1 00:00:00,000 --> 00:00:01,000 Oh, my God. 2 00:00:02,160 --> 00:00:05,480 Don't do it. Be careful. Don't do it. Wow, that was so close. It was 3 00:00:12,520 --> 00:00:15,720 Hey, what's going on, everybody? From First We Feast, I'm Sean Evans. You're 4 00:00:15,720 --> 00:00:19,560 watching Hot Ones, and today we bring you a very special episode brought to 5 00:00:19,560 --> 00:00:23,920 by Stella Artois, the official beer sponsor of Hot Ones, and I'm thrilled to 6 00:00:23,920 --> 00:00:25,780 joined in the studio with Rachel Brosnahan. 7 00:00:26,080 --> 00:00:28,740 She's an Emmy and Golden Globe Award -winning actress known from acclaimed 8 00:00:28,740 --> 00:00:32,280 performances in The Marvelous Mrs. Maisel, Superman, The Broadway Stage, 9 00:00:32,280 --> 00:00:35,660 much more. But today, her scene partner is a gauntlet of scorching hot chicken 10 00:00:35,660 --> 00:00:37,840 wings, Rachel Brosnahan. Welcome to the show. 11 00:00:38,060 --> 00:00:39,060 Thank you. 12 00:00:39,360 --> 00:00:41,660 How are you around spicy food before we get started? 13 00:00:42,330 --> 00:00:47,790 Like, I'm okay. I enjoy spicy food, but I've never tested myself to this degree 14 00:00:47,790 --> 00:00:48,790 before. 15 00:01:12,960 --> 00:01:16,120 Well, before we get into the wings, I want to let you know that we have plenty 16 00:01:16,120 --> 00:01:20,080 of Stella on deck, and I have a feeling they'll come in handy as things begin to 17 00:01:20,080 --> 00:01:22,480 escalate. So what do you say we get started? 18 00:01:23,160 --> 00:01:24,160 Cheers. Cheers. 19 00:01:31,600 --> 00:01:32,600 Oh, God. 20 00:01:36,600 --> 00:01:37,600 Mmm. 21 00:01:38,980 --> 00:01:39,980 That's delicious. 22 00:01:41,100 --> 00:01:45,500 So since premiering in 2017, The Marvelous Mrs. Maisel has become one of 23 00:01:45,500 --> 00:01:49,400 most visually elaborate productions on television, with everything from period 24 00:01:49,400 --> 00:01:53,920 recreations to Carnegie Hall to the Catskills, even scenes with hundreds of 25 00:01:53,920 --> 00:01:57,960 extras. What stands out in your memory as the most jaw -dropping set you've 26 00:01:57,960 --> 00:01:59,360 walked onto filming that show? 27 00:01:59,700 --> 00:02:04,560 Oh, man. It was one of those jobs where I was constantly reminded how lucky we 28 00:02:04,560 --> 00:02:07,720 were to be there, but also one of those things where movie magic just comes 29 00:02:07,720 --> 00:02:09,520 alive in front of you. We shot this. 30 00:02:10,470 --> 00:02:16,350 USO scene with 850 background actors, and they built this stage. It was this 31 00:02:16,350 --> 00:02:19,210 incredible oner that we had rehearsed for days. 32 00:02:19,490 --> 00:02:23,550 And it just, the scope of it, the scale of it, especially for a television show, 33 00:02:23,650 --> 00:02:25,730 was unlike anything I'd ever seen before. 34 00:02:26,030 --> 00:02:29,190 We felt like rock stars. It was one of those things where you just wanted to 35 00:02:29,190 --> 00:02:31,810 bottle the feeling and hold on to it for a sad day. 36 00:02:32,190 --> 00:02:36,450 And then Amy Sherman Palladino has this very unique writing style, rhythmic, 37 00:02:36,670 --> 00:02:41,130 almost musical. It makes me wonder, what are the kinds of highly specific notes 38 00:02:41,130 --> 00:02:44,750 or direction that you get in between takes regarding your character's 39 00:02:45,370 --> 00:02:50,230 Mostly you just hear Amy from offset somewhere going, faster, pace, pace, 40 00:02:50,490 --> 00:02:53,590 You know, she would just yell it all the time. But that was mostly the note. 41 00:02:53,770 --> 00:02:57,310 Faster, faster, faster, pace, pace, pace. Well, on the topic of pace, pace, 42 00:02:57,430 --> 00:03:00,570 pace, are you ready to move on here to the next one? Yeah, let's blow through 43 00:03:00,570 --> 00:03:01,570 it. 44 00:03:07,650 --> 00:03:08,650 Also great. 