1
00:00:15,475 --> 00:00:21,850
There's no place like home.
There's no place like home.

2
00:01:10,126 --> 00:01:18,126
Of all the places I could be, I will
always want to be here with you.

3
00:01:42,573 --> 00:01:50,573
For the rainbow, the way up high.

4
00:01:50,944 --> 00:02:01,020
Was a land that I've
heard of once in a lullaby.

5
00:02:03,505 --> 00:02:13,640
Somewhere over the
rainbow Skies are blue.

6
00:02:15,380 --> 00:02:25,660
And the dreams that you dare
to dream Really do come true

7
00:02:27,599 --> 00:02:39,199
Someday I'll wish upon a star And wake
up where the clouds are far Behind me.

8
00:02:40,434 --> 00:02:43,714
But troubles melt like lemon drops.

9
00:02:43,719 --> 00:02:55,718
Way above the chimney
tops. That's where you find me.

10
00:02:56,433 --> 00:03:07,680
Somewhere over the rainbow birds fly.

11
00:03:10,171 --> 00:03:19,460
Moons fly over the
rainbow. Why can't I?

12
00:03:22,085 --> 00:03:26,657
If happy little blue birds fly.

13
00:03:27,293 --> 00:03:41,490
Beyond the rainbow, Why can't I?

14
00:03:59,280 --> 00:04:07,055
I think of a place where
there's love overflowing.

15
00:04:07,921 --> 00:04:18,086
I wish I was home, I wish I was back
there with the things I've been knowing.

16
00:04:18,520 --> 00:04:23,200
When that makes the tall
grass bend into leaning.

17
00:04:24,459 --> 00:04:29,179
Suddenly the raindrops
that fall, they have a meaning.

18
00:04:30,400 --> 00:04:38,960
Sprinkling the sea makes it all clean.

19
00:04:43,018 --> 00:04:46,820
Suddenly my world's
gone and changed its fate.

20
00:04:46,940 --> 00:04:52,235
But I still know where I'm going.

21
00:04:53,140 --> 00:04:56,680
I have had my mind spun around in space.

22
00:04:57,300 --> 00:05:01,200
And yet I've watched it growing.

23
00:05:02,280 --> 00:05:07,875
And I've learned that we
must look inside our hearts.

24
00:05:07,880 --> 00:05:10,879
To find...

25
00:05:50,027 --> 00:05:58,052
Unlimited. Together
we're unlimited.

26
00:05:58,700 --> 00:06:03,106
Together we'll be the greatest
team there's ever been.

27
00:06:03,160 --> 00:06:07,980
Glimmed our dreams
the way we planned them.

28
00:06:08,440 --> 00:06:15,160
If we work in tandem,
there's no fight we cannot win.

29
00:06:15,161 --> 00:06:22,140
Just you and I, defying gravity.

30
00:06:23,149 --> 00:06:29,384
With you and I, defying gravity.

31
00:06:29,389 --> 00:06:33,815
they'll never bring us down.

32
00:06:36,900 --> 00:06:42,600
So if you care to find
me, out to the western sky.

33
00:06:43,080 --> 00:06:50,480
As someone told me lately,
everyone deserves a chance to fly.

34
00:06:50,481 --> 00:06:56,360
And if I'm flying solo,
at least I'm flying free.

35
00:06:56,660 --> 00:07:03,140
To those who ground me,
take a message back from me.

36
00:07:03,909 --> 00:07:09,620
Tell them how I am defying gravity

37
00:07:09,625 --> 00:07:15,498
I'm flying high, defying gravity

38
00:07:15,503 --> 00:07:21,018
And soon, I'll match them in renown

39
00:07:21,023 --> 00:07:24,219
And nobody in all of Oz

40
00:07:24,490 --> 00:07:38,045
no wizard that there is or was
is ever gonna bring me down

41
00:07:38,050 --> 00:07:42,205
I hope you're happy

42
00:07:43,923 --> 00:07:47,563
Bring me down!

43
00:08:32,020 --> 00:08:38,166
Conan, you're on. Conan? Conan?

44
00:09:17,100 --> 00:09:18,100
Where is that shoe?

45
00:09:21,229 --> 00:09:22,615
Come on.

46
00:09:26,020 --> 00:09:27,190
- Come on.
- Conan, everyone's waiting.

47
00:09:27,950 --> 00:09:29,550
- Conan.
- Okay, give me a minute.

48
00:09:31,720 --> 00:09:33,210
It's down there. Okay.

49
00:09:33,950 --> 00:09:34,950
I see ya.

50
00:09:35,050 --> 00:09:37,010
Come on, shoe. Where are you?

51
00:09:49,616 --> 00:09:55,270
Please welcome four-time
oscar viewer Conan o'brien.

52
00:10:05,723 --> 00:10:08,710
thank you very much. please sit down

53
00:10:10,900 --> 00:10:12,580
Seriously, sit down.

54
00:10:14,410 --> 00:10:15,980
You never stood. Okay, all right.

55
00:10:17,320 --> 00:10:18,400
Hi to me. How are you?

56
00:10:20,540 --> 00:10:22,000
That was weird.

57
00:10:23,326 --> 00:10:24,823
Yeah, awkward.

58
00:10:25,950 --> 00:10:27,340
I'm missing some car keys.

59
00:10:27,520 --> 00:10:31,200
Anyway, this is very exciting.

60
00:10:31,460 --> 00:10:33,500
Hello, I'm your host, Conan O'Brien.

61
00:10:33,950 --> 00:10:34,950
Yeah.

62
00:10:36,673 --> 00:10:38,753
Thank you. Thank you.

63
00:10:39,793 --> 00:10:43,233
I know what you're thinking.
Did Conan not have work done?

64
00:10:43,840 --> 00:10:44,840
Seriously.

65
00:10:46,260 --> 00:10:47,680
He looks his age.

66
00:10:49,945 --> 00:10:51,076
I should've done something.

67
00:10:51,080 --> 00:10:52,600
I am excited to be here.

68
00:10:52,760 --> 00:10:54,840
Welcome to the 97th Academy Awards.

69
00:10:55,360 --> 00:10:59,640
It's Hollywood's biggest night
that starts at 4 in the afternoon.

70
00:11:02,185 --> 00:11:03,424
Everyone here just had brunch.

71
00:11:03,580 --> 00:11:04,740
I don't understand it.

72
00:11:05,750 --> 00:11:08,060
But it's the Oscars and
I say, let's do this thing.

73
00:11:08,100 --> 00:11:09,100
You ready to go?

74
00:11:09,160 --> 00:11:10,160
I am.

75
00:11:14,425 --> 00:11:16,470
I'm walking to show I
have control of the stage.

76
00:11:18,555 --> 00:11:19,650
A complete unknown.

77
00:11:20,630 --> 00:11:21,630
A real...

78
00:11:23,070 --> 00:11:24,470
A real pain.

79
00:11:27,090 --> 00:11:28,829
Nosferatu.

80
00:11:31,820 --> 00:11:34,530
These are just some of the names
I was called on the red carpet.

81
00:11:40,370 --> 00:11:41,856
I think two were fair.

82
00:11:43,260 --> 00:11:44,996
We're here to celebrate
the movie industry.

83
00:11:45,000 --> 00:11:46,736
What a year for the movie industry.

84
00:11:46,860 --> 00:11:53,300
Netflix leads all studios with an impressive
18, count them, 18 price increases.

85
00:11:54,360 --> 00:11:55,360
Yes.

86
00:11:55,860 --> 00:11:57,960
And I think they can
beat that next year.

87
00:12:00,040 --> 00:12:03,060
And how about those
ladies, Ariana and Cynthia?

88
00:12:03,380 --> 00:12:05,200
Weren't they amazing?

89
00:12:11,020 --> 00:12:13,260
Wicked is nominated
tonight in 10 categories.

90
00:12:14,100 --> 00:12:15,100
Yeah.

91
00:12:15,340 --> 00:12:16,340
Yeah.

92
00:12:17,460 --> 00:12:18,460
Yeah.

93
00:12:18,820 --> 00:12:20,696
It's the perfect movie
for anyone who's ever

94
00:12:20,698 --> 00:12:22,960
finished watching The
Wizard of Oz and thought, sure,

95
00:12:23,395 --> 00:12:25,780
but where did all the minor
characters go to college?

96
00:12:30,290 --> 00:12:32,110
That's the story.

97
00:12:34,555 --> 00:12:36,910
I love The Brutalist. I really
did. I love The Brutalist.

98
00:12:37,578 --> 00:12:38,284
Yeah.

99
00:12:40,870 --> 00:12:43,930
Brutalist also received
10 nominations. Yeah.

100
00:12:44,450 --> 00:12:48,910
No, I love The Brutalist. I really did. I
didn't want it to end and luckily it didn't.

101
00:12:53,340 --> 00:12:55,680
Conclave. I'm a Catholic
boy. I love Conclave. Yeah.

102
00:12:57,660 --> 00:12:58,660
Yeah.

103
00:12:59,380 --> 00:13:01,980
The movie Conclave is
nominated for Best Picture tonight.

104
00:13:02,830 --> 00:13:05,300
If you haven't seen
Conclave, its logline is,

105
00:13:05,360 --> 00:13:09,376
a movie about the Catholic
Church, but don't worry.

106
00:13:16,800 --> 00:13:19,240
You got to hold on that
one and just wait. Yeah.

107
00:13:20,120 --> 00:13:21,780
And then it comes rolling back at you.

108
00:13:23,850 --> 00:13:26,460
Ralph Fiennes is
excellent in Conclave. Yeah.

109
00:13:27,860 --> 00:13:31,620
You are. True fact.

110
00:13:32,420 --> 00:13:36,160
This is actually Ralph Fiennes'
third time being nominated. Yeah.

111
00:13:36,910 --> 00:13:39,840
If he doesn't win tonight,
we all get to call him Ralph.

112
00:13:41,640 --> 00:13:43,873
Hey Ralph, give me a towel.

113
00:13:48,070 --> 00:13:50,213
Can't tell if he's laughing
or not. It doesn't matter.

114
00:13:52,385 --> 00:13:54,963
Not getting paid a lot.
Hey, you know what?

115
00:13:56,350 --> 00:13:58,820
I loved the Nora. I really
did. Yeah. I loved the Nora.

116
00:14:00,100 --> 00:14:02,660
Yeah. Yeah. True story.

117
00:14:04,060 --> 00:14:08,180
Little fact for you. Nora
uses the F word 479 times.

118
00:14:10,160 --> 00:14:13,760
That's three more than the record
set by Carla Sofia Gascón's publicist.

119
00:14:16,953 --> 00:14:18,233
You tweeted what?

120
00:14:36,580 --> 00:14:41,640
I'm having fun. Carla Sofia
Gascón is here tonight.

121
00:14:42,180 --> 00:14:43,180
And yeah.

122
00:14:48,410 --> 00:14:52,050
And Carla, if you are going to
tweet about the Oscars, remember,

123
00:14:52,610 --> 00:14:54,770
my name is Jimmy Kimmel.

124
00:15:03,690 --> 00:15:09,380
Before we go any further, I want you to
know, we did not use AI to make this show.

125
00:15:10,040 --> 00:15:11,760
No AI. Yeah.

126
00:15:13,031 --> 00:15:14,818
No AI. Yeah.

127
00:15:15,330 --> 00:15:17,750
We would never do
that. We use child labor.

128
00:15:21,070 --> 00:15:23,416
Hey, there's still people.

129
00:15:26,880 --> 00:15:29,119
Of course, we lost little
Billy, but that's sad. Anyway.

130
00:15:30,250 --> 00:15:33,650
Another movie nominated
for Best Picture is I'm Still Here.

131
00:15:39,780 --> 00:15:44,560
Yeah, I'm Still Here is about a woman who forges
ahead alone after her husband goes missing.

132
00:15:45,163 --> 00:15:49,290
Yeah. When my wife saw it, she
called it the feel-good movie of the year.

133
00:15:54,020 --> 00:15:55,210
Thanks, one guy. Hey!

134
00:15:57,950 --> 00:16:01,730
Jimmy Chalamet is up for Best
Actor tonight. You're amazing.

135
00:16:03,130 --> 00:16:04,350
And you look amazing.

136
00:16:05,910 --> 00:16:07,070
I bow to you.

137
00:16:07,930 --> 00:16:08,930
I love that suit.

138
00:16:09,600 --> 00:16:11,803
You will not get hit
on your bike tonight.

139
00:16:15,980 --> 00:16:16,980
Safe.

140
00:16:18,470 --> 00:16:22,220
An amazing actor. Timothy is
nominated for his portrayal of Bob Dylan.

141
00:16:23,320 --> 00:16:24,320
Yeah.

142
00:16:25,070 --> 00:16:25,817
Yeah.

143
00:16:27,380 --> 00:16:30,920
Bob Dylan wanted to be
here tonight, but not that badly.

144
00:16:38,450 --> 00:16:40,410
Timothy Chalamet is also in Dune II.

145
00:16:41,090 --> 00:16:42,650
Yeah. Yeah.

146
00:16:44,760 --> 00:16:48,960
Dune II is nominated for Best
Picture Director, Denis Veneuve.

147
00:16:49,380 --> 00:16:50,380
And guess what?

148
00:16:51,840 --> 00:16:55,560
I'm told he banned
smartphones on the set of Dune II.

149
00:16:56,000 --> 00:16:57,340
Did you know that? Yeah.

150
00:16:58,280 --> 00:17:01,760
Apparently his actors kept
Googling, what is this movie about?

151
00:17:07,670 --> 00:17:09,623
We'll hang afterwards,
Timmy. It's gonna be fun.

152
00:17:10,587 --> 00:17:11,587
That was a no.

153
00:17:13,370 --> 00:17:17,660
You know, one of my favorite movies
didn't get nominated this year, Baby Girl.

154
00:17:18,220 --> 00:17:19,950
Yeah, I love that film.

155
00:17:20,417 --> 00:17:21,270
Yeah.

156
00:17:22,120 --> 00:17:24,643
In the film, Baby Girl,
Antonio Banderas plays a

157
00:17:24,645 --> 00:17:27,380
man who doesn't know how
to give his wife an orgasm.

158
00:17:28,930 --> 00:17:33,346
Banderas described it as the
most challenging role of his career.

159
00:17:38,070 --> 00:17:41,310
Should have come to me,
man. Should have come to me.

160
00:17:47,260 --> 00:17:50,880
Hey, big news recently. Amazon
has taken over the 007 franchise.

161
00:17:51,880 --> 00:17:53,880
And they just announced
the next James Bond.

162
00:17:54,420 --> 00:17:55,420
Did you know that? Yeah.

163
00:17:56,010 --> 00:17:59,400
It's Amazon's Senior Vice President
of Global Affairs, Steve Belsky!

164
00:18:11,310 --> 00:18:12,380
Ladies love him.

165
00:18:15,810 --> 00:18:18,293
Speaking of Amazon, we
have some footage of Amazon

166
00:18:18,295 --> 00:18:20,880
chief Jeff Bezos arriving
tonight on the red carpet.

167
00:18:21,060 --> 00:18:23,080
This is great. Let's see
if we can get out there.

168
00:18:23,081 --> 00:18:24,400
And here he comes.

169
00:18:26,980 --> 00:18:29,320
Yeah. There he is!

170
00:18:30,340 --> 00:18:31,340
He seems undamaged.

171
00:18:31,920 --> 00:18:35,380
Hey! At least he made it.

172
00:18:37,620 --> 00:18:38,620
Wait, where's Jeff?

173
00:18:40,365 --> 00:18:42,616
What happened to Mr. Bezos?

174
00:18:45,420 --> 00:18:46,820
Oh, for God's sake!

175
00:18:47,323 --> 00:18:50,560
Why?! Why?!

176
00:18:53,490 --> 00:18:56,070
Look for him on eBay next week.

177
00:18:57,310 --> 00:18:58,856
Let me explain what
we're doing tonight.

178
00:18:58,860 --> 00:19:01,867
We have a great show, but
before we continue, there are a few

179
00:19:01,869 --> 00:19:05,420
housekeeping rules I'm implementing
to keep the Oscars running smoothly.

180
00:19:05,940 --> 00:19:09,305
First, if your acceptance
speech goes too long,

181
00:19:09,307 --> 00:19:13,080
instead of playing you off with music,
we have something much more powerful.

182
00:19:13,920 --> 00:19:19,936
We'll cut to John Lithgow in the audience
looking not angry, but slightly disappointed.

183
00:19:34,550 --> 00:19:38,455
That just freezes you in your tracks. I
could not keep speaking if I saw that.

184
00:19:38,457 --> 00:19:40,630
I couldn't. That's
amazing. Thank you, sir.

185
00:19:41,030 --> 00:19:45,724
And if you still won't get off the
stage, I'm going to play hardball.

186
00:19:45,726 --> 00:19:48,750
I'm going to show one
of your old headshots.

187
00:19:49,350 --> 00:19:52,130
Okay? This means you, Guy Pearce.

188
00:19:53,590 --> 00:19:54,590
There you are.

189
00:19:58,693 --> 00:20:00,793
I loved you with Guns N'
Roses. You're amazing.

190
00:20:02,145 --> 00:20:06,096
It means you, Zoe Saldana.

191
00:20:07,090 --> 00:20:08,534
That's a nice headshot.

192
00:20:11,370 --> 00:20:13,940
And it means you, Timothée Chalamet.

193
00:20:26,900 --> 00:20:30,269
You know, I did that to them,
and so it's only fair to do it to me.

194
00:20:30,271 --> 00:20:32,650
Let's show it. Come on
right now. There you go.

195
00:20:34,980 --> 00:20:38,270
Yeah. That was taken
when I was 38 years old.

196
00:20:40,600 --> 00:20:43,350
What did you think of
that bit, Mr. Lithgow?

197
00:20:52,265 --> 00:20:54,586
He's still committing. I love it.

198
00:20:55,080 --> 00:20:57,145
That's acting. That's acting.

199
00:20:57,651 --> 00:21:01,105
And finally, for such
a prestigious night, it's

200
00:21:01,107 --> 00:21:04,540
important that everyone
is properly dressed. Okay?

201
00:21:05,300 --> 00:21:08,800
You're dressed well, Adam.

202
00:21:11,100 --> 00:21:12,860
Conan! What's up, my brother?

203
00:21:17,850 --> 00:21:18,850
What's going on, man?

204
00:21:19,430 --> 00:21:20,526
Adam, what are you wearing?

205
00:21:21,210 --> 00:21:23,370
What am I... What are
you doing right now?

206
00:21:24,720 --> 00:21:26,149
I'm asking you what you're wearing.

207
00:21:26,730 --> 00:21:30,070
Nobody even thought about what I
was wearing until you brought it up!

208
00:21:32,170 --> 00:21:35,370
You're dressed like a guy playing
video poker at 2 A.M., Adam.

209
00:21:35,430 --> 00:21:39,550
And you know what, Conan? I like the way I
look, you know, because I'm a good person.

210
00:21:40,960 --> 00:21:43,510
I don't care about what I
wear or what I don't wear.

211
00:21:43,856 --> 00:21:48,803
Did my snazzy gym shorts
and fluffy sweatshirt offend

212
00:21:48,805 --> 00:21:52,950
you so much that you had to
mock me in front of my peers?

213
00:21:53,350 --> 00:21:55,790
Okay. I'm sorry. Adam, I apologize.

214
00:21:56,010 --> 00:21:57,790
I'm going. I'm getting off. I go.

215
00:21:58,530 --> 00:22:01,170
Yeah, I'm leaving! I have to.

216
00:22:01,490 --> 00:22:04,610
It's not you! No,
it's not you. It's him!

217
00:22:05,590 --> 00:22:07,970
He's the one you caused this.

218
00:22:08,120 --> 00:22:09,310
I'm sorry. I'm sorry.

219
00:22:09,810 --> 00:22:16,870
You are all welcome to join me for a game of
five-on-five basketball at Veteran Park tonight.

220
00:22:17,310 --> 00:22:20,890
Midnight tip off the guy
from Nosferafa. Where is he?

221
00:22:21,250 --> 00:22:23,790
He's on my team. One more thing.

222
00:22:25,830 --> 00:22:26,830
CHALAMET!

223
00:22:33,595 --> 00:22:34,808
there you go.

224
00:22:46,735 --> 00:22:47,870
Oh my God. Thank you, Adam.

225
00:22:49,240 --> 00:22:52,950
If I could change the tone for just one
second. I'm going to do this right now.

226
00:22:53,145 --> 00:22:58,416
The people of Los Angeles have
clearly been through a devastating ordeal.

227
00:22:58,640 --> 00:23:00,850
And this needs to be addressed
and should be addressed.

228
00:23:01,400 --> 00:23:08,736
In moments such as this, any award show
can seem self-indulgent and superfluous.

229
00:23:09,070 --> 00:23:14,363
But what I want to do is have us all
remember why we gather here tonight. Okay?

230
00:23:14,610 --> 00:23:17,990
Yes, we will honor many
beautiful and talented A-list stars.

231
00:23:18,740 --> 00:23:24,990
But the Oscars also shines a light on an
incredible community of people you will never see.

232
00:23:25,616 --> 00:23:30,007
Craftspeople, artisans,
technicians, costumers.

233
00:23:30,770 --> 00:23:34,950
That's right. I can't name
them all. There are too many.

234
00:23:36,429 --> 00:23:43,850
Hardworking men and women behind the camera
who have devoted their lives to making film.

