1 00:00:08,008 --> 00:00:09,009 [ KNOCK ON GLASS ] 2 00:00:16,767 --> 00:00:21,396 THIS IS THE ORIGINAL 3 00:00:16,767 --> 00:00:21,396 ART MANIFEST FROM THE U-BOAT. 4 00:00:21,438 --> 00:00:24,733 I NEED YOU TO TRANSLATE 5 00:00:21,438 --> 00:00:24,733 THESE 22 PAINTINGS INTO ENGLISH. 6 00:00:24,775 --> 00:00:28,111 I CAN DO THAT. 7 00:00:24,775 --> 00:00:28,111 NOT HERE. 8 00:00:24,775 --> 00:00:28,111 DO IT AT HOME. 9 00:00:28,153 --> 00:00:31,072 HOW LONG 10 00:00:28,153 --> 00:00:31,072 WILL IT TAKE? 11 00:00:31,114 --> 00:00:33,074 A FEW HOURS. 12 00:00:31,114 --> 00:00:33,074 DON'T USE 13 00:00:31,114 --> 00:00:33,074 THE INTERNET. 14 00:00:33,116 --> 00:00:35,076 I DON'T NEED SOMEONE 15 00:00:33,116 --> 00:00:35,076 PIECING THIS TOGETHER 16 00:00:35,118 --> 00:00:36,912 FROM YOUR 17 00:00:35,118 --> 00:00:36,912 GOOGLE TRANSLATION PAGE. 18 00:00:36,954 --> 00:00:38,539 YOU'RE GETTING AS PARANOID 19 00:00:36,954 --> 00:00:38,539 AS MOZZIE. 20 00:00:40,123 --> 00:00:41,124 MAYBE. 21 00:00:41,166 --> 00:00:43,210 A CUP OF TEA, 22 00:00:41,166 --> 00:00:43,210 A GERMAN-ENGLISH DICTIONARY, 23 00:00:43,251 --> 00:00:45,086 AND I'LL HAVE IT TRANSLATED 24 00:00:43,251 --> 00:00:45,086 IN A DAY OR TWO. 25 00:00:45,128 --> 00:00:48,131 GOOD. 26 00:00:48,173 --> 00:00:50,091 YOUR COPY 27 00:00:50,133 --> 00:00:54,095 GOES TO AGENT MELISSA MATTHEWS 28 00:00:50,133 --> 00:00:54,095 FROM D.C. ART CRIMES. 29 00:00:54,137 --> 00:00:56,515 SHE LEAVES NEW YORK 30 00:00:54,137 --> 00:00:56,515 IN THE END OF THE WEEK. 31 00:00:56,557 --> 00:00:58,225 YOU GOT IT, BOSS. 32 00:00:58,266 --> 00:01:01,102 YOU KNOW 33 00:00:58,266 --> 00:01:01,102 WHAT THEY SAY. 34 00:01:01,144 --> 00:01:04,648 WHEN THEY'RE OUT TO GET YOU, 35 00:01:01,144 --> 00:01:04,648 PARANOIA IS ONLY GOOD THINKING. 36 00:01:08,109 --> 00:01:10,070 [ INDISTINCT CONVERSATIONS ] 37 00:01:18,996 --> 00:01:21,040 WORKING LATE? 38 00:01:21,081 --> 00:01:22,499 NO, JUST 39 00:01:21,081 --> 00:01:22,499 WRAPPING UP PAPERWORK 40 00:01:22,541 --> 00:01:24,251 ON THAT BLACK-MARKET 41 00:01:22,541 --> 00:01:24,251 LICHTENSTEIN. 42 00:01:24,292 --> 00:01:25,878 SEE YOU TOMORROW, 43 00:01:24,292 --> 00:01:25,878 CAFFREY. 44 00:01:25,920 --> 00:01:27,128 SEE YA. 45 00:01:27,170 --> 00:01:29,673 [ ELEVATOR BELL DINGS ] 46 00:01:27,170 --> 00:01:29,673 HOLD THE ELEVATOR. 