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Our country is full of incredible makers
dreaming of turning their talent...

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into money -making careers.

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It would mean everything to be able to
do this full -time.

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So, with a team of fantastic
professional mentors... I know your

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know what you're capable of doing.

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I run a one -of -a -kind bootcamp
showing them how to do just that.

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Perfect. My proudest moment. I'll go
share that. Yes. Now, I'm on my way to

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catch up with those who have made their
dreams come true. Hello. There he is.

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Hello, mate.

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I'll be hearing about their amazing
achievement.

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I've been able to put down... This is my
full -time job.

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And finding out how much money they're
making.

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A little bit under £40 ,000.

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Around £50 ,000. £50 ,000?

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Yes. So join me and meet the fabulous
makers who have transformed their lives

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and made it at market.

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You can kind of say I'm living the
dream.

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I think that's fair to say.

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Lots of makers come to my boot camp
looking for help, swapping the 9 -to -5

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a full -time career doing the thing they
love.

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And today we'll be catching up with two
makers who have succeeded in doing that.

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Later, mentor Derek will be dropping in
on Charlotte, who gave up a job in a vet

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to build a stained glass art business.

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I'm working a lot more for starters, but
I'm definitely enjoying it a lot more.

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Before that... I'll be catching up with
stone carver Louise in Oxfordshire.

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I first met her in the summer of 2023,
when she was a novice but passionate

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carver. There is a sense of permanence
with stone that you know that whatever

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you're carving is going to survive for
thousands of years. It's brilliant.

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Louise had ditched her day job and gone
to college to learn how to carve stone

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and was hoping we could help her build a
business from it.

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I have put my life on hold and retrained
the last two years.

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And, you know, I don't want to be a
failure at the end of it. I want to come

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of this and be successful.

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To help Louise start making money from
her passion, I set her three tasks to

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figure out how best to bring in sales.

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First up was making a volume piece,
something quick to make and affordably

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priced.

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She decided to craft a decorative
swallow carved into a 10cm square

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block, which she hoped to sell for £100.

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I'm just putting in a really shallow re
-cut around the shape of the swallow.

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the v -cut is just i'm just protecting
the bits of stone that i don't want to

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chip off really if i hit it too hard

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and i take off a bit that i don't want

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to then i just basically have to rethink
the design

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and this is ancaster stone the lovely
thing about ancaster is that

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it's quite pure so you don't have that
many

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fossils in.

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Fossils can be a real pain because if
you come across a fossil, you've either

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got to go round it or chip the whole
thing out.

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I'm just doing the tail now.

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So I've nearly got the rough shape of
the swallow in the V carving.

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To help Louise build her business, I
teamed her up with professional stone

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carver, Louis Francis.

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Louis is a classically trained carver
who's been running his own successful

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business for 13 years.

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Hello, you all right?

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How are you?

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How do you find carving with that frame?

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I'm kind of used to it. It's what I use
for the really small carving.

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I suggest like a washing up bowl with
sand filled to the top.

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and then you place the stone inside the
sand, and because it's quite small, it's

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much easier to carve inside that
framework because it won't move around.

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The frame seems a little bit clumsy, so
you might struggle to get the full

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dexterity. Oh, that's a really good
idea. Thank you.

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Whilst Louise cracked on with her volume
piece, I caught up with Louis to

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discuss her second challenge.

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Before she left home, I asked her to
bring along a high -end item.

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something with a more expensive price
tag.

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Louise chose to bring Cyril the Owl.

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Packed full of character, he stood 70
centimetres tall and was made from

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beautiful York stone.

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When I saw the owl sculpture, I just was
blown away because it's so beautiful. I

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love animals myself.

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I love them.

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So it's a really modern touch.

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It's a really nice piece.

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Would you say it's worth the £700 asking
price?

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I would say maybe $500 to $700 in that
area, but I think $700 is OK price

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Back in the stone carving yard, having
marked out her swallow for her volume

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piece, Louise started to carve away the
limestone around it to reveal the bird's

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outline.

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There we are.

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After chiselling away the bulk of the
stone, she began to form the shape of

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swallow.

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Unfortunately... I chopped a wing off.

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I am just basically looking at the shape
again and seeing how I can work around

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it. You can rectify these things.

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Just a case of slowing down, looking at
it and thinking, right, how can

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I get around that problem?

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Louise's attitude was spot on.

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Handmade items often have minor
imperfections in them, but it's all part

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their charm.

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Once the swallow was reshaped, she used
a gouge and a simple battery -powered

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nail file to add the finer details of
the wings.

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I'm just basically making sure I'm happy
with the feathers, really, and it just

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gives a little bit more detail.

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And it's such a fine...

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And there's hardly any resistance on it
at all.

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It's, yeah, it's brilliant.

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Despite the setback with the wing,
Louise's limestone swallow was charming.

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It took her around four hours to make
and was priced at £100.

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I think it looks good. It's a great
size, carving in quite a small area as

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I think people can buy it and then just
put it on a shelf in their home. It will

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look great.

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What do you think of the price point,
Louis?

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The £100 price point is good.

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One tip, maybe add like a gold leaf, an
embellishment, just something on the

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beak, maybe something quite small, or
maybe a few extra gold leaf details on

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wings, and that's it, quite simple.

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Two challenges in, and Louise had a well
-deserved thumbs up for her first two

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pieces.

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For her final task, I asked her to
produce her favourite item, to see if

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piece she most enjoyed making could
bring in big sales.

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She chose to create her take on a
traditional Lewis chessman.

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Standing 20 centimetres high, her bishop
was carved from Ancaster limestone.

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I'm just going across, which is
basically the shoulder of the bishop.

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There we are. Don't go too far, though,
because if I carry on, I'm going to risk

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losing bits that I don't want to lose.
So I'm going to turn it around and just

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go the other way.

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As work was progressing well, Louis was
keen to talk to Louise about how she

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promoted and marketed herself and her
work online.

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I've seen your Instagram page, been
looking through it, and I haven't seen,

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like, a video or... Is that something
you'd think about creating? I've watched

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those videos and they are so cool, but I
don't actually understand how to do

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them.

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It's really, really simple.

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Set up a tripod.

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Film yourself doing it and then share it
online. That's pretty much it. And then

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you'll draw in more people rather than
through photos because a lot of people

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see photos and then they kind of scroll
past it. Whereas the video, you can see

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someone's process and it's much more
engaging to watch.

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I just find it just so daunting.

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I think it's a really important aspect
of the business to just have that social

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media platform and a website as well.

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Louise's Louis chessman had a make time
of around 20 hours to complete.

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So in order to show me and Louis a
finished piece, she brought one closer

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completion to carve out the details of
her bishop.

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Starting to look like a human and his
face is starting to take shape as well.

