1 00:01:07,985 --> 00:01:09,226 Watch out for the door! 2 00:01:09,903 --> 00:01:13,647 Try to orient the face of the board upwards, if possible. 3 00:01:58,118 --> 00:02:04,035 THE GREAT MUSEUM 4 00:04:41,740 --> 00:04:45,324 I will now show you the new galleries of the Kunstkammer. 5 00:04:45,660 --> 00:04:47,492 That's why that I came to Vienna! 6 00:04:49,956 --> 00:04:51,242 Do you know that I envy you? 7 00:04:51,500 --> 00:04:56,336 In the British Museum, no piece can be used as an exhibition room. 8 00:04:57,339 --> 00:04:59,001 It's truly wonderful. 9 00:04:59,299 --> 00:05:02,042 I think that it is one of the only museums in the world 10 00:05:02,302 --> 00:05:06,091 which has spaces perfectly suited to the collection. 11 00:05:06,807 --> 00:05:09,675 This is what we wanted to offer to visitors: 12 00:05:10,852 --> 00:05:14,596 - A permanent dialogue... - Between the building and the collection. 13 00:05:14,898 --> 00:05:16,605 Simply wonderful. 14 00:05:16,900 --> 00:05:18,607 Yes, it's going to be fantastic. 15 00:05:18,860 --> 00:05:20,021 This is it, Vienna. 16 00:05:20,695 --> 00:05:23,904 Yes, and we wanted to share it to the rest of the world. 17 00:05:24,366 --> 00:05:28,110 If you look over there... This is where the collection will begin. 18 00:05:28,411 --> 00:05:31,950 When we pass through this door, we arrive in the entrance hall. 19 00:05:32,249 --> 00:05:33,410 And here... 20 00:05:33,667 --> 00:05:36,375 And these pieces in a row! Amazing ! 21 00:05:36,628 --> 00:05:39,086 Yes, it will take your breath away! 22 00:05:39,840 --> 00:05:42,583 And here will be the new home of Cellini. 23 00:05:43,260 --> 00:05:46,719 On this wall there will be a tapestries from Fontainebleau. 24 00:05:47,389 --> 00:05:50,257 We will first expose the one which represents Francis I. 25 00:05:50,559 --> 00:05:54,473 It's him who had ordered the Salt Cellar from Cellini. 26 00:05:54,980 --> 00:05:58,894 And here we will suspend the portrait of Charles IX, 27 00:05:59,192 --> 00:06:02,856 who offered the Salt Cellar to Ferdinand. Thanks to him, she ended up in this museum. 28 00:06:03,154 --> 00:06:06,693 Here, everything revolves around France from the middle of the 16th century. 29 00:06:06,950 --> 00:06:09,693 And links between the Valois and the Habsburgs. 30 00:06:09,995 --> 00:06:15,866 Absolutely. For us, this new context is more judicious. 31 00:06:16,167 --> 00:06:18,250 Much more appropriate. 32 00:06:22,257 --> 00:06:24,499 For lighting, we will... 33 00:06:25,260 --> 00:06:29,504 The windows will be lit from the inside, with LED lamps. 34 00:06:29,806 --> 00:06:31,968 - Yes. - And otherwise, very little... 35 00:06:32,225 --> 00:06:35,389 - Otherwise, dim light. - Yes, very little light. 36 00:06:36,229 --> 00:06:38,391 A bit like in the antique collection. 37 00:06:38,690 --> 00:06:39,680 Exactly. 38 00:06:39,941 --> 00:06:43,901 But we will also have a contemporary note, 39 00:06:44,195 --> 00:06:47,609 with lighting... 40 00:06:47,866 --> 00:06:51,234 - Chandeliers? - Yes, a work by Élafur El�asson. 41 00:06:51,828 --> 00:06:54,696 - Wonderful ! - Yes, it will be superb. 42 00:06:54,998 --> 00:06:59,459 - A wonderful modern work. - Yes, six meters high. 43 00:07:00,420 --> 00:07:05,006 Of course, he will be inspired objects exhibited in the Kunstkammer. 44 00:07:05,300 --> 00:07:08,668 It combines technology, science and art. 45 00:07:08,970 --> 00:07:10,506 - And magic. - Absolutely. 46 00:07:10,805 --> 00:07:15,721 - This is what we wanted to have here. - An excellent choice. 47 00:07:16,019 --> 00:07:18,636 - Did he already design it? - Yes. 48 00:07:18,939 --> 00:07:20,430 A good thing. 49 00:07:22,067 --> 00:07:25,651 Otherwise, we would not have risked to reveal the information. 50 00:07:26,488 --> 00:07:30,198 It is still very risky to commission a work of art. 51 00:07:30,492 --> 00:07:32,905 I know. But it is already finished. 52 00:09:51,382 --> 00:09:55,217 You can make sure that the pearls stay in place on the base? 53 00:09:57,388 --> 00:10:01,257 When I lift it like that, it has to be based on the pearls. 54 00:10:01,559 --> 00:10:04,051 - Should I take it from below? - Is it possible? 55 00:10:04,354 --> 00:10:08,815 It would be better that you come to my side. 56 00:10:12,737 --> 00:10:14,945 So that I can see the inside. 57 00:10:17,784 --> 00:10:20,026 - Should I take it now? - Yes. 58 00:10:21,246 --> 00:10:22,487 It's heavy. 59 00:10:23,123 --> 00:10:25,160 Wait. 60 00:10:25,500 --> 00:10:27,162 - Are you holding it? - Yes. 61 00:10:34,175 --> 00:10:36,417 I don't see much... 62 00:10:39,681 --> 00:10:41,968 Wait, that's the outside... 63 00:10:42,225 --> 00:10:45,138 This corresponds to the second row starting from the top. 64 00:10:46,563 --> 00:10:48,805 She is held by this hook. 65 00:10:57,031 --> 00:10:59,865 If it's too heavy, tell me. 66 00:11:20,805 --> 00:11:22,671 Okay, we can start. 67 00:11:24,767 --> 00:11:26,053 2013 budget. 68 00:11:26,352 --> 00:11:29,516 Next year, our revenues will reach records 69 00:11:29,814 --> 00:11:33,774 which will amount between 38.2 and 38.4 million, 70 00:11:34,027 --> 00:11:35,518 thanks to the Kunstkammer. 71 00:11:35,820 --> 00:11:40,235 And we will strive to restrict spending, 72 00:11:40,867 --> 00:11:44,110 so that the 2013 budget is balanced, 73 00:11:44,412 --> 00:11:46,369 even if the opening of the Kunstkammer 74 00:11:46,623 --> 00:11:49,240 does not generate no additional subsidies. 75 00:11:49,626 --> 00:11:52,414 With the remaining funds for the Kunstkammer, 76 00:11:52,712 --> 00:11:56,797 amounting to 3.8 million made available by the ministry, 77 00:11:57,091 --> 00:12:01,051 we will finish the month with a negative result. 78 00:12:01,304 --> 00:12:04,263 But we should finish the year with credit 79 00:12:04,557 --> 00:12:08,050 - from 130 to 150,000 euros. - All right. 80 00:12:09,270 --> 00:12:12,980 What about the interest rate what we pay? 81 00:12:13,358 --> 00:12:14,565 0.82%. 82 00:12:14,859 --> 00:12:16,475 Amazing. Very well negotiated. 83 00:12:16,778 --> 00:12:19,737 - It therefore costs us less than 100 euros. - Yes. 84 00:12:20,073 --> 00:12:23,237 We're going to go around the table. Do you want to start? 85 00:12:23,534 --> 00:12:25,526 I would like to talk about the annual pass. 86 00:12:25,787 --> 00:12:30,373 We will change the price with the opening of the Kunstkammer. 87 00:12:30,625 --> 00:12:33,959 Until the end of the year, we are doing a campaign 88 00:12:34,254 --> 00:12:36,371 to offer the annual pass at 29 euros. 89 00:12:37,215 --> 00:12:41,084 I have some models here, I would like to have your opinion 90 00:12:41,386 --> 00:12:45,050 on their readability. At the bottom of the macaroon, it is written that the price 91 00:12:45,306 --> 00:12:48,470 is still valid until December 31, 2012, 92 00:12:49,018 --> 00:12:50,509 the old rate. 93 00:12:50,812 --> 00:12:54,226 Do you find it readable? This is the old design. 94 00:12:54,983 --> 00:12:57,191 I would avoid using the word "valid". 95 00:12:58,152 --> 00:12:58,938 The message, 96 00:12:59,237 --> 00:13:00,819 it's "29 euros, last chance". 97 00:13:01,114 --> 00:13:03,731 We're going to work on it again. I just wanted to know... 98 00:13:04,033 --> 00:13:06,616 For me, the message was not clear enough. 99 00:13:06,911 --> 00:13:09,369 For me, the word "valid" is calamitous. 100 00:13:09,622 --> 00:13:11,579 I think the essential message is, 101 00:13:11,874 --> 00:13:15,959 as in the theater, "last representation, last chance"! 102 00:13:17,880 --> 00:13:20,623 “Last chance” isn't very good either. 103 00:13:20,967 --> 00:13:22,959 A little dark and irreversible... 104 00:13:23,261 --> 00:13:26,095 I'll find something. I needed your opinion. 105 00:13:26,347 --> 00:13:29,260 It is in any case the model of the new design. 