1 00:00:33,227 --> 00:00:36,557 [Horse carriage approaches and indistinct chatter] 2 00:00:44,005 --> 00:00:45,855 MR. PARKER'S HERE! 3 00:00:45,880 --> 00:00:46,920 FINALLY. 4 00:00:47,672 --> 00:00:51,482 AS REQUESTED. THE MORNING EDITION OFTHE LONDON POST. 5 00:00:51,506 --> 00:00:54,506 THIS IS ACTUALLY THE FIRST NEWSPAPER I HAVE BOUGHT MYSELF. 6 00:00:54,798 --> 00:00:57,588 WE USUALLY HAVE THEM HAND DELIVERED ON A TRAY. 7 00:00:58,047 --> 00:01:01,727 I HAD A CHAT WITH THE SELLER. COLORFUL CHARACTER. VERY EARTHY. 8 00:01:01,756 --> 00:01:02,976 AREN'T THEY JUST. 9 00:01:03,005 --> 00:01:04,005 [GRUNTS] 10 00:01:05,714 --> 00:01:08,194 THE PUBLICITY WILL BE GOOD FOR BUSINESS. 11 00:01:08,214 --> 00:01:11,864 THEY MAY EVEN MENTION YOU, RUPERT. MISS SCARLET'S BUSINESS PARTNER. 12 00:01:11,880 --> 00:01:14,190 REALLY? THAT'D BE MOST PLEASING INDEED. 13 00:01:14,214 --> 00:01:18,404 ALTHOUGH I DON'T THINK MY MOTHER WOULD BE PLEASED TO HEAR OF MY NEW INVESTMENT. 14 00:01:18,422 --> 00:01:21,772 -AH! HERE WE ARE. -READ IT TO US. 15 00:01:21,798 --> 00:01:24,518 "THE CAMPAIGN FOR WOMEN'S SUFFRAGE TOOK A DRAMATIC TURN 16 00:01:24,547 --> 00:01:29,047 WHEN A BOMB PLOT WAS FOILED BY DETECTIVE INSPECTOR WELLINGTON OF SCOTLAND YARD. 17 00:01:29,839 --> 00:01:31,399 DOGGED DETERMINATION... 18 00:01:31,422 --> 00:01:33,172 COUNTLESS LIVES SAVED... 19 00:01:33,381 --> 00:01:35,261 THE MAN IS A CREDIT TO THE POLICE SERVICE." 20 00:01:36,297 --> 00:01:38,397 -WHAT DOES IT SAY ABOUTYOU? -YES. 21 00:01:38,422 --> 00:01:41,072 THERE'S NO MENTION OF ME OR MY PART IN THE INVESTIGATION. 22 00:01:41,089 --> 00:01:44,049 ONLY INSPECTOR WELLINGTON AND HIS "BRILLIANT, TENACIOUS MIND." 23 00:01:47,381 --> 00:01:48,551 [SIGHS] 24 00:01:49,589 --> 00:01:50,459 DOES IT MENTION ME? 25 00:01:52,798 --> 00:01:56,548 [THEME MUSIC PLAYING] 26 00:02:32,798 --> 00:02:35,548 [INDISTINCT CHATTER] 27 00:02:45,505 --> 00:02:48,725 -AS WELL ASTHE LONDON POST THERE ARE ALSO-- -[HUSHES] 28 00:02:54,245 --> 00:02:55,295 [PUFFS LOUDLY] 29 00:02:55,328 --> 00:02:56,408 GOOD... 30 00:02:57,744 --> 00:02:58,834 [SNORTS] 31 00:02:59,536 --> 00:03:00,696 VERY GOOD. 32 00:03:01,287 --> 00:03:02,737 [TITTERS] 33 00:03:05,102 --> 00:03:07,952 -CONTINUE. -YES, AS I WAS SAYING, SIR. 34 00:03:07,995 --> 00:03:11,465 AS WELL ASTHE LONDON POST THERE ARE ALSO ARTICLES INTHE TELEGRAPH 35 00:03:11,496 --> 00:03:14,676 -ANDTHE MORNING CHRONICLE. -SO I BELIEVE. 36 00:03:14,704 --> 00:03:18,664 -WONDERFUL PUBLICITY, WELLINGTON. -THANK YOU, SIR. 37 00:03:18,828 --> 00:03:21,548 SO GOOD, IN FACT, THAT I'VE HAD A TELEGRAM FROM 38 00:03:21,579 --> 00:03:24,019 THE EDITOR OF THE ILLUSTRATED POLICE NEWS. 39 00:03:24,496 --> 00:03:26,746 THEY WISH TO WRITE AN ARTICLE ABOUT YOU. 40 00:03:28,079 --> 00:03:30,799 -ABOUT ME, SIR? -IT'S AN UTTER RAG, OF COURSE. 41 00:03:30,828 --> 00:03:32,928 FULL OF WILD GOSSIP AND CHEAP SENSATION. 42 00:03:32,954 --> 00:03:35,314 BUT APPARENTLY THE HOME SECRETARY READS THE THING. 43 00:03:35,329 --> 00:03:38,789 ANYWAY, THEY'RE SENDING ONE OF THEIR JOURNALISTS OVER THIS MORNING. 44 00:03:39,496 --> 00:03:43,696 -[NODS] -YOU MIGHT WISH TO MENTION ME AT SOME POINT. 45 00:03:44,371 --> 00:03:46,851 -YES, SIR. -MY STEADY HAND AT THE WHEEL. 46 00:03:46,870 --> 00:03:49,390 GUIDING THE SHIP THROUGH CHOPPY WATERS. 47 00:03:49,412 --> 00:03:51,832 INSPIRING ALL THOSE WHO SERVE UNDER ME. 48 00:03:53,204 --> 00:03:56,624 -USE YOUR OWN WORDS, OBVIOUSLY. -OBVIOUSLY, SIR. 49 00:03:56,995 --> 00:04:02,075 DO THAT, WELLINGTON, AND THE PROMOTION WE DISCUSSED WILL BE YOURS. 50 00:04:02,537 --> 00:04:05,367 [BROODING MUSIC PLAYING] 51 00:04:10,587 --> 00:04:11,667 [GROANS LOUDLY] 52 00:04:11,696 --> 00:04:12,896 [MAN] INSPECTOR. 53 00:04:18,000 --> 00:04:19,330 [DOOR OPENS] 54 00:04:19,750 --> 00:04:21,170 [DUKE WHISTLING] 55 00:04:24,376 --> 00:04:25,416 WHO LET YOU IN? 56 00:04:25,792 --> 00:04:27,002 ALFRED, THE DESK SERGEANT. 57 00:04:28,795 --> 00:04:31,415 ALFRED? I THOUGHT HIS NAME WAS ALBERT. 58 00:04:32,087 --> 00:04:35,267 YOU'RE GOOD AT FORGETTING NAMES. MINE IN PARTICULAR. 59 00:04:36,478 --> 00:04:39,058 AH... THE ARTICLE. 60 00:04:39,936 --> 00:04:43,446 NO MENTION OF ME AT ALL. NO WONDER YOU WERE SO COY IN TELLING ME ABOUT IT. 61 00:04:43,478 --> 00:04:45,908 -I STUPIDLY MISTOOK YOUR SLYNESS FOR MODESTY. -ELIZA-- 62 00:04:45,936 --> 00:04:50,366 I NEED THAT PUBLICITY. FOR EVERY TEN CLIENTS THAT COME TO ME, NINE DO AN ABOUT-TURN 63 00:04:50,395 --> 00:04:53,865 WHEN THEY SEE IT'S NOT HENRY SCARLET BEHIND THE DESK, BUT HIS DAUGHTER. 64 00:04:53,894 --> 00:04:57,234 ELIZA, I AM A DETECTIVE INSPECTOR WITH SCOTLAND YARD. 65 00:04:57,936 --> 00:05:00,036 IT'S ONE THING MY MEN KNOWING ABOUT OUR ARRANGEMENT 66 00:05:00,061 --> 00:05:02,401 BUT IT'S QUITE ANOTHER FOR IT TO BE PLASTERED ACROSS A NEWSPAPER. 67 00:05:03,688 --> 00:05:06,828 IF A SITUATION OCCURS WHERE WE WORK TOGETHER AGAIN 68 00:05:06,855 --> 00:05:11,225 I WILL TRY MY UTMOST TO ENSURE YOU RECEIVE THE CREDIT YOU DESERVE. 69 00:05:12,397 --> 00:05:16,247 VERY WELL. I WILL TRY TO GIVE YOU THE BENEFIT OF THE DOUBT. 70 00:05:16,272 --> 00:05:19,772 -[KNOCK] -DUKE, THERE'S A MR. BUNCE IN RECEPTION. 71 00:05:20,189 --> 00:05:22,519 -[GROANS] -I'LL TELL HIM TO WAIT. 72 00:05:23,231 --> 00:05:24,831 GOOD. THEN THAT'S SETTLED. 73 00:05:25,777 --> 00:05:26,737 OH... 74 00:05:28,084 --> 00:05:29,584 IT'S FAR FROM SETTLED. 75 00:05:42,333 --> 00:05:44,673 [URGENTLY] FRANK! FRANK! 76 00:05:46,375 --> 00:05:47,325 SEND THE JOURNALIST IN. 77 00:05:57,216 --> 00:05:59,546 GUTEN MORGEN, FRAULEIN SCARLET. 78 00:06:00,118 --> 00:06:01,638 GOOD MORNING,HERRHILDEGARD. 79 00:06:01,660 --> 00:06:05,330 FRAULEINSCARLET, MAY I INTRODUCE MY NIECE, TILLY? 80 00:06:05,743 --> 00:06:07,973 SHE HAS COME TO STAY WITH ME FROM HAMBURG. 81 00:06:07,993 --> 00:06:09,833 !DELIGHTED TO MEET YOU, FRAULEINHILDEGARD. 82 00:06:10,118 --> 00:06:13,088 DURING HER STAY I'M SURE SHE WOULD WELCOME 83 00:06:13,118 --> 00:06:16,468 SOME TIME WITH A MORE MATURE LADY, SUCH AS YOURSELF. 84 00:06:16,493 --> 00:06:20,803 SOMEONE WHO CAN IMPART ADVICE ABOUT THE LATEST FASHIONS. 85 00:06:20,827 --> 00:06:23,387 AND INDEED, SOCIETY GOSSIP. 86 00:06:23,409 --> 00:06:26,449 I KNOW HOW YOU LADIES LIKE TO TALK. 87 00:06:26,576 --> 00:06:29,796 I'M A LITTLE BUSY WORKING TO BE AWARE OF ANY GOSSIP, HERRHILDEGARD. 88 00:06:29,827 --> 00:06:34,947 QUITE SO. AND I HAVE TOLD TILLY ALL ABOUT YOU AND YOUR DETECTIVE AGENCY. 89 00:06:35,535 --> 00:06:38,905 I HAVE NEVER SEEN HER SO EXCITED. 90 00:06:41,576 --> 00:06:44,946 WHICH PRESSES ME TO VENTURE, ARE YOU BUSY AT THIS MOMENT? 