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And we've got two hands here and then
the crook going down.

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As Louise continued to carve in the
character of her bishop, she made an

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important decision.

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I think he's chosen his own name and
he's Cuthbert and Cuthbert was the

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bishop of Linderswan in 600 and
something.

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So yeah, he's called Cuthbert.

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And there he is.

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Cuthbert took Louise 20 hours to carve
and was packed full of personality.

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With material costs of around £35, she
gave him an asking price of £300.

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I think it's a really lovely carving
piece.

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You've got good size there as well. The
detail is amazing.

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For your first sale, if you put £300, if
people go, ooh, it's a bit steep, it's

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a bit expensive, and are a bit more
hesitant towards it, you might be able

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drop it just slightly for your first
sale.

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It was a joy to share Louise's love of
stone carving, and as she headed home,

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Louis gave her an action plan to turn
her passion into a sustainable business.

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First, he wanted her to think about
adding gold and silver details to her

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design. to add value and boost her
profits.

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Next, he wanted her to focus much more
on her marketing and promote herself and

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her work by posting regular videos on
social media.

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Finally, Louise needed to finish her
website so that people could find her

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buy her pieces.

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With Louise's continued guidance, we
gave Louise two months to work on her

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action plan and get the sales coming in.

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She started by adding colour to her
characterful chessmen.

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I bought some proper stone masonry gold
paint, sort of thing that they use for

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lettering and things. So it lasts an
awful long time and it weathers very,

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well. The case with this is just put a
little bit on at a time because it tends

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to blob and it goes everywhere.

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She also began to build her online
presence and had some good news about

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her work.

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I'm now in a gallery in Tetbury, which
is brilliant.

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The gallery in Chipping Camden has asked
if they could have my stone.

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So that's starting up in October, which
is brilliant.

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With Louise's support, Louise knuckled
down to building her business. And after

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eight weeks of hard graft, she reported
back to us at the boot camp.

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Let's talk about money.

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How much have you made?

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I've taken about £600, so not great, but
I'm... Not

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great, that's OK.

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And starting from scratch again,
building your business, building your

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setting up a website, doing your social
media.

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I mean, you've been doing so much stuff,
all of the steps are there, and later

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you'll start to reap the benefits of all
that hard work.

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Louis was bang on.

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Louise did have to deduct her costs from
her £600 worth of sales, but she'd

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spent time laying solid foundations and
put herself in the perfect position to

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start earning money from her work.

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Two and a half years later, I've come to
Oxfordshire to see how she's getting on

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and how much money she's making now.

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And by the looks of this new workshop,
she's not doing badly.

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Hello? Hello.

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Louise, hello. How are you doing? I'm
very good. How are you, importantly?

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I'm fine, thank you. Here, come in.
Thank you.

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This huge space is the perfect setup for
a messy craft.

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And as a maker myself, it's making me
rather jealous.

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Wow. It's great, isn't it? What a
brilliant space.

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Yeah. It's absolutely cracking.

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Last time you were at boot camp, you
were just finishing your training.

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Clearly. A lot has changed in the last
two years. Yeah, I was still at college,

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so I was working on pieces at college.

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I set up a workbench in my garden, which
wasn't ideal.

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I was using a stable quite close to
where I live.

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Again, that wasn't ideal.

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But then I got a very large commission.

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Oh, did you?

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Yes. It was a swan for a stately home.
What an amazing project.

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800 kilos of Portland, so it was a huge
block over a metre high.

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Wow. So I needed somewhere big enough.

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Yeah, you're never going to get an 800
kilo stone into your back garden.

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No, exactly.

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So what did you do? Just found this
place.

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Yeah. That's the sort of thing I would
do.

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Confirm the order for something that you
have no space for and no idea where

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you're going to do it.

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Louise's swan commission was worth a
fantastic £6 ,000.

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But it's not her only big sale.

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She's also sold Cyril the Owl for an
incredible £1 ,800, more than double

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she was hoping to get for it when she
brought it to my boot camp as her high

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-end piece.

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Come on then, Louise, let's get down to
business.

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How has it been going for the last two
years?

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It's been going great.

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Has it? Yeah, I mean, I'm full -time.

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Is that not incredible?

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It is, actually. It's really good.

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Yeah. I sell in galleries.

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I do a few summer events and obviously
Christmassy ones and all sorts. OK. My

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00:15:00,750 --> 00:15:06,390
chess band, I think I've got up to 27
commissions on those now. 27?

228
00:15:06,710 --> 00:15:07,970
Yeah. Yeah.

229
00:15:08,390 --> 00:15:13,230
The Lewis chess band that Louise made
for her volume piece had material costs

230
00:15:13,230 --> 00:15:14,270
around £35.

231
00:15:14,850 --> 00:15:19,210
And with the added silver and gold
detail on some, as Louise suggested...

232
00:15:19,500 --> 00:15:24,620
They now sell for between £425 and £475
each.

233
00:15:25,560 --> 00:15:30,140
Louise is doing brilliantly, but selling
her stone carvings isn't the only

234
00:15:30,140 --> 00:15:31,140
string to her bow.

235
00:15:31,620 --> 00:15:35,560
I do courses as well, and the courses
are going great.

236
00:15:35,950 --> 00:15:41,330
I'm in four locations in about five
different counties, and I've now got to

237
00:15:41,330 --> 00:15:45,730
point where I'm offering advanced
courses for the people who've already

238
00:15:45,730 --> 00:15:47,290
my courses, and they sell out.

239
00:15:47,510 --> 00:15:50,790
Congratulations. Is that not the biggest
compliment, that somebody's been on a

240
00:15:50,790 --> 00:15:55,020
course... and wants to come back and
learn more from you. It's so rewarding,

241
00:15:55,020 --> 00:15:58,840
really is. I've got to ask, it's not all
stone in here, is it? No.

242
00:15:59,200 --> 00:16:01,220
I didn't know that you even painted.

243
00:16:01,480 --> 00:16:05,600
I've done eight commissions this year so
far, which is astounding.

244
00:16:05,840 --> 00:16:12,320
That's really good. Yeah, ranging from
about 350 for a small piece up to 750.

245
00:16:13,340 --> 00:16:14,720
That's various money.

246
00:16:15,020 --> 00:16:17,760
Yeah, it's great. And obviously I sell
prints as well.

247
00:16:18,350 --> 00:16:20,550
My income is basically split in thirds.

248
00:16:20,770 --> 00:16:25,410
So it's a third stone commission, a
third paintings and a third courses.

249
00:16:25,650 --> 00:16:26,830
What a perfect mix.

250
00:16:27,130 --> 00:16:28,130
Yeah, it is.