106 00:13:29,559 --> 00:13:32,472 A draft... I'll pass it on to you... 107 00:13:32,770 --> 00:13:34,557 The 3 is a little aggressive. 108 00:13:34,856 --> 00:13:39,476 The font is different. I find it less readable than the old one. 109 00:13:40,528 --> 00:13:42,144 It is less clear... 110 00:13:42,447 --> 00:13:44,564 I don't like 3, it doesn't work. 111 00:13:44,824 --> 00:13:46,235 What do you think? 112 00:13:46,534 --> 00:13:50,778 We noticed that the others museums also used our macaron 113 00:13:51,080 --> 00:13:53,197 for their annual pass. 114 00:13:53,499 --> 00:13:53,955 Really ? 115 00:13:54,250 --> 00:13:58,745 This is why I would like to keep this concept that we introduced, 116 00:13:59,047 --> 00:14:01,084 keeping the macaroon. 117 00:14:01,341 --> 00:14:05,711 I'm going to pass it on and I await your comments. 118 00:14:06,012 --> 00:14:08,504 I would like the 3 is more rounded. 119 00:14:09,682 --> 00:14:11,389 I find that 3 is... 120 00:14:13,561 --> 00:14:17,305 This can't work, at the bottom there is a 3 which is rounded. 121 00:14:18,691 --> 00:14:20,102 Yes, in "365". 122 00:14:20,401 --> 00:14:23,394 Of course, I'll try to go in this direction. 123 00:14:23,696 --> 00:14:25,107 This is not possible. 124 00:15:24,298 --> 00:15:29,168 "The Museum of Art History in Vienna impresses and enriches its visitors." 125 00:15:30,471 --> 00:15:33,964 Is this the new slogan? We have a new motto? 126 00:15:34,225 --> 00:15:35,841 I did not participate in it. 127 00:15:36,102 --> 00:15:39,721 I am just reading, with great interest. I open here, page 16: 128 00:15:40,148 --> 00:15:43,061 "Brand attributes to which we aspire." 129 00:15:44,318 --> 00:15:46,935 I'll spare you the details... 130 00:15:47,363 --> 00:15:51,607 "The Museum of Art History in Vienna must be perceived by the public 131 00:15:51,868 --> 00:15:56,363 "like elegant, sovereign, moving, welcoming. 132 00:15:56,956 --> 00:16:00,495 "Therefore, We, employees of the Museum, are..." 133 00:16:00,793 --> 00:16:01,283 “elegant”! 134 00:16:01,544 --> 00:16:03,786 "...hungry for interaction with third parties. 135 00:16:04,088 --> 00:16:06,501 "Competent in our respective specialties. 136 00:16:06,924 --> 00:16:09,166 “Passionate in our mission. 137 00:16:09,427 --> 00:16:12,090 “Brave in our approach to the future." 138 00:16:12,346 --> 00:16:12,881 Well... 139 00:16:13,181 --> 00:16:15,764 - That’s well said! - And it's universal. 140 00:16:16,058 --> 00:16:18,516 Yes, we could also say that of toothpaste. 141 00:16:18,853 --> 00:16:21,391 Or marriage: passionate in our approach. 142 00:16:21,689 --> 00:16:23,055 Yes, but it's good. 143 00:18:04,667 --> 00:18:06,203 No, no, no. 144 00:18:07,336 --> 00:18:11,751 I'm too close to the head of the salamander. We have to start there. 145 00:18:14,343 --> 00:18:16,801 I can turn mine a little. 146 00:18:18,055 --> 00:18:19,796 - It's okay... - Be careful. 147 00:18:23,102 --> 00:18:25,435 No, no, you are too close to me. 148 00:18:26,355 --> 00:18:28,312 For me, it's good... 149 00:18:28,608 --> 00:18:31,225 I'm in the hole. 150 00:18:31,527 --> 00:18:33,769 - And you ? - No, I'm still far from it. 151 00:18:53,633 --> 00:18:56,717 - There's a lot of gold on it. - Yes, a lot of gold. 152 00:18:57,928 --> 00:19:01,387 This gave rise to numerous discussions in the family. 153 00:19:01,891 --> 00:19:05,601 It's not easy to separate of such a room, 154 00:19:05,895 --> 00:19:08,729 who is in our family for so long. 155 00:19:08,981 --> 00:19:11,018 Is there a date on it? 156 00:19:11,442 --> 00:19:13,729 Normally there is one. 157 00:19:13,986 --> 00:19:17,024 We will be able to see that as soon as it is on the mannequin. 158 00:19:17,573 --> 00:19:18,563 Splendid ! 159 00:19:18,949 --> 00:19:22,192 It's wonderful that it is so complete. 160 00:19:22,495 --> 00:19:24,452 - Amazing. - Yes, it is complete. 161 00:19:24,705 --> 00:19:27,539 Totally intact. It's a superb piece. 162 00:19:28,542 --> 00:19:30,499 - Can I take it out? - Of course. 163 00:19:30,795 --> 00:19:32,957 In a beautiful deerskin case. 164 00:19:33,255 --> 00:19:36,999 We see the "Viribus Unitis", the motto of Emperor Fran�ois-Joseph. 165 00:19:37,259 --> 00:19:39,216 With the "F.J. 1". 166 00:19:39,512 --> 00:19:43,131 The uniform should therefore date from before 1916. 167 00:19:43,432 --> 00:19:46,300 - So before Charles. - Yes, of course. 168 00:19:46,644 --> 00:19:49,933 The parents married in 1912. 169 00:19:50,856 --> 00:19:53,769 It must date from the time where he became emperor. 170 00:19:54,110 --> 00:19:54,941 Yes, I suppose. 171 00:19:55,653 --> 00:19:59,397 All this dates from the time of Emperor Fran�ois-Joseph. 172 00:19:59,699 --> 00:20:03,192 This sword is surely intended at the funeral of the emperor. 173 00:20:03,494 --> 00:20:04,109 This sword? 174 00:20:04,412 --> 00:20:06,950 Yes. It's for a funeral ceremony. 175 00:20:07,289 --> 00:20:09,622 For us, these pieces are very valuable 176 00:20:09,917 --> 00:20:14,207 because they are linked To a concrete person, your father. 177 00:20:14,463 --> 00:20:17,706 I even brought you some documents. 178 00:20:18,008 --> 00:20:19,374 Excuse me ! 179 00:20:21,721 --> 00:20:24,464 Here he is, in his military uniform. 180 00:20:24,849 --> 00:20:27,182 We also find the photo in this book. 181 00:20:27,476 --> 00:20:30,139 - Look. - It's perfect. THANKS ! 182 00:20:30,438 --> 00:20:33,181 - We can see who he was. - It's wonderful. 183 00:20:33,482 --> 00:20:36,145 There are still other things here. 184 00:20:36,986 --> 00:20:38,318 We find... 185 00:20:40,239 --> 00:20:42,196 - A photo of my father. - Very good. 186 00:20:42,491 --> 00:20:44,653 Knight of the Order of the Golden Fleece. 187 00:20:44,952 --> 00:20:45,817 Gorgeous. 188 00:20:46,120 --> 00:20:50,160 And the engagement photo of my parents, 189 00:20:50,624 --> 00:20:53,583 who married in 1912. 190 00:20:53,878 --> 00:20:54,538 Very pretty. 191 00:20:57,548 --> 00:21:01,633 Thank you so much. I know that it is not easy for a family 192 00:21:02,011 --> 00:21:03,752 to part with these parts, 193 00:21:04,054 --> 00:21:08,139 especially when they are linked To a loved one. 194 00:21:08,559 --> 00:21:12,018 The management of the Museum is sincerely grateful to you. 195 00:24:33,013 --> 00:24:34,003 Hello, 196 00:24:34,264 --> 00:24:37,007 could you inform Mr. Zeisler 197 00:24:37,393 --> 00:24:41,057 that we count on his coming in the Weapons Room tomorrow at 4 p.m., 198 00:24:41,480 --> 00:24:43,563 in the Hunting Gallery. 199 00:24:45,526 --> 00:24:48,269 We are going to test the windows. 200 00:24:50,698 --> 00:24:52,985 It would be nice if he could be there. 201 00:24:54,451 --> 00:24:58,035 But I think he has already been informed. 202 00:24:58,330 --> 00:25:00,663 I just wanted to be sure 203 00:25:00,958 --> 00:25:03,701 that it is well on his agenda. 204 00:25:04,586 --> 00:25:06,077 GOOD. 205 00:25:06,755 --> 00:25:07,962 Bye. 206 00:25:14,430 --> 00:25:18,344 There, we find the doors... But here, it's really typical, 207 00:25:18,642 --> 00:25:22,977 these big... We find a similarity. 208 00:25:23,230 --> 00:25:27,144 We have this great historical fresco in the middle, 209 00:25:27,443 --> 00:25:30,186 with lots of movement and drapery all around, 210 00:25:30,487 --> 00:25:32,069 with various... 211 00:25:33,490 --> 00:25:37,325 A variety of paints which range from landscapes to portraits, 212 00:25:37,619 --> 00:25:39,781 through still lifes... 213 00:25:43,500 --> 00:25:45,833 See how these architectures dominate. 214 00:25:46,128 --> 00:25:48,711 We could no longer do this today. 215 00:25:50,090 --> 00:25:53,003 We could no longer present a wall in this way. 216 00:25:54,094 --> 00:25:56,302 - No. - That would be much too bland. 