1
00:00:28,423 --> 00:00:30,233
Man: YOU KNOW
WHAT'S MORTIFYING?
2
00:00:30,227 --> 00:00:32,767
SMACK IS LIKE
THE LEISURE SUIT
OF THE NINETIES.
3
00:00:32,766 --> 00:00:34,766
INSTEAD OF WRECKING
DAD'S BUICK
ON PROM NIGHT,
4
00:00:34,770 --> 00:00:36,710
THESE LITTLE
SUBURBAN FUCKS
ARE COPPING HABITS
5
00:00:36,707 --> 00:00:38,377
AND ODing
IN THE REC ROOM.
6
00:00:38,376 --> 00:00:40,346
Woman: AND YOU'RE
DIFFERENT BECAUSE...
7
00:00:40,347 --> 00:00:42,217
I NEVER GOT
TO THE PROM.
8
00:00:42,217 --> 00:00:44,557
TRADED MY CUMMERBUND
FOR TWO BAGS AND A RIG.
9
00:00:44,556 --> 00:00:47,596
DO YOU EVEN KNOW
WHY YOU DID THE SHIT
THAT YOU DID?
10
00:00:47,596 --> 00:00:49,396
YOU EVER READ
THAT INTERVIEW WITH
WILLIAM BURROUGHS
11
00:00:49,398 --> 00:00:51,368
WHERE THEY ASKED HIM
WHY HE SHOT HEROIN?
12
00:00:51,369 --> 00:00:53,409
HE SAID,
"SO I CAN GET UP IN
THE MORNING AND SHAVE."
13
00:00:53,406 --> 00:00:55,946
YEAH. SO, IT WAS
LIKE A GROOMING THING.
14
00:00:55,945 --> 00:00:58,275
YOU KIDDING?
I HATED TO SHAVE,
15
00:00:58,283 --> 00:01:01,123
BUT IN HOLLYWOOD,
GOT TO LOOK YOUR BEST.
16
00:01:01,122 --> 00:01:03,192
Louis Prima:
♪ WHEN YOU'RE SMILIN' ♪
17
00:01:03,193 --> 00:01:05,403
♪ WHEN YOU'RE SMILIN' ♪
18
00:01:05,397 --> 00:01:09,237
♪ THE WHOLE WORLD
SMILES AT YOU ♪
19
00:01:09,238 --> 00:01:11,308
♪ AND WHEN YOU'RE LAUGHIN' ♪
20
00:01:11,309 --> 00:01:13,649
♪ OH, YOU'RE LAUGHIN' ♪
21
00:01:13,648 --> 00:01:18,388
♪ MM, AND THE SUN
COMES SHINING THROUGH ♪
22
00:01:18,390 --> 00:01:20,730
YOU LOOKED SO MORONIC
23
00:01:20,728 --> 00:01:24,368
IN YOUR LITTLE
FAST-FOOD OUTFIT.
24
00:01:24,368 --> 00:01:26,968
YEAH? WELL,
BELIEVE IT OR NOT,
25
00:01:26,974 --> 00:01:30,354
SERVING AMERICA'S
FROZEN FISH NEEDS
26
00:01:30,347 --> 00:01:31,517
IS NOT MY
PRIMARY CALLING.
27
00:01:31,517 --> 00:01:34,857
I'M SORRY,
COLLEGE BOY.
28
00:01:34,856 --> 00:01:37,456
WHERE'D YOU GO?
29
00:01:39,733 --> 00:01:42,273
HOW CAN I HELP YOU?
30
00:01:42,271 --> 00:01:45,281
UM, LET'S SEE.
31
00:01:45,277 --> 00:01:49,317
GIVE ME A FISH SANDWICH
WITH EXTRA SAUCE.
32
00:01:49,318 --> 00:01:52,988
YOU GOT
THAT GOOD SAUCE?
33
00:01:54,462 --> 00:01:55,672
TARTAR?
34
00:01:55,665 --> 00:01:58,795
YEAH. YEAH. TARTAR.
GOB IT ON THERE.
35
00:02:09,826 --> 00:02:12,396
OH, YEAH? SO, WHAT'S
YOUR M. O., HUH--
36
00:02:12,397 --> 00:02:15,837
PICKING UP EZ BURGER
BOYS AT THE DRIVE-THRU,
37
00:02:15,838 --> 00:02:17,978
- GETTING THEM BOUNCED
OUT OF REHAB?
- UH-HUH.
38
00:02:17,976 --> 00:02:19,776
HEY, YOU GUYS
STILL OPEN?
39
00:02:19,780 --> 00:02:22,280
HEY...
40
00:02:22,284 --> 00:02:23,524
YOU GUYS
STILL OPEN?
41
00:02:23,521 --> 00:02:25,731
YOU'RE GOING
THE WRONG WAY.
42
00:02:25,725 --> 00:02:27,525
SORRY.
43
00:02:27,529 --> 00:02:28,629
DO YOU HAVE
SOME MATCHES?
44
00:02:28,631 --> 00:02:29,801
I JUST NEED
SOME MATCHES.
45
00:02:29,800 --> 00:02:31,700
- MATCHES?
- YEAH.
46
00:02:31,703 --> 00:02:33,573
YEAH, SURE. WE KEEP THEM
WITH THE KIDDIE MEALS.
47
00:02:33,574 --> 00:02:36,054
I'LL GET THEM.
48
00:02:36,045 --> 00:02:39,715
HEY, YOU'RE ONE
OF THOSE REHAB PATIENTS,
AREN'T YOU?
49
00:02:39,719 --> 00:02:43,029
WHAT IS IT, WHIMPERING
WOUNDS OR SOMETHING?
50
00:02:43,026 --> 00:02:45,096
JESUS.
51
00:02:47,000 --> 00:02:49,840
WHISPERING WINDS.
52
00:02:51,543 --> 00:02:52,813
HEY, IT'S OBVIOUS.
53
00:02:52,812 --> 00:02:54,482
YOU'RE TOO DARN
SAD-LOOKING
54
00:02:54,481 --> 00:02:56,691
JUST TO BE ANOTHER
RETARD IN A PINK VISOR.
55
00:02:57,889 --> 00:03:00,289
IT'S RED.
56
00:03:01,329 --> 00:03:02,429
OH.
57
00:03:04,034 --> 00:03:06,444
DO YOU WANT TO GO HAVE
A CUP OF COFFEE?
58
00:03:08,376 --> 00:03:09,946
YOU WANT ME TO GO HAVE
A CUP OF COFFEE
59
00:03:09,946 --> 00:03:11,816
WITH YOU RIGHT NOW?
60
00:03:12,919 --> 00:03:14,049
YEAH.
61
00:03:19,431 --> 00:03:21,571
( grunting, moaning )
62
00:03:30,086 --> 00:03:32,586
SHIT! SHIT!
63
00:03:32,592 --> 00:03:35,102
WAIT. GGH!
64
00:03:35,096 --> 00:03:37,996
ALL RIGHT.
65
00:03:38,002 --> 00:03:41,412
OH, I WISH I WAS HIGH.
66
00:03:41,409 --> 00:03:43,609
SHIT!
67
00:03:44,849 --> 00:03:47,589
- AGH!
- SORRY.
68
00:03:47,588 --> 00:03:49,388
IT'S OK.
69
00:03:49,391 --> 00:03:52,971
I'VE NEVER DONE THIS
STRAIGHT BEFORE.
70
00:03:54,669 --> 00:03:58,839
TRUST ME, ON SMACK,
I WAS A REAL STUD.
71
00:03:58,844 --> 00:04:00,484
THE FIRST TIME
ANYBODY TOUCHED ME
AFTER I GOT CLEAN,
72
00:04:00,480 --> 00:04:03,550
I THOUGHT, "JESUS,
THAT'S WHY I
NEEDED DRUGS."
73
00:04:03,554 --> 00:04:05,394
IT WAS 7 YEARS AGO.
74
00:04:05,390 --> 00:04:07,600
YEAH. WELL,
I GOT 92 DAYS,
75
00:04:07,595 --> 00:04:09,055
BUT WHO'S
COUNTING, RIGHT?
76
00:04:09,064 --> 00:04:12,104
SO, WHAT, DID I
GET YOU IN TROUBLE?
77
00:04:12,104 --> 00:04:14,014
IT'S NO BIG THING.
78
00:04:14,008 --> 00:04:16,708
BESIDES, MY THREE-MONTH STRETCH
OF REHABILITATIVE
FRY-COOK THERAPY
79
00:04:16,713 --> 00:04:18,123
WAS UP TOMORROW,
ANYWAY.
80
00:04:18,116 --> 00:04:19,986
- I JUST MISSED
THE MUGGING.
- THE WHAT?
81
00:04:19,986 --> 00:04:23,886
YOU GET A MUG
WHEN YOU FINISH YOUR STINT.
82
00:04:23,894 --> 00:04:25,604
RIGHT. I FORGOT
THAT PART.
83
00:04:28,069 --> 00:04:30,569
ANYWAY, I GOT TO GET
BACK TO L. A.
84
00:04:30,574 --> 00:04:32,884
OH, GODDAMN,
YOU'RE FROM L. A.?
85
00:04:32,879 --> 00:04:34,919
I'M NOT, BUT I MOVED
OUT THERE TO PURSUE MY ART.
86
00:04:34,916 --> 00:04:36,946
WHO SAYS?
87
00:04:36,953 --> 00:04:38,523
I WANT YOU
TO MEET BESSIE.
88
00:04:38,524 --> 00:04:40,094
( cowbell rings )
89
00:04:40,093 --> 00:04:42,003
Man: THAT'S WHERE
THEY KEPT MR. CHOMPERS.
90
00:04:41,997 --> 00:04:45,497
- MR. CHOMPERS,
LIKE THE PUPPET?
- YEAH.
91
00:04:45,504 --> 00:04:47,944
WHY, ARE YOU
A PUPPETEER?
92
00:04:47,942 --> 00:04:51,882
YES. I'M A PUPPETEER.
I'M A WRITER.
93
00:04:51,883 --> 00:04:54,223
- YOU WRITE THAT CRAP?
- WROTE.
94
00:04:54,221 --> 00:04:56,561
OH, GOD, I GET IT.
95
00:04:56,560 --> 00:05:00,670
YOU'RE, LIKE,
THIS ANGSTY, ARTY,
HEMMINGWAY TYPE
96
00:05:00,668 --> 00:05:02,568
WHO, LIKE, SOLD OUT
TO HOLLYWOOD,
97
00:05:02,572 --> 00:05:05,412
HIT THE NEEDLE, AND
ENDED UP IN REHAB.
98
00:05:05,410 --> 00:05:07,980
YOU TV GEEKS
DON'T DO ANYTHING
ORIGINAL, DO YOU?
99
00:05:07,982 --> 00:05:11,522
ACTUALLY,
THE TV GEEK PART
100
00:05:11,523 --> 00:05:15,103
IS JUST A LITTLE
SIDE EFFECT.
101
00:05:15,096 --> 00:05:17,696
I WAS GETTING
A LITTLE TOO FUCKED
UP IN NEW YORK,
102
00:05:17,702 --> 00:05:19,742
SO I THOUGHT,
103
00:05:19,739 --> 00:05:21,939
"I'LL MOVE OUT
TO CALIFORNIA
104
00:05:21,943 --> 00:05:24,013
AND GET AWAY FROM DRUGS."
105
00:05:31,162 --> 00:05:33,002
SO, YOU WENT TO L. A.
TO GET AWAY FROM DRUGS.
106
00:05:32,999 --> 00:05:34,769
THAT'S PRETTY GOOD.
107
00:05:35,804 --> 00:05:37,614
I MISCALCULATED.
108
00:05:37,608 --> 00:05:39,038
HEY, IT'S
AN HONEST MISTAKE.
109
00:05:41,783 --> 00:05:44,663
HEY, I'M
ALL ABOUT HONESTY.
110
00:05:44,656 --> 00:05:48,496
SO, YOU CAME OUT COLD,
OR DID YOU
KNOW SOMEBODY?
111
00:05:48,496 --> 00:05:51,766
UGH...
112
00:05:51,770 --> 00:05:53,740
WHY DO YOU WANT
TO KNOW ALL THIS?
113
00:05:53,740 --> 00:05:56,050
WELL, REALLY,
THERE'S ONLY TWO THINGS
114
00:05:56,045 --> 00:05:57,945
YOU CAN DO
IN A HOTEL ROOM,
115
00:05:57,949 --> 00:06:01,689
AND WE ALREADY
DID ONE OF THEM,
116
00:06:01,690 --> 00:06:03,160
MORE OR LESS.
117
00:06:04,762 --> 00:06:07,072
YEAH. I SURE SHOWED YOU
A GOOD TIME, DIDN'T I?
118
00:06:07,067 --> 00:06:10,667
YEAH, EXCELLENT.
119
00:06:14,515 --> 00:06:18,585
COME ON. TELL ME.
120
00:06:18,590 --> 00:06:21,130
WELL, I HAD
THIS FRIEND NICKY
121
00:06:21,128 --> 00:06:23,698
WHO WAS KIND OF
A DRUG BUDDY
FROM HIGH SCHOOL.
122
00:06:23,700 --> 00:06:26,510
- CAREFUL, CAREFUL, CAREFUL.
- THIS IS GREAT.
123
00:06:26,506 --> 00:06:28,776
YEAH. IT IS GREAT,
BUT THIS IS A BIG MACHINE.
124
00:06:28,777 --> 00:06:30,677
I'VE NEVER
HAD A CAR BEFORE.
125
00:06:30,681 --> 00:06:32,181
- THIS IS EXCELLENT.
- REALLY?
TRY IT OUT, MAN.
126
00:06:32,183 --> 00:06:34,153
GIVE IT A SPIN.
TRY OUT THE BRAKES.
127
00:06:34,154 --> 00:06:36,064
- ( tires screech )
- COME ON!
128
00:06:36,058 --> 00:06:37,628
HE WAS ONE OF THOSE GUYS
WHO WAS ALWAYS SCHEMING UP
129
00:06:37,628 --> 00:06:39,098
SHIT THAT ALMOST HAPPENED,
130
00:06:39,097 --> 00:06:40,197
AND I WAS POPPING
SO MANY OF HIS PILLS,
131
00:06:40,199 --> 00:06:41,539
IT ALL SOUNDED GREAT.
132
00:06:41,536 --> 00:06:43,106
( laughs )
133
00:06:43,105 --> 00:06:45,805
WELL, HE GAVE THE SCRIPT
TO A GUY HE PLAYS GOLF WITH
134
00:06:45,811 --> 00:06:48,881
WHO HAPPENS TO HAVE
A LOT OF MONEY-- MOE LEVINE.
135
00:06:48,884 --> 00:06:50,754
CHECK IT OUT.
MOE LEVINE.
136
00:06:50,754 --> 00:06:52,694
THIS GUY MOE LEVINE
READ IT.
137
00:06:52,692 --> 00:06:55,602
HE LIKES IT.
HE LOVES IT.
138
00:06:55,597 --> 00:06:57,867
SAYS HE MIGHT WANT
TO PUT ON THE PLAY.
139
00:06:57,868 --> 00:07:00,908
HA HA!
YOU FUCKING
KIDDING ME?
140
00:07:00,908 --> 00:07:03,508
NO. I AM NOT KIDDING YOU.
I AM NOT KIDDING.
141
00:07:03,513 --> 00:07:04,883
AND YOU'VE JUST
BEEN KEEPING THIS
UNDER YOUR HAT?
142
00:07:04,882 --> 00:07:06,292
HE REALLY WANTS
TO PUT IT ON?
143
00:07:06,285 --> 00:07:08,515
HE MIGHT. NO.
HE SERIOUSLY MIGHT.
144
00:07:08,523 --> 00:07:10,933
- THE PLAY IS THE THING.
- THIS IS GREAT, MAN.
145
00:07:10,928 --> 00:07:13,228
WHAT A DAY.
WHAT A DAY TO BE
CRUISING AROUND.
146
00:07:13,232 --> 00:07:17,012
I THINK WE MADE
A FINE CHOICE.
147
00:07:17,006 --> 00:07:19,136
I NEVER
HAD A CAR, MAN.
148
00:07:19,144 --> 00:07:21,254
OK. SO IT'S LIKE BOY
MEETS CHUCKLEHEAD,
AND THEN WHAT,
149
00:07:21,248 --> 00:07:23,718
BOY GETS
THIS TERRIFIC JOB
150
00:07:23,720 --> 00:07:27,230
WRITING
ALIEN PUPPET SITCOM?
151
00:07:27,227 --> 00:07:29,057
WELL, IT WASN'T REALLY
THAT SIMPLE.
152
00:07:29,064 --> 00:07:31,804
I KIND OF HAD TO SLEEP
MY WAY TO THE MIDDLE.
153
00:07:31,803 --> 00:07:35,043
REALLY?
YOU AND NICKY?
154
00:07:36,813 --> 00:07:37,983
MM, NO.
155
00:07:37,982 --> 00:07:40,122
NICKY AND I DREW THE LINE
AT NECKING.
156
00:07:40,119 --> 00:07:42,189
ACTUALLY, HE HAD
THIS GIRLFRIEND
157
00:07:42,190 --> 00:07:44,330
WHO HAD A GIRLFRIEND
WHO NEEDED A GREEN CARD.
158
00:07:44,327 --> 00:07:47,027
THERE'S ABOUT 200 OF
THESE TURKISH FISHERMEN
159
00:07:47,033 --> 00:07:48,303
STANDING AROUND
ON THE DOCK,
160
00:07:48,302 --> 00:07:49,712
AND, BECAUSE
IT'S A HOLIDAY,
161
00:07:49,705 --> 00:07:51,035
THEY WERE
FALLING OVER DRUNK,
162
00:07:51,041 --> 00:07:52,851
AND I'M WEARING THESE
INCREDIBLY HIGH HEELS
163
00:07:52,845 --> 00:07:55,645
AND HOLDING THIS MASSIVE CAKE
DONE UP IN THE AMERICAN FLAG.
164
00:07:55,651 --> 00:07:57,121
SANDRA,
WHAT YOU'RE DESCRIBING
165
00:07:57,120 --> 00:07:58,390
SOUNDS LIKE
A WONDERFUL SCENE
FOR JERRY,
166
00:07:58,389 --> 00:08:00,229
WHO'S
A PRETTY GOOD
WRITER.
167
00:08:00,226 --> 00:08:01,856
I TELL YOU, BY THE TIME
I'D FINISHED RUNNING
THAT GAUNTLET,
168
00:08:01,863 --> 00:08:03,973
I LOOKED LIKE I'D
BEEN CAKE WRESTLING.
169
00:08:03,967 --> 00:08:06,707
( laughing )
170
00:08:06,706 --> 00:08:10,076
VOLA, IS
MY FUTURE HUSBAND
ALWAYS LIKE THIS?
171
00:08:10,079 --> 00:08:12,249
I MEAN, HE CAN
BEHAVE NORMALLY, RIGHT?
172
00:08:12,250 --> 00:08:13,750
NO, NOT REALLY,
173
00:08:13,753 --> 00:08:15,023
ESPECIALLY WHEN BENNY
HAS MADE A HOUSE CALL.
174
00:08:15,022 --> 00:08:16,592
WHICH HE HASN'T
175
00:08:16,593 --> 00:08:17,963
BECAUSE I DON'T ASSOCIATE
WITH BENNY ANYMORE.
176
00:08:17,962 --> 00:08:19,702
YOU'VE MADE THAT CLEAR,
AND I UNDERSTOOD IT.
177
00:08:19,699 --> 00:08:21,969
- ASK JERRY.
- WHO'S BENNY?
178
00:08:21,970 --> 00:08:24,340
Vola:
HE'S A PREPUBESCENT
DRUG DEALER.
179
00:08:24,341 --> 00:08:26,611
WHAT'S THIS, HEIDEGGER?
YOU A BIG FAN OF HIS?
180
00:08:26,613 --> 00:08:28,723
WELL, I'M TRYING
TO GET THROUGH IT.
181
00:08:28,717 --> 00:08:30,317
IT'S NOT EXACTLY
LIGHT SUMMER
READING.
182
00:08:30,319 --> 00:08:31,989
YEAH, BUT IT'S PROBABLY GOOD
FOR, LIKE, PLOTLINES
183
00:08:31,990 --> 00:08:34,330
AND CHARACTER NAMES,
STUFF LIKE THAT, RIGHT?
184
00:08:34,327 --> 00:08:36,767
HAVE YOU SEEN
"MR. CHOMPERS"?
185
00:08:36,766 --> 00:08:38,636
I DON'T HAVE A TV.
186
00:08:38,637 --> 00:08:40,307
Nicky: OOH,
SEE WHAT I MEAN?
187
00:08:40,306 --> 00:08:42,176
THIS IS LIKE A GOOD,
LIKE, GIVE AND TAKE.
188
00:08:42,176 --> 00:08:44,176
THIS IS, LIKE,
SHE LIKES TO BULLSHIT,
YOU LIKE TO BULLSHIT.
189
00:08:44,180 --> 00:08:44,980
- THAT'S WHAT I MEAN.
- CAN I HAVE THE PIPE?
190
00:08:46,218 --> 00:08:48,918
CAN I HAVE--
YES. YOU MAY
HAVE THE PIPE.
