1 00:00:10,380 --> 00:00:16,140 I feel like us being here has caused a lot of trouble. I think 2 00:00:16,140 --> 00:00:23,140 I put 3 00:00:23,140 --> 00:00:24,160 the idea in her head. 4 00:00:24,480 --> 00:00:28,300 If anything's worth fighting for, isn't it two young people that just want to be 5 00:00:28,300 --> 00:00:29,300 together? 6 00:00:30,340 --> 00:00:30,860 So 7 00:00:30,860 --> 00:00:38,820 they're 8 00:00:38,820 --> 00:00:39,820 together. 9 00:00:46,700 --> 00:00:47,700 Split up here. 10 00:00:49,000 --> 00:00:50,400 Looks like three went down there. 11 00:00:51,420 --> 00:00:52,420 Two that way. 12 00:00:56,040 --> 00:00:57,180 That's like us. Yeah. 13 00:00:57,740 --> 00:00:58,740 Come on. 14 00:01:19,440 --> 00:01:22,200 You want to, don't you? We're going to leave him hanging there for a long time. 15 00:01:22,340 --> 00:01:23,340 Come on, stop suffering. 16 00:01:24,940 --> 00:01:27,760 Are you betting that I'll break the rope with two kicks? 17 00:01:28,160 --> 00:01:29,160 Two eggs. 18 00:01:29,200 --> 00:01:30,200 Your four minimum. 19 00:01:30,420 --> 00:01:30,979 No, no, no. 20 00:01:30,980 --> 00:01:33,380 If I break it in two, you pay tonight. 21 00:01:33,760 --> 00:01:34,760 That's it. 22 00:01:38,380 --> 00:01:44,460 Last one. 23 00:02:21,580 --> 00:02:22,580 She's risen! 24 00:03:40,800 --> 00:03:42,400 We drive away. 25 00:03:44,260 --> 00:03:46,440 But then we hear them come after us. 26 00:04:07,640 --> 00:04:09,520 They took her again. 27 00:04:10,320 --> 00:04:11,320 Again? 28 00:04:13,760 --> 00:04:14,940 Never volunteered. 29 00:04:15,580 --> 00:04:17,079 They lied all along. 30 00:04:17,700 --> 00:04:18,760 And cheated. 31 00:04:19,320 --> 00:04:20,320 Cheated? 32 00:04:20,959 --> 00:04:22,079 What are you saying? 33 00:04:22,660 --> 00:04:25,620 The ribbons. She was never chosen. 34 00:04:31,560 --> 00:04:35,680 She says she will tell everyone if he doesn't stop La Frenda. 35 00:04:41,000 --> 00:04:41,480 You 36 00:04:41,480 --> 00:04:51,240 must 37 00:04:51,240 --> 00:04:53,400 take him back to Jamaica. 38 00:04:53,720 --> 00:04:55,000 We'll make him healthy again. 39 00:04:55,260 --> 00:04:58,180 I don't know that it's safe enough for him to go back knowing what we know. 40 00:04:58,180 --> 00:05:00,120 have new medicine from Alcázar. 41 00:05:00,570 --> 00:05:01,570 You can help him. 42 00:05:31,790 --> 00:05:33,390 Maybe it's safer we don't know. 43 00:05:34,550 --> 00:05:35,550 If we don't know. 44 00:05:36,010 --> 00:05:37,970 We'll say he got jumped on the road or something. 45 00:05:38,790 --> 00:05:40,750 Then he'll throw Fede off and he can get better. 46 00:05:41,130 --> 00:05:42,470 I mean, that's what matters, right? 47 00:05:43,150 --> 00:05:44,150 It could work. 48 00:05:44,930 --> 00:05:45,990 Oh, and he's a good liar. 49 00:05:47,070 --> 00:05:48,070 We got one of those. 50 00:05:49,490 --> 00:05:50,890 What are we gonna do about Justina? 51 00:05:51,390 --> 00:05:53,390 I don't think there's anything we can do about that. 52 00:05:53,730 --> 00:05:54,569 Not now. 53 00:05:54,570 --> 00:05:55,570 You can't just do nothing. 54 00:05:56,780 --> 00:05:58,960 We're taking advantage of them. We're not taking advantage. 55 00:05:59,300 --> 00:06:02,180 Especially these two after everything that they've done for us, for me. 56 00:06:05,160 --> 00:06:06,500 I'll just go after them myself. 57 00:06:06,880 --> 00:06:07,739 You can't go. 58 00:06:07,740 --> 00:06:09,760 Stop telling me what I can and can't do. 59 00:06:12,380 --> 00:06:13,400 We should be leaving. 60 00:06:17,820 --> 00:06:19,160 Where's that convoy go next? 61 00:06:20,280 --> 00:06:21,280 Barcelona, probably. 62 00:06:21,520 --> 00:06:23,580 They go through there before heading south. 