1 00:00:05,980 --> 00:00:36,661 Subtitles by MemoryOnSmells http://UKsubtitles.ru. 2 00:00:55,000 --> 00:00:59,000 Clemence! What a delight it is to see you again! 3 00:00:59,000 --> 00:01:03,000 My darling Moray! Paris misses you so much. 4 00:01:03,000 --> 00:01:07,000 Le Bon Marche is a dismal place without your handsome face. 5 00:01:23,000 --> 00:01:27,000 No-one flatters me as you do, Mademoiselle. 6 00:01:27,000 --> 00:01:30,000 My darling, I intend to tempt you. 7 00:01:30,000 --> 00:01:33,000 You will let me seduce you, won't you? 8 00:01:33,000 --> 00:01:35,000 Did I ever deny you, Clemence? 9 00:01:35,000 --> 00:01:37,000 What did she say to him? 10 00:01:37,000 --> 00:01:42,000 Don't know. Whatever it was, I wish she was saying it to me! 11 00:01:47,000 --> 00:01:49,000 Excuse me. 12 00:01:56,000 --> 00:01:59,000 Until now, who could afford such extravagance? 13 00:01:59,000 --> 00:02:01,000 Only the wealthy. 14 00:02:01,000 --> 00:02:06,000 I always feel that fun is wasted on the rich, don't you? 15 00:02:06,000 --> 00:02:08,000 There's enough pleasures in life to go around, I hope. 16 00:02:08,000 --> 00:02:10,000 I hope so too. 17 00:02:16,000 --> 00:02:19,000 We have found a way to make my beautiful creations 18 00:02:19,000 --> 00:02:21,000 so that anyone can afford them. 19 00:02:21,000 --> 00:02:23,000 And you want us to offer them in The Paradise? 20 00:02:23,000 --> 00:02:25,000 Oh, you disappoint me, darling! 21 00:02:25,000 --> 00:02:29,000 Where is the Moray who cast his spell over Paris? 22 00:02:29,000 --> 00:02:31,000 Not offer them, no. Sell them. 23 00:02:31,000 --> 00:02:33,000 Sell lots of them. 24 00:02:33,000 --> 00:02:36,000 Clemence, if you make the fireworks cheaply... 25 00:02:36,000 --> 00:02:39,000 Oh, please, let us not waste our lives talking. 26 00:02:39,000 --> 00:02:44,000 I will show you. Tonight. Darling, we will light up the skies. 27 00:02:46,000 --> 00:02:48,000 So, did he write about her in his letters, then? 28 00:02:48,000 --> 00:02:51,000 No. No, he didn't. 29 00:02:51,000 --> 00:02:56,000 Well, you'd think he would. If I met someone like her, I would. 30 00:02:56,000 --> 00:03:01,000 So, whose going to get Miss Audrey's job, then? 31 00:03:01,000 --> 00:03:04,000 I am not departed quite yet, Myrtle. 32 00:03:04,000 --> 00:03:07,000 I'm only saying, Miss Audrey. Since you're to marry, 33 00:03:07,000 --> 00:03:10,000 they'll be wanting someone for your position. 34 00:03:10,000 --> 00:03:13,000 I have to say, it is all rather sudden. 35 00:03:13,000 --> 00:03:17,000 You don't "have to say," Myrtle, you choose to say. 36 00:03:17,000 --> 00:03:19,000 And I would contend that 23 years of courtship 37 00:03:19,000 --> 00:03:21,000 has a certain decorum to it. 38 00:03:21,000 --> 00:03:25,000 I wouldn't know! Twenty-three minutes' wooing is slow for me! 39 00:03:28,000 --> 00:03:30,000 We're very pleased for you, Miss Audrey. 40 00:03:30,000 --> 00:03:33,000 You'll have to plan the wedding. And the honeymoon. 41 00:03:33,000 --> 00:03:36,000 That all takes time. You're not getting married right away, like. 42 00:03:36,000 --> 00:03:38,000 So, you're not leaving us just yet. 43 00:03:38,000 --> 00:03:42,000 Yes. Well. We shall see. 44 00:03:42,000 --> 00:03:45,000 If I was getting married, I wouldn't be wearing a face like THAT. 45 00:03:47,000 --> 00:03:50,000 Well, it does make you wonder, doesn't it? 46 00:03:50,000 --> 00:03:53,000 Who WILL be Head of Ladieswear? 47 00:04:21,000 --> 00:04:24,000 Ma'am, may I ask... were you thinking.....? 48 00:04:24,000 --> 00:04:27,000 Will you be marrying soon? 49 00:04:27,000 --> 00:04:31,000 How many years have I considered? 50 00:04:31,000 --> 00:04:34,000 If I marry, I will lose my position. 51 00:04:34,000 --> 00:04:36,000 If I hold on to my employment, 52 00:04:36,000 --> 00:04:38,000 I will never know the joys of marriage. 53 00:04:38,000 --> 00:04:42,000 I deliberate and ruminate and I'm frozen with indecision. 54 00:04:42,000 --> 00:04:46,000 So...the only way is for me to leap. 55 00:04:46,000 --> 00:04:47,000 Leap? 56 00:04:47,000 --> 00:04:51,000 If I dither, I will die a spinster. I have some savings. 57 00:04:51,000 --> 00:04:55,000 A cottage that my brother left to me by the sea. 58 00:04:55,000 --> 00:04:58,000 I have told Mr Moray that I am leaving. 59 00:04:58,000 --> 00:05:01,000 Marrying. 60 00:05:01,000 --> 00:05:05,000 Leaving. 61 00:05:05,000 --> 00:05:08,000 Bonjour, Mademoiselle. 62 00:05:12,000 --> 00:05:15,000 Oh, I do so love the long trains. 63 00:05:15,000 --> 00:05:18,000 And the cut, what it does for a woman's body! 64 00:05:18,000 --> 00:05:20,000 Is there anything more feminine? 65 00:05:20,000 --> 00:05:21,000 Tell me what you think, Clara. 66 00:05:21,000 --> 00:05:25,000 The pleated ruffles do give a soft influence, Ma'am. 67 00:05:25,000 --> 00:05:28,000 Oh. Please. I know how you English do so prefer your deference, 68 00:05:28,000 --> 00:05:31,000 but you must call me Clemence. 69 00:05:31,000 --> 00:05:35,000 Bows, buttons, and braids. Why do we love them so much? 70 00:05:35,000 --> 00:05:38,000 Is it because they draw the eye? 71 00:05:38,000 --> 00:05:42,000 I think that every decision we make is guided, no, 72 00:05:42,000 --> 00:05:44,000 determined by passion. 73 00:05:44,000 --> 00:05:49,000 Sexual passion. What do you think, girls? 74 00:05:49,000 --> 00:05:52,000 Perhaps, Madam, I might suggest, 75 00:05:52,000 --> 00:05:56,000 to accompany the silk velvet hat with the ribbon streamers? 76 00:05:59,000 --> 00:06:03,000 Of course you are right, because you are a woman who knows her calling. 77 00:06:03,000 --> 00:06:07,000 Thank you, Madam. Ma'am. Mademoiselle. 78 00:06:07,000 --> 00:06:08,000 Clemence. 79 00:06:08,000 --> 00:06:11,000 It is only my first visit to The Paradise 80 00:06:11,000 --> 00:06:16,000 but, Miss Audrey, I cannot imagine this place without you. 81 00:06:19,000 --> 00:06:23,000 See that, Arthur? Add a bit of a flame and what happens? 82 00:06:23,000 --> 00:06:26,000 Stuff starts spinning, sparks shooting 83 00:06:26,000 --> 00:06:28,000 and flying all over the place. 84 00:06:28,000 --> 00:06:30,000 What does that remind you of? 85 00:06:30,000 --> 00:06:32,000 A thunderstorm? 86 00:06:32,000 --> 00:06:35,000 Women, Arthur. Women. 87 00:06:35,000 --> 00:06:37,000 Yeah, but it's pretty and exciting. 88 00:06:39,000 --> 00:06:44,000 Arthur, me lad, you have just described man's eternal dilemma. 89 00:06:47,000 --> 00:06:49,000 She's so beautiful, in't she, Denise? 90 00:06:49,000 --> 00:06:51,000 I can't imagine what it must be like to be such a woman. 91 00:06:51,000 --> 00:06:54,000 Can you? I bet men fall for her all the time. 92 00:06:54,000 --> 00:06:57,000 If I was a man, I'd fall for her. Would you, Denise? 93 00:06:57,000 --> 00:06:59,000 I think I could resist. 94 00:06:59,000 --> 00:07:02,000 I never realised that French people were so... French. 95 00:07:02,000 --> 00:07:06,000 I mean, all that touching 'n kissing 96 00:07:06,000 --> 00:07:09,000 'n flirting. 97 00:07:22,000 --> 00:07:26,000 Clemence, this is Mr Tom Weston. He's the owner of The Paradise. 98 00:07:26,000 --> 00:07:31,000 Mademoiselle Romanis. I hope you've been made welcome. 99 00:07:31,000 --> 00:07:34,000 Moray is always most generous. 100 00:07:34,000 --> 00:07:36,000 I would not wish you to think that we English 101 00:07:36,000 --> 00:07:41,000 are as cold and inhospitable as our reputation. 