47 00:01:35,178 --> 00:01:36,805 [ CELLPHONE BEEPS ] 48 00:01:36,847 --> 00:01:39,098 [ CELLPHONE VIBRATES, BEEPS ] 49 00:01:49,568 --> 00:01:50,945 DIANA! 50 00:01:53,781 --> 00:01:55,699 Diana: OH. 51 00:01:53,781 --> 00:01:55,699 YOU DROPPED THIS. 52 00:01:55,741 --> 00:01:56,992 THANKS. 53 00:01:59,202 --> 00:02:00,996 LOOKS GOOD ON YOU. 54 00:02:01,038 --> 00:02:02,873 WAS THAT A PRESENT? 55 00:02:02,915 --> 00:02:04,249 NO. 56 00:02:02,915 --> 00:02:04,249 UH-HUH. 57 00:02:04,291 --> 00:02:06,126 IT'S NICE. 58 00:02:04,291 --> 00:02:06,126 Christie: DI! 59 00:02:14,051 --> 00:02:15,218 HEY. 60 00:02:14,051 --> 00:02:15,218 HEY. 61 00:02:19,222 --> 00:02:22,309 NEAL, THIS IS MY GIRLFRIEND, 62 00:02:19,222 --> 00:02:22,309 CHRISTIE. 63 00:02:22,350 --> 00:02:23,727 CHRISTIE. 64 00:02:23,769 --> 00:02:26,229 IT'S SO NICE 65 00:02:23,769 --> 00:02:26,229 TO FINALLY MEET YOU. 66 00:02:26,271 --> 00:02:29,190 THE INFAMOUS 67 00:02:26,271 --> 00:02:29,190 NEAL CAFFREY. 68 00:02:26,271 --> 00:02:29,190 [ CHUCKLES ] 69 00:02:29,232 --> 00:02:31,276 I THINK HIS SMILE'S 70 00:02:29,232 --> 00:02:31,276 MORE CHARMING THAN DEVIOUS. 71 00:02:31,318 --> 00:02:32,486 THANK YOU. 72 00:02:32,527 --> 00:02:34,195 TRUST ME, 73 00:02:32,527 --> 00:02:34,195 IT'S DEVIOUS. 74 00:02:34,237 --> 00:02:36,197 Diana: WE SHOULD GO. WE'LL BE 75 00:02:34,237 --> 00:02:36,197 LATE FOR OUR RESERVATION. 76 00:02:36,239 --> 00:02:37,699 DATE NIGHT, HUH? 77 00:02:37,741 --> 00:02:39,200 WHERE YOU HEADED? 78 00:02:39,242 --> 00:02:40,201 Christie: BABBO. 79 00:02:40,243 --> 00:02:41,703 OH, EXCELLENT. 80 00:02:41,745 --> 00:02:43,371 THEIR TRUFFLE RISOTTO 81 00:02:41,745 --> 00:02:43,371 WAS THE INSPIRATION FOR MINE. 82 00:02:43,413 --> 00:02:45,833 YOU COOK? 83 00:02:43,413 --> 00:02:45,833 I DABBLE. 84 00:02:45,874 --> 00:02:48,209 THE SECRET'S THE CHEESE. 85 00:02:45,874 --> 00:02:48,209 I USE RAW-MILK PECORINO. 86 00:02:48,251 --> 00:02:50,211 YOU SEE? UNPASTEURIZED DAIRY 87 00:02:48,251 --> 00:02:50,211 IS ILLEGAL. 88 00:02:50,253 --> 00:02:51,463 DEVIOUS. 89 00:02:51,505 --> 00:02:53,214 ILLEGAL TO SELL. 90 00:02:51,505 --> 00:02:53,214 MINE WAS A GIFT. 91 00:02:53,256 --> 00:02:56,301 YOU'RE A CHEF. 92 00:02:53,256 --> 00:02:56,301 I, UH, ATTEMPT DESSERTS. 93 00:02:56,343 --> 00:02:59,220 OH. WELL, 94 00:02:56,343 --> 00:02:59,220 WE SHOULD COMBINE FORCES. 