1
00:00:03,665 --> 00:00:06,225
(bright music)

2
00:00:13,305 --> 00:00:14,265
(Beauty whinnies)

3
00:00:14,265 --> 00:00:17,505
(rumbling in distance)

4
00:00:18,665 --> 00:00:19,825
- What was that?

5
00:00:19,825 --> 00:00:20,665
- I don't know.

6
00:00:22,145 --> 00:00:24,105
(rumbling in distance)

7
00:00:24,145 --> 00:00:24,945
Thunder?

8
00:00:26,145 --> 00:00:27,425
- [Vicky] He's trembling.

9
00:00:29,025 --> 00:00:30,465
- Maybe it was an earthquake.

10
00:00:30,465 --> 00:00:31,945
- Don't be silly.

11
00:00:31,945 --> 00:00:35,705
Earthquakes happen in Turkey and Japan and

12
00:00:35,705 --> 00:00:37,145
places like that.

13
00:00:37,145 --> 00:00:39,505
(rumbling in distance)

14
00:00:39,505 --> 00:00:41,625
(Beauty neighs)

15
00:00:41,625 --> 00:00:44,385
(dramatic music)

16
00:01:24,905 --> 00:01:27,665
(birds chirping)

17
00:01:38,825 --> 00:01:40,185
- Good afternoon to you.

18
00:01:40,185 --> 00:01:41,785
- Good afternoon.

19
00:01:41,825 --> 00:01:43,825
- Could you tell us the
way to the village, miss?

20
00:01:43,825 --> 00:01:45,825
We've been lost this last couple of hours.

21
00:01:45,825 --> 00:01:47,345
- Wandering in circles,

22
00:01:47,345 --> 00:01:49,465
(tuts) with a terrible thirst upon us.

23
00:01:49,465 --> 00:01:52,105
- We live quite near here if
you want a drink of water.

24
00:01:52,105 --> 00:01:54,065
- Ah, that's very kind of you.

25
00:01:54,065 --> 00:01:55,665
Very kind indeed.

26
00:01:55,665 --> 00:01:57,305
But, er, water?

27
00:01:58,185 --> 00:02:01,545
Well, I was once told never to touch it.

28
00:02:01,545 --> 00:02:03,465
- So what do you drink instead?

29
00:02:03,465 --> 00:02:05,105
- Well, a kind of medicine

30
00:02:05,105 --> 00:02:06,785
- I expect my father has some.

31
00:02:06,785 --> 00:02:07,945
He's a doctor.

32
00:02:07,945 --> 00:02:10,065
- (laughs) Well, I don't
think we'll bother him

33
00:02:10,065 --> 00:02:11,025
just the same.

34
00:02:11,025 --> 00:02:12,745
Ah, we can get plenty
of it in the village.

35
00:02:12,745 --> 00:02:15,145
- At the, erm, Red Lion?

36
00:02:15,985 --> 00:02:17,305
- Oh!
- Oh!

37
00:02:17,305 --> 00:02:18,825
(both laughing)

38
00:02:18,825 --> 00:02:20,665
Bless you, miss. (laughs)

39
00:02:20,665 --> 00:02:22,265
There's no fooling you, is there, huh?

40
00:02:22,265 --> 00:02:25,665
(rumbling in distance)

41
00:02:25,665 --> 00:02:28,305
(Beauty neighs)

42
00:02:31,945 --> 00:02:33,745
- There, there, me old son.

43
00:02:33,745 --> 00:02:35,545
Is it the blasting that's frightening you?

44
00:02:35,545 --> 00:02:36,385
- Blasting?

45
00:02:36,385 --> 00:02:38,425
- Yeah, from the new railway line.

46
00:02:39,225 --> 00:02:40,985
- What do you call him?

47
00:02:40,985 --> 00:02:42,385
- Black Beauty.

48
00:02:42,385 --> 00:02:43,505
- Black Beauty, huh?

49
00:02:44,345 --> 00:02:46,825
- You'll get to the
village if you go that way

50
00:02:46,825 --> 00:02:48,545
and second turn on the right.

51
00:02:49,465 --> 00:02:50,305
- Ah.

52
00:02:51,225 --> 00:02:52,665
Thank you, miss.

53
00:02:52,665 --> 00:02:53,505
- Goodbye.

54
00:02:53,505 --> 00:02:54,345
- Bye-bye.
- Goodbye.

55
00:02:54,385 --> 00:02:55,585
- [Vicky] Come on, Beauty.