251
00:16:28,750 --> 00:16:34,670
Louise charges £195 for a two -day
course. And as they now form such a big

252
00:16:34,670 --> 00:16:37,750
of her business, I'm going to take a
taster class.

253
00:16:38,570 --> 00:16:41,350
We're going to carve a raised, curled
-up fox.

254
00:16:41,810 --> 00:16:46,250
And after tracing the design onto
offcuts from Louise's larger

255
00:16:46,570 --> 00:16:49,730
We use a scribe to mark out a clear line
to chisel to.

256
00:16:50,930 --> 00:16:52,870
This puts a fire break in.

257
00:16:53,790 --> 00:16:58,110
So it's telling the stone that you don't
want to chisel past these lines.

258
00:16:59,470 --> 00:17:01,030
It's because the stone listens to you.

259
00:17:01,350 --> 00:17:04,069
Yeah, you know. I can tell it all I
want.

260
00:17:06,050 --> 00:17:07,290
How hard am I pushing?

261
00:17:07,910 --> 00:17:09,270
Very hard, actually.

262
00:17:09,490 --> 00:17:12,869
With the outline of the design marked
up...

263
00:17:13,069 --> 00:17:18,369
Our next job is to scribe a one
centimetre line around the edge of the

264
00:17:18,369 --> 00:17:20,650
we can see how deep to take the
background.

265
00:17:21,230 --> 00:17:22,710
Right, time for the PPE.

266
00:17:23,150 --> 00:17:24,510
It's getting serious now, isn't it? Mm
-hmm.

267
00:17:25,089 --> 00:17:29,930
Now we'll chisel a channel around the
outside edge of the design to create a

268
00:17:29,930 --> 00:17:31,030
weakness in the stone.

269
00:17:31,250 --> 00:17:32,250
Start off in the chisel.

270
00:17:35,470 --> 00:17:36,470
45 degrees.

271
00:17:36,830 --> 00:17:39,270
45 degrees. On the line or outside the
line?

272
00:17:39,510 --> 00:17:40,510
Just a little bit outside.

273
00:17:41,930 --> 00:17:42,889
How's that?

274
00:17:42,890 --> 00:17:43,509
Mm -hmm.

275
00:17:43,510 --> 00:17:44,510
Okay.

276
00:17:45,430 --> 00:17:46,430
Okay.

277
00:17:48,410 --> 00:17:51,030
Take a little bit more so the pencil
line doesn't disappear.

278
00:17:51,610 --> 00:17:53,970
Okay. You've got a nice sharp edge
there.

279
00:18:01,610 --> 00:18:03,490
It all seems hard to be touched down.

280
00:18:03,710 --> 00:18:04,710
It's so hard.

281
00:18:05,350 --> 00:18:06,670
You have to touch it. I know.

282
00:18:08,880 --> 00:18:14,480
The next stage is to chisel inwards from
our 1cm depth line, and the weakness

283
00:18:14,480 --> 00:18:18,920
created by the channel causes the stone
around the outside of the design to

284
00:18:18,920 --> 00:18:22,880
break away, creating a dropped
background and a raised fox.

285
00:18:23,760 --> 00:18:25,700
We might want to stand up to this,
actually.

286
00:18:30,020 --> 00:18:31,020
OK,

287
00:18:31,560 --> 00:18:34,860
I'll have to chisel up to that line,
this side line, OK?

288
00:18:35,160 --> 00:18:36,460
And give it a tap.

289
00:18:37,580 --> 00:18:38,720
Oh, my word.

290
00:18:39,620 --> 00:18:40,620
I'm sorry.

291
00:18:44,840 --> 00:18:45,579
Don't worry.

292
00:18:45,580 --> 00:18:49,580
I will just chisel this bit out here.

293
00:18:50,020 --> 00:18:51,100
Just a little bit.

294
00:18:52,160 --> 00:18:52,939
That's it.

295
00:18:52,940 --> 00:18:56,820
My chisel -happy hands might have let me
down, but with a little help from

296
00:18:56,820 --> 00:18:58,680
Louise, my fox is rescued.

297
00:18:59,480 --> 00:19:04,020
As she's condensing a two -day course
into a few hours for me, though, she's

298
00:19:04,020 --> 00:19:05,680
prepared one a little further along.

299
00:19:06,140 --> 00:19:09,420
so that I can chisel on the details to
the fox's face and body.

300
00:19:09,880 --> 00:19:11,220
Where is it going to come to life?

301
00:19:11,500 --> 00:19:14,780
Yeah, hand it back in the corner of the
eye. Yeah.

302
00:19:15,240 --> 00:19:16,240
And chisel in.

303
00:19:16,480 --> 00:19:21,660
This has to be very, very, very shallow.
Deeper there. A little bit deeper here.

304
00:19:21,900 --> 00:19:23,700
And it's only a very shallow chisel.

305
00:19:24,180 --> 00:19:25,820
You know what, you're a very good
teacher.

306
00:19:26,060 --> 00:19:29,160
Thank you. You're very calm. Thank you.
You give me a lot of confidence.

307
00:19:32,760 --> 00:19:34,700
Under Louise's watchful eye.

308
00:19:36,520 --> 00:19:39,040
We carve the details into our boxes.

309
00:19:45,000 --> 00:19:45,999
How's that?

310
00:19:46,000 --> 00:19:47,000
Brilliant.

311
00:19:47,360 --> 00:19:48,360
Right,

312
00:19:48,640 --> 00:19:50,360
guys, I think that's about it for today.

313
00:19:51,360 --> 00:19:55,700
So we've got on really well. Some really
lovely stuff going on here. That's been

314
00:19:55,700 --> 00:19:56,700
really good fun.

315
00:19:57,000 --> 00:19:58,240
Thank you. Really good.

316
00:19:58,680 --> 00:19:59,960
I'm quite chuffed, actually.

317
00:20:00,220 --> 00:20:01,680
It's really good. It's lovely.

318
00:20:02,830 --> 00:20:07,470
I'm thrilled with my fox, and after a
little sanding, it will take pride of

319
00:20:07,470 --> 00:20:08,490
place in my workshop.

320
00:20:09,790 --> 00:20:14,830
Louise promotes these fantastic courses
on social media, using reels like we

321
00:20:14,830 --> 00:20:16,310
asked her to do at the boot camp.

322
00:20:16,810 --> 00:20:21,490
And I'm keen to find out if any of the
other advice we gave her has been useful

323
00:20:21,490 --> 00:20:22,750
in building her business.

324
00:20:24,050 --> 00:20:28,610
When you left my boot camp, we did send
you off with an action plan, some key

325
00:20:28,610 --> 00:20:30,950
pointers to try and help you build it
into a business.