91 00:06:45,660 --> 00:06:48,890 I'M AFRAID TO SAY THAT I AM. BUT PERHAPS ANOTHER TIME? 92 00:06:48,910 --> 00:06:52,780 THAT IS A SHAME... SINCE I HAVE A CASE FOR YOU. 93 00:06:54,660 --> 00:06:55,700 THAT SAID... 94 00:06:56,701 --> 00:06:59,911 I'M NEVER TOO BUSY FOR YOU, HERRHILDEGARD. 95 00:07:00,244 --> 00:07:03,794 NOW WHAT DO YOU KNOW ABOUT DEATH PHOTOGRAPHY? 96 00:07:06,451 --> 00:07:09,681 [HERRHILDEGARD]THERE ARE THOSE WHO WISH TO HAVE ONE FINAL IMAGE 97 00:07:09,701 --> 00:07:12,371 OF THEIR LOVED ONES BEFORE THEY'RE BURIED. 98 00:07:13,952 --> 00:07:16,912 -THERE IS A MARK ON HIS CHEEK. -YES, MR. HENDERSON. 99 00:07:17,660 --> 00:07:21,870 [HERRHILDEGARD]A FRIEND OF MINE, JAMES HENDERSON, PROVIDES THIS SERVICE. 100 00:07:28,035 --> 00:07:29,235 [BLAST] 101 00:07:34,618 --> 00:07:35,588 [FOOTSTEPS] 102 00:07:35,618 --> 00:07:36,948 [DOOR OPENS] 103 00:07:39,535 --> 00:07:40,535 [DOOR CLOSES] 104 00:07:41,618 --> 00:07:43,868 IT'S A FASCINATING BUSINESS YOU HAVE. 105 00:07:44,326 --> 00:07:46,586 THERE ARE THOSE WHO FIND IT MACABRE. 106 00:07:46,618 --> 00:07:49,158 BUT I BELIEVE WE PROVIDE AN INVALUABLE SERVICE TO THE BEREAVED. 107 00:07:49,910 --> 00:07:51,410 HERRHILDEGARD SPEAKS HIGHLY OF YOU. 108 00:07:52,077 --> 00:07:56,137 HE IS MOST KIND. SO HOW MAY I BE OF SERVICE? 109 00:07:56,160 --> 00:07:59,180 I'VE BEEN RECEIVING SOME DISTURBING CORRESPONDENCE. 110 00:07:59,202 --> 00:08:02,142 I INFORMED THE POLICE BUT THEY HAVE, AS YET, DONE NOTHING. 111 00:08:02,160 --> 00:08:04,330 THEY'RE A CONSTANT DISAPPOINTMENT, ARE THEY NOT? 112 00:08:06,326 --> 00:08:10,156 THEY ARRIVE IN PLAIN ENVELOPES WITH NO ADDRESS OR POST MARK. 113 00:08:10,701 --> 00:08:11,841 HAND DELIVERED? 114 00:08:11,868 --> 00:08:13,618 AT DIFFERENT TIMES ON DIFFERENT DAYS. 115 00:08:13,827 --> 00:08:16,827 EACH ONE CONTAINS A PHOTOGRAPH I'VE TAKEN OF THEIR DECEASED LOVED ONE. 116 00:08:17,660 --> 00:08:19,580 BUT THEY'VE ALL BEEN MANIPULATED FROM THE ORIGINAL, SEE? 117 00:08:20,743 --> 00:08:24,343 AFTER THE FIRST TWO ARRIVED, I BELIEVED SOMEONE WAS GAINING ACCESS TO MY STUDIO. 118 00:08:24,368 --> 00:08:27,288 SO I BURNED EVERY NEGATIVE IN MY ARCHIVE. BUT THEY KEEP COMING. 119 00:08:29,285 --> 00:08:32,785 -AND THERE'S NO MESSAGE WITH THEM? -ISN'T THIS MESSAGE ENOUGH? 120 00:08:33,326 --> 00:08:36,076 WHOEVER'S DOING THIS IS TRYING TO TERRIFY ME. 121 00:08:36,160 --> 00:08:39,290 -THAT GHOSTLY FIGURE IS NO RANDOM WOMAN. -YOU KNOW HER? 122 00:08:40,576 --> 00:08:41,986 HER NAME WAS CATHERINE. 123 00:08:43,035 --> 00:08:44,035 SHE WAS MY WIFE. 124 00:08:44,785 --> 00:08:46,045 [ROUSING MUSIC] 125 00:08:46,842 --> 00:08:48,222 SHE DIED LAST YEAR. 126 00:08:50,674 --> 00:08:53,074 AND IN HERE WE HAVE OUR RECORDS ROOM. 127 00:08:53,091 --> 00:08:56,671 EVERY ARREST AND CONVICTION GOING BACK TO 1829. 128 00:08:57,050 --> 00:09:00,940 THERE'S ACTUALLY A WARRANT IN THERE SIGNED BY ROBERT PEEL, HIMSELF. 129 00:09:00,966 --> 00:09:05,316 ROBERT PEEL? ABSOLUTELY FASCINATING. [GUFFAWS] 130 00:09:05,341 --> 00:09:07,691 YOU KNOW, IT TRULY IS AN HONOR 131 00:09:07,716 --> 00:09:12,106 TO HAVE BEEN INVITED INTO THE INNER SANCTUM OF SUCH AN ESTEEMED DETECTIVE. 132 00:09:12,132 --> 00:09:15,072 I MUST SAY I'M SURPRISED YOU'VE EVEN HEARD OF ME. 133 00:09:15,091 --> 00:09:17,071 YOU ARE TOO MODEST, SIR. 134 00:09:17,091 --> 00:09:19,071 YOUR REPUTATION PRECEDES YOU. 135 00:09:19,091 --> 00:09:22,111 -THAT IS FOR OTHERS TO SAY. -WHICH THEY DO. 136 00:09:22,132 --> 00:09:25,152 YOU ARE THE TALK OF LONDON, INSPECTOR. 137 00:09:25,174 --> 00:09:26,944 AND I CAN HONESTLY SAY 138 00:09:26,966 --> 00:09:31,316 WITH MY HAND ON MY HEART, I WEPT TEARS OF JOY 139 00:09:31,341 --> 00:09:33,901 ON HEARING ABOUT YOUR LATEST EXPLOITS. 140 00:09:33,924 --> 00:09:37,404 THE SCUPPERING OF THE BOMB PLOT. [GUFFAWS] 141 00:09:37,424 --> 00:09:40,984 AND NOT JUST OF JOY, OF GRATITUDE, TOO. 142 00:09:41,008 --> 00:09:43,978 -WELL, THAT IS-- -...AND RELIEF. 143 00:09:44,008 --> 00:09:46,508 TEARS OF JOY, GRATITUDE AND RELIEF. 144 00:09:47,841 --> 00:09:52,301 [SNIFFLES] EXCUSE ME. I AM AS EMOTIONAL AS I AM LOQUACIOUS. 145 00:09:52,633 --> 00:09:57,423 I SHALL CONCLUDE BY SAYING AGAIN, IT IS AN HONOR TO BE IN YOUR PRESENCE. 146 00:09:57,758 --> 00:10:01,228 AND I KNOW OUR READERS WILL BE ABSOLUTELY FASCINATED 147 00:10:01,257 --> 00:10:06,007 TO LEARN MORE ABOUT THE COURAGE OF THE MAN WHO KEEPS US SAFE IN OUR BEDS AT NIGHT. 148 00:10:06,299 --> 00:10:09,129 YES, WHILST WE'RE ON THAT... 149 00:10:15,299 --> 00:10:18,859 YOU'D DO ME A GREAT SERVICE IF IN THE COURSE OF YOUR WRITING 150 00:10:18,883 --> 00:10:22,943 YOU WERE TO MENTION THE HEAD OF OUR DIVISION, SUPERINTENDENT STIRLING. 151 00:10:22,966 --> 00:10:27,256 HIS LEADERSHIP AND GUIDANCE REALLY IS AN INSPIRATION TO ALL BELOW HIM. 152 00:10:29,114 --> 00:10:30,074 [AMUSED] IS IT? 153 00:10:30,406 --> 00:10:32,526 [TITTERS] IT IS. 154 00:10:32,864 --> 00:10:35,744 I UNDERSTAND COMPLETELY, INSPECTOR. 155 00:10:36,613 --> 00:10:38,863 WE ALL HAVE MASTERS TO SERVE. 156 00:10:39,072 --> 00:10:40,572 -[CHUCKLES] -[GUFFAWS] 157 00:10:40,697 --> 00:10:45,277 AND ON THAT TOPIC, MIGHT I SUGGEST A LITTLE QUID PRO QUO? 158 00:10:45,489 --> 00:10:49,659 OUR NEWSPAPER EDITOR, NO STRANGER TO VANITY HIMSELF, 159 00:10:49,905 --> 00:10:54,985 IS VERY KEEN TO ATTRACT THE LARGEST POSSIBLE READERSHIP. 160 00:10:56,519 --> 00:10:58,159 AS SUCH, 161 00:10:58,185 --> 00:11:02,475 WE TEND TO FAVOR THE MORE SENSATIONAL STORIES. 162 00:11:02,684 --> 00:11:05,484 WELL, I'M SURE WE CAN FIND SOMETHING. 163 00:11:05,684 --> 00:11:09,734 [CLEARS THROAT] LET'S SEE WHAT CAME IN OVERNIGHT. 164 00:11:10,107 --> 00:11:11,817 AH. HERE WE ARE. 165 00:11:11,924 --> 00:11:14,754 "ARESON IN TOWER HAMMET'S BROTHEL" 166 00:11:14,872 --> 00:11:17,752 OOHH PROMISING, VERY PROMISING 167 00:11:18,163 --> 00:11:19,303 ANY FATALITIES? 168 00:11:19,943 --> 00:11:20,943 NO. 169 00:11:21,591 --> 00:11:22,591 OH. 170 00:11:22,969 --> 00:11:23,969 SHAME. 171 00:11:24,977 --> 00:11:25,977 RIGHT. 172 00:11:29,293 --> 00:11:30,293 AH! 173 00:11:30,626 --> 00:11:32,936 "DEAD BODY FLOATING IN THE THAMES." 174 00:11:32,960 --> 00:11:36,790 [SWOONS] MALE, FEMALE... [HOPEFUL] CHILD? 175 00:11:37,209 --> 00:11:38,419 MIDDLE-AGED MAN. 176 00:11:39,001 --> 00:11:40,921 AH. [SCOFFS] 177 00:11:42,001 --> 00:11:44,941 O, FOR A WORLD WHERE MEN LIKE WE 178 00:11:44,960 --> 00:11:48,130 COULD BE HELD IN THE PUBLIC'S AFFECTION. [GUFFAWS] 179 00:11:48,543 --> 00:11:51,643 I SAY "WE." YOU ARE , OF COURSE, YOUNGER THAN MYSELF. 180 00:11:51,668 --> 00:11:54,458 BUT YOU TAKE THE POINT I'M MAKING. 181 00:11:55,501 --> 00:11:58,521 IT IS THE DEATH OF THE YOUNG AND THE BEAUTIFUL 182 00:11:58,543 --> 00:12:02,753 WHO PERSUADES PEOPLE TO PART WITH THEIR PENNIES. [GUFFAWS] 183 00:12:04,858 --> 00:12:07,628 YES. OF COURSE. 