1 00:00:55,264 --> 00:00:57,266 (Bee buzzing) 2 00:00:59,309 --> 00:01:01,311 (Birds chirping) 3 00:01:07,317 --> 00:01:09,111 (Wind blowing) 4 00:01:14,825 --> 00:01:16,827 (Dog panting) 5 00:01:20,372 --> 00:01:21,873 (Dog whining softly) 6 00:01:24,042 --> 00:01:25,877 (Woman speaking indistinctly) 7 00:01:32,843 --> 00:01:34,845 (Woman continues speaking indistinctly) 8 00:01:37,389 --> 00:01:39,016 (Dog whimpering) 9 00:01:44,229 --> 00:01:45,522 My period's late. 10 00:01:52,821 --> 00:01:54,656 (Footsteps approaching) 11 00:01:57,075 --> 00:01:58,160 Hello. Can I come in? 12 00:01:58,243 --> 00:01:59,244 Hello. 13 00:02:00,162 --> 00:02:01,288 Here we are. —hello. 14 00:02:01,371 --> 00:02:03,290 There's a nice little scene. 15 00:02:03,373 --> 00:02:05,125 Dogs waiting for lunch. 16 00:02:07,794 --> 00:02:09,046 You had any rest? 17 00:02:10,422 --> 00:02:11,548 Poor old you. 18 00:02:12,341 --> 00:02:13,550 What a shock. 19 00:02:13,925 --> 00:02:16,053 Terrible shock. Sorry. 20 00:02:18,597 --> 00:02:21,016 Did you know what was going on with this chap? 21 00:02:25,103 --> 00:02:26,938 (Bees buzzing) 22 00:02:57,678 --> 00:02:58,804 What's wrong with that? 23 00:02:59,930 --> 00:03:01,223 (Rosalind grunts softly) 24 00:03:03,892 --> 00:03:05,060 You're the boss. 25 00:03:13,568 --> 00:03:14,778 Is she coming? 26 00:03:17,447 --> 00:03:18,615 Darling? 27 00:03:21,952 --> 00:03:23,453 (Footste ps) 28 00:03:23,537 --> 00:03:24,621 Here we go. 29 00:03:31,378 --> 00:03:32,458 You ready for this? —hello. 30 00:03:32,504 --> 00:03:33,839 I like the pyjamas. 31 00:03:33,922 --> 00:03:35,674 They're not pyjamas. —oh. 32 00:03:35,757 --> 00:03:37,259 Well, they're very nice anyway. 33 00:03:44,266 --> 00:03:46,101 (Scuffling) 34 00:03:47,144 --> 00:03:48,246 Rosalind: What are you doing? 35 00:03:48,270 --> 00:03:49,771 Oi, stop it. —(Scuffling stops) 36 00:03:52,899 --> 00:03:54,526 They want to go for a walk. 37 00:03:55,485 --> 00:03:56,570 That's what they're doing. 38 00:03:56,653 --> 00:03:57,863 Help yourself. 39 00:03:59,865 --> 00:04:01,116 Rosalind: (Softly) Hello there. 40 00:04:04,161 --> 00:04:07,164 I hope you're gonna stay for a very long time. 41 00:04:07,247 --> 00:04:08,874 Long as possible, my darling. 42 00:04:08,957 --> 00:04:10,250 William: Absolutely. 43 00:04:20,761 --> 00:04:21,970 Rosalind: You want some? 44 00:04:36,943 --> 00:04:38,945 (Sixty/fohtyby Nico playing) 45 00:04:50,415 --> 00:04:54,503 ♪ Will there be another time ♪ 46 00:04:54,961 --> 00:04:59,049 ♪ will there be another time ♪ 47 00:04:59,132 --> 00:05:01,885 ♪ another year ♪ 48 00:05:01,968 --> 00:05:04,971 ♪ another wish to stay? ♪ 49 00:05:05,806 --> 00:05:07,224 (Keys jingling) 50 00:05:08,391 --> 00:05:12,729 ♪ Will there be another time ♪ 51 00:05:12,813 --> 00:05:16,817 ♪ will there be another time ♪ 52 00:05:16,900 --> 00:05:19,694 ♪ another year ♪ 53 00:05:19,778 --> 00:05:22,614 ♪ another wish to stay? ♪ 54 00:05:45,095 --> 00:05:46,888 (Sirens wailing in distance) 55 00:06:07,450 --> 00:06:08,660 (Objects clack) 56 00:06:26,469 --> 00:06:28,263 You grow green grass above me... 57 00:06:28,346 --> 00:06:29,848 (Projector whirring) 58 00:06:30,390 --> 00:06:34,811 With showers and dew drops wed. 59 00:06:39,691 --> 00:06:42,819 And if thou wilt remember... 60 00:06:47,324 --> 00:06:48,783 And if thou wilt forget. 61 00:06:50,368 --> 00:06:52,871 (Footage continues playing indistinctly) 62 00:06:54,706 --> 00:06:56,082 Julie: (On footage) Mar/and... 63 00:06:56,166 --> 00:06:57,226 We've got it, we've got it. 64 00:06:57,250 --> 00:06:59,419 Marland: Just... just come round to Julie at the moment 65 00:06:59,502 --> 00:07:02,088 she's going to be explaining it as we go over the... 66 00:07:02,172 --> 00:07:04,007 I think we 'll... (Continues indistinctly) 67 00:07:31,326 --> 00:07:33,161 James: Thank you for coming to see us. 68 00:07:41,378 --> 00:07:42,813 Julie: I brought you the last of his things. 69 00:07:42,837 --> 00:07:43,838 James: Oh... 70 00:07:51,262 --> 00:07:54,432 I mean, you know, I'm just reading this book. Erm... 71 00:07:54,766 --> 00:07:56,726 Jack pincher book and, you know, 72 00:07:56,810 --> 00:07:59,020 all these people that have led double lives. 73 00:07:59,104 --> 00:08:00,730 And, you know, I... 74 00:08:01,898 --> 00:08:05,193 You know, I'm just hoping that I can find a reference 75 00:08:05,276 --> 00:08:07,278 to a friend of his or something in there 76 00:08:07,362 --> 00:08:10,573 that will give me a little h0pe that... 77 00:08:11,658 --> 00:08:14,077 That there is some involvement at the foreign office. 78 00:08:14,160 --> 00:08:15,203 I mean, it would... 79 00:08:15,286 --> 00:08:17,664 I can't seem to find out anywhere 80 00:08:18,832 --> 00:08:22,085 in the foreign office to talk to even, you know. 81 00:08:22,168 --> 00:08:23,586 I mean, he was... 82 00:08:23,670 --> 00:08:25,964 He didn't talk to us about his work, did he? 83 00:08:30,301 --> 00:08:31,928 Was he worrying about anything, 84 00:08:32,012 --> 00:08:33,596 do you know? No? 85 00:08:33,680 --> 00:08:34,764 (Softly) No. 86 00:08:41,438 --> 00:08:44,357 James had to identify him. 87 00:08:46,276 --> 00:08:48,653 It just... ltjust didn't look like him. I... 88 00:08:50,822 --> 00:08:54,659 I... I found it very hard to accept that it was him. 89 00:08:59,914 --> 00:09:01,666 There's a little present for you. 90 00:09:08,965 --> 00:09:10,467 He looks exactly the same. 91 00:09:14,971 --> 00:09:16,890 James: Bye—bye. —julie: Bye—bye. 92 00:09:20,894 --> 00:09:22,437 (Car engine whirring) 93 00:09:28,068 --> 00:09:30,070 (Typewriter clacking) —(Muffled chati'er) 94 00:09:39,287 --> 00:09:40,955 (Door opens) 95 00:09:41,289 --> 00:09:42,749 Hello, Julie? —yes. 96 00:09:42,832 --> 00:09:44,292 Do come in. —thank you. 97 00:09:49,130 --> 00:09:51,091 Parapsychologist: Seems to me he was quite dark 98 00:09:52,217 --> 00:09:53,676 in his nature anyway. 99 00:09:54,511 --> 00:09:58,389 Er, I would wager that you two had more disagreements 100 00:09:58,473 --> 00:10:00,934 than you had had for the period of time. 101 00:10:01,017 --> 00:10:02,560 Let's go six months back. 102 00:10:02,977 --> 00:10:04,270 You'd had more disagreements. 103 00:10:04,354 --> 00:10:07,232 Not necessarily battles royal, but disagreements. 104 00:10:08,024 --> 00:10:10,443 And in that time, while he was struggling, 105 00:10:10,527 --> 00:10:14,155 he was working on a thought. A conscious thought 106 00:10:14,989 --> 00:10:17,283 that he didn't know how to go forward with life 107 00:10:17,367 --> 00:10:19,994 in this deception that had become his life. 108 00:10:20,829 --> 00:10:23,123 Er, and as I'm sitting here talking to you, 109 00:10:23,206 --> 00:10:24,958 the way I'm getting this information 110 00:10:25,041 --> 00:10:26,751 without invading anybody's privacy 111 00:10:26,835 --> 00:10:28,628 is I'm asking myself, 112 00:10:28,711 --> 00:10:30,547 what do I know about his last days? 113 00:10:30,630 --> 00:10:31,923 What happened to his moods? 114 00:10:32,006 --> 00:10:34,342 Did he have a reason to go on at all? 115 00:10:34,759 --> 00:10:35,760 And I have the sense 116 00:10:35,844 --> 00:10:37,929 that at the end, he had no reason to go on. 117 00:10:38,012 --> 00:10:41,349 He wanted to stop what was going on in his own life, 118 00:10:41,432 --> 00:10:43,059 so he just did that. 119 00:10:43,810 --> 00:10:45,228 He let his life go. 120 00:10:47,397 --> 00:10:49,065 Man: Action background! 121 00:10:49,941 --> 00:10:51,734 (Indistinct talking) 122 00:10:54,279 --> 00:10:56,072 Yeah. Just a rehearsal. 123 00:10:56,156 --> 00:10:58,366 Choreographer: One, two, three, four, 124 00:10:58,449 --> 00:11:01,578 five, six, seven, eight... One... 125 00:11:03,246 --> 00:11:05,373 Man: Yeah, there's a... —graham... 126 00:11:05,456 --> 00:11:08,251 Man: You know, there's a challenge in that. Erm... 127 00:11:08,334 --> 00:11:10,378 But also, it's just trying to find a character that, 128 00:11:10,461 --> 00:11:13,256 you know, is layered. Erm, and... 129 00:11:13,339 --> 00:11:14,692 It's not necessarily about the darkness, 130 00:11:14,716 --> 00:11:16,718 it's about why this person is the way he is. 131 00:11:16,801 --> 00:11:18,887 You could say that it's also a very political film. 132 00:11:18,970 --> 00:11:20,471 Yes. Yeah. —right. 133 00:11:21,764 --> 00:11:22,974 Okay, I just... 134 00:11:23,766 --> 00:11:25,476 Er, pause for a minute. 135 00:11:25,560 --> 00:11:27,437 Just to check something on the camera. 136 00:11:27,520 --> 00:11:29,647 (Indistinct conversation) 137 00:11:31,274 --> 00:11:32,483 Julie's here. 138 00:11:33,443 --> 00:11:34,611 Hi, Julie. 139 00:11:34,694 --> 00:11:36,196 Julie: Carry on. I don't wanna... 140 00:11:36,779 --> 00:11:37,989 Sorry. —man: It's okay. 141 00:11:38,072 --> 00:11:40,200 Julie: Good to see you! Good to see you. 142 00:11:40,658 --> 00:11:42,298 Garance: Great! —marland: Er, Julie, Jim. 143 00:11:42,327 --> 00:11:43,512 Jim: Hi. Jim. —julie: Hello. Julie. 144 00:11:43,536 --> 00:11:45,872 Jim: We've met before. —nice to meet you. Oh, really? 145 00:11:45,955 --> 00:11:48,249 Erm... knightsbridge. 146 00:11:48,333 --> 00:11:49,959 Erm, it was brief. 147 00:11:50,835 --> 00:11:51,920 Erm... 148 00:11:52,670 --> 00:11:53,880 Sorry about your loss. 149 00:11:54,297 --> 00:11:55,173 Thank you. 150 00:11:55,256 --> 00:11:56,299 I, erm... 151 00:11:56,591 --> 00:11:58,760 I'd met Anthony a few times, 152 00:11:58,843 --> 00:12:01,387 and, er, he had a beautiful mind. 153 00:12:02,013 --> 00:12:03,181 He did. 154 00:12:06,434 --> 00:12:07,727 Garance: Julie, ready? 155 00:12:15,526 --> 00:12:17,237 Be careful of all these cables, okay? 156 00:12:17,320 --> 00:12:19,155 (Crew cha'i'i'ering) 157 00:12:22,533 --> 00:12:23,868 Okay... —julie: Thank you. 158 00:12:23,952 --> 00:12:25,787 (Indistinct chatter) 159 00:12:35,672 --> 00:12:37,423 Choreographer: One, two, three, four... 160 00:12:37,507 --> 00:12:38,734 Patrick: Okay, lets hold it there. 161 00:12:38,758 --> 00:12:40,009 Cut! Cut! Out! 162 00:12:40,093 --> 00:12:41,511 (Acto rs g ru nt) 163 00:12:42,679 --> 00:12:45,848 Okay, good. Let's get it in pieces now. 164 00:12:46,015 --> 00:12:47,392 Jim, it's not linear. 165 00:12:47,475 --> 00:12:49,936 Jim, it's... it's not linear, in terms of the action... 166 00:12:50,019 --> 00:12:51,288 Jim: No, but I'm just getting marking... 167 00:12:51,312 --> 00:12:52,706 Patrick: So you don't need to repeat it. 168 00:12:52,730 --> 00:12:54,833 Jim: And I look like a... I look like a fucking idiot. 169 00:12:54,857 --> 00:12:56,001 Assistant director: Just a minute to reload. 170 00:12:56,025 --> 00:12:57,711 So, guys, just a minute while we reload camera. 171 00:12:57,735 --> 00:12:58,963 Is there any chance of getting, 172 00:12:58,987 --> 00:13:00,989 say, another half dozen people around this monitor? 173 00:13:01,489 --> 00:13:02,849 Assistant director: Okay, stand by. 174 00:13:05,285 --> 00:13:07,829 Patrick: Each shot we can use. Even if it's not the same. 175 00:13:08,121 --> 00:13:09,998 As long as you have the same emotion. 176 00:13:11,207 --> 00:13:13,209 Assistant director: And roll playback... 177 00:13:13,418 --> 00:13:15,962 (Rock instrumental playing on speakers) 178 00:13:16,045 --> 00:13:19,424 Choreographer: And one, two, three, four, 179 00:13:19,507 --> 00:13:22,719 five, six, seven, eight. Again! 180 00:13:26,931 --> 00:13:29,392 Patrick: Up, up... look at him. 181 00:13:29,934 --> 00:13:31,352 Okay, coming back. 182 00:13:31,436 --> 00:13:34,397 Choreographer: Five, six, seven, eight... one... 183 00:13:34,856 --> 00:13:36,816 Patrick: Continuing on after the fixed point. 184 00:13:38,109 --> 00:13:39,861 And now come back. Come back. 185 00:13:39,944 --> 00:13:41,821 Just straight back, straight back. Right. 186 00:13:41,904 --> 00:13:43,031 Garance: / wanted to ask you 187 00:13:43,114 --> 00:13:45,616 why you decided to do a musical today. 188 00:13:46,367 --> 00:13:48,453 Look at us. We 're in the pissing rain. 189 00:13:48,536 --> 00:13:49,912 Wouldn't you want to be 190 00:13:49,996 --> 00:13:52,206 on a sound stage in widescreen, 191 00:13:52,290 --> 00:13:53,541 rather than here 192 00:13:53,624 --> 00:13:55,835 like eve/y other fucking English film ever made 193 00:13:55,918 --> 00:13:57,295 where it's drizzling. 194 00:13:57,378 --> 00:13:58,463 That's why. 195 00:13:58,838 --> 00:14:01,799 You know, to... to show the kids some kind of life. 196 00:14:02,467 --> 00:14:05,970 To use the form, to use movement, 197 00:14:06,429 --> 00:14:09,265 music, montage, 198 00:14:09,557 --> 00:14:11,601 rather than... b/eugh... 199 00:14:12,935 --> 00:14:14,187 That's why. 200 00:14:14,270 --> 00:14:16,064 Garance: Right. Erm... 201 00:14:16,773 --> 00:14:19,317 Would you say it's a political musical? 202 00:14:19,400 --> 00:14:22,528 E ve/ything's political. E ve/ything's political. 203 00:14:23,196 --> 00:14:25,114 Garance: Right. Done. 204 00:14:26,115 --> 00:14:27,742 You can see it's not a good time. 205 00:14:28,076 --> 00:14:29,285 Julie: Sorry. —yeah. 206 00:14:29,410 --> 00:14:31,371 We'll wait. It's fine. —no. It's broken now. 207 00:14:31,454 --> 00:14:32,973 Can I just have five minutes? —patrick: Go on. 208 00:14:32,997 --> 00:14:35,249 I just wanted to ask you a few questions about Anthony 209 00:14:35,958 --> 00:14:37,960 and his work. —patrick: Bad time. 210 00:14:39,128 --> 00:14:40,129 It's a bad time. 211 00:14:40,213 --> 00:14:41,297 You can go. 212 00:14:41,381 --> 00:14:43,883 Lydia, could you... could you... 213 00:14:46,219 --> 00:14:47,428 Make a memorial for him. 214 00:14:51,724 --> 00:14:52,809 Well, then, also to imagine 215 00:14:52,892 --> 00:14:55,228 that black men are sort of like some sort of animals. 216 00:14:55,311 --> 00:14:56,372 (Overlapping chatter) —then we see this girl, 217 00:14:56,396 --> 00:14:57,748 and suddenly we're like, we turn into... 218 00:14:57,772 --> 00:14:59,792 Like lunatics and we're just, like, obsessed with a woman. 219 00:14:59,816 --> 00:15:01,526 Yeah, the white guys are the same though. 220 00:15:01,609 --> 00:15:03,295 Yeah, but it's... yeah, but I dunno... for me... 221 00:15:03,319 --> 00:15:05,172 It's more about the question, I think, and, er... 222 00:15:05,196 --> 00:15:07,240 Yeah, the colours of the costume as well. 223 00:15:07,323 --> 00:15:08,592 They look like cartoon characters. 224 00:15:08,616 --> 00:15:10,451 But you wanna contribute to cinema, right? 225 00:15:10,535 --> 00:15:12,554 You wanna be something... —i think... I really think 226 00:15:12,578 --> 00:15:14,330 he is contributing to cinema. He is. 227 00:15:14,414 --> 00:15:16,183 Yeah, he's contributing shit, is what he's contributing. 228 00:15:16,207 --> 00:15:17,708 (Laughs) —let's be real about it... 229 00:15:17,792 --> 00:15:19,252 (All laughing) 230 00:15:19,335 --> 00:15:20,878 I like when you're like that. 231 00:15:20,962 --> 00:15:22,839 Julie: Yeah, me too. —I'm just being honest. 232 00:15:22,922 --> 00:15:24,132 Julie: That bit of feistiness. 233 00:15:24,215 --> 00:15:26,134 I've bitten my tongue for that entire day. 234 00:15:26,217 --> 00:15:27,257 I was laughing. —oh, yeah? 235 00:15:27,301 --> 00:15:29,021 I was laughing along. I thought... I said... 236 00:15:29,053 --> 00:15:30,781 I thought the commentary was good, but I just... 237 00:15:30,805 --> 00:15:31,889 (All laugh) 238 00:15:31,973 --> 00:15:33,349 It's just one of them jobs 239 00:15:33,433 --> 00:15:35,017 that you've gotta look after yourself. 240 00:15:35,143 --> 00:15:37,311 It's a trial by fire, mate. That's what it is. 241 00:15:40,481 --> 00:15:42,108 Jack: Julie, have you had a look at it? 242 00:15:42,483 --> 00:15:43,836 Frankie: Have you seen any of the rushes? 243 00:15:43,860 --> 00:15:44,920 Yeah, a little bit. —jack: Yeah? 244 00:15:44,944 --> 00:15:46,672 Frankie: What do you think? —good. It looks good. 245 00:15:46,696 --> 00:15:48,364 Jack: It's just taking a bit of time. 246 00:15:48,865 --> 00:15:50,241 Patrick's a bit hard work. 247 00:15:50,324 --> 00:15:51,826 He's giving him a load of grief. 