95 00:02:59,262 --> 00:03:01,849 LET'S HAVE A DATE NIGHT 96 00:02:59,262 --> 00:03:01,849 THIS WEEK. I'LL BRING SARA. 97 00:03:01,890 --> 00:03:03,224 SURE. WE'LL PUT IT 98 00:03:01,890 --> 00:03:03,224 ON THE BOOKS. 99 00:03:03,266 --> 00:03:05,060 YOU READY? 100 00:03:03,266 --> 00:03:05,060 READY. 101 00:03:05,102 --> 00:03:06,185 GOOD TO MEET YOU, NEAL. 102 00:03:06,227 --> 00:03:07,186 GOOD TO MEET YOU. 103 00:03:17,031 --> 00:03:19,240 FOILED... 104 00:03:19,282 --> 00:03:21,200 BY MS. LADY SUIT. 105 00:03:21,242 --> 00:03:24,038 DR. LADY SUIT. 106 00:03:21,242 --> 00:03:24,038 AH. 107 00:03:24,079 --> 00:03:27,833 ANY IDEA WHEN OUR ART-CRIMES 108 00:03:24,079 --> 00:03:27,833 AGENT IS HEADING BACK TO D.C.? 109 00:03:27,875 --> 00:03:30,293 THE BUREAU TRAVEL DEPARTMENT 110 00:03:27,875 --> 00:03:30,293 HAS HER FLYING OUT ON FRIDAY. 111 00:03:30,335 --> 00:03:33,254 DARE I SAY, 112 00:03:30,335 --> 00:03:33,254 OUR TARGET HAS SHIFTED. 113 00:03:33,296 --> 00:03:34,589 YEAH. 114 00:03:34,631 --> 00:03:36,257 ASSUMING THE LIST 115 00:03:34,631 --> 00:03:36,257 IS IN THAT BRIEFCASE, 116 00:03:36,299 --> 00:03:38,677 WE NEED TO GET A LOOK 117 00:03:36,299 --> 00:03:38,677 BEFORE DIANA DELIVERS IT TO HER. 118 00:03:38,719 --> 00:03:40,220 I'LL FOLLOW. 119 00:03:49,312 --> 00:03:51,690 THANKS FOR COMING, 120 00:03:49,312 --> 00:03:51,690 JONES. 121 00:03:51,732 --> 00:03:53,067 SURE, PETER. 122 00:03:51,732 --> 00:03:53,067 WHAT'S UP? 123 00:03:53,108 --> 00:03:54,693 YOU KNOW 124 00:03:53,108 --> 00:03:54,693 WHO HELEN ANDERSON IS? 125 00:03:54,735 --> 00:03:56,778 YEAH, EXECUTIVE EDITOR 126 00:03:54,735 --> 00:03:56,778 AT CIRCUMSPECT. 127 00:03:56,820 --> 00:03:58,697 WROTE THAT KILLER EXPOSé 128 00:03:56,820 --> 00:03:58,697 ON BIG OIL. 129 00:03:58,739 --> 00:04:01,408 THAT'S HER. 130 00:03:58,739 --> 00:04:01,408 TAKE A LOOK AT THESE. 131 00:04:01,449 --> 00:04:04,078 AH, 132 00:04:01,449 --> 00:04:04,078 SOMEONE'S FOLLOWING HER. 133 00:04:04,119 --> 00:04:06,205 SOMEONE'S 134 00:04:04,119 --> 00:04:06,205 THREATENING HER. 135 00:04:06,246 --> 00:04:08,289 WOW. SHE CALL US IN? 136 00:04:08,331 --> 00:04:12,169 HER BOSS DID -- LELAND SHELTON. 137 00:04:08,331 --> 00:04:12,169 HE OWNS THE MAGAZINE. 