235
00:23:44,370 --> 00:23:49,010
Now yes, many people we celebrate
tonight are not famous. They're not wealthy.

236
00:23:49,870 --> 00:23:55,470
But they are devoted to a craft that can, in
moments, bring us all a little closer together.

237
00:23:56,284 --> 00:24:01,433
Now for almost a century, we have
paused every spring to elevate and

238
00:24:01,438 --> 00:24:08,310
celebrate an art form that has the
power, at its very best, to unite us.

239
00:24:08,994 --> 00:24:13,582
So yes, even in the face of
terrible wildfires and divisive

240
00:24:13,587 --> 00:24:18,754
politics, the work, which is what
this is about, the work continues.

241
00:24:19,021 --> 00:24:23,721
And next year, and for years
to come, through trauma and

242
00:24:23,723 --> 00:24:27,650
joy, this seemingly absurd
ritual is going to be here.

243
00:24:28,885 --> 00:24:33,747
I will not. I'm leaving Hollywood to
run a bed and breakfast in Orlando.

244
00:24:33,867 --> 00:24:40,441
But, and I'd like to see you there,
but the magic, the madness,

245
00:24:40,587 --> 00:24:47,176
the grandeur and the joy of film
worldwide is going to be with us forever.

246
00:24:47,616 --> 00:24:52,550
So, without further delay,
let's get things started.

247
00:24:56,237 --> 00:24:59,606
Now I know in the past this
show has gone long, okay?

248
00:24:59,967 --> 00:25:03,656
That's not going to happen.
I'm going to run a tight ship.

249
00:25:03,903 --> 00:25:08,411
I'll say this clearly. I'm
going to make it very plain.

250
00:25:09,104 --> 00:25:12,190
I am not going to
waste your time tonight.

251
00:25:14,190 --> 00:25:18,170
Cause that would be insane.

252
00:25:21,986 --> 00:25:23,976
I won't waste time.
he won't waste time.

253
00:25:23,981 --> 00:25:25,643
I won't waste time.
he won't waste time.

254
00:25:25,710 --> 00:25:29,337
There's 23 awards to give
its whole time to perfection.

255
00:25:29,339 --> 00:25:32,770
To waste time on some
idiocy would be a dereliction.

256
00:25:33,342 --> 00:25:35,152
I won't waste time.
he won't waste time.

257
00:25:35,157 --> 00:25:37,409
I won't waste time.
he won't waste time.

258
00:25:39,835 --> 00:25:43,130
Why would I waste time?

259
00:25:45,730 --> 00:25:50,450
It's such, such an audacious time.

260
00:25:53,250 --> 00:25:59,570
Now, for no good reason, Sandworm
from Doom II playing chopsticks on the piano.

261
00:26:08,350 --> 00:26:11,910
Hey, check it out. Someone who's
not even nominated, dancing Deadpool.

262
00:26:15,650 --> 00:26:22,976
I won't waste time.
he won't waste time.

263
00:26:23,170 --> 00:26:30,790
I refuse to waste your precious time.

264
00:26:31,090 --> 00:26:34,570
I won't waste time.
he won't waste time.

265
00:26:40,970 --> 00:26:45,530
Well, we're 40 minutes over. Hey,
please welcome someone I love.

266
00:26:45,650 --> 00:26:49,264
He's one of our greatest actors
and an Academy Award winner.

267
00:26:49,653 --> 00:26:51,777
I adore this man, Robert Downey Jr.

268
00:27:02,646 --> 00:27:07,624
Wowing. Yeah, right off the bat,
I want to check in with my boys.

269
00:27:07,917 --> 00:27:14,040
You're a barista. Where you at? There
he is. Wasn't he amazing in an anora?

270
00:27:15,550 --> 00:27:18,624
As the dutiful mob
associate with the conscience.

271
00:27:18,626 --> 00:27:22,330
Breakthrough performance.
Welcome to the big time, brother.

272
00:27:22,370 --> 00:27:25,350
You have a bright future. You're in
the right place. Am I correct? Yes.

273
00:27:26,880 --> 00:27:33,430
I got to locate the cult. We're up.
Hey, Kevin. Hey, man, he nailed it, right?

274
00:27:35,610 --> 00:27:39,062
Pretty much modeled the
entire breadth and depth of

275
00:27:39,064 --> 00:27:42,450
human experience. We
felt it. We felt a real pain.

276
00:27:42,497 --> 00:27:44,870
It was deep and messy. I can relate.

277
00:27:45,277 --> 00:27:48,846
If you'd simply cease trying

278
00:27:48,848 --> 00:27:52,350
to be as witty as me when on an
award season role, you'd be perfect.

279
00:27:53,600 --> 00:28:00,970
Just food for thought. How about Mr. Norton
as Pete Seeger, the founding father of folk.

280
00:28:02,363 --> 00:28:08,337
I saw Edward in prep with
such passionate sophistication,

281
00:28:08,391 --> 00:28:11,170
dedication, humility. He
was like removing teeth.

282
00:28:11,950 --> 00:28:14,646
He was becoming an
effortlessly magical musician.

283
00:28:14,648 --> 00:28:16,950
He's an actor's
actor. He's a total pro.

284
00:28:16,955 --> 00:28:24,128
This is his fourth nomination.
And in IMO, he's been

285
00:28:24,130 --> 00:28:27,970
worthy of high honor
since, what, 1997. Come on.

286
00:28:31,670 --> 00:28:39,330
So, hurtling along, I know Guy Pearce a
bit, and I saw none of him in The Brutalist.

287
00:28:44,650 --> 00:28:48,495
It was unrecognizable, dude.
Brilliant. He made admiration seem

288
00:28:48,497 --> 00:28:52,650
dangerous, charm look like control,
and beauty feel like possession.

289
00:28:53,010 --> 00:29:00,270
There is no doubt as to your prowess. Chameleon
status achieved. Bravo. Well done, bro.

290
00:29:03,535 --> 00:29:09,050
Now, as we all know, Jeremy Strong is
irrefutably the most serious actor on Earth.

291
00:29:21,430 --> 00:29:26,108
He's also like a brother to me, and I have watched him come
from sleeping in the bleachers outside the Oscars the night

292
00:29:26,110 --> 00:29:30,907
that I was nominated for chaplain 1993 to his blistering
portrayal of Roy Cohn in The Apprentice, which was a masterclass.

293
00:29:31,210 --> 00:29:34,190
Masterclass. Full stop. Look at
him now. Give him some love.

294
00:29:38,600 --> 00:29:42,140
Whoo! Stiff competition. How's it gonna
go? Let's see. Pucker up, gentlemen.

295
00:29:45,070 --> 00:29:48,680
And the Oscar goes to
Kieran Culkin of Real Pain.

296
00:29:54,760 --> 00:30:00,000
This is the first Oscar win and
nomination for Kieran Culkin.

297
00:30:13,070 --> 00:30:16,908
Oh, my God. That's crazy. I don't
even know. Mr. Downey, sir, thanks

298
00:30:16,910 --> 00:30:20,750
for handing this to me. This means
a lot coming from you. Thank you.

299
00:30:22,590 --> 00:30:26,606
He's right, by the way. Jeremy, you're
amazing in The Apprentice. I loved your work.

300
00:30:26,608 --> 00:30:30,250
It's fucking... I fucked. I cursed.
There we go. I cursed. I didn't mean to.

301
00:30:30,830 --> 00:30:34,761
I'm not supposed to single anyone out.
It's favoritism. Anyway, but you were great.

302
00:30:34,763 --> 00:30:38,230
And I've already lost whatever speech
I prepared. 20 seconds or whatever.

303
00:30:39,785 --> 00:30:42,578
I have no idea how I got here.
I've just been acting my whole life.

304
00:30:42,580 --> 00:30:45,910
It's just been a part of what I do, so I
felt like this was never my trajectory.

305
00:30:47,460 --> 00:30:51,355
But however I got here, I know that Emily
Gerson Saines, my manager of 30 years,

306
00:30:51,357 --> 00:30:55,010
is because of you. Thank you for
being there. I lean on you for everything.

307
00:30:55,210 --> 00:30:58,250
So please don't go anywhere. I'd be
completely lost without you. I love you.

308
00:31:01,680 --> 00:31:05,550
And the movie. Jesse Eisenberg.
Thank you for this movie. You're a genius.

309
00:31:05,552 --> 00:31:09,630
I would never say that to your face.
I'm never saying it again, so soak it up.

310
00:31:12,750 --> 00:31:16,727
Thank you for this movie. Thank you Searchlight,
Topic Studios, M. Dave and Ally at Fruit Tree.

311
00:31:16,729 --> 00:31:20,750
I'm going to speed this up because I don't want
Lithgow to get disappointed and give the look.

312
00:31:21,070 --> 00:31:24,702
You look fine right now. Oh, I should
thank my mom and Steve for trying to raise

313
00:31:24,704 --> 00:31:28,110
me. You're really good people. You
gave it your best shot. I love you, mom.

314
00:31:29,870 --> 00:31:33,054
I want to really... I love you, Jazz.
I have to thank my wife, Jazz, for

315
00:31:33,056 --> 00:31:36,110
absolutely everything, for giving
me my favorite people in the world.

316
00:31:39,910 --> 00:31:44,751
Please don't play the music because I want to tell a really quick
story about Jazz. About a year ago, I was on a stage like this

317
00:31:44,753 --> 00:31:49,672
and I very stupidly publicly said that I want a third kid from her
because she said if I won the award, she would give me the kid.

318
00:31:51,750 --> 00:31:54,692
Turns out she said that because
she didn't think I was going to win.

319
00:31:54,694 --> 00:31:58,750
And people came up to her and were like, you
know, really annoying her. I think it got to her.

320
00:31:58,751 --> 00:32:02,081
But anyway, after the show, we're walking
through a parking lot. She's holding the M.

321
00:32:02,083 --> 00:32:05,030
We were trying to find our car. Emily,
you were there, so you're a witness.

322
00:32:05,031 --> 00:32:08,680
And she goes, oh, God, I did say
that. I guess I owe you a third kid.

323
00:32:08,682 --> 00:32:11,450
And I turned to her and
I said, really, I want four.

324
00:32:13,385 --> 00:32:16,384
And she turned to me. I swear to God
this happened. It was just over a year ago.

325
00:32:16,386 --> 00:32:18,385
She said, I will give you
four when you win an Oscar.

326
00:32:22,100 --> 00:32:25,104
I held my hand out. She
shook it and I have not brought it

327
00:32:25,106 --> 00:32:28,060
up once until just now. You
remember that, honey? You do?

328
00:32:28,185 --> 00:32:32,760
Okay. Then I just have this to say to
you, Jazz. Love of my life, ye of little faith.

329
00:32:36,415 --> 00:32:40,175
No pressure. I love you. I'm
really sorry I did this again.

330
00:32:40,177 --> 00:32:43,620
And let's get cracking on
those kids. What do you say?

331
00:32:44,500 --> 00:32:46,880
I love you. I love you, Zissou
and Buba. I love you, 52.

332
00:33:01,800 --> 00:33:05,268
Coming up next, Andrew
Garfield and Goldie Hawn.

333
00:33:05,270 --> 00:33:09,800
Here on the Oscars from the
Dolby Theater at Ovation Hollywood.

334
00:33:17,680 --> 00:33:23,380
I was young when I left home.
And I've been out rambling around.

335
00:33:26,645 --> 00:33:30,616
What is folk music but a
human voice and a guitar in the

336
00:33:30,618 --> 00:33:34,520
most simplistic way? It's
about a kind of authenticity.

337
00:33:35,340 --> 00:33:37,325
It felt like so dignified and humble.

338
00:33:37,327 --> 00:33:40,840
We're just bringing life to a
thing that happened 60 years ago.

339
00:33:43,660 --> 00:33:46,680
And I can't go home easily.

340
00:33:52,270 --> 00:33:59,050
Please welcome two-time Oscar nominee
Andrew Garfield and Oscar winner Goldie Hawn.

341
00:34:11,130 --> 00:34:14,816
I love you. I love you, too.
Okay. Goldie, Goldie, Goldie.

342
00:34:14,818 --> 00:34:18,060
Yes. Can I tell you
something? Yes. Really quickly.

343
00:34:19,080 --> 00:34:23,280
There's someone, there's a
person who gave my mother

344
00:34:23,282 --> 00:34:27,080
during her life the most
joy, the most comfort.

345
00:34:28,060 --> 00:34:32,660
And tonight, I feel very lucky because I get to
thank that person from the bottom of my heart.

346
00:34:32,720 --> 00:34:33,960
That person is Goldie Hawn.

347
00:34:37,980 --> 00:34:40,220
Thank you, Zissou.
It really touches me.

348
00:34:41,980 --> 00:34:44,980
I, you know, I can feel her
smiling at us at this moment.

349
00:34:45,130 --> 00:34:48,260
I know, I'm smiling, too. Okay.

350
00:34:49,040 --> 00:34:51,720
I have more to say, I'm
sorry. Oh, you do? Yeah.

351
00:34:53,380 --> 00:34:58,880
You've given us movies full
of joy. You've lifted our spirits.

352
00:35:01,040 --> 00:35:04,374
And you've made us feel that all was right
with the world over and over and over again.

353
00:35:04,440 --> 00:35:08,428
Oh, thank you. I just loved it.
You know, I was so lucky making

354
00:35:08,430 --> 00:35:12,040
movies in this amazing
Hollywood and making people laugh.

355
00:35:12,140 --> 00:35:18,040
And maybe some didn't, but
that's okay. In the meantime...

356
00:35:18,820 --> 00:35:22,880
Can you, sweetheart, can you read
that? I can't read it. I'm completely blind.

357
00:35:23,420 --> 00:35:26,560
I am. I have cataracts. Okay, I got you.

358
00:35:26,920 --> 00:35:34,700
Okay, so this is what the magic of
storytelling can do, this person right here.

359
00:35:34,760 --> 00:35:39,640
It can transcend space and time. It
connects us to the deepest parts of ourselves.

360
00:35:39,890 --> 00:35:43,940
And the animated films nominated
this year, they do it in spades.

361
00:35:44,200 --> 00:35:47,060
They do it in spades, don't they? Yeah.

362
00:35:48,040 --> 00:35:52,007
To all the nominees, thank you
all for what you've given us, for

363
00:35:52,009 --> 00:35:56,040
the years you've spent creating
these beautiful, beautiful films.

364
00:36:10,135 --> 00:36:13,020
Inside Out 2, Kelsey
Mann and Mark Nielsen.

365
00:36:13,340 --> 00:36:17,960
I'm anxiety. I'm one of Riley's new emotions,
and we are just super jazzed to be here.

366
00:36:18,320 --> 00:36:19,320
Where can I put my stuff?

367
00:36:20,360 --> 00:36:23,260
Memoir of a Snail, Adam
Elliott and Liz Carney.

368
00:36:23,930 --> 00:36:25,600
Why are you dressed like an ad?

369
00:36:28,260 --> 00:36:29,360
No, I'm a snail.

370
00:36:31,320 --> 00:36:32,360
Oh, funny.

371
00:36:33,180 --> 00:36:39,860
Wallace and Gromit, Vengeance Mostfowl,
Nick Park, Merlin Crossingham and Richard Beak.

372
00:36:40,460 --> 00:36:43,980
Chief, they're getting away! Chief?

373
00:36:48,385 --> 00:36:49,385
Did we get them?

374
00:36:50,450 --> 00:36:53,450
The Wild Robot, Chris
Sanders and Jeff Herman.

375
00:36:54,210 --> 00:36:55,990
Where's your mommy, little guy?

376
00:36:56,670 --> 00:36:57,670
The monster!

377
00:37:01,320 --> 00:37:03,350
You gotta die faster.

378
00:37:07,010 --> 00:37:09,590
Okay, and the Oscar goes to...

379
00:37:15,140 --> 00:37:23,140
This is the first Oscar win and
nomination for this producing team.

380
00:37:23,800 --> 00:37:28,240
Gint Zilbalotis, Matisse Kaja,
Ron Diane and Gregory Zoltzman.

381
00:37:28,940 --> 00:37:33,400
Flo becomes the third animated film to
be nominated for international feature film.

382
00:37:33,401 --> 00:37:36,402
And the second animated
film to be nominated for

383
00:37:36,404 --> 00:37:39,720
both animated feature and
international feature film.

384
00:37:41,540 --> 00:37:46,120
Thank you to the Academy. Thank you to
Sideshow and Janus. Thank you to Blender.

385
00:37:46,610 --> 00:37:49,900
Thank you to my mom and dad.
Thank you to my cats and dogs.

386
00:37:51,440 --> 00:37:56,320
Yeah, I'm really moved by the
warm reception our film has had.

387
00:37:56,975 --> 00:38:02,220
And I hope that it will open doors to independent
animation filmmakers around the world.

388
00:38:07,140 --> 00:38:09,695
This is the first time a
film from Latvia has ever

389
00:38:09,697 --> 00:38:12,100
been nominated, so it
really means a lot to us.

390
00:38:14,440 --> 00:38:17,400
We are very inspired and
we hope to be back soon.

391
00:38:18,120 --> 00:38:21,156
And yeah, we're all in the
same boat. We must overcome

392
00:38:21,158 --> 00:38:24,420
our differences and find ways
to work together. Thank you.

393
00:38:36,140 --> 00:38:38,980
I know. I'm gonna see if I can see it.

394
00:38:39,520 --> 00:38:44,120
Telling a story in minutes
is an art form all in its own.

395
00:38:44,960 --> 00:38:48,320
Here are the five nominees
that mastered it brilliantly.

396
00:39:14,960 --> 00:39:18,940
Jaak, Nuiq Esbus and Juliet Marquet.

397
00:39:25,440 --> 00:39:28,760
And the Oscar goes to In
the Shadow of the Cypress.

398
00:39:38,630 --> 00:39:44,880
This is the first Oscar win and nomination
for Shirin Sohani and Hossain Molayemi.

399
00:40:03,995 --> 00:40:04,995
Thank you.

400
00:40:06,870 --> 00:40:14,650
It's very surreal. Believe me or not,
three hours ago, our plane landed in LA.

401
00:40:19,700 --> 00:40:24,330
Because of our bad English,
please let us read from a text.

402
00:40:24,332 --> 00:40:27,650
We are not native
English speakers, sorry.

403
00:40:29,740 --> 00:40:34,610
Actually, we hadn't obtained
our visa until yesterday.

404
00:40:34,995 --> 00:40:40,570
And we were totally disappointed.
So disappointed. And now we are here.

405
00:40:41,210 --> 00:40:42,370
And it's actually now.

406
00:40:47,730 --> 00:40:51,636
It's a miracle. It's a miracle
and speaking in front

407
00:40:51,638 --> 00:40:55,170
of this expectant
audience is very hard for us.

408
00:40:55,940 --> 00:40:59,570
So I think we can...

409
00:41:00,860 --> 00:41:06,150
We're going to dedicate our film and
this... Oh no. Oh my God. It's your turn.

410
00:41:07,450 --> 00:41:10,550
It's your turn. This is your turn,
but this is the first paragraph.

411
00:41:15,210 --> 00:41:18,588
Just the fact that we managed
to make this film under the

412
00:41:18,590 --> 00:41:21,910
extraordinary circumstances
of our country is a miracle.

413
00:41:22,870 --> 00:41:27,130
And yes, if we persevere and
remain faithful, miracles do happen.

414
00:41:28,350 --> 00:41:31,310
Oh my God. Let me read it myself.

415
00:41:33,020 --> 00:41:39,110
Until yesterday, we hadn't even obtained
our visa and we were totally disappointed.

416
00:41:40,410 --> 00:41:45,490
And now we are standing here
with this statuette in our hands.

417
00:41:46,790 --> 00:41:50,415
Also just the fact that we
managed to make this film under

418
00:41:50,417 --> 00:41:54,170
the extraordinary circumstances
of our country is a miracle.

419
00:41:55,330 --> 00:42:00,290
Yes, if we persevere and remain
faithful, miracles do happen.

420
00:42:02,465 --> 00:42:06,438
We are going to dedicate our
film and this precious award to all

421
00:42:06,440 --> 00:42:10,290
those who are still fighting in
their inner and outer battles.

422
00:42:11,410 --> 00:42:15,047
Heroically and nobody
knows about that, especially

423
00:42:15,049 --> 00:42:18,470
to our fellow Iranians
who are still suffering.

424
00:42:21,110 --> 00:42:24,817
We are so grateful to the
Academy and all those who

425
00:42:24,819 --> 00:42:29,110
supported us in this long
journey, especially our families.

426
00:42:30,010 --> 00:42:32,270
Thank you very much
indeed. Thank you very much.

427
00:42:47,220 --> 00:42:51,086
Just ahead, a very special presentation
for costume design with Lily Rose

428
00:42:51,088 --> 00:42:55,220
Depp, Oscar nominee John Lithgow,
Connie Nielsen, Elle Fanning and Bowen Yang.

429
00:43:06,810 --> 00:43:12,550
I couldn't have done it without the imagination
and the work and the craftsmanship of everybody.

430
00:43:13,650 --> 00:43:17,690
We all were allowed to dream bigger
than any of us had ever dreamed before.

431
00:43:19,130 --> 00:43:22,430
Listen to me. You can do anything.

432
00:43:24,310 --> 00:43:25,310
I know.

433
00:43:38,190 --> 00:43:41,266
Hey, how about Flo?
I want to mention this.