248 00:15:52,326 --> 00:15:54,046 Garance: You guys are not very happy though. 249 00:15:54,078 --> 00:15:55,705 Frankie: Pardon? —you're not very happy. 250 00:15:55,788 --> 00:15:56,849 Marland: Yeah, I can see it, man. 251 00:15:56,873 --> 00:15:57,975 Jack: That's just how it goes, innit? 252 00:15:57,999 --> 00:16:00,102 Frankie: No, it's just stressful, innit? It's got like... he's... 253 00:16:00,126 --> 00:16:01,311 We were saying earlier, he's got 254 00:16:01,335 --> 00:16:03,055 this very romanticised idea of what he wants 255 00:16:03,129 --> 00:16:04,755 without sort of a proper sort of... 256 00:16:05,715 --> 00:16:07,300 Direction of how to achieve it. 257 00:16:07,383 --> 00:16:08,444 Yeah, yeah, yeah. —marland: Mmm. 258 00:16:08,468 --> 00:16:09,528 Yeah, we could get the sense of that. 259 00:16:09,552 --> 00:16:11,971 Frankie: But it's coming, it's trickling down to us because 260 00:16:12,472 --> 00:16:14,032 obviously, he's not getting the shots that he wants. 261 00:16:14,056 --> 00:16:15,659 But when you're the people in front of the camera, 262 00:16:15,683 --> 00:16:17,369 you feel like you're the ones fucking up all the time. 263 00:16:17,393 --> 00:16:18,436 Both: Mmm. Mmm. 264 00:16:18,519 --> 00:16:20,521 Frankie: And more so on Jim, bless him. 265 00:16:20,605 --> 00:16:22,023 Jack: Keeps taking him aside and... 266 00:16:22,106 --> 00:16:24,543 Frankie: Pulling him aside, having chats with him on his own and that... 267 00:16:24,567 --> 00:16:26,807 Jack: Two minutes we're stood down, you know what I mean? 268 00:16:33,868 --> 00:16:35,203 (Buzzer sounds) 269 00:16:37,955 --> 00:16:39,165 (Knock on door) 270 00:17:07,860 --> 00:17:08,860 Jim: Hello. 271 00:17:11,072 --> 00:17:12,281 Can I come in? 272 00:17:22,291 --> 00:17:23,501 I was in the area. 273 00:17:30,508 --> 00:17:31,717 Are you okay? 274 00:17:34,720 --> 00:17:35,930 Are you sure? 275 00:17:46,857 --> 00:17:48,025 (Jim grunts softly) 276 00:18:08,004 --> 00:18:09,797 (Julie gasping) 277 00:18:15,595 --> 00:18:16,679 Julie: Stop. 278 00:18:18,889 --> 00:18:20,099 I'm on my period. 279 00:18:23,936 --> 00:18:25,146 I don't mind. 280 00:18:25,855 --> 00:18:27,857 (Both breathing heavily) 281 00:18:49,587 --> 00:18:52,089 (Both grunting and gasping) 282 00:19:00,473 --> 00:19:02,475 (Jim grunting) 283 00:19:05,936 --> 00:19:07,938 (Both panting) 284 00:19:11,734 --> 00:19:13,569 (Moaning) 285 00:19:15,029 --> 00:19:16,864 (Soft souelching) 286 00:19:19,659 --> 00:19:20,785 (G ru nts) 287 00:19:20,868 --> 00:19:22,870 (Breathing raggedly) 288 00:19:30,169 --> 00:19:31,587 (Kissing) 289 00:19:36,300 --> 00:19:38,928 (Both panting) 290 00:19:45,559 --> 00:19:46,602 (Lift buti'on clicks) 291 00:19:46,686 --> 00:19:48,688 (Lift whirring) 292 00:20:53,544 --> 00:20:54,837 (Heavy thud) 293 00:20:54,920 --> 00:20:56,756 (Ominous orchestral music playing) 294 00:20:56,881 --> 00:20:58,424 (Rumbling) 295 00:21:02,219 --> 00:21:03,637 (Thud) 296 00:21:05,222 --> 00:21:07,183 (Eerie vocalisation) 297 00:21:07,266 --> 00:21:08,517 (Car door opens) 298 00:21:15,858 --> 00:21:17,860 (Wings fluti'ering) 299 00:21:20,196 --> 00:21:22,031 (Man screams in distance) 300 00:21:23,616 --> 00:21:25,451 (Indistinct chatter) 301 00:21:25,534 --> 00:21:26,619 Man: Thank you. 302 00:21:27,620 --> 00:21:28,829 Er, garance, the shoes. 303 00:21:28,913 --> 00:21:30,331 (Garance speaking French) 304 00:21:30,414 --> 00:21:31,916 (Indistinct chatter) 305 00:21:32,124 --> 00:21:35,920 (Speaking French) 306 00:21:40,716 --> 00:21:41,759 Man: Oui'. 307 00:21:41,842 --> 00:21:46,222 (Continues speaking French) 308 00:21:46,472 --> 00:21:47,640 Man: (In English) Okay. 309 00:21:47,723 --> 00:21:49,308 Marland: We've got time. —man: Okay. 310 00:21:49,391 --> 00:21:51,477 We've got time because I'm very fast. 311 00:21:51,560 --> 00:21:53,395 Marland: (Laughs) You are very fast. 312 00:21:53,562 --> 00:21:56,941 (Actress speaking French) 313 00:21:57,233 --> 00:21:58,418 Marland: (In English) Yeah, and again. 314 00:21:58,442 --> 00:21:59,443 Man: Okay, watch out. 315 00:21:59,527 --> 00:22:01,111 Garance: Yeah. —actress: Ga va? 316 00:22:01,195 --> 00:22:02,863 Come on, guys. Let's go. 317 00:22:02,947 --> 00:22:04,573 How much of the car... —mm? 318 00:22:04,657 --> 00:22:05,717 Marland: How much of the car do you want... 319 00:22:05,741 --> 00:22:06,802 Man: Do you wanna get a Mark on the start as well? 320 00:22:06,826 --> 00:22:07,886 Garance: I... I want to be like... 321 00:22:07,910 --> 00:22:09,745 (Overlapping chatter) 322 00:22:10,788 --> 00:22:13,999 Garance: No, no, I know. (Continues indistinctly) 323 00:22:14,083 --> 00:22:15,626 Oh, notorious. Okay, perfect. 324 00:22:15,709 --> 00:22:16,919 Garance: Yeah, yeah, yeah. 325 00:22:17,002 --> 00:22:18,128 (Camera clicking) 326 00:22:18,212 --> 00:22:19,505 Rehearsal, rehearsal. 327 00:22:19,588 --> 00:22:21,817 You're doubting yourself. I don't like it and I won't let you do it. 328 00:22:21,841 --> 00:22:23,026 (Laughs) —I won't let you do it! 329 00:22:23,050 --> 00:22:24,486 I've seen you. I've seen what you can do. 330 00:22:24,510 --> 00:22:25,570 You have too much faith in me. 331 00:22:25,594 --> 00:22:27,322 I always say this! I always say this. It's... 332 00:22:27,346 --> 00:22:29,199 Yeah, but it's not... It's not grounded, like, in... 333 00:22:29,223 --> 00:22:31,350 In something false. It's, you know... 334 00:22:31,517 --> 00:22:32,577 (Chuckles) —you are! You're like... 335 00:22:32,601 --> 00:22:34,311 I think you've... You're a bright mind. 336 00:22:34,395 --> 00:22:35,715 You always have interesting ideas. 337 00:22:35,771 --> 00:22:37,356 You always have an interesting 338 00:22:37,439 --> 00:22:38,816 perspective on things, you know. 339 00:22:38,899 --> 00:22:40,901 Yeah, but it's not, you know, erm... 340 00:22:41,986 --> 00:22:44,905 Alien fighting, sexy, like... —right, yeah. It's not... it's not... 341 00:22:44,989 --> 00:22:46,782 It's not a futuristic film. —no. 342 00:22:46,866 --> 00:22:48,367 Yeah, but that... Does it have to be? 343 00:22:48,450 --> 00:22:49,678 Does it have to be to be interesting? 344 00:22:49,702 --> 00:22:51,388 No, but it has to be as... No, it doesn't have to be. 345 00:22:51,412 --> 00:22:52,639 But it just has to be something 346 00:22:52,663 --> 00:22:55,040 that people are not gonna forget as soon as they... 347 00:22:55,457 --> 00:22:57,334 You know, as soon as the credits roll. 348 00:22:57,418 --> 00:22:58,919 Right, but I just think, 349 00:22:59,003 --> 00:23:01,255 you know, that's going the outside in. 350 00:23:01,338 --> 00:23:03,048 I think focus on what you wanna do. 351 00:23:03,132 --> 00:23:04,550 What you wanna make for yourself. 352 00:23:04,633 --> 00:23:06,677 And if you're happy with it, you know... 353 00:23:06,969 --> 00:23:08,613 Yeah, but... yeah, but you know what I'm saying. 354 00:23:08,637 --> 00:23:09,972 If you're happy with it 355 00:23:10,055 --> 00:23:11,366 and you've put your heart into it, 356 00:23:11,390 --> 00:23:12,909 then it will work out. But if you're thinking about, 357 00:23:12,933 --> 00:23:14,810 "oh, well, I hope it's impressive 358 00:23:14,894 --> 00:23:16,103 "and I hope, you know, 359 00:23:16,186 --> 00:23:19,064 "it will be as good as garance's film, and it's..." 360 00:23:19,148 --> 00:23:20,333 You don't need that, you don't need that. 361 00:23:20,357 --> 00:23:22,109 You just think about what makes you happy, 362 00:23:22,192 --> 00:23:24,278 what works for you, what you're interested in. 363 00:23:24,361 --> 00:23:25,601 And it will translate, I think. 364 00:23:26,780 --> 00:23:28,616 (Chattering in distance) 365 00:23:36,874 --> 00:23:38,709 (Soft music playing) 366 00:23:41,921 --> 00:23:43,714 (Woman speaking indistinctly) 367 00:23:46,300 --> 00:23:47,801 (Woman laughing) 368 00:23:49,678 --> 00:23:51,263 (Curtain tinkling) —woman: Oh. 369 00:23:52,056 --> 00:23:53,557 (Accented) You're right, darling. 370 00:23:54,975 --> 00:23:56,143 Ooh! 371 00:23:56,226 --> 00:23:57,645 Who are you? 372 00:23:57,728 --> 00:23:58,938 Julie: Julie. 373 00:24:02,775 --> 00:24:03,984 Susi: Have a seat. 374 00:24:14,620 --> 00:24:17,456 I was, er, Anthony Reeves' girlfriend. 375 00:24:21,168 --> 00:24:22,670 (Men cha'i'i'ering) 376 00:24:23,671 --> 00:24:25,839 Wait a minute. I'm gonna check something. 377 00:24:27,883 --> 00:24:30,386 (Susi clears throat, speaking indistinctly) 378 00:24:47,611 --> 00:24:49,530 Your skin is very soft. 379 00:24:52,241 --> 00:24:53,450 You're pretty. 380 00:24:55,452 --> 00:24:58,956 Anthony has really good taste. 381 00:24:59,623 --> 00:25:01,834 I mean, he used to have good taste. 382 00:25:06,046 --> 00:25:08,549 He gave me this. His present. 383 00:25:09,925 --> 00:25:12,511 But sometimes it doesn't work. 384 00:25:12,928 --> 00:25:16,390 Sometimes I have to ask Stephen for help. 385 00:25:16,473 --> 00:25:18,308 Can I have your lighter, please? 386 00:25:27,609 --> 00:25:28,610 No. 387 00:25:32,781 --> 00:25:33,781 Did he come here 388 00:25:34,408 --> 00:25:35,617 before he died? 389 00:25:37,244 --> 00:25:38,454 I mean, the day. 390 00:25:39,329 --> 00:25:40,414 Susn why? 391 00:25:41,790 --> 00:25:43,560 Julie: I just didn't know what he did in that time. 392 00:25:43,584 --> 00:25:45,127 Because I left and... 393 00:25:46,670 --> 00:25:50,090 He was by himself for an afternoon, 394 00:25:50,174 --> 00:25:52,301 and I didn't know what he did, so... 395 00:25:53,177 --> 00:25:57,139 Susi: I'm very cut up about what happened to Anthony. 396 00:25:58,766 --> 00:26:01,185 (Sighs) Almost destroyed me. 397 00:26:06,482 --> 00:26:08,317 He was very special. 398 00:26:09,651 --> 00:26:11,070 I know how you feel. 399 00:26:13,822 --> 00:26:18,494 (Verdi's la fohz4 del best/no playing) 400 00:26:26,877 --> 00:26:29,963 (Music continues) 401 00:27:02,579 --> 00:27:05,374 (Knowledge of beauty by dexys midnight runners playing) 402 00:27:25,769 --> 00:27:27,604 (Music continues) 403 00:27:35,445 --> 00:27:41,285 ♪ I've often thought about ♪ 404 00:27:41,577 --> 00:27:42,953 (Bees buzzing) 405 00:27:43,370 --> 00:27:46,290 ♪ The men where lcame from ♪ 406 00:27:47,082 --> 00:27:49,751 ♪ and times ago ♪ 407 00:27:51,128 --> 00:27:58,886 ♪ their sons, these days are found ♪ 408 00:27:59,428 --> 00:28:01,555 ♪ in us and... ♪ 409 00:28:01,847 --> 00:28:06,685 ♪ ...britannia care ♪ —(Typewriter clacking) 410 00:28:07,060 --> 00:28:08,979 Excellent, Lee. Thank you. —no problem. 411 00:28:09,646 --> 00:28:12,149 (Lighter clicking) 412 00:28:13,775 --> 00:28:15,211 I'll go and find the sign. Change that. 413 00:28:15,235 --> 00:28:18,113 Head: Just that one to do and we're there. Mmm. 414 00:28:23,535 --> 00:28:26,371 This is, er, going to be probably 415 00:28:26,455 --> 00:28:29,166 the most important thing you do at film school. 416 00:28:29,249 --> 00:28:30,584 This is your graduation film. 417 00:28:31,460 --> 00:28:33,295 And of course you came with 418 00:28:33,795 --> 00:28:35,589 a great deal of powerful images 419 00:28:35,672 --> 00:28:37,758 and images of sunderland, 420 00:28:37,841 --> 00:28:40,177 that idea for a story in sunderland. 421 00:28:40,260 --> 00:28:42,012 And there was an engagement with... 422 00:28:42,095 --> 00:28:43,388 With life, with... 423 00:28:43,972 --> 00:28:45,349 With people's lives. 424 00:28:45,599 --> 00:28:49,061 And although it was unformed, it was early as a filmmaker 425 00:28:49,144 --> 00:28:50,270 and although we could sense 426 00:28:50,354 --> 00:28:52,606 that there were other things in you at that time 427 00:28:52,689 --> 00:28:54,524 that needed to develop, 428 00:28:55,484 --> 00:29:00,530 er, I can't connect it with this script 429 00:29:00,614 --> 00:29:02,199 that I have in front of me now. 430 00:29:02,282 --> 00:29:03,742 These images... 431 00:29:04,076 --> 00:29:07,996 These characters don't seem to relate to you. 432 00:29:08,080 --> 00:29:10,165 I mean, what... What has changed? 433 00:29:10,249 --> 00:29:11,625 Where... what is going on? 434 00:29:11,708 --> 00:29:15,337 What has happened to produce this new... 435 00:29:15,420 --> 00:29:17,422 Where's, where has that other world gone, 436 00:29:17,506 --> 00:29:19,007 that sunderland world? 437 00:29:19,675 --> 00:29:22,761 I don't wanna show life as it plays out in real time. 438 00:29:22,844 --> 00:29:25,180 I wanna show life as I imagine it. 439 00:29:25,264 --> 00:29:27,224 That's what cinema's all about. 440 00:29:28,058 --> 00:29:30,394 So what are you telling the audience with these images? 441 00:29:30,894 --> 00:29:34,314 It's about a relationship in a fairy tale, in a fantasy, 442 00:29:34,690 --> 00:29:37,025 that hopefully, many people can relate to 443 00:29:37,192 --> 00:29:38,819 in their own way. 444 00:29:38,902 --> 00:29:41,738 We want to encourage innovation, 445 00:29:41,822 --> 00:29:43,949 young filmmakers to find their own voices. 446 00:29:44,866 --> 00:29:47,035 But we also want to encourage professional practice 447 00:29:47,119 --> 00:29:49,997 and I look at this and I don't see anything that resembles 448 00:29:50,080 --> 00:29:51,957 what I think of as a professional script. 449 00:29:52,040 --> 00:29:54,710 Marland: Can I ask what you consider to be a professional script? 450 00:29:54,793 --> 00:29:57,004 Well, I'll leave aside the red bow, 451 00:29:57,087 --> 00:29:59,089 but at this stage, a title, 452 00:29:59,172 --> 00:30:01,591 although you then rather archly have a subtitle, 453 00:30:01,675 --> 00:30:02,884 "art is life". 454 00:30:02,968 --> 00:30:04,428 But there are no scene headings. 455 00:30:04,511 --> 00:30:07,431 So... so are we now discussing the layout 456 00:30:07,514 --> 00:30:09,474 of the script as a reason? 457 00:30:09,558 --> 00:30:12,185 Head of directing: The layout captures the precision 458 00:30:12,269 --> 00:30:14,604 with which you're thinking about your project. 459 00:30:14,730 --> 00:30:17,607 It's very unclear how you're helping your collaborators 460 00:30:17,691 --> 00:30:20,193 find their way through your proposed set of images. 461 00:30:20,277 --> 00:30:23,530 What it is you're trying to... To photograph. 462 00:30:23,613 --> 00:30:26,199 And then behind that, I think our deeper concern 463 00:30:26,283 --> 00:30:29,328 is that there's also a lack of precision about your thinking. 464 00:30:29,411 --> 00:30:30,620 What your intentions are. 465 00:30:30,704 --> 00:30:32,789 What you're hoping to express and to explore here. 466 00:30:32,873 --> 00:30:34,374 I'm sorry, Julie, but... 467 00:30:38,003 --> 00:30:41,798 If you pursue this film as you present it to us now, 468 00:30:43,050 --> 00:30:45,385 I'm afraid the school cannot support you 469 00:30:45,469 --> 00:30:46,845 and will not support you. 470 00:30:46,928 --> 00:30:49,348 Is it... presumably, there's a technician who takes the... 471 00:30:49,431 --> 00:30:51,308 Who actually takes the film things, is it? 472 00:30:51,391 --> 00:30:53,143 Well, no, not really. I mean, yeah, 473 00:30:53,226 --> 00:30:55,079 there's store cupboards and people that look after... 474 00:30:55,103 --> 00:30:57,123 No, no. But I mean the person behind the camera is a... 475 00:30:57,147 --> 00:30:58,565 Is an expert, are they? 476 00:30:58,648 --> 00:31:00,192 No! Absolutely not, they're students. 477 00:31:00,275 --> 00:31:01,669 They're all students. —they're all students? 478 00:31:01,693 --> 00:31:03,528 Yes. The whole team is students. 479 00:31:04,571 --> 00:31:06,156 And no one's giving you direction? 480 00:31:06,239 --> 00:31:07,616 No. Well, me. I'm the director. 481 00:31:07,699 --> 00:31:09,284 No, no, I don't mean the director. 482 00:31:09,368 --> 00:31:11,161 But no one's telling you how to do it? 483 00:31:11,244 --> 00:31:12,245 Julie: No. 484 00:31:16,625 --> 00:31:18,710 Sounds fairly typical for an art school. 