45 00:03:08,770 --> 00:03:10,550 Okay. I see another affirming nod. 46 00:03:10,770 --> 00:03:12,450 Yeah. So far so good. Delicious. 47 00:03:12,710 --> 00:03:14,510 I know it's going to get bad, but. 48 00:03:14,790 --> 00:03:18,370 Enjoy it while you have it. Exactly. That's right. Thank you, Sean. 49 00:03:18,870 --> 00:03:23,370 So you studied drama at NYU, which has all of these different schools that 50 00:03:23,370 --> 00:03:25,130 specialize in different acting techniques. 51 00:03:25,370 --> 00:03:28,650 What kind of Hogwarts hat sorting process? 52 00:03:29,340 --> 00:03:33,480 Went into your decision to become a disciple of Lee Strasberg. Wow, a 53 00:03:33,640 --> 00:03:37,400 I love that. I wish that I had anything to do with it. Mostly you're just a 54 00:03:37,400 --> 00:03:42,160 terrified 17 -year -old getting shoved into a room with people behind a 55 00:03:42,160 --> 00:03:46,880 clipboard, and you do a monologue, and you're trying not to shit your pants and 56 00:03:46,880 --> 00:03:51,240 cry, and then they sort of look at you, and then somebody goes, Strasberg! 57 00:03:51,800 --> 00:03:56,080 Or what's the Slytherin equivalent, I wonder? 58 00:03:56,460 --> 00:03:57,540 Would that be Adler? 59 00:03:58,230 --> 00:03:59,230 Let's go with that. 60 00:03:59,430 --> 00:04:05,130 Adler, you know. And, yeah, I have no idea. They get it right most of the 61 00:04:05,150 --> 00:04:08,450 I think, so they must be able to see something in people who come in. Can you 62 00:04:08,450 --> 00:04:12,970 explain what sense memory is and then maybe use an example of how you might 63 00:04:12,970 --> 00:04:14,250 it to inform a performance? 64 00:04:14,690 --> 00:04:19,290 I had a drama teacher say once that you should never tell anyone about this 65 00:04:19,290 --> 00:04:21,010 because they think you're fucking crazy. 66 00:04:21,350 --> 00:04:24,570 So I preface this by it's crazy. 67 00:04:25,560 --> 00:04:29,460 We're all crazy. No one gets into this because we're well -adjusted and normal. 68 00:04:29,880 --> 00:04:35,120 My understanding of it is that it's the idea that your body remembers things 69 00:04:35,120 --> 00:04:38,940 that your brain might not. One of the ways it was explained to me was that, 70 00:04:38,940 --> 00:04:42,760 know, for example, if you had experienced snow when you were three 71 00:04:42,840 --> 00:04:47,140 you might not remember what snow felt like, but your body does. 72 00:04:47,380 --> 00:04:52,420 And so you could, in theory, draw upon that experience sensorily to... 73 00:04:52,780 --> 00:04:55,020 make something happen for yourself, I'm kind of feeling. 74 00:04:55,380 --> 00:05:00,020 But ultimately, you end up with a toolbox of things that you can pretty 75 00:05:00,020 --> 00:05:04,880 draw upon to evoke some kind of emotion. 76 00:05:11,420 --> 00:05:14,280 I feel it. There's a little bit of worm. Yeah, there's a little kick at the end 77 00:05:14,280 --> 00:05:18,200 here. To me, in the back of the throat. Oh, yeah. There it goes. 78 00:05:19,360 --> 00:05:21,360 Share an experience, Rachel. Yeah. 79 00:05:21,600 --> 00:05:26,680 You performed at Steppenwolf, the New York Theater Workshop, Brooklyn Academy 80 00:05:26,680 --> 00:05:28,240 Music, Broadway and beyond. 81 00:05:28,620 --> 00:05:32,480 What is pound for pound your favorite theater to perform in and what makes it 82 00:05:32,480 --> 00:05:34,120 the perfect room for a stage actor? 83 00:05:34,460 --> 00:05:36,580 Oh, what a lovely question. 