1 00:00:07,355 --> 00:00:09,400 PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:09,444 --> 00:00:11,054 PRENTISS: OUR UNSUB IS EVERETT LYNCH. 3 00:00:11,098 --> 00:00:13,143 HE'S A CONMAN WHO SLICES OFF THE FACES 4 00:00:13,187 --> 00:00:14,884 OF THE WOMEN HE SEDUCES. 5 00:00:14,927 --> 00:00:16,886 ROSSI: THIS WAS THE FIRST TIME THAT I WAS BEATEN 6 00:00:16,929 --> 00:00:21,151 BY SOMEONE YOUNGER, FASTER, STRONGER THAN I AM. 7 00:00:21,195 --> 00:00:24,285 EVERETT LYNCH WAS THE FBI's MOST WANTED. 8 00:00:24,328 --> 00:00:27,375 HE REMAINED AT LARGE UNTIL WE CAUGHT UP WITH HIM. 9 00:00:27,418 --> 00:00:28,506 [SIRENS] 10 00:00:28,550 --> 00:00:30,682 CAPTAIN MONTERO, BREACH. 11 00:00:34,121 --> 00:00:35,731 ROSSI: HE DIED IN AN EXPLOSION, 12 00:00:35,774 --> 00:00:38,081 ALONG WITH 6 OF OUR AGENTS. 13 00:00:38,125 --> 00:00:40,127 REID: IT DOESN'T MAKE SENSE TO ME. 14 00:00:40,170 --> 00:00:42,129 I DON'T UNDERSTAND HOW THAT TYPE OF PERSONALITY 15 00:00:42,172 --> 00:00:44,479 CAN CHOOSE TO BLOW ITSELF UP. 16 00:00:44,522 --> 00:00:46,829 IF HE COULD GET TO A TUNNEL. 17 00:00:50,398 --> 00:00:54,010 LYNCH IS STILL ALIVE. 18 00:01:00,451 --> 00:01:02,497 [DING] 19 00:01:07,284 --> 00:01:09,286 MORGAN: WELL, YOU KNOW, YOU BETTER THANK YOUR MAN UPSTAIRS 20 00:01:09,330 --> 00:01:11,071 FOR MAKING IT THE WHOLE TEAM, 21 00:01:11,114 --> 00:01:12,550 OTHERWISE YOU KNOW THEY'D FIND A REASON TO BRING US BACK UP IN HERE. 22 00:01:12,594 --> 00:01:14,378 GREENAWAY: WHY? THEY GOT OTHER TEAMS. 23 00:01:14,422 --> 00:01:15,727 OK, YOU CAN GO ON BELIEVING THAT IF YOU WANT TO, 24 00:01:15,771 --> 00:01:18,382 BUT I AM NOT ANSWERING MY CELLPHONE. OK. 25 00:01:18,426 --> 00:01:20,689 OH, THERE HE IS. 26 00:01:20,732 --> 00:01:22,604 PRETTY BOY. 27 00:01:22,647 --> 00:01:24,345 LAST CHANCE. 28 00:01:24,388 --> 00:01:26,695 I CAN GET MY MAN TO SWING YOU A HOTEL ROOM FOR PRACTICALLY NOTHING. 29 00:01:26,738 --> 00:01:28,827 EVEN YOU MIGHT GET A LITTLE LOVING OUT THERE. 30 00:01:28,871 --> 00:01:30,264 THANKS ANYWAY. 31 00:01:30,307 --> 00:01:31,613 COME ON, REID. LIVE A LITTLE, HUH? 32 00:01:31,656 --> 00:01:33,136 I HAVE TO GO-- GOING HOME. 33 00:01:33,180 --> 00:01:34,224 HAVE A GOOD ONE, GUYS. 34 00:01:34,268 --> 00:01:36,183 BYE. 35 00:01:38,402 --> 00:01:40,056 HE LOOK OK TO YOU? 36 00:01:40,100 --> 00:01:41,318 HE LOOKS ABOUT THE WAY I WOULD 37 00:01:41,362 --> 00:01:43,146 IF I WAS GONNA SPEND TWO WEEKS WITH MY FAMILY. 38 00:01:43,190 --> 00:01:45,279 HEY, DON'T KNOCK FAMILY. I'M GONNA GET NOTHING BUT 39 00:01:45,322 --> 00:01:46,671 FOR THE NEXT 336 HOURS. 40 00:01:46,715 --> 00:01:48,195 MORGAN: HEY, GOOD FOR YOU. 41 00:01:48,238 --> 00:01:50,110 HALEY'S GOT A LIST OF CHORES A MILE LONG, AND I CAN'T WAIT. 42 00:01:50,153 --> 00:01:52,112 THE BIGGEST DECISION I GOT TO MAKE IS WHAT I'M GONNA DO FIRST. 43 00:01:52,155 --> 00:01:54,418 I BET YOU SHE HAS A THOUGHT OR TWO ABOUT THAT AS WELL. 44 00:01:54,462 --> 00:01:55,724 BRING IT ON! 45 00:01:55,767 --> 00:01:57,117 I'LL BE LOST IN A CABIN IN THE WOODS 46 00:01:57,160 --> 00:01:58,596 FOR THE NEXT TWO WEEKS. DO NOT CALL ME FOR ANYTHING. 47 00:01:58,640 --> 00:02:00,642 HAVE A GREAT TIME. YOU ALL DESERVE A BREAK. 48 00:02:00,685 --> 00:02:03,384 SERIOUSLY, DON'T CALL. 49 00:02:03,427 --> 00:02:05,386 REID: GIDEON. 50 00:02:06,561 --> 00:02:08,389 GIDEON! HOTCH! 51 00:02:18,225 --> 00:02:19,182 [BEEPING] 52 00:02:19,226 --> 00:02:20,749 [DOOR OPENS] 53 00:02:26,233 --> 00:02:29,584 I HIT MY HEAD AND NOW I'M SEEING THINGS. 54 00:02:32,239 --> 00:02:33,936 SECTION CHIEF STRAUSS? 55 00:02:33,979 --> 00:02:35,546 HELLO, SPENCER. 56 00:02:37,069 --> 00:02:38,549 YOU'RE DEAD. 57 00:02:38,593 --> 00:02:41,378 HA HA HA! I AM. 58 00:02:41,422 --> 00:02:43,293 DOES... 59 00:02:43,337 --> 00:02:44,381 DOES THAT MEAN THAT I'M-- 60 00:02:44,425 --> 00:02:46,166 NO. NOT NECESSARILY. 61 00:02:47,776 --> 00:02:49,256 I PASSED OUT IN MY APARTMENT. 62 00:02:49,299 --> 00:02:51,954 YOU HAVE INTRACRANIAL HEMORRHAGING. 63 00:02:53,129 --> 00:02:54,261 MY BRAIN IS SHUTTING DOWN? 64 00:02:54,304 --> 00:02:55,349 PARTS OF IT ARE. 65 00:02:55,392 --> 00:02:57,351 PARTS OF IT ARE STRUGGLING TO SURVIVE. 66 00:02:57,394 --> 00:02:59,266 WHICH PART ARE YOU? 67 00:03:00,615 --> 00:03:02,182 YOU NEED HELP. 68 00:03:10,146 --> 00:03:11,843 WHAT IF THIS IS PERMANENT? 69 00:03:11,887 --> 00:03:14,106 MY MOM STARTED OUT HALLUCINATING. 70 00:03:14,150 --> 00:03:16,500 YOU NEVER DISPLAYED ANY SIGNS OF SCHIZOPHRENIA. 71 00:03:16,544 --> 00:03:17,806 YOU KNOW THAT. 72 00:03:17,849 --> 00:03:19,460 THIS IS A JOURNEY. 73 00:03:19,503 --> 00:03:21,592 SOME PEOPLE SEE CORRIDORS OF LIGHT, 74 00:03:21,636 --> 00:03:23,986 SOME PEOPLE SEE PEOPLE THEY LOVE. 75 00:03:24,029 --> 00:03:27,250 WHAT YOU SEE IS UP TO YOU. 76 00:03:27,294 --> 00:03:29,034 YOU SYMBOLIZE MY GUILT, 77 00:03:29,078 --> 00:03:31,428 THE...DEAD AGENTS. 78 00:03:31,472 --> 00:03:33,822 YOU HAVE TO MAKE THAT DECISION YOURSELF. 79 00:03:38,348 --> 00:03:41,177 YOU'LL BE TEMPTED ABOUT WHICH WAY TO GO. 80 00:03:44,485 --> 00:03:46,182 DON'T BE AFRAID. 81 00:03:53,145 --> 00:03:54,973 6 AGENTS BLOWN TO PIECES. 82 00:03:55,017 --> 00:03:58,673 DAMN. YOU'RE GONNA NEED A BIGGER BOAT. 83 00:03:58,716 --> 00:04:00,327 I GOTTA ASK, 84 00:04:00,370 --> 00:04:02,416 WHEN THEY GO KABLAM LIKE THAT, 85 00:04:02,459 --> 00:04:05,288 DO YOU HAVE A GUY THAT PUTS THEM BACK TOGETHER OR...? 86 00:04:05,332 --> 00:04:07,421 I'M TALKING TO YOU, DOC. 87 00:04:07,464 --> 00:04:09,161 OR IT IS SPECIAL AGENT? 88 00:04:09,205 --> 00:04:10,424 ADDICT? 89 00:04:12,426 --> 00:04:13,470 CONVICT? 90 00:04:13,514 --> 00:04:14,602 SHUT UP. 91 00:04:14,645 --> 00:04:16,343 BUT I HAVE ONE MORE QUESTION. 92 00:04:16,386 --> 00:04:20,216 HOW COME WHEN I KILL PEOPLE, THEY'RE CALLED VICTIMS, 93 00:04:20,260 --> 00:04:22,479 BUT WHEN YOU DO IT, THEY'RE CALLED CASUALTIES? 94 00:04:22,523 --> 00:04:25,613 DEAD IS DEAD. AM I RIGHT? 95 00:04:26,918 --> 00:04:30,313 OOH, BOY. 96 00:04:31,923 --> 00:04:34,361 [LAUGHING] 97 00:04:43,979 --> 00:04:47,330 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 98 00:05:19,928 --> 00:05:23,366 HOTCHNER: GEORGE FOYET. HE LIKES TO ATTACK THEM INSIDE 99 00:05:23,410 --> 00:05:24,628 OR NEAR THEIR CARS 100 00:05:24,672 --> 00:05:27,718 AT NIGHT ON POORLY LIT, LESS POPULATED ROADS. 101 00:05:27,762 --> 00:05:31,505 GEORGE FOYET. [ECHOING] 102 00:05:31,548 --> 00:05:35,291 WHY ARE WE HERE? YOU THINK THIS IS MY HELL? 103 00:05:35,335 --> 00:05:36,640 DOESN'T MATTER WHAT I THINK. 104 00:05:36,684 --> 00:05:38,381 I'M NOT IN CONTROL. 105 00:05:38,425 --> 00:05:41,428 THIS IS WHERE YOU FIRST MET ME. 106 00:05:41,471 --> 00:05:44,039 HA. LOOK AT THAT HANDSOME DEVIL. 107 00:05:45,997 --> 00:05:47,651 SO STRAUSS WAS THE ANGEL, AND YOU'RE THE DEVIL. 