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www.titlovi.com

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'To begin at the beginning.'

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'It is spring,
moonless night in a small town,

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starless and bible-black,
the cobblestreets silent,

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and the hunched courters'
and rabbits' wood limping invisible,

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down to the sloe black,

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slow, black

8
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crow black, fishingboat-bobbing sea.'

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'The houses are blind as moles,

10
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though moles see fine tonight
in the snouting, velvet dingles,

11
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or, blind as Captain Cat,

12
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there in the muffled middle
by the pump and the town clock,

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the shops in mourning,

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the Welfare Hall in widow's weeds.

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And all the people of the lulled
and dumbfound town are sleeping now.'

16
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'Hush, the babies are sleeping.'

17
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'The farmers, the fishers,
the tradesmen and pensioners,

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cobbler, schoolteacher,
postman and publican,

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the undertaker and the fancy woman,

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drunkard, dressmaker,
preacher, policeman,

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the webfoot cocklewomen,

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and the tidy wives.'

23
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'Young girls lie bedded soft,

24
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or glide in their dreams
with rings and trousseaux

25
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bridesmaided by glow-worms
down the aisles

26
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of the organplaying wood.'

27
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'The boys are dreaming wicked,

28
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or of the bucking ranches of the night
and the jolly, rogered sea.'

29
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'And the anthracite statues
of the horses sleep in the fields,

30
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and the cows in the byres,

31
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and the dogs in the wetnosed yards.'

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'And the cats nap in the slant corners

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or lope sly, streaking and needling

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on the one cloud of the roofs.'

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'You can hear the dew falling

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and the hushed town breathing.'

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'Only your eyes are unclosed
to see the black and folded town,

38
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fast and slow,

39
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asleep.'

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'And you alone can hear
the invisible starfall,

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the darkest-before-dawn,
minutely dewgrazed stir

42
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of the black, dab-filled sea,

43
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where the Arethusa, the Curlew
and the Skylark, Zanzibar,

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Rhiannon, the Rover, the Cormorant,

45
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and the Star of Wales,

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tilt and ride.'

47
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'Listen.'

48
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'It is night moving the streets.'

49
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'The processional, salt slow,
musical wind

50
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in Coronation Street and Cockle Row.'

51
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'It is the grass growing
on Llareggub Hill.'

52
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'Dewfall.'

53
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'Starfall.'

54
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'The sleep of birds in Milk Wood.'

55
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'Listen.'

56
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'It is night in the chill, squat, chapel.'

57
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'Hymning in bonnet and brooch
and bombazine black,

58
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butterfly choker and bootlace bow,

59
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coughing like nannygoats,
sucking mintoes,

60
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fortywinking, hallelujah,

61
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night in the four-ale,
quiet as a domino.'

62
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'In Dai Bread's bakery flying
like black flour.'

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'In Ocky Milkman's lofts,
like a mouse with gloves.'

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'It is tonight, trotting silent
with seaweed on its hooves

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along the cockled cobbles.'

66
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'Past curtain fernpot, text and trinket,

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harmonium, holy dresser,
watercolours done by hand,

68
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china dog, and rosy tin teacaddy.'

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'It is night, neddying among
the snuggeries of babies.'

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BABY CRYING

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'Look.'

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'It is night.'

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'Dumbly, royally, winding,
through the Coronation cherry trees.'

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'Going through the graveyard
of Bethesda

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with winds gloved and folded, and
dew doffed, tumbling by the Sailors' Arms.'

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'Time passes.'

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'Listen.'

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'Time passes.'

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'Come closer now.'

80
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'Only you can hear the
houses sleeping in the streets

81
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in the slow, deep, salt
and silent black, bandaged night.'

82
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'Only you can see
in the blinded bedrooms

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the coms and petticoats over the chairs,
the jugs and basins,

84
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the glasses of teeth,
Thou Shalt Not on the wall,

85
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and the yellowing, dicky bird-watching
pictures of the dead.'

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'Only you can hear and see
behind the eyes of the sleepers,

87
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the movements and countries,
and mazes and colours,

88
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and dismays and rainbows,
and tunes and wishes,

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and flight and fall, and despairs
and big seas of their dreams.'

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'From where you are,
you can hear their dreams.'

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CREAKING SHIP TIMBERS

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SAILORS' MUFFLED VOICES

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'Captain Cat,
the retired, blind seacaptain,

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asleep in his bunk in the seashelled,

95
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ship-in-bottled, shipshape,
best cabin of Schooner House,

96
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dreams of...'

97
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SEA SHANTY

98
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'Never such seas as any that swamped
the decks of his SS Kidwelly

99
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bellying over the bedclothes,
and jellyfish-slippery,

100
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sucking him down salt deep
into the Davy dark,

101
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where the fish come biting out
and nibble him down to his wishbone,

102
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and the longdrowned
nuzzle up to him.'

103
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'Remember me, Captain?'

104
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You're...

105
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Dancing Williams.

106
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'I lost my step in Nantucket.'

107
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'You see me, Captain,
the white bone talking?'

108
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'I'm Tom-Fred the donkeyman.'

109
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'We shared the same girl once.'

110
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'Her name was Mrs Probert.'

111
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'Rosie Probert,

112
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33 Duck Lane.'

113
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'Come on up boys,

114
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I'm dead.'

115
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'Hold me, Captain.'

116
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'I'm Jonah Jarvis, come to a bad end.'

117
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'Very enjoyable.'

118
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'Alfred Pomeroy Jones, sealawyer.'

119
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'Born in Mumbles, sung like a linnet,

120
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crowned you with a flagon,
tattooed with mermaids,

121
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thirst like a dredger, died of blisters.'

122
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'Curly Bevan. Tell my auntie it
was me that pawned the ormolu clock.'

123
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Aye, aye, Curly.

124
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Tell my missus no I never...

125
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I never done what she said, I never.

126
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Yes, they did.

127
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And who brings coconuts and shawls
and parrots to my Gwen now?

128
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How's it above?

129
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Is there rum and lavabread?

130
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Bosoms and robins?

131
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Concertinas?

132
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Ebenezer's bell?

133
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Fighting and onions?

134
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And sparrows and daisies?

135
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Tiddlers in a jamjar?

136
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Buttermilk and whippets?

137
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Rock-a-bye baby?

138
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Washing on the line?

139
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Old girls in the snug?

140
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How's the tenors in Dowlais?

141
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Who milks the cows in Maesgwyn?

142
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When she smiles is there dimples?

143
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What's the smell of parsley?

144
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MUSIC: Welsh Folk Song.

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Ahh...

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My dead dears.

147
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'From where you are
you can hear in Cockle Row

148
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in the spring moonless night,

149
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Miss Price, dressmaker
and sweetshop-keeper dream of:

150
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her lover, tall as the town clock tower,

151
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Samson-syrup-gold-maned
whacking thighed and piping hot,

152
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thunderbolt-bass'd,
and barnacle-breasted,

153
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flailing up the cockles
with his eyes like blowlamps,

154
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and scooping low over her lonely,
loving, hotwaterbottled body.'

155
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'Myfanwy Price!'

156
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'Mr Mog Edwards!'

157
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'I am a draper mad with love.'

158
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'I love you more than all the flannelette
and calico, candlewick, dimity,

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crash and merino, tussore, cretonne,
crepon, muslin, poplin, ticking, and twill,

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in the whole Cloth Hall of the world.'

161
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'I have come to take you away
to my Emporium on the hill.'

162
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'Throw away your little bedsocks,
and your Welsh wool knitted jacket.'

163
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'I will warm the sheets
like an electric toaster.'

164
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'I will lie by your side
like the Sunday roast.'

165
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'I will knit you
a wallet of forget-me-not blue

166
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for the money to be comfy.'

167
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'I will warm your heart by the fire
so that you can slip it under your vest

168
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when the shop is closed.'

169
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'Myfanwy. Myfanwy.'

170
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'Before the mice gnaw
at your bottom drawer, will you say...'

171
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Yes, Mog.

172
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Yes, Mog.

173
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Yes, yes, yes.

174
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'And all the bells of the tills
of the town shall ring for our wedding.'

175
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'Come now.'

176
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'Drift up the dark.'

177
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'Come up the drifting,
sea-dark street now,

178
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in the dark night
seesawing like the sea.'

179
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'To the bible-black airless attic over
Jack Black the cobbler's shop.'

180
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But y fi!

181
00:13:11,450 --> 00:13:13,850
But y fi!

182
00:13:14,050 --> 00:13:16,450
But y fi!

183
00:13:16,450 --> 00:13:18,250
But y fi!

184
00:13:18,450 --> 00:13:20,250
But y fi!

185
00:13:20,250 --> 00:13:21,850
But y fi!

186
00:13:22,050 --> 00:13:23,450
But y fi!

187
00:13:23,650 --> 00:13:25,050
But y fi!

188
00:13:25,050 --> 00:13:26,650
But y fi!

189
00:13:26,850 --> 00:13:28,250
But y fi!

190
00:13:28,250 --> 00:13:30,650
But y fi!

191
00:13:30,650 --> 00:13:32,450
But y fi!

192
00:13:32,650 --> 00:13:35,050
But y fi!

193
00:13:35,050 --> 00:13:37,050
But y fi!

194
00:13:38,650 --> 00:13:40,250
But y fi!

195
00:13:40,450 --> 00:13:42,050
But y fi!

196
00:13:42,250 --> 00:13:43,650
But y fi!

197
00:13:43,850 --> 00:13:45,250
But y fi!

198
00:13:45,450 --> 00:13:47,050
But y fi!

199
00:13:47,250 --> 00:13:48,650
But y fi!

200
00:13:49,650 --> 00:13:54,050
'Evans the Death, the undertaker,
runs out into the field

201
00:13:54,050 --> 00:13:56,650
where his mother is making
Welshcakes in the snow,

202
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and steals a fistful
of snowflakes and currants,

203
00:13:59,450 --> 00:14:03,050
and climbs back to bed
to eat them, cold and sweet,

204
00:14:03,250 --> 00:14:04,650
under the warm, white clothes.'

205
00:14:05,850 --> 00:14:11,050
'While Mr Waldo, rabbitcatcher, barber,
herbalist, catdoctor, quack, dreams of...'

206
00:14:11,650 --> 00:14:14,250
This little piggy went to market.

207
00:14:14,450 --> 00:14:18,050
This little piggy stayed home.

208
00:14:18,050 --> 00:14:20,650
This little piggy had roast beef.

209
00:14:20,650 --> 00:14:23,650
This little piggy had none.

210
00:14:23,650 --> 00:14:27,850
And this little piggy went,
wee, wee, wee, wee, wee,

211
00:14:27,850 --> 00:14:31,250
all the way home to Waldo's mum.

212
00:14:31,250 --> 00:14:33,050
Waldo!

213
00:14:33,050 --> 00:14:35,250
Yes, Mama?

214
00:14:35,450 --> 00:14:37,450
- Waldo!
- Yes, Mama?

215
00:14:39,050 --> 00:14:41,050
Yes, mother, love.

216
00:14:41,050 --> 00:14:43,250
'Oh, Waldo.'

217
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Hush now.

218
00:14:46,050 --> 00:14:47,250
Hush.

219
00:14:48,450 --> 00:14:51,250
I'm widower Waldo now.

220
00:14:51,250 --> 00:14:55,250
'Oh, what'll the neighbours say?
What'll the neighbours...'

221
00:14:55,250 --> 00:14:57,050
- Black as a chimbley
- Ringing doorbells.

222
00:14:57,050 --> 00:14:58,650
- Breaking windows.
- Making mudpies.

223
00:14:58,850 --> 00:15:00,650
- Stealing currants.
- Chalking words.

224
00:15:00,650 --> 00:15:02,850
- Saw him in the bushes.
- Playing moochins.

225
00:15:02,850 --> 00:15:04,450
Send him to bed without any supper.

226
00:15:04,650 --> 00:15:06,450
Give him sennapods
and lock him in the dark.

227
00:15:06,650 --> 00:15:08,250
Off to the reformatory.

228
00:15:08,250 --> 00:15:10,250
Off to the reformatory.

229
00:15:10,450 --> 00:15:12,250
BOTH: (SCREAM)

230
00:15:12,850 --> 00:15:15,250
Learn him with a slipper on his BTM.

231
00:15:17,450 --> 00:15:19,850
- Give us a kiss, Matti Richards.
- Give us a penny then.

232
00:15:20,050 --> 00:15:22,050
No, I only got a halfpenny.

233
00:15:22,250 --> 00:15:25,050
- I only got a ha'penny.
- Lips is a penny.

234
00:15:26,250 --> 00:15:30,050
Will you take this woman,
Matti Richards...

235
00:15:30,050 --> 00:15:31,850
Dulcie Prothero

236
00:15:31,850 --> 00:15:33,650
Effie Bevan.

237
00:15:33,650 --> 00:15:35,450
Lily the Gluepot

238
00:15:35,650 --> 00:15:36,850
Mrs Flusher.

239
00:15:37,450 --> 00:15:40,650
To be your awful wedded wife?

240
00:15:40,850 --> 00:15:42,850
No.

241
00:15:43,050 --> 00:15:44,650
No!

242
00:15:47,650 --> 00:15:50,250
'Now, in her iceberg-white,
holily-laundered crinoline nightgown,

243
00:15:50,450 --> 00:15:53,650
under virtuous polar sheets,
in her spruced and scoured,

244
00:15:53,850 --> 00:15:57,050
dust-defying bedroom,
in trig and trim Bay View,

245
00:15:57,250 --> 00:15:58,850
a house for paying guests
at the top of the town.'

