1
00:00:00,120 --> 00:00:07,920
{\an1}...

2
00:00:08,080 --> 00:00:09,240
- Carano, Jill.

3
00:00:09,400 --> 00:00:11,160
{\an1}- You tell her we'll take her,

4
00:00:11,320 --> 00:00:12,600
we meet at the vehicle.

5
00:00:13,160 --> 00:00:14,720
- Glad to join you.

6
00:00:14,880 --> 00:00:16,760
- Stop, we're cops!
Gunshot

7
00:00:16,920 --> 00:00:19,200
- It was my men who were lit.

8
00:00:19,360 --> 00:00:20,880
- Are you aware?
*- Yes.

9
00:00:21,040 --> 00:00:24,480
- We take the case,
60kg of cocaine was found.

10
00:00:24,640 --> 00:00:25,480
{\an3}-Seedorf.

11
00:00:25,640 --> 00:00:27,360
- The Dutchman you are chasing?

12
00:00:27,520 --> 00:00:30,320
- One of the shooters is hit.
- Find them and make them talk.

13
00:00:30,480 --> 00:00:34,000
I want to know who they protect
and who owns this warehouse.

14
00:00:34,160 --> 00:00:34,840
- Police !

15
00:00:35,000 --> 00:00:36,320
- We didn't know they were cops.

16
00:00:36,480 --> 00:00:38,160
{\an1}We thought
that they were core drills.

17
00:00:38,320 --> 00:00:39,920
The cops protect us.

18
00:00:40,080 --> 00:00:41,000
- Given the quantities,

19
00:00:41,160 --> 00:00:42,800
he must be a high-ranking officer.
Vingre.

20
00:00:42,960 --> 00:00:45,800
- What the hell is this?
- The team that stripped them.

21
00:00:45,960 --> 00:00:46,760
Advance.

22
00:00:46,920 --> 00:00:47,920
Who are you?

23
00:00:50,280 --> 00:00:52,080
Inès locks her door.

24
00:00:58,200 --> 00:01:00,520
{\an1}- Hello.
- What are you doing here?

25
00:01:00,680 --> 00:01:02,960
{\an3}- We came to give you back
something.

26
00:01:03,120 --> 00:01:05,880
{\an3}You're going to keep taking me
for a bitch?

27
00:01:06,320 --> 00:01:08,120
{\an1}- The trafficker you followed,

28
00:01:08,280 --> 00:01:10,880
he's already been robbed,
two weeks ago.

29
00:01:11,040 --> 00:01:13,240
That's why
that they turned on your guys.

30
00:01:13,400 --> 00:01:15,600
They confused them
with the robbers.

31
00:01:15,760 --> 00:01:17,600
- I don't know what you're talking about.

32
00:01:17,760 --> 00:01:20,520
{\an3}- Your two colleagues
who died the day before yesterday.

33
00:01:20,680 --> 00:01:21,760
{\an3}Does this mean something to you?

34
00:01:22,520 --> 00:01:24,920
{\an1}You want to avenge them,
honor them?

35
00:01:25,480 --> 00:01:28,080
Tell us the name
of the one they were watching,

36
00:01:28,240 --> 00:01:29,360
and we will take care of it.

37
00:01:29,520 --> 00:01:30,920
- I don't know him.

38
00:01:31,080 --> 00:01:32,720
{\an1}- Your guy, we'll find him.

39
00:01:32,880 --> 00:01:36,640
He will have things to tell us
when we talk to him about a life sentence.

40
00:01:37,560 --> 00:01:39,560
- Oh good and what will he tell you?

41
00:01:39,720 --> 00:01:41,200
{\an3}- That he’s an uncle of yours

42
00:01:41,360 --> 00:01:43,360
and he works with Vingre,
your boss.

43
00:01:43,520 --> 00:01:45,040
- No, but I don't believe it.

44
00:01:45,200 --> 00:01:46,920
- Your two colleagues are dead.

45
00:01:47,080 --> 00:01:49,840
{\an3}You'd rather be the one
who will have washed their honor

46
00:01:50,000 --> 00:01:51,960
{\an3}or the one who worked
for a scoundrel?

47
00:01:57,960 --> 00:01:59,320
- Mansour Mansai.

48
00:01:59,480 --> 00:02:00,280
- Eh ?

49
00:02:00,440 --> 00:02:03,040
- The guy we were on,
This is Mansour Mansai.

50
00:02:03,520 --> 00:02:05,080
We call it The Mongoose.

51
00:02:09,280 --> 00:02:10,200
{\an3}- Is that him?

52
00:02:11,440 --> 00:02:14,800
- He emerged suddenly,
after the death of Rachid El Hassani.

53
00:02:14,960 --> 00:02:16,800
{\an3}He's a very intelligent guy,

54
00:02:16,960 --> 00:02:20,440
{\an3}he always puts a thousand intermediaries
between him and the product.

55
00:02:20,600 --> 00:02:21,680
He lives in Spain.

56
00:02:21,840 --> 00:02:23,880
He runs his business
from there.

57
00:02:24,040 --> 00:02:26,680
- You see,
you know him well, after all.

58
00:02:27,240 --> 00:02:29,520
- OK, we'll keep you informed.

59
00:02:30,240 --> 00:02:32,960
- Actually, no,
we don't keep ourselves informed.

60
00:02:33,120 --> 00:02:34,640
We have nothing more to say to each other.

61
00:02:34,800 --> 00:02:35,800
I can ?

62
00:02:39,720 --> 00:02:42,040
{\an1}- You think that
can you return it?

63
00:02:42,920 --> 00:02:44,960
{\an3}- She seems to like Vingre.

64
00:02:45,120 --> 00:02:46,960
{\an1}- This is a first in class.

65
00:02:47,120 --> 00:02:50,920
{\an3}She has just lost two men,
her reputation, she is vulnerable.

66
00:02:51,080 --> 00:02:52,440
{\an3}You can do it.

67
00:02:52,600 --> 00:02:54,600
She dropped the name of La Mongoose,

68
00:02:54,760 --> 00:02:57,160
she is ready to work for us.

69
00:02:57,320 --> 00:02:59,560
{\an3}I want
that she brings us some information.

70
00:03:00,000 --> 00:03:01,560
{\an1}- If Vanessa takes care of it...

71
00:03:01,720 --> 00:03:03,600
- But I'm asking you.

72
00:03:04,320 --> 00:03:05,760
So you do it.

73
00:03:08,200 --> 00:03:09,000
- Okay.

74
00:03:12,240 --> 00:03:31,960
{\an1}...

75
00:03:33,200 --> 00:03:36,360
{\an1}Inès gave us the name
the guy his guys were following.

76
00:03:36,520 --> 00:03:38,440
{\an1}Mansour Mansaï, does that mean anything to you?

77
00:03:38,800 --> 00:03:39,640
- Who ?

78
00:03:39,800 --> 00:03:41,320
{\an1}- Mansour Mansaï,

79
00:03:41,480 --> 00:03:43,640
{\an1}he calls himself La Mongoose.

80
00:03:43,800 --> 00:03:45,400
{\an1}Coffee, please.

81
00:03:45,560 --> 00:03:47,760
{\an3}- You convinced Inès
to speak?

82
00:03:48,280 --> 00:03:51,280
{\an1}- Bah Said...
don't insult my intelligence.

83
00:03:51,440 --> 00:03:53,920
{\an1}I still have
years of PJ behind me.

84
00:03:54,080 --> 00:03:54,960
- Hmm.

85
00:03:55,640 --> 00:03:57,360
{\an3}What else did she tell you?

86
00:03:57,520 --> 00:03:59,680
{\an1}- Nothing, she doesn't know much.

87
00:03:59,840 --> 00:04:02,760
{\an1}According to her, it's the new
big fish from the region

88
00:04:02,920 --> 00:04:04,280
{\an1}and he is elusive.

89
00:04:04,440 --> 00:04:06,960
{\an1}She told us he lived
near Barcelona.

90
00:04:07,120 --> 00:04:11,160
{\an1}To manage your affairs peacefully
and be close to the product.

91
00:04:11,320 --> 00:04:12,120
{\an1}Thank you.

92
00:04:12,280 --> 00:04:14,000
{\an3}- What do we do then?

93
00:04:15,240 --> 00:04:17,320
{\an1}- How do you feel about our men?

94
00:04:19,320 --> 00:04:22,280
{\an1}If I ask you
to send them to Spain,

95
00:04:22,440 --> 00:04:25,280
{\an1}to go up La Mongoose,
see how he works...

96
00:04:25,440 --> 00:04:29,280
{\an1}they will make a mess of a country
where we don't have the right to investigate?

97
00:04:29,440 --> 00:04:31,240
- We will do our job well.

98
00:04:31,400 --> 00:04:33,200
{\an1}- No but there is no "on".