326
00:20:31,350 --> 00:20:34,890
One of the pointers was to introduce
more gold to your work. How have you

327
00:20:34,890 --> 00:20:39,030
that? Just adding a little bit is great.
I mean, lettering, for example.

328
00:20:39,310 --> 00:20:40,490
Perfect. Yeah, exactly.

329
00:20:40,990 --> 00:20:43,930
Something else that we were really keen
for you to work on was your website,

330
00:20:44,050 --> 00:20:45,950
which I know is not easy.

331
00:20:46,270 --> 00:20:50,090
It's up and running. It's been up and
running for, well, over two years now.

332
00:20:50,090 --> 00:20:54,550
I add to it as well. So if I've got like
a new project or I think I've got to

333
00:20:54,550 --> 00:20:59,230
promote something, I will then add
another page to it. So it's all ever

334
00:20:59,770 --> 00:21:01,710
I can't even manage that.

335
00:21:01,910 --> 00:21:03,090
You're doing better than me.

336
00:21:04,210 --> 00:21:09,710
Louise has really taken all of our
advice and run with it. She's

337
00:21:09,710 --> 00:21:13,990
business and two and a half years after
I first met her, I can't wait to hear

338
00:21:13,990 --> 00:21:16,470
just how well she's doing in her new
career.

339
00:21:16,830 --> 00:21:21,630
I know you're having great fun carving
and sculpting, but how much money are

340
00:21:21,630 --> 00:21:25,590
making? Last financial year, my income
was £21 ,000.

341
00:21:26,410 --> 00:21:29,750
From this. The courses, commissions, and
the art.

342
00:21:30,150 --> 00:21:35,930
And I'm on track to do about the same
this year, if not a bit more. What an

343
00:21:35,930 --> 00:21:38,310
achievement. You can kind of say I'm
living the dream.

344
00:21:38,570 --> 00:21:40,130
I think that's fair to say.

345
00:21:40,450 --> 00:21:42,330
Sure, I think that's fair to say.

346
00:21:43,610 --> 00:21:46,870
Importantly, you're living your dream.
This is now your reality.

347
00:21:47,650 --> 00:21:50,810
Giving up her full -time income was a
brave decision.

348
00:21:51,370 --> 00:21:57,110
But as Louise is now taking home £21
,000 a year off the cost, it was

349
00:21:57,110 --> 00:21:58,110
the right one.

350
00:21:58,810 --> 00:22:05,530
You shouldn't be driven by money, but
when what your own hands create, make

351
00:22:05,530 --> 00:22:06,770
sure that the bills are paid.

352
00:22:07,710 --> 00:22:09,650
It's actually quite an important thing.

353
00:22:10,570 --> 00:22:14,630
I'm making an income out of something
that I am absolutely passionate about.

354
00:22:15,190 --> 00:22:16,670
So, yeah, win -win.

355
00:22:22,480 --> 00:22:26,740
The second maker we're going to catch up
with today is wild swimmer and stained

356
00:22:26,740 --> 00:22:31,640
glass artist Charlotte from Bristol, who
also came to my boot camp two and a

357
00:22:31,640 --> 00:22:32,640
half years ago.

358
00:22:32,740 --> 00:22:37,360
I swim in anything, as long as the
water's clean.

359
00:22:37,960 --> 00:22:41,800
I swim in the sea, I swim in rivers, I
swim throughout the winter.

360
00:22:42,080 --> 00:22:43,320
Colder the better, actually.

361
00:22:43,520 --> 00:22:46,280
Any band of water, I'm there.

362
00:22:46,910 --> 00:22:51,430
Like Louise, Charlotte had also left her
job and was trying to make a living

363
00:22:51,430 --> 00:22:53,970
from her swimming -inspired stained
glass art.

364
00:22:54,310 --> 00:22:59,670
I was working part -time in events and
making pieces and then they built up and

365
00:22:59,670 --> 00:23:03,670
I thought, I'm going to actually have to
get rid of some now. So I started

366
00:23:03,670 --> 00:23:06,130
selling them to my swimming friends and
then...

367
00:23:06,650 --> 00:23:11,290
I had to take the plunge of going full
-time. Take the plunge, I like it. Yeah,

368
00:23:11,290 --> 00:23:12,290
yeah.

369
00:23:13,370 --> 00:23:17,070
Financially, it has to work because I
have to pay my way in the house.

370
00:23:17,430 --> 00:23:20,710
You've got your kiln, you've given up
the job. Yeah. We'll do everything we

371
00:23:20,850 --> 00:23:21,850
I'm very excited.

372
00:23:23,170 --> 00:23:27,090
To work out the best way of getting some
much -needed sales rolling in,

373
00:23:27,190 --> 00:23:29,530
Charlotte faced my three making
challenges.

374
00:23:30,730 --> 00:23:35,510
For her volume piece, she decided to
make a stained -glass 10 -inch Lido

375
00:23:35,980 --> 00:23:41,260
which she hoped to sell for £55,
complete with a three -piece bathing

376
00:23:41,260 --> 00:23:42,260
hook for hanging.

377
00:23:43,480 --> 00:23:46,360
She started by tracing out her lady's
limbs.

378
00:23:46,920 --> 00:23:51,800
Her fingertip doesn't quite fit on, but
who cares? Some people have small arms.

379
00:23:58,140 --> 00:24:02,040
One of the things about glass is that
I've just made a very simple score line

380
00:24:02,040 --> 00:24:04,620
and then you literally just do it.

381
00:24:05,200 --> 00:24:06,200
Like that.

382
00:24:06,440 --> 00:24:08,460
And that's very, very satisfying.

383
00:24:12,440 --> 00:24:17,280
I'm just following the marking that I've
done, and then it just snaps.

384
00:24:17,700 --> 00:24:22,340
This is my first cut, and then later on
I'll just go to the grinder and I'll

385
00:24:22,340 --> 00:24:24,520
decide what sort of shape I want the leg
to be.

386
00:24:25,540 --> 00:24:30,220
Once the limbs were cut, Charlotte chose
the coloured glass for the swimsuit and

387
00:24:30,220 --> 00:24:31,580
traced it out before cutting.

388
00:24:32,460 --> 00:24:36,760
Any sort of curve in glass is trickier
than a straight line obviously.

389
00:24:37,060 --> 00:24:43,080
I have to cut into here as close as I
can and then you just sort of nibble it

390
00:24:43,080 --> 00:24:50,040
away with the pliers like that. This bit
will be finished off on the

391
00:24:50,040 --> 00:24:52,700
grinder and then I'll have a nice clean
armpit.

392
00:24:54,040 --> 00:24:58,100
You can do this quite roughly and then
sort of nibble.

393
00:25:01,260 --> 00:25:02,540
nibble little bits away.