191
00:08:48,924 --> 00:08:50,434
IT'S OVER HERE,
AND THEN IT'S OVER HERE.
192
00:08:50,426 --> 00:08:53,026
AND THEN IT'S OVER THERE,
AND THEN IT'S OVER HERE.
193
00:08:53,032 --> 00:08:54,432
- GREAT.
- ( rips )
194
00:08:54,434 --> 00:08:56,444
Sandra: OH, JERRY, YOU
DON'T HAVE TO CHARM ME.
195
00:08:56,438 --> 00:08:58,678
WE'RE ONLY GETTING
MARRIED ON PAPER,
YOU KNOW?
196
00:08:58,677 --> 00:09:00,677
YOU GOT TO GET
A LOAD OF THIS.
WHAT IS THIS OUTFIT?
197
00:09:00,681 --> 00:09:03,091
- THIS IS LIKE
MAD MAX HERE.
- YEAH.
198
00:09:03,085 --> 00:09:04,815
WHAT IS THIS,
LEATHER?
199
00:09:04,822 --> 00:09:06,122
ACTUALLY, IT'S
JEWISH LEATHER.
200
00:09:06,124 --> 00:09:07,764
IT'S DESIGNED
FOR HUMILIATION.
201
00:09:07,761 --> 00:09:10,171
SO, WHAT
DO YOU THINK?
SHE'S OK.
202
00:09:10,166 --> 00:09:13,366
SHE'S OK.
SHE'S BRITISH.
203
00:09:13,372 --> 00:09:14,982
WHAT DOES THAT MEAN?
204
00:09:14,976 --> 00:09:17,406
- MEANS SHE'S BRITISH.
- SHE'S COOL.
205
00:09:17,413 --> 00:09:19,653
YOU'RE GONNA REALLY
DIG HER WHEN YOU
GET TO KNOW HER.
206
00:09:19,652 --> 00:09:20,922
I DON'T WANT
TO KNOW HER, VOLA.
207
00:09:20,921 --> 00:09:22,061
I'M JUST GETTING
MARRIED TO HER.
208
00:09:22,056 --> 00:09:23,956
I'M JUST SAYING
SHE'S NICE.
209
00:09:23,960 --> 00:09:26,800
YEAH, IF YOU GOT FOR THAT
STUDIED NONCHALANT BRIT
TYPE OF THING.
210
00:09:26,799 --> 00:09:29,809
SUCK MY DICK.
211
00:09:29,805 --> 00:09:31,905
- HOW'S IT GOING?
- WONDERFUL.
212
00:09:31,909 --> 00:09:33,209
YOU'RE GIRLFRIEND'S FACE
IS TWO INCHES FROM MY ASS.
213
00:09:33,212 --> 00:09:35,682
- I'M IN SEVENTH HEAVEN.
- CONGRATULATIONS.
214
00:09:35,684 --> 00:09:37,864
HEY, JERRY, I DIDN'T KNOW
YOU WERE A FICTION WRITER.
215
00:09:37,855 --> 00:09:40,125
- OH, NICKY,
WHAT ARE YOU DOING?
- WHAT?
216
00:09:40,126 --> 00:09:42,766
SHE HAD THE BOOK,
AND I SAID THAT YOU
WERE IN IT.
217
00:09:42,765 --> 00:09:45,935
I'M NOT EMBARRASSED ABOUT THAT.
I'M PROUD OF THAT. I'M NOT
GONNA BACK OFF FROM THAT.
218
00:09:45,937 --> 00:09:48,477
YOU WON AN AWARD FOR THAT.
HE WON AN AWARD.
HE'S A GOOD WRITER.
219
00:09:48,475 --> 00:09:50,805
YOU KNOW, JERRY,
MAYBE YOU SHOULD COME DOWN
AND MEET CRAIG.
220
00:09:50,814 --> 00:09:52,854
YOU KNOW, WE'RE ALWAYS
LOOKING FOR NEW WRITERS.
221
00:09:52,851 --> 00:09:55,961
OH, ON
"MR. MUNCHMAN"?
222
00:09:55,957 --> 00:09:57,797
- "MR. CHOMPERS," ACTUALLY,
- RIGHT.
223
00:09:57,795 --> 00:10:00,765
AND WE REALLY DO TRY
TO PUSH THE FORM,
STRANGE AS IT MAY SOUND.
224
00:10:00,767 --> 00:10:02,737
WELL, I'M SURE MY
"HUSTLER" CREDENTIALS
225
00:10:02,738 --> 00:10:04,208
WILL JUST SLIP ME
RIGHT IN THE DOOR THERE.
226
00:10:04,207 --> 00:10:05,907
SO, WHAT ARE
WE DOING HERE?
227
00:10:05,911 --> 00:10:07,821
ARE WE TRYING
TO PLAN A WEDDING,
OR WHAT?
228
00:10:07,815 --> 00:10:09,375
WHEN YOU WANT
TO DO THIS?
229
00:10:09,384 --> 00:10:11,794
- WHAT ABOUT NOW?
- NOW?
230
00:10:11,789 --> 00:10:13,189
- YEAH.
- RIGHT NOW?
231
00:10:13,192 --> 00:10:15,232
THERE'S AN ALL-NIGHT CHAPEL
DOWN ON EL DORADO.
232
00:10:15,229 --> 00:10:16,529
IT'D BE PRETTY COOL.
233
00:10:16,532 --> 00:10:19,812
THAT'S RIGHT. THERE IS.
SHOULD WE DO THAT?
234
00:10:19,805 --> 00:10:22,775
JERRY, TODAY
IS A GOOD DAY TO DIE.
235
00:10:22,778 --> 00:10:24,778
Woman: HOW MUCH
DID SHE PAY YOU?
236
00:10:24,782 --> 00:10:29,162
- WHAT?
- TO GET MARRIED.
237
00:10:29,157 --> 00:10:31,557
30,000.
238
00:10:31,562 --> 00:10:33,832
- THAT'S A LOT OF MONEY.
- MM-HMM.
239
00:10:36,104 --> 00:10:39,214
DID YOU LOVE HER?
240
00:10:39,210 --> 00:10:43,020
OCCASIONALLY.
241
00:10:43,018 --> 00:10:44,558
DID SHE LOVE YOU?
242
00:10:44,555 --> 00:10:47,355
HMM...
243
00:10:47,360 --> 00:10:50,070
I THINK SHE SAW US
244
00:10:50,065 --> 00:10:52,335
AS THIS POTENTIAL
HOLLYWOOD POWER COUPLE
245
00:10:52,336 --> 00:10:54,036
IN THE MAKING,
246
00:10:54,040 --> 00:10:57,850
WHICH IS KIND OF
LIKE LOVE.
247
00:10:57,848 --> 00:10:59,518
Woman:
"MR. CHOMPERS."
PLEASE HOLD.
248
00:10:59,518 --> 00:11:01,388
SO, DO YOU FEEL
DIFFERENT BEING MARRIED?
249
00:11:01,388 --> 00:11:04,798
YOU KNOW, WE'RE GONNA
HAVE TO KEEP IT
PROFESSIONAL IN HERE, OK?
250
00:11:04,795 --> 00:11:06,495
OH, OK.
251
00:11:06,498 --> 00:11:08,998
SORRY I'M LATE,
BUT I WAS ACTUALLY DOING
252
00:11:09,003 --> 00:11:12,213
THE ONE PART OF THIS JOB
THAT I ENJOY.
253
00:11:12,210 --> 00:11:15,450
I WAS MEETING WITH A GROUP
OF LIBRARIANS
254
00:11:15,449 --> 00:11:20,129
WHO WANT ME TO DEVELOP
A MR. CHOMPERS LITERACY PROGRAM.
255
00:11:20,125 --> 00:11:22,155
THIS FELLA TESTS
HIGHER THAN BARNEY.
256
00:11:22,163 --> 00:11:24,203
I'M AMAZED.
257
00:11:24,200 --> 00:11:25,840
IT'S REALLY QUITE
FANTASTIC, JERRY.
258
00:11:25,837 --> 00:11:27,437
IT'S LIKE CRAIG
HAS DISCOVERED
259
00:11:27,440 --> 00:11:31,210
- SOME KIND OF UNTAPPED MYTH.
- HMM.
260
00:11:31,214 --> 00:11:35,164
JERRY, SANDRA SHOWED ME
SOME OF YOUR FICTION
AND YOUR AWARDS,
261
00:11:35,155 --> 00:11:39,995
AND I HAVE TO SAY,
POWERFUL STUFF,
262
00:11:39,999 --> 00:11:42,939
ALMOST TOO POWERFUL.
263
00:11:42,938 --> 00:11:45,308
I'M WONDERING
IF YOUR MIND CAN
264
00:11:45,309 --> 00:11:49,149
FUNCTION DOWN ON OUR LEVEL.
265
00:11:49,150 --> 00:11:51,050
WHERE WOULD YOU LIKE TO TAKE
OUR LITTLE FRIEND HERE?
266
00:11:53,125 --> 00:11:54,625
WHAT DO YOU MEAN?
267
00:11:54,628 --> 00:12:00,468
I'M SURE YOU HAVE SOME IDEAS
FOR OUR LOVEABLE PUPPET.
268
00:12:00,472 --> 00:12:02,512
I'D SAY FUCK THE
LOVEABLE PUPPET.
269
00:12:02,511 --> 00:12:06,851
THIS GUY IS A WEB-TOED
METAPHOR FOR THE
AMERICAN DREAM GONE BAD.
270
00:12:06,852 --> 00:12:11,462
I SEE MR. CHOMPERS AS
A MODERN-DAY TOM JOAD.
271
00:12:11,461 --> 00:12:13,631
Woman:
SHE'S IN A
MEETING RIGHT NOW.
272
00:12:13,633 --> 00:12:16,073
CAN I TAKE A MESSAGE?
273
00:12:17,340 --> 00:12:20,250
I GREW UP
IN PACIFIC GROVE.
274
00:12:20,245 --> 00:12:22,245
I HUNG OUT
ON CANNERY ROW.
275
00:12:22,249 --> 00:12:23,889
HAVE YOU EVER
BEEN THERE, SANDRA?
276
00:12:23,886 --> 00:12:25,256
NO, I DON'T
THINK SO.
277
00:12:25,255 --> 00:12:27,085
I STARTED READING--
WHAT'S HIS NAME?--
278
00:12:27,093 --> 00:12:29,033
- STEINBECK.
- STEINBECK WHEN I WAS NINE.
279
00:12:29,030 --> 00:12:30,630
- I LIKE THIS.
- THE LITTLE GUY.
280
00:12:30,633 --> 00:12:35,343
THE LITTLE GUY,
EVERYMAN, THE TRAMP.
281
00:12:35,342 --> 00:12:38,352
I LIKE THIS.
THE DEFENDER OF THE COMMON MAN.
282
00:12:38,348 --> 00:12:42,518
GANDHI.
IT'S GOING TOO FAR.
283
00:12:42,524 --> 00:12:46,604
THIS COULD SERIOUSLY RESHAPE
THE SECOND-SEASON BIBLE, SANDRA.
284
00:12:46,599 --> 00:12:48,999
HERE'S A PIECE OF SHIT, JERRY.
285
00:12:49,003 --> 00:12:52,683
I WROTE IT AND REWROTE IT,
BUT IT AIN'T WORKING.
286
00:12:52,677 --> 00:12:57,287
IF YOU CAN MAKE THAT WORK,
YOU'RE ON, OKAY?
287
00:12:57,286 --> 00:12:59,556
OKAY.
288
00:12:59,558 --> 00:13:02,958
SANDRA, GET ME A COPY
OF "GRAPES OF WRATH."
289
00:13:02,964 --> 00:13:06,644
JERRY,
GOOD MEETING YOU.
290
00:13:06,639 --> 00:13:08,639
Jerry: SO, NOW I
GOT TO REWRITE
CRAIG'S PIECE OF SHIT,
291
00:13:08,643 --> 00:13:11,583
AND I'M SLEEPING
ON NICKY'S COUCH.
292
00:13:11,582 --> 00:13:14,092
Woman: WERE YOU
GETTING HIGH?
293
00:13:14,087 --> 00:13:15,187
MAINTENANCE,
YOU KNOW?
294
00:13:15,189 --> 00:13:16,589
ENOUGH POT
TO BLIND AN OX
295
00:13:16,592 --> 00:13:21,032
AND WHATEVER ELSE
WAS LAYING AROUND.
296
00:13:34,227 --> 00:13:35,957
( telephone ringing)
297
00:13:43,411 --> 00:13:46,151
HELLO?
298
00:13:50,593 --> 00:13:53,003
MOM...
299
00:13:57,473 --> 00:14:00,783
MOM, THIS ISN'T THE BANK.
THIS IS JERRY IN CALIFORNIA.
300
00:14:00,780 --> 00:14:04,050
YOU CALLED ME, MOM.
301
00:14:04,053 --> 00:14:07,693
OK. ALL RIGHT.
FINE, MOM. ARE YOU OK?
302
00:14:07,694 --> 00:14:10,274
MOM, ARE YOU OK?
303
00:14:12,169 --> 00:14:15,109
OK. MOM?
I REALLY MEAN THIS.
304
00:14:15,108 --> 00:14:18,008
I HAVE TO GO.
I HOPE YOU HAVE
A WONDERFUL DAY.
305
00:14:18,014 --> 00:14:21,424
GOOD-BYE, MOM.
MOM, GOOD-BYE.
306
00:14:42,196 --> 00:14:45,536
Man: SUICIDE IS ONE OF THE
GREAT MYSTERIES OF OUR TIME.
307
00:14:45,536 --> 00:14:48,166
WHEN WARREN STAHL
TOOK HIS OWN LIFE,
308
00:14:48,174 --> 00:14:50,114
HE TOOK A PART OF US
WITH HIM.
309
00:14:50,112 --> 00:14:52,582
Woman: GOD, BABY, THAT'S
AT SUCH A FORMATIVE AGE.
310
00:14:52,584 --> 00:14:54,324
Man: OH, A TERRIBLE,
TERRIBLE WASTE.
311
00:14:54,320 --> 00:14:57,390
I MEAN, HE ACHIEVED
SO MUCH.
312
00:14:57,393 --> 00:14:59,063
OH, GOD!
HE HATES ME.
313
00:14:59,063 --> 00:15:01,003
I AM STEEL.
STEEL FEELS NOTHING.
314
00:15:02,136 --> 00:15:04,676
( sobbing )
315
00:15:04,675 --> 00:15:06,075
WHY, WARREN?
316
00:15:06,077 --> 00:15:08,247
Why did you
leave me with them?
317
00:15:08,248 --> 00:15:09,618
They hate me.
318
00:15:09,618 --> 00:15:11,148
We don't
hate you, Mom.
319
00:15:11,154 --> 00:15:13,024
Correct me
if I'm wrong, Brad,
320
00:15:13,024 --> 00:15:15,734
But isn't it illegal to name
a cat Warren in this state?
321
00:15:15,730 --> 00:15:17,530
( laughing )
322
00:15:17,534 --> 00:15:22,214
I want to go, too.
323
00:15:22,209 --> 00:15:24,549
( laughter and applause )
324
00:15:24,548 --> 00:15:25,748
( switches TV off )
325
00:15:27,286 --> 00:15:29,416
SO, WHAT
DO YOU THINK?
326
00:15:29,423 --> 00:15:32,703
IT'S REALLY WEIRD.
327
00:15:32,697 --> 00:15:36,507
I WROTE THAT, LIKE,
10 DAYS AGO.
328
00:15:36,505 --> 00:15:38,105
I THINK YOU SHOULD
BE REALLY PROUD.
329
00:15:38,108 --> 00:15:41,718
HMM, "PROUD" ISN'T
THE FIRST WORD
330
00:15:41,715 --> 00:15:44,345
THAT COMES TO MIND.
331
00:15:44,353 --> 00:15:46,163
YOU KNOW, I THINK
I'VE HAD A CRUSH ON YOU
332
00:15:46,157 --> 00:15:48,527
SINCE THE FIRST TIME
I MET YOU.
333
00:15:48,529 --> 00:15:52,369
Woman: DOESN'T SOUND
LIKE SHE WAS TOO BAD.
334
00:15:52,369 --> 00:15:54,779
Jerry: SHE WAS BEAUTIFUL,
SHE WAS WITTY,
335
00:15:54,775 --> 00:15:56,745
AND SHE HAD NO IDEA
WHO I REALLY WAS.
336
00:15:56,745 --> 00:16:00,215
DID YOU KNOW
WHO SHE REALLY WAS?
337
00:16:00,218 --> 00:16:01,488
I'LL BE RIGHT BACK.
338
00:16:01,487 --> 00:16:05,157
- WHAT ARE YOU DOING?
- HANG ON.
339
00:16:05,162 --> 00:16:06,802
ARE YOU OK?
340
00:16:09,336 --> 00:16:11,536
Woman: DON'T TELL ME.
NOT THE MEDICINE
CABINET.
341
00:16:11,542 --> 00:16:15,252
Jerry: OH, YEAH.
BY THEN, I WAS A PRO.
342
00:16:15,248 --> 00:16:17,788
YOU KNOW THE OLD
COUGH-AND-FLUSH TECHNIQUE?
343
00:16:17,787 --> 00:16:19,387
( coughs )
344
00:16:19,390 --> 00:16:21,760
COUGH WHEN YOU OPEN,
FLUSH WHEN YOU SHUT IT.
345
00:16:21,762 --> 00:16:23,572
Sandra: JERRY,
ARE YOU OK?
346
00:16:23,566 --> 00:16:25,766
YEAH. I'M FINE.
347
00:16:25,770 --> 00:16:27,610
Jerry: WORKS PRETTY GOOD
UNLESS YOU FORGET
TO PUT BACK THE DRUGS.
348
00:16:27,607 --> 00:16:30,247
THEN YOU HAVE TO FLUSH TWICE
AND PLEAD BAD PLUMBING.
349
00:16:36,892 --> 00:16:39,532
( toilet flushes )
350
00:16:46,377 --> 00:16:48,147
YOU KNOW, I THINK
THAT WAS PROBABLY
ONE OF THE BEST EPISODES
351
00:16:48,147 --> 00:16:49,477
WE'VE HAD THIS SERIES.
352
00:16:49,483 --> 00:16:52,623
REALLY? HOO, THAT'S
KIND OF A SCARY THOUGHT.
353
00:16:54,928 --> 00:16:57,168
DO YOU WANT
TO STAY THE NIGHT?
354
00:16:57,165 --> 00:16:59,695
NO. I DON'T THINK SO.
I'M GONNA HEAD HOME.
355
00:16:59,704 --> 00:17:02,344
IT'S GETTING KIND OF LATE,
AND I GOT TO GET UP TOMORROW,
356
00:17:02,342 --> 00:17:04,552
ALL THAT... STUFF.
357
00:17:04,548 --> 00:17:06,318
JERRY,
I'VE HAD AN IDEA.
358
00:17:06,317 --> 00:17:08,187
YOU HAVEN'T FOUND
ANYWHERE TO LIVE
YET, HAVE YOU?
359
00:17:08,187 --> 00:17:10,127
UH, NO.
360
00:17:10,125 --> 00:17:12,825
NOT REALLY TOO GOOD
AT LOOKING FOR PLACES.
361
00:17:12,830 --> 00:17:15,500
I'M MUCH BETTER
MOVING OUT.
362
00:17:17,339 --> 00:17:20,779
WELL, I WAS JUST
THINKING THAT, YOU KNOW,
363
00:17:20,780 --> 00:17:22,580
IT COULD REALLY HELP
MY GREEN CARD SITUATION
364
00:17:22,584 --> 00:17:26,294
IF WE LIVED
UNDER THE SAME ROOF.
365
00:17:26,290 --> 00:17:28,160
YOU KNOW, I'VE GOT
THIS SPARE BEDROOM
366
00:17:28,161 --> 00:17:30,401
THAT I NEVER GO INTO
WHICH YOU COULD WORK IN
367
00:17:30,398 --> 00:17:32,938
UNDISTURBED ALL DAY,
AS I'D BE AT WORK.
368
00:17:32,937 --> 00:17:34,707
OBVIOUSLY, I DON'T MEAN
"MOVING IN" MOVING IN.
369
00:17:34,708 --> 00:17:37,778
RIGHT. THE ONLY THING IS,
THERE'S ACTUALLY THIS GUY
370
00:17:37,780 --> 00:17:41,590
WHO I HAVE KIND OF GONE
DOWN THE ROAD WITH
ON A PLACE,
371
00:17:41,588 --> 00:17:44,928
AND I FEEL LIKE I'D BE
KIND OF LEAVING HIM
372
00:17:44,928 --> 00:17:47,928
IN THE LURCH
IF I JUST--
373
00:17:47,934 --> 00:17:49,804
YOU KNOW
WHAT I MEAN?
374
00:17:49,804 --> 00:17:53,814
THANKS. BYE.
375
00:17:56,317 --> 00:17:57,587
JERRY...
376
00:17:57,587 --> 00:17:59,357
YEAH. I CAN'T--
377
00:17:59,356 --> 00:18:01,526
I DON'T EVEN KNOW
HOW TO TALK ABOUT THIS
RIGHT NOW.