246
00:15:59,650 --> 00:16:01,050
'Mrs Ogmore-Pritchard,

247
00:16:01,050 --> 00:16:04,650
widow, twice,
of Mr Ogmore, linoleum, retired,

248
00:16:04,650 --> 00:16:06,850
and Mr Pritchard, failed bookmaker -

249
00:16:06,850 --> 00:16:10,450
who, maddened by the voice of the
vacuum-cleaner and the fume of polish,

250
00:16:10,450 --> 00:16:13,850
ironically swallowed disinfectant -

251
00:16:14,050 --> 00:16:15,850
fidgets in her rinsed sleep,

252
00:16:16,050 --> 00:16:18,250
wakes in a dream
and nudges in the ribs,

253
00:16:18,250 --> 00:16:23,650
dead Mr Ogmore, dead Mr Pritchard,
ghostly on either side.'

254
00:16:23,650 --> 00:16:25,850
Mr Ogmore? Mr Pritchard?

255
00:16:25,850 --> 00:16:28,250
It is time to inhale your balsam.

256
00:16:28,850 --> 00:16:30,050
Oh, Mrs Ogmore.

257
00:16:30,050 --> 00:16:31,850
Oh, Mrs Pritchard.

258
00:16:31,850 --> 00:16:34,450
Soon it will be time to get up.

259
00:16:34,450 --> 00:16:36,050
Tell me your tasks, in order.

260
00:16:36,250 --> 00:16:38,850
I must put my pyjamas
in the drawer marked pyjamas.

261
00:16:38,850 --> 00:16:41,250
I must take my cold bath
which is good for me.

262
00:16:41,450 --> 00:16:43,650
I must wear my flannel band
to ward off sciatica.

263
00:16:43,850 --> 00:16:46,650
I must dress behind the curtain
and put on my apron.

264
00:16:46,650 --> 00:16:47,650
I must blow my nose -

265
00:16:47,850 --> 00:16:49,050
In the garden, if you please.

266
00:16:49,050 --> 00:16:51,050
In a piece of tissue paper
which I afterwards burn.

267
00:16:51,250 --> 00:16:54,050
I must take my salts
which are nature's friend.

268
00:16:54,250 --> 00:16:56,450
And I must boil the drinking water
because of germs.

269
00:16:56,450 --> 00:16:59,650
I must make my herb tea
which is free from tannin.

270
00:16:59,850 --> 00:17:01,650
And have a charcoal biscuit
which is good for me.

271
00:17:01,650 --> 00:17:04,050
I may smoke one pipe of
asthma mixture -

272
00:17:04,050 --> 00:17:05,250
In the woodshed if you please.

273
00:17:05,450 --> 00:17:08,250
And dust the parlour
and spray the canary.

274
00:17:08,450 --> 00:17:11,250
I must put on rubber gloves
and search the peke for fleas.

275
00:17:11,250 --> 00:17:14,450
I must dust the blinds
and then I must raise them.

276
00:17:14,650 --> 00:17:19,050
And before you let the sun in,
mind it wipes its shoes.

277
00:17:20,250 --> 00:17:21,450
'In Butcher Beynon's,

278
00:17:21,450 --> 00:17:25,850
Gossamer Beynon, daughter,
schoolteacher, dreaming deep.'

279
00:17:27,650 --> 00:17:30,450
'Sinbad Sailors,
dreaming in the Sailors' Arms,

280
00:17:30,450 --> 00:17:32,650
pulls the pumps,
those secret name is...'

281
00:17:32,650 --> 00:17:35,050
Gossamer...

282
00:17:35,050 --> 00:17:37,250
Gossamer...

283
00:17:37,450 --> 00:17:39,450
Gossamer...

284
00:17:39,650 --> 00:17:41,050
Gossamer...

285
00:17:42,250 --> 00:17:44,250
Gossamer...

286
00:17:44,850 --> 00:17:49,450
'PC Attila Rees,
lumps out of bed, dead to the dark,

287
00:17:49,450 --> 00:17:52,850
and deep in the backyard lock-up
of his sleep.'

288
00:17:54,050 --> 00:17:56,250
'You'll be sorry for that in the morning.'

289
00:17:59,650 --> 00:18:01,650
'Time passes.'

290
00:18:01,850 --> 00:18:03,250
'Listen.'

291
00:18:03,450 --> 00:18:04,850
'Time passes.'

292
00:18:05,650 --> 00:18:09,650
'An owl flies home past Bethesda
to a chapel in an oak,

293
00:18:09,650 --> 00:18:12,250
and the dawn inches up.'

294
00:18:13,650 --> 00:18:15,450
'Stand on this hill.'

295
00:18:15,850 --> 00:18:18,050
'This is Llareggub Hill.'

296
00:18:18,050 --> 00:18:21,050
'Old as the hills, high, cool, and green,

297
00:18:21,850 --> 00:18:24,650
and from this small circle of stones,

298
00:18:24,650 --> 00:18:28,450
made by the druids
who had come to visit Milk Wood.'

299
00:18:28,450 --> 00:18:33,450
'You can see all the town below
you sleeping in the first of the dawn.'

300
00:18:33,650 --> 00:18:37,650
TANNOY: ''Less than 500 souls inhabit
the three quaint streets

301
00:18:37,850 --> 00:18:40,450
and the few narrow bylanes,
and the scattered farmsteads

302
00:18:40,450 --> 00:18:43,650
that constitute this small,
decaying watering-place.''

303
00:18:43,650 --> 00:18:46,250
''Which may indeed be called
'a backwater of life,'

304
00:18:46,250 --> 00:18:49,250
without disrespect to its natives,
who possess to this day

305
00:18:49,450 --> 00:18:53,850
a salty individuality of their own.''

306
00:18:53,850 --> 00:18:55,850
''The main street, Coronation Street,

307
00:18:56,050 --> 00:18:59,650
consists for the most part
of humble, two-storied houses,

308
00:18:59,650 --> 00:19:01,850
many of which attempt to achieve
some measure of gaiety

309
00:19:02,050 --> 00:19:04,050
by prinking themselves out
in crude colours,

310
00:19:04,250 --> 00:19:06,250
and by the liberal use of pinkwash,

311
00:19:06,250 --> 00:19:08,450
but there are remaining a few
eighteenth-century houses,

312
00:19:08,450 --> 00:19:12,450
of more pretension, if, on the whole,
in a sad state of disrepair.''

313
00:19:12,650 --> 00:19:15,850
''Though there is little to attract
the hillclimber, the healthseeker,

314
00:19:16,050 --> 00:19:18,050
the sportsman,
or the weekending motorist,

315
00:19:18,050 --> 00:19:19,650
the contemplative may,

316
00:19:19,850 --> 00:19:22,850
if sufficiently attracted
to spare it some leisurely hours,

317
00:19:23,050 --> 00:19:25,850
find in its cobbled streets
and its little fishing harbour,

318
00:19:25,850 --> 00:19:28,250
in its several curious customs,

319
00:19:28,250 --> 00:19:31,050
and in the conversation
of its local characters,

320
00:19:31,250 --> 00:19:33,050
some of that picturesque
sense of the past

321
00:19:33,250 --> 00:19:35,050
so frequently lacking
in towns and villages

322
00:19:35,250 --> 00:19:37,850
which have keep more
abreast of the times.''

323
00:19:38,050 --> 00:19:42,050
''The River Dewi
is said to abound in trout,

324
00:19:42,050 --> 00:19:44,050
but is much poached.''

325
00:19:44,250 --> 00:19:47,450
''The one place of worship,
with its neglected graveyard,

326
00:19:47,650 --> 00:19:49,450
is of no architectural interest.''

327
00:19:58,850 --> 00:20:02,650
'The principality of the sky
lightens now over our green hill,

328
00:20:02,850 --> 00:20:06,650
into spring morning,
larked, and crowed, and belling.'

329
00:20:08,050 --> 00:20:10,050
CHURCH BELLS

330
00:20:38,450 --> 00:20:40,450
Dear Gwalia,

331
00:20:41,850 --> 00:20:46,250
I know there are towns
lovelier than ours,

332
00:20:46,250 --> 00:20:49,650
and fairer hills, and loftier far,

333
00:20:49,850 --> 00:20:52,850
and groves more full of flowers,

334
00:20:52,850 --> 00:20:56,050
and boskier woods
more blithe with spring,

335
00:20:56,250 --> 00:20:59,450
and bright with birds' adorning,

336
00:20:59,450 --> 00:21:02,450
and sweeter birds than I to sing

337
00:21:02,650 --> 00:21:06,650
their praise this... beauteous morning.

338
00:21:07,850 --> 00:21:11,250
By mountains
where King Arthur dreams,

339
00:21:11,250 --> 00:21:13,850
by Penmaen Mawr defiant,

340
00:21:14,450 --> 00:21:16,250
Llareggub Hill,

341
00:21:16,250 --> 00:21:18,450
a molehill seems,

342
00:21:18,650 --> 00:21:21,850
a pygmy to a giant.

343
00:21:22,250 --> 00:21:24,850
Claerwen, Cleddau, Dulas, Daw,

344
00:21:25,050 --> 00:21:27,650
Ely, Gwili, Ogwr, Nedd.

345
00:21:28,850 --> 00:21:31,850
Small is our River Dewi, Lord,

346
00:21:32,650 --> 00:21:34,850
A baby on a rushy bed.

347
00:21:35,650 --> 00:21:38,650
By Carreg Cennen, King of time,

348
00:21:39,450 --> 00:21:45,250
our Heron Head is only
a bit of stone with seaweed spread,

349
00:21:45,650 --> 00:21:48,650
where gulls come to be lonely.

350
00:21:50,250 --> 00:21:53,050
A tiny dingle is Milk Wood,

351
00:21:53,450 --> 00:21:56,250
by golden grove 'neath Grongar,

352
00:21:57,250 --> 00:22:00,250
but let me choose, and, oh, I should

353
00:22:00,450 --> 00:22:04,450
love all my life and longer.

354
00:22:05,250 --> 00:22:07,850
To stroll among our trees and stray

355
00:22:08,250 --> 00:22:12,250
in Goosegog Lane on Donkey Down,

356
00:22:13,450 --> 00:22:16,650
and hear the Dewi sing all day,

357
00:22:18,050 --> 00:22:22,450
and never, never, leave the town.

358
00:22:30,650 --> 00:22:32,850
Morning service is over.

359
00:22:34,850 --> 00:22:37,250
Thank you God bach for listening.

360
00:22:39,850 --> 00:22:41,850
Who else would?

361
00:22:50,250 --> 00:22:51,650
'Oh...

362
00:22:52,250 --> 00:22:53,650
There's a lady.'

363
00:22:54,050 --> 00:22:55,250
Lily?

364
00:22:55,850 --> 00:22:57,250
'And there isn't.'

365
00:22:59,450 --> 00:23:01,250
(MEOWS)

366
00:23:07,850 --> 00:23:09,850
Oh, there's a face.

367
00:23:11,850 --> 00:23:14,050
Where get that hair from?

368
00:23:14,450 --> 00:23:16,450
Got it from old Tom Cat.

369
00:23:19,450 --> 00:23:21,250
Give it back then, love.

370
00:23:27,450 --> 00:23:29,650
Oh, there's a perm!

371
00:23:32,050 --> 00:23:34,450
Where get that nose from, Lily?

372
00:23:34,650 --> 00:23:36,450
Got it from my father, silly.

373
00:23:36,650 --> 00:23:38,650
You've got it on upside down!

374
00:23:38,650 --> 00:23:40,650
Oh, there's a conk.

375
00:23:43,450 --> 00:23:45,450
Look at your complexion.

376
00:23:45,650 --> 00:23:47,450
Oh no, you look.

377
00:23:49,650 --> 00:23:51,650
Needs bit of make-up.

378
00:23:51,850 --> 00:23:53,650
Needs a veil.

379
00:23:56,250 --> 00:23:58,250
Oh, there's glamour.

380
00:24:12,650 --> 00:24:15,650
Where did you get that smile, Lil?

381
00:24:15,850 --> 00:24:17,850
Never you mind, girl.

382
00:24:17,850 --> 00:24:19,850
Nobody loves you.

383
00:24:20,650 --> 00:24:23,050
That's what you think.

384
00:24:23,250 --> 00:24:25,450
Who is it loves you?

385
00:24:26,050 --> 00:24:28,050
Shan't tell.

386
00:24:30,450 --> 00:24:32,450
Come on, Lily.

387
00:24:33,850 --> 00:24:35,850
Cross you heart then?

388
00:24:36,650 --> 00:24:38,650
Cross my heart.

389
00:24:41,250 --> 00:24:43,450
The Prince of Wales.

390
00:24:44,250 --> 00:24:45,650
Lily?

391
00:24:45,850 --> 00:24:47,250
Lily!

392
00:24:47,450 --> 00:24:48,650
Yes, Mum?

393
00:24:48,850 --> 00:24:50,850
Where's my tea, girl?

394
00:24:51,650 --> 00:24:53,450
Where do you think?

395
00:24:55,650 --> 00:24:57,650
Coming up, Mum.

396
00:24:59,050 --> 00:25:03,850
Here's your arsenic, dear,
and your weedkiller biscuit.

397
00:25:04,650 --> 00:25:07,650
I've throttled your parakeet.

398
00:25:07,650 --> 00:25:09,450
I've spat in the vases.

399
00:25:09,650 --> 00:25:11,650
I've put cheese in the mouseholes.

400
00:25:11,650 --> 00:25:12,850
Here's your...

401
00:25:14,650 --> 00:25:16,650
nice tea, dear.