63 00:06:24,410 --> 00:06:26,230 Barcelona. How far is Barcelona? 64 00:06:26,890 --> 00:06:28,270 A few days by road. 65 00:06:30,150 --> 00:06:31,150 You got a map? 66 00:06:31,310 --> 00:06:33,010 Yeah. In the glove box. 67 00:06:37,090 --> 00:06:38,110 I'm coming with you. 68 00:06:39,310 --> 00:06:44,130 You're not 100%. I'm faster on my own. Daryl. They need you. 69 00:06:44,630 --> 00:06:45,630 Both of them. 70 00:06:46,930 --> 00:06:48,150 I'll be back in a few days. 71 00:06:48,410 --> 00:06:49,410 All right? 72 00:06:53,450 --> 00:06:54,450 Hot dogs. 73 00:07:31,150 --> 00:07:33,010 La queimada sana el alma doliente. 74 00:07:39,930 --> 00:07:42,170 The potion is called queimada. 75 00:07:42,790 --> 00:07:45,930 Special brandy remedy that make us know how to brew. 76 00:07:46,410 --> 00:07:47,410 Make us? 77 00:07:47,790 --> 00:07:49,170 Folk healers. 78 00:07:49,970 --> 00:07:53,770 Ancient learning passed down from mothers to daughters. 79 00:07:54,750 --> 00:07:57,590 Like, um, like witches? 80 00:07:59,290 --> 00:08:00,290 No. 81 00:08:06,760 --> 00:08:07,880 Well, yes 82 00:08:37,740 --> 00:08:39,900 If it doesn't fix him, at least it will make him drunk. 83 00:08:55,040 --> 00:08:56,980 My mother will do all she can for Roberto. 84 00:09:01,140 --> 00:09:05,980 She has calendula, epazote, berberis. 85 00:09:06,520 --> 00:09:08,240 Palodul, I don't know the word in English. 86 00:09:09,200 --> 00:09:11,160 All herbs brought to us by Alacaza. 87 00:09:17,060 --> 00:09:21,640 It's hard here, now, in the village. 88 00:09:23,540 --> 00:09:25,000 Those primitivos were a surprise. 89 00:09:26,540 --> 00:09:27,840 We paid a dear price. 90 00:09:31,340 --> 00:09:32,540 But we get through it. 91 00:09:33,640 --> 00:09:34,680 We get through it. 92 00:09:35,180 --> 00:09:38,600 With the munitions and supplies that Alcazar gives us. 93 00:09:39,920 --> 00:09:41,900 Yes, we pay the price. 94 00:09:42,680 --> 00:09:43,680 Sit down. 95 00:09:47,980 --> 00:09:52,380 You know, my cousin Raul's family used to live up in this part of the town. 96 00:09:52,600 --> 00:09:53,600 Two houses over. 97 00:09:55,960 --> 00:10:01,240 We called him Tonetti all the time. Do you remember? 98 00:10:01,680 --> 00:10:02,860 Of course I remember. 99 00:10:05,510 --> 00:10:10,630 Raul, he'd show up for dessert almost every night, like it was only a 100 00:10:10,630 --> 00:10:11,630 coincidence. 101 00:10:11,890 --> 00:10:13,990 Ah, just like my poster. 102 00:10:18,670 --> 00:10:20,470 Maria was the best baker in Salas. 103 00:10:20,770 --> 00:10:21,770 Maria? 104 00:10:23,750 --> 00:10:24,750 Roberto's mother. 105 00:10:28,550 --> 00:10:31,170 Donetti was a lucky man, but he knows that. 106 00:10:31,650 --> 00:10:32,650 He knows that. 107 00:10:38,040 --> 00:10:40,900 So, tell me, what happened out there? 108 00:10:41,580 --> 00:10:44,140 When you found Roberto, how did he end up like this? 109 00:10:45,600 --> 00:10:47,040 We couldn't say exactly. 110 00:10:47,680 --> 00:10:49,620 Seems he was caught by bandoleros. 111 00:10:50,340 --> 00:10:52,040 Snuck up on him, left him for dead. 112 00:10:52,320 --> 00:10:54,620 By the time we got to him, he was barely conscious. 113 00:10:56,740 --> 00:10:57,740 What about the car? 114 00:10:58,680 --> 00:10:59,680 Gone. 115 00:11:00,320 --> 00:11:01,720 They must have taken it. 116 00:11:04,740 --> 00:11:06,360 You think it was Los Primitivos? 117 00:11:06,760 --> 00:11:08,260 Yes, we think. 118 00:11:12,040 --> 00:11:13,060 I don't think so. 119 00:11:14,180 --> 00:11:15,540 They would have killed him. 120 00:11:17,860 --> 00:11:19,600 No sign of Alcázar? 121 00:11:20,520 --> 00:11:21,520 No. 122 00:11:26,320 --> 00:11:28,040 Well, that's for the best, I suppose. 