108 00:05:47,695 --> 00:05:50,350 I NEVER SAID THAT. JUST THE HANDSOME PART. 109 00:05:50,393 --> 00:05:52,003 WHY WOULD I PICTURE YOU? 110 00:05:52,047 --> 00:05:54,397 HMM? OF ALL THE OFFENDERS THAT-- 111 00:05:54,441 --> 00:05:55,790 BECAUSE I KILLED THAT SWEET HALEY 112 00:05:55,833 --> 00:05:58,183 AND OLD AARON HOTCHNER WAS NEVER THE SAME. 113 00:05:58,227 --> 00:06:00,360 [GRUNTS] YOU GOT ME. 114 00:06:02,797 --> 00:06:04,233 [GUNSHOT] 115 00:06:04,276 --> 00:06:06,670 [GUNSHOT] 116 00:06:09,499 --> 00:06:11,371 YOU KNOW WHAT THAT MEANS. 117 00:06:13,460 --> 00:06:15,462 NONE OF YOU WERE. 118 00:06:15,505 --> 00:06:18,465 I WAS THE BEGINNING OF YOUR END. 119 00:06:20,380 --> 00:06:23,470 THIS GOOD VS. EVIL GAME IS ALL YOU KNOW. 120 00:06:24,688 --> 00:06:27,691 AND I'M THE BEST YOUR RATTLED BRAIN COULD CONJURE. 121 00:06:31,347 --> 00:06:35,046 WELL, LAST NIGHT WAS THE BEST SLEEP I'VE HAD IN AGES. 122 00:06:35,090 --> 00:06:37,440 TELL ME ABOUT IT. 123 00:06:37,484 --> 00:06:40,095 AND WHAT A WAY TO START THE MORNING. 124 00:06:41,749 --> 00:06:42,793 WHAT? 125 00:06:42,837 --> 00:06:45,448 YOU HAVE A PEACE ABOUT YOU. 126 00:06:45,492 --> 00:06:47,407 I DO, HUH? MM-HMM. 127 00:06:47,450 --> 00:06:50,235 WITH LYNCH DEAD, YOU... 128 00:06:51,976 --> 00:06:53,413 YOU SEEM DIFFERENT. 129 00:06:56,503 --> 00:06:59,244 YOU KNOW, ALL MY TIME AT THE BAU, 130 00:06:59,288 --> 00:07:01,464 THERE WERE A LOT OF WHALES TO CATCH, 131 00:07:01,508 --> 00:07:04,424 AND EVERETT LYNCH WAS ONE OF THE BIGGEST. 132 00:07:04,467 --> 00:07:08,123 AND I NEEDED TO MAKE SURE HE COULDN'T... 133 00:07:08,166 --> 00:07:11,431 HURT ANYONE ELSE. 134 00:07:11,474 --> 00:07:13,258 OTHERWISE I COULDN'T... 135 00:07:16,044 --> 00:07:17,611 YOU COULDN'T WHAT? 136 00:07:18,916 --> 00:07:19,917 SLEEP. 137 00:07:19,961 --> 00:07:21,528 NO, NO, NO. 138 00:07:21,571 --> 00:07:23,399 NO, THAT IS NOT WHAT YOU WERE GONNA SAY. 139 00:07:23,443 --> 00:07:25,923 THAT IS NOT WHAT YOU WERE GONNA SAY. 140 00:07:25,967 --> 00:07:28,099 ARE YOU... 141 00:07:28,143 --> 00:07:30,450 ARE YOU RETIRING? 142 00:07:30,493 --> 00:07:31,799 THAT'S SUCH AN UGLY WORD. 143 00:07:31,842 --> 00:07:32,843 OH, MY GOD! 144 00:07:32,887 --> 00:07:34,497 DAVID, WE HAVE TO DO SOMETHING. 145 00:07:34,541 --> 00:07:35,759 WHAT, NOW YOU'RE PLANNING MY SENDOFF? 146 00:07:35,803 --> 00:07:38,501 YEP, IT IS GONNA BE THE BEST, FASTEST SENDOFF 147 00:07:38,545 --> 00:07:39,676 YOU HAVE EVER SEEN. 148 00:07:39,720 --> 00:07:41,025 WHY FAST? 149 00:07:41,069 --> 00:07:43,288 BECAUSE I DON'T WANT YOU TO CHANGE YOUR MIND. 150 00:07:43,332 --> 00:07:44,986 NOW GET OUT OF HERE. GO. 151 00:07:45,029 --> 00:07:48,555 I DON'T WANT YOU TO BE LATE FOR ONE OF YOUR LAST DAYS AT SCHOOL. 152 00:07:48,598 --> 00:07:50,078 MMM. 153 00:07:50,121 --> 00:07:52,384 GO. 154 00:07:53,516 --> 00:07:55,649 ♪ HEAD DOWN AND MEET YOU OUT BACK ♪ 155 00:07:55,692 --> 00:07:59,304 BECAUSE WE GOT TO DOCUMENT THE LADY BONDING. 156 00:07:59,348 --> 00:08:01,568 THE LADY BONDING. 157 00:08:01,611 --> 00:08:03,526 LEWIS: DO YOU HAVE ANOTHER ONE? 158 00:08:03,570 --> 00:08:09,532 I AM BOTH HORRIFIED AND DELIGHTED THERE'S EVIDENCE OF LAST NIGHT. 159 00:08:09,576 --> 00:08:11,273 WAIT, WHAT IS THIS? 160 00:08:11,316 --> 00:08:12,448 IT HELPS WITH HANGOVERS, 161 00:08:12,492 --> 00:08:13,710 AND THAT IS ALL YOU NEED TO KNOW. 162 00:08:13,754 --> 00:08:15,495 IT TASTES LIKE YOU SCRAPED THE FOREST FLOOR 163 00:08:15,538 --> 00:08:16,496 AND JUICED IT. 164 00:08:16,539 --> 00:08:17,801 HA! 165 00:08:17,845 --> 00:08:19,716 EVEN THAT'S TOO GENEROUS. UGH. 166 00:08:19,760 --> 00:08:21,022 HEY, HEY! 167 00:08:21,065 --> 00:08:23,851 EMILY TOLD ME WHAT YOU GUYS WERE GETTING INTO, 168 00:08:23,894 --> 00:08:27,507 AND I FIGURED YOU COULD USE THESE. 169 00:08:27,550 --> 00:08:29,073 THANK GOD. 170 00:08:29,117 --> 00:08:31,902 GET THIS CAFFEINE INTO MY FACE HOLE. 171 00:08:31,946 --> 00:08:33,425 THIS IS FROM LUNACORN. 172 00:08:33,469 --> 00:08:34,688 LUKE ALVEZ, STOP MAKING ME LIKE YOU. 173 00:08:34,731 --> 00:08:36,864 HA! NEVER. 174 00:08:36,907 --> 00:08:38,387 VISION BOARDING GO WELL? 175 00:08:38,430 --> 00:08:41,129 GARCIA: OH, YOU HAVE NO IDEA HOW MANY STICKERS WERE USED. 176 00:08:41,172 --> 00:08:43,435 WHERE'S REID? I WANT TO TALK TO THE WHOLE TEAM. 177 00:08:43,479 --> 00:08:45,350 OH, SPENCE PROBABLY SLEPT IN. 178 00:08:45,394 --> 00:08:46,961 HE TOOK IT REALLY HARD. 179 00:08:47,004 --> 00:08:49,311 WELL, LET'S START OUR AFTER-ACTION REVIEW NOW, 180 00:08:49,354 --> 00:08:50,747 AND WE'LL FILL HIM IN WHEN HE ARRIVES. 181 00:08:50,791 --> 00:08:53,489 OK, DNA RESULTS COMING AT YA. 182 00:08:53,533 --> 00:08:54,969 CASUALTY COUNT STILL HOLD AT 8, 183 00:08:55,012 --> 00:08:57,232 INCLUDING ROBERTA AND EVERETT LYNCH? 184 00:08:57,275 --> 00:09:00,409 YES. WAIT, NO. 185 00:09:01,323 --> 00:09:02,629 GARCIA? 186 00:09:02,672 --> 00:09:04,413 YES, 8 CASUALTIES-- 187 00:09:04,456 --> 00:09:06,241 OUR 6 AGENTS, ROBERTA LYNCH, 188 00:09:06,284 --> 00:09:09,287 AND ORLANDO GAINES, THE PRIVATE INVESTIGATOR. 189 00:09:09,331 --> 00:09:11,028 THAT'S IT. 190 00:09:12,421 --> 00:09:13,944 WAIT. WAIT A MINUTE. THAT MEANS THAT-- 191 00:09:13,988 --> 00:09:16,860 EVERETT LYNCH IS STILL ALIVE. 192 00:09:26,130 --> 00:09:27,697 WELL, I HOPE SOMEBODY FINDS YOU. 193 00:09:27,741 --> 00:09:30,308 THAT BIG BRAIN'S GONNA BE A BOWL OF MUSH. 194 00:09:30,352 --> 00:09:32,397 WHAT A WAY TO GO OUT, HUH? 195 00:09:32,441 --> 00:09:34,356 SLOW BRAIN BLEED. 196 00:09:34,399 --> 00:09:36,401 AND NOBODY KNOWS YOU'RE HERE. 197 00:09:36,445 --> 00:09:37,620 IT'S TRAGIC 198 00:09:37,664 --> 00:09:39,579 AND YET... 199 00:09:39,622 --> 00:09:43,452 IRONICALLY FITTING. 200 00:09:45,672 --> 00:09:46,934 AHH. 201 00:09:48,239 --> 00:09:49,937 OF COURSE. 202 00:09:49,980 --> 00:09:53,375 IT WAS GOOD TO SEE YOU AGAIN, DOC. 203 00:09:55,638 --> 00:09:58,336 MAEVE. 204 00:09:58,380 --> 00:10:00,208 IT'S YOU. 205 00:10:00,251 --> 00:10:01,470 IT'S REALLY YOU. 206 00:10:01,513 --> 00:10:03,211 IT'S ME. 207 00:10:03,254 --> 00:10:05,648 LET ME TAKE HER PLACE. 208 00:10:05,692 --> 00:10:07,650 YOU WOULD KILL YOURSELF FOR HER? 209 00:10:07,694 --> 00:10:09,217 YES. 210 00:10:09,260 --> 00:10:10,218 NO. 211 00:10:10,261 --> 00:10:11,480 [GUNSHOT] 212 00:10:16,920 --> 00:10:18,443 MAEVE, I'M SO SORRY. 213 00:10:18,487 --> 00:10:20,054 FOR WHAT? 214 00:10:20,097 --> 00:10:23,057 I LET YOU DIE. 215 00:10:23,100 --> 00:10:26,538 I WASN'T SMART ENOUGH OR FAST ENOUGH TO SAVE YOU. 216 00:10:26,582 --> 00:10:27,801 STOP. 217 00:10:29,585 --> 00:10:32,370 DO YOU WANT TO KNOW MY DEEPEST, DARKEST SECRET? 218 00:10:32,414 --> 00:10:34,111 MM-HMM. 219 00:10:34,155 --> 00:10:37,506 I LOVE NINETIES ROM-DRAMS AND ROM-COMS. 220 00:10:37,549 --> 00:10:39,464 [LAUGHS] 221 00:10:39,508 --> 00:10:41,684 THE CHEESIER THE BETTER. 