394
00:25:03,060 --> 00:25:07,500
I can already see that the face that
I've cut out here isn't going to fit

395
00:25:07,500 --> 00:25:12,320
hat. When I come to grind it, that's
when I can really get in tight and make

396
00:25:12,320 --> 00:25:13,700
them fit snugly together.

397
00:25:15,020 --> 00:25:19,460
Having been brave enough to quit her job
working in a vet and invest time and

398
00:25:19,460 --> 00:25:23,780
money into her stained glass business,
Charlotte needed it to grow to support

399
00:25:23,780 --> 00:25:25,080
her and her family.

400
00:25:26,840 --> 00:25:30,500
To help it do just that, I teamed her up
with Derek Hunt.

401
00:25:32,040 --> 00:25:36,600
Derek's been successfully designing and
making glass artworks for public spaces,

402
00:25:36,800 --> 00:25:39,840
private homes and churches for over 40
years.

403
00:25:41,200 --> 00:25:44,520
Some clever cutting going on here. Where
do you sell this kind of work?

404
00:25:44,800 --> 00:25:50,960
Mainly online, social media, and then I
also sell occasionally at do markets. So

405
00:25:50,960 --> 00:25:52,280
I've got quite a big...

406
00:25:52,730 --> 00:25:57,350
travelling trunk that I take and I open
it up and it's like, here are my ladies.

407
00:25:58,090 --> 00:25:59,090
Wonderful.

408
00:25:59,730 --> 00:26:03,950
You are a swimmer also, yeah? I'm also a
swimmer. I also do synchronised

409
00:26:03,950 --> 00:26:07,750
swimming. This is great. I mean, I think
that we can develop this theme into a

410
00:26:07,750 --> 00:26:08,750
collection.

411
00:26:09,730 --> 00:26:14,010
Whilst Charlotte pressed on with her
Lido lady, I caught up with Derek to

412
00:26:14,010 --> 00:26:15,530
discuss her second challenge.

413
00:26:16,690 --> 00:26:20,650
For her high -end piece, Charlotte took
inspiration from her love of

414
00:26:20,650 --> 00:26:21,650
synchronised swimming.

415
00:26:22,140 --> 00:26:25,240
to create a stunning piece of circular
glass art.

416
00:26:26,040 --> 00:26:30,060
Designed to be hung from a window, she
painted the glass with her Lido ladies

417
00:26:30,060 --> 00:26:31,720
forming a symmetrical pattern.

418
00:26:32,520 --> 00:26:37,580
With a make time of 40 hours, she gave
it a price tag of £450.

419
00:26:38,969 --> 00:26:42,870
There's a lot of detail in there, a lot
of very delicate painted work called

420
00:26:42,870 --> 00:26:46,950
scraffito, which is basically scratching
out the paint. It was really, really

421
00:26:46,950 --> 00:26:51,110
nice to see. It's very unusual because
it's a sort of freestanding piece that's

422
00:26:51,110 --> 00:26:55,390
hung in a window, and she can develop it
further with lots of different costumes

423
00:26:55,390 --> 00:26:56,630
and lots of different colours.

424
00:26:56,970 --> 00:27:00,730
Charlotte's hoping to get £450 for that.
Do you think it's worth it? There's

425
00:27:00,730 --> 00:27:03,750
quite a lot of work in it, and I think
that's a fair price, yeah. And what's

426
00:27:03,750 --> 00:27:07,810
really exciting as well is that she's
just recently invested in a kiln, so now

427
00:27:07,810 --> 00:27:09,390
that she can do... painting on glass.

428
00:27:09,650 --> 00:27:11,730
That's something that I really think I
can help her with.

429
00:27:13,510 --> 00:27:17,910
Back at the glass station, Charlotte
ground the individual parts of her Lido

430
00:27:17,910 --> 00:27:20,110
lady to smooth and add muscle tone.

431
00:27:20,890 --> 00:27:22,870
Checking they fit together as she went.

432
00:27:24,310 --> 00:27:28,150
Now the joints are all nice and flush.
They're sitting nicely together, so I'm

433
00:27:28,150 --> 00:27:28,989
happy with that.

434
00:27:28,990 --> 00:27:33,570
I'm going to go around each individual
piece, and I use copper foil, which is a

435
00:27:33,570 --> 00:27:34,570
sticky back tape.

436
00:27:35,200 --> 00:27:38,200
and centre the foil so that there's an
overlap each side.

437
00:27:38,660 --> 00:27:43,580
It just needs to overlap a little bit so
that all the joints can fit together

438
00:27:43,580 --> 00:27:46,880
nicely and you get a nice clean line
around the border.

439
00:27:48,160 --> 00:27:52,540
Charlotte's next job was soldering the
pieces together, taping the joints on

440
00:27:52,540 --> 00:27:54,540
side whilst she worked on the other.

441
00:27:54,980 --> 00:27:58,340
I'm going to tack solder it on each of
the joints.

442
00:27:58,910 --> 00:28:03,530
flip it over take the masking tape off
and then i can solder the whole piece

443
00:28:03,530 --> 00:28:06,690
make nice fluid solder lines to keep it
all in place

444
00:28:06,690 --> 00:28:14,230
once

445
00:28:14,230 --> 00:28:19,450
she finished soldering okay so she's
done i'm happy with her charlotte

446
00:28:19,450 --> 00:28:24,330
and polished up her figure before adding
the finishing touches i'm applying the

447
00:28:24,330 --> 00:28:27,330
black patina which is a dye that will
dye the solder

448
00:28:28,160 --> 00:28:31,240
Once she's done, I can attach a hook and
then she'll be finished.

449
00:28:35,700 --> 00:28:40,560
With material costs of around £12 and a
make time of just under an hour,

450
00:28:40,760 --> 00:28:45,120
Charlotte's fabulous Lido lady carried a
price tag of £55.

451
00:28:46,620 --> 00:28:49,020
Charlotte, I feel like we're taking a
trip back to the 1920s.

452
00:28:49,240 --> 00:28:50,940
You lied, old lady. It's brilliant.

453
00:28:51,360 --> 00:28:52,660
Thank you. Thanks very much.

454
00:28:52,900 --> 00:28:53,799
Derek, what are your thoughts?

455
00:28:53,800 --> 00:28:57,240
What is exciting about this is how we
can develop it. I know you do

456
00:28:57,240 --> 00:28:59,200
swimming and you can actually perhaps...

457
00:28:59,770 --> 00:29:04,210
Include that. You can also do multiple
figures together. You can have a series

458
00:29:04,210 --> 00:29:08,670
of collectible swimmers, themed
Victorian swimmers, contemporary

459
00:29:08,790 --> 00:29:09,790
different costumes.

460
00:29:10,310 --> 00:29:11,990
Men. Yeah, exactly.