123 00:11:28,380 --> 00:11:29,380 For everyone. 124 00:11:32,300 --> 00:11:33,300 Fede. 125 00:11:36,140 --> 00:11:39,140 Sé que Roberto no se ha portado bien últimamente. 126 00:11:40,040 --> 00:11:41,400 But he'll behave, right? 127 00:11:42,280 --> 00:11:44,600 I'll talk to him about it when he's well. 128 00:11:45,240 --> 00:11:47,100 Lo vamos a hacer mejor a partir de ahora. 129 00:11:47,380 --> 00:11:48,440 Sí, sí, estaría bien. 130 00:11:49,660 --> 00:11:50,660 What of your friend? 131 00:11:52,260 --> 00:11:53,640 I went to check on the boat. 132 00:11:55,380 --> 00:11:56,380 Okay. 133 00:11:57,380 --> 00:12:02,480 Ah, if he's going to come into the village at night, we should know, so he 134 00:12:02,480 --> 00:12:03,480 enter safely, okay? 135 00:12:04,160 --> 00:12:05,400 That's very kind of you. 136 00:12:05,880 --> 00:12:07,640 But I think he's going to spend the night there. 137 00:12:09,380 --> 00:12:10,380 On the beach? 138 00:12:12,600 --> 00:12:16,540 Yeah. It's very, um, outdoorsy. 139 00:12:18,960 --> 00:12:20,380 Yeah. He looks it. 140 00:12:57,200 --> 00:12:58,840 El Alcazar did this to Roberto. 141 00:12:59,640 --> 00:13:00,640 Didn't they? 142 00:13:00,740 --> 00:13:03,280 Path. It's all right. We can trust Path. 143 00:13:05,560 --> 00:13:06,840 What about the convoy? 144 00:13:07,120 --> 00:13:08,120 And Daryl? 145 00:13:08,500 --> 00:13:09,600 Daryl went after them. 146 00:13:10,140 --> 00:13:11,240 To get Justina. 147 00:14:31,280 --> 00:14:34,080 Yeah. Hey! 148 00:15:04,080 --> 00:15:05,080 What a mess. 149 00:15:07,580 --> 00:15:08,960 He's waiting for me. 150 00:15:13,420 --> 00:15:14,720 But it's the next one. 151 00:15:39,440 --> 00:15:41,300 oh wow oh wow 152 00:16:13,130 --> 00:16:14,130 What's up? 153 00:16:46,850 --> 00:16:47,850 Rufu! Come and see this! 154 00:19:43,180 --> 00:19:44,180 THEN! 155 00:21:12,620 --> 00:21:13,620 You gotta go, now. 156 00:21:15,680 --> 00:21:16,680 Go! 157 00:21:25,340 --> 00:21:29,660 Back up. 158 00:21:31,640 --> 00:21:32,640 Back up! 159 00:21:55,920 --> 00:21:57,820 Good night, sir. 160 00:22:26,060 --> 00:22:28,600 Mateo. Mateo? 161 00:23:50,380 --> 00:23:51,299 So water. 162 00:23:51,300 --> 00:23:52,300 Can I have some? 163 00:23:52,900 --> 00:23:53,900 Agua. 164 00:23:54,740 --> 00:23:55,740 Agua. 165 00:23:56,560 --> 00:23:57,560 Mars. 166 00:24:10,900 --> 00:24:11,900 Mars, come. 167 00:24:22,000 --> 00:24:23,200 More. No more. 168 00:24:23,460 --> 00:24:24,460 More. 169 00:24:26,900 --> 00:24:28,920 Amaya is our guest. 170 00:24:29,220 --> 00:24:31,580 We found him alone in the desert. 171 00:24:32,680 --> 00:24:34,300 How do you know who he is? 172 00:24:35,880 --> 00:24:37,100 He has a rifle. 173 00:24:38,880 --> 00:24:40,640 Maybe he can help us. 174 00:24:41,480 --> 00:24:43,100 Drinking all our water. 175 00:24:43,340 --> 00:24:44,760 More water, please. 176 00:24:48,220 --> 00:24:49,740 Do you see water? 177 00:24:50,730 --> 00:24:53,670 is what we have for all of us. 178 00:25:14,910 --> 00:25:18,930 It's a cistern that holds water. Agua. 179 00:25:34,200 --> 00:25:35,200 Rain, 180 00:25:42,100 --> 00:25:43,100 rain water. 181 00:25:49,420 --> 00:25:52,360 So dry it up. Is that from the sun? 182 00:25:53,280 --> 00:25:59,600 Drys... The sun... Drys it up? 183 00:25:59,880 --> 00:26:00,880 No. 184 00:26:02,520 --> 00:26:03,520 Bandidos. 185 00:26:06,900 --> 00:26:08,460 Bandidos took your water? 186 00:26:09,760 --> 00:26:10,760 Muy tres. 187 00:26:13,880 --> 00:26:15,300 Bad men come. 188 00:26:17,000 --> 00:26:18,460 They take our water. 189 00:26:23,889 --> 00:26:24,889 They're on a train? 190 00:26:29,030 --> 00:26:31,010 Did the bad men do this to your town? 191 00:26:31,470 --> 00:26:37,970 No, no. Esto fue... Old... 192 00:26:37,970 --> 00:26:39,470 Old war. 193 00:26:42,830 --> 00:26:43,930 España contra España? 