378
00:18:01,528 --> 00:18:03,198
I'M, LIKE, STILL
SPINNING FROM THAT,
379
00:18:03,197 --> 00:18:04,767
AND IT WAS--
380
00:18:04,768 --> 00:18:07,738
I MEAN, I DON'T EVEN HAVE
A DRIVER'S LICENSE YET, OK?
381
00:18:07,740 --> 00:18:10,380
THAT'S
WHERE I'M AT, SO--
382
00:18:10,378 --> 00:18:13,788
BUT I'M JUST GONNA--
383
00:18:13,786 --> 00:18:18,326
I'M GONNA LET MYSELF
OUT, ALL RIGHT?
384
00:18:21,768 --> 00:18:24,708
YOU DIDN'T HAVE
A DRIVER'S LICENSE?
385
00:18:24,708 --> 00:18:27,608
Jerry: I DIDN'T HAVE
A
WALLET, AND I WAS MAKING
FIVE GRAND A WEEK.
386
00:18:29,216 --> 00:18:31,856
ALL THAT MONEY,
WHAT ABOUT THE SWIMMING POOLS
387
00:18:31,855 --> 00:18:37,265
AND DOING COKE
IN LIMOS ALL NIGHT?
388
00:18:37,265 --> 00:18:39,695
TRY SLEEPING
ON NICKY'S COUCH,
389
00:18:39,704 --> 00:18:41,014
EATING HIS PAINKILLERS,
390
00:18:41,006 --> 00:18:44,576
AND DRIVING
A '76 CADDY.
391
00:18:44,581 --> 00:18:48,921
Mose Allison;
♪ WELL, A YOUNG MAN ♪
392
00:18:48,922 --> 00:18:53,402
♪ AIN'T NOTHIN' IN THIS WORLD
THESE DAYS ♪
393
00:18:57,807 --> 00:19:00,547
♪ WELL, A YOUNG MAN... ♪
394
00:19:00,546 --> 00:19:04,216
WHERE ARE MY PILLS?
WHERE THE FUCK ARE MY PILLS?
395
00:19:04,219 --> 00:19:06,759
- WHAT ARE YOU TALKING ABOUT?
- BENNY'S PERCODAN,
THEY'RE GONE.
396
00:19:06,758 --> 00:19:08,328
WHAT DID I DO
WITH THEM?
397
00:19:08,327 --> 00:19:09,657
DID I PUT THEM IN THERE?
DID I MISPLACE THEM?
398
00:19:09,664 --> 00:19:10,774
- YOU KEEP THEM
IN THIS THING?
- YES.
399
00:19:10,766 --> 00:19:12,336
NO. THEY'RE
NOT IN THERE.
400
00:19:12,335 --> 00:19:13,605
I MEAN, I DON'T KNOW
WHAT I COULD'VE DONE.
401
00:19:13,605 --> 00:19:15,875
- DID I PUT THEM HERE?
- ALL RIGHT.
402
00:19:15,876 --> 00:19:17,906
WELL, FIRST OF ALL,
THEY COULDN'T HAVE JUST
GOTTEN UP AND WALKED AWAY.
403
00:19:17,914 --> 00:19:20,254
LET'S FIND THEM, MAN,
ALL RIGHT?
404
00:19:20,251 --> 00:19:21,991
LET'S SCOUR THE HOUSE.
YOU TAKE THAT SIDE.
I'LL TAKE HERE.
405
00:19:21,988 --> 00:19:23,628
OK. SCOUR, BUT, I MEAN,
BE THOROUGH
406
00:19:23,625 --> 00:19:25,395
BECAUSE I WANT YOU TO GO
THROUGH ALL THAT STUFF.
407
00:19:25,395 --> 00:19:27,595
THEY GOT TO BE
AROUND HERE SOMEWHERE.
408
00:19:27,600 --> 00:19:29,440
COULD VOLA
HAVE TAKEN THEM?
409
00:19:29,436 --> 00:19:31,006
IS THAT POSSIBLE
THAT VOLA COULD'VE
TAKEN MY DRUGS?
410
00:19:31,006 --> 00:19:32,536
I DOUBT VOLA
WOULD DO THAT.
411
00:19:32,543 --> 00:19:34,313
I SERIOUSLY DOUBT
SHE WOULD DO IT,
412
00:19:34,313 --> 00:19:35,653
BUT I DON'T KNOW HER
AS WELL AS YOU DO.
413
00:19:35,649 --> 00:19:36,689
I DON'T WANT TO RUSH
TO JUDGMENT.
414
00:19:36,685 --> 00:19:38,885
JUST KEEP LOOKING.
415
00:19:38,889 --> 00:19:40,759
WHERE THE FUCK
ARE MY DRUGS, MAN?
416
00:19:40,759 --> 00:19:42,599
- THIS--
- NICKY. NICKY.
417
00:19:42,597 --> 00:19:44,067
- NICKY!
- WHAT?
418
00:19:44,066 --> 00:19:46,496
CHILL OUT FOR A SECOND.
CLOSE YOUR EYES.
419
00:19:46,504 --> 00:19:48,344
VISUALIZE THE LAST
TIME YOU REMEMBER
420
00:19:48,341 --> 00:19:50,911
ACTUALLY
SEEING THE PILLS.
421
00:19:56,056 --> 00:19:58,896
IF I WAS PERCODAN,
WHERE WOULD I BE?
422
00:19:58,896 --> 00:20:00,926
BATHROOM MAYBE?
423
00:20:00,933 --> 00:20:02,673
BATH--
424
00:20:02,670 --> 00:20:05,410
THAT'S SO OBVIOUS,
IT COULD WORK.
425
00:20:05,408 --> 00:20:07,748
I'LL CHECK THE REST
OF THE ROOM IN HERE,
OKAY?
426
00:20:07,747 --> 00:20:09,877
I'M ON IT IN HERE.
427
00:20:09,884 --> 00:20:14,494
YOU KNOW, IT COULDN'T
JUST WALK AWAY.
428
00:20:14,493 --> 00:20:16,673
- ANY LUCK?
- NO. WHAT ABOUT YOU?
429
00:20:16,665 --> 00:20:20,505
- NOPE.
- KEEP LOOKING.
430
00:20:24,079 --> 00:20:27,049
( snapping fingers )
431
00:20:28,622 --> 00:20:30,492
OH, YOU CAN STOP
LOOKING, JERRY.
432
00:20:30,491 --> 00:20:32,701
YOU'RE NOT GONNA
FIND ANYTHING.
433
00:20:32,697 --> 00:20:35,597
DIAGRAM OF A SCAM.
434
00:20:35,602 --> 00:20:38,912
DIAGRAM OF A SCAM.
SIT DOWN.
435
00:20:38,909 --> 00:20:41,679
SIT DOWN, JERRY.
436
00:20:41,681 --> 00:20:43,721
WHAT ARE YOU
TALKING ABOUT?
437
00:20:43,719 --> 00:20:45,959
I'LL TELL YOU WHAT
I'M TALKING ABOUT.
438
00:20:45,956 --> 00:20:48,456
DIAGRAM OF A SCAM.
LET ME LAY IT OUT
FOR YOU.
439
00:20:48,461 --> 00:20:50,101
- OKAY, NICKY.
FIRST OF ALL--
- OKAY. EXCUSE ME.
440
00:20:50,098 --> 00:20:52,598
LET ME FINISH THIS.
YOU AND I GO OUT.
441
00:20:52,603 --> 00:20:54,873
LITTLE BENNY,
INNOCENT LITTLE BENNY,
442
00:20:54,874 --> 00:20:57,584
COMES IN,
STEALS THE DRUGS,
443
00:20:57,580 --> 00:21:00,020
MAKES OUT, IS RIGHT NOW
HIGH AS A KITE. WE
GOT TO TALK TO HIM.
444
00:21:00,018 --> 00:21:02,488
- THAT LITTLE FUCKER BENNY.
- THAT LITTLE FUCKER.
445
00:21:02,489 --> 00:21:04,129
- HE, LIKE, SEES HIS ANGLE,
AND HE PLAYS IT.
- ( phone ringing )
446
00:21:04,126 --> 00:21:07,566
YOU KNOW, I'VE ALWAYS
HAD A WEIRD FEELING
ABOUT THAT KID.
447
00:21:07,566 --> 00:21:09,536
WELL, I MEAN, SLOW
DOWN A LITTLE BIT
448
00:21:09,537 --> 00:21:11,407
BECAUSE HE'S
A GOOD FRIEND.
449
00:21:11,407 --> 00:21:13,947
- NICKY, HE'S
12 YEARS OLD.
- YEAH. RIGHT.
450
00:21:13,945 --> 00:21:16,515
YOU'RE RIGHT.
YOU'RE RIGHT.
HE SHOULD KNOW BETTER.
451
00:21:16,518 --> 00:21:19,758
Woman on answering machine:
THIS IS A MESSAGE FOR JERRY.
I'M HIS SISTER.
452
00:21:19,757 --> 00:21:22,427
JERRY, YOU--
453
00:21:22,429 --> 00:21:25,739
YOU BETTER CALL ME.
YOU HAVE TO COME--
454
00:21:25,736 --> 00:21:27,906
WELL, COME BACK
TO PITTSBURGH.
455
00:21:27,907 --> 00:21:31,477
MOMMY DIED. SHE, UH--
456
00:21:31,480 --> 00:21:33,690
( beeps )
457
00:21:55,027 --> 00:21:58,027
♪ TAKE YOUR TIME ♪
458
00:21:58,033 --> 00:22:02,183
♪ BACK UP A LITTLE BIT ♪
459
00:22:07,786 --> 00:22:10,826
♪ COME ON NOW, PEOPLE ♪
460
00:22:10,826 --> 00:22:16,636
♪ GET YOURSELVES OUT OF IT ♪
461
00:22:20,546 --> 00:22:21,706
Woman: SO,
WHAT HAPPENED?
462
00:22:21,714 --> 00:22:23,694
YOU WENT BACK
TO SANDRA?
463
00:22:23,685 --> 00:22:26,015
Jerry: NO. I WAS SENTIMENTAL
AFTER CLEANING UP MOM'S BLOOD,
464
00:22:26,023 --> 00:22:29,133
SO I WENT TO A BAR
WHEN I GOT BACK TO L. A.
465
00:22:29,129 --> 00:22:31,099
Man on TV: WITH LOS ANGELES
HOLDING A ONE-POINT LEAD
466
00:22:31,099 --> 00:22:36,639
AT 15-14,
WE'LL BE RIGHT BACK.
467
00:22:36,644 --> 00:22:39,624
Different man on TV: SUNDAY,
MR. CHOMPERS HAS GOT A NEW PET.
468
00:22:39,617 --> 00:22:41,187
Mr. Chompers:
BRAD, MEET BESSIE.
469
00:22:41,186 --> 00:22:43,116
WHAT A DIVINE BOVINE.
470
00:22:43,123 --> 00:22:46,103
TURN IT OFF, JOE.
IT'S NOT FUNNY.
471
00:22:49,971 --> 00:22:54,311
Jerry: SHE HATED "MR.
CHOMPERS," WHICH TURNED
ME ON IMMEDIATELY.
472
00:22:59,055 --> 00:23:01,055
I'M JERRY.
473
00:23:01,059 --> 00:23:03,929
DAGMAR...
474
00:23:03,932 --> 00:23:05,942
FROM DRESDEN.
475
00:23:05,936 --> 00:23:09,106
JERRY STAHL.
476
00:23:09,109 --> 00:23:12,519
STAHL. STAHL.
477
00:23:12,516 --> 00:23:15,286
YOU KNOW WHAT "STAHL"
MEANS IN GERMAN?
478
00:23:17,693 --> 00:23:20,203
IT MEANS JERRY STEEL.
479
00:23:22,970 --> 00:23:25,140
MY HUSBAND
WOULD REALLY LIKE THAT.
480
00:23:25,141 --> 00:23:27,251
- OH, YEAH?
- YEAH.
481
00:23:27,245 --> 00:23:29,175
WHY?
482
00:23:29,182 --> 00:23:32,722
- HIS FAMILY MAKES STEEL.
- OH.
483
00:23:32,723 --> 00:23:35,293
OH, WHAT FAMILY
IS THAT?
484
00:23:35,294 --> 00:23:38,744
THE KRUPPS.
485
00:23:38,735 --> 00:23:42,605
KRUPPS? AREN'T THEY
FAMOUS NAZIS, RIGHT?
486
00:23:42,609 --> 00:23:44,949
MM.
487
00:23:53,163 --> 00:23:56,003
YOU LIKE IT NOW?
488
00:24:01,279 --> 00:24:05,249
SPECIAL OCCASIONS.
489
00:24:05,254 --> 00:24:09,164
I THINK THIS QUALIFIES
AS A SPECIAL OCCASION.
490
00:24:42,629 --> 00:24:45,969
- KISS ME.
- WHAT?
491
00:24:45,969 --> 00:24:47,939
KISS ME.
492
00:24:54,687 --> 00:24:59,697
( groaning, yelling in German )
493
00:24:59,697 --> 00:25:01,597
I'M BEING FUCKED BY A JEW!
494
00:25:18,300 --> 00:25:20,710
( knocks on door )
495
00:25:27,786 --> 00:25:31,056
- JERRY, HI.
- IS IT TOO LATE?
496
00:25:31,059 --> 00:25:33,329
NO. NO. COME IN.
497
00:25:45,387 --> 00:25:47,957
LOOK. I HEARD
ABOUT YOUR MOM.
498
00:25:47,960 --> 00:25:49,830
I'M REALLY SORRY.
499
00:25:50,865 --> 00:25:52,895
ARE YOU ALL RIGHT?
500
00:25:54,807 --> 00:25:58,977
YEAH.
501
00:25:58,982 --> 00:26:00,822
YOU KNOW HOW IT IS.
502
00:26:00,819 --> 00:26:02,759
LOOK. I'VE JUST MADE
A CUP OF TEA.
I'LL GET YOU ONE.
503
00:26:02,756 --> 00:26:04,086
WHY DON'T YOU
JUST SIT DOWN, OKAY?
504
00:26:10,204 --> 00:26:12,074
CAN I STAY HERE?
505
00:26:16,216 --> 00:26:19,986
CAN I STAY HERE?
506
00:26:19,990 --> 00:26:23,030
Woman: YOU'RE
SERIOUSLY DISTURBED.
507
00:26:23,030 --> 00:26:27,440
HMM? WHERE
ARE YOU GOING?
508
00:26:27,438 --> 00:26:30,338
I'M GOING HOME.
509
00:26:30,344 --> 00:26:32,784
COME ON.
COME BACK TO BED.
510
00:26:32,783 --> 00:26:35,393
GOD, YOU'RE A MESS.
511
00:26:35,387 --> 00:26:37,317
OH, WELL, YEAH.
512
00:26:37,324 --> 00:26:41,234
I KNEW WE HAD
SOMETHING IN COMMON.
513
00:26:41,232 --> 00:26:44,372
IT TOOK ME
EVERYTHING I HAD,
BUT I GOT CLEAN.
514
00:26:44,372 --> 00:26:46,912
YEAH. I KNOW,
REMEMBER?
515
00:26:46,911 --> 00:26:48,821
WHY, BECAUSE YOU'RE,
WHAT, 50 DAYS CLEAN?
516
00:26:48,815 --> 00:26:50,075
THAT'S NOTHING.
YOU'RE STILL A
FUCKING JUNKIE.
517
00:26:50,084 --> 00:26:51,854
THAT'S WHY YOU HAVE
TO GO BACK TO REHAB
518
00:26:51,854 --> 00:26:54,994
AND I HAVE TO GO
TO WORK.
519
00:26:54,993 --> 00:26:57,363
WHAT ARE YOU
AFRAID OF?
520
00:26:57,364 --> 00:26:58,904
I'M NOT AFRAID,
JERRY.
521
00:26:58,901 --> 00:27:01,071
BULLSHIT, YOU'RE OUT HERE
COMPLETELY ALONE
522
00:27:01,072 --> 00:27:05,282
IN THE MIDDLE OF FUCKING
NOWHERE WORKING SOME WEIRD JOB.
523
00:27:05,280 --> 00:27:07,790
WHEN IS THE LAST TIME
YOU ACTUALLY HAD FUN?
524
00:27:07,786 --> 00:27:10,086
WHEN'S THE LAST TIME
YOU ACTUALLY LET YOURSELF
HAVE A GOOD TIME?
525
00:27:10,090 --> 00:27:12,390
NOW, HERE, RIGHT?
THIS IS IT.
526
00:27:12,394 --> 00:27:15,074
NOW, RIGHT, THE LAST DAY,
AND IT JUST FREAKS YOU OUT.
527
00:27:15,067 --> 00:27:17,467
- YOU ARE TOTALLY AFRAID.
- AND YOU'RE SO
FUCKING INTIMATE.
528
00:27:19,442 --> 00:27:21,782
FUCK?
529
00:27:23,350 --> 00:27:24,950
WHAT?
530
00:27:26,356 --> 00:27:28,796
I DON'T EVEN
KNOW YOUR NAME.
531
00:27:35,809 --> 00:27:38,179
MY NAME IS KITTY.
532
00:27:41,052 --> 00:27:43,862
KITTY?
533
00:27:43,858 --> 00:27:46,398
IS THAT FUNNY?
534
00:27:46,396 --> 00:27:47,826
NO. I JUST--
535
00:27:47,833 --> 00:27:51,973
I DIDN'T TAKE YOU
FOR A KITTY, BUT--
536
00:27:51,974 --> 00:27:54,354
- WHAT?
- KITTY. AWW.
537
00:27:54,345 --> 00:27:56,875
- WHAT?
- KITTY.
538
00:27:56,884 --> 00:27:59,594
- KITTY.
- KITTY.
539
00:27:59,590 --> 00:28:01,990
- KITTY.
- OHH...
540
00:28:01,994 --> 00:28:06,174
MM, I GOT TO GO.
541
00:28:07,806 --> 00:28:10,946
YOU CAN'T LEAVE NOW.
YOU'LL MISS THE BEST PART.
542
00:28:10,945 --> 00:28:13,115
BY NOW, SANDRA AND I
WERE DEEP INTO THE CHARADE.
543
00:28:13,116 --> 00:28:14,246
( slams )
544
00:28:14,252 --> 00:28:16,322
WHOOPS, SORRY.
DROPPED THE IRON.
545
00:28:16,322 --> 00:28:17,962
I'LL GIVE YOU
A TYPICAL DAY.
546
00:28:17,959 --> 00:28:19,399
SHE WAKES UP AT 7:00,
HEADS TO WORK.
547
00:28:19,395 --> 00:28:21,065
JERRY, I'VE GOT
TO GO NOW.
548
00:28:21,065 --> 00:28:22,195
JERRY, I'VE GOT TO--
549
00:28:22,201 --> 00:28:24,371
NO. OH.
550
00:28:24,372 --> 00:28:25,942
Jerry:
TWO HOURS LATER,
551
00:28:25,942 --> 00:28:28,312
I SLIME OUT OF BED
AND START MY REGIMEN.
552
00:28:28,313 --> 00:28:31,023
I WAKE UP,
UNCROSS MY EYES.
553
00:28:31,019 --> 00:28:33,459
ALL RIGHT, OW!
554
00:28:33,456 --> 00:28:35,486
♪ WHEAT GRASS,
WHEAT GRASS ♪
555
00:28:35,494 --> 00:28:39,344
LITTLE WHEAT GRASS BECAUSE
HEALTHY EATING IS MY LIFE.
556
00:28:43,276 --> 00:28:46,076
THEN IT'S OUTSIDE
FOR A FIVE-MILE JOG.
557
00:28:46,082 --> 00:28:47,482
Kitty:
WAIT A MINUTE.
558
00:28:47,484 --> 00:28:49,364
YOU'D SHOOT HEROIN
AND RUN FIVE MILES?
559
00:28:49,355 --> 00:28:51,955
HEY, I WAS AN L. A. JUNKIE.
I HAD TO STAY FIT.
560
00:28:51,961 --> 00:28:53,301
THEN IT WAS OFF
TO BEVERLY HILLS
561
00:28:53,296 --> 00:28:56,236
TO CRANK OUT
THE SNAPPY PATTER.
562
00:28:58,541 --> 00:29:00,011
HELLO.
563
00:29:00,010 --> 00:29:01,480
JERRY, MY GOD,
WHERE HAVE YOU BEEN?
564
00:29:01,479 --> 00:29:03,119
DID YOU
READ MY NOTES?
565
00:29:03,116 --> 00:29:05,146
NO, CRAIG.
I DID NOT READ THE NOTES
BECAUSE I JUST GOT HERE,
566
00:29:05,153 --> 00:29:07,193
BUT I'D BE HAPPY
TO READ THEM IMMEDIATELY.
567
00:29:07,191 --> 00:29:09,831
OK. IT'S OBVIOUSLY
A LOGISTICAL,
NOT A CREATIVE, PROBLEM.
568
00:29:09,830 --> 00:29:12,430
PLEASE.
569
00:29:12,434 --> 00:29:15,014
HELLO, JERRY.
THIS SHOW SUCKS.
570
00:29:15,007 --> 00:29:17,307
AND YOU'RE THE ONLY
MOTHERFUCKER THAT CAN HELP US.
571
00:29:17,311 --> 00:29:18,551
HE'S FREAKING
ME OUT, CRAIG.