56
00:02:57,825 --> 00:02:58,985
- Black Beauty, huh?

57
00:03:00,225 --> 00:03:01,545
Now, how would a country doctor

58
00:03:01,545 --> 00:03:03,665
come to own a sweet
thoroughbred like that?

59
00:03:04,785 --> 00:03:07,705
(blasting rumbles)

60
00:03:10,185 --> 00:03:12,945
(dramatic music)

61
00:03:37,985 --> 00:03:39,345
- Good heavens!

62
00:03:39,345 --> 00:03:42,345
(knocks on door)

63
00:03:42,345 --> 00:03:43,865
Er--
- 'Round the back.

64
00:03:43,865 --> 00:03:44,705
- I beg your pardon?

65
00:03:44,705 --> 00:03:45,505
- The doctor's 'round the back.

66
00:03:45,545 --> 00:03:46,345
- Yes, but I just--

67
00:03:46,345 --> 00:03:48,225
- You'll have to wait
your turn with the rest.

68
00:03:54,545 --> 00:03:57,425
(hooves clopping)

69
00:04:01,425 --> 00:04:03,865
(bell dings)

70
00:04:07,145 --> 00:04:08,225
- I won't be a moment.

71
00:04:13,545 --> 00:04:14,385
Henry!

72
00:04:15,425 --> 00:04:17,625
Henry Bullivant!

73
00:04:17,625 --> 00:04:20,145
- (laughing) Hello, James.

74
00:04:20,145 --> 00:04:20,985
- What?

75
00:04:20,985 --> 00:04:21,825
- Oh.

76
00:04:21,825 --> 00:04:23,265
- Oh, erm, you're supposed to be

77
00:04:23,305 --> 00:04:25,265
building bridges in Australia.

78
00:04:25,265 --> 00:04:26,105
- Ah, New Zealand!

79
00:04:26,105 --> 00:04:27,545
But that was six and a half years ago.

80
00:04:27,545 --> 00:04:29,025
- (laughs) Sit down.

81
00:04:29,065 --> 00:04:30,825
How on earth did you know I was here?

82
00:04:30,825 --> 00:04:32,065
- Oh, I didn't.

83
00:04:32,065 --> 00:04:33,705
Simply paying a visit to the local doctor.

84
00:04:33,745 --> 00:04:35,145
I had no idea it was you.

85
00:04:35,145 --> 00:04:36,905
- How extraordinary!

86
00:04:36,905 --> 00:04:40,545
It's good to see you
again, Henry, it really is.

87
00:04:40,545 --> 00:04:41,785
What are you doing here?

88
00:04:41,785 --> 00:04:43,785
- Building a branch line
to the new factories

89
00:04:43,785 --> 00:04:45,185
the other side of Mann Hill.

90
00:04:46,465 --> 00:04:49,105
(lively music)

91
00:04:53,865 --> 00:04:57,385
- And what if there's a big
brute of a dog over there,

92
00:04:57,385 --> 00:04:59,705
just waiting to rip us to pieces?

93
00:04:59,705 --> 00:05:02,785
- What are you doing making
problems, Michael Sullivan,

94
00:05:02,785 --> 00:05:04,785
letting your cowardly
imagination run away with you.

95
00:05:04,825 --> 00:05:05,705
- No, Jim, no.

96
00:05:05,705 --> 00:05:07,305
No, I've got a feeling

97
00:05:07,305 --> 00:05:08,705
that we are heading for trouble.

98
00:05:08,705 --> 00:05:11,545
- Look, I am fed up of digging
and I'm fed up of working!

99
00:05:12,465 --> 00:05:15,065
There's breeding in every
muscle of that animal.

100
00:05:15,065 --> 00:05:16,185
That one is an Irish thoroughbred,

101
00:05:16,185 --> 00:05:17,905
so what right have they to have him?

102
00:05:17,905 --> 00:05:19,905
- But what are we going to do with him?

103
00:05:19,905 --> 00:05:20,745
- There you go again.

104
00:05:20,745 --> 00:05:21,985
"What are we going to do with him?"

105
00:05:21,985 --> 00:05:23,905
Make a fortune with him, of course!

106
00:05:25,745 --> 00:05:26,545
- Crazy.

107
00:05:26,545 --> 00:05:27,425
- Look, you'll see.

108
00:05:27,425 --> 00:05:29,425
That horse will be the making of us.

109
00:05:29,425 --> 00:05:30,865
The making of us!