485 00:31:20,712 --> 00:31:22,714 Better come and work on the farm for a bit. 486 00:31:24,091 --> 00:31:25,217 Rosalind: But it's exciting. 487 00:31:25,300 --> 00:31:26,968 I mean, you're pulling together 488 00:31:27,052 --> 00:31:28,261 and helping each other 489 00:31:28,345 --> 00:31:30,847 on all your own projects, aren't you? 490 00:31:31,932 --> 00:31:34,351 So you'll help somebody else with their film and... 491 00:31:34,434 --> 00:31:36,478 Julie: Mmm—hmm. —well, exciting. 492 00:31:36,561 --> 00:31:37,604 Rosalind: Mmm. 493 00:31:38,146 --> 00:31:40,273 So is the script done? —julie: Mmm—hmm. 494 00:31:41,316 --> 00:31:42,836 And do we know what the script's about? 495 00:31:42,901 --> 00:31:44,111 Can we put... I actually 496 00:31:44,194 --> 00:31:46,130 really don't wanna talk about it anymore. —rosalind: Darling... 497 00:31:46,154 --> 00:31:47,256 We're trying to get it, but, erm... 498 00:31:47,280 --> 00:31:49,717 Julie: I know you are. It's just. It's very irritating for me having to 499 00:31:49,741 --> 00:31:50,867 explain it a thousand times. 500 00:31:50,951 --> 00:31:52,577 Rosalind: We don't mean to be irritating. 501 00:31:52,661 --> 00:31:54,138 We're just very excited and interested. 502 00:31:54,162 --> 00:31:56,882 William: Don't be irritated. But anyhow, we're looking forward to it. 503 00:32:03,380 --> 00:32:05,382 No, thanks. No, I've given up sugar. 504 00:32:05,465 --> 00:32:06,800 You've given up sugar? —yeah. 505 00:32:08,009 --> 00:32:09,511 Didn't think that would ever happen. 506 00:32:12,931 --> 00:32:15,058 You've missed the significance though, of the pot. 507 00:32:15,142 --> 00:32:16,435 (Rosalind chuckles) 508 00:32:16,518 --> 00:32:18,395 William: That's mummy's first artefact. 509 00:32:19,521 --> 00:32:20,689 Do you mean you made it? 510 00:32:20,772 --> 00:32:21,982 I'm very proud of it. 511 00:32:22,149 --> 00:32:23,692 It's very good. —julie: You should be. 512 00:32:23,775 --> 00:32:25,819 The top's a bit wonky. It doesn't really fit, but... 513 00:32:25,902 --> 00:32:28,005 (Rosalind clears throat) —william: I think it's great. 514 00:32:28,029 --> 00:32:29,197 (Rosalind chuckles) 515 00:32:29,281 --> 00:32:31,032 Early etruscan handles. 516 00:32:31,867 --> 00:32:32,951 What are... are these... 517 00:32:33,034 --> 00:32:34,595 Rosalind: That's so sweet of you to say that. 518 00:32:34,619 --> 00:32:36,973 William: Yes, well I thought... —they're a bit in the way, aren't they? 519 00:32:36,997 --> 00:32:38,540 William: I'm glad you noticed, darling. 520 00:32:38,623 --> 00:32:40,518 Rosalind: I haven't learnt how to do the handles yet. 521 00:32:40,542 --> 00:32:41,710 Okay, well... 522 00:32:42,169 --> 00:32:45,630 It's very rough, but it is my first effort. 523 00:32:47,090 --> 00:32:49,301 You know, for a month's work, it's... 524 00:32:49,718 --> 00:32:50,987 Julie: A month? —...Quite an achieve... 525 00:32:51,011 --> 00:32:52,304 Well, now, probably... —no. 526 00:32:52,387 --> 00:32:53,781 How long have you been doing this course? 527 00:32:53,805 --> 00:32:55,366 Well, I've been doing the course for a month, 528 00:32:55,390 --> 00:32:57,434 but I mean, the pot didn't take a month. 529 00:32:57,726 --> 00:32:59,561 But I'm loving it, I have to say. 530 00:32:59,644 --> 00:33:01,605 I'm loving going to college and... 531 00:33:02,189 --> 00:33:04,608 And this is the first of many things. 532 00:33:04,691 --> 00:33:08,028 I'm going to be filling this house with artefacts. 533 00:33:13,575 --> 00:33:15,076 What was he like on that Friday? 534 00:33:16,077 --> 00:33:17,370 I want to hear it again. 535 00:33:20,248 --> 00:33:22,959 Well, as I told you, 536 00:33:24,711 --> 00:33:28,131 he seemed particularly happy. 537 00:33:33,386 --> 00:33:34,596 He, erm... 538 00:33:35,931 --> 00:33:37,891 You know, made me a cup of tea 539 00:33:38,558 --> 00:33:41,645 and, erm, we had a... 540 00:33:42,854 --> 00:33:44,814 A rather lovely breakfast together. 541 00:33:44,898 --> 00:33:47,609 And, er, and off he went. 542 00:33:53,198 --> 00:33:55,700 And what did you think about him when you first met him? 543 00:34:01,957 --> 00:34:03,792 When, when he came here? —mmm. 544 00:34:08,338 --> 00:34:10,799 Well I... I was disposed to like him because you did. 545 00:34:14,844 --> 00:34:16,471 Did you just like him because I did? 546 00:34:17,639 --> 00:34:19,099 No. No, I... 547 00:34:20,433 --> 00:34:22,185 I grew very fond of him. 548 00:34:32,195 --> 00:34:34,030 And what did you feel when he died? 549 00:34:38,326 --> 00:34:41,371 I was, erm, very concerned for you. 550 00:34:43,540 --> 00:34:44,541 No, not what I felt. 551 00:34:44,624 --> 00:34:45,917 What did... what did you feel? 552 00:34:49,212 --> 00:34:50,672 When you got that phone call? 553 00:35:01,641 --> 00:35:03,226 I felt through you. 554 00:35:05,854 --> 00:35:07,814 (Dog whining) —you're a very good dog. 555 00:35:08,732 --> 00:35:10,150 Done really well. 556 00:35:14,821 --> 00:35:15,821 Come on. 557 00:35:19,242 --> 00:35:20,410 Come on. 558 00:35:27,083 --> 00:35:29,753 (Birds chirping) 559 00:35:32,088 --> 00:35:33,923 (Bee buzzing) 560 00:35:39,095 --> 00:35:40,180 Have you got everything? 561 00:35:40,513 --> 00:35:41,514 Julie: Erm... yeah, 562 00:35:41,598 --> 00:35:42,700 and my bag's upstairs. —bag? 563 00:35:42,724 --> 00:35:43,725 I'll get it. 564 00:35:43,808 --> 00:35:45,288 Julie: Thank you. It's on the landing. 565 00:35:45,894 --> 00:35:47,163 Can't you stay for another night? 566 00:35:47,187 --> 00:35:48,521 I can't stay. —just one more... 567 00:35:48,605 --> 00:35:50,541 Not this time. Not this time, but next time, okay? 568 00:35:50,565 --> 00:35:51,792 Right. Soon? —so soon, I promise. 569 00:35:51,816 --> 00:35:53,234 For a long time. For a rest. 570 00:35:53,318 --> 00:35:55,153 I wanna ask you something. —yeah. 571 00:35:55,528 --> 00:35:57,322 I am so sorry, I... 572 00:35:57,405 --> 00:35:58,990 I need some more money. —(Door opens) 573 00:35:59,074 --> 00:36:00,784 For this film. For this graduation film. 574 00:36:00,867 --> 00:36:02,118 Really? —yes. 575 00:36:02,202 --> 00:36:03,262 And I promise, I'll pay you back. 576 00:36:03,286 --> 00:36:04,347 (Door closes) —it's for the film? 577 00:36:04,371 --> 00:36:05,451 It's for the film. —uh—huh. 578 00:36:05,497 --> 00:36:06,706 It's £10,000. 579 00:36:06,790 --> 00:36:08,708 Oh, darling, that is a lot of money. 580 00:36:12,337 --> 00:36:13,380 Let me take that. 581 00:36:13,463 --> 00:36:15,090 William: It's heavy. —(Laughs) I know. 582 00:36:15,715 --> 00:36:17,550 William: Bye—bye, darling. —bye—bye. 583 00:36:18,009 --> 00:36:20,303 Rosalind: Be well. —you too. 584 00:36:21,179 --> 00:36:22,323 Bye, mummy. —rosalind: There you go. 585 00:36:22,347 --> 00:36:23,932 Bye, my darling. —(Kisses) 586 00:36:24,641 --> 00:36:26,619 William: Hope the preparations for the film go well. 587 00:36:26,643 --> 00:36:28,245 Rosalind: Drive safely. —julie: Thank you, daddy. 588 00:36:28,269 --> 00:36:29,646 See you soon. 589 00:36:29,729 --> 00:36:31,290 Rosalind: You ring us when you get there. 590 00:36:31,314 --> 00:36:32,399 Julie: Always. 591 00:36:33,066 --> 00:36:35,777 (Sometimes by erasure playing) 592 00:36:35,860 --> 00:36:37,862 (Whirring, hammering) 593 00:36:54,212 --> 00:36:56,047 ♪ It's not the way you lead me ♪ 594 00:36:56,131 --> 00:36:58,591 ♪ by the hand into the bedroom ♪ 595 00:37:02,887 --> 00:37:05,056 ♪ it's not the way you throw your clothes ♪ 596 00:37:05,140 --> 00:37:07,267 ♪ upon the bathroom floor ♪ 597 00:37:12,105 --> 00:37:13,690 ♪ been thinking about you ♪ 598 00:37:13,773 --> 00:37:16,025 ♪ I just couldn't wait to see ♪ 599 00:37:16,109 --> 00:37:18,111 ♪ fling my arms around you ♪ 600 00:37:18,194 --> 00:37:20,405 ♪ as we fall in ecstasy ♪ 601 00:37:20,530 --> 00:37:23,992 ♪ ooh, sometimes ♪ 602 00:37:27,370 --> 00:37:29,789 (Hammering and whirring continues) 603 00:37:35,336 --> 00:37:37,714 (Indistinct chatter) 604 00:37:38,381 --> 00:37:39,966 We have, like... 605 00:37:41,217 --> 00:37:42,385 (Overlapping chatter) 606 00:37:42,469 --> 00:37:44,596 Garance: Before that, you don't even have a main cast. 607 00:37:44,679 --> 00:37:46,723 I know. This is... this is so much more important. 608 00:37:46,806 --> 00:37:47,950 I'm so sorry. This is so much more important. 609 00:37:47,974 --> 00:37:49,350 At least need to have them both. 610 00:37:49,434 --> 00:37:51,019 I have some ideas that... 611 00:37:51,811 --> 00:37:54,898 I mean, some of them are very different. Erm... 612 00:37:54,981 --> 00:37:56,191 He's too handsome. 613 00:37:56,733 --> 00:37:57,918 He's too classically... —yeah. 614 00:37:57,942 --> 00:37:59,086 Yeah, yeah. Right. —julie: It's too... 615 00:37:59,110 --> 00:38:00,296 No, I don't... I don't really like him. 616 00:38:00,320 --> 00:38:01,505 I don't really like these two guys. 617 00:38:01,529 --> 00:38:02,798 No, I was gonna say, these are too... 618 00:38:02,822 --> 00:38:04,157 Yeah. —he's nice. 619 00:38:04,282 --> 00:38:05,825 This is not... they're... 620 00:38:05,909 --> 00:38:07,052 They're too... They're too glamorous. 621 00:38:07,076 --> 00:38:08,328 Are you getting it as well? 622 00:38:08,411 --> 00:38:09,889 It's also the picture, but I agree with you. 623 00:38:09,913 --> 00:38:11,682 Julie: I know. They're wearing lots of make—up. 624 00:38:11,706 --> 00:38:12,892 Garance: They're too sophisticated or something. 625 00:38:12,916 --> 00:38:13,833 Yep. —I agree, I agree. 626 00:38:13,917 --> 00:38:15,919 So this... This one I really like. 627 00:38:17,086 --> 00:38:19,005 I don't know, what do you think? She's like... 628 00:38:19,714 --> 00:38:22,008 There's something fragile, but still, like, you know, 629 00:38:22,091 --> 00:38:24,862 a bit noble about her that I really like. —julie: Yeah, yeah, yeah. Yeah. 630 00:38:24,886 --> 00:38:27,013 Marland: Get this girl cast, get this guy cast. 631 00:38:27,096 --> 00:38:30,099 Erm, but, I mean, Julie said she's on it. 632 00:38:30,767 --> 00:38:33,269 So... she seems okay. She seems okay. 633 00:38:33,353 --> 00:38:35,730 I mean, I'm a bit stressed about it, but trust her. 634 00:38:35,814 --> 00:38:36,940 So, we'll see, yeah? Okay? 635 00:38:37,023 --> 00:38:38,483 Good. Yeah, James, you all right? 636 00:38:38,691 --> 00:38:40,568 Maybe this one, but I really don't like him. 637 00:38:40,652 --> 00:38:41,778 No. No. It's... (Laughs) No. 638 00:38:41,861 --> 00:38:43,112 Happy you don't like him. —no. 639 00:38:43,196 --> 00:38:44,989 Er, he's called Pete. 640 00:38:45,073 --> 00:38:48,743 I saw him, erm, maybe two weeks ago on stage. 641 00:38:48,827 --> 00:38:50,495 Mmm. —he's very special. 642 00:38:50,578 --> 00:38:54,707 I think, if I understand well, the project, I think he's the one. 643 00:38:54,791 --> 00:38:58,253 He has something that I cannot even describe. 644 00:38:58,336 --> 00:38:59,897 You really have to meet him. So if that's okay... 645 00:38:59,921 --> 00:39:01,506 Mmm. Yeah. —we can meet him tomorrow? 646 00:39:01,589 --> 00:39:03,149 Mmm, yeah. I would love that. —perfect. 647 00:39:03,174 --> 00:39:05,152 I would love that. And the girl? —and I'll call her agent as well 648 00:39:05,176 --> 00:39:07,720 and try and talk to her tomorrow. —yeah. Perfect! Fantastic. 649 00:39:07,804 --> 00:39:10,014 Great! Brilliant. Thank you. —all right, thank you. 650 00:39:10,098 --> 00:39:11,933 (Indistinct chatter) 651 00:39:16,396 --> 00:39:19,399 Man: Does the budget stretch to me getting an editor, or... 652 00:39:19,482 --> 00:39:20,900 The budget does not stretch. 653 00:39:20,984 --> 00:39:23,987 The budget stays exactly the way it is at the moment. 654 00:39:24,070 --> 00:39:26,906 Away from the windows and just set them a bit back. 655 00:39:27,949 --> 00:39:29,242 Because at least you could have 656 00:39:29,325 --> 00:39:31,786 some light through it, or something. What do you think? 657 00:39:32,078 --> 00:39:33,371 Julie: I think let's do that. 658 00:39:35,123 --> 00:39:36,749 Erm, garance, if you just have a second? 659 00:39:36,833 --> 00:39:37,834 Garance: Yeah, sure. 660 00:39:37,917 --> 00:39:40,587 Erm... it's just a thought I had just... just now. 661 00:39:40,670 --> 00:39:44,257 Erm, you don't have to have an answer immediately. But I just... 662 00:39:44,674 --> 00:39:48,177 It suddenly occurred to me if you were interested in... 663 00:39:48,261 --> 00:39:49,554 In playing the girl? 664 00:39:50,346 --> 00:39:51,532 Elisa: Julie, do you want a hand? 665 00:39:51,556 --> 00:39:52,908 No, we're good. We're fine. —sure? 666 00:39:52,932 --> 00:39:54,058 Yeah, we're so close. 667 00:39:54,559 --> 00:39:55,643 Elisa: Mind your toes. 668 00:39:57,312 --> 00:39:58,521 Why's he got your bed? 669 00:39:58,605 --> 00:39:59,731 (Music playing mildly) 670 00:39:59,814 --> 00:40:00,982 For the set. 671 00:40:01,190 --> 00:40:03,359 Oh, for your film? —yeah, that's what I said. 672 00:40:03,443 --> 00:40:05,778 Oh! Right. 673 00:40:06,529 --> 00:40:07,864 So is it going to your school? 674 00:40:08,114 --> 00:40:09,908 Yeah. —wow. 675 00:40:09,991 --> 00:40:11,618 Yeah. —when is that? 676 00:40:12,243 --> 00:40:14,162 Like, next week we start. 677 00:40:14,245 --> 00:40:15,371 Next week? —yeah. 678 00:40:16,581 --> 00:40:17,874 Yeah. —oh. 679 00:40:20,126 --> 00:40:22,962 Okay. I didn't realise it was that soon. 680 00:40:23,880 --> 00:40:24,881 Next week. 681 00:40:27,467 --> 00:40:29,135 So everything's set with it? 682 00:40:29,636 --> 00:40:30,637 Yeah, more or less. 683 00:40:34,098 --> 00:40:35,516 Like, casting's set? 684 00:40:36,809 --> 00:40:39,020 Yeah. Yeah. Yeah... 685 00:40:39,562 --> 00:40:41,481 I was... I wanted to talk to you 686 00:40:41,564 --> 00:40:43,358 about it actually, cos I... (Sighs) 687 00:40:44,567 --> 00:40:46,402 Cos you know I've been going for castings 688 00:40:46,486 --> 00:40:48,780 and it's not been going well. —yeah. 689 00:40:50,156 --> 00:40:51,741 Well, not like, badly, but not... 690 00:40:52,408 --> 00:40:54,202 I'm not getting parts for things. 691 00:40:58,206 --> 00:41:00,249 So you're... you're saying you've cast it? 692 00:41:02,126 --> 00:41:04,128 Yeah, I have two people that are... 693 00:41:05,171 --> 00:41:07,066 They're really, you know... They're quite right for it. 694 00:41:07,090 --> 00:41:09,717 But I... it's got nothing to do with you. 695 00:41:09,801 --> 00:41:11,320 That's the thing... It's got nothing to do... 696 00:41:11,344 --> 00:41:12,944 So you've not... So I'm not in it at all? 697 00:41:13,388 --> 00:41:14,514 Not this one. 698 00:41:15,473 --> 00:41:17,350 And it was such a... —okay. 699 00:41:18,017 --> 00:41:19,394 I just, I honestly... 700 00:41:21,562 --> 00:41:23,707 It... it's got literally... It's got nothing to do with... 701 00:41:23,731 --> 00:41:26,275 You're such a fantastic actress. It's nothing to do 702 00:41:26,359 --> 00:41:27,902 with your abilities, or... —mmm—hmm. 703 00:41:29,445 --> 00:41:30,488 It's just... 704 00:41:32,490 --> 00:41:36,577 You know, the girl who I have in mind, she... she's not an actress. 705 00:41:36,661 --> 00:41:37,972 You know, she's a filmmaker and... 706 00:41:37,996 --> 00:41:39,330 She's not an actress? —no. 707 00:41:39,789 --> 00:41:41,082 But she's a filmmaker and that... 708 00:41:41,165 --> 00:41:42,500 I kind of wanted that, 709 00:41:42,959 --> 00:41:46,504 so she can bring a little bit of her own experience to it. 710 00:41:46,587 --> 00:41:47,588 Elisa: Mmm—hmm. 711 00:41:48,631 --> 00:41:50,591 Okay. Well... —but it's got... 712 00:41:50,675 --> 00:41:52,277 It's got nothing to do with you. And I didn't... 713 00:41:52,301 --> 00:41:53,301 Well, it does. 714 00:41:53,344 --> 00:41:55,155 If you're not casting me in something, then it's me. 715 00:41:55,179 --> 00:41:57,724 You don't... I'm not, I'm not gonna take it personally, 716 00:41:57,807 --> 00:41:59,493 but don't say it's got nothing to do with you, 717 00:41:59,517 --> 00:42:00,869 cos obviously, casting's completely 718 00:42:00,893 --> 00:42:02,613 to do with the person. —okay. Okay, well... 719 00:42:09,360 --> 00:42:10,445 Julie: Where's the wall? 720 00:42:10,737 --> 00:42:12,572 Man: The wall was, it is no more. 721 00:42:21,622 --> 00:42:23,458 (Metal soueaks in distance) 722 00:42:24,959 --> 00:42:26,794 (Wings fluttering) 723 00:42:33,760 --> 00:42:35,762 (Siren blaring in distance) 724 00:42:54,072 --> 00:42:55,340 Julie: A girl fought against me. 725 00:42:55,364 --> 00:42:56,574 Man: Little swallow. 