99
00:04:33,360 --> 00:04:35,920
{\an1}I want you to stay here,
with Socrates.

100
00:04:36,080 --> 00:04:38,520
{\an1}To dig into the surroundings
from La Mongoose.

101
00:04:38,680 --> 00:04:40,960
{\an1}It's the others
who will go to Spain.

102
00:04:41,120 --> 00:04:44,160
{\an3}- Okay. Finally, me, OK,
but why Socrates?

103
00:04:45,800 --> 00:04:47,320
{\an1}- Do you know where we are?

104
00:04:47,880 --> 00:04:49,120
{\an3}- This is your canteen.

105
00:04:49,280 --> 00:04:52,560
{\an1}- A canteen that is far away
of Versailles, right?

106
00:04:53,200 --> 00:04:57,000
{\an1}Why I prefer to talk to you here
rather than at the office?

107
00:04:57,160 --> 00:04:58,960
{\an3}- I had to earn your trust.

108
00:04:59,120 --> 00:05:00,200
{\an1}- Exactly.

109
00:05:00,360 --> 00:05:02,800
{\an1}Now,
can we talk frankly?

110
00:05:02,960 --> 00:05:03,920
{\an3}-Hmm.

111
00:05:04,080 --> 00:05:08,600
{\an1}- People involved in the affair,
this is very personal for Socrates.

112
00:05:09,360 --> 00:05:12,720
{\an1}Seedorf had his parents killed
and Vingre was his boss.

113
00:05:12,880 --> 00:05:16,360
{\an1}He's ready to smash everything
to complete this file.

114
00:05:17,520 --> 00:05:20,560
{\an1}And I intend to play it.
Do you understand?

115
00:05:25,400 --> 00:05:29,400
{\an1}Saïd, confidence,
it works both ways.

116
00:05:29,760 --> 00:05:33,320
{\an1}Can I count on you?
Don't do it to me backwards.

117
00:05:34,280 --> 00:05:36,440
{\an1}And no brothels on the Ramblas.

118
00:05:36,600 --> 00:05:37,760
{\an1}Hold your men!

119
00:05:37,920 --> 00:05:38,960
- It will be done!

120
00:05:39,920 --> 00:05:42,480
Electro-pop track
“Camera Shy” – Chris Miles

121
00:05:42,640 --> 00:05:43,880
Sharp blows

122
00:05:44,040 --> 00:05:48,280
{\an1}...

123
00:05:48,600 --> 00:05:50,440
Jill controls her breathing.

124
00:05:50,600 --> 00:06:18,800
{\an1}...

125
00:06:18,960 --> 00:06:20,840
Credits theme

126
00:06:21,000 --> 00:07:04,400
{\an1}...

127
00:07:04,640 --> 00:07:05,840
Electro theme

128
00:07:06,000 --> 00:07:33,440
{\an1}...

129
00:07:33,600 --> 00:07:37,400
*- Julien, Jill, come back to the apartment.
We take care of La Mongoose.

130
00:07:37,560 --> 00:07:49,600
{\an1}...

131
00:07:49,760 --> 00:07:52,000
- We managed to climb back
The Mongoose.

132
00:07:52,160 --> 00:07:53,840
- Was Inès' information good?

133
00:07:54,000 --> 00:07:57,120
*- Yeah. The guy is discreet.
He keeps a low profile.

134
00:07:57,280 --> 00:07:59,000
*- Do you know how he works?

135
00:07:59,160 --> 00:08:02,320
*- He invested in a box
local that delivers fruit

136
00:08:02,480 --> 00:08:04,600
{\an3}from Spain to France.

137
00:08:04,760 --> 00:08:07,920
He must load his cargo
in and travel like that.

138
00:08:08,080 --> 00:08:09,280
*- This is a good start.

139
00:08:09,440 --> 00:08:11,240
Group together as many elements as possible.

140
00:08:11,400 --> 00:08:14,120
Photos of him,
with the guys from this club

141
00:08:14,280 --> 00:08:15,840
*to prove the association.

142
00:08:16,000 --> 00:08:18,240
*We try to go back up
the next case

143
00:08:18,400 --> 00:08:21,280
*and we type transport
when he goes back to France.

144
00:08:21,440 --> 00:08:22,360
- ALL RIGHT.

145
00:08:23,200 --> 00:08:25,400
Dark, suspenseful theme

146
00:08:25,560 --> 00:08:34,560
{\an1}...

147
00:08:34,720 --> 00:08:37,240
bursts of voice,
snippets of conversations

148
00:08:37,400 --> 00:08:45,440
{\an1}...
...

149
00:08:45,600 --> 00:08:46,440
- Grace.

150
00:08:46,600 --> 00:08:47,960
*Spanish rap song

151
00:08:48,120 --> 00:09:18,120
{\an1}*...

152
00:09:18,280 --> 00:09:19,600
- Back Vodka tonic.

153
00:09:19,760 --> 00:09:30,240
{\an1}*...

154
00:09:30,400 --> 00:09:33,320
{\an1}Stop staring at him,
he will think that you are heating him.

155
00:09:33,480 --> 00:09:35,080
{\an3}- Shut up, you're jealous.

156
00:09:35,760 --> 00:09:37,360
He doesn't get noticed...

157
00:09:37,520 --> 00:09:40,600
he still likes it
take out and line up the bottles.

158
00:09:40,760 --> 00:09:43,480
- It's to have a table
and seating.

159
00:09:43,640 --> 00:09:45,280
Look, he doesn't drink alcohol.

160
00:09:45,440 --> 00:09:48,360
{\an1}- It's only the beginning of the evening.
- No, I surrounded him.

161
00:09:48,520 --> 00:09:50,720
{\an1}He drives in an ordinary car.

162
00:09:50,880 --> 00:09:52,880
{\an1}He doesn't do mala in a club.

163
00:09:53,040 --> 00:09:55,560
{\an1}These kind of guys
never lose control.

164
00:09:55,720 --> 00:09:57,280
- Why is he coming here?

165
00:09:57,440 --> 00:09:59,680
{\an1}- To decompress,
like everyone else.

166
00:09:59,840 --> 00:10:02,000
You will see,
there will be two hours,

167
00:10:02,160 --> 00:10:05,040
drink drinks, look at asses
and go back to sleep.

168
00:10:05,200 --> 00:10:06,920
{\an3}- Does he go on dates?

169
00:10:07,080 --> 00:10:11,080
{\an1}- For everyone to see?
He's just unwinding.

170
00:10:11,240 --> 00:10:15,240
{\an3}- There, he will fart with grenadine
and dance to Julio Iglesias?

171
00:10:15,400 --> 00:10:18,120
- You don't know anything about it,
you grew up in the countryside.

172
00:10:18,280 --> 00:10:19,680
- Excuse us, Badri.

173
00:10:25,520 --> 00:10:27,200
Dark and intriguing theme

174
00:10:27,360 --> 00:11:10,080
{\an1}...

175
00:11:11,800 --> 00:11:12,760
- Is it good?

176
00:11:13,160 --> 00:11:14,800
*- Beacon and microphone installed.

177
00:11:14,960 --> 00:11:27,640
{\an1}*...

178
00:11:27,800 --> 00:11:29,960
{\an1}- Oh damn,
Nina has just entered.

179
00:11:30,120 --> 00:11:31,240
{\an1}-Nina Perez?
- Yeah.

180
00:11:31,400 --> 00:11:33,000
{\an3}- I pick up, she knows me.

181
00:11:33,160 --> 00:11:34,280
- Send me Jill.

182
00:11:35,520 --> 00:11:37,280
Dark and disturbing theme

183
00:11:37,440 --> 00:11:40,360
{\an1}...

184
00:11:40,520 --> 00:11:42,280
{\an1}- There's Nina Perez inside.

185
00:11:42,440 --> 00:11:44,120
- What is she doing there?

186
00:11:44,280 --> 00:11:46,600
- Jill, go ahead,
She doesn't know you.

187
00:11:46,760 --> 00:11:48,600
{\an3}Take the wheel, please.

188
00:11:48,760 --> 00:11:51,280
{\an1}...

189
00:11:51,440 --> 00:11:52,640
What are you doing?

190
00:11:52,800 --> 00:11:55,440
- I'm going to get pointed out
if I come in like this.

191
00:11:55,600 --> 00:11:58,120
{\an1}...

192
00:11:58,280 --> 00:11:59,120
Here.

193
00:12:00,600 --> 00:12:01,760
It's better, right?

194
00:12:02,040 --> 00:12:03,120
{\an1}- Yeah, great.

195
00:12:07,160 --> 00:12:10,240
{\an1}Your girlfriend is hot.
- It's good, she's adapting.

196
00:12:10,400 --> 00:12:15,960
{\an1}...

