1 00:00:08,617 --> 00:00:10,880 GET OUT OF HERE! 2 00:00:10,923 --> 00:00:12,360 WHAT HAPPENED? 3 00:00:12,403 --> 00:00:15,667 IDIOT ASKED IF HE COULD PAY WITH A ROLL OF STAMPS. 4 00:00:15,711 --> 00:00:17,408 STAMPS? LIKE FROM THE POST OFFICE? 5 00:00:17,452 --> 00:00:19,976 HELL, YEAH, FROM THE POST OFFICE. 6 00:00:20,020 --> 00:00:22,848 THEY WERE STILL IN THAT LITTLE DUMB, CRINKLY PACKAGE. 7 00:00:22,892 --> 00:00:24,415 WERE THEY AT LEAST FOREVER STAMPS? 8 00:00:24,459 --> 00:00:28,245 THEY WAS SOME STICK-IT-WHERE- THE-SUN-DON'T-SHINE STAMPS. 9 00:00:28,289 --> 00:00:31,596 I TOLD HIM, HOW AM I SUPPOSED TO PUT FOOD ON THE TABLE WITH THAT? 10 00:00:31,640 --> 00:00:33,816 WOMAN: I'LL FIND SOMEBODY ELSE. 11 00:00:33,859 --> 00:00:36,819 MAN, VOICE-OVER: MOST PEOPLE IN LIFE DESERVE BETTER THAN THEY GOT. 12 00:00:36,862 --> 00:00:38,821 THAT'S A PLAIN AND SIMPLE FACT. 13 00:00:38,864 --> 00:00:40,823 BUT I TRULY BELIEVE THINGS CAN GET BETTER 14 00:00:40,866 --> 00:00:43,434 IF YOU ONLY WISH IT HARD ENOUGH. 15 00:00:43,478 --> 00:00:46,872 AND THAT WAY, I GUESS YOU COULD SAY I'M AN OPTIMIST. 16 00:00:54,097 --> 00:00:57,231 WHAT HAPPENED TO YOUR LEG, SWEETIE? 17 00:00:57,274 --> 00:00:58,797 I TORE A LIGAMENT. 18 00:00:58,841 --> 00:01:00,451 WANT ME TO HELP MAKE IT BETTER? 19 00:01:00,495 --> 00:01:04,716 50 BUCKS. EXTRAS, THE PRICE GOES UP. 20 00:01:04,760 --> 00:01:07,067 CAN I ASK YOU A QUESTION FIRST? 21 00:01:07,110 --> 00:01:08,503 PERSONAL QUESTION? 22 00:01:08,546 --> 00:01:11,201 SURE, HONEY. FIRE AWAY. 23 00:01:11,245 --> 00:01:14,117 IF I WERE TO GIVE YOU A CHANCE TO GET AWAY FROM ALL OF THIS, 24 00:01:14,161 --> 00:01:17,860 FRESH START, WOULD YOU COME WITH ME? 25 00:01:17,903 --> 00:01:19,992 YOU'D--YOU'D REALLY DO THAT? 26 00:01:20,036 --> 00:01:21,994 I ABSOLUTELY WOULD. 27 00:01:22,038 --> 00:01:23,779 BUT WHY? LOOK AT ME. 28 00:01:23,822 --> 00:01:26,477 I'M JUST A--I KNOW WHAT YOU ARE. 29 00:01:26,521 --> 00:01:27,913 DOESN'T MATTER. 30 00:01:33,963 --> 00:01:35,878 COME AWAY WITH YOU? 31 00:01:35,921 --> 00:01:37,967 I DON'T NEED TO BE REFORMED, HON. 32 00:01:38,010 --> 00:01:39,925 I JUST NEED THE 50 BUCKS. 33 00:01:48,586 --> 00:01:51,502 MAN, VOICE-OVER: BUT ALL THE OPTIMISM IN THE WORLD DOESN'T MEAN A THING 34 00:01:51,546 --> 00:01:53,939 IF PEOPLE AREN'T READY TO HELP THEMSELVES. 35 00:01:57,552 --> 00:02:00,903 I KNOW WHAT I DO IS WRONG, BUT... 36 00:02:00,946 --> 00:02:03,949 THERE'S NOT ALWAYS A GOOD CHOICE TO BE MADE IN LIFE. 37 00:02:07,039 --> 00:02:11,783 SOMETIMES, YOU NEED TO PICK THE LESSER OF TWO EVILS. 38 00:02:17,311 --> 00:02:19,182 EACH TIME I DO THIS, 39 00:02:19,226 --> 00:02:22,533 I CAN FEEL SOMETHING DIE INSIDE OF ME. 40 00:02:22,577 --> 00:02:26,929 IT'S AWFUL. I DON'T THINK YOU APPRECIATE HOW AWFUL IT IS. 41 00:02:26,972 --> 00:02:28,844 AND WHAT SCARES ME THE MOST IS 42 00:02:28,887 --> 00:02:31,281 I'M GOING TO TURN INTO SOMETHING EVIL, TOO, 43 00:02:31,325 --> 00:02:33,718 BIT BY BIT, GRADUAL, 44 00:02:33,762 --> 00:02:35,938 SO SLOWLY, I WON'T EVEN NOTICE 45 00:02:35,981 --> 00:02:40,595 UNTIL ONE DAY, SUDDENLY, THAT'S ALL I AM... 46 00:02:40,638 --> 00:02:42,684 PURE EVIL. 47 00:02:42,727 --> 00:02:44,076 NOTHING ELSE. 48 00:02:44,120 --> 00:02:46,557 PRENTISS: I--I HARDLY KNOW WHAT TO SAY, SIR. 49 00:02:46,601 --> 00:02:49,560 WELL, WE HOPE YOU'LL SAY YES. 50 00:02:49,604 --> 00:02:51,736 I DON'T NEED AN ANSWER TODAY. 51 00:02:51,780 --> 00:02:54,957 OUR TRANSITION TIMELINE IS STILL SEVERAL MONTHS DOWN THE ROAD. 52 00:02:55,000 --> 00:02:57,960 I JUST WANTED TO MAKE YOU AWARE FOR NOW. 53 00:02:58,003 --> 00:03:00,963 YOU'VE GOT THAT DEER-IN- THE-HEADLIGHTS LOOK, AGENT PRENTISS. 54 00:03:01,006 --> 00:03:05,446 IT'S JUST-- IT'S A LOT TO CONSIDER... 55 00:03:05,489 --> 00:03:07,796 DIRECTOR OF THE FBI. 56 00:03:07,839 --> 00:03:09,450 WELL, I'M NOT GONNA SUGARCOAT IT. 57 00:03:09,493 --> 00:03:10,973 IT'S A POLITICAL POSITION 58 00:03:11,016 --> 00:03:13,584 AND THE VETTING PROCESS CAN BE GRUELING, 59 00:03:13,628 --> 00:03:15,586 BUT YOU WOULDN'T BE ON THE SHORT LIST 60 00:03:15,630 --> 00:03:16,979 IF WE DIDN'T THINK YOU COULD HANDLE IT. 61 00:03:17,022 --> 00:03:18,589 I'M HONORED, SIR. 62 00:03:18,633 --> 00:03:21,157 AND IF I CAN OFFER A PERSONAL ASIDE, 63 00:03:21,201 --> 00:03:23,594 AFTER 100-PLUS YEARS, I THINK IT'S HIGH TIME 64 00:03:23,638 --> 00:03:25,553 THE BUREAU HAD A FEMALE AT THE HELM. 65 00:03:25,596 --> 00:03:27,598 AH... 66 00:03:27,642 --> 00:03:29,992 THINK ABOUT IT. 67 00:03:30,035 --> 00:03:32,603 NOW, UNTIL I HAVE AN ANSWER, 68 00:03:32,647 --> 00:03:35,084 I'M GONNA HAVE TO ASK THAT THIS REMAINS CONFIDENTIAL. 69 00:03:35,127 --> 00:03:37,521 OF COURSE. THANK YOU, SIR. 70 00:03:37,565 --> 00:03:39,088 RIGHT. 71 00:03:43,048 --> 00:03:45,877 GARCIA: SPILL, WHY DON'T YOU? HOW WAS NEW ORLEANS? 72 00:03:45,921 --> 00:03:47,662 OH, IT WAS WONDERFUL. 73 00:03:47,705 --> 00:03:50,055 THE BOYS HAD A BALL GETTING TO KNOW THEIR COUSINS, 74 00:03:50,099 --> 00:03:52,536 WILL RECONNECTED WITH HIS OLD CROWD, 75 00:03:52,580 --> 00:03:55,235 AND I ATE SO MANY OYSTERS, 76 00:03:55,278 --> 00:03:57,541 I'M PRETTY SURE I HAVE PEARLS GROWING IN ME. 77 00:03:57,585 --> 00:04:01,023 MORE LIKELY WHAT'S GROWING INSIDE OF YOU IS VIBRIO VULNIFICUS. 78 00:04:01,066 --> 00:04:02,633 IT'S A BACTERIAL CONTAMINATION 79 00:04:02,677 --> 00:04:04,156 CAUSED BY EATING RAW SEAFOOD. 80 00:04:04,200 --> 00:04:06,028 THERE'S 52,000 CASES A YEAR IN THE UNITED STATES ALONE. 81 00:04:06,071 --> 00:04:09,118 I FORGOT WE INVITED THE FUN POLICE. 82 00:04:09,161 --> 00:04:11,642 IGNORE HIM. THAT'S WHAT LEMON JUICE IS FOR. 83 00:04:11,686 --> 00:04:14,297 YOU SQUIRT THAT ON STUFF, AND IT KILLS ALL THE BACTERIA. 84 00:04:14,341 --> 00:04:16,212 I'M SO GLAD YOU'RE NOT MY PRIMARY CARE PHYSICIAN. 85 00:04:16,256 --> 00:04:18,736 OK, THAT WAS GROSS AND I'M GONNA CHANGE THE SUBJECT. 86 00:04:18,780 --> 00:04:21,173 CAN THE TWO OF YOU KEEP A SECRET? 87 00:04:21,217 --> 00:04:23,393 HE CAN. I CAN'T. 88 00:04:23,437 --> 00:04:24,742 TELL US ANYWAY? 89 00:04:24,786 --> 00:04:29,094 OK, SO THE FIELD OFFICE DOWN THERE HAS AN OPENING. 90 00:04:29,138 --> 00:04:30,748 THE JOB'S MINE IF I WANT IT. 91 00:04:30,792 --> 00:04:32,402 IN NEW ORLEANS? YEAH. 92 00:04:32,446 --> 00:04:33,751 WAIT. YOU'RE LEAVING? 93 00:04:33,795 --> 00:04:35,623 I DIDN'T KNOW YOU WERE LOOKING AT OTHER THINGS. 94 00:04:35,666 --> 00:04:39,627 I'M NOT. I PUT MY NAME ON THE O.P. LIST THERE, 95 00:04:39,670 --> 00:04:42,020 LIKE YEARS AGO, AND I COMPLETELY FORGOT ABOUT IT, 96 00:04:42,064 --> 00:04:46,155 BUT APPARENTLY MY NAME HAS WORKED ITS WAY TO THE TOP. 97 00:04:46,198 --> 00:04:48,331 WHY...I DON'T KNOW HOW TO FEEL ABOUT THIS. 98 00:04:48,375 --> 00:04:50,028 I MEAN, I SHOULD BE HAPPY FOR YOU, 99 00:04:50,072 --> 00:04:53,075 BUT THAT MEANS YOU'RE THERE AND NOT HERE WITH US. 100 00:04:53,118 --> 00:04:55,860 [CELL PHONE RINGING] AND WHAT ARE WE GONNA DO IF YOU'RE NOT HERE? 101 00:04:55,904 --> 00:04:58,602 [BEEP] AND THAT'S EMILY. WE HAVE A CASE. 102 00:05:00,125 --> 00:05:02,127 THIS CONVERSATION IS NOT OVER. 103 00:05:04,129 --> 00:05:06,436 I DIDN'T SAY I WAS GONNA TAKE IT. 104 00:05:06,480 --> 00:05:09,091 SORRY. 105 00:05:09,134 --> 00:05:11,093 DEPUTY DIRECTOR DIDN'T BEAT YOU UP TOO MUCH, DID HE? 106 00:05:11,136 --> 00:05:14,314 UH, NO. JUST THE USUAL BUMPS AND BRUISES. PENELOPE? 