461
00:29:12,250 --> 00:29:13,149
That's true.

462
00:29:13,150 --> 00:29:16,890
It's a bit more tricky with a man
because there's not so many curves and

463
00:29:16,890 --> 00:29:19,790
not quite as attractive. It's a bit more
lumpy. Yeah.

464
00:29:21,590 --> 00:29:25,350
Derek thought Charlotte's first two
pieces had lots of potential for

465
00:29:25,350 --> 00:29:26,350
development.

466
00:29:26,410 --> 00:29:31,190
For her third task, we wanted to see if
her favourite piece, the item she

467
00:29:31,190 --> 00:29:35,010
cherished making most, could also be a
big hit with customers.

468
00:29:35,530 --> 00:29:37,710
She chose to make a memory window.

469
00:29:38,310 --> 00:29:43,030
Framed in an arch, it brought together
her Lido Lady style with a twist of

470
00:29:43,030 --> 00:29:46,630
personalised pressed foliage, bespoke to
each client.

471
00:29:48,390 --> 00:29:51,050
This photo here is a friend of mine.

472
00:29:51,600 --> 00:29:56,540
and this moment is her walking down into
the water and just pausing, and she

473
00:29:56,540 --> 00:30:00,160
almost parted the willow tree to get
into the water, and then she was off.

474
00:30:01,080 --> 00:30:04,860
After tracing out the template for each
of the glass pieces for her memory

475
00:30:04,860 --> 00:30:07,660
window, Charlotte moved on to choosing
the foliage.

476
00:30:08,100 --> 00:30:12,860
Today I'll be using some heather, and
there's some grasses here. I really want

477
00:30:12,860 --> 00:30:15,880
to create the drapery of the willow
tree.

478
00:30:16,680 --> 00:30:19,860
By personalising the piece to an
individual customer.

479
00:30:20,380 --> 00:30:23,000
Charlotte created something special and
unique.

480
00:30:23,660 --> 00:30:26,660
But Derek wanted to talk to her about
its price.

481
00:30:27,380 --> 00:30:30,880
How do we price it? I really struggle
with pricing.

482
00:30:31,160 --> 00:30:36,940
Pricing is that kind of dark art and
you've got to get it right. You have to

483
00:30:36,940 --> 00:30:39,940
through how long it's taken to make and
the material cost.

484
00:30:40,200 --> 00:30:45,520
Everything above that is the perceived
value of it and you have to decide what

485
00:30:45,520 --> 00:30:48,120
that value is over and above the cost.

486
00:30:50,380 --> 00:30:55,400
To finish her memory window, Charlotte
positioned foliage between two pieces of

487
00:30:55,400 --> 00:30:56,400
glass.

488
00:30:57,940 --> 00:31:00,400
I think I'm happy with that fitting.

489
00:31:01,140 --> 00:31:03,280
Smoothed off the rough edges with her
grinder.

490
00:31:06,520 --> 00:31:10,960
Gave it a quick polish and added copper
foil around the edges to secure

491
00:31:10,960 --> 00:31:12,160
everything in place.

492
00:31:12,560 --> 00:31:17,680
I'm going to put the foil tape all the
way around the outside and then I can go

493
00:31:17,680 --> 00:31:18,740
ahead and solder it.

494
00:31:22,200 --> 00:31:25,420
Charlotte's memory window was a
remarkable piece of work.

495
00:31:26,220 --> 00:31:31,120
It had a make time of two days, plus
pressing and prep time, along with a

496
00:31:31,120 --> 00:31:35,340
tag of £250, and got another thumbs up
from Derek.

497
00:31:35,800 --> 00:31:36,679
That's fantastic.

498
00:31:36,680 --> 00:31:40,780
I love it because it's a combination of
Delido ladies and also this memory

499
00:31:40,780 --> 00:31:43,540
panel. So there's two ideas in one. It's
a great piece.

500
00:31:43,800 --> 00:31:44,519
Thank you.

501
00:31:44,520 --> 00:31:46,420
What do you think? The price is £250.

502
00:31:46,960 --> 00:31:51,100
Yeah, I think that's about right. I
think keeping it under £300 is great. I

503
00:31:51,100 --> 00:31:53,260
think you're pitching it just about
right. Okay, great.

504
00:31:55,120 --> 00:31:59,440
After being brave enough to quit her
job, Charlotte needed to make her

505
00:31:59,440 --> 00:32:04,240
work. And as she headed home to Bristol,
we gave her an action plan to help her

506
00:32:04,240 --> 00:32:05,240
do just that.

507
00:32:05,960 --> 00:32:10,480
First, she needed to develop her Lido
Ladies into a collection with different

508
00:32:10,480 --> 00:32:13,280
swimmers, themes, groups, and men.

509
00:32:13,940 --> 00:32:17,920
Next, Derek wanted Charlotte to improve
her glass painting skills.

510
00:32:18,360 --> 00:32:23,540
Finally, she needed to know her worth
and up her pricing, calculating her

511
00:32:23,540 --> 00:32:25,700
costs and adding perceived value.

512
00:32:28,320 --> 00:32:33,200
With two more months of Derek's
guidance, Charlotte set to work on her

513
00:32:33,200 --> 00:32:34,200
building advice.

514
00:32:34,480 --> 00:32:38,860
starting with exploring painting on
glass at his studio in Leicestershire.

515
00:32:39,400 --> 00:32:42,000
We've been playing with different
coloured paints.

516
00:32:42,480 --> 00:32:45,940
This is a green and this is a sort of
orangey -brown colour.

517
00:32:46,740 --> 00:32:51,300
Usually I've just been playing with the
black, so it's really nice to get the

518
00:32:51,300 --> 00:32:52,300
different tones.

519
00:32:52,500 --> 00:32:55,540
This colour combination is lovely. Yeah,
yeah, it is, you're right, yeah.

520
00:32:55,800 --> 00:32:58,380
They also worked on her Lido Lady
collection.

521
00:32:59,800 --> 00:33:03,860
almost refined the collection which was
the one of the most important things for

522
00:33:03,860 --> 00:33:10,640
me to do um and also getting confidence
in my painting which i

523
00:33:10,640 --> 00:33:14,140
feel like that's coming along as well so
i feel like everything's going in the

524
00:33:14,140 --> 00:33:15,140
right direction

525
00:33:15,840 --> 00:33:20,480
For two months, Charlotte worked hard to
move her business forward. And when she

526
00:33:20,480 --> 00:33:24,840
came back to my boot camp to update us
on her progress, she had brilliant news.

527
00:33:25,280 --> 00:33:29,460
I've made £2 ,730.

528
00:33:30,580 --> 00:33:31,740
Whoa, amazing.

529
00:33:32,140 --> 00:33:33,300
£2 ,700.