102 00:07:41,000 --> 00:07:45,000 Perhaps you might have dinner with me while you're here? 103 00:07:45,000 --> 00:07:49,000 I would be delighted, Monsieur Weston. 104 00:07:49,000 --> 00:07:51,000 I would not care for you to believe we French 105 00:07:51,000 --> 00:07:53,000 are as rude as OUR reputation. 106 00:07:55,000 --> 00:08:00,000 Excuse me. So, how long will you be staying? 107 00:08:09,000 --> 00:08:11,000 Wouldn't it be something to have fireworks like that 108 00:08:11,000 --> 00:08:13,000 at our wedding, Audrey? 109 00:08:13,000 --> 00:08:18,000 At our age? It would be brash and tasteless. 110 00:08:18,000 --> 00:08:21,000 We must reach for understatement, Edmund! 111 00:08:21,000 --> 00:08:24,000 At our age, I say we should celebrate. 112 00:08:24,000 --> 00:08:27,000 You just seem awfully friendly with her, that's all. 113 00:08:27,000 --> 00:08:29,000 I AM awfully friendly with Clemence. 114 00:08:33,000 --> 00:08:37,000 Did you see her when you were in Paris? 115 00:08:37,000 --> 00:08:39,000 All the time! 116 00:08:39,000 --> 00:08:43,000 I was a buyer and she was the best supplier we had at Le Bon Marche. 117 00:08:43,000 --> 00:08:47,000 Did you dine with her? Yes! She's wonderful company. 118 00:08:50,000 --> 00:08:53,000 Denise. I'm sorry, but Clemence is not my type, 119 00:08:53,000 --> 00:09:00,000 and I can assure you, despite what you see, I'm not her type either. 120 00:09:05,000 --> 00:09:07,000 Will you miss the street, do you think? 121 00:09:07,000 --> 00:09:09,000 We might never leave! 122 00:09:09,000 --> 00:09:13,000 I put that sign up. Not had so much as a peep through the window. 123 00:09:13,000 --> 00:09:18,000 My brother's cottage is standing empty. It has been since he died. 124 00:09:18,000 --> 00:09:23,000 We'll head up there at weekends, do some work, make it ready. 125 00:09:25,000 --> 00:09:28,000 I have been wondering... 126 00:09:28,000 --> 00:09:30,000 ..why must we wait? 127 00:09:39,000 --> 00:09:43,000 Tell me about Mr Weston. He is married? 128 00:09:43,000 --> 00:09:47,000 Oh, yes. He is married to Katherine Glendenning. 129 00:09:47,000 --> 00:09:49,000 Oh, I have heard about her. 130 00:09:49,000 --> 00:09:51,000 She is the reason Moray was in Paris. 131 00:09:51,000 --> 00:09:54,000 She's not a woman to be crossed. 132 00:09:54,000 --> 00:09:56,000 The price is good. 133 00:09:56,000 --> 00:10:00,000 We can have the firecrackers in our store by the end of the week. 134 00:10:00,000 --> 00:10:03,000 We must not let her believe that we've made a decision yet. 135 00:10:03,000 --> 00:10:05,000 Sir, I have already indicated to Clemence... 136 00:10:05,000 --> 00:10:07,000 Then you were too hasty. 137 00:10:07,000 --> 00:10:10,000 Mr Weston, the display has proven how good her product is. 138 00:10:10,000 --> 00:10:11,000 What benefit is there in delay? 139 00:10:11,000 --> 00:10:16,000 If she feels we're too keen, then the deal will be made on her terms. 140 00:10:16,000 --> 00:10:18,000 Let her woo us. 141 00:10:18,000 --> 00:10:20,000 They're talking about you. 142 00:10:20,000 --> 00:10:23,000 They are men. They are talking about business. 143 00:10:23,000 --> 00:10:27,000 Mr Weston is telling them that they must not offer me the contract 144 00:10:27,000 --> 00:10:30,000 until he has taken me out to dinner. 145 00:10:55,000 --> 00:10:56,000 Is he dead? 146 00:10:56,000 --> 00:11:00,000 Jonas! Get him inside. 147 00:11:10,000 --> 00:11:12,000 Denise, fetch some hot water. 148 00:11:12,000 --> 00:11:14,000 Least we can do is clean the poor feller up. 149 00:11:14,000 --> 00:11:16,000 I want anybody who is not needed out of this room now. 150 00:11:16,000 --> 00:11:19,000 Bosses included. Bosses most of all. 151 00:11:19,000 --> 00:11:20,000 That's a fever if ever I saw one. 152 00:11:20,000 --> 00:11:23,000 Clara, let's have these filthy clothes off him. 153 00:11:23,000 --> 00:11:25,000 Sam, fetch one of your nightgowns. 154 00:11:25,000 --> 00:11:27,000 Me? Why does it have to be mine? 155 00:11:27,000 --> 00:11:30,000 Because you're a kindly soul and the young women'll love you for it. 156 00:11:30,000 --> 00:11:33,000 I'll fetch it right away. 157 00:11:39,000 --> 00:11:41,000 Why has he come back? 158 00:11:41,000 --> 00:11:44,000 D'you suppose he knows I have returned to The Paradise? 159 00:11:44,000 --> 00:11:48,000 What has troubled me is - why did the constable not come after him? 160 00:11:48,000 --> 00:11:50,000 The street was full of whispers about Burroughs' death 161 00:11:50,000 --> 00:11:53,000 and Jonas walked away a free man. 162 00:11:53,000 --> 00:11:55,000 I must be thankful that he did. 163 00:11:55,000 --> 00:11:59,000 Then having Jonas here can only mean one thing for us - danger. 164 00:11:59,000 --> 00:12:01,000 He's sick! We must give him shelter. 165 00:12:01,000 --> 00:12:05,000 Why must we? We owe Jonas that much. 166 00:12:05,000 --> 00:12:09,000 Just let him get well, then we'll see what he wants, 167 00:12:09,000 --> 00:12:11,000 then we'll get rid of him. 168 00:12:11,000 --> 00:12:17,000 Me... meet me in.... in the alleyway... 169 00:12:17,000 --> 00:12:22,000 eight... eight... eight... eight o'clock. 170 00:12:22,000 --> 00:12:27,000 Tell... tell.... tell... 171 00:12:27,000 --> 00:12:30,000 What's he saying? He is fevered. 172 00:12:30,000 --> 00:12:33,000 He could be saying the end of the world is nigh. 173 00:12:33,000 --> 00:12:37,000 Jonas Franks doesn't need a fever to say the likes of that. 174 00:12:37,000 --> 00:12:42,000 Barrass... Baarrass.... Shhh, shhh. 175 00:12:42,000 --> 00:12:44,000 Don't talk. 176 00:12:44,000 --> 00:12:48,000 Sleep. You're going to be safe now. 177 00:12:56,000 --> 00:12:58,000 I might forget I have come to The Paradise to do business 178 00:12:58,000 --> 00:13:01,000 and spend all of my time here with girls 179 00:13:01,000 --> 00:13:04,000 and your room full of treasures. 180 00:13:04,000 --> 00:13:09,000 We are pleased that you are pleased, Mademoiselle Clemence. 181 00:13:09,000 --> 00:13:13,000 Forgive me, but I overheard the conversation yesterday. 182 00:13:13,000 --> 00:13:15,000 You are leaving? 183 00:13:15,000 --> 00:13:18,000 To marry? Is John insane... 184 00:13:18,000 --> 00:13:20,000 ..to lose such a diamond? 185 00:13:20,000 --> 00:13:23,000 When a woman marries, she must forfeit her office. 186 00:13:23,000 --> 00:13:26,000 She's out of the door before the veil's pulled from her face. 187 00:13:26,000 --> 00:13:29,000 But there are men who work here who are married? 188 00:13:29,000 --> 00:13:32,000 Mr Dudley. Clive in Menswear. 189 00:13:32,000 --> 00:13:35,000 Alan in Menswear. David in Haberdashery... 190 00:13:35,000 --> 00:13:37,000 Yes, thank you, Clara. Half the porters are married. 191 00:13:37,000 --> 00:13:42,000 Perhaps I might understand if woman intends to have children, 192 00:13:42,000 --> 00:13:44,000 but that is not so with you, is it, Audrey? 193 00:13:44,000 --> 00:13:48,000 As I have explained, Mademoiselle, it is the way. 194 00:13:48,000 --> 00:13:51,000 Oh, yes! It is the way. 195 00:13:51,000 --> 00:13:55,000 It is the way the men have decided upon. 196 00:13:55,000 --> 00:13:58,000 Denise... Mademoiselle Clemence. 197 00:13:58,000 --> 00:14:01,000 Moray's girl. 198 00:14:01,000 --> 00:14:04,000 I see now why he spoke of nothing but Denise, Denise, Denise 199 00:14:04,000 --> 00:14:06,000 all of the time in Paris. 