107 00:05:14,357 --> 00:05:16,707 TODAY'S TOKE OF ICK HAS BEEN BROUGHT TO US 108 00:05:16,751 --> 00:05:20,058 BY BEAUMONT, TEXAS, WHERE A BUSINESSMAN, TOM MITCHELL, 109 00:05:20,102 --> 00:05:22,104 WAS FOUND LAST NIGHT IN THE DUMPSTER. 110 00:05:22,147 --> 00:05:24,324 CORONERS SAY HE WAS THERE AT LEAST 3 DAYS. 111 00:05:24,367 --> 00:05:27,239 EARLIER IN THE WEEK, THE BODY OF A PROSTITUTE NAMED ELIZABETH McBRIDE 112 00:05:27,283 --> 00:05:28,284 WAS DISCOVERED IN A SHALLOW GRAVE 113 00:05:28,328 --> 00:05:30,286 LESS THAN A MILE FROM THAT DUMPSTER. 114 00:05:30,330 --> 00:05:32,114 WHY DO WE THINK THE MURDERS ARE CONNECTED? 115 00:05:32,157 --> 00:05:36,248 BECAUSE BOTH OF THEM WERE MISSING THEIR TONGUES AND THEIR EARS... 116 00:05:36,292 --> 00:05:37,946 AND THEIR HANDS. AND CAN SOMEONE START TALKING 117 00:05:37,989 --> 00:05:39,426 SO I CAN STOP THINKING ABOUT-- 118 00:05:39,469 --> 00:05:41,863 IT DOESN'T LOOK LIKE THAT'S THE END OF IT. 119 00:05:41,906 --> 00:05:45,127 IN THE LAST 48 HOURS, TOBY STEMPLE, A PROMINENT LOCAL ATTORNEY, 120 00:05:45,170 --> 00:05:47,521 AND ANOTHER PROSTITUTE, CINDY WILSON, HAVE ALSO GONE MISSING. 121 00:05:47,564 --> 00:05:49,131 REID: AFFLUENT MEN AND STREET PROSTITUTES. 122 00:05:49,174 --> 00:05:51,438 THIS UNSUB'S TARGETING TWO DISTINCTLY DIFFERENT VICTIM TYPES. 123 00:05:51,481 --> 00:05:53,744 JAREAU: OH, MAYBE THE MEN WERE CLIENTS OF THE WOMEN. 124 00:05:53,788 --> 00:05:55,050 THIS COULD BE ABOUT REVENGE. 125 00:05:55,093 --> 00:05:57,748 OR SOMEONE WHO DISAPPROVES, A MORAL ENFORCER. 126 00:05:57,792 --> 00:06:00,142 ALVEZ: YEAH, HANDS, EARS, TONGUES. 127 00:06:00,185 --> 00:06:01,883 THE MUTILATION IS ROUGH. 128 00:06:01,926 --> 00:06:03,580 HOPEFULLY, THIS IS ALL POST-MORTEM. 129 00:06:03,624 --> 00:06:07,758 BEFORE, DURING, OR AFTER, THIS IS PERSONAL ANY WAY YOU SLICE IT. 130 00:06:07,802 --> 00:06:10,239 PARDON THE EXPRESSION. 131 00:06:10,282 --> 00:06:12,372 WELL, LET'S GET ON IT. WHEELS UP IN 20. 132 00:06:12,415 --> 00:06:16,158 GIVE ME CREDIT FOR TRYING TO DO THE RIGHT THING, 133 00:06:16,201 --> 00:06:19,770 BUT YOU NEED TO FIND ME. 134 00:06:19,814 --> 00:06:21,381 YOU NEED TO STOP ME. 135 00:06:23,252 --> 00:06:24,819 PLEASE. 136 00:07:17,393 --> 00:07:20,265 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 137 00:07:26,924 --> 00:07:28,186 MAN, VOICE-OVER: THERE'S A SCOTTISH PROVERB: 138 00:07:28,230 --> 00:07:31,712 "THEY TALK OF MY DRINKING BUT NEVER MY THIRST." 139 00:07:31,755 --> 00:07:36,194 PRENTISS: SO, THE VICTIMOLOGY BETWEEN TOM MITCHELL AND ELIZABETH McBRIDE 140 00:07:36,238 --> 00:07:38,022 COULD NOT BE MORE DIFFERENT. 141 00:07:38,066 --> 00:07:40,547 SIMMONS: AND HE WAS A WEALTHY, WELL-RESPECTED MEMBER OF THE COMMUNITY, 142 00:07:40,590 --> 00:07:42,331 CHURCHGOER, COACHED HIS SON'S BASKETBALL TEAM. 143 00:07:42,374 --> 00:07:43,811 LEWIS: SHE, ON THE OTHER HAND, 144 00:07:43,854 --> 00:07:46,291 HAD THE SADLY FAMILIAR TRAJECTORY OF A TROUBLED YOUTH, 145 00:07:46,335 --> 00:07:47,771 ADDICTION, SPORADIC HOMELESSNESS. 146 00:07:47,815 --> 00:07:49,991 EARS AND TONGUES REMOVED. 147 00:07:50,034 --> 00:07:53,385 AND...WE'RE TALKING ABOUT HEAR NO EVIL, SPEAK NO EVIL? 148 00:07:53,429 --> 00:07:55,039 JAREAU: BUT HE LEAVES THE EYES. 149 00:07:55,083 --> 00:07:56,998 SO IT'S OK TO SEE EVIL? 150 00:07:57,041 --> 00:07:59,435 YOU GUYS, WE WERE RIGHT TO BE WORRIED ABOUT THAT THING WE WERE WORRIED ABOUT. 151 00:07:59,479 --> 00:08:01,481 THE POLICE JUST FOUND THE BODIES OF THE TWO MISSING PEOPLE. 152 00:08:01,524 --> 00:08:02,656 WHERE? 153 00:08:02,699 --> 00:08:03,961 GARCIA: WELL, THE ATTORNEY, TOBY STEMPLE, 154 00:08:04,005 --> 00:08:05,876 WAS FOUND IN AN ABANDONED INCINERATOR, 155 00:08:05,920 --> 00:08:09,532 AND THIS CINDY WILSON WAS FOUND BURIED IN THE WOODS LIKE THE OTHER WOMAN. 156 00:08:09,576 --> 00:08:11,403 AS FAR AS THE MISSING BODY PARTS GO, 157 00:08:11,447 --> 00:08:13,275 SUFFICE TO SAY SECOND VERSE, SAME AS THE FIRST. 158 00:08:13,318 --> 00:08:15,233 YOU KNOW, THERE'S A STARK CONTRAST IN DISPOSAL METHODS 159 00:08:15,277 --> 00:08:16,539 AS WELL AS VICTIMOLOGY. 160 00:08:16,583 --> 00:08:18,585 THE WOMEN ARE BURIED WITH CARE IN SECLUDED AREAS. 161 00:08:18,628 --> 00:08:21,239 THE MEN HE DISCARDS IN PUBLIC PLACES LIKE TRASH. 162 00:08:21,283 --> 00:08:23,024 YEAH, BIG-TIME ANGER IMBALANCE. 163 00:08:23,067 --> 00:08:25,417 LUKE, SPENCE, GO TO THE M.E.'S OFFICE. 164 00:08:25,461 --> 00:08:27,376 J.J., TARA, SEE IF ANY OTHER WOMEN WHO WORK THE STREETS 165 00:08:27,419 --> 00:08:28,856 HAVE ANYTHING TO ADD. 166 00:08:28,899 --> 00:08:31,249 MATT, YOU'LL TALK TO THE FAMILIES OF THE MALE VICTIMS. 167 00:08:31,293 --> 00:08:33,861 DAVE AND I WILL SET UP WITH THE LOCAL P.D. 168 00:08:36,254 --> 00:08:39,519 MAN: WE'RE GOING THROUGH OUR MISSING PERSONS REPORTS FOR THE PAST FEW MONTHS, 169 00:08:39,562 --> 00:08:41,651 SEE IF SOMEBODY ELSE JUMPS OUT. 170 00:08:41,695 --> 00:08:43,305 WERE YOU FAMILIAR WITH THE VICTIMS? 171 00:08:43,348 --> 00:08:44,567 CINDY AND LIZ, YEAH. 172 00:08:44,611 --> 00:08:46,700 THEY WERE IN ALL THE TIME FOR SOLICITATION. 173 00:08:46,743 --> 00:08:48,571 THEY WERE GOOD GIRLS WITH BIG HEARTS. 174 00:08:48,615 --> 00:08:51,356 THEY JUST...WENT DOWN A TOUGH ROAD IS ALL. 175 00:08:51,400 --> 00:08:53,271 WHAT ABOUT THE MEN? 176 00:08:53,315 --> 00:08:56,100 NO, SIR, BUT THEY BOTH HAVE MONEY 177 00:08:56,144 --> 00:08:58,842 AND COME FROM OLD, ESTABLISHED FAMILIES. 178 00:08:58,886 --> 00:09:01,236 I MEAN, THE MITCHELL CLAN, THE STEMPLE CLAN, 179 00:09:01,279 --> 00:09:03,847 THEY BEEN PART OF BEAUMONT SINCE FOREVER. 180 00:09:03,891 --> 00:09:05,370 UH, YOU FOLKS CAN SET UP IN HERE. 181 00:09:05,414 --> 00:09:07,198 THAT'S PERFECT. THANK YOU.YOU'RE WELCOME. 182 00:09:07,242 --> 00:09:08,243 EXCUSE ME. 183 00:09:08,286 --> 00:09:09,984 CHIEF, YOU NEED TO SEE THIS. 184 00:09:15,163 --> 00:09:16,468 DID THIS COME IN THE MAIL? 185 00:09:16,512 --> 00:09:18,862 WOMAN: NO. ONE OF OUR OFFICERS STOPPED FOR COFFEE, 186 00:09:18,906 --> 00:09:20,995 AND IT WAS ON THE HOOD OF HIS SQUAD CAR WHEN HE CAME OUT. 187 00:09:21,038 --> 00:09:22,300 LET'S RUN THEM FOR PRINTS. 188 00:09:25,652 --> 00:09:28,002 BOTH EARS. 189 00:09:28,045 --> 00:09:31,309 BUT THEN HE ONLY TOOK ONE HAND FROM EACH OF THE VICTIMS, 190 00:09:31,353 --> 00:09:32,746 THE LEFT HAND. 191 00:09:32,789 --> 00:09:34,269 MERCIFULLY, THE VICTIMS WERE ALREADY DEAD 192 00:09:34,312 --> 00:09:35,879 WHEN THE BODY PARTS WERE REMOVED. 193 00:09:35,923 --> 00:09:37,881 SO WE'RE PROBABLY NOT DEALING WITH A SADIST. 194 00:09:37,925 --> 00:09:39,796 WERE YOU ABLE TO DETERMINE THE COD? 195 00:09:39,840 --> 00:09:42,016 THE WOMEN, MANUAL STRANGULATION; 196 00:09:42,059 --> 00:09:43,408 THE MEN DIED FROM MULTIPLE STAB WOUNDS. 197 00:09:43,452 --> 00:09:46,020 IT'S NOT EASY TO DISARTICULATE A HAND AT THE WRIST. 198 00:09:46,063 --> 00:09:47,587 DID THEY DEMONSTRATE ANY SURGICAL SKILL? 199 00:09:47,630 --> 00:09:50,459 WITH THE WOMEN, YES. IF NOT SKILL, AT LEAST CARE. 200 00:09:50,502 --> 00:09:52,374 REMOVALS WERE CLEAN AND PRECISE. 201 00:09:52,417 --> 00:09:54,289 AMPUTATIONS ON THE MEN WERE MUCH CRUDER. 202 00:09:54,332 --> 00:09:56,073 ANY DEFENSIVE WOUNDS? 