222 00:10:41,728 --> 00:10:43,468 AND MY FAVORITE ONE WAS ABOUT THIS ANGEL 223 00:10:43,512 --> 00:10:45,079 WHO GAVE UP HIS IMMORTALITY 224 00:10:45,122 --> 00:10:47,472 BECAUSE HE FELL IN LOVE WITH A HUMAN. 225 00:10:47,516 --> 00:10:51,563 BUT THEY ONLY HAD ONE DAY TOGETHER BEFORE SHE WAS KILLED. 226 00:10:51,607 --> 00:10:55,350 I ALWAYS WONDERED WHY THAT ONE STUCK WITH ME. 227 00:10:57,657 --> 00:10:59,441 AND THEN WE LIVED IT. 228 00:11:02,662 --> 00:11:05,882 DON'T YOU DARE BE SORRY. 229 00:11:05,926 --> 00:11:07,667 I HAVE NO REGRETS. 230 00:11:09,581 --> 00:11:10,713 I MISS YOU. 231 00:11:10,757 --> 00:11:12,672 GAH, I MISS YOU, TOO. 232 00:11:12,715 --> 00:11:15,805 BUT LUCKY FOR US, WE HAVE SOME TIME TOGETHER RIGHT NOW. 233 00:11:15,849 --> 00:11:17,720 I NEED THAT. 234 00:11:17,764 --> 00:11:19,548 YOU'VE BEEN HOLDING ON TO TRAUMA, 235 00:11:19,591 --> 00:11:21,202 A LOT OF IT. 236 00:11:21,245 --> 00:11:24,988 BUT WHAT SENT YOU ON THIS JOURNEY IS SOMETHING DIFFERENT. 237 00:11:25,032 --> 00:11:26,903 YOU'RE A CROSSROADS. 238 00:11:26,947 --> 00:11:29,776 CAN YOU HELP ME THROUGH IT? 239 00:11:31,647 --> 00:11:34,215 BUT FIRST, 240 00:11:34,258 --> 00:11:37,740 I NEED TO TELL YOU SOMETHING YOU DON'T HEAR ENOUGH OF. 241 00:11:37,784 --> 00:11:41,613 THE WORLD IS A GOOD PLACE. 242 00:11:41,657 --> 00:11:44,486 AND IT'S EVEN BETTER WITH YOU IN IT. 243 00:11:47,663 --> 00:11:48,925 YOU READY? 244 00:11:48,969 --> 00:11:50,710 YEAH. 245 00:11:58,805 --> 00:12:01,459 RENO PD JUST CONFIRMED THEY FOUND SUPPLIES 246 00:12:01,503 --> 00:12:03,113 UNDER LYNCH'S HIDEOUT. 247 00:12:03,157 --> 00:12:06,290 SO HE MUST HAVE BUILT AN ESCAPE TO THE TUNNELS UNDER THE HOUSE. 248 00:12:06,334 --> 00:12:07,770 THIS GUY'S A PLANNER. HE PICKED THAT TARGET 249 00:12:07,814 --> 00:12:09,293 BECAUSE IT GAVE HIM AN ESCAPE ROUTE. 250 00:12:09,337 --> 00:12:11,208 WE PROFILED ROBERTA WOULD TAKE THEM BOTH OUT, 251 00:12:11,252 --> 00:12:13,689 BUT BECAUSE OF HER LOVE FOR HER SON, SHE HESITATED. 252 00:12:13,733 --> 00:12:15,691 AND THAT HESITATION GAVE LYNCH THE SECONDS HE NEEDED 253 00:12:15,735 --> 00:12:17,084 TO EXECUTE HIS PLAN. 254 00:12:17,127 --> 00:12:19,303 ALL RIGHT, SO HE ESCAPES RIGHT BEFORE THE EXPLOSION. 255 00:12:19,347 --> 00:12:21,697 WE GOT TO GET BACK TO RENO BEFORE SOMEONE ELSE GETS HURT. 256 00:12:21,741 --> 00:12:23,786 PRENTISS: GARCIA RUN A SEARCH ON LYNCH ALIASES, 257 00:12:23,830 --> 00:12:26,093 ANY CREDIT CARD ACTIVITY. 258 00:12:26,136 --> 00:12:27,572 HE'S RADIO SILENT FOR NOW. 259 00:12:27,616 --> 00:12:28,748 LEWIS: IT'S ONLY A MATTER OF TIME 260 00:12:28,791 --> 00:12:29,836 BEFORE THIS GUY GETS DESPERATE ENOUGH 261 00:12:29,879 --> 00:12:31,272 TO USE ONE OF HIS OLD ALIASES, 262 00:12:31,315 --> 00:12:32,490 AND WHEN HE DOES, WE'VE GOT HIM CORNERED. 263 00:12:32,534 --> 00:12:34,101 STOP. STOP, STOP. 264 00:12:34,144 --> 00:12:37,191 APPLY WHAT WE KNOW BASED ON OUR EXPERIENCE WITH LYNCH 265 00:12:37,234 --> 00:12:38,583 AND OTHERS LIKE HIM. 266 00:12:38,627 --> 00:12:42,152 THAT'S ALL PROFILING IS, THAT'S ALL IT EVER WAS. 267 00:12:42,196 --> 00:12:44,285 NOW, YOU'RE LYNCH. 268 00:12:44,328 --> 00:12:45,982 YOU HAVE THE FULL FORCE OF UNITED STATES 269 00:12:46,026 --> 00:12:47,810 LAW ENFORCEMENT ON YOUR HEELS. 270 00:12:47,854 --> 00:12:49,507 WHERE ELSE DO YOU GO? 271 00:12:49,551 --> 00:12:51,771 WHO ELSE DO YOU HURT? 272 00:12:51,814 --> 00:12:52,902 US. 273 00:12:52,946 --> 00:12:54,599 THEY COME AFTER US. 274 00:12:54,643 --> 00:12:56,950 HE'LL GET OFF ON THE POWER OF ATTACKING 275 00:12:56,993 --> 00:12:58,560 ON OUR HOME TURF. 276 00:12:58,603 --> 00:13:00,301 WE NEED SECURITY FOR OUR LOVED ONES. 277 00:13:00,344 --> 00:13:03,347 ALVEZ, SIMMONS, CONTACT TROOPERS AT ALL STATE LINES. 278 00:13:03,391 --> 00:13:05,915 I'LL NOTIFY THE DIRECTOR THAT THE LYNCH CASE REMAINS OPEN. 279 00:13:05,959 --> 00:13:07,961 JJ, GARCIA, CHECK IN ON REID. 280 00:13:08,004 --> 00:13:10,311 FILL HIM IN ON HIS WAY BACK HERE. 281 00:13:12,704 --> 00:13:14,184 [LINE RINGS] 282 00:13:14,228 --> 00:13:17,361 [TELEPHONE RINGS] 283 00:13:17,405 --> 00:13:19,799 PERFECT TIMING. WHAT KIND OF CAKE DO YOU WANT? 284 00:13:19,842 --> 00:13:21,496 THERE'S A FLAG ON THE PLAY. 285 00:13:21,539 --> 00:13:23,803 I'M DISPATCHING SECURITY OVER TO THE HOUSE. 286 00:13:25,369 --> 00:13:26,675 IS EVERYTHING OK? 287 00:13:26,718 --> 00:13:30,374 I JUST WANT TO BE EXTRA SURE THAT YOU'RE PROTECTED. 288 00:13:30,418 --> 00:13:32,159 I'LL TAKE IT. 289 00:13:32,202 --> 00:13:33,813 AND HEY, 290 00:13:33,856 --> 00:13:35,510 DO WHAT YOU HAVE TO DO, OK? 291 00:13:35,553 --> 00:13:38,121 I'M THE LUCKIEST GUY IN THE WORLD. 292 00:13:38,165 --> 00:13:40,384 DAMN STRAIGHT YOU ARE. 293 00:13:44,954 --> 00:13:45,999 JAREAU: SPENCE! 294 00:13:46,042 --> 00:13:47,391 [DIALING] 295 00:13:47,435 --> 00:13:48,784 SPENCE, IT'S JJ. CAN YOU HEAR ME? 296 00:13:48,828 --> 00:13:50,264 WE NEED AN AMBULANCE IMMEDIATELY 297 00:13:50,307 --> 00:13:52,788 AT 937 HOOVER STREET, APARTMENT 23. 298 00:13:52,832 --> 00:13:54,224 WE HAVE AN AGENT DOWN. 299 00:13:54,268 --> 00:13:55,660 HE'S BREATHING. 300 00:13:55,704 --> 00:13:58,794 YES, WE HAVE AN AGENT DOWN. THAT'S WHAT I SAID. 301 00:13:58,838 --> 00:13:59,839 NO. NO, NO, NO, NO. 302 00:13:59,882 --> 00:14:01,275 NO, NO. 303 00:14:08,543 --> 00:14:10,414 WHY ARE WE HERE? 304 00:14:10,458 --> 00:14:13,069 I MADE PEACE WITH GIDEON DYING. 305 00:14:13,113 --> 00:14:15,115 WHEN'S THE LAST TIME YOU SAW HIM? 306 00:14:15,158 --> 00:14:17,682 12 YEARS, 7 MONTHS, AND 23 DAYS AGO. 307 00:14:17,726 --> 00:14:19,554 OH. 308 00:14:19,597 --> 00:14:22,383 YOU'RE NOT KEEPING TRACK OF DISAPPOINTMENTS AT ALL. 309 00:14:24,689 --> 00:14:27,605 MY DAD WROTE ME A NOTE WHEN HE LEFT. 310 00:14:29,303 --> 00:14:31,261 GIDEON DID THE SAME THING. 311 00:14:31,305 --> 00:14:34,525 HE WAS THE ONE THAT CONVINCED ME TO JOIN THE TEAM. 312 00:14:34,569 --> 00:14:36,571 AND THEN HE LEFT. 313 00:14:38,660 --> 00:14:40,401 [SIGHS] 314 00:14:40,444 --> 00:14:41,924 ALL TO BELIEVE IN HAPPY ENDINGS, 315 00:14:41,968 --> 00:14:44,231 I JUST--I'M SAD HE NEVER GOT ONE. 316 00:14:44,274 --> 00:14:46,711 OH, NO, HE GOT ONE. 317 00:14:46,755 --> 00:14:49,584 HE'S OBSESSED WITH THIS OCTOPUS NAMED MILDRED. 318 00:14:49,627 --> 00:14:51,455 SHE'S A PRANKSTER, 319 00:14:51,499 --> 00:14:53,980 AND HE LOVES HANGING OUT AN 8-LIMBED MOLLUSK, 320 00:14:54,023 --> 00:14:57,984 TRYING TO FIGURE OUT HOW SHE BECAME SO PLAYFUL AND WISE. 321 00:14:59,899 --> 00:15:01,509 SHE EVOLVED. 322 00:15:01,552 --> 00:15:03,772 YEP. 323 00:15:03,815 --> 00:15:05,730 WE ALL HAVE TO. 324 00:15:08,385 --> 00:15:10,561 [INDISTINCT P.A. ANNOUNCEMENTS] 325 00:15:11,823 --> 00:15:14,652 TURN AROUND. 326 00:15:14,696 --> 00:15:17,786 IT'S DR. K. CAN YOU HEAR ME, SIR? 327 00:15:17,829 --> 00:15:19,483 HOW LONG HAS HE BEEN UNCONSCIOUS? 