184 00:12:07,649 --> 00:12:09,439 THEN YOU WILL UNDERSTAND 185 00:12:09,566 --> 00:12:12,246 THAT IF THE ARTICLE IS TO BE PUBLISHED 186 00:12:12,274 --> 00:12:14,824 I SHALL NEED A NOVEL, OR... 187 00:12:16,150 --> 00:12:17,980 INTRIGUING CASE. 188 00:12:18,774 --> 00:12:21,794 IF THE ARTICLE IS TO BE PUBLISHED? 189 00:12:21,816 --> 00:12:25,686 OH! NO. PURELY SEMANTICS, INSPECTOR. 190 00:12:37,925 --> 00:12:40,175 [FOOTSTEPS APPROACH] 191 00:12:42,742 --> 00:12:46,622 THESE ARE MY VERY BEST MAGNIFYING GLASSES. 192 00:12:46,949 --> 00:12:49,699 TOP QUALITY... BAUMANN AND SCHUSTER. 193 00:12:49,949 --> 00:12:52,219 THEY MAKE THE BEST LENSES IN GERMANY. 194 00:12:52,241 --> 00:12:54,201 YOU'RE MOST KIND, HERRHILDEGARD. 195 00:12:54,366 --> 00:12:56,676 MY FATHER HAD AN EXTENSIVE COLLECTION 196 00:12:56,700 --> 00:13:01,380 BUT THEY SEEM TO HAVE GONE AWRY. GOODNESS ONLY KNOWS WHERE HE PUT THEM. 197 00:13:01,408 --> 00:13:04,928 YOUR FATHER WAS A GREAT MANY THINGS, BUT ORGANIZED 198 00:13:04,949 --> 00:13:07,069 WAS NOT ONE OF THEM. 199 00:13:07,241 --> 00:13:10,181 THESE ARE THE PHOTOGRAPHS SENT TOHERR HENDERSON. 200 00:13:10,199 --> 00:13:12,469 YES. ONE OR TWO HAVE SLIGHT MARKS ON THEM. 201 00:13:12,491 --> 00:13:14,411 I NEED TO EXAMINE THEM CLOSELY. 202 00:13:16,658 --> 00:13:18,628 DO YOU KNOW MR. HENDERSON WELL? 203 00:13:18,658 --> 00:13:22,488 OUR PATHS OFTEN CROSS FOR WORK. I'VE KNOWN HIM TEN YEARS OR SO. 204 00:13:22,700 --> 00:13:26,410 HE CAN'T THINK OF ANYONE WHO MIGHT WISH TO DISTRESS HIM. CAN YOU? 205 00:13:26,907 --> 00:13:30,617 NO! HE'S A GOOD MAN. A KIND MAN. 206 00:13:34,074 --> 00:13:35,074 THERE... 207 00:13:35,658 --> 00:13:36,988 THERE IN THE CORNER. 208 00:13:37,199 --> 00:13:40,239 -[MOANS] -AND HERE ON THE OUTSIDE OF THE ENVELOPE. 209 00:13:41,866 --> 00:13:44,486 IT LOOKS LIKE... DRIED BLOOD. 210 00:13:45,491 --> 00:13:47,551 A FURTHER THREAT PERHAPS? 211 00:13:47,575 --> 00:13:49,115 WELL THEN WHY MAKE IT SO HARD TO SEE? 212 00:13:50,074 --> 00:13:52,414 DID JAMES TELL YOU HOW CATHERINE DIED? 213 00:13:52,824 --> 00:13:53,664 NO. 214 00:13:54,116 --> 00:13:57,506 SHE WAS A TROUBLED SOUL. TOOK HER OWN LIFE. 215 00:13:57,533 --> 00:14:00,303 AND IT WAS POOR JAMES THAT FOUND HER. 216 00:14:00,325 --> 00:14:03,275 WHOEVER IS DOING THIS TO HIM IS MOST CRUEL. 217 00:14:06,783 --> 00:14:09,783 [BROODING DRAMATIC MUSIC] 218 00:14:18,824 --> 00:14:19,914 [SIGHS] 219 00:14:23,033 --> 00:14:24,073 [MOANS] 220 00:14:31,121 --> 00:14:31,951 [DOOR OPENS] 221 00:14:39,824 --> 00:14:43,244 [FOOTSTEPS APPROACH] 222 00:14:45,199 --> 00:14:46,329 MISS SCARLET? 223 00:14:47,283 --> 00:14:49,033 MY NAME IS AMELIA EVANS. 224 00:14:49,283 --> 00:14:51,913 -WE MET AT MR. HENDERSON'S STUDIO. -OF COURSE. 225 00:14:52,366 --> 00:14:53,616 PLEASE. 226 00:14:56,074 --> 00:14:57,244 TAKE A SEAT. 227 00:15:04,195 --> 00:15:05,395 I KNOW WHO'S DOING THIS. 228 00:15:07,068 --> 00:15:08,028 YOU KNOW? 229 00:15:08,401 --> 00:15:10,361 I HELP JAMES WITH HIS PHOTOGRAPHY 230 00:15:10,444 --> 00:15:14,654 BUT I WAS HIRED BY HIS WIFE, CATHERINE, TO BE GOVERNESS TO THEIR DAUGHTER. 231 00:15:15,152 --> 00:15:17,442 POOR CATHERINE HAD BEEN STRUGGLING FOR SOME TIME WITH HER HEALTH. 232 00:15:17,902 --> 00:15:19,402 PRONE TO DARK MOODS. 233 00:15:20,402 --> 00:15:22,282 THINGS BECAME SO BAD THAT... 234 00:15:24,766 --> 00:15:26,176 I KNOW HOW SHE DIED. 235 00:15:27,058 --> 00:15:28,598 THE POOR MAN WAS BROKEN. 236 00:15:30,478 --> 00:15:34,018 I STARTED TO HELP WITH HIS WORK AS WELL AS MY DUTIES AS GOVERNESS TO VIOLET. 237 00:15:34,436 --> 00:15:36,846 I DIDN'T MEAN FOR US TO BECOME SO CLOSE. 238 00:15:37,686 --> 00:15:39,686 PEOPLE CAN MAKE SUCH JUDGEMENTS. 239 00:15:39,895 --> 00:15:42,975 -THAT'S WHY HE WISHES TO KEEP IT QUIET. -KEEP WHAT QUIET? 240 00:15:44,690 --> 00:15:45,770 WE'RE ENGAGED. 241 00:15:46,440 --> 00:15:47,860 HE PROPOSED THREE WEEKS AGO. 242 00:15:48,065 --> 00:15:50,265 THE VERY NEXT DAY THE FIRST PHOTOGRAPH ARRIVED. 243 00:15:51,190 --> 00:15:55,230 SHE'S PUNISHING US. SHE'S SENDING THESE IMAGES FROM BEYOND THE GRAVE. 244 00:15:55,565 --> 00:15:57,435 SURELY YOU DON'T BELIEVE THAT? 245 00:15:57,607 --> 00:15:59,747 CATHERINE WARNED ME SHE WOULD RETURN 246 00:15:59,773 --> 00:16:01,323 AND PUNISH ME IF I WERE NEAR HER HUSBAND. 247 00:16:02,827 --> 00:16:04,657 THIS IS THE REVENGE OF HER TORTURED SOUL. 248 00:16:06,214 --> 00:16:07,844 AND I WILL PROVE IT TO YOU. 249 00:16:08,130 --> 00:16:10,050 [GATE CREAKS] 250 00:16:11,807 --> 00:16:13,807 [MRS. EVANS]BEFORE SHE PASSED INTO SPIRIT, 251 00:16:14,224 --> 00:16:16,414 AND LEFT THIS MORTAL REALM. 252 00:16:16,432 --> 00:16:19,972 YOUR MOTHER GAVE YOU SOMETHING TO REMEMBER HER BY. 253 00:16:20,390 --> 00:16:22,520 IT WAS... A PAINTING? 254 00:16:23,224 --> 00:16:25,434 YES... THAT'S RIGHT. 255 00:16:25,724 --> 00:16:28,774 A BEAUTIFUL LANDSCAPE OF A RIVER. 256 00:16:29,224 --> 00:16:32,854 A CITY... LONDON. NO WAIT. 257 00:16:34,141 --> 00:16:35,061 THANK YOU. 258 00:16:35,974 --> 00:16:38,144 NOT LONDON... PARIS. 259 00:16:38,640 --> 00:16:41,310 THE SEINE AT SUNSET. 260 00:16:44,141 --> 00:16:45,641 [SOBBING] 261 00:16:46,849 --> 00:16:49,219 [FOOTSTEPS] 262 00:16:52,474 --> 00:16:55,354 MISS SCARLET IS STILL NOT CONVINCED, MOTHER. 263 00:16:56,724 --> 00:16:58,854 LET'S SAY I ENJOYED THE SPECTACLE. 264 00:16:59,141 --> 00:17:00,471 THE SPECTACLE? 265 00:17:01,265 --> 00:17:03,385 THAT'S WHAT YOU BELIEVE YOU WITNESSED? 266 00:17:04,587 --> 00:17:07,877 THE WORLD WOULD BE A DULL PLACE IF WE ALL SHARED THE SAME BELIEFS. 267 00:17:09,148 --> 00:17:12,148 MOTHER HAS THE GIFT. SHE'S HAD IT SINCE CHILDHOOD. 268 00:17:12,649 --> 00:17:14,819 TELL HER WHAT YOU KNOW OF CATHERINE. 269 00:17:15,440 --> 00:17:17,230 SHE'S A RESTLESS SOUL. 270 00:17:18,190 --> 00:17:22,570 ANGRY, BETRAYED. VENGEFUL TOWARDS MY DAUGHTER. 271 00:17:23,106 --> 00:17:26,266 AND YOU THINK SHE'S SENDING THESE PHOTOGRAPHS FROM BEYOND THE GRAVE? 272 00:17:26,815 --> 00:17:29,975 I DO NOT THINK IT. I KNOW IT. 273 00:17:30,815 --> 00:17:33,065 CATHERINE HAS TOLD ME HERSELF FROM SPIRIT. 274 00:17:35,129 --> 00:17:37,759 MISS EVANS, WOULD YOU MIND IF I SPOKE TO YOUR MOTHER ALONE? 275 00:17:47,969 --> 00:17:52,179 YOU'RE CAUSING YOUR DAUGHTER GREAT DISTRESS. SURELY YOU CAN SEE THAT? 276 00:17:52,510 --> 00:17:54,390 I'M ONLY TELLING HER THE TRUTH. 277 00:17:54,719 --> 00:17:57,799 YOU'RE TELLING HER FAIRYTALES. CRUEL ONES AT THAT. 278 00:17:59,719 --> 00:18:01,299 YOU'RE A LOT LIKE HIM. 279 00:18:02,510 --> 00:18:04,760 -WHO? -YOUR FATHER. 280 00:18:05,345 --> 00:18:07,755 -HE WAS A SKEPTIC TOO. -YOU KNEW HIM? 281 00:18:08,136 --> 00:18:11,796 NOT IN LIFE... BUT I SEE HIM NOW. 282 00:18:13,664 --> 00:18:15,164 -[EERIE MUSIC PLAYING] -HE FOLLOWS YOU. 283 00:18:15,470 --> 00:18:19,300 I DON'T KNOW WHAT YOUR MOTIVES ARE FOR SPOUTING SUCH NONSENSE. 