402
00:25:24,850 --> 00:25:26,450
Too much sugar.

403
00:25:26,650 --> 00:25:28,450
You haven't tasted it yet, dear.

404
00:25:28,650 --> 00:25:30,450
Too much milk, then.

405
00:25:31,850 --> 00:25:34,450
Has Mr Jenkins said his poetry?

406
00:25:34,850 --> 00:25:36,050
Yes, dear.

407
00:25:36,050 --> 00:25:38,850
It's time to get up. Give me my glasses.

408
00:25:39,650 --> 00:25:42,050
No, not my reading glasses.

409
00:25:42,250 --> 00:25:44,050
I want to look out.

410
00:25:44,850 --> 00:25:46,650
I want to see.

411
00:25:54,250 --> 00:25:58,050
(UNDER BREATH) Oh, the baggage!

412
00:26:08,050 --> 00:26:11,850
He's going to arrest Polly Garter,
mark my words.

413
00:26:13,250 --> 00:26:15,250
What for, dear?

414
00:26:16,050 --> 00:26:18,050
For having babies.

415
00:26:18,850 --> 00:26:23,050
Perhaps she's only going down to
the dock to see if the sea is still there.

416
00:26:25,450 --> 00:26:27,650
I am eighty-five years,

417
00:26:27,850 --> 00:26:30,650
three months, and a day,

418
00:26:30,850 --> 00:26:34,450
and this is the garden of Eden.

419
00:26:37,250 --> 00:26:41,050
I will say this for her,
she never makes a mistake.

420
00:26:46,250 --> 00:26:49,650
There's strangers, up to no good.

421
00:26:51,050 --> 00:26:52,850
Perhaps they're just visitors, dear.

422
00:26:53,050 --> 00:26:56,850
If they're just visitors,
how wouldn't I know them?

423
00:26:59,050 --> 00:27:00,850
ORGAN MUSIC

424
00:27:05,850 --> 00:27:08,450
Me, Dai Bread, hurrying to the bakery.

425
00:27:08,450 --> 00:27:11,650
Pushing in my shirt-tails,
buttoning my waistcoat.

426
00:27:12,250 --> 00:27:16,250
Ping! There goes a button.
Why can't they sew them?

427
00:27:16,450 --> 00:27:17,450
No time for breakfast.

428
00:27:17,450 --> 00:27:18,850
Nothing for breakfast.

429
00:27:19,050 --> 00:27:20,650
There's wives for you.

430
00:27:21,650 --> 00:27:23,450
Where are you going
Mrs Dai Bread One?

431
00:27:23,650 --> 00:27:26,850
Just off to borrow a loaf, Mrs Two.
Won't be long.

432
00:27:28,650 --> 00:27:30,850
Tell your fortune in the tea-leaves,
Lord Cut-Glass?

433
00:27:30,850 --> 00:27:33,650
Tick-tock! Tick-tock!
Must rush, Mrs Dai Bread.

434
00:27:33,650 --> 00:27:36,050
Two. Mrs Dai Bread Two.

435
00:27:36,050 --> 00:27:38,450
Not Mrs One. She's another.

436
00:27:38,450 --> 00:27:40,250
Tick-tock two.

437
00:27:54,650 --> 00:27:56,250
There is no leg

438
00:27:56,450 --> 00:27:58,250
that belongs to the foot

439
00:27:58,450 --> 00:28:00,650
that belongs to this shoe.

440
00:28:01,850 --> 00:28:03,650
Morning, Mrs Sarah.

441
00:28:03,850 --> 00:28:06,650
Can you spare me a loaf, love.
Dai Bread forget the bread.

442
00:28:06,850 --> 00:28:08,450
Oh, of course you can have a loaf,
Mrs Dai Bread.

443
00:28:08,650 --> 00:28:10,050
Go and get a loaf, love.

444
00:28:10,050 --> 00:28:12,250
There's a lovely morning.

445
00:28:12,450 --> 00:28:13,650
How's your boils this morning?

446
00:28:13,850 --> 00:28:16,050
Going down nicely.

447
00:28:31,250 --> 00:28:33,250
Good morning.

448
00:28:35,450 --> 00:28:37,450
Here you are, Hetty.

449
00:28:44,850 --> 00:28:47,450
Ah, Mr Criminal.
I'll put you behind bars.

450
00:28:47,650 --> 00:28:50,250
A nice flannel shirt for you.

451
00:28:50,250 --> 00:28:52,250
For you madam, a best shroud.

452
00:28:55,450 --> 00:28:57,450
For you, a flowery blouse.

453
00:28:58,650 --> 00:29:00,850
I love Miss Myfawny Price.

454
00:29:01,050 --> 00:29:05,850
Thrupence off for the rust,
but that's outside the tin.

455
00:29:11,650 --> 00:29:15,650
Nothing grows in our garden,
only washing.

456
00:29:16,650 --> 00:29:18,450
Oh, and babies.

457
00:29:20,450 --> 00:29:24,050
And where are their fathers,
Meg, my love?

458
00:29:24,250 --> 00:29:27,650
Over the hills and far away...

459
00:29:27,650 --> 00:29:30,250
Oh, you're looking up at me now.

460
00:29:30,850 --> 00:29:33,250
Oh, I know what you're thinking.

461
00:29:33,450 --> 00:29:36,050
Oh, you poor little milky creature.

462
00:29:36,650 --> 00:29:40,050
You're thinking, you're no better
than you should be, Polly Garter,

463
00:29:40,250 --> 00:29:41,850
and that's good enough for me.

464
00:29:42,050 --> 00:29:46,050
Oh, isn't life a terrible thing?
Thank God.

465
00:29:50,650 --> 00:29:53,250
'Now, frying pans spit,
kettles and cats purr in the kitchen.'

466
00:29:53,250 --> 00:29:54,850
'The town smells of seaweed
and breakfast

467
00:29:54,850 --> 00:29:56,450
all the way down from Bay View.'

468
00:29:56,450 --> 00:29:58,450
FLY BUZZING

469
00:30:01,050 --> 00:30:03,850
Shoo, you old son.
You'll spoil the polish.

470
00:30:14,450 --> 00:30:17,450
Praise the Lord who made porridge.

471
00:30:27,850 --> 00:30:29,650
Ground glass.

472
00:30:36,850 --> 00:30:39,050
Stand up straight, can't you?

473
00:30:45,450 --> 00:30:47,450
'Sly and silent,

474
00:30:47,650 --> 00:30:50,450
he foxes into his chemist den,
and there,

475
00:30:50,450 --> 00:30:53,450
in a hiss and prussic circle
of cauldrons and phials

476
00:30:53,650 --> 00:30:55,650
brimful with pox and the Black Death,

477
00:30:55,650 --> 00:30:57,650
cooks up a fricassee
of deadly nightshade,

478
00:30:57,850 --> 00:31:01,450
nicotine, hot frogs, cyanide,
and bat-spit.'

479
00:31:21,250 --> 00:31:22,650
Poor Mrs Waldo.

480
00:31:22,650 --> 00:31:24,450
What she puts up with.

481
00:31:24,450 --> 00:31:25,450
Should never have married.

482
00:31:25,450 --> 00:31:27,450
If she didn't have to,
same as his mother.

483
00:31:27,650 --> 00:31:28,850
There's a husband for you.

484
00:31:28,850 --> 00:31:30,650
- Bad as his father.
- And you know where he ended.

485
00:31:30,650 --> 00:31:32,850
- Up in the asylum...
- Crying for his ma...

486
00:31:32,850 --> 00:31:35,250
- Every Saturday.
- He hasn't got a leg.

487
00:31:35,450 --> 00:31:37,450
- And carrying on...
- With that Mrs Beattie Morris...

488
00:31:37,450 --> 00:31:39,250
- Up in the quarry.
- Seen her baby.

489
00:31:39,250 --> 00:31:42,250
- It's got his nose.
- Makes your heart bleed.

490
00:31:42,250 --> 00:31:44,450
- What he'll do for drink!
- He sold the pianola...

491
00:31:44,650 --> 00:31:46,850
- And her sewing machine.
- Falling in the gutter.

492
00:31:46,850 --> 00:31:48,850
- Taking to the lampposts.
- Using language.

493
00:31:49,050 --> 00:31:52,250
- Singing in the W.
- Poor Mrs Waldo.

494
00:31:53,450 --> 00:31:55,850
'Lord Cut-Glass
in his kitchen full of time,

495
00:31:56,050 --> 00:31:58,250
listens to the voices
of his sixty-six clocks,

496
00:31:58,250 --> 00:32:00,850
one for each year of his loony age,

497
00:32:01,050 --> 00:32:03,050
and watches with love,

498
00:32:03,050 --> 00:32:05,450
their black-and-white, moony,
loudlipped faces

499
00:32:05,650 --> 00:32:07,450
tocking the earth away.'

500
00:32:07,450 --> 00:32:10,650
'Slow clocks, quick clocks,
pendulumed heart-knocks,

501
00:32:10,650 --> 00:32:13,450
china, alarm, grandfather, cuckoo.'

502
00:32:13,450 --> 00:32:18,650
'Clocks shaped like Noah's whirring ark.
Clocks that bicker in marble ships.'

503
00:32:18,850 --> 00:32:21,250
'Clocks in the wombs of glass women,

504
00:32:21,450 --> 00:32:23,650
hourglass chimers,
tu-wit-tu-woo clocks.'

505
00:32:23,850 --> 00:32:26,050
'Clocks that pluck tunes.'

506
00:32:26,050 --> 00:32:28,450
'Vesuvius clocks,
all black bells and lava.'

507
00:32:28,650 --> 00:32:31,250
'Niagara clocks
that cataract their ticks.'

508
00:32:31,250 --> 00:32:34,250
'Old time-weeping clocks
with ebony beards.'

509
00:32:34,450 --> 00:32:38,050
'Clocks with no hands
forever drumming out time,

510
00:32:38,050 --> 00:32:41,450
without ever knowing what time it is.'

511
00:32:41,450 --> 00:32:45,450
'His sixty-six singers
all set at different hours.

512
00:32:45,450 --> 00:32:50,050
Lord Cut-Glass lives in a house
and a life at seige.'

513
00:32:50,250 --> 00:32:52,450
'Any minute or dark day now
the unknown enemy

514
00:32:52,650 --> 00:32:57,050
will loot and savage downhill,
but they will not catch him napping.'

515
00:32:57,250 --> 00:32:58,650
CHIMING

516
00:32:59,450 --> 00:33:02,650
'Sixty-six different times
in his fish-slimy kitchen,

517
00:33:02,850 --> 00:33:07,050
ping strike, tick, chime, and tock.'

518
00:33:08,450 --> 00:33:12,050
Me, Nogood Boyo,
up to no good in the wash-house.

519
00:33:19,650 --> 00:33:23,050
You see that smudge on the wall
by the picture of Auntie Blossom?

520
00:33:23,050 --> 00:33:25,250
That's where you threw the sago.

521
00:33:25,450 --> 00:33:27,650
You only missed me by an inch.

522
00:33:27,850 --> 00:33:30,450
I always miss Auntie Blossom too.

523
00:33:31,650 --> 00:33:35,650
Remember last night?
In you reeled, as drunk as a deacon,

524
00:33:35,850 --> 00:33:39,450
with a big, wet bucket,
and a fish-frail full of stout,

525
00:33:39,650 --> 00:33:45,050
and you looked at me and you said,
''God has come home!'' you said,

526
00:33:45,050 --> 00:33:48,650
and then over the bucket you went,
sprawling and bawling,

527
00:33:48,850 --> 00:33:51,850
and the floor was all flagons and eels.

528
00:33:51,850 --> 00:33:53,050
Was I wounded?

529
00:33:53,250 --> 00:33:55,450
And then you took off your trousers,
and you said,

530
00:33:55,650 --> 00:33:57,650
''Does anybody want to fight?''

531
00:33:57,650 --> 00:33:59,850
Oh, you old baboon.

532
00:34:01,450 --> 00:34:03,450
Here, give me a kiss.

533
00:34:04,850 --> 00:34:09,050
And then you sang 'Bread of Heaven' -
tenor and bass.

534
00:34:09,050 --> 00:34:11,050
I always sing 'Bread of Heaven'.

535
00:34:11,250 --> 00:34:12,050
Oh!

536
00:34:12,250 --> 00:34:13,450
Oh!

537
00:34:13,450 --> 00:34:15,450
BOTH: (LAUGH)

538
00:34:17,450 --> 00:34:20,050
Oh, and then you did a little
dance on the table.

539
00:34:20,050 --> 00:34:20,650
I did?

540
00:34:20,650 --> 00:34:22,450
Drop dead.

541
00:34:22,450 --> 00:34:24,250
And then what did I do?

542
00:34:24,250 --> 00:34:28,650
And then you cried like a baby,
and said you were a poor drunk orphan,

543
00:34:28,850 --> 00:34:31,650
with nowhere to go but the grave.

544
00:34:33,450 --> 00:34:36,250
And... what did I do next, my dear?

545
00:34:36,450 --> 00:34:38,450
Then you danced on the table
all over again,

546
00:34:38,450 --> 00:34:43,250
and said you were King Solomon Owen,
and I was your Mrs Sheba.

547
00:34:44,650 --> 00:34:45,850
And then?

548
00:34:45,850 --> 00:34:48,250
And then I got you into bed,

549
00:34:48,450 --> 00:34:51,450
and you snored all night
like a brewery.

550
00:34:59,250 --> 00:35:01,650
'From Beynon's Butchers
in Coronation Street,

551
00:35:01,650 --> 00:35:06,650
the smell of fried liver sidles out
with onions on its breath.'