138 00:04:12,211 --> 00:04:13,336 AND THE PAPER I READ 139 00:04:13,378 --> 00:04:15,589 AND THE NEWS CHANNEL 140 00:04:13,378 --> 00:04:15,589 I WATCH EVERY MORNING. 141 00:04:15,630 --> 00:04:16,757 LELAND'S GOLF BUDDY'S 142 00:04:16,798 --> 00:04:19,093 WITH THE HEAD 143 00:04:16,798 --> 00:04:19,093 OF THE WHITE-COLLAR DIVISION, 144 00:04:19,134 --> 00:04:20,677 SO LOOKS LIKE 145 00:04:19,134 --> 00:04:20,677 WE'RE HELPING OUT. 146 00:04:20,719 --> 00:04:22,303 GOT TO LOVE 147 00:04:20,719 --> 00:04:22,303 COUNTRY-CLUB POLITICS. 148 00:04:22,345 --> 00:04:24,347 SO WE'RE HERE TO FIND OUT 149 00:04:22,345 --> 00:04:24,347 IF THE THREAT'S 150 00:04:24,389 --> 00:04:26,307 COMING FROM SOMEONE 151 00:04:24,389 --> 00:04:26,307 SHE'S DIGGING INTO. 152 00:04:26,349 --> 00:04:27,559 THAT, TOO. 153 00:04:27,601 --> 00:04:30,812 WHEN WAS THE LAST TIME 154 00:04:27,601 --> 00:04:30,812 YOU WERE ON PROTECTIVE DETAIL? 155 00:04:30,854 --> 00:04:32,898 REALLY? 156 00:04:30,854 --> 00:04:32,898 MM-HMM. 157 00:04:32,940 --> 00:04:34,900 I'M THE ONE THAT PULLED 158 00:04:32,940 --> 00:04:34,900 HELEN OUT OF THE FIELD 159 00:04:34,942 --> 00:04:36,484 AND ONTO THE MASTHEAD 160 00:04:34,942 --> 00:04:36,484 OF THIS MAGAZINE. 161 00:04:36,526 --> 00:04:38,278 I APPRECIATE 162 00:04:36,526 --> 00:04:38,278 YOUR HELP. 163 00:04:38,319 --> 00:04:39,487 HELEN? 164 00:04:39,529 --> 00:04:41,656 DO YOU HAVE A MINUTE? 165 00:04:41,698 --> 00:04:44,993 4,320. THAT'S HOW MANY MINUTES 166 00:04:41,698 --> 00:04:44,993 I HAVE TILL MY DEADLINE. 167 00:04:45,035 --> 00:04:46,327 NOT NOW, LELAND. 168 00:04:46,369 --> 00:04:48,080 OH, 169 00:04:46,369 --> 00:04:48,080 THIS WON'T TAKE LONG. 170 00:04:49,414 --> 00:04:53,001 THESE ARE AGENTS BURKE AND JONES 171 00:04:49,414 --> 00:04:53,001 FROM THE FBI. 172 00:04:55,587 --> 00:04:56,964 WHAT ARE YOU DOING 173 00:04:55,587 --> 00:04:56,964 WITH THESE? 174 00:04:57,005 --> 00:04:59,800 THEY GOT THEM FROM ME. 175 00:04:57,005 --> 00:04:59,800 I'M CONCERNED, HELEN. 176 00:04:59,841 --> 00:05:01,843 AND I KNOW 177 00:04:59,841 --> 00:05:01,843 WHERE YOU GOT THEM. 178 00:05:01,885 --> 00:05:03,011 MELINDA! 179 00:05:03,053 --> 00:05:05,555 I TOLD YOU 180 00:05:03,053 --> 00:05:05,555 TO THROW THESE OUT! 181 00:05:05,597 --> 00:05:07,182 SHE WAS WORRIED 182 00:05:05,597 --> 00:05:07,182 ABOUT YOU. 183 00:05:07,224 --> 00:05:09,476 YOU'RE DONE. 184 00:05:07,224 --> 00:05:09,476 YOU'RE FIRED. NOW. 185 00:05:09,517 --> 00:05:10,644 Shelton: HELEN. 