194 00:26:44,430 --> 00:26:45,430 Civil war. 195 00:26:45,450 --> 00:26:46,450 Sí. 196 00:26:47,030 --> 00:26:48,030 Generalísimo. 197 00:26:48,730 --> 00:26:50,510 Franco. Franco. 198 00:26:50,850 --> 00:26:54,230 He do this to kill la resistencia. 199 00:26:54,430 --> 00:26:55,430 The resistance. 200 00:27:00,730 --> 00:27:02,230 Why do you all live here? 201 00:27:02,770 --> 00:27:04,070 Why not somewhere else? 202 00:27:05,690 --> 00:27:07,350 They have no other place. 203 00:27:09,090 --> 00:27:10,630 No one will have them. 204 00:27:12,110 --> 00:27:16,390 Nosotros, we, leprosos. 205 00:27:17,190 --> 00:27:18,190 Lepers. 206 00:27:18,510 --> 00:27:21,370 Lepers? Limbos, people say. 207 00:27:22,570 --> 00:27:26,790 Entre los vivos y los muertos. 208 00:27:27,590 --> 00:27:32,450 No is living, not dead. 209 00:27:34,490 --> 00:27:37,370 How come you're not a leproso? 210 00:27:38,270 --> 00:27:44,090 I can... tocar. 211 00:27:45,970 --> 00:27:47,170 Un poco. 212 00:27:51,180 --> 00:27:52,360 A little bit is okay. 213 00:27:52,860 --> 00:27:54,400 It's safe for you. 214 00:27:55,460 --> 00:27:56,460 Pero no mucho. 215 00:27:59,080 --> 00:28:01,100 ¿Entiendes? No, I get it. 216 00:28:05,520 --> 00:28:07,140 Look, I need to get to Barcelona. 217 00:28:08,620 --> 00:28:11,780 Those men on the train, they took my bike, my motorcycle. 218 00:28:14,820 --> 00:28:16,740 Los buitres le robaron la moto. 219 00:28:42,799 --> 00:28:46,920 You can't take this for you. 220 00:28:49,960 --> 00:28:51,020 Why would you do that? 221 00:28:56,270 --> 00:28:57,270 Bring our water. 222 00:28:57,850 --> 00:28:58,850 From el tren. 223 00:28:59,350 --> 00:29:00,950 You want me to bring your water back? 224 00:29:02,030 --> 00:29:06,870 Dile que si no vuelve, moriremos. 225 00:29:13,310 --> 00:29:14,790 Four, five days. 226 00:29:15,910 --> 00:29:18,090 No water, no life. 227 00:29:18,770 --> 00:29:19,770 Nada. 228 00:29:23,310 --> 00:29:24,310 Now we sleep. 229 00:29:25,310 --> 00:29:26,470 Tomorrow you tell us. 230 00:31:08,899 --> 00:31:10,100 Okay, I'll do it. 231 00:31:10,900 --> 00:31:12,020 I'll go get your water. 232 00:31:27,200 --> 00:31:28,200 Look, 233 00:31:35,140 --> 00:31:36,140 this is all I got. 234 00:31:36,900 --> 00:31:38,340 Four. Cuatro. 235 00:31:38,660 --> 00:31:40,860 Okay? Lots of bandits. 236 00:31:41,120 --> 00:31:43,820 Okay? A lot. We have to fight them. 237 00:31:44,300 --> 00:31:45,680 Fight. Do you understand me? 238 00:31:46,100 --> 00:31:47,420 Fight. Fight. Fight. 239 00:31:48,520 --> 00:31:50,080 Struggle. Struggle. 240 00:31:50,800 --> 00:31:54,740 We have to fight. We have to fight. Thank you. 241 00:31:56,100 --> 00:31:57,100 A lot of rope. 242 00:31:57,180 --> 00:31:58,180 See this? 243 00:31:58,380 --> 00:32:00,120 A lot. Rope. 244 00:32:00,540 --> 00:32:01,920 You need ropes. Rope. 245 00:32:02,580 --> 00:32:03,580 Yes. 246 00:32:04,420 --> 00:32:05,420 Charles. 247 00:32:08,699 --> 00:32:09,880 Got it? Yeah. 248 00:32:29,740 --> 00:32:31,460 Oh, that's good. That's real good. 249 00:32:32,360 --> 00:32:33,360 Well. 250 00:32:37,040 --> 00:32:39,400 Ask him what he thinks of us, of this town. 251 00:32:42,500 --> 00:32:43,800 He asked what you think. 252 00:32:46,040 --> 00:32:47,480 This town, these people. 253 00:32:51,580 --> 00:32:53,060 The French have a word for it. 254 00:32:53,880 --> 00:32:56,580 That's a good thing. 255 00:32:56,820 --> 00:32:58,040 You tell us a good thing. 256 00:33:24,640 --> 00:33:25,640 Friend. 257 00:33:26,520 --> 00:33:28,340 Awa? Yeah. 258 00:34:35,310 --> 00:34:36,270 Amen. May 259 00:34:36,270 --> 00:34:44,270 God 260 00:34:44,270 --> 00:34:45,270 be with you. 261 00:34:47,540 --> 00:34:49,100 Mateo thinks you bring us water. 