572
00:29:18,547 --> 00:29:20,017
HE'S FREAKING ME OUT
WITH THE PUPPET.
573
00:29:20,017 --> 00:29:22,017
OK. WE START THE FIRST ACT
WITH A FLASHBACK
574
00:29:22,021 --> 00:29:25,091
TO SEE MR. CHOMPERS
SEEING BRAD AND KATIE
HAVING THEIR FIRST FIGHT,
575
00:29:25,093 --> 00:29:27,033
ONLY WE AGE KATIE AND BRAD
BACK FIVE YEARS
576
00:29:27,031 --> 00:29:29,141
AND THEN BEGIN THE SECOND ACT
EXACTLY THE SAME WAY.
577
00:29:29,135 --> 00:29:31,465
WE HAVE LITTLE
MR. CHOMPERS HERE
GOADING EVERYBODY ON.
578
00:29:31,472 --> 00:29:32,982
AH, AH, HE GOES
TO THE FREEZER...
579
00:29:32,976 --> 00:29:34,376
COME ON, MAN.
GIVE IT TO ME.
GIVE IT TO ME.
580
00:29:34,378 --> 00:29:40,358
OK, TO REPAIR AN
ORANDALAN FLESH TRANS--
581
00:29:40,357 --> 00:29:42,387
THAT'S GOOD.
I LIKE THAT.
I LOVE THAT.
582
00:29:42,394 --> 00:29:44,534
IT'S BETTER.
JERRY, DIG IN.
583
00:29:44,533 --> 00:29:46,043
YOU'RE GONNA HAVE TO
WALK HIM THROUGH IT.
584
00:29:46,035 --> 00:29:47,395
I GOT TO CALL
THE NETWORK.
585
00:29:47,404 --> 00:29:49,414
- I GOT TO PEE.
- HAVE A GOOD PEE.
586
00:29:49,408 --> 00:29:51,478
Jerry: THEN I'D
LEAVE THE OFFICE,
HOP IN THE CADDY,
587
00:29:51,479 --> 00:29:53,649
TURN ON SOME
TWISTED TALK RADIO--
588
00:29:53,651 --> 00:29:55,191
HOLLYWOOD,
THE ONLY TOWN IN AMERICA
589
00:29:55,187 --> 00:29:58,657
WITH A 24-HOUR
SELF-HELP STATION--
590
00:29:58,661 --> 00:30:01,601
SHOOT BACK ACROSS TOWN
TO EAST L. A.--
591
00:30:01,600 --> 00:30:04,070
NOT TOO MUCH TRAFFIC
HEADED IN THAT DIRECTION--
592
00:30:04,071 --> 00:30:06,181
JUST IN TIME TO HOOK UP
WITH MY REGULAR CONNECTION
593
00:30:06,175 --> 00:30:10,375
AND SURROGATE FAMILY
DITA AND HER SON MIGUEL.
594
00:30:10,383 --> 00:30:13,263
AW, JERRY, MAN,
YOU DIDN'T HAVE
TO DO THAT.
595
00:30:13,256 --> 00:30:15,596
HEY, I'M JEWISH.
I NEVER GOT TO DO THIS
WHEN I WAS A KID.
596
00:30:15,595 --> 00:30:17,495
Miguel: YOU DIDN'T HAVE
A CHRISTMAS TREE?
HOW COME?
597
00:30:17,498 --> 00:30:18,998
AYUDARLO. AYUDARLO.
598
00:30:19,001 --> 00:30:20,401
YOU HEARD OF THE JEWS,
MIGUEL, RIGHT?
599
00:30:20,403 --> 00:30:23,113
YEAH. SO WHAT?
600
00:30:23,109 --> 00:30:25,719
DON'T WORRY.
WE'LL TALK ABOUT IT LATER.
601
00:30:25,715 --> 00:30:28,085
SO, HOW'S MIGUEL
DOING IN SCHOOL?
602
00:30:28,086 --> 00:30:30,086
- HE'S DOING GOOD.
- YEAH?
603
00:30:30,090 --> 00:30:32,360
OH, HE COULD
DO BETTER.
604
00:30:32,361 --> 00:30:34,631
DOES HE
DO HIS HOMEWORK
EVERY NIGHT?
605
00:30:34,633 --> 00:30:39,683
YEAH, BUT HE COULD
APPLY HIMSELF A LITTLE MORE.
606
00:30:42,682 --> 00:30:44,052
WHEN YOU SAY,
"APPLY HIMSELF,"
607
00:30:44,051 --> 00:30:45,561
WHAT DO YOU MEAN?
608
00:30:45,555 --> 00:30:48,785
HE COULD GET BETTER GRADES.
HE'S SMARTER THAN THAT.
609
00:30:48,794 --> 00:30:51,374
SMART KID,
I'M TELLING YOU.
610
00:30:51,365 --> 00:30:53,565
I KNOW, BUT HE DOESN'T
HELP ME AROUND THE HOUSE.
611
00:30:53,571 --> 00:30:58,381
I NEED HELP.
THIS PLACE IS TOO BIG.
612
00:30:58,379 --> 00:31:01,749
HE NEEDS, LIKE,
YOU KNOW, LIKE,
A FATHER FIGURE.
613
00:31:01,753 --> 00:31:03,693
HE DON'T NEED NO FATHER.
HE GOT ME.
614
00:31:03,691 --> 00:31:05,731
YOU KNOW, MAYBE I
SHOULD, LIKE, TAKE HIM
615
00:31:05,728 --> 00:31:07,698
TO A BALL GAME SOMETIME
OR SOMETHING...
616
00:31:07,699 --> 00:31:09,539
YEAH, RIGHT.
617
00:31:09,536 --> 00:31:11,706
YOU KNOW, JUST
PAL AROUND WITH HIM.
618
00:31:11,707 --> 00:31:13,377
OH, HE'S JUST
LIKE HIS FATHER.
619
00:31:13,376 --> 00:31:15,106
HE EATS, AND HE EATS,
AND HE NEVER GETS FAT.
620
00:31:15,113 --> 00:31:17,123
WHERE
DOES IT ALL GO?
621
00:31:17,117 --> 00:31:18,517
ARE YOU HUNGRY?
622
00:31:18,520 --> 00:31:19,760
GOT A LITTLE
SCHNAUZER
DOWN THERE?
623
00:31:19,756 --> 00:31:22,726
- YOU WANT A TOMATO?
- TOMATO?
624
00:31:22,729 --> 00:31:24,669
- IS IT ORGANIC?
- YEAH.
625
00:31:24,666 --> 00:31:26,566
FRESH OFF
THE PRODUCE TRUCK.
626
00:31:26,570 --> 00:31:28,340
OH, WHOA,
WHOA, WHOA. NO.
627
00:31:28,339 --> 00:31:30,439
NEVER MIND.
I'M NOT HUNGRY.
628
00:31:30,443 --> 00:31:32,723
JERRY ONLY EATS HEALTHY.
629
00:31:32,715 --> 00:31:35,045
TOMATOES
ARE HEALTHY.
630
00:31:35,053 --> 00:31:39,063
SOAKED
IN CHEMICALS,
AMIGO.
631
00:31:39,061 --> 00:31:41,431
HA HA HA!
632
00:31:41,432 --> 00:31:44,342
( coughs )
633
00:31:44,338 --> 00:31:48,378
HO HO.
HO HO. OH.
634
00:31:48,379 --> 00:31:52,349
HEY, JERRY, AREN'T YOU
SUPPOSED TO BE GOING?
635
00:31:59,803 --> 00:32:01,873
EXCUSE ME, SIR.
TICKET.
636
00:32:01,873 --> 00:32:04,083
- HEY.
- JERRY, WHAT HAPPENED?
637
00:32:04,078 --> 00:32:06,418
MY BAD. MY BAD.
638
00:32:06,415 --> 00:32:09,355
I WAS CAUGHT IN THIS
AMAZING WRITING GROOVE.
639
00:32:09,355 --> 00:32:12,355
I WAS IN
THIS WRITING HEAVEN
640
00:32:12,361 --> 00:32:14,601
FOR, LIKE,
I DON'T KNOW HOW LONG,
641
00:32:14,599 --> 00:32:16,769
AND I TOTALLY LOST TRACK
OF EVERYTHING.
642
00:32:16,770 --> 00:32:19,210
I MEAN, I WAS ON MARS,
OVER THE MOON.
643
00:32:19,208 --> 00:32:21,108
I MEAN, STUFF WAS
COMING OUT OF ME.
644
00:32:21,112 --> 00:32:23,222
IT WAS LIKE I WAS CHANNELING
STRENBERG OR SOMETHING
645
00:32:23,216 --> 00:32:24,386
BUT, LIKE,
A FUNNY VERSION OF IT,
646
00:32:24,385 --> 00:32:25,815
AND I ZONED.
647
00:32:25,821 --> 00:32:28,091
- I'M JANA FARMER.
- HEY. HEY.
648
00:32:28,092 --> 00:32:29,562
I TRIED CALLING
THE HOUSE, JERRY.
649
00:32:29,562 --> 00:32:32,202
I KNOW. THAT PHONE,
OKAY, THE RINGER'S FUCKED...
650
00:32:32,200 --> 00:32:33,570
EXCUSE MY LANGUAGE,
BUT IT'S REALLY...
651
00:32:33,570 --> 00:32:35,440
AND THIS PLACE--
AM I CRAZY?
652
00:32:35,440 --> 00:32:36,710
THIS PLACE USED TO BE
ON LA BREA
653
00:32:36,710 --> 00:32:39,350
BECAUSE I'M DRIVING
UP, UM, LA BREA,
654
00:32:39,348 --> 00:32:40,848
AND IT'S NOT THERE
ANYMORE,
655
00:32:40,851 --> 00:32:44,121
AND THEN THE GUY TELLS ME
THAT IT'S OVER HERE.
656
00:32:44,124 --> 00:32:46,464
ANYWAY, I'M REALLY SORRY
WE DIDN'T GET A CHANCE,
657
00:32:46,462 --> 00:32:47,902
- YOU KNOW,
TO EAT AND--
- YOU HUNGRY?
658
00:32:47,899 --> 00:32:49,899
BECAUSE THE CHEF
IS DOING A CURBSIDE
THING NOW.
659
00:32:49,903 --> 00:32:51,673
YOU CAN JUST
PULL THE CAR UP,
660
00:32:51,673 --> 00:32:53,483
AND HE'LL RUN OUT
WITH AN ARUGULA
SHAKE OR SOMETHING.
661
00:32:53,476 --> 00:32:56,246
- ARE YOU BEING--
HA HA HA!
- OOH! YEAH.
662
00:32:56,248 --> 00:32:57,478
NOT HUNGRY.
663
00:32:57,484 --> 00:32:58,854
JANA IS A GOOD FRIEND
OF MINE, JERRY,
664
00:32:58,854 --> 00:33:01,594
AND SHE'S READ YOUR WORK,
AND SHE LIKES IT.
665
00:33:01,593 --> 00:33:02,863
OH, I LOVE IT.
I LOVE YOUR WORK.
666
00:33:02,862 --> 00:33:04,402
I THINK YOU'RE
A TREMENDOUS WRITER.
667
00:33:04,398 --> 00:33:05,838
OH, NO. I'M NOT
A TREMENDOUS WRITER.
668
00:33:05,835 --> 00:33:08,405
I HEAR YOU ARE
A FANTASTIC AGENT.
669
00:33:08,406 --> 00:33:09,836
AND I'M NOT JUST BLOWING
SMOKE UP YOUR CRACK.
670
00:33:09,843 --> 00:33:12,113
I MEAN, SANDRA TELLS ME
THE REAL DEAL ON THIS SHIT.
671
00:33:12,113 --> 00:33:14,283
SHE SAYS THAT
AMONG YOUR PEERS,
672
00:33:14,284 --> 00:33:17,564
YOU'RE CONSIDERED
THE BEST AGENT IN THE WORLD.
673
00:33:17,558 --> 00:33:19,698
WELL, I'M GLAD
YOU'VE HEARD THAT
674
00:33:19,696 --> 00:33:21,326
BECAUSE I'D LOVE
TO REPRESENT YOU.
675
00:33:21,332 --> 00:33:24,302
I THINK YOU'VE GOT
A HUGE CAREER
AHEAD OF YOU.
676
00:33:24,304 --> 00:33:26,144
OH, I'LL FUCK IT UP,
GIVE ME A CHANCE. ( laughs )
677
00:33:26,141 --> 00:33:28,351
NOT IF I HAVE ANYTHING TO
SAY ABOUT IT, LISTEN.
678
00:33:28,346 --> 00:33:30,446
I REGRET WE DIDN'T
GET A CHANCE TO TALK
OVER DINNER,
679
00:33:30,450 --> 00:33:31,620
BUT I'M GONNA
GIVE YOU MY CARD.
680
00:33:31,620 --> 00:33:33,190
I WANT YOU TO
CALL ME TOMORROW.
681
00:33:33,189 --> 00:33:34,359
I'M SERIOUS
ABOUT THIS.
682
00:33:34,358 --> 00:33:35,788
I'M BLOWN AWAY.
I MEAN, THIS IS--
683
00:33:35,794 --> 00:33:37,774
THANK YOU.
THANK YOU VERY MUCH.
684
00:33:37,765 --> 00:33:39,635
WHY, THAT'S VERY
EUROPEAN OF YOU.
THANK YOU.
685
00:33:39,636 --> 00:33:42,636
IS THIS, LIKE,
AN EAST INDIAN THING OR--
686
00:33:42,642 --> 00:33:44,382
YOU KNOW, I REALLY
DON'T KNOW FROM
WHENCE IT COMES.
687
00:33:44,378 --> 00:33:45,878
I'LL MEET YOU
BY THE CAR, OKAY?
688
00:33:45,881 --> 00:33:47,481
- HEY...
- NICE MEETING YOU.
689
00:33:47,484 --> 00:33:49,794
IT WAS WONDERFUL
MEETING YOU.
690
00:33:49,789 --> 00:33:51,429
SHE'S WONDERFUL.
691
00:33:51,425 --> 00:33:52,595
YOU KNOW, JANA IS
GONNA TAKE ME HOME,
692
00:33:52,595 --> 00:33:53,895
SO I'LL
SEE YOU LATER.
693
00:33:53,897 --> 00:33:55,667
IS EVERYTHING COOL?
694
00:33:55,668 --> 00:33:57,768
LET'S TALK
ABOUT IT LATER,
OKAY?
695
00:33:57,772 --> 00:33:59,612
ALL RIGHT, SWEETIE.
696
00:34:02,648 --> 00:34:04,618
SO, WHAT'S
AN AGENT DO?
697
00:34:04,619 --> 00:34:05,889
Jerry:
OH, HOW CAN YOU
EAT THAT CRAP?
698
00:34:05,888 --> 00:34:07,858
- IT'S SO BAD FOR YOU.
- RIGHT.
699
00:34:07,858 --> 00:34:10,928
THIS FROM A MAN
WHO SHOT UP BLACK TAR
700
00:34:10,931 --> 00:34:13,801
- SMUGGLED ACROSS THE BORDER
IN PEOPLE'S ASSES.
- YEAH.
701
00:34:13,804 --> 00:34:16,284
WELL, AT LEAST
THERE'S NO MSG.
702
00:34:16,275 --> 00:34:20,475
SO, YOU GET THIS AGENT,
AND THEN WHAT?
703
00:34:20,483 --> 00:34:23,563
GET A GREAT GIG,
HUGE ADVANCE,
704
00:34:23,557 --> 00:34:25,327
BLOW ALL OF IT
ON DOPE,
705
00:34:25,326 --> 00:34:27,356
AND COP A HABIT
THE SIZE OF UTAH.
706
00:34:30,771 --> 00:34:33,411
- OH, GOD.
- HEY!
707
00:34:33,409 --> 00:34:35,379
DON'T YOU KNOCK, HUH?
708
00:34:35,380 --> 00:34:36,980
I'M TRYING TO GET
DRESSED HERE.
709
00:34:36,983 --> 00:34:38,323
- CAN I TALK TO YOU
FOR A MINUTE, PLEASE?
- YEAH.
710
00:34:38,319 --> 00:34:39,689
I'M SORRY
ABOUT THIS.
711
00:34:39,689 --> 00:34:41,759
IT'S JUST BEEN
CRAZY LATELY,
712
00:34:41,760 --> 00:34:44,800
YOU KNOW, WITH THE SHOW
AND THE PLAY,
713
00:34:44,799 --> 00:34:46,799
WITH NICKY, AND,
YOU KNOW, IT'S JUST--
714
00:34:46,803 --> 00:34:48,543
THIS IS SO WEIRD.
715
00:34:48,540 --> 00:34:50,410
IT'S, LIKE,
A WHOLE, YOU KNOW,
NEW THING FOR ME,
716
00:34:50,410 --> 00:34:51,950
MAKING MORE MONEY
THAN MY DAD.
717
00:34:51,946 --> 00:34:54,686
- JERRY, CRAIG
IS FIRING YOU.
- WHAT?
718
00:34:54,686 --> 00:34:57,256
HE'S GETTING RID
OF YOU TOMORROW.
719
00:34:57,257 --> 00:34:58,627
THAT'S IMP--
720
00:34:58,627 --> 00:35:01,567
I SAVED HIS ASS LAST MONTH.
THAT'S BULLSHIT.
721
00:35:01,566 --> 00:35:02,736
HE LIKES YOU.
722
00:35:02,735 --> 00:35:04,665
HE JUST CAN'T WORK
WITH YOU ANYMORE.
723
00:35:04,672 --> 00:35:06,682
YOU'RE ALWAYS LATE,
YOU'RE ERRATIC,
724
00:35:06,676 --> 00:35:08,776
AND YOU'RE
ALWAYS HIGH.
725
00:35:08,780 --> 00:35:10,220
DID HE SAY THAT?
726
00:35:10,216 --> 00:35:12,286
DID HE SAY ERRATIC,
OR IS THAT YOU, LIKE,
727
00:35:12,287 --> 00:35:14,287
- PUTTING A LITTLE SPIN
ON IT OR SOMETHING, HUH?
- NO.
728
00:35:14,291 --> 00:35:16,461
MY WORDS WOULD BE
VERY DIFFERENT.
729
00:35:16,462 --> 00:35:17,972
YEAH?
WHAT DOES THAT MEAN?
730
00:35:17,965 --> 00:35:21,305
WHAT ARE YOUR WORDS?
WHAT WOULD YOUR WORDS BE, HUH?
731
00:35:21,305 --> 00:35:23,835
YOU KNOW, YOU ARE SO
FULL OF SELF-HATRED
732
00:35:23,844 --> 00:35:25,484
THAT YOU CANNOT
CONTAIN IT,
733
00:35:25,480 --> 00:35:27,790
SO ALL YOU DO IS
JUST SHOOT IT BACK
INTO YOUR VEINS
734
00:35:27,785 --> 00:35:30,855
AND LET IT SPILL OUT
ONTO EVERYBODY ELSE.
735
00:35:30,858 --> 00:35:33,758
THAT'S REALLY POETIC.
THAT'S REALLY GREAT.
736
00:35:33,764 --> 00:35:35,774
CAN I USE THAT
SOMETIME?
737
00:35:35,768 --> 00:35:38,468
YEAH, IF YOU'RE EVER
IN A FIT-ENOUGH STATE
TO WRITE ANOTHER LINE.
738
00:35:38,472 --> 00:35:43,322
OK. COULD I HAVE, LIKE,
TWO SECONDS HERE TO--
739
00:35:45,687 --> 00:35:49,357
THERE'S A PARTY GOING ON
OUT HERE, YOU KNOW?
740
00:35:54,471 --> 00:35:55,911
IT'S A REALLY COOL PLAY.
741
00:35:55,908 --> 00:35:57,548
JERRY WROTE IT
THREE YEARS AGO,
742
00:35:57,545 --> 00:36:00,875
BUT IT'S 50% AVANT POP--
743
00:36:00,884 --> 00:36:03,764
IT'S HARD TO DESCRIBE
BECAUSE IT'S 50% AVANT POP,
744
00:36:03,757 --> 00:36:08,867
50% SAM SHEPARD
MEETS ARTHUR C. CLARKE.
745
00:36:08,867 --> 00:36:10,837
WE SPOON-FED IT TO HIM,
AND NOW I HEAR
746
00:36:10,838 --> 00:36:13,438
HE'S GOING ALL AROUND TOWN
PITCHING OUR IDEA
747
00:36:13,442 --> 00:36:15,012
BACK TO
ALL THE NETWORKS.
748
00:36:15,012 --> 00:36:16,682
I MEAN, HOW COULD
HE DO THAT?
749
00:36:16,683 --> 00:36:18,693
THAT GUY IS SLIME.
750
00:36:18,687 --> 00:36:20,057
I MEAN, HE ACTUALLY HAS
HIS SECRETARIES WRITE
HIS SCRIPTS FOR HIM.
751
00:36:20,056 --> 00:36:21,626
WHAT I'M SAYING IS,
IT'S VERY DIFFICULT
752
00:36:21,626 --> 00:36:22,896
TO COME TO
THESE PARTIES, RIGHT,
753
00:36:22,895 --> 00:36:24,895
AND EVERYBODY
IS TALKING ABOUT WORK.