186 00:05:10,685 --> 00:05:13,396 AND DON'T INTERFERE 187 00:05:10,685 --> 00:05:13,396 WITH MY STAFF. 188 00:05:13,438 --> 00:05:16,650 MS. ANDERSON, OUR JOB IS TO 189 00:05:13,438 --> 00:05:16,650 FIGURE OUT WHO MADE THE THREAT. 190 00:05:16,691 --> 00:05:19,278 COULD IT BE RELATED 191 00:05:16,691 --> 00:05:19,278 TO A CURRENT STORY? 192 00:05:19,319 --> 00:05:22,363 CURRENT STORY. 193 00:05:22,405 --> 00:05:24,199 THIS... 194 00:05:24,241 --> 00:05:25,867 STUCK IN MY DOOR 195 00:05:24,241 --> 00:05:25,867 IN KABUL. 196 00:05:25,909 --> 00:05:29,370 THIS GRENADE THROWN 197 00:05:25,909 --> 00:05:29,370 IN MY CAMERA BAG IN CHECHNYA. 198 00:05:29,412 --> 00:05:34,542 THIS EFFIGY BURNED OUTSIDE 199 00:05:29,412 --> 00:05:34,542 MY DOOR IN WEST VIRGINIA. 200 00:05:34,584 --> 00:05:36,419 I WRITE STORIES 201 00:05:34,584 --> 00:05:36,419 THAT MAKE ENEMIES. 202 00:05:36,461 --> 00:05:40,381 IF I SHARE MY INFORMATION 203 00:05:36,461 --> 00:05:40,381 WITH YOU AND YOU SCREW IT UP, 204 00:05:40,423 --> 00:05:42,092 IT ALL FALLS APART. 205 00:05:42,134 --> 00:05:45,386 ALL THESE PICTURES MEAN 206 00:05:42,134 --> 00:05:45,386 IS THAT I'M ON THE RIGHT TRACK. 207 00:05:45,428 --> 00:05:48,682 WHOEVER TOOK THESE PHOTOS 208 00:05:45,428 --> 00:05:48,682 KNOWS YOUR ROUTINE. 209 00:05:48,723 --> 00:05:50,391 THEY GOT CLOSE. 210 00:05:50,433 --> 00:05:52,644 ALL THEY HAD TO DO 211 00:05:50,433 --> 00:05:52,644 WAS PULL THE TRIGGER. 212 00:05:52,686 --> 00:05:54,521 BUT THEY DIDN'T. 213 00:05:54,562 --> 00:05:57,398 I'M NOT ASKING YOU 214 00:05:54,562 --> 00:05:57,398 TO DROP THE PIECE, HELEN. 215 00:05:57,440 --> 00:05:59,276 JUST LET THEM 216 00:05:57,440 --> 00:05:59,276 PROTECT YOU. 217 00:05:59,318 --> 00:06:00,443 YOU WON'T EVEN KNOW 218 00:05:59,318 --> 00:06:00,443 I'M THERE. 219 00:06:00,485 --> 00:06:02,279 OH, REALLY? 220 00:06:02,321 --> 00:06:04,948 I WON'T SEE YOUR BLACK S.U.V. 221 00:06:02,321 --> 00:06:04,948 PARKED A HALF A BLOCK AWAY 222 00:06:04,990 --> 00:06:07,242 OR YOUR WINGTIPS FOLLOWING ME 223 00:06:04,990 --> 00:06:07,242 DOWN THE HALLWAY? 224 00:06:07,284 --> 00:06:10,037 I DON'T NEED 225 00:06:07,284 --> 00:06:10,037 A GOVERNMENT SHADOW. 