203 00:09:56,117 --> 00:09:57,901 NO. THE MEN DID HAVE BLUNT FORCE TRAUMA 204 00:09:57,945 --> 00:10:00,338 TO THE BACK OF THEIR SKULLS, THOUGH. 205 00:10:02,558 --> 00:10:03,907 BLITZ ATTACKED. 206 00:10:03,951 --> 00:10:05,387 NO SUCH INJURIES ON THE WOMEN, 207 00:10:05,430 --> 00:10:07,432 BUT SEDATIVES DID SHOW UP ON BOTH THEIR TOX SCREENS. 208 00:10:07,476 --> 00:10:09,347 GIVEN THEIR HISTORY OF SUBSTANCE ABUSE, 209 00:10:09,391 --> 00:10:11,262 IT'S GONNA BE DIFFICULT TO SAY WITH ANY CERTAINTY 210 00:10:11,306 --> 00:10:12,655 WHETHER OR NOT THE UNSUB DRUGGED THEM. 211 00:10:12,699 --> 00:10:13,874 THEY MIGHT HAVE SELF-MEDICATED 212 00:10:13,917 --> 00:10:15,440 AS PART OF THEIR NORMAL DAILY ROUTINE. 213 00:10:15,484 --> 00:10:17,399 ONE MORE THING-- THE WOMEN WERE NUDE 214 00:10:17,442 --> 00:10:19,314 BUT DIDN'T SHOW ANY EVIDENCE OF SEXUAL ASSAULT. 215 00:10:19,357 --> 00:10:22,317 AND THEIR BURIAL WAS WHAT I GUESS YOU COULD CALL CEREMONIAL. 216 00:10:22,360 --> 00:10:23,710 IN WHAT WAY? 217 00:10:23,753 --> 00:10:25,494 THEY WERE WRAPPED IN A WHITE SHEET 218 00:10:25,537 --> 00:10:27,365 AND BURIED FACE-DOWN. 219 00:10:28,715 --> 00:10:31,326 A WHITE SHEET? COULD BE A SYMBOL OF PURITY. 220 00:10:31,369 --> 00:10:33,763 YOU KNOW, TRY TO RESTORE THEIR LOST INNOCENCE? 221 00:10:33,807 --> 00:10:36,070 WELL, I TALKED TO TOM MITCHELL AND TOBY STEMPLE'S WIVES, 222 00:10:36,113 --> 00:10:38,333 AND THEY BOTH SWEAR THEIR HUSBANDS WOULD NEVER FREQUENT A PROSTITUTE. 223 00:10:38,376 --> 00:10:41,336 WELL, THEY NEVER DO UNTIL THEY DO. 224 00:10:41,379 --> 00:10:42,946 I BROUGHT IN KAYLA JACKSON. 225 00:10:42,990 --> 00:10:45,340 SHE WORKED THE STREETS WITH CINDY WILSON. 226 00:10:45,383 --> 00:10:48,952 SHE SAW THE UNSUB WITH HER THE DAY CINDY DISAPPEARED. 227 00:10:48,996 --> 00:10:51,259 THIS IS HER DESCRIPTION. 228 00:10:51,302 --> 00:10:53,827 KAYLA SAID IT WAS SUCH A GOOD LIKENESS, 229 00:10:53,870 --> 00:10:55,393 IT SENT CHILLS DOWN HER SPINE. 230 00:10:57,526 --> 00:10:59,833 [PEOPLE TALKING AND LAUGHING INDISTINCTLY] 231 00:10:59,876 --> 00:11:02,966 WOMAN: NO, NO, WAIT. STOP. STOP. MOM. THAT WASN'T THE DEAL. 232 00:11:03,010 --> 00:11:06,709 COREY AGREED TO PAY HALF, AND HE HASN'T SENT ME A DIME. 233 00:11:06,753 --> 00:11:09,364 I DON'T KNOW HOW YOU CAN DEFEND HIM. I REALLY DON'T. 234 00:11:09,407 --> 00:11:11,018 [SIGHS] 235 00:11:12,454 --> 00:11:15,283 SORRY. GET YOU A REFILL? 236 00:11:15,326 --> 00:11:17,851 NO, I'M GOOD. I'M GOOD. 237 00:11:17,894 --> 00:11:19,374 EVERYTHING OK? 238 00:11:19,417 --> 00:11:20,810 TRUST ME, YOU DON'T WANT TO KNOW. 239 00:11:20,854 --> 00:11:23,421 SURE I DO. TELL ME. 240 00:11:23,465 --> 00:11:26,381 JUST SAME OLD, SAME OLD. 241 00:11:26,424 --> 00:11:28,731 MY EX MOVED TO FLORIDA AND LEFT ME WITH A PILE OF BILLS, 242 00:11:28,775 --> 00:11:30,428 BILLS HE RAN UP. 243 00:11:30,472 --> 00:11:33,040 AND NOW, EVEN MY OWN MOTHER'S TAKING HIS SIDE. 244 00:11:33,083 --> 00:11:34,519 THAT'S NOT RIGHT. 245 00:11:34,563 --> 00:11:37,392 OH, MY EX CAN PLAY THE VICTIM CARD VERY WELL. 246 00:11:37,435 --> 00:11:41,135 ANYHOW, SORRY TO UNLOAD. 247 00:11:41,178 --> 00:11:45,182 BARTENDER'S SUPPOSED TO BE THE ONE LISTENING TO YOUR TROUBLES. HA HA! 248 00:11:45,226 --> 00:11:47,358 FAMILY IS EVERYTHING. 249 00:11:48,925 --> 00:11:51,319 WITHOUT FAMILY, NOTHING MAKES SENSE. 250 00:11:55,105 --> 00:11:57,064 ARE YOU CAR SHOPPING? 251 00:11:57,107 --> 00:12:00,415 YEAH, YEAH. PICKUP I'VE GOT NOW CAN'T HANDLE THE MUD. 252 00:12:00,458 --> 00:12:03,461 CAB'S TOO LOW. 253 00:12:03,505 --> 00:12:06,464 HOW'S IT GOING? DOING GOOD. HOW ARE YOU? 254 00:12:20,652 --> 00:12:22,437 HEY! GOOD LUCK! 255 00:12:22,480 --> 00:12:26,702 WITH THE TRUCK. GOOD LUCK WITH THE TRUCK. 256 00:12:26,746 --> 00:12:29,487 MAN, ON RECORDING: GIVE ME CREDIT FOR TRYING TO DO THE RIGHT THING, 257 00:12:29,531 --> 00:12:32,055 BUT YOU NEED TO FIND ME. 258 00:12:32,099 --> 00:12:34,492 YOU NEED TO STOP ME. 259 00:12:34,536 --> 00:12:35,755 PLEASE. 260 00:12:35,798 --> 00:12:37,191 RESULTS COME BACK? 261 00:12:37,234 --> 00:12:39,584 YEAH. NO SURPRISE. FORENSICS CONFIRMED 262 00:12:39,628 --> 00:12:42,196 THE BLOOD ON THE EARRING BELONGS TO CINDY WILSON. 263 00:12:42,239 --> 00:12:45,068 AND UNFORTUNATELY, HIS PRINTS AREN'T IN THE SYSTEM. 264 00:12:45,112 --> 00:12:48,637 OK, WELL, WE SHOULD GET THIS TAPE OUT ON THE AIRWAVES RIGHT AWAY. 265 00:12:48,680 --> 00:12:51,509 THE VOICE IS DISTINCTIVE ENOUGH THAT SOMEONE MIGHT RECOGNIZE IT. 266 00:12:55,818 --> 00:13:00,431 MAN: GOOD EYE. THAT ONE JUST CAME ON THE LOT YESTERDAY. 267 00:13:00,475 --> 00:13:02,477 BO ZACHARY. 268 00:13:02,520 --> 00:13:04,827 WHAT'S IT GONNA TAKE FOR ME TO PUT YOU IN THIS VEHICLE TODAY? 269 00:13:04,871 --> 00:13:06,873 WELL, I'M NOT HERE TO BUY A CAR, ACTUALLY. 270 00:13:06,916 --> 00:13:10,354 YOU'RE NOT? NO. I, UH... 271 00:13:10,398 --> 00:13:11,834 I CAME TO SHOW YOU SOMETHING. 272 00:13:11,878 --> 00:13:13,096 WHAT'S THAT? 273 00:13:13,140 --> 00:13:14,489 IT'S FROM LYDIA. 274 00:13:14,532 --> 00:13:18,101 LYDIA PARRIS. YOU REMEMBER HER, RIGHT? 275 00:13:18,145 --> 00:13:19,494 I'M NOT GONNA READ THAT. 276 00:13:19,537 --> 00:13:22,627 WELL, I'LL TELL YOU WHAT IT SAYS. 277 00:13:22,671 --> 00:13:24,760 ON THAT NIGHT, 31 YEARS AGO, 278 00:13:24,804 --> 00:13:27,632 UNDER THE BIG OAK, 279 00:13:27,676 --> 00:13:30,113 THE TWO OF YOU CONCEIVED A CHILD... 280 00:13:30,157 --> 00:13:31,549 A LITTLE BOY. 281 00:13:33,595 --> 00:13:35,162 THAT BOY WAS ME. 282 00:13:37,860 --> 00:13:39,427 [VOICE BREAKING] IT'S BEEN SO MANY YEARS, I... 283 00:13:39,470 --> 00:13:43,083 T-THAT DOESN'T MATTER. IT'S NEVER TOO LATE TO FIX THINGS. 284 00:13:44,562 --> 00:13:46,913 WHAT CAN I DO TO MAKE IT RIGHT? 285 00:13:46,956 --> 00:13:48,566 I MEAN, HOW COULD I EVER... 286 00:13:50,394 --> 00:13:53,789 SO, WHAT DO YOU SAY WE TAKE THIS BABY OUT FOR A SPIN? 287 00:14:09,674 --> 00:14:12,155 LEWIS: NONE OF THE BODY PARTS HAVE BEEN RECOVERED. 288 00:14:12,199 --> 00:14:13,765 AND WHAT'S THIS GUY DOING WITH 'EM? 289 00:14:13,809 --> 00:14:16,116 NORMALLY, YOU'D THINK SOUVENIRS, 290 00:14:16,159 --> 00:14:19,119 BUT THAT'S A LOT OF ROTTED FLESH TO HAVE HANGING AROUND THE HOUSE. 291 00:14:19,162 --> 00:14:21,121 THEY'RE PROBABLY TROPHIES MEANT FOR DISPLAY. 292 00:14:21,164 --> 00:14:22,600 YEAH, BUT DISPLAY WHERE? 293 00:14:22,644 --> 00:14:24,907 WELL, THE MEN WERE IN THEIR 50s, BUT THE FEMALE VICTIMS 294 00:14:24,951 --> 00:14:27,214 BOTH HAVE A 25-YEAR AGE VARIANCE. 295 00:14:27,257 --> 00:14:29,781 MAKING IT LESS LIKELY THE FEMALES ARE SURROGATES. 296 00:14:29,825 --> 00:14:31,522 OR THERE'S SOME CONFUSION IN THE UNSUB'S MIND 297 00:14:31,566 --> 00:14:33,002 AS TO WHAT THE WOMEN REPRESENT. 298 00:14:33,046 --> 00:14:34,699 ELIZABETH AND CINDY MIGHT MEAN DIFFERENT THINGS TO HIM. 299 00:14:34,743 --> 00:14:37,093 WELL, HE AGED UP A GENERATION WITH CINDY WILSON. 300 00:14:37,137 --> 00:14:39,095 SO SEXUALIZING A MOTHER FIGURE? 301 00:14:39,139 --> 00:14:41,184 THAT WOULD EXPLAIN THE FACE-DOWN BURIALS. 302 00:14:41,228 --> 00:14:42,794 HE FEELS REMORSE. 303 00:14:42,838 --> 00:14:44,579 WELL, THIS UNSUB'S TAKING FEELING GUILTY TO THE NEXT LEVEL. 304 00:14:44,622 --> 00:14:47,669 I MEAN, HE SENT A TAPE TO LAW ENFORCEMENT BEGGING US TO STOP HIM. 305 00:14:47,712 --> 00:14:50,759 MAN: JUST GOT A PHONE CALL FROM A CAR DEALER DOWNTOWN. 