217 00:25:56,597 --> 00:25:59,385 No, today each work must develop 218 00:25:59,683 --> 00:26:03,097 regardless of its own effect, 219 00:26:03,395 --> 00:26:07,184 in terms of art history, each well separated from the other. 220 00:26:33,842 --> 00:26:37,131 GOOD. We have our meter. 221 00:26:41,517 --> 00:26:43,554 - Will this one be restored? - Yes... 222 00:26:43,852 --> 00:26:48,062 I'm not sure Mr. Ferino knows that it has no frame. 223 00:26:48,816 --> 00:26:51,103 - No surface either. - that too. 224 00:27:37,239 --> 00:27:38,821 Well, we have everything. 225 00:27:55,257 --> 00:27:57,670 Dear Sabine, dear Paul, 226 00:27:57,968 --> 00:28:00,927 let me start with a question: 227 00:28:01,180 --> 00:28:05,595 why did you choose to start a brand strategy for the Museum? 228 00:28:07,477 --> 00:28:10,094 We wanted do things correctly. 229 00:28:10,397 --> 00:28:14,266 We wanted to proceed efficiently and transparently. 230 00:28:14,568 --> 00:28:17,606 And above all, we did not want do things twice. 231 00:28:17,863 --> 00:28:23,200 So, we wanted to develop this strategy in close collaboration, 232 00:28:23,493 --> 00:28:26,156 to know who does what, why we do it 233 00:28:26,455 --> 00:28:27,991 and where we want to go. 234 00:28:28,290 --> 00:28:32,751 It's not just about investing time, but also money. 235 00:28:33,170 --> 00:28:37,005 Ultimately, the objective is to be able to have more money 236 00:28:37,382 --> 00:28:39,089 for other things, 237 00:28:39,343 --> 00:28:41,756 things that we want to do well. 238 00:28:42,512 --> 00:28:44,424 For me it is very important 239 00:28:44,723 --> 00:28:47,261 that we offer our services with insurance 240 00:28:47,601 --> 00:28:49,137 to the public. 241 00:28:49,436 --> 00:28:52,224 It will be more and more important in the future. 242 00:28:52,856 --> 00:28:56,600 This concerns all segments within which we operate: 243 00:28:56,860 --> 00:29:00,945 the Republic of Austria, which is the owner and our main customer, 244 00:29:01,240 --> 00:29:03,573 in the same way than the visitor market. 245 00:29:03,825 --> 00:29:07,660 The struggle for resources is getting rougher and tougher. 246 00:29:08,080 --> 00:29:12,825 The Republic of Austria compares us to other cultural institutions, 247 00:29:13,126 --> 00:29:15,960 and even to the health system or to hospitals 248 00:29:16,255 --> 00:29:18,338 since funding is at stake. 249 00:29:18,632 --> 00:29:22,751 This is a fact that we do not have still enough taken into consideration. 250 00:29:23,053 --> 00:29:26,171 They look how public funds are spent. 251 00:29:26,473 --> 00:29:28,260 The public also judges us. 252 00:29:28,558 --> 00:29:32,518 Without care, he compares our temporary exhibitions with others. 253 00:29:32,813 --> 00:29:35,851 International tourists too make comparisons. 254 00:29:36,108 --> 00:29:37,690 And that's a good thing. 255 00:30:26,074 --> 00:30:30,239 Technique: pierced eyes, corners of the lips... 256 00:30:30,620 --> 00:30:31,656 Mouth half open. 257 00:30:31,955 --> 00:30:34,538 With both ends very sharp. 258 00:30:34,833 --> 00:30:36,825 But no holes drilled. 259 00:30:37,127 --> 00:30:40,461 Yes, the nostrils also have been pierced, at least this one. 260 00:30:40,756 --> 00:30:44,090 - The ancient version. - And the inner corner of the eyes. 261 00:30:44,343 --> 00:30:45,754 Yes, I think so too. 262 00:30:46,428 --> 00:30:49,546 I am very happy to make presentations. 263 00:30:50,974 --> 00:30:52,556 This is Ina Slama. 264 00:30:52,851 --> 00:30:53,841 Arnout Balis. 265 00:30:54,102 --> 00:30:58,392 Ina is the restaurateur who accomplished wonderful work with this... 266 00:31:00,025 --> 00:31:02,938 Let's just call him "Rubens". 267 00:31:03,362 --> 00:31:05,775 Can we still call it a sketch? 268 00:31:06,031 --> 00:31:08,148 It looks like a modello. 269 00:31:08,992 --> 00:31:11,279 The more I look at it, the less I find Rubens. 270 00:31:11,578 --> 00:31:13,786 But at the beginning, we had no doubt. 271 00:31:14,456 --> 00:31:17,244 It is listed in the catalog of Julius Held. 272 00:31:17,501 --> 00:31:19,538 We always thought... 273 00:31:20,921 --> 00:31:25,791 Here are the many changes which were made in the underlay. 274 00:31:26,259 --> 00:31:28,421 In the first version, 275 00:31:29,179 --> 00:31:33,093 the sword practically pierced her. 276 00:31:33,350 --> 00:31:34,431 Yes, it was the opposite. 277 00:31:34,726 --> 00:31:38,595 It is a reinterpretation very violent. 278 00:31:39,689 --> 00:31:43,433 So it's a combination of two eras and two painters. 279 00:31:43,735 --> 00:31:45,067 That years could separate. 280 00:31:45,445 --> 00:31:47,357 Yes, it's possible. 281 00:31:47,656 --> 00:31:51,024 In this case, the analysis would be completely different. 282 00:31:52,702 --> 00:31:56,491 - Here, this arm, and this light... - It's not Rubens. 283 00:31:56,748 --> 00:31:59,206 This is the signature of Jan van den Hoecke. 284 00:31:59,459 --> 00:32:01,621 Very typical of his painting. 285 00:32:01,920 --> 00:32:04,879 The other details a little less but that's really him. 286 00:32:05,799 --> 00:32:10,043 In the infrared photo, we can see it very well. 287 00:32:10,720 --> 00:32:13,212 We see that the drape was placed lower. 288 00:32:13,515 --> 00:32:18,476 Which is also typical of Rubens, according to me. It shows more flesh. 289 00:32:18,770 --> 00:32:20,056 Yes, in some cases. 290 00:32:22,315 --> 00:32:25,479 I find that these details work very well. 291 00:32:25,777 --> 00:32:27,689 But these a little less good. 292 00:32:33,118 --> 00:32:37,579 This is what I noticed in Copenhagen, we also find this mixture. 293 00:32:38,123 --> 00:32:43,118 It was interesting because others paintings had the same symptoms. 294 00:32:43,420 --> 00:32:46,254 In fact, it's supposed to be a sketch. 295 00:32:46,506 --> 00:32:49,465 Maybe someone wanted... 296 00:32:52,220 --> 00:32:54,758 embellish the picture, so to speak, 297 00:32:56,558 --> 00:33:00,017 - with the aim of selling it? - In any case, it's a success. 298 00:33:00,353 --> 00:33:02,720 It's just a guess... 299 00:33:04,232 --> 00:33:08,647 A way to revalorize the painting to give it a market value. 300 00:33:09,362 --> 00:33:12,321 This perhaps allowed to get a better price. 301 00:33:13,950 --> 00:33:17,318 To summarize, as an underlay, we have a sketch by Rubens, 302 00:33:17,621 --> 00:33:21,114 who was a model for the Cassel painting, 303 00:33:21,708 --> 00:33:25,577 model which may have been reworked by Rubens himself, 304 00:33:25,879 --> 00:33:30,590 then someone said to themselves: “I’ll finish him off.” 305 00:33:33,303 --> 00:33:35,886 And he brought new modifications. 306 00:33:43,522 --> 00:33:45,639 We must consider all these hypotheses. 307 00:33:45,982 --> 00:33:47,769 This gives food for thought. 308 00:34:07,837 --> 00:34:09,123 Very good. 309 00:34:10,215 --> 00:34:11,080 “Isabel.” 310 00:34:11,341 --> 00:34:13,128 "Isabella" is over there. 311 00:34:13,385 --> 00:34:16,219 Something else needs to be added. 312 00:34:28,650 --> 00:34:33,395 We're going to put it against the wall, but we don't yet know where. 313 00:34:36,074 --> 00:34:39,863 In any case, I would place "Isabella" all the way to the left. 314 00:34:40,662 --> 00:34:43,075 It's already too busy here. 315 00:34:43,373 --> 00:34:46,992 But I can't put it there. It doesn't work. 316 00:34:49,379 --> 00:34:52,998 In the end, these two should be reversed. 317 00:34:54,843 --> 00:34:57,426 In case, I could put the “Parma” in the face. 318 00:34:57,721 --> 00:35:01,931 But "Parma" would be found all alone outside, it doesn't work. 319 00:35:08,189 --> 00:35:09,646 Damn, then! 320 00:35:12,152 --> 00:35:13,563 That's not okay. 321 00:35:13,945 --> 00:35:17,939 What if we put "Mars and Venus" On the left, instead of “Filetto”? 322 00:35:18,241 --> 00:35:20,654 - Would that work? - Yes, we could... 