 418 00:20:00,808 --> 00:20:03,985 LEWIS: ALLY, OPEN YOUR EYES AND FOCUS ON THE METRONOME. 419 00:20:09,338 --> 00:20:12,254 LEWIS: NOW HELP US FIND YOUR FRIENDS. 420 00:20:12,298 --> 00:20:15,431 DESCRIBE THE ROOM. 421 00:20:15,475 --> 00:20:18,565 ALLY: THERE'S THE DOOR THAT HE CAME THROUGH. 422 00:20:18,608 --> 00:20:22,133 IT'S LIKE I'M IN A TUNNEL OR SOMETHING. 423 00:20:25,311 --> 00:20:28,575 THERE'S WINDOWS ALONG THE WALLS, 424 00:20:28,618 --> 00:20:32,143 BUT THEY'RE COVERED IN THIS WEIRD CLOTH. 425 00:20:32,187 --> 00:20:35,364 ALLY, WHAT'S ON THE CEILING? 426 00:20:41,240 --> 00:20:42,937 STARS. 427 00:20:42,980 --> 00:20:45,244 BUT THEY'RE PINK. 428 00:20:46,419 --> 00:20:47,594 I KNOW WHERE THEY ARE. 429 00:20:47,637 --> 00:20:50,249 IT'S A TRAIN CAR. IT'S ABANDONED. 430 00:20:50,292 --> 00:20:52,729 WE USED TO HAVE PARTIES THERE BACK WHEN I WAS IN HIGH SCHOOL. 431 00:20:52,773 --> 00:20:54,688 SOMEBODY PUT PINK STARS UP ON THE CEILING. 432 00:20:54,731 --> 00:20:57,473 OK, SO IT'S RIGHT HERE IF IT HASN'T MOVED. 433 00:20:57,517 --> 00:20:58,648 PRENTISS: OK, YOU'LL LEAD SWAT. 434 00:20:58,692 --> 00:20:59,780 TELL THEM TO WATCH THEIR FRONT SIGHT. 435 00:20:59,823 --> 00:21:01,129 THERE ARE TEENAGERS IN THERE. 436 00:21:04,088 --> 00:21:06,047 BETHANY? 437 00:21:06,090 --> 00:21:08,179 BETHANY: HMM 438 00:21:10,094 --> 00:21:13,097 I DON'T KNOW IF WE'RE GONNA MAKE IT OUT OF HERE ALIVE. 439 00:21:13,141 --> 00:21:15,361 IF HE KILLS ME, I NEED TO TELL YOU SOMETHING. 440 00:21:17,232 --> 00:21:19,626 I LIED. 441 00:21:19,669 --> 00:21:21,976 I DO KNOW WHAT HE WANTS. 442 00:21:22,019 --> 00:21:24,718 WHAT IS IT? 443 00:21:24,761 --> 00:21:27,155 PROMISE YOU WON'T GET MAD AT ME, OK? 444 00:21:27,198 --> 00:21:28,461 I PROMISE. 445 00:21:28,504 --> 00:21:30,289 YOU'RE MY BEST FRIEND, 446 00:21:30,332 --> 00:21:33,640 AND WE'RE GONNA GET THROUGH THIS TOGETHER, OK? 447 00:21:33,683 --> 00:21:35,946 JUST TELL ME. 448 00:21:40,342 --> 00:21:43,650 THAT'S WHY I HID IT, BECAUSE I JUST WANTED 449 00:21:43,693 --> 00:21:45,173 TO KNOW WHO HE WAS. 450 00:21:45,216 --> 00:21:48,045 BUT HE KEEPS ON ASKING, "WHERE IS IT?" 451 00:21:48,089 --> 00:21:51,135 AND THAT'S THE ONLY THING I CAN THINK OF. 452 00:21:51,179 --> 00:21:53,355 THAT'S THE ONLY THING. 453 00:21:57,925 --> 00:21:59,143 HUH. 454 00:21:59,187 --> 00:22:00,928 WHAT ARE YOU-- 455 00:22:11,155 --> 00:22:13,332 YOU SET THIS UP? 456 00:22:13,375 --> 00:22:15,290 YOU'RE WITH HIM? 457 00:22:15,334 --> 00:22:17,205 OF COURSE I'M WITH HIM. 458 00:22:17,248 --> 00:22:20,339 I LOVE HIM. 459 00:22:34,440 --> 00:22:36,311 CHELSEA? 