726 00:43:02,955 --> 00:43:04,457 (Thudding in distance) 727 00:43:28,397 --> 00:43:29,690 Hello. 728 00:43:30,191 --> 00:43:31,526 Garance: Hi, Pete. —hey, guys. 729 00:43:31,609 --> 00:43:32,693 Man: Looking good, mate, 730 00:43:32,777 --> 00:43:33,777 hel.i.o 731 00:43:33,820 --> 00:43:34,987 you look great! —thank you. 732 00:43:35,071 --> 00:43:36,572 Looks great. —I feel comfortable. 733 00:43:36,656 --> 00:43:37,907 Yeah? —susan: Mmm. 734 00:43:37,990 --> 00:43:39,867 Can we introduced you to the dp, Ben? 735 00:43:39,951 --> 00:43:41,494 Pete: Of course. —ben, this is Pete. 736 00:43:41,577 --> 00:43:43,162 Hey, man. —pleasure to meet you, mate. 737 00:43:43,246 --> 00:43:44,306 How's it going? —lovely to meet you. 738 00:43:44,330 --> 00:43:45,331 There. —ben: There? 739 00:43:45,414 --> 00:43:46,833 A little bit up, please. —up? 740 00:43:46,916 --> 00:43:48,668 Perfect, no, stop, stop, stop, stop. 741 00:43:48,751 --> 00:43:50,294 But don't worry about being too steady, 742 00:43:50,378 --> 00:43:53,381 but also, you know, not too documentary. So... 743 00:43:53,464 --> 00:43:54,966 Ben: But don't worry about... Okay. 744 00:43:55,049 --> 00:43:57,135 The on—board music is so awkward to me for... 745 00:43:57,218 --> 00:43:59,137 If we hear... If we hear a little... 746 00:43:59,762 --> 00:44:01,472 Oh, those are the shoes? —yeah. 747 00:44:01,556 --> 00:44:02,807 (Laughs) Okay, cool. 748 00:44:04,016 --> 00:44:07,270 Oh, love the colour though. Like the colour. 749 00:44:09,021 --> 00:44:11,774 Pete: Trying to figure out. —(Both laugh) 750 00:44:12,316 --> 00:44:15,361 (Operatic music playing) 751 00:44:17,280 --> 00:44:18,865 We can do something to that. 752 00:44:20,908 --> 00:44:22,285 It's a weird rhythm anyway. 753 00:44:22,368 --> 00:44:24,245 So we can do whatever we want, right? 754 00:44:24,328 --> 00:44:26,205 Garance: So we 're gonna, are we gonna... 755 00:44:26,289 --> 00:44:29,500 I feel like my energy was too high, 756 00:44:29,584 --> 00:44:32,128 or too lively. I don't know how to say that. 757 00:44:32,211 --> 00:44:33,504 Do you know what I mean? 758 00:44:33,588 --> 00:44:35,214 Lulthought it was quite lively. 759 00:44:36,716 --> 00:44:38,217 I was really happy. So it's... 760 00:44:38,551 --> 00:44:40,428 It is quite accurate. It's really good. 761 00:44:40,511 --> 00:44:42,180 But you're much more... 762 00:44:42,972 --> 00:44:44,348 No, you're perfect. You're perfect. 763 00:44:44,432 --> 00:44:45,492 You have nothing to worry about. 764 00:44:45,516 --> 00:44:47,356 Are we all set up now? Are we ready for a shot? 765 00:44:47,393 --> 00:44:49,103 Yes, we're ready. Ready when you are. 766 00:44:49,187 --> 00:44:52,023 Because I, I'm just looking at this and I actually think 767 00:44:52,106 --> 00:44:55,067 it's the wrong angle for what we're... for what I want. 768 00:44:55,693 --> 00:44:57,862 That I, I actually, erm... 769 00:44:58,738 --> 00:45:01,741 I... I think we should have it on the other side of the door, 770 00:45:01,824 --> 00:45:03,117 because it feels wrong to me 771 00:45:03,201 --> 00:45:05,870 that we should have this camera 772 00:45:05,953 --> 00:45:07,538 seeing more than she does. 773 00:45:08,164 --> 00:45:10,499 Because I don't want to see exactly what's going on 774 00:45:10,583 --> 00:45:12,144 inside this bathroom because she doesn't. 775 00:45:12,168 --> 00:45:14,354 And I know that's just... I know that's a last minute thing. 776 00:45:14,378 --> 00:45:15,939 I know it's really, really... —julie, we're all set up. 777 00:45:15,963 --> 00:45:18,163 Julie: I know we are! —we're all set up for this scene. 778 00:45:18,216 --> 00:45:19,401 Ben: You want the camera here? 779 00:45:19,425 --> 00:45:21,886 You want the camera here? —julie: Here. Yep. 780 00:45:22,428 --> 00:45:24,597 Ben: With the door shut. Do we see in the bathroom? 781 00:45:25,264 --> 00:45:27,516 Julie: Erm... maybe here. 782 00:45:28,684 --> 00:45:29,745 Here, because she has to come... 783 00:45:29,769 --> 00:45:31,312 She has to come past. —ben: Okay. 784 00:45:31,395 --> 00:45:33,606 Erm, we don't wanna see inside the bathroom. 785 00:45:33,689 --> 00:45:34,941 Maybe when you... 786 00:45:35,024 --> 00:45:37,026 Actually, no, sorry, sorry. Here. 787 00:45:39,528 --> 00:45:41,322 (Indistinct chatter) 788 00:45:42,949 --> 00:45:44,951 He's very good at hiding it. —for a year. 789 00:45:45,034 --> 00:45:46,869 But also you... Yeah, for a year. 790 00:45:46,953 --> 00:45:48,788 For a year, but also you have suspicion. 791 00:45:48,871 --> 00:45:50,551 You also don't really want to believe this. 792 00:45:50,581 --> 00:45:51,850 This isn't an easier thing, you know... 793 00:45:51,874 --> 00:45:53,101 It's not an easy thing to believe 794 00:45:53,125 --> 00:45:54,377 about someone you love. 795 00:45:54,460 --> 00:45:55,920 You know? —no, I don't. 796 00:45:56,003 --> 00:45:57,683 Do you understand that? —I don't. (Scoffs) 797 00:45:58,381 --> 00:46:00,508 Well, it's, you know... —well, it's... 798 00:46:01,300 --> 00:46:04,804 You're saying you don't want to believe it, I guess, but... 799 00:46:05,263 --> 00:46:07,032 Yeah. I can understand that. —but this is the furthest... 800 00:46:07,056 --> 00:46:09,892 This is just one of the times we are seeing... 801 00:46:11,394 --> 00:46:14,313 You have a feeling as though when you were dancing together 802 00:46:14,397 --> 00:46:15,999 and during that whole time, during that whole day, 803 00:46:16,023 --> 00:46:17,626 during dinner, doing whatever you were doing 804 00:46:17,650 --> 00:46:19,902 before you started dancing, before we saw you, 805 00:46:19,986 --> 00:46:21,612 that is going on in the back of his head, 806 00:46:21,737 --> 00:46:23,739 he is wondering when is the next time 807 00:46:23,823 --> 00:46:26,033 he's going to go off by himself 808 00:46:26,117 --> 00:46:27,201 and do whatever he does, 809 00:46:27,285 --> 00:46:29,787 that you don't really properly know what goes on. 810 00:46:31,289 --> 00:46:33,791 Because I give him space and I respect him. 811 00:46:33,874 --> 00:46:35,793 So I... there's this sense of... 812 00:46:35,876 --> 00:46:37,795 You do, but also, he doesn't... 813 00:46:37,878 --> 00:46:39,588 He doesn't really allow anything else. 814 00:46:39,672 --> 00:46:40,881 Fine. —so that's... 815 00:46:40,965 --> 00:46:42,150 You are doing as much as you can. 816 00:46:42,174 --> 00:46:43,568 You can say that in this relationship, 817 00:46:43,592 --> 00:46:45,303 he has... he has the power. 818 00:46:45,386 --> 00:46:46,554 Yeah. 100°/o. 819 00:46:46,762 --> 00:46:48,082 Susan: There may be some knocking. 820 00:46:48,139 --> 00:46:49,658 Yeah, well find that... I'll find that out. 821 00:46:49,682 --> 00:46:52,101 Yeah, there may be some knocking. Erm... 822 00:46:52,184 --> 00:46:53,784 Marland: That looks good by the way, Ben. 823 00:46:54,103 --> 00:46:55,872 Julie: Yeah? —marland: That looks nice in the monitor. 824 00:46:55,896 --> 00:46:57,106 Ben: Yeah? Okay. 825 00:46:58,733 --> 00:47:00,609 Well, I mean, there's a lot... 826 00:47:00,693 --> 00:47:01,777 There's a lot of wall. 827 00:47:04,113 --> 00:47:06,240 Well, I don't know if I, what I can put up there, man. 828 00:47:08,242 --> 00:47:10,002 Let's see if I have something in the bedroom. 829 00:47:10,411 --> 00:47:11,811 Garance: Where should this scene go? 830 00:47:11,871 --> 00:47:13,664 Because if we start with that like, 831 00:47:13,748 --> 00:47:15,434 "oh, my god, yeah, he's actually doing heroin." 832 00:47:15,458 --> 00:47:17,460 Then we have to maybe sit in... 833 00:47:17,543 --> 00:47:19,229 In the bathroom and start talking and maybe... 834 00:47:19,253 --> 00:47:21,088 No. You wouldn't talk about it. 835 00:47:21,172 --> 00:47:23,400 Honestly, I don't think you'd talk about it straight away. 836 00:47:23,424 --> 00:47:24,943 You don't want any dialogue? —susan: Can we get cast... 837 00:47:24,967 --> 00:47:26,802 No. Honestly, it's not about that. 838 00:47:26,886 --> 00:47:28,471 (Both speaking simultaneously) 839 00:47:28,554 --> 00:47:29,906 Susan: Julie, can we get cast in there 840 00:47:29,930 --> 00:47:31,766 to start taking positions? —yeah. 841 00:47:31,849 --> 00:47:33,285 Susan: Yeah. —It's honestly... it's just... 842 00:47:33,309 --> 00:47:36,354 Garance: You cannot just see that and not talk about it. 843 00:47:36,437 --> 00:47:37,539 (Softly) Well, that's how I did it. 844 00:47:37,563 --> 00:47:38,981 That's how it happened. 845 00:47:41,108 --> 00:47:43,069 So don't say it. You didn't say anything. 846 00:47:45,571 --> 00:47:47,698 Garance: Okay. —can we just see positions? 847 00:47:52,912 --> 00:47:53,996 (Thuds) 848 00:47:55,623 --> 00:47:57,249 (Knock on door) —(Pete grunts loudly) 849 00:47:57,666 --> 00:47:59,877 Garance: Alfie, please! Please. 850 00:48:03,631 --> 00:48:05,257 (Thuds on door) —(Pete groans) 851 00:48:06,759 --> 00:48:09,720 Garance: Please open the... —(Pete groaning) 852 00:48:10,721 --> 00:48:12,348 Garance: I do want to see you. 853 00:48:14,392 --> 00:48:15,810 (Door opens) 854 00:48:24,026 --> 00:48:25,236 Julie: And cut. 855 00:48:25,319 --> 00:48:26,320 Susan: Cut there! 856 00:48:29,240 --> 00:48:30,241 Cut there. 857 00:48:30,324 --> 00:48:32,827 Julie: You're... you're... You're angry. 858 00:48:32,910 --> 00:48:34,787 You're... You're irritated by him. 859 00:48:34,870 --> 00:48:37,248 He was like a child rushing off. 860 00:48:37,832 --> 00:48:40,126 You know, you're in an adult relationship 861 00:48:40,209 --> 00:48:41,436 and he's running off and being... 862 00:48:41,460 --> 00:48:43,020 Pete: Did you ever see sadness in there? 863 00:48:44,338 --> 00:48:45,548 Julie: Yeah, quite a bit. 864 00:48:45,798 --> 00:48:47,466 "Quite a bit." So that was... 865 00:48:47,550 --> 00:48:49,260 Maybe that's why he, you know... 866 00:48:49,718 --> 00:48:52,680 Maybe that's why he... erm... 867 00:48:52,763 --> 00:48:54,306 Soundshke he's calling for help. 868 00:48:54,390 --> 00:48:55,599 So I'm just gonna... 869 00:48:55,683 --> 00:48:57,101 (Indistinct chatter) 870 00:49:27,089 --> 00:49:28,507 (Indistinct chatter) 871 00:49:39,602 --> 00:49:42,021 Garance: (Sighs) It was a terrible lunch. 872 00:49:43,230 --> 00:49:44,940 Pete: It was okay. Garance: Yeah? 873 00:49:45,774 --> 00:49:46,942 Pete: Heavy. 874 00:49:47,026 --> 00:49:48,319 Garance: Heavy? —pete: Mmm—hmm. 875 00:49:48,402 --> 00:49:49,570 Garance: Excuse me, erm... 876 00:49:49,945 --> 00:49:51,305 Pete: Do you know what we're doing? 877 00:49:51,739 --> 00:49:54,033 Garance: (Laughs) Stop asking me that. 878 00:49:54,116 --> 00:49:56,035 Pete: What? I feel like you know more. 879 00:49:57,912 --> 00:49:59,663 Garance: Not really, honestly. 880 00:49:59,747 --> 00:50:02,458 The more we... hi. 881 00:50:04,835 --> 00:50:06,337 So the more... the more... 882 00:50:08,297 --> 00:50:11,467 (Sighs) ...We work on this, the more I realise 883 00:50:11,550 --> 00:50:13,177 I don't know anything. Honestly. 884 00:50:13,928 --> 00:50:15,721 I don't understand the, the... 885 00:50:17,640 --> 00:50:18,599 The relationship. 886 00:50:18,641 --> 00:50:20,559 Yeah, the origin of the relationship. 887 00:50:20,976 --> 00:50:22,228 You know what I mean? 888 00:50:22,311 --> 00:50:24,897 Pete: Yeah, you go to school with her. You know her well. 889 00:50:24,980 --> 00:50:27,066 Garance: No, not really. She was... she was not... 890 00:50:27,316 --> 00:50:28,984 She was not here very often. 891 00:50:29,068 --> 00:50:30,569 Pete: What, at school? —yeah. 892 00:50:32,154 --> 00:50:34,490 I like her because she is, er, 893 00:50:36,033 --> 00:50:38,244 very sensitive and I think she... 894 00:50:38,953 --> 00:50:41,539 She has a voice, but, she's... 895 00:50:42,873 --> 00:50:45,459 I don't know, too naive, too fragile or... 896 00:50:45,918 --> 00:50:49,505 And she's not... I think she's lazy too. She's not working enough. 897 00:50:49,588 --> 00:50:52,091 She should, you know... She should be at school. 898 00:50:52,174 --> 00:50:54,593 She should... she should be more understanding 899 00:50:54,677 --> 00:50:56,345 that she has to learn a lot from others. 900 00:50:56,428 --> 00:50:57,930 And again, this is, erm... 901 00:50:58,514 --> 00:51:02,184 This is in... in the real life. 902 00:51:02,268 --> 00:51:04,562 This is three days before your character died. 903 00:51:06,230 --> 00:51:08,023 Okay. —so this is possibly your last 904 00:51:08,607 --> 00:51:11,735 moment, erm, of intimacy... 905 00:51:11,819 --> 00:51:13,612 Well, not int... Well, yes, intimacy, 906 00:51:13,696 --> 00:51:15,197 but before it could be intimate. 907 00:51:15,990 --> 00:51:18,701 So you're, you're feeling... 908 00:51:18,784 --> 00:51:21,287 You're feeling resentment a little bit, 909 00:51:21,370 --> 00:51:24,582 because you don't know whether he scored or not. 910 00:51:24,665 --> 00:51:26,792 He's possibly coming down from something. 911 00:51:27,668 --> 00:51:30,254 And then, I mean, I look back and I kind of, erm... 912 00:51:32,047 --> 00:51:33,340 He's all over the place. 913 00:51:33,424 --> 00:51:35,467 Julie: Have awareness that possibly he was always 914 00:51:36,176 --> 00:51:38,220 either on something, coming down from something. 915 00:51:38,304 --> 00:51:39,805 Just about to score. So he just... 916 00:51:39,888 --> 00:51:41,741 Garance: So that's also the reason why I'm objecting here. 917 00:51:41,765 --> 00:51:44,160 Absolutely. You're not in that mood. You're not in that space. 918 00:51:44,184 --> 00:51:46,312 And you're both almost not very present. 919 00:51:46,395 --> 00:51:49,106 Pete: How did he feel about her paying for everything? 920 00:51:49,189 --> 00:51:50,524 What was that dynamic like? 921 00:51:50,608 --> 00:51:52,443 Because was there not... 922 00:51:52,526 --> 00:51:55,154 Was there not an element of shame there? 923 00:51:55,654 --> 00:51:57,674 I'm not trying... I don't want you to think I'm trying to 924 00:51:57,698 --> 00:51:58,824 justify his actions. —no. 925 00:51:58,907 --> 00:52:02,411 I'm just trying to justify his problems, really. 926 00:52:02,494 --> 00:52:04,204 And at the moment, I don't feel like I know 927 00:52:04,288 --> 00:52:07,207 (hesitates) What they are, but, erm... 928 00:52:12,212 --> 00:52:14,381 So now he's stolen everything and sold it. 929 00:52:14,465 --> 00:52:15,966 I just feel like that's a... 930 00:52:18,302 --> 00:52:20,721 A desperate moment for him. 931 00:52:24,516 --> 00:52:25,934 (Pete breathes deeply) 932 00:52:27,686 --> 00:52:29,855 I don't know where to go with this, you know. 933 00:52:29,980 --> 00:52:31,565 If someone has, you know... 934 00:52:31,649 --> 00:52:33,734 A friend of mine stole money from his mum last year, 935 00:52:33,817 --> 00:52:35,819 and everyone around him thought he was 936 00:52:35,903 --> 00:52:38,155 the worst human being in the world at the time, 937 00:52:38,238 --> 00:52:40,115 but I knew that he wasn't well. 938 00:52:40,991 --> 00:52:43,410 I knew that he wasn't in a place of... 939 00:52:45,245 --> 00:52:47,039 Normal head space, I knew that. 940 00:52:49,708 --> 00:52:51,293 Is this quite difficult for you? 941 00:52:51,377 --> 00:52:53,003 Am I making it more painful for you? 942 00:52:53,087 --> 00:52:55,214 Julie: No. No, no, no. You're... no, it's not you. 943 00:52:55,297 --> 00:52:57,177 That's the thing, it's really not. This is good. 944 00:52:57,549 --> 00:52:58,801 I think it's difficult 945 00:52:58,884 --> 00:53:02,471 because I'm coming up against your idea of him 946 00:53:02,554 --> 00:53:05,641 rather than a reality of him, which is understandable. 