262 00:34:50,739 --> 00:34:51,739 What, you don't? 263 00:34:53,560 --> 00:34:54,880 I think you leave us to die. 264 00:35:33,260 --> 00:35:34,260 Thank you. 265 00:36:18,250 --> 00:36:20,730 Lleva mucho tiempo fuera. 266 00:36:23,090 --> 00:36:24,570 Maybe he was right. 267 00:36:27,010 --> 00:36:28,010 Over there! 268 00:36:33,910 --> 00:36:34,910 Puhetes? 269 00:36:38,470 --> 00:36:40,550 Come on. Come on! 270 00:37:08,900 --> 00:37:09,900 Why are you doing this? 271 00:38:08,520 --> 00:38:11,460 Four demons, four bullets. 272 00:38:56,940 --> 00:38:57,940 Where is it? 273 00:39:14,040 --> 00:39:15,040 Two... 274 00:39:53,800 --> 00:39:54,800 Peace. 275 00:40:26,860 --> 00:40:27,860 God. 276 00:42:21,040 --> 00:42:26,720 When you see me, when 277 00:42:26,720 --> 00:42:32,100 you cry, think of 278 00:42:32,100 --> 00:42:33,740 me. 279 00:42:54,180 --> 00:42:55,180 Beautiful, beautiful. 280 00:42:58,220 --> 00:42:59,220 My Lola. 281 00:43:03,300 --> 00:43:06,660 It's a fucking snake. If you want one puta serpiente, cállate, ¿no? 282 00:43:07,840 --> 00:43:10,280 Oh, my Lola, Lola, Lola. 283 00:43:11,120 --> 00:43:13,020 Mira, parece que tiene hambre. look what face 284 00:43:17,400 --> 00:43:18,480 How fucking disgusting. 285 00:43:20,180 --> 00:43:22,920 Don't worry, Lola, that your food está al caer, ¿eh? 286 00:44:31,020 --> 00:44:32,100 Right? Guys! 287 00:44:32,440 --> 00:44:33,440 Guys! 288 00:49:10,990 --> 00:49:12,330 Barcelona? Ha. 289 00:49:52,919 --> 00:49:53,919 Voteth. 290 00:49:55,920 --> 00:49:57,920 Pink? Yes. 291 00:49:59,460 --> 00:50:00,460 Daryl? 292 00:50:57,320 --> 00:50:58,320 Valentina, how long? 293 00:50:58,700 --> 00:51:00,440 My annual appointment. 294 00:51:00,940 --> 00:51:02,500 We're going to see Robert. 295 00:51:07,580 --> 00:51:08,680 Open the door! 296 00:51:14,440 --> 00:51:15,440 Robert. 297 00:51:16,900 --> 00:51:18,080 My friend. 298 00:51:20,500 --> 00:51:22,940 What have those animals done to you? 299 00:51:24,820 --> 00:51:26,220 Do you think you'll recover? 300 00:51:26,780 --> 00:51:27,780 La de amarga. 301 00:51:28,040 --> 00:51:31,580 Roberto's soul is trapped between hope and despair. 302 00:51:32,520 --> 00:51:34,420 Between wanting to live and wanting to give up. 303 00:51:34,840 --> 00:51:36,320 It's like being in limbo. 304 00:51:38,800 --> 00:51:40,120 But we will bring it back. 305 00:51:42,180 --> 00:51:43,200 Necesitamos más orujo. 306 00:51:43,620 --> 00:51:45,000 Hay botellas en el orrio. 307 00:51:46,700 --> 00:51:49,220 I need to get more orujo for the quemada. 308 00:51:49,620 --> 00:51:50,620 Can I help you? 309 00:51:51,080 --> 00:51:52,080 Yeah, thanks. 310 00:51:59,560 --> 00:52:01,220 I come into so last, so rarely. 311 00:52:01,500 --> 00:52:05,260 So many eyes here, so many witnesses, judges. 312 00:52:05,940 --> 00:52:07,980 It's good of you to come and make the trip. 313 00:52:09,600 --> 00:52:10,600 And you? 314 00:52:11,620 --> 00:52:13,060 What are your plans now? 315 00:52:14,920 --> 00:52:17,580 Daryl and I still plan to set sail as soon as we can. 316 00:52:18,680 --> 00:52:21,440 I realize I have it wrong about you and him. 317 00:52:21,900 --> 00:52:26,820 I was, um, looking for something in the wrong place, maybe. 318 00:52:29,040 --> 00:52:30,520 You prefer the local wine. 319 00:52:31,600 --> 00:52:32,600 Wine in Galicia. 320 00:52:36,500 --> 00:52:37,860 Don't take this the wrong way. 321 00:52:39,700 --> 00:52:42,740 But has anyone ever told you you are a horny old lady? 322 00:52:44,660 --> 00:52:46,520 Usually they don't call me a lady. 323 00:52:49,300 --> 00:52:51,900 Can we get a ride to the orchard? 