306 00:14:50,802 --> 00:14:54,154 OWNER TOOK A CUSTOMER OUT ON A TEST DRIVE 3 HOURS AGO. 307 00:14:54,197 --> 00:14:56,069 NEVER CAME BACK. 308 00:14:56,112 --> 00:14:58,201 [CRICKETS CHIRPING] 309 00:14:58,245 --> 00:15:04,773 MAN, VOICE-OVER: CAR SALESMAN GUY ISN'T MY FATHER, 310 00:15:04,816 --> 00:15:06,775 BUT WHAT ELSE CAN I DO? 311 00:15:06,818 --> 00:15:10,213 I FEEL BAD AND I BLAME MYSELF, 312 00:15:10,257 --> 00:15:13,608 BUT IT'S ONLY BECAUSE MY WILL ISN'T DEVELOPED ENOUGH. 313 00:15:13,651 --> 00:15:19,222 I HAVEN'T FULLY COMMITTED TO THE POWER OF VISUALIZATION. 314 00:15:19,266 --> 00:15:21,616 I'M GETTING STRONGER, THOUGH-- 315 00:15:21,659 --> 00:15:23,574 STRONGER AND BETTER. 316 00:15:23,618 --> 00:15:25,620 WHICH MEANS THAT TO CATCH ME, 317 00:15:25,663 --> 00:15:27,665 YOU'LL HAVE TO GET STRONGER AND BETTER, TOO. 318 00:15:30,277 --> 00:15:31,887 I WONDER IF YOU WILL. 319 00:15:36,544 --> 00:15:38,111 [PEOPLE SPEAKING INDISTINCTLY] 320 00:15:38,154 --> 00:15:40,896 MAN: I APPRECIATE IT. HOPE WE CAN HELP YOU FIND HIM. 321 00:15:40,940 --> 00:15:42,289 JAREAU: THANKS. 322 00:15:44,073 --> 00:15:46,728 SO, APPARENTLY BO ZACHARY WAS A PRETTY BIG GUY, 323 00:15:46,771 --> 00:15:48,077 6'2", 220. 324 00:15:48,121 --> 00:15:50,079 NOT SO EASY TO BLITZ ATTACK SOMEONE LIKE THAT. 325 00:15:50,123 --> 00:15:52,212 UNSUB MUST HAVE HAD A GUN TO CONTROL HIM. 326 00:15:52,255 --> 00:15:54,997 LOOKS LIKE HE'S STICKING TO HIS PATTERN OF ALTERNATING VICTIMS-- 327 00:15:55,041 --> 00:15:56,520 BUSINESSMEN, PROSTITUTES. 328 00:15:56,564 --> 00:16:00,046 EXCEPT THE OTHER TWO MEN WERE AFFLUENT, 329 00:16:00,089 --> 00:16:04,006 AND ACCORDING TO HIS EMPLOYEE, BO WAS HAVING A HARD TIME PAYING THE BILLS. 330 00:16:04,050 --> 00:16:07,531 SO MONEY ISN'T PART OF THE UNSUB'S VICTIM SELECTION CRITERIA. 331 00:16:07,575 --> 00:16:08,968 WHAT IS? 332 00:16:09,011 --> 00:16:11,448 TOM MITCHELL AND TOBY STEMPLE 333 00:16:11,492 --> 00:16:13,320 CAME FROM LONG-ESTABLISHED FAMILIES HERE, RIGHT? 334 00:16:13,363 --> 00:16:15,452 YEAH. 65 YEARS WOULD QUALIFY, I THINK. 335 00:16:15,496 --> 00:16:17,759 THIS HAS NOTHING TO DO WITH WEALTH. 336 00:16:17,802 --> 00:16:21,458 ALL OF HIS MALE VICTIMS HAVE DEEP ROOTS. 337 00:16:21,502 --> 00:16:23,721 MAN, ON RECORDING: THEY'RE CALLED MOTHER TREES. 338 00:16:23,765 --> 00:16:26,028 THEY SEND OUT NUTRIENTS TO SEEDLINGS AROUND THEM. 339 00:16:26,072 --> 00:16:29,640 YOU CAN SEE WHY IT'S MY ALTAR, CAN'T YOU? 340 00:16:29,684 --> 00:16:31,512 THANKS. [BEEP] 341 00:16:31,555 --> 00:16:34,036 JENNIFER CHECKED IN. LOOKS LIKE THIS UNSUB 342 00:16:34,080 --> 00:16:37,039 IS TARGETING MEN WHO CAME IN BEAUMONT'S VERSION OF THE "MAYFLOWER." 343 00:16:37,083 --> 00:16:38,301 ANYTHING NEW? 344 00:16:38,345 --> 00:16:40,564 OH, HE'S ALL OVER THE PLACE. 345 00:16:40,608 --> 00:16:44,220 HE SAYS, "I'M WEAK, I'M STRONG. STOP ME. NO, DON'T STOP ME." 346 00:16:44,264 --> 00:16:47,049 IT'S THE SAME WAY HE PING-PONGS BETWEEN VICTIM TYPES. 347 00:16:47,093 --> 00:16:49,573 YOU KNOW, CLEARLY HE SEES THESE MURDERS IN TERMS OF PAIRS, 348 00:16:49,617 --> 00:16:51,314 NOT ONE-OFFS, TWO HALVES TO A WHOLE, 349 00:16:51,358 --> 00:16:52,968 BUT HOW DO THE HALVES FIT TOGETHER? 350 00:16:53,012 --> 00:16:54,752 I MEAN, ONE GROUP IS INGRAINED IN THE FABRIC OF THE COMMUNITY. 351 00:16:54,796 --> 00:16:56,493 THE OTHER IS MARGINALIZED AND SHUNNED. 352 00:16:56,537 --> 00:16:59,061 PRENTISS: AND THE UNSUB KEEPS REFERRING TO THIS TREE AS AN ALTAR. 353 00:16:59,105 --> 00:17:00,671 HE SAID IT SEVERAL TIMES. 354 00:17:00,715 --> 00:17:02,282 REID: THE CHURCH REFERENCE MAKES SENSE TO ME 355 00:17:02,325 --> 00:17:04,066 IF THE UNSUB'S PUNISHING HIS VICTIMS 356 00:17:04,110 --> 00:17:05,850 FOR MORAL INDISCRETIONS. 357 00:17:05,894 --> 00:17:08,462 HE COULD BE UTILIZING RELIGIOUS ICONOGRAPHY TO JUSTIFY HIS MURDERS. 358 00:17:08,505 --> 00:17:11,247 OK, SO WHAT ELSE HAPPENS IN FRONT OF AN ALTAR? 359 00:17:11,291 --> 00:17:13,075 LET'S THINK ABOUT WHAT HE DOES TO HIS FEMALE VICTIMS. 360 00:17:13,119 --> 00:17:16,078 HE WRAPS THEM IN WHITE, HE CUTS OFF THEIR LEFT HANDS. 361 00:17:16,122 --> 00:17:18,428 THE HAND THAT TRADITIONALLY HOLDS A WEDDING RING. 362 00:17:18,472 --> 00:17:20,082 REMOVAL OF THE TONGUE COULD SYMBOLIZE 363 00:17:20,126 --> 00:17:22,998 SILENCING SPOKEN MARRIAGE VOWS. 364 00:17:23,042 --> 00:17:26,697 WHAT IF THE UNSUB SEES THESE WOMEN AS BRIDES? 365 00:17:26,741 --> 00:17:29,613 PRENTISS: THE UNKNOWN SUBJECT WE'RE LOOKING FOR IS A WHITE MALE 366 00:17:29,657 --> 00:17:31,920 IN HIS LATE 20s TO MID-30s. 367 00:17:31,963 --> 00:17:34,705 HE IS PHYSICALLY FIT, MOBILE, AND ORGANIZED. 368 00:17:34,749 --> 00:17:37,012 REID: THIS UNSUB IS TARGETING TWO VICTIM TYPES-- 369 00:17:37,056 --> 00:17:38,709 FEMALE PROSTITUTES AND BUSINESSMEN 370 00:17:38,753 --> 00:17:41,756 WHO COME FROM FAMILIES WITH LONG-STANDING TIES TO THE COMMUNITY. 371 00:17:41,799 --> 00:17:43,323 LEWIS: THIS INDIVIDUAL IS UNIQUE IN THAT 372 00:17:43,366 --> 00:17:45,194 HE'S REACHED OUT DIRECTLY TO US 373 00:17:45,238 --> 00:17:48,893 AND SEEMS TO HAVE A GENUINE DESIRE TO HAVE US PUT A STOP TO HIS CRIMES, 374 00:17:48,937 --> 00:17:50,721 HOWEVER, HIS COMPULSION WON'T ALLOW IT. 375 00:17:50,765 --> 00:17:52,636 ALVEZ: EXCERPTS FROM RECORDINGS HE'S MADE 376 00:17:52,680 --> 00:17:54,247 HAVE BEEN DISSEMINATED TO THE PUBLIC. 377 00:17:54,290 --> 00:17:56,988 ANYONE WHO THINKS THEY RECOGNIZE HIS VOICE 378 00:17:57,032 --> 00:17:58,686 NEEDS TO COME FORWARD IMMEDIATELY. 379 00:17:58,729 --> 00:18:01,384 WHILE OPERATING IN PUBLIC WHEN HUNTING AND ABDUCTING HIS VICTIMS, 380 00:18:01,428 --> 00:18:03,560 THE ACTUAL MURDERS ALMOST CERTAINLY TAKE PLACE 381 00:18:03,604 --> 00:18:05,432 IN A REMOTE, SECURE AREA. 382 00:18:05,475 --> 00:18:07,521 JAREAU: CERTAIN RITUAL ASPECTS OF THE KILLINGS 383 00:18:07,564 --> 00:18:10,698 LEAD US TO BELIEVE THE UNSUB IS TRYING TO RE-CREATE 384 00:18:10,741 --> 00:18:13,135 OR PERHAPS MAKE A MOCKERY OF AN ACTUAL WEDDING. 385 00:18:13,179 --> 00:18:15,094 REID: GIVEN THE VICTIMOLOGY, THIS PERSON'S ANGER 386 00:18:15,137 --> 00:18:17,574 PROBABLY STEMS FROM BEING THE PRODUCT OF A MARRIAGE THAT ENDED 387 00:18:17,618 --> 00:18:20,142 BECAUSE OF A FATHER'S INFIDELITY WITH A PROSTITUTE. 388 00:18:20,186 --> 00:18:23,754 ALVEZ: BECAUSE ONE OF THE PROSTITUTES APPEARS TO BE A MOTHER SURROGATE, 389 00:18:23,798 --> 00:18:29,108 ANOTHER POSSIBILITY IS THAT HE IS THE CHILD OF A PROSTITUTE HIMSELF. 390 00:18:29,151 --> 00:18:32,850 JAREAU: NOW, WE CANNOT STRESS ENOUGH THE NEED FOR HEIGHTENED CAUTION 391 00:18:32,894 --> 00:18:34,330 AND AWARENESS IN THE COMMUNITY, 392 00:18:34,374 --> 00:18:36,767 ESPECIALLY AMONG THE TWO HIGH-RISK CATEGORIES. 393 00:18:36,811 --> 00:18:38,639 ROSSI: POLICE PATROLS WILL BE OUT IN FORCE 394 00:18:38,682 --> 00:18:40,162 IN AREAS THAT PROSTITUTES AND THEIR CUSTOMERS 395 00:18:40,206 --> 00:18:41,859 ARE KNOWN TO FREQUENT. 396 00:18:41,903 --> 00:18:44,166 THIS PRESS CONFERENCE IS FOR LAW ENFORCEMENT, 397 00:18:44,210 --> 00:18:46,168 MEDIA, AND THE GENERAL PUBLIC, 398 00:18:46,212 --> 00:18:50,303 BUT WE ARE ALSO ADDRESSING THE PERPETRATOR OF THESE CRIMES HIMSELF. 