460 00:22:36,355 --> 00:22:38,444 CHELSEA, HEY. CAN YOU HEAR ME? 461 00:22:38,487 --> 00:22:41,490 MEDICAL. 462 00:22:41,534 --> 00:22:45,059 HYPOVOLEMIC SHOCK, MASSIVE INJURY TO THE STOMACH. 463 00:22:45,102 --> 00:22:48,584 JJ, THIS IS A HIGHWAYMAN'S HITCH KNOT. 464 00:22:48,628 --> 00:22:49,977 IT SELF RELEASES. 465 00:22:50,020 --> 00:22:52,501 BETHANY COULD HAVE ESCAPED ANY TIME SHE WANTED. 466 00:22:57,376 --> 00:22:58,638 IS SHE AWAKE? 467 00:22:58,681 --> 00:22:59,900 YEAH. 468 00:22:59,943 --> 00:23:01,989 IT WAS BETHANY, WASN'T IT? 469 00:23:03,643 --> 00:23:06,254 OK, WHO'S THE BOYFRIEND? 470 00:23:06,297 --> 00:23:07,647 DO YOU KNOW WHERE THEY'RE HEADED TO? 471 00:23:07,690 --> 00:23:09,257 WHERE ARE THEY GOING-- 472 00:23:11,085 --> 00:23:13,435 WHAT? 473 00:23:13,479 --> 00:23:15,002 THIS? 474 00:23:16,220 --> 00:23:18,309 GET HER INTO SURGERY. 475 00:23:30,409 --> 00:23:33,020 JJ. 476 00:23:33,063 --> 00:23:35,283 THEY HAD TO INDUCE A COMA. 477 00:23:35,326 --> 00:23:37,198 AND WE MISJUDGED. 478 00:23:37,241 --> 00:23:40,636 THE BOYFRIEND, WE THOUGHT HE WAS A TEENAGER, A PEER, 479 00:23:40,680 --> 00:23:43,900 WELL, HE'S OLDER, MUCH OLDER. 480 00:23:43,944 --> 00:23:45,206 HOW DO YOU KNOW? 481 00:23:45,249 --> 00:23:48,383 CHELSEA SAW THIS AROUND MY NECK. 482 00:23:48,427 --> 00:23:52,431 THE LOOK IN HER EYES WAS RECOGNITION. 483 00:23:52,474 --> 00:23:55,216 THE JEWELRY THE UNSUB GAVE BETHANY. 484 00:23:55,259 --> 00:23:56,913 SAME ONE. 485 00:23:56,957 --> 00:24:02,484 HE GAVE THIS TO ROSLYN WHO GAVE IT TO ME. 486 00:24:02,528 --> 00:24:06,227 GOD ONLY KNOWS HOW MANY OTHER GIRLS THERE'S BEEN SINCE THEN. 487 00:24:07,358 --> 00:24:09,230 I HAVE BEEN WEARING THIS AROUND MY NECK, 488 00:24:09,273 --> 00:24:11,362 HIS TROPHY, THIS WHOLE TIME. 489 00:24:11,406 --> 00:24:13,234 JJ, WE WILL ARREST HIM. 490 00:24:13,277 --> 00:24:14,540 I KNOW. 491 00:24:14,583 --> 00:24:18,108 BUT WHEN WE DO, 492 00:24:18,152 --> 00:24:20,937 I'M GONNA NEED YOU TO KEEP ME AWAY FROM HIM, 493 00:24:20,981 --> 00:24:24,201 BECAUSE IF I GET A CHANCE, 494 00:24:24,245 --> 00:24:26,987 I SWEAR TO GOD I WILL KILL HIM. 495 00:24:34,211 --> 00:24:37,780 THIS IS MISLABELED. UNSUB'S OLDER, PREDATORY. 496 00:24:37,824 --> 00:24:39,869 YEAH. LET'S ADD IT ALL UP. 497 00:24:39,913 --> 00:24:42,742 THE UNSUB GIVES THE GIRLS HE GROOMS A NECKLACE. 498 00:24:42,785 --> 00:24:45,353 BUT CHELSEA STOLE BETHANY'S TO FIGURE OUT WHO HE IS. 499 00:24:45,396 --> 00:24:47,311 AND IT'S THE SMOKING GUN OF THEIR AFFAIR, 500 00:24:47,355 --> 00:24:49,531 DANGEROUS ENOUGH TO RUIN HIS LIFE IF DISCOVERED. 