284 00:18:21,678 --> 00:18:22,888 I WILL TELL HER. 285 00:18:24,803 --> 00:18:28,473 YOUR FATHER SAYS THAT WHEN YOU WERE A GIRL YOU HAD A PET FROG. 286 00:18:28,594 --> 00:18:32,274 HE ONCE USED IT TO DEMONSTRATE THE EFFECTS OF CHLOROFORM. 287 00:18:33,225 --> 00:18:34,265 HOW DO YOU KNOW THAT? 288 00:18:34,725 --> 00:18:37,725 YOU NAMED THE FROG AFTER YOUR TEACHER... 289 00:18:39,142 --> 00:18:41,622 MRS. DAWKINS, WASN'T IT? 290 00:18:41,641 --> 00:18:44,061 [OMINOUS MUSIC PLAYING] 291 00:18:46,434 --> 00:18:49,354 THERE'S A SINGLE BULLET WOUND TO THE CHEST. 292 00:18:49,725 --> 00:18:51,445 THE ENTRY POINT HERE. 293 00:18:51,476 --> 00:18:54,116 THE EXIT WOUND IS LARGER BECAUSE THE BULLET EXPANDS 294 00:18:54,142 --> 00:18:56,102 AS IT TRAVELS THROUGH THE BODY. 295 00:18:58,725 --> 00:19:01,635 I SEE THAT YOU'RE NOT TAKING ANY NOTES, MR. BUNCE. 296 00:19:02,725 --> 00:19:07,615 OH, THAT'S BECAUSE YOU ARE SO FASCINATING TO LISTEN TO, INSPECTOR. 297 00:19:07,641 --> 00:19:13,431 AND ALSO BECAUSE THIS CRIME DOES APPEAR A LITTLE COMMON PLACE. 298 00:19:13,850 --> 00:19:17,060 OUR READERS CRAVE INTRIGUE AND MYSTERY. 299 00:19:17,309 --> 00:19:19,679 AS, I BELIEVE, I HAVE ALREADY STATED... 300 00:19:20,059 --> 00:19:21,679 SEVERAL TIMES. 301 00:19:22,434 --> 00:19:25,744 WELL, WE HAVE YET TO DO INTERVIEWS WITH KNOWN ASSOCIATES, 302 00:19:25,767 --> 00:19:27,887 CHECKS FOR PREVIOUS CONVICTIONS. 303 00:19:28,184 --> 00:19:32,184 -PERHAPS THAT WILL THROW UP SOME INTRIGUE. -AND MYSTERY? 304 00:19:33,184 --> 00:19:34,564 -AND MYSTERY. -[GUFFAWS] 305 00:19:34,892 --> 00:19:38,622 -[KNOCKS] -DUKE? WE JUST GOT A MESSAGE FROM THE YARD. 306 00:19:38,641 --> 00:19:42,411 HIS BUSINESS PARTNER SHOT HIM. SOME ROW OVER AN UNPAID LOAN. 307 00:19:42,434 --> 00:19:45,294 WELL, LET'S NOT BE TOO HASTY, DETECTIVE JENKINS. 308 00:19:45,309 --> 00:19:47,409 THERE MAY BE MORE TO THIS THAN MEETS THE EYE. 309 00:19:47,434 --> 00:19:49,414 THREE WITNESSES SAW HIM DO IT. 310 00:19:49,434 --> 00:19:53,584 AND WHEN HE GOT ARRESTED HE SAID "I'M GLAD I KILLED HIM." 311 00:19:53,600 --> 00:19:58,410 EXCUSE ME. MAY I INQUIRE AS TO WHAT LINE OF BUSINESS THEY WERE ENGAGED IN? 312 00:19:58,434 --> 00:20:00,064 CIRCUS, PERHAPS? 313 00:20:00,600 --> 00:20:02,950 GRAVE ROBBERY? OPIUM DEALING? 314 00:20:02,975 --> 00:20:05,555 NO. THEY WERE CHARTERED ACCOUNTANTS. 315 00:20:07,641 --> 00:20:08,481 RIGHT. 316 00:20:09,892 --> 00:20:10,982 THANK YOU. 317 00:20:13,142 --> 00:20:16,452 THERE'S A BURGLARY IN CLERKENWELL THAT SOUNDED PROMISING. 318 00:20:16,476 --> 00:20:17,926 WELL LET'S HOPE SO. 319 00:20:18,558 --> 00:20:22,908 [MR. POTTS] INSPECTOR WELLINGTON AS YOU KNOW, I'M A MAN WHO TAKES NO PLEASURE FROM CONFLICT. 320 00:20:22,933 --> 00:20:25,833 I RUN FROM IT WITH ALL THE STRENGTH I GET FROM THE GOOD LORD. 321 00:20:25,850 --> 00:20:28,520 BUT THERE ARE TIMES WHEN A FOOT MUST BE PUT DOWN. 322 00:20:28,725 --> 00:20:30,365 AND I REGRET TO INFORM YOU 323 00:20:30,392 --> 00:20:32,852 THAT MY FOOT, INDEED BOTH MY FOOT... FEET... 324 00:20:33,017 --> 00:20:35,407 HAVE BEEN THRUST FIRMLY INTO THE GROUND. 325 00:20:35,434 --> 00:20:37,494 WHAT ARE YOU TALKING ABOUT? 326 00:20:37,517 --> 00:20:40,697 SHE VEXES ME SO I CAN HARDLY STRING TWO WORDS TOGETHER. 327 00:20:40,725 --> 00:20:43,485 YOU MUST SPEAK TO HER, INSPECTOR. SHE WON'T LISTEN TO REASON. 328 00:20:43,517 --> 00:20:46,867 -WHO? -MISS SCARLET. SHE'S CAUSING A COMMOTION OUTSIDE, 329 00:20:46,892 --> 00:20:51,682 -TRYING TO GAIN ACCESS. -WHO IS MISS SCARLET? 330 00:20:52,017 --> 00:20:54,157 -THAT FEMALE-- -MY COUSIN. 331 00:20:54,184 --> 00:20:57,814 A VERY DULL, REALLY QUITE PLAIN, UNINTERESTING WOMAN. 332 00:20:59,309 --> 00:21:00,489 [SIGHS] 333 00:21:00,517 --> 00:21:02,097 ONE MOMENT, PLEASE. 334 00:21:04,267 --> 00:21:05,267 [GROANS] 335 00:21:16,109 --> 00:21:16,939 NO. 336 00:21:18,275 --> 00:21:19,815 -I HAVEN'T EVEN TOLD YOU WHAT-- -NO. 337 00:21:21,192 --> 00:21:23,382 I NEED THE CRIMINAL BACKGROUND ON A SUSPECT. 338 00:21:23,400 --> 00:21:26,190 -I BELIEVE SHE'S PRACTICING FRAUD. -NO. 339 00:21:26,734 --> 00:21:30,324 -IS THAT ALL YOU'RE GOING TO SAY? -YES. I'M BUSY. 340 00:21:31,359 --> 00:21:34,819 WILLIAM, YOU'VE ALREADY LET ME DOWN ONCE, PLEASE DO NOT DO IT AGAIN. 341 00:21:39,109 --> 00:21:41,689 -FRANK! -WHAT ARE YOU DOING? 342 00:21:42,109 --> 00:21:43,439 GO WITH HIM. HE'LL HELP YOU. 343 00:21:43,692 --> 00:21:47,212 NO. HE LIKES ME EVEN LESS THAN I LIKE HIM. I'LL WAIT FOR YOU. 344 00:21:47,233 --> 00:21:49,613 I DO NOT WANT YOU LOITERING HERE. 345 00:21:50,692 --> 00:21:51,532 WHY NOT? 346 00:21:54,109 --> 00:21:56,149 -[SHOUTS] FRANK! -[BANGS ON DOOR] 347 00:21:57,484 --> 00:21:58,534 WAIT HERE! 348 00:22:07,813 --> 00:22:08,693 [BANGS] 349 00:22:25,275 --> 00:22:28,125 THERE'S NO RECORD OF EDITH EVANS HAVING A CRIMINAL CONVICTION. 350 00:22:28,150 --> 00:22:30,400 YOU'RE SURE THIS IS EVERYTHING ON FRAUDSTERS AND SPIRITUALISTS? 351 00:22:32,525 --> 00:22:35,955 -YES. -SHE MAY'VE USED A DIFFERENT NAME. 352 00:22:35,984 --> 00:22:38,824 -THAT'S COMMON IN FRAUD. -YOU DON'T SAY? 353 00:22:40,443 --> 00:22:43,383 THIS WOMAN IS CONNECTED TO A CRIME REPORTED HERE A FEW WEEKS AGO. 354 00:22:43,401 --> 00:22:44,731 I'D LIKE TO SEE THE CASE FILE. 355 00:22:49,296 --> 00:22:53,056 -THAT WON'T HAPPEN. -I'M CONFUSED. I THOUGHT INSPECTOR WELLINGTON 356 00:22:53,088 --> 00:22:56,668 -TOLD YOU TO HELP ME. -HE SAID TO SHOW YOU THE CONVICTIONS FOR PETTY FRAUD. 357 00:22:57,463 --> 00:23:00,343 WHICH I HAVE. NOW IT'S AND TIME FOR YOU TO LEAVE. 358 00:23:02,588 --> 00:23:07,548 FRANK, FRANK, FRANK... 359 00:23:08,004 --> 00:23:11,174 A MAN OF YOUR INTELLIGENCE CAN MAKE HIS OWN DECISIONS. 360 00:23:14,588 --> 00:23:16,518 IT'S ONE OF YOUR GREAT STRENGTHS. 361 00:23:16,546 --> 00:23:19,456 WELL... [CHUCKLES] OUT! 362 00:23:29,685 --> 00:23:31,485 [AMELIA]I'M TAKING VIOLET TO THE PARK. 363 00:23:31,518 --> 00:23:33,538 SAY GOODBYE TO YOUR PAPA AND MISS SCARLET. 364 00:23:33,560 --> 00:23:35,450 GOODBYE, PAPA. GOODBYE, MISS SCARLET. 365 00:23:35,476 --> 00:23:36,436 GOODBYE. 366 00:23:40,685 --> 00:23:42,225 SHE'S SO GOOD WITH VIOLET. 367 00:23:42,685 --> 00:23:44,015 I DON'T KNOW WHAT I WOULD'VE... 368 00:23:46,059 --> 00:23:49,269 I SHOULD'VE TOLD YOU WE WERE ENGAGED. I'M A PRIVATE MAN. 369 00:23:49,518 --> 00:23:52,178 THERE ARE THOSE WHO'D QUESTION THE HASTE WITH WHICH I PROPOSED. 