110
00:05:30,865 --> 00:05:33,545
(lively music)

111
00:05:41,425 --> 00:05:42,265
- Henry.

112
00:05:43,785 --> 00:05:44,705
- Mm!

113
00:05:44,705 --> 00:05:45,985
Thank you very much.

114
00:05:45,985 --> 00:05:47,265
(drink pouring)

115
00:05:47,265 --> 00:05:51,065
Gunpowder, dynamites,
gelignites, nitroglycerin.

116
00:05:51,065 --> 00:05:51,905
- More cake?

117
00:05:51,905 --> 00:05:52,905
- Eh?

118
00:05:52,905 --> 00:05:54,945
Oh, thank you, Miss Winthrop.

119
00:05:54,985 --> 00:05:56,945
We used gunpowder this afternoon,

120
00:05:56,945 --> 00:05:59,505
what we call a low explosive,
safer than the others.

121
00:05:59,545 --> 00:06:00,985
- Sounds dangerous enough to me.

122
00:06:00,985 --> 00:06:02,865
- Oh, safe as houses if
you know what you're doing.

123
00:06:02,865 --> 00:06:05,385
- But why use explosions
at all, Mr. Bullivant?

124
00:06:05,385 --> 00:06:06,785
- Well, in these modern times, Vicky,

125
00:06:06,785 --> 00:06:08,185
people want things done in a hurry.

126
00:06:08,185 --> 00:06:09,585
- More's the pity.

127
00:06:09,585 --> 00:06:11,665
- I'd love to see a big explosion.

128
00:06:11,665 --> 00:06:13,185
- Oh, well, unfortunately
we shan't be doing

129
00:06:13,225 --> 00:06:14,225
any more blasting.

130
00:06:14,225 --> 00:06:16,065
- Well, that'll please Beauty.

131
00:06:16,065 --> 00:06:16,945
He hated it.

132
00:06:16,945 --> 00:06:18,865
- Oh, horses get used to it.

133
00:06:18,865 --> 00:06:21,545
Do you know, James, that
hill, erm, Mann Hill.

134
00:06:21,545 --> 00:06:23,705
Now, if we run a cutting
right through there,

135
00:06:23,705 --> 00:06:25,745
we drop the line by about four miles.

136
00:06:26,625 --> 00:06:29,185
But my lords and masters in
the Great Western Railway

137
00:06:29,185 --> 00:06:30,305
seem to be against it.

138
00:06:31,625 --> 00:06:34,305
(lively music)

139
00:06:57,185 --> 00:06:59,665
Oh, er, don't forget
tomorrow if you want to see

140
00:06:59,665 --> 00:07:01,305
track being laid, Kevin.

141
00:07:01,305 --> 00:07:03,065
- Don't worry, he'll be ready.

142
00:07:03,065 --> 00:07:03,905
- Bye, Vicky.

143
00:07:03,905 --> 00:07:04,745
- [Vicky] Bye.

144
00:07:07,625 --> 00:07:10,385
(birds chirping)

145
00:07:14,065 --> 00:07:15,625
- Right, now listen.

146
00:07:15,625 --> 00:07:18,265
We go down to the pub and
stay there till it's dark,

147
00:07:18,265 --> 00:07:20,345
then take a nice, quiet
stroll back up here

148
00:07:20,345 --> 00:07:22,305
and collect our horse.

149
00:07:22,305 --> 00:07:24,265
- And what if our horse won't come?

150
00:07:24,265 --> 00:07:25,825
- What if, what if, what if!

151
00:07:25,825 --> 00:07:26,825
You're full of what ifs.

152
00:07:26,825 --> 00:07:28,065
Of course he'll come.

153
00:07:28,065 --> 00:07:29,945
And I know exactly where to hide him.

154
00:07:32,825 --> 00:07:36,625
(Miss Winthrop playing piano)

155
00:07:50,545 --> 00:07:53,345
(dramatic music)

156
00:08:13,385 --> 00:08:14,625
Easy, boy.

157
00:08:14,625 --> 00:08:16,025
(Beauty snorts and whinnies)

158
00:08:16,025 --> 00:08:17,105
- Whoa, whoa!

159
00:08:18,025 --> 00:08:19,665
Go on, go on.

160
00:08:19,665 --> 00:08:20,825
(Beauty whinnies)

161
00:08:20,825 --> 00:08:23,025
(Miss Winthrop playing piano)

162
00:08:23,025 --> 00:08:25,065
- Did you hear that?

163
00:08:25,065 --> 00:08:26,625
- Hm?