324 00:53:39,000 --> 00:53:42,500 So, Valentina, is she been bending your ear? 325 00:53:43,560 --> 00:53:45,140 She's been it a little, I guess. 326 00:53:46,520 --> 00:53:48,620 She's, um, how do you say? 327 00:53:50,360 --> 00:53:51,360 Nosy. 328 00:53:51,620 --> 00:53:52,760 Si. Yeah. 329 00:53:53,000 --> 00:53:53,738 Un poquito. 330 00:53:53,740 --> 00:53:54,740 Tell me about it. 331 00:53:55,460 --> 00:53:57,480 She was asking what my plans are. 332 00:53:58,280 --> 00:53:59,280 And you said? 333 00:54:02,220 --> 00:54:07,220 I said when Daryl comes back, we're setting sail for America, I guess. 334 00:54:09,520 --> 00:54:10,520 What about you? 335 00:54:11,080 --> 00:54:12,220 What are your plans? 336 00:54:12,740 --> 00:54:14,320 This is home for me. 337 00:54:16,100 --> 00:54:18,260 Starting over somewhere else. 338 00:54:19,300 --> 00:54:24,100 I tried it once, but it didn't end so well. 339 00:54:24,940 --> 00:54:25,980 Barcelona, you mean? 340 00:54:26,460 --> 00:54:27,460 Mm -hmm. 341 00:54:32,720 --> 00:54:33,720 Well, 342 00:54:37,300 --> 00:54:37,928 it's not... 343 00:54:37,930 --> 00:54:43,010 Barcelona, Ohio, I mean, but it's not a bad place either. 344 00:54:43,650 --> 00:54:48,590 I mean, it's a place where a person, someone like you could 345 00:54:48,590 --> 00:54:51,210 learn to like. 346 00:54:52,630 --> 00:54:53,630 Maybe. 347 00:54:55,010 --> 00:54:59,590 What I'm saying is that you could come with us on the boat. 348 00:55:01,370 --> 00:55:06,010 We have to get back. 349 00:55:07,050 --> 00:55:08,290 They are waiting for us. 350 00:55:46,120 --> 00:55:47,120 Lo tenía el chaval. 351 00:55:47,560 --> 00:55:48,560 Así es. 352 00:55:51,940 --> 00:55:55,140 ¿Se puede saber cómo llegó el colgante de Justina a manos de Roberto? 353 00:55:55,600 --> 00:55:57,020 How could she have left it for him? 354 00:55:58,860 --> 00:56:00,660 But if you are already wearing it when you was. 355 00:56:01,280 --> 00:56:02,920 You're getting confused, mom. 356 00:56:06,860 --> 00:56:09,140 Well, I'm going to prepare dinner. 357 00:56:09,440 --> 00:56:10,440 Yes, better. 358 00:56:10,760 --> 00:56:14,180 And stop eating chocolate, darling, that then you don't eat me. 359 00:56:34,879 --> 00:56:38,480 Go to the beach and prove that the American has been on the boat. Okay, 360 00:56:38,500 --> 00:56:39,760 Frederick. See you later. 361 00:56:59,760 --> 00:57:02,220 For taking care of my son and making him recover. 362 00:57:03,620 --> 00:57:06,300 Please help give and find her Justina. 363 00:57:07,280 --> 00:57:09,200 And have him bring her back home. 364 00:57:44,910 --> 00:57:46,070 What the hell are you doing here? 365 00:57:46,430 --> 00:57:48,090 You might need a tour guide in Barcelona. 366 00:57:50,670 --> 00:57:51,890 The old Gothic neighborhood. 367 00:57:52,170 --> 00:57:53,910 That's where the gumboi will be going. 368 00:57:54,630 --> 00:57:57,110 I wonder what your town would think if they knew what you were doing. 369 00:57:57,450 --> 00:57:59,930 You want to threaten me? You get to save our girl. 370 00:58:00,150 --> 00:58:01,790 You get to kill the next king of Spain. 371 00:58:02,170 --> 00:58:03,169 No more king. 372 00:58:03,170 --> 00:58:04,210 No more of Frenda. 373 00:58:17,320 --> 00:58:18,380 They took her again. 374 00:58:18,940 --> 00:58:20,280 Where's that convoy go next? 375 00:58:21,300 --> 00:58:23,300 Barcelona, probably. You got a map? 376 00:58:28,360 --> 00:58:33,240 Daryl's character has a big change, really mid -season, where he becomes 377 00:58:33,240 --> 00:58:38,140 fully engaged in the Justina and Roberto story, which Carol has been engaged in 378 00:58:38,140 --> 00:58:42,180 earlier. They've been at odds a bit about that. We see it really hit full 379 00:58:42,180 --> 00:58:43,840 throttle in episode five in Limbo. 