84 00:05:37,040 --> 00:05:41,920 Man, they've all been so different. Those theaters are all completely 85 00:05:41,920 --> 00:05:45,280 from each other. I have such a fond relationship to the Steppenwolf because 86 00:05:45,280 --> 00:05:46,159 from Chicago. 87 00:05:46,160 --> 00:05:49,960 Same. Oh, right. I forgot about that. Where are you from? Crystal Lake. Right. 88 00:05:50,040 --> 00:05:51,800 Highland Park. Yeah, yeah. North Suburbs, Northwest. 89 00:05:52,220 --> 00:05:53,220 Okay. 90 00:05:53,820 --> 00:05:57,040 Yeah, I mean, I love that theater. I grew up going to see shows at the 91 00:05:57,040 --> 00:06:02,700 Steppenwolf, and it's such an intimate space, but you really are standing on 92 00:06:02,700 --> 00:06:04,900 shoulders of giants in that arena. 93 00:06:05,500 --> 00:06:08,720 And it was my first professional theater production. 94 00:06:09,040 --> 00:06:09,999 Was that up? 95 00:06:10,000 --> 00:06:12,900 Up. Oh, my God. Yeah. Wow, you really do dig. 96 00:06:13,200 --> 00:06:14,340 Yeah, up. Exactly. 97 00:06:14,860 --> 00:06:17,860 That was one of those moments, which happened over and over again, if you're 98 00:06:17,860 --> 00:06:22,000 lucky, where I was like, I think I was 18, and I was like, I think this is it. 99 00:06:22,000 --> 00:06:23,000 think this is the dream. 100 00:06:23,120 --> 00:06:24,120 It was amazing. 101 00:06:29,000 --> 00:06:29,959 Notes of peach? 102 00:06:29,960 --> 00:06:33,760 Yeah, at first. And then the habanero really kicks in in the second act. 103 00:06:35,460 --> 00:06:37,280 I'm starting to see where we're going with this. 104 00:06:37,700 --> 00:06:42,400 I'm starting to see homegrown hell approaching fast. It is approaching 105 00:06:42,500 --> 00:06:44,200 too, by the way. It's still nice, though. 106 00:06:44,420 --> 00:06:45,880 I like the flavors. 107 00:06:46,180 --> 00:06:47,780 We can still enjoy what we have. 108 00:06:48,020 --> 00:06:51,780 You had a quote where you talked about how the role of Lois Lane was the 109 00:06:51,780 --> 00:06:53,000 you've ever played to yourself. 110 00:06:53,440 --> 00:06:56,080 What was it about that role that hit so close to home? 111 00:06:56,900 --> 00:06:59,840 It can be kind of obsessive. She can be kind of intense. 112 00:07:00,220 --> 00:07:03,940 I understand that. I think when I really care about something, 113 00:07:04,800 --> 00:07:11,020 I can also be kind of intense about it. I appreciate someone and hope that I can 114 00:07:11,020 --> 00:07:15,100 do that myself who will go to the ends of the earth for the things that they 115 00:07:15,100 --> 00:07:15,939 believe in. 116 00:07:15,940 --> 00:07:20,820 Is it easier or harder to approach a character like Lois Lane that has 75 117 00:07:20,820 --> 00:07:23,880 worth of mythology built up through comic books and other kinds of media? 118 00:07:24,220 --> 00:07:29,240 Probably both because in some ways there's so much material to draw from 119 00:07:29,240 --> 00:07:30,900 there's so many different interpretations. 120 00:07:32,220 --> 00:07:37,420 and also by different comic book artists and writers over the years. And so 121 00:07:37,420 --> 00:07:40,520 there was such a wealth of material to draw from. 122 00:07:40,820 --> 00:07:44,680 But then obviously there's the pressure to do right by the fans who love this 123 00:07:44,680 --> 00:07:47,380 character so much. And have their own kind of ownership over it, yeah. 124 00:07:47,520 --> 00:07:53,120 and they're right. And so we're just trying to fill these really big shoes 125 00:07:53,120 --> 00:07:58,780 make them happy, but also hopefully bring something new to it as well. 126 00:08:06,640 --> 00:08:10,540 I think that this is a nice checkpoint