323 00:35:20,952 --> 00:35:22,659 It might be... 324 00:35:23,580 --> 00:35:26,163 We're going to remove the "Filetto". 325 00:35:26,458 --> 00:35:27,994 Take that one off... 326 00:35:28,668 --> 00:35:30,660 and you put this one instead. 327 00:35:31,713 --> 00:35:35,457 What if we put the "Lavinia" in the corner? 328 00:35:36,051 --> 00:35:37,963 The very last attempt. 329 00:35:39,262 --> 00:35:41,379 - Yes, we'll do it like that. - All right. 330 00:35:42,098 --> 00:35:43,134 Shall we reverse? 331 00:35:44,768 --> 00:35:46,725 Reverse these two. 332 00:35:50,357 --> 00:35:53,646 I like this one a little less... 333 00:35:54,653 --> 00:35:57,612 If I remove one, it will be this one. 334 00:36:01,660 --> 00:36:04,824 - But we meet again... - With three. 335 00:36:06,873 --> 00:36:10,037 - Let's keep all three. - GOOD. This one, we remove it. 336 00:36:12,295 --> 00:36:13,957 Paul, we remove this one, 337 00:36:14,255 --> 00:36:16,963 and we group three of them here. 338 00:36:22,514 --> 00:36:24,722 Now it's much more airy. 339 00:36:25,016 --> 00:36:26,882 - Much better. - Completely. 340 00:36:29,145 --> 00:36:32,104 And we will have “The sinner” at the top. 341 00:36:36,820 --> 00:36:39,187 And the “Entombment” on this side. 342 00:36:39,489 --> 00:36:41,731 The lighting designer will have plenty to do. 343 00:36:43,159 --> 00:36:46,698 I think it's better now, don't you think so? 344 00:36:59,342 --> 00:37:00,924 Bye. 345 00:37:10,311 --> 00:37:14,806 As you know, for two and a half years, 346 00:37:15,066 --> 00:37:20,778 we thought a lot. 347 00:37:21,489 --> 00:37:24,072 You who represent welcoming visitors, 348 00:37:24,367 --> 00:37:28,236 how do you want these, day to day, 349 00:37:29,581 --> 00:37:34,451 have a vision interesting and up-to-date 350 00:37:34,753 --> 00:37:37,746 places and situation? 351 00:37:38,047 --> 00:37:40,960 How do you want to bring these walls to life? 352 00:37:41,259 --> 00:37:43,922 What proposals will you make us, 353 00:37:44,220 --> 00:37:46,758 to us, your board of directors? 354 00:37:47,056 --> 00:37:48,092 Like for example 355 00:37:48,391 --> 00:37:50,348 “This is what it would be good to do.” 356 00:37:52,854 --> 00:37:58,316 We are people who all have different pasts, 357 00:37:59,194 --> 00:38:01,026 different levels of study, 358 00:38:01,738 --> 00:38:07,359 but overall we represent the lowest rung in these places. 359 00:38:08,328 --> 00:38:13,790 When I arrived at this museum eleven years ago, 360 00:38:14,459 --> 00:38:15,870 it was in October. 361 00:38:16,169 --> 00:38:20,630 And in December, we had our Christmas party. 362 00:38:20,924 --> 00:38:22,131 I had imagined 363 00:38:22,383 --> 00:38:26,753 that someone would introduce me to other services. 364 00:38:28,139 --> 00:38:29,801 It was strange and today, 365 00:38:30,099 --> 00:38:32,887 after eleven years, I still haven't been introduced 366 00:38:33,269 --> 00:38:36,307 to anyone in other services. 367 00:38:38,274 --> 00:38:43,645 And that's what I'm missing here. I'm waiting for another Christmas party. 368 00:38:43,905 --> 00:38:46,693 And everyone will be seated at their table, 369 00:38:46,991 --> 00:38:50,200 and we, the guardians, 370 00:38:51,412 --> 00:38:55,782 or “reception of visitors”, we will still keep to ourselves. 371 00:38:56,084 --> 00:38:58,701 But we exist too! 372 00:38:59,671 --> 00:39:04,211 It's not the most important, but we need each other. 373 00:39:06,970 --> 00:39:08,882 Yes, I need everyone! 374 00:39:10,765 --> 00:39:12,097 Maybe... 375 00:39:12,725 --> 00:39:16,685 Maybe in 2020, I will finally be introduced to the others! 376 00:40:41,105 --> 00:40:42,641 Trap 9 North: 377 00:40:43,775 --> 00:40:45,232 six moths. 378 00:40:51,366 --> 00:40:54,655 W 23: no moths either. 379 00:40:59,165 --> 00:41:02,408 W 25: nothing either. 380 00:41:03,419 --> 00:41:05,126 22, 381 00:41:05,922 --> 00:41:07,413 20, 382 00:41:07,966 --> 00:41:09,207 18... 383 00:41:13,680 --> 00:41:15,137 16, 384 00:41:15,932 --> 00:41:17,218 12, 385 00:41:19,060 --> 00:41:21,097 23, 386 00:41:22,438 --> 00:41:24,270 27, 387 00:41:25,274 --> 00:41:26,890 22, 388 00:41:28,069 --> 00:41:29,526 18, 389 00:41:30,446 --> 00:41:32,278 25, 390 00:41:32,949 --> 00:41:34,485 20, 391 00:41:35,284 --> 00:41:36,866 22, 392 00:41:39,247 --> 00:41:40,783 21... 393 00:41:41,624 --> 00:41:43,206 For my part, 394 00:41:43,459 --> 00:41:46,418 I have two or three holes on the edge, very close to the corner. 395 00:41:46,671 --> 00:41:49,084 But that stops here. 396 00:41:49,340 --> 00:41:50,626 On the left, there is nothing left. 397 00:41:50,925 --> 00:41:52,507 I have a lot of them. 398 00:41:53,344 --> 00:41:55,961 It looks like there are lots of holes under the paint. 399 00:41:56,222 --> 00:41:59,886 There is something underneath. It really forms a bump. 400 00:42:00,685 --> 00:42:03,769 They are probably insects who caused this. 401 00:42:04,272 --> 00:42:08,482 That’s a dug gallery by food moths, I believe. 402 00:42:09,736 --> 00:42:12,479 They risk having devoured the whole canvas. 403 00:42:12,864 --> 00:42:14,275 Under the painting. 404 00:42:14,574 --> 00:42:16,566 Some holes have already been filled. 405 00:42:24,667 --> 00:42:27,535 - My God, it's covered in cocoons. - Oh no! 406 00:42:28,046 --> 00:42:29,082 - It's true ? - Yes. 407 00:42:29,380 --> 00:42:32,088 Underneath too? No, it's just dirt. 408 00:42:32,425 --> 00:42:34,587 It's dirt from the years. 409 00:42:37,305 --> 00:42:39,342 - Nothing there either. - Yes. 410 00:42:39,640 --> 00:42:40,756 - Really? - Yes. 411 00:42:41,100 --> 00:42:44,810 It is a piece of paper or bark. But I'm not sure. 412 00:42:45,772 --> 00:42:48,685 apart from two or three holes, It looks pretty good. 413 00:42:48,941 --> 00:42:50,432 That's dirt. 414 00:42:54,405 --> 00:42:59,070 We'll see... Can you put it down? We're going to check if there are any insects. 415 00:42:59,368 --> 00:43:01,735 If there were, we would have seen them down there. 416 00:43:02,038 --> 00:43:03,370 We'll do the rest later. 417 00:43:04,415 --> 00:43:07,283 It looks good. Or do you want to double check? 418 00:43:08,711 --> 00:43:10,327 Wait. What is this ? 419 00:44:05,977 --> 00:44:08,560 This is Maria Theresa of Austria, without hesitation. 420 00:44:08,980 --> 00:44:11,472 He is Maximilien and... 421 00:44:11,774 --> 00:44:12,685 Deutschmeister. 422 00:44:12,942 --> 00:44:14,854 Absolutely. And there it is Ferdinand. 423 00:44:15,820 --> 00:44:18,779 - And Ferdinand is also... - Ferdinand of Tuscany. 424 00:44:19,073 --> 00:44:20,564 And from Modena. 425 00:44:20,825 --> 00:44:24,409 It's also him in the middle, do you think so too? 426 00:44:25,496 --> 00:44:27,078 Or not? 427 00:44:27,874 --> 00:44:31,242 Schr�der hung a Baselitz eagle at the chancellery. 428 00:44:31,502 --> 00:44:34,210 - it made the difference. - It doesn't depend on us. 429 00:44:34,589 --> 00:44:36,876 It's the President's choice and it is temporary. 430 00:44:37,175 --> 00:44:40,509 - Why is it in his office? - I don't know. 431 00:44:40,803 --> 00:44:42,920 - I'm glad it's the one. - He was always there. 432 00:44:43,181 --> 00:44:44,592 Yes, probably. 433 00:44:45,016 --> 00:44:47,554 For my part, the stranger and the ignorant that I am 434 00:44:47,852 --> 00:44:51,266 doesn't care what's hanging in the President's office. 435 00:44:51,564 --> 00:44:53,396 But as an art mediator, 436 00:44:53,691 --> 00:44:57,059 I sometimes have the impression that the Habsburgs are a burden. 437 00:44:57,361 --> 00:44:59,148 I can't explain it. 438 00:44:59,447 --> 00:45:01,860 I may have an exacerbated perception 439 00:45:02,158 --> 00:45:07,620 of the attitude of Museum employees towards this national heritage. 