200 00:14:06,000 --> 00:14:08,000 I'm sure that's not true, Mademoiselle. 201 00:14:08,000 --> 00:14:11,000 There is only one thing more heartbreaking for a woman 202 00:14:11,000 --> 00:14:14,000 than a dinner with a man perspiring with lust, 203 00:14:14,000 --> 00:14:19,000 and that is dinner with a man pining for his love. 204 00:14:19,000 --> 00:14:24,000 But now that I see you, I can forgive him. 205 00:14:24,000 --> 00:14:27,000 What do you think of Miss Audrey's predicament, Denise? 206 00:14:27,000 --> 00:14:30,000 I... 207 00:14:30,000 --> 00:14:33,000 ..I'm pleased that she wishes to marry, 208 00:14:33,000 --> 00:14:35,000 and to be with the man that she loves. 209 00:14:35,000 --> 00:14:38,000 But that is not what I asked you. 210 00:14:38,000 --> 00:14:42,000 What do you think of a woman robbed of her position, 211 00:14:42,000 --> 00:14:45,000 a woman with experience, a woman brimming with best qualities, 212 00:14:45,000 --> 00:14:50,000 cast out because we live in a man's world? 213 00:14:50,000 --> 00:14:52,000 I think it's wrong. 214 00:14:52,000 --> 00:14:54,000 Course you do. 215 00:14:56,000 --> 00:15:00,000 What do you girls do with yourself in the evenings? 216 00:15:00,000 --> 00:15:05,000 I go to the inn across the street. Ahhh, we will all go there tonight. 217 00:15:06,000 --> 00:15:09,000 Mademoiselle, it's a murky little den of a place. 218 00:15:09,000 --> 00:15:12,000 I'm not sure you'd find it to your tastes. 219 00:15:12,000 --> 00:15:17,000 Might I borrow some paper? I must write a note to Mr Weston 220 00:15:17,000 --> 00:15:19,000 to tell him I cannot join him for dinner after all. 221 00:15:19,000 --> 00:15:21,000 I'm busy tonight. 222 00:15:21,000 --> 00:15:24,000 Miss Audrey, you will join us? 223 00:15:24,000 --> 00:15:26,000 The inn? I-I have never... 224 00:15:26,000 --> 00:15:29,000 I-I would not countenance... 225 00:15:29,000 --> 00:15:30,000 the inn. 226 00:15:30,000 --> 00:15:33,000 But aren't you curious? I am. I have invited you. 227 00:15:33,000 --> 00:15:37,000 You wouldn't offend your French guest by refusing, would you? 228 00:15:39,000 --> 00:15:41,000 Why have you come back, Jonas? 229 00:15:41,000 --> 00:15:44,000 I did not come here at my own bidding, sir. 230 00:15:45,000 --> 00:15:46,000 I was brought here. 231 00:15:46,000 --> 00:15:49,000 You're not welcome. You're not wanted. 232 00:15:50,000 --> 00:15:55,000 I don't see much clearly at the moment, sir, but I see that. 233 00:15:55,000 --> 00:15:58,000 The business with Burroughs' death - 234 00:15:58,000 --> 00:16:00,000 why did the constable not come after you? 235 00:16:00,000 --> 00:16:02,000 There is no mystery, Mr Dudley, sir. 236 00:16:03,000 --> 00:16:05,000 I paid the man. 237 00:16:05,000 --> 00:16:10,000 Like many people hereabouts, he had no regard for Bradley Burroughs. 238 00:16:10,000 --> 00:16:12,000 You murdered a man. 239 00:16:12,000 --> 00:16:15,000 If you imagine that such an arrangement allows you to stay here, 240 00:16:15,000 --> 00:16:16,000 then you are mistaken. 241 00:16:18,000 --> 00:16:22,000 Porridge. It's better than meat for putting meat on a man. 242 00:16:23,000 --> 00:16:26,000 You always loved your porridge, Mr Jonas. 243 00:16:28,000 --> 00:16:30,000 How did you come to be in such a state? 244 00:16:32,000 --> 00:16:34,000 I don't know. 245 00:16:34,000 --> 00:16:36,000 How did you come to be on that wagon? 246 00:16:38,000 --> 00:16:40,000 I don't know. 247 00:16:40,000 --> 00:16:42,000 You don't know a lot, do you? 248 00:16:42,000 --> 00:16:45,000 The fever has drained the life out of you. 249 00:16:45,000 --> 00:16:48,000 When you're well enough to walk, you'll be on your way. 250 00:16:49,000 --> 00:16:51,000 ..so I thought you could put on a display of the fireworks, 251 00:16:51,000 --> 00:16:54,000 invite all kinds of people and set up a stall on the street 252 00:16:54,000 --> 00:16:55,000 to sell the firecrackers. 253 00:16:55,000 --> 00:16:57,000 So you like Clemence now? 254 00:16:57,000 --> 00:16:58,000 I shall ignore that. 255 00:16:58,000 --> 00:17:01,000 It's a marvellous idea. I'm glad I thought of it. 256 00:17:02,000 --> 00:17:06,000 I have no eyes for other women, Denise. They do not exist. 257 00:17:06,000 --> 00:17:08,000 I have found the woman I will marry. 258 00:17:16,000 --> 00:17:17,000 I am so glad, my darling, 259 00:17:17,000 --> 00:17:20,000 you have readily taken to the business of The Paradise. 260 00:17:20,000 --> 00:17:24,000 But I must confess, I didn't imagine you would go in there every day. 261 00:17:26,000 --> 00:17:30,000 Moray has a French woman supplying him with fireworks. 262 00:17:30,000 --> 00:17:33,000 I want to make sure he isn't beguiled into a bad deal. 263 00:17:34,000 --> 00:17:36,000 Firecrackers! Can I see them, Daddy? 264 00:17:36,000 --> 00:17:38,000 So she's French? 265 00:17:38,000 --> 00:17:39,000 Yes. 266 00:17:41,000 --> 00:17:43,000 I'm having dinner with her tonight. 267 00:17:43,000 --> 00:17:48,000 Well, I am glad you find The Paradise so engaging...darling. 268 00:17:50,000 --> 00:17:53,000 The head of Ladieswear is leaving. 269 00:17:54,000 --> 00:17:56,000 Miss Audrey? 270 00:17:56,000 --> 00:17:58,000 Yeah. She is to marry. 271 00:18:00,000 --> 00:18:03,000 So one of the girls will be promoted? 272 00:18:03,000 --> 00:18:04,000 Does it matter? 273 00:18:17,000 --> 00:18:19,000 I realised that so long as I worked for a man 274 00:18:19,000 --> 00:18:21,000 I would never be more than a... 275 00:18:21,000 --> 00:18:22,000 saisine. What do you say? 276 00:18:22,000 --> 00:18:24,000 A chattel? 277 00:18:24,000 --> 00:18:25,000 A chattel. 278 00:18:25,000 --> 00:18:28,000 I looked at the men and I asked myself, can I do what they do? 279 00:18:28,000 --> 00:18:29,000 And the answer was yes. 280 00:18:29,000 --> 00:18:31,000 The answer was I can do it better than they do. 281 00:18:31,000 --> 00:18:33,000 So you started your own business? 282 00:18:33,000 --> 00:18:36,000 I have an idea of something people might like to buy, 283 00:18:36,000 --> 00:18:38,000 I find someone who can make it for me, 284 00:18:38,000 --> 00:18:41,000 I supply to Le Bon Marche or any other store. 285 00:18:41,000 --> 00:18:44,000 I live a good life. I'm just happy to have a job. 286 00:18:44,000 --> 00:18:47,000 That is all very well in France, Mademoiselle. 287 00:18:47,000 --> 00:18:50,000 In England, we prefer to cling on to our civilisation. 288 00:18:50,000 --> 00:18:53,000 Does this civilisation make you feel contented? 289 00:18:54,000 --> 00:18:58,000 Good Lord! Is it a harem or a hen party? 290 00:18:58,000 --> 00:19:00,000 You can join us, Sam. You're as good as one of the girls. 291 00:19:01,000 --> 00:19:04,000 Hey! I am not one of the girls, if you don't mind. 292 00:19:04,000 --> 00:19:07,000 There's one or two lass can prove it. 293 00:19:07,000 --> 00:19:09,000 I'll have a drink at the bar. 294 00:19:09,000 --> 00:19:12,000 Please, lift up your glass, all of you. Now wait. 295 00:19:13,000 --> 00:19:16,000 Life is passion. Isn't that true? 296 00:19:16,000 --> 00:19:19,000 What is more passionate than a woman? 297 00:19:19,000 --> 00:19:22,000 If a woman can be what she decides to be, 298 00:19:22,000 --> 00:19:25,000 if a woman can love and follow her own calling, 299 00:19:25,000 --> 00:19:28,000 then she can determine her own life. 300 00:19:28,000 --> 00:19:30,000 I ask you to drink to woman's passion. 