434
00:43:41,268 --> 00:43:45,810
This is the first time Latvia has
won an Oscar. Isn't that cool?

435
00:43:46,570 --> 00:43:48,970
Yeah. Yeah.

436
00:43:52,545 --> 00:43:55,130
Ball's in your court,
Estonia. All right?

437
00:43:58,370 --> 00:44:01,257
Check this out. Tonight's
Oscars are being watched

438
00:44:01,259 --> 00:44:04,090
by more than a billion
people all over the world.

439
00:44:04,730 --> 00:44:05,730
Yes.

440
00:44:05,980 --> 00:44:11,390
For those of you watching in Spanish-speaking
countries, I just want to say...

441
00:44:11,490 --> 00:44:15,631
Buenas noches y bienvenidos
a los Oscars. Soy su infitrion

442
00:44:15,633 --> 00:44:19,490
con O'Brien y espero que
disfruten de la spectacularo.

443
00:44:19,790 --> 00:44:22,810
For those of you watching
from India, I want to say...

444
00:44:32,630 --> 00:44:33,630
And for those of you...

445
00:44:35,200 --> 00:44:36,772
For those of you
watching from China...

446
00:44:46,710 --> 00:44:47,830
Thank you.

447
00:44:52,590 --> 00:44:59,210
Next up... Next up, the award for
costume design. All right? Stick around.

448
00:45:03,270 --> 00:45:07,048
To present the Oscar for costume
design, please welcome Lily

449
00:45:07,050 --> 00:45:11,270
Rosdepp, Elle Fanning, John Lithgow,
Connie Nielsen, and Bowen Yeh.

450
00:45:30,890 --> 00:45:31,890
Guys?

451
00:45:33,555 --> 00:45:34,950
I thought we were all doing this?

452
00:45:35,500 --> 00:45:40,250
Uh, yeah, no, we changed our minds.

453
00:45:41,590 --> 00:45:45,630
Well, that would have been helpful to
communicate in the group chat, Elle Fanning.

454
00:45:46,930 --> 00:45:49,890
You guys, we're presenting
for costume design.

455
00:45:50,510 --> 00:45:53,690
Yeah, but it would have
been so, like, cringe, Bowen.

456
00:45:54,530 --> 00:45:56,390
Yeah, I was going to say that too.

457
00:45:57,290 --> 00:45:58,290
Cringe.

458
00:46:00,150 --> 00:46:01,150
Wow.

459
00:46:01,750 --> 00:46:02,830
A2, Lithgow?

460
00:46:03,430 --> 00:46:08,070
Guess I know who's winning the Oscar
tonight for least supportive best friend.

461
00:46:09,330 --> 00:46:10,990
Owen, we barely know each other.

462
00:46:11,070 --> 00:46:12,130
That's enough, bestie!

463
00:46:13,850 --> 00:46:16,374
You know what? Just start the
category. Lily Rose, you go first.

464
00:46:17,030 --> 00:46:21,470
The five of us have all had the honor of working
with the nominees for best costume design.

465
00:46:22,410 --> 00:46:25,288
Linda Muir, the first time I
stepped into my Nosferatu

466
00:46:25,290 --> 00:46:27,690
costumes, I could feel
the weight of history.

467
00:46:28,310 --> 00:46:31,450
The restrictions holding women
down and the urge to break free.

468
00:46:32,075 --> 00:46:34,150
Your work didn't just
dress Ellen Hutter.

469
00:46:34,530 --> 00:46:36,870
It transformed our entire
vision of the vampire.

470
00:46:37,330 --> 00:46:39,390
Haunting, exquisite,
and unforgettable.

471
00:46:47,865 --> 00:46:49,050
Ariane Phillips.

472
00:46:52,940 --> 00:46:58,110
We met when I was 13, but A Complete
Unknown is our first film collaboration.

473
00:46:59,070 --> 00:47:03,250
I am in awe of your artistry and
your dedication to each character.

474
00:47:04,125 --> 00:47:08,330
Your vintage pieces dropped me
straight into 1960s Greenwich Village.

475
00:47:09,130 --> 00:47:11,930
The energy, the
rebellion, the moment.

476
00:47:12,990 --> 00:47:17,690
You took on the transformation of Robert
Zimmerman into Bob Dylan with your whole heart.

477
00:47:18,450 --> 00:47:25,070
67 looks for Timmy alone, plus 120
speaking roles and 5,000 background artists.

478
00:47:25,330 --> 00:47:29,270
All while leading with kindness
and making it look effortless.

479
00:47:29,630 --> 00:47:31,710
I love you. You are truly a genius.

480
00:47:34,150 --> 00:47:42,150
How many people does it
take to dress 108 cardinals?

481
00:47:43,370 --> 00:47:45,670
No, it's not the setup to a joke.

482
00:47:45,780 --> 00:47:50,670
It's the impossible task Lissy
Crystal somehow made possible.

483
00:47:54,120 --> 00:47:59,670
In Conclave, her research
notes alone were 300 pages.

484
00:48:00,730 --> 00:48:01,730
Now, that's commitment.

485
00:48:01,890 --> 00:48:06,010
Lissy, dear friend,
you are extraordinary.

486
00:48:07,815 --> 00:48:09,450
Honestly, I miss that costume.

487
00:48:11,520 --> 00:48:16,110
At lunch on set, that cassock
was so roomy and forgiving.

488
00:48:16,750 --> 00:48:18,650
Going for seconds was never a problem.

489
00:48:26,340 --> 00:48:28,460
Jonty, we met on Gladiator.

490
00:48:29,080 --> 00:48:32,640
And the costumes were so amazing
that you won the Oscar that year.

491
00:48:33,380 --> 00:48:37,640
25 years later, I had the privilege
of wearing your costumes again.

492
00:48:37,790 --> 00:48:44,440
These stunning costumes that you and Dave
Crossman with an army of artisans created.

493
00:48:45,340 --> 00:48:48,240
Thousands of pieces
for Gladiator, too.

494
00:48:49,690 --> 00:48:53,760
You honor the original while
making something entirely new.

495
00:48:54,600 --> 00:48:57,700
I felt like royalty in
Lucilla's golden gowns.

496
00:48:59,700 --> 00:49:01,920
And who didn't love
Denzel and those earrings?

497
00:49:03,120 --> 00:49:07,200
Jonty and Dave, you brought
history to life. Thank you.

498
00:49:17,450 --> 00:49:25,450
To be costumed by the great Paul Tazewell is
one of the biggest honors of my alleged career.

499
00:49:26,590 --> 00:49:29,887
But Paul, I'm actually upset
with you because I can't talk

500
00:49:29,889 --> 00:49:33,530
about your exquisite work without
sounding like a total jackass.

501
00:49:34,380 --> 00:49:38,510
I don't want to be the kind of person
who says Elphaba's costuming tells a story.

502
00:49:38,895 --> 00:49:42,530
But I have to because it does
because of you, you legend.

503
00:49:48,770 --> 00:49:52,830
If I have to say the words,
sumptuous fabrics, one more time in an

504
00:49:52,832 --> 00:49:56,770
interview, I'm going to defy
gravity off the side of this stage.

505
00:49:57,190 --> 00:50:01,450
Paul, how very dare you for being such
a one-of-a-kind talent. I love you so much.

506
00:50:09,900 --> 00:50:11,660
And the Oscar goes to...

507
00:50:13,360 --> 00:50:14,920
Wicked Paul Tazewell.

508
00:50:19,440 --> 00:50:25,440
This is the first Oscar win and
second nomination for Paul Tazewell.

509
00:50:26,100 --> 00:50:30,320
He was previously nominated in
this category for West Side Story.

510
00:50:47,700 --> 00:50:55,680
This is absolutely astounding. Thank
you, Academy, for this very significant honor.

511
00:51:03,820 --> 00:51:11,820
I'm the first black man to receive a
costume design award for my work on Wicked.

512
00:51:20,140 --> 00:51:23,860
I'm so proud of this. Thank
you, Mom and Emma, so much.

513
00:51:24,420 --> 00:51:28,002
Thank you everyone in the
UK for all of your beautiful work.

514
00:51:28,004 --> 00:51:30,340
I could not have done this without you.

515
00:51:31,190 --> 00:51:37,020
My Ozzie and Muses, Cynthia
and Ariana, I love you so much.

516
00:51:38,430 --> 00:51:41,658
All the other cast, thank
you, thank you, thank you

517
00:51:41,660 --> 00:51:45,080
for trusting me with bringing
your characters to life.

518
00:51:45,760 --> 00:51:53,080
This is everything. Thank you. Thank
you, John, Mark, everyone. Thank you.

519
00:52:08,190 --> 00:52:16,190
Coming up next, Amy Poehler presents the
awards for Adapted and Original Screenplay.

520
00:52:20,620 --> 00:52:28,140
And later, a very special tribute to James
Bond, only at the Oscars here on ABC.

521
00:52:43,200 --> 00:52:46,800
June is about the relationship
of human with nature.

522
00:52:48,520 --> 00:52:51,820
It is important to bring
that nature to the screen.

523
00:52:53,720 --> 00:52:57,620
And the audience will
believe this world if it feels real.

524
00:53:09,840 --> 00:53:14,640
Very quickly, another congratulations
to Paul Taswell from Wicked.

525
00:53:15,360 --> 00:53:19,088
This is amazing for being
the first black man to win for

526
00:53:19,090 --> 00:53:22,620
costume design, which I
think is impressive, amazing.

527
00:53:25,106 --> 00:53:28,646
And you know what that means,
balls in your court, Estonia.

528
00:53:34,720 --> 00:53:36,197
Makes no sense, don't think about it.

529
00:53:37,855 --> 00:53:40,000
I love Oscar history,
here's a little Oscar history.

530
00:53:40,160 --> 00:53:43,873
In 1929, the very first
Oscar was given to actor Emil

531
00:53:43,875 --> 00:53:47,520
Janings for his performance
in the way of All Flesh.

532
00:53:48,700 --> 00:53:53,900
Yeah, yeah, and he won again
for All Flesh II, electric fleshaloo.

533
00:53:54,350 --> 00:53:56,620
So, mistake.

534
00:53:58,920 --> 00:54:00,730
Down to business, let's
get down to business.

535
00:54:02,075 --> 00:54:06,100
In a culture that's all about
change, it's very inspiring.

536
00:54:06,500 --> 00:54:10,300
This is Conan O'Brien's
first time hosting the Oscars.

537
00:54:12,360 --> 00:54:13,360
That is true.

538
00:54:14,125 --> 00:54:16,700
In a culture that is all about us.

539
00:54:16,701 --> 00:54:17,701
A lot of pressure.

540
00:54:20,580 --> 00:54:24,060
Not really, I've hosted a lot of
shows, Emmy Awards, Music Awards.

541
00:54:24,600 --> 00:54:25,800
Well, nothing this big.

542
00:54:27,820 --> 00:54:30,300
Nick, do me a favor, please
stop interrupting, okay?

543
00:54:30,690 --> 00:54:32,500
Okay, guy, just trying to help.

544
00:54:32,660 --> 00:54:33,660
Alright, fine.

545
00:54:33,900 --> 00:54:36,280
The movies we honor
tonight explore a theme...

546
00:54:36,281 --> 00:54:40,720
A challenge this big coming so late in
one's career must weigh on a man's soul.

547
00:54:42,540 --> 00:54:44,780
That's enough, just
read the script I gave you.

548
00:54:46,350 --> 00:54:50,600
He's one of the great comedians
of our time, Conan O'Brien.

549
00:54:52,040 --> 00:54:54,180
Perfect. Thank you.

550
00:54:55,410 --> 00:54:57,840
Our Oscar announcer, Nick
Offerman. Thank you, Nick.

551
00:55:00,240 --> 00:55:08,240
She plays Joy in Inside Out 2, but she's
here on behalf of Joy's opposite, screenwriting.

552
00:55:08,840 --> 00:55:10,640
Please welcome, Amy Poehler.

553
00:55:26,320 --> 00:55:32,130
Good evening. I am honored to be here to present
the two most important awards of the night.

554
00:55:33,010 --> 00:55:35,450
Most athletic and best hair.

555
00:55:38,590 --> 00:55:42,036
But before that, let's
acknowledge the fine writers

556
00:55:42,038 --> 00:55:45,350
nominated this year for
best original screenplay.

557
00:55:46,390 --> 00:55:49,990
I believe it was William Shakespeare
who said, writing is a bitch.

558
00:55:53,470 --> 00:55:58,350
Huzzah to the writers who create
the characters and the stories we love.

559
00:55:59,130 --> 00:56:00,130
Here are the nominees.

560
00:56:05,230 --> 00:56:06,470
He's a little bit tired.

561
00:56:06,990 --> 00:56:07,990
I see. Tired.

562
00:56:09,370 --> 00:56:13,511
And this is the... The lucky lady.

563
00:56:14,310 --> 00:56:17,870
The Brutalist, written by
Brady Courbet, Mona Fasto.

564
00:56:18,470 --> 00:56:23,530
I rejected myself and my
colleagues for our type of work.

565
00:56:24,725 --> 00:56:27,410
For it was deemed not
Germanic in character.

566
00:56:29,370 --> 00:56:32,450
A Real Pain, written
by Jesse Eisenberg.

567
00:56:32,950 --> 00:56:35,189
This is ridiculous. Tickets
are probably like 12 bucks.

568
00:56:35,250 --> 00:56:38,210
We shouldn't have to pay for train
tickets in Poland. This is our country.

569
00:56:38,450 --> 00:56:41,879
No, it's not. It was our country. They kicked
us out because they thought we were cheap.

570
00:56:42,510 --> 00:56:47,550
September Five, written by Moritz Binder,
Tim Felbaum, co-written by Alex David.

571
00:56:48,050 --> 00:56:51,470
If, I'm saying if, they shoot
someone on live television.

572
00:56:52,470 --> 00:56:53,650
Whose story is that?

573
00:56:54,930 --> 00:56:57,670
The Substance, written
by Coralee Farjah.

574
00:56:58,530 --> 00:57:00,050
Yes, Lee. She was drunk.

575
00:57:00,490 --> 00:57:03,950
Remember, there is no
she and you. You are one.

576
00:57:04,750 --> 00:57:07,930
Respect the balance and you
won't have any more inconveniences.

577
00:57:18,180 --> 00:57:20,180
And the Oscar goes to...

578
00:57:22,520 --> 00:57:23,900
Anora, Sean Baker.

579
00:57:35,570 --> 00:57:39,110
Sean Baker has four
nominations this year for Anora,

580
00:57:39,290 --> 00:57:43,050
including original screenplay,
film editing and directing,

581
00:57:43,410 --> 00:57:44,910
and also best picture.

582
00:57:45,270 --> 00:57:47,190
This is his first Oscar win.

583
00:57:50,290 --> 00:57:51,470
Hi everybody.

584
00:57:52,650 --> 00:57:53,690
This is crazy.

585
00:57:54,690 --> 00:57:56,690
Thank you to the Academy.

586
00:57:57,710 --> 00:57:58,710
Thank you for this honor.

587
00:57:59,350 --> 00:58:02,310
I also, I want to thank Neon
and your incredible team.

588
00:58:03,270 --> 00:58:04,270
Film Nation,

589
00:58:05,270 --> 00:58:06,990
and Focus Universal,

590
00:58:07,690 --> 00:58:10,490
LaPact, and my wonderful
manager Adam Kirsch,

591
00:58:11,010 --> 00:58:14,250
and my, of course, my
incredible, incredible cast.

592
00:58:14,910 --> 00:58:17,690
Mikey, Yura, Mark, Vache, Karin,

593
00:58:18,300 --> 00:58:19,850
you elevated everything I wrote,

594
00:58:20,320 --> 00:58:22,150
and made me look very good. Thank you.

595
00:58:23,470 --> 00:58:27,510
Of course, my wonderful producers, my
fellow producers, Samantha Kwan and Alex Coco.

596
00:58:28,170 --> 00:58:29,170
I love you guys.

597
00:58:32,430 --> 00:58:35,530
I want to thank the
sex worker community.

598
00:58:36,030 --> 00:58:38,270
They have shared their stories.

599
00:58:38,830 --> 00:58:41,610
They have shared their life
experience with me over the years.

600
00:58:42,170 --> 00:58:43,450
My deepest respect.

601
00:58:43,830 --> 00:58:45,130
Thank you. I share this with you.

602
00:58:59,460 --> 00:59:03,240
The next award for
best adapted screenplay

603
00:59:03,241 --> 00:59:07,140
includes stories that go on
journeys all around the world.

604
00:59:07,690 --> 00:59:09,140
Amazing, if you think about it,

605
00:59:09,440 --> 00:59:12,220
because we all know how
hard it is to find the right adapter.

606
00:59:14,460 --> 00:59:15,460
Here...

607
00:59:18,540 --> 00:59:19,540
Thank you.

608
00:59:23,480 --> 00:59:24,700
Here are the nominees.

609
00:59:27,100 --> 00:59:31,000
A complete unknown, screenplay
by James Mangold and Jay Cox.

610
00:59:31,740 --> 00:59:33,788
Anyone's going to hold
your attention on the stage.

611
00:59:34,420 --> 00:59:35,563
You have to kind of be a freak.

612
00:59:36,700 --> 00:59:37,700
Not everyone.

613
00:59:38,220 --> 00:59:39,220
Anyone's good.

614
00:59:40,140 --> 00:59:42,440
Conclave, screenplay
by Peter Strong.

615
00:59:43,080 --> 00:59:47,420
If you want to defeat the Desco...
This is a conclave, Aldo. It's not a war.

616
00:59:47,500 --> 00:59:48,880
It is a war.

617
00:59:50,080 --> 00:59:52,620
Emilia Perez, screenplay
by Jacques Odia.

618
00:59:52,980 --> 00:59:58,240
In collaboration with Toma Bidega,
Lea Misuse, and Nicola Levecki.

619
00:59:59,140 --> 01:00:01,200
Changing society changes the soul.

620
01:00:02,300 --> 01:00:03,940
Changing the soul changes society.

621
01:00:04,100 --> 01:00:06,020
Changing society changes it all.

622
01:00:07,620 --> 01:00:09,900
Nickel Boys, screenplay by Romel Ross

623
01:00:10,140 --> 01:00:11,140
and Jocelyn Barnes.

624
01:00:12,220 --> 01:00:16,280
You know that good old
boy is doing the right thing.

625
01:00:17,810 --> 01:00:18,810
Things is changing.

626
01:00:20,470 --> 01:00:23,740
Sing Sing, screenplay by
Clint Bentley, Greg Quidar.

627
01:00:24,000 --> 01:00:28,900
Story by Clint Bentley, Greg Quidar,
Clarence Macklin, John Devine G. Whitfield.

628
01:00:30,980 --> 01:00:34,980
Brother, we're here to
become human again.

629
01:00:35,740 --> 01:00:38,280
To put on nice clothes and dance around

630
01:00:39,130 --> 01:00:42,240
and enjoy the things
that is not in our reality.

631
01:00:50,455 --> 01:00:52,450
And the Oscar goes to...

632
01:00:54,090 --> 01:00:55,690
Conclave, Peter Strong.

633
01:00:58,110 --> 01:01:03,590
This is the first Oscar win and
second nomination for Peter Strong.

634
01:01:04,670 --> 01:01:10,470
He was nominated for his adapted
screenplay for Tinker Tailor Soldier Spy.

635
01:01:20,370 --> 01:01:28,220
Thank you so much.

636
01:01:30,280 --> 01:01:33,740
Just a huge thank you to everyone
involved in making Conclave.

637
01:01:34,660 --> 01:01:38,820
Our crew, our amazing cast,
producers Mike and Alice and Robin.

638
01:01:39,420 --> 01:01:43,900
House Productions, Film Nation,
Indian Paintbrush, Focus Features,

639
01:01:44,160 --> 01:01:47,460
Kudjo and all your team, Sam, all you
guys that looked after us, thank you so much.

640
01:01:47,960 --> 01:01:51,800
I'm going to thank my team and I'm going
to start calling them my team from now on.

641
01:01:52,670 --> 01:01:56,300
Thank you to Brian and Jodie, Simon
and Sasha for everything you do for me.

642
01:01:56,880 --> 01:02:00,540
And the big three thank yous,
Robert Harris for your beautiful book.

643
01:02:01,220 --> 01:02:02,744
We're all standing on your shoulders.

644
01:02:03,420 --> 01:02:08,120
Our wonderful producer Tessa Ross
and our great, great director Edward Berger.

645
01:02:08,580 --> 01:02:11,400
Thank you, thank you.

646
01:02:11,740 --> 01:02:14,860
And one last thing, I'm here
with my daughter Connie.

647
01:02:15,200 --> 01:02:16,780
Connie, I love you, this is for you.

648
01:02:17,900 --> 01:02:21,377
That's not the same as saying it's yours,
it's not like that jumper that you keep taking.

649
01:02:21,470 --> 01:02:23,200
This is mine. Thank you so much.

650
01:02:23,201 --> 01:02:24,380
Thank you.

651
01:02:35,330 --> 01:02:40,670
Hello, I'm Janet Yang, President of the
Academy of Motion Picture Arts and Sciences.

652
01:02:41,510 --> 01:02:46,530
In addition to the Oscars, the Academy
celebrates and honors movie artists year round

653
01:02:46,750 --> 01:02:49,840
through our Governor's
Awards, SciTech Awards,

654
01:02:49,842 --> 01:02:53,270
Student Academy Awards
and our Academy Museum Gala.