501 00:24:49,575 --> 00:24:52,273 SO HE AND BETHANY COME UP WITH A PLAN TO GET IT BACK. 502 00:24:52,316 --> 00:24:54,057 THIS GUY'S BEEN AT IT FOR A WHILE. 503 00:24:54,101 --> 00:24:56,103 SO WHO'S IN BETHANY'S LIFE 504 00:24:56,146 --> 00:24:58,366 WHO ALSO OVERLAPS WITH JJ'S SISTER? 505 00:24:58,409 --> 00:24:59,889 WELL, THERE'S ON OBVIOUS SUSPECT. 506 00:24:59,933 --> 00:25:01,282 IT'S TOM DAVIS. HE'S CHELSEA'S DAD, 507 00:25:01,325 --> 00:25:02,805 AND HE WAS ROSLYN'S OLD BOYFRIEND. 508 00:25:02,849 --> 00:25:04,198 MATT, LUKE, BRING HIM IN. 509 00:25:04,241 --> 00:25:06,417 HE HAS AN ALIBI. I WANT TO STRESS TEST IT. 510 00:25:08,811 --> 00:25:10,334 YOU THINK I DID THIS? 511 00:25:10,378 --> 00:25:12,293 MY DAUGHTER IS FIGHTING FOR HER LIFE IN THE HOSPITAL. 512 00:25:12,336 --> 00:25:14,861 THE GUY WE'RE LOOKING FOR HAS BEEN DOING THIS FOR A WHILE. 513 00:25:14,904 --> 00:25:16,558 ALL THE WAY BACK TO ROSLYN. 514 00:25:16,602 --> 00:25:18,995 JAREAU? 515 00:25:19,039 --> 00:25:21,520 WE DATED IN THE NINETIES. I WAS 18. 516 00:25:21,563 --> 00:25:23,130 SIMMONS: OK, SO HOW ABOUT THIS, 517 00:25:23,173 --> 00:25:25,001 HOW ABOUT YOU TELL US AGAIN WHERE YOU WERE... 518 00:25:25,045 --> 00:25:26,307 YOU OK WITH THIS? 519 00:25:26,350 --> 00:25:29,353 TOM: I WAS AT HOME BY MYSELF. 520 00:25:29,397 --> 00:25:31,355 YOU CAN CHECK MY CELL PHONE. IT'S GOT GPS ON IT. 521 00:25:31,399 --> 00:25:33,836 ALL THAT MEANS IS THAT YOUR PHONE STAYED HOME, 522 00:25:33,880 --> 00:25:35,577 NOT THAT YOU DID. 523 00:25:38,798 --> 00:25:40,408 HOW HE RESPONDS TO MY SISTER'S NECKLACE 524 00:25:40,451 --> 00:25:42,366 WILL TELL US EVERYTHING. 525 00:25:48,111 --> 00:25:50,418 JJ, THANK GOD. CAN YOU PLEASE EXPLAIN-- 526 00:25:50,461 --> 00:25:53,247 WE PULLED THIS OFF OF BETHANY. 527 00:25:53,290 --> 00:25:56,337 WHAT IS IT? 528 00:26:09,393 --> 00:26:10,873 IT'S NOT HIM. 529 00:26:10,917 --> 00:26:12,483 WE'RE HOLDING HIM ANYWAY. 530 00:26:12,527 --> 00:26:14,660 FINE, BUT IT'S NOT HIM. 531 00:26:19,403 --> 00:26:23,364 BETHANY: IT'S ME. I'M ON THE BURNER PHONE. 532 00:26:25,148 --> 00:26:27,281 I KNOW WHERE IT IS. 533 00:26:27,324 --> 00:26:29,370 IT'S AT THE SCHOOL. 534 00:26:29,413 --> 00:26:31,590 YEAH, I'M HERE NOW. 535 00:26:31,633 --> 00:26:34,331 I CAN GET IT, BUT... 536 00:26:34,375 --> 00:26:36,943 YOU PROMISE TO TAKE CARE OF ME? 537 00:26:36,986 --> 00:26:39,815 YOU PROMISE? 538 00:26:39,859 --> 00:26:41,730 I, UH, 539 00:26:41,774 --> 00:26:43,732 I HAD TO STAB CHELSEA. 