328 00:15:19,527 --> 00:15:21,833 I DON'T KNOW. THERE WAS AN EXPLOSION 24 HOURS AGO. 329 00:15:21,877 --> 00:15:23,531 COULD IT BE A CONCUSSION? 330 00:15:23,574 --> 00:15:25,141 SO HE'S BEEN UNDER A LOT OF STRESS? 331 00:15:25,185 --> 00:15:26,360 YES, HE'S AN FBI AGENT. 332 00:15:26,403 --> 00:15:28,710 I NEED TO RUN SOME TESTS. ARE YOU FAMILY? 333 00:15:28,753 --> 00:15:32,061 UH, NOT TECHNICALLY. THAT WOULD BE HIS MOM. 334 00:15:32,105 --> 00:15:33,802 GET HIM TO CCU. WAKE UP. 335 00:15:33,845 --> 00:15:35,760 I NEED TO TALK TO HIS MOTHER RIGHT AWAY. 336 00:15:35,804 --> 00:15:36,805 I'LL TRACK DOWN DIANA. 337 00:15:36,848 --> 00:15:39,590 SHE'S AT BROOKFIELD.[PHONE DINGS] 338 00:15:39,634 --> 00:15:40,591 IT'S EMILY. 339 00:15:40,635 --> 00:15:42,767 GO. 340 00:15:42,811 --> 00:15:44,378 NO, NO, NO. I'M NOT LEAVING. 341 00:15:44,421 --> 00:15:46,293 SPENCE WILL UNDERSTAND. THE TEAM NEEDS YOU. 342 00:15:46,336 --> 00:15:48,817 I'VE GOT THIS. GO. 343 00:15:50,340 --> 00:15:51,428 ROSSI: THANKS FOR GETTING THERE SO QUICKLY. 344 00:15:51,472 --> 00:15:52,473 WHAT'S THE STATUS? 345 00:15:52,516 --> 00:15:53,822 NOTHING OF INCIDENT, SIR. 346 00:15:53,865 --> 00:15:55,302 GREAT NEWS. SHE'S EXPECTING YOU. 347 00:15:55,345 --> 00:15:57,217 COPY THAT. 348 00:16:03,049 --> 00:16:04,702 [KNOCK ON DOOR] 349 00:16:06,966 --> 00:16:08,619 COULDN'T BE ANY SAFER, MA'AM. 350 00:16:08,663 --> 00:16:09,838 YOUR HUSBAND MADE SURE OF IT. 351 00:16:09,881 --> 00:16:11,971 COME IN. THANK YOU. 352 00:16:16,671 --> 00:16:19,761 OH, DIANA, HI. HI. IT'S PENELOPE. 353 00:16:19,804 --> 00:16:22,329 I WORK WITH SPENCER. I'VE COME TO SEE YOU BEFORE. 354 00:16:22,372 --> 00:16:24,200 YOU'RE ALMOST AS TALL AS I AM. 355 00:16:24,244 --> 00:16:29,858 DIANA, SPENCER FELL AND HE HIT HIS HEAD REALLY HARD, 356 00:16:29,901 --> 00:16:31,425 AND HE'S NOT CONSCIOUS. 357 00:16:31,468 --> 00:16:32,948 WELL, LET'S WAKE HIM UP. LET'S SEE HIM. 358 00:16:32,992 --> 00:16:34,428 NO, WAIT.HE'LL LISTEN TO ME. 359 00:16:34,471 --> 00:16:36,082 SPENCER. 360 00:16:40,869 --> 00:16:42,653 IT'S NOT HIM. 361 00:16:44,394 --> 00:16:47,441 NO. NO, NO, NO. THIS IS NOT MY SON. 362 00:16:51,314 --> 00:16:53,925 SEE THIS LITTLE STAR RIGHT THERE ON YOUR WRIST? 363 00:16:53,969 --> 00:16:55,710 THAT'S FROM WHEN YOU FEEL WHEN YOU WERE 364 00:16:55,753 --> 00:16:58,800 TRYING TO BALANCE ON OUR BACKYARD FENCE. 365 00:16:58,843 --> 00:17:02,282 OH, YOU WERE SO DETERMINED TO MAKE IT THE WHOLE WAY. 366 00:17:02,325 --> 00:17:04,719 AND I'LL NEVER FORGET LOOKING OUT THE KITCHEN WINDOW, 367 00:17:04,762 --> 00:17:07,243 WATCHING YOU OUT THERE AS YOU WERE TRYING TO MAKE 368 00:17:07,287 --> 00:17:11,160 A BALANCING POLE FROM A BROOMSTICK. 369 00:17:18,428 --> 00:17:19,821 OH, MY BABY. 370 00:17:19,864 --> 00:17:21,692 OH, MY BABY. 371 00:17:21,736 --> 00:17:23,303 OH, PLEASE. 372 00:17:23,346 --> 00:17:24,739 MAEVE: WHY DO YOU FIGHT US? 373 00:17:24,782 --> 00:17:27,785 REID: IF I DIE, I'LL LET DOWN MY MOM... 374 00:17:29,396 --> 00:17:32,703 THE TEAM, EVERYBODY WHO DEPENDS ON ME. 375 00:17:34,444 --> 00:17:35,924 OHH. 376 00:17:37,578 --> 00:17:39,536 FAMILY IS RESILIENT. 377 00:17:39,580 --> 00:17:41,277 AND AS FOR STRANGERS, 378 00:17:41,321 --> 00:17:43,671 PEOPLE WERE HURT BEFORE YOU JOINED THE BAU, 379 00:17:43,714 --> 00:17:45,716 AND THEY'LL GET HURT WHENEVER YOU LEAVE. 380 00:17:45,760 --> 00:17:47,196 I GUESS I'M STUCK. 381 00:17:47,240 --> 00:17:50,286 MORE LIKE FROZEN FROM GRIEF. 382 00:17:52,332 --> 00:17:53,855 YOUR FATHER'S PHYSICAL ABSENCE, 383 00:17:53,898 --> 00:17:55,857 YOUR MOTHER'S PSYCHOLOGICAL ONE, ME. 384 00:17:55,900 --> 00:17:57,772 IT'S PARALYZING. 385 00:17:57,815 --> 00:17:59,774 HOW DO YOU MOVE THROUGH IT WHEN YOU CAN'T MOVE? 386 00:18:03,386 --> 00:18:04,996 YOU GO BACK TO THE BEGINNING. 387 00:18:08,043 --> 00:18:12,352 I GREW UP TELLING STORIES ABOUT WHO I WAS-- 388 00:18:12,395 --> 00:18:15,050 SON, FRIEND... 389 00:18:16,660 --> 00:18:18,967 STUDENT, TEACHER, 390 00:18:19,010 --> 00:18:20,186 GENIUS. 391 00:18:20,229 --> 00:18:21,665 HERO. 392 00:18:21,709 --> 00:18:25,060 YOU SEEK AND GAIN APPROVAL BY ANYONE. 393 00:18:25,104 --> 00:18:27,106 IT'S TIME TO STOP. 394 00:18:32,328 --> 00:18:33,808 YOU KEEP A NICE HOUSE. 395 00:18:33,851 --> 00:18:35,157 OH, THANKS. 396 00:18:35,201 --> 00:18:37,333 DAVE DOES HIS FAIR SHARE. 397 00:18:37,377 --> 00:18:39,988 I BET HE DOES. 398 00:18:40,031 --> 00:18:43,905 YOU KNOW, YOU HAVE A MOM ENERGY ABOUT YOU, 399 00:18:43,948 --> 00:18:45,341 CARETAKEY THING. 400 00:18:45,385 --> 00:18:46,951 MY MOM JUST DIED. 401 00:18:46,995 --> 00:18:48,344 I'M SO SORRY. 402 00:18:48,388 --> 00:18:49,780 YOU ARE? 403 00:18:49,824 --> 00:18:51,347 THANKS. 404 00:18:51,391 --> 00:18:52,957 SHE WAS A NIGHTMARE. 405 00:18:54,263 --> 00:18:55,786 BUT I LOVE MOMS. 406 00:18:55,830 --> 00:19:00,922 I HAD A DAUGHTER, AND SHE LOVED HER MOM AND MY MOM. 407 00:19:00,965 --> 00:19:04,839 SO I GET THE WHOLE MOM THING, YOU KNOW. 408 00:19:04,882 --> 00:19:07,189 ROSSI: BEARD, DIFFERENT GLASSES, 409 00:19:07,233 --> 00:19:09,235 DIFFERENT HAIR COLOR, DIFFERENT EYE COLOR, 410 00:19:09,278 --> 00:19:10,758 WHICH MEANS HE'S WEARING COLORED CONTACTS. 411 00:19:10,801 --> 00:19:12,760 CONMEN KNOW HOW TO CHANGE THEIR LOOK. 412 00:19:12,803 --> 00:19:15,850 TAKE A LOOK AT THIS FIRST IDENTITY AGAIN, WHEN HE WAS MACK. 413 00:19:21,203 --> 00:19:22,683 I NEED TO CHECK WITH DAVE. 414 00:19:22,726 --> 00:19:24,728 NAH. 415 00:19:29,255 --> 00:19:31,300 WHAT IF MY BRAIN'S BLEEDING OUT 416 00:19:31,344 --> 00:19:33,563 'CAUSE THERE'S NOTHING LEFT FOR ME TO DO? 417 00:19:33,607 --> 00:19:36,044 THE WORLD NEEDS YOU TO DO WHAT YOU LOVE. 418 00:19:36,087 --> 00:19:37,785 HAVE YOU DONE THAT? 419 00:19:40,091 --> 00:19:41,180 I DON'T KNOW. 420 00:19:41,223 --> 00:19:43,225 SURE YOU DO. WHAT DO YOU LOVE? 421 00:19:43,269 --> 00:19:45,923 I LOVE MAGIC 422 00:19:45,967 --> 00:19:47,403 AND GHOST STORIES. 423 00:19:47,447 --> 00:19:49,884 FIDDLING WITH YOUR PEN LIKE ME. [CHUCKLES] 424 00:19:49,927 --> 00:19:51,886 WHAT ELSE? 425 00:19:53,235 --> 00:19:54,932 JELL-O... 426 00:19:54,976 --> 00:19:56,978 KUMQUATS... 427 00:19:57,021 --> 00:19:59,546 UH... 428 00:19:59,589 --> 00:20:01,243 TEACHING, LEARNING, 429 00:20:01,287 --> 00:20:04,420 BOOKS, HOPE... 430 00:20:07,118 --> 00:20:09,860 MAKING CONNECTIONS... 431 00:20:12,036 --> 00:20:16,432 MAKING... MAKING A DIFFERENCE. 432 00:20:18,956 --> 00:20:19,957 YOU. 433 00:20:20,001 --> 00:20:22,003 I LOVE YOU. 434 00:20:24,135 --> 00:20:26,442 THAT'S A LOT TO LOVE. 435 00:20:28,052 --> 00:20:29,445 DOCTOR: MRS. REID? 436 00:20:29,489 --> 00:20:32,448 THE CONSERVATIVE APPROACH WOULD BE SURGERY. 437 00:20:32,492 --> 00:20:35,016 IT MAY REDUCE THE SWELLING AROUND SPENCER'S BRAIN FASTER. 