440 00:45:07,914 --> 00:45:12,079 Really ? But there are not so many Habsburg portraits hung here. 441 00:45:12,376 --> 00:45:16,416 But there are exhibitions like this, like in Baden-Baden, 442 00:45:16,714 --> 00:45:18,296 “The artists of the emperors”. 443 00:45:18,549 --> 00:45:21,087 The same exhibition was previously at the Guggenheim. 444 00:45:21,344 --> 00:45:24,928 She had another name and she was much less successful. 445 00:45:25,181 --> 00:45:26,922 To my knowledge, at least. 446 00:45:27,183 --> 00:45:29,175 In Japan, she had enormous success. 447 00:45:29,477 --> 00:45:32,094 They love the Habsburgs. 448 00:45:32,396 --> 00:45:37,983 In every exhibition there is a tree genealogy that represents them... 449 00:45:38,402 --> 00:45:41,236 I have the impression that they are presented 450 00:45:41,530 --> 00:45:43,613 to the public as "Hapsburg art". 451 00:45:43,866 --> 00:45:45,732 Because we present them like that. 452 00:45:46,160 --> 00:45:50,120 The fact is that the aesthetic heritage of the imperial house 453 00:45:50,915 --> 00:45:54,829 is in our possession and that our mission is to share it. 454 00:45:55,127 --> 00:45:56,959 It remains to be seen how to approach it. 455 00:45:57,255 --> 00:45:59,622 Should we do it, aesthetically speaking, 456 00:45:59,924 --> 00:46:03,008 like faithful servants of imperial descent? 457 00:46:03,386 --> 00:46:07,801 Or like cautious individuals and aware of the present? 458 00:46:08,182 --> 00:46:11,516 In any case, it's a feeling dominant, very present, 459 00:46:11,852 --> 00:46:14,970 and a sure value, on which we can rest. 460 00:46:15,231 --> 00:46:18,565 Yes, but that's marketing. That's marketing. 461 00:47:31,682 --> 00:47:33,674 Honorary company, rest! 462 00:48:05,424 --> 00:48:08,462 The Director General of the Museum of Art History. 463 00:48:08,761 --> 00:48:10,252 - Mr. President. - Good morning. 464 00:48:10,554 --> 00:48:12,796 Hello, Your Majesty. 465 00:48:13,099 --> 00:48:16,058 I was told about your competitor, the Kunstkammer. 466 00:48:16,310 --> 00:48:17,892 There is no competition! 467 00:48:18,229 --> 00:48:21,267 The Treasury Chamber and the Chamber des Arts are under the same roof! 468 00:48:21,565 --> 00:48:23,852 They do both part of the Museum. 469 00:48:24,151 --> 00:48:26,518 The Treasury is the old collection... 470 00:48:26,904 --> 00:48:29,066 It is a great honor for us. 471 00:48:29,573 --> 00:48:32,657 I'm afraid we don't have a lot of time... 472 00:48:39,500 --> 00:48:43,870 Everything you see here are badges 473 00:48:44,171 --> 00:48:47,039 in connection with the Holy Roman Empire. 474 00:48:50,594 --> 00:48:54,929 Here is the imperial crown. It is the most beautiful piece we have. 475 00:48:55,307 --> 00:48:57,390 On this work, you can see the emperor 476 00:48:57,685 --> 00:49:00,553 with his crown, the mantle of the coronation and the scepter. 477 00:49:03,399 --> 00:49:05,732 Here we have the cover 478 00:49:05,985 --> 00:49:08,398 from the gospel of the Coronation of Vienna. 479 00:49:08,863 --> 00:49:10,820 We have the handwritten copy, 480 00:49:11,115 --> 00:49:15,530 this is the original gospel, which we keep in a safe. 481 00:49:15,786 --> 00:49:17,903 The emperor took the oath 482 00:49:18,330 --> 00:49:20,037 on the manuscript gospel. 483 00:49:23,085 --> 00:49:25,828 - Mr. President, would you like...? - No, no. 484 00:49:28,632 --> 00:49:30,840 - We are much bigger. - Yes ! 485 00:50:59,139 --> 00:51:02,348 The collection has been closed to the public for ten years, 486 00:51:02,643 --> 00:51:06,853 because she no longer responded to conservation standards. 487 00:51:08,732 --> 00:51:10,143 It took a few years 488 00:51:10,442 --> 00:51:15,062 before the Republic of Austria grants us the requested subsidies. 489 00:51:15,364 --> 00:51:18,983 During this period, we have made the necessary improvements. 490 00:51:19,285 --> 00:51:23,199 Allow me to briefly tell you about it 491 00:51:23,581 --> 00:51:26,073 a chronological presentation. 492 00:51:26,375 --> 00:51:29,493 It starts in the Middle Ages to extend until the 19th century, 493 00:51:29,795 --> 00:51:35,041 until the period of Classicism from the beginning of the 19th century. 494 00:51:35,467 --> 00:51:38,676 For us, this period represents a gateway 495 00:51:39,096 --> 00:51:42,134 to the antique collection. 496 00:51:43,017 --> 00:51:47,352 This piece dates from the 19th century, as the entire Museum, which dates from 1891. 497 00:51:47,646 --> 00:51:49,933 The ceiling fresco is particularly beautiful. 498 00:51:50,232 --> 00:51:53,475 We see the different patrons there from the Habsburg line, 499 00:51:53,777 --> 00:51:55,734 as well as sovereigns, 500 00:51:55,988 --> 00:51:58,571 who were also important patrons. 501 00:51:58,824 --> 00:52:01,942 What is interesting, is that many objects painted here 502 00:52:02,244 --> 00:52:04,577 are today part from the collection. 503 00:52:04,830 --> 00:52:08,494 We would like to tell three stories in a prospectus. 504 00:52:08,792 --> 00:52:11,751 The stories of three objects important to the collection. 505 00:52:12,046 --> 00:52:15,380 We would like to convey the particularity of these places. 506 00:52:15,799 --> 00:52:20,635 So that the public has a perception of what awaits him here. 507 00:52:21,055 --> 00:52:25,595 What is essential, it is to establish the link with the present. 508 00:52:25,893 --> 00:52:29,933 What will I be able to get out of it? personally, in my life? 509 00:52:30,189 --> 00:52:33,057 What will inspire me for my daily life? 510 00:52:33,359 --> 00:52:38,320 With these objects which are more than 500 years old, what is their link with my present? 511 00:52:38,614 --> 00:52:41,402 The way we are going to present it 512 00:52:41,700 --> 00:52:45,284 will be very contemporary. 513 00:52:45,579 --> 00:52:49,744 All new items, like the windows, are contemporary. 514 00:52:50,042 --> 00:52:53,911 It goes without saying that they were recently manufactured. 515 00:52:54,213 --> 00:52:58,503 The chandeliers you will hang will be contemporary works. 516 00:52:58,884 --> 00:53:02,127 What is old, it is the envelope, the building, 517 00:53:02,388 --> 00:53:04,755 and the works of art themselves. 518 00:53:42,594 --> 00:53:44,210 Turn on, please. 519 00:54:03,449 --> 00:54:08,240 This gives an idea of the sensation that This helps if you leaf through the original. 520 00:54:08,787 --> 00:54:10,653 Everything has been thought of. 521 00:54:11,081 --> 00:54:15,997 These scratch marks are very important in the reconstruction. 522 00:54:16,420 --> 00:54:19,413 What we can also see, 523 00:54:19,715 --> 00:54:21,923 that's because the whole book has been done 524 00:54:22,217 --> 00:54:25,460 with the best parts of vellum, calf skin. 525 00:54:25,763 --> 00:54:30,007 Only the skin that runs along the spine was used. 526 00:54:30,392 --> 00:54:33,976 Because the more we go towards the legs, the more the skin is damaged. 527 00:54:34,229 --> 00:54:36,846 On some pages, we can even guess 528 00:54:37,232 --> 00:54:41,226 on which parts of the animal the skin has been taken. 529 00:54:41,945 --> 00:54:45,939 We can guess the bones of the pelvis or the cervical vertebrae of the animal. 530 00:54:51,580 --> 00:54:55,449 Hello, ladies and gentlemen. 531 00:54:55,709 --> 00:55:00,124 I welcome you at our press conference, 532 00:55:00,380 --> 00:55:03,669 intended to introduce you a very special event: 533 00:55:03,967 --> 00:55:08,962 the true copy of the gospel of the Coronation of Vienna. 534 00:55:09,598 --> 00:55:12,807 As you know, the cover from the Coronation Gospel 535 00:55:13,685 --> 00:55:16,428 is exhibited in the Chamber of Treasures, 536 00:55:16,730 --> 00:55:20,849 but of course, without the manuscript, without the original book, 537 00:55:21,109 --> 00:55:24,443 because we can't risk to exhibit such a manuscript 538 00:55:24,738 --> 00:55:27,481 to permanent light. 