540 00:26:43,776 --> 00:26:48,041 I THINK SHE-- I THINK SHE'S... 541 00:26:48,084 --> 00:26:51,218 YEAH, OK. I'LL SEE YOU SOON. 542 00:27:12,935 --> 00:27:15,416 EMILY SEND YOU IN HERE? 543 00:27:15,459 --> 00:27:17,244 NO. 544 00:27:17,287 --> 00:27:21,248 WELL, I MIGHT HAVE MENTIONED I WAS GONNA 545 00:27:21,291 --> 00:27:23,380 CHECK UP ON YOU. 546 00:27:26,383 --> 00:27:29,735 YOU KNOW, OF ALL THE PROFILERS I'VE WORKED WITH, 547 00:27:29,778 --> 00:27:31,693 YOU'VE GROWN THE MOST, 548 00:27:31,737 --> 00:27:36,132 FROM COMMUNICATIONS LIAISON TO MOTHER 549 00:27:36,176 --> 00:27:38,221 TO PROFILER. 550 00:27:38,265 --> 00:27:40,789 IT'S BEEN A PRIVILEGE TO WATCH. 551 00:27:42,748 --> 00:27:44,445 THANK YOU. 552 00:27:44,488 --> 00:27:46,752 OH, I'M NOT DONE. 553 00:27:46,795 --> 00:27:50,016 BECAUSE NOW YOU HAVE TO DO THE HARD WORK. 554 00:27:52,583 --> 00:27:55,108 IF THIS UNSUB WAS IN ROSLYN'S LIFE, 555 00:27:55,151 --> 00:27:58,372 HE WAS ALSO IN YOURS. 556 00:27:58,415 --> 00:28:01,331 AND YOU'RE GONNA HAVE TO DIG INTO YOUR MEMORIES 557 00:28:01,375 --> 00:28:03,159 TO FIND HIM. 558 00:28:11,124 --> 00:28:13,300 WILL YOU COME WITH ME? 559 00:28:19,001 --> 00:28:21,612 EVERY STEP OF THE WAY. 560 00:29:01,565 --> 00:29:06,440 YOU'RE 11. THAT'S A FUN AGE. 561 00:29:06,483 --> 00:29:08,137 YEAH. 562 00:29:08,181 --> 00:29:11,140 WHAT WAS GOING ON? 563 00:29:11,184 --> 00:29:14,230 MY PARENTS WEREN'T DOING WELL. 564 00:29:15,623 --> 00:29:18,452 THERE WAS A LOT OF FIGHTING. 565 00:29:18,495 --> 00:29:22,630 DID THAT CONTRIBUTE TO ROSLYN'S DEPRESSION? 566 00:29:22,673 --> 00:29:24,327 IT DID. 567 00:29:26,808 --> 00:29:29,202 BUT SHE'D ALWAYS MAKE TIME FOR ME. 568 00:29:33,859 --> 00:29:37,427 ROSSI: DID SHE EVER LET ON THAT SHE WAS HURTING? 569 00:29:37,471 --> 00:29:41,780 JJ: YEAH. IT GOT REALLY BAD RIGHT BEFORE SHE WAS GONE. 570 00:29:41,823 --> 00:29:43,564 IT'S DINNERTIME, MOM SAYS. 571 00:29:43,607 --> 00:29:45,305 JJ, NOT NOW. 572 00:29:45,348 --> 00:29:48,438 YOU HAVE TO COME EAT BECAUSE YOU HAVEN'T EATEN IN 3 DAYS. 573 00:29:48,482 --> 00:29:50,789 GET OUT! 574 00:29:55,184 --> 00:29:57,447 WHY ARE YOU LIKE THIS? 575 00:29:57,491 --> 00:29:59,798 IS IT TOM? 576 00:29:59,841 --> 00:30:02,061 NO. 577 00:30:02,104 --> 00:30:04,019 I BROKE UP WITH TOM MONTHS AGO. 578 00:30:04,063 --> 00:30:06,152 WILL YOU JUST GO AWAY, PLEASE? 579 00:30:10,765 --> 00:30:12,941 NO, THAT'S NOT RIGHT. 580 00:30:12,985 --> 00:30:15,639 WEEKS EARLIER SHE AND MY FATHER WERE FIGHTING. 