197
00:12:16,120 --> 00:12:18,800
*"All Money In" - Zoe Osama

198
00:12:18,960 --> 00:12:20,520
{\an1}*...

199
00:12:20,680 --> 00:12:23,640
{\an3}- Come here, let me introduce you.
Nina, the daughter of...

200
00:12:23,800 --> 00:12:25,880
{\an3}- I know it's whose girl.

201
00:12:27,600 --> 00:12:29,640
{\an1}My condolences for your father.

202
00:12:29,800 --> 00:12:31,840
{\an1}I didn't know him very well,

203
00:12:32,000 --> 00:12:34,520
{\an1}but he arranged a story for me,
once.

204
00:12:34,680 --> 00:12:36,120
I have respect for him.

205
00:12:36,760 --> 00:12:37,760
- THANKS.

206
00:12:38,440 --> 00:12:39,960
- Are you on vacation here?

207
00:12:40,120 --> 00:12:41,600
- Oh no, I work here.

208
00:12:41,760 --> 00:12:45,160
My father had coils, I just
see what I can do with it.

209
00:12:45,320 --> 00:12:48,320
I'm in transport,
in trucks.

210
00:12:48,480 --> 00:12:50,840
{\an3}- If you need something,
you tell me.

211
00:12:51,000 --> 00:12:52,600
- You're in place here, right?

212
00:12:52,760 --> 00:12:55,200
{\an1}Maybe we can
work together?

213
00:12:55,360 --> 00:12:57,880
- I'll stop you right now,
I don't do anything at all.

214
00:12:58,040 --> 00:12:59,960
I came to be peaceful.

215
00:13:00,120 --> 00:13:01,240
{\an1}- Oh yeah...
- Yeah.

216
00:13:01,400 --> 00:13:03,320
But if you need a good restaurant,

217
00:13:03,480 --> 00:13:05,160
a boat, a house...

218
00:13:05,320 --> 00:13:06,640
There, I can help you.

219
00:13:07,200 --> 00:13:08,120
- Okay.

220
00:13:08,840 --> 00:13:12,000
{\an1}*...

221
00:13:12,160 --> 00:13:13,880
{\an1}- Do you have Signal?
- Yeah.

222
00:13:14,040 --> 00:13:17,000
{\an1}*...

223
00:13:17,480 --> 00:13:18,680
- Good evening.

224
00:13:18,840 --> 00:13:20,040
- Yeah, you too.

225
00:13:20,200 --> 00:13:23,440
{\an1}*...

226
00:13:23,600 --> 00:13:25,520
Splashes, splashes

227
00:13:26,120 --> 00:13:27,520
Dark theme

228
00:13:27,680 --> 00:13:55,280
{\an1}...

229
00:13:55,440 --> 00:13:56,960
*Spanish rap song

230
00:13:57,120 --> 00:14:01,120
{\an1}*...

231
00:14:01,280 --> 00:14:02,600
{\an3}- A cania por favor.

232
00:14:02,760 --> 00:14:05,240
- You thought you were
an English student?

233
00:14:05,400 --> 00:14:09,040
{\an3}- And you for a guy from 93
on vacation or are you really one?

234
00:14:10,920 --> 00:14:14,320
{\an1}- 95... nuance.
- Difficult to see your nuance.

235
00:14:14,640 --> 00:14:16,160
{\an3}-Gracias.

236
00:14:17,760 --> 00:14:18,880
A phone vibrates.

237
00:14:19,040 --> 00:14:19,880
- Hello ?

238
00:14:22,080 --> 00:14:23,080
What ?

239
00:14:24,240 --> 00:14:27,880
{\an1}*...

240
00:14:28,640 --> 00:14:29,720
{\an1}- Yeah, he's coming out.

241
00:14:31,560 --> 00:14:34,480
{\an3}- Damn, he looks in a hurry,
what the hell is he doing?

242
00:14:36,360 --> 00:14:38,120
Dark and disturbing theme

243
00:14:38,280 --> 00:14:43,320
{\an1}...

244
00:14:43,480 --> 00:14:44,840
Whirring

245
00:14:47,800 --> 00:14:49,280
Julien starts.

246
00:14:53,840 --> 00:14:55,640
The car accelerates hard.

247
00:14:55,800 --> 00:15:00,760
{\an1}...

248
00:15:00,920 --> 00:15:01,840
{\an1}Shit.

249
00:15:02,680 --> 00:15:04,760
- He put us back in the box?

250
00:15:04,920 --> 00:15:07,080
{\an1}- I don't know, it's weird.
Sigh

251
00:15:09,600 --> 00:15:10,960
{\an3}Damn, he bombs.

252
00:15:11,880 --> 00:15:26,320
{\an1}...

253
00:15:26,480 --> 00:15:27,840
Pressurized water jet

254
00:15:28,000 --> 00:15:33,720
{\an1}...
...

255
00:15:33,880 --> 00:15:44,600
{\an1}...

256
00:15:44,760 --> 00:15:46,080
Breath of Flames

257
00:15:46,240 --> 00:15:47,560
- What happened?

258
00:15:47,720 --> 00:15:49,120
{\an1}Can you explain to me?

259
00:15:49,560 --> 00:15:51,720
- I'm sorry, I didn't see anything.

260
00:15:53,480 --> 00:15:54,520
{\an3}- Did you see anything?

261
00:15:55,160 --> 00:15:57,480
{\an3}Trucks
caught fire on their own?

262
00:15:57,640 --> 00:15:59,600
{\an3}- I didn't see anything, I don't understand.

263
00:15:59,760 --> 00:16:00,760
sharp blow

264
00:16:02,040 --> 00:16:03,520
{\an1}- What do we do?
- Nothing.

265
00:16:03,680 --> 00:16:06,920
{\an1}We're not supposed to be in Spain,
we have no power here.

266
00:16:07,080 --> 00:16:09,280
- What don't you understand?

267
00:16:09,440 --> 00:16:10,880
Thrusts and moans

268
00:16:14,520 --> 00:16:17,680
{\an1}As you see nothing,
you don't need your eyes anymore.

269
00:16:17,840 --> 00:16:18,880
Who paid you?

270
00:16:19,040 --> 00:16:21,480
- Nobody, I swear! Wallah!

271
00:16:21,640 --> 00:16:23,040
I didn't see anything at all.

272
00:16:23,200 --> 00:16:25,080
{\an3}I was watching a football match.

273
00:16:25,240 --> 00:16:26,800
{\an3}I don't know who did that!

274
00:16:27,320 --> 00:16:28,960
I'm fucking sorry!

275
00:16:36,200 --> 00:16:38,400
- Come on, get out of here, get out!

276
00:16:39,680 --> 00:16:41,520
*Latin pop track

277
00:16:41,680 --> 00:17:35,280
{\an1}*...

278
00:17:41,440 --> 00:17:44,000
"The bell tolls",
played on the bugle

279
00:17:44,160 --> 00:18:05,960
{\an1}...

280
00:18:06,160 --> 00:18:07,320
- I'm sorry.

281
00:18:08,000 --> 00:18:10,760
{\an1}...

282
00:18:10,920 --> 00:18:14,040
{\an3}I happened to bury
men, a long time ago.

283
00:18:14,200 --> 00:18:16,600
{\an3}I was hoping that
no longer occurs.

284
00:18:18,400 --> 00:18:19,760
Are you holding on?

285
00:18:20,880 --> 00:18:21,720
- No.

286
00:18:24,480 --> 00:18:26,280
{\an3}- We know why we sign.

287
00:18:26,440 --> 00:18:30,200
{\an3}We hope that doesn't happen,
but the world is full of shit

288
00:18:30,360 --> 00:18:33,040
{\an3}and it's on us
let it pour out first.

289
00:18:35,840 --> 00:18:38,960
{\an1}- I want us to stop The Mongoose.
Laugh in disdain

290
00:18:39,120 --> 00:18:41,160
{\an3}- And then what will you do, hmm?

291
00:18:43,600 --> 00:18:47,080
{\an3}(Listen, revenge,
that's not an option.

292
00:18:47,240 --> 00:18:49,000
(The shooters were arrested.

293
00:18:49,760 --> 00:18:50,960
{\an3}(Their boss...

294
00:18:52,360 --> 00:18:53,560
{\an3}(I'll take care of it.

295
00:18:53,720 --> 00:18:55,560
(Sooner or later, we'll type it.

296
00:18:56,360 --> 00:18:58,280
(But on a big deal

297
00:18:58,440 --> 00:19:01,840
{\an3}(to be able to send it
in prison for a very long time.

298
00:19:02,000 --> 00:19:04,440
{\an3}(In the meantime, don't talk to anyone.

299
00:19:04,600 --> 00:19:07,760
{\an3}(What is happening in the group
stays in the group.

300
00:19:07,920 --> 00:19:11,960
(Don't feel guilty, you're not there
for nothing in what happened.)

301
00:19:14,240 --> 00:19:15,560
Dark theme

302
00:19:15,720 --> 00:19:20,040
{\an1}...

303
00:19:20,200 --> 00:19:21,440
Lapping

304
00:19:21,600 --> 00:19:35,040
{\an1}...

305
00:19:35,200 --> 00:19:36,680
*- Hello?
- Yeah, Nina?

306
00:19:36,840 --> 00:19:39,800
*- Yeah ?
- We saw each other at the club at the Camino.

307
00:19:39,960 --> 00:19:42,560
{\an3}It still holds,
your transport story?

308
00:19:42,720 --> 00:19:44,560
{\an3}*- Why, have you changed your mind?

309
00:19:44,720 --> 00:19:48,280
*- We hide in front of La's house
Mongoose. We're waiting for him to come out.

310
00:19:48,680 --> 00:19:50,880
{\an1}- How are you in Paris?
Don't you miss us too much?

311
00:19:51,040 --> 00:19:52,800
- So, what does that say about you?

312
00:19:52,960 --> 00:19:56,080
{\an3}- Guess who spoke
to our goal, yesterday, in the club?

313
00:19:56,240 --> 00:19:57,400
{\an3}*- Yeah, tell me.

314
00:19:57,840 --> 00:19:58,720
-Nina Perez.

315
00:19:58,880 --> 00:20:00,720
{\an3}- What is she doing in Spain?

316
00:20:00,880 --> 00:20:03,360
{\an3}- Her husband killed her father,
everyone knows it.

317
00:20:03,520 --> 00:20:04,960
{\an3}She had to leave France.

318
00:20:05,120 --> 00:20:07,760
- What is the connection
between her and La Mongoose?

319
00:20:07,920 --> 00:20:10,960
{\an3}- They just greeted each other
between French thugs in exile.

320
00:20:11,120 --> 00:20:14,920
{\an1}- Who cares, she's ashen,
no one wants to work with her.

321
00:20:15,080 --> 00:20:16,360
{\an1}Someone burned

322
00:20:16,520 --> 00:20:18,080
*La Mongoose trucks.

323
00:20:18,560 --> 00:20:20,800
- What ?
*- Apparently he has an enemy.

324
00:20:20,960 --> 00:20:22,160
*After warehouses,

325
00:20:22,320 --> 00:20:24,160
{\an1}he attacks it on all fronts.

326
00:20:24,320 --> 00:20:25,200
{\an3}*- OK, OK.

327
00:20:26,360 --> 00:20:28,080
*Don't let go, okay?

328
00:20:28,240 --> 00:20:30,760
In my opinion,
he will have to warn Seedorf.

329
00:20:31,080 --> 00:20:32,080
{\an3}- Well things are moving.

330
00:20:41,120 --> 00:20:42,400
Bells are ringing.

331
00:20:42,560 --> 00:20:52,160
{\an1}...

332
00:20:52,400 --> 00:20:53,360
- Ines?

333
00:20:54,560 --> 00:20:56,240
{\an3}Can we have a coffee?

334
00:20:56,840 --> 00:20:59,080
{\an1}- I told you
to leave me alone.

335
00:20:59,240 --> 00:21:01,160
- But I'm not on duty here.

336
00:21:01,320 --> 00:21:03,320
{\an3}I just want to talk to you, like this.

337
00:21:03,480 --> 00:21:06,480
{\an3}I'm sorry,
I was a little rough last time.

338
00:21:06,640 --> 00:21:08,800
{\an3}It's not easy
what you're going through.

339
00:21:10,400 --> 00:21:14,080
I lost a group leader too,
at the BIS, on a shooting.

340
00:21:24,520 --> 00:21:25,560
- (Thank you.)

341
00:21:28,400 --> 00:21:30,920
- Let's stand here, is that okay with you?
Please.

342
00:21:31,680 --> 00:21:32,880
{\an1}Hello.
- Good morning.

343
00:21:33,040 --> 00:21:35,520
{\an1}- Two coffees, please.
- Of course.

344
00:21:41,880 --> 00:21:44,280
{\an1}- And how long did you spend,
Drugs?

345
00:21:44,440 --> 00:21:46,960
{\an1}- Six years.
- Oh. And before?

346
00:21:48,280 --> 00:21:51,800
{\an3}- Before, a little BAC,
and before that, I was in Guyana.

347
00:21:51,960 --> 00:21:54,640
{\an1}I took the exam there.
- All right.

348
00:21:55,320 --> 00:21:56,400
{\an1}Are you from there?

349
00:21:56,720 --> 00:21:57,520
{\an3}-Hmm.

350
00:21:57,680 --> 00:22:00,440
{\an3}A small village,
near the Brazilian border,

351
00:22:01,520 --> 00:22:04,680
{\an3}who got shaved
by a major trafficker in the region.

352
00:22:08,640 --> 00:22:10,320
{\an1}- So it was a vocation?

353
00:22:11,440 --> 00:22:12,240
- No.

354
00:22:13,040 --> 00:22:14,760
I didn't choose. It's...

355
00:22:14,920 --> 00:22:16,640
It was life that forced me.

356
00:22:16,920 --> 00:22:18,680
{\an1}- Thank you.
- THANKS.

357
00:22:21,960 --> 00:22:23,480
{\an1}- And why the BRI?

358
00:22:25,600 --> 00:22:27,840
{\an3}- Too many sticks
in the wheels of the Drugs.

359
00:22:29,680 --> 00:22:30,680
{\an1}- Vingre?

360
00:22:31,080 --> 00:22:31,920
{\an3}-Hmm.

361
00:22:34,840 --> 00:22:37,480
{\an1}- I believe that
you have an obsession with him.

362
00:22:37,680 --> 00:22:38,880
{\an1}He's a good cop.

363
00:22:39,040 --> 00:22:42,120
{\an1}So yes, he has his methods
and its little arrangements,

364
00:22:42,280 --> 00:22:44,880
{\an1}like Ferracci at home
or other tauliers.

365
00:22:47,120 --> 00:22:50,360
{\an3}- I think it's been a while
that he crossed the line.

366
00:22:51,800 --> 00:22:54,280
{\an3}- And what does that mean
“cross the line”?

367
00:22:57,600 --> 00:22:59,480
{\an3}- When you favor someone,

368
00:22:59,640 --> 00:23:02,240
{\an3}to the point that he
a monopoly situation.

369
00:23:02,400 --> 00:23:03,680
{\an3}What do you call that?

370
00:23:06,920 --> 00:23:09,160
{\an3}- You have proof
what are you saying?

371
00:23:15,520 --> 00:23:17,480
{\an1}You would like me to bring it to you.

372
00:23:21,840 --> 00:23:24,240
Listen, it's me
who will tell you something.

373
00:23:26,280 --> 00:23:29,720
I think Ferracci
wants to be Vingre at all costs.

374
00:23:31,760 --> 00:23:35,320
You think I'm being manipulated,
maybe it's the other way around.

375
00:23:35,480 --> 00:23:38,120
Maybe it's you,
your boss's toy.

376
00:23:40,160 --> 00:23:42,160
{\an3}- And what did Vingre promise you?

377
00:23:42,320 --> 00:23:44,760
{\an3}To rally you
to his cause like that?

378
00:23:45,640 --> 00:23:46,800
{\an3}A promotion?

379
00:23:47,440 --> 00:23:48,680
{\an3}His protection?

380
00:23:49,520 --> 00:23:51,320
{\an3}Or are you chasing money?

381
00:23:54,080 --> 00:23:55,480
{\an3}- Thanks for the coffee.

382
00:24:01,800 --> 00:24:02,720
- (Piss off.)

383
00:24:03,360 --> 00:24:04,640
Suspenseful theme

384
00:24:04,800 --> 00:24:55,680
{\an1}...

385
00:24:55,840 --> 00:24:57,400
A phone vibrates.

386
00:24:59,080 --> 00:25:00,000
- Yeah, hello?

387
00:25:01,000 --> 00:25:04,800
{\an1}Yeah wait. I'm in the car,
I'll call you back right away.

388
00:25:04,960 --> 00:25:08,560
{\an1}...

389
00:25:12,160 --> 00:25:14,120
- Why the fuck is he stopping?

390
00:25:14,280 --> 00:25:15,960
{\an3}- They go out to make a phone call.

391
00:25:16,120 --> 00:25:18,120
{\an3}They are paranoid
because of the microphones.

392
00:25:18,280 --> 00:25:20,640
{\an1}But this time,
It's not going to save him.

393
00:25:23,920 --> 00:25:25,840
- Yeah, hello? SO ?

394
00:25:28,880 --> 00:25:29,880
Tomorrow ?

395
00:25:30,800 --> 00:25:31,760
*Nine o'clock?

396
00:25:33,960 --> 00:25:35,360
*Go ahead, nine o'clock.

397
00:25:35,880 --> 00:25:37,320
*Yeah it's good for me.

398
00:25:38,160 --> 00:25:40,160
{\an1}- That’s good!
- Yes!

399
00:25:40,760 --> 00:25:44,040
{\an1}- Shitty mongoose. We are going
he doesn't even know how to do it.

400
00:25:44,200 --> 00:25:45,480
Disturbing theme

401
00:25:45,640 --> 00:25:58,000
{\an1}...

402
00:25:58,360 --> 00:26:01,400
{\an3}- So, you were able to move forward
on The Mongoose?

403
00:26:01,560 --> 00:26:02,440
- Yeah.

404
00:26:03,440 --> 00:26:06,480
We have nothing on him in France,
he lives in Spain,

405
00:26:06,640 --> 00:26:08,680
except we know where he grew up.

406
00:26:08,840 --> 00:26:10,800
- In Sartrouville.
- Exact.

407
00:26:10,960 --> 00:26:14,200
I took all the Snaps
and the Instas of the city guys,

408
00:26:14,360 --> 00:26:16,400
{\an1}the guys of his generation.
- Let me see.

409
00:26:16,960 --> 00:26:19,560
- And I found this photo.
Look at.

410
00:26:19,720 --> 00:26:22,480
It's the birthday
from a guy from his neighborhood.

411
00:26:22,640 --> 00:26:23,640
- Yeah, that's him.

412
00:26:23,800 --> 00:26:25,440
- I know it's him.

413
00:26:25,880 --> 00:26:28,480
{\an1}- And the girl in front?
- Hmm, I'll get there.

414
00:26:28,640 --> 00:26:31,080
We find this girl here.

415
00:26:32,280 --> 00:26:33,400
{\an1}And look at this.

416
00:26:34,920 --> 00:26:36,560
{\an1}That’s his hlel, right?

417
00:26:37,080 --> 00:26:39,480
{\an1}There are only photos
of religious marriage.

418
00:26:39,640 --> 00:26:41,720
{\an1}- No town hall?
- No town hall.

419
00:26:43,320 --> 00:26:44,760
{\an1}If I go down...

420
00:26:45,360 --> 00:26:46,240
{\an1}There.

421
00:26:46,400 --> 00:26:47,720
{\an1}Look at the costume.

422
00:26:53,360 --> 00:26:55,240
{\an1}- He's the groom.
- And yeah.

423
00:26:56,200 --> 00:26:58,840
{\an1}- How long ago was that?
- Two years.

424
00:26:59,000 --> 00:26:59,800
- Yeah.

425
00:26:59,960 --> 00:27:02,120
If so,
they are not together anymore,

426
00:27:02,280 --> 00:27:04,240
so, they didn't make the town hall.

427
00:27:04,400 --> 00:27:07,840
- Or maybe it's not
let's go back to her.

428
00:27:08,000 --> 00:27:11,240
She has nothing to do with the environment
and he wants to preserve it.

429
00:27:11,880 --> 00:27:14,360
- You can find her
from this profile?

430
00:27:14,520 --> 00:27:17,320
- Give me some time
and I'm going to find her.

431
00:27:18,400 --> 00:27:20,840
{\an3}- Okay, and how
Did it happen with Inès?

432
00:27:22,200 --> 00:27:23,480
- How so ?

433
00:27:23,640 --> 00:27:24,800
- You understood me.

434
00:27:24,960 --> 00:27:27,880
Ferracci asked me
to keep you with me in Paris...

435
00:27:31,280 --> 00:27:33,280
She wants to make her work for us.

436
00:27:37,760 --> 00:27:39,880
If Vingre is in his right,

437
00:27:40,040 --> 00:27:42,560
you can screw your career
and the life of Inès.

438
00:27:43,120 --> 00:27:44,880
- Well, that's not my problem.

439
00:27:48,480 --> 00:27:49,280
- Come on.

440
00:27:52,280 --> 00:27:54,280
Okay, it works.

441
00:27:54,440 --> 00:27:56,600
{\an1}Look, you're two cars away.

442
00:27:56,760 --> 00:28:00,880
{\an1}He will try security shots to
check if there is anyone behind.

443
00:28:01,440 --> 00:28:05,080
{\an1}Don't forget that there was a lot
been playing carrots lately.

444
00:28:05,240 --> 00:28:08,320
{\an1}So be careful,
he will be in max paranoid mode.

445
00:28:08,800 --> 00:28:10,600
{\an1}- Please.
- Exactly.

446
00:28:10,760 --> 00:28:12,840
{\an1}- Please.
- I'll call you back.

447
00:28:13,000 --> 00:28:13,800
Tom?

448
00:28:13,960 --> 00:28:16,520
{\an1}My old man.
- But no damn! Said!

449
00:28:17,440 --> 00:28:20,720
{\an1}- How are you?
- Wait, how long has it been?

450
00:28:20,880 --> 00:28:23,160
{\an3}- Well that’s it,
When did I stop?

451
00:28:23,320 --> 00:28:24,120
{\an3}2014.

452
00:28:24,280 --> 00:28:27,520
{\an1}- Euphrates Valley,
the last time we saw each other.

453
00:28:27,680 --> 00:28:28,840
- Yeah, that's it.

454
00:28:29,000 --> 00:28:30,800
{\an3}- So, what becomes of you?

455
00:28:30,960 --> 00:28:32,720
{\an1}- Now I am at the BIS.

456
00:28:32,880 --> 00:28:33,680
{\an3}- Okay.

457
00:28:33,840 --> 00:28:35,160
- Yeah, I made the 36.

458
00:28:35,320 --> 00:28:37,160
Now I am in Versailles.

459
00:28:37,320 --> 00:28:38,800
- Did you become a cop?

460
00:28:38,960 --> 00:28:39,720
{\an1}- Oh yeah.

461
00:28:39,880 --> 00:28:41,280
And you ? Are you on leave?

462
00:28:41,440 --> 00:28:43,720
{\an1}- No, I stopped.
- Are you in Bayonne anymore?

463
00:28:43,880 --> 00:28:46,480
- I stopped the regiment
about three years ago.

464
00:28:46,640 --> 00:28:48,960
A tour of the Sahel
and I became a civilian.

465
00:28:49,120 --> 00:28:51,080
{\an3}I set up my box
private security.

466
00:28:51,240 --> 00:28:53,160
{\an3}I do consulting,
of training.

467
00:28:53,320 --> 00:28:57,040
I hired COS veterans,
with whom I had done missions.

468
00:28:57,800 --> 00:28:59,160
- But are you okay?

469
00:28:59,320 --> 00:29:01,240
{\an1}- What?
- Aren't you pissed off?

470
00:29:01,400 --> 00:29:04,200
{\an1}- With what we experienced?
It's okay, I gave.

471
00:29:04,400 --> 00:29:06,520
{\an1}Frankly,
I don't know how you do it.

472
00:29:06,680 --> 00:29:08,640
{\an3}Laugh
- Have a drink, it's for me.

473
00:29:08,800 --> 00:29:10,560
{\an1}Please!
- No, no, no.

474
00:29:10,720 --> 00:29:13,320
{\an1}I'm with friends.
But I'm going to shoot tomorrow.

475
00:29:13,480 --> 00:29:16,120
{\an1}Come with me.
We'll see if you lost a little.

476
00:29:16,280 --> 00:29:17,920
- I don't think I can tomorrow.

477
00:29:18,400 --> 00:29:19,200
{\an1}Sigh
- Okay...

478
00:29:19,360 --> 00:29:22,760
{\an1}Excuse me ma'am, we can
have menus, please?

479
00:29:22,920 --> 00:29:25,240
Here, you know what, you call me.

480
00:29:26,280 --> 00:29:29,080
{\an1}- I'll try, Tom.
- I hope to see you tomorrow.

481
00:29:29,240 --> 00:29:31,160
{\an1}- It made me happy.
- Me too.

482
00:29:45,520 --> 00:29:47,240
Julien wakes up with a start.

483
00:29:47,400 --> 00:29:49,200
His breathing is irregular.

484
00:29:49,360 --> 00:29:58,640
{\an1}...

485
00:29:58,800 --> 00:30:40,600
{\an1}...

486
00:30:43,360 --> 00:30:44,480
{\an3}- (Aren't you sleeping?)

487
00:30:44,640 --> 00:30:46,840
- (You woke me up,
the walls are thin.)

488
00:30:47,640 --> 00:30:48,600
- (Sorry.)

489
00:30:49,040 --> 00:30:51,720
- (Is there a problem?
You don't look good.)

490
00:30:52,680 --> 00:30:56,080
{\an3}- (It's okay, it's just that I'm sleeping
never really much.)

491
00:30:57,560 --> 00:30:59,400
{\an1}- (So, what are you going to do?)

492
00:30:59,560 --> 00:31:01,560
- (I'm going to go practice.)

493
00:31:02,920 --> 00:31:05,280
{\an1}Little laugh
- (You're fucked actually.)

494
00:31:05,440 --> 00:31:08,360
"Krunk" – Sad Night Dynamite

495
00:31:08,520 --> 00:31:41,520
{\an1}...

496
00:31:41,680 --> 00:31:42,560
{\an1}- Come on!

497
00:31:42,960 --> 00:31:44,960
{\an1}Go, go, go, go!

498
00:31:45,120 --> 00:31:49,960
{\an1}...

499
00:31:50,120 --> 00:31:51,120
That's good.

500
00:31:51,280 --> 00:32:16,640
{\an1}...

501
00:32:16,800 --> 00:32:19,160
Song of the cicadas,
surf of the waves

502
00:32:20,480 --> 00:32:22,840
- You don't seem very close.

503
00:32:23,000 --> 00:32:24,000
- With the group?

504
00:32:24,160 --> 00:32:26,320
{\an1}- You're not really friends, are you?

505
00:32:26,760 --> 00:32:28,720
{\an3}- We trust each other, that’s enough.

506
00:32:30,240 --> 00:32:32,960
{\an3}You, with your friends,
you would go into an apartment,

507
00:32:33,120 --> 00:32:36,640
{\an3}in heavy outfit, with a guy
who is waiting for you, kalash in hand?

508
00:32:36,800 --> 00:32:39,200
We are here to work,
not for fun.

509
00:32:40,640 --> 00:32:44,720
I never really had any friends,
so in reality it's OK, you see.

510
00:32:45,760 --> 00:32:46,600
- Oh yeah?

511
00:32:46,760 --> 00:32:48,960
- Yeah, my father was a mountaineer.

512
00:32:49,120 --> 00:32:50,720
He's the one who raised me.

513
00:32:51,400 --> 00:32:55,040
His thing was performance
so it became the same for me.

514
00:32:55,200 --> 00:32:57,400
I saw no one
outside of school,

515
00:32:57,560 --> 00:32:59,520
I spent my time training.

516
00:32:59,680 --> 00:33:02,160
{\an1}- Wow... Robocop,
get out of this body!

517
00:33:02,320 --> 00:33:05,520
{\an1}- Don't you do competitive shooting?
- We're not talking about me here.

518
00:33:05,680 --> 00:33:09,000
{\an3}- Don't pretend not to
understand what I'm telling you.

519
00:33:09,160 --> 00:33:11,160
- Where is your father now?

520
00:33:13,080 --> 00:33:15,480
- He is in a nursing home.

521
00:33:16,040 --> 00:33:17,080
- And your mother?

522
00:33:18,360 --> 00:33:19,560
- I don't have a mother.

523
00:33:31,960 --> 00:33:34,400
- It's not a criticism
that I do to you,

524
00:33:34,560 --> 00:33:35,880
I just don’t understand.

525
00:33:36,040 --> 00:33:38,000
{\an3}For once you have a day,

526
00:33:38,160 --> 00:33:40,560
{\an3}you are going to shoot with
an old regimental friend.

527
00:33:40,720 --> 00:33:44,880
{\an3}I thought you wanted more
hear about this time.

528
00:33:45,440 --> 00:33:46,800
His phone vibrates.

529
00:33:47,080 --> 00:33:49,280
- Excuse me.
He clears his throat.

530
00:33:50,720 --> 00:33:51,840
{\an3}Yes, Vanessa?

531
00:33:52,000 --> 00:33:54,440
{\an3}*- The Mongoose moves,
we are getting ready to leave.

532
00:33:54,600 --> 00:33:57,560
{\an3}- Keep me informed
as soon as you have something new.

533
00:34:01,760 --> 00:34:04,040
- Did you go out?
- We went to practice.

534
00:34:04,200 --> 00:34:07,200
{\an1}- The Mongoose beacon has moved.
We have to take off.

535
00:34:07,360 --> 00:34:08,720
Dark and disturbing theme

536
00:34:08,880 --> 00:34:36,000
{\an1}...

537
00:34:36,440 --> 00:34:38,040
{\an1}- Come overtake me, Jill.

538
00:34:38,280 --> 00:34:40,400
*- Go ahead, I'll take over.

539
00:34:40,560 --> 00:34:51,200
{\an1}...

540
00:34:51,920 --> 00:34:54,640
{\an1}- Why is he in a hurry like that,
this one?

541
00:34:55,520 --> 00:34:59,880
{\an1}...

542
00:35:00,040 --> 00:35:00,960
{\an3}- He parks.

543
00:35:01,120 --> 00:35:03,040
{\an1}*- OK, let's park higher up.

544
00:35:03,200 --> 00:35:09,320
{\an1}...

545
00:35:09,480 --> 00:35:12,600
{\an3}- What is he doing?
He just got out of his car.

546
00:35:12,760 --> 00:35:13,960
{\an1}- OK, let's go around.

547
00:35:14,120 --> 00:35:30,040
{\an1}...

548
00:35:30,200 --> 00:35:31,600
{\an3}- He changes vehicles.

549
00:35:31,760 --> 00:35:34,360
{\an1}- Fuck, go ahead, bomb.
- Son of a bitch.

550
00:35:35,320 --> 00:35:39,160
{\an1}...

551
00:35:39,320 --> 00:35:43,240
*- We lost him. He parked and
a guy came to pick him up on a motorbike.

552
00:35:43,400 --> 00:35:45,960
*He went up,
They hit the gas and that's it.

553
00:35:46,120 --> 00:35:48,280
*We stay in hiding
in front of the car.

554
00:35:48,440 --> 00:35:50,880
{\an3}- Yeah, he sure will
see your supplier.

555
00:35:51,040 --> 00:35:53,640
Wait for him there
and above all, don't do anything.

556
00:35:53,800 --> 00:35:56,200
No blunder,
That would screw everything up.

557
00:35:57,280 --> 00:35:59,600
Okay, I'll leave you, I'll shoot.

558
00:36:00,040 --> 00:36:01,600
*- And who are you going to shoot?

559
00:36:01,760 --> 00:36:05,240
- Very funny, Badri.
I'm going to shoot with a friend of mine.

560
00:36:11,120 --> 00:36:13,320
- Well, you see, it’s him.
- Yeah.

561
00:36:23,360 --> 00:36:25,040
{\an1}- Are you okay?
- Yeah and you?

562
00:36:26,640 --> 00:36:27,840
Are you doing well ?

563
00:36:28,000 --> 00:36:30,520
{\an1}This is Tibor,
This is his shooting range.

564
00:36:30,680 --> 00:36:32,040
- Hi Said, welcome.

565
00:36:32,200 --> 00:36:34,800
{\an3}- He is a former legionnaire,
met in Calvi.

566
00:36:34,960 --> 00:36:36,880
{\an3}You will see, the site is incredible.

567
00:36:37,040 --> 00:36:39,600
Ten firing points, one CQB,
vehicle shooting.

568
00:36:39,760 --> 00:36:41,280
{\an3}That's what I planned.

569
00:36:41,440 --> 00:36:42,760
{\an1}Is that okay with you?
- That suits me.

570
00:36:42,920 --> 00:36:44,800
{\an1}- I prepared you
some weapons.

571
00:36:44,960 --> 00:36:46,520
{\an1}- Don't worry, we'll stay at 9.

572
00:36:46,680 --> 00:36:48,040
Do you have your caliber?
- Yeah.

573
00:36:48,200 --> 00:36:48,960
-Glocks?
- 17.

574
00:36:49,120 --> 00:36:52,880
{\an3}- I took a case of ammunition,
we stop when we are rinsed.

575
00:36:53,400 --> 00:36:55,120
- Have fun, guys.

576
00:36:55,280 --> 00:36:56,960
Rock ballad

577
00:36:57,120 --> 00:37:09,680
{\an1}...

578
00:37:11,160 --> 00:37:13,240
{\an3}- OK, we're going to do a simulated ambush.

579
00:37:13,400 --> 00:37:15,640
{\an1}- Oh definitely... without warming up!

580
00:37:15,800 --> 00:37:17,600
- Why do you want to warm up?

581
00:37:17,760 --> 00:37:18,640
{\an3}- Come on.

582
00:37:19,120 --> 00:37:21,120
The music gains intensity.

583
00:37:21,280 --> 00:37:41,320
{\an1}...

584
00:37:43,040 --> 00:37:45,440
{\an1}- It's okay, are you ready?
- Come on !

585
00:37:45,600 --> 00:37:47,640
- At the beep, engage the hostile.

586
00:37:47,800 --> 00:37:49,440
Six cartridges and we see.

587
00:37:49,600 --> 00:37:51,400
{\an1}OK, whenever you want.
Long breath

588
00:37:53,480 --> 00:37:54,320
- Okay.

589
00:37:55,440 --> 00:37:56,160
Beep

590
00:37:59,840 --> 00:38:00,800
Sigh

591
00:38:00,960 --> 00:38:02,640
{\an3}- The first ones aren't that.

592
00:38:02,800 --> 00:38:05,400
{\an3}You would take shots
like that in civilian life

593
00:38:05,560 --> 00:38:08,200
{\an3}with 20 cm difference
between the target and the impact?

594
00:38:08,360 --> 00:38:10,080
- It's the windshield, it's deflecting.

595
00:38:10,240 --> 00:38:13,280
{\an1}- We are going to change exercises.
Return to the vehicle.

596
00:38:13,440 --> 00:38:15,800
{\an1}Me, I simulate the guy
who sets the ambush

597
00:38:15,960 --> 00:38:17,400
{\an1}and we aim at the same target.

598
00:38:17,560 --> 00:38:18,680
OK?
- Come on.

599
00:38:18,840 --> 00:38:19,840
Beep

600
00:38:23,440 --> 00:38:26,680
{\an3}- I had time to put four
before you draw.

601
00:38:26,840 --> 00:38:27,680
- Oh yeah.

602
00:38:30,880 --> 00:38:33,400
- There are guys in the United States
who explained

603
00:38:33,560 --> 00:38:35,320
that you have to get out of the vehicles.

604
00:38:35,480 --> 00:38:38,880
- I watch dashcams,
the cops shoot from behind the wheel.

605
00:38:39,040 --> 00:38:40,480
- They only know that.

606
00:38:40,640 --> 00:38:42,280
We did the test at the regiment.

607
00:38:42,440 --> 00:38:45,760
We tested with simunition,
without windshield or windows.

608
00:38:45,920 --> 00:38:49,760
The drivers were covered
of paint before being able to draw.

609
00:38:49,920 --> 00:38:52,400
But outside of cars,
they were immaculate.

610
00:38:52,560 --> 00:38:54,200
- I'm completely rusty.

611
00:38:54,360 --> 00:38:56,800
- No, it's tactics,
it's like everything.

612
00:38:56,960 --> 00:38:58,280
It moves, it evolves...

613
00:38:59,600 --> 00:39:02,240
{\an1}- Teach me. I'm hot.
- Yeah.

614
00:39:02,400 --> 00:39:03,760
Suspenseful theme

615
00:39:03,920 --> 00:39:30,560
{\an1}...

616
00:39:31,920 --> 00:39:32,920
- Sit down.

617
00:39:36,360 --> 00:39:37,240
-Guten Tag.

618
00:39:39,960 --> 00:39:42,840
{\an3}- So your guys,
Did they get screwed like that?

619
00:39:43,600 --> 00:39:45,520
- They won't say anything, don't worry.

620
00:39:45,680 --> 00:39:47,000
{\an3}- That I don't worry?

621
00:39:47,160 --> 00:39:49,440
How do you know
that they won't talk?

622
00:39:49,600 --> 00:39:51,160
- I continue to pay them.

623
00:39:51,320 --> 00:39:53,520
{\an1}So that they feed
their families.

624
00:39:54,080 --> 00:39:55,480
They won't say anything, that's it.

625
00:39:55,640 --> 00:39:57,400
At worst, they will talk about me.

626
00:39:57,560 --> 00:39:59,560
- We're not sure it stops there.

627
00:39:59,720 --> 00:40:02,560
{\an1}- In your opinion, why
Seedorf chose me?

628
00:40:02,720 --> 00:40:04,760
After the El Hassani shit?

629
00:40:04,920 --> 00:40:07,080
I don't make waves,
I hold my tongue.

630
00:40:07,240 --> 00:40:09,640
And unlike you,
I'm not complaining.

631
00:40:09,800 --> 00:40:12,240
While sons of bitches
stole my dope.

632
00:40:12,400 --> 00:40:14,520
- We gave you the cop's number
who manages this.

633
00:40:14,680 --> 00:40:16,680
- He didn't manage your schmitt at all.

634
00:40:16,840 --> 00:40:18,960
It's his men
who were on site.

635
00:40:19,120 --> 00:40:21,240
They lifted me up,
without telling him anything.

636
00:40:21,400 --> 00:40:24,360
- That would be settled,
if those assholes hadn't shot.

637
00:40:24,520 --> 00:40:27,040
- How they knew
that they were condés?

638
00:40:35,800 --> 00:40:38,400
- I think there is something
that you didn't understand.

639
00:40:38,560 --> 00:40:41,240
The shit that happens to you,
that's your problem.

640
00:40:41,400 --> 00:40:45,040
If you can't manage, we find
a Frenchman to resume.

641
00:40:45,200 --> 00:40:47,800
- Wait,
but what do you actually believe?

642
00:40:47,960 --> 00:40:49,320
What am I doing on purpose?

643
00:40:50,480 --> 00:40:51,960
My trucks burned.

644
00:40:53,040 --> 00:40:56,320
By Allah I understand nothing
to what happens to me.

645
00:40:57,000 --> 00:40:59,560
{\an3}It's okay now, if I swear,
do you understand better?

646
00:41:00,920 --> 00:41:03,640
- How are you going to do it?
for the next transport?

647
00:41:03,800 --> 00:41:06,120
{\an3}- I found someone
to help me out.

648
00:41:07,080 --> 00:41:08,280
- And who is it?

649
00:41:08,680 --> 00:41:11,680
- A raboon who lives here.
Nina, her name is.

650
00:41:12,960 --> 00:41:13,880
-Nina Perez?

651
00:41:14,040 --> 00:41:14,960
- Do you know her?

652
00:41:15,120 --> 00:41:18,600
- A little bit, yeah. She did
unsolder my old boss.

653
00:41:20,560 --> 00:41:21,440
- Oh...

654
00:41:22,480 --> 00:41:25,600
{\an1}But now,
you work for someone else.

655
00:41:25,760 --> 00:41:28,640
His drugs must be back up
so I can khalass it.

656
00:41:28,800 --> 00:41:30,360
No bro feeling.

657
00:41:30,520 --> 00:41:33,520
{\an3}You said it, my problems,
I adjust them as I want.

658
00:41:33,680 --> 00:41:35,560
{\an3}I am transparent with you.

659
00:41:36,640 --> 00:41:38,040
- Oh there...
He sighs.

660
00:41:38,720 --> 00:41:40,360
{\an1}The Tunisians...

661
00:41:41,360 --> 00:41:43,600
You are really
a people of grocers.

662
00:41:45,080 --> 00:41:48,160
- When Hannibal crossed
the Pyrenees, on the back of an elephant,

663
00:41:48,320 --> 00:41:49,960
that he made Rome tremble,

664
00:41:50,120 --> 00:41:53,520
your ancestors fucked goats
and ate acorns.

665
00:41:53,680 --> 00:41:55,840
So don't come and make me
muslim 2.0.

666
00:41:56,000 --> 00:41:58,440
Guys like you,
I know them very well.

667
00:41:58,600 --> 00:42:00,800
You grew up with pork
in the fridge.

668
00:42:00,960 --> 00:42:04,520
Your parents, these trippers,
they were unemployed and alcoholics.

669
00:42:05,720 --> 00:42:09,280
You were so lost that
you had a hard on for Arabs like me.

670
00:42:11,000 --> 00:42:12,200
The real rajels.

671
00:42:17,200 --> 00:42:19,720
Okay, if we're done,
I would love to go back.

672
00:42:33,640 --> 00:42:35,160
- Oh shit, he's coming.

673
00:42:48,640 --> 00:42:50,320
Dark and intriguing theme

674
00:42:50,480 --> 00:43:16,680
{\an1}...

675
00:43:16,840 --> 00:43:19,680
*- He's not going home,
he takes the highway.

676
00:43:19,840 --> 00:43:48,760
{\an1}...

677
00:43:48,920 --> 00:43:51,400
{\an3}He heads towards Perpignan.

678
00:43:51,560 --> 00:43:57,240
{\an1}...

679
00:43:57,400 --> 00:43:58,720
*We are behind him.

680
00:43:58,880 --> 00:44:02,000
*He got his car back
and he left for France.

681
00:44:02,160 --> 00:44:04,520
*We have just crossed the border.
- Fuck.

682
00:44:04,680 --> 00:44:06,280
What is this idiot playing at?

683
00:44:06,440 --> 00:44:09,760
Keep me informed
when he arrives at his destination.

684
00:44:09,920 --> 00:44:12,400
{\an1}- It's worse than the army,
you never unplug.