530
00:33:33,620 --> 00:33:35,160
I feel really proud of myself.

531
00:33:35,480 --> 00:33:37,940
Yeah, it's wonderful. I think you should
be proud. You really should because

532
00:33:37,940 --> 00:33:40,160
you've achieved so much and your work is
beautiful.

533
00:33:41,720 --> 00:33:45,960
Charlotte had to take off her costs from
her fabulous sales figure that she'd

534
00:33:45,960 --> 00:33:49,080
made a brilliant start to building a
successful business.

535
00:33:52,580 --> 00:33:57,140
Two and a half years after she came to
my boot camp, Derek has travelled to

536
00:33:57,140 --> 00:34:01,420
Bristol to find out how she's grown her
business since then and how much money

537
00:34:01,420 --> 00:34:02,420
she's making now.

538
00:34:06,060 --> 00:34:06,679
Hi, Derek.

539
00:34:06,680 --> 00:34:09,739
Hi. Lovely to see you. Great to see you
too.

540
00:34:10,000 --> 00:34:10,759
Come in.

541
00:34:10,760 --> 00:34:11,760
Fantastic.

542
00:34:12,880 --> 00:34:16,679
Charlotte runs her business from what
used to be the dining room in her house.

543
00:34:17,300 --> 00:34:22,639
It's a brilliant workspace Derek has
seen on a previous visit, but a lot has

544
00:34:22,639 --> 00:34:23,639
happened since then.

545
00:34:24,500 --> 00:34:26,139
Okay, here we are again.

546
00:34:26,480 --> 00:34:27,500
Wow, fantastic.

547
00:34:27,800 --> 00:34:28,800
It's great to see you again.

548
00:34:28,940 --> 00:34:34,260
Yes, thank you, yeah. I think it's very
similar to when you did visit, possibly

549
00:34:34,260 --> 00:34:35,280
a bit tidier.

550
00:34:35,929 --> 00:34:40,750
had a bit of a thought out yeah yeah so
i it's very organized now i know where

551
00:34:40,750 --> 00:34:44,650
everything is yeah looking great how's
business how's things going for you it's

552
00:34:44,650 --> 00:34:49,409
great really good yeah yeah i'm
releasing the lido collection three or

553
00:34:49,409 --> 00:34:55,570
times a year and then i do a couple
commissions a month and i get website

554
00:34:55,570 --> 00:35:02,490
as well of the plain lido pieces i've
also started experimenting with a

555
00:35:02,490 --> 00:35:09,290
process called fossil vitra i was
Initially encasing pressed foliage that

556
00:35:09,290 --> 00:35:13,030
I'd collected or people had sent me in
between two sheets of glass.

557
00:35:13,310 --> 00:35:17,950
The problem there was that it could
potentially disintegrate over time.

558
00:35:18,170 --> 00:35:24,950
What I've discovered and researched is
that I can essentially make a

559
00:35:24,950 --> 00:35:27,290
fossil of the foliage.

560
00:35:27,590 --> 00:35:33,410
So people will send me foliage from
where they swim. I'll press them.

561
00:35:33,880 --> 00:35:39,460
I cover them in powdered glass and then
I put glass on the top and then fuse

562
00:35:39,460 --> 00:35:45,020
them in the kiln. And that essentially
creates a fossil of the piece, which is

563
00:35:45,020 --> 00:35:46,019
there forever.

564
00:35:46,020 --> 00:35:47,020
It's fantastic.

565
00:35:47,220 --> 00:35:50,660
They're kind of almost like heirlooms,
family heirlooms, that can be passed

566
00:35:50,660 --> 00:35:54,660
because they've got a legacy to them.
Which pieces have been your bestsellers?

567
00:35:55,200 --> 00:35:58,840
The Lido collection is definitely the
bestsellers.

568
00:35:59,060 --> 00:36:06,060
And then from the figures from the Lido
collection, I then have made some of

569
00:36:06,060 --> 00:36:08,260
them into what I call Lido loops.

570
00:36:08,960 --> 00:36:11,560
They're essentially glass drawings.

571
00:36:11,900 --> 00:36:16,340
There's quite a lot of negative space in
them to keep them affordable for people

572
00:36:16,340 --> 00:36:18,040
and affordable for me.

573
00:36:19,120 --> 00:36:25,040
Charlotte's sold around 400 Lido ladies
since the boot camp, which then were £55

574
00:36:25,040 --> 00:36:28,280
and are now priced between £75 and £95.

575
00:36:29,440 --> 00:36:34,300
It's great she's also incorporating them
into her new pieces like her Lido

576
00:36:34,300 --> 00:36:40,020
loops. These are priced at £175 and
she's going to show Derek how they're

577
00:36:40,540 --> 00:36:45,580
I've got my design here and I'm going to
lay it down on the light box so that I

578
00:36:45,580 --> 00:36:52,060
can see the image through the selection
of glass that I've chosen and I trace

579
00:36:52,060 --> 00:36:53,060
over.

580
00:36:53,670 --> 00:37:00,570
and try and make it as compact as I can
on the glass so that I don't waste

581
00:37:00,570 --> 00:37:01,570
any.

582
00:37:02,150 --> 00:37:07,350
After Charlotte's traced around her
bathing bell design, she cuts the pieces

583
00:37:07,350 --> 00:37:12,130
out, then grinds the edges to shape and
smooth them.

584
00:37:12,850 --> 00:37:17,190
I like the grinding bit because it's the
bit that actually makes them all fit

585
00:37:17,190 --> 00:37:18,790
together, so it's quite satisfying.

586
00:37:19,610 --> 00:37:21,150
And I like doing the profiles.

587
00:37:21,370 --> 00:37:25,930
I like them to have a nice, clean,
serene profile, I think.

588
00:37:26,530 --> 00:37:30,970
This one needs a little bit more taking
off here because I think it looks like

589
00:37:30,970 --> 00:37:34,350
she's got a double chin. But don't we
all?

590
00:37:36,250 --> 00:37:40,510
To add personality and colour to the
piece, Charlotte is going to paint the

591
00:37:40,510 --> 00:37:42,090
face, hat and strap.

592
00:37:42,350 --> 00:37:46,490
I'm going to mix my paint up. So this is
a ground.