399 00:18:50,346 --> 00:18:53,175 YOU PLEADED WITH US TO STOP YOU. 400 00:18:53,219 --> 00:18:54,916 ALLOW US TO HELP. 401 00:18:54,959 --> 00:18:57,179 THIS CAN END NOW, IF YOU WANT. 402 00:18:57,223 --> 00:19:00,182 FULL DISCLOSURE. FEAR OF CHANGE IS FORCING ME 403 00:19:00,226 --> 00:19:02,489 TO CONTINUE TO EAT FROZEN DESSERT FOODS. WHAT DO YOU NEED? 404 00:19:02,532 --> 00:19:06,275 WE THINK OUR UNSUB IS THE SON OF A COUPLE WHO USED TO LIVE IN BEAUMONT. 405 00:19:06,319 --> 00:19:08,059 GARCIA: OH, MY GOSH. DO YOU THINK THAT, NEWBIE? 406 00:19:08,103 --> 00:19:10,192 OH, MY GOSH. YOU JUST NARROWED THE CANDIDATES 407 00:19:10,236 --> 00:19:12,325 TO LIKE 1.2 MILLION PEOPLE. 408 00:19:12,368 --> 00:19:14,370 IT'S JUST THE SUGAR TALKING. 409 00:19:14,414 --> 00:19:17,808 WE ALSO THINK THAT HIS MOTHER MAY OR MAY NOT 410 00:19:17,852 --> 00:19:20,289 HAVE WORKED AS A PROSTITUTE AT ONE TIME. 411 00:19:20,333 --> 00:19:24,206 BUT DAD IS PROBABLY A MEMBER OF ONE OF THE PROMINENT, LONG-ENTRENCHED FAMILIES HERE. 412 00:19:24,250 --> 00:19:25,816 MOM AND DAD MARRIED? 413 00:19:25,860 --> 00:19:27,818 IT'S UNSURE. I MEAN, ASPECTS OF A WEDDING RITUAL 414 00:19:27,862 --> 00:19:29,298 ARE TANGLED UP IN HIS M.O., 415 00:19:29,342 --> 00:19:30,821 BUT IT COULD JUST BE PROJECTION ON HIS PART, YOU KNOW? 416 00:19:30,865 --> 00:19:32,258 WISHFUL THINKING. 417 00:19:32,301 --> 00:19:34,042 THIS COULD HAVE BEEN AN ENGAGEMENT THAT FELL THROUGH. 418 00:19:34,085 --> 00:19:35,522 GARCIA: OK, I AM ON IT. 419 00:19:35,565 --> 00:19:36,914 BY THE WAY, IS J.J. THERE? 420 00:19:36,958 --> 00:19:38,177 NO, WHY? 421 00:19:38,220 --> 00:19:39,830 GARCIA: ALL RIGHT, YOU PULLED THIS OUT FROM ME 422 00:19:39,874 --> 00:19:41,354 AND YOU DID NOT HEAR IT FROM ME, 423 00:19:41,397 --> 00:19:43,138 BUT SHE'S THINKING ABOUT TAKING A JOB IN NEW ORLEANS. 424 00:19:43,182 --> 00:19:44,748 WHAT?GARCIA: I KNOW, RIGHT? 425 00:19:44,792 --> 00:19:47,751 HENCE FORTHWITH, MY LIPS ARE SEALED, 426 00:19:47,795 --> 00:19:49,840 BUT YOU ONLY KNOW THAT INFORMATION SO WE CAN GANG UP ON HER 427 00:19:49,884 --> 00:19:51,451 AND TALK HER OUT OF IT. 428 00:19:51,494 --> 00:19:53,235 I'M SO MAD THAT YOU MADE ME TELL YOU THAT! 429 00:19:53,279 --> 00:19:54,671 [BEEP] 430 00:19:54,715 --> 00:19:55,890 NOT MY FAULT, J.J. 431 00:19:55,933 --> 00:19:57,065 I TOLD YOU I WASN'T GOOD AT KEEPING SECRETS. 432 00:19:57,108 --> 00:19:58,936 I TOLD YOU. I TOLD YOU. 433 00:19:58,980 --> 00:20:00,373 ONE BEER, SHAWN? I DON'T KNOW. 434 00:20:00,416 --> 00:20:02,853 I MIGHT HAVE TO CUT YOU OFF AFTER THIS. I'M KIDDING! 435 00:20:02,897 --> 00:20:04,246 HOW'S YOUR WIFE DOING? 436 00:20:04,290 --> 00:20:05,856 I NEED TO TALK TO YOU. 437 00:20:05,900 --> 00:20:07,467 OK. GIVE ME TWO SECONDS. 438 00:20:07,510 --> 00:20:09,947 NO. I NEED TO TALK TO YOU NOW. 439 00:20:09,991 --> 00:20:12,298 WHOA, NOT COOL! THAT WAS REALLY RUDE! 440 00:20:12,341 --> 00:20:14,256 THIS IS GONNA SOUND CRAZY, OK, 441 00:20:14,300 --> 00:20:16,258 BUT THERE'S THIS PLACE NEARBY IN THE WOODS. 442 00:20:16,302 --> 00:20:19,479 IT'S THIS TREE LIKE NO OTHER TREE YOU'VE EVER SEEN BEFORE IN YOUR LIFE. 443 00:20:19,522 --> 00:20:23,483 IT WAS WHERE I WAS CONCEIVED, ACTUALLY, AND... 444 00:20:23,526 --> 00:20:25,006 I'M SORRY. I CAN TELL BY THE WAY YOU'RE LOOKING AT ME 445 00:20:25,049 --> 00:20:27,487 THAT I'M GOING WAY TOO FAST, SO LET ME BACK UP. 446 00:20:27,530 --> 00:20:32,535 UM, IT WASN'T A MISTAKE THAT WE MET, 447 00:20:32,579 --> 00:20:35,495 THAT YOU TOLD ME ABOUT YOUR FAMILY BEFORE I EVEN KNEW WHO YOU WERE. 448 00:20:35,538 --> 00:20:36,800 I NEED TO GET BACK TO WORK. 449 00:20:36,844 --> 00:20:41,065 NO. YOU'RE NOT HEARING WHAT I'M SAYING. 450 00:20:41,109 --> 00:20:43,894 COME WITH ME...NOW. 451 00:20:43,938 --> 00:20:45,505 WHAT ARE YOU TALKING ABOUT? 452 00:20:45,548 --> 00:20:47,028 I CAN'T JUST LEAVE. THIS IS MY JOB. 453 00:20:47,071 --> 00:20:49,291 FORGET THIS PLACE! WHAT I'M TALKING ABOUT 454 00:20:49,335 --> 00:20:50,771 IS SO MUCH MORE THAN THIS. 455 00:20:50,814 --> 00:20:54,731 I'M TALKING ABOUT THE CHANCE FOR A BRAND-NEW START. 456 00:20:56,820 --> 00:20:58,909 HOW DO I KNOW I CAN TRUST YOU? 457 00:20:58,953 --> 00:21:01,912 LOOK AT ME. 458 00:21:01,956 --> 00:21:04,915 I WOULD NEVER TRY TO DECEIVE YOU, 459 00:21:04,959 --> 00:21:06,961 NOT ABOUT THIS. 460 00:21:08,571 --> 00:21:09,964 A NEW START. 461 00:21:18,015 --> 00:21:20,366 ALL RIGHT, SPORT. IT'S TIME TO GO. 462 00:21:20,409 --> 00:21:21,976 THANK YOU, NICK. 463 00:21:22,019 --> 00:21:23,064 WAIT, WHAT? 464 00:21:23,107 --> 00:21:25,066 I SAID IT'S TIME TO GO. 465 00:21:25,109 --> 00:21:28,069 JUST GET OFF. GET OFF! 466 00:21:28,112 --> 00:21:29,679 WHAT ARE YOU DOING? 467 00:21:44,259 --> 00:21:46,609 YOU SHOW YOUR FACE AROUND HERE AGAIN, I'M CALLING THE COPS. 468 00:22:01,058 --> 00:22:03,409 YOU STILL GOT IT, BABY GIRL. 469 00:22:03,452 --> 00:22:05,367 [RINGING] 470 00:22:05,411 --> 00:22:07,195 WHAT IS IT, GARCIA? 471 00:22:07,238 --> 00:22:10,590 I SEARCHED BIRTH RECORDS IN BEAUMONT FROM 1987 TO 1992. 472 00:22:10,633 --> 00:22:12,548 THERE WERE 20,000 BABIES BORN. 473 00:22:12,592 --> 00:22:14,898 BUT WHEN YOU APPLY GARCIA'S LAW OF DIDDLYSQUAT, 474 00:22:14,942 --> 00:22:16,422 THINGS NARROW DOWN CONSIDERABLY. 475 00:22:16,465 --> 00:22:18,380 ROSSI: LAW OF DIDDLYSQUAT? 476 00:22:18,424 --> 00:22:20,991 GARCIA: SIMPLY STATED, WHERE THERE SHOULD BE GOBS OF INFORMATION ABOUT SOMEONE 477 00:22:21,035 --> 00:22:22,602 OR SOMETHING AND YOU FIND DIDDLYSQUAT, 478 00:22:22,645 --> 00:22:24,995 THERE IS GOLD IN DEM DER HILLS AND DIG DOWN. 479 00:22:25,039 --> 00:22:27,171 PRENTISS: THE GOLD THIS TIME BEING... 480 00:22:27,215 --> 00:22:30,131 IN 1989, THERE WAS A 16-YEAR-OLD GIRL-- 481 00:22:30,174 --> 00:22:31,611 LET'S CALL HER GIRL X. 482 00:22:31,654 --> 00:22:33,047 SHE GOT PREGNANT, FATHER UNKNOWN-- 483 00:22:33,090 --> 00:22:34,265 LET'S CALL HIM BOY X. 484 00:22:34,309 --> 00:22:35,745 SHE HAD A HISTORY OF DRUG ISSUES. 485 00:22:35,789 --> 00:22:38,008 SHE WAS ARRESTED TWICE FOR SOLICITATION. 486 00:22:38,052 --> 00:22:39,183 DO WE KNOW HER NAME? 487 00:22:39,227 --> 00:22:40,794 GARCIA: NOT YET. THEY'RE BOTH JUVENILES, 488 00:22:40,837 --> 00:22:42,622 SO THOSE RECORDS ARE SEALED TIGHT. 489 00:22:42,665 --> 00:22:44,798 BEAUMONT IS A DECENT-SIZE CITY. 490 00:22:44,841 --> 00:22:46,190 THAT COULDN'T HAVE BEEN THE ONLY BIRTH 491 00:22:46,234 --> 00:22:48,410 DURING THAT TIMEFRAME THAT RAISED EYEBROWS. 492 00:22:48,454 --> 00:22:50,151 CORRECT. SO I FOLLOWED THE MONEY. 493 00:22:50,194 --> 00:22:52,022 GIRL X FILED FOR CHILD SUPPORT, 494 00:22:52,066 --> 00:22:53,676 A LOT OF CHILD SUPPORT. 495 00:22:53,720 --> 00:22:55,025 OBVIOUSLY, SHE THOUGHT SHE WAS GONNA GET IT. 496 00:22:55,069 --> 00:22:57,463 BOY X'S PARENTS WERE WELL-OFF. 497 00:22:57,506 --> 00:22:58,942 GARCIA: THAT'S WHERE MY MIND WENT. 498 00:22:58,986 --> 00:23:02,163 OOH! AND...SEALED TIGHT IS JUST GARCIA-SPEAK 499 00:23:02,206 --> 00:23:03,817 FOR UNSEALED WAITING TO HAPPEN. 500 00:23:03,860 --> 00:23:05,775 THE GIRL'S NAME-- LYDIA PARRIS. 501 00:23:05,819 --> 00:23:07,037 DO WE KNOW WHERE SHE IS NOW? 502 00:23:07,081 --> 00:23:08,648 NOT YET, BUT WE WILL. 503 00:23:08,691 --> 00:23:10,780 ROSSI: DOES IT INDICATE WHETHER SHE GOT THE MONEY? 504 00:23:10,824 --> 00:23:12,434 GARCIA: NO, BUT SHE GOT IT. 505 00:23:12,478 --> 00:23:15,742 BEFORE BABY, LYDIA WAS HUSTLING FOR DRUG MONEY. 