552
00:35:09,250 --> 00:35:10,850
She likes the liver, Ben.

553
00:35:12,450 --> 00:35:14,050
She ought to do, Bess,
it's her brother's.

554
00:35:14,250 --> 00:35:16,850
- Oh! Do you hear that, Lily?
- Yes, Mum.

555
00:35:17,050 --> 00:35:18,850
We're eating pusscat.

556
00:35:18,850 --> 00:35:20,050
Yes, Mum.

557
00:35:20,050 --> 00:35:21,650
Oh, you cat-butcher!

558
00:35:22,250 --> 00:35:25,850
- It was doctored mind.
- Oh! What's that got to do with it?

559
00:35:25,850 --> 00:35:27,450
Yesterday we had mole.

560
00:35:27,450 --> 00:35:29,250
Oh! Lily. Lily.

561
00:35:29,250 --> 00:35:30,450
Monday, otter.

562
00:35:30,450 --> 00:35:32,250
- Tuesday, mice.
- Oh!

563
00:35:32,650 --> 00:35:36,050
Go on, Mrs Beynon.
He's the biggest liar in town.

564
00:35:36,450 --> 00:35:38,250
Don't you dare
say that about Mr Beynon.

565
00:35:38,650 --> 00:35:40,250
Everybody knows it, Mum.

566
00:35:40,650 --> 00:35:42,650
Mr Beynon never tells a lie.

567
00:35:42,850 --> 00:35:44,850
- Do you, Ben?
- No, Bess.

568
00:35:46,450 --> 00:35:48,850
And now I'm going out
after the corgis. Woof! Woof!

569
00:35:49,050 --> 00:35:51,650
- With my little cleaver.
- Oh, Lily!

570
00:35:53,050 --> 00:35:55,850
Nogood's risking it today.

571
00:35:55,850 --> 00:35:58,450
There's bound to be a gale.

572
00:35:58,650 --> 00:36:00,850
I don't care if it is blowing a gale.

573
00:36:01,050 --> 00:36:03,250
This boyo's up to no good.

574
00:36:04,650 --> 00:36:07,450
I don't know who's up there,

575
00:36:07,450 --> 00:36:08,850
and I don't care.

576
00:36:08,850 --> 00:36:10,850
THUNDER

577
00:36:36,650 --> 00:36:39,050
Is it opening time, then?

578
00:36:40,050 --> 00:36:42,450
It's half past eleven.

579
00:36:42,650 --> 00:36:46,250
It's been half past eleven here
for fifty years.

580
00:36:47,250 --> 00:36:50,850
It's always opening time
at the Sailors' Arms.

581
00:36:51,450 --> 00:36:53,250
Buy me a pint?

582
00:36:56,050 --> 00:36:57,850
Buy me one!

583
00:37:01,450 --> 00:37:03,250
Here's to me.

584
00:37:03,450 --> 00:37:04,650
Sinbad Sailors.

585
00:37:09,050 --> 00:37:10,850
CLUCKING

586
00:37:37,250 --> 00:37:39,250
Oh! Watch where you're going!

587
00:37:39,450 --> 00:37:40,650
That pram of yours should be tested!

588
00:37:40,850 --> 00:37:42,450
I'd call a policeman!

589
00:37:42,450 --> 00:37:43,850
Not you!

590
00:37:44,850 --> 00:37:48,450
I want my pipe,
and he wants his bottle.

591
00:37:48,450 --> 00:37:49,450
BELL RINGING

592
00:37:53,450 --> 00:37:54,650
Get a move on!

593
00:37:55,650 --> 00:37:58,450
- Hurry up, Matthew!
- Get on to school.

594
00:37:58,650 --> 00:38:03,850
- Get a move on.
- Come on, get on to school.

595
00:38:15,250 --> 00:38:16,250
Late for school.

596
00:38:16,450 --> 00:38:18,250
There's education.

597
00:38:18,450 --> 00:38:20,650
Best trotters and mince.

598
00:38:23,250 --> 00:38:24,850
What's that?

599
00:38:26,650 --> 00:38:28,250
Owl meat.

600
00:38:28,450 --> 00:38:30,250
Dogs' eyes...

601
00:38:33,250 --> 00:38:34,850
Manchop.

602
00:38:35,650 --> 00:38:37,650
SHOUTING

603
00:38:52,050 --> 00:38:54,250
Maggie Richards, Ricky Rhys,

604
00:38:54,450 --> 00:38:59,250
Tommy Powell, our Sal, little Gerwain,

605
00:39:00,850 --> 00:39:03,450
Billy Swansea with the dog's voice.

606
00:39:05,050 --> 00:39:08,450
One of Mr Waldo's, nasty Humphrey.

607
00:39:09,050 --> 00:39:11,250
Jackie with the sniff.

608
00:39:12,450 --> 00:39:15,850
Where's Dicky's Albie,
and the boys from Ty-pant?

609
00:39:16,650 --> 00:39:18,650
Perhaps they got the rash again.

610
00:39:18,850 --> 00:39:20,450
BELL RINGS

611
00:39:22,250 --> 00:39:23,850
Stop it!

612
00:39:23,850 --> 00:39:25,650
Stop it! Stop it!

613
00:39:26,050 --> 00:39:27,450
SCREAM

614
00:39:27,450 --> 00:39:30,450
Somebody's hit Maggie Richards.
Two to one it's Billy Swansea.

615
00:39:30,450 --> 00:39:32,250
Never trust a boy who barks.

616
00:39:32,450 --> 00:39:34,250
Billy Swansea! How dare you -

617
00:39:34,450 --> 00:39:35,850
Right again, it's Billy.

618
00:39:35,850 --> 00:39:38,250
Better put a book down your trousers.

619
00:39:38,250 --> 00:39:40,450
Now get inside, the lot of you!

620
00:39:49,650 --> 00:39:52,650
That's Willy Nilly knocking at Bay View.

621
00:39:54,050 --> 00:39:58,450
Rat-a-tat, very soft.
The knocker's got a kid glove on.

622
00:39:59,850 --> 00:40:02,850
Who's sent a letter
to Mrs Ogmore-Pritchard?

623
00:40:03,850 --> 00:40:06,650
Careful now!
She swabs the front glassy.

624
00:40:06,850 --> 00:40:09,450
Every step's like a bar of soap.

625
00:40:10,050 --> 00:40:12,250
Mind your size twelveses.

626
00:40:14,650 --> 00:40:19,850
That old Bessie would beeswax
the lawn to make the birds slip.

627
00:40:21,250 --> 00:40:22,850
Good morning, Mrs Ogmore-Pritchard.

628
00:40:22,850 --> 00:40:23,850
Good morning, postman.

629
00:40:24,050 --> 00:40:26,850
Here's a letter for you with stamped
and addressed envelope enclosed,

630
00:40:26,850 --> 00:40:28,250
all the way from Builth Wells.

631
00:40:28,250 --> 00:40:30,450
A gentleman wants to study birds,
and can he have accommodation

632
00:40:30,650 --> 00:40:33,250
for two weeks and a bath... vegetarian?

633
00:40:33,450 --> 00:40:34,850
No.

634
00:40:35,050 --> 00:40:36,850
Oh, you wouldn't know he's
in the house, Mrs Ogmore-Pritchard.

635
00:40:36,850 --> 00:40:38,650
He'd be out in the mornings
at the bang of dawn

636
00:40:38,850 --> 00:40:41,450
with his bag of breadcrumbs
and his little telescope.

637
00:40:41,450 --> 00:40:44,450
And come home at all hours
covered in feathers.

638
00:40:44,650 --> 00:40:49,050
I don't want persons in my nice clean
rooms breathing all over the chairs.

639
00:40:49,250 --> 00:40:50,850
Cross my heart, he won't breathe.

640
00:40:50,850 --> 00:40:54,650
And putting their feet on my carpets,
and sneezing on my china,

641
00:40:54,850 --> 00:40:56,450
and sleeping in my sheets.

642
00:40:56,650 --> 00:40:59,450
He only wants a single bed,
Mrs Ogmore-Pritchard.

643
00:41:03,250 --> 00:41:08,050
And back she goes to the kitchen
to polish the potatoes,

644
00:41:09,250 --> 00:41:13,850
and on goes Willy Nilly
to clatter the cobbles.

645
00:41:14,850 --> 00:41:17,450
That's Mrs Rose Cottage. What's today?

646
00:41:17,450 --> 00:41:18,650
What's today?

647
00:41:18,850 --> 00:41:22,250
Today she gets the letter
from her sister in Gorslas.

648
00:41:22,450 --> 00:41:25,450
Today you get the letter
from your sister in Gorslas.

649
00:41:25,850 --> 00:41:27,450
How's the twins' teeth?

650
00:41:27,850 --> 00:41:29,450
How's the twins' teeth?

651
00:41:30,450 --> 00:41:32,450
(SILENTLY) Terrible.

652
00:41:40,650 --> 00:41:42,850
Nothing for you today, love.

653
00:41:43,650 --> 00:41:45,650
Twins teeth, terrible.

654
00:41:49,250 --> 00:41:51,250
That's the Emporium.

655
00:41:54,450 --> 00:41:57,050
Morning, Mr Edwards. Very small news.

656
00:41:57,250 --> 00:41:59,050
Mrs Ogmore-Pritchard
won't have birds in the house,

657
00:41:59,250 --> 00:42:02,050
and Mr Pugh has bought a book now
on how to do in Mrs Pugh.

658
00:42:02,250 --> 00:42:04,050
Have you got a letter from her?

659
00:42:04,050 --> 00:42:07,250
Miss Price loves you with all her heart.

660
00:42:07,250 --> 00:42:08,650
Smelling of lavender today,

661
00:42:08,650 --> 00:42:10,650
and she's down to the last
of the elderflower wine,

662
00:42:10,650 --> 00:42:13,450
but the quince jam's bearing up,
and she's knitting roses on the doilies.

663
00:42:13,450 --> 00:42:15,650
Last week she sold three jars of
boiled sweets,

664
00:42:15,650 --> 00:42:17,850
a pound of humbugs,
half a box of jellybabies,

665
00:42:17,850 --> 00:42:19,650
and six coloured photos of Llareggub.

666
00:42:19,850 --> 00:42:23,250
Yours forever, and twenty-one X's.

667
00:42:23,450 --> 00:42:25,650
Ahh, Willy Nilly, she's a ruby.

668
00:42:25,850 --> 00:42:29,250
Here's my letter.
Put it into her hands now.

669
00:42:35,850 --> 00:42:38,250
He's stopping at School House?

670
00:42:38,850 --> 00:42:42,650
Now children, I think it's time
you learnt the four times table.

671
00:42:42,650 --> 00:42:44,250
Good morning, Mrs Pugh.

672
00:42:44,450 --> 00:42:47,250
Mrs Ogmore-Pritchard won't have
a gentleman in from Builth Wells

673
00:42:47,450 --> 00:42:48,850
because he'll sleep in her sheets,

674
00:42:49,050 --> 00:42:51,250
and Mrs Rose Cottage's
sister-in-Gorslas's twins,

675
00:42:51,450 --> 00:42:52,250
got to have them out -

676
00:42:52,450 --> 00:42:53,850
Give me the parcel.

677
00:42:53,850 --> 00:42:55,650
It's for Mr Pugh, Mrs Pugh.

678
00:42:55,650 --> 00:42:57,850
Never you mind what's inside it.

679
00:42:58,050 --> 00:42:59,450
A book called...

680
00:42:59,850 --> 00:43:01,650
'Lives of the Great Poisoners'.

681
00:43:06,850 --> 00:43:09,650
Mr Waldo,
hurrying to the Sailors' Arms.

682
00:43:09,650 --> 00:43:12,850
Pint of stout with an egg in it.

683
00:43:13,450 --> 00:43:14,850
There's a letter for him.

684
00:43:15,250 --> 00:43:18,250
It's another paternity suit, Mr Waldo.

685
00:43:22,650 --> 00:43:25,850
Quick, Sinbad. Pint of stout.

686
00:43:26,050 --> 00:43:27,250
And no egg in it.

687
00:43:42,850 --> 00:43:44,850
Whose are those then?

688
00:43:45,650 --> 00:43:48,050
What they looking for?

689
00:43:52,650 --> 00:43:54,250
Chuck it back in the water.

690
00:43:54,250 --> 00:43:57,250
All the women are out this morning...

691
00:43:58,050 --> 00:44:01,650
In the sun... But then, it's Spring.

692
00:44:02,850 --> 00:44:05,050
Who's that talking by the pump?

693
00:44:05,050 --> 00:44:09,050
Somebody talking flatfish.
Why do you talk about flatfish?

694
00:44:11,450 --> 00:44:16,250
That's Mrs Dai Bread One,
waltzing up the street like a jelly.

695
00:44:16,250 --> 00:44:19,850
Every time she shakes
it's slap, slap, slap.

696
00:44:20,050 --> 00:44:22,850
What did you have for breakfast
this morning? Pig snout?

697
00:44:22,850 --> 00:44:25,850
Mrs Butcher Beynon,
and her pet black cat.

698
00:44:25,850 --> 00:44:29,050
It follows her everywhere,
meow and all.

699
00:44:31,850 --> 00:44:34,650
There goes Mrs Twenty Three.

700
00:44:35,650 --> 00:44:37,050
Important.

701
00:44:40,850 --> 00:44:44,650
The sun gets up
and goes down in her dewlap.

702
00:44:44,850 --> 00:44:47,650
When she shuts her eyes it's night.

703
00:44:49,050 --> 00:44:51,450
High heels now?