655
01:02:54,070 --> 01:03:00,070
For more information on these and all of our
Academy programs, please visit oscars.org.

656
01:03:09,560 --> 01:03:11,420
There are so many things to add.

657
01:03:14,100 --> 01:03:16,160
This is a story of love.

658
01:03:17,540 --> 01:03:20,500
The rest of the film is
about the end of the opera.

659
01:03:20,860 --> 01:03:24,420
The studio is about the plateau,
and the plateau is the end of the opera.

660
01:03:25,320 --> 01:03:27,540
The demand for Jacques
Monst is a poetic realism.

661
01:03:28,220 --> 01:03:32,160
When we start imagining, it's
all about movement, all about...

662
01:03:32,210 --> 01:03:34,580
This film is about
me. It's all about me.

663
01:03:49,140 --> 01:03:51,040
Yeah! Check this out!

664
01:03:52,260 --> 01:03:54,560
Check this out! I've gone blue! Yeah!

665
01:03:56,020 --> 01:03:58,800
I don't want to brag, but I
still fit into my quinceañera tux.

666
01:04:00,110 --> 01:04:02,360
Anyway, I just want to
tell you where we are right

667
01:04:02,362 --> 01:04:04,660
now, if you're watching
anywhere else in the world.

668
01:04:04,920 --> 01:04:09,100
Welcome to the world famous Dolby
Theater, located on the Hollywood Walk of Fame.

669
01:04:09,980 --> 01:04:10,980
Yes.

670
01:04:13,160 --> 01:04:16,450
Now, if you've never been to
the Hollywood Walk of Fame,

671
01:04:16,452 --> 01:04:19,980
imagine a hall of fame so
prestigious, it's also a sidewalk.

672
01:04:21,675 --> 01:04:25,244
Please welcome my two
hall passes, two-time Oscar

673
01:04:25,246 --> 01:04:29,400
nominee Scarlett Johansson
and Oscar nominee June Squibb.

674
01:04:29,420 --> 01:04:33,300
Or as I call them, Scar
Jo and Jew Squibb.

675
01:04:46,180 --> 01:04:54,180
June and I are here to announce the
nominees for best makeup and hairstyling.

676
01:04:54,650 --> 01:04:56,767
And what a hardworking
bunch. I mean, I got up at 6 A.M.

677
01:04:56,769 --> 01:05:00,080
just so they could do my makeup in a way
that looks like I didn't actually do my makeup.

678
01:05:00,780 --> 01:05:07,800
I got a little makeup done too. And I'm actually
being played by Bill Skarsgard right now.

679
01:05:10,260 --> 01:05:12,000
Sorry, sorry. What?

680
01:05:12,840 --> 01:05:17,840
Oh, yeah. I mean, half the time you
see me in public, it's Bill Skarsgard.

681
01:05:19,360 --> 01:05:22,840
The real June Squibb is at
home with a book right now.

682
01:05:23,050 --> 01:05:27,260
Wait, I'm sorry. Bill Skarsgard, you mean
the guy from Nosferatu and the clown from it?

683
01:05:27,640 --> 01:05:32,280
Yeah, and June Squibb at
the Oscars. The big three.

684
01:05:33,080 --> 01:05:37,740
Oh, my God. Well, this is such a relief because
I'm actually being played by Andy Serkis.

685
01:05:37,865 --> 01:05:41,620
Oh, yeah. I actually have a question
for you about eyebrow glue. Oh, sorry.

686
01:05:42,165 --> 01:05:46,000
First, the incredible, talented
nominees for makeup and hairstyling.

687
01:06:07,740 --> 01:06:13,360
The Substance, Pierre-Olivier Persson,
Stephanie Guillaume, and Marilyn Scorsale.

688
01:06:14,920 --> 01:06:18,940
Wicked, Frances Hannon,
Laura Blount, and Sarah Meese.

689
01:06:25,840 --> 01:06:30,000
And the Oscar goes to The Substance.

690
01:06:37,720 --> 01:06:45,720
This is the first Oscar and nomination for
Pierre-Olivier Persson, Stephanie Guillaume,

691
01:06:46,240 --> 01:06:47,940
and Marilyn Scorsale.

692
01:07:07,960 --> 01:07:13,210
Thank you so much to the Academy.
Thank you to our director, Carly Farga,

693
01:07:14,560 --> 01:07:17,130
for the love of makeup
and practical effects.

694
01:07:18,650 --> 01:07:23,410
Thank you to Demi Moore and Margaret
Quelly for your Patience in the makeup chair.

695
01:07:23,650 --> 01:07:27,070
Thank you so much. Thank
you, movie working title.

696
01:07:27,510 --> 01:07:31,550
And last but not least, thank you to
my whole crew because it takes a village.

697
01:07:32,665 --> 01:07:35,470
Thank you so much.

698
01:07:47,080 --> 01:07:51,380
Please welcome Oscar
winner, Halle Berry.

699
01:08:03,710 --> 01:08:08,280
Every year, the Academy's Board of
Governors honors extraordinary contributions

700
01:08:08,700 --> 01:08:10,640
to cinema with the Governor's Awards.

701
01:08:11,320 --> 01:08:16,180
Last fall, these awards were presented
to casting director, Juliet Taylor,

702
01:08:19,250 --> 01:08:23,210
the legendary
composer, Quincy Jones,

703
01:08:26,270 --> 01:08:28,000
writer-director, Richard Curtis,

704
01:08:31,570 --> 01:08:35,330
and producers, Michael G.
Wilson and Barbara Broccoli.

705
01:08:39,130 --> 01:08:44,270
Now, I had the great pleasure of working
with Barbara and Michael on Die Another Day.

706
01:08:44,875 --> 01:08:49,210
And let me tell you, they
don't just produce Bond movies.

707
01:08:49,790 --> 01:08:53,990
They were the heart and soul
of this franchise for decades.

708
01:08:54,770 --> 01:08:57,210
Every generation does
have their Bond, you know.

709
01:08:57,850 --> 01:09:01,870
The world revolves, it
evolves, and so does he.

710
01:09:02,845 --> 01:09:07,550
But that signature mix of
danger, style, and intrigue?

711
01:09:08,390 --> 01:09:10,490
Well, now that's timeless.

712
01:09:11,810 --> 01:09:16,590
Tonight, we pay tribute to Barbara
and Michael and to our favorite spy.

713
01:09:26,760 --> 01:09:27,760
Can I help you?

714
01:09:28,360 --> 01:09:29,360
Yes, my name is Bond.

715
01:09:29,500 --> 01:09:30,500
My name's Bond.

716
01:09:30,560 --> 01:09:30,720
Bond.

717
01:09:31,020 --> 01:09:31,360
Bond.

718
01:09:31,560 --> 01:09:32,260
The name's Bond.

719
01:09:32,520 --> 01:09:33,520
James Bond.

720
01:09:35,300 --> 01:09:36,660
Do you expect me to talk?

721
01:09:36,980 --> 01:09:39,000
No, Mr. Bond, I expect you to die.

722
01:09:50,670 --> 01:09:51,700
Was it something I said?

723
01:10:04,180 --> 01:10:05,180
I'm sorry.

724
01:10:05,380 --> 01:10:08,040
That last hand nearly killed me.

725
01:10:16,710 --> 01:10:17,730
I need you back.

726
01:10:18,010 --> 01:10:19,010
I never left.

727
01:11:29,540 --> 01:11:33,720
Long in your heart was an open book.

728
01:11:35,460 --> 01:11:38,700
You used to say, live and let live.

729
01:11:39,960 --> 01:11:42,740
You know you did, you know
you did, you know you did.

730
01:11:45,040 --> 01:11:53,040
But if this ever-changing world didn't
watch where living makes you give it a cry.

731
01:11:55,180 --> 01:11:57,700
So live and let die.

732
01:12:00,240 --> 01:12:02,680
Live and let die.

733
01:12:08,830 --> 01:12:10,130
Live and let die.

734
01:12:49,500 --> 01:12:51,200
My dreams are forever.

735
01:12:53,200 --> 01:12:57,000
They are all I need to please me.

736
01:12:58,300 --> 01:13:01,540
They can't see, they can't tease me.

737
01:13:02,680 --> 01:13:05,560
They won't leave in the night.

738
01:13:05,840 --> 01:13:10,880
Have no fear that they might desert me.

739
01:13:13,960 --> 01:13:21,130
Die in Crescent.

740
01:13:22,830 --> 01:13:27,890
Touch it, stroke it and undress it.

741
01:13:28,230 --> 01:13:33,390
I can see every part,
nothing hides in the heart.

742
01:13:33,890 --> 01:13:35,710
To hurt me.

743
01:13:37,170 --> 01:13:39,670
I don't need love.

744
01:13:47,280 --> 01:13:51,060
Dive into me.

745
01:13:51,061 --> 01:13:57,480
For when love's gone.

746
01:14:04,380 --> 01:14:08,080
Diamonds are
forever, forever, forever.

747
01:14:09,260 --> 01:14:15,340
Diamonds are forever,
forever, and ever.

748
01:14:34,030 --> 01:14:36,750
This is the end.

749
01:14:38,870 --> 01:14:43,570
Hold your breath and count to ten.

750
01:14:45,050 --> 01:14:50,050
Feel the earth moving in.

751
01:14:51,150 --> 01:14:58,330
Hear my heart burst again.

752
01:14:59,030 --> 01:15:01,190
Let the sky fall.

753
01:15:05,820 --> 01:15:10,640
We will stand tall
and face it all together.

754
01:15:10,641 --> 01:15:16,540
Let the sky fall with you.

755
01:15:18,280 --> 01:15:21,100
For this is the end.

756
01:15:22,580 --> 01:15:26,940
Don't you see how I've drowned
and dressed this moment?

757
01:15:29,820 --> 01:15:34,140
So overdue I owe them.

758
01:15:35,580 --> 01:15:42,200
And swept away, I'm stolen.

759
01:15:43,300 --> 01:15:47,040
Let the sky fall.

760
01:16:13,500 --> 01:16:21,500
Let the sky fall.

761
01:16:45,800 --> 01:16:51,480
Here on the Oscars from the
Dolby Theatre at Ovation Hollywood.

762
01:17:13,550 --> 01:17:19,730
Are you tired of streaming movies from your
couch, from your kitchen, and from your hand?

763
01:17:21,550 --> 01:17:26,030
What if I told you there's
another way to stream movies?

764
01:17:26,260 --> 01:17:30,130
In a building that's dedicated
to streaming movies.

765
01:17:30,330 --> 01:17:33,130
Welcome to Cinema Streams.

766
01:17:33,670 --> 01:17:39,850
We took 800 smartphones, glued them all
together, and made one giant smartphone.

767
01:17:40,450 --> 01:17:42,150
How do you hold it if you don't?

768
01:17:42,950 --> 01:17:44,870
The building holds it.

769
01:17:46,330 --> 01:17:48,050
Wait, how do I start it?

770
01:17:48,350 --> 01:17:51,730
We start the movie for you.

771
01:17:51,731 --> 01:17:56,830
You just sit back, relax, and enjoy
a tub of unregulated substances.

772
01:17:57,840 --> 01:17:59,530
Hey, they got ropes out there!

773
01:18:00,130 --> 01:18:01,607
You're going to have to put that back.

774
01:18:03,930 --> 01:18:04,930
Cinema Streams.

775
01:18:04,950 --> 01:18:06,366
Wait, isn't this just a movie theater?

776
01:18:06,370 --> 01:18:09,142
Cinema Streams is a trademark
of Conan O'Brien, in partnership

777
01:18:09,144 --> 01:18:11,650
with the Sackler family and
the Kingdom of Saudi Arabia.

778
01:18:12,110 --> 01:18:13,110
Tell them Marty sent you.

779
01:18:21,420 --> 01:18:23,040
That idea is going to blow up.

780
01:18:23,860 --> 01:18:26,500
Hey, our thanks to Martin
Scorsese for helping us out.

781
01:18:26,600 --> 01:18:28,780
His cut of that commercial
was six hours long.

782
01:18:29,940 --> 01:18:31,340
And very violent.

783
01:18:32,970 --> 01:18:38,460
This year marks the 20th anniversary
of Quentin Tarantino's Kill Bill Vol. 2.

784
01:18:40,020 --> 01:18:43,996
Yes. Please welcome a
star of both Kill Bill movies

785
01:18:43,998 --> 01:18:47,820
and the reason I once
bought my wife an eyepatch,

786
01:18:48,540 --> 01:18:51,980
the world's sexiest
Daryl, Daryl Hannah.

787
01:19:07,190 --> 01:19:08,470
Slava Ukraine.

788
01:19:15,870 --> 01:19:21,050
The real, total badasses
in movies are the editors.

789
01:19:22,030 --> 01:19:26,130
A film's rhythm, its feeling, its very
heartbeat is placed in their hands.

790
01:19:26,650 --> 01:19:30,330
They have to recognize the magic in
the moments that are captured on film,

791
01:19:30,790 --> 01:19:34,650
immerse themselves, every
fiber of their being in the footage,

792
01:19:35,150 --> 01:19:40,670
be a sculptor and chip away at the form,
an architect to help illuminate the vision,

793
01:19:41,220 --> 01:19:43,830
and a puzzle master to
put the pieces in their place.

794
01:19:44,570 --> 01:19:48,370
Tonight, we celebrate the artists
who shape the stories we tell.

795
01:19:49,010 --> 01:19:51,830
Here are the nominees for
achievement in film editing.

796
01:19:54,190 --> 01:19:55,990
Anora, Sean Baker.

797
01:20:04,360 --> 01:20:06,640
The Brutalist, David Yancho.

798
01:20:13,920 --> 01:20:16,080
Conclave, Nick Emerson.

799
01:20:26,900 --> 01:20:29,740
Amelia Perez, Juliette Wilson.

800
01:20:38,060 --> 01:20:40,780
Wicked, Myron Kirsty.

801
01:20:46,330 --> 01:20:54,240
And the Oscar goes to...

802
01:20:54,690 --> 01:20:56,320
Anora, Sean Baker.

803
01:21:02,840 --> 01:21:10,840
This is the second Oscar win for Sean Baker,
who has four nominations this year for Anora.

804
01:21:17,750 --> 01:21:19,370
Hey everybody.

805
01:21:22,100 --> 01:21:25,290
Thank you to the Academy and
everybody I mentioned earlier.

806
01:21:26,780 --> 01:21:32,330
I truly appreciate the recognition for
this because, God, if you saw that footage,

807
01:21:33,305 --> 01:21:35,890
I saved this film in the edit, trust me.

808
01:21:37,290 --> 01:21:39,070
That director should
never work again.

809
01:21:41,030 --> 01:21:46,630
No, truly, I consider editing to be half of
my directing and a third of my screenwriting,

810
01:21:46,650 --> 01:21:49,050
so this means everything.
It's a real validation for me.

811
01:21:50,120 --> 01:21:53,090
I also want to, of course,
thank my entire cast and crew,

812
01:21:53,465 --> 01:21:57,590
but there are three individuals
who I allow in the editing room.

813
01:21:57,790 --> 01:21:59,552
Nobody else, just
these three individuals.

814
01:21:59,630 --> 01:22:06,010
And I want to thank you guys for your
emotional support, your creative support.

815
01:22:06,830 --> 01:22:11,670
And those three people are
Samantha Kwan, my wife and producer,

816
01:22:12,190 --> 01:22:16,230
Alex Coco, my incredible fellow
producer, and my dog Bunsen.

817
01:22:16,530 --> 01:22:18,910
Yep, he gave me some pretty good notes.

818
01:22:19,310 --> 01:22:21,050
Okay, thank you everybody. Thank you.

819
01:22:31,580 --> 01:22:36,140
Please welcome last year's
Oscar winner for Supporting Actress,

820
01:22:36,860 --> 01:22:38,520
Devine Joy Randolph.

821
01:22:52,110 --> 01:22:58,100
Good evening. It is a privilege to be standing
here celebrating these incredible women tonight.

822
01:22:59,200 --> 01:23:03,460
Monica, the way you
brought Joan Baez to life,

823
01:23:04,340 --> 01:23:08,600
you did not just play
her, you became her.

824
01:23:09,450 --> 01:23:13,440
And you captured the very
heartbeat of a changing world,

825
01:23:14,110 --> 01:23:15,700
and we all felt it.

826
01:23:24,850 --> 01:23:28,080
Ariana, your joy,
your love is infectious.

827
01:23:29,330 --> 01:23:33,340
It is your voice. It is in your
movement, your presence.

828
01:23:34,000 --> 01:23:39,080
You light up every single screen the
same way that you light up the stage.

829
01:23:39,820 --> 01:23:41,120
You are pure magic.

830
01:23:49,370 --> 01:23:51,750
Felicity, you are grace.

831
01:23:52,630 --> 01:23:57,010
You hold strength and
vulnerability in perfect balance,

832
01:23:57,620 --> 01:23:59,090
and that is no small feat.

833
01:23:59,750 --> 01:24:04,330
Every single moment with you
on a screen is a masterclass.

834
01:24:11,440 --> 01:24:15,940
Isabella, watching you work
is a reminder of the power

835
01:24:15,941 --> 01:24:19,520
of paying attention, of
savoring every single moment,

836
01:24:19,521 --> 01:24:23,980
every line, every breath,
and you do it with such ease.

837
01:24:24,320 --> 01:24:26,340
You truly were born to do this.

838
01:24:36,380 --> 01:24:43,330
Zoe, my dear, you took us on a journey,

839
01:24:44,270 --> 01:24:47,670
one that made us question the
very limits we put on ourselves,

840
01:24:48,320 --> 01:24:51,390
and then you showed us
exactly how to break them.

841
01:24:52,220 --> 01:24:56,030
You are fearless, and it
is so inspiring to watch.

842
01:25:03,900 --> 01:25:07,160
Five breathtaking
performances, five brilliant women,

843
01:25:08,120 --> 01:25:10,180
each one of them so deserving.

844
01:25:12,570 --> 01:25:14,900
And the Oscar goes to...

845
01:25:16,300 --> 01:25:17,300
Zoe Saldana.

846
01:25:25,650 --> 01:25:30,450
This is the first Oscar win and
nomination for Zoe Saldana.

847
01:25:49,850 --> 01:25:52,930
My mom is here. My whole family is here.

848
01:25:53,090 --> 01:25:55,790
I am floored by this honor.

849
01:25:55,890 --> 01:26:02,110
Thank you to the Academy
for recognizing the quiet heroism

850
01:26:02,655 --> 01:26:05,010
and the power in a woman like Rita,

851
01:26:05,905 --> 01:26:08,450
and talking about powerful women.

852
01:26:09,290 --> 01:26:14,750
My fellow nominees, the love and
community that you have offered me

853
01:26:15,250 --> 01:26:17,470
is a true gift, and I
will pay it forward.

854
01:26:17,650 --> 01:26:18,710
Thank you so much.

855
01:26:19,310 --> 01:26:23,170
Jacquel Dillard, you are forever
a beloved character in my life.

856
01:26:23,220 --> 01:26:25,990
Thank you for taking the interest.

857
01:26:26,150 --> 01:26:30,330
Thank you for being so curious
about these women to tell this story.

858
01:26:30,865 --> 01:26:33,830
To my cast and my crew of Emilia Pérez,

859
01:26:34,290 --> 01:26:36,210
I'm sharing this award with you.

860
01:26:36,630 --> 01:26:41,990
Netflix, Ted, Lisa, Bella,
Why Not Productions, YSL,

861
01:26:42,190 --> 01:26:43,370
thank you for your support.

862
01:26:43,885 --> 01:26:46,090
To my kick-ass team at CAA,

863
01:26:46,700 --> 01:26:49,050
my amazing managers and lawyers,

864
01:26:49,415 --> 01:26:51,190
and the powerful ladies
of the lead company,

865
01:26:51,490 --> 01:26:54,990
your guidance, and thank you for always,
always answering my emails late night.

866
01:26:55,560 --> 01:26:59,470
To my mom, my dad, and
my sisters, Mariel and Cicely,

867
01:27:00,810 --> 01:27:05,950
everything brave, outrageous, and good that
I've ever done in my life is because of you.

868
01:27:06,510 --> 01:27:07,410
Thank you so much.

869
01:27:07,411 --> 01:27:12,190
And to my husband, with
that beautiful hair, you're just...

870
01:27:16,860 --> 01:27:19,140
The biggest honor in my
life is being your partner.

871
01:27:19,720 --> 01:27:22,520
You hung the moon in
our beautiful, perfect suns.

872
01:27:22,521 --> 01:27:27,140
Cy, Bowie, and Zen, they fill
our skies every night with stars.

873
01:27:27,800 --> 01:27:30,880
My grandmother came
to this country in 1961.

874
01:27:32,460 --> 01:27:35,160
I am a proud child
of immigrant parents.

875
01:27:39,060 --> 01:27:43,300
with dreams and dignity
and hard-working hands.

876
01:27:43,700 --> 01:27:46,520
And I am the first
American of Dominican origin

877
01:27:47,060 --> 01:27:50,260
to accept an Academy Award,
and I know I will not be the last.

878
01:27:53,510 --> 01:28:01,150
The fact that I'm getting an award for a
role where I got to sing and speak in Spanish.

879
01:28:01,870 --> 01:28:04,450
My grandmother, if she were
here, she would be so delighted.

880
01:28:04,650 --> 01:28:06,850
This is for my
grandmother, Argentina Cice.

881
01:28:07,310 --> 01:28:08,810
Thank you so much. Muchas gracias.