380 00:58:46,320 --> 00:58:52,000 This episode was the one that we most consciously and aggressively leaned into 381 00:58:52,000 --> 00:58:53,220 the spaghetti western. 382 00:58:53,520 --> 00:58:59,280 When he goes looking for Justina, you know, Carol's back in, but he's moving 383 00:58:59,300 --> 00:59:03,440 going through the desert. I think that was primo spaghetti western. 384 00:59:03,940 --> 00:59:07,200 Spain helps us a lot. This is where they've done all the western before. 385 00:59:07,820 --> 00:59:12,760 We're filming now in La Goga. This is the first time that I'm shooting here, 386 00:59:12,760 --> 00:59:15,280 I had no idea that we had such a beautiful desert so close to Madrid. 387 00:59:18,319 --> 00:59:22,080 I was hoping this was going to happen. To ride motorcycles up here in the 388 00:59:22,080 --> 00:59:26,300 mountains is like a dream. No one is normally a great rider. He knows the 389 00:59:26,300 --> 00:59:30,280 like nobody else knows the show. He comes to the location like, oh, this is 390 00:59:30,280 --> 00:59:33,740 great. Let me use this. Let me use that. So it's like having fun like two little 391 00:59:33,740 --> 00:59:35,740 children having fun together. 392 00:59:46,640 --> 00:59:47,640 Back up. 393 00:59:48,359 --> 00:59:50,160 Buenas noches, senor. 394 00:59:50,620 --> 00:59:54,760 Episode 5 is called Limbo. It is the name of this group of people that live 395 00:59:54,760 --> 00:59:58,960 the desert. They suffer from leprosy. We started researching, like, what the 396 00:59:58,960 --> 01:00:04,160 disease looks like and how it manifests itself physically because the idea is 397 01:00:04,160 --> 01:00:07,200 that Daryl comes across this group of people and you want them to think it's 398 01:00:07,200 --> 01:00:10,000 walkers for a minute and then all of a sudden they start talking. 399 01:00:10,320 --> 01:00:15,600 So he comes in, boom. I think he's a zombie, right? Puts his hands up, the 400 01:00:15,600 --> 01:00:17,220 go down, then the rest of them come in. 401 01:00:17,610 --> 01:00:20,850 With weapons. So does this go back up again? Oh, interesting. 402 01:00:21,250 --> 01:00:22,990 And then you reveal it's a leper colony. 403 01:00:23,270 --> 01:00:26,370 They're called limbo partially because they're kind of between living and dead, 404 01:00:26,430 --> 01:00:29,910 because they're not perceived as fully acceptable in human society. 405 01:00:30,130 --> 01:00:33,170 And they're sometimes sort of treated almost as if they were walkers, but 406 01:00:33,170 --> 01:00:35,090 they're not walkers. They're just humans with a disease. 407 01:00:35,430 --> 01:00:39,690 Their town is the National Monument of Belchite, which from the Spanish Civil 408 01:00:39,690 --> 01:00:44,130 War is a town that was bombed mercilessly. And it's visually kind of 409 01:00:44,290 --> 01:00:47,280 There are these... churches in the town that are just like fantastic. 410 01:00:47,620 --> 01:00:51,260 Only these, the ceilings are bombed out and they're sort of relics. Still, it 411 01:00:51,260 --> 01:00:53,220 retains an enormous amount of beauty. 412 01:00:53,540 --> 01:00:56,040 The thing that they most guard preciously is their water. 413 01:00:56,260 --> 01:01:00,180 This hour is what we have for all of us. 414 01:01:00,420 --> 01:01:04,320 They are besieged by a group of people who regularly come in and take the water 415 01:01:04,320 --> 01:01:06,040 from them and leave them on the margins. 416 01:01:06,320 --> 01:01:10,000 Daryl comes upon this world and knowing his character quite well, this is not 417 01:01:10,000 --> 01:01:11,000 something they'll let abide. 418 01:01:11,480 --> 01:01:15,500 and then he kicks into full hero mode. Okay, ready, and action. 