704
00:44:51,650 --> 00:44:53,650
In the morning too.

705
00:44:55,250 --> 00:44:58,450
Mrs Rose Cottages's eldest, Mae.

706
00:44:58,450 --> 00:45:02,050
Seventeen and never been kissed.
Ho, ho.

707
00:45:02,650 --> 00:45:07,050
Going young and milking under
my window

708
00:45:07,250 --> 00:45:10,250
to the field with the nannygoats.

709
00:45:12,250 --> 00:45:14,650
She reminds me all the way.

710
00:45:18,450 --> 00:45:21,450
Can't hear what the women are
gabbing round the pump.

711
00:45:22,850 --> 00:45:24,250
Same as ever.

712
00:45:28,650 --> 00:45:31,850
Ocky Milkman on his rounds.

713
00:45:32,050 --> 00:45:36,450
I will say this,
his milk's as fresh as the dew.

714
00:45:36,450 --> 00:45:38,450
Half dew it is.

715
00:45:40,450 --> 00:45:42,450
Organ Morgan's at it early.

716
00:45:42,650 --> 00:45:44,250
You can tell it's Spring.

717
00:45:46,050 --> 00:45:48,050
Somebody's coming.

718
00:45:49,050 --> 00:45:54,450
Now the voices round the pump
can see somebody coming.

719
00:45:54,650 --> 00:45:56,450
Hush.

720
00:45:57,050 --> 00:45:58,850
There's a hush.

721
00:45:59,850 --> 00:46:01,850
You can tell by the noise of the hush,

722
00:46:03,250 --> 00:46:04,250
it's Polly Garter.

723
00:46:04,450 --> 00:46:08,650
- She's having a baby.
- She's having us on.

724
00:46:08,850 --> 00:46:10,850
- Giving herself an airing.
- There should be a law.

725
00:46:10,850 --> 00:46:13,450
Seen Mrs Beynon's new mauve jumper?

726
00:46:13,450 --> 00:46:15,650
It's an old grey one - dyed.

727
00:46:15,850 --> 00:46:16,650
Who's died?

728
00:46:16,850 --> 00:46:18,050
Nobody's dying.

729
00:46:18,050 --> 00:46:19,250
Oh, it's a lovely day.

730
00:46:19,250 --> 00:46:21,250
Oh, the cost of soap...

731
00:46:22,050 --> 00:46:24,250
Hello, Polly.

732
00:46:24,450 --> 00:46:25,850
Who's there?

733
00:46:25,850 --> 00:46:27,850
Me, love.

734
00:46:29,050 --> 00:46:31,250
That's Polly Garter.

735
00:46:33,250 --> 00:46:35,850
Hello, Polly, my love.

736
00:46:37,450 --> 00:46:41,050
Can you hear the dumb,
goose-hiss of the wives,

737
00:46:41,250 --> 00:46:45,050
as they huddle and peck,
or flounce and waddle away?

738
00:46:45,650 --> 00:46:47,850
Who cuddled you when?

739
00:46:48,650 --> 00:46:52,450
Which of their gandering hubbies
moaned in Milk Wood

740
00:46:52,450 --> 00:46:54,850
for your naughty mothering arms

741
00:46:55,050 --> 00:46:58,050
and body like a wardrobe, love?

742
00:46:58,850 --> 00:47:04,250
Scrub the floors of the Welfare Hall
for the Mother's Union Social Dance.

743
00:47:04,250 --> 00:47:08,250
You're one mother
won't wriggle her rolypoly bum,

744
00:47:08,250 --> 00:47:11,450
or pat her fat little buttery feet

745
00:47:11,650 --> 00:47:15,250
in that wedding-ringed holy tonight.

746
00:47:17,250 --> 00:47:19,050
COCK CROWING

747
00:47:19,250 --> 00:47:21,850
Too late... Cock.

748
00:47:22,850 --> 00:47:24,450
Too late.

749
00:47:26,250 --> 00:47:29,450
The town's half over with its morning.

750
00:47:29,650 --> 00:47:32,650
The morning's busy as bees.

751
00:47:33,250 --> 00:47:34,650
Norma Jane.

752
00:47:34,850 --> 00:47:36,250
Norma Jane.

753
00:47:36,650 --> 00:47:37,850
There's the clip-clop of horses

754
00:47:37,850 --> 00:47:40,450
on the sun-honeyed cobbles
of the humming streets

755
00:47:40,450 --> 00:47:41,650
hammering of horse-shoes,

756
00:47:41,850 --> 00:47:43,450
gobble, quack, and cackle.

757
00:47:43,850 --> 00:47:46,250
Tom-tit twitter
from the bird ounced bars,

758
00:47:46,250 --> 00:47:48,050
braying on Donkey Down.

759
00:47:48,250 --> 00:47:50,850
Bread is baking, pigs are grunting,
chop goes the butcher,

760
00:47:51,050 --> 00:47:56,250
milk churns bell, tills ring,
sheep cough, dogs shout, saws sing.

761
00:47:56,250 --> 00:48:00,450
Oh, the Spring whinny and morning moo
from the clog dancing farms,

762
00:48:00,450 --> 00:48:04,250
the gulls gab and rabble
on the boat bobbing river and sea,

763
00:48:04,250 --> 00:48:08,650
and the cockles bubbling in the sand,
scamper of sanderlings, curlew cry,

764
00:48:08,650 --> 00:48:12,650
crow caw, pigeon coo,
clock strike, bull bellow,

765
00:48:12,850 --> 00:48:15,050
and the ragged gabble
of the beargarden schools,

766
00:48:15,050 --> 00:48:18,250
the women scratch and babble
in Mrs Organ Morgan's general shop

767
00:48:18,250 --> 00:48:19,450
where everything is sold -

768
00:48:19,650 --> 00:48:24,250
custard, buckets, henna, rat-traps,
shrimp nets, sugar, stamps,

769
00:48:24,250 --> 00:48:27,850
confetti, paraffin, hatchets, whistles.

770
00:48:28,850 --> 00:48:30,850
- Mrs Ogmore-Pritchard...
- La-di-da!

771
00:48:31,050 --> 00:48:33,450
- Got a man in Builth Wells
- No!

772
00:48:33,450 --> 00:48:35,650
And he's got a little
telescope to look at birds.

773
00:48:35,850 --> 00:48:36,850
Willy Nilly said.

774
00:48:37,050 --> 00:48:40,250
Remember her first husband?
He didn't need a telescope.

775
00:48:40,250 --> 00:48:42,650
He used to watch them undressing
through the keyhole.

776
00:48:42,650 --> 00:48:43,850
And shout tally-ho!

777
00:48:43,850 --> 00:48:45,650
Mr Ogmore was a proper gentleman.

778
00:48:45,650 --> 00:48:48,250
Even though he hanged his collie.

779
00:48:48,250 --> 00:48:49,850
Seen Mrs Butcher Beynon?

780
00:48:49,850 --> 00:48:51,650
She said Butcher Beynon
put dogs in the mincer.

781
00:48:51,850 --> 00:48:53,850
Oh, he's pulling her leg.

782
00:48:53,850 --> 00:48:55,450
Don't you dare tell her that,
there's a dear.

783
00:48:55,650 --> 00:48:57,850
She'll think he's trying to pull it off!

784
00:48:57,850 --> 00:49:00,850
There's a lot of nasty people live here,
when you come to think.

785
00:49:00,850 --> 00:49:02,250
Look at Nogood Boyo now.

786
00:49:02,450 --> 00:49:04,250
Too lazy to wipe his snout.

787
00:49:04,450 --> 00:49:08,650
Goes fishing every day, and all
he ever brought back was Mrs Samuels.

788
00:49:08,650 --> 00:49:10,650
Been in the water a week.

789
00:49:10,850 --> 00:49:12,850
And Ocky Milkman's wife
that nobody's ever seen.

790
00:49:13,050 --> 00:49:15,250
Oh, he keeps her in the cupboard
with the empties.

791
00:49:15,250 --> 00:49:17,250
And think of Dai Bread
with two wives.

792
00:49:17,450 --> 00:49:20,450
One for the daytime. One for the night.

793
00:49:20,650 --> 00:49:21,650
Hello, ladies.

794
00:49:21,850 --> 00:49:24,450
Men are brutes on the quiet.

795
00:49:24,850 --> 00:49:26,650
How's Organ Morgan, Mrs Morgan?

796
00:49:26,850 --> 00:49:28,650
You look dead beat.

797
00:49:28,650 --> 00:49:30,450
It's organ, organ, all the time with him.

798
00:49:30,650 --> 00:49:33,650
Up every night till midnight,
playing the organ.

799
00:49:34,050 --> 00:49:37,250
Oh, I'm a martyr to music.

800
00:49:41,850 --> 00:49:42,650
Organ.

801
00:49:42,850 --> 00:49:48,650
Morgan. Morgan. Morgan. Morgan.

802
00:49:48,650 --> 00:49:50,650
I'll never be refined if I twitch.

803
00:49:51,050 --> 00:49:53,650
It is Spring in Llareggub,

804
00:49:54,250 --> 00:49:57,050
in the sun in my old age,

805
00:49:57,850 --> 00:50:00,850
and this is the Chosen Land.

806
00:50:03,850 --> 00:50:08,050
From the Emporium Llareggub.
Sole prop. Mr Mog Edwards.

807
00:50:08,850 --> 00:50:12,250
'The lovely Myfanwy Price,
my bride in heaven.'

808
00:50:12,850 --> 00:50:15,050
'I dreamt last night
you were all dripping wet,

809
00:50:15,250 --> 00:50:18,850
and you sat on my lap as the Reverend
Jenkins went down the street.'

810
00:50:18,850 --> 00:50:21,450
'''I see you've got
a mermaid in your lap.'' he said,

811
00:50:21,650 --> 00:50:22,650
and he lifted his hat.'

812
00:50:22,850 --> 00:50:25,650
'Oh, he's proper Christian.'

813
00:50:25,650 --> 00:50:28,650
'Not like Cherry Owen, who said,
''You should have thrown her back.'''

814
00:50:29,050 --> 00:50:31,450
'Business is very poorly.'

815
00:50:31,650 --> 00:50:33,850
'Polly Garter bought two
garters with roses,

816
00:50:33,850 --> 00:50:37,050
but she never got stockings,
so what's the use, I say?'

817
00:50:37,050 --> 00:50:39,650
'Mr Waldo tried to sell me
a woman's nighty, outsize.'

818
00:50:39,850 --> 00:50:42,050
'He said he found it,
and we know where.'

819
00:50:42,050 --> 00:50:44,050
'If this goes on
I shall be in the workhouse.'

820
00:50:44,250 --> 00:50:47,250
'My heart is in your bosom,
and yours in mine.'

821
00:50:47,450 --> 00:50:50,050
'God be with you always,
Myfanwy Price,

822
00:50:50,050 --> 00:50:53,850
and keep you lovely for me
in his Heavenly Mansion.'

823
00:50:53,850 --> 00:50:59,250
'I must stop now, and remain...
Your Eternal, Mog Edwards.'

824
00:51:00,450 --> 00:51:05,450
And then a little message
with a rubber stamp: Shop at Mogs.

825
00:51:07,850 --> 00:51:10,650
I've got to go to the Elsie Cummings.

826
00:51:19,850 --> 00:51:24,050
'Outside the sun springs down
on the rough and tumbling town.'

827
00:51:24,050 --> 00:51:26,050
'It runs through the hedges
of Goosegog Lane,

828
00:51:26,050 --> 00:51:28,850
cuffing the birds to sing.'

829
00:51:29,250 --> 00:51:32,650
'Spring whips green in Milk Wood.'

830
00:51:34,050 --> 00:51:37,450
'Llareggub, this snip of a morning
is wild fruit and warm.'

831
00:51:37,650 --> 00:51:42,850
'The streets, fields, sands, and waters,
springing in the young sun.'

832
00:51:42,850 --> 00:51:46,850
'Donkeys angelically
drowse on Donkey Down.'

833
00:51:49,450 --> 00:51:50,650
'Norma Jane.'

834
00:51:53,450 --> 00:51:55,850
Herring gulls heckling down to
the harbour where the fishermen spit

835
00:51:55,850 --> 00:51:58,050
and prop the morning up,
and eye the fishy sea,

836
00:51:58,050 --> 00:52:01,650
smooth to the sea's end
as it lulls in blue.

837
00:52:01,850 --> 00:52:04,650
Green and gold money,
tobacco, tinned salmon,

838
00:52:04,650 --> 00:52:06,850
hats with feathers, pots of fish-paste,

839
00:52:07,050 --> 00:52:10,250
warmth for the winter-to-be,
weave and leap in it,

840
00:52:10,450 --> 00:52:15,250
rich and slippery in the flash and shapes
of fishes in the cold sea-streets,

841
00:52:15,250 --> 00:52:17,650
but with blue, lazy eyes,
the fishermen gaze

842
00:52:17,850 --> 00:52:20,850
at that milk-maid whispering water
with no ruck or ripple

843
00:52:21,450 --> 00:52:23,450
as though it blew
great guns and serpents,

844
00:52:23,650 --> 00:52:26,050
and typhooned the town.

845
00:52:26,050 --> 00:52:29,050
Too rough for fishing today.

846
00:52:29,050 --> 00:52:30,450
Thank God.

847
00:52:38,450 --> 00:52:43,250
No, I'll take the mulatto, by God!
Who's captain here?

848
00:52:47,050 --> 00:52:50,450
Are you talking, jig jig, ma'am?