506 00:23:15,785 --> 00:23:18,440 AFTER, MOTHER AND SON MOVED TO HOUSTON, LIVED IN STYLE-- 507 00:23:18,484 --> 00:23:20,007 NEW CAR, NICE APARTMENT. 508 00:23:23,793 --> 00:23:25,229 YOU SURE YOU'RE OK? 509 00:23:25,273 --> 00:23:28,581 YEAH, YEAH, THAT GUY WAS A NUT JOB, BUT HE WAS HARMLESS. 510 00:23:28,624 --> 00:23:30,670 WOMAN: HEY, NICK, YOU MIND GIVING ME A HAND? 511 00:23:30,713 --> 00:23:32,106 JUST BE CAREFUL, ALL RIGHT? 512 00:23:32,149 --> 00:23:33,716 OK. 513 00:23:40,723 --> 00:23:43,422 AAH! MMM! 514 00:23:45,424 --> 00:23:47,687 OH! YOU ARE A LIFESAVER. THANK YOU. 515 00:23:47,730 --> 00:23:50,080 [CELL PHONE RINGING] 516 00:23:50,124 --> 00:23:51,691 WHAT DO YOU GOT, PENELOPE? 517 00:23:51,734 --> 00:23:56,086 GARCIA: I HAVE THE SAD CONCLUSION OF THE LYDIA PARRIS SAGA. 518 00:23:56,130 --> 00:23:58,088 LIFE DID NOT IMPROVE FOR HER ONCE SHE LEFT BEAUMONT. 519 00:23:58,132 --> 00:23:59,699 PRENTISS: WHAT HAPPENED? 520 00:23:59,742 --> 00:24:02,223 MORE OF THE SAME-- DRUGS, ALCOHOL, HOMELESSNESS. 521 00:24:02,266 --> 00:24:04,094 SHE DIED OF CIRRHOSIS 3 MONTHS AGO IN GALVESTON. 522 00:24:04,138 --> 00:24:06,096 THERE'S YOUR TRIGGER.WHAT ABOUT HER SON? 523 00:24:06,140 --> 00:24:07,707 GARCIA: I'M STILL TRYING TO TRACK HIM DOWN. 524 00:24:07,750 --> 00:24:09,665 HE LEFT HOME EARLY AND THEN FELL OFF THE GRID. 525 00:24:09,709 --> 00:24:11,145 AND THE FATHER? 526 00:24:11,188 --> 00:24:12,494 GARCIA: BOY X REMAINS BOY X. 527 00:24:12,538 --> 00:24:14,017 MONEY'LL BUY YOU A LOT OF ANONYMITY. 528 00:24:14,061 --> 00:24:15,758 I'LL HIT YOU BACK WHEN I HAVE MORE. 529 00:24:22,286 --> 00:24:24,114 YEP. THAT'S THE GUY. 530 00:24:24,158 --> 00:24:26,726 AND THE NAME OF THE BARTENDER IS BECKY SILVERMAN? 531 00:24:26,769 --> 00:24:28,118 LOOK, SOMETHING BAD HAPPENED. 532 00:24:28,162 --> 00:24:29,729 HER CAR'S STILL PARKED IN THE ALLEY. 533 00:24:29,772 --> 00:24:31,731 HER HANDBAG'S ON THE GROUND. SHE'S NOT ANSWERING HER CELL. 534 00:24:31,774 --> 00:24:33,210 AND YOU SAID THAT SHE HAD AN ENCOUNTER WITH THIS MAN 535 00:24:33,254 --> 00:24:34,560 EARLIER IN THE AFTERNOON? 536 00:24:34,603 --> 00:24:36,300 GUY HAD BEEN HANGING AROUND THE BAR PAST FEW DAYS. 537 00:24:36,344 --> 00:24:37,737 BECKY SAID HE WAS CRAZY.HOW SO? 538 00:24:37,780 --> 00:24:41,262 HE WENT OFF ABOUT THIS TREE THEY HAD TO GO SEE. 539 00:24:41,305 --> 00:24:43,177 BUT UP UNTIL THE LAST FEW DAYS, 540 00:24:43,220 --> 00:24:44,744 YOU'D NEVER SEEN THIS MAN BEFORE? 541 00:24:44,787 --> 00:24:47,268 NO. BECKY SAID HE WAS LOOKING THROUGH A CAR FLYER. 542 00:24:47,311 --> 00:24:49,096 HE NEEDED A PICKUP THAT COULD HANDLE MUD? 543 00:24:49,139 --> 00:24:51,359 MUD? HAS IT BEEN RAINING RECENTLY? 544 00:24:51,402 --> 00:24:53,666 IT'S BEEN BONE DRY FOR MONTHS. 545 00:25:01,195 --> 00:25:02,805 [GASPING] 546 00:25:04,198 --> 00:25:05,808 COME ON. 547 00:25:08,202 --> 00:25:09,812 SHH... 548 00:25:12,206 --> 00:25:13,903 PLEASE! PLEASE DON'T HURT ME, PLEASE! 549 00:25:13,947 --> 00:25:15,775 SHH...SHH. 550 00:25:15,818 --> 00:25:17,733 IT'S RIGHT NEARBY. 551 00:25:17,777 --> 00:25:19,169 I'M GONNA SHOW YOU. 552 00:25:19,213 --> 00:25:23,826 AND THEN WE'LL COME BACK HERE AND GET READY. 553 00:25:29,266 --> 00:25:33,575 SO WHEREVER HE'S TAKING HIS VICTIMS HAS GOT TO BE SOMEWHERE PRIVATE, 554 00:25:33,619 --> 00:25:36,491 A PLACE HE KNOWS OTHERS WOULDN'T DISTURB HIM. 555 00:25:36,535 --> 00:25:38,798 THERE'S LOTS OF PLACES LIKE THAT AROUND HERE. 556 00:25:38,841 --> 00:25:41,496 TURNS PRETTY RURAL, YOU JUST GET A COUPLE MILES OUTSIDE OF TOWN. 557 00:25:41,540 --> 00:25:44,804 OK, APPARENTLY HE NEEDED A TRUCK THAT COULD TRAVERSE DEEP MUD, 558 00:25:44,847 --> 00:25:46,196 BUT IT HASN'T RAINED AROUND HERE FOR WEEKS. 559 00:25:46,240 --> 00:25:48,764 YEAH, WELL, THIS IS BAYOU COUNTRY, REMEMBER. 560 00:25:48,808 --> 00:25:52,551 THERE ARE SOME AREAS THAT ARE PRONE TO ON-AND-OFF FLOODING YEAR-ROUND. 561 00:25:52,594 --> 00:25:54,727 WHICH PLACES? 562 00:25:54,770 --> 00:25:57,251 OH, SOUTHEAST OF... 563 00:25:59,862 --> 00:26:02,473 [CRYING] I HAVEN'T DONE ANYTHING TO YOU! 564 00:26:02,517 --> 00:26:04,214 COME ON! 565 00:26:04,258 --> 00:26:06,434 HEY, HEY, HEY, THIS IS IT. 566 00:26:06,477 --> 00:26:08,828 UHH! 567 00:26:08,871 --> 00:26:13,267 HEY, HEY, HEY, THIS IS OUR PLACE. OK? 568 00:26:13,310 --> 00:26:15,574 WE CAN MAKE A FRESH START HERE. 569 00:26:15,617 --> 00:26:18,881 OK? OK, JUST THE TWO OF US. 570 00:26:38,422 --> 00:26:39,772 THESE ARE THE FLOOD ZONES. 571 00:26:39,815 --> 00:26:41,556 I SENT A COPY OFF TO GARCIA. 572 00:26:41,600 --> 00:26:44,080 THERE MUST BE 15,000, 20,000 ACRES HERE. WE NEED TO NARROW IT DOWN. 573 00:26:44,124 --> 00:26:46,996 ALL RIGHT, LET'S THINK. IMAGINE YOU ARE BOY X. 574 00:26:47,040 --> 00:26:48,519 YOU'RE FROM A PROMINENT FAMILY, 575 00:26:48,563 --> 00:26:50,173 BUT YOUR GIRLFRIEND IS A WRONG-SIDE-OF- THE-TRACKS TYPE. 576 00:26:50,217 --> 00:26:52,132 WHERE WOULD YOU GO FOR A TRYST? 577 00:26:52,175 --> 00:26:55,265 YOU CAN'T RISK BEING SEEN. YOU'D GO OFF TO THE COUNTRYSIDE. 578 00:26:55,309 --> 00:26:57,659 OK, BUT NOT JUST ANY COUNTRYSIDE. 579 00:26:57,703 --> 00:27:01,141 A PLACE YOU KNOW, IDEALLY, A PLACE YOU CONTROL. 580 00:27:01,184 --> 00:27:02,708 PROBABLY THE BOY'S FAMILY OWNS. 581 00:27:02,751 --> 00:27:04,013 [CELL PHONE RINGS] 582 00:27:04,057 --> 00:27:06,102 GARCIA.I KNOW, I KNOW, I KNOW! 583 00:27:06,146 --> 00:27:08,061 I GOT THE FLOOD MAP, BUT IT'S A LOT TO WADE THROUGH. 584 00:27:08,104 --> 00:27:10,019 EXCUSE THE ROSSI SCHOOL OF BEING UNINTENTIONALLY PUNNY. 585 00:27:10,063 --> 00:27:12,021 PRENTISS: NARROW YOUR SEARCH TO LAND THAT'S BEEN OWNED 586 00:27:12,065 --> 00:27:15,808 BY THE SAME FAMILY FOR AT LEAST 3 GENERATIONS. 587 00:27:15,851 --> 00:27:19,463 GARCIA: OH, THAT HELPS ENORMOUSLY. 588 00:27:19,507 --> 00:27:22,249 THE ONES CLOSEST TO THE CITY LIMITS ARE... 589 00:27:22,292 --> 00:27:24,033 CRAWFORD, STANFORD, AND BOWMAN RANCHES. 590 00:27:24,077 --> 00:27:25,687 ALVEZ: CHECK THE FAMILIES' HISTORIES, 591 00:27:25,731 --> 00:27:27,080 SEE IF ANY FLARES GO OFF. 592 00:27:27,123 --> 00:27:30,170 PLEASE LET ME GO. I WON'T TELL ANYBODY, I SWEAR! 593 00:27:30,213 --> 00:27:33,390 SEE THAT TREE? IT'S WHERE I BEGAN. 594 00:27:33,434 --> 00:27:37,046 A PLACE LIKE THAT, IT... 595 00:27:37,090 --> 00:27:39,701 IT SHOULD HAVE BEEN THE MOST BEAUTIFUL THING IN THE WORLD... 596 00:27:41,137 --> 00:27:42,704 LIKE YOU. 597 00:27:54,107 --> 00:27:57,850 WHY DID YOU PUT THOSE THINGS ON IT? 598 00:27:57,893 --> 00:27:59,373 TO HONOR WHAT HAPPENED. 599 00:27:59,416 --> 00:28:00,853 WHAT? 600 00:28:00,896 --> 00:28:04,073 BRINGING TOGETHER WHAT SHOULD ALWAYS HAVE BEEN TOGETHER 601 00:28:04,117 --> 00:28:05,988 BUT WASN'T. 602 00:28:06,032 --> 00:28:08,991 SEE, ALL MY MOTHER EVER WANTED WAS A FAMILY. 603 00:28:10,210 --> 00:28:12,125 SHE WASN'T GOOD ENOUGH FOR HIM, THOUGH. 604 00:28:14,127 --> 00:28:16,912 BUT TREES, THEY'RE... 605 00:28:16,956 --> 00:28:18,914 THEY SENSE THINGS. 606 00:28:18,958 --> 00:28:20,220 THEY REGENERATE. 607 00:28:21,787 --> 00:28:23,049 I KNOW HOW THIS SOUNDS. 608 00:28:23,092 --> 00:28:25,529 DON'T! DON'T! DO NOT TOUCH ME! 609 00:28:25,573 --> 00:28:28,445 DIDN'T YOU HEAR WHAT I SAID? I... 610 00:28:28,489 --> 00:28:30,143 THIS IS OUR CHANCE 611 00:28:30,186 --> 00:28:31,971 TO MAKE SOMETHING WRONG RIGHT AGAIN. 