581 00:30:15,683 --> 00:30:16,727 ROSLYN: YOU DON'T UNDERSTAND, DAD. 582 00:30:16,771 --> 00:30:18,207 WE'RE IN LOVE. HE LOVES ME. 583 00:30:18,251 --> 00:30:19,861 DAD: ROSLYN, YOU DON'T KNOW WHAT LOVE IS. 584 00:30:19,905 --> 00:30:21,167 YOU DON'T GET IT! 585 00:30:24,605 --> 00:30:27,608 IF SHE HAD ALREADY BROKEN UP WITH TOM, 586 00:30:27,651 --> 00:30:29,871 WHO WAS SHE TALKING ABOUT? 587 00:30:29,915 --> 00:30:31,525 THE UNSUB. 588 00:30:31,568 --> 00:30:35,050 HE RECOGNIZED A GIRL IN PAIN, 589 00:30:35,094 --> 00:30:38,749 PARENTS DIVORCING, VULNERABLE, 590 00:30:38,793 --> 00:30:41,448 SO HE TOOK ADVANTAGE OF THAT. 591 00:30:41,491 --> 00:30:45,539 SHE WAS ALREADY IN SUCH A BAD PLACE. 592 00:30:45,582 --> 00:30:48,150 AND NOW SHE'S HEARTBROKEN. 593 00:30:52,459 --> 00:30:54,765 SHE THOUGHT THERE WAS ONLY ONE WAY OUT. 594 00:30:57,072 --> 00:30:59,640 BUT THERE'S THAT NAGGING QUESTION, ISN'T THERE? 595 00:31:01,642 --> 00:31:04,384 WHY DID YOU GIVE THIS TO ME, ROZ? 596 00:31:04,427 --> 00:31:06,821 GO BACK TO WHEN SHE GAVE IT TO YOU. 597 00:31:07,691 --> 00:31:09,606 GO THERE RIGHT NOW. 598 00:31:13,219 --> 00:31:15,221 ROSLYN: I WANT YOU TO HAVE IT. 599 00:31:15,264 --> 00:31:17,614 BUT YOU LOVE THIS NECKLACE. 600 00:31:17,658 --> 00:31:19,355 ARE YOU SURE? 601 00:31:19,399 --> 00:31:21,096 I'M SURE. 602 00:31:26,580 --> 00:31:28,190 BECAUSE NO MATTER WHAT HAPPENS, 603 00:31:28,234 --> 00:31:30,714 I'LL ALWAYS LOVE YOU, JJ. 604 00:31:34,283 --> 00:31:39,636 AND BESIDES, THIS NECKLACE WILL HELP WARD OFF THE TALL MAN. 605 00:31:39,680 --> 00:31:41,725 THAT'S A STUPID, MADE-UP STORY. 606 00:31:41,769 --> 00:31:44,772 THE STORY'S MADE UP, BUT SOME MONSTERS ARE REAL. 607 00:31:46,382 --> 00:31:48,602 AND IF A REAL MONSTER EVER SEES YOU WEARING THIS, 608 00:31:48,645 --> 00:31:51,039 HE'LL KNOW NOT TO MESS WITH JENNIFER JAREAU... 609 00:31:53,607 --> 00:31:54,956 'CAUSE SHE'S A TOTAL BAD ASS. 610 00:31:55,000 --> 00:31:58,133 YOU THINK I'M A BAD ASS? 611 00:31:58,177 --> 00:32:00,440 I THINK YOU'RE THE BADDEST OF ASSES. 612 00:32:00,483 --> 00:32:01,702 AND THAT CAME OUT WRONG. 613 00:32:08,100 --> 00:32:10,493 SHE WAS TRYING TO PROTECT ME. 614 00:32:10,537 --> 00:32:12,974 YES, SHE WAS. 615 00:32:13,018 --> 00:32:15,890 NOW IMAGINE YOU'RE THE UNSUB. 616 00:32:15,934 --> 00:32:18,153 YOUR VICTIM HAS JUST KILLED HERSELF, 617 00:32:18,197 --> 00:32:20,851 AND YOU SEE HER YOUNGER SISTER 618 00:32:20,895 --> 00:32:23,419 WEARING YOUR GIFT TO HER. 619 00:32:23,463 --> 00:32:25,726 HE'D SEE IT AS A BEACON. 620 00:32:25,769 --> 00:32:27,858 THAT'S MY NEXT VICTIM. 621 00:32:27,902 --> 00:32:29,643 YOU SAY THAT AS A PROFILER. 622 00:32:29,686 --> 00:32:33,255 BUT WHAT ELSE DO YOU KNOW ABOUT PREFERENTIAL SEXUAL OFFENDERS? 623 00:32:33,299 --> 00:32:35,779 THEY... 624 00:32:35,823 --> 00:32:37,868 THEY HAVE AN AGE-SPECIFIC TYPE. 625 00:32:37,912 --> 00:32:39,783 I'D BE TOO YOUNG FOR HIM. 626 00:32:39,827 --> 00:32:42,786 ROSLYN DIDN'T KNOW THAT, BUT SHE KNEW THE UNSUB, 627 00:32:42,830 --> 00:32:44,701 AND SHE KNEW YOU. 628 00:32:44,745 --> 00:32:46,921 SHE KNEW THAT DEEP DOWN INSIDE, 629 00:32:46,965 --> 00:32:49,054 YOU WERE STRONGER THAN HER, 630 00:32:49,097 --> 00:32:51,317 AND THAT THE UNSUB WOULD NEVER COME AFTER YOU 631 00:32:51,360 --> 00:32:52,883 BECAUSE IT WOULD BE TOO RISKY. 632 00:32:52,927 --> 00:32:54,320 YOU WERE TOO TOUGH. 633 00:32:54,363 --> 00:32:57,671 NOW, WAS THAT THE BEST PLAN? NO. 634 00:32:57,714 --> 00:33:00,456 BUT IT WAS THE BEST THAT ROSLYN COULD DO. 635 00:33:00,500 --> 00:33:02,981 AND I THINK HER PLAN WORKED. 636 00:33:03,024 --> 00:33:07,159 I THINK HE WAS TERRIFIED OF WHAT SHE MIGHT HAVE TOLD YOU 637 00:33:07,202 --> 00:33:09,030 AND HOW YOU WOULD HAVE LOOKED AT HIM. 638 00:33:09,074 --> 00:33:13,904 SO WHO LOOKED AT YOU LIKE THAT GROWING UP? 639 00:33:15,732 --> 00:33:17,691 IT WOULD HAVE BEEN A BRIEF INTERACTION, 640 00:33:17,734 --> 00:33:20,172 SOMETHING PROBABLY IN THE IMMEDIATE 641 00:33:20,215 --> 00:33:22,435 AFTERMATH OF HER DEATH. 642 00:33:44,239 --> 00:33:47,242 OH, MY GOD. 643 00:34:06,392 --> 00:34:09,656 AAH! 644 00:34:44,386 --> 00:34:46,649 THIS IS JUST A HORRIBLE MISTAKE, OK? 645 00:34:46,693 --> 00:34:47,824 I DIDN'T DO ANYTHING WRONG. 646 00:34:47,868 --> 00:34:49,652 I MEAN, YOU CAN'T JUST BRING ME--DOES JJ-- 647 00:34:49,696 --> 00:34:50,914 WHERE ARE YOU GOING? 648 00:34:50,958 --> 00:34:53,221 HEY, LISTEN. LISTEN. I DIDN'T DO THIS. 649 00:34:53,265 --> 00:34:55,528 I SEARCHED HIS CAR, HIS HOUSE, AND THE SCHOOL. 650 00:34:55,571 --> 00:34:57,138 NO SIGN OF BETHANY. 651 00:34:57,182 --> 00:34:58,922 DAVE, I THINK HE'LL RESPOND TO YOUR AUTHORITY. 652 00:34:58,966 --> 00:35:00,185 I WANT YOU TO TAKE THE FIRST CRACK AT HIM. 653 00:35:00,228 --> 00:35:03,666 ACTUALLY, I'D LIKE TO. 654 00:35:08,410 --> 00:35:09,803 OK. 655 00:35:13,023 --> 00:35:15,243 JJ. 656 00:35:15,287 --> 00:35:17,680 WHAT IN THE WORLD IS THIS? SERIOUSLY. 657 00:35:17,724 --> 00:35:19,291 ETHAN, I AM SO SORRY. 658 00:35:19,334 --> 00:35:20,727 THIS IS RIDICULOUS. 659 00:35:20,770 --> 00:35:22,511 THEY SEEM TO THINK I'VE HURT THOSE GIRLS OR SOMETHING. 660 00:35:22,555 --> 00:35:27,081 I KNOW. IT'S JUST WE HAVE A WARRANT FOR YOUR HOUSE. 661 00:35:27,125 --> 00:35:30,128 AND THEY'VE ALREADY PULLED YOUR COMPUTER. 662 00:35:31,303 --> 00:35:32,913 IS THAT? 663 00:35:32,956 --> 00:35:34,784 NO, SHE'S BLUFFING. 664 00:35:34,828 --> 00:35:36,264 THAT'S A HELL OF A BLUFF. 665 00:35:36,308 --> 00:35:38,310 GUYS LIKE HIM KEEP SOUVENIRS, 666 00:35:38,353 --> 00:35:40,355 USUALLY ON COMPUTERS. 667 00:35:46,274 --> 00:35:47,797 DID YOU SEE WHAT WAS ON IT? 668 00:35:47,841 --> 00:35:51,671 I DID. 669 00:35:56,284 --> 00:35:58,199 OK, LOOK. 670 00:35:58,243 --> 00:36:02,160 UM, WHAT ROSLYN AND I HAD, 671 00:36:02,203 --> 00:36:04,292 IT WAS... 672 00:36:04,336 --> 00:36:06,338 IT WAS DIFFERENT. 673 00:36:06,381 --> 00:36:09,819 ALL RIGHT. I MEAN, WE... 674 00:36:09,863 --> 00:36:11,647 REALLY LOVED EACH OTHER. 675 00:36:15,303 --> 00:36:17,436 I KNOW. 676 00:36:30,318 --> 00:36:32,755 ROZ GAVE THIS TO ME 677 00:36:32,799 --> 00:36:38,631 BECAUSE SHE WANTED ME TO KNOW HOW SPECIAL YOU WERE TO HER. 678 00:36:38,674 --> 00:36:41,111 YOU KNOW WHO ELSE IS SPECIAL? 679 00:36:43,505 --> 00:36:45,420 BETHANY. 680 00:36:47,770 --> 00:36:49,381 LOOK, YOU DON'T HAVE TO TELL ME WHERE SHE IS, 681 00:36:49,424 --> 00:36:51,818 BUT YOU GOT TO GIVE ME SOMETHING 682 00:36:51,861 --> 00:36:54,386 SO I CAN BUY YOU A LITTLE MORE TIME. 683 00:36:59,391 --> 00:37:03,003 SHE'S WHERE I KEEP ALL THE KIDS THAT ARE SPECIAL TO ME. 684 00:37:08,400 --> 00:37:10,228 I'LL BE RIGHT BACK. 685 00:37:14,493 --> 00:37:16,364 YOU MEANT IT, RIGHT? 686 00:37:16,408 --> 00:37:19,498 ABOUT ROZ? 687 00:37:19,541 --> 00:37:21,413 SHE LOVED ME? 688 00:37:24,459 --> 00:37:26,156 SHE'S AT THE SCHOOL. 689 00:37:37,690 --> 00:37:39,257 THIS CAN'T BE IT. 690 00:37:39,300 --> 00:37:41,215 THERE'S NOWHERE FOR HER TO HIDE IN HERE. 691 00:37:44,349 --> 00:37:46,438 GUYS, OVER HERE. 692 00:37:52,444 --> 00:37:53,662 WHAT'S UNDER HERE? 693 00:37:53,706 --> 00:37:55,273 THAT'S AN ELECTRICAL BREAKER ROOM. 694 00:37:55,316 --> 00:37:56,535 THE POLICE, THEY CLEARED IT ALREADY. 695 00:37:56,578 --> 00:37:57,666 WELL, WE NEED TO CLEAR IT AGAIN. 696 00:37:57,710 --> 00:37:58,885 ALL RIGHT. 697 00:37:58,928 --> 00:38:00,408 I GOT IT. 698 00:38:00,452 --> 00:38:02,062 GO AHEAD. 699 00:38:17,556 --> 00:38:18,600 GUYS. 700 00:38:29,611 --> 00:38:30,438 COME ON. 701 00:38:30,482 --> 00:38:32,179 BETHANY. 702 00:38:32,222 --> 00:38:33,354 OK, COME ON. 703 00:38:33,398 --> 00:38:36,270 BETHANY? 