882
01:28:09,590 --> 01:28:10,590
Thank you.

883
01:28:24,710 --> 01:28:31,690
Coming up next, Ben Stiller and Best
Song, presented by a rock and roll legend.

884
01:28:40,340 --> 01:28:44,240
Have you ever dreamt of
a better version of yourself?

885
01:28:45,620 --> 01:28:49,000
I felt there are no
representations of women over 50.

886
01:28:49,160 --> 01:28:52,520
It's like after that limit,
you don't exist anymore.

887
01:28:53,260 --> 01:28:56,840
The movie is really about flesh
and bone and women's bodies.

888
01:28:58,560 --> 01:29:02,620
I needed to have everything
be practical and made for real,

889
01:29:03,000 --> 01:29:04,140
not having any boundaries.

890
01:29:04,780 --> 01:29:05,780
To me, that's cinema.

891
01:29:18,170 --> 01:29:20,290
Please welcome Ben Stiller.

892
01:29:23,630 --> 01:29:27,310
Please welcome Ben Stiller.

893
01:29:38,000 --> 01:29:39,100
Production design.

894
01:29:42,510 --> 01:29:45,580
Production designers bring the
visual world of a screenplay to life.

895
01:29:46,650 --> 01:29:50,640
It is a field where the slightest miscalculation
could lose the trust of the audience

896
01:29:50,940 --> 01:29:53,220
and humiliate the
performers on screen.

897
01:29:55,140 --> 01:29:58,413
Production designers
plan meticulously, creating

898
01:29:58,415 --> 01:30:02,100
sketches that illustrate a
film's mood and atmosphere.

899
01:30:03,290 --> 01:30:06,480
With their strong knowledge
of color theory and architecture,

900
01:30:07,300 --> 01:30:11,100
they handle everything from minor visual
details to massive technical challenges,

901
01:30:11,200 --> 01:30:14,740
collaborating with a director to
significantly impact the final image on screen,

902
01:30:14,741 --> 01:30:18,580
and making sure what you are seeing
is exactly what the artist intended.

903
01:30:29,300 --> 01:30:34,900
Here are the nominees
for production design!

904
01:30:51,225 --> 01:30:56,460
Doom Part II. Production design by
Patrice Fermet. Set decoration by Shane Villa.

905
01:30:57,880 --> 01:31:02,860
Nosferatu. Production design by Craig Lathrop.
Set decoration by Beatrice Brent-Nerevan.

906
01:31:04,660 --> 01:31:09,360
Wicked. Production design by Nathan
Crowley. Set decoration by Lee Sandales.

907
01:31:27,690 --> 01:31:32,411
And the Oscar goes to... Wicked!

908
01:31:37,550 --> 01:31:41,508
This is the first Oscar
win for seven-time nominee

909
01:31:41,510 --> 01:31:45,550
Nathan Crowley and three-time
nominee Lee Sandales.

910
01:31:45,750 --> 01:31:52,150
Crowley received his first nomination for
achievement in art direction for The Prestige,

911
01:31:52,630 --> 01:31:56,350
while Sandales earned his
first nomination for War Horse.

912
01:32:02,940 --> 01:32:04,560
This is amazing.

913
01:32:08,230 --> 01:32:15,220
Wow. Thanks to the Academy. I need to share
this with my wife, Phyllis, my co-designer,

914
01:32:15,490 --> 01:32:19,220
and our kids, Sophie,
Francesca, Grace, and George.

915
01:32:24,360 --> 01:32:31,860
Wicked was one of our greatest experiences
of all time to make, and we owe that to Jon Chu.

916
01:32:35,300 --> 01:32:39,420
Jon, you took us over the rainbow.
You took us over the rainbow.

917
01:32:40,360 --> 01:32:42,980
Annecy, thank you so much.
Annecy, for absolutely everything.

918
01:32:45,210 --> 01:32:47,920
Mark Platt, where are
you? Mark Platt, come on.

919
01:32:49,020 --> 01:32:55,060
Our cast, phenomenal. Universal
Pictures for all the support.

920
01:32:55,910 --> 01:32:58,920
And our art department,
our construction department.

921
01:33:00,050 --> 01:33:02,871
My whole team, Kate
Verna, Jamie Wilkinson, my

922
01:33:02,873 --> 01:33:05,880
family and friends at home,
and my husband, Mark.

923
01:33:07,400 --> 01:33:08,600
Thank you very much.

924
01:33:19,250 --> 01:33:21,970
Please welcome Mick Jagger.

925
01:33:47,210 --> 01:33:50,850
Thank you so much, everyone.
That's very kind of you, my goodness.

926
01:33:54,050 --> 01:34:01,810
I'm greatly honored to be invited to give
this award for the best original song tonight.

927
01:34:02,850 --> 01:34:10,770
And much as I love doing it, I wasn't
the first choice to give this award out.

928
01:34:11,130 --> 01:34:14,130
The producers really
wanted Bob Dylan to do this.

929
01:34:17,710 --> 01:34:21,214
Bob didn't want to do it,
because he said the best songs

930
01:34:21,216 --> 01:34:24,910
this year were obviously, in
the movie, a complete unknown.

931
01:34:29,060 --> 01:34:33,090
Bob said, you should
find somebody younger.

932
01:34:35,270 --> 01:34:39,990
I said, okay, I'm younger.
I'm younger than Bob, I'll do it.

933
01:34:41,610 --> 01:34:43,810
So here I am.

934
01:34:50,390 --> 01:34:54,310
And here are the nominees for the
best original song in their own world.

935
01:34:57,010 --> 01:34:59,510
I just knew that this was
something really special.

936
01:35:00,990 --> 01:35:01,990
Very intense.

937
01:35:03,830 --> 01:35:05,790
Fierce and bold.

938
01:35:07,730 --> 01:35:08,730
It's unbelievable.

939
01:35:10,390 --> 01:35:12,850
One of the best songs I ever wrote.

940
01:35:13,530 --> 01:35:14,530
It's powerful.

941
01:35:21,320 --> 01:35:28,520
Elma allows Aretha's character to express
everything that she's been feeling so far.

942
01:35:30,520 --> 01:35:34,140
To denounce the corrupted
people and to protect Emilia.

943
01:35:36,420 --> 01:35:42,480
The little detail I like best is a
keyboard called the Filicorda.

944
01:35:43,080 --> 01:35:47,180
That makes the song
feel like a cabaret in hell.

945
01:35:53,820 --> 01:35:57,720
As I was writing this song, I thought
this goes even beyond the movie.

946
01:35:58,000 --> 01:36:00,180
This is about life and
about all our journeys.

947
01:36:06,360 --> 01:36:11,380
Gabby, who goes by the name Her, I can't think
of anybody that could have done a song like Her.

948
01:36:11,520 --> 01:36:12,520
It was so meant to be.

949
01:36:20,540 --> 01:36:22,825
This song is really a reminder
that you can go through

950
01:36:22,827 --> 01:36:24,860
hell, but still you're
going to make it through.

951
01:36:31,080 --> 01:36:36,000
Like a bird, there's a song about
longing to ascend, but there's doubt there.

952
01:36:38,340 --> 01:36:45,840
Greg, the director, was really into
just supporting whatever our vision was.

953
01:36:46,040 --> 01:36:49,980
He let us really paint on this canvas and do
whatever, and he also had some amazing ideas.

954
01:36:53,200 --> 01:36:56,120
We've just been floored by the
support and the response to it.

955
01:36:56,300 --> 01:37:00,140
It's an honor. Thank you for the
freedom to create wholeheartedly.

956
01:37:08,420 --> 01:37:13,040
Like El Mal, Mi Caminho
is a song of emancipation.

957
01:37:15,640 --> 01:37:19,340
Spanish is such a great
language for pop music.

958
01:37:23,000 --> 01:37:25,740
And Selena's radiance
makes it happen.

959
01:37:29,640 --> 01:37:33,560
We need to believe that she's singing
on top of that song that everybody knows.

960
01:37:34,140 --> 01:37:38,760
So it had to feel familiar and at the
same time something you can dance to.

961
01:37:43,305 --> 01:37:46,956
Writing down the lyrics to Never
Too Late and knowing I was about

962
01:37:46,958 --> 01:37:50,330
to set them in front of Elton
John was just totally surreal.

963
01:37:56,710 --> 01:37:58,780
It came together so
brilliantly. Originally, the

964
01:37:58,782 --> 01:38:01,200
documentary was going to be
called Goodbye, Elbert Road.

965
01:38:01,640 --> 01:38:03,620
And we changed it
immediately to Never Too Late.

966
01:38:06,180 --> 01:38:09,460
Oh my God, this is like
everything that this film is.

967
01:38:11,600 --> 01:38:16,820
Bringing in Brandy brought a whole
new dimension to us as a songwriting team.

968
01:38:17,540 --> 01:38:19,640
It's something that I'll
take with me forever.

969
01:38:28,240 --> 01:38:30,240
And the Oscar goes to...

970
01:38:30,980 --> 01:38:31,980
El Mal.

971
01:38:36,780 --> 01:38:39,680
Clément Ducolle, Camille
and Jacques Odiar.

972
01:38:43,690 --> 01:38:47,781
This is the first Oscar win for
Clément Ducolle and Camille

973
01:38:47,783 --> 01:38:51,390
who are also nominated
for a score for Amelia Perez.

974
01:38:52,150 --> 01:38:55,750
Also the first Oscar win for
French filmmaker Jacques Odiar.

975
01:39:11,870 --> 01:39:16,770
We are so grateful. Thanks
to all the Academy members.

976
01:39:17,295 --> 01:39:20,260
Congrats to our
beautiful fellow nominees.

977
01:39:21,150 --> 01:39:24,670
We wrote El Mal as a
song to denounce corruption.

978
01:39:36,960 --> 01:39:40,648
And we hope it speaks to the
role music and art can play and

979
01:39:40,650 --> 01:39:44,710
continue to play as a force of
the good and progress in the world.

980
01:39:47,590 --> 01:39:51,330
Thank you. Thank you to Jacques
Odiar and to the amazing cast.

981
01:39:52,070 --> 01:39:55,466
Thank you to our phenomenal
interpreters, Zoe Saldana

982
01:39:55,468 --> 01:39:58,930
and Carla Sofia Gascón
for bringing this song to life.

983
01:39:59,150 --> 01:40:02,690
Thank you to everyone
involved in producing the music.

984
01:40:03,610 --> 01:40:06,416
Thank you to Netflix, to
Why Not and to our agents,

985
01:40:06,418 --> 01:40:09,060
Martin Delamezure, Jeff
Geni and Patty McMillan.

986
01:40:10,320 --> 01:40:15,530
To our publicists, Tomas Mikus and
Ray Costa for your passion and support.

987
01:40:16,280 --> 01:40:19,850
Thank you to our family,
friends and to our children.

988
01:40:20,710 --> 01:40:23,030
Marius and Leila, we love you.

989
01:40:23,550 --> 01:40:25,490
And thank you to Amelia.

990
01:40:28,930 --> 01:40:32,590
Please write it down.

991
01:40:48,050 --> 01:40:56,050
Coming up next, Selena Gomez
teams up with Samuel L. Jackson.

992
01:40:56,650 --> 01:40:58,070
Only at the Oscars.

993
01:40:58,630 --> 01:41:01,610
Live from the Dolby Theatre
at Ovation Hollywood.

994
01:41:13,270 --> 01:41:16,309
Well, we're halfway through
the show, which means it's time

995
01:41:16,311 --> 01:41:19,300
for Kendrick Lamar to come
out and call Drake a pedophile.

996
01:41:26,185 --> 01:41:30,500
Don't worry, I'm
lawyered up. Anyway...

997
01:41:31,310 --> 01:41:34,352
Before we go any further,
how about a hand for our brilliant

998
01:41:34,354 --> 01:41:37,600
conductor, Michael Bearden and
the incredible Academy Orchestra.

999
01:41:42,040 --> 01:41:43,700
Concertmaster Charlie Bicherat.

1000
01:41:50,130 --> 01:41:54,196
And ladies and gentlemen, there is no instrument
he cannot play. Here he is again, all the

1001
01:41:54,198 --> 01:41:58,130
way from the Juilliard School of Music, Arrakis
Campus on harp, the sandworm from Dune.

1002
01:42:06,465 --> 01:42:11,360
You see, let me explain show business. When you
spend that much on a bit, you gotta do it twice.

1003
01:42:15,010 --> 01:42:17,277
Ladies and gentlemen,
they're such good friends that

1004
01:42:17,279 --> 01:42:19,460
sometimes they trade
middle initials just for fun.

1005
01:42:19,710 --> 01:42:24,320
Please welcome Oscar winner Samuel
M. Jackson and Selena L. Gomez.

1006
01:42:39,210 --> 01:42:43,269
We're here to present both documentary categories.
Don't you love documentaries? I love them because

1007
01:42:43,271 --> 01:42:47,210
they're powerful, they open our eyes, expand our
minds, and they're stories that need to be told.

1008
01:42:47,790 --> 01:42:50,302
And I love documentaries
because they're the best

1009
01:42:50,304 --> 01:42:52,870
shortcut to being the
smartest person in the room.

1010
01:42:53,785 --> 01:42:56,626
And they do all the
research, they create powerful

1011
01:42:56,628 --> 01:42:59,870
stories, and I get to impress
everyone at dinner parties.

1012
01:43:00,650 --> 01:43:03,381
Well, exactly. I mean,
it's like being the person in

1013
01:43:03,383 --> 01:43:06,010
the group project that
did nothing but gets the A.

1014
01:43:07,590 --> 01:43:09,090
Were you an A student, Selena?

1015
01:43:09,310 --> 01:43:12,234
No, that's why we're both
here. But let's get to this stuff.

1016
01:43:12,236 --> 01:43:14,870
Here are the nominees for
best documentary short film.

1017
01:43:16,410 --> 01:43:21,030
Death By Numbers, Kim A.
Schneider and Zhanique L. Robillard.

1018
01:43:22,890 --> 01:43:26,550
I Am Ready Warden, Smriti
Mundra, and Maya Ghanib.

1019
01:43:28,550 --> 01:43:31,370
Incident, Bill Morrison
and Jamie Calvin.

1020
01:43:34,850 --> 01:43:39,170
Instruments of a Beating Heart,
Emma Ryan Yamazaki and Eric Niawe.

1021
01:43:40,650 --> 01:43:44,710
The Only Girl in the Orchestra,
Molly O'Brien and Lisa Remit.

1022
01:43:50,955 --> 01:43:52,340
And the Oscar goes to...

1023
01:43:53,720 --> 01:43:57,800
The Only Girl in the Orchestra,
Molly O'Brien and Lisa Remington.

1024
01:44:04,870 --> 01:44:12,810
This is the first Oscar win and nomination
for Molly O'Brien and Lisa Remington.

1025
01:44:28,160 --> 01:44:33,260
Wow, thank you to the Academy.
It is such an honor to be here.

1026
01:44:34,580 --> 01:44:38,660
As Orin O'Brien, the star of The
Only Girl in the Orchestra, likes to say,

1027
01:44:39,200 --> 01:44:42,000
music helps us organize our emotions.

1028
01:44:42,640 --> 01:44:45,860
And there are a lot of emotions
that need organizing these days.

1029
01:44:46,660 --> 01:44:48,020
Film does the same thing.

1030
01:44:49,000 --> 01:44:53,620
Art makes order and gives meaning
out of the chaos we're living through.

1031
01:44:57,655 --> 01:45:00,500
I'd like to thank the Secular Society.

1032
01:45:01,200 --> 01:45:06,320
I'd like to thank Netflix, Adam
Deldeo, Chloe Bai, Lisa Tabak,

1033
01:45:08,670 --> 01:45:11,680
and to the cellist turned
filmmaker, Mr. Al Morris.

1034
01:45:12,400 --> 01:45:14,620
Thank you all for
giving this film its lift.

1035
01:45:15,605 --> 01:45:19,520
I'm honored and privileged to
be in a room with all these people

1036
01:45:19,670 --> 01:45:24,240
who understand that art is giving meaning
to the chaos we're living through right now.

1037
01:45:25,800 --> 01:45:27,960
Most importantly, I'd
like to thank my family,

1038
01:45:28,360 --> 01:45:33,680
John, Sadie, Bea, Benson, as
well as my aunt Orin, my inspiration.

1039
01:45:33,800 --> 01:45:35,040
And now yours too.

1040
01:45:35,160 --> 01:45:38,300
And our female team, all
female team who's here.

1041
01:45:38,820 --> 01:45:39,820
Thank you so much.

1042
01:45:52,410 --> 01:45:57,410
And now here are the nominees
for Best Documentary Feature Film.

1043
01:45:58,850 --> 01:46:04,510
Black Box Diaries, Shiori Ito,
Erik Niari, and Hannah Akvili.

1044
01:46:05,150 --> 01:46:09,730
It's been six months since I
became this girl who was raped.

1045
01:46:10,550 --> 01:46:16,690
No Other Land, Basa Adra, Rachel
Shore, Cam Dan Ballal, and Yuval Abraham.

1046
01:46:16,691 --> 01:46:18,990
I don't know what to say.

1047
01:46:20,575 --> 01:46:23,970
Porcelain War, Brendan
Bellamy, Slawal Lowintia,

1048
01:46:24,650 --> 01:46:27,990
Anjela Sadorska, and
Paula Dupree-Pessman.

1049
01:46:35,050 --> 01:46:36,810
Soundtrack to a coup d'etat.

1050
01:46:37,110 --> 01:46:40,990
Johan Cremon-Peri, Don
Milius, and Remi Grölte.

1051
01:46:41,590 --> 01:46:44,350
He said, well, you have
to assassinate Le Momba.

1052
01:46:44,351 --> 01:46:49,250
Sugar Cane, Julian Brave Noisecat,
Emily Cassie, and Callum Quinn.

1053
01:46:49,690 --> 01:46:54,750
If they think we'd be stupid all of our lives,
then nobody would ever find out these things.

1054
01:47:00,450 --> 01:47:02,270
And the Oscar goes to...

1055
01:47:03,530 --> 01:47:04,650
No Other Land.

1056
01:47:09,450 --> 01:47:14,370
This is the first Oscar and
nomination for Basa Adra,

1057
01:47:15,030 --> 01:47:20,070
Rachel Shore, Cam Dan
Ballal, and Yuval Abraham.

1058
01:47:40,430 --> 01:47:42,850
Thank you to the Academy for the Award.

1059
01:47:43,150 --> 01:47:47,290
It's such a big honor for the four of us, and
everybody supported us for this documentary.

1060
01:47:48,790 --> 01:47:50,690
About two months
ago, I became a father,

1061
01:47:50,870 --> 01:47:55,870
and my hope to my daughter that she will
not have to live the same life I'm living now,

1062
01:48:01,130 --> 01:48:02,090
always feeling...

1063
01:48:02,091 --> 01:48:06,210
I'm always feeling subtler's violence, home
demolitions, and forest-filled displacements.

1064
01:48:07,140 --> 01:48:12,790
that my community, Masafriata, is living and
facing every day under the Israeli occupation.

1065
01:48:13,350 --> 01:48:20,550
No Other Land reflects the harsh reality
that we have been enduring for decades,

1066
01:48:20,910 --> 01:48:26,910
and still resists, as we call on the world
to take serious actions to stop the injustice

1067
01:48:26,911 --> 01:48:29,830
and to stop the ethnic
cleansing of Palestinian people.

1068
01:48:36,220 --> 01:48:40,460
We made this film,
Palestinians and Israelis,

1069
01:48:41,280 --> 01:48:43,520
because together our
voices are stronger.

1070
01:48:45,040 --> 01:48:51,720
We see each other, the atrocious destruction
of Gaza and its people which must end,

1071
01:48:52,140 --> 01:48:56,360
the Israeli hostages brutally taken in the
crime of October 7th, which must be freed.

1072
01:48:57,250 --> 01:49:01,600
When I look at Basel, I see
my brother, but we are unequal.

1073
01:49:01,775 --> 01:49:06,051
We live in a regime where I am
free under civilian law, and Basel

1074
01:49:06,126 --> 01:49:09,360
is under military laws that destroy
his life and he cannot control.

1075
01:49:10,120 --> 01:49:14,740
There is a different path, a political
solution, without ethnic supremacy,

1076
01:49:15,080 --> 01:49:18,020
with national rights
for both of our people.

1077
01:49:18,520 --> 01:49:21,978
And I have to say, as I
am here, the foreign policy

1078
01:49:21,980 --> 01:49:25,100
in this country is
helping to block this path.

1079
01:49:27,120 --> 01:49:35,120
And, you know, why? Can't
you see that we are intertwined?

1080
01:49:35,980 --> 01:49:41,800
That my people can be truly safe if
Basel's people are truly free and safe?

1081
01:49:42,280 --> 01:49:48,600
There is another way. It's not
too late for life, for the living.

1082
01:49:49,375 --> 01:49:51,600
There is no other way. Thank you.

1083
01:49:51,601 --> 01:49:55,880
Rachel Shor, come down by the eye.
She got you with that close-up initiative.

1084
01:49:56,160 --> 01:49:57,160
Thank you.

1085
01:50:05,700 --> 01:50:10,520
I'm Bill Kramer, CEO of the Academy
of Motion Picture Arts and Sciences.

1086
01:50:11,360 --> 01:50:17,520
We hope you'll join the Academy in supporting relief
efforts for those impacted by the Los Angeles area fires

1087
01:50:17,880 --> 01:50:20,740
within our industry and
in the broader community.