370 00:23:53,893 --> 00:23:56,023 DO YOU REALLY BELIEVE HER MOTHER IS INVOLVED IN THIS? 371 00:23:56,435 --> 00:23:58,695 SHE'S EITHER A FRAUD OR COMMUNING WITH THE DEAD. 372 00:23:59,161 --> 00:24:01,241 AND I KNOW WHICH ONE I FIND MOST LIKELY 373 00:24:01,407 --> 00:24:05,027 BUT...EVEN IF SHE WANTED TO MANIPULATE THE PHOTOGRAPH, SHE WOULD LACK THE SKILL 374 00:24:07,894 --> 00:24:09,794 YOU SAID YOU BURNED THE NEGATIVES. BEFORE YOU DID, 375 00:24:09,811 --> 00:24:11,891 WHO ELSE WOULD'VE COME INTO CONTACT WITH THEM? 376 00:24:12,270 --> 00:24:13,270 ONLY AMELIA. 377 00:24:15,147 --> 00:24:16,727 YOU CAN'T POSSIBLY THINK... 378 00:24:17,147 --> 00:24:20,917 AMELIA'S BEEN BESIDE HERSELF. SHE'S BEEN SUFFERING NIGHT TERRORS. 379 00:24:20,939 --> 00:24:23,059 THIS WHOLE BUSINESS HAS BEEN TEARING HER APART. 380 00:24:25,679 --> 00:24:27,299 I HAVE TO GO AWAY ON BUSINESS TONIGHT. 381 00:24:28,011 --> 00:24:29,511 AND SHE HATES TO BE ALONE IN THE HOUSE. 382 00:24:30,011 --> 00:24:33,601 -IS THERE ANY WAY YOU COULD-- -I'M A PRIVATE INVESTIGATOR, NOT A NURSEMAID. 383 00:24:33,803 --> 00:24:37,283 PLEASE... I FEAR SHE IS LOSING HER MIND. 384 00:24:37,303 --> 00:24:39,263 AND I CANNOT LOSE HER AS I LOST CATHERINE. 385 00:24:42,178 --> 00:24:45,028 -[SIGHS] -THANKS AGAIN FOR STAYING, MISS SCARLET. 386 00:24:45,053 --> 00:24:47,183 I HOPE I HAVEN'T INCONVENIENCED YOU. 387 00:24:47,637 --> 00:24:49,427 NOT AT ALL. MY PLEASURE. 388 00:24:51,720 --> 00:24:53,700 NIGHT TIMES ARE DIFFICULT FOR ME. 389 00:24:53,720 --> 00:24:56,010 GIVEN THE THINGS THAT'VE HAPPENED IN THIS HOUSE. 390 00:24:56,886 --> 00:24:59,176 THAT'S WHY JAMES IS SO KEEN FOR US TO MOVE AWAY. 391 00:24:59,803 --> 00:25:02,053 -WHERE ARE YOU MOVING TO? -BRISTOL. 392 00:25:02,553 --> 00:25:05,513 THAT'S WHERE HE'S GONE. TO SEE ABOUT NEW PREMISES. 393 00:25:07,457 --> 00:25:09,327 HE BELIEVES WE NEED A FRESH START. 394 00:25:10,188 --> 00:25:11,018 AND YOU? 395 00:25:13,582 --> 00:25:15,002 THANK YOU, RUTH. 396 00:25:20,527 --> 00:25:22,527 YOU DO NOT HAVE TO GET MARRIED, YOU KNOW? 397 00:25:24,164 --> 00:25:28,394 I WISH TO BE MARRIED TO JAMES MORE THAN ANYTHING. AND HAVE CHILDREN OF MY OWN. 398 00:25:28,414 --> 00:25:29,674 WHAT WOMAN WOULD NOT? 399 00:25:32,665 --> 00:25:34,535 YOU DO NOT WANT TO HAVE YOUR OWN FAMILY? 400 00:25:36,331 --> 00:25:38,081 ONE DAY, PERHAPS. 401 00:25:42,206 --> 00:25:44,906 THAT'LL BE ALL, THANK YOU. YOU MAY GO HOME NOW. 402 00:25:51,665 --> 00:25:55,075 I HAVEN'T BEEN ENTIRELY TRUTHFUL WITH YOU, MISS SCARLET. 403 00:25:58,331 --> 00:26:04,081 JAMES AND I... WE WERE TOGETHER, WHILST CATHERINE WAS ALIVE. 404 00:26:04,289 --> 00:26:05,709 AND SHE KNEW. 405 00:26:05,956 --> 00:26:08,326 THAT'S WHY SHE SWORE TO ME THAT SHE WOULD HAVE REVENGE. 406 00:26:09,414 --> 00:26:11,504 WE'VE BROUGHT THIS PUNISHMENT ON OURSELVES. 407 00:26:12,039 --> 00:26:14,909 WHOEVER'S PUNISHING YOU IS NOT A GHOST. 408 00:26:15,331 --> 00:26:19,791 PERHAPS YOU WILL CHANGE YOUR MIND SINCE THIS IS CATHERINE'S BEDROOM. 409 00:26:20,331 --> 00:26:22,541 THE SAME ROOM WHERE SHE TOOK HER OWN LIFE. 410 00:26:24,581 --> 00:26:26,221 [DARK MUSIC PLAYING] 411 00:26:26,248 --> 00:26:28,668 -[INDISTINCT CHATTER] -[LAUGHTER] 412 00:26:29,623 --> 00:26:31,293 WHAT HAPPENED WITH THAT JOURNALIST? 413 00:26:32,414 --> 00:26:33,624 HE LEFT. 414 00:26:35,747 --> 00:26:39,997 HE TOLD ME TO CONTACT HIM WHEN I'VE GOT AN INTRIGUING CASE. 415 00:26:40,921 --> 00:26:42,961 -SMARMY LITTLE GIT. -YEAH. 416 00:26:43,874 --> 00:26:47,064 I WOULDN'T HAVE TO JUMP THROUGH THESE HOOPS FOR SOME FLEET STREET HACK 417 00:26:47,082 --> 00:26:49,042 IF STIRLING RESPECTED ME. 418 00:26:49,707 --> 00:26:50,907 HE WANTED ME TO UM- 419 00:26:50,957 --> 00:26:55,287 TO SING HIS PRAISES AND TALK ABOUT HOW WELL RUN THE DEPARTMENT IS 420 00:26:55,401 --> 00:26:57,001 -SCOFFS, SOUNDS LIKE HIM 421 00:26:58,391 --> 00:27:01,641 I WOUDL'VE HAD THAT PROMOTION ALREADY IF HE THOUGHT I WAS THE RIGHT SORT OF CHAP 422 00:27:02,056 --> 00:27:03,936 YOU KNOW?..IF I'D BEEN IN THE ARMY 423 00:27:03,953 --> 00:27:05,903 - IF YOU'D BEEN BUGGERED AT SAME BOARDING SCHOOL! 424 00:27:05,943 --> 00:27:06,943 -LAUGHS- 425 00:27:07,452 --> 00:27:08,622 THE WAY OF THE WORLD, ISN'T IT? 426 00:27:09,493 --> 00:27:11,663 SNOBBY SODS LOOKING DOWN THEIR NOSES. 427 00:27:12,118 --> 00:27:15,328 SHE'S NO BETTER, YOUR MISS SCARLET. WHY DO YOU PUT UP WITH HER ANYWAY? 428 00:27:16,326 --> 00:27:20,716 -YOU'RE HOPING TO GET SOMETHING OUT OF IT? -NO. THAT'S NOT HOW I SEE ELIZA. 429 00:27:20,743 --> 00:27:24,743 [LAUGHS] FORGIVE ME. OF COURSE YOU'D NEVER TAKE ADVANTAGE OF A WOMAN. 430 00:27:29,133 --> 00:27:31,053 SHE'S ANNOYING AS HELL. 431 00:27:32,008 --> 00:27:33,928 I STILL WOULD. KNOW WHAT I MEAN? 432 00:27:34,258 --> 00:27:36,738 YOU SAY THAT AGAIN AND I'LL KNOCK YOU THROUGH THAT BLOODY WALL. 433 00:27:40,610 --> 00:27:42,420 I'VE KNOWN ELIZA SINCE WE WERE YOUNG. 434 00:27:42,443 --> 00:27:45,173 HER FATHER COULDN'T HAVE DONE MORE FOR ME 435 00:27:45,193 --> 00:27:47,283 IF I WAS HIS OWN FLESH AND BLOOD. 436 00:27:47,818 --> 00:27:51,148 I HOPE YOU WERE COURTEOUS TO HER WHEN YOU WERE HELPING HER WITH HER CASE. 437 00:27:51,818 --> 00:27:53,278 OF COURSE I WAS. 438 00:27:55,235 --> 00:27:56,485 IT'S NOT HER CASE. 439 00:27:57,026 --> 00:28:00,816 IT CAME INTO US FIRST. IT GOT FILED UNDER "WASTE OF TIME." 440 00:28:02,693 --> 00:28:07,493 GHOULS. DEATH PHOTOGRAPHERS AND MESSAGES FROM BEYOND THE GRAVE. 441 00:28:08,693 --> 00:28:11,743 STRAIGHT OUT OF A PENNY DREADFUL. BLOODY NONSENSE. 442 00:28:13,568 --> 00:28:15,088 [THUNDER RUMBLES] 443 00:28:15,109 --> 00:28:17,319 [RAIN LASHING] 444 00:28:43,038 --> 00:28:44,498 DON'T BE SO RIDICULOUS 445 00:28:56,320 --> 00:29:00,820 [AMELIA SCREAMS] PLEASE! 446 00:29:00,979 --> 00:29:02,159 MISS EVANS... 447 00:29:02,187 --> 00:29:05,937 -[CRYING] -IT'S ALRIGHT. 448 00:29:07,187 --> 00:29:08,477 IT'S JUST A DREAM. 449 00:29:08,687 --> 00:29:09,597 I'M SORRY. 450 00:29:10,937 --> 00:29:13,557 -I DIDN'T MEAN TO WAKE YOU. -I WASN'T ASLEEP. 451 00:29:14,271 --> 00:29:17,441 IS THERE ANYTHING YOU'D LIKE? SOME WARM MILK, PERHAPS? 452 00:29:17,904 --> 00:29:20,124 -THE MAIDS GONE HOME -THEN I'LL MAKE IT 453 00:29:20,692 --> 00:29:23,612 YOU'RE VERY KIND, BUT NO. THANK YOU. 454 00:29:24,151 --> 00:29:26,651 WE COULD HAVE A BRANDY. FOR MEDICINAL PURPOSES. 455 00:29:27,512 --> 00:29:29,052 BELIEVE ME I'VE TRIED 456 00:29:29,414 --> 00:29:30,954 JUST MAKES THINGS WORSE 457 00:29:31,871 --> 00:29:32,751 I'LL BE FINE NOW. 458 00:29:33,579 --> 00:29:37,249 WELL... IF YOU NEED ANYTHING... YOU KNOW WHERE I AM. 459 00:29:38,371 --> 00:29:39,261 THANK YOU. 460 00:29:39,288 --> 00:29:41,368 [WIND HOWLS] 461 00:29:43,871 --> 00:29:46,951 -[MUSICAL STAB] -OH, DEAR GOD! 462 00:29:48,455 --> 00:29:49,535 WHAT IS IT? 463 00:29:49,954 --> 00:29:51,044 IT'S HER... [WHIMPERING] 464 00:29:59,330 --> 00:30:03,100 [THUNDER RUMBLING] 465 00:30:03,121 --> 00:30:05,211 [BIRDS CHIRPING] 466 00:30:12,766 --> 00:30:15,766 ARE YOU SURE IT WAS YOU WHO LEFT THE WINDOW OPEN LAST NIGHT? 