612 00:28:32,014 --> 00:28:33,973 YOU ARE INSANE. 613 00:28:35,975 --> 00:28:38,934 YOU'RE NOT ANY DIFFERENT, ARE YOU? 614 00:28:38,978 --> 00:28:41,937 IT'S NOT TOO LATE. TAKE ME BACK. I'LL-- 615 00:28:41,981 --> 00:28:45,201 YOU'RE NO DIFFERENT AT ALL. I THOUGHT YOU WERE. 616 00:28:45,245 --> 00:28:46,768 TSK. 617 00:28:46,812 --> 00:28:48,161 BUT YOU'RE NOT. 618 00:28:48,204 --> 00:28:49,728 YOU'VE GOT A SICKNESS, BUT YOU CAN GET HELP. 619 00:28:49,771 --> 00:28:51,338 I'LL HELP YOU GET HELP. 620 00:28:51,381 --> 00:28:53,601 NO. 621 00:28:53,644 --> 00:28:54,994 YOU HAD YOUR CHANCE. 622 00:28:55,037 --> 00:28:57,779 [CRYING] 623 00:28:57,823 --> 00:28:59,389 WHAT'S HAPPENING? 624 00:28:59,433 --> 00:29:01,609 WE ASKED GARCIA TO LOOK FOR FLARES. SHE MAY HAVE FOUND ONE. 625 00:29:01,652 --> 00:29:03,393 BILLY CRAWFORD. 626 00:29:03,437 --> 00:29:04,220 THAT'S OUR UNSUB? 627 00:29:04,264 --> 00:29:06,570 FATHER OF OUR UNSUB. BOY X. 628 00:29:06,614 --> 00:29:10,313 30 YEARS BACK, BILLY WAS KNOWN AS A WILD KID 629 00:29:10,357 --> 00:29:12,141 WHO SLUMMED IT WITH LYDIA'S CROWD. 630 00:29:12,185 --> 00:29:13,839 SAME TIME SHE GOT PREGNANT, 631 00:29:13,882 --> 00:29:16,667 HE WAS ABRUPTLY SHIPPED OFF TO A BOARDING SCHOOL IN CONNECTICUT. 632 00:29:16,711 --> 00:29:18,539 FAMILY PAID OFF THE GIRL AND THAT WAS THE END OF IT. 633 00:29:18,582 --> 00:29:19,932 WE KNOW WHERE BILLY IS NOW? 634 00:29:19,975 --> 00:29:21,760 HE DIED OF CANCER 5 YEARS AGO. 635 00:29:21,803 --> 00:29:23,762 SO WITH LYDIA'S RECENT DEATH, 636 00:29:23,805 --> 00:29:26,590 THE UNSUB, IN EFFECT, WAS ORPHANED. 637 00:29:26,634 --> 00:29:28,157 SIMMONS: AND CAME BACK TO BEAUMONT WHERE IT ALL STARTED 638 00:29:28,201 --> 00:29:29,637 TO TRY TO FIX IT. 639 00:29:29,680 --> 00:29:32,335 THE FAMILY OWNS A RANCH JUST OUTSIDE OF TOWN. 640 00:29:32,379 --> 00:29:34,729 IT'S MOSTLY DENSE WOOD, BUT GARCIA HAS A SATELLITE PHOTO OF A CLEARING 641 00:29:34,773 --> 00:29:36,731 WITH ONE VERY LARGE TREE. 642 00:29:36,775 --> 00:29:40,735 HELP! SOMEBODY! 643 00:29:40,779 --> 00:29:43,782 SCREAM ALL YOU WANT. THERE'S NOBODY OUT HERE. 644 00:29:47,176 --> 00:29:49,744 OK. OK, LET'S DO WHAT YOU SAID OUT BY THE TREE. 645 00:29:49,788 --> 00:29:51,572 LET'S MAKE A NEW START. 646 00:29:51,615 --> 00:29:55,532 NO, YOU'RE JUST SCARED. SCARED PEOPLE WILL SAY ANYTHING. 647 00:30:03,149 --> 00:30:05,804 NOW I NEED TO FIND A BRANCH JUST FOR YOU. 648 00:30:23,822 --> 00:30:25,824 [SIREN] 649 00:30:30,829 --> 00:30:33,440 PRENTISS: STOP! FBI! 650 00:30:53,112 --> 00:30:54,461 DROP IT! 651 00:30:56,463 --> 00:30:57,856 UHH! [GUN CLICKS] DAMN IT. 652 00:31:01,903 --> 00:31:03,470 UHH! 653 00:31:07,996 --> 00:31:11,347 WHAT'S HAPPENING? I HEARD GUNSHOTS. 654 00:31:11,391 --> 00:31:12,914 ONE LAST CHANCE. 655 00:31:12,958 --> 00:31:14,829 WE LEAVE NOW, TOGETHER. 656 00:31:14,873 --> 00:31:16,570 THIS IS IT. 657 00:31:16,613 --> 00:31:17,876 [SIRENS APPROACHING] 658 00:31:20,139 --> 00:31:21,836 OK. 659 00:31:21,880 --> 00:31:23,229 WHAT? 660 00:31:23,272 --> 00:31:25,884 I SAID OK. LET'S DO IT. 661 00:31:25,927 --> 00:31:28,016 WELL, HOW DO I KNOW YOU'RE-- 662 00:31:28,060 --> 00:31:29,888 KISS ME. 663 00:31:40,899 --> 00:31:44,206 DO YOU BELIEVE ME NOW? 664 00:31:44,250 --> 00:31:45,860 YES. 665 00:31:45,904 --> 00:31:47,253 YES! 666 00:31:51,910 --> 00:31:53,694 I LOVE YOU. 667 00:31:53,737 --> 00:31:57,350 I'VE LOVED YOU FROM THE MOMENT I SAW YOU. 668 00:32:07,969 --> 00:32:09,536 WHAT? 669 00:32:13,932 --> 00:32:17,544 W-WHAT'S HAPPENING? WHAT'S HAPPENING? 670 00:32:19,546 --> 00:32:20,939 WHAT'S HAPPENING? 671 00:32:24,464 --> 00:32:25,944 [GUNSHOT] 672 00:32:41,960 --> 00:32:44,527 DAVE, ARE YOU OK? 673 00:32:44,571 --> 00:32:46,965 YEAH. 674 00:32:47,008 --> 00:32:48,923 MATT SAW A CABIN OVER NEAR THE RIDGE. 675 00:32:48,967 --> 00:32:51,534 WE SHOULD GO ASSIST. 676 00:32:51,578 --> 00:32:54,929 THIS WAS NEVER GONNA END ANY OTHER WAY. 677 00:32:54,973 --> 00:32:56,539 I KNOW. 678 00:32:56,583 --> 00:32:58,585 [SIRENS APPROACHING] 679 00:33:18,605 --> 00:33:21,303 PRENTISS: UH-HUH. OK. BYE. 680 00:33:22,739 --> 00:33:26,047 BECKY SILVERMAN'S SHAKEN UP, BUT SHE'S GONNA BE OK. 681 00:33:26,091 --> 00:33:28,702 ROSSI SAID THE POLICE FOUND MORE RECORDINGS IN THE UNSUB'S CABIN? 682 00:33:28,745 --> 00:33:30,225 YEAH, YEAH, WE'VE GOT 'EM. 683 00:33:30,269 --> 00:33:32,445 WE'RE GONNA TAKE 'EM BACK TO QUANTICO. 684 00:33:32,488 --> 00:33:34,621 IT MIGHT SHED LIGHT ON THE MURDERS WE DON'T KNOW ABOUT. 685 00:33:34,664 --> 00:33:37,232 THAT TREE HAD A LOT MORE BODY PARTS 686 00:33:37,276 --> 00:33:38,668 THAN 5 VICTIMS COULD PRODUCE. 687 00:33:38,712 --> 00:33:40,235 TACKLE THOSE TAPES TOMORROW. 688 00:33:40,279 --> 00:33:43,847 I THINK ALL OF US HAVE HAD MORE THAN ENOUGH FOR ONE DAY. 689 00:33:49,766 --> 00:33:52,465 HEY. MAY I BUG YOU FOR A SECOND? 690 00:33:52,508 --> 00:33:54,249 PLEASE DO. 691 00:33:54,293 --> 00:33:56,425 THERE'S A RUMOR FLOATING AROUND... 692 00:33:56,469 --> 00:33:58,645 HA. PENELOPE. 693 00:33:58,688 --> 00:34:01,735 IS NEW ORLEANS SOMETHING YOU'RE SERIOUSLY CONSIDERING? 694 00:34:01,778 --> 00:34:03,650 I DON'T KNOW. 695 00:34:03,693 --> 00:34:05,478 IT SORT OF CAME OUT OF NOWHERE. 696 00:34:05,521 --> 00:34:07,654 BUT BELIEVE ME, I'M NOT GONNA DO ANYTHING 697 00:34:07,697 --> 00:34:09,438 WITHOUT CONSULTING ALL OF YOU FIRST. 698 00:34:09,482 --> 00:34:11,658 THEY WOULD BE LUCKY TO HAVE YOU. 699 00:34:11,701 --> 00:34:17,664 BUT SOMETHING TO FACTOR IN, YOU KNOW, SHOULD THINGS GET SERIOUS. 700 00:34:17,707 --> 00:34:20,667 IF I WERE TO MOVE ON FROM MY POSITION, 701 00:34:20,710 --> 00:34:23,409 I HAD YOU IN MIND TO TAKE OVER AS UNIT CHIEF. 702 00:34:23,452 --> 00:34:25,715 WHOA, WAIT. ARE YOU-- 703 00:34:25,759 --> 00:34:31,417 NO. AT LEAST NOT UNTIL I'VE CONSULTED WITH ALL OF YOU. 704 00:34:31,460 --> 00:34:35,334 BUT I WANTED YOU TO KNOW THAT WHEN YOU WEIGH YOUR OPTIONS. 705 00:34:36,726 --> 00:34:38,337 THAT'S ALL. 706 00:34:41,209 --> 00:34:43,298 EMILY... 707 00:34:43,342 --> 00:34:46,693 UM, THANK YOU. 708 00:34:46,736 --> 00:34:48,738 THAT MEANS A LOT THAT YOU SAID THAT. 709 00:34:56,355 --> 00:34:58,139 MAN, ON RECORDING: I'M NOT CRAZY. 710 00:34:58,183 --> 00:35:02,796 I KNOW THESE PEOPLE I FIND. THEY'RE NOT MY REAL PARENTS. 711 00:35:02,839 --> 00:35:04,928 BUT THE WEIRD THING IS, 712 00:35:04,972 --> 00:35:08,671 SOMETIMES PRETENDING ISN'T JUST AS GOOD AS THE REAL THING. 713 00:35:08,715 --> 00:35:10,804 IT'S BETTER. 714 00:35:10,847 --> 00:35:12,327 ANYTHING INTERESTING? 715 00:35:12,371 --> 00:35:13,894 IT'S STRANGE. 716 00:35:13,937 --> 00:35:16,331 ON THE ONE HAND, THE UNSUB WAS TORN APART BY REMORSE 717 00:35:16,375 --> 00:35:18,725 AND LIVING IN THE WORST POSSIBLE HELL YOU CAN IMAGINE, 718 00:35:18,768 --> 00:35:22,729 BUT THEN IN THE NEXT INSTANT, IT WAS LIKE HE WAS IN SOME KIND OF A FAIRY TALE 719 00:35:22,772 --> 00:35:25,079 FILLED WITH WONDERMENT AND DELIGHT. 720 00:35:25,123 --> 00:35:26,733 EARLIER TAPE REFLECTED THE SAME DUALITY. 721 00:35:26,776 --> 00:35:29,953 HE WAS SPLIT BY A DEEP PSYCHOLOGICAL AND EMOTIONAL FISSURE. 722 00:35:29,997 --> 00:35:33,740 YEAH, BUT HE WASN'T A SCHIZOPHRENIC OR EVEN A SOCIOPATH, REALLY. 