849
00:52:53,850 --> 00:52:55,250


850
00:52:55,250 --> 00:52:56,650


851
00:52:56,850 --> 00:52:58,250


852
00:52:58,250 --> 00:53:00,050


853
00:53:00,250 --> 00:53:01,650


854
00:53:01,650 --> 00:53:03,050


855
00:53:03,050 --> 00:53:03,650


856
00:53:03,850 --> 00:53:05,650


857
00:53:05,650 --> 00:53:07,850


858
00:53:07,850 --> 00:53:09,450


859
00:53:09,450 --> 00:53:10,250


860
00:53:10,250 --> 00:53:11,450


861
00:53:11,450 --> 00:53:13,250


862
00:53:13,250 --> 00:53:14,650


863
00:53:14,650 --> 00:53:16,650


864
00:53:16,850 --> 00:53:18,050


865
00:53:18,250 --> 00:53:20,450


866
00:53:20,450 --> 00:53:22,450

to give you a penny

867
00:53:22,650 --> 00:53:23,850


868
00:53:24,050 --> 00:53:25,450


869
00:53:25,450 --> 00:53:26,450


870
00:53:26,650 --> 00:53:28,050


871
00:53:28,250 --> 00:53:30,250


872
00:53:30,450 --> 00:53:31,850


873
00:53:31,850 --> 00:53:32,650


874
00:53:32,850 --> 00:53:33,650


875
00:53:33,650 --> 00:53:35,850


876
00:53:36,050 --> 00:53:37,850


877
00:53:38,050 --> 00:53:39,250


878
00:53:39,450 --> 00:53:40,850


879
00:53:41,050 --> 00:53:42,050


880
00:53:42,050 --> 00:53:42,450


881
00:53:42,650 --> 00:53:43,850


882
00:53:44,050 --> 00:53:45,450


883
00:53:45,650 --> 00:53:46,850


884
00:53:47,050 --> 00:53:48,050


885
00:53:48,050 --> 00:53:49,050


886
00:53:49,250 --> 00:53:51,650


887
00:53:51,650 --> 00:53:52,650


888
00:53:53,250 --> 00:53:54,850

with a rhubarb stick

889
00:53:55,050 --> 00:53:56,450
Ow!

890
00:53:56,450 --> 00:53:57,450
SHOUTING

891
00:54:12,050 --> 00:54:14,250
What do you want then?
What do you want?

892
00:54:14,450 --> 00:54:17,250
Now, now, now! What do you want?

893
00:54:20,250 --> 00:54:22,250
'Cross my palm with silver, Mrs One...'

894
00:54:22,450 --> 00:54:25,250
Out of our housekeeping money.

895
00:54:28,650 --> 00:54:30,450
- Ahh!
- What do you see, lovie?

896
00:54:30,650 --> 00:54:34,450
I see a feather bed
with three pillows on it,

897
00:54:34,650 --> 00:54:36,450
and a text above the bed.

898
00:54:36,450 --> 00:54:40,050
I can't see what it says,
there's great clouds blowing.

899
00:54:40,050 --> 00:54:42,650
Now they've blown away.
'God is Love' the text says.

900
00:54:42,850 --> 00:54:43,650
That's our bed!

901
00:54:43,650 --> 00:54:47,450
Now it's vanished.
The sun's spinning like a top.

902
00:54:47,450 --> 00:54:49,250
Who's this coming out of the sun?

903
00:54:49,450 --> 00:54:52,250
It's a hairy little man
with thin pink lips.

904
00:54:52,450 --> 00:54:54,650
- That's Dai. That's Dai Bread.
- Shhh!

905
00:54:54,650 --> 00:54:56,650
The feather bed's floating back.

906
00:54:56,650 --> 00:55:00,250
The little man's taking his boots off.
He's pulling his shirt over his head.

907
00:55:00,450 --> 00:55:03,850
He's beating his chest with his fists.
He's climbing into bed.

908
00:55:03,850 --> 00:55:04,850
Oh, go on. Go on.

909
00:55:04,850 --> 00:55:06,650
There's two women in bed.

910
00:55:06,650 --> 00:55:10,450
He looks at them both with
his head cocked on one side.

911
00:55:10,650 --> 00:55:12,050
He's whistling through his teeth.

912
00:55:12,050 --> 00:55:14,650
Now he grips his arms
around one of the women.

913
00:55:14,850 --> 00:55:15,850
Which one? Which one?

914
00:55:16,050 --> 00:55:19,850
I can't see anymore,
there's great clouds blowing again.

915
00:55:19,850 --> 00:55:22,850
Ach, the mean old clouds!

916
00:55:26,050 --> 00:55:29,250

whose name was Tom

917
00:55:29,250 --> 00:55:33,450

and two yards long

918
00:55:33,650 --> 00:55:35,450
Eisteddfods

919
00:55:35,450 --> 00:55:37,850

whose name was Dick

920
00:55:38,050 --> 00:55:42,250

and three feet thick

921
00:55:42,650 --> 00:55:47,450

whose name was Harry

922
00:55:47,450 --> 00:55:51,450

and sweet as a cherry

923
00:55:52,250 --> 00:55:54,650


924
00:55:55,050 --> 00:55:56,850


925
00:55:57,850 --> 00:56:00,050


926
00:56:00,250 --> 00:56:03,250


927
00:56:04,250 --> 00:56:08,450

were three fine men

928
00:56:08,450 --> 00:56:12,250


929
00:56:13,050 --> 00:56:17,450

who took me on his knee

930
00:56:17,450 --> 00:56:19,250


931
00:56:19,250 --> 00:56:22,050


932
00:56:24,650 --> 00:56:28,250


933
00:56:28,250 --> 00:56:30,250


934
00:56:30,450 --> 00:56:32,850


935
00:56:33,450 --> 00:56:36,850

I love another man back

936
00:56:37,650 --> 00:56:40,850


937
00:56:42,050 --> 00:56:45,850

as they do what they please

938
00:56:46,450 --> 00:56:50,450

who were tall as trees

939
00:56:51,250 --> 00:56:55,650

when I'm by their side

940
00:56:56,450 --> 00:56:58,850


941
00:56:58,850 --> 00:57:01,850


942
00:57:03,450 --> 00:57:07,450

were three fine men

943
00:57:07,650 --> 00:57:11,450


944
00:57:12,250 --> 00:57:16,250

who took me on his knee

945
00:57:16,450 --> 00:57:21,250

was the man for me

946
00:57:22,850 --> 00:57:24,850
Praise the Lord.

947
00:57:25,050 --> 00:57:27,050
We are a musical nation.

948
00:57:34,850 --> 00:57:37,650
'The town's as full as a lovebird's egg.'

949
00:57:40,450 --> 00:57:41,850
- Good morning, Reverend.
- Bora Da.

950
00:57:44,650 --> 00:57:46,450
Well, there goes the Reverend,

951
00:57:46,650 --> 00:57:49,050
with his brolly and his odes

952
00:57:51,050 --> 00:57:53,450
Fill 'em up, Sinbad.

953
00:57:53,450 --> 00:57:55,050
I'm on the treacle today.

954
00:57:56,850 --> 00:57:58,450
Oh, Mr Waldo.

955
00:57:59,850 --> 00:58:02,650
I dote on that Gossamer Beynon.

956
00:58:02,850 --> 00:58:04,850
WELSH SONG TO FRERE JACQUES TUNE

957
00:58:12,650 --> 00:58:14,250
She's a lady all over.

958
00:58:14,450 --> 00:58:16,450
No lady that I know is.

959
00:58:17,250 --> 00:58:20,050
No, no, no, children. Your accents.

960
00:58:20,650 --> 00:58:23,050
It was a lover...

961
00:58:23,250 --> 00:58:25,050
and his lass,

962
00:58:25,650 --> 00:58:28,850
with a hey, and a ho...

963
00:58:29,250 --> 00:58:32,050
and a hey-nonny-no.

964
00:58:32,050 --> 00:58:36,850
And if only Grandma would die
and leave me the pub.

965
00:58:37,050 --> 00:58:40,250
Cross my heart,
I'd go down on my knees, Mr Waldo,

966
00:58:40,450 --> 00:58:41,450
and I'd say...

967
00:58:42,850 --> 00:58:44,850
Miss Gossamer, I'd say.

968
00:58:45,250 --> 00:58:46,250


969
00:58:46,450 --> 00:58:47,650


970
00:58:47,650 --> 00:58:48,850


971
00:58:49,050 --> 00:58:50,050


972
00:58:50,250 --> 00:58:53,850


973
00:58:53,850 --> 00:58:58,650

were three fine men

974
00:58:58,850 --> 00:59:04,050


975
00:59:04,450 --> 00:59:08,650

were three fine men

976
00:59:09,050 --> 00:59:14,650


977
00:59:16,250 --> 00:59:19,050
I don't care if he is common.

978
00:59:19,650 --> 00:59:21,850
I want to gobble him all up.

979
00:59:22,050 --> 00:59:24,650
I don't care if he does drop his H's,

980
00:59:25,050 --> 00:59:28,050
so long as he's all cucumber and hooves.

981
00:59:31,050 --> 00:59:34,450
Oh, Gossamer Beynon,
why are you so proud?

982
00:59:35,250 --> 00:59:38,650
Oh, beautiful, beautiful, Gossamer B,

983
00:59:38,850 --> 00:59:41,450
I wish, I wish, that you were for me.

984
00:59:42,850 --> 00:59:46,050
I wish that you were not so educated.

985
00:59:46,050 --> 00:59:47,850
Gossamer.

986
00:59:48,850 --> 00:59:50,450
Gossamer.

987
00:59:51,450 --> 00:59:54,250


988
00:59:54,450 --> 00:59:57,250


989
00:59:57,250 --> 00:59:59,850


990
00:59:59,850 --> 01:00:02,250

and one would put it back

991
01:00:02,250 --> 01:00:05,250

said Flossie Snail

992
01:00:05,450 --> 01:00:07,650

from the milking pail

993
01:00:07,850 --> 01:00:10,650

said Johnnie Crack

994
01:00:10,850 --> 01:00:13,450

and put it back

995
01:00:13,650 --> 01:00:16,450


996
01:00:16,450 --> 01:00:19,050


997
01:00:19,050 --> 01:00:21,450

and one would pull it out

998
01:00:21,450 --> 01:00:24,250

was ale and stout

999
01:00:24,450 --> 01:00:27,050


1000
01:00:27,050 --> 01:00:29,250

that stout and ale

1001
01:00:29,450 --> 01:00:31,850

in a milking pail

1002
01:00:32,050 --> 01:00:34,050
SCREAM

1003
01:00:42,450 --> 01:00:46,250
Persons with manners
do not read at table, Pugh.

1004
01:00:48,050 --> 01:00:51,250
Some persons
were brought up in pigsties.

1005
01:00:52,450 --> 01:00:55,050
Pigs don't read at table, my dear.

1006
01:00:59,250 --> 01:01:01,850
Pigs can't read, my dear.

1007
01:01:01,850 --> 01:01:04,050
I know one who can.

1008
01:01:06,650 --> 01:01:09,250
'Alone in the hissing laboratory
of his wishes,

1009
01:01:09,250 --> 01:01:13,050
Mr Pugh minces among bad vats
and jeroboams,

1010
01:01:13,050 --> 01:01:15,450
tiptoes through spinneys
of murdering herbs,

1011
01:01:15,650 --> 01:01:20,250
agony dancing his crucibles,
and mixes, especially for Mrs Pugh,

1012
01:01:20,250 --> 01:01:22,850
a venomous porridge unknown
to toxicologists,

1013
01:01:23,050 --> 01:01:27,450
which will scald and viper through her
until her ears fall off like figs,

1014
01:01:27,450 --> 01:01:29,850
her toes grow big and black
as balloons,

1015
01:01:30,050 --> 01:01:32,850
and steam comes
screaming out of her navel.'

1016
01:01:32,850 --> 01:01:33,850
GUNSHOT

1017
01:01:37,850 --> 01:01:42,250
Persons with manners do not, not,
at table.

1018
01:01:43,450 --> 01:01:47,050
You should wait until you
retire to your sty.

1019
01:01:48,650 --> 01:01:50,850
I beg your pardon, dear.

1020
01:01:52,850 --> 01:01:54,650
You know best, my dear.

1021
01:01:57,650 --> 01:02:01,250
What's that book you've got
by your trough, Mr Pugh?

1022
01:02:01,250 --> 01:02:05,850
Oh, it's a theological work, my dear.
'Lives of the Great Saints'.

1023
01:02:06,250 --> 01:02:10,650
I saw a saint this morning -
Saint Polly Garter.

1024
01:02:10,850 --> 01:02:13,450
She was martyred again last night.

1025
01:02:13,450 --> 01:02:16,050
Mrs Organ Morgan
saw her with Mr Waldo.

1026
01:02:16,250 --> 01:02:19,250
And when they saw me they pretended
they were looking for nests.

1027
01:02:19,250 --> 01:02:22,450
But you don't go nesting in long
combinations like Mr Waldo had on,

1028
01:02:22,650 --> 01:02:25,050
and a dress sailing over your head
like Polly Garter's.

1029
01:02:25,250 --> 01:02:26,850
They didn't fool me.

1030
01:02:26,850 --> 01:02:29,250
I think of all those babies she's got,
and all I can say is

1031
01:02:29,450 --> 01:02:32,050
she'd better give up bird nesting,
that's all I can say.

1032
01:02:32,050 --> 01:02:35,650
It's the wrong hobby for a woman
who can't say no, even to midgets.

1033
01:02:35,850 --> 01:02:37,250
Do you remember Tom Spit?