438 00:20:35,059 --> 00:20:39,673 THERE IS RISK. IT COULD CAUSE SEIZURES AND EVEN MORE BLEEDING. 439 00:20:42,328 --> 00:20:45,331 I THOUGHT IT WAS TUESDAY, AND IT'S NOT TUESDAY. 440 00:20:45,374 --> 00:20:46,897 AND SO I CAN'T TELL YOU. 441 00:20:46,941 --> 00:20:48,029 COULD WE HAVE A MINUTE? 442 00:20:48,072 --> 00:20:49,639 SURE. 443 00:20:49,683 --> 00:20:50,988 WHAT WOULD HE WANT? 444 00:20:51,032 --> 00:20:53,469 I DON'T WANT TO MAKE THE DECISION. 445 00:20:53,513 --> 00:20:57,952 DIANA, YOU KNOW, ONE TIME SPENCER TOLD ME 446 00:20:57,995 --> 00:21:00,389 THAT YOU AND I ARE TWO OF THE SMARTEST PEOPLE HE KNOWS. 447 00:21:00,433 --> 00:21:02,086 I GUESS THERE'S SOME STUDY THAT SHOWS 448 00:21:02,130 --> 00:21:05,307 THAT THE HEART AND THE STOMACH HAVE LIKE CELLS OF CONSCIOUSNESS, 449 00:21:05,351 --> 00:21:06,700 LIKE A SECOND BRAIN. 450 00:21:06,743 --> 00:21:08,876 AND I GET IT THAT YOUR BRAIN HAS DONE THINGS 451 00:21:08,919 --> 00:21:10,443 TO ATTACK SPENCER SOMETIMES, 452 00:21:10,486 --> 00:21:13,881 BUT YOUR HEART AND YOUR GUTS HAVE ALWAYS KNOWN 453 00:21:13,924 --> 00:21:15,056 WHAT'S BEST FOR HIM. AM I RIGHT? 454 00:21:15,099 --> 00:21:16,318 YES. 455 00:21:16,362 --> 00:21:17,798 SO WE'RE JUST GONNA USE OUR BRILLIANT INSIDES 456 00:21:17,841 --> 00:21:20,540 TO MAKE A BRILLIANT CHOICE FOR SPENCER RIGHT NOW, OK? 457 00:21:22,716 --> 00:21:23,673 [EXHALES] 458 00:21:23,717 --> 00:21:25,153 [MONITORS BEEPING] 459 00:21:25,196 --> 00:21:26,328 [GASPS] OHH! 460 00:21:26,372 --> 00:21:27,808 WHAT'S HAPPENING TO MY BOY? 461 00:21:30,027 --> 00:21:31,899 WHAT IS HAPPENING TO HIM? 462 00:21:31,942 --> 00:21:34,380 LOOK, THERE'S NO WRONG CHOICE, 463 00:21:34,423 --> 00:21:36,904 BUT YOU HAVE TO DECIDE. 464 00:21:36,947 --> 00:21:39,210 YOU CAN STICK AROUND ON THE BLUE MARBLE 465 00:21:39,254 --> 00:21:42,388 OR TRAVEL OUT INTO THE GREAT UNKNOWN. 466 00:21:43,171 --> 00:21:44,912 IT'S TIME. 467 00:21:46,043 --> 00:21:48,350 WHAT ARE YOU GONNA DO? 468 00:21:59,100 --> 00:22:01,624 YOU REMEMBER OUR ONE AND ONLY FIGHT? 469 00:22:01,668 --> 00:22:03,539 ABOUT THE WORLD'S GREATEST POET? 470 00:22:03,583 --> 00:22:05,802 WE WERE ON THE PHONE FOR, I THINK, 4 HOURS. 471 00:22:05,846 --> 00:22:07,717 [LAUGHS] 472 00:22:10,894 --> 00:22:13,854 YOU NEED TO FIND THAT KIND OF PASSION WITH SOMEONE AGAIN. 473 00:22:16,291 --> 00:22:17,727 FIRST I NEED TO KNOW 474 00:22:17,771 --> 00:22:20,382 IF YOUR FAVORITE IS STILL-- 475 00:22:20,426 --> 00:22:22,297 E.E. CUMMINGS. 476 00:22:22,341 --> 00:22:25,344 "WHENEVER YOU THINK OR YOU BELIEVE OR YOU KNOW, 477 00:22:25,387 --> 00:22:26,997 "YOU'RE A LOT OF OTHER PEOPLE, 478 00:22:27,041 --> 00:22:31,698 BUT THE MOMENT YOU FEEL, YOU'RE NOBODY BUT YOURSELF." 479 00:22:31,741 --> 00:22:34,265 "TO BE NOBODY BUT YOURSELF... 480 00:22:34,309 --> 00:22:36,659 "IN A WORLD WHICH IS DOING ITS BEST NIGHT AND DAY 481 00:22:36,703 --> 00:22:38,400 "TO MAKE YOU EVERYBODY ELSE 482 00:22:38,444 --> 00:22:42,404 "MEANS TO FIGHT... THE HARDEST BATTLE 483 00:22:42,448 --> 00:22:44,493 "WHICH ANY HUMAN BEING CAN FIGHT; 484 00:22:44,537 --> 00:22:46,800 AND NEVER STOP FIGHTING." 485 00:22:54,764 --> 00:22:56,636 DIANA: SPENCER. 486 00:23:08,125 --> 00:23:09,692 SPENCER. 487 00:23:10,867 --> 00:23:12,695 CAN YOU HEAR ME? 488 00:23:14,915 --> 00:23:16,525 HI. 489 00:23:16,569 --> 00:23:18,135 THAT'S A GOOD SIGN. 490 00:23:18,179 --> 00:23:19,485 IS HE GONNA BE OK? 491 00:23:19,528 --> 00:23:21,791 HE'S PUTTING UP ONE HELL OF A FIGHT. 492 00:23:21,835 --> 00:23:23,445 BUT IT'S STILL TOO EARLY TO KNOW FOR SURE. 493 00:23:23,489 --> 00:23:25,404 I NEED TO KEEP HIM HERE FOR TESTS. 494 00:23:25,447 --> 00:23:27,797 EXCUSE ME. 495 00:23:31,497 --> 00:23:32,672 GARCIA: HEY.HOW IS HE? 496 00:23:32,715 --> 00:23:34,761 HE'S STABLE.LEWIS: THANK GOD. 497 00:23:34,804 --> 00:23:35,805 IS HE AWAKE? 498 00:23:35,849 --> 00:23:37,328 HE OPENED HIS EYES FOR A SECOND. 499 00:23:37,372 --> 00:23:38,634 IT'S PROGRESS. 500 00:23:38,678 --> 00:23:40,288 PLEASE TELL HIM I WILL BE THERE AS SOON AS I CAN. 501 00:23:40,331 --> 00:23:41,637 YOU BET I WILL. WHAT'S GOING ON WITH LYNCH? 502 00:23:41,681 --> 00:23:43,683 WE'RE THINKING GRACE'S MOM MIGHT BE A CLUE 503 00:23:43,726 --> 00:23:44,858 TO WHERE HE'S GOING. 504 00:23:44,901 --> 00:23:47,687 I REMEMBER WE DIDN'T HAVE A LOT ON HER. 505 00:23:47,730 --> 00:23:52,169 LIZ COSTER. SHE GAVE BIRTH TO GRACE WHEN SHE WAS 22. 506 00:23:52,213 --> 00:23:55,390 AND SHE OD'd ON OXY 5 YEARS AGO. 507 00:23:55,434 --> 00:23:56,565 UHH. 508 00:23:56,609 --> 00:23:58,480 WHAT'S UP, DAVE? 509 00:23:58,524 --> 00:24:00,482 LYNCH WROTE ME INTO HIS STORY. 510 00:24:00,526 --> 00:24:02,049 I'VE GOT TO BE PART OF HIS END GAME. 511 00:24:02,092 --> 00:24:05,008 I NEED MORE SECURITY FOR KRYSTALL. 512 00:24:05,052 --> 00:24:06,923 [LINE RINGS] 513 00:24:06,967 --> 00:24:09,012 KRYSTALL: I SAW HIS BADGE, I JUST OPENED THE DOOR. 514 00:24:09,056 --> 00:24:10,840 I'M SO SORRY. 515 00:24:12,538 --> 00:24:14,235 YOU FIGURE IT OUT YET, DAVID? 516 00:24:14,278 --> 00:24:16,498 I'VE GOT SOMETHING YOU NEED, AND YOU'RE HOLDING MY WIFE HOSTAGE 517 00:24:16,542 --> 00:24:17,717 UNTIL YOU GET IT? 518 00:24:17,760 --> 00:24:20,546 CALL IN ALL YOUR FAVORS. IT'S GONNA BE A DOOZY. 519 00:24:22,809 --> 00:24:24,767 THEY'RE NEAR CENTERPORT. 520 00:24:24,811 --> 00:24:25,725 WE NEED A PLAN. 521 00:24:25,768 --> 00:24:27,553 WHAT KIND OF PLAN?A GREAT PLAN. 522 00:24:27,596 --> 00:24:30,991 I KNOW WHAT HE WANTS. CALL THE DIRECTOR, NO ONE ELSE. 523 00:24:31,034 --> 00:24:32,862 THIS ONLY WORKS IF IT'S NEED TO KNOW. 524 00:24:32,906 --> 00:24:33,863 WHAT IS IT? 525 00:24:33,907 --> 00:24:35,952 WE'RE GONNA HAVE TO MAKE A TRADE. 526 00:24:37,519 --> 00:24:39,782 HAS HE BEEN HERE BEFORE? 527 00:24:39,826 --> 00:24:42,176 IN THE HOSPITAL, LIKE THIS? 528 00:24:42,219 --> 00:24:43,482 YES. 529 00:24:43,525 --> 00:24:46,136 WERE YOU HERE FOR HIM? 530 00:24:46,180 --> 00:24:47,137 YES. 531 00:24:47,181 --> 00:24:48,574 AW, HOW AWFUL. 532 00:24:48,617 --> 00:24:50,880 IT WAS, ACTUALLY. 533 00:24:50,924 --> 00:24:54,797 AND THEN THERE WAS THE TIME AGENT HOTCHNER WAS IN THE HOSPITAL. 534 00:24:54,841 --> 00:24:56,843 AND MORGAN'S WIFE. 535 00:24:58,018 --> 00:24:59,846 AND JJ EARLIER THIS YEAR 536 00:24:59,889 --> 00:25:01,500 AND...ME. 537 00:25:01,543 --> 00:25:03,023 [GUNSHOT, GASPS] 538 00:25:03,066 --> 00:25:04,764 [INDISTINCT CHATTER] 539 00:25:04,807 --> 00:25:06,200 MAN: LET THEM KNOW WE'RE COMING IN. CODE 3. 540 00:25:06,243 --> 00:25:08,637 YEAH, I'VE... 541 00:25:08,681 --> 00:25:12,162 I'VE ACTUALLY BEEN IN HOSPITALS MORE TIMES 542 00:25:12,206 --> 00:25:14,208 THAN I AM CARING TO ADMIT. 543 00:25:14,251 --> 00:25:19,474 SOMETIMES I THINK THERE'S GOT TO BE A BETTER WAY, YOU KNOW. 544 00:25:23,522 --> 00:25:25,219 THERE'S GOT TO BE A BETTER PLACE. 