754
00:36:24,899 --> 00:36:27,569
WHAT, THEY DON'T
HAVE A FUCKING LIFE, YOU KNOW?
755
00:36:27,571 --> 00:36:30,441
I'D LIKE TO THINK
THAT I HAVE A REALLY RICH
CIVILIAN LIFE.
756
00:36:30,443 --> 00:36:32,383
I'D LIKE TO THINK
YOU DO, TOO, YOU KNOW?
757
00:36:32,380 --> 00:36:34,790
MOST DEFINITELY,
YEAH.
758
00:36:34,785 --> 00:36:37,685
SO, TELL ME,
WHAT ARE YOUR PASSIONS?
759
00:36:37,691 --> 00:36:40,631
MY PASSIONS?
760
00:36:40,631 --> 00:36:42,031
EVERYTHING I DO.
761
00:36:42,033 --> 00:36:43,673
- EVERYTHING?
- YEAH.
762
00:36:43,670 --> 00:36:44,910
HEY, WOULD YOU
EXCUSE ME FOR A SECOND?
763
00:36:44,906 --> 00:36:46,876
NO. I WON'T. I WON'T.
764
00:36:46,876 --> 00:36:49,346
YOU BLEW ME OFF FOR DINNER.
YOU DON'T CALL ME.
I GAVE YOU MY CARD.
765
00:36:49,347 --> 00:36:51,687
YOU'RE NOW OBLIGATED
TO STAND HERE AND
GIVE ME FIVE MINUTES.
766
00:36:51,686 --> 00:36:52,856
( chuckles )
767
00:36:53,890 --> 00:36:55,930
YOU'RE COMING BACK,
RIGHT?
768
00:36:55,928 --> 00:36:59,738
10% NAKED GIRLS--
JERRY, OF COURSE.
769
00:36:59,735 --> 00:37:01,635
JERRY, JERRY, JERRY, JERRY,
TELL HER HOW GREAT THE PLAY IS.
770
00:37:01,639 --> 00:37:03,639
IT'S GREAT.
771
00:37:03,643 --> 00:37:05,453
TELL ME ABOUT YOUR IMPROV GROUP
THAT YOU'RE IN.
772
00:37:05,446 --> 00:37:07,076
WHAT IS THAT LIKE?
773
00:37:18,540 --> 00:37:20,040
SO, HAVE YOU MET
JERRY YET?
774
00:37:20,042 --> 00:37:22,512
- NO.
IS HE HERE?
- OH, YES, YES.
775
00:37:22,514 --> 00:37:24,824
HE'S HERE, BUT
HE'S REALLY SHY.
776
00:37:24,819 --> 00:37:26,989
HE'S PROBABLY SORT OF,
YOU KNOW, HIDING
IN A CORNER SOMEWHERE.
777
00:37:36,408 --> 00:37:38,148
( knocking )
778
00:37:38,145 --> 00:37:39,975
BUSY.
779
00:37:39,982 --> 00:37:42,452
Mr. Chompers: HEY, JERRY,
LET ME IN, WILL YOU?
780
00:37:42,453 --> 00:37:44,533
COME ON.
OPEN THE DOOR.
781
00:37:44,525 --> 00:37:48,825
- MR. CHOMPERS.
- DON'T BE AN ASSHOLE.
COME ON.
782
00:37:48,833 --> 00:37:52,113
NOBODY COULD WRITE THE SHIT
YOU WRITE STRAIGHT.
783
00:37:52,106 --> 00:37:55,876
YOU OWE ME A TASTE.
784
00:37:55,881 --> 00:37:58,951
DAMN IT! LET ME IN!
THIS ISN'T FUNNY.
785
00:37:58,953 --> 00:38:01,633
NO WONDER YOU DON'T
WRITE FOR ME ANYMORE.
786
00:38:01,626 --> 00:38:05,426
YOU DON'T UNDERSTAND
THE BASICS OF COMEDY...
787
00:38:05,433 --> 00:38:07,813
- FUCKING JUNKIE.
- AAH! NO!
788
00:38:07,805 --> 00:38:09,105
GET THE--
789
00:38:09,107 --> 00:38:11,007
AAH!
790
00:38:11,011 --> 00:38:14,921
DAMN IT,
LET ME IN, YOU--
791
00:38:14,919 --> 00:38:18,589
AAH! AAH!
792
00:38:18,593 --> 00:38:20,133
GAAH! GAAH!
793
00:38:20,129 --> 00:38:22,899
( panting )
794
00:38:22,901 --> 00:38:25,041
WHAT WAS THAT SOUND,
795
00:38:25,039 --> 00:38:27,079
THE ONE THAT
WE CAME UP WITH
THE OTHER DAY,
796
00:38:27,076 --> 00:38:28,476
THAT GREAT SOUND?
797
00:38:28,479 --> 00:38:32,119
IT WAS LIKE DOOT,
DOOT, YOU KNOW?
798
00:38:32,120 --> 00:38:34,120
( retching )
799
00:38:39,902 --> 00:38:42,172
IT WASN'T THAT.
I DON'T KNOW.
800
00:38:42,173 --> 00:38:43,943
Jana: IT'S
AN AMAZING PROJECT.
801
00:38:43,943 --> 00:38:45,853
IT'S VERY SIMILAR
TO "ACE IN THE HOLE,"
802
00:38:45,847 --> 00:38:48,147
BUT WHAT IT'S LACKING
IS SOMEONE WITH YOUR
KIND OF DARK VISION,
803
00:38:48,152 --> 00:38:49,662
AND AT THE END
OF THE DAY, YOU KNOW,
804
00:38:49,655 --> 00:38:52,855
THAT'S REALLY ALL
IT NEEDS TO MAKE IT--
805
00:39:01,879 --> 00:39:05,819
OR MAYBE YOU COULD JUST
READ THE COVERAGE ON IT.
806
00:39:07,758 --> 00:39:10,058
YEAH.
807
00:39:13,670 --> 00:39:15,710
ARE YOU COMING BACK?
808
00:39:18,011 --> 00:39:20,951
BOY, YOU REALLY
PAID YOUR DUES, HUH?
809
00:39:20,951 --> 00:39:23,121
( clears throat )
810
00:39:23,121 --> 00:39:24,761
YOU EVER BEEN
TO ONE OF THOSE PARTIES?
811
00:39:24,758 --> 00:39:27,128
ARE YOU KIDDING ME?
812
00:39:27,129 --> 00:39:30,839
ME AND GEORGE HAMILTON,
MAN, WE'RE LIKE THIS.
813
00:39:30,837 --> 00:39:32,537
WELL, IT WAS
GETTING TO THE POINT
WHERE I HAD TO SHOOT
814
00:39:32,541 --> 00:39:35,781
SIX BAGS TO TURN
ON THE FUCKING
TYPEWRITER.
815
00:39:35,780 --> 00:39:40,620
BY THIS POINT, DITA
COULDN'T KEEP UP
WITH MY HABIT,
816
00:39:40,624 --> 00:39:44,774
SO SOME DAYS,
I HAD TO IMPROVISE.
817
00:39:46,836 --> 00:39:51,006
Tom Waits:
♪ HE ROLLED A BLADE UP
IN HIS TRICK TOWEL ♪
818
00:39:51,011 --> 00:39:55,121
♪ THEY SLAP THEIR HANDS
AGAINST THE WALL ♪
819
00:39:55,119 --> 00:39:59,029
♪ YOU NEVER TRIP,
YOU NEVER STUMBLE ♪
820
00:39:59,027 --> 00:40:02,867
♪ HE'S WALKING SPANISH
DOWN THE HALL ♪
821
00:40:02,868 --> 00:40:04,708
- ( thud )
- AGH!
822
00:40:07,176 --> 00:40:10,946
♪ OR GIVE HIM A SPOON
TO DIG A HOLE ♪
823
00:40:10,950 --> 00:40:14,090
♪ WHAT ALL HE DONE
AIN'T NO ONE'S BUSINESS ♪
824
00:40:14,090 --> 00:40:15,590
JEEZ, WHAT
HAVE YOU DONE?
825
00:40:15,593 --> 00:40:18,203
NOTHING. I JUST
SLIPPED AT THE GYM.
826
00:40:31,091 --> 00:40:33,661
IT'S NOT THERE,
JERRY.
827
00:40:34,865 --> 00:40:36,865
WELL, WHERE IT IS?
828
00:40:36,869 --> 00:40:38,169
I THREW IT AWAY.
829
00:40:38,171 --> 00:40:40,981
OH, WHY'D YOU
DO THAT, HUH?
830
00:40:40,977 --> 00:40:43,747
JERRY, I CAN'T STAND BY
AND WATCH YOU DO THIS
TO YOURSELF.
831
00:40:43,750 --> 00:40:45,690
YES, YOU CAN.
IT'S NOT A BIG DEAL.
832
00:40:45,687 --> 00:40:49,827
THERE'S NOTHING
IN THERE.
833
00:40:49,828 --> 00:40:52,668
LISTEN. I'M SORRY.
834
00:40:52,667 --> 00:40:55,067
HONEY, I KNOW
THIS LOOKS BAD,
835
00:40:55,072 --> 00:40:56,412
BUT REALLY, IT'S WORSE
THAN IT SEEMS.
836
00:40:56,408 --> 00:40:57,838
I KNOW, IT'S GETTING
A LITTLE CRAZY, RIGHT?
837
00:40:57,844 --> 00:40:59,184
I KNOW THAT'S WHAT
YOU'RE THINKING,
838
00:40:59,180 --> 00:41:01,890
BUT IT'S REALLY
GONNA BE FINE.
839
00:41:01,886 --> 00:41:04,826
I JUST NEED TO QUIT
840
00:41:04,825 --> 00:41:06,725
ON MY OWN SCHEDULE,
AND I'M GONNA QUIT.
841
00:41:06,729 --> 00:41:08,999
JERRY, I CAN GET YOU
A JOB ON "NO SUCH LUCK."
842
00:41:09,000 --> 00:41:10,270
I KNOW THE PRODUCERS.
843
00:41:10,269 --> 00:41:11,969
I DON'T WANT
TO DO THAT SHOW.
844
00:41:11,972 --> 00:41:14,982
IT'LL BE GREAT
FOR YOU TO DO IT.
845
00:41:18,251 --> 00:41:23,201
I COULD DO THAT.
IS THAT WHAT
YOU WANT, REALLY?
846
00:41:23,195 --> 00:41:26,895
I JUST WANT US
TO BE HAPPY.
847
00:41:26,902 --> 00:41:30,882
I WANT US TO BE HAPPY.
THAT'S ALL I WANT.
848
00:41:30,877 --> 00:41:33,047
YOU ARE SUCH A PRIORITY
FOR ME RIGHT NOW.
849
00:41:33,048 --> 00:41:34,718
I MEAN, I KNOW
THIS SOUNDS WEIRD,
850
00:41:34,718 --> 00:41:36,788
BUT I'VE NEVER
HAD A RELATIONSHIP
WITH SOMEBODY--
851
00:41:36,789 --> 00:41:38,229
DO YOU
WANT TO DO IT?
852
00:41:38,225 --> 00:41:40,025
YEAH.
I THINK I SHOULD.
853
00:41:40,028 --> 00:41:44,668
THE MORE I THINK ABOUT IT,
IT SEEMS LIKE
A REALLY GOOD IDEA.
854
00:41:59,835 --> 00:42:02,805
I'M GONNA CALL
SOME REHAB PLACES
TOMORROW, OKAY?
855
00:42:02,807 --> 00:42:05,177
OH, THAT'S
A GOOD IDEA.
856
00:42:05,178 --> 00:42:07,818
THANK YOU.
857
00:42:07,817 --> 00:42:10,917
I SWEAR, THIS IS
JUST LIKE GAS
858
00:42:10,924 --> 00:42:13,334
TO GET ME TO
THE HOSPITAL, YOU KNOW?
859
00:42:13,328 --> 00:42:15,968
I LOVE YOU.
860
00:42:27,991 --> 00:42:31,061
SANDRA SAID A LOT OF
GREAT THINGS ABOUT YOU.
861
00:42:31,064 --> 00:42:34,244
NO, NO, NO, NO, NO.
I READ SOME OF YOUR
"CHOMPERS" STUFF.
862
00:42:34,236 --> 00:42:36,736
YOU CAN WRITE,
NO DOUBT ABOUT THAT,
863
00:42:36,742 --> 00:42:41,022
BUT WE'RE NOT DOING
A PUPPET SHOW HERE.
864
00:42:41,017 --> 00:42:42,417
I THOUGHT WE WERE
DOING A PUPPET SHOW.
865
00:42:42,419 --> 00:42:46,389
NO. IT'S NOT
A PUPPET SHOW.
866
00:42:46,394 --> 00:42:48,374
- GARY--
- HEY, DARLING.
867
00:42:48,365 --> 00:42:50,265
HI.
868
00:42:50,268 --> 00:42:52,338
HELLO.
869
00:42:52,339 --> 00:42:54,439
I DON'T KNOW IF
YOU'VE HAD A CHANCE
TO READ THE SCRIPT,
870
00:42:54,443 --> 00:42:57,053
JERRY, BUT PAMELA
HERE HAS A COUPLE
OF IDEAS
871
00:42:57,049 --> 00:42:58,319
ON WHERE WE
SHOULD TAKE IT.
872
00:42:58,318 --> 00:43:00,118
WELL, I HATE
MY CHARACTER.
873
00:43:00,122 --> 00:43:02,832
I MEAN, IT'S NOT ENOUGH
TO SAY THAT I'M AN ATTORNEY
874
00:43:02,827 --> 00:43:04,397
OR A JUDGE OR WHATEVER
AND THEN JUST WRITE ME
875
00:43:04,397 --> 00:43:07,137
AS THE TYPICAL
LOVE-STARVED SINGLE WOMAN
876
00:43:07,136 --> 00:43:09,876
WHO GETS WET EVERY TIME
SOMEBODY ASKS HER OUT
FOR DINNER.
877
00:43:09,875 --> 00:43:12,875
HA HA HA!
UH, ABSOLUTELY.
878
00:43:12,881 --> 00:43:18,191
THIS IS KIND OF WEIRD,
HAPPY ACCIDENT.
879
00:43:18,191 --> 00:43:21,731
MY FATHER WAS A FEDERAL
APPEALS COURT JUDGE
FOR 20 YEARS,
880
00:43:21,732 --> 00:43:24,812
SO I KNOW
WHAT THAT'S ABOUT--
881
00:43:24,805 --> 00:43:28,235
THE CASE THAT HE PUTS
THE GAVEL IN,
882
00:43:28,244 --> 00:43:32,524
THIS LITTLE LEATHER,
BLUE-AND-WHITE, STITCHED THING;
883
00:43:32,520 --> 00:43:37,260
YOU KNOW,
HOW HE CLEANS THE ROBES;
884
00:43:37,262 --> 00:43:39,372
WHAT HE WEARS UNDERNEATH,
ALL RIGHT,
885
00:43:39,366 --> 00:43:41,336
GETTING INTO
THAT WHOLE AREA
886
00:43:41,337 --> 00:43:42,867
BUT, YOU KNOW,
STUFF LIKE THAT,
887
00:43:42,874 --> 00:43:45,084
THE LITTLE MINUTIAE,
WHICH IS REALLY
888
00:43:45,078 --> 00:43:48,018
WHAT GIVES IT, YOU KNOW,
THE LIFE TO IT.
889
00:43:48,017 --> 00:43:49,447
THAT'S GREAT.
THAT'S GREAT.
890
00:43:49,453 --> 00:43:51,193
THAT'S GREAT
THAT YOU CAN BRING
891
00:43:51,190 --> 00:43:52,530
YOUR LIFE EXPERIENCE
TO THIS THING.
892
00:43:52,527 --> 00:43:55,097
WELL, YOU KNOW,
THAT'S HOW I WORK.
893
00:43:55,098 --> 00:43:57,098
I MEAN, THAT'S HOW,
HOPEFULLY, EVERYBODY--
894
00:43:57,102 --> 00:43:58,342
YOU KNOW, THAT'S
THE CREATIVE PROCESS, REALLY.
895
00:43:58,338 --> 00:44:00,808
YOU'RE
JUST KIND OF--
896
00:44:00,810 --> 00:44:02,580
HAVE YOU
SEEN THE SHOW?
897
00:44:02,580 --> 00:44:05,820
HAVE I SEEN THE SHOW?
IT'S WONDERFUL,
WONDERFUL STUFF.
898
00:44:05,820 --> 00:44:10,900
WHAT YOU GUYS DO
WITH THE SHOW IS--
899
00:44:10,897 --> 00:44:15,907
I DON'T WANT TO SAY ART
BECAUSE THAT GETS--
900
00:44:16,942 --> 00:44:19,212
BUT KIND OF.
901
00:44:19,213 --> 00:44:21,853
YOU KNOW, I'D BRING
WHATEVER I CAN BRING
TO THE TABLE.
902
00:44:21,852 --> 00:44:23,862
HOPEFULLY,
IT'S HELPFUL STUFF,
YOU KNOW?
903
00:44:23,856 --> 00:44:25,326
THAT'S ALL I DO, SCOTT,
IS JUST--
904
00:44:25,325 --> 00:44:28,525
NO, NO, NO. GARY.
905
00:44:28,532 --> 00:44:31,102
- JERRY.
- GARY.
906
00:44:31,103 --> 00:44:35,583
I'M--YOU'RE GARY.
I KNOW YOU'RE GARY.
907
00:44:35,580 --> 00:44:37,550
JERRY, I GOT TO MAKE
A COUPLE OF CALLS.
908
00:44:37,550 --> 00:44:40,020
THANKS FOR
COMING IN, HUH?
909
00:44:40,021 --> 00:44:41,421
HEY, MAN, YOU DO
YOUR THING.
910
00:44:41,424 --> 00:44:45,874
I'M A FLY
ON THE WALL.
911
00:44:45,867 --> 00:44:48,467
I HAVE TO MAKE
THE CALLS RIGHT NOW.
912
00:44:56,087 --> 00:44:58,457
MAKE THE CALLS RIGHT NOW.
ALL RIGHT.
913
00:44:58,458 --> 00:45:00,258
YOU BE GOOD.
914
00:45:00,262 --> 00:45:02,032
TAKE CARE, MAN.
915
00:45:02,032 --> 00:45:04,142
- PAMELA...
- OKAY, JERRY.
916
00:45:04,136 --> 00:45:06,576
- THANKS FOR
COMING IN, HUH?
- OKAY.
917
00:45:07,877 --> 00:45:12,417
MIND IF I... INDULGE?
918
00:45:17,462 --> 00:45:19,942
JERRY...
919
00:45:19,935 --> 00:45:22,135
YOU'RE EASY TO SPOT
FROM A DISTANCE.
920
00:45:23,474 --> 00:45:25,884
YOU'VE NEVER
SEEN MY SHOW.
921
00:45:28,051 --> 00:45:30,121
HEY, I'M SORRY
ABOUT IN THERE.
922
00:45:30,121 --> 00:45:33,061
YOU KNOW, I WAS ALL--
I THINK I GOT NERVOUS.
923
00:45:33,061 --> 00:45:35,501
BULLSHIT.
924
00:45:35,498 --> 00:45:38,638
I BET $50 I'D FIND TRACK
MARKS BETWEEN YOUR TOES.
925
00:45:40,442 --> 00:45:42,882
LOOK. I SAID
I WAS SORRY, SO--
926
00:45:42,880 --> 00:45:45,290
DON'T BE SORRY,
IT'S A SHITTY SHOW.
927
00:45:45,285 --> 00:45:47,285
BUT THEY'RE PAYING ME AN
OBSCENE AMOUNT OF MONEY,
928
00:45:47,289 --> 00:45:49,259
WHICH I NEED BECAUSE
EVERYTHING I MADE
WHEN I WAS YOUNG,
929
00:45:49,259 --> 00:45:52,129
I EITHER DRANK AWAY,
SNORTED UP MY NOSE,
OR DROVE IN THE POOL.
930
00:45:53,201 --> 00:45:55,111
WELL, CONGRATULATIONS.
931
00:45:55,105 --> 00:45:59,305
LOOK. I WANT YOU TO
WRITE FOR MY SHOW...
932
00:46:01,150 --> 00:46:03,420
IF YOU CAN
GET CLEAN.
933
00:46:05,025 --> 00:46:09,995
OKAY, BUT WHAT ABOUT
THAT GARY?
934
00:46:10,001 --> 00:46:11,371
OH, PLEASE.
935
00:46:14,176 --> 00:46:19,046
IF YOU FUCK UP,
YOU WON'T EXIST.
936
00:46:19,053 --> 00:46:20,423
Man:
ANY ALLERGIES TO MEDICATION?
937
00:46:20,422 --> 00:46:21,892
Jerry: NO.
938
00:46:21,892 --> 00:46:23,292
TAKING ANY
PRESCRIPTIONS DRUGS?
939
00:46:23,294 --> 00:46:24,334
NOPE.
940
00:46:24,329 --> 00:46:26,669
THINK YOU CAN KICK?
941
00:46:26,668 --> 00:46:28,098
EXCUSE ME?