301 00:19:30,000 --> 00:19:32,000 Who will drink with me? 302 00:19:46,000 --> 00:19:49,000 I've never talked this way with anyone before. 303 00:19:49,000 --> 00:19:51,000 I feel as though I'm a bit drunk. 304 00:19:51,000 --> 00:19:53,000 Well, I AM a bit drunk, I suppose! 305 00:19:54,000 --> 00:19:56,000 Never met anyone like you, Clemence. 306 00:19:56,000 --> 00:19:59,000 The world will soon be filled with women like me. 307 00:19:59,000 --> 00:20:00,000 But what about you, Denise? 308 00:20:00,000 --> 00:20:04,000 There is too much about you to be a shop girl or a wife. 309 00:20:04,000 --> 00:20:06,000 What do you want to be? 310 00:20:07,000 --> 00:20:09,000 Qui est-il? 311 00:20:10,000 --> 00:20:11,000 I... 312 00:20:13,000 --> 00:20:15,000 I want to be Moray. 313 00:20:15,000 --> 00:20:19,000 I mean...I don't want to be a man. 314 00:20:21,000 --> 00:20:23,000 I dream of running The Paradise. 315 00:20:23,000 --> 00:20:26,000 Not just for the glamour of it, 316 00:20:26,000 --> 00:20:30,000 although I do like the idea of swishing around in a fine dress. 317 00:20:30,000 --> 00:20:34,000 For the work. That is what I love. 318 00:20:34,000 --> 00:20:37,000 When I have an idea or make a decision 319 00:20:37,000 --> 00:20:40,000 or someone gives me the opportunity to take the lead, I feel... 320 00:20:42,000 --> 00:20:44,000 I can't quite describe it. 321 00:20:47,000 --> 00:20:49,000 There are so many things I would do if... 322 00:20:51,000 --> 00:20:55,000 When we admit to our passion, we are free. 323 00:20:56,000 --> 00:21:00,000 We can have what we want, be who we want to be. 324 00:21:03,000 --> 00:21:05,000 I knew you'd see things the same as I do. 325 00:21:05,000 --> 00:21:06,000 Is it true? 326 00:21:06,000 --> 00:21:08,000 It is true. 327 00:21:11,000 --> 00:21:14,000 You're so beautiful. 328 00:21:14,000 --> 00:21:15,000 No. 329 00:21:15,000 --> 00:21:19,000 No-one will know. We can have whatever we want. 330 00:21:19,000 --> 00:21:21,000 I'LL know. 331 00:21:21,000 --> 00:21:23,000 I don't want this. 332 00:21:30,000 --> 00:21:32,000 Perhaps I could suggest, sir, 333 00:21:32,000 --> 00:21:34,000 we make a decision based on the prices she has outlined 334 00:21:34,000 --> 00:21:36,000 and the guarantee of a regular supply. No. We wait. 335 00:21:36,000 --> 00:21:40,000 What if she returns to Paris and there's been no dinner engagement? 336 00:21:40,000 --> 00:21:41,000 Oh, she will dine with me. 337 00:21:41,000 --> 00:21:45,000 Mr Weston, I know Clemence. She is flighty. 338 00:21:45,000 --> 00:21:49,000 Where men are concerned, she likes to tease and play. 339 00:21:49,000 --> 00:21:54,000 I know women like Clemence. What they respond to is being mastered. 340 00:21:54,000 --> 00:21:56,000 Why does it matter that she is a woman? 341 00:21:56,000 --> 00:21:57,000 We must consider this business. 342 00:21:57,000 --> 00:21:59,000 We treat her as we do any other supplier. 343 00:21:59,000 --> 00:22:03,000 We are all gentlemen together. You know what I intend. 344 00:22:03,000 --> 00:22:05,000 I find her irresistible. Why should I resist? 345 00:22:05,000 --> 00:22:11,000 Mr Weston, Clemence does not... respond to gentlemen suitors. 346 00:22:11,000 --> 00:22:14,000 You're telling me she's a chaste French maid?! 347 00:22:14,000 --> 00:22:15,000 She prefers the role of seducer. 348 00:22:17,000 --> 00:22:19,000 You think I can't overcome her resistance? 349 00:22:19,000 --> 00:22:21,000 I would prefer you did not try. 350 00:22:23,000 --> 00:22:27,000 You tried, didn't you? In Paris. 351 00:22:27,000 --> 00:22:28,000 And she rejected you. 352 00:22:33,000 --> 00:22:35,000 "We're all gentlemen together." 353 00:22:35,000 --> 00:22:38,000 I feel I've been pressed into a club I have no wish to join. 354 00:22:38,000 --> 00:22:41,000 If he sees no reason to hide his intentions from us... 355 00:22:41,000 --> 00:22:44,000 You're the expert. I mean, you've lived amongst the French. 356 00:22:44,000 --> 00:22:47,000 How do we deal with this? We don't. 357 00:22:47,000 --> 00:22:49,000 She does. 358 00:22:49,000 --> 00:22:52,000 If you...toy with him, he will set himself against you 359 00:22:52,000 --> 00:22:54,000 and I cannot guarantee you will get the contract. 360 00:22:54,000 --> 00:22:57,000 Well, what would you have me do, darling? Submit to him? 361 00:22:57,000 --> 00:22:59,000 Hide away? Run away? 362 00:22:59,000 --> 00:23:03,000 I warn you, Clemence, Tom Weston is made of a different mettle. 363 00:23:03,000 --> 00:23:05,000 I see no reason to let him bully me 364 00:23:05,000 --> 00:23:08,000 because he's a spoiled Englishman used to having his own way. 365 00:23:08,000 --> 00:23:12,000 Do you, Denise? Do you want me to leave so you can talk, Mr Moray? No. 366 00:23:12,000 --> 00:23:14,000 No, there's no need for that, Denise. 367 00:23:15,000 --> 00:23:18,000 Do you intend to take him on? 368 00:23:18,000 --> 00:23:22,000 Well, I like men like Tom Weston because it is so easy to know them. 369 00:23:22,000 --> 00:23:25,000 Such men, it's a child's play to tame them. 370 00:23:27,000 --> 00:23:30,000 Er, Denise, might I borrow some paper? 371 00:23:31,000 --> 00:23:33,000 I'm going to write to Mr Tom Weston 372 00:23:33,000 --> 00:23:37,000 to tell him I cannot meet him for a dinner tonight. 373 00:24:07,000 --> 00:24:09,000 Ma'am, I'm so sorry, I've got the wrong pair. 374 00:24:09,000 --> 00:24:11,000 I'll fetch the correct ones for you. 375 00:24:13,000 --> 00:24:16,000 Clara, Mademoiselle Clemence kissed me. 376 00:24:18,000 --> 00:24:19,000 She kissed you? 377 00:24:19,000 --> 00:24:21,000 She wanted to seduce me. 378 00:24:21,000 --> 00:24:25,000 But she's Moray's friend. Have you told him? 379 00:24:25,000 --> 00:24:27,000 I should. Then why don't you? 380 00:24:27,000 --> 00:24:31,000 I don't know. If she was a man you'd tell him, wouldn't you? 381 00:24:31,000 --> 00:24:35,000 I want her to have the contract. I'm confused. 382 00:24:35,000 --> 00:24:37,000 Everything she said, about women having a calling 383 00:24:37,000 --> 00:24:40,000 and the wrongs that we live with... 384 00:24:40,000 --> 00:24:41,000 Girls! 385 00:24:43,000 --> 00:24:45,000 Girls, I am not quite deposed yet. 386 00:24:45,000 --> 00:24:47,000 I hope you will show me the respect of my position 387 00:24:47,000 --> 00:24:50,000 until such a time as I am escorted from the premises. 388 00:24:50,000 --> 00:24:53,000 Clara, Mrs Barton is without attendance. 389 00:24:55,000 --> 00:24:58,000 It's only three Sundays, and then we can... 390 00:24:58,000 --> 00:25:01,000 It doesn't matter what condition the cottage is in, 391 00:25:01,000 --> 00:25:02,000 so long as we're warm. 392 00:25:04,000 --> 00:25:07,000 Mr Moray is to conduct interviews. 393 00:25:08,000 --> 00:25:10,000 For my position. 394 00:25:10,000 --> 00:25:11,000 Well, that's grand. 395 00:25:11,000 --> 00:25:15,000 Give the younger girls a chance to stake a claim. 396 00:25:15,000 --> 00:25:17,000 Our Denise'll be keen, I expect. 397 00:25:17,000 --> 00:25:19,000 I am not so old. 398 00:25:21,000 --> 00:25:23,000 Not so very old. 399 00:25:23,000 --> 00:25:26,000 You said it yourself, Audrey - "At our age". 400 00:25:26,000 --> 00:25:29,000 I was referring to the firecrackers. 