467 00:30:16,349 --> 00:30:18,849 YES. I ALWAYS SLEEP WITH IT OPEN. 468 00:30:19,640 --> 00:30:23,720 IT WAS RAINING HEAVILY SO IF SOMEONE CAME THROUGH THERE'D BE FOOTPRINTS OR HAND MARKS. 469 00:30:24,183 --> 00:30:25,683 BUT I CAN FIND NOTHING. 470 00:30:26,266 --> 00:30:29,696 [AMELIA] NO ONE CAME THROUGH THE WINDOW. IT WAS CATHERINE. 471 00:30:29,724 --> 00:30:30,814 SHE'S PUNISHING US. 472 00:30:31,475 --> 00:30:34,445 -THE FRONT DOOR WAS LOCKED LAST NIGHT? -I LOCKED IT MYSELF. 473 00:30:34,475 --> 00:30:37,135 APART FROM YOU AND MR. HENDERSON, WHO ELSE HAS A KEY? 474 00:30:37,599 --> 00:30:39,179 [AMELIA] RUTH, OUR MAID. 475 00:30:48,391 --> 00:30:51,971 [OMINOUS MUSIC PLAYING] 476 00:30:56,523 --> 00:30:57,733 [DOORBELL RINGS] 477 00:30:58,106 --> 00:31:00,556 [TENSE MUSIC PLAYING] 478 00:31:18,772 --> 00:31:21,442 [SUSPENSEFU MUSIC PLAYING] 479 00:31:25,735 --> 00:31:26,895 [DOORBELL RINGS] 480 00:31:36,047 --> 00:31:37,047 [BELL RINGS] 481 00:31:40,777 --> 00:31:43,667 GOOD MORNING, SIR. I WONDER IF YOU COULD HELP ME. 482 00:31:43,694 --> 00:31:46,504 A FRIEND OF MINE CAME IN HERE A FEW MOMENTS AGO. 483 00:31:46,527 --> 00:31:48,277 A LADY WITH A WICKER BASKET. 484 00:31:49,402 --> 00:31:53,172 SHE WAS SENDING A MESSAGE TO A MUTUAL FRIEND WHO WE'RE TO DINE WITH THIS EVENING. 485 00:31:53,194 --> 00:31:56,744 BUT I BELIEVE GAVE THE WRONG INFORMATION OF THE RESTAURANT WHERE WE ARE TO MEET. 486 00:31:56,944 --> 00:31:59,654 I WONDER IF I MIGHT LOOK AT THAT MESSAGE IN ORDER TO CHECK. 487 00:32:01,485 --> 00:32:04,125 "MESSAGES TREATED WITH STRICTEST CONFIDENCE." 488 00:32:04,153 --> 00:32:07,173 I DO UNDERSTAND, OF COURSE, BUT SHE'S A DEAR FRIEND 489 00:32:07,194 --> 00:32:11,494 AND IS ON OCCASION SOMEWHAT SCATTER-BRAINED. YOU KNOW HOW US LADIES CAN BE? 490 00:32:13,676 --> 00:32:16,626 PERHAPS THERE'S SOMEONE ELSE I COULD SPEAK TO? YOUR SUPERIOR? 491 00:32:17,592 --> 00:32:19,222 I'M IN CHARGE TODAY. 492 00:32:21,759 --> 00:32:24,029 I'M A PRIVATE DETECTIVE WORKING A CASE 493 00:32:24,051 --> 00:32:27,481 -AND WILL PAY YOU HANDSOMELY TO LOOK THE OTHER WAY. -YOU'RE A WHAT? 494 00:32:36,093 --> 00:32:37,473 [DOORBELL RINGS] 495 00:32:40,676 --> 00:32:41,756 WILLIAM. 496 00:32:43,300 --> 00:32:44,930 WHAT ARE YOU DOING HERE? 497 00:32:45,342 --> 00:32:49,752 I'M LOOKING INTO THE HENDERSON CASE AGAIN AND MY INQUIRIES BROUGHT ME HERE. 498 00:32:50,390 --> 00:32:52,200 SCOTLAND YARD IS NOW INTERESTED IN THIS CASE? 499 00:32:52,598 --> 00:32:57,558 STIRLING HAS REQUESTED THAT ALL OPEN CASES BE RESOLVED BY THE END OF THE MONTH. 500 00:32:58,474 --> 00:33:00,724 SOME INVENTORY FROM THE HOME OFFICE. 501 00:33:02,283 --> 00:33:05,993 SO WE SHOULD POOL THE INFORMATION WE HAVE IN ORDER TO BRING THE MATTER TO A CLOSE. 502 00:33:06,532 --> 00:33:09,032 VERY WELL. WHAT INFORMATION DO YOU HAVE? 503 00:33:09,699 --> 00:33:13,219 WELL, THERE'S A PHOTOGRAPHER BY THE NAME OF HENDERSON 504 00:33:13,241 --> 00:33:17,131 AND HE'S BEEN RECEIVING PHOTOGRAPHS. 505 00:33:17,706 --> 00:33:20,666 [LAUGHS] YOU DON'T ACTUALLY HAVE ANY INFORMATION, DO YOU? 506 00:33:20,894 --> 00:33:23,524 I'VE JUST LOOKED AT THE FILE AND HAVEN'T GOT UP TO SPEED. 507 00:33:24,186 --> 00:33:26,786 -DID YOU FOLLOW ME HERE? -DO YOU WANT MY HELP OR NOT? 508 00:33:26,810 --> 00:33:30,950 -WHY WOULD I WANT YOU HELP? -BECAUSE YOU HAVE AN IRRITATED LOOK ON YOUR FACE. 509 00:33:30,977 --> 00:33:32,807 ONE YOU USUALLY RESERVE FOR ME. 510 00:33:35,977 --> 00:33:38,137 [SHOUTING] YOU WILL BRING ME THAT MESSAGE NOW! 511 00:33:38,269 --> 00:33:43,349 OR I WILL BREAK EVERY BONE IN YOUR BODY THEN ARREST YOU FOR ASSAULTING A POLICE OFFICER. 512 00:33:45,968 --> 00:33:46,968 ARE YOU UH.. 513 00:33:48,027 --> 00:33:49,277 ARE YOU CRYING? 514 00:33:49,902 --> 00:33:51,342 [SNIFFLES] 515 00:33:51,360 --> 00:33:53,650 JUST GO AND FETCH IT. NO HARM WILL COME TO YOU. 516 00:33:53,985 --> 00:33:55,435 YES, INSPECTOR. 517 00:33:57,782 --> 00:33:59,282 [ELIZA CLEARS THROAT] 518 00:33:59,657 --> 00:34:00,657 WHAT? 519 00:34:01,448 --> 00:34:04,668 -HE'S LITTLE MORE THAN A CHILD. -YOU TOLD ME TO FRIGHTEN HIM. 520 00:34:05,285 --> 00:34:09,075 I'M SO SORRY, SIR. I CAN'T FIND THE CONTENTS OF THE MESSAGE. IT'S ALREADY BEEN SENT. 521 00:34:09,494 --> 00:34:12,834 BUT I KNOW WHO IT WENT TO AND I'LL GLADLY BE OF SERVICE. 522 00:34:13,285 --> 00:34:14,575 I'M NOT GOING TO HIT YOU. 523 00:34:17,186 --> 00:34:18,346 DO YOU KNOW THIS PERSON? 524 00:34:25,478 --> 00:34:27,938 DID YOU CHANGE OR MANIPULATE THESE IMAGES? 525 00:34:28,478 --> 00:34:31,478 NO. OF COURSE NOT. I WOULDN'T EVEN KNOW HOW. 526 00:34:31,644 --> 00:34:34,544 PERHAPS YOU STOLE THE NEGATIVES BEFORE THEY WERE DESTROYED? 527 00:34:34,562 --> 00:34:37,642 PERHAPS YOU HAD THEM COPIED BY SOMEONE WHO DID KNOW HOW. 528 00:34:38,520 --> 00:34:39,850 I DON'T UNDERSTAND. 529 00:34:40,061 --> 00:34:41,521 WHY ARE YOU ASKING ME THIS? 530 00:34:41,727 --> 00:34:43,807 -WHAT DO YOU WANT? -I THOUGHT YOU WERE PSYCHIC. 531 00:34:44,811 --> 00:34:47,481 THIS IS JUST ONE FILE FROM MANY THAT I FOUND UPSTAIRS. 532 00:34:47,727 --> 00:34:51,437 "NAME OF DECEASED, DATE AND CAUSE OF DEATH, FAMILY MEMBERS." 533 00:34:51,853 --> 00:34:53,813 SHE HAS RECORDS ON HUNDREDS OF PEOPLE. 534 00:34:55,727 --> 00:34:58,407 IT LOOKS LIKE THERE ARE FUNERAL HOMES, DEATH PHOTOGRAPHERS, 535 00:34:58,436 --> 00:35:00,936 AND SEVERAL MORTUARIES THAT GIVE HER TIP-OFFS. 536 00:35:01,769 --> 00:35:06,639 -WELL... THIS ONE'S FROM A RUTH MC CARTHY. -THE PHOTOGRAPHER'S MAID. 537 00:35:07,186 --> 00:35:10,976 IT'S A LIST OF HENDERSON'S RECENT CLIENTS WITH INFORMATION ABOUT THE DECEASED. 538 00:35:11,311 --> 00:35:15,811 SOME FROM HENDERSON'S APPOINTMENT BOOK. SOME JUST OVERHEARD CONVERSATION. 539 00:35:17,132 --> 00:35:18,172 I CAN EXPLAIN. 540 00:35:18,626 --> 00:35:19,536 PLEASE DO. 541 00:35:26,866 --> 00:35:32,586 "MAY THIRD, MR. HENDERSON TAKES DINNER WITH GERMAN UNDERTAKER, HERRHILDEGARD. 542 00:35:32,616 --> 00:35:36,336 -HERRH. TALKS FOR SOME CONSIDERABLE TIME." -SOUNDS LIKE HIM. 543 00:35:36,365 --> 00:35:39,345 "HERRH. MENTIONS FEMALE DETECTIVE. 544 00:35:39,699 --> 00:35:42,409 AND TELLS STORIES OF HER FATHER." 545 00:35:42,907 --> 00:35:45,367 [CHUCKLES] YOU HAD A PET FROG? 546 00:35:48,369 --> 00:35:52,549 LOOK... I ADMIT IT. I DO COLLECT INFORMATION. 547 00:35:52,660 --> 00:35:55,540 BUT I DID NOT SEND THOSE POSTCARDS. 548 00:35:56,910 --> 00:35:58,800 WHY'D I WANT TO PUNISH MY OWN DAUGHTER? 549 00:35:58,827 --> 00:36:01,387 YOU DON'T WANT HER TO BE WITH A MAN YOU FEEL IS UNSUITABLE. 550 00:36:01,410 --> 00:36:04,040 HE'S TWENTY YEARS UNSUITABLE. 551 00:36:04,868 --> 00:36:08,348 AND I DID ENCOURAGE AMELIA'S BELIEF THAT THOSE PHOTOGRAPHS 552 00:36:08,375 --> 00:36:10,725 WERE FROM CATHERINE'S GHOST. 