593
00:37:47,380 --> 00:37:52,740
glass basically so you've got to be
really careful not to ingest it and then

594
00:37:52,740 --> 00:37:59,320
add a tiny little bit of gum arabic to
that which will help the paint stick

595
00:37:59,320 --> 00:38:05,860
to the the glass itself looking good
how's your painting technique

596
00:38:05,860 --> 00:38:11,100
changed over the last couple of years uh
yeah it's definitely got a lot more

597
00:38:11,100 --> 00:38:15,280
sort of experimental and are you
experimenting with different types of

598
00:38:15,280 --> 00:38:16,280
well

599
00:38:16,790 --> 00:38:23,310
enamels transparent enamels and opaque
and um different stains and i'm also

600
00:38:23,310 --> 00:38:30,270
i started making my own paints as well
like i use a red powdered oxide

601
00:38:30,270 --> 00:38:37,030
and i mix it with ground fruit like
ground glass this is fantastic yeah

602
00:38:37,030 --> 00:38:41,110
are not many glasses that are actually
making their own paint it's pretty cool

603
00:38:41,110 --> 00:38:45,010
now we just need to let this dry for a
few minutes

604
00:38:45,880 --> 00:38:48,680
until it forms a nice layer.

605
00:38:49,380 --> 00:38:54,780
Once dry, Charlotte adds the final
details and pops the pieces into the

606
00:38:55,500 --> 00:38:59,020
As they need an hour and a half in there
for the paint to stick to the glass,

607
00:38:59,260 --> 00:39:03,460
she's prepped a second set to be able to
show Derek a finished Lido loop.

608
00:39:04,460 --> 00:39:11,240
Next stage is to foil each piece. So
this is a copper foil tape and the

609
00:39:11,240 --> 00:39:14,160
foil overlaps each side.

610
00:39:14,910 --> 00:39:17,330
and gives the little border around each
piece.

611
00:39:17,770 --> 00:39:22,390
Flux is painted onto the joint to help
the solder stick to the foil. Then

612
00:39:22,390 --> 00:39:24,350
Charlotte solders everything together.

613
00:39:24,670 --> 00:39:30,390
OK, she's done, and then the last bit is
just to put on the lead cane, which is

614
00:39:30,390 --> 00:39:34,270
the border that will go around the edge,
and it makes it look a bit cleaner.

615
00:39:35,370 --> 00:39:41,110
The £175 bathing bell Lido loop takes
around two hours to make.

616
00:39:41,330 --> 00:39:42,109
That's brilliant.

617
00:39:42,110 --> 00:39:43,110
I love that.

618
00:39:43,360 --> 00:39:47,340
It's great to see how Charlotte has
expanded her portfolio of pieces.

619
00:39:47,760 --> 00:39:51,360
I'm also delighted that she's refined
her glass painting skills.

620
00:39:51,680 --> 00:39:56,140
But have any of the other pointers we
gave her at the boot camp helped to

621
00:39:56,140 --> 00:39:58,340
her business over the past two and a
half years?

622
00:39:58,920 --> 00:40:03,940
Charlotte, when you were at the boot
camp, we gave you a business plan to

623
00:40:03,940 --> 00:40:06,760
develop your themes with the Lido men
and Lido ladies.

624
00:40:07,060 --> 00:40:08,520
Have you developed that further?

625
00:40:08,890 --> 00:40:14,370
Yes, so I developed the collection at
boot camp and that was five ladies and

626
00:40:14,370 --> 00:40:15,189
two men.

627
00:40:15,190 --> 00:40:19,710
And then since then I have added another
couple of figures.

628
00:40:19,990 --> 00:40:25,610
As my skills have developed, they're
becoming a lot more of a sort of luxury

629
00:40:25,610 --> 00:40:28,130
item and a lot more intricate, I think.

630
00:40:28,370 --> 00:40:32,310
Something we also wanted to get you to
work on was knowing your own value and

631
00:40:32,310 --> 00:40:35,950
getting your prices worked out. Have
those prices evolved over time?

632
00:40:36,280 --> 00:40:42,260
Yeah, I definitely think that I know my
worth now and I fixed my prices so they

633
00:40:42,260 --> 00:40:48,760
went up. I also feel that maybe they
might need another tweak again.

634
00:40:49,960 --> 00:40:55,740
And I think that's only natural because
everybody in other professions have pay

635
00:40:55,740 --> 00:41:00,440
increases and I think it's important for
me to do that as well. As my skills

636
00:41:00,440 --> 00:41:02,700
develop, I should get a pay rise.

637
00:41:04,020 --> 00:41:05,660
Charlotte's absolutely right.

638
00:41:06,110 --> 00:41:10,770
As well as increasing the price of her
Lido Ladies, she also upped the price of

639
00:41:10,770 --> 00:41:14,050
the synchronised swimmer's piece she
made for her high -end challenge.

640
00:41:14,610 --> 00:41:20,310
She originally wanted £450 for it, but
then sold it at an international art

641
00:41:20,310 --> 00:41:22,950
exhibition for a staggering £1 ,800.

642
00:41:23,630 --> 00:41:27,690
With figures like that, I'm looking
forward to hearing what it's meant for

643
00:41:27,690 --> 00:41:28,690
finances.

644
00:41:29,170 --> 00:41:33,450
Charlotte, you came to the boot camp to
really kind of develop your business and

645
00:41:33,450 --> 00:41:34,890
to get it off the ground.

646
00:41:35,520 --> 00:41:38,580
The important part, obviously, is, is it
working as a business?

647
00:41:39,220 --> 00:41:46,180
So working a lot more, but I'm
definitely enjoying it a lot more.

648
00:41:46,520 --> 00:41:51,280
I'm making more money, roughly sort of
24, 25 grand.

649
00:41:51,980 --> 00:41:56,400
It's been amazing and really inspiring
for my kids to see as well that it's

650
00:41:56,400 --> 00:41:59,420
possible to make.

651
00:42:00,430 --> 00:42:04,870
A living from doing what you love. Like,
everyone wants that, don't they? Yeah,

652
00:42:04,950 --> 00:42:07,970
absolutely. Oh, I love it. I wouldn't
change it for the world.

653
00:42:08,970 --> 00:42:14,250
After taking off her costs, Charlotte
has made a profit of £18 ,000 over the

654
00:42:14,250 --> 00:42:15,250
past 12 months.

655
00:42:15,670 --> 00:42:20,370
Having only left my boot camp two and a
half years ago, it's a fantastic effort

656
00:42:20,370 --> 00:42:25,310
in such a short space of time. Years and
years ago when I said I wanted to be an

657
00:42:25,310 --> 00:42:29,650
artist, this is now. I feel like I'm
sort of living that dream.

658
00:42:30,370 --> 00:42:34,930
And now I've got the next dream to kind
of think about.

659
00:42:37,730 --> 00:42:41,630
And that's really exciting.

660
00:42:49,200 --> 00:42:50,680
Inspired by I Made It at Market?

661
00:42:51,000 --> 00:42:55,420
Go behind the scenes with the Open
University to discover bonus interviews

662
00:42:55,420 --> 00:42:59,760
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663
00:42:59,760 --> 00:43:06,440
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664
00:43:06,440 --> 00:43:08,980
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