401 00:25:29,000 --> 00:25:31,000 There has not been one day when I have been absent from my work. 402 00:25:31,000 --> 00:25:34,000 Yes, there has. That time you lost your voice. 403 00:25:34,000 --> 00:25:36,000 What I meant was no more than any man. 404 00:25:37,000 --> 00:25:39,000 We are ruled by men. 405 00:25:47,000 --> 00:25:52,000 We are going to live in your brother's cottage. Your decision. 406 00:25:53,000 --> 00:25:57,000 I've waited years to marry you. Your decision. 407 00:25:57,000 --> 00:26:01,000 Now we are to marry in haste. Your decision. 408 00:26:01,000 --> 00:26:04,000 If that is a woman ruled by men, then I'm a pincushion. 409 00:26:04,000 --> 00:26:09,000 Those are trifles. I am talking about fundamentals, 410 00:26:09,000 --> 00:26:13,000 a woman's calling. They are not trifles to me, Audrey. 411 00:26:13,000 --> 00:26:15,000 I put my shop up for sale on your say-so. 412 00:26:15,000 --> 00:26:18,000 Are you telling me you want to change your mind? 413 00:26:22,000 --> 00:26:25,000 I think Mademoiselle Clemence... 414 00:26:27,000 --> 00:26:29,000 ..does not care for men. 415 00:26:29,000 --> 00:26:33,000 Far from it. She likes nothing better than to bait us. 416 00:26:33,000 --> 00:26:35,000 What I meant was... 417 00:26:36,000 --> 00:26:38,000 ..I think she prefers women. 418 00:26:45,000 --> 00:26:46,000 Why didn't you tell me? 419 00:26:46,000 --> 00:26:47,000 What? 420 00:26:47,000 --> 00:26:51,000 You think I should have told you because you were jealous of her? 421 00:26:51,000 --> 00:26:53,000 To put you at your ease? 422 00:26:54,000 --> 00:26:57,000 It is not my place to tell her private business, Denise. 423 00:27:01,000 --> 00:27:03,000 No buyers yet, Mr Lovett? 424 00:27:05,000 --> 00:27:08,000 I don't even know if I'm still selling up, Sam. 425 00:27:08,000 --> 00:27:09,000 Why? What's happened? 426 00:27:09,000 --> 00:27:12,000 Audrey seems to suddenly believe that to marry 427 00:27:12,000 --> 00:27:14,000 would be a betrayal of her sex. 428 00:27:14,000 --> 00:27:18,000 That'll be Mademoiselle's doing. I heard 'em all talking in the inn. 429 00:27:18,000 --> 00:27:21,000 Audrey in the Three Crowns? No. Yes. 430 00:27:21,000 --> 00:27:23,000 I don't even go in there. 431 00:27:23,000 --> 00:27:27,000 Oh, it was quite the party. And here's me without a breath of sleep 432 00:27:27,000 --> 00:27:30,000 fretting about whether my marriage is on or off? 433 00:27:30,000 --> 00:27:33,000 What I know about women is this - you promise them undying love, 434 00:27:33,000 --> 00:27:34,000 marriage, faithfulness, 435 00:27:34,000 --> 00:27:36,000 they're away in a wisp. 436 00:27:36,000 --> 00:27:38,000 If you don't give a hoot, act the lad about town, 437 00:27:38,000 --> 00:27:40,000 chase you around like a prince. 438 00:27:40,000 --> 00:27:43,000 Right. We're going to the inn tonight, Sam. 439 00:27:43,000 --> 00:27:46,000 Haven't got a penny in my pocket. I'm buying. Bring that lot in. 440 00:27:46,000 --> 00:27:48,000 We must put the smallest firecrackers in the front, 441 00:27:48,000 --> 00:27:52,000 sell them one at a time so people can afford them. 442 00:27:52,000 --> 00:27:57,000 I must remind you, Mademoiselle, the contract is by no means certain. 443 00:27:57,000 --> 00:28:00,000 Oh, but I have every faith in Moray. 444 00:28:00,000 --> 00:28:02,000 The two bulls are butting heads. 445 00:28:02,000 --> 00:28:06,000 Why do men suppose that posturing is what catches a woman's eye? 446 00:28:06,000 --> 00:28:09,000 The handsomest man is always the most reserved. Like you. 447 00:28:11,000 --> 00:28:13,000 Tis very flattering of you, Mademoiselle. 448 00:28:13,000 --> 00:28:17,000 It is not flattery. On m'a offense. It is the truth. 449 00:28:17,000 --> 00:28:19,000 The loveliest thing about you 450 00:28:19,000 --> 00:28:21,000 is that you have no idea of how beautiful you are. 451 00:28:22,000 --> 00:28:25,000 Forgive me, Mademoiselle Romanis, 452 00:28:25,000 --> 00:28:31,000 but I'm not used to women being quite so forward, so complimenting. 453 00:28:31,000 --> 00:28:34,000 If you were to ask me to a dinner, I would not refuse. 454 00:28:34,000 --> 00:28:36,000 I am a married man. 455 00:28:36,000 --> 00:28:38,000 I know that. 456 00:28:38,000 --> 00:28:41,000 I would consider it improper to have dinner with such a... 457 00:28:42,000 --> 00:28:44,000 ..an attractive woman. 458 00:28:44,000 --> 00:28:45,000 No-one would know. 459 00:28:47,000 --> 00:28:49,000 Are you making fun of me? 460 00:28:49,000 --> 00:28:52,000 Have you not seen the way I look at you? 461 00:28:52,000 --> 00:28:54,000 I am deeply attracted to you. 462 00:28:55,000 --> 00:28:57,000 I could never... I also see the way you look at me. 463 00:28:57,000 --> 00:29:00,000 Is it not true? 464 00:29:00,000 --> 00:29:02,000 You are a very beautiful woman. 465 00:29:05,000 --> 00:29:09,000 When your head lies on your pillow tonight, I'll be lying awake, 466 00:29:09,000 --> 00:29:10,000 wishing you were with me. 467 00:30:12,000 --> 00:30:13,000 Jonas! 468 00:30:19,000 --> 00:30:23,000 I should've known - he's a man. I should've warned him 469 00:30:23,000 --> 00:30:26,000 to get up and about, and then he might've stayed in bed. 470 00:30:26,000 --> 00:30:29,000 What were you doing out there, Jonas? 471 00:30:30,000 --> 00:30:33,000 I don't remember. 472 00:30:33,000 --> 00:30:38,000 I don't recall getting from my bed. That's not good, is it? 473 00:30:39,000 --> 00:30:42,000 That's bad, I'd say. 474 00:30:47,000 --> 00:30:50,000 Dudley. How long have you worked here? 475 00:30:52,000 --> 00:30:55,000 Moray and I came here as boys, when Mr Emmerson owned the place. 476 00:30:55,000 --> 00:30:57,000 It was a great deal smaller then. 477 00:30:57,000 --> 00:31:03,000 It is...touching, to think that two poor boys 478 00:31:03,000 --> 00:31:06,000 have risen to such status. 479 00:31:06,000 --> 00:31:09,000 Fine suits, silk ties... 480 00:31:09,000 --> 00:31:12,000 You must not let such distinction go to your head. 481 00:31:12,000 --> 00:31:16,000 I've always considered myself grateful for the responsibilities. 482 00:31:16,000 --> 00:31:20,000 Then you will have no more to do with Mademoiselle Romanis. 483 00:31:20,000 --> 00:31:21,000 Sir, I assure you... 484 00:31:21,000 --> 00:31:23,000 Do not contradict what my eyes have witnessed. 485 00:31:23,000 --> 00:31:26,000 Mr Weston, sir, what I know of Clemence tells me... 486 00:31:26,000 --> 00:31:28,000 Did I ask for your intervention, Moray? 487 00:31:28,000 --> 00:31:31,000 It seems that with each passing day I must continue to convey 488 00:31:31,000 --> 00:31:33,000 to you that the world has changed. 489 00:31:33,000 --> 00:31:36,000 The Paradise is no longer your domain. 490 00:31:36,000 --> 00:31:41,000 Business here will be conducted at my bidding. 491 00:31:41,000 --> 00:31:43,000 If you wish to retain your position here, Dudley, 492 00:31:43,000 --> 00:31:46,000 you will leave Clemence be. Do you understand? 493 00:31:46,000 --> 00:31:50,000 Yes, sir. Then all is well with the world. 494 00:31:58,000 --> 00:32:00,000 I have done my best to tolerate your husband 495 00:32:00,000 --> 00:32:03,000 but he has threatened to dismiss Dudley. 496 00:32:03,000 --> 00:32:06,000 I will not allow him to do this. 497 00:32:07,000 --> 00:32:10,000 Why have you called me back here? Mmmm? 498 00:32:10,000 --> 00:32:13,000 Is it to restore The Paradise? Because that is impossible 499 00:32:13,000 --> 00:32:17,000 if I must contend with this kind of vindictive interference. 