539 00:55:28,283 --> 00:55:31,867 Unfortunately, the consequence is that this book 540 00:55:32,204 --> 00:55:35,447 remains inaccessible to the general public. 541 00:55:35,707 --> 00:55:38,791 This is why this great opportunity 542 00:55:39,211 --> 00:55:42,830 came into being: producing a copy. 543 00:55:43,131 --> 00:55:48,092 By producing a perfect copy, we have achieved our goal, 544 00:55:48,470 --> 00:55:50,757 which consisted to make this magnificent book 545 00:55:51,056 --> 00:55:54,345 accessible to Museum visitors. 546 00:55:55,602 --> 00:55:58,219 It was reproduced in a limited edition, 547 00:55:59,231 --> 00:56:01,518 since there is none only 333 copies. 548 00:56:01,859 --> 00:56:05,944 Each buyer will be given a numbered copy 549 00:56:06,238 --> 00:56:10,278 and will be assured that he is part from the privileged circle of 333 people 550 00:56:10,576 --> 00:56:12,238 who own a copy. 551 00:56:13,537 --> 00:56:15,950 The sale price is fixed � 29,980 euros, 552 00:56:16,248 --> 00:56:17,910 or a little less than 30,000 euros. 553 00:56:18,208 --> 00:56:22,418 We calculated this price using � a simple profitability analysis. 554 00:56:22,671 --> 00:56:25,129 We have evaluated our expenses, 555 00:56:25,382 --> 00:56:29,626 to which we added the sums necessary to cover 556 00:56:29,928 --> 00:56:34,548 the amount of licenses for the Museum of Art History, 557 00:56:35,434 --> 00:56:37,221 our profit, etc. 558 00:57:01,293 --> 00:57:03,535 What's blocking? 559 00:57:29,655 --> 00:57:31,066 Shit. 560 00:57:38,622 --> 00:57:41,205 Shit, shit, shit, shit. 561 00:59:39,993 --> 00:59:43,828 How many tables are there in the annex gallery? A thousand? 562 00:59:44,122 --> 00:59:46,205 1,300. 563 00:59:47,375 --> 00:59:50,709 - We have already... - Stored very tightly. 564 00:59:51,630 --> 00:59:54,043 - Yes, terrible! - We can consider 565 00:59:54,341 --> 00:59:58,631 a move of the annex gallery in about 6 months, 566 00:59:58,929 --> 01:00:02,138 once the transport of the works �Himberg will be completed. 567 01:00:02,474 --> 01:00:04,386 The two projects, 568 01:00:04,684 --> 01:00:08,098 the layout of the exhibition rooms and the annex gallery, 569 01:00:08,396 --> 01:00:13,266 must not exceed a certain budget which was set at 180,000 euros. 570 01:00:13,735 --> 01:00:18,526 But... Mr. Frey, every time as I speak to you, it is decreasing! 571 01:00:18,782 --> 01:00:20,523 We talked about 190. 572 01:00:20,784 --> 01:00:25,199 It was 190, but you promised to not spend anything on the Bruegel project. 573 01:00:25,497 --> 01:00:28,535 However, I discovered that 574 01:00:28,834 --> 01:00:31,451 - In what? - In the Bruegel budget. 575 01:00:31,753 --> 01:00:35,997 The IT department claims the sum for the Bruegel project. 576 01:00:37,759 --> 01:00:41,048 But that's another subject. Whether it's 180 or 190... 577 01:00:41,304 --> 01:00:43,796 But Bruegel has a separate budget. 578 01:00:44,266 --> 01:00:46,258 It has been deleted. 579 01:00:46,560 --> 01:00:49,678 We had agreed, we will not be able to do Bruegel this year. 580 01:00:49,980 --> 01:00:51,767 But Bruegel has a separate budget. 581 01:00:52,023 --> 01:00:54,766 The Bruegel Project is funded by the Getty. 582 01:00:55,026 --> 01:00:58,895 Yes, and on top of that, 50,000 euros had been provided for in the budget, 583 01:00:59,197 --> 01:01:01,484 but we agreed that this post 584 01:01:01,741 --> 01:01:04,825 was canceled, and it was deleted of the budgetary process. 585 01:01:05,120 --> 01:01:06,406 And everything else, 586 01:01:06,788 --> 01:01:09,405 like the annex gallery or corner cabinets, 587 01:01:09,666 --> 01:01:11,908 would not be discussed only at the beginning of summer. 588 01:01:12,210 --> 01:01:14,202 If the Kunstkammer is a success. 589 01:01:14,462 --> 01:01:19,002 First if the Kunstkammer is a great financial success, 590 01:01:19,301 --> 01:01:21,418 and if we manage to put in place 591 01:01:21,720 --> 01:01:24,679 an exhibition cooperation on a large scale. 592 01:01:24,973 --> 01:01:27,181 Otherwise, we will have to consider a version 593 01:01:27,475 --> 01:01:29,637 very reduced in the annex gallery. 594 01:01:33,940 --> 01:01:39,152 Here is the first work that I would like much to have for collection. 595 01:01:39,446 --> 01:01:41,984 It's a valet's coat. 596 01:01:42,616 --> 01:01:46,701 We have the livery, but the coat is a very rare piece. 597 01:01:51,166 --> 01:01:54,409 All these items will be sold up for auction today. 598 01:01:55,712 --> 01:02:00,002 We wish you lots of success today. 599 01:02:00,383 --> 01:02:05,174 When your offers have been accepted, you can pay for them at the counter. 600 01:02:06,932 --> 01:02:08,013 500. 601 01:02:09,601 --> 01:02:11,388 An offer of 500 was made. 602 01:02:12,938 --> 01:02:14,600 550 for the 205. 603 01:02:15,106 --> 01:02:16,392 600. 604 01:02:16,858 --> 01:02:18,440 650. 700? 605 01:02:18,735 --> 01:02:20,647 Who is it ? Ah, it's Kinsky. 606 01:02:20,904 --> 01:02:22,736 750. 800? 607 01:02:24,199 --> 01:02:26,657 Should we leave it to the Kinskys? 608 01:02:27,869 --> 01:02:28,609 950. 609 01:02:28,870 --> 01:02:31,112 - Should I continue? - Goes up to 1,000. 610 01:02:31,414 --> 01:02:33,781 950. 1,000 for the 151. 611 01:02:34,084 --> 01:02:35,325 Stop. 612 01:02:35,835 --> 01:02:36,996 Damage. 613 01:02:37,379 --> 01:02:41,293 - It's the Kinskys who are going to buy it. - Too bad, let's stop. 614 01:02:42,884 --> 01:02:45,501 It's not worth it. Damage. 615 01:02:46,137 --> 01:02:51,257 130, 40, 50, 60, 70, 80, 90, order of 200... 616 01:02:51,810 --> 01:02:53,551 Let's go up to 950. 617 01:02:55,939 --> 01:02:58,397 950. 1,100. 618 01:02:58,942 --> 01:02:59,773 Should I continue? 619 01:03:00,151 --> 01:03:04,111 - No, no. Who bids? It's him. - He must have a huge budget. 620 01:03:04,406 --> 01:03:06,113 He left for 6,000! 621 01:03:12,038 --> 01:03:12,903 6,000! 622 01:03:13,206 --> 01:03:15,994 In 20 years, we will find it as collateral. 623 01:03:16,293 --> 01:03:16,953 Exactly. 624 01:03:17,585 --> 01:03:19,451 Okay, this is the last one. 625 01:03:20,422 --> 01:03:23,165 This is our last chance. 626 01:03:34,769 --> 01:03:37,512 1,800 for the 205. 1,900? 627 01:03:38,732 --> 01:03:41,065 2,000 for the 205. 628 01:03:41,359 --> 01:03:44,443 2,000 once, 2,000 twice. 2,000 for the 205... 629 01:03:45,989 --> 01:03:48,356 - Sorry, an offer at 2,300. - It's not possible! 630 01:03:48,658 --> 01:03:50,024 Here we go. 631 01:03:50,327 --> 01:03:51,943 Keep going, keep going. 632 01:03:56,041 --> 01:03:58,533 - Should I bid again? - Yes, again. 633 01:03:59,169 --> 01:04:00,455 Again. 634 01:04:02,380 --> 01:04:03,871 2,600 for the 205. 635 01:04:04,174 --> 01:04:06,507 If we could bring back at least one piece. 636 01:04:06,801 --> 01:04:09,509 - 2,800. - It's incredible! 637 01:04:10,013 --> 01:04:12,175 - 3,000. 3,400... - We'll stop. 638 01:04:12,474 --> 01:04:15,763 - Forget it, it doesn't make sense. - It's a waste. 639 01:04:17,437 --> 01:04:19,178 Who is it ? 640 01:04:19,481 --> 01:04:22,690 They raise prices. It was almost... 641 01:04:23,068 --> 01:04:26,061 - Besides, it had already rung. - Absolutely. 642 01:04:26,363 --> 01:04:28,480 This is not correct. Okay, it's over. 643 01:04:29,199 --> 01:04:31,566 - that would have been the one. - Yes. 644 01:04:31,826 --> 01:04:34,614 It's exactly what is missing from our collection. 645 01:04:34,871 --> 01:04:37,659 - What a shame! - We can't do anything about it. 646 01:04:38,541 --> 01:04:42,330 - It is in perfect condition. - He left at 6,000. 647 01:04:43,338 --> 01:04:45,830 Plus 25% commission. 648 01:04:46,341 --> 01:04:48,628 Our entire budget would have been spent there. 649 01:04:48,927 --> 01:04:52,671 This goes beyond reasonable limits. 