942
00:46:28,104 --> 00:46:29,614
METHADONE WILL GET
RID OF THE SHAKES,
943
00:46:29,607 --> 00:46:31,547
BUT YOU'RE BASICALLY
TRADING ONE HABIT
FOR ANOTHER
944
00:46:31,545 --> 00:46:33,005
WHEN YOU WANT TO QUIT.
945
00:46:33,014 --> 00:46:34,424
IT'S UP TO YOU.
946
00:46:34,416 --> 00:46:37,316
WELL, THAT'S
VERY INFORMATIVE.
THANK YOU.
947
00:46:37,322 --> 00:46:39,292
HOW LONG
YOU BEEN USING?
948
00:46:39,293 --> 00:46:41,703
A COUPLE YEARS.
949
00:46:41,698 --> 00:46:44,238
YOU WON'T MAKE IT.
IT'S A CYCLE.
950
00:46:44,236 --> 00:46:45,636
PROBABLY BE USING
AGAIN IN A MONTH,
951
00:46:45,639 --> 00:46:49,109
THEN BACK HERE,
ET CETERA,
ET CETERA.
952
00:46:49,113 --> 00:46:52,493
I'LL START YOU OFF
AT 80 MILLIGRAMS,
21-DAY DETOX--
953
00:46:52,486 --> 00:46:54,416
SHOW UP HERE ONCE A WEEK
AND PISS IN A CUP.
954
00:46:54,423 --> 00:46:57,633
- ANY QUESTIONS?
- PISS IN A CUP?
955
00:46:57,630 --> 00:46:59,500
YOU DON'T SOUND
VERY OPTIMISTIC.
956
00:46:59,500 --> 00:47:02,970
YOU WANT OPTIMISTIC?
SOME PEOPLE MAKE IT.
957
00:47:02,974 --> 00:47:04,914
SOME PEOPLE
END UP DEAD.
958
00:47:04,911 --> 00:47:07,321
GOOD LUCK.
959
00:47:16,033 --> 00:47:17,403
Man: HEY, WHAT'S UP?
960
00:47:17,402 --> 00:47:18,612
HEY, MAN.
961
00:47:18,605 --> 00:47:20,135
I'M GUS.
962
00:47:20,141 --> 00:47:21,551
HEY, GUS. JERRY.
963
00:47:21,545 --> 00:47:23,005
GET YOUR TANG?
964
00:47:23,014 --> 00:47:24,424
- TANG?
- YEAH.
965
00:47:24,416 --> 00:47:26,586
OH, YEAH, YEAH, RIGHT.
966
00:47:26,588 --> 00:47:28,688
IT'S SOMETHING, RIGHT,
BUT IT DOES THE TRICK.
967
00:47:28,692 --> 00:47:29,692
YEAH, MM-HMM.
968
00:47:29,694 --> 00:47:32,734
GIVE ME A SECOND.
969
00:47:32,733 --> 00:47:35,443
I ONLY LIKE DEALING TO MY KIND,
YOU KNOW WHAT I MEAN?
970
00:47:35,438 --> 00:47:38,078
THESE FUCKING NIGGERS
OUT HERE,
971
00:47:38,077 --> 00:47:40,447
PUT A STENCH
ON THEIR MONEY.
972
00:47:40,448 --> 00:47:42,048
PUT THEIR MONEY
IN YOUR POCKET, MAN.
973
00:47:42,052 --> 00:47:45,392
AND YOU GOT NIGGER
STENCH ALL OVER
YOUR MONEY.
974
00:47:45,391 --> 00:47:46,761
COME ON, TAKE A LOOK
AT THIS, MAN.
975
00:47:46,761 --> 00:47:48,531
THIS AIN'T THE USUAL
STREET SHIT.
976
00:47:48,532 --> 00:47:50,702
THIS IS GOURMET.
977
00:47:50,703 --> 00:47:53,213
UH, IT'S, YOU KNOW,
I CAN'T, UH...
978
00:47:53,207 --> 00:47:55,447
I CAN'T. THANKS, GUS,
BUT CAN'T.
979
00:47:55,445 --> 00:47:56,745
CAN'T WHAT?
980
00:47:56,748 --> 00:47:58,448
I GOTTA, YOU KNOW,
I GOTTA TRY NOT--
981
00:47:58,451 --> 00:48:00,021
GOTTA WHAT, MAN?
982
00:48:00,021 --> 00:48:01,691
TRY TO SHUT THE MOTHER DOWN,
YOU KNOW WHAT I MEAN?
983
00:48:01,691 --> 00:48:03,391
AW, COME ON.
SHUT THE MOTHER DOWN
TOMORROW.
984
00:48:03,394 --> 00:48:05,574
LOOK, MAN, THIS
SHIT WILL PUT YOU
THROUGH THE ROOF.
985
00:48:05,566 --> 00:48:06,696
THANKS, MAN.
I GOT TO GO.
986
00:48:06,701 --> 00:48:08,441
WHOA, WHOA,
WHOA, WHOA!
987
00:48:08,437 --> 00:48:10,577
WHAT THE FUCK ARE YOU DOING?
988
00:48:12,379 --> 00:48:15,619
JESUS, I'M ONLY TRYING
TO FUCKING DO YOU A
SOLID HERE.
989
00:48:15,619 --> 00:48:18,089
JUST RELAX, MAN.
990
00:48:19,459 --> 00:48:22,069
DON'T BE CHEAP, MAN.
991
00:48:25,004 --> 00:48:26,644
HOW MUCH?
992
00:48:29,547 --> 00:48:31,517
SLOW, BABY.
993
00:48:44,376 --> 00:48:45,546
I CAN'T BREATHE.
994
00:48:46,815 --> 00:48:49,145
ALL RIGHT,
KEEP BREATHING.
995
00:48:49,152 --> 00:48:50,152
BREATHE.
996
00:48:50,154 --> 00:48:52,234
I AM.
997
00:48:52,225 --> 00:48:55,095
HA HA!
998
00:48:55,098 --> 00:48:57,798
OH, FUCK, MAN.
999
00:48:57,803 --> 00:49:00,583
LOOK AT MY VIEW, BABY.
HMM?
1000
00:49:00,576 --> 00:49:01,846
DO YOU LIKE MY OFFICE?
1001
00:49:01,845 --> 00:49:03,715
LOOK AT MY VIEW, JERRY.
1002
00:49:03,715 --> 00:49:05,615
FUCK ME.
1003
00:49:08,190 --> 00:49:09,460
JESUS! WHAT ARE YOU
FUCKING DOING?
1004
00:49:09,459 --> 00:49:11,159
HA HA!
1005
00:49:11,163 --> 00:49:13,643
COME ON, COME ON.
GET UP.
1006
00:49:24,289 --> 00:49:30,299
♪ CHANGE MY PICTURE,
SMACK MY PICTURE ♪
1007
00:49:30,301 --> 00:49:32,071
IT'S MY TURN.
1008
00:49:32,071 --> 00:49:35,181
♪ CHANGE MY PICTURE,
SMACK MY PICTURE ♪
1009
00:49:38,618 --> 00:49:42,188
♪ CHANGE MY PICTURE,
SMACK MY PICTURE ♪
1010
00:49:45,298 --> 00:49:49,268
♪ CHANGE MY PICTURE,
SMACK MY PICTURE ♪
1011
00:49:55,752 --> 00:49:56,892
EASY, EASY!
1012
00:50:18,932 --> 00:50:20,902
♪ SMACK MY PICTURE. ♪
1013
00:50:20,903 --> 00:50:22,413
WHAT, YOU GOING
SOMEWHERE?
1014
00:50:22,405 --> 00:50:24,735
NO. MY KID'S GOT
PONY LESSONS IN A HOUR.
1015
00:50:24,744 --> 00:50:26,354
I'M HERE, THOUGH,
I'M HERE.
1016
00:50:26,346 --> 00:50:27,946
YOU'RE RIGHT.
YOU'RE ABSOLUTELY CORRECT.
1017
00:50:27,950 --> 00:50:30,760
IT'S GREAT.
WRITE IT DOWN...
1018
00:50:30,756 --> 00:50:32,486
WHOA!
1019
00:50:32,492 --> 00:50:34,362
YOU OKAY, JERRY?
1020
00:50:34,362 --> 00:50:36,802
HI. YEAH, I'M COOL.
1021
00:50:36,801 --> 00:50:38,471
HEY, CAN YOU DO ME
A FAVOR?
1022
00:50:38,470 --> 00:50:40,470
COULD YOU PLEASE
GET ME A GLASS
OF WATER?
1023
00:50:40,474 --> 00:50:41,514
THANK YOU VERY MUCH.
1024
00:50:41,511 --> 00:50:42,511
SORRY I'M LATE.
1025
00:50:42,513 --> 00:50:43,683
OKAY, SO, WHERE WE AT?
1026
00:50:43,682 --> 00:50:46,652
NEXT SEASON'S NOTES.
1027
00:50:46,654 --> 00:50:47,924
OKAY, I REALLY LIKE
THE IDEA OF BREAKING
1028
00:50:47,923 --> 00:50:49,433
THE FOURTH WALL
IN A NEW WAY.
1029
00:50:49,426 --> 00:50:50,996
I JUST-- I'M
A LITTLE CONCERNED
1030
00:50:50,996 --> 00:50:52,596
THAT IT'S GONNA GET
OLD BEFORE THE
SEASON'S OVER.
1031
00:50:52,600 --> 00:50:54,770
NO, NO, NO. PAM.
THANK YOU VERY MUCH.
1032
00:50:54,770 --> 00:50:56,980
GUY HATES ME, RIGHT?
1033
00:50:56,975 --> 00:50:58,575
LET ME TELL YOU
SOMETHING,
1034
00:50:58,578 --> 00:51:00,278
HAVE YOU EVER SEEN
"NOSFERATU"?
1035
00:51:00,281 --> 00:51:01,951
OR, LIKE,
FRITZ LANG'S "M"?
1036
00:51:01,951 --> 00:51:04,621
OKAY, OKAY, ALL RIGHT,
HOW ABOUT, LIKE
1037
00:51:04,624 --> 00:51:05,894
"THE PATTY DUKE SHOW"?
1038
00:51:05,892 --> 00:51:07,302
THE FIRST TIME
I SAW THAT THING,
1039
00:51:07,295 --> 00:51:08,425
IT GAVE ME NIGHTMARES
FOR THREE NIGHTS.
1040
00:51:08,430 --> 00:51:11,240
THE POINT IS, REALISM...
1041
00:51:18,918 --> 00:51:20,618
IS DEAD.
1042
00:51:20,622 --> 00:51:21,762
EXPRESSIONISM
IS WHERE IT'S AT,
1043
00:51:21,758 --> 00:51:22,828
YOU KNOW WHAT
I'M TALKING ABOUT?
1044
00:51:22,826 --> 00:51:25,696
I DON'T KNOW.
1045
00:51:25,699 --> 00:51:27,399
I'M JUST A PRODUCT
OF PUBLIC EDUCATION.
1046
00:51:27,402 --> 00:51:28,742
I DON'T KNOW WHAT THE HELL
YOU'RE TALKING ABOUT.
1047
00:51:28,738 --> 00:51:30,838
NO. I THINK WHAT JERRY'S
TRYING TO SAY IS
1048
00:51:30,842 --> 00:51:34,522
HE WANTS TO EXPRESS
THE EMOTIONS EXTERNALLY,
1049
00:51:34,517 --> 00:51:36,247
YOU KNOW, LIKE
IN A SET, IN MUSIC--
1050
00:51:36,253 --> 00:51:38,023
MUSIC, MUSIC, MUSIC.
THAT'S WHAT IT'S ABOUT.
1051
00:51:38,023 --> 00:51:41,763
I'M TALKING ABOUT--
WHY CAN'T PAMELA
JUST WALK IN ONE DAY,
1052
00:51:41,764 --> 00:51:43,544
BELT IT OUT AND SING IT.
1053
00:51:43,535 --> 00:51:45,605
JUST IN THE MIDDLE
OF A SHOW, FOR NO
REASON WHATSOEVER.
1054
00:51:45,605 --> 00:51:47,035
WE'RE TALKING IT'S
YOU AND BERT, YOU AND
BERT, BOOM, BOOM, BOOM.
1055
00:51:47,041 --> 00:51:48,811
AND ALL OF A SUDDEN,
BOOM, SHE POPS OUT,
1056
00:51:48,812 --> 00:51:50,652
AND SHE STARTS SINGING, OKAY?
1057
00:51:50,649 --> 00:51:51,949
I DON'T KNOW WHAT.
SHE'S DOING, LIKE,
ETHEL MERMAN,
1058
00:51:51,951 --> 00:51:52,951
♪ OH, I LOVE A PARADE ♪
1059
00:51:52,953 --> 00:51:54,823
OR SOMETHING LIKE THAT.
1060
00:51:54,824 --> 00:51:56,664
YOU TURN AROUND,
AND A SWIMMING POOL
OPENS UP BELOW EVERYBODY,
1061
00:51:56,661 --> 00:51:58,631
AND THEN WE GO RIGHT
BACK INTO THE SCENE,
1062
00:51:58,631 --> 00:52:00,031
WE NEVER EVEN MAKE
ANY MENTION OF IT.
1063
00:52:00,034 --> 00:52:01,944
IT'S ALL UNSAID.
YOU KNOW WHAT THAT IS?
1064
00:52:01,938 --> 00:52:04,508
YOU KNOW WHAT THAT SHIT IS?
THAT'S HOT.
1065
00:52:07,248 --> 00:52:09,518
Kitty:
SO NOBODY COULD TELL YOU
WERE FUCKED UP?
1066
00:52:09,520 --> 00:52:11,390
Jerry:
OH, NO, I WAS FIRED
IMMEDIATELY.
1067
00:52:11,389 --> 00:52:13,929
Man:
AND A BEAR CLAW.
1068
00:52:13,928 --> 00:52:15,628
NO, NO.
1069
00:52:15,632 --> 00:52:16,772
YOU KNOW, WE TOOK
THE KIDS TO DENNY'S
LAST NIGHT.
1070
00:52:16,768 --> 00:52:17,838
MY STOMACH FLIPPED.
1071
00:52:17,836 --> 00:52:19,536
WAS IT
SOMEBODY'S BIRTHDAY?
1072
00:52:19,540 --> 00:52:20,640
Jerry:
OF COURSE,
I DIDN'T TELL SANDRA.
1073
00:52:20,642 --> 00:52:21,682
YOU GO THERE
ON YOUR BIRTHDAY,
1074
00:52:21,677 --> 00:52:22,977
AND THEY GIVE YOU
A FREE MEAL.
1075
00:52:22,980 --> 00:52:24,350
Jerry:
BUT I WASN'T WORRIED.
1076
00:52:24,349 --> 00:52:26,419
I STILL TOOK
A LOT OF MEETINGS.
1077
00:52:26,419 --> 00:52:28,659
UNFORTUNATELY
THEY WERE ALL WITH GUS.
1078
00:52:28,658 --> 00:52:31,898
EXCUSE ME.
DID I SUMMON YOU?
1079
00:52:31,898 --> 00:52:34,068
DID I ASK YOU
TO COME OVER HERE?
1080
00:52:34,068 --> 00:52:35,608
JUST DOING HER JOB.
1081
00:52:35,605 --> 00:52:36,935
I'M TRYING TO DO MY JOB.
1082
00:52:36,941 --> 00:52:38,911
THIS IS WHERE
I DO BUSINESS.
1083
00:52:38,912 --> 00:52:40,782
WELL, SHE'S DOING
HER BUSINESS 'CAUSE
SHE'S A WAITRESS.
1084
00:52:40,782 --> 00:52:41,982
I'LL TELL YOU WHAT,
1085
00:52:41,984 --> 00:52:43,524
WHY DON'T YOU MIND
YOUR OWN BUSINESS.
1086
00:52:43,521 --> 00:52:45,321
WELL, WHY DON'T YOU
MIND YOUR OWN BUSINESS?
1087
00:52:45,324 --> 00:52:46,364
NYEH NYEH NYEH.
1088
00:52:46,359 --> 00:52:49,529
HA HA! LOOK WHAT
I GOT YOU.
1089
00:52:49,533 --> 00:52:50,873
WHAT'S THAT?
1090
00:52:50,869 --> 00:52:52,369
DILAUDID.
1091
00:52:52,371 --> 00:52:54,041
I DON'T WANT IT.
1092
00:52:54,042 --> 00:52:55,882
PUT IT AWAY. MIGHT
BE UNDERCOVER IN
HERE. PUT IT AWAY.
1093
00:52:55,879 --> 00:52:57,379
WELL, YOU JUST
PUT IT ON THE TABLE.
1094
00:52:57,381 --> 00:52:58,591
I PUT IT BY THE SUGAR.
1095
00:52:58,585 --> 00:52:59,745
ALL RIGHT.
1096
00:52:59,753 --> 00:53:00,963
PUT IT AWAY.
YOU CAN AFFORD IT.
1097
00:53:00,956 --> 00:53:02,556
YOU'RE WRITING
FOR THAT MARTIAN.
1098
00:53:02,559 --> 00:53:03,759
YOU'RE DOING FINE.
1099
00:53:03,761 --> 00:53:07,971
- WASN'T FROM MARS.
- WHATEVER.
1100
00:53:07,970 --> 00:53:09,710
TASTE MY MOUTH.
1101
00:53:12,478 --> 00:53:14,048
WHO LOVES YOU, JERRY?
1102
00:53:14,048 --> 00:53:15,448
YOU DO, GUS.
1103
00:53:15,451 --> 00:53:17,491
NO, I CAN'T STAND YOU.
TELLY SAVALAS.
1104
00:53:17,488 --> 00:53:18,728
HA HA HA!
1105
00:53:18,725 --> 00:53:20,355
YOU DON'T GET IT.
1106
00:53:20,361 --> 00:53:22,371
"WHO LOVES YOU, BABY?"
1107
00:53:22,365 --> 00:53:23,895
HA HA!
1108
00:53:44,576 --> 00:53:47,916
YOU KNOW WE HAVE WAY
TOO MUCH IN COMMON.
1109
00:53:47,916 --> 00:53:51,086
THIS IS NEVER
GONNA WORK.
1110
00:53:57,134 --> 00:54:01,914
TRUST ME,
IT'S BETTER IN A MOTEL
THAN IN A MARRIAGE.
1111
00:54:06,654 --> 00:54:07,824
HEY.
1112
00:54:07,823 --> 00:54:09,693
HI.
1113
00:54:09,693 --> 00:54:10,903
YOU SICK?
1114
00:54:10,895 --> 00:54:12,025
NO.
1115
00:54:12,031 --> 00:54:13,631
WHY AREN'T YOU AT WORK?
1116
00:54:13,634 --> 00:54:16,044
DID YOU GET FIRED
FOR BEING TOO ERRATIC?
1117
00:54:16,039 --> 00:54:18,479
YOU SEEM HAPPY?
1118
00:54:18,477 --> 00:54:20,617
YES, I DO HAVE
A LITTLE JAUNT TO
MY STEP, DON'T I?
1119
00:54:20,615 --> 00:54:21,975
ACTUALLY,
I'VE BEEN PROMOTED.
1120
00:54:21,984 --> 00:54:24,924
I'VE BEEN MADE VP
CREATIVE AFFAIRS.
1121
00:54:24,923 --> 00:54:28,563
WOW. VICE PRESIDENT
OF CREATIVE AFFAIRS
IS GREAT.
1122
00:54:28,564 --> 00:54:30,574
IT SOUNDS LIKE--
WHAT IS THAT?
1123
00:54:30,568 --> 00:54:31,638
ARE YOU IN CHARGE OF
ADULTERY OR SOMETHING
LIKE THAT?
1124
00:54:31,637 --> 00:54:32,937
THAT'S WONDERFUL.
1125
00:54:32,939 --> 00:54:35,009
THANK YOU.
1126
00:54:35,010 --> 00:54:36,780
WE SHOULD
GO CELEBRATE.
1127
00:54:36,781 --> 00:54:38,821
NO. I MEANT, THANK YOU...
1128
00:54:38,818 --> 00:54:40,788
FOR EVERYTHING
YOU'VE DONE.
1129
00:54:40,789 --> 00:54:42,659
I KNOW IT
HASN'T BEEN EASY.
1130
00:54:42,659 --> 00:54:46,869
OH... YEAH, WELL...
1131
00:54:49,540 --> 00:54:51,010
I'M PREGNANT.
1132
00:54:51,009 --> 00:54:53,649
WHAT?
1133
00:54:54,650 --> 00:54:57,790
I'M PREGNANT.
1134
00:54:57,789 --> 00:55:00,859
I WENT TO CEDARS YESTERDAY
AND THEY CONFIRMED IT.
1135
00:55:18,764 --> 00:55:20,204
JERRY?
1136
00:55:27,516 --> 00:55:29,986
GET OUT!
1137
00:55:29,987 --> 00:55:33,227
I DON'T EVER WANT
TO SEE YOU AGAIN!
1138
00:55:33,226 --> 00:55:34,856
GO!
1139
00:55:34,863 --> 00:55:36,803
OH, PLEASE!
1140
00:55:38,938 --> 00:55:42,678
OUT! I DON'T WANT
TO SEE YOU EVER AGAIN!
1141
00:56:02,719 --> 00:56:04,559
YOU HAVE A BABY?
1142
00:56:06,159 --> 00:56:09,769
NINA.