226 00:06:10,078 --> 00:06:13,456 IF YOU'LL EXCUSE ME, GENTLEMEN, 227 00:06:10,078 --> 00:06:13,456 I HAVE A DEADLINE. 228 00:06:24,259 --> 00:06:28,013 KEEP HER ALIVE. 229 00:06:24,259 --> 00:06:28,013 DO WHATEVER YOU HAVE TO DO. 230 00:06:28,055 --> 00:06:30,389 I'LL HELP 231 00:06:28,055 --> 00:06:30,389 IN ANY WAY I CAN. 232 00:06:32,309 --> 00:06:34,269 SO WE'RE SUPPOSED TO 233 00:06:32,309 --> 00:06:34,269 PROTECT SOMEONE 234 00:06:34,311 --> 00:06:36,355 WHO WON'T LET US 235 00:06:34,311 --> 00:06:36,355 WITHIN 100 YARDS OF HER. 236 00:06:36,395 --> 00:06:38,148 YUP. 237 00:06:38,190 --> 00:06:40,359 HEY. 238 00:06:40,399 --> 00:06:42,027 SORRY ABOUT THAT. 239 00:06:42,069 --> 00:06:43,402 DON'T BE. 240 00:06:43,444 --> 00:06:44,988 BEEN HERE A MONTH, 241 00:06:43,444 --> 00:06:44,988 AND I'VE AGED 10 YEARS. 242 00:06:45,030 --> 00:06:46,447 MM. 243 00:06:46,489 --> 00:06:49,868 WELL, GOOD LUCK 244 00:06:46,489 --> 00:06:49,868 TO HER NEXT ASSISTANT. 245 00:06:54,497 --> 00:06:56,250 I LOVE HELEN ANDERSON. 246 00:06:56,291 --> 00:06:58,543 SHE'LL TAKE ON WALL STREET, 247 00:06:56,291 --> 00:06:58,543 BIG OIL. SHE'S FEARLESS. 248 00:06:58,585 --> 00:07:01,380 GREAT, BECAUSE WE'RE 249 00:06:58,585 --> 00:07:01,380 SENDING YOU INTO THE MAGAZINE 250 00:07:01,420 --> 00:07:02,797 TO KEEP HER SAFE. 251 00:07:02,839 --> 00:07:04,423 WE CAN INVESTIGATE 252 00:07:02,839 --> 00:07:04,423 THE THREATS, 253 00:07:04,465 --> 00:07:06,343 BUT WE CAN'T INTERFERE 254 00:07:04,465 --> 00:07:06,343 WITH HER STORY. 255 00:07:06,385 --> 00:07:07,844 SO I NEED YOU TO KEEP AN EYE 256 00:07:06,385 --> 00:07:07,844 ON ANY LEADS 257 00:07:07,886 --> 00:07:09,428 THAT YOU MIGHT SEE 258 00:07:07,886 --> 00:07:09,428 WHILE YOU'RE THERE. 259 00:07:09,470 --> 00:07:10,805 GOT IT. 260 00:07:09,470 --> 00:07:10,805 ONE OTHER THING. 261 00:07:10,847 --> 00:07:12,515 HELEN REFUSES 262 00:07:10,847 --> 00:07:12,515 FBI PROTECTION, 263 00:07:12,557 --> 00:07:15,352 SO SHE CAN'T KNOW THAT 264 00:07:12,557 --> 00:07:15,352 THAT'S WHY YOU'RE THERE. 265 00:07:15,394 --> 00:07:16,477 HOW'S THAT GONNA WORK? 266 00:07:16,519 --> 00:07:18,521 UH...PSHEW. 267 00:07:16,519 --> 00:07:18,521 JONES? 268 00:07:18,563 --> 00:07:21,233 WELL, HOW MANY WORDS 269 00:07:18,563 --> 00:07:21,233 CAN YOU TYPE PER MINUTE? 