947 00:53:06,058 --> 00:53:07,142 But... 948 00:53:08,560 --> 00:53:10,562 It makes it quite difficult for me to... 949 00:53:12,398 --> 00:53:14,024 Come from a place of truth. 950 00:53:15,275 --> 00:53:17,528 If that makes sense? —susan: How are we doing? 951 00:53:17,820 --> 00:53:22,616 So, er, we need Pedro in here, ready to dress the set. 952 00:53:27,746 --> 00:53:29,123 Ben: So what's the plan? 953 00:53:29,206 --> 00:53:30,684 Julie: We're just getting a very simple shot 954 00:53:30,708 --> 00:53:31,709 of the two of them. 955 00:53:31,792 --> 00:53:34,169 And there's no standing up, or walking around or anything. 956 00:53:34,253 --> 00:53:35,629 What's, what's happening? 957 00:53:35,713 --> 00:53:36,815 Julie: So they're just having a conversation... 958 00:53:36,839 --> 00:53:38,257 Is it evening, Julie? —ben: Okay. 959 00:53:38,340 --> 00:53:41,218 Erm, yes, yeah, sorry. It is quite late at night. 960 00:53:41,301 --> 00:53:43,303 Garance: Okay, night. —julie: Er, night. So you... 961 00:53:43,387 --> 00:53:44,656 It's possibly like, 10:00, 11:00. 962 00:53:44,680 --> 00:53:46,849 Garance: Okay. —julie: Erm, maybe 10:00. 963 00:53:46,932 --> 00:53:49,035 I've been here all day. —garance: You have to close the... 964 00:53:49,059 --> 00:53:50,352 Julie: You've been here all day. 965 00:53:50,436 --> 00:53:53,897 You were here while garance was at film school. 966 00:53:53,981 --> 00:53:54,982 Garance: Right. 967 00:53:55,065 --> 00:53:59,069 Erm... yeah, so you've been here all day. 968 00:53:59,153 --> 00:54:01,393 Pete: Okay. So... —so they're just having a conversation 969 00:54:01,447 --> 00:54:02,823 and it's just... It's quite static. 970 00:54:03,490 --> 00:54:05,826 Garance: You're high. —I'm probably high. 971 00:54:05,909 --> 00:54:07,745 Julie: So I think maybe just like... 972 00:54:08,328 --> 00:54:10,456 (Garance coughing) —julie: Maybe here? 973 00:54:10,539 --> 00:54:11,808 (Pete and garance speak indistinctly) 974 00:54:11,832 --> 00:54:12,916 Yeah? —yeah? 975 00:54:13,584 --> 00:54:14,668 Ben: I mean... 976 00:54:16,628 --> 00:54:18,756 I'm sure it wasn't night originally. 977 00:54:18,839 --> 00:54:21,925 I mean, we're not lit for... I mean, this isn't night. 978 00:54:23,218 --> 00:54:24,845 Julie: (Sighs) Yeah. 979 00:54:26,096 --> 00:54:27,264 Marland: What, late night? 980 00:54:27,347 --> 00:54:29,308 Julie: Yeah, like, 11:00,10:00. 981 00:54:29,391 --> 00:54:31,031 Yeah, please. —I know, I know. I'm sorry. 982 00:54:31,101 --> 00:54:32,811 I honestly thought I said it. —do we... 983 00:54:32,895 --> 00:54:34,104 Seriously, was that... er... 984 00:54:34,188 --> 00:54:35,790 Susan: Yeah, we'll just... We'll go with that. 985 00:54:35,814 --> 00:54:38,001 If that's what it's supposed to be, then we'll work with that. 986 00:54:38,025 --> 00:54:40,194 So we need to start. —okay. It's just starting like... 987 00:54:40,277 --> 00:54:41,838 But this is the problem... This is the problem. 988 00:54:41,862 --> 00:54:43,739 It's the same, like, you know, with (sighs) 989 00:54:43,864 --> 00:54:45,115 How many days we're into... 990 00:54:45,199 --> 00:54:47,409 I've lost all track of time. (Chuckles) 991 00:54:47,493 --> 00:54:50,746 Nothing... nothing changes. 992 00:54:50,829 --> 00:54:51,973 It's the same every single day. 993 00:54:51,997 --> 00:54:54,082 We... like, none of us have any idea what's going on. 994 00:54:54,208 --> 00:54:55,518 It's like, it's fucking ridiculous. 995 00:54:55,542 --> 00:54:57,228 And I'm getting grief from marland about, like... 996 00:54:57,252 --> 00:54:58,480 Julie: I feel confident about what's going on. 997 00:54:58,504 --> 00:55:00,482 Marland: That was one day. —no, marland, I'm getting grief from you 998 00:55:00,506 --> 00:55:01,941 about how much stock... —all right, fine. 999 00:55:01,965 --> 00:55:03,526 Ben: We're going through. Like, it's... 1000 00:55:03,550 --> 00:55:05,445 Marland: We've got more now, so it should be fine. 1001 00:55:05,469 --> 00:55:06,512 Erm, can we just... 1002 00:55:06,595 --> 00:55:07,947 Garance: Yeah, but we cannot continue like this. 1003 00:55:07,971 --> 00:55:09,240 Like, we can't. —julie: I think... 1004 00:55:09,264 --> 00:55:11,266 Like, it's just like, you know, we're you know... 1005 00:55:11,892 --> 00:55:13,036 All right, we're students, but we're like... 1006 00:55:13,060 --> 00:55:14,204 Julie: Okay, there were a lot of conversations 1007 00:55:14,228 --> 00:55:15,330 that happened during prep that... 1008 00:55:15,354 --> 00:55:16,980 Yeah, I know. I know we're students, 1009 00:55:17,064 --> 00:55:18,625 I know we're still learning and all the rest of it. 1010 00:55:18,649 --> 00:55:19,942 But this is our grad film. 1011 00:55:20,025 --> 00:55:21,652 It's really, important stuff. —yeah. 1012 00:55:21,735 --> 00:55:23,421 Ben: And, like, we should be, like, professional now like... 1013 00:55:23,445 --> 00:55:24,863 So should we start making a move 1014 00:55:24,947 --> 00:55:26,466 to make the changes that we need to make? 1015 00:55:26,490 --> 00:55:29,385 Well, like, what's... what's the point? Because we don't know what's going on. 1016 00:55:29,409 --> 00:55:31,161 Am I antagonising, or am I defending? 1017 00:55:31,245 --> 00:55:33,247 Susan: No, you... no. And I'm not... but... 1018 00:55:33,330 --> 00:55:35,707 Am I antagonising? Cos I don't think I am. 1019 00:55:35,791 --> 00:55:37,876 Look, we're dealing with a serious ego back there 1020 00:55:37,960 --> 00:55:39,354 and I don't know what his problem is. 1021 00:55:39,378 --> 00:55:41,755 But he's making it impossible. He's been impossible all day. 1022 00:55:41,839 --> 00:55:43,507 Let's just drop it. Let's just drop it. 1023 00:55:44,174 --> 00:55:45,694 Ben: It's all just broken down. Like... 1024 00:55:45,759 --> 00:55:47,719 We just don't know what's going on. 1025 00:55:47,845 --> 00:55:49,596 It's that... It's that more than anything. 1026 00:55:49,638 --> 00:55:52,391 Okay, can you be specific 1027 00:55:52,474 --> 00:55:55,018 about what it is that you need from us? Specifically. 1028 00:55:55,102 --> 00:55:57,413 Because you're talking about you needing everything to be clear. 1029 00:55:57,437 --> 00:55:58,957 Specifically, well, having a shot list would be nice. 1030 00:55:58,981 --> 00:56:00,708 Like, having like, following the script would be nice. 1031 00:56:00,732 --> 00:56:03,443 You know, having some kind of sense every single day. 1032 00:56:03,527 --> 00:56:04,903 Like, instead of having, like 1033 00:56:04,987 --> 00:56:06,697 the lights changing, like, halfway through 1034 00:56:06,780 --> 00:56:08,620 because suddenly it's day and then it was night 1035 00:56:08,699 --> 00:56:09,884 and then it's day and then it's night 1036 00:56:09,908 --> 00:56:11,052 and then it's day and then it's night again. 1037 00:56:11,076 --> 00:56:12,220 Marland: All right, Ben. —like, it's just, like... 1038 00:56:12,244 --> 00:56:13,513 Susan: So okay. So thank you for that. 1039 00:56:13,537 --> 00:56:14,955 So we're gonna work on that, okay? 1040 00:56:15,038 --> 00:56:17,141 Ben: Yeah, but we've had this conversation so many times! 1041 00:56:17,165 --> 00:56:18,852 Susan: So what do you wanna do? Do you wanna walk away? 1042 00:56:18,876 --> 00:56:20,520 Ben: I want somebody to... —what do you wanna do? 1043 00:56:20,544 --> 00:56:22,671 Ben: I'm that close. I'm that close to walking away. 1044 00:56:22,754 --> 00:56:25,132 All right. Do it. Do it then. —susan: Okay. 1045 00:56:25,215 --> 00:56:26,550 Susan: Don't say that, marland. 1046 00:56:26,633 --> 00:56:28,695 (All speaking simultaneously) —susan: Guys, calm down now. 1047 00:56:28,719 --> 00:56:29,946 No, but he's not gonna do it, he's all mouth. 1048 00:56:29,970 --> 00:56:31,930 You have to also learn how to take critiques 1049 00:56:32,014 --> 00:56:35,017 and have to find a way to make things work for everyone. 1050 00:56:35,100 --> 00:56:37,394 You're like a captain on a boat. That's what you are. 1051 00:56:37,477 --> 00:56:38,979 Ben: We've worked together before 1052 00:56:39,062 --> 00:56:41,982 and, like, that's why we wanna work with Julie, 1053 00:56:42,065 --> 00:56:43,376 because of the way that she works. 1054 00:56:43,400 --> 00:56:44,651 But this time it just feels 1055 00:56:44,735 --> 00:56:46,236 like we don't know what's going on. 1056 00:56:46,320 --> 00:56:48,240 It's, like, you know, and we've talked about this 1057 00:56:48,280 --> 00:56:50,174 and it just feels, like, we need to say this now, 1058 00:56:50,198 --> 00:56:51,533 because we're all getting tired... 1059 00:56:51,617 --> 00:56:53,052 Susan: Okay, I think that we have said it. 1060 00:56:53,076 --> 00:56:55,680 I think that we have. I am... —no, but you're not listening to me. 1061 00:56:55,704 --> 00:56:57,581 I don't know how to explain it in like a... 1062 00:56:57,664 --> 00:56:59,851 Do you want me to be soft and gentle and all the rest of it? 1063 00:56:59,875 --> 00:57:02,753 Like, I'm saying it like this because nobody's listening! 1064 00:57:02,836 --> 00:57:05,672 Garance: I am so tired and we are. —marland: We're all tired. 1065 00:57:05,756 --> 00:57:07,108 Garance: We have to find another way. 1066 00:57:07,132 --> 00:57:09,176 We have to find a system, something. 1067 00:57:09,259 --> 00:57:10,737 This is too much. —susan: Yeah, yeah, we are. 1068 00:57:10,761 --> 00:57:12,780 We're gonna sort this out. Yeah. You're absolutely right. 1069 00:57:12,804 --> 00:57:13,948 Things have been too much. Yeah. 1070 00:57:13,972 --> 00:57:15,732 Garance: Do you understand that, Julie, yeah? 1071 00:57:32,991 --> 00:57:34,201 (Crockery clatters softly) 1072 00:57:34,284 --> 00:57:35,494 (Door closes) 1073 00:57:42,250 --> 00:57:45,045 (Julie coughing) 1074 00:57:52,594 --> 00:57:55,055 (Coughing continues) 1075 00:57:57,182 --> 00:57:58,600 (Vomiting) 1076 00:58:06,191 --> 00:58:08,610 (Coughing) 1077 00:58:14,574 --> 00:58:15,784 (Dog whimpers) 1078 00:58:20,914 --> 00:58:22,416 (Toilet flushing) 1079 00:58:46,732 --> 00:58:48,233 Where's my sunny girl? 1080 00:58:50,569 --> 00:58:51,653 Hmm? 1081 00:59:00,871 --> 00:59:02,456 Could you put that up for me, darling? 1082 00:59:02,539 --> 00:59:05,417 I don't want them to get the wrong idea. 1083 00:59:06,752 --> 00:59:08,253 No, you've had enough. 1084 00:59:09,379 --> 00:59:10,630 (Jar shati'ers) —(Dog whimpers) 1085 00:59:10,714 --> 00:59:12,424 Julie: Shit! —oh. 1086 00:59:12,507 --> 00:59:14,342 Julie: I'm so sorry! —oh. 1087 00:59:16,803 --> 00:59:19,097 I'm so sorry. Oh, shit. 1088 00:59:19,806 --> 00:59:21,016 William: What's happened? 1089 00:59:24,144 --> 00:59:26,563 Is that the etruscan pot? —rosalind: Oh, what a shame. 1090 00:59:26,646 --> 00:59:29,166 William: Vandalised. —julie: I'm so sorry. I'm so sorry, mummy. 1091 00:59:29,232 --> 00:59:30,776 I really, really, really didn't... 1092 00:59:31,526 --> 00:59:32,652 (Speaks indistinctly) 1093 00:59:32,736 --> 00:59:34,756 William: I shouldn't worry, it's only a term's fees. 1094 00:59:34,780 --> 00:59:36,215 Darling, you didn't do it on purpose. 1095 00:59:36,239 --> 00:59:37,550 Julie: I'm sorry. And I really wouldn't. I'm sorry. 1096 00:59:37,574 --> 00:59:38,885 No, it's just one of those things. 1097 00:59:38,909 --> 00:59:40,219 Julie: I'm sorry. —(Dogs whining) 1098 00:59:40,243 --> 00:59:41,387 Rosalind: Yes, can you get them out, darling? 1099 00:59:41,411 --> 00:59:42,680 There's some sharp bits. —julie: I think we can. 1100 00:59:42,704 --> 00:59:43,848 William: Come on. Come on. Come on. 1101 00:59:43,872 --> 00:59:45,433 Rosalind: Quite sharp bits. —julie: I'm so sorry. 1102 00:59:45,457 --> 00:59:47,876 Ooh, yes. Can you get the dogs out, darling? I don't want 1103 00:59:47,959 --> 00:59:49,395 them to hurt their feet. —come on. Here. 1104 00:59:49,419 --> 00:59:50,879 No, it's all right, it's all right. 1105 00:59:50,962 --> 00:59:52,798 William: Come on. —(Dogs panting) 1106 01:00:02,766 --> 01:00:03,767 William: Oh, dear. 1107 01:00:03,850 --> 01:00:05,268 Just one of those things, isn't it? 1108 01:00:07,187 --> 01:00:08,188 Have you cut yourself? 1109 01:00:08,271 --> 01:00:09,523 No, just a little bit. 1110 01:00:09,606 --> 01:00:10,816 Julie: I'm so sorry. 1111 01:00:11,399 --> 01:00:12,919 I'm so sorry, is your finger all right? 1112 01:00:12,984 --> 01:00:14,337 Rosalind: Mmm. I'm gonna go and get a... 1113 01:00:14,361 --> 01:00:15,463 William: Worse things happen at sea. 1114 01:00:15,487 --> 01:00:17,322 A, erm, dustpan and brush. 1115 01:00:18,073 --> 01:00:19,908 And put the kettle on and start again. 1116 01:00:25,038 --> 01:00:26,414 (Door closes) —I shouldn't worry. 1117 01:00:26,498 --> 01:00:27,749 She can make another one. 1118 01:00:32,963 --> 01:00:34,798 (Dog whining) 1119 01:00:41,847 --> 01:00:44,057 No, you stay out of here, please? 1120 01:00:44,141 --> 01:00:45,642 (Dog whining) 1121 01:00:46,393 --> 01:00:47,477 (Sighs) 1122 01:00:48,353 --> 01:00:49,396 Did you... —(Door opens) 1123 01:00:49,479 --> 01:00:51,940 (Quietly) No, no, no, no. Absolutely. 1124 01:00:52,357 --> 01:00:54,192 Good. —(Door closes) 1125 01:00:57,737 --> 01:00:59,239 Anybody else want some more cake? 1126 01:01:00,240 --> 01:01:01,408 Mmm, no thank you. 1127 01:01:01,491 --> 01:01:04,077 I came across the ravaged remnants of that in the kitchen. 1128 01:01:04,161 --> 01:01:06,139 Rosalind: Well, we're making fast work of that cake. 1129 01:01:06,163 --> 01:01:07,723 I know. It seems to be going down quite... 1130 01:01:07,747 --> 01:01:09,100 Quite good, actually, it's from the shop. 1131 01:01:09,124 --> 01:01:10,434 Did you make it? —no, I... it's fine. 1132 01:01:10,458 --> 01:01:11,835 It's mrs daley's best, is it? 1133 01:01:12,294 --> 01:01:14,254 (Rosalind grunts) —julie: I'm so sorry. 1134 01:01:15,046 --> 01:01:16,131 I'm so sorry. 1135 01:01:16,214 --> 01:01:18,216 (Pink flag by wire playing) 1136 01:01:18,300 --> 01:01:20,302 (Overlapping chatter) 1137 01:01:28,852 --> 01:01:30,645 (Music and chatter continue) 1138 01:01:31,646 --> 01:01:33,481 (Song playing) ♪ I was sold up the river ♪ 1139 01:01:33,565 --> 01:01:35,901 ♪ to the red slave trade ♪ 1140 01:01:35,984 --> 01:01:39,821 ♪ the stores were gathered the plans were laid ♪ 1141 01:01:39,905 --> 01:01:43,700 ♪ synchronised watches at 78:05... ♪ 1142 01:01:44,492 --> 01:01:46,286 (Chatter continues) 1143 01:01:47,913 --> 01:01:49,664 (Music continues) 1144 01:01:50,916 --> 01:01:52,751 (Bell dinging) 1145 01:01:54,169 --> 01:01:56,171 (Ship horn blaring) 1146 01:02:01,718 --> 01:02:03,720 (Police whistle blowing) 1147 01:02:04,387 --> 01:02:06,223 (All clamouring) 1148 01:02:06,306 --> 01:02:08,308 (Whistle continues blowing) 1149 01:02:11,228 --> 01:02:13,521 Narrator: As Horatio's pounding heart 1150 01:02:13,605 --> 01:02:15,190 s/o w/y stilled, 1151 01:02:15,273 --> 01:02:18,526 and the welcome adrenaline drained from his veins, 1152 01:02:18,610 --> 01:02:21,446 he became aware of sentences forming. 1153 01:02:21,529 --> 01:02:23,156 Flashes and fragments 1154 01:02:23,240 --> 01:02:25,242 of the vision of his situation, 1155 01:02:25,325 --> 01:02:28,161 that could only be that of a future self, 1156 01:02:28,495 --> 01:02:30,497 whose fate was very different 1157 01:02:30,580 --> 01:02:32,791 to this inauspicious beginning. 1158 01:02:32,874 --> 01:02:34,251 (Ship horn blowing) 1159 01:02:37,587 --> 01:02:38,856 I tried this this morning and, erm... 1160 01:02:38,880 --> 01:02:40,131 Yes, I see that. 1161 01:02:40,215 --> 01:02:41,383 Lydia: It's much better. 1162 01:02:41,466 --> 01:02:44,719 I liked you as a robot cowboy in westwor/d. 1163 01:02:44,761 --> 01:02:46,429 Less so as a cutter of films. 1164 01:02:48,265 --> 01:02:49,641 But you liked it. 1165 01:02:49,724 --> 01:02:50,910 I liked it. —what did you think? 1166 01:02:50,934 --> 01:02:52,102 What were your thoughts? 1167 01:02:52,769 --> 01:02:55,689 It excites me. I like... I like what I'm seeing. 