on the mountain, you know, as we 127 00:08:10,540 --> 00:08:13,780 the summit of this whole experience. Yeah, where's the summit, would you say? 128 00:08:14,240 --> 00:08:16,740 Right after this one, you know? Perfect. We're going to dab. 129 00:08:17,040 --> 00:08:19,980 Great. We're going to rip it, and then we're going to get a beautiful view from 130 00:08:19,980 --> 00:08:23,240 the top of the mountain, all right? So a detail that doesn't get brought up 131 00:08:23,240 --> 00:08:26,420 enough is that you wrestled for two years while at Highland Park High 132 00:08:26,600 --> 00:08:30,140 Yeah. What drew you to the mat, and do you see any similarities between acting 133 00:08:30,140 --> 00:08:31,140 and wrestling? 134 00:08:31,640 --> 00:08:32,640 Totally. 135 00:08:32,700 --> 00:08:34,419 To the second part, it's... 136 00:08:34,640 --> 00:08:39,120 hugely improvisational. You're really just watching someone closely and 137 00:08:39,120 --> 00:08:42,159 listening to them and trying to react to them in real time. 138 00:08:42,580 --> 00:08:47,120 What drew me to it, a lot of my friends had been wrestling since junior high, 139 00:08:47,280 --> 00:08:50,300 and I'd always kind of been interested in it. I'm not sure. I was really 140 00:08:50,300 --> 00:08:51,300 competitive. 141 00:08:52,680 --> 00:08:56,720 snowboarded with a bunch of guys who wrestled and had always just been 142 00:08:56,720 --> 00:09:00,080 about it. Yeah, and you were a snowboard instructor too, right? I was, yeah, for 143 00:09:00,080 --> 00:09:01,940 a couple years out in Wisconsin. 144 00:09:02,300 --> 00:09:04,460 That's like the nearest, very icy. 145 00:09:04,720 --> 00:09:06,540 There's a couple mountains there, very small. 146 00:09:07,400 --> 00:09:14,240 And yeah, a couple buddies did it and my parents were horrified and never came 147 00:09:14,240 --> 00:09:18,760 to a match until like the very end of my wrestling career. And then I 148 00:09:20,440 --> 00:09:22,600 I opted for musical theater, which was a poor choice. 149 00:09:23,000 --> 00:09:26,220 I can't sing or dance. Imagine what would have happened if you really just 150 00:09:26,220 --> 00:09:27,280 doubled down on wrestling. 151 00:09:27,860 --> 00:09:31,380 I would have had a very different life. I would have been on Glow is what would 152 00:09:31,380 --> 00:09:32,139 have happened. 153 00:09:32,140 --> 00:09:36,020 What's it like going back to high school after doing a Michael Bay movie? Does 154 00:09:36,020 --> 00:09:39,060 your popularity skyrocket or do you return to more of the same? 155 00:09:39,340 --> 00:09:42,900 I don't think that many people knew that I had done it. 156 00:09:43,520 --> 00:09:46,340 Because truthfully, I wasn't... 157 00:09:46,700 --> 00:09:49,760 I don't think I was well known for my acting talent in high school. 158 00:09:49,960 --> 00:09:55,160 I, like, barely made the school plays and was mostly in the chorus, but just 159 00:09:55,160 --> 00:10:00,240 loved it and was maybe insane to think that I could actually do it. The naivete 160 00:10:00,240 --> 00:10:05,080 of youth. Yeah, exactly. And so I started looking for opportunity outside 161 00:10:05,080 --> 00:10:09,740 school because I wanted to act and wasn't really, you know, hadn't made 162 00:10:09,740 --> 00:10:10,940 musicals at that point. 163 00:10:11,480 --> 00:10:15,680 And I had this opportunity when that movie, The Unborn, came through Chicago. 164 00:10:16,160 --> 00:10:19,020 Nothing was different. I mean, my parents were still mad at me for not 165 00:10:19,020 --> 00:10:20,020 straight A's. 166 00:10:20,160 --> 00:10:23,140 And I think my parents thought it was fine. Missing the AP Calc exam and on 167 00:10:23,140 --> 00:10:25,920 on. Yeah, exactly. Wow, you really dove deep. 168 00:10:32,640 --> 00:10:33,660 Things are changing. 