723 00:35:33,783 --> 00:35:36,786 I MEAN, HIS M.O. WAS WELL-ORGANIZED AND EFFICIENT. 724 00:35:36,830 --> 00:35:38,745 COULD JUST BE THE TWO SEPARATE AND CONFLICTING REALITIES 725 00:35:38,788 --> 00:35:40,225 CO-EXISTED INSIDE OF HIM. 726 00:35:40,268 --> 00:35:42,096 YEAH, ALMOST LIKE HE HAD SOME KIND OF A FANTASY LIFE 727 00:35:42,140 --> 00:35:44,620 THAT WOULD TAKE OVER FROM TIME TO TIME, YOU KNOW? 728 00:35:44,664 --> 00:35:45,926 LIKE A COPING MECHANISM. 729 00:35:45,969 --> 00:35:47,145 WELL, CAN'T WAIT TO HEAR WHAT YOU FIND. 730 00:35:47,188 --> 00:35:48,494 YEAH. SLEEP WELL. 731 00:35:48,537 --> 00:35:49,799 YOU TOO. 732 00:35:49,843 --> 00:35:52,454 [CLICK] MAN, ON RECORDING: THERE'S THIS FEELING 733 00:35:52,498 --> 00:35:56,371 THAT COMES OVER ME RIGHT BEFORE I KNOW I'M GOING TO DO IT. 734 00:35:56,415 --> 00:35:59,331 IF ONLY I KNEW HOW TO DESCRIBE IT TO YOU. 735 00:36:01,855 --> 00:36:05,380 HEY. WE STILL ON FOR SHOOTING RANGE PRACTICE TOMORROW? 736 00:36:05,424 --> 00:36:08,383 RIGHT NOW, ALL I WANT TO DO IS GET HOME AND HAVE A DRINK WITH KRYSTALL. 737 00:36:08,427 --> 00:36:09,776 CAN WE PLAY IT BY EAR? 738 00:36:09,819 --> 00:36:11,212 OF COURSE. 739 00:36:11,256 --> 00:36:12,648 EVERYTHING OK? 740 00:36:12,692 --> 00:36:14,389 YEAH. 741 00:36:17,349 --> 00:36:20,743 I GUESS I'M FEELING A LITTLE RATTLED. 742 00:36:20,787 --> 00:36:22,528 WHAT'S GOING ON? 743 00:36:28,447 --> 00:36:32,886 YOU KNOW, IT TOOK THE WHOLE FLIGHT BACK TO FIGURE IT OUT, 744 00:36:32,929 --> 00:36:34,888 BUT THEN IT HIT ME. 745 00:36:36,455 --> 00:36:39,414 THE LAST TIME I CHASED AN UNSUB THROUGH THE WOODS, 746 00:36:39,458 --> 00:36:41,242 I DAMN NEAR DIED. 747 00:36:41,286 --> 00:36:42,983 EVERETT LYNCH. 748 00:36:43,026 --> 00:36:45,812 I KNOW THAT PTSD IS REAL. 749 00:36:45,855 --> 00:36:48,815 GOD KNOWS, WE'VE BOTH SEEN ENOUGH OF IT IN WARTIME. 750 00:36:48,858 --> 00:36:50,425 UNFORTUNATELY, WE HAVE. 751 00:36:50,469 --> 00:36:53,428 BUT BECAUSE I NEVER FELL VICTIM TO IT MYSELF, 752 00:36:53,472 --> 00:36:55,822 I GUESS I'VE LIVED MY LIFE WITH A SLIVER OF... 753 00:36:55,865 --> 00:36:57,258 ARROGANCE. 754 00:36:57,302 --> 00:36:58,607 WHICH IS? 755 00:36:58,651 --> 00:37:00,696 THAT I WAS IMMUNE TO PTSD. 756 00:37:00,740 --> 00:37:02,829 IT'S MIND OVER MATTER. 757 00:37:02,872 --> 00:37:07,442 WELL, THANKS TO EVERETT LYNCH, 758 00:37:07,486 --> 00:37:08,965 I'M NOT IMMUNE NOW. 759 00:37:09,009 --> 00:37:12,447 WELL, LYNCH HAS BEEN QUIET SINCE HE KILLED HIS DAUGHTER. 760 00:37:12,491 --> 00:37:16,277 COULD BE HE'S GONE DORMANT. THAT HAPPENS SOMETIMES. 761 00:37:16,321 --> 00:37:17,844 BTK, ZODIAC. 762 00:37:17,887 --> 00:37:20,455 NO, NOT LYNCH. HE'S A DIFFERENT KIND OF ANIMAL. 763 00:37:20,499 --> 00:37:22,065 I THINK HE'S ADJUSTED HIS M.O., 764 00:37:22,109 --> 00:37:24,111 AND WE'RE JUST NOT AWARE OF HIS ACTIVITY. 765 00:37:24,154 --> 00:37:26,853 WELL, I HOPE TO HELL YOU'RE WRONG. 766 00:37:26,896 --> 00:37:29,290 BUT THE ONE THING I STILL CAN'T FIGURE OUT, 767 00:37:29,334 --> 00:37:33,338 IS WHY HE LET ME LIVE. 768 00:37:33,381 --> 00:37:38,038 IT CERTAINLY WASN'T OUT OF THE GOODNESS OF HIS HEART. 769 00:37:38,081 --> 00:37:42,695 WHAT MATTERS IS THAT HE DID, AND BECAUSE OF THAT, 770 00:37:42,738 --> 00:37:47,917 YOU ARE GOING HOME TONIGHT TO A GREAT WOMAN 771 00:37:47,961 --> 00:37:49,919 AND A COLD, COLD MARTINI. 772 00:37:49,963 --> 00:37:51,530 KRYSTALL'S DRINK, NOT MINE. 773 00:37:51,573 --> 00:37:52,879 OH, OK. 774 00:37:52,922 --> 00:37:54,272 BUT I TAKE YOUR POINT. 775 00:37:54,315 --> 00:37:58,711 AND AS FOR ME, I'M ALSO GOING HOME TO A GREAT WOMAN 776 00:37:58,754 --> 00:38:00,930 AND A BUCKET OF DIRTY DIAPERS. 777 00:38:02,541 --> 00:38:03,890 I'LL SEE YOU TOMORROW. 778 00:38:03,933 --> 00:38:05,326 HEY. 779 00:38:10,897 --> 00:38:14,683 MAN, ON RECORDING: I'VE HEARD THAT GAMBLERS DON'T REALLY WANT TO WIN. 780 00:38:14,727 --> 00:38:18,905 THE ONLY TIME THEY FEEL ALIVE IS WHEN THE DARKNESS STARTS TO CROWD IN FROM EVERY ANGLE 781 00:38:18,948 --> 00:38:21,908 AND IT DOESN'T LOOK LIKE THERE'S ANY WAY OUT. 782 00:38:21,951 --> 00:38:27,043 BUT PEOPLE LIKE ME KNOW, THERE'S ALWAYS A WAY OUT. 783 00:38:27,087 --> 00:38:31,874 WHAT YOU DO IS GO IN DEEPER. THAT'S THE TRICK. 784 00:38:31,918 --> 00:38:35,574 THE ONLY WAY OUT IS TO GO FURTHER IN. 785 00:38:38,751 --> 00:38:43,582 REMEMBER HOW I SAID BEFORE I FELT SOMETHING DIE IN ME EVERY TIME I DO THIS? 786 00:38:43,625 --> 00:38:47,063 WELL, THAT'S THE TRUTH, BUT AT THE SAME TIME, 787 00:38:47,107 --> 00:38:49,370 SOMETHING ELSE GROWS. 788 00:38:49,414 --> 00:38:53,679 AND THE WAY IT FEELS, THIS GROWING THING, 789 00:38:53,722 --> 00:38:55,985 THERE'S NOTHING LIKE IT IN WHAT YOU PEOPLE CALL 790 00:38:56,029 --> 00:38:58,510 "THE NORMAL WORLD." [CAR ALARM BEEPS] 791 00:38:58,553 --> 00:38:59,989 AND FOR THAT, I PITY YOU. 792 00:39:01,600 --> 00:39:03,993 'CAUSE ONCE YOU KNOW THIS FEELING, 793 00:39:04,037 --> 00:39:09,042 YOU NEVER, EVER WANT IT TO STOP. 794 00:39:09,085 --> 00:39:10,609 [STARTS ENGINE] 795 00:39:20,967 --> 00:39:22,621 [WIND CHIMES] 796 00:39:40,116 --> 00:39:41,596 HERE YOU GO. 797 00:39:41,640 --> 00:39:44,991 HEY, THAT LOOKS WONDERFUL. 798 00:39:45,034 --> 00:39:49,604 SO, IS IT EVERYTHING I SAID IT WOULD BE? 799 00:39:49,648 --> 00:39:51,040 EVERYTHING AND MORE. 800 00:39:52,302 --> 00:39:54,435 WHAT'S THE MATTER? 801 00:39:54,479 --> 00:39:57,438 OH, I DON'T KNOW. I'M JUST-- 802 00:39:57,482 --> 00:40:00,746 I'M THINKING BACK ON MY LIFE AND... 803 00:40:00,789 --> 00:40:03,052 THE THINGS THAT I'VE DONE AND WHO I AM. 804 00:40:04,619 --> 00:40:06,099 I DON'T DESERVE ALL OF THIS. 805 00:40:06,142 --> 00:40:08,101 DON'T BE SILLY. OF COURSE YOU DO. 806 00:40:09,668 --> 00:40:11,626 REALLY, I DON'T. 807 00:40:11,670 --> 00:40:16,979 SWEETHEART, WE'VE ALL DONE THINGS WE WISH WE'D DONE DIFFERENTLY, 808 00:40:17,023 --> 00:40:21,636 BUT YOU ARE THE BEST MAN I HAVE EVER MET... 809 00:40:21,680 --> 00:40:23,116 AND I LOVE YOU. 810 00:40:23,159 --> 00:40:24,683 I LOVE YOU, TOO. 811 00:40:29,601 --> 00:40:31,690 SO, I'M GOING TO MAKE US A DELICIOUS BREAKFAST-- 812 00:40:31,733 --> 00:40:33,343 OH, OK. 813 00:40:33,387 --> 00:40:36,912 AND WE'RE GONNA CELEBRATE THIS NEW PHASE OF OUR LIFE TOGETHER. 814 00:40:36,956 --> 00:40:39,349 HEY. WHAT? 815 00:40:39,393 --> 00:40:41,787 YOU HAVE THE MOST REMARKABLE... 816 00:40:41,830 --> 00:40:44,267 FACIAL STRUCTURE. 817 00:40:44,311 --> 00:40:46,531 HAS ANYONE EVER TOLD YOU THAT? 818 00:40:46,574 --> 00:40:48,663 NO. 819 00:40:48,707 --> 00:40:51,231 IT REALLY IS QUITE LOVELY. 820 00:40:52,711 --> 00:40:55,714 I THINK YOU SHOULD BE PRESERVED UNDER GLASS FOREVER. 821 00:40:57,106 --> 00:40:58,891 FLATTERY WILL GET YOU EVERYWHERE. 822 00:40:58,934 --> 00:41:00,675 HA HA HA! 823 00:41:00,719 --> 00:41:02,068 OK. 824 00:41:02,111 --> 00:41:03,678 I'M JUST-- 825 00:41:03,722 --> 00:41:05,114 OK. 826 00:41:15,560 --> 00:41:17,823 LYNCH, VOICE-OVER: "WE SERIAL KILLERS ARE YOUR SONS, 827 00:41:17,866 --> 00:41:21,087 "WE ARE YOUR HUSBANDS, WE ARE EVERYWHERE. 828 00:41:21,130 --> 00:41:24,090 AND THERE WILL BE MORE OF YOUR CHILDREN DEAD TOMORROW." 829 00:41:24,133 --> 00:41:25,744 TED BUNDY. 830 00:41:27,528 --> 00:41:29,748 [WIND CHIMES] 831 00:41:49,768 --> 00:41:51,770 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC.