1 00:00:09,600 --> 00:00:11,500 Ted Kaczynski: I WANT YOU TO THINK ABOUT 2 00:00:11,500 --> 00:00:14,167 THE MAIL FOR A MINUTE. 3 00:00:14,167 --> 00:00:17,567 STOP TAKING IT FOR GRANTED LIKE SOME COMPLACENT, 4 00:00:17,567 --> 00:00:22,900 SLEEPWALKING SHEEP AND REALLY THINK ABOUT IT. 5 00:00:22,900 --> 00:00:27,267 I PROMISE YOU, YOU WILL FIND THE U.S. MAIL 6 00:00:27,267 --> 00:00:31,300 A WORTHY OBJECT OF YOUR CONTEMPLATION. 7 00:00:31,300 --> 00:00:35,767 ** 8 00:00:35,767 --> 00:00:37,933 A PIECE OF PAPER CAN CROSS A CONTINENT 9 00:00:37,933 --> 00:00:40,267 LIKE WE'RE PASSING NOTES IN CLASS. 10 00:00:40,267 --> 00:00:43,933 I CAN SEND YOU COOKIES FROM THE OPPOSITE SIDE OF THE WORLD, 11 00:00:43,933 --> 00:00:46,733 AND ALL I HAVE TO DO IS WRITE YOUR NAME ON THE BOX, 12 00:00:46,733 --> 00:00:51,067 PUT SOME STAMPS ON IT, AND DROP IT IN. 13 00:00:51,067 --> 00:00:53,767 ** 14 00:00:53,767 --> 00:00:56,600 AND YOU SEE, IT ONLY WORKS 15 00:00:56,600 --> 00:00:59,267 BECAUSE EVERY SINGLE PERSON ALONG THE CHAIN 16 00:00:59,267 --> 00:01:02,067 ACTS LIKE A MINDLESS AUTOMATON. 17 00:01:02,067 --> 00:01:07,133 I WRITE AN ADDRESS, AND THEY JUST...OBEY. 18 00:01:07,133 --> 00:01:09,167 NO QUESTION. 19 00:01:09,167 --> 00:01:12,667 NO DEVIATION. 20 00:01:12,667 --> 00:01:15,700 NO PAUSE TO CONTEMPLATE ETERNITY... 21 00:01:15,700 --> 00:01:19,300 OR BEAUTY... 22 00:01:19,300 --> 00:01:22,067 OR DEATH. 23 00:01:22,067 --> 00:01:26,067 EVEN YOU, FOR ALL YOUR PROTESTATIONS OF FREE WILL, 24 00:01:26,067 --> 00:01:28,433 IF A BOX COMES WITH YOUR NAME ON IT, 25 00:01:28,433 --> 00:01:31,500 YOU CAN'T EVEN IMAGINE DOING ANYTHING OTHER... 26 00:01:31,500 --> 00:01:33,067 THAN OBEY. 27 00:01:33,067 --> 00:01:36,100 MORNING. HEY. 28 00:01:36,100 --> 00:01:37,200 HERE YOU GO. 29 00:01:37,200 --> 00:01:38,933 THANK YOU. THANK YOU. 30 00:01:38,933 --> 00:01:40,200 ** 31 00:01:40,200 --> 00:01:42,300 WELL, IT'S NOT YOUR FAULT. 32 00:01:42,300 --> 00:01:45,067 SOCIETY MADE YOU THIS WAY. 33 00:01:45,067 --> 00:01:45,933 HEY, GIL? 34 00:01:45,933 --> 00:01:47,733 BUT YOU'RE A SHEEP, 35 00:01:47,733 --> 00:01:51,767 AND YOU'RE LIVING IN A WORLD OF SHEEP. 36 00:01:51,767 --> 00:01:56,867 AND BECAUSE YOU'RE ALL SHEEP, BECAUSE ALL YOU CAN DO IS OBEY, 37 00:01:56,867 --> 00:02:04,633 I CAN REACH OUT AND TOUCH ANYONE ANYWHERE. 38 00:02:04,633 --> 00:02:09,467 I CAN REACH OUT AND TOUCH YOU... 39 00:02:09,467 --> 00:02:11,667 RIGHT NOW. 40 00:02:11,667 --> 00:02:13,367 ** 41 00:02:17,400 --> 00:02:20,400 -- Captions by VITAC -- www.vitac.com 42 00:02:20,400 --> 00:02:23,400 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 43 00:02:23,400 --> 00:02:29,700 ** 44 00:02:29,700 --> 00:02:33,500 [ BIRDS CHIRPING ] 45 00:02:33,500 --> 00:02:36,067 [ EXHALES SHARPLY ] 46 00:02:36,067 --> 00:02:39,067 [ CHIRPING CONTINUES ] 47 00:02:55,067 --> 00:02:57,267 [ LEAVES RUSTLING ] 48 00:03:10,067 --> 00:03:13,667 [ WATER RUSHING ] 49 00:03:15,300 --> 00:03:25,300 ** 50 00:03:25,300 --> 00:03:35,300 ** 51 00:03:35,300 --> 00:03:41,600 ** 52 00:03:41,600 --> 00:03:43,600 YOU'RE TRESPASSING. 53 00:03:43,600 --> 00:03:48,767 THIS IS PRIVATE PROPERTY. 54 00:03:48,767 --> 00:03:51,067 [ SIGHS ] 55 00:03:51,067 --> 00:03:53,533 HEY, FITZ. 56 00:03:53,533 --> 00:03:57,833 COME ON. LET'S GO INSIDE. 57 00:03:57,833 --> 00:04:00,167 [ DOOR HINGES CREAK ] 58 00:04:07,067 --> 00:04:09,600 Frank: CONGRATULATIONS, YOU ARE NOW OFFICIALLY 59 00:04:09,600 --> 00:04:11,400 FBI PROFILERS. 60 00:04:11,400 --> 00:04:16,800 [ APPLAUSE ] 61 00:04:16,800 --> 00:04:21,433 AS PROFILERS, YOU'RE GOING TO ENCOUNTER A LOT OF SKEPTICISM. 62 00:04:21,433 --> 00:04:27,067 A LOT OF AGENTS, GOOD AGENTS, THINK US QUACKS. 63 00:04:27,067 --> 00:04:28,533 NO. 64 00:04:28,533 --> 00:04:31,433 WE'RE PIONEERS IN THE FRONTIER OF LAW ENFORCEMENT. 65 00:04:31,433 --> 00:04:36,200 WE'RE SCIENTISTS OF THE MIND, AND IN THE VERY WORST CASES 66 00:04:36,200 --> 00:04:43,133 THE FBI DEALS WITH, WE WILL BE OUR NATION'S LAST HOPE. 67 00:04:43,133 --> 00:04:45,733 WELCOME TO THE BEHAVIORAL ANALYSIS UNIT. 68 00:04:45,733 --> 00:04:48,833 [ APPLAUSE ] 69 00:04:48,833 --> 00:04:51,967 SUPERVISORY SPECIAL AGENT JESSICA McGINITY. 70 00:04:51,967 --> 00:04:53,100 WONDERFUL WORK. 71 00:04:53,100 --> 00:04:54,933 [ CAMERA SHUTTER CLICKS ] 72 00:04:54,933 --> 00:04:56,700 THANK YOU. 73 00:04:56,700 --> 00:04:59,633 WITH ACCOMMODATION FOR SUPERIOR MERIT, 74 00:04:59,633 --> 00:05:02,567 SUPERVISORY SPECIAL AGENT JAMES FITZGERALD. 75 00:05:02,567 --> 00:05:04,300 [ CHEERS AND APPLAUSE ] 76 00:05:04,300 --> 00:05:05,833 CONGRATULATIONS, FITZ. 77 00:05:05,833 --> 00:05:07,333 CONGRATULATIONS. 78 00:05:07,333 --> 00:05:09,167 YEAH! 79 00:05:09,167 --> 00:05:14,100 -DAD! -WHOO-HOO! 80 00:05:14,100 --> 00:05:18,533 [ INDISTINCT TALKING ] 81 00:05:22,633 --> 00:05:24,133 [ FOOTSTEPS APPROACHING ] 82 00:05:24,133 --> 00:05:28,233 DAD, COME ON! COME OUTSIDE, DAD! 83 00:05:28,233 --> 00:05:29,800 COME ON, DAD. MOM'S GONNA GIVE US SPEECH. 84 00:05:29,800 --> 00:05:31,267 YEAH, YEAH. 85 00:05:31,267 --> 00:05:32,600 YEAH, I'M COMING. 86 00:05:32,600 --> 00:05:35,633 COME ON! I'M COMING! 87 00:05:35,633 --> 00:05:39,633 [ LAUGHS ] 88 00:05:39,633 --> 00:05:44,233 OKAY. HI, EVERYBODY. 89 00:05:44,233 --> 00:05:46,867 CAN YOU BELIEVE WE'RE EVEN HERE 90 00:05:46,867 --> 00:05:52,300 CELEBRATING MY HUSBAND THE FBI PROFILER? 91 00:05:52,300 --> 00:05:54,067 I'M STILL PINCHING MYSELF. 92 00:05:54,067 --> 00:05:56,400 [ CLEARS THROAT ] 93 00:05:56,400 --> 00:05:59,300 YOU WERE A ROOKIE BEAT COP WHEN WE GOT MARRIED. 94 00:05:59,300 --> 00:06:02,167 [ LAUGHTER ] 95 00:06:02,167 --> 00:06:07,767 JIM, YOU WERE DETERMINED ALWAYS TO BECOME WHAT YOU SAW 96 00:06:07,767 --> 00:06:13,800 AS THE BEST VERSION OF YOURSELF, TO BECOME SOMEONE 97 00:06:13,800 --> 00:06:21,067 THAT YOUR FAMILY, YOUR SONS COULD LOOK UP TO AND ADMIRE. 98 00:06:21,067 --> 00:06:24,067 IT'S NOT EASY BEING MARRIED TO A STUBBORN MAN. 99 00:06:24,067 --> 00:06:26,067 [ CHUCKLING ] 100 00:06:26,067 --> 00:06:28,233 I'M TALKING ABOUT YOU. 101 00:06:28,233 --> 00:06:31,333 BUT IT'S THAT DAMNED STUBBORNNESS THAT GOT YOU 102 00:06:31,333 --> 00:06:33,767 THROUGH NIGHT SCHOOL, ON TO THE DETECTIVE SQUAD, 103 00:06:33,767 --> 00:06:39,533 INTO QUANTICO, AND FINALLY INTO THE ELITE OF THE ELITE. 104 00:06:39,533 --> 00:06:45,933 I ADMIRE THAT SO, SO MUCH, SO CHEERS, JIM, WELCOME HOME. 105 00:06:45,933 --> 00:06:53,200 [ CHEERS AND APPLAUSE ] 106 00:06:53,200 --> 00:06:55,567 -DID YOU HAVE FUN? -YEAH. 107 00:06:55,567 --> 00:06:57,167 YOU KNOW I'M NOT GREAT IN CROWDS. 108 00:06:57,167 --> 00:06:59,467 WELL, I TRIED. 109 00:06:59,467 --> 00:07:02,833 ALL RIGHT, LOOK, WHO CARES? DAN, CLEAN UP DOWN THERE! 110 00:07:02,833 --> 00:07:04,433 LISTEN, IT -- IT WAS AMAZING. 111 00:07:04,433 --> 00:07:05,700 THANK YOU. 112 00:07:05,700 --> 00:07:06,833 AWW. 113 00:07:06,833 --> 00:07:08,333 LOOK, I TRIED. 114 00:07:08,333 --> 00:07:10,767 [ LAUGHS ] THANK YOU. 115 00:07:10,767 --> 00:07:12,600 WELL, YOU KNOW, I -- I... 116 00:07:12,600 --> 00:07:14,600 [ SIGHS ] 117 00:07:14,600 --> 00:07:15,533 WHAT? 118 00:07:15,533 --> 00:07:16,633 I HAD FUN. 119 00:07:16,633 --> 00:07:20,067 IT'S JUST HARD WAITING. 120 00:07:20,067 --> 00:07:21,733 OH, YEAH. 121 00:07:21,733 --> 00:07:23,133 YOU KNOW? 122 00:07:23,133 --> 00:07:25,167 NO, I-I GOT SOAPY HANDS. 123 00:07:25,167 --> 00:07:26,633 PUT 'EM ON ME. 124 00:07:26,633 --> 00:07:27,600 [ LAUGHS ] 125 00:07:27,600 --> 00:07:28,800 [ KNOCK ON DOOR ] 126 00:07:28,800 --> 00:07:31,167 Dan: DAD, THERE'S TWO BALD GUYS AT THE DOOR! 127 00:07:31,167 --> 00:07:33,533 -[ LAUGHS ] OH! PUT 'EM UP! -DAN, DAN! 128 00:07:33,533 --> 00:07:35,767 -LOOK AT THIS KID. -HEY. 129 00:07:35,767 --> 00:07:37,200 -HEY. -HEY. 130 00:07:37,200 --> 00:07:38,467 GUESS WE MISSED THE PARTY. LOOK WHO IT IS. 131 00:07:38,467 --> 00:07:39,833 NO, NO, WE'RE JUST -- WE'RE JUST CLEANING UP. 132 00:07:39,833 --> 00:07:41,867 DAN. WE'RE TRYING. IT'S A ZOO. 133 00:07:41,867 --> 00:07:43,800 UGH, YOU GOT TO CHANGE HIM. 134 00:07:43,800 --> 00:07:45,967 -YEAH, ALL RIGHT. -[ LAUGHS ] THERE YOU GO. 135 00:07:45,967 --> 00:07:48,167 [ SIGHS ] APOLOGIES, BUT... 136 00:07:48,167 --> 00:07:49,567 IT'S ALL RIGHT. 137 00:07:49,567 --> 00:07:54,067 ...WE HAVE SOMETHING URGENT WE NEED TO DISCUSS WITH YOU. 138 00:07:54,067 --> 00:07:56,500 RIGHT. 139 00:07:56,500 --> 00:07:58,767 YEAH, COME IN. 140 00:08:02,900 --> 00:08:04,400 McALPINE SAYS YOU'RE THE BEST PROFILER IN HIS CLASS, 141 00:08:04,400 --> 00:08:06,100 MAYBE THE BEST HE'S GOT. 142 00:08:06,100 --> 00:08:07,867 BUT YOU'RE 10 YEARS OLDER THAN THE REST 143 00:08:07,867 --> 00:08:10,433 OF YOUR CLASSMATES, AND I LOOK AT YOUR RéSUMé, 144 00:08:10,433 --> 00:08:13,900 AND I SEE YOU LANGUISHING FOR ALMOST A DECADE AS A BEAT COP, 145 00:08:13,900 --> 00:08:15,933 MOSTLY ON THE GRAFFITI SQUAD. 146 00:08:15,933 --> 00:08:20,900 YOU PISS SOMEBODY OFF? WHAT HAPPENED? 147 00:08:20,900 --> 00:08:23,933 NO. I WROTE A PARKING TICKET. 148 00:08:23,933 --> 00:08:26,200 MM. CHIEF ASKED ME TO MAKE IT GO AWAY 149 00:08:26,200 --> 00:08:28,467 'CAUSE IT WAS FOR A FRIEND OF A FRIEND, AND I DIDN'T. 150 00:08:28,467 --> 00:08:31,133 SO, WHAT, YOU'RE LIKE THE SERPICO OF PARKING TICKETS? 151 00:08:31,133 --> 00:08:33,267 SOME PEOPLE WOULD CALL THAT BEING OVERLY LITERAL. 152 00:08:33,267 --> 00:08:36,733 YEAH, SOME PEOPLE MIGHT. 153 00:08:36,733 --> 00:08:38,067 TAKE A LOOK AT THIS LETTER. 154 00:08:38,067 --> 00:08:40,900 TELL ME WHAT YOU SEE. 155 00:08:47,600 --> 00:08:50,067 [ LAUGHS ] YOU'RE MAKING FUN OF ME. 156 00:08:50,067 --> 00:08:51,367 YOU'RE MAKING FUN OF ME, RIGHT? 157 00:08:51,367 --> 00:08:54,067 RIGHT? HERE, TAKE THESE UPSTAIRS. 158 00:08:54,067 --> 00:08:55,300 HOW MANY TIMES DO I HAVE TO TELL YOU? 159 00:08:55,300 --> 00:08:56,767 YOU TALKING ABOUT THE EMORDNILAP? 160 00:08:56,767 --> 00:08:58,067 "DAD, IT IS I"? 161 00:08:58,067 --> 00:09:00,767 EXPLAIN. 162 00:09:00,767 --> 00:09:03,367 WELL, IT'S A WORD THING. 163 00:09:03,367 --> 00:09:05,600 IT'S LIKE A PALINDROME, EXCEPT IT SPELLS ONE THING 164 00:09:05,600 --> 00:09:07,133 FORWARDS AND ANOTHER THING BACKWARDS. 165 00:09:07,133 --> 00:09:10,467 THE FIRST LETTER OF EACH PARAGRAPH -- D, A, D, 166 00:09:10,467 --> 00:09:14,633 I, T, I, S, I. 167 00:09:14,633 --> 00:09:17,600 OKAY. 168 00:09:17,600 --> 00:09:22,333 D, A, D, I, T, I, S, I -- "DAD, IT IS I." 169 00:09:22,333 --> 00:09:26,667 D-A-D, I-T, RIGHT? 170 00:09:26,667 --> 00:09:31,700 D-A-D, I-T, I-S I -- 171 00:09:31,700 --> 00:09:36,300 "DAD, IT IS I," "IS IT I, DAD?" 172 00:09:36,300 --> 00:09:38,300 [ Chuckling ] IT'S PRETTY COOL, RIGHT? 173 00:09:38,300 --> 00:09:44,067 I'M ANDY GENELLI. I'M HEAD THE UNABOM TASK FORCE. 174 00:09:44,067 --> 00:09:48,800 I THOUGHT THE -- I THOUGHT THE UNABOM CASE WAS OVER. 175 00:09:48,800 --> 00:09:50,600 SIX YEARS AND NOT A PEEP. 176 00:09:50,600 --> 00:09:54,433 THEY THOUGHT HE WAS DEAD, BUT NOW HE'S BACK. 177 00:09:54,433 --> 00:09:58,300 THREE NEW MAIL BOMBS, MORE DEADLY THAN BEFORE. 178 00:09:58,300 --> 00:10:03,000 THE LATEST ONE YESTERDAY -- A TIMBER LOBBYIST, SACRAMENTO. 179 00:10:03,000 --> 00:10:05,467 THE NEWS IS GONNA BREAK ON THESE TOMORROW. 180 00:10:05,467 --> 00:10:07,100 WE'VE BEEN PLAYING IT PRETTY CLOSE TO THE VEST 181 00:10:07,100 --> 00:10:08,800 UNTIL WE WERE SURE IT WAS HIM, AND NOT A... 182 00:10:08,800 --> 00:10:10,533 HEY. OKAY. 183 00:10:10,533 --> 00:10:14,200 ...COPYCAT, BUT IT'S HIM, AND WE NEED A PROFILE. 184 00:10:14,200 --> 00:10:16,600 OKAY. GO ON UPSTAIRS NOW. NOW. 185 00:10:16,600 --> 00:10:17,933 WHAT ARE YOU DOING? 186 00:10:17,933 --> 00:10:21,333 I HAVE KIDS. I WANT TO SEND YOU. 187 00:10:21,333 --> 00:10:22,833 IT'S ONE MONTH. 188 00:10:22,833 --> 00:10:25,067 YOU GO OUT THERE, BUILD A PROFILE, 189 00:10:25,067 --> 00:10:30,067 AND COME BACK TO THE B.A.U. WITH A BIG GOLD STAR. 190 00:10:34,100 --> 00:10:36,767 THEY SAY THIS IS FROM HIM, FROM THE UNABOMBER? 191 00:10:36,767 --> 00:10:38,600 HIS MOST RECENT LETTER. 192 00:10:38,600 --> 00:10:41,400 50 FBI AGENTS HAVE BEEN GOING OVER THAT A FINE-TOOTH COMB 193 00:10:41,400 --> 00:10:43,233 DAY AND NIGHT FOR TWO WEEKS. 194 00:10:43,233 --> 00:10:46,900 NOT ONE OF THEM SAW THE EMORDNILAP, NOT EVEN ME. 195 00:10:46,900 --> 00:10:49,433 I'VE HAD PROFILERS WORKING ON THIS THING FOR 15 YEARS, 196 00:10:49,433 --> 00:10:51,700 AND WE'RE RIGHT BACK TO WHERE WE STARTED. 197 00:10:51,700 --> 00:10:53,967 I NEED SOMEBODY THAT SEES THINGS DIFFERENTLY, 198 00:10:53,967 --> 00:11:00,067 AND LIKE IT OR NOT, THAT'S YOU. 199 00:11:00,067 --> 00:11:03,200 BUT I'VE BEEN AWAY FOR FOUR MONTHS, AND I JUST GOT BACK. 200 00:11:03,200 --> 00:11:05,067 I CAN'T JUST UP AND GO 'CAUSE OF HIM, 201 00:11:05,067 --> 00:11:08,633 SO [SIGHS] I CAN'T DO THAT TO ELLIE AND THE KIDS. 202 00:11:08,633 --> 00:11:09,933 I CAN'T DO THAT TO MY FAMILY. 203 00:11:09,933 --> 00:11:12,633 HERE. GOOD LUCK. 204 00:11:12,633 --> 00:11:13,733 GOOD NIGHT. SORRY TO INTRUDE. 205 00:11:13,733 --> 00:11:15,933 DO ME A FAVOR, FITZ. HMM? 206 00:11:15,933 --> 00:11:17,667 FITZ, THINK ABOUT IT. 207 00:11:17,667 --> 00:11:19,367 KEEP THE PHOTOS. 208 00:11:19,367 --> 00:11:22,433 THE GUY WITH THIS FACE BLOWN OFF, 209 00:11:22,433 --> 00:11:26,233 HE HAD A WIFE AND KIDS, TOO. 210 00:11:26,233 --> 00:11:29,767 -SEE YA. -NOT IF I SEE YOU FIRST. 211 00:11:29,767 --> 00:11:32,233 THANK YOU. 212 00:11:32,233 --> 00:11:41,100 ** 213 00:11:41,100 --> 00:11:43,267 -ARE THOSE FOR ME FROM GRANDMA? -THOSE ARE MY COOKIES 214 00:11:43,267 --> 00:11:44,600 FROM GRANDMA. 215 00:11:44,600 --> 00:11:48,700 -THEY'RE MINE. -YEAH. GO AND UNPACK. 216 00:11:48,700 --> 00:11:52,833 [ DOOR CLOSES ] GO, GO. 217 00:11:52,833 --> 00:11:54,100 -HI, GUYS. -THESE ARE MINE. 218 00:11:54,100 --> 00:11:57,633 -YOU NEED TO SHARE! -I'M DEFINITELY NOT SHARING. 219 00:11:57,633 --> 00:12:00,433 SORRY, BUDDY, 'CAUSE GRANDMA MADE THESE COOKIES JUST FOR ME. 220 00:12:00,433 --> 00:12:03,733 Dan: YEAH, BUT YOU NEED TO SHARE. 221 00:12:03,733 --> 00:12:13,200 ** 222 00:12:13,200 --> 00:12:15,267 -THESE ARE MY COOKIES. -HEY, GUYS. 223 00:12:15,267 --> 00:12:17,300 DON'T PIG OUT ON GRANDMA'S COOKIES. 224 00:12:17,300 --> 00:12:27,300 ** 225 00:12:27,300 --> 00:12:37,300 ** 226 00:12:37,300 --> 00:12:47,300 ** 227 00:12:47,300 --> 00:12:52,800 ** 228 00:12:52,800 --> 00:12:58,300 ** 229 00:12:58,300 --> 00:13:01,867 Stan: LOOK AT YOU. YOU'RE LIVING LIKE AN ANIMAL NOW, HUH? 230 00:13:01,867 --> 00:13:05,200 [ LAUGHS ] JESUS. 231 00:13:05,200 --> 00:13:06,867 YOU KILL THOSE YOURSELF? 232 00:13:06,867 --> 00:13:08,833 Jim: WHAT ARE YOU DOING IN MY HOUSE, COLE? 233 00:13:08,833 --> 00:13:12,133 WELL, I DON'T WANT TO BE HERE, BELIEVE ME. 234 00:13:12,133 --> 00:13:15,067 BUT THE BOSS NEEDS YOU. 235 00:13:15,067 --> 00:13:16,767 WE NEED YOU TO GET INTO A ROOM WITH KACZYNSKI, 236 00:13:16,767 --> 00:13:20,067 INTERROGATE HIM, BREAK HIM DOWN, 237 00:13:20,067 --> 00:13:21,567 GET HIM TO PLEAD GUILTY. 238 00:13:21,567 --> 00:13:25,067 WE NEED SOMEONE WHO CAN SPEAK THE UNABOMBER'S LANGUAGE, 239 00:13:25,067 --> 00:13:31,633 SOMEONE, UH, THAT HE CONNECTS WITH. 240 00:13:31,633 --> 00:13:38,200 BESIDES, TED ASKED FOR YOU. 241 00:13:38,200 --> 00:13:42,100 [ DOOR HINGES CREAK ] 242 00:13:42,100 --> 00:13:44,900 [ CROWS CAWING IN DISTANCE ] 243 00:13:44,900 --> 00:13:48,867 THE UNABOMBER ASKED FOR ME SPECIFICALLY? 244 00:13:48,867 --> 00:13:52,600 SPECIFICALLY FOR YOU, AND ONLY YOU. 245 00:13:52,600 --> 00:13:54,267 WHY ME? 246 00:13:54,267 --> 00:13:55,967 HE SAYS HE'LL ONLY TALK TO THE PERSON 247 00:13:55,967 --> 00:13:57,300 WHO ACTUALLY CAUGHT HIM, 248 00:13:57,300 --> 00:13:58,833 AND FOR SOME REASON, HE THINKS THAT'S YOU. 249 00:13:58,833 --> 00:14:00,100 WELL, THAT IS ME. 250 00:14:00,100 --> 00:14:01,600 YOU WERE CHASING YOUR TAILS FOR YEARS BEFORE I CAME. 251 00:14:01,600 --> 00:14:04,067 THIS GUY -- YOU GOT SOME NERVE. 252 00:14:04,067 --> 00:14:07,067 I FOUND HIM, I CAUGHT HIM, I PUT HIM IN JAIL. 253 00:14:07,067 --> 00:14:08,667 YOU KNOW WHAT? I GOT MY LIFE BACK TOGETHER. 254 00:14:08,667 --> 00:14:10,867 I'M JUST GONNA STAY RIGHT HERE. TELL TED I'M BUSY. 255 00:14:10,867 --> 00:14:12,767 LISTEN, WE HAVE ENOUGH EVIDENCE TO CONVICT 256 00:14:12,767 --> 00:14:17,067 TED KACZYNSKI 10 TIMES OVER, BUT IF THIS GOES TO TRIAL, 257 00:14:17,067 --> 00:14:19,167 HE'S GONNA MAKE IT A MEDIA CIRCUS, 258 00:14:19,167 --> 00:14:21,600 THEN WE WOULD BE GIVING THE UNABOMBER, TED KACZYNSKI, 259 00:14:21,600 --> 00:14:24,333 THE BIGGEST MICROPHONE IN AMERICA, 260 00:14:24,333 --> 00:14:27,333 AND HIS MESSAGE IS DANGEROUS. 261 00:14:27,333 --> 00:14:29,167 WE NEED HIM TO PLEAD GUILTY. 262 00:14:29,167 --> 00:14:30,400 LOOK, FITZ, WE'RE ASKING YOU, 263 00:14:30,400 --> 00:14:31,467 BUT WE CAN ORDER YOU IF WE NEED TO. 264 00:14:31,467 --> 00:14:33,133 YOU CAN ORDER ME. [ SCOFFS ] RIGHT. 265 00:14:33,133 --> 00:14:34,500 YOU STILL WORK FOR THE FBI, YOU REMEMBER THAT? 266 00:14:34,500 --> 00:14:35,600 NOW, HOLD ON, COLE? 267 00:14:35,600 --> 00:14:37,200 I GET THE FORESTRY SERVICE OUT HERE -- 268 00:14:37,200 --> 00:14:38,667 TAKE IT DOWN, COLE! GET OUT OF HERE. 269 00:14:38,667 --> 00:14:41,867 GET OUT OF HERE. 270 00:14:41,867 --> 00:14:46,300 HEY, FITZ. 271 00:14:46,300 --> 00:14:50,700 THINK ABOUT IT. 272 00:14:50,700 --> 00:14:53,067 [ CAR DOORS OPEN ] 273 00:14:53,067 --> 00:14:55,700 ** 274 00:14:55,700 --> 00:14:58,633 [ ENGINE STARTS ] 275 00:14:58,633 --> 00:15:04,067 [ VEHICLE DEPARTS ] 276 00:15:04,067 --> 00:15:08,067 [ FIRE CRACKLES ] 277 00:15:08,067 --> 00:15:18,067 ** 278 00:15:18,067 --> 00:15:28,067 ** 279 00:15:28,067 --> 00:15:38,067 ** 280 00:15:38,067 --> 00:15:48,067 ** 281 00:15:48,067 --> 00:15:54,500 ** 282 00:16:00,267 --> 00:16:06,067 [ CAR HORN HONKS, INDISTINCT P.A. ANNOUNCEMENT ] 283 00:16:06,067 --> 00:16:09,267 FITZ! 284 00:16:09,267 --> 00:16:14,067 [ CAR DOOR CLOSES ] 285 00:16:14,067 --> 00:16:16,400 YOU HAVE THAT NEW-PROFILER SMELL. 286 00:16:16,400 --> 00:16:17,433 TABBY MILGRIM. 287 00:16:17,433 --> 00:16:18,867 -HI. -I'M YOUR NEW PARTNER. 288 00:16:18,867 --> 00:16:21,067 WELL, I'M THE UTF'S WHOLE BEHAVIORAL UNIT. 289 00:16:21,067 --> 00:16:23,933 COME ON. LET'S GET YOU OUT OF THIS CRAZINESS. 290 00:16:23,933 --> 00:16:26,533 PB TODAY. SORRY. 291 00:16:26,533 --> 00:16:28,967 FLIGHT SCHOOLS SUCKS. 292 00:16:28,967 --> 00:16:32,400 PLUS U SAN RAFFAELE IS ABOUT A FART AND A HALF AWAY 293 00:16:32,400 --> 00:16:34,600 FROM LOSING IT'S ACCREDITATION, BUT WHATEVER. 294 00:16:34,600 --> 00:16:36,767 AS LONG AS I SQUEAK OUT A MASTERS BEFORE THEY GO UNDER, 295 00:16:36,767 --> 00:16:37,600 WE'RE ALL GOOD. 296 00:16:37,600 --> 00:16:38,933 SO, YOU'RE A PROFILER. 297 00:16:38,933 --> 00:16:40,067 YOU TRAINED AT THE B.A.U.? 298 00:16:40,067 --> 00:16:41,567 HELL NO, BRUH. 299 00:16:41,567 --> 00:16:44,067 I'M JUST A STREET AGENT. 300 00:16:44,067 --> 00:16:52,767 ** 301 00:16:52,767 --> 00:16:54,733 Andy: YOU EVER WORKED ON A BIG OP BEFORE? 302 00:16:54,733 --> 00:16:57,600 SOME BIG BANK ROBBERIES AND A D.A. HOMICIDE TASK FORCE 303 00:16:57,600 --> 00:16:59,667 IN PHILLY HAD, LIKE, 20 FULL-TIME AGENTS. 304 00:16:59,667 --> 00:17:01,067 IT WAS PRETTY HUGE, PRETTY INTENSE. 305 00:17:01,067 --> 00:17:05,900 HMM. WELL, WELCOME TO THE UNABOM TASK FORCE. 306 00:17:05,900 --> 00:17:09,500 WHOA. 307 00:17:09,500 --> 00:17:19,500 ** 308 00:17:19,500 --> 00:17:22,767 ** 309 00:17:22,767 --> 00:17:25,100 FRESH MEAT, YOU'RE WITH ME. 310 00:17:25,100 --> 00:17:26,400 Tabby: BIG BAD STAN COLE. 311 00:17:26,400 --> 00:17:29,333 COME ON -- BRIEFING'S ABOUT TO START. 312 00:17:29,333 --> 00:17:30,900 [ DOOR CLOSES ] 313 00:17:30,900 --> 00:17:32,700 ALL RIGHT. 314 00:17:32,700 --> 00:17:35,233 I'M GONNA RIP THE BAND-AID OFF QUICK. 315 00:17:35,233 --> 00:17:37,767 MOST OF YOU ARE TDY'D HERE FOR 60 DAYS -- 316 00:17:37,767 --> 00:17:40,067 WANT TO GET YOU ON THE PLAYING FIELD, 317 00:17:40,067 --> 00:17:42,633 EXCEPT OF COURSE FOR TABBY WHOSE BEEN HERE FOR TWO YEARS 318 00:17:42,633 --> 00:17:44,633 AND SOMEHOW STILL SHOWS UP LATE. 319 00:17:44,633 --> 00:17:48,133 WE ARE HUNTING THE DEADLIEST SERIAL BOMBER IN HISTORY -- 320 00:17:48,133 --> 00:17:50,800 THE UNABOMBER. 321 00:17:50,800 --> 00:17:54,300 FOR 17 YEARS HE'S BEEN PLANTING AND MAILING BOMBS, 322 00:17:54,300 --> 00:17:57,500 16 BOMBS, THREE PEOPLE KILLED, DOZENS INJURED, 323 00:17:57,500 --> 00:18:00,467 AND WE REALLY HAVE NO FRIGGIN' CLUE WHO HE IS 324 00:18:00,467 --> 00:18:01,800 OR WHY HE'S DOING THIS. 325 00:18:01,800 --> 00:18:04,333 WE CALL HIM THE UNABOMBER BECAUSE HIS EARLY TARGETS 326 00:18:04,333 --> 00:18:06,133 WERE UNIVERSITIES AND AIRLINES -- 327 00:18:06,133 --> 00:18:10,533 "UN" FOR "UNIVERSITY," "A" FOR "AIRLINE," UNABOM. 328 00:18:10,533 --> 00:18:13,533 HE CALLS HIMSELF "FC" FOR "FREEDOM CLUB." 329 00:18:13,533 --> 00:18:15,833 IT'S HOW HE SIGNS ALL HIS LETTERS. 330 00:18:15,833 --> 00:18:17,700 IT'S ALSO HOW HE SIGNS HIS BOMBS. 331 00:18:17,700 --> 00:18:22,067 17 YEARS OF BOMBS ALL SIGNED BY FC. 332 00:18:22,067 --> 00:18:23,233 HE'S A SICK BASTARD. 333 00:18:23,233 --> 00:18:26,800 NORTHWESTERN, 1978, ANOTHER ONE THERE IN '79. 334 00:18:26,800 --> 00:18:31,900 NOVEMBER '79 -- NEARLY TAKES OUT AMERICAN AIRLINES FLIGHT 444. 335 00:18:31,900 --> 00:18:35,067 THE BOMB WAS SENT VIA AIR MAIL RIGGED WITH AN ALTIMETER -- 336 00:18:35,067 --> 00:18:37,367 22 PASSENGERS INJURED. 337 00:18:37,367 --> 00:18:41,833 1980, UNITED AIRLINES PRESIDENT GETS HIS FACE BLOWN IN. 338 00:18:41,833 --> 00:18:44,933 MORE UNIVERSITY BOMBS, '81, '82 -- 339 00:18:44,933 --> 00:18:48,067 COMPUTER SCIENCE PROFESSORS, ENGINEERING PROFESSORS, 340 00:18:48,067 --> 00:18:50,367 ONE POOR SECRETARY AT VANDERBILT 341 00:18:50,367 --> 00:18:53,333 OPENED A PACKAGE ADDRESSED TO HER BOSS. 342 00:18:53,333 --> 00:18:59,367 MORE UNIVERSITIES IN '82, '85, '85, BOEING IN '85, 343 00:18:59,367 --> 00:19:02,700 TWO COMPUTER SHOPS, '85 AND '87. 344 00:19:02,700 --> 00:19:07,067 THE SECOND ONE, HE GOT HIS FIRST FATALITY. 345 00:19:07,067 --> 00:19:11,500 AND THIS IS WHERE WE GOT OUR FIRST EYEWITNESS. 346 00:19:11,500 --> 00:19:13,767 SHE GAVE US THIS NOW FAMOUS SKETCH, 347 00:19:13,767 --> 00:19:17,233 AND THEN NOTHING FOR SIX YEARS. 348 00:19:17,233 --> 00:19:21,133 SO WE FIGURED HE WAS DEAD OR MAYBE FINALLY GOT LAID. 349 00:19:21,133 --> 00:19:22,667 [ LAUGHTER ] 350 00:19:22,667 --> 00:19:24,267 BUT THEN HE IS BACK -- 351 00:19:24,267 --> 00:19:27,067 EPSTEIN AT U.C., GELERNTER AT YALE. 352 00:19:27,067 --> 00:19:29,900 IN HIS HIATUS, HE DEVELOPED MUCH MORE POWERFUL 353 00:19:29,900 --> 00:19:32,400 AND SOPHISTICATED BOMBS, AND THEY KEEP COMING. 354 00:19:32,400 --> 00:19:34,933 EXXON VALDEZ'S PR GUY, MOSSER, 355 00:19:34,933 --> 00:19:38,133 AND JUST LAST WEEK, GIL MURRAY IN SACRAMENTO. 356 00:19:38,133 --> 00:19:43,300 IT TOOK THREE BODY BAGS TO COLLECT THE PARTS. 357 00:19:43,300 --> 00:19:45,900 WHY THESE TARGETS? WHY NOW? 358 00:19:45,900 --> 00:19:47,133 NO CLUE. 359 00:19:47,133 --> 00:19:49,533 SO, WHAT FORENSIC LEADS DO WE HAVE? 360 00:19:49,533 --> 00:19:52,600 BASICALLY, WE HAVE NO FORENSIC LEADS. 361 00:19:52,600 --> 00:19:54,567 NO DNA, NO PRINTS. 362 00:19:54,567 --> 00:19:56,667 BUT WE DID HAVE A COUPLE GOOD IDEAS. 363 00:19:56,667 --> 00:19:59,567 WE DISCOVERED THAT HE GETS HIS ADDRESSES OUT ONE PARTICULAR 364 00:19:59,567 --> 00:20:02,733 EDITION OF "WHO'S WHO," SO WE INTERVIEWED JUST ABOUT 365 00:20:02,733 --> 00:20:05,267 EVERY LIBRARIAN IN THE COUNTRY -- NOTHING. 366 00:20:05,267 --> 00:20:07,767 MAKES HIS BOMBS OUT OF JUNK, 367 00:20:07,767 --> 00:20:11,200 SO WE DID A NATIONAL JUNKYARD CANVASS -- NO DICE. 368 00:20:11,200 --> 00:20:14,033 BUT WE FIGURE EVENTUALLY HE IS GONNA SCREW UP, 369 00:20:14,033 --> 00:20:15,367 AND MAYBE HE ALREADY DID. 370 00:20:15,367 --> 00:20:18,200 OVER THE YEARS, HE'S BEEN MAILING TYPED LETTERS -- 371 00:20:18,200 --> 00:20:21,567 NOTHING WORTH READING UNTIL THIS LETTER THAT HE WROTE 372 00:20:21,567 --> 00:20:23,033 TO THE NEW YORK TIMES. 373 00:20:23,033 --> 00:20:25,133 NOW, THE LETTER ITSELF IS BLAH-BLAH-BLAH, 374 00:20:25,133 --> 00:20:27,733 BUT FORENSICS FOUND THIS ON THE ENVELOPE -- 375 00:20:27,733 --> 00:20:29,400 "CALL NATHAN R." 376 00:20:29,400 --> 00:20:31,367 WE FIGURE HE WROTE HIMSELF A POST-IT NOTE 377 00:20:31,367 --> 00:20:32,600 ON TOP OF THE LETTER. 378 00:20:32,600 --> 00:20:35,300 AND THAT IS OUR FIRST REAL LEAD. 379 00:20:35,300 --> 00:20:37,633 FBI AGENTS ARE INTERVIEWING EVERYONE CALLED 380 00:20:37,633 --> 00:20:39,733 "NATHAN R-SOMETHING" IN THE COUNTRY. 381 00:20:39,733 --> 00:20:43,067 PLAN B IS TO FIND NATHANS WITH "R" MIDDLE NAMES. 382 00:20:43,067 --> 00:20:45,133 10,000 NATHAN Rs. 383 00:20:45,133 --> 00:20:46,933 AND THAT IS IT. 384 00:20:46,933 --> 00:20:48,700 ENJOY YOUR AFTERNOONS. 385 00:20:48,700 --> 00:20:52,767 DON'T FORGET TO TIP YOUR DRIVER. 386 00:20:52,767 --> 00:20:55,100 IT'S NOT MUCH TO GO ON. 387 00:20:55,100 --> 00:20:56,567 NOPE. 388 00:20:56,567 --> 00:20:57,967 THIS IS WHY THEY NEED US. 389 00:20:57,967 --> 00:21:00,367 THE PROFILE'S GONNA FOCUS THE ENTIRE SEARCH. 390 00:21:00,367 --> 00:21:03,500 IT'S A BIG RESPONSIBILITY. 391 00:21:03,500 --> 00:21:05,600 IT'S EXCITING. YEAH, RIGHT? 392 00:21:05,600 --> 00:21:07,067 MILDLY. 393 00:21:07,067 --> 00:21:11,300 COME ON. S.A.C. ACKERMAN WANTS TO MEET YOU. 394 00:21:11,300 --> 00:21:12,533 IT'S AN HONOR, SIR. 395 00:21:12,533 --> 00:21:14,133 I FEEL PRIVILEGED TO BE UNDER YOUR COMMAND. 396 00:21:14,133 --> 00:21:15,933 I STUDIED YOUR CASES AT THE ACADEMY -- 397 00:21:15,933 --> 00:21:18,233 THE RUSSIAN RIVER KILLER, HARTFORD ABDUCTION. 398 00:21:18,233 --> 00:21:19,700 UNDER ANY OTHER AGENT, THAT WOULD HAVE ENDED 399 00:21:19,700 --> 00:21:21,833 IN A MURDER-SUICIDE, AND, AGENT COLE, 400 00:21:21,833 --> 00:21:24,900 OHIO SEVEN STING, BUSTING THE BAD AXE MILITIA. 401 00:21:24,900 --> 00:21:27,467 I CAN'T BELIEVE I'M STANDING HERE. 402 00:21:27,467 --> 00:21:29,967 I AM -- I'M EAGER TO LEARN FORM YOU BOTH. 403 00:21:29,967 --> 00:21:32,633 [ Chuckling ] WELL, I LOVE THIS GUY ALREADY. 404 00:21:32,633 --> 00:21:35,367 SO, FITZ, WE SENT GENELLI TO BRING BACK THE BEST MAN 405 00:21:35,367 --> 00:21:37,200 HE COULD FIND, AND THAT IS YOU. 406 00:21:37,200 --> 00:21:39,167 WELCOME ABOARD. 407 00:21:39,167 --> 00:21:44,667 AND HERE IS WHAT YOU'RE GONNA BE WORKING ON. 408 00:21:44,667 --> 00:21:47,733 Stan: LOW I.Q., FORMERLY EMPLOYED BY AN AIRLINE MECHANIC 409 00:21:47,733 --> 00:21:50,133 OR TECHNICIAN, NO HIGHER EDUCATION, 410 00:21:50,133 --> 00:21:52,133 POSSIBLY LITTLE TO NO HIGH SCHOOL, 411 00:21:52,133 --> 00:21:55,467 GREW UP IN OHIO -- CLEVELAND OR CINCINNATI LIKELY -- 412 00:21:55,467 --> 00:21:58,400 CURRENTLY RESIDES IN THE BAY AREA. 413 00:21:58,400 --> 00:22:00,300 SO, WHAT IS THIS? 414 00:22:00,300 --> 00:22:04,667 IT'S OUR CURRENT PROFILE, MY OWN SUMMARY OF IT. 415 00:22:04,667 --> 00:22:05,767 WHERE'S THE REST OF IT? 416 00:22:05,767 --> 00:22:07,500 THAT'S EXACTLY WHY YOU'RE HERE. 417 00:22:07,500 --> 00:22:09,900 I WANT YOU TO TAKE THAT, FLESH IT OUT. 418 00:22:09,900 --> 00:22:12,867 I'M GONNA NEED 15 PAGES THAT CAN DIRECTLY ON 419 00:22:12,867 --> 00:22:15,300 ATTORNEY GENERAL JANET RENO'S DESK. 420 00:22:15,300 --> 00:22:19,067 SO MAKE US LOOK GOOD. 421 00:22:19,067 --> 00:22:21,667 YEAH, I WILL. I WILL. I'LL DO MY BEST. 422 00:22:21,667 --> 00:22:23,333 IT'S JUST A LITTLE DIFFERENT THAN I'M USED TO, 423 00:22:23,333 --> 00:22:25,533 'CAUSE IN TERMS OF A PROFILE, THEY WERE A LOT MORE SCIENTIFIC 424 00:22:25,533 --> 00:22:27,233 AND A LITTLE BIT LONGER. 425 00:22:27,233 --> 00:22:28,800 WELCOME TO THE REAL WORLD. 426 00:22:28,800 --> 00:22:31,233 QUANTICO'S A LONG WAY AWAY. 427 00:22:31,233 --> 00:22:34,067 WHAT S.S.A. COLE MEANS IS THAT THAT SUMMARY 428 00:22:34,067 --> 00:22:36,467 IS A DISTILLATION OF 10 YEARS WORK, 429 00:22:36,467 --> 00:22:39,733 SO IT'S GOT A SOLID FOUNDATION AND WE DON'T EXPECT IT 430 00:22:39,733 --> 00:22:42,300 TO CHANGE EXCEPT FOR THE WOOD THING. 431 00:22:42,300 --> 00:22:43,833 MM. 432 00:22:43,833 --> 00:22:45,067 THE WOOD THING? 433 00:22:45,067 --> 00:22:47,700 THERE'S A THEORY FC IS OBSESSED WITH WOOD. 434 00:22:47,700 --> 00:22:50,300 MAYBE HE HAS ERECTILE DYSFUNCTION. 435 00:22:50,300 --> 00:22:53,133 SINCE HE BLEW UP THIS MOSSER GUY -- MOSS -- 436 00:22:53,133 --> 00:22:56,667 IT'S LIKE A PLANT, SO THAT CAN GO IN YOUR PROFILE NOW. 437 00:22:56,667 --> 00:22:59,233 THAT'S GONNA PLAY VERY, VERY WELL WITH THE PRESS, 438 00:22:59,233 --> 00:23:01,800 SO I WANT YOU TO DRESS THAT UP A BIT, 439 00:23:01,800 --> 00:23:05,667 UH, "A PROPENSITY FOR SOFTNESS IN THE GENITAL REGION," 440 00:23:05,667 --> 00:23:09,867 SOMETHING LIKE THAT -- BUT NOTHING CRUDE. 441 00:23:09,867 --> 00:23:13,367 I CAN DEFINITELY DO SOMETHING. 442 00:23:13,367 --> 00:23:14,967 I WAS EXCEPTING A SUPPORT TEAM. 443 00:23:14,967 --> 00:23:17,167 NOPE. IT'S ALL YOU, FITZ. 444 00:23:17,167 --> 00:23:18,867 BUT I KNOW YOU CAN HANDLE IT. 445 00:23:18,867 --> 00:23:20,633 OKAY. 446 00:23:20,633 --> 00:23:24,200 15 PAGES, CLEAN, NO TYPOS, AND WOOD, 447 00:23:24,200 --> 00:23:27,400 A LOT OF BULLET POINTS, A LOT OF BIG WORDS, 448 00:23:27,400 --> 00:23:29,600 A COUPLE WEEKS, GET IT TURNED IN, 449 00:23:29,600 --> 00:23:32,133 GET YOU BACK HOME. 450 00:23:32,133 --> 00:23:34,300 IF YOU WANT TO HEAR SOME WAR STORIES, 451 00:23:34,300 --> 00:23:35,833 COME OUT FOR A BEER TOMORROW. 452 00:23:35,833 --> 00:23:38,367 WE'RE GOING TO FREDDY'S -- OLD-SCHOOL SAN FRANCISCO. 453 00:23:38,367 --> 00:23:39,200 YOU'LL LIKE IT. 454 00:23:39,200 --> 00:23:41,100 SURE. YEAH. 455 00:23:41,100 --> 00:23:50,133 ** 456 00:23:50,133 --> 00:23:53,533 [ DOOR CLOSES ] 457 00:23:53,533 --> 00:24:00,767 ** 458 00:24:00,767 --> 00:24:04,467 [ INSECTS CHIRPING ] 459 00:24:04,467 --> 00:24:08,600 ** 460 00:24:13,800 --> 00:24:19,400 [ INDISTINCT CHATTER ] 461 00:24:19,400 --> 00:24:21,133 I JUST DON'T SEE IT. 462 00:24:21,133 --> 00:24:24,867 I JUST DON'T SEE THE WOOD THING. 463 00:24:24,867 --> 00:24:29,367 THEY WANT ME TO DO A THING ABOUT FC'S ERECTILE DYSFUNCTION. 464 00:24:29,367 --> 00:24:31,233 WHAT IS IT WITH MEN AND THEIR DONGS? 465 00:24:31,233 --> 00:24:32,400 YOU SHOULD WRITE IT. 466 00:24:32,400 --> 00:24:36,067 WRITE THAT REPORT -- YOU'LL BE ON CNN TONIGHT. 467 00:24:36,067 --> 00:24:38,900 IT'S B.S. 468 00:24:38,900 --> 00:24:44,367 THIS PROFILE -- THIS PROFILE IS B.S. 469 00:24:44,367 --> 00:24:45,800 I THINK IT'S GOT TO GO. 470 00:24:45,800 --> 00:24:47,267 LET'S JUST START OVER. 471 00:24:47,267 --> 00:24:49,333 WHAT, JUST TOSS IT ALL? 472 00:24:49,333 --> 00:24:51,067 I DON'T KNOW, MAN. 473 00:24:51,067 --> 00:24:53,667 THEY'VE BEEN SAYING "AIRLINES, MECHANIC FROM CINCINNATI" 474 00:24:53,667 --> 00:24:56,467 FOR YEARS NOW -- CONSISTENTLY. 475 00:24:56,467 --> 00:24:57,933 THERE MUST BE SOME REASON. 476 00:24:57,933 --> 00:25:00,867 COME HERE. 477 00:25:00,867 --> 00:25:03,167 WHAT'S THE FIRST TRAP WE WATCH FOR AS PROFILERS? 478 00:25:03,167 --> 00:25:05,333 INHERITED ASSUMPTIONS. 479 00:25:05,333 --> 00:25:08,567 SO ALL THESE PRECONCEPTIONS WE JUST TOSS OUT, 480 00:25:08,567 --> 00:25:09,967 COME AT IT CLEAN. 481 00:25:09,967 --> 00:25:11,467 WE KNOW NOTHING ABOUT NOTHING ABOUT FC 482 00:25:11,467 --> 00:25:13,367 EXCEPT WHAT THE EVIDENCE TELLS US, 483 00:25:13,367 --> 00:25:15,933 SO IF WE DON'T ASSUME THAT HE'S A AIRLINE WORKER, 484 00:25:15,933 --> 00:25:17,333 WHAT ELSE POINTS TO CINCINNATI? 485 00:25:17,333 --> 00:25:19,933 ALL THE BOMBS THAT HE PLANTED AT THE UNIVERSITIES -- 486 00:25:19,933 --> 00:25:21,933 WAS IT BECAUSE HE'S A RESENTFUL OUTSIDER 487 00:25:21,933 --> 00:25:23,467 OR BECAUSE THAT'S WHERE HE FELT MOST SAFE? 488 00:25:23,467 --> 00:25:26,067 AND HERE -- ALL RIGHT? OKAY. 489 00:25:26,067 --> 00:25:28,900 WHEN HE TALKED DOWN ON PEOPLE WITH ADVANCED DEGREES, 490 00:25:28,900 --> 00:25:31,500 IS HE ACTUALLY LOW I.Q. WITH NO HIGHER EDUCATION, 491 00:25:31,500 --> 00:25:33,300 OR IS HE REALLY SMART, MAYBE HE HAS A BUNCH OF DEGREES 492 00:25:33,300 --> 00:25:35,167 AND KNOWS WE'RE GONNA READ THIS LETTER AND IS HOPING 493 00:25:35,167 --> 00:25:38,700 THAT WE DON'T THINK TOO HARD ABOUT IT? 494 00:25:38,700 --> 00:25:42,733 I...WOW. 495 00:25:42,733 --> 00:25:44,867 YEAH. 496 00:25:44,867 --> 00:25:47,067 I DON'T KNOW. 497 00:25:47,067 --> 00:25:48,700 EXACTLY. 498 00:25:48,700 --> 00:25:51,200 WE DON'T KNOW. 499 00:25:51,200 --> 00:25:54,333 WE DON'T KNOW ANYTHING. 500 00:25:54,333 --> 00:25:55,700 BUT YOU GO BY THIS PROFILE, 501 00:25:55,700 --> 00:26:00,767 YOU'RE MIND IS JUST GONNA GO LIKE THIS. 502 00:26:00,767 --> 00:26:02,067 SO WE START OVER. 503 00:26:02,067 --> 00:26:05,300 MAKE THE LIST, EVERYTHING WE NEED. 504 00:26:05,300 --> 00:26:06,200 [ BASKET RATTLES ] 505 00:26:06,200 --> 00:26:07,467 YES! 506 00:26:07,467 --> 00:26:09,567 RESPECTFULLY, THIS IS WHAT I NEED TO START OVER 507 00:26:09,567 --> 00:26:11,267 AND BUILD A PROFILE WE CAN ALL STAND BEHIND. 508 00:26:11,267 --> 00:26:13,400 I KNOW IT'S A BUMP IN TIME AND IN RESOURCES, 509 00:26:13,400 --> 00:26:15,400 BUT THIS IS GOING ON THE ATTORNEY GENERAL'S DESK, 510 00:26:15,400 --> 00:26:17,067 IT'S GOING IN THE PRESS WITH YOUR NAME ON IT, 511 00:26:17,067 --> 00:26:19,233 SO WE HAVE TO GET IT RIGHT. 512 00:26:19,233 --> 00:26:21,933 Stan: HOW MANY PROFILES HAVE YOU CREATED, 513 00:26:21,933 --> 00:26:23,833 OUTSIDE THE CLASSROOM, I MEAN? 514 00:26:23,833 --> 00:26:25,700 [ SIGHS ] THIS IS MY FIRST. 515 00:26:25,700 --> 00:26:26,833 WELL, THERE YOU GO. 516 00:26:26,833 --> 00:26:28,733 SO LET ME EXPLAIN TO YOU HOW THIS WORKS. 517 00:26:28,733 --> 00:26:31,367 YOUR JOB IS TO FULFILL THE DUTIES 518 00:26:31,367 --> 00:26:33,067 LAID OUT TO YOU BY S.A.C. 519 00:26:33,067 --> 00:26:34,200 THAT'S ACKERMAN. 520 00:26:34,200 --> 00:26:37,067 HE GAVE YOU PARAMETERS, NOW GO EXECUTE. 521 00:26:37,067 --> 00:26:38,933 RESPECTFULLY, ALL I'M ASKING FOR 522 00:26:38,933 --> 00:26:40,367 IS THE FREEDOM TO DO EXCELLENT WORK FOR YOU. 523 00:26:40,367 --> 00:26:41,667 THAT'S ALL. 524 00:26:41,667 --> 00:26:43,567 OTHERWISE, YOUR PROFILE IS GONNA HAMPER YOUR INVESTIGATION. 525 00:26:43,567 --> 00:26:44,633 IT'S NOT GONNA HELP IT. 526 00:26:44,633 --> 00:26:46,067 [ SIGHS ] 527 00:26:46,067 --> 00:26:47,367 WHEN YOUR ONLY TOOL'S A HAMMER, SON, 528 00:26:47,367 --> 00:26:49,167 EVERYTHING LOOKS LIKE A NAIL. 529 00:26:49,167 --> 00:26:51,833 YOU'RE A PROFILER, YOU THINK THE PROFILE'S GONNA CATCH HIM. 530 00:26:51,833 --> 00:26:54,133 GENELLI'S A GEARHEAD. 531 00:26:54,133 --> 00:26:55,933 HE THINKS IT'S ALL ABOUT HIS COMPUTER. 532 00:26:55,933 --> 00:26:57,800 WE GOT A GUY THAT'S BEEN WORKING ON THE UNABOMBER 533 00:26:57,800 --> 00:27:00,367 STAMP SELECTION FOR THE LAST FIVE YEARS. 534 00:27:00,367 --> 00:27:06,500 TO HIM, A $1 EUGENE O'NEILL STAMP IS THE KEY TO EVERYTHING. 535 00:27:06,500 --> 00:27:09,433 NOW, I INHERITED THAT GUY AND I ALLOW HIM TO PURSUE THAT AVENUE, 536 00:27:09,433 --> 00:27:12,800 'CAUSE, UH, WELL, YOU NEVER KNOW. 537 00:27:12,800 --> 00:27:16,067 BUT WHEN I TELL HIM TO DO SOMETHING, 538 00:27:16,067 --> 00:27:19,433 I EXPECT HIM TO DO IT. 539 00:27:19,433 --> 00:27:20,867 WELL, I'M NOT YOUR STAMP GUY. 540 00:27:20,867 --> 00:27:22,133 I'M YOUR PROFILER. 541 00:27:22,133 --> 00:27:27,067 EVEN THE STAMP GUY DOESN'T THINK HE'S THE STAMP GUY. 542 00:27:33,400 --> 00:27:34,800 [ DOOR OPENS ] 543 00:27:34,800 --> 00:27:36,700 ALL RIGHT, LET ME WALK YOU THROUGH IT. 544 00:27:36,700 --> 00:27:37,867 [ DOOR CLOSES ] 545 00:27:37,867 --> 00:27:39,500 YOU KNOW WHAT THESE ARE? 546 00:27:39,500 --> 00:27:41,833 THESE ARE PROFILES OF THE UNABOMBER, 547 00:27:41,833 --> 00:27:43,067 AND WE'VE GOT THEM ALL. 548 00:27:43,067 --> 00:27:45,400 YOU WANT TO KNOW WHERE HE LIVES? 549 00:27:45,400 --> 00:27:47,067 OKAY. 550 00:27:47,067 --> 00:27:49,333 IN A HOUSE WITH A ROOM THAT HIS WIFE AND KIDS 551 00:27:49,333 --> 00:27:52,633 KNOW NEVER TO GO INTO. 552 00:27:52,633 --> 00:28:00,067 OR MAYBE WITH HIS MOTHER -- A NORMAN BATES THING GOING ON. 553 00:28:00,067 --> 00:28:02,133 AND THIS IS A CLASSIC. 554 00:28:02,133 --> 00:28:05,100 IT'S 20 FULL PAGES BY THE LEGENDARY JOHN DOUGLAS 555 00:28:05,100 --> 00:28:07,667 ABOUT HOW THE UNABOMBER MAINTAINS HIS CAR 556 00:28:07,667 --> 00:28:11,200 RIGHT DOWN TO THE AIR FRESHENER, WHICH IS ROYAL PINE. 557 00:28:11,200 --> 00:28:12,533 [ PAPERS THUD ] 558 00:28:12,533 --> 00:28:14,667 NOW, WE'VE HAD EVERY TOP PROFILER IN THE BUSINESS 559 00:28:14,667 --> 00:28:16,233 COME THROUGH HERE, AND EVERY SINGLE ONE OF THEM 560 00:28:16,233 --> 00:28:18,700 SAYS HE'S GOT TO START ALL OVER, AND EVERY ONE OF THEM 561 00:28:18,700 --> 00:28:20,300 SAYS SOMETHING COMPLETELY DIFFERENT, 562 00:28:20,300 --> 00:28:22,467 SO PARDON ME IF I'M A LITTLE SKEPTICAL 563 00:28:22,467 --> 00:28:24,367 OF YOUR PROFESSION. 564 00:28:24,367 --> 00:28:26,400 NOW, ACKERMAN BROUGHT ME IN HERE 565 00:28:26,400 --> 00:28:29,267 TO KEEP THIS INVESTIGATION FOCUSED AND ON TRACK. 566 00:28:29,267 --> 00:28:31,133 WE'VE BEEN RUNNING AROUND IN CIRCLES FOR YEARS, 567 00:28:31,133 --> 00:28:32,700 AND IT'S TIME FOR THAT TO STOP. 568 00:28:32,700 --> 00:28:36,200 SO INSTEAD OF 100 DIFFERENT CONTRADICTORY PROFILES, 569 00:28:36,200 --> 00:28:40,867 WE'RE GOING WITH ONE BACKED UP BY CONCRETE FORENSIC EVIDENCE, 570 00:28:40,867 --> 00:28:42,767 AND THAT'S THE PROFILE THAT I GAVE YOU. 571 00:28:42,767 --> 00:28:45,067 THE ONLY WAY WE'RE GONNA CATCH THE UNABOMBER, 572 00:28:45,067 --> 00:28:47,667 SAME WAY WE CATCH ANYBODY, THAT'S FORENSICS. 573 00:28:47,667 --> 00:28:49,200 IT'S PLAIN AND SIMPLE. 574 00:28:49,200 --> 00:28:51,867 NOW, YOU COULD SPEND SIX MONTHS COMING UP WITH 575 00:28:51,867 --> 00:28:53,933 THE WORLD'S MOST ACCURATE PROFILE, 576 00:28:53,933 --> 00:28:55,567 BUT THAT'S NOT WHAT WE'RE LOOKING FOR. 577 00:28:55,567 --> 00:28:58,600 WE'RE LOOKING FOR 15 PAGES, NO TYPOS, AND WOOD, 578 00:28:58,600 --> 00:29:00,767 AND WE WANT TO TAKE IT TO THE PRESS NEXT WEEK. 579 00:29:00,767 --> 00:29:03,067 NOW, I UNDERSTAND THAT YOU'RE A BRILLIANT GUY. 580 00:29:03,067 --> 00:29:04,467 I DO. 581 00:29:04,467 --> 00:29:07,067 McALPINE SAYS YOU CAN ALL KINDS OF STUFF HIDDEN IN LETTERS, 582 00:29:07,067 --> 00:29:09,200 AND THAT'S GREAT, SO TAKE THE UNABOM LETTERS 583 00:29:09,200 --> 00:29:10,967 AND FIND WOOD. 584 00:29:10,967 --> 00:29:12,600 OKAY? 585 00:29:12,600 --> 00:29:19,867 SO RIGHT NOW, ALL THAT'S REQUIRED OF YOU IS OBEDIENCE. 586 00:29:19,867 --> 00:29:21,267 UNDERSTAND? 587 00:29:21,267 --> 00:29:25,467 [ DOOR OPENS, CLOSES ] 588 00:29:25,467 --> 00:29:27,100 [ SIGHS ] 589 00:29:30,900 --> 00:29:33,333 Natalie: OKAY, ON TUESDAY, WE DISCUSSED REGIONAL DIALECTS 590 00:29:33,333 --> 00:29:35,600 AND LINGUISTIC PRESCRIPTIVISM. 591 00:29:35,600 --> 00:29:38,300 SEE YOU NEXT WEEK. 592 00:29:38,300 --> 00:29:47,900 [ INDISTINCT CHATTER ] 593 00:29:47,900 --> 00:29:49,500 Jim: NATALIE. 594 00:29:49,500 --> 00:29:54,767 [ CHATTER CONTINUES ] 595 00:29:54,767 --> 00:29:57,067 [ DOOR CLOSES ] 596 00:29:57,067 --> 00:30:00,300 I'M SORRY. I DIDN'T MEAN TO JUST SHOW UP. 597 00:30:00,300 --> 00:30:02,400 I JUST DIDN'T KNOW WHERE ELSE TO GO. 598 00:30:06,733 --> 00:30:10,567 WHAT HAPPENED TO YOU? 599 00:30:10,567 --> 00:30:13,200 WHERE'D YOU GO? 600 00:30:13,200 --> 00:30:14,700 WHERE HAVE YOU BEEN? 601 00:30:14,700 --> 00:30:16,800 YOU KNOW, I TRIED TO FIND YOU. 602 00:30:16,800 --> 00:30:18,233 I CALLED YOUR OFFICE, YOUR HOME. 603 00:30:18,233 --> 00:30:21,433 I TALKED TO YOUR WIFE -- EVERYTHING. 604 00:30:21,433 --> 00:30:23,333 THE UNABOM CASE IS OVER. 605 00:30:23,333 --> 00:30:26,067 IT WAS OVER TWO YEARS AGO. 606 00:30:26,067 --> 00:30:28,767 IT'S NOT OVER, AND I NEED HELP. 607 00:30:28,767 --> 00:30:32,200 YOU HAVE TO HAVE SOME PLACE YOU CAN GO -- 608 00:30:32,200 --> 00:30:35,200 FAMILY, SOMEBODY OTHER THAN ME. 609 00:30:39,333 --> 00:30:42,233 [ SIGHS ] 610 00:30:42,233 --> 00:30:45,733 HEY. LOOK, LOOK -- WE GOT A FRIEND! 611 00:30:45,733 --> 00:30:46,667 WHAT'S YOUR NAME? 612 00:30:46,667 --> 00:30:49,600 WINSTON AND JASPER. 613 00:30:49,600 --> 00:30:52,200 LOOK, I-I HAVE TO DEFEND MY DISSERTATION IN A COUPLE WEEKS, 614 00:30:52,200 --> 00:30:54,633 SO I HAVE TO WORK TONIGHT. 615 00:30:58,100 --> 00:30:59,667 ALL RIGHT, I'M GONNA TAKE THESE GUYS TO THE KITCHEN. 616 00:30:59,667 --> 00:31:02,333 WHY DON'T YOU -- WHY DON'T YOU TAKE A SHOWER? 617 00:31:02,333 --> 00:31:03,767 YOU CAN SLEEP ON THE COUCH. 618 00:31:03,767 --> 00:31:07,133 COME ON! COME ON! 619 00:31:20,333 --> 00:31:23,300 THEY WANT ME TO GO IN AND INTERROGATE TED. 620 00:31:23,300 --> 00:31:26,200 THEY NEED ME. 621 00:31:26,200 --> 00:31:27,800 THEY NEED ME TO GET THE GUILTY PLEA. 622 00:31:27,800 --> 00:31:29,767 [ SCOFFS ] 623 00:31:29,767 --> 00:31:32,067 I THINK THAT... 624 00:31:32,067 --> 00:31:34,667 I THINK I NEED TO CONFRONT HIM AND GET SOME ANSWERS. 625 00:31:34,667 --> 00:31:36,133 YOU HAVE THE ANSWERS. 626 00:31:36,133 --> 00:31:38,133 YOU PROVED THAT TED'S THE UNABOMBER. 627 00:31:38,133 --> 00:31:41,333 ANSWERS FOR MYSELF, SO I CAN UNDERSTAND 628 00:31:41,333 --> 00:31:45,333 WHAT HAPPENED TO ME AND WHERE I SHOULD GO FROM HERE. 629 00:31:45,333 --> 00:31:48,100 AND WHAT MAKES YOU THINK THAT HE HAS ANSWERS 630 00:31:48,100 --> 00:31:52,333 TO ANY QUESTION THAT MATTERS? 631 00:31:52,333 --> 00:31:53,900 WHAT DO YOU THINK? 632 00:31:53,900 --> 00:31:57,767 YOU WANTED THIS. 633 00:31:57,767 --> 00:32:01,400 YOU WANTED HIM IN YOUR LIFE. 634 00:32:01,400 --> 00:32:04,133 SECRETLY, SOMEHOW YOU WANTED THIS. 635 00:32:04,133 --> 00:32:07,533 THAT'S THE ANSWER. 636 00:32:07,533 --> 00:32:10,600 THAT'S THE ONLY WAY I CAN MAKE SENSE OF WHAT HAPPENED. 637 00:32:10,600 --> 00:32:11,900 YOU WANTED HIM IN YOUR LIFE 638 00:32:11,900 --> 00:32:17,467 MORE THAN YOU WANTED ANYONE OR ANYTHING ELSE. 639 00:32:17,467 --> 00:32:18,700 WHY WOULD I WANT THAT? 640 00:32:18,700 --> 00:32:20,533 WHAT KIND OF PERSON WOULD WANT THAT? 641 00:32:25,967 --> 00:32:27,867 Jim: THEY INTERVIEW 10,000 NATHAN Rs., 642 00:32:27,867 --> 00:32:29,500 AND THEN THEY TURN TO ME AND SAY THAT PROFILING'S 643 00:32:29,500 --> 00:32:32,200 A WASTE OF RESOURCES. THINK ABOUT THAT. 644 00:32:32,200 --> 00:32:34,833 YOU'RE A COG IN THE MACHINE, FITZ. 645 00:32:34,833 --> 00:32:36,300 EMBRACE IT, BRUH. 646 00:32:36,300 --> 00:32:42,167 [ INDISTINCT CONVERSATIONS ] 647 00:32:42,167 --> 00:32:45,067 OH-OH! THERE HE IS. 648 00:32:45,067 --> 00:32:48,533 IT'S OUR HEAD SHRINKER COME TO MINGLE WITH THE COMMONERS. 649 00:32:48,533 --> 00:32:54,267 ** 650 00:32:54,267 --> 00:33:00,067 ** 651 00:33:00,067 --> 00:33:06,167 -HEY, WHERE YOU GOING, BRUH? -SACRAMENTO TO DO MY JOB. 652 00:33:06,167 --> 00:33:08,933 [ DOOR CLOSES ] 653 00:33:08,933 --> 00:33:12,700 ** 654 00:33:12,700 --> 00:33:14,300 Ted: THEY WANT YOU TO OBEY. 655 00:33:14,300 --> 00:33:17,767 THEY WANT YOU TO BE A SHEEP LIKE THEY ARE SHEEP -- 656 00:33:17,767 --> 00:33:21,967 OBEDIENT, UNQUESTIONING PIECE OF MACHINERY. 657 00:33:21,967 --> 00:33:25,300 SIT WHEN TOLD TO SIT, STAND WHEN TOLD TO STAND. 658 00:33:25,300 --> 00:33:28,100 THEY WANT YOU TO GIVE UP YOUR HUMANITY, YOUR AUTONOMY 659 00:33:28,100 --> 00:33:32,767 FOR A PAYCHECK, GOLD STAR, BIGGER TV. 660 00:33:32,767 --> 00:33:35,133 THE ONLY WAY TO BE HUMAN, 661 00:33:35,133 --> 00:33:38,533 THE ONLY WAY TO BE FREE, IS TO REBEL. 662 00:33:38,533 --> 00:33:40,067 THEY'LL TRY TO CRUSH YOU. 663 00:33:40,067 --> 00:33:43,167 THEY'LL USE EVERY TACTIC THEY HAVE TO MAKE YOU OBEDIENT, 664 00:33:43,167 --> 00:33:46,333 DOCILE, SUBSERVIENT, BUT YOU CAN'T LET THEM. 665 00:33:46,333 --> 00:33:50,833 YOU HAVE TO BE YOUR OWN MASTER, WHATEVER THAT TAKES. 666 00:33:50,833 --> 00:33:52,567 BETTER TO DIE A HUMAN BEING 667 00:33:52,567 --> 00:33:56,833 THAN TO LIVE AS A PURPOSELESS COG IN THEIR MACHINE. 668 00:33:56,833 --> 00:34:06,900 ** 669 00:34:06,900 --> 00:34:16,900 ** 670 00:34:16,900 --> 00:34:22,933 ** 671 00:34:22,933 --> 00:34:28,300 Jim: YOU DROPPED IT IN THE MAIL A WEEK AGO. 672 00:34:30,067 --> 00:34:32,900 [ INDISTINCT CHATTER ] 673 00:34:37,400 --> 00:34:41,200 Woman: GIL. 674 00:34:41,200 --> 00:34:43,467 THIS JUST CAME. 675 00:34:52,167 --> 00:34:55,433 [ INDISTINCT CHATTER ] 676 00:35:11,667 --> 00:35:13,900 [ SCREAMING ] 677 00:35:18,433 --> 00:35:24,233 Jim: YOU WANT TO BE HERE. 678 00:35:24,233 --> 00:35:27,933 YOU WANT TO BE HERE, 679 00:35:27,933 --> 00:35:33,200 TOUCHING THIS, SAVORING IT. 680 00:35:43,100 --> 00:35:45,333 [ INSECTS CHIRPING ] 681 00:35:45,333 --> 00:35:47,467 BUT YOU CAN'T BE HERE. 682 00:35:47,467 --> 00:35:49,233 YOU CAN'T BE HERE. 683 00:35:49,233 --> 00:35:56,400 EVER -- FOR ANY OF THEM. 684 00:35:56,400 --> 00:36:02,133 WHY IS THAT ENOUGH FOR YOU AND NOT ANY OTHER SERIAL KILLER? 685 00:36:02,133 --> 00:36:08,300 NEVER TO SEE IT, HEAR IT, TASTE IT, 686 00:36:08,300 --> 00:36:11,767 NEVER TO SEE GIL MURRAY'S BODY. 687 00:36:11,767 --> 00:36:14,600 BECAUSE IT'S NOT ABOUT HIM. 688 00:36:14,600 --> 00:36:20,700 IT'S NOT ABOUT HIM AS AN INDIVIDUAL, IS IT? 689 00:36:25,567 --> 00:36:30,067 THESE AREN'T PEOPLE TO YOU. 690 00:36:30,067 --> 00:36:33,300 THEY'RE SYMBOLS. 691 00:36:33,300 --> 00:36:36,300 YOU'RE SENDING A MESSAGE. 692 00:36:36,300 --> 00:36:40,367 THAT'S WHY YOU USE THE MAIL, 'CAUSE IT'S A MESSAGE. 693 00:36:40,367 --> 00:36:42,800 IT'S A HIDDEN MESSAGE. 694 00:36:42,800 --> 00:36:45,400 AND WHAT DOES IT SYMBOLIZE? 695 00:36:45,400 --> 00:36:48,900 WHAT DOES IT REPRESENT? 696 00:36:48,900 --> 00:36:54,600 SO, WHAT ARE YOU TRYING TO TELL US, FC? 697 00:36:54,600 --> 00:36:57,400 WHAT ARE YOU TRYING TO TELL ME? 698 00:36:57,400 --> 00:37:01,500 ** 699 00:37:01,500 --> 00:37:07,767 "DAD, IT IS I." 700 00:37:07,767 --> 00:37:14,700 WHAT ARE YOU TRYING TO TELL ME, FC? 701 00:37:14,700 --> 00:37:17,267 WHAT ARE YOU TRYING TO TELL ME? 702 00:37:21,233 --> 00:37:23,667 [ KNOCKS ON WINDOW ] 703 00:37:23,667 --> 00:37:25,700 [ INDISTINCT CHATTER ] 704 00:37:30,367 --> 00:37:32,900 YOUR WHOLE PROFILE IS BUILT ON THE ASSUMPTION 705 00:37:32,900 --> 00:37:34,700 THAT FC WAS ONE OF THE AIRLINE MECHANICS 706 00:37:34,700 --> 00:37:36,533 THAT UNITED AIRLINES LAID OFF IN CINCINNATI, 707 00:37:36,533 --> 00:37:39,167 AND THAT HE TARGETED AMERICAN AIRLINES FLIGHT 444 708 00:37:39,167 --> 00:37:42,467 AND UNITED PRESIDENT PERCY WOOD OUT OF A PERSONAL GRUDGE, RIGHT? 709 00:37:42,467 --> 00:37:43,933 RIGHT. 710 00:37:43,933 --> 00:37:45,633 BUT LET'S THINK ABOUT MAIL BOMBS. 711 00:37:45,633 --> 00:37:47,933 HE CAN'T HEAR THEM, HE CAN'T SEE THEM, HE CAN'T VISIT THE SITE, 712 00:37:47,933 --> 00:37:49,100 HE CAN'T VIEW THE BODIES, ANYTHING. 713 00:37:49,100 --> 00:37:51,067 IT'S NONE OF THE SATISFACTION OF REVENGE. 714 00:37:51,067 --> 00:37:53,867 BUT HE KEEPS BOMBING ANYWAY. 