650 01:04:53,223 --> 01:04:54,885 He left at 6,000. 651 01:05:27,966 --> 01:05:32,552 - You have a similar part. - But ours is not as beautiful. 652 01:05:34,180 --> 01:05:38,049 Similar, but not as beautiful. The sails are magnificent. 653 01:05:39,561 --> 01:05:41,928 - And there, is that the emperor? - Absolutely. 654 01:05:44,232 --> 01:05:45,814 A magnificent object. 655 01:05:46,276 --> 01:05:47,812 Simply magnificent! 656 01:05:48,194 --> 01:05:51,813 What would happen if it worked? 657 01:05:52,282 --> 01:05:55,195 - Would the trumpets sound? - The boat would not move, 658 01:05:55,493 --> 01:06:00,204 but organ music would come out of these honeycomb pipes, 659 01:06:00,498 --> 01:06:03,536 that we see here... It would sound like bagpipes. 660 01:06:03,835 --> 01:06:05,827 At this time, the boat is immobilized. 661 01:06:06,129 --> 01:06:07,961 When the music bagpipe stops... 662 01:06:08,298 --> 01:06:12,133 The trombonists are active, their paperclips move up and down, 663 01:06:12,594 --> 01:06:15,257 the timpanist plays turning from left to right. 664 01:06:15,722 --> 01:06:18,180 - Once it's over... - From left to right? 665 01:06:18,475 --> 01:06:21,684 When this concert is over, the boat stops. 666 01:06:21,978 --> 01:06:26,564 A turntable, hidden behind this covering triggers a mechanism. 667 01:06:27,817 --> 01:06:31,777 And the wicks, which start near the emperor and along the bridge, 668 01:06:32,071 --> 01:06:35,439 activate the cannons, who throw powder. 669 01:06:35,950 --> 01:06:37,657 And the guests are dejected? 670 01:06:37,952 --> 01:06:40,569 - Yes, the undesirables. - Shot. 671 01:06:41,247 --> 01:06:42,829 Absolutely. 672 01:06:43,291 --> 01:06:45,874 It symbolizes the ship 673 01:06:46,294 --> 01:06:49,128 - of the state. - Absolutely. Exactly. 674 01:06:49,380 --> 01:06:50,496 Amazing. 675 01:06:50,798 --> 01:06:54,257 There is also a banner here which goes all around the ship, 676 01:06:54,719 --> 01:06:57,086 where some kind of motto is written: 677 01:06:57,514 --> 01:06:59,927 "I am the emperor, captain of the ship, 678 01:07:00,183 --> 01:07:02,641 Woe to the helmsman who will dare to challenge me..." 679 01:07:02,936 --> 01:07:04,643 - The emperor at the helm. - Yes. 680 01:07:05,063 --> 01:07:07,055 "No prince will stand in my way, 681 01:07:07,357 --> 01:07:09,849 No matter how strong the wind is, I will resist.” 682 01:07:10,109 --> 01:07:12,943 - Here's what it represents. - Terrific. 683 01:07:13,446 --> 01:07:17,190 It's incredible how timeless this metaphor is! 684 01:07:18,076 --> 01:07:20,443 "The Emperor at the Helm", It reminds us of Mao. 685 01:07:20,703 --> 01:07:24,196 - Mao Tse-Tung "the Great Helmsman". - Exactly. 686 01:07:27,669 --> 01:07:31,834 He must have a huge success with the guests. 687 01:07:32,131 --> 01:07:36,592 Without a doubt. Especially everything this miniaturization system, 688 01:07:37,053 --> 01:07:39,261 and the complexity of the mechanisms. 689 01:07:39,556 --> 01:07:43,049 Office toys from the 16th century! 690 01:07:43,351 --> 01:07:45,593 Yes, but it’s pure luxury. 691 01:07:51,359 --> 01:07:52,975 - THANKS. - It was a pleasure. 692 01:08:00,577 --> 01:08:03,741 I'm in good hands. 693 01:08:04,038 --> 01:08:08,282 What color is it? She has a name, taken from the Pantone color chart? 694 01:08:09,294 --> 01:08:11,627 What would we call this color? 695 01:08:11,921 --> 01:08:14,413 A non-color. It's a non-color. 696 01:08:15,216 --> 01:08:16,582 In this presentation, 697 01:08:16,968 --> 01:08:20,712 the idea is that each part of the Museum has its own logo. 698 01:08:21,014 --> 01:08:23,677 It's a big change, just like... 699 01:08:24,142 --> 01:08:26,850 at the Chamber of Treasures and at the Carriage Museum 700 01:08:27,103 --> 01:08:29,345 comes the term “imperial”. 701 01:08:29,647 --> 01:08:33,641 For the tourist aspect, the word "imperial" has been evaluated 702 01:08:33,901 --> 01:08:36,393 as a very attractive term... 703 01:08:36,696 --> 01:08:37,937 As well as... 704 01:08:38,448 --> 01:08:41,031 - It's not translated? - No. 705 01:08:43,161 --> 01:08:44,242 It's very airy. 706 01:08:44,829 --> 01:08:47,287 The design is sophisticated, he has style. 707 01:08:47,540 --> 01:08:49,497 - elegant. - Yes, elegant. 708 01:08:49,959 --> 01:08:54,124 As for the new logo, it seems like it has always existed. 709 01:08:54,380 --> 01:08:56,918 It is neither too flashy nor too modern. 710 01:08:57,216 --> 01:09:00,880 It is stylish and completely timeless. 711 01:09:01,262 --> 01:09:02,753 Exactly. 712 01:09:04,223 --> 01:09:05,213 It's going well. 713 01:09:05,558 --> 01:09:06,594 Very good. 714 01:09:16,527 --> 01:09:19,895 The main change in content 715 01:09:20,323 --> 01:09:23,657 is the addition of the term "imperial" in expressions. 716 01:09:23,910 --> 01:09:26,869 Studies achieved in the tourism sector 717 01:09:27,163 --> 01:09:29,951 revealed that it was a very catchy term. 718 01:09:30,458 --> 01:09:32,996 For me, this design is very classic. 719 01:09:33,419 --> 01:09:37,333 That's exactly it, you found the right expression. 720 01:09:37,924 --> 01:09:38,414 Perfect. 721 01:09:38,716 --> 01:09:42,084 The logo, too, is neither too flashy nor too modern. 722 01:09:42,345 --> 01:09:44,712 It is timeless and very stylish. 723 01:09:45,098 --> 01:09:49,809 The way it appears on the poster gives it a very majestic appearance, 724 01:09:50,061 --> 01:09:54,431 maybe even a little strict and noble at the same time. 725 01:09:55,108 --> 01:09:58,476 I like it. It's elegant, It's simple, nothing flashy. 726 01:09:58,778 --> 01:10:01,737 I have nothing to add. You said it all. 727 01:10:19,966 --> 01:10:22,800 Have you already seen the logo? 728 01:10:24,220 --> 01:10:25,256 Never. 729 01:10:25,555 --> 01:10:29,845 I realize that our Treasure is now called "Imperial Treasure". 730 01:10:31,436 --> 01:10:33,769 You didn't know that? 731 01:10:34,856 --> 01:10:38,816 There will also be this denomination on the Museum buildings? 732 01:10:39,068 --> 01:10:43,233 Yes, flames or banners will be installed outside. 733 01:10:43,740 --> 01:10:46,073 We must see what works best. 734 01:10:46,367 --> 01:10:48,074 For the Chamber of Treasures, 735 01:10:48,369 --> 01:10:53,285 there will surely be signs displaying the “Kaiserliche Schatzkammer Wien” logo. 736 01:11:06,095 --> 01:11:07,757 I have my box here. 737 01:11:08,806 --> 01:11:11,093 I'll give you all that too. 738 01:11:12,059 --> 01:11:13,766 “Horses in Asia.” 739 01:11:14,854 --> 01:11:17,471 This is all mine, you know? 740 01:11:17,774 --> 01:11:19,766 No, not this one. 741 01:11:20,026 --> 01:11:22,063 No, I mean this one. 742 01:11:22,779 --> 01:11:24,771 Not the other, of course. 743 01:11:59,232 --> 01:12:01,565 Be careful, watch out for the chandeliers. 744 01:12:09,075 --> 01:12:13,365 It’s really precision work, it's incredible. 745 01:12:30,638 --> 01:12:35,758 It is also a gesture of his own, when his hand points to his heart, 746 01:12:36,060 --> 01:12:39,098 as if to say: “My whole heart goes out to the country.” 747 01:12:39,480 --> 01:12:42,564 Joseph expresses it differently. 748 01:12:43,025 --> 01:12:45,688 Joseph will rather direct his hand to maps. 749 01:12:46,070 --> 01:12:49,734 “Look, this is my country!” So that she is the maternal instinct... 750 01:12:50,032 --> 01:12:51,898 This is how she is represented 751 01:12:52,326 --> 01:12:54,784 in most paintings. 752 01:12:55,079 --> 01:12:57,537 I am happy that she found her place 753 01:12:58,165 --> 01:13:01,829 and that the restoration be such a success. 