419 01:01:17,580 --> 01:01:22,820 We just immediately started to see a confrontation between Daryl and one of 420 01:01:22,820 --> 01:01:27,320 characters. The showdown between me and the bad guy on the bikes I really liked 421 01:01:27,320 --> 01:01:31,840 because it's a very wah, wah, wah moment, you know? And that actor was 422 01:01:31,840 --> 01:01:33,400 fun to work with because he's like, ah! 423 01:01:34,620 --> 01:01:38,000 And then I liked the thing that looks like a katana but it folds like a 424 01:01:38,000 --> 01:01:40,380 switchblade. It's called a fucka, which is fun to say. 425 01:01:42,779 --> 01:01:44,940 that I like that going in and slicing them. 426 01:01:49,080 --> 01:01:50,080 Yeah, it was awesome. 427 01:01:53,600 --> 01:01:57,620 And I, in the back of my head, had an idea about zombies pulling a train 428 01:01:57,620 --> 01:02:01,420 the desert. I thought, A, that's awesome, and B, I don't know if we can 429 01:02:02,200 --> 01:02:05,400 When we were able to finally put it on its feet, it was pretty amazing. 430 01:02:05,720 --> 01:02:08,080 I really like that whole sequence, you know, and the guy. 431 01:02:08,480 --> 01:02:12,540 playing guitar, singing an old Spanish song on the horse, and they're following 432 01:02:12,540 --> 01:02:13,540 him. 433 01:02:13,920 --> 01:02:17,560 It was one of the most exciting sequences we've done. We have high 434 01:02:17,560 --> 01:02:21,300 have people being, you know, knocked off by Daryl, all the while surrounded by 435 01:02:21,300 --> 01:02:25,200 walkers. I also will say it required an incredible amount of work. We got an 436 01:02:25,200 --> 01:02:26,340 actual real train. 437 01:02:26,560 --> 01:02:30,080 We had to find tracks in the desert that we could get it to, that we could get 438 01:02:30,080 --> 01:02:32,020 walkers on, that we could safely have actors. 439 01:02:32,400 --> 01:02:34,340 Three, two, one, action! 440 01:02:35,540 --> 01:02:36,540 Watch your head! 441 01:02:37,680 --> 01:02:42,580 So it took a tremendous amount of team effort and preparation to actually get 442 01:02:42,580 --> 01:02:44,740 there. Crazy tight, doing crazy action. 443 01:02:44,940 --> 01:02:45,940 It was perfect. 444 01:02:46,040 --> 01:02:49,420 I love that guy that I end up drowning in the bathtub. 445 01:02:55,860 --> 01:03:00,860 He was really fun to work with. I actually kept his bathrobe. It's my 446 01:03:00,860 --> 01:03:01,618 in Spain. 447 01:03:01,620 --> 01:03:04,080 But everyone's like, when you throw it away, it's filthy. And I'm like, it's 448 01:03:04,080 --> 01:03:05,080 just makeup. 449 01:03:05,300 --> 01:03:06,400 It's not really dirt. 450 01:03:06,760 --> 01:03:08,100 Yeah, that whole sequence was great. 451 01:03:09,820 --> 01:03:15,560 It felt like Outlaw Josie Wales, you know, Mad Max, sort of Western. It was 452 01:03:15,560 --> 01:03:17,380 really fun. I think it's everybody's favorite episode. 453 01:03:20,140 --> 01:03:25,480 It's a really lovely parable in the middle of our story that is kind of a 454 01:03:25,480 --> 01:03:29,660 Western tale that's kind of truest to the Sergio Leone homage. 455 01:03:30,000 --> 01:03:33,900 So it had a lot of things coming together that felt really indigenous to 456 01:03:33,900 --> 01:03:34,900 place. 457 01:03:37,640 --> 01:03:41,760 And so limbo reflects that story very specifically. Limbo also is relevant to 458 01:03:41,760 --> 01:03:44,460 the Roberto side of it, the Carol side of it. 459 01:03:49,080 --> 01:03:55,560 And they're hoping they're going to be able to get him out of it, but they 460 01:03:55,560 --> 01:03:57,560 can't, and they're struggling with pulling back to life. 461 01:04:08,140 --> 01:04:09,700 And make her bring her back home.