1168 01:02:55,772 --> 01:02:56,898 Patrick: Right. 1169 01:02:56,982 --> 01:02:58,542 I wish it was my film. You know... (Laughs) 1170 01:02:58,566 --> 01:03:00,527 Patrick: Right. That's marvellously generic. 1171 01:03:00,610 --> 01:03:03,613 Editor: I mean, if... I think we could do with a few more 1172 01:03:04,197 --> 01:03:05,991 details of the faces. 1173 01:03:06,074 --> 01:03:08,368 Maybe to see some of the faces as a bit of... 1174 01:03:08,451 --> 01:03:09,611 I've asked for two more days. 1175 01:03:09,661 --> 01:03:11,121 Lydia, can we have two more days 1176 01:03:11,204 --> 01:03:13,248 to shoot some close ups? —lydia: No. 1177 01:03:13,331 --> 01:03:14,600 Then we can't cut them in, Chris. 1178 01:03:14,624 --> 01:03:16,293 Editor: Okay. Yeah. 1179 01:03:16,501 --> 01:03:18,878 Patrick: We can't cut in those close ups we don't have. 1180 01:03:20,672 --> 01:03:21,756 Editor: No. 1181 01:03:22,674 --> 01:03:24,926 Patrick: What do you think? What does it make you feel? 1182 01:03:25,010 --> 01:03:26,386 Okay. Yeah. 1183 01:03:26,636 --> 01:03:28,763 You're forcing me to have a tantrum. 1184 01:03:30,724 --> 01:03:33,101 It excites me. It excites me... 1185 01:03:33,184 --> 01:03:34,464 Patrick: You said that last time. 1186 01:03:34,644 --> 01:03:36,187 Lydia: That's a great thing to say. 1187 01:03:37,147 --> 01:03:39,649 Yeah. Once is enough though. 1188 01:03:40,608 --> 01:03:42,288 Lydia: That's all it needs to be, in a way. 1189 01:03:42,485 --> 01:03:43,903 Patrick: We should put cut outs. 1190 01:03:43,987 --> 01:03:45,238 This is what we should do. 1191 01:03:46,114 --> 01:03:48,074 Little cut outs of the audience 1192 01:03:48,158 --> 01:03:49,159 in front of the monitor. 1193 01:03:49,242 --> 01:03:50,452 It's what scorsese does. 1194 01:03:50,952 --> 01:03:53,621 Okay. —to remind him that it's cinema... 1195 01:03:53,705 --> 01:03:55,099 Cinema. Yeah. —...And not something 1196 01:03:55,123 --> 01:03:57,751 you watch midweek... with your uncle. —okay. 1197 01:03:57,834 --> 01:03:59,228 Editor: I think it's great. —lydia: Mmm. 1198 01:03:59,252 --> 01:04:00,962 Editor: It looks great. —oh, fuck off! 1199 01:04:01,254 --> 01:04:03,649 Editor: It's got energy. It really has. —say what you think. 1200 01:04:03,673 --> 01:04:06,426 Don't say something that you could say after watching anything. 1201 01:04:06,509 --> 01:04:08,636 "It's great, it excites me." 1202 01:04:08,720 --> 01:04:10,472 Yeah. —patrick: Say something specific, 1203 01:04:11,097 --> 01:04:12,932 so that we can decide what the next scene 1204 01:04:13,016 --> 01:04:14,517 should make you feel. —okay. 1205 01:04:14,601 --> 01:04:16,728 So that we can take an emotional line 1206 01:04:16,811 --> 01:04:18,313 through something. 1207 01:04:19,272 --> 01:04:20,774 Editor: I think it starts really well, 1208 01:04:20,857 --> 01:04:22,984 but it's a little flat in the middle, emotionally. 1209 01:04:23,068 --> 01:04:24,277 Patrick: (Exhales) Am I... 1210 01:04:24,361 --> 01:04:27,489 (Bangs on table) —what does it make you feel? 1211 01:04:30,700 --> 01:04:32,452 Oh, fuck all of you. 1212 01:04:32,535 --> 01:04:33,620 Honestly. 1213 01:04:34,537 --> 01:04:36,206 Fucking hell! 1214 01:04:39,334 --> 01:04:40,377 Editor: Sorry about that. 1215 01:04:40,752 --> 01:04:42,837 I loved it. I really liked it, so... 1216 01:04:42,921 --> 01:04:45,081 I think it's great. He's got it all out of perspective. 1217 01:04:45,131 --> 01:04:47,467 He's stressed. —oh... yeah. 1218 01:04:47,675 --> 01:04:50,178 And... drunk maybe. 1219 01:04:53,473 --> 01:04:55,517 Let's take another look. I'll just do this. 1220 01:05:11,908 --> 01:05:13,118 (Clicks) 1221 01:05:13,535 --> 01:05:15,954 (Reel whirring) —(Operatic music playing) 1222 01:05:31,469 --> 01:05:32,971 (Garance chuckling) 1223 01:05:34,347 --> 01:05:36,182 (Indistinct chatter on footage) 1224 01:05:41,521 --> 01:05:43,523 I don't know if I got enough of... 1225 01:05:45,984 --> 01:05:47,485 Garance by herself. 1226 01:05:48,236 --> 01:05:51,281 I, I wish I'd had some solo... 1227 01:05:51,364 --> 01:05:53,700 In this? Mmm. —yeah. I would. 1228 01:05:53,783 --> 01:05:56,578 Cos it's just, I think it's too much of two of them. 1229 01:05:57,537 --> 01:05:59,831 I wish I'd had a moment just her. 1230 01:05:59,914 --> 01:06:01,166 Well, you've got this moment. 1231 01:06:01,583 --> 01:06:02,792 Well, it's not... 1232 01:06:03,501 --> 01:06:05,003 Yeah. —yeah. 1233 01:06:05,086 --> 01:06:06,730 I think it's a nice shot. I think it will... 1234 01:06:06,754 --> 01:06:08,631 We can figure it out. —mmm. 1235 01:06:14,637 --> 01:06:16,723 Pete: Please? —(Garance laughs) 1236 01:06:16,806 --> 01:06:18,641 You can really tell that they had chemistry. 1237 01:06:20,018 --> 01:06:22,604 Er, Pete and garance. —(Reel stops playing) 1238 01:06:22,687 --> 01:06:24,564 Mmm—hmm. —they really did. Kind of... 1239 01:06:24,647 --> 01:06:27,367 You can really see it in her eyes though. I think it's quite fitting. 1240 01:06:27,400 --> 01:06:29,652 They work well together? They... 1241 01:06:29,736 --> 01:06:31,112 Yeah, very, very well, I think. 1242 01:06:31,196 --> 01:06:33,156 Erm, yeah, they really liked each other. 1243 01:06:33,239 --> 01:06:35,158 It was kind of, I think it's quite... 1244 01:06:36,784 --> 01:06:38,721 It was, I think it was quite good for the characters. 1245 01:06:38,745 --> 01:06:40,205 Mmm—hmm. —although very different 1246 01:06:40,288 --> 01:06:42,624 eye between the two of them, you know. 1247 01:06:42,707 --> 01:06:44,000 Well, we can move things around 1248 01:06:44,083 --> 01:06:45,543 and we can find it and... —yeah. 1249 01:06:46,127 --> 01:06:48,171 I think it's probably perfectly normal 1250 01:06:48,254 --> 01:06:50,423 to come to editing in the first place 1251 01:06:50,507 --> 01:06:52,050 and watch the rushes for the first time 1252 01:06:52,133 --> 01:06:55,053 and feel ambivalent and it must be so strange 1253 01:06:55,762 --> 01:06:57,114 having an idea of something and then... 1254 01:06:57,138 --> 01:06:59,057 And then seeing it for the first time. 1255 01:06:59,140 --> 01:07:00,940 Those kind of questions are completely normal, 1256 01:07:00,975 --> 01:07:03,811 but I think, as we continue to watch it 1257 01:07:03,895 --> 01:07:05,939 and piece it together and, er, 1258 01:07:06,439 --> 01:07:07,857 kind of play with the moments of it, 1259 01:07:07,941 --> 01:07:09,692 we'll find it. —mmm. Okay. 1260 01:07:09,901 --> 01:07:11,069 Good. Thank you. 1261 01:07:11,486 --> 01:07:13,071 I needed to hear that. (Laughs) 1262 01:07:13,154 --> 01:07:14,882 No, it'll be fine. It'll be great. —It's funny. 1263 01:07:14,906 --> 01:07:16,491 Good. Yeah. 1264 01:07:18,034 --> 01:07:20,012 Do you wanna watch some more? —yeah. Let's do that. 1265 01:07:20,036 --> 01:07:22,205 (Switch clicks) —(Reel whirring) 1266 01:07:39,264 --> 01:07:41,266 (Indistinct chatter) —(Soft music playing) 1267 01:07:54,487 --> 01:07:56,322 Julie: Thank you. —max: You're welcome. 1268 01:07:58,575 --> 01:07:59,659 (Julie clears throat) 1269 01:08:01,286 --> 01:08:03,621 Cheers. —cheers. Thank you. 1270 01:08:08,001 --> 01:08:09,544 Were you... (Clears throat) 1271 01:08:09,627 --> 01:08:11,921 Were you particularly close to his parents? 1272 01:08:12,005 --> 01:08:16,092 I mean, have you spoken to them a lot since 1273 01:08:16,175 --> 01:08:19,345 or got to know them well when you were with him? 1274 01:08:20,221 --> 01:08:22,515 I got to know them quite well. Erm... 1275 01:08:23,850 --> 01:08:25,351 And I don't know whether I'm... 1276 01:08:27,228 --> 01:08:28,605 Whether I really am too busy, 1277 01:08:28,688 --> 01:08:31,357 or whether I'm making excuses. Cos I've... 1278 01:08:32,025 --> 01:08:33,151 Because I feel as though 1279 01:08:33,234 --> 01:08:34,514 when I see them and talk to them, 1280 01:08:34,569 --> 01:08:35,778 I feel like I'm... 1281 01:08:40,199 --> 01:08:42,410 "Intruding" isn't the right word, but I mean... 1282 01:08:43,953 --> 01:08:46,581 You know, they lost their son, their only son. 1283 01:08:47,498 --> 01:08:48,708 And I... 1284 01:08:50,835 --> 01:08:55,256 I grieved in such a different way to them. 1285 01:08:56,716 --> 01:08:58,593 And I feel... I don't feel as though 1286 01:08:58,676 --> 01:09:02,138 I have a place there as much now. 1287 01:09:03,723 --> 01:09:07,268 It's funny, but I... I feel really bad 1288 01:09:07,352 --> 01:09:09,270 I haven't been in touch with them as much. 1289 01:09:11,314 --> 01:09:13,483 Obviously, I've never been through 1290 01:09:13,566 --> 01:09:14,609 what you've been through, 1291 01:09:14,692 --> 01:09:17,737 but I think... I'm sure from the parents' point of view, 1292 01:09:18,446 --> 01:09:19,798 they're obviously dealing, you know, 1293 01:09:19,822 --> 01:09:22,158 with this unimaginable loss 1294 01:09:22,241 --> 01:09:25,119 and, er... and tragic event, 1295 01:09:25,203 --> 01:09:28,706 but that doesn't, kind of, mean that you're not too. 1296 01:09:28,790 --> 01:09:32,418 And I'm sure they're only sympathetic to that fact. 1297 01:09:32,502 --> 01:09:33,753 And you know, you've... 1298 01:09:33,836 --> 01:09:36,255 I don't think you should, er, take it upon yourself 1299 01:09:36,339 --> 01:09:39,300 in a kind of destructive, negative way. 1300 01:09:39,384 --> 01:09:42,136 Erm, from my point of view, from what you've said, 1301 01:09:42,387 --> 01:09:45,181 erm, you shouldn't do that to yourself. 1302 01:09:45,807 --> 01:09:46,891 Julie: Thank you. 1303 01:09:50,478 --> 01:09:51,771 (Max clears throat) 1304 01:09:51,854 --> 01:09:54,273 And also, with you, you know, 1305 01:09:54,357 --> 01:09:56,109 making the film at school, 1306 01:09:56,901 --> 01:09:58,295 which I don't know whether they know about, 1307 01:09:58,319 --> 01:10:01,114 but I'm sure your family obviously knows about. 1308 01:10:01,280 --> 01:10:05,159 It's, you know... it's a brave thing to do and... 1309 01:10:07,161 --> 01:10:09,163 I mean, you know, I think, I don't think you can... 1310 01:10:09,747 --> 01:10:12,083 What you've gone through at any stage, 1311 01:10:12,166 --> 01:10:13,710 at any point of your life, 1312 01:10:13,793 --> 01:10:17,463 if this was to happen, would be unimaginable. 1313 01:10:17,672 --> 01:10:19,841 So for it to happen at such a young age 1314 01:10:19,924 --> 01:10:21,843 and particularly, I don't think you can... 1315 01:10:22,385 --> 01:10:24,137 You just can't do that to yourself. 1316 01:10:24,262 --> 01:10:26,347 It's not... It's not fair to yourself. 1317 01:10:43,781 --> 01:10:45,092 Do you want another (Clears throat) Drink? 1318 01:10:45,116 --> 01:10:46,951 Er, no, I'm fine, thank you. 1319 01:10:48,619 --> 01:10:51,581 Erm, do you want to come back to mine for a drink? 1320 01:10:53,124 --> 01:10:54,417 If you have time. 1321 01:10:54,500 --> 01:10:56,085 Er... this evening? 1322 01:10:56,169 --> 01:10:57,295 Mmm—hmm. 1323 01:10:57,587 --> 01:10:59,505 Erm... (Clears throat) I... 1324 01:10:59,672 --> 01:11:03,718 Actually, I said I would see my boyfriend this evening. 1325 01:11:04,343 --> 01:11:07,054 Erm, so I probably can't tonight. 1326 01:11:07,388 --> 01:11:09,098 Okay. Yeah. 1327 01:11:09,182 --> 01:11:10,683 No, I understand. 1328 01:11:13,811 --> 01:11:14,955 I'm so sorry, I misunderstood. 1329 01:11:14,979 --> 01:11:16,397 No, no, no. No, no, no, it's fine. 1330 01:11:16,481 --> 01:11:17,690 No, I said I'd, er... 1331 01:11:18,065 --> 01:11:19,317 I said I would cook something. 1332 01:11:19,400 --> 01:11:21,402 He hasn't been very well, erm... 1333 01:11:22,278 --> 01:11:25,156 Er, for a little while now, so... 1334 01:11:25,239 --> 01:11:26,824 I'm sorry. —that's all right. 1335 01:11:26,908 --> 01:11:27,992 Erm... 1336 01:11:30,453 --> 01:11:32,580 Yeah, so I said I'd cook him dinner. 1337 01:11:33,623 --> 01:11:34,783 So I should probably do that. 1338 01:11:34,999 --> 01:11:36,918 Yeah. That's really sweet of you. 1339 01:11:37,001 --> 01:11:39,378 Ah, well, he hasn't had it yet. 1340 01:11:39,462 --> 01:11:40,671 (Julie laughs) 1341 01:11:41,631 --> 01:11:42,757 So, you should probably... 1342 01:11:42,840 --> 01:11:44,550 Yeah, I might run. Is that all right? 1343 01:11:44,634 --> 01:11:45,736 No, not at all. —max: You sure? 1344 01:11:45,760 --> 01:11:46,987 Yeah, absolutely. Yeah, completely. 1345 01:11:47,011 --> 01:11:48,197 Max: Okay. —I'll see you soon. 1346 01:11:48,221 --> 01:11:49,722 Max: Yeah, okay. —thanks so much. 1347 01:11:49,806 --> 01:11:50,932 Max: Yeah, of course. 1348 01:11:51,015 --> 01:11:52,475 Julie: Thank you so much. 1349 01:11:52,934 --> 01:11:56,437 Thank you so... yeah. (Laughs) Thanks. Good luck. 1350 01:11:56,521 --> 01:11:57,939 Max: Thank you. —have a nice night. 1351 01:11:58,022 --> 01:11:59,524 Yeah, you too. I'll see you tomorrow. 1352 01:11:59,607 --> 01:12:00,817 Julie: Yeah, tomorrow. 1353 01:12:08,241 --> 01:12:10,481 (I t's getting la te in the evening by talk talk playing) 1354 01:12:12,703 --> 01:12:15,790 ♪ Eve/ybody's laughing ♪ 1355 01:12:21,879 --> 01:12:24,715 ♪ Eve/ybody's laughing ♪ 1356 01:12:30,638 --> 01:12:33,474 ♪ Eve/ybody's laughing ♪ 1357 01:12:39,313 --> 01:12:41,107 (Phone ringing) 1358 01:12:49,073 --> 01:12:50,241 Hello? 1359 01:12:50,324 --> 01:12:52,159 (Woman speaking indistinctly on phone) 1360 01:12:53,369 --> 01:12:55,055 Hi, Barbara. Are you all right? What's wrong? 1361 01:12:55,079 --> 01:12:56,914 (Barbara speaking indistinctly) 1362 01:13:05,631 --> 01:13:07,049 Is he in the hospital? 1363 01:13:07,967 --> 01:13:09,218 Or is he at home? 1364 01:13:09,260 --> 01:13:10,761 (Barbara speaking indistinctly) 1365 01:13:17,602 --> 01:13:19,312 No, thank you so much for calling. 1366 01:13:19,854 --> 01:13:21,355 Can he... can he talk? 1367 01:13:30,990 --> 01:13:32,033 Do you want me to come? 1368 01:13:32,116 --> 01:13:34,160 Do you want me to come, Barbara? 1369 01:13:34,243 --> 01:13:35,453 Do you want me to come to you? 1370 01:13:37,830 --> 01:13:40,458 Yeah, no, of course. Yeah. 1371 01:13:41,208 --> 01:13:43,711 Thank you so much for calling. No, no, not at all. 1372 01:13:44,629 --> 01:13:48,716 I'm so sorry. I'm so sorry. Okay. Bye—bye. See you soon. 1373 01:14:14,784 --> 01:14:16,285 (Vomiting) 1374 01:14:24,335 --> 01:14:25,962 (Gasping) 1375 01:14:27,171 --> 01:14:29,382 I'm struggling to recognise whether 1376 01:14:30,383 --> 01:14:34,804 I'm, erm, missing Anthony as a whole. 1377 01:14:35,054 --> 01:14:37,890 That, as the person he was, a very... 1378 01:14:38,975 --> 01:14:42,103 Strong individual, he was. —parapsychologist: Mmm—hmm. 1379 01:14:42,853 --> 01:14:44,355 And still is in my mind 1380 01:14:45,314 --> 01:14:46,941 quite present. —mmm—hmm. 1381 01:14:47,775 --> 01:14:50,152 Or whether I'm missing having 1382 01:14:51,862 --> 01:14:55,324 a companion and that intimacy. 1383 01:14:56,367 --> 01:15:00,663 And that mysterious leader 1384 01:15:01,122 --> 01:15:05,167 who... who, you know, made decisions for me and... 1385 01:15:06,335 --> 01:15:08,045 Took me places and... And ".And". 1386 01:15:08,129 --> 01:15:10,172 Helped you be a risk taker. —mmm. 1387 01:15:11,340 --> 01:15:13,384 But a controlled risk taker. 1388 01:15:14,552 --> 01:15:16,053 Controlled by him. 1389 01:15:19,140 --> 01:15:20,349 Keep talking. 1390 01:15:23,728 --> 01:15:27,440 I've... I miss having that intimacy with someone. 1391 01:15:29,942 --> 01:15:33,070 And... and I don't know whether I'm quite ready 1392 01:15:33,571 --> 01:15:34,989 to have that with someone else yet. 1393 01:15:36,407 --> 01:15:38,117 Because I... I really want it. 1394 01:15:39,160 --> 01:15:40,995 I really want to be able to... 1395 01:15:42,371 --> 01:15:43,831 Be next to someone in bed. 1396 01:15:44,498 --> 01:15:45,708 And talk to someone who... 1397 01:15:45,791 --> 01:15:47,501 Who I don't go to film school with. 1398 01:15:48,669 --> 01:15:50,087 Mmm—hmm. —and who's not my parents 1399 01:15:50,463 --> 01:15:51,839 or Anthony's parents. 1400 01:15:52,590 --> 01:15:55,593 But you do realise, you are the one who can make it happen. 