270 00:07:21,275 --> 00:07:23,360 OH. 271 00:07:23,402 --> 00:07:25,737 SO I'LL BE AN 272 00:07:23,402 --> 00:07:25,737 UNDERCOVER BODYGUARD/ASSISTANT. 273 00:07:25,779 --> 00:07:28,489 AS IN DRY-CLEANING 274 00:07:25,779 --> 00:07:28,489 AND DOG-WALKING? 275 00:07:28,531 --> 00:07:31,368 WE MADE YOU 276 00:07:28,531 --> 00:07:31,368 A BULLETPROOF RéSUMé -- 277 00:07:31,410 --> 00:07:35,372 GRADUATE OF HELEN'S ALMA MATER, 278 00:07:31,410 --> 00:07:35,372 IMPECCABLE WORK EXPERIENCE. 279 00:07:35,414 --> 00:07:37,498 NOW ALL YOU NEED TO DO 280 00:07:35,414 --> 00:07:37,498 IS NAIL THE INTERVIEW. 281 00:07:37,540 --> 00:07:39,042 I HAVE TO INTERVIEW? 282 00:07:39,084 --> 00:07:41,253 WHEN YOUR DAD WORKED 283 00:07:39,084 --> 00:07:41,253 AT THE EMBASSY IN ENGLAND, 284 00:07:41,295 --> 00:07:42,545 YOU HAD A BRITISH NANNY, 285 00:07:41,295 --> 00:07:42,545 RIGHT? 286 00:07:42,587 --> 00:07:44,923 SHE WAS A REGULAR 287 00:07:42,587 --> 00:07:44,923 MARY POPPINS. WHY? 288 00:07:44,965 --> 00:07:46,383 SO YOU GOT 289 00:07:44,965 --> 00:07:46,383 THE ACCENT DOWN. 290 00:07:46,425 --> 00:07:48,843 HERE. 291 00:07:46,425 --> 00:07:48,843 JUST BRUSH UP ON THIS. 292 00:07:51,305 --> 00:07:53,140 A DIALECT? 293 00:07:51,305 --> 00:07:53,140 ARE YOU JOKING? 294 00:07:53,181 --> 00:07:55,642 NO. HELEN LIVED 295 00:07:53,181 --> 00:07:55,642 IN NORTHERN ENGLAND 296 00:07:55,683 --> 00:07:57,394 WHEN SHE WROTE 297 00:07:55,683 --> 00:07:57,394 FOR THE ECONOMIST. 298 00:07:57,436 --> 00:07:59,520 SHE HAS A SOFT SPOT 299 00:07:57,436 --> 00:07:59,520 FOR MANCHESTER. 300 00:07:59,562 --> 00:08:02,523 IT MAY GIVE YOU AN EDGE 301 00:07:59,562 --> 00:08:02,523 OVER THE OTHER CANDIDATES. 302 00:08:02,565 --> 00:08:04,901 FINE. 303 00:08:02,565 --> 00:08:04,901 ANYTHING ELSE? 304 00:08:04,943 --> 00:08:07,028 MM...NO. 305 00:08:07,070 --> 00:08:09,197 WORKING FOR 306 00:08:07,070 --> 00:08:09,197 A PULITZER PRIZE WINNER. 307 00:08:09,239 --> 00:08:10,324 HOW GREAT IS THAT? 308 00:08:10,365 --> 00:08:12,533 YEAH, YEAH. 309 00:08:10,365 --> 00:08:12,533 UH, NICE OFFICES. 310 00:08:12,575 --> 00:08:13,910 A JUICER. 311 00:08:13,952 --> 00:08:15,203 JUICER. 312 00:08:13,952 --> 00:08:15,203 JUICER'S AWESOME. 313 00:08:16,621 --> 00:08:18,290 WHAT'S WITH 314 00:08:16,621 --> 00:08:18,290 THE HARD SELL? 315 00:08:19,582 --> 00:08:21,335 HELEN'S... 316 00:08:21,376 --> 00:08:22,794 DRIVEN. 