715 00:37:53,867 --> 00:37:55,133 WHY? 716 00:37:55,133 --> 00:37:57,667 BECAUSE THESE AREN'T PERSONAL TARGETS. 717 00:37:57,667 --> 00:38:00,300 THEY ARE REPRESENTATIONAL TARGETS. 718 00:38:00,300 --> 00:38:03,233 GIL MURRAY WAS A SYMBOL OF SOMETHING FOR HIM. 719 00:38:03,233 --> 00:38:05,467 ALL OF HIS TARGETS SYMBOLIZE SOMETHING FOR FC. 720 00:38:05,467 --> 00:38:08,200 Andy: WE HAVE DONE EVERY KIND OF VICTIMOLOGY. 721 00:38:08,200 --> 00:38:10,433 HIS VICTIMS ARE RANDOM, 722 00:38:10,433 --> 00:38:12,633 TOTALLY UNCONNECTED TO EACH OTHER. 723 00:38:12,633 --> 00:38:14,067 ALL RIGHT. 724 00:38:14,067 --> 00:38:15,967 SO HE SPENDS YEARS PERFECTING THE MOST UNTRACEABLE, 725 00:38:15,967 --> 00:38:17,933 SOPHISTICATED MAIL BOMB EVER CREATED, 726 00:38:17,933 --> 00:38:22,600 AND THEN JUST PICKS RANDOM TARGETS FROM A PHONE BOOK? 727 00:38:22,600 --> 00:38:24,433 I DON'T THINK IT WAS A RANDOM COINCIDENCE 728 00:38:24,433 --> 00:38:26,500 THAT THESE LETTERS SPELL "DAD, IT IS I," 729 00:38:26,500 --> 00:38:28,900 AND I DON'T THINK IT'S A RANDOM COINCIDENCE THAT HE'S TARGETING 730 00:38:28,900 --> 00:38:31,833 AIRLINES, SCIENTISTS, COMPUTERS, FORESTRY PEOPLE. 731 00:38:31,833 --> 00:38:33,533 I THINK IT ONLY SEEMS RANDOM 732 00:38:33,533 --> 00:38:35,233 BECAUSE WE DON'T KNOW WHAT CONNECTS THEM. 733 00:38:35,233 --> 00:38:37,867 WE CAN'T -- WE DON'T KNOW HIS CODE, 734 00:38:37,867 --> 00:38:39,300 AND THE REASON THAT WE DON'T KNOW HIS CODE 735 00:38:39,300 --> 00:38:41,967 IS BECAUSE WE'RE STILL ASSUMING HE'S A LOW-I.Q. PISSED OFF 736 00:38:41,967 --> 00:38:44,667 AIRLINE MECHANIC WHEN HE'S ACTUALLY BEEN 737 00:38:44,667 --> 00:38:45,900 OUTSMARTING US THE WHOLE TIME. 738 00:38:45,900 --> 00:38:47,433 WE'VE GOT HARD FORENSIC EVIDENCE 739 00:38:47,433 --> 00:38:50,600 THAT HE'S A TRAINED AIRLINE MECHANIC. 740 00:38:50,600 --> 00:38:52,800 LOOK. 741 00:38:52,800 --> 00:38:55,800 BATTERIES SOLDERED IN SERIES, ENCASED IN A WIRE CAGE 742 00:38:55,800 --> 00:38:58,200 JUST LIKE AIRPLANE POWER BRICKS, 743 00:38:58,200 --> 00:39:02,200 HE'S AN EXPERT AT CASTING AND SHAPING ALUMINUM, 744 00:39:02,200 --> 00:39:05,433 AND LOOK -- LOOK AT THIS NEW SWITCH HE'S DEVELOPED. 745 00:39:05,433 --> 00:39:08,133 IT LOOKS EXACTLY LIKE AN AIRPLANE TAIL STAND ON A 747. 746 00:39:08,133 --> 00:39:09,233 WE'VE HAD PILOTS CONFIRM THAT. 747 00:39:09,233 --> 00:39:10,467 THAT ONLY LOOKS LIKE A TAIL STAND 748 00:39:10,467 --> 00:39:11,833 IF YOU'RE LOOKING FOR PROOF OF THE SUPPOSITION 749 00:39:11,833 --> 00:39:13,133 THAT HE'S AN AIRLINE MECHANIC. 750 00:39:13,133 --> 00:39:15,867 IF YOU'RE OBJECTIVE ABOUT IT, IT'S JUST A SWITCH. 751 00:39:15,867 --> 00:39:18,133 DO YOU EVER THINK THAT THE REASON YOU HAVEN'T GOT HIM 752 00:39:18,133 --> 00:39:21,333 IN 17 YEARS IS THAT YOU'RE UNDERESTIMATING HIM? 753 00:39:21,333 --> 00:39:24,067 THERE IS A POWERFUL INTELLIGENCE AT WORK HERE, 754 00:39:24,067 --> 00:39:25,833 A DEEP PERSONAL PHILOSOPHY UNDERPINNING 755 00:39:25,833 --> 00:39:27,067 ALL OF FC's ACTIONS. 756 00:39:27,067 --> 00:39:29,067 NOW, YOU FIGURE OUT THE PHILOSOPHY, 757 00:39:29,067 --> 00:39:30,967 YOU CAN FIGURE OUT THE MAN, YOU CAN CRACK THE CODE. 758 00:39:30,967 --> 00:39:33,067 BUT NOT WITH THIS. 759 00:39:33,067 --> 00:39:34,567 WE HAVE TO START OVER. 760 00:39:34,567 --> 00:39:37,067 GET RID OF THAT AND START OVER. 761 00:39:37,067 --> 00:39:41,933 ** 762 00:39:41,933 --> 00:39:47,700 FITZ, BUDDY, YOU'RE BREAKING MY HEART. 763 00:39:47,700 --> 00:39:51,067 [ TYPEWRITER CLACKING ] 764 00:39:51,067 --> 00:39:55,433 YOU ARE PART OF A WORLD-CLASS ORCHESTRA HERE. 765 00:39:55,433 --> 00:39:57,667 LOTS OF INSTRUMENTS, LOTS OF VIRTUOSOS, 766 00:39:57,667 --> 00:40:01,567 AND OUT OF ALL OF THESE PLAYERS, I'M POINTING TO YOU, 767 00:40:01,567 --> 00:40:05,333 AND I'M SAYING NOW IS THE TIME FOR YOUR SOLO. 768 00:40:05,333 --> 00:40:12,133 STAND UP, PLAY YOUR HEART OUT SO THE WHOLE WORLD CAN HEAR YOU. 769 00:40:12,133 --> 00:40:15,400 BUT YOU GOT TO PLAY WITH THE SHEET MUSIC THAT I'M GIVING YOU. 770 00:40:15,400 --> 00:40:17,500 BECAUSE YOU MAY BE A ONCE-IN-A-CENTURY TALENT, 771 00:40:17,500 --> 00:40:21,833 BUT IF YOU CAN'T HARMONIZE WITH THE REST OF THE ORCHESTRA, 772 00:40:21,833 --> 00:40:24,933 I'M GONNA HAVE TO SEND YOU HOME. 773 00:40:24,933 --> 00:40:29,967 ** 774 00:40:29,967 --> 00:40:32,967 [ CLACKING ] 775 00:40:32,967 --> 00:40:42,533 ** 776 00:40:42,533 --> 00:40:45,300 DUDE, WHERE HAVE YOU BEEN? WHY AIN'T YOU DOWNSTAIRS? 777 00:40:45,300 --> 00:40:46,600 DIDN'T GENELLI TELL YOU? 778 00:40:46,600 --> 00:40:48,600 I'M GOING HOME. I'M NOT WRITING THAT B.S. 779 00:40:48,600 --> 00:40:49,933 FITZ, YOU GOT TO GET DOWN TO FORENSICS NOW. 780 00:40:49,933 --> 00:40:50,833 [ DRAWER SLAMS ] 781 00:40:50,833 --> 00:40:53,500 ** 782 00:40:53,500 --> 00:40:55,933 YOU SAID HE HAD A PERSONAL PHILOSOPHY, 783 00:40:55,933 --> 00:40:58,700 SOME MESSAGE HE'S TRYING TO SEND. 784 00:40:58,700 --> 00:41:00,667 YOU WERE RIGHT. 785 00:41:00,667 --> 00:41:06,200 ** 786 00:41:06,200 --> 00:41:07,967 THE NEW YORK TIMES CALLED IT IN. 787 00:41:07,967 --> 00:41:09,567 THEY GOT A PACKAGE. 788 00:41:09,567 --> 00:41:11,567 ANOTHER BOMB? 789 00:41:11,567 --> 00:41:13,667 NO, IT'S SOMETHING ELSE. 790 00:41:13,667 --> 00:41:21,967 ** 791 00:41:21,967 --> 00:41:30,267 ** 792 00:41:30,267 --> 00:41:33,300 THEY'RE CALLING IT THE "UNABOMBER MANIFESTO." 793 00:41:33,300 --> 00:41:38,800 ** 794 00:41:38,800 --> 00:41:44,333 ** 795 00:41:44,333 --> 00:41:47,467 IF YOU SCREW THIS UP, WE'LL CRUCIFY YOU. 796 00:41:47,467 --> 00:41:54,233 ** 797 00:41:54,233 --> 00:42:01,067 ** 798 00:42:02,767 --> 00:42:04,933 HEY, WE JUST GOT HANDED A 56-PAGE MANIFESTO 799 00:42:04,933 --> 00:42:06,667 FROM THE MOST ELUSIVE CRIMINAL IN THE WORLD, 800 00:42:06,667 --> 00:42:08,733 AND YOU DON'T WANT TO TAKE THE TIME TO READ IT? 801 00:42:08,733 --> 00:42:10,633 A BIG BREAK IN THIS CASE COMES WHEN WE PULL 802 00:42:10,633 --> 00:42:12,833 A FINGERPRINT OFF ONE OF THOSE PAGES. 803 00:42:12,833 --> 00:42:15,300 PERSONALLY, I THINK THIS WHOLE MANIFESTO THING 804 00:42:15,300 --> 00:42:18,733 COULD BE A RED HERRING. 805 00:42:18,733 --> 00:42:20,933 Man: WE HAVE A POTENTIAL MASS-CASUALTY SITUATION. 806 00:42:20,933 --> 00:42:22,633 Don: THE UNABOMBER HAS THREATENED 807 00:42:22,633 --> 00:42:26,933 TO BLOW AN AIRPLANE OUT OF THE SKY. 808 00:42:26,933 --> 00:42:29,100 Jim: I HAVE TO GO IN THERE I HAVE TO FACE HIM. 809 00:42:29,100 --> 00:42:33,067 Stan: WE NEED A GUILTY PLEA FROM TED. THIS IS OUR ONLY SHOT. 810 00:42:33,067 --> 00:42:35,800 YOU'RE OUR ONLY SHOT. 811 00:42:35,800 --> 00:42:37,400 Ted: AGENT FITZGERALD. 812 00:42:37,400 --> 00:42:39,500 I AM SO GLAD TO MAKE YOUR ACQUAINTANCE AT LAST.