164
00:08:26,625 --> 00:08:28,465
- It was Beauty.

165
00:08:28,465 --> 00:08:31,065
(page rustles)

166
00:08:31,945 --> 00:08:34,265
- I didn't hear anything.

167
00:08:34,305 --> 00:08:35,785
- I'm sure it was.

168
00:08:36,665 --> 00:08:38,745
Those bangs have upset him.

169
00:08:38,745 --> 00:08:39,985
- Don't fuss, Vicky.

170
00:08:41,625 --> 00:08:45,465
(Miss Winthrop playing piano)

171
00:08:46,345 --> 00:08:47,945
- There you are, me old son.

172
00:08:47,945 --> 00:08:50,265
That should keep you quiet for a while.

173
00:08:50,305 --> 00:08:51,705
- I'd better go and calm him.

174
00:08:51,705 --> 00:08:52,545
- I'll come, too.

175
00:08:52,545 --> 00:08:53,345
- [James] Sit down.

176
00:08:54,985 --> 00:08:56,545
- [Vicky] But Father--

177
00:08:56,545 --> 00:08:57,385
- Both of you.

178
00:09:01,105 --> 00:09:02,465
- Oh, all right.

179
00:09:03,305 --> 00:09:07,145
(Miss Winthrop playing piano)

180
00:09:16,105 --> 00:09:19,105
(tense music)

181
00:09:19,105 --> 00:09:20,185
- That a boy.

182
00:09:21,105 --> 00:09:22,225
That a boy.

183
00:09:22,225 --> 00:09:24,105
How are you doing, Michael?

184
00:09:24,105 --> 00:09:25,745
- He nearly wa"ed on me fingers.

185
00:09:26,785 --> 00:09:30,105
(Beauty nickers)

186
00:09:30,105 --> 00:09:32,385
(tense music)

187
00:09:32,385 --> 00:09:34,665
Will you be able to manage him?

188
00:09:34,665 --> 00:09:35,465
- Manage him?

189
00:09:35,465 --> 00:09:36,665
- Yeah.

190
00:09:36,665 --> 00:09:38,625
- The greatest trainer
in the west of Ireland

191
00:09:38,665 --> 00:09:41,825
could make a wild Arab
stallion eat outta me hand.

192
00:09:41,825 --> 00:09:42,825
Come on.

193
00:09:42,825 --> 00:09:45,105
There's a fortune waiting
for the three of us.

194
00:09:45,105 --> 00:09:48,185
Come on. (clicks tongue)

195
00:09:48,185 --> 00:09:52,025
(Miss Winthrop playing piano)

196
00:09:53,705 --> 00:09:56,465
(Beauty nickers)

197
00:09:58,225 --> 00:10:00,825
(dramatic music)

198
00:10:00,825 --> 00:10:02,225
Come on, come on.

199
00:10:03,145 --> 00:10:05,185
- Do you know what this is, Jimmy O'Toole?

200
00:10:05,185 --> 00:10:06,385
This is stealing.

201
00:10:07,545 --> 00:10:08,785
- Indeed it is, Mikey.

202
00:10:08,785 --> 00:10:09,625
Indeed it is.

203
00:10:09,625 --> 00:10:10,905
Come on. (clicks tongue)

204
00:10:10,905 --> 00:10:13,665
(dramatic music)

205
00:10:15,425 --> 00:10:18,025
(gentle music)

206
00:10:25,025 --> 00:10:27,505
- Sure, I didn't know that
you found a place like this.

207
00:10:27,505 --> 00:10:29,545
- Didn't I need somewhere to rest me-self

208
00:10:29,545 --> 00:10:32,505
when the digging got too much
for me delicate constitution?

209
00:10:35,065 --> 00:10:38,225
- Ah, nobody'll recognise
him now, will they?

210
00:10:38,225 --> 00:10:39,825
- Not when I've finished disguising him.

211
00:10:39,825 --> 00:10:40,905
Here.

212
00:10:40,905 --> 00:10:42,145
Give me that knife there.

213
00:10:43,145 --> 00:10:44,145
- What for?

214
00:10:44,145 --> 00:10:44,985
- [Jim] What for?

215
00:10:44,985 --> 00:10:46,105
To trim his tail, of course.

216
00:10:48,225 --> 00:10:49,065
- It's gone!

217
00:10:50,385 --> 00:10:51,545
- What do you mean it's gone?

218
00:10:51,545 --> 00:10:52,585
Where's it gone?