1143
00:56:09,766 --> 00:56:11,536
THAT'S A PRETTY NAME.
1144
00:56:11,537 --> 00:56:12,867
MMM...
1145
00:56:14,977 --> 00:56:17,617
DID YOU EVER SEE HER?
1146
00:56:17,616 --> 00:56:21,716
NO. I KINDA
GOT IT TOGETHER TO
GO TO THE HOSPITAL
1147
00:56:21,724 --> 00:56:23,094
WHEN SHE WAS
BEING BORN, BUT...
1148
00:56:23,093 --> 00:56:24,903
OH!
1149
00:56:24,896 --> 00:56:26,866
WHY SHE WANTED ME THERE,
I'LL NEVER KNOW.
1150
00:56:26,867 --> 00:56:29,007
I'D BEEN PRETTY MUCH
INTOXICATED THE WHOLE NINE
MONTHS.
1151
00:56:29,005 --> 00:56:30,535
SANDRA.
1152
00:56:30,541 --> 00:56:31,941
Woman:
FETAL MONITOR.
1153
00:56:31,944 --> 00:56:34,154
I TOLD YOU NOT TO
START THIS WITHOUT ME,
1154
00:56:34,148 --> 00:56:36,218
- DIDN'T I?
- OH!
1155
00:56:42,699 --> 00:56:45,039
( knock on door )
1156
00:56:45,037 --> 00:56:46,237
( flushes )
1157
00:56:46,239 --> 00:56:47,739
OKAY, HOLD ON!
1158
00:56:47,742 --> 00:56:49,052
HOW'S SHE DOING?
1159
00:56:49,045 --> 00:56:50,575
Woman:
SHE'S ONE MINUTE APART.
1160
00:56:50,581 --> 00:56:53,191
( knocking )
1161
00:56:53,186 --> 00:56:54,616
OH!
1162
00:56:55,792 --> 00:56:58,032
AH, I CAN FEEL
THE BABY'S HEAD.
1163
00:56:58,029 --> 00:57:00,029
IS EVERYTHING OK?
1164
00:57:03,273 --> 00:57:05,243
PUT THIS ON, PLEASE.
1165
00:57:05,243 --> 00:57:08,523
ALL RIGHT, THIS IS
SHORT-SLEEVES, THOUGH.
1166
00:57:08,517 --> 00:57:10,247
IT'S REGULATION.
1167
00:57:10,253 --> 00:57:12,123
OKAY, CAN I-- CAN I
JUST WEAR MY SHIRT?
1168
00:57:12,124 --> 00:57:14,034
I MEAN, THIS IS
VERY CLEAN. IT'S--
1169
00:57:14,028 --> 00:57:16,098
HEY, IT'S YOUR BABY
COMING.
1170
00:57:16,099 --> 00:57:18,599
IF I WAS YOU,
I'D HURRY.
1171
00:57:20,006 --> 00:57:21,606
FUCK.
1172
00:57:24,081 --> 00:57:25,691
( door opens )
1173
00:57:25,685 --> 00:57:26,945
Jerry: HEY.
1174
00:57:26,954 --> 00:57:28,824
CONGRATULATIONS.
YOU HAVE A BABY GIRL.
1175
00:57:28,824 --> 00:57:30,234
OH, GOD,
I MISSED IT.
1176
00:57:30,227 --> 00:57:31,827
OH, BABY.
1177
00:57:31,830 --> 00:57:33,700
OH, LOOK AT THAT.
1178
00:57:33,701 --> 00:57:35,641
HEY... ARE YOU OKAY?
1179
00:57:35,638 --> 00:57:37,238
HMM? ALL RIGHT.
1180
00:57:37,241 --> 00:57:38,941
OH, I MISSED IT.
I'M SORRY.
1181
00:57:38,944 --> 00:57:41,354
Doctor: COULD I, UH.
HAVE A WORD WITH YOU?
1182
00:57:41,349 --> 00:57:42,819
- HMM?
- ONE SECOND.
1183
00:57:42,819 --> 00:57:43,949
EXCUSE US.
1184
00:57:47,261 --> 00:57:48,301
BABY ALL RIGHT?
1185
00:57:48,296 --> 00:57:49,996
BABY'S FINE.
1186
00:57:53,974 --> 00:57:55,614
Kitty: SO WHAT
TIME'S YOUR BUS?
1187
00:57:55,611 --> 00:57:57,721
LEAVES IN AN HOUR.
1188
00:57:57,715 --> 00:58:01,755
SO WHAT DO YOU HAVE
BACK IN L. A.?
1189
00:58:01,757 --> 00:58:02,957
NOTHING.
1190
00:58:02,959 --> 00:58:05,259
JUST MY KID.
1191
00:58:05,263 --> 00:58:07,843
DO YOU HAVE
A PLACE TO STAY?
1192
00:58:07,836 --> 00:58:10,236
YEAH, THIS CHRISTIAN
ROCKER FROM REHAB
NAMED BUDDY
1193
00:58:10,240 --> 00:58:13,610
HAS GOT A STUDIO
IN HOLLYWOOD HE SAID
I COULD CRASH AT.
1194
00:58:14,916 --> 00:58:16,846
YOU SURE YOU WANT
TO GO BACK?
1195
00:58:16,854 --> 00:58:17,924
UH-UH.
1196
00:58:17,922 --> 00:58:21,962
BUT, UH, YOU KNOW,
I FIGURE...
1197
00:58:21,964 --> 00:58:26,014
FOR NINA
I SHOULD...
1198
00:58:26,005 --> 00:58:28,205
I WANT TO BE
A PART OF THAT.
1199
00:58:28,209 --> 00:58:29,979
CAN YOU?
1200
00:58:29,980 --> 00:58:32,250
THAT'S
A GOOD QUESTION.
1201
00:58:33,954 --> 00:58:36,334
YOU WANT TO COME
WITH ME AND FIND OUT?
1202
00:58:40,333 --> 00:58:42,773
OKAY.
1203
00:58:42,772 --> 00:58:45,212
WELL, YOU WANT
TO GET BACK IN BED?
1204
00:58:45,210 --> 00:58:47,110
JESUS, WHAT IS WRONG
WITH YOU?
1205
00:58:47,114 --> 00:58:48,854
WHATEVER YOUR PARENTS
DID TO YOU,
1206
00:58:48,851 --> 00:58:51,221
THEY SURE GAVE YOU
A PAIR OF CAST-IRON BALLS,
1207
00:58:51,222 --> 00:58:53,092
I'LL GIVE 'EM THAT MUCH.
1208
00:58:53,092 --> 00:58:55,202
ALL RIGHT,
JUST CHECKING.
1209
00:58:55,196 --> 00:58:57,866
LAST CHANCE FOR
THE OLD KOSHER JOY RIDE.
1210
00:58:57,869 --> 00:58:59,939
HA HA.
1211
00:59:01,409 --> 00:59:03,649
WELL, CAN I CALL YOU?
1212
00:59:05,751 --> 00:59:08,791
SURE. CALL ME.
WHY NOT?
1213
00:59:12,097 --> 00:59:15,767
I'M PRETTY SURE
THAT I FELL IN LOVE
WITH YOU.
1214
00:59:17,976 --> 00:59:22,176
THAT'S A TERRIBLE THING
TO SAY TO SOMEBODY.
1215
00:59:22,184 --> 00:59:24,154
OH.
1216
00:59:29,899 --> 00:59:32,099
OKAY.
1217
00:59:32,104 --> 00:59:34,714
OKAY.
1218
00:59:34,709 --> 00:59:40,789
♪ I WANT A FREE RIDE ♪
1219
00:59:40,788 --> 00:59:46,798
♪ JUST TO SEE
WHAT IT FEELS LIKE ♪
1220
00:59:48,904 --> 00:59:54,214
♪ BUT EVEN IF IT FEELS RIGHT ♪
1221
00:59:56,853 --> 00:59:58,993
( singing continues
indistinctly )
1222
01:00:29,853 --> 01:00:31,493
Kitty:
YOU HAVE A BABY?
1223
01:00:31,489 --> 01:00:33,429
Jerry: NINA.
1224
01:00:33,426 --> 01:00:36,196
SO YOU TOOK CARE OF HER
EVEN WHEN YOU WERE
STRUNG OUT?
1225
01:00:36,198 --> 01:00:37,798
AMAZINGLY ENOUGH, YEAH.
1226
01:00:37,802 --> 01:00:39,072
UNTIL ONE NIGHT
SHE CALLED
1227
01:00:39,071 --> 01:00:40,811
WHEN I WAS JONESING
LIKE A LAB RATE.
1228
01:00:40,808 --> 01:00:42,338
Sandra: JERRY, LISTEN,
I REALLY NEED YOUR HELP.
1229
01:00:42,344 --> 01:00:43,814
Kitty: AND?
1230
01:00:43,814 --> 01:00:45,354
SOME STORIES
YOU CAN TELL.
1231
01:00:45,350 --> 01:00:47,220
SOME YOU SPEND
THE REST OF YOUR LIFE
1232
01:00:47,220 --> 01:00:49,390
TRYING TO PRETEND
THEY NEVER HAPPENED.
1233
01:00:49,391 --> 01:00:51,561
Sandra: ... ABSOLUTELY NO
ONE TO TAKE CARE OF NINA.
1234
01:00:51,563 --> 01:00:53,933
WELL, CAN'T YOU JUST
TAKE HER WITH YOU?
1235
01:00:53,934 --> 01:00:56,214
NO, I CAN'T TAKE HER
WITH ME.
1236
01:00:56,205 --> 01:00:58,035
I'M MEETING WITH
THE NETWORK ALL DAY
1237
01:00:58,042 --> 01:01:00,282
AND VOLA IS WORKING,
MY SISTER'S OUT OF TOWN,
1238
01:01:00,280 --> 01:01:01,880
THE FUCKING SITTER
HAS THE FLU.
1239
01:01:01,883 --> 01:01:04,193
OK, ALL RIGHT,
I'LL TAKE HER.
1240
01:01:04,188 --> 01:01:05,788
ARE YOU SURE?
1241
01:01:05,791 --> 01:01:08,261
I MEAN, YOU'RE NOT
GETTING HIGH, ARE YOU?
1242
01:01:08,262 --> 01:01:10,272
YOU'RE OK?
1243
01:01:10,266 --> 01:01:11,966
YEAH, I'M FINE.
I'M ABSOLUTELY FINE.
1244
01:01:11,970 --> 01:01:13,310
BETTER BE.
1245
01:01:13,306 --> 01:01:14,936
Sandra:
MY PLANE LANDS AT 11:00.
1246
01:01:14,943 --> 01:01:16,353
SO I'LL BE WITH YOU
AROUND 12:00, OKAY?
1247
01:01:16,345 --> 01:01:17,945
12:00. OKAY.
1248
01:01:17,949 --> 01:01:19,849
- HAVE YOU GOT
ANY QUESTIONS?
- UH-UH.
1249
01:01:19,853 --> 01:01:22,293
YOU'VE GOT THOSE
INSTRUCTIONS I GAVE YOU?
1250
01:01:22,290 --> 01:01:24,290
YEAH.
I GOT 'EM RIGHT HERE.
1251
01:01:24,294 --> 01:01:26,574
JERRY, YOU CAN'T FUCK THIS UP.
I'M REALLY DEPENDING ON YOU.
1252
01:01:26,566 --> 01:01:29,566
RIGHT. THAT'LL--
RIGHT. OKAY.
1253
01:01:29,572 --> 01:01:31,242
IF ANYTHING HAPPENS
AT ALL,
1254
01:01:31,242 --> 01:01:32,412
YOU CALL ME
AT THE HOTEL, OKAY?
1255
01:01:32,410 --> 01:01:34,250
YEAH.
1256
01:01:34,248 --> 01:01:36,188
BE CAREFUL.
1257
01:01:36,185 --> 01:01:38,185
OKAY.
1258
01:02:02,337 --> 01:02:07,077
- WHERE THE FUCK YOU BEEN?
- YOUR DIRECTIONS SUCKED.
1259
01:02:07,080 --> 01:02:09,080
YOU GOT A BABY?
1260
01:02:09,084 --> 01:02:10,624
SHH!
1261
01:02:10,621 --> 01:02:12,591
COME ON, LET ME SEE
THE BABY. WHAT?
1262
01:02:12,591 --> 01:02:14,461
I'M NOT GONNA
WAKE HER UP.
1263
01:02:14,461 --> 01:02:15,971
WHAT'S THE MATTER
WITH YOU?
1264
01:02:15,965 --> 01:02:17,225
WHAT IS THIS, A CLUB?
1265
01:02:17,233 --> 01:02:18,503
WHAT? IT'S
MY FRIEND'S PLACE.
1266
01:02:18,502 --> 01:02:20,042
I'M NOT GONNA BRING
THE BABY IN THERE.
1267
01:02:20,039 --> 01:02:21,439
OF COURSE YOU CAN'T
BRING THE BABY IN THERE.
1268
01:02:21,442 --> 01:02:22,982
GIVE ME THE MONEY.
IT'S ALL SET UP.
COME ON.
1269
01:02:22,979 --> 01:02:24,379
WHAT ARE YOU
TALKING ABOUT?
1270
01:02:24,381 --> 01:02:26,391
I'LL BE BACK
IN A FLASH. COME ON.
1271
01:02:26,385 --> 01:02:28,385
NO, NO.
I DON'T--NO.
1272
01:02:28,389 --> 01:02:29,959
WHAT DO YOU MEAN,
NO, NO, NO?
1273
01:02:29,959 --> 01:02:32,059
I'M NOT--
1274
01:02:32,063 --> 01:02:35,673
YOU KNOW WHAT?
FUCK YOU THEN. YOU
DON'T TRUST ME NOW?
1275
01:02:35,671 --> 01:02:37,411
OKAY--
1276
01:02:37,407 --> 01:02:39,007
YOU KNOW WHAT?
YOU KNOW WHAT?
1277
01:02:39,011 --> 01:02:41,421
OK, YOU KNOW WHAT?
HERE, OKAY.
1278
01:02:41,415 --> 01:02:42,645
THANK YOU.
JESUS CHRIST.
1279
01:02:44,287 --> 01:02:45,587
HOLY SHIT.
( laughs )
1280
01:02:45,591 --> 01:02:49,031
THAT'S IT. I'M OUT.
I'M WIPED OUT.
1281
01:02:49,031 --> 01:02:50,601
RELAX.
1282
01:02:50,601 --> 01:02:54,511
LET THE KID
SUCK ON YOUR NIPPLE,
ALL RIGHT?
1283
01:03:14,114 --> 01:03:16,424
( music blaring )
1284
01:03:31,716 --> 01:03:33,286
GUS!
1285
01:03:34,287 --> 01:03:36,157
GUS!
1286
01:03:37,160 --> 01:03:38,560
SHIT!
1287
01:03:43,305 --> 01:03:45,075
UH, IS THIS STEVE-O?
1288
01:03:45,076 --> 01:03:47,446
THIS IS-- HI.
I'M A FRIEND OF GUS'.
1289
01:03:47,447 --> 01:03:49,517
AND HE TOLD ME
TO GIVE YOU A CALL.
1290
01:03:49,519 --> 01:03:51,089
I'M ACTUALLY TRYING
TO GET IN TOUCH WITH HIM.
1291
01:03:51,088 --> 01:03:52,418
HE SAID YOU MIGHT KNOW
WHERE HE'S AT.
1292
01:03:52,423 --> 01:03:54,763
I'M A FRIEND OF GUS'.
1293
01:03:54,762 --> 01:03:57,002
HE'S-- HE'S--
NO, NO, NO.
1294
01:03:57,000 --> 01:03:58,340
IT'S NOT BULLSHIT.
I'M A FRIEND OF HIS.
1295
01:03:58,335 --> 01:04:00,235
HE JUST SAID
IF I WAS LOOKING FOR HIM,
1296
01:04:00,239 --> 01:04:01,739
YOU'D KNOW WHERE HE'S AT,
1297
01:04:01,743 --> 01:04:03,683
'CAUSE WE'RE SUPPOSED
TO GET TOGETHER RIGHT NOW.
1298
01:04:03,680 --> 01:04:05,080
NO, NO, NO.
I'M NOT A COP.
1299
01:04:05,082 --> 01:04:08,222
HELLO? I'M NOT A
FUCKING COP, ASSHOLE.
1300
01:04:08,222 --> 01:04:10,062
FUCK YOU.
1301
01:04:19,110 --> 01:04:20,650
AH!
1302
01:04:23,185 --> 01:04:24,985
COME ON.
1303
01:04:24,989 --> 01:04:27,529
FUCK'S THAT NUMBER?
1304
01:04:27,528 --> 01:04:30,168
YES!
1305
01:04:30,166 --> 01:04:33,366
I WOULD LIKE TO MAKE
A COLLECT CALL FOR STEVE-O
1306
01:04:33,372 --> 01:04:35,512
FROM GUS.
1307
01:04:39,084 --> 01:04:42,464
( crying )
1308
01:04:52,076 --> 01:04:54,346
( knock on door )
1309
01:04:57,688 --> 01:05:01,458
- HEY.
- OH, JESUS CHRIST.
1310
01:05:01,461 --> 01:05:02,561
JERRY,
GET OUT OF HERE.
1311
01:05:02,564 --> 01:05:03,024
NO, NO, DON'T.
1312
01:05:03,733 --> 01:05:06,173
NO, YOU LOOK LIKE SHIT.
1313
01:05:06,171 --> 01:05:08,181
UM... I GOT YOU
A MUFFIN.
1314
01:05:08,175 --> 01:05:11,075
OH, NO, NO. JERRY,
YOU CANNOT COME IN HERE.
1315
01:05:11,081 --> 01:05:13,491
YOU CANNOT DIE HERE,
MAN.
1316
01:05:13,485 --> 01:05:15,485
YOU GOT TO
HAVE SOMETHING.
COME ON, PLEASE.
1317
01:05:15,489 --> 01:05:18,659
LIKE A, YOU KNOW,
COTTON, SOMETHING HERE.
1318
01:05:18,663 --> 01:05:20,733
A MUFFIN.
1319
01:05:22,203 --> 01:05:24,613
I KNOW YOU LIKE
DOUBLE CHOCOLATE.
1320
01:05:27,246 --> 01:05:29,046
AAH!
1321
01:05:29,050 --> 01:05:30,350
WHAT?
1322
01:05:30,353 --> 01:05:33,793
THIS IS IT. OKAY?
THIS IS IT.
1323
01:05:33,793 --> 01:05:37,333
NOW, DON'T COME
BACK HERE NO MORE, OK?
1324
01:05:37,333 --> 01:05:38,803
'CAUSE I GOT A WARRANT ON MY
ASS!
1325
01:05:40,607 --> 01:05:42,077
Woman, over radio:
... at 4 a. m.
1326
01:05:42,076 --> 01:05:45,246
Stand up for you rights.
1327
01:05:45,249 --> 01:05:47,249
Man, over radio:
Right here on your
personal radio station,
1328
01:05:47,253 --> 01:05:48,293
K. Y. T. A.
1329
01:05:48,288 --> 01:05:50,088
Energy is the source.
1330
01:05:50,092 --> 01:05:52,202
Nothing happens without energy.
1331
01:05:52,196 --> 01:05:54,326
And the more of it
you have,
1332
01:05:54,334 --> 01:05:57,244
the more of your personal
potential you're gonna
tap into.
1333
01:05:57,240 --> 01:06:00,480
But see, energy's like the gas
that drives the car
in traffic.
1334
01:06:00,479 --> 01:06:02,319
You don't want to run out
of emotional gas
1335
01:06:02,316 --> 01:06:04,286
when you're climbing
the hill of success.
1336
01:06:04,287 --> 01:06:07,357
Otherwise, you'll find yourself
coasting back downhill.
1337
01:06:07,360 --> 01:06:09,330
And that's what happens
to a lot of people.
1338
01:06:09,330 --> 01:06:12,600
How many of you,
for example,
1339
01:06:12,604 --> 01:06:14,214
could remember a day
when you woke up feeling
really tired and lethargic?
1340
01:06:14,207 --> 01:06:17,107
How many can remember
a day like that?
1341
01:06:17,113 --> 01:06:19,453
For some of you,
it was recent.
1342
01:06:19,451 --> 01:06:21,861
Now, when you wake up
feeling really tired...
1343
01:06:33,746 --> 01:06:36,686
Not usually the first thought,
is it?
1344
01:06:36,686 --> 01:06:39,456
First thought,
where is the coffee?
1345
01:06:39,457 --> 01:06:41,827
Oh, my God,
not another Monday.
1346
01:06:41,829 --> 01:06:43,829
You know, when I came here
to New York,
1347
01:06:43,833 --> 01:06:45,543
I got an education.
1348
01:06:45,537 --> 01:06:47,407
I first started coming here
about two years ago.
1349
01:06:47,406 --> 01:06:48,836
I remember about
my third trip in,
1350
01:06:48,843 --> 01:06:51,283
I came on a Wednesday,
you know, mid-week,
1351
01:06:51,281 --> 01:06:53,591
and I'm sitting in the back
of the car here, right,
1352
01:06:53,586 --> 01:06:55,356
and I turn on the stereo...