1088
01:50:21,540 --> 01:50:25,160
For more information on ways
to help, please scan this QR code.

1089
01:50:25,161 --> 01:50:27,200
Together, we can make a difference.

1090
01:50:43,740 --> 01:50:47,760
I was friends with this family
when I was 13 years old.

1091
01:50:48,060 --> 01:50:51,180
I remember the vitality of that house.

1092
01:50:52,380 --> 01:50:55,890
For all of us, it was not about
just reenacting characters.

1093
01:50:56,660 --> 01:51:01,340
It really was about
allowing life to surface.

1094
01:51:03,100 --> 01:51:07,520
The stories that you cannot forget,
these are the ones you should tell.

1095
01:51:18,465 --> 01:51:21,821
Please welcome members
of the fire service who bravely

1096
01:51:21,822 --> 01:51:26,420
responded to and battled the
Palisades and Eaton wildfires!

1097
01:52:18,630 --> 01:52:19,860
Ladies and gentlemen...

1098
01:52:22,020 --> 01:52:23,780
By the way, I don't know why I did this.

1099
01:52:23,781 --> 01:52:26,020
I just a second ago
nodded and went, thank you.

1100
01:52:26,260 --> 01:52:28,780
I apologize.

1101
01:52:31,170 --> 01:52:36,520
On behalf of everyone in greater Los
Angeles, thank you for all that you do.

1102
01:52:36,720 --> 01:52:39,480
Now, I know you're going
to find this hard to believe,

1103
01:52:39,550 --> 01:52:42,640
but there are some jokes
even I'm not brave enough to tell.

1104
01:52:43,660 --> 01:52:48,700
So on behalf of myself, would you
please read what's in the prompter.

1105
01:52:48,860 --> 01:52:52,260
And remember, everyone
in this audience has to laugh.

1106
01:52:52,560 --> 01:52:53,920
These are heroes!

1107
01:52:55,120 --> 01:52:57,220
Yes! Take it away!

1108
01:52:58,480 --> 01:53:01,780
L.A.F.D. Captain Eric Scott.

1109
01:53:03,785 --> 01:53:07,380
Well, our hearts go out to all of
those who have lost their homes.

1110
01:53:08,270 --> 01:53:10,480
And I'm talking about
the producers of Joker 2.

1111
01:53:18,080 --> 01:53:20,200
Damn! Best delivery
of the night! Alright!

1112
01:53:22,070 --> 01:53:25,880
Next up, Los Angeles Fire
Department pilot, Jonathan Johnson.

1113
01:53:26,900 --> 01:53:29,820
To play Bob Dylan, Timothée
Chalamet learned how to sing.

1114
01:53:30,620 --> 01:53:34,140
In fact, his singing was so
good, he almost lost the part.

1115
01:53:41,310 --> 01:53:44,550
And finally, Pasadena Fire
Department Captain, Jodie Slicker.

1116
01:53:46,510 --> 01:53:48,670
It's great to be back with Conan.

1117
01:53:49,410 --> 01:53:52,030
Usually when he calls,
he's stuck in a tree.

1118
01:53:55,810 --> 01:53:57,170
It's happened twice!

1119
01:53:57,990 --> 01:54:03,030
Thank you to our greater Los
Angeles firefighters. Thank you so much.

1120
01:54:14,820 --> 01:54:17,880
In Europe, they're known
as Kilometers and Kilometry.

1121
01:54:18,770 --> 01:54:23,220
Please welcome Miles
Teller and Miley Cyrus.

1122
01:54:36,270 --> 01:54:39,520
Sound helps us
experience a film at our core.

1123
01:54:40,150 --> 01:54:44,180
It shapes how we think, how we feel
and how deeply we connect to a story.

1124
01:54:44,730 --> 01:54:49,080
And I got to experience that first hand
working on Whiplash and Top Gun Maverick.

1125
01:54:49,280 --> 01:54:51,020
Two movies that took
home this very award.

1126
01:54:51,840 --> 01:54:53,640
Those movies sounded amazing.

1127
01:54:54,240 --> 01:54:56,824
It's just a testament
to the work done by the

1128
01:54:56,826 --> 01:54:59,700
mixers, the engineers,
the designers, the editors.

1129
01:54:59,820 --> 01:55:01,400
I could go on and on.

1130
01:55:01,760 --> 01:55:04,141
I think you nailed it. That's
a perfect description, Miley.

1131
01:55:04,480 --> 01:55:05,780
Sound is what I do, Miles.

1132
01:55:07,340 --> 01:55:09,000
I love your sound. You are sound.

1133
01:55:09,300 --> 01:55:11,680
Thank you. These are the nominees.

1134
01:55:14,340 --> 01:55:17,494
A complete unknown.
Todd A. Maitland, Donald

1135
01:55:17,496 --> 01:55:21,440
Sylvester, Ted Kaplan, Paul
Massey and David Giammarco.

1136
01:55:21,840 --> 01:55:23,380
I got a heck of a lot of ideas.

1137
01:55:24,020 --> 01:55:25,460
That guy and me insane.

1138
01:55:25,940 --> 01:55:26,940
He's insane.

1139
01:55:27,480 --> 01:55:32,940
Dune Part 2. Gareth John, Richard
King, Ron Bartlett and Doug Hemphill.

1140
01:55:37,360 --> 01:55:41,096
Amelia Perez, Erwan
Kerzinae, Amrit Dovoldere,

1141
01:55:41,098 --> 01:55:45,080
Maxence Dusser, C-Rule
Holtz and Niels Barlettov.

1142
01:55:48,840 --> 01:55:54,900
Wicked, Simon Hayes, Nancy Nugent-Tidal,
Jack Goleman, Andy Nelson and John Marcus.

1143
01:56:00,780 --> 01:56:06,600
The Wild Robot, Randy Tom, Brian
Chumney, Gary A. Rizzo and Leff Lefferts.

1144
01:56:16,490 --> 01:56:19,399
And the Oscar goes to... Dune Part 2.

1145
01:56:19,401 --> 01:56:24,140
Gareth John, Richard King,
Ron Bartlett and Doug Hemphill.

1146
01:56:27,660 --> 01:56:32,220
This is the first Oscar win
and nomination for Gareth John.

1147
01:56:32,780 --> 01:56:36,060
The fifth Oscar win and ninth
nomination for Richard King.

1148
01:56:36,710 --> 01:56:40,480
The second win and fourth
nomination for Ron Bartlett.

1149
01:56:41,000 --> 01:56:45,780
And the third win and eleventh
nomination for Doug Hemphill.

1150
01:56:56,120 --> 01:56:58,500
Wow, thank you so much the Academy.

1151
01:56:59,260 --> 01:57:02,780
And thanks to my amazing
team both here in New Zealand.

1152
01:57:04,260 --> 01:57:06,560
Thanks to everybody at
Legendary and Warner Brothers.

1153
01:57:08,050 --> 01:57:11,980
Our fellow colleague Doug Hemphill
who couldn't make it here tonight.

1154
01:57:12,460 --> 01:57:17,740
Joe Walker and most of all Denis
Villeneuve. Thank you, thank you, thank you.

1155
01:57:20,180 --> 01:57:22,180
Thanks mom and dad.
I know you're watching.

1156
01:57:23,340 --> 01:57:26,000
This goes out to our wives. We love you.

1157
01:57:27,860 --> 01:57:30,840
And Doug Hemphill, my partner
who couldn't be here tonight.

1158
01:57:32,170 --> 01:57:36,026
And if you could all please
together join me in a big round

1159
01:57:36,028 --> 01:57:39,820
of applause for the best
director you could ever work for.

1160
01:57:40,180 --> 01:57:41,180
Mr. Denis Villeneuve.

1161
01:58:06,550 --> 01:58:10,930
Please welcome Rachel
Zegler and Gal Gadot.

1162
01:58:21,950 --> 01:58:26,520
Visual effects push the boundaries
of what we see on screen.

1163
01:58:27,040 --> 01:58:30,100
Their work makes the
impossible seem possible.

1164
01:58:31,050 --> 01:58:34,677
With breathtaking ambition
they create magic that

1165
01:58:34,679 --> 01:58:38,160
wraps its arms around
our wildest imaginations.

1166
01:58:38,720 --> 01:58:41,760
Here are the nominees
for best visual effects.

1167
01:58:43,280 --> 01:58:50,700
Elian Romulus, Eric Barba, Nelson
Sepulveda-Fowzer, Daniel Matheran and Shane Mahan.

1168
01:58:51,620 --> 01:58:57,520
Better Man, Luke Miller, David
Clayton, Keith Hurf and Peter Stubbs.

1169
01:58:59,140 --> 01:59:04,960
Dune Part 2, Paul Lambert, Stephen
James, Rhys Salcom and Gerd Netzer.

1170
01:59:05,960 --> 01:59:09,545
Kingdom of the Planet
of the Apes, Eric Winquist,

1171
01:59:09,547 --> 01:59:13,060
Steven Unterfrans, Paul
Storey and Rodney Burke.

1172
01:59:14,520 --> 01:59:20,080
Wicked, Pablo Hellman, Jonathan
Faulkner, David Sheerk and Paul Korvald.

1173
01:59:27,290 --> 01:59:29,490
And the Oscar goes to...

1174
01:59:31,170 --> 01:59:32,550
Dune Part 2!

1175
01:59:35,930 --> 01:59:43,930
This is the first Oscar win.

1176
01:59:46,910 --> 01:59:50,950
For first time nominees,
Stephen James and Rhys Salcom.

1177
01:59:51,730 --> 01:59:55,290
The third win and third
nomination for Gerd Netzer.

1178
01:59:55,810 --> 01:59:59,830
And the fourth win and fourth
nomination for Paul Lambert.

1179
02:00:14,590 --> 02:00:17,570
Thank you once again to the Academy.

1180
02:00:17,850 --> 02:00:23,890
Thanks to Bryce Parker, Jason Garber, our
amazing cast and crew, all my fellow hatredees.

1181
02:00:24,970 --> 02:00:28,811
Producers, production,
legendary Warner Brothers,

1182
02:00:28,813 --> 02:00:32,970
D-NEG, Wylie Co, Rodeo
Territory, the incredible MPC.

1183
02:00:33,510 --> 02:00:37,110
And of course our visionary
director, Geneville Nerve.

1184
02:00:37,490 --> 02:00:40,856
To my wonderful wife, Mags,
and my two boys, Boston and

1185
02:00:40,858 --> 02:00:44,470
Jackson, who are again sat
up there in the roof. Thank you.

1186
02:00:45,960 --> 02:00:48,199
Thank you to everyone at
D-NEG and all of their families.

1187
02:00:48,630 --> 02:00:50,650
And this is dedicated
to Linda. Thank you.

1188
02:00:53,280 --> 02:00:55,290
Thank you. This is a big honor.

1189
02:01:00,110 --> 02:01:04,153
Danny, thank you. Big thank you to my wife
and my family, my daughter, Jana, my son, Luca,

1190
02:01:04,155 --> 02:01:08,110
my mother, Elke, my father-in-law, Carl,
who brought me into this business 30 years ago.

1191
02:01:09,150 --> 02:01:10,150
What a great evening.

1192
02:01:19,700 --> 02:01:23,540
Still to come, a tribute
to Quincy Jones.

1193
02:01:26,420 --> 02:01:30,495
Then later, a legendary
movie duo reunite here on the

1194
02:01:30,497 --> 02:01:34,420
Oscars from the Dolby
Theatre at Ovation Hollywood.

1195
02:01:38,270 --> 02:01:42,820
So you want to get married to me,
Vanya? You want me to be your little wifey?

1196
02:01:43,860 --> 02:01:46,320
We always wanted
to break stereotypes.

1197
02:01:47,620 --> 02:01:52,060
We wanted to humanize and show that everybody
is just dealing with their own problems.

1198
02:01:52,061 --> 02:01:53,780
Just be a man and talk to me.

1199
02:01:56,820 --> 02:01:59,270
Every audience member will
have their own interpretation of

1200
02:01:59,272 --> 02:02:01,640
things, and I've always wanted
to keep things open-ended.

1201
02:02:12,540 --> 02:02:18,440
Please welcome Oscar nominees,
Ana de Armas and Sterling K. Brown.

1202
02:02:28,260 --> 02:02:32,089
Live-action shorts have become a
playground of experimentation, with

1203
02:02:32,091 --> 02:02:36,260
directors testing creative storytelling
techniques to reach new audiences.

1204
02:02:37,040 --> 02:02:40,239
These films dive headfirst
into life-changing decisions,

1205
02:02:40,241 --> 02:02:43,900
death-defying heroism, and
fundamental questions about humanity.

1206
02:02:44,420 --> 02:02:47,120
Here are the nominees
for live-action short.

1207
02:02:49,020 --> 02:02:53,140
Aileen, Sam Cutler-Kreutz
and David Cutler-Kreutz.

1208
02:02:54,040 --> 02:02:57,820
Anuja, Adam J. Graves
and Suchitra Makai.

1209
02:02:59,930 --> 02:03:03,260
I'm Not A Robot, Victoria
Varmadon and Trent.

1210
02:03:04,700 --> 02:03:07,840
The Last Ranger, Cindy
Lee and Darwin Shaw.

1211
02:03:08,860 --> 02:03:14,040
The Man Who Could Not Remain Silent,
Nebosha Slijepciewicz and Danielle Paik.

1212
02:03:16,470 --> 02:03:18,040
And the Oscar goes to...

1213
02:03:19,630 --> 02:03:20,630
I'm Not A Robot.

1214
02:03:29,280 --> 02:03:34,600
This is the first Oscar win and
nomination for Victoria Varmadon and Trent.

1215
02:03:47,120 --> 02:03:48,160
Okay, 45 seconds.

1216
02:03:49,460 --> 02:03:50,460
Music, music.

1217
02:03:50,960 --> 02:03:54,820
A huge thank you to the
Academy. This is such an honor.

1218
02:03:55,420 --> 02:04:00,380
A huge thank you to our incredible
lead, Ellen Baga. You are out of this world.

1219
02:04:00,970 --> 02:04:02,740
Where is she? Okay.

1220
02:04:04,580 --> 02:04:09,480
To the cast and crew, your heart and
soul is in every frame. This is also yours.

1221
02:04:10,480 --> 02:04:16,360
To our amazing publicist, Mariana Mendez,
the rest of the Joshua Jason PR team,

1222
02:04:16,860 --> 02:04:21,100
my managers, Marc Muyer and
Priya Satyani, the New Yorker,

1223
02:04:22,510 --> 02:04:28,310
Legend Kim Magnussen, to everyone
who supported us, you know who you are.

1224
02:04:29,010 --> 02:04:35,440
To my producer and partner in life, Trent, I'm
not having your babies because of this statue.

1225
02:04:37,140 --> 02:04:40,295
But I remember on set we
were shooting a oner and

1226
02:04:40,297 --> 02:04:43,260
it was walking backwards,
eyes on the monitor,

1227
02:04:44,040 --> 02:04:48,440
and then I felt your hand on your back
because that's you, you always have my back.

1228
02:04:48,965 --> 02:04:52,640
And we level headed Dutch people,
we don't say this often, but I love you.

1229
02:04:54,500 --> 02:04:55,620
Thank you so much.

1230
02:05:06,810 --> 02:05:10,830
Please welcome Oscar
winner, Morgan Freeman.

1231
02:05:24,390 --> 02:05:31,940
Well, this week our community lost a
giant and I lost a dear friend, Gene Hackman.

1232
02:05:41,185 --> 02:05:49,010
I had the pleasure of working alongside Gene
on two films, Unforgiven and Under Suspicion.

1233
02:05:50,940 --> 02:05:58,390
And like everyone who's ever shared a scene
with him, I learned he was a generous performer

1234
02:05:59,560 --> 02:06:03,430
and a man whose gifts
elevated everyone's work.

1235
02:06:06,550 --> 02:06:10,507
He received two Oscars,
but more importantly, he

1236
02:06:10,509 --> 02:06:14,550
won the hearts of film
lovers all over the world.

1237
02:06:16,490 --> 02:06:19,110
Gene always said, I
don't think about legacy.

1238
02:06:20,710 --> 02:06:26,070
I just hope people remember me as
someone who tried to do good work.

1239
02:06:29,750 --> 02:06:33,828
So I think I speak for us
all when I say, Gene, you

1240
02:06:33,830 --> 02:06:37,750
will be remembered for
that and for so much more.

1241
02:06:39,990 --> 02:06:41,450
Rest in peace, my friend.

1242
02:06:55,840 --> 02:07:00,230
That's life, isn't it? Getting
past the unexpected.

1243
02:07:01,870 --> 02:07:08,570
Love is a string. It's
continuous. It doesn't stop.

1244
02:07:09,410 --> 02:07:12,172
Just some little things that we
don't even notice until they're gone.

1245
02:07:39,300 --> 02:07:42,570
Play it again, just like you've
done before. Real sweet.

1246
02:08:25,310 --> 02:08:29,870
I never allow personal despair to
interfere with my professional commitments.

1247
02:08:30,210 --> 02:08:32,190
I am a professional actress.

1248
02:09:08,875 --> 02:09:16,370
Every now and again, for no reason other
than she's so happy with herself, she sighs.

1249
02:09:20,410 --> 02:09:24,230
Do you love me? Do you really love me?

1250
02:09:51,720 --> 02:09:56,560
Every time I say understand, I want the
whole group to say, yes, sir, understand.

1251
02:09:56,910 --> 02:09:58,260
Yes, sir! Understand!

1252
02:10:26,490 --> 02:10:30,010
I was worried about today because
of the dream I told you about.

1253
02:10:36,430 --> 02:10:42,530
This field, this game, is
a part of our past, Ray.

1254
02:10:44,450 --> 02:10:46,990
It reminds us of all that once was good.

1255
02:10:49,010 --> 02:10:52,490
And if we meet again,
we'll let it all smile.

1256
02:10:55,990 --> 02:10:59,690
And if not, then this
parting was well made.

1257
02:11:31,170 --> 02:11:36,530
What I think is so special about the film is
that it really speaks to the journey of artists.

1258
02:11:38,010 --> 02:11:40,470
And it also speaks to
that immigrant experience.

1259
02:11:40,471 --> 02:11:44,710
So much of the movie is about
possessing that which cannot be possessed.

1260
02:11:45,070 --> 02:11:51,010
This patron trying to possess an artist by
collecting not just his work, but collecting him.

1261
02:11:51,690 --> 02:11:56,030
It's really the story of how the
fabric of America has been built.

1262
02:12:05,060 --> 02:12:09,183
To present the Oscar for
cinematography, please welcome Joe Alwyn,

1263
02:12:09,185 --> 02:12:13,060
Alba Rohrwacker, Zoe Saldana,
Dave Bautista, and Willem Dafoe.

1264
02:12:24,715 --> 02:12:27,170
We're honored to present
the award for cinematography.

1265
02:12:27,930 --> 02:12:31,130
Using one medium to
communicate brilliance is a challenge.

1266
02:12:31,710 --> 02:12:34,650
Unless your cinematographer
is Lowell Crawley.

1267
02:12:36,490 --> 02:12:44,490
Lowell, your work on The
Brutalist was one of a kind.

1268
02:12:45,330 --> 02:12:47,470
In many ways, it's a film from the past.

1269
02:12:48,330 --> 02:12:52,353
But it also feels refreshingly relevant,
thanks to your ability to breathe life

1270
02:12:52,355 --> 02:12:56,330
into these images, making them as
raw and striking as the architecture itself.

1271
02:12:57,130 --> 02:12:58,550
Lowell, congratulations.

1272
02:13:05,870 --> 02:13:11,230
Capturing the public and private
life of an icon is not an easy task.

1273
02:13:11,655 --> 02:13:17,930
Especially when it is Maria Callas, the
legendary soprano who redefined opera.

1274
02:13:24,410 --> 02:13:32,410
But the great Ed Luckman made it feel like we
had a front row seat to the opera of her life.

1275
02:13:34,620 --> 02:13:41,570
Ed, you illuminate the many layers of Maria
through a masterful mix of cinematic techniques.

1276
02:13:42,980 --> 02:13:50,980
In doing so, you ensure that her voice resonates
and her legacy will never be forgotten.

1277
02:13:51,850 --> 02:13:52,850
Grazie.

1278
02:13:58,370 --> 02:14:01,870
Paul, I cannot imagine
Amelia Perez without you.

1279
02:14:02,690 --> 02:14:09,630
You found a way to seamlessly switch between the
story's grounded reality and operatic fantasy.

1280
02:14:10,030 --> 02:14:17,130
You created a unifying vision for both the
quieter moments and larger-than-life set pieces.

1281
02:14:17,950 --> 02:14:22,630
You navigated the different tonal shifts
and intricately choreographed sequences.

1282
02:14:23,350 --> 02:14:27,390
I especially admired your
precision and attention to detail.

1283
02:14:27,930 --> 02:14:34,170
It made all of us feel secure, knowing we were
all in the hands of an incredibly gifted artist.

1284
02:14:41,840 --> 02:14:45,427
Greg, you won an Oscar for
Dune, but if the story was going

1285
02:14:45,429 --> 02:14:49,140
to evolve in part two, the
visuals would also have to evolve.

1286
02:14:51,040 --> 02:14:53,931
And you stepped up to the
challenge using your knowledgeable

1287
02:14:53,933 --> 02:14:56,200
and sophisticated eye
to explore new techniques

1288
02:14:57,280 --> 02:15:02,020
and perhaps even more impressive, figuring out
how the hell to film someone riding a sandworm.