219
00:10:52,585 --> 00:10:54,705
- I left it behind me in the stable.

220
00:10:54,705 --> 00:10:56,225
What if they find it?

221
00:10:56,225 --> 00:11:01,225
- Oh, what if! (growls)

222
00:11:02,505 --> 00:11:03,825
Well, what if they do?

223
00:11:03,825 --> 00:11:05,665
A knife like that could belong to anybody.

224
00:11:05,665 --> 00:11:08,145
- Not with Michael Sullivan
written on the handle.

225
00:11:09,225 --> 00:11:10,545
(Jim shouts)

226
00:11:10,545 --> 00:11:13,145
(lively music)

227
00:11:14,465 --> 00:11:15,305
The door!

228
00:11:15,305 --> 00:11:16,945
Do you want him to get away?

229
00:11:16,945 --> 00:11:19,545
(lively music)

230
00:11:21,385 --> 00:11:23,025
- Hey, wait for us, Jim!

231
00:11:23,025 --> 00:11:24,545
Can't climb up there, Jim!

232
00:11:24,545 --> 00:11:26,065
- Why are you always dragging behind?

233
00:11:26,065 --> 00:11:26,905
Come on!

234
00:11:28,465 --> 00:11:29,465
Climb here, you bastard!

235
00:11:29,465 --> 00:11:32,065
(lively music)

236
00:11:50,505 --> 00:11:54,065
(chickens clucking)

237
00:11:54,065 --> 00:11:55,505
- Vicky!

238
00:11:55,505 --> 00:11:57,185
Have you laid the breakfast table?

239
00:11:57,185 --> 00:11:59,385
- Isn't it Kevin's turn?

240
00:11:59,385 --> 00:12:01,025
- You know it isn't!

241
00:12:02,625 --> 00:12:05,625
(chickens clucking)

242
00:12:08,865 --> 00:12:11,585
(dramatic music)

243
00:12:35,065 --> 00:12:35,905
- Ah!

244
00:12:35,905 --> 00:12:38,665
(playful music)

245
00:12:40,705 --> 00:12:41,785
- Oh, Vicky!

246
00:12:41,785 --> 00:12:42,625
- Mm?

247
00:12:42,625 --> 00:12:43,465
- Mr. Bullivant is late.

248
00:12:43,465 --> 00:12:45,225
Would you saddle Black
Beauty for me, please?

249
00:12:45,225 --> 00:12:46,065
- Yes, Father.

250
00:12:46,065 --> 00:12:47,505
- And you can take him for a
canter up the road if you like.

251
00:12:47,545 --> 00:12:48,585
But don't be long!

252
00:12:48,585 --> 00:12:49,545
- [Vicky] We won't!

253
00:12:53,545 --> 00:12:56,465
(chicken clucking)

254
00:13:00,025 --> 00:13:01,545
- Maybe you dropped it somewhere else.

255
00:13:01,545 --> 00:13:03,465
- I can't hear a word you're saying.

256
00:13:03,465 --> 00:13:06,705
- [Jim] Maybe you dropped
it somewhere else.

257
00:13:06,705 --> 00:13:08,145
- We've got to make sure.

258
00:13:12,825 --> 00:13:15,545
(dramatic music)

259
00:13:20,065 --> 00:13:21,345
- [Jim] What's the matter with you?

260
00:13:22,225 --> 00:13:24,185
(egg cracks)

261
00:13:24,185 --> 00:13:27,025
(dramatic music)

262
00:13:33,505 --> 00:13:36,505
(Vicky claps hands)

263
00:13:37,865 --> 00:13:39,145
- The door's open.

264
00:13:40,345 --> 00:13:43,105
(dramatic music)

265
00:13:47,705 --> 00:13:48,745
He's broken out!

266
00:13:49,665 --> 00:13:51,025
I said he was upset!

267
00:13:52,945 --> 00:13:54,705
- Let's have a look in the paddock.

268
00:13:56,905 --> 00:13:59,265
(knife clatters)

269
00:13:59,305 --> 00:14:00,105
Vicky!

270
00:14:02,225 --> 00:14:03,425
Do you recognise it?

271
00:14:04,425 --> 00:14:05,865
Those men we met yesterday,

272
00:14:05,905 --> 00:14:07,665
one of them had a knife like this.

273
00:14:07,665 --> 00:14:08,505
See?

274
00:14:08,505 --> 00:14:10,145
M. Sullivan.

275
00:14:10,145 --> 00:14:11,865
- [Vicky] They can't have stolen Beauty.