545 00:25:25,262 --> 00:25:28,309 DIANA: THERE IS. THERE IS FOR ALL OF US. 546 00:25:30,311 --> 00:25:34,533 SPENCER, I SAW SOME CUMULIFORM HEAPS TODAY. 547 00:25:34,576 --> 00:25:36,883 HIS FAVORITE CLOUDS. 548 00:25:36,926 --> 00:25:38,449 I PLUCKED THAT FOR HIM. 549 00:25:38,493 --> 00:25:41,278 EVERYTHING IS UP THERE. 550 00:25:41,322 --> 00:25:44,586 AND WE PLUCK WHAT WE WANT WHEN WE WANT 551 00:25:44,630 --> 00:25:46,849 AND WE LET GO WHAT WE DON'T. 552 00:25:46,893 --> 00:25:48,851 THAT SOUNDS VERY GOOD. 553 00:25:48,895 --> 00:25:54,030 OK, I AM PLUCKING A MEMORY ABOUT... 554 00:25:54,074 --> 00:25:58,861 SPENCER'S EYES, AND THEY ARE BROWN WITH GOLD ON THE OUTSIDE. 555 00:25:58,905 --> 00:26:01,864 I THINK THEY'RE GOLD ON THE INSIDE. 556 00:26:04,780 --> 00:26:06,869 GOLD ON THE INSIDE. 557 00:26:06,913 --> 00:26:08,131 GOLD ON THE INSIDE. 558 00:26:08,175 --> 00:26:10,438 HEY, WE WERE JUST PLUCKING EYE MEMORIES OF YOU. 559 00:26:10,481 --> 00:26:11,613 I HEARD YOU. 560 00:26:11,657 --> 00:26:14,747 FORGOT HOW MUCH I LOVED THOSE CLOUDS, MOM. 561 00:26:14,790 --> 00:26:16,183 YOU HELPED ME REMEMBER. 562 00:26:16,226 --> 00:26:18,098 I DID, HUH? 563 00:26:18,141 --> 00:26:20,448 WELL, MAYBE I CAN COME BACK TOMORROW 564 00:26:20,491 --> 00:26:22,842 AND WE CAN WATCH CLOUDS TOGETHER. 565 00:26:22,885 --> 00:26:24,800 AM I ALIVE, OR IS THIS HEAVEN? 566 00:26:24,844 --> 00:26:27,194 SWEETIE, YOU ARE VERY MUCH ALIVE. 567 00:26:31,502 --> 00:26:34,157 ROSSI: THERE'S GONNA BE TWO SUVs PULLING IN. 568 00:26:34,201 --> 00:26:35,463 I'M IN THE FIRST ONE. 569 00:26:35,506 --> 00:26:36,551 OK. 570 00:26:36,595 --> 00:26:37,770 FALL IN BEHIND ME. 571 00:26:55,831 --> 00:26:57,877 [TIRES SQUEAL] 572 00:27:01,837 --> 00:27:02,795 NO, NO, NO, NO. NOPE, NOPE, NOPE. 573 00:27:02,838 --> 00:27:03,839 AHH! NO. 574 00:27:03,883 --> 00:27:04,840 PUT THEM AWAY. 575 00:27:04,884 --> 00:27:06,146 YOU OK? 576 00:27:06,189 --> 00:27:07,582 HE DIDN'T HURT ME. 577 00:27:07,626 --> 00:27:08,670 PRENTISS: LYNCH, WE NEED MORE TIME. 578 00:27:08,714 --> 00:27:11,847 OUR PILOTS REFUSE TO LEAVE U.S. AIRSPACE. 579 00:27:11,891 --> 00:27:13,370 YOU DIDN'T PROFILE THAT ABOUT ME? 580 00:27:13,414 --> 00:27:16,025 YOU SEE, THE WEALTHY LADIES THAT I SEDUCE, 581 00:27:16,069 --> 00:27:17,723 THEY ARE SUCKERS FOR A REAL-LIFE PILOT. 582 00:27:17,766 --> 00:27:19,594 HA HA! 583 00:27:19,638 --> 00:27:21,552 SO YOU GOT THE KEYS? YOU FUELED UP, READY TO GO? 584 00:27:21,596 --> 00:27:23,380 ONE CONDITION. TAKE ME. 585 00:27:23,424 --> 00:27:25,078 SHE'S GOT NOTHING TO DO WITH THIS. 586 00:27:25,121 --> 00:27:27,167 I NEED A HOSTAGE, DAVE, NOT A MARTYR. 587 00:27:27,210 --> 00:27:28,603 KRYSTALL: NO! 588 00:27:28,647 --> 00:27:30,387 YOU PUT ME ON THAT PLANE WITH YOU 589 00:27:30,431 --> 00:27:32,738 WITH YOU AND NOBODY'S GONNA SHOOT YOU OUT OF THE SKY. 590 00:27:32,781 --> 00:27:36,263 THEY'LL LET YOU LAND, YOU'LL DISAPPEAR, 591 00:27:36,306 --> 00:27:38,047 AND YOU'LL NEVER HEAR FROM ME AGAIN. 592 00:27:38,091 --> 00:27:40,615 HOW DO YOU KNOW YOU'D LIVE TO TELL ABOUT IT? 593 00:27:40,659 --> 00:27:43,487 I'M WILLING TO TAKE THAT RISK. 594 00:27:45,751 --> 00:27:47,448 YEAH? 595 00:27:53,541 --> 00:27:54,629 ALL RIGHT, LET'S GO. 596 00:27:56,109 --> 00:27:58,328 PAT YOUR HUSBAND DOWN FOR ME, WILL YOU, DOLL? 597 00:27:58,372 --> 00:27:59,721 AND LOSE THE VEST. 598 00:28:01,027 --> 00:28:03,159 LET'S GO. WE'RE WASTING TIME. 599 00:28:03,203 --> 00:28:04,508 MY GUN'S IN THE CAR. 600 00:28:04,552 --> 00:28:07,642 THIS CAN'T BE HOW IT ENDS. 601 00:28:08,643 --> 00:28:09,557 I LOVE YOU. 602 00:28:09,600 --> 00:28:11,167 I LOVE YOU. 603 00:28:12,473 --> 00:28:15,128 ALL RIGHT, PUT THESE ON, OLD MAN. 604 00:28:15,171 --> 00:28:17,608 [HANDCUFFS CLICK] 605 00:28:17,652 --> 00:28:18,958 LYNCH: COME ON. 606 00:28:19,001 --> 00:28:20,611 I LOVE YOU. 607 00:28:23,005 --> 00:28:24,311 THERE'S NO SHOT. 608 00:28:24,354 --> 00:28:25,965 LYNCH WON'T GIVE US A LINE OF SIGHT. 609 00:28:42,416 --> 00:28:43,765 SIT DOWN. 610 00:28:50,467 --> 00:28:55,646 GROUND, THIS IS GULF NOVEMBER 3-4 JULIET ECHO 1-1 611 00:28:55,690 --> 00:28:57,736 REQUESTING PERMISSION TO TAXI FOR DEPARTURE. 612 00:28:57,779 --> 00:29:00,782 MAN: GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 613 00:29:00,826 --> 00:29:02,958 WE ARE CURRENTLY CLEARING THE JETWAY FOR YOUR DEPARTURE 614 00:29:03,002 --> 00:29:04,307 ON RUNWAY 2-5. 615 00:29:04,351 --> 00:29:05,569 PLEASE STAND BY. 616 00:29:05,613 --> 00:29:06,962 ROGER THAT. 617 00:29:07,006 --> 00:29:10,226 YOU KNOW, THERE'S SO MANY BRIGHT SIDES TO WHAT I DO. 618 00:29:10,270 --> 00:29:12,925 I GUESS YOU CAN CALL ME A LIFELONG LEARNER. 619 00:29:12,968 --> 00:29:15,362 WHEN I WAS 19, I TAUGHT MYSELF SPANISH. 620 00:29:15,405 --> 00:29:17,843 I ALWAYS FIGURED THE BEACHES OF MEXICO WOULD BE A BEAUTIFUL PLACE 621 00:29:17,886 --> 00:29:19,322 TO SPEND THE REST OF MY DAYS. 622 00:29:19,366 --> 00:29:21,281 PRENTISS, COME ON, YOU SAID WE NEEDED A GREAT PLAN. 623 00:29:21,324 --> 00:29:22,630 AND WE HAVE ONE. 624 00:29:22,673 --> 00:29:24,937 IT STARTED 20 YEARS AGO WHEN DAVID ROSSI 625 00:29:24,980 --> 00:29:27,591 AND JASON GIDEON SUBMITTED THEIR FIRST REQUISITION 626 00:29:27,635 --> 00:29:28,984 FOR A PRIVATE JET. 627 00:29:29,028 --> 00:29:31,552 THERE ARE THINGS NONE OF YOU KNOW ABOUT THAT JET. 628 00:29:33,119 --> 00:29:34,860 THINK YOU'LL BE SATISFIED? 629 00:29:34,903 --> 00:29:37,427 LAYING LOW IN MEXICO? 630 00:29:37,471 --> 00:29:38,602 YEAH, YEAH. 631 00:29:38,646 --> 00:29:39,995 I'LL KEEP MYSELF BUSY. 632 00:29:40,039 --> 00:29:43,259 MAN: GROUND TO GULF NOVEMBER 3-4 JULIET ECHO 1-1. 633 00:29:43,303 --> 00:29:44,783 TAXI TO RUNWAY 2-5. 634 00:29:44,826 --> 00:29:46,697 HOLD SHORT OF DELTA.ROGER THAT. 635 00:29:46,741 --> 00:29:49,396 I MEAN, JUST THINK ABOUT ALL THOSE LONELY BEAUTIES DOWN THERE. 636 00:29:49,439 --> 00:29:50,876 NO, NO, NO, IT'S DEFINITELY THE PERFECT PLACE 637 00:29:50,919 --> 00:29:52,965 FOR A GUY LIKE ME TO DISAPPEAR, 638 00:29:53,008 --> 00:29:55,010 GET ON WITH THE REST OF MY LIFE. 639 00:29:56,185 --> 00:29:58,187 [GUNSHOT] 640 00:29:59,841 --> 00:30:01,625 AHH! 641 00:30:01,669 --> 00:30:03,714 [GUNSHOT] 642 00:30:03,758 --> 00:30:04,977 [ROSSI GROANS] 643 00:30:05,020 --> 00:30:07,675 HA HA HA! 644 00:30:09,808 --> 00:30:10,852 OK. 645 00:30:20,340 --> 00:30:21,863 AH, THANK GOODNESS. 646 00:30:21,907 --> 00:30:23,909 ROSSI. ROSSI, COME ON. 647 00:30:31,307 --> 00:30:33,005 PRENTISS: FIRE AT THE FUEL TANK. 648 00:30:33,048 --> 00:30:34,702 [GUNSHOTS] 649 00:30:34,745 --> 00:30:36,051 UHH. 650 00:30:43,406 --> 00:30:45,060 JAREAU: GET BACK! TAKE COVER. 651 00:30:55,723 --> 00:30:57,203 OK. 652 00:31:22,489 --> 00:31:24,360 [POP] 653 00:31:26,406 --> 00:31:28,712 [APPROACHING FOOTSTEPS] 654 00:31:34,327 --> 00:31:37,243 IT'S GONNA BE A HELL OF A PARTY. 655 00:31:37,286 --> 00:31:38,940 YEP. 656 00:31:38,984 --> 00:31:41,290 YOU OK? 657 00:31:41,334 --> 00:31:43,814 I WILL BE. IT'S JUST... 658 00:31:43,858 --> 00:31:45,512 HARD TO BELIEVE, YOU KNOW. 659 00:31:45,555 --> 00:31:47,470 [DOORBELL RINGS] 660 00:31:51,387 --> 00:31:53,433 [MUSIC PLAYING] 661 00:31:54,738 --> 00:31:58,307 JAREAU: HEY, SOMEONE KNOWS HOW TO THROW A PARTY. 662 00:31:58,351 --> 00:32:01,876 ♪ I SAW YOU STANDING 663 00:32:01,920 --> 00:32:06,315 ♪ BEHIND THE LOOKING GLASS... 664 00:32:06,359 --> 00:32:09,318 THEY SAY THAT GOOD THINGS HAPPEN TO GOOD PEOPLE. 665 00:32:09,362 --> 00:32:10,319 CHEERS. 666 00:32:10,363 --> 00:32:14,976 ♪ TAKE WHAT YOU WANT 667 00:32:15,020 --> 00:32:18,327 ♪ BUT TAKE IT FAST 668 00:32:20,460 --> 00:32:23,550 ♪ OH 669 00:32:27,946 --> 00:32:31,166 ♪ I FEEL LIKE DANCING 670 00:32:36,519 --> 00:32:39,958 ♪ IT WON'T BE LONG 671 00:32:40,001 --> 00:32:46,399 ♪ TILL I'M BACK 672 00:32:50,185 --> 00:32:51,534 PRENTISS: WOW. 673 00:32:51,578 --> 00:32:54,668 HOW MANY PARTIES HAVE YOU THROWN? 674 00:32:54,711 --> 00:32:55,974 NOT NEAR ENOUGH. 675 00:32:56,017 --> 00:32:57,410 HA HA HA. 676 00:32:57,453 --> 00:33:00,804 NOW THIS IS A PERFECT BACKYARD. 677 00:33:00,848 --> 00:33:02,502 YOU TWO HOUSE HUNTING? 678 00:33:02,545 --> 00:33:04,765 IN DENVER. 679 00:33:04,808 --> 00:33:06,375 DON'T WORRY, I'M NOT LEAVING. 680 00:33:06,419 --> 00:33:09,552 I'M KEEPING MY PLACE HERE, BUT WE ARE LOOKING AT LAND OUT THERE. 681 00:33:09,596 --> 00:33:11,337 IT'S A GOOD TIME TO INVEST. 682 00:33:11,380 --> 00:33:12,642 ABSOLUTELY. 683 00:33:12,686 --> 00:33:16,777 HEY, LOOKING GOOD, DAVE. HOW'S THE LEG? 684 00:33:16,820 --> 00:33:18,300 WELL, IT'S BEEN A LONG MONTH, 685 00:33:18,344 --> 00:33:20,259 BUT I'M BACK IN BUSINESS. 686 00:33:20,302 --> 00:33:21,869 BUT HOW'S THAT LITTLE ROSE DOING? 687 00:33:21,912 --> 00:33:23,566 SHE'S THE BEST BABY EVER. 688 00:33:23,610 --> 00:33:27,222 MAYBE BECAUSE IT'S NUMBER 5 AND NOT MUCH CAN SURPRISE US ANYMORE. 689 00:33:27,266 --> 00:33:28,963 MAYBE IT'S BECAUSE WE'RE ACTUALLY GETTING SLEEP. 690 00:33:29,007 --> 00:33:31,183 OH, NOT TONIGHT YOU'RE NOT, MY FRIEND. 691 00:33:31,226 --> 00:33:34,186 THIS IS GONNA BE THE CELEBRATION TO END ALL CELEBRATIONS. 692 00:33:34,229 --> 00:33:35,709 FULL COMMITMENT FROM EVERYONE. 693 00:33:35,752 --> 00:33:37,145 ROSSI: YOU GOT IT. 694 00:33:37,189 --> 00:33:39,539 CAN'T BELIEVE IT. THE BAND IS BREAKING UP. 695 00:33:39,582 --> 00:33:40,583 ROSSI: HOW YOU FEELING, KID? 696 00:33:40,627 --> 00:33:41,584 I'M FEELING GREAT, 697 00:33:41,628 --> 00:33:42,716 AND I'M STARTING BACK NEXT WEEK. 698 00:33:42,759 --> 00:33:44,065 CAN'T LET THE TEAM BE DOWN TWO MEMBERS. 699 00:33:44,109 --> 00:33:46,328 OH, COME ON, TEACHING AND CONSULTING? 700 00:33:46,372 --> 00:33:47,416 YOU'RE MAKING ME LOOK BAD. 701 00:33:47,460 --> 00:33:49,027 JUST DOING WHAT I LOVE. 702 00:33:49,070 --> 00:33:51,507 ALVEZ: HEY, I WILL DRINK TO THAT. 703 00:33:51,551 --> 00:33:54,597 UH, YOU'RE NOT SUPPOSED TO START THE FESTIVITIES 704 00:33:54,641 --> 00:33:57,383 UNTIL THE BELLE OF BALL HAS ARRIVED. 705 00:33:57,426 --> 00:33:58,906 DON'T WORRY, OK, 706 00:33:58,949 --> 00:34:01,082 'CAUSE THIS IS GONNA BE THE FIRST OF MANY. 707 00:34:01,126 --> 00:34:02,823 KRISTY: PENELOPE, CONGRATULATIONS. 708 00:34:02,866 --> 00:34:05,260 HERE I THOUGHT WE WERE COMING TO CELEBRATE DAVE'S RETIREMENT, 709 00:34:05,304 --> 00:34:07,306 BUT MATT SAID IT IS YOUR FAREWELL PARTY. 710 00:34:07,349 --> 00:34:09,134 AND YOU HAD LIKE A HUNDRED OFFERS. 711 00:34:09,177 --> 00:34:11,614 OH, THAT'S ONLY IF YOU ROUND UP, BUT YES. 712 00:34:11,658 --> 00:34:13,834 ANYWAY, IT'S NONPROFIT, IT'S CLOSE TO HERE, 713 00:34:13,877 --> 00:34:17,098 AND THE DRESS CODE ISN'T ALL FBI CONSERVATIVE LIKE I'VE BEEN HAVING TO DO. 714 00:34:17,142 --> 00:34:20,319 I'M STILL IN DENIAL THAT YOU'RE LEAVING. 715 00:34:20,362 --> 00:34:21,885 IT WON'T BE THE SAME WITHOUT YOU. 716 00:34:21,929 --> 00:34:23,191 BETTER NOT BE. 717 00:34:23,235 --> 00:34:25,889 DAVE DECIDED HE WASN'T GOING TO RETIRE. 718 00:34:25,933 --> 00:34:27,282 HE DIDN'T WANT THE TEAM TO GO THROUGH TOO MUCH 719 00:34:27,326 --> 00:34:29,284 OF A TRANSITION ALL AT ONCE. 720 00:34:29,328 --> 00:34:31,417 KRYSTALL: THAT'S 'CAUSE DAVE'S NEVER GONNA ACTUALLY DO IT. 721 00:34:31,460 --> 00:34:32,679 [LAUGHTER] 722 00:34:32,722 --> 00:34:34,463 HEY, LOOK, BEING WITH YOU ALL, 723 00:34:34,507 --> 00:34:38,119 DOING WHAT FEW OTHERS CAN, 724 00:34:38,163 --> 00:34:39,947 THAT'S WHERE I BELONG. 725 00:34:41,296 --> 00:34:43,951 BUT THIS NIGHT IS NOT ABOUT ME. 726 00:34:43,994 --> 00:34:46,345 TO OUR BELOVED PENELOPE. 727 00:34:46,388 --> 00:34:47,346 OHH! 728 00:34:47,389 --> 00:34:49,435 A SALUT. ALL: A SALUT. 729 00:34:49,478 --> 00:34:51,741 [LAUGHTER] 730 00:34:51,785 --> 00:34:58,270 ALL: ♪ AND YOU, YOU WILL BE QUEEN ♪ 731 00:35:00,794 --> 00:35:04,145 ♪ THOUGH NOTHING 732 00:35:04,189 --> 00:35:06,408 ♪ WILL DRIVE US AWAY 733 00:35:06,452 --> 00:35:08,236 [LAUGHTER] 734 00:35:08,280 --> 00:35:12,849 ♪ WE CAN BE HEROES 735 00:35:12,893 --> 00:35:14,329 ♪ JUST FOR ONE DAY 736 00:35:14,373 --> 00:35:15,722 JUST FOR ONE DAY, BABY. 737 00:35:15,765 --> 00:35:17,506 JUST FOR ONE DAY. 738 00:35:17,550 --> 00:35:19,595 ♪ WE CAN BE US 739 00:35:21,641 --> 00:35:23,599 ♪ JUST FOR ONE DAY 740 00:35:23,643 --> 00:35:25,340 [INDISTINCT] 741 00:35:26,907 --> 00:35:30,258 ♪ I 742 00:35:30,302 --> 00:35:32,391 ♪ I CAN REMEMBER 743 00:35:32,434 --> 00:35:35,307 ♪ I CAN REMEMBER 744 00:35:35,350 --> 00:35:38,266 ♪ STANDING 745 00:35:38,310 --> 00:35:40,486 ♪ BY THE WALL 746 00:35:40,529 --> 00:35:44,359 ♪ BY THE WALL, BY THE WALL ♪ 747 00:35:44,403 --> 00:35:45,926 AND AGAIN! 748 00:35:47,449 --> 00:35:49,538 ♪ SHOT ABOVE OUR HEADS 749 00:35:49,582 --> 00:35:51,714 ♪ ABOVE OUR HEADS 750 00:35:51,758 --> 00:35:52,889 ♪ AND WE KISSED 751 00:35:52,933 --> 00:35:54,326 KISS! 752 00:35:54,369 --> 00:35:57,546 ♪ AS THOUGH NOTHING COULD FALL ♪ 753 00:35:57,590 --> 00:36:00,114 ♪ NOTHING COULD FALL 754 00:36:00,158 --> 00:36:01,985 ♪ AND THE SHAME 755 00:36:02,029 --> 00:36:03,378 THE SHAME! 756 00:36:03,422 --> 00:36:04,510 SHAME! 757 00:36:04,553 --> 00:36:08,383 ♪ WAS ON THE OTHER SIDE 758 00:36:08,427 --> 00:36:12,213 ♪ OH, WE CAN BEAT THEM 759 00:36:12,257 --> 00:36:14,955 ♪ FOREVER AND EVER 760 00:36:17,131 --> 00:36:21,353 ♪ THEN WE COULD BE HEROES 761 00:36:21,396 --> 00:36:23,703 ♪ JUST FOR ONE DAY 762 00:36:23,746 --> 00:36:26,096 [LAUGHTER] 763 00:36:29,491 --> 00:36:32,712 ♪ WE COULD BE HEROES 764 00:36:38,065 --> 00:36:41,416 ♪ WE COULD BE HEROES 765 00:36:45,072 --> 00:36:47,422 ♪ WE DON'T NEED NO... 766 00:36:51,513 --> 00:36:53,559 THANK YOU. 767 00:36:56,736 --> 00:36:58,607 SO, UH... 768 00:37:02,089 --> 00:37:06,093 I WAS THINKING SINCE WE'RE NOT GONNA WORK TOGETHER ANYMORE, 769 00:37:06,136 --> 00:37:08,617 THAT, UH, 770 00:37:08,661 --> 00:37:10,576 MAYBE I COULD TAKE YOU TO DINNER. 