704 00:38:36,314 --> 00:38:37,445 BETHANY, CAN YOU HEAR ME? 705 00:38:37,489 --> 00:38:38,838 HERE WE GO. 706 00:38:38,881 --> 00:38:40,492 COME ON. COME ON, BETHANY. 707 00:38:40,535 --> 00:38:42,407 UHH! COME ON. 708 00:38:42,450 --> 00:38:44,539 COME ON. 709 00:38:45,801 --> 00:38:47,586 BETHANY. COME ON. 710 00:38:54,070 --> 00:38:56,246 COME ON! UHH! 711 00:38:58,205 --> 00:38:59,511 COME ON. 712 00:38:59,554 --> 00:39:01,121 UHH! 713 00:39:01,164 --> 00:39:03,471 UHH! 714 00:39:03,515 --> 00:39:05,343 COME ON. 715 00:39:10,478 --> 00:39:12,480 OH. WERE YOU ABLE TO BUY ME MORE TIME? 716 00:39:12,524 --> 00:39:14,003 NO. 717 00:39:14,047 --> 00:39:15,483 NO, I DIDN'T. 718 00:39:17,398 --> 00:39:19,879 YOU PUT MY SISTER 719 00:39:19,922 --> 00:39:21,446 IN YOUR TROPHY CASE 720 00:39:21,489 --> 00:39:23,709 BECAUSE SHE WAS JUST ANOTHER ONE OF YOUR TROPHIES. 721 00:39:23,752 --> 00:39:25,537 NO. THAT'S NOT-- THAT'S NOT TRUE. 722 00:39:25,580 --> 00:39:27,147 I DIDN'T-- 723 00:39:27,190 --> 00:39:30,498 GAH! 724 00:39:30,542 --> 00:39:33,240 ROSLYN... 725 00:39:33,283 --> 00:39:35,851 PROBABLY WASN'T YOUR FIRST VICTIM. 726 00:39:35,895 --> 00:39:39,464 BUT BETHANY... 727 00:39:39,507 --> 00:39:42,336 SHE WILL BE YOUR LAST. 728 00:40:03,879 --> 00:40:05,577 COME WITH ME. 729 00:41:01,459 --> 00:41:03,112 HEH. 730 00:41:11,556 --> 00:41:13,906 OH, DON'T... 731 00:41:13,949 --> 00:41:15,995 DON'T MOVE. 732 00:41:16,038 --> 00:41:18,519 LET ME TAKE THIS IN. 733 00:41:18,563 --> 00:41:21,522 THEY WANTED TO WAIT UP. 734 00:41:21,566 --> 00:41:23,698 THEY HAVE A PRESENT FOR YOU. 735 00:41:23,742 --> 00:41:25,961 A PRESENT FOR ME? 736 00:41:26,005 --> 00:41:27,746 MM-HMM. 737 00:41:32,968 --> 00:41:34,709 WE HEARD IT THROUGH THE GRAPEVINE 738 00:41:34,753 --> 00:41:36,711 IT WAS A TOUGH CASE. 739 00:41:54,033 --> 00:41:55,730 YOU LIKE IT? 740 00:41:57,950 --> 00:41:59,908 I LOVE IT. 741 00:41:59,952 --> 00:42:01,780 GOOD. 742 00:42:11,703 --> 00:42:13,618 JJ: "THERE ARE TIMES IN OUR LIVES 743 00:42:13,661 --> 00:42:14,793 "WHEN WE HAVE TO REALIZE 744 00:42:14,836 --> 00:42:17,709 "THAT OUR PAST IS PRECISELY WHAT IT IS 745 00:42:17,752 --> 00:42:19,711 "AND WE CANNOT CHANGE IT, 746 00:42:19,754 --> 00:42:23,149 "BUT WE CAN CHANGE THE STORY WE TELL OURSELVES ABOUT IT. 747 00:42:23,192 --> 00:42:24,585 "AND BY DOING THAT, 748 00:42:24,629 --> 00:42:26,892 WE CAN CHANGE THE FUTURE." 749 00:42:26,935 --> 00:42:29,155 ELEANOR BROWN. 750 00:42:37,555 --> 00:42:39,208 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 751 00:42:39,252 --> 00:42:40,558 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--