754 01:13:02,128 --> 01:13:05,587 The President of the Republic would like to express its thanks to you, 755 01:13:05,882 --> 01:13:08,875 because it really wasn't obvious to undertake 756 01:13:09,343 --> 01:13:14,338 a restoration of this magnitude and such a long-term project, 757 01:13:14,640 --> 01:13:17,633 in addition to all the work what the Art History Museum requires 758 01:13:17,935 --> 01:13:20,803 and the Kunstkammer, which will soon be completed. 759 01:13:21,147 --> 01:13:25,391 Especially when we know that restaurateurs have a lot to do 760 01:13:25,693 --> 01:13:29,357 to maintain the tables which are hung here for centuries. 761 01:13:29,655 --> 01:13:33,148 The choices do not depend what aesthetic criteria, 762 01:13:33,451 --> 01:13:37,195 they respond to a necessity. The President is grateful to you. 763 01:13:37,496 --> 01:13:39,533 We must preserve this Austrian heritage 764 01:13:39,832 --> 01:13:42,996 so that our guests and our visitors benefit from it. 765 01:13:43,294 --> 01:13:47,538 This painting is a famous work, it was in the school textbooks: 766 01:13:47,840 --> 01:13:50,423 "Marie-Th�r�se and her four sons". 767 01:13:50,927 --> 01:13:54,420 Restoration workshops of the Museum of Art History 768 01:13:54,722 --> 01:13:56,258 did an excellent job. 769 01:13:56,557 --> 01:13:59,391 If we arrange the table like this, It should be fine. 770 01:13:59,685 --> 01:14:02,723 The President will be standing here. Not too many reflections? 771 01:14:02,980 --> 01:14:04,846 - Yes, a lot. - Lots of reflections? 772 01:14:05,107 --> 01:14:07,770 - Yes. - That's still the problem. 773 01:14:08,027 --> 01:14:11,566 I see. We must therefore choose another angle of view. 774 01:15:10,464 --> 01:15:11,705 It's good. 775 01:16:05,061 --> 01:16:07,644 It's very solemn. Should we say something? 776 01:16:07,938 --> 01:16:10,601 I would like to say something. 777 01:16:11,025 --> 01:16:13,233 Even if all this is in your honor. 778 01:16:13,527 --> 01:16:18,318 - But I have nothing to say. - I am happy to speak. 779 01:16:18,616 --> 01:16:20,073 Dear Christian, 780 01:16:20,367 --> 01:16:23,326 Dear Mr. Director Christian Beaufort-Spontin, 781 01:16:23,621 --> 01:16:25,738 director of the arms collection. 782 01:16:26,040 --> 01:16:30,410 Above all, I wish you health, 783 01:16:30,711 --> 01:16:35,376 strength and optimism for your retirement. 784 01:16:36,175 --> 01:16:38,883 And I want to thank you from the bottom of the heart 785 01:16:39,178 --> 01:16:41,545 for the long years of collaboration 786 01:16:41,847 --> 01:16:45,136 and friendship that I had the chance to share with you. 787 01:16:45,434 --> 01:16:50,350 It is a privilege to be able to benefit such working relationships. 788 01:16:50,648 --> 01:16:55,313 It is very precious. For this too, I thank you warmly. 789 01:16:56,320 --> 01:17:00,360 It is also a privilege for me, as General Director of the Museum, 790 01:17:00,658 --> 01:17:02,615 to send you thanks 791 01:17:02,868 --> 01:17:07,488 from Madam Minister, Claudia Schmied. 792 01:17:07,748 --> 01:17:11,537 I have to read his letter, I don't know it by heart. 793 01:17:12,419 --> 01:17:14,456 "Mr. Court Advisor, 794 01:17:14,755 --> 01:17:16,917 "On the occasion of your retirement, 795 01:17:17,216 --> 01:17:19,629 I want To express my gratitude to you 796 01:17:19,927 --> 01:17:23,796 "for your long years of activity within the Museum of Art History, 797 01:17:24,098 --> 01:17:26,431 "and wish you good years to come. 798 01:17:26,725 --> 01:17:29,559 "With all my sympathy, the Federal Minister." 799 01:17:30,020 --> 01:17:32,057 Allow me, dear Christian, 800 01:17:32,356 --> 01:17:34,313 to give you this letter of greeting 801 01:17:34,692 --> 01:17:37,230 from Madam Minister. 802 01:17:37,736 --> 01:17:42,447 I take this opportunity to thank you once again 803 01:17:42,825 --> 01:17:45,863 for your years of service within the Museum. 804 01:17:46,162 --> 01:17:49,746 The word "service" is no longer very often used nowadays, 805 01:17:50,040 --> 01:17:54,660 but you really “served” this Museum and it is something very precious. 806 01:17:54,962 --> 01:17:57,295 And so, to finish, 807 01:17:58,507 --> 01:18:01,500 - all my congratulations. - to you too, thank you very much. 808 01:18:01,802 --> 01:18:03,589 Thank you, dear Christian. 809 01:18:13,772 --> 01:18:16,560 I don't know what to say. I am deeply touched. 810 01:18:16,859 --> 01:18:19,192 It's a wonderful place 811 01:18:19,612 --> 01:18:22,730 and I hope that it will continue like this, 812 01:18:23,908 --> 01:18:25,024 and... 813 01:18:26,744 --> 01:18:28,861 I don't know what else to say. 814 01:20:48,719 --> 01:20:50,460 Paul, come a little closer. 815 01:20:57,102 --> 01:20:59,970 You can turn around a little towards the window. 816 01:21:00,272 --> 01:21:02,389 - Like that? - Even more. 817 01:21:02,691 --> 01:21:05,183 - There, is that good? - Yes, perfect. 818 01:21:08,947 --> 01:21:10,313 Another one. 819 01:21:10,616 --> 01:21:12,608 - Another one. - Is it like that? 820 01:21:13,660 --> 01:21:16,198 I don't remember how I stood. 821 01:21:16,580 --> 01:21:18,742 - You have to tell us. - It's good ? 822 01:21:19,083 --> 01:21:20,494 Yes, one more moment. 823 01:21:23,420 --> 01:21:26,709 Sabine, turn your shoulders a little... Yes, like that. It's good. 824 01:21:27,007 --> 01:21:28,919 - Should I turn around too? - Yes. 825 01:21:29,218 --> 01:21:31,084 See, I knew it. 826 01:21:32,471 --> 01:21:34,679 - Always stay online. - Like at the ice rink. 827 01:21:37,184 --> 01:21:41,269 The documentation is superb. 828 01:21:44,316 --> 01:21:48,151 A table for press kits and one for catalogs. 829 01:21:49,405 --> 01:21:52,113 We will prepare 300 press kits in German 830 01:21:52,408 --> 01:21:53,740 and 200 in English. 831 01:21:54,868 --> 01:21:58,361 When the President of the Republic will arrive... 832 01:21:58,622 --> 01:22:01,205 He should arrive at 5 p.m. sharp. 833 01:22:01,917 --> 01:22:04,705 Mr. Pihorner will then receive a call, 834 01:22:05,003 --> 01:22:07,871 he will have to ask � Sabine Haag and � Paul Frey 835 01:22:08,173 --> 01:22:10,665 to go to the main entrance 836 01:22:11,051 --> 01:22:13,293 to welcome Mr. President. 837 01:22:13,720 --> 01:22:18,511 Next up is Barbara Rett who will give the floor to Mr. President. 838 01:22:18,809 --> 01:22:21,051 The President will then deliver his speech. 839 01:22:21,645 --> 01:22:26,356 And at the end, he will announce: “I declare the Kunstkammer open.” 840 01:22:27,901 --> 01:22:29,563 Afterwards, 841 01:22:29,820 --> 01:22:35,657 Sabine Haag and Madam Minister will approach Mr. President and, 842 01:22:36,034 --> 01:22:40,074 followed by official guests, they will return to the main staircase 843 01:22:40,497 --> 01:22:42,489 which leads to the Kunstkammer. 844 01:22:42,749 --> 01:22:44,240 At the bottom of the stairs, 845 01:22:44,501 --> 01:22:48,791 we will have the traditional coupe ribbon as an inauguration. 846 01:22:49,089 --> 01:22:52,253 But just before, the President... 847 01:22:52,509 --> 01:22:56,002 Ms. Harsdorf will be ready with the guest book, 848 01:22:56,263 --> 01:23:00,678 and Mr. President and Madam Minister, as well as Ms Prammer, 849 01:23:00,976 --> 01:23:03,559 will inaugurate the guestbook. 850 01:23:03,854 --> 01:23:04,890 Then, 851 01:23:05,147 --> 01:23:09,107 Sabine Haag, Paul Frey, Mr. President 852 01:23:09,401 --> 01:23:13,486 and Madam Minister will go behind the ribbon passing along the sides. 853 01:23:13,780 --> 01:23:16,614 This is where the official session photos will take place. 854 01:23:16,867 --> 01:23:18,733 Then the fanfare will begin to play. 855 01:23:19,036 --> 01:23:23,827 After the fanfare pieces, they will all cut the ribbon together. 856 01:25:56,026 --> 01:25:58,143 2,200 objects... 857 01:26:00,822 --> 01:26:04,156 It's a tapestry which dates from the end of the Middle Ages... 858 01:34:09,519 --> 01:34:11,431 Adaptation: Carole Formont 859 01:34:14,524 --> 01:34:16,436 Subtitles: C.M.C. - Paris