1401 01:15:56,302 --> 01:15:57,762 Do you think I have to change a bit? 1402 01:15:59,180 --> 01:16:01,057 Well, you won't change character, 1403 01:16:01,265 --> 01:16:03,017 but you do have to change a few habits. 1404 01:16:03,225 --> 01:16:05,144 Not only of thinking, but of being. 1405 01:16:05,603 --> 01:16:07,188 You did it with film school. 1406 01:16:07,688 --> 01:16:10,149 And in film school, you found acquaintances. 1407 01:16:10,232 --> 01:16:12,693 Now your job is to go... Job? That's not quite the... 1408 01:16:12,777 --> 01:16:14,028 Yes, your job. 1409 01:16:14,111 --> 01:16:17,323 You're a human being with life to live. That's your job. 1410 01:16:27,750 --> 01:16:29,502 (Birds chirping) 1411 01:16:36,634 --> 01:16:37,718 (Sniffs) 1412 01:16:50,147 --> 01:16:51,857 (Bees buzzing) 1413 01:17:06,705 --> 01:17:08,707 (Tin sold/eh by small faces playing) 1414 01:17:21,095 --> 01:17:22,805 (Muffled music playing) 1415 01:17:25,891 --> 01:17:26,976 Patrick. 1416 01:17:27,643 --> 01:17:30,688 Hi. Hi. How are you? 1417 01:17:31,772 --> 01:17:35,234 I am... middling. 1418 01:17:35,860 --> 01:17:38,362 How are you? —yeah, middling as well. 1419 01:17:38,445 --> 01:17:39,530 (Chuckles) 1420 01:17:40,239 --> 01:17:42,032 Patrick: Good. —yeah. 1421 01:17:42,116 --> 01:17:43,117 How's your film? 1422 01:17:43,993 --> 01:17:47,079 I'm not calling it that any longer. 1423 01:17:47,663 --> 01:17:51,000 I was invited to leave the edit. 1424 01:17:55,045 --> 01:17:57,548 I could have made their film. 1425 01:17:58,382 --> 01:18:00,342 But I wanted to make my film, 1426 01:18:00,551 --> 01:18:03,179 so it was an easy decision. 1427 01:18:03,804 --> 01:18:06,265 Oh, I'm sorry... about that. 1428 01:18:06,849 --> 01:18:09,018 I always wanted to be like Orson welles. 1429 01:18:10,352 --> 01:18:12,188 Lydia and I are back together. 1430 01:18:12,271 --> 01:18:14,356 Good! Good, I'm pleased. 1431 01:18:14,440 --> 01:18:15,983 I ground her down. 1432 01:18:17,443 --> 01:18:19,069 She lost that battle. 1433 01:18:19,361 --> 01:18:21,113 Although she's still in the edit. 1434 01:18:21,655 --> 01:18:22,740 Okay. 1435 01:18:23,199 --> 01:18:25,034 So maybe she's winning the war. 1436 01:18:27,661 --> 01:18:28,913 How's your memorial? 1437 01:18:29,705 --> 01:18:31,457 Finished now. 1438 01:18:31,540 --> 01:18:33,000 Edit's... it's done. 1439 01:18:33,083 --> 01:18:37,004 So, waiting to graduate. So we'll see. 1440 01:18:37,087 --> 01:18:39,215 Did you avoid the temptation to be obvious? 1441 01:18:41,050 --> 01:18:43,469 I think so. —that's all you can hope for, 1442 01:18:43,552 --> 01:18:44,595 isn't it? —mmm. 1443 01:18:50,768 --> 01:18:53,229 Do you think Anthony did work for the foreign office? 1444 01:18:53,854 --> 01:18:54,855 In the end? 1445 01:19:00,194 --> 01:19:01,820 Anthony was a junkie. 1446 01:19:04,323 --> 01:19:05,407 Yeah. 1447 01:19:06,659 --> 01:19:08,285 Okay. —onwards. 1448 01:19:11,163 --> 01:19:12,248 That's my direction. 1449 01:19:12,331 --> 01:19:14,166 I'm this way. —good choice. 1450 01:19:14,959 --> 01:19:16,710 See you soon. —good decision. 1451 01:19:21,840 --> 01:19:23,467 (Siren wailing in distance) 1452 01:19:30,391 --> 01:19:32,226 (Indistinct chatter) 1453 01:19:34,270 --> 01:19:35,771 (Laughter) 1454 01:19:38,065 --> 01:19:40,067 (Excited chatter) 1455 01:20:19,898 --> 01:20:22,943 (Lively chatter and laughter) 1456 01:20:33,912 --> 01:20:35,581 (Audience applauding) 1457 01:20:35,664 --> 01:20:37,166 (Speaking indistinctly) 1458 01:20:51,305 --> 01:20:52,907 Man: (On mic) Julie, please come and join me. 1459 01:20:52,931 --> 01:20:54,224 (Audience applauding) 1460 01:20:54,308 --> 01:20:55,768 Julie harte. 1461 01:21:00,647 --> 01:21:02,816 It's a great joy to see you here, Julie. 1462 01:21:03,484 --> 01:21:06,111 You've, erm, bent some rules, 1463 01:21:07,196 --> 01:21:08,614 and it's been a long journey. 1464 01:21:08,781 --> 01:21:12,284 Erm, but you've met it with courage and determination. 1465 01:21:13,786 --> 01:21:15,913 There was a point, I think, erm... 1466 01:21:17,164 --> 01:21:18,957 Jonathan, Steven, when we didn't think 1467 01:21:19,041 --> 01:21:20,834 we would see you here graduating. 1468 01:21:21,835 --> 01:21:23,796 But we 're all very proud of you. 1469 01:21:24,171 --> 01:21:27,049 Erm, and it's a great, great, great delight 1470 01:21:27,508 --> 01:21:28,884 to see you graduating, 1471 01:21:29,134 --> 01:21:32,221 and I'm sure you 'd like to say a few words? 1472 01:21:33,180 --> 01:21:34,264 Thank you. 1473 01:21:34,848 --> 01:21:40,020 Erm... this, erm, film's dedicated to absent friends... 1474 01:21:40,854 --> 01:21:42,272 Erm, who couldn't be here. 1475 01:21:43,148 --> 01:21:44,191 And, erm, 1476 01:21:44,274 --> 01:21:47,152 if we could all just raise an imaginaiy glass of champagne 1477 01:21:47,444 --> 01:21:48,862 to absent friends. 1478 01:21:49,655 --> 01:21:51,281 Erm... (Laughs) 1479 01:21:52,950 --> 01:21:54,576 It's my gift to someone I... 1480 01:21:54,660 --> 01:21:56,995 I once knew and loved very much. 1481 01:21:58,288 --> 01:21:59,498 Er, that's all. Thank you. 1482 01:21:59,581 --> 01:22:01,625 (Audience applauding) 1483 01:22:15,973 --> 01:22:17,558 (Projector whirring) 1484 01:22:17,641 --> 01:22:19,643 (Audience cheers and applauds) 1485 01:22:24,773 --> 01:22:26,733 (Audience applauds and cheers) 1486 01:22:28,360 --> 01:22:30,195 (Audience cheers loudly) 1487 01:22:58,390 --> 01:22:59,600 Man: Do you like her? 1488 01:23:00,434 --> 01:23:01,643 Julie: I/ove her. 1489 01:23:01,727 --> 01:23:03,729 (Soprano singing Aria) 1490 01:23:07,149 --> 01:23:09,276 Man: She's just received word from her lover 1491 01:23:10,527 --> 01:23:13,030 and she's can/ing his initial into the tree. 1492 01:23:15,199 --> 01:23:17,034 (Wind blowing) 1493 01:23:29,463 --> 01:23:31,465 (Soprano continues singing) 1494 01:23:34,218 --> 01:23:36,220 (Dreamy music playing) 1495 01:23:50,776 --> 01:23:53,153 (Dramatic thud) —(Man screaming) 1496 01:23:55,197 --> 01:23:57,616 (Soprano continues singing) —(Haunting music playing) 1497 01:24:03,080 --> 01:24:05,082 (Dreamy music playing) 1498 01:24:20,514 --> 01:24:21,723 Man: You're lost. 1499 01:24:23,141 --> 01:24:25,978 And you'll always be lost. (Echoing) 1500 01:24:32,859 --> 01:24:34,861 (Train engine chugging in distance) 1501 01:24:35,028 --> 01:24:36,530 (Indistinct chatter) 1502 01:24:37,656 --> 01:24:39,008 (Woman on pa announcing indistinctly) 1503 01:24:39,032 --> 01:24:41,451 (Bell ringing) —(Car driving away) 1504 01:24:42,869 --> 01:24:44,288 (Chatter continues) 1505 01:24:45,664 --> 01:24:46,665 (Tyres screech) 1506 01:24:46,748 --> 01:24:48,584 (Car speeding) 1507 01:24:49,710 --> 01:24:50,711 (Tyres skidding) 1508 01:24:50,794 --> 01:24:52,629 (Men chattering nearby) 1509 01:24:52,713 --> 01:24:54,715 (Emergency siren wailing) 1510 01:24:59,428 --> 01:25:01,179 (Sloshing) —(Kid chattering) 1511 01:25:01,263 --> 01:25:03,640 _(person whistling tune) —(Object clatters) 1512 01:25:03,724 --> 01:25:05,726 (Footsteps running) 1513 01:25:07,728 --> 01:25:09,062 (Distant chatter) 1514 01:25:09,813 --> 01:25:12,107 (Distant chatter on loudspeaker) 1515 01:25:12,190 --> 01:25:14,192 Man: Why are they more real than me? 1516 01:25:14,276 --> 01:25:16,695 (Church bells tolling) —(Distant chatter) 1517 01:25:17,863 --> 01:25:19,865 (Footsteps approaching) 1518 01:25:53,774 --> 01:25:55,525 (Transmission warbling) 1519 01:25:56,401 --> 01:25:57,778 Julie: Did you score today? 1520 01:25:57,944 --> 01:25:59,363 Don't lie/ I can't believe you. 1521 01:25:59,446 --> 01:26:00,798 Anthony: Can you lend me a couple of quid? 1522 01:26:00,822 --> 01:26:01,823 Julie: Mummy... 1523 01:26:01,907 --> 01:26:03,267 Anthony: Have you got 70? Gimme 70. 1524 01:26:03,325 --> 01:26:04,826 Julie: Can lborrow some money? 1525 01:26:04,910 --> 01:26:06,536 Rosalind: More money, more money. 1526 01:26:06,620 --> 01:26:08,288 Julie: £200. 1527 01:26:08,372 --> 01:26:09,748 Anthony: If you don't want to know, 1528 01:26:09,831 --> 01:26:11,750 then don't ask... (Echoing) 1529 01:26:11,833 --> 01:26:14,252 (Souvenii? Of I o ve b y jess/e ma tthews p layi n g) 1530 01:26:17,339 --> 01:26:18,858 Anthony.' Desiree... —julie: What things? 1531 01:26:18,882 --> 01:26:20,634 Anthony: M/r/am, 1532 01:26:20,717 --> 01:26:22,219 Caroline... 1533 01:26:23,470 --> 01:26:25,138 Man: You're a dark horse, Julie. 1534 01:26:25,222 --> 01:26:26,723 Anthony: Andange/a. 1535 01:26:26,807 --> 01:26:28,058 Woman: Angela. 1536 01:26:28,809 --> 01:26:30,036 Anthony: If you don't want to know... 1537 01:26:30,060 --> 01:26:31,061 (Woman laughing) 1538 01:26:31,144 --> 01:26:33,563 Julie: Ldo want to know. I do want to know. 1539 01:26:35,982 --> 01:26:37,984 Anthony: Stop torturing yourself. 1540 01:26:38,068 --> 01:26:40,487 Stop inviting me to torture you. 1541 01:26:41,238 --> 01:26:43,657 (Souvenii? Of love continues playing) 1542 01:26:49,287 --> 01:26:50,789 (Bell rings) 1543 01:26:53,583 --> 01:26:55,544 (Drumroll playing) 1544 01:27:05,470 --> 01:27:06,471 (Drumroll intensifies) 1545 01:27:06,555 --> 01:27:08,974 Julie: (Voice breaking) Please go away. (Echoing) 1546 01:27:29,202 --> 01:27:30,412 (Gasps softly) 1547 01:27:42,424 --> 01:27:43,842 Julie: Do you still love me? 1548 01:28:01,026 --> 01:28:03,361 (Man 2 screaming) —(Church bells tolling) 1549 01:28:09,826 --> 01:28:12,245 (Soprano singing) 1550 01:28:16,291 --> 01:28:18,668 Man: How do you feel about... 1551 01:28:18,752 --> 01:28:19,961 Julie: Depends. 1552 01:28:21,671 --> 01:28:22,881 ID love to. 1553 01:28:27,219 --> 01:28:28,738 Parapsychologist: You had more disagreements... 1554 01:28:28,762 --> 01:28:29,888 J u I! E: Disagreements? 1555 01:28:29,971 --> 01:28:31,073 Parapsychologist: You had more disagreements. 1556 01:28:31,097 --> 01:28:32,098 He was strong. 1557 01:28:32,182 --> 01:28:34,810 He didn't know how to pen'orm his deception. 1558 01:28:36,394 --> 01:28:38,104 Julie: I'm sor/y. I'm sor/y. 1559 01:28:38,188 --> 01:28:39,749 Man: Do you think that makes you special? 1560 01:28:39,773 --> 01:28:41,733 (Objects clinking) 1561 01:28:46,112 --> 01:28:50,659 (Accordion plays verdi's la forza del destino) 1562 01:28:52,118 --> 01:28:54,830 Male singer: (Singing) How sad venice can be 1563 01:28:56,206 --> 01:28:59,209 when you're on your own 1564 01:29:02,003 --> 01:29:03,481 Julie: A searing pain. Man: What's it all for? 1565 01:29:03,505 --> 01:29:05,298 Woman: He had no reason to go on. 1566 01:29:15,517 --> 01:29:19,312 (Moonlight serenade by Glenn Miller playing) 1567 01:29:42,544 --> 01:29:43,545 (Music stops) 1568 01:29:43,628 --> 01:29:46,131 Rosalind: (Singing) Happy birthday 1569 01:29:46,214 --> 01:29:48,216 rosalind and William: To you 1570 01:29:48,842 --> 01:29:53,972 happy birthday to you 1571 01:29:54,055 --> 01:30:00,395 happy birthday, dear Julie 1572 01:30:01,021 --> 01:30:02,606 happy birthday... 1573 01:30:02,689 --> 01:30:04,482 (Static crackling) 1574 01:30:05,942 --> 01:30:07,152 Patrick: Anthony was a junkie. 1575 01:30:07,235 --> 01:30:08,361 Man: I'm very much in love. 1576 01:30:08,445 --> 01:30:10,864 Parapsychologist: You're a human being with life to live. 1577 01:30:11,907 --> 01:30:14,492 Julie: Lcou/d see like second sight. (Echoing) 1578 01:30:14,576 --> 01:30:16,578 (Church bells tolling) 1579 01:30:19,289 --> 01:30:22,292 (Sad accordion music playing) —/t is you who has power over the beast. 1580 01:30:23,543 --> 01:30:25,378 (Man 2 screaming) 1581 01:30:29,090 --> 01:30:30,926 Anthony: Would you lend me a couple of quid? 1582 01:30:31,426 --> 01:30:32,844 Have you got 70? Gimme 70. 1583 01:30:32,928 --> 01:30:35,347 (Soprano singing) —(Church bells tolling) 1584 01:30:36,890 --> 01:30:38,099 Julie. 1585 01:30:38,183 --> 01:30:40,018 (Police whistle blowing) 1586 01:30:40,560 --> 01:30:42,020 Julie: And / am born again. 1587 01:30:43,897 --> 01:30:45,815 Man: You're lost. You're lost. 1588 01:30:45,899 --> 01:30:46,979 And you'll always be lost. 1589 01:30:47,025 --> 01:30:48,526 (Church bells continue tolling) 1590 01:30:49,486 --> 01:30:51,321 (Electronic warbling) 1591 01:30:52,739 --> 01:30:55,283 Julie: And / am born again. (Echoing) 1592 01:31:04,084 --> 01:31:05,877 (There must be an angel by eurythmics plays) 1593 01:31:05,961 --> 01:31:08,171 ♪ No one on earth could feel like this ♪ 1594 01:31:08,254 --> 01:31:13,134 ♪ I'm thrown and overblown with bliss ♪ 1595 01:31:13,259 --> 01:31:17,263 ♪ there must be an angel ♪ 1596 01:31:17,347 --> 01:31:20,850 ♪ playing with my heart, yeah ♪ 1597 01:31:20,934 --> 01:31:24,980 ♪ / walk into an empty room ♪ 1598 01:31:25,105 --> 01:31:29,734 ♪ and suddenly my heart goes boom ♪ 1599 01:31:33,071 --> 01:31:34,489 (Speaks indistinctly) 1600 01:31:34,572 --> 01:31:36,408 Rosalind: Mmm. —(Dog whines) 1601 01:31:36,491 --> 01:31:38,326 We're a little later than we said we'd be... 1602 01:31:38,410 --> 01:31:39,411 Snowy! 1603 01:31:39,494 --> 01:31:41,055 Because of the blasted underground strike. 1604 01:31:41,079 --> 01:31:43,039 I mean, it's such a bore. —of course, the strike. 1605 01:31:43,123 --> 01:31:44,916 Er, so did you get a taxi or what? 1606 01:31:45,625 --> 01:31:47,210 Oh, look! 1607 01:31:47,293 --> 01:31:48,795 You see? —see... I see. 1608 01:31:48,837 --> 01:31:50,255 I was trying to explain it to you. 1609 01:31:50,338 --> 01:31:52,066 Yes, I understand now. —It was kinda difficult. 1610 01:31:52,090 --> 01:31:53,925 I'm sorry, I was being thick. —and they fold. 1611 01:31:54,009 --> 01:31:56,970 It's a great improvement, darling, I do see. 1612 01:31:57,053 --> 01:31:59,097 And they... and they fold up. —yeah. 1613 01:31:59,973 --> 01:32:01,784 They've done such a good job. I just couldn't... 1614 01:32:01,808 --> 01:32:03,768 I couldn't tell these fold. —It's marvellous! 1615 01:32:03,852 --> 01:32:05,186 Yeah. —with the added bonus 1616 01:32:05,270 --> 01:32:06,771 of getting rid of that glass 1617 01:32:06,855 --> 01:32:09,315 that one couldn't stop looking at oneself in. 1618 01:32:09,399 --> 01:32:11,735 Oh, look... —do you want some tea? 1619 01:32:11,818 --> 01:32:13,236 I'd love some. Fruits of the garden. 1620 01:32:13,319 --> 01:32:14,612 Look, darling. —yeah? 1621 01:32:14,696 --> 01:32:16,072 Put those in water. 1622 01:32:16,156 --> 01:32:17,657 Thank you, mummy. Thank you. —oh. 1623 01:32:17,741 --> 01:32:19,034 Yeah, I'd love a cup of tea. 1624 01:32:26,041 --> 01:32:29,294 No, I mean, it's no mean feat getting a taxi 1625 01:32:29,377 --> 01:32:30,920 from king's cross at the best of times, 1626 01:32:31,004 --> 01:32:33,089 but finding someone, 1627 01:32:33,715 --> 01:32:36,634 someone who will take a wild animal 1628 01:32:36,926 --> 01:32:39,471 was quite something. Thank you very much. 1629 01:32:39,554 --> 01:32:41,264 We found such... Such a charming man. 1630 01:32:41,347 --> 01:32:42,474 Actually, do you know what, 1631 01:32:42,557 --> 01:32:44,392 I'm gonna spend a penny if I may? 1632 01:32:45,518 --> 01:32:48,396 Whoops. (Sighs) 1633 01:33:07,248 --> 01:33:08,333 I squirted myself 1634 01:33:08,416 --> 01:33:12,045 with your heavenly scent by the sink. 1635 01:33:12,921 --> 01:33:14,714 Is it penhaligon's bluebell? —yes. 1636 01:33:14,798 --> 01:33:16,966 Absolutely glorious. 1637 01:33:17,383 --> 01:33:19,103 Come on, up you come. —let me have a smell. 1638 01:33:19,969 --> 01:33:21,346 Absolutely glorious, isn't it? 1639 01:33:21,429 --> 01:33:23,681 This is for you. —what's this? I can't see. 1640 01:33:23,765 --> 01:33:24,766 Just some of the money. 1641 01:33:24,849 --> 01:33:27,143 Oh, my darling! Really? —yeah. 1642 01:33:27,477 --> 01:33:29,229 You can spare that? —mmm—hmm. 1643 01:33:29,312 --> 01:33:30,313 Cos I can wait. 1644 01:33:30,396 --> 01:33:31,940 No, no, no. You've waited long enough. 