500 00:32:17,000 --> 00:32:21,000 Why would Tom wish to remove Dudley? 501 00:32:21,000 --> 00:32:24,000 He seems to consider Dudley as some kind of rival. 502 00:32:27,000 --> 00:32:35,000 Ahh, Mademoiselle Romanis? Is that why you are here? To goad me? 503 00:32:35,000 --> 00:32:39,000 I-I came here because I felt I had to. Katherine... 504 00:32:39,000 --> 00:32:43,000 I do not want your pity. I will make my own accommodation with my husband. 505 00:32:48,000 --> 00:32:50,000 Tom is not what he appears to be to some people. 506 00:32:50,000 --> 00:32:58,000 He is a fine husband, and father. Military men are somet... 507 00:32:58,000 --> 00:33:03,000 I will deal with this. Well, thank you, Katherine. If I can help... 508 00:33:03,000 --> 00:33:06,000 When will you appoint a new Head of Ladieswear? 509 00:33:06,000 --> 00:33:10,000 We will conduct interviews. Denise will make an excellent appointment. 510 00:33:12,000 --> 00:33:14,000 She is clearly the best candidate. 511 00:33:14,000 --> 00:33:16,000 There...there are other girls we must consider. 512 00:33:16,000 --> 00:33:20,000 Clara has qualities which... Why would you hold Denise back? 513 00:33:20,000 --> 00:33:22,000 It makes no sense. 514 00:33:23,000 --> 00:33:28,000 Are you concerned what others will think if you favour your lover? 515 00:33:28,000 --> 00:33:31,000 Why would it matter to you to champion Denise? 516 00:33:31,000 --> 00:33:34,000 Perhaps I have come to appreciate the value of justice. 517 00:34:04,000 --> 00:34:10,000 Mademoiselle Clemence, I must plead with you 518 00:34:10,000 --> 00:34:12,000 not to use Mr Dudley. 519 00:34:12,000 --> 00:34:16,000 You don't understand, Denise. I have no choice. 520 00:34:16,000 --> 00:34:19,000 I left Paris because there was...some difficulty. 521 00:34:19,000 --> 00:34:22,000 I have to make a life here. I must have the contract. 522 00:34:22,000 --> 00:34:26,000 Look, whatever the reasons, must you use such methods? Yes, I must. 523 00:34:26,000 --> 00:34:28,000 Because I'm a woman. 524 00:34:28,000 --> 00:34:31,000 Would Tom Weston treat me in this way if I were a man? 525 00:34:31,000 --> 00:34:35,000 Will he offer me the engagement on purely business terms? 526 00:34:35,000 --> 00:34:38,000 He will prevent me from prospering unless I indulge him. 527 00:34:38,000 --> 00:34:40,000 Is it not true? 528 00:34:40,000 --> 00:34:43,000 Then am I not entitled to use whatever means necessary 529 00:34:43,000 --> 00:34:44,000 to gain equality? 530 00:34:44,000 --> 00:34:48,000 Would you not do the same? No. Then you will be left behind. 531 00:34:49,000 --> 00:34:50,000 Let me ask you this: 532 00:34:50,000 --> 00:34:52,000 whatever has been given to you by men, 533 00:34:52,000 --> 00:34:55,000 do you not live in fear that they will take it away again? 534 00:34:55,000 --> 00:35:00,000 I have watched you. I have heard Moray talk about your many gifts. 535 00:35:00,000 --> 00:35:05,000 When Miss Audrey leaves, will you be given her position? I don't know. 536 00:35:05,000 --> 00:35:09,000 I... Do you want it? Can you do it? 537 00:35:09,000 --> 00:35:12,000 There are other girls who just... 538 00:35:12,000 --> 00:35:17,000 I give you the question you must answer to yourself. Not to me. 539 00:35:17,000 --> 00:35:20,000 If the position is not given to you, 540 00:35:20,000 --> 00:35:22,000 do you care more for the man you love 541 00:35:22,000 --> 00:35:24,000 than you do for your own voice? 542 00:35:24,000 --> 00:35:28,000 Will you be a good girl? Will you meekly accept? 543 00:35:28,000 --> 00:35:30,000 Or will you speak out? 544 00:35:41,000 --> 00:35:42,000 Oh! 545 00:36:00,000 --> 00:36:03,000 Mademoiselle Romanis, thank you for coming. 546 00:36:05,000 --> 00:36:06,000 Please, this way. 547 00:36:11,000 --> 00:36:14,000 Jonas? Mmm... 548 00:36:16,000 --> 00:36:17,000 Jonas? 549 00:36:19,000 --> 00:36:22,000 Arthur told us how he found you at the bridge. 550 00:36:22,000 --> 00:36:25,000 If this was a trick, we are not falling for it. 551 00:36:25,000 --> 00:36:27,000 There is no sympathy for you here. 552 00:36:31,000 --> 00:36:35,000 What have you been up to this past year, Jonas? Tr-tr... 553 00:36:35,000 --> 00:36:39,000 Er, tr-travels and...work. 554 00:36:39,000 --> 00:36:41,000 What are you hiding from us? 555 00:36:42,000 --> 00:36:45,000 What have you been up to since you left The Paradise? 556 00:36:45,000 --> 00:36:49,000 I have been on the road. That is my life now. 557 00:36:52,000 --> 00:36:56,000 I would wish not to describe the hardship, in case 558 00:36:56,000 --> 00:37:01,000 you should feel in...in some way responsible, Mr Moray. 559 00:37:01,000 --> 00:37:04,000 Mr Moray is not to blame for your plight. 560 00:37:04,000 --> 00:37:08,000 We are all responsible for our own life. I shall be gone by tomorrow. 561 00:37:08,000 --> 00:37:10,000 It was not chance brought you here, was it? 562 00:37:10,000 --> 00:37:13,000 If you believe you can bribe us, I warn you... Dudley! 563 00:37:19,000 --> 00:37:23,000 You are welcome to remain here until you are fully recovered. 564 00:37:24,000 --> 00:37:26,000 I am most grateful, sir. 565 00:37:34,000 --> 00:37:37,000 You were so merciless. I've never seen you so riled. 566 00:37:37,000 --> 00:37:40,000 That man has got beneath my skin. He's ill. Can we not just... 567 00:37:40,000 --> 00:37:45,000 Not Jonas. Tom Weston. I promise you, 568 00:37:45,000 --> 00:37:49,000 there is nothing for you to worry about. I will deal with Tom, 569 00:37:49,000 --> 00:37:50,000 and it's not as though he's right. 570 00:37:50,000 --> 00:37:54,000 You're not the kind of man to go chasing after Clemence. No. 571 00:37:54,000 --> 00:37:57,000 I married young. I've only ever known one woman's kiss. 572 00:37:57,000 --> 00:38:00,000 Everyone knows what kind of man I am. 573 00:38:18,000 --> 00:38:20,000 Oh, darling. There you are. 574 00:38:20,000 --> 00:38:24,000 I have invited Mademoiselle Clemence to stay with us during her time here. 575 00:38:24,000 --> 00:38:27,000 I can't bear the thought of her in that stuffy hotel, 576 00:38:27,000 --> 00:38:30,000 and I know you two wish to talk business. 577 00:38:30,000 --> 00:38:35,000 It will be so much more convivial, don't you think? 578 00:38:35,000 --> 00:38:36,000 I do. 579 00:38:39,000 --> 00:38:42,000 I have told Edmund that I may want reconsider. 580 00:38:42,000 --> 00:38:45,000 So that's why my uncle's taken down the "For Sale" sign. 581 00:38:45,000 --> 00:38:48,000 Miss Audrey, did you not say it was the doubt and delay 582 00:38:48,000 --> 00:38:50,000 that was making you so unhappy? 583 00:38:50,000 --> 00:38:52,000 Why should a woman be punished for marrying? 584 00:38:52,000 --> 00:38:55,000 That bloody French woman! Look at what she's doing to us. 585 00:38:55,000 --> 00:38:58,000 She comes here, all hell is let loose, 586 00:38:58,000 --> 00:39:00,000 and then she'll be gone and leave us with the consequences. 