169 00:10:34,060 --> 00:10:35,760 Yeah, this is another stop. 170 00:10:36,100 --> 00:10:39,620 It really announces that we're in the back half at this point. Yeah, tastes 171 00:10:39,620 --> 00:10:40,620 still great. 172 00:10:41,690 --> 00:10:43,230 Really, at first. 173 00:10:44,450 --> 00:10:46,510 But then, yeah, you're a little more awake now. 174 00:10:46,890 --> 00:10:48,450 Yeah, I'm awake. 175 00:10:48,750 --> 00:10:51,950 Yeah, same page, same wavelength right now. Great. 176 00:10:52,370 --> 00:10:55,230 Have you ever had a moment in your career where you feel like you gave 177 00:10:55,230 --> 00:10:59,910 everything to a scene only to have it cut from the TV show or film? And if so, 178 00:11:00,110 --> 00:11:03,670 is that a painful experience or just the cost of doing business as an actor? 179 00:11:03,930 --> 00:11:08,930 I've definitely had things that were cut, but I feel like so far... 180 00:11:09,840 --> 00:11:12,980 I can recognize that it's usually for the betterment of the story as a whole. 181 00:11:13,060 --> 00:11:16,760 Like it helps the pace or it helps clarify something for the central 182 00:11:17,020 --> 00:11:20,260 But I can't wait to get fully cut out of something sometime in my future. 183 00:11:20,760 --> 00:11:24,000 I hate to say it out loud, but I have yet to be fired. And that's a rite of 184 00:11:24,000 --> 00:11:27,520 passage that, you know, we all deserve to have at some point. What would you 185 00:11:27,520 --> 00:11:32,200 estimate to be your personal record for most takes ever requested by a director 186 00:11:32,200 --> 00:11:33,380 while shooting a single scene? 187 00:11:33,620 --> 00:11:37,440 I had the privilege of being on the first season of House of Cards. 188 00:11:38,680 --> 00:11:41,060 And David Fincher directed the pilot. 189 00:11:41,260 --> 00:11:44,740 I had been warned that he likes to do a number of takes. 190 00:11:44,960 --> 00:11:49,480 I don't know how many it was, but we did so many takes of my first scene, which 191 00:11:49,480 --> 00:11:54,180 was a scene where Michael Kelly, who played Doug Stamper, put a wad of money 192 00:11:54,180 --> 00:11:54,979 my mouth. 193 00:11:54,980 --> 00:12:00,060 And by the time we were done, I couldn't see him anymore. Like, there was a 194 00:12:00,060 --> 00:12:03,690 light. behind him like there is you right now and at some point you should 195 00:12:03,690 --> 00:12:07,750 being able to see your scene partner which maybe is the point i don't know 196 00:12:07,750 --> 00:12:11,150 there's something to you know you do a couple takes and they're fine and then 197 00:12:11,150 --> 00:12:16,130 everything's horrible for a really long time and if you're lucky you push 198 00:12:16,130 --> 00:12:20,170 through and something magical find that magic after you push through yeah 199 00:12:20,760 --> 00:12:25,020 Honestly, not that different from the experience right here. Because here we 200 00:12:25,020 --> 00:12:27,360 are, six down. Great transition time. 201 00:12:28,260 --> 00:12:30,300 Take a great deal of pride in this segue. 202 00:12:37,300 --> 00:12:39,100 And this to me is another jump. 203 00:12:41,020 --> 00:12:42,020 Significant jump. 204 00:12:43,240 --> 00:12:44,240 Whoa. 205 00:12:45,420 --> 00:12:46,420 Whoa. 206 00:12:51,000 --> 00:12:54,380 So I understand that your father worked in children's publishing. I know that 207 00:12:54,380 --> 00:12:57,660 you're an avid reader. I've heard you describe yourself as an anglophile. 