771 00:37:13,231 --> 00:37:14,449 YEAH. 772 00:37:15,624 --> 00:37:17,060 YEAH? 773 00:37:17,104 --> 00:37:18,279 YEAH. 774 00:37:18,323 --> 00:37:19,367 WE'LL EAT. 775 00:37:19,411 --> 00:37:20,890 I--YEAH. 776 00:37:21,978 --> 00:37:23,589 COOL. MM-HMM. 777 00:37:24,807 --> 00:37:27,114 PENELOPE REMINDS ALL OF US 778 00:37:27,157 --> 00:37:28,855 THAT CHANGE IS GOOD-- 779 00:37:28,898 --> 00:37:30,552 PAINFUL, BUT GOOD. 780 00:37:30,596 --> 00:37:35,035 AND AS MUCH PAIN AS LYNDA BARNES CAUSED ALL OF US, 781 00:37:35,078 --> 00:37:37,733 SHE HAS INSPIRED ME TO CHANGE. 782 00:37:37,777 --> 00:37:39,909 SO I'M CUTTING ALL MY HAIR OFF. GET READY. 783 00:37:39,953 --> 00:37:42,825 [LAUGHTER] 784 00:37:42,869 --> 00:37:46,481 SO, UM, I'VE GROWN UP WITH PENELOPE, 785 00:37:46,525 --> 00:37:49,789 NOT AS KIDS, BUT AS ADULTS. 786 00:37:49,832 --> 00:37:53,401 AND SHE HAS BECOME MY SISTER-- 787 00:37:53,445 --> 00:37:57,797 THERE FOR ME WHEREVER I'VE FOUND MYSELF. 788 00:37:57,840 --> 00:38:00,452 ONCE SHE SAID THAT I WAS 789 00:38:00,495 --> 00:38:03,455 THE GLUE THAT KEPT THIS TEAM TOGETHER. 790 00:38:03,498 --> 00:38:06,066 BUT WE ALL KNOW 791 00:38:06,109 --> 00:38:07,763 THAT THAT WAS REALLY YOU. 792 00:38:13,378 --> 00:38:17,730 SO WE'RE AT THE BEGINNING OF THE END. 793 00:38:17,773 --> 00:38:21,473 AND THIS TIME NEXT WEEK, WE'RE NOT GONNA BE TOGETHER 794 00:38:21,516 --> 00:38:23,910 LIKE WE HAVE BEEN FOR AS LONG AS I CAN REMEMBER. 795 00:38:23,953 --> 00:38:29,394 I NEED YOU EACH TO KNOW THAT YOU HOLD A REALLY SPECIAL PLACE IN MY HEART. 796 00:38:29,437 --> 00:38:30,612 AND... 797 00:38:30,656 --> 00:38:34,050 I WANT TO FREEZE RIGHT NOW. 798 00:38:34,094 --> 00:38:37,532 I WANT TO SOAK THIS IN. 799 00:38:48,369 --> 00:38:51,764 THERE, I DID. 800 00:38:53,940 --> 00:38:58,379 THANK YOU FOR LETTING ME BE A PART OF THIS FOR SO LONG. 801 00:38:58,423 --> 00:39:01,034 AND THANK YOU FOR REMINDING ME 802 00:39:01,077 --> 00:39:04,298 THAT THERE IS AN INFINITE AMOUNT OF HEROISM 803 00:39:04,342 --> 00:39:06,213 AND KINDNESS IN THE WORLD, 804 00:39:06,256 --> 00:39:08,998 NO MATTER HOW BLEAK IT SEEMS. 805 00:39:10,435 --> 00:39:13,394 MY FAVORITE BAND SAYS THE LOVE YOU TAKE 806 00:39:13,438 --> 00:39:14,700 IS EQUAL TO THE LOVE YOU MAKE. 807 00:39:14,743 --> 00:39:17,485 SO INSTEAD OF A TOAST, 808 00:39:17,529 --> 00:39:19,487 I WANT TO MAKE A PROMISE. 809 00:39:19,531 --> 00:39:23,273 CAN WE PLEASE PROMISE THAT NO MATTER WHERE WE GO AFTER THIS 810 00:39:23,317 --> 00:39:28,627 THAT WE KEEP THIS FEELING IN OUR HEARTS? 811 00:39:28,670 --> 00:39:29,715 CHEERS. 812 00:39:29,758 --> 00:39:31,194 ALL: SALUT! 813 00:39:32,587 --> 00:39:34,459 SALUT! 814 00:39:48,255 --> 00:39:50,736 OK, LADY AND GENT, I KNOW THEY JUST LOOK LIKE BOXES, 815 00:39:50,779 --> 00:39:52,999 BUT ONE OF THOSE IS A VINTAGE STAPLER COLLECTION, 816 00:39:53,042 --> 00:39:54,435 SO BE CAREFUL. 817 00:39:54,479 --> 00:39:55,436 THANK YOU SO MUCH. 818 00:39:55,480 --> 00:39:57,090 WHAT'S WITH THE BOX BRIGADE? 819 00:39:57,133 --> 00:39:59,222 I THOUGHT YOU WEREN'T LEAVING TILL THE END OF THE WEEK. 820 00:39:59,266 --> 00:40:02,835 WAIT, MOVING OUT OF HERE LIKE THE COLTS DID BALTIMORE? 821 00:40:02,878 --> 00:40:04,576 OK, NO ONE KNOWS WHAT THAT MEANS. 822 00:40:04,619 --> 00:40:06,795 SO YOU WEREN'T GONNA TELL US? 823 00:40:06,839 --> 00:40:09,058 [SIGHS] 824 00:40:09,102 --> 00:40:11,626 IT'S JUST THAT LAST NIGHT WAS SUCH A PERFECT GOOD-BYE, 825 00:40:11,670 --> 00:40:13,715 RIGHT, AND I THOUGHT WHY NOT END ON A HIGH? 826 00:40:13,759 --> 00:40:15,238 PENELOPE. 827 00:40:15,282 --> 00:40:17,632 I CAN SEE I WAS WRONG. 828 00:40:17,676 --> 00:40:19,895 LOOK, I GOT SOME TREATS FOR THE MOVERS. 829 00:40:19,939 --> 00:40:22,463 AND I COULD PUT THE KETTLE ON AND WE COULD HAVE TEA 830 00:40:22,507 --> 00:40:23,769 LIKE CIVILIZED PEOPLE. 831 00:40:23,812 --> 00:40:24,987 YEAH? 832 00:40:25,031 --> 00:40:26,815 ALVEZ: WE CAN TRY. 833 00:40:26,859 --> 00:40:28,817 DON'T BALEFULLY LOOK AT ME. I'M REALLY SORRY. 834 00:40:28,861 --> 00:40:31,167 [CHUCKLES] 835 00:40:31,211 --> 00:40:33,779 SO YOU EXPECTING THE QUEEN? 836 00:40:33,822 --> 00:40:35,433 ALWAYS. 837 00:40:35,476 --> 00:40:38,697 I BEQUEATH THIS-- [INHALES] 838 00:40:38,740 --> 00:40:40,307 TO YOU. 839 00:40:40,350 --> 00:40:41,700 PLEASE TAKE CARE OF HER. 840 00:40:41,743 --> 00:40:48,489 AHH. AND HERE I THOUGHT I WAS OUT OF TEARS. 841 00:40:50,186 --> 00:40:51,579 OH, AND, UM, 842 00:40:51,623 --> 00:40:55,235 I KNOW THAT THERE'S NOT 8 OF US ANYMORE, BUT. 843 00:40:57,237 --> 00:40:59,631 I'M GONNA NAME HER MILDRED. 844 00:40:59,674 --> 00:41:00,632 [CELLPHONE CHIMES, VIBRATES] 845 00:41:00,675 --> 00:41:02,721 OH. 846 00:41:02,764 --> 00:41:05,637 WE WILL DEBRIEF ON THE JET. WHEELS UP. 847 00:41:05,680 --> 00:41:07,726 WE GOT A NEW ONE? 848 00:41:07,769 --> 00:41:10,642 YES, AND THIS WILL BE HER MAIDEN VOYAGE. 849 00:41:10,685 --> 00:41:13,688 I LOVE THE SMELL OF A NEW JET IN THE MORNING. 850 00:41:16,299 --> 00:41:18,693 ♪ GOOD NIGHT 851 00:41:18,737 --> 00:41:20,826 ♪ GOOD-BYE 852 00:41:20,869 --> 00:41:22,871 ♪ GOOD LUCK 853 00:41:22,915 --> 00:41:25,352 ♪ DON'T CRY 854 00:41:25,395 --> 00:41:27,746 ♪ IT'S THE EDGE 855 00:41:27,789 --> 00:41:30,488 ♪ OF IT ALL 856 00:41:30,531 --> 00:41:32,620 ♪ IT'S THE EDGE 857 00:41:32,664 --> 00:41:34,970 ♪ OF IT ALL 858 00:41:35,014 --> 00:41:36,929 ♪ ALL MY FRIENDS 859 00:41:36,972 --> 00:41:39,758 ♪ AT THE END 860 00:41:39,801 --> 00:41:41,150 ♪ OF THE WORLD 861 00:41:41,194 --> 00:41:44,240 ♪ I HOPE TO SEE YOU AGAIN 862 00:41:44,284 --> 00:41:46,852 ♪ IT'S THE END 863 00:41:46,895 --> 00:41:48,941 ♪ OF THIS TIME 864 00:41:48,984 --> 00:41:51,639 ♪ IT'S THE END 865 00:41:51,683 --> 00:41:55,295 ♪ OF OUR TIME 866 00:41:55,338 --> 00:41:59,342 ♪ OOH 867 00:41:59,386 --> 00:42:03,042 ♪ OH, HOW LITTLE DO WE KNOW? 868 00:42:03,085 --> 00:42:07,786 ♪ OOH 869 00:42:07,829 --> 00:42:10,919 ♪ WE HAD SUCH A LONG WAY TO GO ♪ 870 00:42:10,963 --> 00:42:14,009 ♪ WHEN YOU SLEEP TONIGHT 871 00:42:14,053 --> 00:42:18,231 ♪ YOU'LL BE IN MY DREAMS 872 00:42:18,274 --> 00:42:21,800 ♪ IT'S A KIND OF LOVE 873 00:42:21,843 --> 00:42:23,671 ♪ IT'S ALL DARK 874 00:42:23,715 --> 00:42:28,937 ♪ NOTHING COMFORTING ME 875 00:42:28,981 --> 00:42:31,679 ♪ THE EARTH WENT QUIET 876 00:42:31,723 --> 00:42:34,639 ♪ AND THE AIR WENT STILL 877 00:42:34,682 --> 00:42:37,380 ♪ I FEEL YOU NOW 878 00:42:37,424 --> 00:42:41,689 ♪ MORE THAN I EVER WILL 879 00:43:04,146 --> 00:43:07,280 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 880 00:43:07,323 --> 00:43:10,326 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--