587 00:39:00,000 --> 00:39:04,000 I thought you younger women would see that she speaks for us all. 588 00:39:04,000 --> 00:39:08,000 Miss Audrey, no-one here believes it's right for a woman to be pressed 589 00:39:08,000 --> 00:39:12,000 into leaving, but to do this to Uncle Edmund after you promised him? 590 00:39:12,000 --> 00:39:15,000 You have the same choice now you've had all your life. 591 00:39:15,000 --> 00:39:18,000 What's made you change your mind? Is it to defy men? 592 00:39:18,000 --> 00:39:22,000 Or is it to strive for your own happiness? I see. 593 00:39:23,000 --> 00:39:25,000 When the old hen's about to leave the perch, 594 00:39:25,000 --> 00:39:28,000 the young hens certainly do start to flutter their feathers. 595 00:39:33,000 --> 00:39:35,000 It is such a pleasant diversion, 596 00:39:35,000 --> 00:39:38,000 having Mademoiselle Clemence to stay with us. 597 00:39:38,000 --> 00:39:40,000 She is quite the firecracker. 598 00:39:44,000 --> 00:39:46,000 I can see why men fall for her. 599 00:39:49,000 --> 00:39:51,000 I can see why you might fall for her, my darling. 600 00:39:55,000 --> 00:39:57,000 Did he tell you? 601 00:39:58,000 --> 00:40:00,000 Did Moray come to see you? 602 00:40:05,000 --> 00:40:10,000 If you are going to pursue her, then you will do it here, 603 00:40:10,000 --> 00:40:14,000 out of harm's way. Not so publicly. NOT at The Paradise. 604 00:40:15,000 --> 00:40:20,000 And please, do not let Flora see you fawning after her. 605 00:40:20,000 --> 00:40:24,000 Have you ever known me to fawn after anyone? 606 00:40:24,000 --> 00:40:29,000 Oh, when we first met you were quite the flatterer. 607 00:40:31,000 --> 00:40:34,000 Why are you so sensitive about The Paradise? 608 00:40:37,000 --> 00:40:40,000 I want us to do nothing to give Moray the upper hand. 609 00:40:40,000 --> 00:40:45,000 You can jostle with him, by all means, but do not crush him. 610 00:40:47,000 --> 00:40:49,000 I want him to feel safe there. 611 00:40:51,000 --> 00:40:54,000 I never believed that you abandoned him. 612 00:40:57,000 --> 00:41:02,000 Why would you need to destroy him, if he hadn't broken your heart? 613 00:41:09,000 --> 00:41:12,000 I brought Mademoiselle Clemence into our home... 614 00:41:14,000 --> 00:41:17,000 ..because I have learned I cannot stop you. 615 00:41:18,000 --> 00:41:20,000 Because you cannot stop yourself. 616 00:41:22,000 --> 00:41:26,000 And I have learned that it will pass, she will pass. 617 00:41:28,000 --> 00:41:31,000 And when the passion passes... 618 00:41:32,000 --> 00:41:34,000 ..and you are overcome with shame... 619 00:41:36,000 --> 00:41:38,000 ..I will pick you up and comfort you. 620 00:41:40,000 --> 00:41:44,000 I will love you and be a good wife to you. 621 00:41:49,000 --> 00:41:50,000 But I do not love you freely, Tom. 622 00:41:54,000 --> 00:41:58,000 In exchange, you will not ask me again about what happened 623 00:41:58,000 --> 00:41:59,000 between Moray and I. 624 00:42:08,000 --> 00:42:13,000 What brings you creeping up here at night? I have a dilemma. 625 00:42:13,000 --> 00:42:18,000 I don't know what to do. You would ask my guidance? Of course. 626 00:42:18,000 --> 00:42:22,000 I know that you'll tell me the truth, even if it is difficult. 627 00:42:22,000 --> 00:42:26,000 And something told me you'd know what I should do. The Mademoiselle? 628 00:42:26,000 --> 00:42:29,000 She seems intent on seducing Mr Dudley. 629 00:42:31,000 --> 00:42:34,000 And you haven't told Mr Dudley 630 00:42:34,000 --> 00:42:36,000 what you know about her motives towards him? 631 00:42:36,000 --> 00:42:40,000 If I speak to Mr Dudley about it, it... 632 00:42:42,000 --> 00:42:45,000 ..it would be as though I'm accusing him 633 00:42:45,000 --> 00:42:48,000 of wanting to be unfaithful to his wife, 634 00:42:48,000 --> 00:42:50,000 and I don't know that I can do that. 635 00:42:52,000 --> 00:42:57,000 Mr Dudley came here, talking as I've never heard him talk before. 636 00:42:59,000 --> 00:43:04,000 He was like a man on fire. A man at war with himself. 637 00:43:06,000 --> 00:43:11,000 He had a scented card in his pocket. An invitation, probably. 638 00:43:13,000 --> 00:43:15,000 I suspect he will meet with her tonight. 639 00:43:21,000 --> 00:43:22,000 Edmund? 640 00:43:32,000 --> 00:43:34,000 Edmund? 641 00:43:34,000 --> 00:43:38,000 Might we speak privately, my dear? 642 00:43:38,000 --> 00:43:40,000 I'm rather wedded to the bar. 643 00:43:41,000 --> 00:43:43,000 You can say whatever you want to say right here. 644 00:43:47,000 --> 00:43:51,000 You seem to have taken my decision rather personally. 645 00:43:51,000 --> 00:43:55,000 What you fail to appreciate is that my reasoning concerns 646 00:43:55,000 --> 00:43:58,000 the injustice to a woman having to give up her position. 647 00:43:58,000 --> 00:44:01,000 What about what I must give up? 648 00:44:01,000 --> 00:44:04,000 Have I not fought to keep my little shop alive 649 00:44:04,000 --> 00:44:05,000 through the worst of times? 650 00:44:07,000 --> 00:44:12,000 Do you suppose I put up a "For Sale" sign as easily as tying my shoelace? 651 00:44:12,000 --> 00:44:14,000 It is a wrench to my heart. 652 00:44:16,000 --> 00:44:17,000 But I did it willingly. 653 00:44:19,000 --> 00:44:22,000 I thought you would do the same. 654 00:44:22,000 --> 00:44:26,000 I was wrong. I see that now. 655 00:44:27,000 --> 00:44:31,000 Let us have ale, Landlord. The night is younger than I am! 656 00:44:49,000 --> 00:44:52,000 Let me show you this. You see this coin? 657 00:44:52,000 --> 00:44:55,000 OK, we're going to put it in this hand. Can you say, "abracadabra"? 658 00:44:55,000 --> 00:44:58,000 Abracadabra! And now blow. 659 00:44:58,000 --> 00:45:02,000 Oh, it's not there! Where is it? Blow now. 660 00:45:03,000 --> 00:45:07,000 Oh, it's not here too! What did you do with it, Flora? 661 00:45:07,000 --> 00:45:09,000 I didn't do anything. Oh, I see it! 662 00:45:09,000 --> 00:45:14,000 Oh, mon Dieu! It was in your hair! 663 00:45:14,000 --> 00:45:18,000 And because I found it in your hair, it's for you. Thank you. 664 00:45:21,000 --> 00:45:24,000 It has been the most delightful dinner, 665 00:45:24,000 --> 00:45:26,000 but I hope you will forgive me. 666 00:45:26,000 --> 00:45:27,000 I have another engagement. 667 00:45:29,000 --> 00:45:31,000 It is rude of me, I know, but it is the way in France. 668 00:45:31,000 --> 00:45:33,000 We flit about half the night, 669 00:45:33,000 --> 00:45:35,000 and I'm the most restless Frenchwoman there is. 670 00:45:35,000 --> 00:45:38,000 You are our guest, Clemence. You must come and go as you wish. 671 00:45:38,000 --> 00:45:43,000 Oh, you are spoiling me, and I do so like being spoiled. 672 00:45:46,000 --> 00:45:51,000 Merci. Au revoir. Merci. 673 00:46:02,000 --> 00:46:06,000 Where are you going? I have arranged a rendezvous. 674 00:46:09,000 --> 00:46:10,000 With a man? 675 00:46:12,000 --> 00:46:14,000 I can meet whoever I want to. 676 00:46:39,000 --> 00:46:43,000 I was never much good at talking to girls. Huh. 677 00:46:43,000 --> 00:46:46,000 At work, I could pass the time with them, 678 00:46:46,000 --> 00:46:52,000 but romance, ha! I was always too shy, too awkward. 679 00:46:58,000 --> 00:47:04,000 I chose the most quiet girl in the shop. It made me feel confident. 680 00:47:20,000 --> 00:47:22,000 I don't want to betray my wife. 681 00:47:32,000 --> 00:47:33,000 You are a beautiful man. 682 00:48:26,000 --> 00:48:27,000 Mr Weston, sir. 683 00:48:32,000 --> 00:48:35,000 I am Jonas. Jonas Franks. 