208 00:12:58,040 --> 00:13:03,700 If you could adapt one fantasy novel from your youth to turn into a film, 209 00:13:03,700 --> 00:13:04,700 would it be? 210 00:13:04,900 --> 00:13:05,900 Oh, my God. 211 00:13:06,900 --> 00:13:10,400 Don't do it. Be careful. Don't do it. Wow, that was so close. It was 212 00:13:11,160 --> 00:13:12,520 I'm just going to cry openly. 213 00:13:13,060 --> 00:13:17,800 There was a lesser known series called Daughters of the Moon that I read. 214 00:13:18,740 --> 00:13:20,220 alongside no one else. 215 00:13:21,180 --> 00:13:23,340 One second, please. 216 00:13:23,740 --> 00:13:24,740 Take your time. 217 00:13:25,580 --> 00:13:26,580 Holy shit. 218 00:13:27,520 --> 00:13:28,520 Oh, 219 00:13:29,000 --> 00:13:31,840 wow. Okay, I'm going to do this because I haven't touched... That's a veteran 220 00:13:31,840 --> 00:13:34,240 move right there. I do that sometimes, too. 221 00:13:35,360 --> 00:13:37,620 Wow, what was the question? 222 00:13:37,880 --> 00:13:38,880 Oh, Daughters of the Moon. 223 00:13:39,780 --> 00:13:45,880 I tried a couple years back to adapt that into a television series, and I'd 224 00:13:45,880 --> 00:13:49,820 still love to. It's about these four young women, who are just trying to be 225 00:13:49,820 --> 00:13:54,000 normal high schoolers and learn that they have magical powers. 226 00:13:54,340 --> 00:13:57,660 And I think it's really empowering to young women. 227 00:13:58,440 --> 00:14:01,560 And they deserve to have that. 228 00:14:01,940 --> 00:14:05,900 So one day, look out for Daughters of the Moon. 229 00:14:06,660 --> 00:14:07,660 Yeah. 230 00:14:09,840 --> 00:14:11,460 I do think this is helping. 231 00:14:12,720 --> 00:14:13,720 No, it does. 232 00:14:14,160 --> 00:14:16,220 Beer is a good lifeline. 233 00:14:16,540 --> 00:14:18,920 Okay. If you're ready to move on. Yeah, great. Let's go. This is the bomb beyond 234 00:14:18,920 --> 00:14:19,920 insanity. 235 00:14:23,320 --> 00:14:24,320 Be careful. 236 00:14:24,640 --> 00:14:25,660 Do you ever say a prayer? 237 00:14:26,040 --> 00:14:27,860 Yeah, in my head. Yeah, how's it go? 238 00:14:28,100 --> 00:14:29,600 Yeah. Will you say one for us? 239 00:14:30,920 --> 00:14:32,080 Who are we looking at? 240 00:14:33,900 --> 00:14:36,200 Looking up to the spice gods. 241 00:14:36,420 --> 00:14:41,200 Yeah. Please give us the strength to make it all the way to the end. We know 242 00:14:41,200 --> 00:14:43,480 that you'll challenge us. Are you looking down at hell right now? With the 243 00:14:43,480 --> 00:14:44,480 beyond insanity. 244 00:14:45,180 --> 00:14:49,520 It's helpful to look up and down. You were like, to heaven and to hell. Yeah. 245 00:14:49,720 --> 00:14:52,960 Whoever's going to help us out here, I'll take it from either side. Great. 246 00:14:53,180 --> 00:14:54,159 No lips. 247 00:14:54,160 --> 00:14:55,160 Deep. 248 00:14:56,300 --> 00:14:57,299 Oh, God. 249 00:14:57,300 --> 00:14:58,940 Oh, God. Two legs. 250 00:14:59,260 --> 00:15:00,179 Oh, God. 251 00:15:00,180 --> 00:15:01,180 Oh, no. 252 00:15:03,080 --> 00:15:04,080 Mm -hmm. 253 00:15:04,860 --> 00:15:05,860 Wow. 254 00:15:07,820 --> 00:15:08,820 Oh, no. 255 00:15:09,420 --> 00:15:10,480 Yeah, just be careful. 256 00:15:10,960 --> 00:15:11,960 Hands. 257 00:15:13,829 --> 00:15:16,250 Cool. We'll stay like this for a while. 258 00:15:17,850 --> 00:15:18,950 Wings fly through this. 259 00:15:19,410 --> 00:15:23,070 What I've done is I've pulled some of Midge's most iconic looks. 260 00:15:23,470 --> 00:15:25,410 We're going to pull them up over here on the monitor. 261 00:15:25,670 --> 00:15:28,750 I'm just kind of curious what the costume says. 262 00:15:30,250 --> 00:15:31,290 I'm sobbing. 263 00:15:32,010 --> 00:15:35,030 Is there anything significant about the color pink in wardrobe choices? 