1353
01:06:58,596 --> 01:07:00,926
...comes on, he goes,
all right, out there,
ladies and gentlemen,
1354
01:07:00,934 --> 01:07:04,214
we made it!
It's hump day!
1355
01:07:04,207 --> 01:07:05,877
( audience laughs )
1356
01:07:05,877 --> 01:07:08,217
You know what hump day is?
1357
01:07:08,215 --> 01:07:10,215
Wednesday. Yeah.
1358
01:07:10,219 --> 01:07:12,759
Some people look at Wednesday
as hump day...
1359
01:07:12,758 --> 01:07:15,228
( baby crying )
1360
01:07:16,832 --> 01:07:19,572
Can you imagine
if large numbers of people
1361
01:07:19,572 --> 01:07:23,852
spend five days out of every
seven looking forward to
only two of them?
1362
01:07:23,846 --> 01:07:27,716
Some people live for two days
out of every seven.
1363
01:07:27,721 --> 01:07:29,461
Can you imagine living
that way?
1364
01:07:29,457 --> 01:07:30,857
Having such a boring,
disgusting life
1365
01:07:30,860 --> 01:07:32,260
you look forward
to two out of seven?
1366
01:07:32,263 --> 01:07:34,173
See, the bottom line is,
1367
01:07:34,167 --> 01:07:36,167
My Monday is better than
most people's Christmases
1368
01:07:36,171 --> 01:07:38,681
'cause I've learned how
to communicate with myself...
1369
01:07:38,676 --> 01:07:40,276
( radio continues
indistinctly )
1370
01:07:40,279 --> 01:07:42,949
( siren sounds )
1371
01:08:13,178 --> 01:08:14,378
CHRIST.
1372
01:08:16,619 --> 01:08:19,659
WHEN WAS THE LAST TIME
YOU CHANGED THE BABY?
1373
01:08:19,658 --> 01:08:24,298
WELL, YOU KNOW HOW
IT IS, OFFICER...
1374
01:08:24,300 --> 01:08:25,970
KIDS...
1375
01:08:25,970 --> 01:08:30,410
I WAS JUST ON MY WAY
RIGHT NOW TO GET A DIAPER.
1376
01:08:32,316 --> 01:08:34,686
CAN I SEE SOME LICENSE
AND REGISTRATION?
1377
01:08:44,373 --> 01:08:46,783
KEEP IT DOWN.
1378
01:08:46,779 --> 01:08:49,519
WAKE THE KID.
1379
01:09:04,982 --> 01:09:09,492
GET OUT OF THE CAR,
DUMB SHIT. COME ON.
1380
01:09:13,599 --> 01:09:15,639
WHY DON'T YOU GIVE
SOCIAL SERVICES A CALL.
1381
01:09:15,637 --> 01:09:17,507
WE GOT A BABY
TO PICK UP.
1382
01:09:17,507 --> 01:09:19,507
STEP TO THE FRONT
OF THE VEHICLE, PLEASE.
1383
01:09:36,545 --> 01:09:38,845
COME ON,
WATCH YOUR HEAD.
1384
01:11:06,391 --> 01:11:08,091
WHEN YOU VISIT
THE SUPERMARKET,
1385
01:11:08,094 --> 01:11:10,434
DO YOU PURCHASE CANNED
DAIRY PRODUCTS EVERY VISIT,
1386
01:11:10,432 --> 01:11:13,102
EVERY OTHER VISIT,
OR ONCE IN A WHILE?
1387
01:11:13,104 --> 01:11:14,544
UH, GOOD EVENING, SIR.
1388
01:11:14,541 --> 01:11:16,611
I'M CALLING FAMILIES
LIKE YOURS
1389
01:11:16,612 --> 01:11:18,722
TO ASK A COUPLE OF
QUICK QUESTIONS ABOUT
YOUR SHOPPING PRACTICES.
1390
01:11:18,716 --> 01:11:21,986
DO YOU VISIT THE SUPERMARKET
MORE THAN ONCE A WEEK OR LESS?
1391
01:11:46,972 --> 01:11:47,422
WELL, I'M GLAD
YOU'RE DOING GOOD.
1392
01:11:49,711 --> 01:11:52,481
SANDRA DOESN'T LIKE
TO TALK ABOUT YOU,
1393
01:11:52,483 --> 01:11:55,693
BUT, UH, I KNOW
YOU HAD A BAD RIDE.
1394
01:11:57,727 --> 01:12:01,227
YEAH, WELL, THAT'S
THE BEST I'VE HEARD IT PUT.
1395
01:12:01,234 --> 01:12:04,774
HUH. AS LONG AS IT'S
COOL WITH SANDRA,
1396
01:12:04,774 --> 01:12:07,554
YOU CAN COME BY
AND SEE NINA
ANYTIME YOU WANT.
1397
01:12:07,547 --> 01:12:09,547
I HAVE A KID
UP IN MARIN.
1398
01:12:09,551 --> 01:12:11,191
I KNOW
WHAT IT'S LIKE.
1399
01:12:11,187 --> 01:12:14,227
THANKS.
1400
01:12:14,226 --> 01:12:16,126
HEY,
HERE THEY ARE.
1401
01:12:16,130 --> 01:12:17,800
HEY, CAN YOU GET
A WIPEY?
1402
01:12:17,800 --> 01:12:20,740
SHE'S GOT SOME INK OR SOMETHING
ON HER FACE.
1403
01:12:20,740 --> 01:12:22,180
- YEAH, SURE.
- THANKS.
1404
01:12:22,176 --> 01:12:24,046
- HEY.
- GIVE ME A MINUTE, OKAY?
1405
01:12:24,046 --> 01:12:25,176
LET ME GET HER
CLEANED UP.
1406
01:12:25,182 --> 01:12:26,622
SHE'S A BIT
OF A MESS.
1407
01:12:26,618 --> 01:12:29,788
SHE'S NOT A MESS.
SHE'S BEAUTIFUL.
1408
01:12:29,791 --> 01:12:32,231
SHE'S A BEAUTIFUL MESS.
1409
01:12:32,229 --> 01:12:35,069
SHE'S GETTING INTO
EVERYTHING AT THE MOMENT.
1410
01:12:35,068 --> 01:12:36,768
CAN I HOLD HER?
1411
01:12:36,772 --> 01:12:38,742
YEAH, SURE.
1412
01:12:38,742 --> 01:12:42,752
HERE. IT'S OKAY.
GOOD GIRL. GOOD GIRL.
1413
01:12:42,750 --> 01:12:44,290
HEY, SWEETIE, HI.
1414
01:12:49,029 --> 01:12:50,629
HOW ARE YOU?
1415
01:12:50,633 --> 01:12:52,703
MARVELOUS.
1416
01:12:52,704 --> 01:12:54,714
WHAT ABOUT YOU?
1417
01:12:54,708 --> 01:12:57,578
I FEEL LIKE
AN ALIEN.
1418
01:12:57,580 --> 01:13:01,920
NEVER SEEN L. A.
STRAIGHT BEFORE.
1419
01:13:01,922 --> 01:13:04,932
HEY, SHE LIKES YOU.
DOESN'T GO TO ANYBODY.
1420
01:13:04,928 --> 01:13:06,128
LOOK AT THAT, SANDRA.
1421
01:13:06,130 --> 01:13:08,200
IT'S SWEET.
1422
01:13:10,138 --> 01:13:12,178
YOU KNOW, JERRY,
I'VE GOT TO GO.
1423
01:13:17,620 --> 01:13:20,230
GOOD GIRL.
1424
01:13:20,225 --> 01:13:23,225
GOOD GIRL.
GOOD GIRL.
1425
01:13:23,231 --> 01:13:25,841
CAN I SEE HER
TOMORROW?
1426
01:13:25,836 --> 01:13:28,676
WELL, I'M HAVING
THIS BRUNCH HERE TOMORROW.
1427
01:13:28,676 --> 01:13:30,646
IT'S GONNA BE
PRETTY HECTIC, YOU KNOW?
1428
01:13:30,646 --> 01:13:32,276
ALL RIGHT.
HOW ABOUT MONDAY?
1429
01:13:32,282 --> 01:13:34,822
DAYTIME'S BAD. IT'LL HAVE
TO BE IN THE EVENING.
1430
01:13:34,821 --> 01:13:36,191
ALL RIGHT. I WAS
KIND OF HOPING
1431
01:13:36,190 --> 01:13:37,890
WE COULD MAKE THIS
A REGULAR THING.
1432
01:13:37,894 --> 01:13:40,804
DON'T MAKE IT DIFFICULT,
JERRY, OKAY?
1433
01:13:40,800 --> 01:13:43,340
YOU'RE ON A THIN
STRING ALREADY.
1434
01:13:43,338 --> 01:13:47,248
OKAY. FINE.
1435
01:13:50,118 --> 01:13:51,858
HMM...
1436
01:13:57,667 --> 01:13:59,797
( knock on door )
1437
01:14:01,675 --> 01:14:03,205
BUDDY?
1438
01:14:06,150 --> 01:14:08,590
HELLO?
1439
01:14:19,109 --> 01:14:21,619
HI.
1440
01:14:21,615 --> 01:14:25,255
YOU WRITE ME
A LOVE LETTER
OR SOMETHING?
1441
01:14:25,255 --> 01:14:28,725
MY GOD.
1442
01:14:30,933 --> 01:14:32,873
CAN I COME IN?
1443
01:14:32,870 --> 01:14:34,710
YEAH.
1444
01:14:37,814 --> 01:14:40,254
WOW.
1445
01:14:40,251 --> 01:14:42,891
YEAH, IT'S, UM...
1446
01:14:42,890 --> 01:14:46,130
HOW DID YOU FIND ME?
1447
01:14:46,130 --> 01:14:49,140
OH. IT'S VERY
COMPLICATED.
1448
01:14:49,136 --> 01:14:52,636
I CALLED VOLA, AND SHE
GAVE ME YOUR ADDRESS.
1449
01:15:13,719 --> 01:15:15,859
I MISSED YOU.
1450
01:15:19,731 --> 01:15:21,231
NO.
1451
01:15:21,233 --> 01:15:22,403
I DIDN'T COME HERE
1452
01:15:22,402 --> 01:15:25,012
TO SPEND ALL MY TIME
IN BED WITH YOU.
1453
01:16:12,235 --> 01:16:14,105
HEY.
1454
01:16:14,106 --> 01:16:16,206
HEY.
1455
01:16:17,713 --> 01:16:20,323
I READ THE ARTICLE
YOU WROTE.
1456
01:16:23,925 --> 01:16:25,455
AND, UH, WHAT
DID YOU THINK?
1457
01:16:25,461 --> 01:16:26,931
IT WAS GOOD.
1458
01:16:26,931 --> 01:16:28,801
SOUNDED LIKE YOU.
1459
01:16:28,802 --> 01:16:31,072
PROVED YOU WERE REAL.
1460
01:16:32,208 --> 01:16:34,078
SOMETHING THAT
YOU NEEDED?
1461
01:16:34,079 --> 01:16:36,819
I GUESS SO, YEAH.
1462
01:16:42,830 --> 01:16:44,300
YOU HAVE SUGAR?
1463
01:16:44,299 --> 01:16:46,039
YEAH.
1464
01:16:48,174 --> 01:16:50,014
THANKS.
1465
01:16:50,011 --> 01:16:53,051
SO, UH, WHEN DO YOU
THINK YOU'RE GOING BACK?
1466
01:16:56,056 --> 01:16:59,356
ACTUALLY, I'M NOT
GOING BACK.
1467
01:17:05,976 --> 01:17:07,906
I'M MOVING TO ANCHORAGE.
1468
01:17:09,717 --> 01:17:13,317
MY BROTHER OWNS
A HATCHERY UP THERE,
1469
01:17:13,324 --> 01:17:15,394
AND HE'S GONNA OPEN UP
A BREW PUB,
1470
01:17:15,394 --> 01:17:17,334
AND HE ASKED ME
TO RUN IT FOR HIM.
1471
01:17:17,332 --> 01:17:20,002
WOW.
1472
01:17:20,004 --> 01:17:22,344
WOW. THAT'S TERRIFIC.
1473
01:17:23,812 --> 01:17:25,312
A BREW PUB, HUH?
1474
01:17:26,483 --> 01:17:28,223
IMAGINE ME
BEHIND THE BAR,
1475
01:17:28,220 --> 01:17:30,490
LIKE WITH A BUNCH
OF DRUNKEN FISHERMEN
OR SOMETHING?
1476
01:17:30,491 --> 01:17:33,101
GOSH. YOU HAIR
IN PIGTAILS
1477
01:17:33,097 --> 01:17:38,337
AND... PARKA...
FROZEN BAIT.
1478
01:17:38,340 --> 01:17:40,440
THAT'S GREAT.
1479
01:17:40,444 --> 01:17:42,784
I NEVER BEEN TO ALASKA.
1480
01:17:50,064 --> 01:17:54,114
IT'S SO FUNNY.
I, UM...
1481
01:17:54,105 --> 01:17:55,435
WHAT?
1482
01:17:55,441 --> 01:17:59,081
NO, I JUST
THINK ABOUT YOU
ALL THE TIME.
1483
01:17:59,082 --> 01:18:01,392
GOING AND PLAYING
WITH NINA,
1484
01:18:01,386 --> 01:18:04,886
AND, UH, I JUST
KIND OF WONDER WHAT
1485
01:18:04,894 --> 01:18:10,074
YOU'D THINK OF HER.
1486
01:18:10,071 --> 01:18:14,451
WHEN I'M ON THE BUS,
LOOK OUT THE WINDOW,
1487
01:18:14,446 --> 01:18:20,386
I KIND OF...
WONDER WHAT YOU
WOULD LOOK AT.
1488
01:18:20,391 --> 01:18:23,061
WE GOT UNDER
EACH OTHER'S SKIN, HUH?
1489
01:18:44,941 --> 01:18:48,951
FUCK.
1490
01:18:48,949 --> 01:18:52,859
I'VE BEEN HURT
A LOT, YOU KNOW?
1491
01:18:54,225 --> 01:18:57,465
I'VE MADE A LOT OF
REALLY DUMB MISTAKES.
1492
01:19:04,412 --> 01:19:08,092
JERRY STAYS OUT
A LONG TIME
THESE DAYS.
1493
01:19:23,217 --> 01:19:26,417
- OK?
- OK.
1494
01:19:42,589 --> 01:19:45,359
Kitty:
JERRY, I DIDN'T WANT TO HAVE
1495
01:19:45,361 --> 01:19:48,171
ANOTHER OF
OUR FAMOUS GOOD-BYES,
1496
01:19:48,167 --> 01:19:50,367
SO I DIDN'T TELL YOU THAT
MY FLIGHT WAS THIS MORNING.
1497
01:19:53,243 --> 01:19:57,253
I'M NOT MUCH GOOD AT THESE
THINGS, SO I'LL JUST STOP.
1498
01:19:57,251 --> 01:20:03,001
NO, I CAN GO ON A LITTLE MORE,
I GUESS.
1499
01:20:02,996 --> 01:20:06,096
I WILL MISS YOU.
1500
01:20:06,103 --> 01:20:09,513
AND EVEN THOUGH I KNOW
YOU'LL NEVER SHOW UP
IN ANCHORAGE,
1501
01:20:09,510 --> 01:20:13,020
I'LL ENTERTAIN THE NOTION
NOW AND THEN.
1502
01:20:14,553 --> 01:20:16,693
SEE YOU LATER.
1503
01:20:30,317 --> 01:20:32,317
Man, over radio:
During the 1980s,
1504
01:20:32,321 --> 01:20:33,761
Jerry Stahl was
a successful television writer
1505
01:20:33,758 --> 01:20:36,598
making $5,000 a week.
1506
01:20:36,597 --> 01:20:41,667
At the same time, he also had
a $6,000 a week heroin
and cocaine habit.
1507
01:20:41,674 --> 01:20:44,214
His dark and funny book is
called "Permanent Midnight."
1508
01:20:44,212 --> 01:20:46,452
It's a raw account
of the depths of his habit
1509
01:20:46,449 --> 01:20:48,489
and how he was able
to claw his way out.
1510
01:20:48,487 --> 01:20:50,157
When you got to Hollywood
1511
01:20:50,157 --> 01:20:51,627
and you're working on
these series that I mentioned,
1512
01:20:51,627 --> 01:20:53,257
These were big series.
1513
01:20:53,263 --> 01:20:55,273
What kind of a double life
must you have lead?
1514
01:20:55,267 --> 01:20:57,307
Because you had to
at some level perform
as a writer.
1515
01:20:57,305 --> 01:20:59,135
Well, Tom, the beauty
of Hollywood is
1516
01:20:59,142 --> 01:21:01,352
that everybody's
so self-obsessed,
1517
01:21:01,346 --> 01:21:03,316
they don't really notice
what anybody else is doing.
1518
01:21:03,317 --> 01:21:06,217
So basically, they come
filing in in the morning
1519
01:21:06,223 --> 01:21:07,993
with their cappuccinos
and croissants,
1520
01:21:07,993 --> 01:21:09,703
and I'd come bouncing in
with my heroin and syringes,
1521
01:21:09,697 --> 01:21:12,237
and pretty much lock
myself in the office
1522
01:21:12,235 --> 01:21:16,005
and get really pleasant for
about an hour and a half.
1523
01:21:16,009 --> 01:21:18,179
Let's peel away a few
more layers here with Jerry.
1524
01:21:18,180 --> 01:21:22,320
Tell us the story
as I kind of teased
into this segment
1525
01:21:22,321 --> 01:21:23,631
about the birth
of your, uh...
1526
01:21:23,625 --> 01:21:24,625
of your child.
1527
01:21:24,627 --> 01:21:25,797
Well, Maury...
1528
01:21:25,795 --> 01:21:27,525
Jerry:
PEOPLE ALWAYS ASK
1529
01:21:27,532 --> 01:21:29,502
WHAT'S THE WORST THING
HEROIN DROVE YOU TO DO.
1530
01:21:29,502 --> 01:21:31,412
I ALWAYS ANSWER
SHOWING UP ON MAURY.
1531
01:21:31,406 --> 01:21:34,306
But that's what you do
when you're a junky.
1532
01:21:34,312 --> 01:21:36,052
Your number one job
is to shoot junk.
1533
01:21:36,049 --> 01:21:39,459
I'm sure Damian
will concur with me on this.
1534
01:21:39,455 --> 01:21:40,725
I agree with Jerry
1535
01:21:40,725 --> 01:21:44,225
that the damage is
irre-- reprepable.
1536
01:21:44,232 --> 01:21:47,172
Jerry:
THAT'S THE TROUBLE
WITH SURVIVING.
1537
01:21:47,171 --> 01:21:50,581
AT THE END OF THE DAY,
ROLLING INTO A PTA
POTLUCK DINNER
1538
01:21:50,578 --> 01:21:52,818
OR PAYING THE GAS BILL
CAN BE MORE TERRIFYING
1539
01:21:52,816 --> 01:21:55,816
THAN THE WORST 3:00 A. M.
NARCOTIC HELL.
1540
01:21:55,822 --> 01:21:57,262
Yep, wow.
1541
01:21:57,258 --> 01:21:58,798
BUT WHAT DO I KNOW?
1542
01:21:58,795 --> 01:22:00,525
I GOT OUT WITH A BAD LIVER
AND ENOUGH DEBT
1543
01:22:00,532 --> 01:22:02,132
TO KEEP ME IN HOCK
TILL I'M 90...
1544
01:22:02,134 --> 01:22:03,674
IF I'M STILL HERE.
1545
01:22:03,671 --> 01:22:04,811
Jerry Stahl,
junkie.
1546
01:22:04,807 --> 01:22:06,577
We'll be right back.
1547
01:22:06,577 --> 01:22:09,617
AND WITH MY LUCK,
I WILL BE.
1548
01:22:15,227 --> 01:22:20,467
♪ IT CAN COME
FROM OUT OF NOWHERE ♪
1549
01:22:20,471 --> 01:22:23,581
♪ HITS YOU WHEN YOU THINK
YOU'VE WON ♪
1550
01:22:26,182 --> 01:22:31,832
♪ TAKE IT EASY, MY STAR,
YOUR TIME IS GONNA COME ♪
1551
01:22:31,827 --> 01:22:34,367
♪ YOUR TIME IS GONNA COME ♪
1552
01:22:39,375 --> 01:22:42,645
♪ YEAH, YOU GOT
THOSE CRAZY BLUE EYES ♪
1553
01:22:42,649 --> 01:22:46,859
♪ YOU GOT THOSE CRAZY BLUE,
ALL THOSE PRETTY SMILES ♪
1554
01:22:46,857 --> 01:22:53,367
♪ I CAN SEE THEM LAUGHING AT
YOU, YOUR TIME IS GONNA COME ♪
1555
01:22:53,370 --> 01:22:57,850
♪ YOUR TIME IS GONNA COME ♪
1556
01:22:59,883 --> 01:23:06,333
♪ OH, I DON'T WANT TO BE
YOUR PUNCHING BAG ♪
1557
01:23:06,329 --> 01:23:12,439
♪ YOUR COMPLACENT LITTLE
FRIENDS ARE SO TRAGIC AND SAD ♪
1558
01:23:12,441 --> 01:23:15,621
♪ I'M NOT GONNA LET YOU
OVERWHELM ME ANYMORE. ♪