1034
01:02:37,250 --> 01:02:41,450
He wasn't any bigger than
a baby and he gave her two.

1035
01:02:41,450 --> 01:02:45,450
Two nice boys, I'll say that -
Fred Spit and Arthur.

1036
01:02:45,450 --> 01:02:48,650
Sometimes I like Fred best
and sometimes Arthur.

1037
01:02:48,850 --> 01:02:51,050
Who do you like best, Organ?

1038
01:02:51,850 --> 01:02:54,450
Oh... er... Bach, without any doubt.

1039
01:02:54,450 --> 01:02:56,450
Bach every time for me.

1040
01:02:56,650 --> 01:02:59,250
Organ Morgan, you haven't
been listening to a word I said!

1041
01:02:59,250 --> 01:03:02,050
It's organ, organ all the time!

1042
01:03:03,250 --> 01:03:06,050
And then... er... Palestrina.

1043
01:03:07,250 --> 01:03:11,250
Pigs grunt in a wet wallow-bath,
and smile as they snort and dream.

1044
01:03:12,050 --> 01:03:14,650
They dream of the acorned swill
of the world,

1045
01:03:14,850 --> 01:03:18,250
Of rooting for pig-fruit,
the bagpipe dugs of the mother sow,

1046
01:03:18,450 --> 01:03:22,650
the squeal and snuffle of yesses
of the women pigs in rut.

1047
01:03:22,650 --> 01:03:25,450
They mud-bask and snout
in the pig-loving sun,

1048
01:03:25,650 --> 01:03:29,250
their tails curl, they rollick,
and slobber, and snore,

1049
01:03:29,250 --> 01:03:32,850
in deep, smug, after-swill sleep.

1050
01:03:35,450 --> 01:03:37,450
LOUD TICKING

1051
01:03:55,650 --> 01:03:59,850

on the first fair day

1052
01:03:59,850 --> 01:04:04,250

to drink and be gay

1053
01:04:04,650 --> 01:04:08,850

I'll lie there in their arms

1054
01:04:09,050 --> 01:04:13,850

from the lonely farms

1055
01:04:14,850 --> 01:04:17,650


1056
01:04:17,650 --> 01:04:20,250


1057
01:04:21,050 --> 01:04:23,850


1058
01:04:24,650 --> 01:04:26,450


1059
01:04:27,850 --> 01:04:29,450


1060
01:04:30,050 --> 01:04:31,650


1061
01:04:32,250 --> 01:04:35,650
'The sea lulls, laps, and idles in,

1062
01:04:36,450 --> 01:04:39,050
with fishes sleeping in its lap.'

1063
01:04:48,450 --> 01:04:50,850
'It all means nothing at all.'

1064
01:04:51,450 --> 01:04:54,650
'And howling for his milky mum,
for her cawl, and buttermilk,

1065
01:04:54,850 --> 01:04:56,450
and cowbreath, and Welshcakes,

1066
01:04:57,050 --> 01:05:01,650
and the fat, birth-smelling bed
and moonlit kitchen of her arms.'

1067
01:05:01,650 --> 01:05:04,250
'He'll never forget
as he paddles blind home

1068
01:05:04,450 --> 01:05:07,650
through the weeping end of the world.'

1069
01:05:15,450 --> 01:05:18,050
Where's your dignity? Lie down.

1070
01:05:21,650 --> 01:05:23,450
GLASS SMASHING

1071
01:05:34,050 --> 01:05:37,450
'Captain Cat,
at his window thrown wide to the sun,

1072
01:05:37,450 --> 01:05:40,050
and the clippered seas
he sailed long ago.'

1073
01:05:40,450 --> 01:05:45,050
'When his eyes were blue and bright,
slumbers and voyages.'

1074
01:05:50,650 --> 01:05:52,050
'Ear-ringed and rolling,

1075
01:05:52,050 --> 01:05:55,850
''I love you Rosie Probert''
tattooed on his belly.'

1076
01:05:56,850 --> 01:06:01,450
'He brawls with broken bottles in the
fug and babel of the dark, dock bars,

1077
01:06:02,050 --> 01:06:06,050
roves with the herd of short and
good time cows in every naughty port,

1078
01:06:06,050 --> 01:06:09,850
and twines and souses with the
drowned and blousy-breasted dead.'

1079
01:06:13,850 --> 01:06:15,250
Tom Cat.

1080
01:06:17,250 --> 01:06:18,650
Tom Cat.

1081
01:06:20,050 --> 01:06:25,250
'One voice of all he remembers most
dearly as his dream buckets down.'

1082
01:06:29,050 --> 01:06:31,250
'Lazy, early Rosie.'

1083
01:06:32,450 --> 01:06:36,050
'In that gulf and haven,
fleets by the dozen have anchored

1084
01:06:36,050 --> 01:06:39,050
for the little heaven of the night.'

1085
01:06:40,450 --> 01:06:41,650
'Quack twice,

1086
01:06:42,450 --> 01:06:44,450
and ask for Rosie, Jack.'

1087
01:06:46,050 --> 01:06:47,250
Bloody good value.

1088
01:06:47,450 --> 01:06:49,450
Hey, Tom, lend us a dollar.

1089
01:06:53,050 --> 01:06:56,850
'But she speaks to
Captain napping Cat alone.'

1090
01:06:56,850 --> 01:07:02,250
'Rosie Probert is the one love of his
sea life that was sardined with women.'

1091
01:07:03,450 --> 01:07:05,250
'What seas did you see...'

1092
01:07:05,450 --> 01:07:07,250
Tom Cat?

1093
01:07:07,250 --> 01:07:08,650
'Tom Cat.'

1094
01:07:09,250 --> 01:07:12,250
'In your sailoring days, long, long ago.'

1095
01:07:12,850 --> 01:07:18,050
'What sea beasts were in the wavery
green when you were my master?'

1096
01:07:19,050 --> 01:07:21,250
I'll tell you the truth.

1097
01:07:21,650 --> 01:07:24,450
Seas barking like seals.

1098
01:07:25,650 --> 01:07:27,650
Blue seas and green.

1099
01:07:27,850 --> 01:07:30,450
Seas covered with eels,

1100
01:07:30,650 --> 01:07:33,250
and mermen, and whales.

1101
01:07:34,250 --> 01:07:39,250
'What seas did you sail, old whaler,
when on the blubbery waves

1102
01:07:39,450 --> 01:07:41,850
between Frisco and Wales,

1103
01:07:41,850 --> 01:07:44,050
you were my bosun.'

1104
01:07:45,650 --> 01:07:47,650
'As true as I'm here,

1105
01:07:47,850 --> 01:07:50,450
dear you, Tom Cat's tart.'

1106
01:07:51,450 --> 01:07:55,050
'You landlubber, Rosie,
you cosy love,

1107
01:07:55,050 --> 01:07:59,850
my easy as easy,
my true sweetheart.'

1108
01:08:00,250 --> 01:08:02,050
'Seas,

1109
01:08:02,250 --> 01:08:04,050
green as a bean.'

1110
01:08:05,450 --> 01:08:08,450
'Seas gliding with swans

1111
01:08:08,650 --> 01:08:11,650
in the seal-barking moon.'

1112
01:08:13,450 --> 01:08:17,250
'What seas were rocking,
my little deck hand,

1113
01:08:17,250 --> 01:08:21,250
my favourite husband
in your seaboots and hunger?'

1114
01:08:21,850 --> 01:08:23,650
'My duck, my whaler,

1115
01:08:24,250 --> 01:08:28,450
my honey, my daddy,
my pretty sugar sailor.'

1116
01:08:29,050 --> 01:08:31,050
'With my name on your belly,

1117
01:08:31,650 --> 01:08:33,850
when you were a boy,

1118
01:08:34,050 --> 01:08:36,450
long... long ago.'

1119
01:08:37,850 --> 01:08:40,650
I'll tell you no lies.

1120
01:08:42,450 --> 01:08:44,650
The only sea I saw,

1121
01:08:45,250 --> 01:08:47,650
was the seesaw sea,

1122
01:08:47,650 --> 01:08:50,450
with you riding on it.

1123
01:08:51,850 --> 01:08:53,250
Lie down.

1124
01:08:54,050 --> 01:08:55,450
Lie easy.

1125
01:08:57,050 --> 01:09:00,650
Let me shipwreck in your thighs.

1126
01:09:04,650 --> 01:09:06,650
'Knock twice Jack,

1127
01:09:07,250 --> 01:09:09,450
at the door of my grave,

1128
01:09:10,050 --> 01:09:11,850
and ask for Rosie.'

1129
01:09:12,650 --> 01:09:14,650
'Rosie Probert.'

1130
01:09:15,850 --> 01:09:17,650
'Remember her.'

1131
01:09:18,250 --> 01:09:20,050
'She is forgetting.'

1132
01:09:20,450 --> 01:09:24,650
'The earth which filled her mouth
is vanishing from her.'

1133
01:09:26,050 --> 01:09:27,650
'Remember me.'

1134
01:09:28,250 --> 01:09:30,250
'I have forgotten you.'

1135
01:09:31,250 --> 01:09:34,450
'I am going into the darkness
of the darkness forever.'

1136
01:09:36,450 --> 01:09:39,250
'I have forgotten that I was ever born.'

1137
01:09:39,250 --> 01:09:40,650
Come back!

1138
01:09:42,050 --> 01:09:43,450
Come back!

1139
01:09:44,450 --> 01:09:45,650
Come back!

1140
01:09:47,050 --> 01:09:48,450
Come back!

1141
01:09:49,050 --> 01:09:51,850
Look, Captain Cat's crying.

1142
01:09:51,850 --> 01:09:54,450
He's crying all over his nose.

1143
01:09:54,450 --> 01:09:57,450
He's got a nose like strawberries.

1144
01:10:00,050 --> 01:10:04,050
Nogood Boyo gave me three pennies
yesterday, but I wouldn't.

1145
01:10:04,250 --> 01:10:07,450
Hello, Gwennie. I'll give you six pennies.

1146
01:10:07,650 --> 01:10:09,650
GIGGLING

1147
01:10:11,250 --> 01:10:14,250
He loves me, he loves me not.

1148
01:10:15,450 --> 01:10:18,250
He loves me, he loves me not.

1149
01:10:28,450 --> 01:10:30,050
Bloody funny fish.

1150
01:10:47,050 --> 01:10:51,450
Would you like this nice, wet corset,
Mrs Dai Bread Two?

1151
01:10:56,250 --> 01:10:58,250
Would you like this?

1152
01:10:58,250 --> 01:11:00,650
No. I won't.

1153
01:11:04,050 --> 01:11:06,050
And a bite of my little apple?

1154
01:11:30,850 --> 01:11:33,050
You're up to no good, Boyo.

1155
01:11:40,250 --> 01:11:43,850
I want to be a good boyo,
but nobody will let me.

1156
01:11:49,850 --> 01:11:51,250
He loves me.

1157
01:11:52,250 --> 01:11:54,650
The dirty old fool.

1158
01:11:55,050 --> 01:11:59,450

sweet in the grass, ho-ho.

1159
01:11:59,650 --> 01:12:03,450
'High above in Salt Lake Farm,
Mr Utah Watkins naps,

1160
01:12:03,450 --> 01:12:06,250
and counts the wife-faced sheep.'

1161
01:12:06,450 --> 01:12:09,450
'Thirty-four... thirty-five... thirty-six...

1162
01:12:09,650 --> 01:12:12,650
thirty-eight... thirty-nine...'

1163
01:12:13,250 --> 01:12:18,450
'Knit one. Slip one. Knit two together.
Pass the slipstitch over.'

1164
01:12:19,050 --> 01:12:23,650
Knit one. Slip one. Knit two together.
Pass the slipstitch over.

1165
01:12:25,250 --> 01:12:27,050
Poor Dad.

1166
01:12:27,050 --> 01:12:31,050
To die of drink and agriculture.

1167
01:12:34,050 --> 01:12:35,450
SCREAMING

1168
01:12:38,450 --> 01:12:40,850
The meadows still as Sunday.

1169
01:12:41,050 --> 01:12:43,850
The shut-eye, tasselled bulls.

1170
01:12:43,850 --> 01:12:47,850
The goat and daisy dingles,
nap-happy and lazy.

1171
01:12:49,050 --> 01:12:51,250
The dumb, duck pond snooze.

1172
01:12:52,650 --> 01:12:56,050
Clouds sag and pillow on Llareggub Hill.

1173
01:12:57,850 --> 01:13:00,450
Whoa! Whoa! Whoa! You damned dairies.

1174
01:13:01,650 --> 01:13:03,650
Peg, Meg,

1175
01:13:03,650 --> 01:13:05,450
Buttercup, and Moll,

1176
01:13:05,650 --> 01:13:07,250
Fan from the castle.

1177
01:13:07,450 --> 01:13:10,050
Theodosia and Daisy.

1178
01:13:10,050 --> 01:13:14,250
I'll have you for chops,
mince pies, brawn soup.

1179
01:13:14,250 --> 01:13:15,850
COWS LOWING

1180
01:13:15,850 --> 01:13:17,850
Where will I get
my bloody milk from then?

1181
01:13:18,050 --> 01:13:22,850
'Bessie Bighead, conceived in Milk Wood,
born in a barn, wrapped in paper,

1182
01:13:22,850 --> 01:13:26,250
left on a doorstep,
big-headed and bass-voiced,

1183
01:13:26,250 --> 01:13:30,250
she grew in the dark, until long-dead,
Gomer Owen kissed her,

1184
01:13:30,450 --> 01:13:33,650
when she wasn't looking,
because he was dared.'