1289
02:15:04,070 --> 02:15:06,320
Greg, I'm just in awe
of everything you do.

1290
02:15:12,110 --> 02:15:16,310
Jaron, you shot
Nosferatu like a romance,

1291
02:15:17,450 --> 02:15:21,265
capturing such romantic
images as the naked, rotting

1292
02:15:21,267 --> 02:15:25,450
corpse of an ancient vampire
and a bloody satanic ritual.

1293
02:15:26,435 --> 02:15:32,170
You found beauty in the darkness and creative
ways to reveal the depths of the shadows

1294
02:15:32,620 --> 02:15:39,450
while paying homage to one of cinema's masterpieces,
yet envisioning something completely new.

1295
02:15:48,810 --> 02:15:50,660
And the Oscar goes to...

1296
02:15:52,360 --> 02:15:54,080
The Brutalist, Laul Crowley.

1297
02:16:00,070 --> 02:16:06,490
This is the first Oscar win and
nomination for Laul Crowley.

1298
02:16:53,880 --> 02:16:55,700
Goodness, my time
has started already.

1299
02:16:56,860 --> 02:16:58,720
No glasses, sorry.

1300
02:17:00,400 --> 02:17:02,080
Please, let me get through this.

1301
02:17:02,320 --> 02:17:04,520
I timed it, so give me a moment.

1302
02:17:04,620 --> 02:17:08,080
Thank you to the Academy
voters for the incredible honour,

1303
02:17:08,380 --> 02:17:11,600
fellow nominees for remarkable
contributions to the art of cinematography,

1304
02:17:12,640 --> 02:17:16,400
to my beautiful wife, Annie Martyr,
her wonderful parents, Jo and Nancy,

1305
02:17:16,640 --> 02:17:19,940
to my parents, Peter and
Elaine, my sisters, Heb and Faye,

1306
02:17:20,100 --> 02:17:23,620
and to Louise Anderson, our daughter,
Zoe, all my friends back in Wales.

1307
02:17:24,140 --> 02:17:28,740
Finally, thank you to Brady for trusting
me, allowing me to sail close to the edge

1308
02:17:28,965 --> 02:17:31,300
and offer your hand if I ever fell in.

1309
02:17:31,301 --> 02:17:35,100
Thank you, Brady, for recognising the
richest diamonds are always the hardest to mine,

1310
02:17:35,345 --> 02:17:38,020
and for standing by me
if I ever fail to succeed.

1311
02:17:38,300 --> 02:17:43,180
Thank you, thank you to Cast,
thank you to Adrian, to Guy,

1312
02:17:43,560 --> 02:17:46,180
for listening, everybody, thank
you, and anyone I've forgotten,

1313
02:17:46,765 --> 02:17:49,180
I apologise, but you're all
in my hearts. Thank you.

1314
02:17:54,370 --> 02:18:02,370
Please welcome Oscar
winner, Penelope Cruz.

1315
02:18:15,010 --> 02:18:18,190
Buenas noches. Buenas noches.

1316
02:18:18,920 --> 02:18:24,210
It's an honour to be here to present the
Oscar for Best International Feature Film.

1317
02:18:25,090 --> 02:18:26,090
Here are the nominees.

1318
02:18:28,290 --> 02:18:32,350
From Brazil, I'm Still Here,
directed by Walter Salas.

1319
02:18:34,030 --> 02:18:38,510
From Denmark, The Girl with the
Needle, directed by Magnus Von Schoen.

1320
02:18:39,890 --> 02:18:44,030
From France, Emilia Perez,
directed by Jacques Odier.

1321
02:18:45,310 --> 02:18:50,510
From Germany, The Seed of the Sacred
Feet, directed by Mohamed Rasulov.

1322
02:18:51,530 --> 02:18:55,390
From Latvia, Flow, directed
by Guince Silva-Lovis.

1323
02:19:01,185 --> 02:19:04,060
And the Oscar goes to...

1324
02:19:04,310 --> 02:19:05,820
I'm Still Here, Brazil.

1325
02:19:14,010 --> 02:19:19,930
This is the fifth nomination
and first Oscar win for Brazil.

1326
02:19:49,130 --> 02:19:51,810
Thank you First in the
Name of Brazilian Cinema.

1327
02:19:52,090 --> 02:19:59,170
I'm so honoured to receive this in such
an extraordinary group of filmmakers.

1328
02:20:00,310 --> 02:20:08,310
This goes to a woman who, after a loss,
suffered during an authoritarian regime,

1329
02:20:09,320 --> 02:20:12,570
decided not to bend and to resist.

1330
02:20:12,930 --> 02:20:16,070
So this prize goes to her.
Her name is Onisi Paiva.

1331
02:20:21,090 --> 02:20:27,530
And it goes to the two extraordinary
women who gave life to her.

1332
02:20:28,180 --> 02:20:31,190
Fernanda Torres and
Fernanda Bocinegro.

1333
02:20:35,670 --> 02:20:41,170
Tom Bernard, Michael,
you are the absolute best.

1334
02:20:41,350 --> 02:20:46,690
Thank you so much for this. It's
an extraordinary, extraordinary feat.

1335
02:20:46,910 --> 02:20:47,910
Thank you so much.

1336
02:20:58,860 --> 02:21:07,120
Mark Hamill, then later Whoopi Goldberg and Oprah
Winfrey with a special tribute to Quincy Jones.

1337
02:21:08,120 --> 02:21:14,620
The Academy Museum of Motion Pictures, the
world's largest museum dedicated to moviemaking,

1338
02:21:14,900 --> 02:21:20,120
is thrilled to announce Jaws The
Exhibition, opening September 14th,

1339
02:21:20,640 --> 02:21:22,940
celebrating the film's
50th anniversary.

1340
02:21:23,240 --> 02:21:27,940
Step into the world of this Oscar-winning
classic from director Steven Spielberg,

1341
02:21:28,280 --> 02:21:31,302
featuring over 200
original production objects,

1342
02:21:31,304 --> 02:21:34,520
behind-the-scenes stories
and interactive moments.

1343
02:21:44,490 --> 02:21:48,310
There was something so
powerful about the intent of the film

1344
02:21:48,311 --> 02:21:51,370
and the intent of bringing
the cameras into their bodies

1345
02:21:51,371 --> 02:21:53,470
so that we could see the
world through their eyes.

1346
02:21:55,270 --> 02:22:01,970
To shoot from, not towards, you're just bridging
another gap between audience and character.

1347
02:22:02,490 --> 02:22:03,490
How would you do it?

1348
02:22:03,770 --> 02:22:06,151
See, the trick is not doing what
they know you're going to be.

1349
02:22:15,170 --> 02:22:19,160
Welcome back to the 97th
Long Form Content Awards.

1350
02:22:21,440 --> 02:22:23,260
You know, Anora is having a good night.

1351
02:22:23,700 --> 02:22:24,700
Yeah, that's great.

1352
02:22:25,840 --> 02:22:27,360
Yeah, that's great news.

1353
02:22:27,920 --> 02:22:29,140
Two wins already.

1354
02:22:30,190 --> 02:22:34,240
I guess Americans are excited to see
somebody finally stand up to a powerful Russian.

1355
02:22:44,270 --> 02:22:47,915
Our next presenter's action
figure sells for thousands

1356
02:22:47,990 --> 02:22:50,550
of dollars based on condition,
rarity and authenticity.

1357
02:22:50,980 --> 02:22:51,980
We have the original.

1358
02:22:52,410 --> 02:22:54,030
Please welcome Mark Hamill.

1359
02:23:10,820 --> 02:23:15,060
I suggested they play the theme
from Jaws, but what do I know?

1360
02:23:17,260 --> 02:23:18,800
A great film score is timeless.

1361
02:23:19,580 --> 02:23:24,580
It can immediately help define the characters
and their moods, deepen the emotions of the film

1362
02:23:25,080 --> 02:23:28,040
and stay with us long, long
after we leave the theater.

1363
02:23:28,700 --> 02:23:31,220
Here are the nominees
for Original Score.

1364
02:24:17,400 --> 02:24:26,920
And the Oscar goes to... The
Brutalist, Daniel Bloomberg.

1365
02:24:43,040 --> 02:24:49,160
This is the first Oscar win and
nomination for Daniel Bloomberg.

1366
02:25:14,890 --> 02:25:18,720
Thank you to the Academy and
everyone who watched the film

1367
02:25:18,920 --> 02:25:19,920
and honored the work.

1368
02:25:20,720 --> 02:25:22,700
It means a lot to be
acknowledged like this.

1369
02:25:23,600 --> 02:25:26,580
I've been an artist for 20 years
now, since I was a teenager.

1370
02:25:27,460 --> 02:25:31,200
And when I met Brady, I
found my artistic soulmate.

1371
02:25:32,050 --> 02:25:34,980
For him to trust me in this
work and to grow alongside him

1372
02:25:35,230 --> 02:25:37,100
has been so special.

1373
02:25:37,540 --> 02:25:38,900
Thank you, Brady. I love you.

1374
02:25:43,420 --> 02:25:45,300
I want to thank my collaborators,

1375
02:25:46,160 --> 02:25:47,980
my co-producer, Peter Walsh,

1376
02:25:48,740 --> 02:25:51,480
and the artists who
played on the score.

1377
02:25:52,020 --> 02:25:53,560
The sounds you hear on The Brutalist

1378
02:25:54,060 --> 02:25:56,980
are made by a group of
hardworking, radical musicians

1379
02:25:57,530 --> 02:26:00,520
who've been making
uncompromising music for many years.

1380
02:26:00,740 --> 02:26:04,700
I'm accepting this award
on behalf of them, too.

1381
02:26:06,320 --> 02:26:10,520
Thanks to my family and Stacey
and my manager, Mark, Keith.

1382
02:26:11,470 --> 02:26:12,740
And Mona and Ada.

1383
02:26:13,240 --> 02:26:15,760
And my friends at Cafe Orto.

1384
02:26:28,480 --> 02:26:31,780
Please welcome
two-time Oscar nominee,

1385
02:26:32,100 --> 02:26:34,820
Oprah Winfrey, and Oscar winner,

1386
02:26:35,300 --> 02:26:36,300
Whoopi Goldberg.

1387
02:26:58,620 --> 02:27:02,100
When one hears the name Quincy Jones,

1388
02:27:03,300 --> 02:27:06,420
one's first thought
is musical genius.

1389
02:27:06,920 --> 02:27:08,320
And for good reason.

1390
02:27:09,120 --> 02:27:11,680
Twenty-eight Grammy Awards.

1391
02:27:12,260 --> 02:27:15,820
A ranger and conductor
for legends like

1392
02:27:16,070 --> 02:27:19,760
Frank Sinatra, Ella
Fitzgerald, and Ray Charles.

1393
02:27:20,100 --> 02:27:23,860
And the driving force
behind We Are the World.

1394
02:27:24,620 --> 02:27:27,040
But the man, our beloved Q,

1395
02:27:27,200 --> 02:27:31,680
had an equally powerful
impact on the world of film

1396
02:27:32,230 --> 02:27:34,880
as a composer and producer.

1397
02:27:35,770 --> 02:27:37,460
When we talk about black excellence,

1398
02:27:38,520 --> 02:27:39,663
we're talking about Quincy.

1399
02:27:40,500 --> 02:27:41,800
Okay? Yeah. Yeah.

1400
02:27:42,120 --> 02:27:43,900
You can give it up. You can give it up.

1401
02:27:49,330 --> 02:27:50,610
In 1967,

1402
02:27:51,350 --> 02:27:57,770
Quincy Jones was the first black composer
nominated in the original song category

1403
02:27:58,170 --> 02:28:01,390
for the Eyes of Love
in the film Banning.

1404
02:28:02,590 --> 02:28:04,850
1967 was the first time.

1405
02:28:05,290 --> 02:28:06,410
Just keep that in mind.

1406
02:28:06,990 --> 02:28:09,910
And Quincy was also
nominated that year for

1407
02:28:10,035 --> 02:28:12,810
the original music
score for In Cold Blood.

1408
02:28:13,610 --> 02:28:15,870
He received seven Oscar nominations

1409
02:28:16,020 --> 02:28:19,550
for The Wiz, In Cold
Blood, For Love of Ivy,

1410
02:28:20,250 --> 02:28:22,150
and The Color Purple, which.

1411
02:28:22,930 --> 02:28:24,410
me and Oak were part of.

1412
02:28:28,110 --> 02:28:36,130
Paying tribute to him for all he has meant
to our movie community is why we all honor.

1413
02:28:36,860 --> 02:28:37,970
Q's memory tonight.

1414
02:28:38,670 --> 02:28:40,970
Quincy was love.

1415
02:28:42,050 --> 02:28:44,870
lived out loud in human form

1416
02:28:45,420 --> 02:28:48,891
and he poured that love
into others and into his work.

1417
02:28:49,210 --> 02:28:51,910
My life changed
forever and for the better

1418
02:28:52,310 --> 02:28:53,310
after meeting him.

1419
02:28:53,590 --> 02:28:56,410
He actually discovered
me for The Color Purple

1420
02:28:56,660 --> 02:28:58,350
which was my first film.

1421
02:29:04,430 --> 02:29:05,550
Me too.

1422
02:29:08,030 --> 02:29:12,330
So tonight, we honor
the true American legend

1423
02:29:12,680 --> 02:29:16,290
whose music and movies
continue to inspire us all.

1424
02:29:17,090 --> 02:29:19,310
And now, with a song from The Wiz,

1425
02:29:20,270 --> 02:29:24,670
one that carries the same joy
he brought to the world every day,

1426
02:29:25,030 --> 02:29:28,030
please welcome to the
stage Oscar nominee.

1427
02:29:28,650 --> 02:29:30,550
Queen Latifah!

1428
02:29:48,940 --> 02:29:55,960
Don't you carry nothing that might be alone Come
on, he's on down, he's on down down the road

1429
02:29:55,961 --> 02:30:00,560
Pick your left foot up
when your right foot's down

1430
02:30:00,561 --> 02:30:04,340
Come on, legs keep moving,
don't you lose no ground

1431
02:30:04,341 --> 02:30:08,200
You just keep on keepin'
on the road that you choose

1432
02:30:08,201 --> 02:30:15,400
Don't you give up walkin' cause you gave up shoes
Come on, he's on down, he's on down the road.

1433
02:30:16,600 --> 02:30:19,020
He's on down, he's on down the road.

1434
02:30:19,740 --> 02:30:23,600
Don't you carry nothing
that might be alone.

1435
02:30:25,420 --> 02:30:33,420
Come on, I am the steps you're takin'

1436
02:30:33,580 --> 02:30:39,100
Leave you three more steps behind But the
road you're walkin' might be long sometimes

1437
02:30:39,101 --> 02:30:46,220
You just keep on steppin' and you'll be just
fine now He's on down, he's on down the road

1438
02:30:46,221 --> 02:30:54,620
He's on down, he's on down the road
Don't you carry nothing that might be alone

1439
02:30:54,621 --> 02:30:57,800
Come on, he's on down,
he's on down down the road.

1440
02:31:06,460 --> 02:31:12,060
You wish you wasn't born And you wake one
mornin' just to find that your courage's gone

1441
02:31:12,061 --> 02:31:15,900
But you know that feeling
only lasts a little while

1442
02:31:15,901 --> 02:31:23,440
You just stick with us and we'll show you how to
smile, yeah Get him up, on down, come on y'all

1443
02:31:23,441 --> 02:31:30,420
Get him up, coming down down down
up Get him up, get him up, get him up

1444
02:31:30,421 --> 02:31:36,540
He's on down, get him
up He's on down the road.

1445
02:32:04,320 --> 02:32:12,320
He's on down, he's on down down the road

1446
02:32:12,321 --> 02:32:16,820
Still to come, the awards for
Best Director and Best Actor

1447
02:32:17,400 --> 02:32:22,640
Only at the Oscars here
on ABC He's on down.

1448
02:32:38,370 --> 02:32:42,670
Each character, they're
all fallible and all human

1449
02:32:42,671 --> 02:32:46,750
I wanted to watch these characters
and understand all their thoughts

1450
02:32:47,150 --> 02:32:49,630
Behind the eyes, express it silently.

1451
02:32:50,280 --> 02:32:52,230
Portray an inner turmoil

1452
02:32:52,830 --> 02:32:56,610
Doubt can be hindering
Doubt is problematic

1453
02:32:56,611 --> 02:32:59,610
There can also be an
incredible source for strength.

1454
02:33:00,490 --> 02:33:04,770
If there was only certainty,
there would be no mystery.

1455
02:33:05,750 --> 02:33:08,350
And therefore no need for faith.

1456
02:33:17,660 --> 02:33:22,100
If you're still enjoying the show, you have
something called Stockholm Syndrome.

1457
02:33:28,000 --> 02:33:32,520
He has my exact same genetic makeup,
yet somehow he turned out handsome

1458
02:33:33,020 --> 02:33:35,080
Please welcome Oscar
winner Cillian Murphy.

1459
02:33:52,670 --> 02:33:56,860
Preparing for a leading role
involves becoming a detective of sorts.

1460
02:33:57,510 --> 02:33:59,870
You gather as many clues,
as many details, as many

1461
02:33:59,872 --> 02:34:05,840
nuggets as you possibly can about your character
Then you use as little or as much as necessary.

1462
02:34:06,590 --> 02:34:08,884
Along the way, there
are so many difficult and

1463
02:34:08,886 --> 02:34:11,780
instinctual choices about
what to keep and what to discard

1464
02:34:12,350 --> 02:34:15,960
And that's just one tiny part of what
it takes to bring a character to life.

1465
02:34:16,910 --> 02:34:20,540
I think I speak for all of us who marvel at
the performances of these five nominees

1466
02:34:20,541 --> 02:34:25,440
For best actor, at every turn,
they made the right choice.

1467
02:34:27,080 --> 02:34:30,528
Adrien Brody, the brutalist Howdy!

1468
02:34:30,529 --> 02:34:34,720
Arturo's Catholic wife
does not want us here!

1469
02:34:35,920 --> 02:34:37,300
She does not want us here!

1470
02:34:38,540 --> 02:34:43,470
We are nothing.

1471
02:34:46,090 --> 02:34:48,610
Timothée Chalamet,
a complete unknown

1472
02:34:49,030 --> 02:34:51,887
It's a school trip, it's required
I already said that three

1473
02:34:51,888 --> 02:34:56,911
times It's only twelve weeks God
made the world in six days So?

1474
02:34:57,075 --> 02:34:58,690
So twelve weeks is a lot longer

1475
02:34:59,240 --> 02:35:01,431
What am I supposed to do
with the extra sixty-five days?

1476
02:35:01,590 --> 02:35:02,590
Are you God, Bob?

1477
02:35:03,050 --> 02:35:04,431
How many times do I have to say this?

1478
02:35:05,930 --> 02:35:06,930
Yes!

1479
02:35:08,010 --> 02:35:12,790
Colman Domingo, Sing Sing No, no,
no, no, I'm just waiting for the new doctor.

1480
02:35:13,810 --> 02:35:15,150
No, just waiting.

1481
02:35:22,195 --> 02:35:23,243
I'm afraid to see you, Mom.

1482
02:35:27,950 --> 02:35:29,240
I'm afraid to see you.

1483
02:35:30,040 --> 02:35:35,800
Ray Fines, Conclave What is
the off of you, Secretary of State?

1484
02:35:38,620 --> 02:35:42,140
Five times I cast my vote for you, Aldo.

1485
02:35:43,700 --> 02:35:44,700
But I was wrong.

1486
02:35:46,430 --> 02:35:48,540
You lack the courage
required to be Pope.

1487
02:35:49,780 --> 02:35:51,820
Sebastian Stan, The Apprentice

1488
02:35:52,140 --> 02:35:58,580
My three rules of winning Rule one, the
world is a mess Okay, the world is a mess, Tony.

1489
02:36:00,050 --> 02:36:02,500
You have to fight back You
have to have a tough skin

1490
02:36:02,980 --> 02:36:04,400
Attack, attack, attack

1491
02:36:04,600 --> 02:36:10,260
If somebody comes after you with a
knife You shoot him back with a bazooka.

1492
02:36:17,610 --> 02:36:18,820
And the Oscar goes to...

1493
02:36:20,800 --> 02:36:21,800
Adrian Brody.

1494
02:36:26,460 --> 02:36:31,980
This is the second Oscar win and
second nomination for Adrian Brody

1495
02:36:31,981 --> 02:36:38,000
He took home his first Oscar in this
category for his role in The Pianist.

1496
02:37:16,140 --> 02:37:19,960
They're already counting me
down, okay Thank you, God.

1497
02:37:20,820 --> 02:37:24,260
Thank you for this blessed life.

1498
02:37:26,640 --> 02:37:30,320
If I may just humbly
begin by giving thanks for.

1499
02:37:31,400 --> 02:37:37,450
the tremendous outpouring of
love that I've felt from this world

1500
02:37:38,100 --> 02:37:43,900
and every individual that has treated
me with respect and appreciation.

1501
02:37:45,260 --> 02:37:47,440
I feel so fortunate.

1502
02:37:52,360 --> 02:37:56,520
You know, acting is a
very fragile profession.

1503
02:37:57,500 --> 02:37:58,500
It looks very glamorous

1504
02:37:59,100 --> 02:38:01,260
and in certain moments it is, but.