264 00:15:35,270 --> 00:15:36,270 What do I do? 265 00:15:37,790 --> 00:15:38,790 Probably. 266 00:15:39,910 --> 00:15:42,610 Our costume designer. 267 00:15:43,150 --> 00:15:49,330 Donna, Amy used to say that Donna discovered, holy shit, 268 00:15:49,550 --> 00:15:53,490 so many new shades of pink. 269 00:15:54,150 --> 00:15:57,770 She invented shades of pink for this show. 270 00:15:59,230 --> 00:16:01,930 That one, I don't know what it's called. 271 00:16:02,210 --> 00:16:05,730 Up next, I believe Donna described red as a power color. 272 00:16:06,370 --> 00:16:07,370 Do you agree? 273 00:16:07,850 --> 00:16:09,750 What role does it play in the costume here? 274 00:16:10,200 --> 00:16:11,099 Am I sweating? 275 00:16:11,100 --> 00:16:15,620 Yeah. How red do I look? You know how you were talking about not being able to 276 00:16:15,620 --> 00:16:18,840 see a scene partner just the way I do? You can't see me anymore? That's kind of 277 00:16:18,840 --> 00:16:19,840 where I'm at right now. 278 00:16:19,940 --> 00:16:26,220 Yes, I'm sure it is a power color in some states, and New York was one of 279 00:16:26,220 --> 00:16:31,240 on this day. Up next, what makes this the right fit for attending a friend's 280 00:16:31,240 --> 00:16:32,400 wedding after a falling out? 281 00:16:32,640 --> 00:16:37,120 I mean, you know, it's, like, conservative in some ways, but there's a 282 00:16:37,180 --> 00:16:41,740 like, boob cut out so that you can steal the attention. 283 00:16:42,320 --> 00:16:46,060 You want people to look at you and take you seriously. 284 00:16:46,440 --> 00:16:51,180 And then lastly, have you ever had a time where a wardrobe has failed you 285 00:16:51,180 --> 00:16:54,040 a shoot? You do a lot of high fashion running. 286 00:16:54,260 --> 00:16:57,480 It makes me wonder if a heel ever snapped or anything like that. I'm going 287 00:16:57,480 --> 00:16:58,480 put that on my resume. 288 00:16:59,420 --> 00:17:04,359 A heel has definitely snapped on the Marvelous Mrs. Maisel more than once. 289 00:17:04,359 --> 00:17:06,300 it's tough when they're vintage because there's no... 290 00:17:06,670 --> 00:17:12,470 replacement so if you look really closely you can probably see some um wow 291 00:17:12,470 --> 00:17:17,310 really sweating you can probably see some uh lack of continuity with the 292 00:17:17,310 --> 00:17:23,430 how we feeling we are feeling so many things i don't know what we just looked 293 00:17:23,430 --> 00:17:28,730 here's the good news nothing is as bad as what you just ate you just had the 294 00:17:28,730 --> 00:17:33,250 worst one yes i think you're lying no i don't i'm actually at the chicken wing 295 00:17:33,250 --> 00:17:36,580 talk show host of the highest dignity I don't know. There's something about your 296 00:17:36,580 --> 00:17:37,580 eyes. 297 00:17:43,520 --> 00:17:45,060 I can't taste it anymore. 298 00:17:45,700 --> 00:17:47,620 Oh, man. 299 00:17:50,680 --> 00:17:55,880 Helps. For the uninitiated, what makes Xenon Girl of the 21st Century a goaded 300 00:17:55,880 --> 00:17:56,880 children's movie? 301 00:17:57,000 --> 00:18:02,420 I mean, her one earring, she inspired a generation of fashion girlies. 302 00:18:03,150 --> 00:18:04,830 She had a computer chip on her ear. 303 00:18:05,430 --> 00:18:08,190 Nothing says Y2K more than that. 304 00:18:09,010 --> 00:18:12,050 I would love the Xenon girl at the 21st Century Reunion. 305 00:18:12,290 --> 00:18:13,590 Broadway adaptation, maybe. 306 00:18:13,850 --> 00:18:15,230 A Broadway adaptation. 307 00:18:15,490 --> 00:18:17,810 I shall not be performing the lead role. 308 00:18:23,210 --> 00:18:26,870 So this is the last dab. We call it the last dab because it's tradition around 309 00:18:26,870 --> 00:18:29,190 here to put a little extra on the last wing. You don't have to if you don't 310 00:18:29,190 --> 00:18:30,610 to. You're doing it. 311 00:18:31,540 --> 00:18:33,480 You're doing it. I'm going to tell you. Okay, hold on. 312 00:18:34,680 --> 00:18:35,680 How do we get in there? 313 00:18:36,220 --> 00:18:38,200 I can give you mine if it's tough with the nails. 314 00:18:38,400 --> 00:18:41,820 I don't know if there's a fresh manicure. I don't know. It is, but fuck 315 00:18:41,980 --> 00:18:42,980 We're here. 316 00:18:43,020 --> 00:18:44,020 We're here. 317 00:18:44,680 --> 00:18:48,500 That's good. That's good. That's good. I just do a little dip and rip. 318 00:18:49,100 --> 00:18:52,180 This is something to be proud of. We've gotten all the way. This is something to 319 00:18:52,180 --> 00:18:53,860 be proud of. You're exactly right. This is the moment. 320 00:18:54,580 --> 00:18:57,060 Cheers. Is that too much? Am I going to die? 321 00:18:57,630 --> 00:19:00,230 Uh, you know, we're going out of the way. 322 00:19:00,970 --> 00:19:01,970 Oh, 323 00:19:02,330 --> 00:19:04,250 God. 324 00:19:07,250 --> 00:19:11,090 And with that, the wings of death are behind us. 325 00:19:11,850 --> 00:19:17,230 Hey. And to close things out, tonally, what's the difference between your 326 00:19:17,230 --> 00:19:20,130 natural speaking voice and the way that your character talks? 327 00:19:20,410 --> 00:19:23,750 Like, how would Midge describe conquering the wings of death today? 328 00:19:23,950 --> 00:19:25,410 I feel like Midge would be like... 329 00:19:26,990 --> 00:19:27,990 Fuck you, Sean. 330 00:19:28,550 --> 00:19:30,550 Get my tits up. 331 00:19:31,770 --> 00:19:38,330 And she'd have some excellent joke that I'm too spiced out right now. Spiced 332 00:19:38,330 --> 00:19:41,130 out. Is that the professional term? Yeah, yeah, yeah. That's the industry 333 00:19:41,130 --> 00:19:42,130 -specific vernacular. 334 00:19:42,430 --> 00:19:47,510 No, I feel like mid -talk at ten times the speed that I can in my real life. 335 00:19:47,910 --> 00:19:53,350 And, you know, to be honest, a lot of that was brought on by Corset and Amy 336 00:19:53,350 --> 00:19:55,550 -camera being like, talk faster, talk faster. 337 00:19:56,190 --> 00:20:00,350 And there was only one way to do it. And so that just became Midge's voice. 338 00:20:00,690 --> 00:20:05,370 Well, look at you, Rachel Rosnahan, taking on the weight of death, 339 00:20:06,110 --> 00:20:10,230 living to tell the tale. And now there's nothing left to do but cheers with 340 00:20:10,230 --> 00:20:14,530 Estella to the summit and the beautiful view. Cheers to the beautiful view. 341 00:20:14,630 --> 00:20:15,790 Thank you for this adventure. 342 00:20:16,770 --> 00:20:21,010 And now there's nothing left to do but roll out the red carpet for you. This 343 00:20:21,010 --> 00:20:23,790 camera, this camera, this camera. Let the people know what you have going on 344 00:20:23,790 --> 00:20:24,539 your life. 345 00:20:24,540 --> 00:20:28,160 I'm currently shooting the second season of Presumed Innocent for Apple. 346 00:20:28,860 --> 00:20:33,180 And I'm shortly going to start shooting the next Superman film, Man of Tomorrow. 347 00:20:35,600 --> 00:20:36,600 Thanks, y 'all. 348 00:20:41,080 --> 00:20:43,420 Worse than you thought it would be? What you thought it would be? 349 00:20:43,660 --> 00:20:45,620 I wasn't sure I'd be able to make it to the end. 350 00:20:45,940 --> 00:20:47,520 So better. 351 00:20:48,240 --> 00:20:51,400 Competitiveness. I learned something about myself today. That's exactly 352 00:20:51,920 --> 00:20:53,000 I'm sobbing.