1185
01:13:33,650 --> 01:13:36,250
'Alone till I die.'

1186
01:13:36,650 --> 01:13:41,850
'Now in the light, she'll work, sing,
milk, say the cows sweet names,

1187
01:13:41,850 --> 01:13:47,250
and sleep until the night sucks out
her soul and spits it into the sky.'

1188
01:13:47,450 --> 01:13:52,050
'In her life-long, love-light, holily,
Bessie milks the fond,

1189
01:13:52,250 --> 01:13:56,650
lake-eyed cows as dusk showers
slowly down over byre,

1190
01:13:56,650 --> 01:13:57,850
sea,

1191
01:13:57,850 --> 01:13:59,050
and town.'

1192
01:14:00,250 --> 01:14:01,650
Lie down, I said.

1193
01:14:04,050 --> 01:14:06,450
Gore him! Sit on him, Daisy!

1194
01:14:06,450 --> 01:14:08,450
COW LOWING

1195
01:14:24,050 --> 01:14:28,250
Gallop, you bleeding cripple!
Gallop!

1196
01:14:30,650 --> 01:14:32,450
Now, the town is dusk.

1197
01:14:32,650 --> 01:14:35,450
Each cobble, donkey, goose,
on Gooseberry Street,

1198
01:14:35,450 --> 01:14:37,650
is a thoroughfare of dusk,

1199
01:14:37,650 --> 01:14:40,450
and dusk, and ceremonial dust,

1200
01:14:41,250 --> 01:14:44,850
and night's first darkening snow,
and the sleep of birds,

1201
01:14:44,850 --> 01:14:49,850
drift under and through
the live dusk of this place of love.

1202
01:14:49,850 --> 01:14:52,850
Llareggub is the capital of dusk.

1203
01:15:01,050 --> 01:15:01,850
Husbands.

1204
01:15:02,250 --> 01:15:03,850
You first, Mr Ogmore.

1205
01:15:04,050 --> 01:15:05,250
After you, Mr Pritchard.

1206
01:15:05,450 --> 01:15:07,850
No, no. You first, Mr Ogmore.

1207
01:15:07,850 --> 01:15:09,050
After you, Mr Pritchard.

1208
01:15:09,250 --> 01:15:10,850
No, no, Mr Ogmore.

1209
01:15:11,050 --> 01:15:13,450
You widowed her first.

1210
01:15:14,650 --> 01:15:16,650
I love you both.

1211
01:15:16,850 --> 01:15:19,450
- Oh, Mrs Ogmore.
- Oh, Mrs Pritchard.

1212
01:15:19,450 --> 01:15:22,050
Soon it will be time to go to bed.

1213
01:15:22,250 --> 01:15:24,650
Tell me your tasks in order.

1214
01:15:25,050 --> 01:15:29,050
We must take our pyjamas
from the drawer marked pyjamas.

1215
01:15:29,050 --> 01:15:31,850
And then you must take them off.

1216
01:15:34,650 --> 01:15:36,450
GOATS BLEATING

1217
01:15:45,250 --> 01:15:46,650
I'm fast.

1218
01:15:47,850 --> 01:15:49,450
I'm a bad lot.

1219
01:15:50,450 --> 01:15:52,450
God will strike me dead.

1220
01:15:53,450 --> 01:15:55,250
I'm seventeen.

1221
01:15:56,050 --> 01:15:57,850
I'll go to hell.

1222
01:15:58,850 --> 01:16:00,650
Just you wait.

1223
01:16:00,650 --> 01:16:03,650
I'll sin till I blow up.

1224
01:16:03,850 --> 01:16:05,850
GOAT BLEATING

1225
01:16:05,850 --> 01:16:07,650
Oh, you go home.

1226
01:16:12,250 --> 01:16:14,850
Every morning when I wake,

1227
01:16:15,450 --> 01:16:18,450
Dear Lord, a little prayer I make.

1228
01:16:19,650 --> 01:16:22,650
Oh, please to keep thy lovely eye,

1229
01:16:23,650 --> 01:16:27,050
On all poor creatures born to die.

1230
01:16:28,450 --> 01:16:30,850
And every evening at sun-down

1231
01:16:31,250 --> 01:16:33,850
I ask a blessing on the town.

1232
01:16:34,650 --> 01:16:37,450
For whether we last the night or no,

1233
01:16:38,250 --> 01:16:41,650
I'm sure is always touch-and-go.

1234
01:16:43,050 --> 01:16:46,050
We are not wholly bad, or good,

1235
01:16:46,450 --> 01:16:49,250
Who live our lives under Milk Wood,

1236
01:16:50,050 --> 01:16:53,450
And Thou I know would be the first,

1237
01:16:54,250 --> 01:16:56,050
To see our best side,

1238
01:16:56,650 --> 01:16:58,050
not our worst.

1239
01:16:58,850 --> 01:17:00,450
There is Satan in Milk Wood!

1240
01:17:00,650 --> 01:17:01,250
SCREAMING

1241
01:17:01,450 --> 01:17:04,250
Off to Gomorrah!
Off to the Gomarrah!

1242
01:17:15,050 --> 01:17:17,050
I always say you've got two husbands.

1243
01:17:17,250 --> 01:17:19,050
One drunk, and one sober.

1244
01:17:19,850 --> 01:17:23,650
Aren't I a lucky woman,
because I love them both.

1245
01:17:31,850 --> 01:17:33,450
Boys.

1246
01:17:34,050 --> 01:17:35,450
Evening, Cherry.

1247
01:17:35,450 --> 01:17:37,250
Evening, Sinbad.

1248
01:17:37,250 --> 01:17:38,450
What'll you have?

1249
01:17:38,650 --> 01:17:40,650
Too much.

1250
01:17:45,450 --> 01:17:47,650
Sailors' Arms is always open.

1251
01:17:51,650 --> 01:17:53,650
Oh, Gossamer...

1252
01:17:54,250 --> 01:17:55,450
Open yours!

1253
01:17:58,850 --> 01:18:02,250
'Dusk is drowned forever
until tomorrow.'

1254
01:18:03,450 --> 01:18:06,050
'It is all at once... night now.'

1255
01:18:07,250 --> 01:18:11,650
'The windy town is a hill of windows,
and from the larrupped waves,

1256
01:18:11,850 --> 01:18:16,050
the lights of the lamps in the windows
call back the day and the dead,

1257
01:18:16,050 --> 01:18:18,250
that have run away to sea.'

1258
01:18:19,250 --> 01:18:20,650
'All over the crawling dark,

1259
01:18:20,650 --> 01:18:24,650
babies and old men are bribed
and lullabied to sleep.'

1260
01:18:25,250 --> 01:18:29,850

in the tree-top

1261
01:18:30,450 --> 01:18:35,050

the cradle will rock

1262
01:18:36,250 --> 01:18:38,650


1263
01:18:38,650 --> 01:18:41,050


1264
01:18:42,850 --> 01:18:45,650


1265
01:18:46,650 --> 01:18:49,050


1266
01:18:51,450 --> 01:18:52,850
Sleep you.

1267
01:18:52,850 --> 01:18:54,250
I won't.

1268
01:18:54,250 --> 01:18:56,050
It'll be morning soon.

1269
01:18:56,250 --> 01:18:58,850
Suppose I'm not here to see it?

1270
01:19:01,450 --> 01:19:03,250
Who are you seeing?

1271
01:19:04,250 --> 01:19:06,450
You'll be getting more babies.

1272
01:19:06,650 --> 01:19:08,850
ORGAN MUSIC

1273
01:19:14,650 --> 01:19:17,650
Down with the waltzing
and the skipping.

1274
01:19:19,050 --> 01:19:21,250
Dancing isn't natural.

1275
01:19:30,850 --> 01:19:33,250
Oh... come and get me,

1276
01:19:33,450 --> 01:19:35,250
Mr Anybody.

1277
01:19:38,450 --> 01:19:40,050
(BURPS)

1278
01:20:02,650 --> 01:20:04,450
Milk Wood on the hill.

1279
01:20:05,650 --> 01:20:10,250
The memorial of peoples
that dwelt in the region of Llareggub.

1280
01:20:10,250 --> 01:20:13,650
Before the Celts left
the Land of Summer,

1281
01:20:13,650 --> 01:20:18,850
and where the old wizards
made themselves a wife out of flowers.

1282
01:20:22,450 --> 01:20:24,650
ACCORDIAN: In Pembroke City

1283
01:20:28,450 --> 01:20:30,250


1284
01:20:30,250 --> 01:20:32,450


1285
01:20:32,850 --> 01:20:35,450


1286
01:20:36,250 --> 01:20:38,850


1287
01:20:38,850 --> 01:20:41,850


1288
01:20:42,650 --> 01:20:45,450


1289
01:20:45,450 --> 01:20:48,250


1290
01:20:48,650 --> 01:20:51,650


1291
01:20:51,650 --> 01:20:54,850


1292
01:20:59,250 --> 01:21:00,450


1293
01:21:00,450 --> 01:21:03,050


1294
01:21:03,250 --> 01:21:05,450


1295
01:21:06,050 --> 01:21:09,050


1296
01:21:09,050 --> 01:21:11,850


1297
01:21:13,250 --> 01:21:16,050


1298
01:21:16,250 --> 01:21:18,650


1299
01:21:19,050 --> 01:21:22,450


1300
01:21:22,850 --> 01:21:25,850


1301
01:21:30,850 --> 01:21:33,850


1302
01:21:33,850 --> 01:21:37,250


1303
01:21:37,250 --> 01:21:39,450


1304
01:21:39,650 --> 01:21:43,850


1305
01:21:43,850 --> 01:21:49,250

''Black as the ace of spades.''

1306
01:21:49,450 --> 01:21:52,850


1307
01:21:52,850 --> 01:21:56,050


1308
01:22:01,650 --> 01:22:04,250
ALL:

1309
01:22:04,450 --> 01:22:08,850
ALL:

1310
01:22:09,050 --> 01:22:11,650


1311
01:22:12,050 --> 01:22:14,650
ALL:

1312
01:22:14,850 --> 01:22:19,050
ALL:

1313
01:22:19,850 --> 01:22:22,650


1314
01:22:26,050 --> 01:22:27,850
CHEERING AND LAUGHTER

1315
01:22:41,650 --> 01:22:43,650
Dancing Williams?

1316
01:22:44,450 --> 01:22:45,850
'Still dancing.'

1317
01:23:00,650 --> 01:23:02,650
'Rosie, with God.'

1318
01:23:02,650 --> 01:23:04,250
'She has forgotten dying.'

1319
01:23:08,650 --> 01:23:10,850
'Listen to the night breaking.'

1320
01:23:13,050 --> 01:23:15,050
'The dead come
out in their Sunday best.'

1321
01:23:21,050 --> 01:23:22,650
Johann Sebastian.

1322
01:23:23,450 --> 01:23:25,250
- Who?
- Johann Sebastian.

1323
01:23:25,450 --> 01:23:26,850
Mighty Bach.

1324
01:23:27,050 --> 01:23:28,450
Oh, Bach, go.

1325
01:23:29,050 --> 01:23:30,650
To hell with you.

1326
01:23:47,050 --> 01:23:48,450
Oh, my Mog.

1327
01:23:49,050 --> 01:23:51,050
I am yours forever.

1328
01:23:51,650 --> 01:23:53,850
'Come to my arms, Myfanwy.'

1329
01:23:54,650 --> 01:23:56,650


1330
01:23:56,850 --> 01:23:59,250


1331
01:23:59,650 --> 01:24:02,050


1332
01:24:02,450 --> 01:24:05,650


1333
01:24:05,850 --> 01:24:07,050


1334
01:24:09,650 --> 01:24:13,650
'Now, behind the eyes
and secrets of the dreamers,

1335
01:24:13,650 --> 01:24:17,050
in the streets
rocked asleep by the sea,

1336
01:24:17,050 --> 01:24:18,250
sea that...'

1337
01:24:18,450 --> 01:24:20,450
SQUEALING

1338
01:24:23,050 --> 01:24:25,050
WHINNYING

1339
01:24:30,450 --> 01:24:32,050
SCREAMING

1340
01:24:35,850 --> 01:24:37,850
SHOUTING AND WHOOPING

1341
01:25:43,450 --> 01:25:45,850
SEAGULLS CRYING

1342
01:26:07,450 --> 01:26:09,450
'The thin night darkens.'

1343
01:26:09,850 --> 01:26:12,050
'The breeze from
the creased water sighs.'

1344
01:26:12,050 --> 01:26:15,850
'The streets close
under Milk waking Wood.'

1345
01:26:18,650 --> 01:26:21,450
'The wood whose every tree-foot's
cloven in the black glad sight

1346
01:26:21,450 --> 01:26:23,850
of the hunters of lovers,
that is a God-built garden

1347
01:26:23,850 --> 01:26:26,250
to Mary Ann the Sailors,
who knows there is Heaven on earth

1348
01:26:26,250 --> 01:26:29,250
and the chosen people
of His kind fire in Llareggub's land

1349
01:26:29,450 --> 01:26:33,450
that is the fairday farmhands'
wantoning ignorant chapel of bridebeds,

1350
01:26:33,650 --> 01:26:36,450
and, to the Reverend Eli Jenkins,
a greenleaved sermon

1351
01:26:36,450 --> 01:26:38,250
on the innocence of men.'

1352
01:26:38,250 --> 01:26:40,650
'The suddenly, wind-shaken
woods springs awake

1353
01:26:40,850 --> 01:26:45,250
for the second dark time,
this one spring day.'

1354
01:26:48,250 --> 01:26:52,250
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