685
00:44:12,560 --> 00:44:13,440
- No, never.

686
00:44:13,600 --> 00:44:14,560
{\an1}- Do you like it?

687
00:44:14,720 --> 00:44:18,120
- It's different from what we
done, you're in the real world.

688
00:44:18,280 --> 00:44:20,680
You are on the public highway,
with civilians.

689
00:44:20,840 --> 00:44:22,680
{\an1}- I don't know how you do it.

690
00:44:22,840 --> 00:44:25,880
{\an1}You have already served this country,
you have nothing left to prove.

691
00:44:26,040 --> 00:44:28,400
{\an1}Hey, come to work
for me please.

692
00:44:28,560 --> 00:44:32,120
{\an1}I'm serious, you have the best
profile, former soldier, cop.

693
00:44:32,280 --> 00:44:35,880
{\an1}You couldn't dream of a better job,
it's less risky, better paid.

694
00:44:36,040 --> 00:44:38,600
{\an1}- You made me come for this.
- I'm serious.

695
00:44:38,760 --> 00:44:40,360
{\an1}You would train police officers.

696
00:44:40,520 --> 00:44:43,920
{\an1}They don't even know
use their guns.

697
00:44:44,080 --> 00:44:46,120
- I still have to do on the ground.

698
00:44:46,280 --> 00:44:47,760
{\an1}- But what terrain, Saïd?

699
00:44:47,920 --> 00:44:50,800
{\an1}You hunted down warlords
in the desert.

700
00:44:50,960 --> 00:44:53,160
{\an1}How do you enjoy it?

701
00:44:53,320 --> 00:44:55,080
Dark and disturbing theme

702
00:44:55,240 --> 00:45:22,280
{\an1}...

703
00:45:22,440 --> 00:45:23,960
Engine roar

704
00:45:24,360 --> 00:45:26,360
{\an3}- What are these crazy people?

705
00:45:27,720 --> 00:45:29,280
Long blast of horn

706
00:45:29,440 --> 00:45:32,640
{\an1}...

707
00:45:32,800 --> 00:45:34,160
Squealing tires

708
00:45:34,320 --> 00:45:36,400
- Show me your hands! Don't move!

709
00:45:36,560 --> 00:45:39,680
- Damn the Mongoose
gets robbed by guys!

710
00:45:39,840 --> 00:45:41,640
{\an3}- Get out, get out or I'll turn you on!

711
00:45:41,800 --> 00:45:43,280
- It's okay, it's okay.

712
00:45:43,440 --> 00:45:45,640
- They take La Mongoose on board

713
00:45:45,800 --> 00:45:47,800
in a gray Range Rover!

714
00:45:47,960 --> 00:45:50,480
Foxtrot Victor 716 Mike Lima.

715
00:45:50,640 --> 00:45:52,080
{\an3}They turn around.

716
00:45:52,240 --> 00:45:53,200
*- Received.

717
00:45:53,800 --> 00:45:55,640
- Get them, collect them.

718
00:45:56,120 --> 00:45:59,120
{\an3}- It's them, don't give up.
Follow them, follow them.

719
00:45:59,280 --> 00:46:00,680
Dark and suspenseful theme

720
00:46:00,840 --> 00:46:06,040
{\an1}...

721
00:46:06,680 --> 00:46:08,960
{\an1}- We turn around as soon as we can.

722
00:46:09,120 --> 00:46:12,040
{\an1}*Badri's voice choppy
- I don't understand you well.

723
00:46:12,400 --> 00:46:13,960
{\an3}- Julien, Jill? Hello ?

724
00:46:14,120 --> 00:46:15,640
*Vanessa's voice choppy

725
00:46:15,800 --> 00:46:17,320
{\an1}- Hello?
Squealing tires

726
00:46:17,480 --> 00:46:19,240
{\an3}- Damn, it cuts out, I can't hear!

727
00:46:20,200 --> 00:46:22,400
Vanessa's broken voice:
*Hello?

728
00:46:22,560 --> 00:46:23,880
Whirring

729
00:46:24,040 --> 00:46:25,640
Breaking glass, screeching

730
00:46:31,200 --> 00:46:33,240
Oh guys, can you hear me?

731
00:46:35,320 --> 00:46:37,840
{\an1}- Who the fuck is that?
Look, is it them?

732
00:46:38,920 --> 00:46:40,680
{\an3}- Julien, can you hear me?

733
00:46:40,840 --> 00:46:45,120
{\an1}...

734
00:46:45,280 --> 00:46:47,600
- Damn, they're here,
they were a hit.

735
00:46:55,960 --> 00:46:57,400
Dramatic theme

736
00:46:57,560 --> 00:47:29,680
{\an1}...

737
00:47:32,000 --> 00:47:32,960
{\an3}Where are we going?

738
00:47:33,120 --> 00:47:35,400
- Go to La Mongoose's car.

739
00:47:35,560 --> 00:47:37,400
Julien is short of breath.

740
00:47:37,560 --> 00:47:40,840
{\an1}...

741
00:47:43,160 --> 00:47:44,080
{\an1}- Are you okay?

742
00:47:44,240 --> 00:47:45,800
She clears her throat.

743
00:47:45,960 --> 00:47:47,560
Dark and intriguing theme

744
00:47:47,720 --> 00:48:00,640
{\an1}...

745
00:48:00,800 --> 00:48:03,480
- Wait two seconds,
I'm going to check something.

746
00:48:03,640 --> 00:48:28,240
{\an1}...

747
00:48:28,400 --> 00:48:29,720
{\an3}Vanessa sighs.

748
00:48:31,840 --> 00:48:33,000
{\an3}Hello! Said?

749
00:48:33,960 --> 00:48:36,200
{\an3}Some guys lifted La Mongoose.

750
00:48:36,360 --> 00:48:39,160
*- We went on a hunt,
they hit Jill and Julien.

751
00:48:39,320 --> 00:48:40,480
- Are you okay?
*- How are you.

752
00:48:40,640 --> 00:48:42,280
*But the Ford stayed there.

753
00:48:42,440 --> 00:48:44,160
- The kidnappers?
*- In nature.

754
00:48:44,320 --> 00:48:47,000
With fake French plates.
*- Where are you?

755
00:48:47,160 --> 00:48:48,080
- There we go.

756
00:48:48,240 --> 00:48:50,400
Mongoose's car
was marked.

757
00:48:50,560 --> 00:48:51,960
*- So they were tracking him.

758
00:48:52,120 --> 00:48:54,000
*What did the guys look like?

759
00:48:54,160 --> 00:48:55,320
- Hooded guys.

760
00:48:56,400 --> 00:48:59,760
- The same as those in the hangar?
*- Yeah, the same kind.

761
00:48:59,920 --> 00:49:03,920
{\an1}...

762
00:49:04,080 --> 00:49:07,400
- Socrates, tell me that you have found
Mongoose's wife.

763
00:49:07,560 --> 00:49:09,960
*- Her name is Sadia Faïsa.
- Where is she?

764
00:49:10,120 --> 00:49:13,120
*- She lives in Plessis-Robinson,
she runs a pharmacy.

765
00:49:13,280 --> 00:49:14,720
- The Mongoose has been kidnapped.

766
00:49:14,880 --> 00:49:17,760
*Give the address, we'll see you there.
- Okay.

767
00:49:18,400 --> 00:49:19,840
Suspenseful theme

768
00:49:20,000 --> 00:50:02,760
{\an1}...

769
00:50:02,920 --> 00:50:04,560
A phone rings.

770
00:50:06,320 --> 00:50:07,880
{\an1}...

771
00:50:09,600 --> 00:50:11,320
{\an1}...

772
00:50:13,640 --> 00:50:15,280
{\an1}...

773
00:50:17,560 --> 00:50:18,920
{\an1}...

774
00:50:22,920 --> 00:50:24,960
{\an1}...

775
00:50:25,960 --> 00:50:26,800
- Hello?

776
00:50:26,960 --> 00:50:28,680
Distorted voice:
*- Sadia Faïsa?

777
00:50:28,840 --> 00:50:31,080
- Yes ?
*- Listen to me, without interrupting me.

778
00:50:31,240 --> 00:50:33,720
*We have Mansour
and we want a million euros.

779
00:50:33,880 --> 00:50:37,720
*If you ask for help
to the police, he is dead.

780
00:50:37,880 --> 00:50:40,680
*Tomorrow we will call you back
to schedule an appointment.

781
00:50:40,840 --> 00:50:42,720
- Is he okay? Can I talk to him?

782
00:50:43,880 --> 00:50:45,520
Dramatic theme

783
00:50:45,680 --> 00:51:27,520
{\an1}...

784
00:51:27,680 --> 00:51:30,160
Subtitles:
Lucille Eichhorn for Tri Track