1505
02:38:02,550 --> 02:38:06,060
the one thing that I've gained
having the privilege to come back here

1506
02:38:06,360 --> 02:38:08,020
is to have some perspective.

1507
02:38:10,930 --> 02:38:12,680
and no matter where
you are in your career

1508
02:38:13,080 --> 02:38:14,557
no matter what you've accomplished.

1509
02:38:17,770 --> 02:38:18,800
it can all go away.

1510
02:38:20,480 --> 02:38:25,880
and I think what makes this night
most special is the awareness of that.

1511
02:38:27,340 --> 02:38:32,080
and the gratitude that I have
to still do the work that I love.

1512
02:38:42,285 --> 02:38:46,020
Winning an award like
this signifies a destination

1513
02:38:46,022 --> 02:38:49,760
and something my character
references in the film.

1514
02:38:56,180 --> 02:39:03,180
But to me it also, beyond the pinnacle
of a career, it is a chance to begin again.

1515
02:39:04,820 --> 02:39:11,820
And the opportunity to hopefully be fortunate
enough for the next 20 years of my life

1516
02:39:12,145 --> 02:39:17,800
that I can prove that I am worthy of such
meaningful and important and relevant roles.

1517
02:39:20,330 --> 02:39:27,100
I share this with my fellow nominees
who are just wonderful human beings

1518
02:39:27,250 --> 02:39:34,660
who exude grace and goodness
and brilliance with their work.

1519
02:39:36,750 --> 02:39:40,800
There are so many people to thank. I
will really try and be as brief as possible.

1520
02:39:42,890 --> 02:39:48,260
I thank, of course, my team, Andrew
Sulis and my many friends at CAA.

1521
02:39:51,880 --> 02:39:59,780
and Lindsay Gallin and Heather, 2PM sharp and
A24 and Focus and Universal for believing in us.

1522
02:40:01,630 --> 02:40:07,620
And Brady and Mona, for what
you've done for independent film

1523
02:40:08,420 --> 02:40:14,380
and for your beautiful spirit and for giving
me space to exist in this triumph of a work.

1524
02:40:15,380 --> 02:40:22,680
And my fellow cast, Guy and
Felicity, you're just brilliant and lovely.

1525
02:40:23,560 --> 02:40:29,670
And I share this with you. I share
this with my amazing partner Georgina

1526
02:40:30,080 --> 02:40:37,400
who has not only reinvigorated my own
self-worth but my sense of value and my values

1527
02:40:38,550 --> 02:40:40,880
and her beautiful
children, Dash and India.

1528
02:40:42,200 --> 02:40:48,160
I know it's been a rollercoaster but
thank you for accepting me into your life.

1529
02:40:50,320 --> 02:40:51,940
And Popsie's coming home a winner.

1530
02:40:56,795 --> 02:41:02,400
And who else? And Judy
Becker, the real, the real Oslo Toth.

1531
02:41:04,040 --> 02:41:06,780
Who deserves to be up here as well.

1532
02:41:07,900 --> 02:41:10,740
And I'm wrapping up, please,
please, please, I'm wrapping up.

1533
02:41:10,741 --> 02:41:14,820
I will wrap up, please turn the music
off. I've done this before, thank you.

1534
02:41:16,540 --> 02:41:20,880
It's not my first rodeo but I will be
brief, I will not be egregious, I promise.

1535
02:41:22,340 --> 02:41:30,340
You know, I am oddly, I have to thank
my mom and dad who are here as well.

1536
02:41:34,205 --> 02:41:39,680
And they've given me, they've just created
just such a strong foundation of respect

1537
02:41:40,430 --> 02:41:46,080
and of kindness and a wonderful
spirit and they've given me,

1538
02:41:47,390 --> 02:41:49,740
they've given me the
strength to pursue this dream.

1539
02:41:54,390 --> 02:42:02,140
I'm here once again to
represent the lingering traumas

1540
02:42:02,340 --> 02:42:06,960
and the repercussions of
war and systematic oppression

1541
02:42:07,960 --> 02:42:14,780
and of anti-Semitism
and racism and of othering.

1542
02:42:15,480 --> 02:42:22,760
And I believe that I pray for a healthier
and a happier and a more inclusive world.

1543
02:42:23,400 --> 02:42:29,760
And I believe if the past can teach us anything,
it's a reminder to not let hate go unchecked.

1544
02:42:40,840 --> 02:42:44,580
Okay, I'll get out of here. I
love you, I appreciate you all.

1545
02:42:46,040 --> 02:42:49,220
Let's fight for what's right. Keep
smiling, keep loving one another.

1546
02:42:50,460 --> 02:42:52,740
Let's rebuild together. Thank you.

1547
02:43:07,770 --> 02:43:08,770
Love you too.

1548
02:43:10,490 --> 02:43:14,450
I don't have a joke here because this is
one of my favorite filmmakers of all time.

1549
02:43:14,630 --> 02:43:18,730
Please welcome two-time
Oscar winner Quentin Tarantino.

1550
02:43:31,740 --> 02:43:32,940
Hello everybody.

1551
02:43:36,280 --> 02:43:41,060
Great directors don't just call
the shots. They make them count.

1552
02:43:41,880 --> 02:43:46,360
Now these five filmmakers know
exactly what they want and how to get it

1553
02:43:46,610 --> 02:43:49,260
and who to bring along for the ride.

1554
02:43:49,980 --> 02:43:52,480
So let's take a look at
this year's nominees.

1555
02:44:06,820 --> 02:44:09,580
Jacques Oudia, Emilia Pérez.

1556
02:44:11,180 --> 02:44:13,100
Oralee Farjah, The Substance.

1557
02:44:18,970 --> 02:44:22,170
And the Oscar goes to...

1558
02:44:25,660 --> 02:44:27,010
Anora Sean Baker!

1559
02:44:33,320 --> 02:44:37,700
This is the third Oscar
win for Sean Baker.

1560
02:44:54,730 --> 02:44:56,290
Wow, okay.

1561
02:44:57,370 --> 02:45:01,910
Quentin, if you didn't cast Mikey Madison
in Once Upon a Time, there will be no Anora.

1562
02:45:02,190 --> 02:45:05,330
Thank you, thank you so
much for all your incredible work.

1563
02:45:06,450 --> 02:45:08,887
Guys, I'm going to take
this time up here really

1564
02:45:08,889 --> 02:45:11,430
quick to read something
I'm very passionate about.

1565
02:45:11,550 --> 02:45:14,330
Well, first off, thank you to the
Academy. This means so much.

1566
02:45:14,810 --> 02:45:17,083
Thank you to my fellow
nominees. Your films are incredible

1567
02:45:17,085 --> 02:45:19,046
and it's an honor to be
in this category with you.

1568
02:45:19,050 --> 02:45:20,098
I'm going to put this down.

1569
02:45:22,140 --> 02:45:25,770
So we're all here tonight and watching
this broadcast because we love movies.

1570
02:45:26,590 --> 02:45:29,750
Where did we fall in love with
the movies? At the movie theater.

1571
02:45:31,690 --> 02:45:36,910
Watching a film in the theater
with an audience is an experience.

1572
02:45:37,110 --> 02:45:39,299
We can laugh together,
cry together, scream in fright

1573
02:45:39,301 --> 02:45:41,491
together, perhaps sit in
devastated silence together.

1574
02:45:41,670 --> 02:45:46,570
And in a time in which the world can feel
very divided, this is more important than ever.

1575
02:45:46,690 --> 02:45:49,450
It's a communal experience
you simply don't get at home.

1576
02:45:49,970 --> 02:45:52,530
And right now, the theater-going
experience is under threat.

1577
02:45:52,930 --> 02:45:56,000
Movie theaters, especially
independently owned theaters,

1578
02:45:56,002 --> 02:45:58,690
are struggling and it's
up to us to support them.

1579
02:45:59,030 --> 02:46:02,268
During the pandemic, we
lost nearly 1,000 screens

1580
02:46:02,270 --> 02:46:05,510
in the US and we continue
to lose them regularly.

1581
02:46:06,070 --> 02:46:09,430
If we don't reverse this trend, we'll
be losing a vital part of our culture.

1582
02:46:09,930 --> 02:46:14,070
This is my battle cry. Filmmakers,
keep making films for the big screen.

1583
02:46:14,230 --> 02:46:15,230
I know I will.

1584
02:46:20,650 --> 02:46:25,090
Distributors, please focus first and foremost
on the theatrical releases of your films.

1585
02:46:26,090 --> 02:46:28,590
Neon did that for me and I thank
you from the bottom of my heart.

1586
02:46:29,970 --> 02:46:34,290
Parents, introduce your children
to feature films in movie theaters

1587
02:46:34,291 --> 02:46:37,370
and you'll be molding the next
generation of movie lovers and filmmakers.

1588
02:46:37,830 --> 02:46:41,590
And for all of us, when we can,
please watch movies in the theater

1589
02:46:41,591 --> 02:46:44,730
and let's keep the great tradition of the
movie-going experience alive and well.

1590
02:46:44,731 --> 02:46:48,830
And one last thing, my mother
introduced me to cinema at five years old.

1591
02:46:49,920 --> 02:46:51,710
Today is also her birthday.

1592
02:46:52,830 --> 02:46:56,090
Happy birthday, Mom. I love
you. Thank you for everything.

1593
02:46:57,210 --> 02:46:58,370
And this is for you.

1594
02:47:10,890 --> 02:47:16,330
The Oscars for Best Actress
and Best Picture, here on ABC.

1595
02:47:25,530 --> 02:47:30,570
Please welcome two-time
Oscar winner, Emma Stone.

1596
02:47:42,740 --> 02:47:48,290
These five women dazzled us with their
brilliance, gifted us with their vulnerability,

1597
02:47:48,990 --> 02:47:52,290
and held us utterly captive
from the first frame to the last.

1598
02:47:52,940 --> 02:47:57,610
This is the power of their work,
the kind that lingers, haunts, heals,

1599
02:47:58,140 --> 02:48:01,750
and reminds us why great
performances aren't just seen, but felt.

1600
02:48:02,850 --> 02:48:05,410
Here are the nominees for
Best Actress in a Leading Role.

1601
02:48:26,050 --> 02:48:28,820
I don't know what you're
trying to do with me.

1602
02:48:33,080 --> 02:48:34,460
I can't believe it.

1603
02:48:38,360 --> 02:48:40,220
Jealousy is the disease, remember?

1604
02:48:46,530 --> 02:48:48,050
Demi Moore, The Substance.

1605
02:48:49,150 --> 02:48:53,430
Say it. Tell them who your
little beauty secret is, I guess.

1606
02:48:53,790 --> 02:48:57,130
Why don't we just show them right
here? Here's your little beauty secret.

1607
02:48:58,310 --> 02:49:00,670
Fernanda Torres, I'm Still Here.

1608
02:49:17,240 --> 02:49:22,401
And the Oscar goes
to... Mikey Madison.

1609
02:49:31,590 --> 02:49:37,850
This is the first Oscar win and
nomination for Mikey Madison.

1610
02:50:11,860 --> 02:50:14,230
Wow, this is very surreal.

1611
02:50:16,850 --> 02:50:20,210
Forgive me, I'm nervous, I'm
going to read off of a paper,

1612
02:50:20,490 --> 02:50:23,590
but thank you so much to the Academy.

1613
02:50:24,540 --> 02:50:29,050
I grew up in Los Angeles, but
Hollywood always felt so far away from me,

1614
02:50:29,051 --> 02:50:34,290
so to be here standing in this
room today is really incredible.

1615
02:50:35,090 --> 02:50:38,010
Thank you, Neon
Film Nation Universal.

1616
02:50:38,660 --> 02:50:43,310
Thank you to my incredible family,
my mom and my dad and my sister

1617
02:50:43,311 --> 02:50:46,130
and my little brother and
my twin brother, Miles.

1618
02:50:46,230 --> 02:50:49,450
Thank you for being my best
friend, not that you have a choice.

1619
02:50:51,070 --> 02:50:54,870
Thank you, Sean Baker, Sammy
Kwan, Alex Coco, Drew Daniels,

1620
02:50:55,220 --> 02:50:57,410
Yura, Mark, Vache, Karen.

1621
02:50:57,910 --> 02:51:01,890
Thank you, Ann Woodward,
Rachel Arlick, Nicki Firavante,

1622
02:51:02,470 --> 02:51:05,030
Rich, Dean, Dan, Don, Fareed Ward.

1623
02:51:05,750 --> 02:51:12,950
Thank you, Brighton Beach, for lending us your
beautiful backdrop and incredible community.

1624
02:51:14,090 --> 02:51:16,150
Also, thank you to Kennedy Schneider.

1625
02:51:16,670 --> 02:51:19,550
Thank you to our
incredible consultants.

1626
02:51:19,551 --> 02:51:24,810
I also just want to again recognize
and honor the sex worker community.

1627
02:51:25,830 --> 02:51:31,830
I will continue to
support and be an ally.

1628
02:51:32,350 --> 02:51:34,955
All of the incredible
people, the women that I've

1629
02:51:34,957 --> 02:51:37,510
had the privilege of
meeting from that community

1630
02:51:37,511 --> 02:51:42,410
has been one of the highlights of
this entire incredible experience.

1631
02:51:43,530 --> 02:51:46,894
I also just want to recognize
the thoughtful, intelligent,

1632
02:51:46,895 --> 02:51:50,550
beautiful, breathtaking
work of my fellow nominees.

1633
02:51:51,220 --> 02:51:54,230
I'm honored to be recognized
alongside all of you.

1634
02:51:54,570 --> 02:51:58,510
This is a dream come true. I'm
probably going to wake up tomorrow.

1635
02:52:00,195 --> 02:52:02,690
Thank you so much, Sean. I adore you.

1636
02:52:02,910 --> 02:52:06,270
This is all because of you. Thank you.

1637
02:52:24,540 --> 02:52:30,080
To present tonight's final award,
it's when Harry reunited with Sally.

1638
02:52:30,230 --> 02:52:36,280
Please welcome Meg Ryan and
the best Oscar host ever, Billy Crystal.

1639
02:52:48,720 --> 02:52:56,720
Thank you, thank you, thank you.

1640
02:52:56,721 --> 02:52:57,721
Thank you.

1641
02:52:58,420 --> 02:53:02,600
So we are here to present
the award for best picture.

1642
02:53:03,590 --> 02:53:06,380
And it's great to be back because,
you know, I used to work here.

1643
02:53:06,740 --> 02:53:07,740
You did?

1644
02:53:08,360 --> 02:53:09,940
When was the first time?

1645
02:53:10,720 --> 02:53:11,880
Nine tuxedos ago.

1646
02:53:12,160 --> 02:53:12,360
Okay.

1647
02:53:12,720 --> 02:53:16,680
Actually, my first time hosting
it was 35 years ago this month.

1648
02:53:17,680 --> 02:53:19,140
Yeah, I know. It's weird.

1649
02:53:21,140 --> 02:53:24,080
It's weird because on
my IMDb page, I'm 47.

1650
02:53:24,420 --> 02:53:25,420
So this is pretty great.

1651
02:53:25,600 --> 02:53:27,140
Well, that's a lot of numbers, Bill.

1652
02:53:28,520 --> 02:53:29,780
So let's just cut to the chase.

1653
02:53:29,960 --> 02:53:30,300
You're right.

1654
02:53:30,640 --> 02:53:33,640
Because when you have a chance to
be an Oscar winner for the rest of your life,

1655
02:53:33,800 --> 02:53:36,086
you want the rest of your life
to start as soon as possible.

1656
02:53:40,140 --> 02:53:42,480
So here are the nominees.

1657
02:53:42,900 --> 02:53:45,360
Here are the ten
nominees for best picture.

1658
02:53:47,685 --> 02:53:51,740
Anora, Alex Coco, Samantha
Kwan and Sean Baker.

1659
02:53:53,680 --> 02:53:59,940
The Brutalist, Nick Gordon, Brian Young, Andrew
Morrison, DJ Guggenheim and Brady Courbet.

1660
02:54:02,540 --> 02:54:07,240
A Complete Unknown, Fred Berger,
James Mangold and Alex Heinemann.

1661
02:54:09,460 --> 02:54:14,000
Conclave, Tessa Ross, Juliette
Howell and Michael A. Jackman.

1662
02:54:15,740 --> 02:54:21,520
Doom, Part 2, Mary Parent, Kale Beuter,
Tanya LaPointe and Denis Villeneuve.

1663
02:54:24,280 --> 02:54:27,920
Emilia Perez, Kaskal
Koshtu and Jacques Odiar.

1664
02:54:29,720 --> 02:54:34,360
I'm Still Here, Maria Carlota
Bruno and Rodrigo Teixeira.

1665
02:54:36,280 --> 02:54:41,220
Nickel Boys, Devi Gardner,
Jeremy Kleiner and Jocelyn Barnes.

1666
02:54:43,000 --> 02:54:47,760
The Substance, Coralee Fargeat
and Tim Bevan and Eric Fellner.

1667
02:54:49,760 --> 02:54:51,800
Wicked, Mark Platt.

1668
02:54:59,990 --> 02:55:01,280
And the Oscar goes to...

1669
02:55:03,860 --> 02:55:05,400
Are they playing us off?

1670
02:55:05,660 --> 02:55:06,166
No.

1671
02:55:06,640 --> 02:55:07,640
Well, maybe.

1672
02:55:07,940 --> 02:55:08,960
Oh, Anora.

1673
02:55:17,560 --> 02:55:23,400
Nominated for six Academy Awards,
Anora has won five Oscars tonight.

1674
02:55:24,700 --> 02:55:32,700
Four Original Screenplay, Film Editing, Directing,
Actress in a Leading Role and Best Picture.

1675
02:55:48,120 --> 02:55:49,280
Oh wow, okay.

1676
02:55:50,340 --> 02:55:53,080
Thank you guys so much.
Thank you to the Academy.

1677
02:55:53,081 --> 02:55:56,269
We made this movie for six
million dollars, shooting all

1678
02:55:56,271 --> 02:55:59,460
on location in New York City
with about 40 crew members.

1679
02:56:00,240 --> 02:56:03,280
They're all back in New York. This
is for you guys. Thank you so much.

1680
02:56:03,580 --> 02:56:06,272
We made this movie
independently. If you're trying to make

1681
02:56:06,274 --> 02:56:09,480
independent films, please keep
doing it. We need more. This is proof.

1682
02:56:10,780 --> 02:56:13,125
I just want to thank Tom Quinn and Neon.

1683
02:56:13,127 --> 02:56:16,900
I want to thank Glenn Basler
and Film Nation, Focus Universal.

1684
02:56:17,680 --> 02:56:20,653
I also want to thank my parents
who are here tonight and my sisters.

1685
02:56:20,655 --> 02:56:22,240
They've supported me this whole way.

1686
02:56:23,080 --> 02:56:26,467
And especially my wife, Erin, who
worked on the film. She didn't want

1687
02:56:26,469 --> 02:56:29,760
to get up here, but she knows
that I would not be here without her.

1688
02:56:29,880 --> 02:56:32,563
And we welcomed the
child, a son, in October.

1689
02:56:32,565 --> 02:56:36,300
The same week that we released
Anora. So, Win, this is for you.

1690
02:56:39,100 --> 02:56:43,098
Hi, I don't know how this
can be real life. This is really

1691
02:56:43,100 --> 02:56:47,100
an incredible, impossible
journey for the past ten months.

1692
02:56:47,554 --> 02:56:53,866
And honestly, I'd like to thank my mom,
my dad, and my sister Jojo, to our small but

1693
02:56:53,868 --> 02:56:57,820
mighty crew, and our ridiculously talented
cast, led by the amazing Mikey Madison.

1694
02:56:58,280 --> 02:57:01,123
We made this very little
money, but all of our hearts to

1695
02:57:01,125 --> 02:57:03,920
all of the dreamers and the
young filmmakers out there.

1696
02:57:04,110 --> 02:57:07,722
Tell the stories you want to tell.
Tell the stories that move you.

1697
02:57:07,724 --> 02:57:09,940
I promise you, you
will never regret it.

1698
02:57:12,740 --> 02:57:17,380
One last thing. I want to thank the Academy
for recognizing a truly independent film.

1699
02:57:17,605 --> 02:57:19,844
This film was made on the
blood, sweat, and tears of

1700
02:57:19,849 --> 02:57:24,640
incredible indie artists and
a long-lived independent film.

1701
02:57:24,960 --> 02:57:26,100
Yeah, okay. Thanks.

1702
02:57:40,020 --> 02:57:41,220
Take it easy!

1703
03:00:53,040 --> 03:00:56,123
All eligible Academy members
participate in Oscars voting.

1704
03:00:56,125 --> 03:00:59,520
Best picture nominations are
determined by all eligible members.

1705
03:00:59,780 --> 03:01:02,779
In other categories, the nominations
are determined by members of a

1706
03:01:02,781 --> 03:01:06,140
specific branch or voters who meet
the category's eligibility requirements.

1707
03:01:06,141 --> 03:01:08,978
All rounds of Oscars voting
are done by a secret ballot that is

1708
03:01:08,980 --> 03:01:12,180
tabulated by the independent accounting
firm of PricewaterhouseCoopers.

1709
03:01:12,440 --> 03:01:15,059
The results of the final round of
secret voting are known only to

1710
03:01:15,061 --> 03:01:17,964
PricewaterhouseCoopers until the
sealed envelopes are opened on the air.