276
00:14:11,905 --> 00:14:12,905
- They must have.

277
00:14:14,065 --> 00:14:16,225
- The stable door was
shut before breakfast.

278
00:14:17,425 --> 00:14:18,785
- Then they've only just taken him.

279
00:14:18,785 --> 00:14:20,425
- Yes, but which way?

280
00:14:20,425 --> 00:14:22,185
- They're working on the new line.

281
00:14:22,225 --> 00:14:23,465
They've lots of horses down there.

282
00:14:23,465 --> 00:14:25,145
They'll hide him among the others.

283
00:14:26,105 --> 00:14:28,825
(dramatic music)

284
00:14:39,425 --> 00:14:40,825
- What are we going to do?

285
00:14:40,825 --> 00:14:43,145
Think man, think!

286
00:14:43,145 --> 00:14:44,905
- Will you stop your blooming blathering

287
00:14:44,905 --> 00:14:46,145
when I'm trying to think?

288
00:14:51,985 --> 00:14:54,825
(thrilling music)

289
00:15:02,065 --> 00:15:02,985
- The making of us, you said!

290
00:15:02,985 --> 00:15:04,865
It's more like the finishing of us!

291
00:15:04,865 --> 00:15:05,705
Ow!

292
00:15:07,025 --> 00:15:09,105
(Jim gasps)

293
00:15:09,105 --> 00:15:10,265
- The boss himself!

294
00:15:10,265 --> 00:15:11,105
- The boss himself!

295
00:15:11,105 --> 00:15:14,385
- Oh, er, by the way, marvellous news!

296
00:15:14,385 --> 00:15:15,545
Heard from the board last night.

297
00:15:15,545 --> 00:15:17,985
They've changed their
minds about Mann Hill.

298
00:15:17,985 --> 00:15:20,025
- Oh, so you will be blasting
over there after all?

299
00:15:20,025 --> 00:15:21,945
- Yeah, the charges are being set now.

300
00:15:21,945 --> 00:15:22,985
- Mann Hill?

301
00:15:22,985 --> 00:15:23,945
- That's where the horse is.

302
00:15:23,945 --> 00:15:26,465
(tense music)

303
00:15:32,225 --> 00:15:33,065
Get down!

304
00:15:33,945 --> 00:15:35,185
- Vicky, Kevin!

305
00:15:41,705 --> 00:15:43,465
They're not back yet.

306
00:15:43,465 --> 00:15:46,385
(thrilling music)

307
00:15:51,945 --> 00:15:53,265
Oh, that really is too bad of them.

308
00:15:53,305 --> 00:15:54,825
I told them not to be long.

309
00:15:54,825 --> 00:15:56,505
- Well, I'm afraid I can't
wait any longer, James.

310
00:15:56,545 --> 00:15:57,465
- Oh, don't you worry, Henry.

311
00:15:57,465 --> 00:15:58,545
It's not your fault.

312
00:15:58,545 --> 00:16:00,905
- A pity Kevin'll miss
the fireworks, though.

313
00:16:00,905 --> 00:16:02,145
- Well, serves him right.

314
00:16:05,065 --> 00:16:06,705
- We can't leave him there.

315
00:16:06,705 --> 00:16:07,745
He'll be killed.

316
00:16:07,745 --> 00:16:09,385
- What can we do about it?

317
00:16:09,385 --> 00:16:11,505
The doctor's going to
wait there for the kids.

318
00:16:11,505 --> 00:16:13,185
Until he goes, we're stuck!

319
00:16:13,185 --> 00:16:14,545
Then we'll have to tell him.

320
00:16:20,305 --> 00:16:21,145
- Are you mad?

321
00:16:21,145 --> 00:16:22,545
It'd mean jail for the two of us!

322
00:16:22,545 --> 00:16:24,705
- So where's your love
for that beautiful animal

323
00:16:24,705 --> 00:16:25,745
gone to now, huh?

324
00:16:25,745 --> 00:16:29,225
Flown away with all your
little dreams of glory?

325
00:16:29,225 --> 00:16:30,145
Mister!

326
00:16:30,145 --> 00:16:32,905
(lively music)

327
00:16:32,905 --> 00:16:34,865
Er, mister, er...

328
00:16:34,865 --> 00:16:37,465
(lively music)

329
00:16:48,545 --> 00:16:49,985
- You can't go no further.

330
00:16:49,985 --> 00:16:51,465
- But our horse has been stolen!