553 00:36:11,187 --> 00:36:13,347 I HOPED IT MIGHT PART THEM. 554 00:36:13,813 --> 00:36:15,623 BUT THAT'S ALL. 555 00:36:15,646 --> 00:36:19,286 WELL, IF YOU DIDN'T SEND THE PHOTOGRAPHS, WHO DID? 556 00:36:19,313 --> 00:36:22,693 I DON'T KNOW... I SWEAR. 557 00:36:30,831 --> 00:36:32,001 SHE WAS MOST CONVINCING. 558 00:36:32,414 --> 00:36:34,164 WELL, SHE LIES FOR A LIVING. 559 00:36:34,539 --> 00:36:37,209 LET'S SEE WHAT SHE SAYS AFTER A NIGHT IN THE CELL. 560 00:36:37,873 --> 00:36:41,163 BRING IN THE MAID AND A FEW OTHERS ON THE LIST. SEE WHAT THEY HAVE TO SAY. 561 00:36:41,831 --> 00:36:45,251 IN THE MEANTIME, I'LL UPDATE THE HENDERSONS ON THESE LATEST DEVELOPMENTS. 562 00:36:48,581 --> 00:36:49,711 WILLIAM... 563 00:36:51,706 --> 00:36:52,926 DO YOU BELIEVE IN GHOSTS? 564 00:36:52,956 --> 00:36:55,456 [GUFFAWS] OF COURSE NOT. 565 00:36:55,997 --> 00:36:57,287 NO, NOR DO I. 566 00:36:59,789 --> 00:37:01,289 SOMETIMES... 567 00:37:02,456 --> 00:37:05,286 I FEEL MY FATHER'S PRESENCE. 568 00:37:07,873 --> 00:37:10,123 AND ON OCCASION I EVEN SPEAK WITH HIM. 569 00:37:12,831 --> 00:37:14,621 DO YOU NOW THINK ME QUITE PECULIAR? 570 00:37:15,372 --> 00:37:18,042 ELIZA, I'VE ALWAYS THOUGHT YOU QUITE PECULIAR. 571 00:37:20,623 --> 00:37:22,543 -DUKE. A MESSAGE FROM THE YARD. -YEAH. 572 00:37:23,122 --> 00:37:25,522 -THAT JOURNALIST WANTS TO SEE YOU. -[GROANS] 573 00:37:25,539 --> 00:37:27,469 HE WANTS TO GET A SKETCH OF THIS SPIRITUALIST. 574 00:37:27,498 --> 00:37:30,328 -SEE IF HE CAN GET IT IN THE EARLY EDITION OR SOMETHING. -[CLEARS THROAT] 575 00:37:32,915 --> 00:37:33,915 [FRANK] OH! 576 00:37:40,831 --> 00:37:42,161 I'LL BE THERE SHORTLY. 577 00:37:50,331 --> 00:37:51,961 -JOURNALIST? -[GROANS] 578 00:37:52,080 --> 00:37:55,710 IT'S PUBLICITY FOR THE DIVISION. IT'S ALL VERY STANDARD. 579 00:37:56,043 --> 00:37:58,253 NOW WOULD YOU LIKE ME TO CALL YOU A CARRIAGE? 580 00:38:00,168 --> 00:38:00,628 WHAT? 581 00:38:02,054 --> 00:38:05,414 HE'S JUST WRITING ABOUT VARIOUS CASES I'VE BEEN WORKING ON. 582 00:38:05,429 --> 00:38:07,409 INCLUDING THIS ONE BY THE SOUNDS OF IT. 583 00:38:07,429 --> 00:38:10,569 WELL, THE HENDERSON CASE HAS PEAKED HIS INTEREST. 584 00:38:10,596 --> 00:38:13,516 YOU KNOW WHAT JOURNALISTS ARE LIKE. THEY LOVE SENSATION. 585 00:38:14,275 --> 00:38:15,935 WERE YOU GOING TO TELL HIM ABOUT ME? 586 00:38:16,400 --> 00:38:17,860 YES. 587 00:38:19,067 --> 00:38:21,207 IT'S A COMPLEX SITUATION, ELIZA. 588 00:38:21,233 --> 00:38:22,983 SEEMS FAIRLY SIMPLE TO ME, WILLIAM. 589 00:38:23,358 --> 00:38:25,498 ONCE AGAIN YOU WISH TO TAKE ALL THE CREDIT FOR YOURSELF. 590 00:38:25,525 --> 00:38:29,535 I'M ATTEMPTING TO IMPROVE MY POSITION BUT THERE ARE OBSTACLES IN MY PATH. 591 00:38:29,566 --> 00:38:31,826 THERE'S A CABAL OF EX-ARMY OFFICERS ABOVE ME. 592 00:38:31,858 --> 00:38:34,858 OH... YOU'RE FACING PREJUDICE IN YOUR CHOSEN CAREER? 593 00:38:35,484 --> 00:38:36,984 WHAT MUST THAT BE LIKE? 594 00:38:37,691 --> 00:38:38,611 [SIGHS] 595 00:38:43,114 --> 00:38:44,994 [AMELIA]WHY CAN YOU NOT SEE? 596 00:38:45,323 --> 00:38:47,413 WHY WILL YOU NOT LISTEN TO ME? 597 00:38:53,573 --> 00:38:55,123 I'M SORRY TO DISTURB YOU. 598 00:38:55,490 --> 00:38:59,010 I WANTED TO LET YOU KNOW THAT SCOTLAND YARD HAVE ARRESTED EDITH EVANS 599 00:38:59,032 --> 00:39:01,052 ON SUSPICION OF SENDING THE PHOTOGRAPHS. 600 00:39:02,240 --> 00:39:04,010 -WHEN WAS THIS? -A FEW HOURS AGO. 601 00:39:04,031 --> 00:39:06,531 SHE'S BEEN HELD IN CUSTODY ALONG WITH YOUR MAID. 602 00:39:06,906 --> 00:39:08,816 BUT IT CANNOT BE HER. 603 00:39:08,989 --> 00:39:11,049 YOU'LL HAVE TO TAKE THAT UP WITH THE POLICE. 604 00:39:11,073 --> 00:39:14,093 IT SEEMS THEY'VE ONCE AGAIN TAKEN AN INTEREST IN YOUR CASE. 605 00:39:14,497 --> 00:39:18,827 THAT'S NOT WHAT I MEANT. JUST BEFORE YOU ARRIVED WE FOUND THIS ON THE DOORSTEP. 606 00:39:26,289 --> 00:39:28,659 -WHEN EXACTLY? -NOT TEN MINUTES AGO. 607 00:39:35,038 --> 00:39:39,208 I'M LEAVING. I HAVE A COUSIN IN SOUTHWARK. SHE'LL PUT ME UP FOR A WHILE. 608 00:39:39,788 --> 00:39:42,208 CAN WE AT LEAST TALK FIRST? 609 00:39:42,788 --> 00:39:45,828 I CANNOT BE WED TO A MAN WHO DOES NOT BELIEVE OR TRUST ME. 610 00:39:47,663 --> 00:39:48,833 DO YOU KNOW WHAT HE SAID? 611 00:39:49,247 --> 00:39:50,757 HE WONDERED IF I WAS BEHIND THIS 612 00:39:50,788 --> 00:39:52,908 BECAUSE FOR SOME REASON I DIDN'T WANT TO MARRY HIM. 613 00:39:56,038 --> 00:39:58,288 NOW I SEE WHERE HIS SUSPICION HAS COME FROM. 614 00:39:59,746 --> 00:40:02,636 IT'S MY JOB TO CONSIDER ALL POSSIBILITIES. 615 00:40:02,663 --> 00:40:04,663 I WISH TO BE MARRIED. 616 00:40:04,872 --> 00:40:07,082 TO HAVE CHILDREN. TO LEAD A NORMAL LIFE. 617 00:40:07,414 --> 00:40:09,524 IF YOU DO NOT, THAT IS YOUR CONCERN. 618 00:40:09,539 --> 00:40:12,369 BUT DO NOT TRY TO TWIST THE MINDS OF OTHERS. 619 00:40:18,997 --> 00:40:20,287 [SIGHS] 620 00:40:20,955 --> 00:40:22,365 MR. HENDERSON? 621 00:40:25,455 --> 00:40:28,075 [GIRL] PLACE HIM THERE, GENTLEMEN. AND WE SHALL BEGIN. 622 00:40:31,164 --> 00:40:33,754 PROP HIM UP AND I SHALL TAKE THE PHOTOGRAPH. 623 00:40:35,581 --> 00:40:37,661 HIS SKIN IS PALE. 624 00:40:38,289 --> 00:40:40,249 SOME MORE ROUGE, I THINK. 625 00:40:56,247 --> 00:40:57,577 DO YOU WANT TO PLAY? 626 00:40:58,872 --> 00:41:00,292 PERHAPS LATER. 627 00:41:03,997 --> 00:41:05,747 WHERE ARE THE PHOTOGRAPHS, VIOLET? 628 00:41:07,414 --> 00:41:08,794 WHERE DO YOU KEEP THEM? 629 00:41:09,455 --> 00:41:10,955 SHE TOLD ME NOT TO SAY. 630 00:41:12,289 --> 00:41:13,289 WHO? 631 00:41:14,038 --> 00:41:14,908 MOTHER. 632 00:41:19,746 --> 00:41:21,706 CATHERINE KNEW ABOUT YOU AND AMELIA. 633 00:41:23,247 --> 00:41:26,537 BEFORE SHE DIED SHE PLANNED ONE LAST ACT OF REVENGE. 634 00:41:26,788 --> 00:41:29,008 SHE TOLD VIOLET ABOUT A GAME SHE WANTED TO PLAY. 635 00:41:29,038 --> 00:41:33,208 A GAME THAT WOULD TAKE PLACE AS SOON AS PAPA AND AMELIA WOULD BE WED. 636 00:41:34,080 --> 00:41:37,960 SHE MADE THE POOR GIRL DELIVER THESE LETTERS TO YOU WITHOUT KNOWING WHAT WAS IN THEM. 637 00:41:39,872 --> 00:41:40,962 WHERE IS SHE NOW? 638 00:41:42,122 --> 00:41:44,042 [FOOTSTEPS APPROACH] 639 00:41:45,330 --> 00:41:46,960 PLEASE, DON'T BE ANGRY WITH HER, JAMES. 640 00:41:48,581 --> 00:41:51,081 [TENDER MUSIC PLAYING] 641 00:41:54,997 --> 00:41:56,207 MY SWEET GIRL. 642 00:42:00,997 --> 00:42:02,407 IT'S ALRIGHT. 643 00:42:08,913 --> 00:42:11,763 ...TO WHICH HE SAID "IT'S A COMPLEX SITUATION." 644 00:42:11,788 --> 00:42:14,968 TO WHICH I REPLIED "IT SEEMS FAIRLY SIMPLE TO ME, WILLIAM. 645 00:42:14,997 --> 00:42:16,497 YOU WISH TO TAKE ALL THE CREDIT FOR YOURSELF." 646 00:42:17,164 --> 00:42:21,014 QUITE. I BUMPED INTO HERRHILDEGARD TODAY. 