1645 01:33:32,023 --> 01:33:34,109 I know you'll pay me back, but I can wait if you... 1646 01:33:34,192 --> 01:33:35,401 It's fine. No, you... 1647 01:33:35,485 --> 01:33:37,112 It's about time. It's about time. 1648 01:33:37,195 --> 01:33:38,696 I wouldn't pay you unless I could. 1649 01:33:39,280 --> 01:33:41,199 It's all fine. —well, thank you very much. 1650 01:33:41,282 --> 01:33:42,492 Very good. —thank you. 1651 01:33:42,575 --> 01:33:43,719 Pleasure doing business with you. 1652 01:33:43,743 --> 01:33:44,953 (Laughs) 1653 01:33:45,703 --> 01:33:47,163 Oh, where's my tea? 1654 01:33:50,959 --> 01:33:53,169 Mummy, why are you still smoking? 1655 01:33:53,711 --> 01:33:55,713 Mmm. —it's so horrible. 1656 01:33:56,422 --> 01:33:57,507 I know. 1657 01:33:58,049 --> 01:33:59,801 New thing. —I know, I know. 1658 01:33:59,884 --> 01:34:01,386 Well, it's, you know... 1659 01:34:03,388 --> 01:34:05,056 What does daddy feel about it? 1660 01:34:05,598 --> 01:34:07,409 Daddy pretends he doesn't know anything about it. 1661 01:34:07,433 --> 01:34:09,453 That's my... one of my favourite qualities about him. 1662 01:34:09,477 --> 01:34:10,895 Yes, like a truly loving person. 1663 01:34:10,979 --> 01:34:13,356 (Laughs) He must really love you. 1664 01:34:13,439 --> 01:34:14,649 I think he must. 1665 01:34:23,741 --> 01:34:24,951 (Snowy whines) 1666 01:34:26,995 --> 01:34:28,288 Snowy. Snowy. 1667 01:34:28,371 --> 01:34:29,914 Your hair's getting so long. 1668 01:34:29,998 --> 01:34:32,041 Yes, I know. —It's lovely like that. 1669 01:34:32,125 --> 01:34:33,168 Do you like it? —yeah. 1670 01:34:33,251 --> 01:34:35,336 Good. —I do. 1671 01:34:35,420 --> 01:34:37,172 Yes, no, I like it too. 1672 01:34:37,255 --> 01:34:39,674 It looks quite like my mother, actually. 1673 01:34:40,842 --> 01:34:43,303 She used to wear her hair like that. 1674 01:34:43,386 --> 01:34:45,388 Her hair was a lot darker than mine. 1675 01:34:45,471 --> 01:34:47,765 Yes, but she used to wear it in a bun like that. 1676 01:34:47,849 --> 01:34:49,017 Julie: Mmm. 1677 01:34:49,100 --> 01:34:50,420 And then it was always so exciting 1678 01:34:50,476 --> 01:34:52,037 when she took it down at night, or if you... 1679 01:34:52,061 --> 01:34:53,855 If you caught sight of her. —you caught her? 1680 01:34:53,938 --> 01:34:55,815 Yeah. —(Laughs) 1681 01:34:55,899 --> 01:34:58,610 Marland: Are you being taken care of, yeah? No? 1682 01:34:58,693 --> 01:34:59,819 (Laughter) 1683 01:34:59,903 --> 01:35:01,571 Okay, okay. You want us to... 1684 01:35:01,654 --> 01:35:03,334 Man: You look great. —(Indistinct chatter) 1685 01:35:03,364 --> 01:35:04,741 Erm... —phil: Is... is... 1686 01:35:04,824 --> 01:35:07,285 Does Anna know? Is she moving with camera? 1687 01:35:07,368 --> 01:35:09,954 Like, to just... or is she just... —no. I think we're gonna try 1688 01:35:10,038 --> 01:35:12,248 one of her static, turning around like this. 1689 01:35:12,332 --> 01:35:13,893 But just keeping the eye line. —and then I was thinking 1690 01:35:13,917 --> 01:35:15,293 we're gonna do one by herself. 1691 01:35:15,376 --> 01:35:16,604 And then she might move. —okay. Yep. 1692 01:35:16,628 --> 01:35:18,355 Because then she'll have more movement with her guitar. 1693 01:35:18,379 --> 01:35:20,316 Cos I don't want her to bang into anybody if she's moving. 1694 01:35:20,340 --> 01:35:21,841 (Indistinct chatter) 1695 01:35:24,219 --> 01:35:26,638 Phil: Erm, Anna's coming in now, Julie. So... 1696 01:35:26,721 --> 01:35:28,223 (Chatter continues) 1697 01:35:31,476 --> 01:35:32,769 Anna: Hi. 1698 01:35:32,852 --> 01:35:34,604 So, erm... —you look beautiful. 1699 01:35:35,188 --> 01:35:38,233 Phil: On the way to the thing be careful with your heels, 1700 01:35:38,316 --> 01:35:40,401 cos we don't want... (Continues indistinctly) 1701 01:35:40,485 --> 01:35:42,445 So you wanted her... 1702 01:35:42,528 --> 01:35:44,197 Just in the centre. —anna: Mmm—hmm. 1703 01:35:44,280 --> 01:35:46,491 And you're gonna stand, yes, and this thing 1704 01:35:46,574 --> 01:35:48,284 will be turning quite slowly. —right. 1705 01:35:48,368 --> 01:35:49,678 And if you ever feel like you're gonna fall, 1706 01:35:49,702 --> 01:35:50,971 just put your hand up and we'll stop. 1707 01:35:50,995 --> 01:35:52,455 Anna: Right. Julie: But I think, 1708 01:35:52,538 --> 01:35:54,374 yeah, you're gonna be turning with it. 1709 01:35:54,457 --> 01:35:56,542 Anna: Mmm—hmm. —julie: And whenever... 1710 01:35:56,626 --> 01:35:57,502 (Strumming) 1711 01:35:57,585 --> 01:35:59,921 Phil: So we're gonna run turntable. 1712 01:36:00,463 --> 01:36:02,757 When that's up, we're gonna roll camera. 1713 01:36:03,299 --> 01:36:05,677 Mark it. Then we're gonna roll playback. 1714 01:36:05,760 --> 01:36:07,804 It's an eight count and then we're into it. 1715 01:36:07,887 --> 01:36:09,597 Everyone get that? Everyone good? 1716 01:36:09,681 --> 01:36:11,808 Yep. Okay. Cool. 1717 01:36:11,891 --> 01:36:14,269 Let me... no, no, no, carry on, carry on. 1718 01:36:14,352 --> 01:36:15,955 Phil: No? Yeah? —no, no, yeah. It's good. 1719 01:36:15,979 --> 01:36:17,397 Phil: Okay. All right, then. 1720 01:36:17,480 --> 01:36:20,066 Er, all right, stand by, everyone. Nice and quiet. 1721 01:36:20,566 --> 01:36:22,652 Okay, and James back there, 1722 01:36:22,735 --> 01:36:24,696 let's please run the turntable. 1723 01:36:26,030 --> 01:36:27,073 (Camera clicking) 1724 01:36:27,156 --> 01:36:30,034 Woman: Okay, so nice and quiet, guys. Let's standby on this. 1725 01:36:30,118 --> 01:36:31,178 Phil: Okay, let's roll camera. 1726 01:36:31,202 --> 01:36:33,037 Woman: Turning over. Ben: Camera speeding. 1727 01:36:33,121 --> 01:36:34,205 Phil: And Mark it. 1728 01:36:34,289 --> 01:36:35,456 One one. 1729 01:36:35,873 --> 01:36:37,500 Phil: Clear frame, please. 1730 01:36:37,583 --> 01:36:40,545 Settle and go playback! 1731 01:36:41,921 --> 01:36:45,675 (Drive by Anna calvi playing) 1732 01:36:45,967 --> 01:36:47,218 (Camera clicking) 1733 01:36:47,302 --> 01:36:49,304 (Anna vocalising) 1734 01:37:03,026 --> 01:37:05,194 ♪ God, / wanna go home ♪ 1735 01:37:06,446 --> 01:37:09,991 ♪ but/ wanna stay out there ♪ 1736 01:37:10,533 --> 01:37:13,494 ♪ it's a hell of a thing ♪ 1737 01:37:14,537 --> 01:37:17,999 ♪ dream/ass up in desire ♪ 1738 01:37:18,374 --> 01:37:21,753 ♪ so / wait by the phone ♪ 1739 01:37:22,545 --> 01:37:26,174 ♪ ringing out in the hall ♪ 1740 01:37:27,133 --> 01:37:29,677 ♪ and/ write it in chalk ♪ 1741 01:37:30,887 --> 01:37:34,223 ♪ on a skeleton wall ♪ 1742 01:37:36,559 --> 01:37:41,147 ♪ is this all there is? ♪ 1743 01:37:44,359 --> 01:37:50,323 ♪ Is this all there is? ♪ 1744 01:37:50,907 --> 01:37:52,217 Interviewer: Do you have a feeling 1745 01:37:52,241 --> 01:37:53,921 of the kind of themes you want to explore? 1746 01:37:54,118 --> 01:37:55,929 Is that something that's really firm in your head? 1747 01:37:55,953 --> 01:37:58,081 Like, I need... —no. No, it's not. 1748 01:37:58,164 --> 01:38:00,792 It's not. Lhope, erm... —at least you're honest about it. 1749 01:38:00,875 --> 01:38:03,002 (Laughs) Lhope /... 1750 01:38:03,586 --> 01:38:04,587 Lhope lha ve more... 1751 01:38:04,670 --> 01:38:07,048 Lhope lhave something to say in my 30s, 1752 01:38:07,131 --> 01:38:08,299 by the time / get there. 1753 01:38:08,383 --> 01:38:11,302 I hope I have something to... Something to talk about. 1754 01:38:11,386 --> 01:38:14,013 But do you kind of feel like you're almost like a hamster 1755 01:38:14,097 --> 01:38:15,681 storing up experience? —I'm storing, 1756 01:38:15,765 --> 01:38:18,226 I'm gathering experience and information and... 1757 01:38:18,309 --> 01:38:20,770 And, yeah, gathering all that... 1758 01:38:20,853 --> 01:38:22,814 Okay. —...That stuff... 1759 01:38:22,897 --> 01:38:24,607 Mmm—hmm. —...And I'm waiting 1760 01:38:24,690 --> 01:38:26,734 to find what I wanna do with that. 1761 01:38:27,068 --> 01:38:28,903 (Crowd chanting on TV) 1762 01:38:30,405 --> 01:38:32,824 Reporter: By dawn, they were on communist soil 1763 01:38:32,990 --> 01:38:34,909 laying symbols of peace. 1764 01:38:34,992 --> 01:38:37,370 Thousands of them looking east and shouting, 1765 01:38:37,453 --> 01:38:39,038 ”down with the wall”. 1766 01:38:39,122 --> 01:38:40,957 (Chanting continues) 1767 01:38:41,624 --> 01:38:44,502 On top, west berliners who hadn't been born 1768 01:38:44,585 --> 01:38:46,796 when the wall was built, led crowds in singing. 1769 01:38:46,879 --> 01:38:48,047 (Crying) —(Crowd singing) 1770 01:38:48,131 --> 01:38:50,133 Hans janke was 74 when it went up. 1771 01:38:50,216 --> 01:38:52,510 Today, he says, has changed eve/ything. 1772 01:38:52,593 --> 01:38:55,680 Hans: / was thinking the wall will never fall. 1773 01:38:56,514 --> 01:38:58,015 Reporter: What are you thinking now? 1774 01:38:58,099 --> 01:39:00,309 (Continues crying) —hans: The well will fall. 1775 01:39:00,393 --> 01:39:02,228 (Chanting continues) 1776 01:39:11,612 --> 01:39:13,948 (Sixty/fortyby Nico playing) —(Indistinct chatter) 1777 01:39:15,032 --> 01:39:16,909 Oi, oi! You all right? —hey! 1778 01:39:16,993 --> 01:39:18,220 Happy birthday! —(Julie laughs) 1779 01:39:18,244 --> 01:39:19,304 How you getting on? Good? —thank you. 1780 01:39:19,328 --> 01:39:21,789 I'm so good. You're so pissed already! 1781 01:39:21,873 --> 01:39:23,624 Jack: Looking a bit older. —(Laughs) 1782 01:39:23,708 --> 01:39:24,709 No, you look amazing. 1783 01:39:24,792 --> 01:39:25,853 Here's a little something for you. 1784 01:39:25,877 --> 01:39:27,253 Do you want it on the table? 1785 01:39:27,378 --> 01:39:28,439 Yeah, please. Thank you so much. 1786 01:39:28,463 --> 01:39:29,755 Happy birthday. 1787 01:39:30,548 --> 01:39:32,067 Julie: You're the only person I want here. 1788 01:39:32,091 --> 01:39:34,177 (Chuckles) —I'm actually gonna throw... 1789 01:39:34,260 --> 01:39:35,928 Oh, shit, my earring. —oh, sorry, love. 1790 01:39:36,012 --> 01:39:37,406 Happy birthday. Lovely dress, by the way. 1791 01:39:37,430 --> 01:39:38,973 Erm... thanks, love. Thank you. 1792 01:39:40,308 --> 01:39:42,977 A lot of work with the anti—poll tax federation. 1793 01:39:43,811 --> 01:39:44,812 You know, some people... 1794 01:39:44,896 --> 01:39:47,440 Like talking to some people about all of that stuff. 1795 01:39:47,523 --> 01:39:48,667 You know... —i have heard about it. 1796 01:39:48,691 --> 01:39:51,319 Yeah, I've heard about it in France. Yeah. 1797 01:39:52,195 --> 01:39:54,113 (Chatter continues indistinctly) 1798 01:39:54,197 --> 01:39:55,239 Wine. 1799 01:39:55,323 --> 01:39:58,117 (Overlapping chatter) —yes, I do. 1800 01:39:59,160 --> 01:40:00,453 That one. (Laughs) 1801 01:40:01,662 --> 01:40:03,414 (Indistinct chatter) 1802 01:40:05,416 --> 01:40:06,918 (Laughter) 1803 01:40:08,085 --> 01:40:10,171 Woman: No way! I don't want you around... 1804 01:40:10,254 --> 01:40:11,464 That would be amazing. 1805 01:40:11,547 --> 01:40:14,050 (Good thing, fine young cannibals playing) —(Camera clicking) 1806 01:40:14,133 --> 01:40:15,885 Yes, yes. 1807 01:40:15,968 --> 01:40:18,471 I have so many pictures of me with this big belly. 1808 01:40:19,263 --> 01:40:20,348 Julie: Yes! 1809 01:40:20,640 --> 01:40:22,433 You keep asking me all these questions. 1810 01:40:22,517 --> 01:40:23,726 I've only just met her. 1811 01:40:23,809 --> 01:40:26,354 Oh, have ya? I thought yous were a thing for a while. 1812 01:40:26,437 --> 01:40:27,498 Four months, but, you know, 1813 01:40:27,522 --> 01:40:28,814 a bit intense for... —oh, sorry. 1814 01:40:28,898 --> 01:40:31,567 Oh, lad, I can't help it. I get on the wind up, don't I? 1815 01:40:31,651 --> 01:40:32,920 I didn't make it. —you brought it? 1816 01:40:32,944 --> 01:40:34,296 I did not... —well, who brought it, then? 1817 01:40:34,320 --> 01:40:36,656 I didn't. I didn't bring that, I just saw it outside. 1818 01:40:36,739 --> 01:40:37,966 I thought it was from the party. 1819 01:40:37,990 --> 01:40:39,283 (Laughter) —you... what? You... 1820 01:40:39,367 --> 01:40:40,844 Sorry? You found it outside in the street or what? 1821 01:40:40,868 --> 01:40:43,538 No, no, no. Ltjust didn't... It was by the door. 1822 01:40:43,621 --> 01:40:45,623 (Overlapping chatter) —(Laughing) 1823 01:40:46,832 --> 01:40:47,833 It's a joke? 1824 01:40:47,917 --> 01:40:50,545 Marland: It was just... It was outside the front door. 1825 01:40:51,003 --> 01:40:52,189 You are joking? —nah! I brought it. 1826 01:40:52,213 --> 01:40:53,440 I made it. I made it, I made it! 1827 01:40:53,464 --> 01:40:55,025 I was like, "I've already eaten half of it." 1828 01:40:55,049 --> 01:40:57,134 I made it, but from a can. —It looks delicious. 1829 01:40:57,218 --> 01:40:59,470 (Duel by propaganda playing) —(Indistinct chatter) 1830 01:41:08,938 --> 01:41:10,147 Julie: Here we go. 1831 01:41:10,231 --> 01:41:12,066 (Guests continue chattering) 1832 01:41:14,652 --> 01:41:15,653 Ooh. (Laughs) 1833 01:41:15,736 --> 01:41:17,488 Everybody, say, "thirty!" 1834 01:41:17,572 --> 01:41:20,700 (Camera clicking) —all: Thirty! 1835 01:41:20,950 --> 01:41:23,350 (Baok to life by soul ii soul playing) —(Indistinct chatter) 1836 01:41:24,912 --> 01:41:26,581 There you are. Fuckin' hell, that's it. 1837 01:41:26,664 --> 01:41:27,748 There we go. 1838 01:41:30,418 --> 01:41:33,629 Are we to be, er, expecting someone at any point? 1839 01:41:33,754 --> 01:41:34,982 What do you mean? (Laughs) —I thought maybe 1840 01:41:35,006 --> 01:41:36,507 a fine young gentleman in your life? 1841 01:41:36,591 --> 01:41:37,859 "Fine young gen..."? No. Absolutely not. 1842 01:41:37,883 --> 01:41:38,884 No? —(Laughs) No. 1843 01:41:38,968 --> 01:41:40,678 No, you're not with anyone? —no. Just me. 1844 01:41:40,761 --> 01:41:42,013 Good. —I'm really happy. 1845 01:41:42,096 --> 01:41:44,390 Good. Cheers, mate. As it should be. Come here. 1846 01:41:45,224 --> 01:41:46,934 I love you. Thank you. —I love you. 1847 01:41:47,018 --> 01:41:49,020 (Back to life continues playing) 1848 01:41:49,979 --> 01:41:52,023 (Speaks indistinctly) —(Both laugh) 1849 01:41:52,106 --> 01:41:53,941 (Laughing) 1850 01:41:57,820 --> 01:41:59,614 (Music continues) 1851 01:41:59,697 --> 01:42:01,699 (Muffled chatter) 1852 01:42:12,251 --> 01:42:14,253 (Exclaiming and laughing) 1853 01:42:19,550 --> 01:42:21,385 (Chatter continues) 1854 01:42:48,120 --> 01:42:49,246 Director: Cut! 1855 01:42:51,040 --> 01:42:52,875 (Drive by Anna calvi playing) 1856 01:42:52,958 --> 01:42:54,794 (Vocalising) 1857 01:43:07,640 --> 01:43:10,226 ♪ God, / wanna go home ♪ 1858 01:43:11,602 --> 01:43:15,189 ♪ but/ wanna stay out there ♪ 1859 01:43:15,981 --> 01:43:19,068 ♪ it's a hell of a thing ♪ 1860 01:43:19,902 --> 01:43:23,197 ♪ dream/ass up in desire ♪ 1861 01:43:23,864 --> 01:43:27,284 ♪ so / wait by the phone ♪ 1862 01:43:27,868 --> 01:43:31,455 ♪ ringing out in the hall ♪ 1863 01:43:32,081 --> 01:43:35,251 ♪ and/ write it in chalk ♪ 1864 01:43:36,085 --> 01:43:39,547 ♪ on a skeleton wall ♪ 1865 01:43:41,799 --> 01:43:46,637 ♪ is this all there is? ♪ 1866 01:43:49,807 --> 01:43:55,855 ♪ Is this all there is? ♪ 1867 01:44:12,580 --> 01:44:15,666 ♪ But the memo/y fades ♪ 1868 01:44:16,542 --> 01:44:20,254 ♪ like a cigarette burning ♪ 1869 01:44:20,629 --> 01:44:23,007 ♪ so / go back to bed ♪ 1870 01:44:24,467 --> 01:44:28,304 ♪ now the headlights are turning ♪ 1871 01:44:30,181 --> 01:44:34,602 ♪ is this all there is? ♪ 1872 01:44:38,314 --> 01:44:44,737 ♪ Is this all there is? ♪ 1873 01:44:54,413 --> 01:44:58,918 ♪ Is this all there is? ♪ 1874 01:45:17,728 --> 01:45:19,730 (Vocalising) 1875 01:45:25,694 --> 01:45:29,532 ♪ I'm on my own tonight ♪ 1876 01:45:29,615 --> 01:45:33,327 ♪ if nobody answers ♪ 1877 01:45:33,786 --> 01:45:35,913 (Vocalising) 1878 01:45:41,877 --> 01:45:45,422 ♪ I'm on my own tonight ♪ 1879 01:45:45,631 --> 01:45:49,260 ♪ if nobody answers ♪ 1880 01:45:50,886 --> 01:45:55,307 ♪ is this all there is? ♪ 1881 01:45:59,019 --> 01:46:04,441 ♪ Is this all there is? ♪ 1882 01:46:04,525 --> 01:46:11,282 ♪ Just drive ♪ 1883 01:46:36,765 --> 01:46:43,397 ♪ Cos all/ want ♪ 1884 01:46:43,480 --> 01:46:49,320 ♪ is you all ♪