331
00:16:51,465 --> 00:16:54,745
- I'm sorry, miss, they're
blasting up Mann Hill.

332
00:16:54,745 --> 00:16:56,145
- Blasting?

333
00:16:56,145 --> 00:16:56,985
They can't be.

334
00:16:56,985 --> 00:16:57,825
- Oh, can't they?

335
00:16:57,825 --> 00:16:58,905
Well, you'd better ask the guv'nor then.

336
00:17:01,545 --> 00:17:02,865
- Mr. Bullivant!

337
00:17:02,865 --> 00:17:05,265
- And if them charges go off
before we get to the hut,

338
00:17:05,265 --> 00:17:06,665
there's no hope for him.

339
00:17:06,665 --> 00:17:07,905
- You must show me where it is!

340
00:17:07,905 --> 00:17:08,745
Come on!

341
00:17:09,865 --> 00:17:12,345
(tense music)

342
00:17:22,745 --> 00:17:25,545
(birds chirping)

343
00:17:39,465 --> 00:17:41,105
- All ready, sir.

344
00:17:41,105 --> 00:17:42,225
The charges are in position.

345
00:17:42,225 --> 00:17:43,905
We're just laying the fuses.

346
00:17:43,905 --> 00:17:46,385
- Her father's horse has been stolen.

347
00:17:46,385 --> 00:17:48,265
It looks as though two of our men did it.

348
00:17:48,265 --> 00:17:49,105
- Our men?

349
00:17:49,105 --> 00:17:49,945
I don't believe it.

350
00:17:49,945 --> 00:17:52,065
- One of them's called Sullivan.

351
00:17:52,065 --> 00:17:54,225
- Well, I've posted men
since early morning,

352
00:17:54,225 --> 00:17:55,985
warning people to keep clear.

353
00:17:55,985 --> 00:17:57,825
One of them might've seen something.

354
00:17:57,825 --> 00:17:59,225
But it's certain your horse won't be

355
00:17:59,225 --> 00:18:00,825
anywhere near Mann Hill.

356
00:18:00,825 --> 00:18:03,305
(tense music)

357
00:18:30,785 --> 00:18:32,065
- Ah!

358
00:18:32,065 --> 00:18:34,905
(dramatic music)

359
00:18:43,545 --> 00:18:44,385
- Is he bad?

360
00:18:45,865 --> 00:18:46,665
- Yes.

361
00:18:46,665 --> 00:18:47,505
He hit his head.

362
00:18:50,545 --> 00:18:51,625
I can't leave him.

363
00:18:58,945 --> 00:19:00,225
- Light the fuses.

364
00:19:00,225 --> 00:19:02,705
(tense music)

365
00:19:26,065 --> 00:19:26,905
- Stop!

366
00:19:26,905 --> 00:19:27,825
- There's a horse down there!

367
00:19:27,825 --> 00:19:29,985
- You can't go down there!

368
00:19:31,225 --> 00:19:32,185
(punch thuds)

369
00:19:32,185 --> 00:19:33,025
Oh!

370
00:19:33,025 --> 00:19:35,665
(fuse sizzling)

371
00:19:36,625 --> 00:19:39,745
(suspenseful music)

372
00:19:46,665 --> 00:19:48,905
- Here, Kevin, have a look.

373
00:19:48,905 --> 00:19:51,985
(suspenseful music)

374
00:19:54,905 --> 00:19:56,625
What's that fool doing there?

375
00:19:57,865 --> 00:19:58,705
- Vicky!

376
00:19:58,705 --> 00:19:59,745
- Get out of it, man!

377
00:19:59,745 --> 00:20:02,745
(suspenseful music)

378
00:20:05,545 --> 00:20:07,025
- He just disappeared.

379
00:20:07,025 --> 00:20:07,865
- The old hut!

380
00:20:09,825 --> 00:20:11,145
- Beauty!

381
00:20:11,145 --> 00:20:12,345
- Here, come back!

382
00:20:12,345 --> 00:20:13,185
Hold this!

383
00:20:13,185 --> 00:20:16,185
(suspenseful music)

384
00:20:18,065 --> 00:20:19,025
- That a boy.

385
00:20:19,025 --> 00:20:20,185
That a boy, come on.

386
00:20:20,185 --> 00:20:22,185
(Beauty snorting)

387
00:20:22,185 --> 00:20:24,785
(tense music)

388
00:20:26,065 --> 00:20:27,625
(fuse sizzling)

389
00:20:27,625 --> 00:20:28,465
- Stop, you children!

390
00:20:28,465 --> 00:20:29,265
Hold it!

391
00:20:29,265 --> 00:20:30,105
Hold it!

392
00:20:30,105 --> 00:20:30,945
Down!

393
00:20:30,945 --> 00:20:33,865
(explosion blasts)

394
00:20:38,585 --> 00:20:39,665
Quick, over there!

395
00:20:39,665 --> 00:20:41,225
(suspenseful music)

396
00:20:41,225 --> 00:20:42,705
(Beauty neighing nearby)

397
00:20:42,705 --> 00:20:43,545
- He's alive!

398
00:20:43,545 --> 00:20:45,345
- Get down under cover!

399
00:20:45,345 --> 00:20:48,185
(Beauty neighing)

400
00:20:50,465 --> 00:20:51,945
- But he's alive!

401
00:20:51,945 --> 00:20:54,305
- Any second now there's
going to be another explosion.

402
00:20:54,305 --> 00:20:55,265
(suspenseful music)

403
00:20:55,265 --> 00:20:56,305
- Whoa, whoa.

404
00:20:56,305 --> 00:20:57,145
Whoa.

405
00:20:57,145 --> 00:20:57,985
(Beauty neighing)

406
00:20:57,985 --> 00:20:58,825
Whoa.

407
00:20:58,825 --> 00:21:00,145
Steady, steady.

408
00:21:00,145 --> 00:21:00,985
- Vicky!

409
00:21:00,985 --> 00:21:01,865
Come here!

410
00:21:01,865 --> 00:21:04,225
(suspenseful music)

411
00:21:04,225 --> 00:21:05,745
- Beauty!

412
00:21:05,745 --> 00:21:07,665
(suspenseful music)

413
00:21:07,665 --> 00:21:09,265
- Get down!

414
00:21:09,265 --> 00:21:12,185
(explosion blasts)

415
00:21:15,425 --> 00:21:18,225
(rubble clattering)

416
00:21:18,225 --> 00:21:20,985
(blast rumbling)

417
00:21:23,945 --> 00:21:26,705
(dramatic music)

418
00:21:30,305 --> 00:21:33,025
(Vicky coughing)

419
00:21:38,185 --> 00:21:39,945
(Beauty whinnying)

420
00:21:39,945 --> 00:21:40,785
- Beauty!

421
00:21:42,265 --> 00:21:45,025
(dramatic music)

422
00:21:49,025 --> 00:21:50,865
- I wish I'd broken me
neck when I fell, Doctor.

423
00:21:50,865 --> 00:21:53,465
- Your wishing yourself dead
won't bring my horse back.

424
00:21:53,465 --> 00:21:54,945
- Now, it was Jim, y'know, he's...

425
00:21:54,945 --> 00:21:57,465
He's a country boy, sir, he's a bit wild.

426
00:21:57,465 --> 00:21:58,665
He fell for the,

427
00:21:58,665 --> 00:22:00,985
the grace and the beauty
of that lovely animal.

428
00:22:02,545 --> 00:22:04,185
We both had such marvellous dreams

429
00:22:04,225 --> 00:22:06,465
that he was going to be the making of us.

430
00:22:06,465 --> 00:22:08,385
- [Vicky] Father!

431
00:22:08,385 --> 00:22:09,225
- Vicky!

432
00:22:18,105 --> 00:22:19,465
Henry.

433
00:22:19,465 --> 00:22:21,785
Kevin. (laughs)

434
00:22:21,785 --> 00:22:22,625
Oh, Beauty.

435
00:22:22,625 --> 00:22:23,465
(Beauty nickers)

436
00:22:23,465 --> 00:22:24,265
- Well, James, what are we going to do

437
00:22:24,265 --> 00:22:25,905
about these two villains?

438
00:22:25,905 --> 00:22:28,105
- Well, there's no point
in sending them to prison.

439
00:22:28,105 --> 00:22:31,305
They'd only be breaking
stones there instead of here.

440
00:22:31,305 --> 00:22:34,825
Besides, in a way I've got a feeling that

441
00:22:34,825 --> 00:22:37,425
Beauty has been the making of you.

442
00:22:37,425 --> 00:22:39,865
At least, I hope he has.

443
00:22:40,785 --> 00:22:41,625
- Oh, yes, sir.

444
00:22:41,625 --> 00:22:42,945
Yes, sir, he has.

445
00:22:42,945 --> 00:22:45,545
(lively music)

446
00:23:12,465 --> 00:23:15,225
(dramatic music)