647 00:42:21,038 --> 00:42:24,638 I MET HIS NIECE. A RATHER DULL SORT OF GIRL. 648 00:42:24,663 --> 00:42:26,723 AND EVEN IF WILLIAM AND I WERE NOT FRIENDS, 649 00:42:26,746 --> 00:42:29,406 HE STILL GAVE HIS WORD. IT'S STILL A BETRAYAL. 650 00:42:32,330 --> 00:42:33,750 -RUPERT! -[STARTS] 651 00:42:34,913 --> 00:42:37,413 -ARE YOU LISTENING TO ME? -I'M SORRY... 652 00:42:38,581 --> 00:42:42,291 A SHORT ATTENTION SPAN IS THE COURSE OF BEING AN ONLY CHILD. 653 00:42:42,705 --> 00:42:44,745 BLAME IT ON MY MOTHER FOR DOTING ON ME SO. 654 00:42:47,289 --> 00:42:48,659 HOW IS MRS. PARKER? 655 00:42:48,955 --> 00:42:52,515 WELL... SHE IS AGAIN URGING ME TO BE WED. 656 00:42:52,539 --> 00:42:54,869 TO CONTINUE THE PARKER FAMILY NAME. 657 00:42:56,054 --> 00:42:58,224 IF ONLY I COULD FIND A WIFE 658 00:42:58,637 --> 00:43:01,507 WHO WOULD COMPLIMENT THE MORE COMPLEX ASPECTS OF MY LIFE. 659 00:43:02,845 --> 00:43:05,505 -[GROANS] -ELIZA... 660 00:43:07,180 --> 00:43:08,760 BOTH OF OUR LIVES ARE... 661 00:43:09,180 --> 00:43:12,640 UNCONVENTIONAL. PERHAPS WE MIGHT COME TO SOME ARRANGEMENT? 662 00:43:14,396 --> 00:43:17,856 RUPERT, THERE'S NO DOUBT IN MY MIND THAT WE'D MAKE EACH OTHER EXTREMELY UNHAPPY. 663 00:43:18,521 --> 00:43:23,411 REALLY? SEE, I'M NOT ASKING YOU TO PARTAKE IN ANY KIND OF INTIMACY. 664 00:43:23,438 --> 00:43:26,648 I CAN ASSURE YOU I CAN THINK OF NOTHING WORSE. [GUFFAWS] 665 00:43:28,965 --> 00:43:30,795 -[ELIZA LAUGHS] -WHAT? 666 00:43:31,215 --> 00:43:35,065 -[CHUCKLES] STOP IT! -[ELIZA CONTINUES LAUGHING] 667 00:43:35,090 --> 00:43:36,090 [KNOCK ON DOOR] 668 00:43:36,381 --> 00:43:37,761 COME! 669 00:43:40,882 --> 00:43:42,022 SORRY TO BOTHER YOU, SIR. 670 00:43:42,048 --> 00:43:44,258 I WONDER IF... [CLEARS THROAT] 671 00:43:51,610 --> 00:43:54,960 -CONTINUE. -IT'S ABOUT THAT ARTICLE, SIR. 672 00:43:54,986 --> 00:43:57,376 THE ONE FOR THE ILLUSTRATED POLICE NEWS. 673 00:43:58,144 --> 00:43:59,394 NO PROBLEMS, I TRUST. 674 00:43:59,848 --> 00:44:01,768 NO, SIR. QUITE THE OPPOSITE. 675 00:44:02,056 --> 00:44:05,616 THEY'RE GOING TO PRESS TONIGHT AND THE SERIALIZATION WILL BEGIN IN THE MORNING. 676 00:44:05,639 --> 00:44:08,529 I HAVE ALSO TOLD THEM TO INCLUDE MENTION OF YOU. 677 00:44:08,556 --> 00:44:11,866 AND THE WIDER EFFICIENCY OF THE DEPARTMENT. 678 00:44:11,890 --> 00:44:14,260 WELL, THAT'S VERY GOOD OF YOU. 679 00:44:15,300 --> 00:44:19,710 THERE'S REALLY NO NEED. I LOOK FORWARD TO READING IT. 680 00:44:20,615 --> 00:44:23,615 WELL DONE, WELLINGTON. EXCELLENT WORK. 681 00:44:28,462 --> 00:44:31,672 -WAS THERE SOMETHING ELSE? -YES, SIR. 682 00:44:32,406 --> 00:44:34,546 YOU MENTIONED THAT YOU WOULD MAKE A DECISION 683 00:44:34,573 --> 00:44:37,203 ABOUT MY PROMOTION TO CHIEF INSPECTOR. 684 00:44:37,510 --> 00:44:38,510 AH. 685 00:44:40,796 --> 00:44:43,196 DID WE NOT SPEAK ABOUT THAT EARLIER? 686 00:44:44,189 --> 00:44:47,709 NO SIR, IF WE HAD I WOULD'VE REMEMBERED. 687 00:44:50,174 --> 00:44:52,634 I'M AFRAID I GAVE THE JOB TO HUDSON. 688 00:44:54,319 --> 00:44:56,159 BETTER LUCK NEXT TIME. AYE? 689 00:44:57,383 --> 00:44:59,133 CHIN UP AND ALL THAT. 690 00:45:04,420 --> 00:45:08,740 WITH ALL DUE RESPECT, SIR, HUDSON HAS ONLY BEEN WITH THE DIVISION FOR THREE MONTHS. 691 00:45:09,220 --> 00:45:12,740 HE'S BEEN IN THE ARMY FOR FIVE YEARS. 692 00:45:12,763 --> 00:45:14,683 THE QUEEN'S OWN HUSSARS, NO LESS. 693 00:45:14,804 --> 00:45:18,804 -WELL, IT'S HARD-- -AND HIS FATHER AND I WERE IN THE CRIMEA TOGETHER. 694 00:45:20,863 --> 00:45:23,413 YOU'VE NEVER SEEN ANYONE SO CALM UNDER FIRE. 695 00:45:24,468 --> 00:45:27,298 HIS WHOLE FAMILY HAVE ICE IN THEIR VEINS. 696 00:45:29,676 --> 00:45:32,966 YOU SHOULD MEET THE MOTHER... TERRIFYING WOMAN. 697 00:45:44,807 --> 00:45:46,867 GOOD DAY, FRAULEIN SCARLET. 698 00:45:46,890 --> 00:45:48,930 HERR HILDEGARD. FRAULEIN HILDEGARD. 699 00:45:49,807 --> 00:45:51,557 WHERE ARE YOU OFF TO THIS FINE MORNING? 700 00:45:52,247 --> 00:45:55,117 YOUR FRIEND IS TAKING US FOR A STROLL IN THE PARK. 701 00:45:55,391 --> 00:45:56,681 -MY FRIEND? 702 00:45:56,925 --> 00:45:59,285 HE CAME BY LAST NIGHT AND INTRODUCED HIMSELF 703 00:45:59,310 --> 00:46:02,160 HE'S SO CHARMING, AND AMUSING. 704 00:46:02,815 --> 00:46:04,275 AND HANDSOME TO. 705 00:46:08,811 --> 00:46:10,851 AH. HERE HE IS! 706 00:46:13,098 --> 00:46:14,428 GOOD MORNING, MR. PARKER. 707 00:46:15,430 --> 00:46:17,310 GOOD MORNING,HERR HILDEGARD. 708 00:46:18,597 --> 00:46:19,487 MISS SCARLET. 709 00:46:19,514 --> 00:46:20,644 MR. PARKER. 710 00:46:21,098 --> 00:46:22,808 WHAT A DELIGHTFUL SURPRISE. 711 00:46:28,931 --> 00:46:31,011 GUTEN MORGEN, FRAULEIN. 712 00:46:36,806 --> 00:46:38,756 [FOOTSTEPS APPROACH] 713 00:46:57,346 --> 00:47:00,716 APOLOGIES. I THOUGHT YOU WERE OUT. 714 00:47:02,692 --> 00:47:03,822 HOW DID YOU GET IN HERE? 715 00:47:04,151 --> 00:47:05,881 HENRY WAS ALWAYS LOSING HIS KEYS 716 00:47:05,900 --> 00:47:08,030 SO HE GAVE ME A SPARE. 717 00:47:09,229 --> 00:47:12,229 IN FACT THIS IS HIS SECOND SPARE. HE LOST THE FIRST. 718 00:47:18,316 --> 00:47:19,526 WHAT DO YOU WANT? 719 00:47:20,690 --> 00:47:21,980 I LEFT YOU A NOTE. 720 00:47:22,823 --> 00:47:24,913 AND A PRESENT OF SORTS. 721 00:47:25,699 --> 00:47:28,989 I OWE YOU AN APOLOGY... I DIDN'T WANT TO HAVE AN ARGUMENT. 722 00:47:29,949 --> 00:47:32,049 ALSO SOME THINGS ARE BETTER WRITTEN DOWN. 723 00:47:32,074 --> 00:47:34,474 YOU'VE A TENDENCY TO INFURIATE ME IN PERSON. 724 00:47:34,490 --> 00:47:36,200 IT MAKES ME LOSE MY TRAIN OF THOUGHT. 725 00:47:37,157 --> 00:47:38,867 AND THIS IS YOUR APOLOGY? 726 00:47:40,032 --> 00:47:42,322 [GUFFAWS] NO. 727 00:47:45,198 --> 00:47:46,198 THIS IS. 728 00:47:53,532 --> 00:47:55,242 "DEATH AND THE MAIDEN. 729 00:47:56,531 --> 00:47:59,611 FEMALE DETECTIVE CRACKS CASE OF GHOSTLY TERROR." 730 00:48:00,523 --> 00:48:02,693 I GOT THERE JUST AS THE PRESS WAS ABOUT TO ROLL. 731 00:48:03,439 --> 00:48:05,149 I DON'T KNOW WHAT TO SAY. 732 00:48:06,231 --> 00:48:08,871 I CAN'T VOUCH FOR THE QUALITY OF THE WRITING, 733 00:48:08,897 --> 00:48:12,577 BUT YOUR PART IN SOLVING THE CASE IS MENTIONED IN FULL. 734 00:48:12,605 --> 00:48:15,475 AS IS THE ADDRESS OF YOUR PREMISES. 735 00:48:19,024 --> 00:48:21,114 THANK YOU. 736 00:48:25,589 --> 00:48:28,259 -[ELIZA CLEARS THROAT] -WELL... 737 00:48:29,047 --> 00:48:29,957 I SHOULD GO. 738 00:48:35,131 --> 00:48:37,091 SHALL I LEAVE YOUR SPARE KEY? 739 00:48:39,214 --> 00:48:41,304 NO... KEEP IT. 740 00:48:41,964 --> 00:48:42,944 JUST IN CASE. 741 00:48:42,964 --> 00:48:46,304 [GENTLE MUSIC PLAYING] 742 00:48:50,631 --> 00:48:52,011 [CHUCKLES] 743 00:49:15,174 --> 00:49:16,554 [SMASH] 744 00:49:19,423 --> 00:49:22,633 [OMINOUS MUSIC PLAYING] 745 00:49:39,201 --> 00:49:42,951 [SUSPENSEFUL MUSIC PLAYING]