684 00:48:37,000 --> 00:48:39,000 Is Mademoiselle Romanis here? 685 00:48:39,000 --> 00:48:42,000 Why would she be here at this time of night, sir? 686 00:48:42,000 --> 00:48:44,000 I believe she has a liaison with a man. 687 00:48:44,000 --> 00:48:49,000 Sir, if I may, I have observed the French lady in her time here, 688 00:48:49,000 --> 00:48:52,000 both with gentlemen and with her own sex. 689 00:48:52,000 --> 00:48:57,000 If you were to ask me where she was tonight, it would not be with a man. 690 00:49:00,000 --> 00:49:02,000 It cannot be. 691 00:49:02,000 --> 00:49:05,000 You need not accept my consideration, sir, 692 00:49:05,000 --> 00:49:09,000 though I have taught myself well to know people, 693 00:49:09,000 --> 00:49:13,000 their ways...and their weaknesses. 694 00:49:13,000 --> 00:49:18,000 Might I suggest you consult with Mr Moray on this matter? 695 00:49:18,000 --> 00:49:21,000 Moray...knows? 696 00:49:21,000 --> 00:49:26,000 He has not told me so himself, but I can tell. 697 00:49:26,000 --> 00:49:28,000 May I suggest you ask him? 698 00:49:37,000 --> 00:49:42,000 Mademoiselle Clemence! What are you doing here? 699 00:49:42,000 --> 00:49:46,000 That man! Jonas! 700 00:49:46,000 --> 00:49:49,000 I was never so afraid of the touch of a hand. 701 00:49:49,000 --> 00:49:54,000 I felt I...I do not dare to refuse him. 702 00:49:54,000 --> 00:49:58,000 Where is Mr Dudley? I don't know. 703 00:49:58,000 --> 00:49:59,000 He took Dudley away. 704 00:50:01,000 --> 00:50:05,000 That way he looked at me, the things he said to me... 705 00:50:05,000 --> 00:50:08,000 It was like he knew me. 706 00:50:08,000 --> 00:50:12,000 Mr Jonas will know all there is to know about you. 707 00:50:12,000 --> 00:50:16,000 Mademoiselle, you've shown such little regard for Mr Dudley. 708 00:50:16,000 --> 00:50:20,000 Why are you so determined to make him face his own weaknesses? 709 00:50:24,000 --> 00:50:27,000 Your tale will be the same as the rest of us. 710 00:50:29,000 --> 00:50:32,000 Human...weak. 711 00:50:35,000 --> 00:50:41,000 I did love someone once. I was young, as young as you are now. 712 00:50:42,000 --> 00:50:46,000 I met an older woman and I knew she was what I'd been waiting for. 713 00:50:48,000 --> 00:50:52,000 I let myself love her. I was helpless. 714 00:50:53,000 --> 00:50:56,000 I felt sure she would leave her husband to be with me. 715 00:50:58,000 --> 00:51:00,000 Slowly, I learned she had no such intentions. 716 00:51:02,000 --> 00:51:04,000 She wanted what was considered proper. 717 00:51:06,000 --> 00:51:12,000 She hated herself for loving me. I would never do that. 718 00:51:12,000 --> 00:51:15,000 I would never punish myself for the way that I love. 719 00:51:16,000 --> 00:51:21,000 She was married to a man like Mr Dudley? 720 00:51:22,000 --> 00:51:24,000 A good and faithful man. 721 00:51:25,000 --> 00:51:27,000 A family man. 722 00:51:29,000 --> 00:51:31,000 How could she choose him over me? 723 00:51:34,000 --> 00:51:37,000 How could she choose that life when I offered her such passion? 724 00:51:53,000 --> 00:51:54,000 I'm coming, I'm coming! 725 00:51:56,000 --> 00:51:58,000 More people come to this door in the dead of night 726 00:51:58,000 --> 00:52:00,000 than during business hours! 727 00:52:13,000 --> 00:52:16,000 What kind of a woman would torment such a dear soul? 728 00:52:18,000 --> 00:52:21,000 What kind of a fool would refuse an offer of marriage 729 00:52:21,000 --> 00:52:22,000 from the man she loves? 730 00:52:24,000 --> 00:52:28,000 I didn't know you had refused. 731 00:52:28,000 --> 00:52:30,000 I didn't. And there wasn't an offer. 732 00:52:31,000 --> 00:52:35,000 You asked me. I did. 733 00:52:39,000 --> 00:52:44,000 Well...I'm asking you now. 734 00:52:46,000 --> 00:52:51,000 And if you say yes, there's to be no untying or doubting 735 00:52:51,000 --> 00:52:55,000 or declining or hesitating... I will. 736 00:53:11,000 --> 00:53:15,000 Jonas? There's a carriage waiting to take you home, sir. 737 00:53:15,000 --> 00:53:17,000 You must leave before the staff arrive. 738 00:53:17,000 --> 00:53:22,000 They must not see you like this. What am I doing here? 739 00:53:22,000 --> 00:53:25,000 A note was sent to your wife, sir, to say that you were detained 740 00:53:25,000 --> 00:53:28,000 overnight by Mr Moray, and there was nothing for her to worry about. 741 00:53:28,000 --> 00:53:30,000 Clemence... 742 00:53:32,000 --> 00:53:34,000 Nothing happened, sir. 743 00:53:34,000 --> 00:53:36,000 There is nothing for you to be troubled by. 744 00:53:37,000 --> 00:53:40,000 The carriage, sir. We must make haste. 745 00:53:48,000 --> 00:53:51,000 Clemence has arranged a demonstration of her firecrackers, 746 00:53:51,000 --> 00:53:55,000 on the street. She has decided to go ahead, with or without us. 747 00:53:55,000 --> 00:53:57,000 It will draw quite a crowd. 748 00:53:57,000 --> 00:54:00,000 They will want to know where they can buy the fireworks. 749 00:54:00,000 --> 00:54:04,000 In the end, this is purely a business matter. 750 00:54:05,000 --> 00:54:08,000 Give her the contract, let's be rid of her. 751 00:54:16,000 --> 00:54:18,000 We'll all strive to maintain 752 00:54:18,000 --> 00:54:21,000 the standards you have set us, Miss Audrey. Nonsense. 753 00:54:21,000 --> 00:54:24,000 I will be forgotten before I reach the end of the street. 754 00:54:32,000 --> 00:54:34,000 I have little doubt it will be you... 755 00:54:52,000 --> 00:54:56,000 Mademoiselle Clemence is correct in what she says, you know. 756 00:55:36,000 --> 00:55:40,000 Take care. Don't fuss, our Denise. We're not vanishing entirely. 757 00:55:40,000 --> 00:55:42,000 Haven't even sold the shop yet. 758 00:55:47,000 --> 00:55:50,000 At our age, Audrey, you have to take the happiness 759 00:55:50,000 --> 00:55:52,000 when it comes after you. 760 00:55:52,000 --> 00:55:54,000 Even if it is tasteless and vulgar. 761 00:55:57,000 --> 00:55:58,000 Walk on. 762 00:56:17,000 --> 00:56:19,000 Jonas. 763 00:56:19,000 --> 00:56:21,000 Dudley told me what you did for him. 764 00:56:21,000 --> 00:56:26,000 You must be careful of Mr Weston, sir. I have known men like him. 765 00:56:26,000 --> 00:56:30,000 He would destroy himself in order to destroy his enemies. 766 00:56:30,000 --> 00:56:36,000 Where are you going, Jonas? South, Mr Dudley. I seek a warmer climate. 767 00:56:36,000 --> 00:56:38,000 What if we were to ask you to stay? 768 00:56:56,000 --> 00:56:58,000 Why didn't you tell Moray? 769 00:56:58,000 --> 00:57:01,000 I don't know. You do know, Denise. 770 00:57:02,000 --> 00:57:06,000 Because so many of the things you said are true, 771 00:57:06,000 --> 00:57:07,000 and I want to keep them. 772 00:57:09,000 --> 00:57:10,000 Goodbye. 773 00:57:50,000 --> 00:57:53,000 We have, all week been taking applications... 774 00:57:53,000 --> 00:57:57,000 for the post vacated by Miss Audrey. Failure? Mistakes? 775 00:57:57,000 --> 00:58:00,000 Do you even believe me capable of filling Miss Audrey's shoes? 776 00:58:00,000 --> 00:58:04,000 Truth is, I cannot bear to have you chosen over me, again. 777 00:58:04,000 --> 00:58:07,000 If you choose to cross swords with me, I will make you remember 778 00:58:07,000 --> 00:58:09,000 you married a soldier. I will meet you head-on! 779 00:58:09,000 --> 00:58:12,000 You're both pawns in their game, that is not a safe thing to be. 780 00:58:12,000 --> 00:58:16,000 Denise, there is someone who would like a word with you privately. 781 00:58:18,000 --> 00:58:20,000 Miss Lovett. 782 00:58:20,025 --> 00:58:51,926 Subtitles by MemoryOnSmells http://UKsubtitles.ru.