317 00:08:22,836 --> 00:08:23,837 DRIVEN'S GOOD. 318 00:08:23,878 --> 00:08:25,588 MM-HMM. 319 00:08:23,878 --> 00:08:25,588 SHE'S A LITTLE... 320 00:08:25,630 --> 00:08:27,466 INTENSE. 321 00:08:27,507 --> 00:08:28,633 INTENSE? 322 00:08:28,675 --> 00:08:30,551 SHE PUTS THE "HELL" 323 00:08:28,675 --> 00:08:30,551 IN "HELEN." 324 00:08:33,305 --> 00:08:36,391 Peter: IN ORDER TO PROTECT HER, 325 00:08:33,305 --> 00:08:36,391 YOU CAN'T GET FIRED. 326 00:08:36,433 --> 00:08:38,352 SHE'S GONNA KEEP YOU 327 00:08:36,433 --> 00:08:38,352 ON A TIGHT LEASH, 328 00:08:38,393 --> 00:08:41,146 ASK YOU TO DO THINGS 329 00:08:38,393 --> 00:08:41,146 THAT ARE WAY BENEATH YOU. 330 00:08:41,188 --> 00:08:42,814 FOR THE LENGTH 331 00:08:41,188 --> 00:08:42,814 OF YOUR ASSIGNMENT, 332 00:08:42,856 --> 00:08:44,358 YOUR LIFE 333 00:08:42,856 --> 00:08:44,358 IS NOT YOUR OWN. 334 00:08:44,399 --> 00:08:45,900 YEAH. 335 00:08:45,942 --> 00:08:49,237 SO, I'LL BE AT THE 336 00:08:45,942 --> 00:08:49,237 ABSOLUTE BECK AND CALL 337 00:08:45,942 --> 00:08:49,237 OF MY TOUGH NEW BOSS. 338 00:08:49,279 --> 00:08:50,322 [ CHUCKLES ] 339 00:08:50,364 --> 00:08:51,198 WHAT'S FUNNY? 340 00:08:51,239 --> 00:08:54,117 NOTHING. 341 00:08:51,239 --> 00:08:54,117 NO. 342 00:08:54,159 --> 00:08:55,535 IF YOU EVER NEED 343 00:08:54,159 --> 00:08:55,535 ANY ADVICE... 344 00:09:17,598 --> 00:09:20,601 [ KNOCK ON DOOR ] 345 00:09:20,643 --> 00:09:23,730 Sara: IT'S ME. SORRY. SNUCK OUT 346 00:09:20,643 --> 00:09:23,730 WHILE YOU WERE SLEEPING. 347 00:09:23,771 --> 00:09:25,148 OH, I HEARD YOU. 348 00:09:25,190 --> 00:09:27,567 MORNING. 349 00:09:25,190 --> 00:09:27,567 MORNING. 350 00:09:34,449 --> 00:09:37,118 YOU KNOW, IF YOU'D STAYED OVER, 351 00:09:34,449 --> 00:09:37,118 I'D HAVE MADE YOU COFFEE. 352 00:09:37,160 --> 00:09:39,371 MM-HMM. I HAD AN EARLY 353 00:09:37,160 --> 00:09:39,371 CLIENT CALL, 354 00:09:39,413 --> 00:09:41,415 WHICH IS KIND OF 355 00:09:39,413 --> 00:09:41,415 WHY I'M HERE. 356 00:09:41,456 --> 00:09:43,417 I NEED -- 357 00:09:41,456 --> 00:09:43,417 HELP? 358 00:09:43,458 --> 00:09:44,667 ADVICE. 359 00:09:44,709 --> 00:09:46,420 I'M WORKING A RECOVERY, 360 00:09:46,461 --> 00:09:48,629 AND I'M UP AGAINST 361 00:09:46,461 --> 00:09:48,629 A TECH 98 ALARM SYSTEM. 362 00:09:48,671 --> 00:09:51,632 FULL VIDEO, 363 00:09:48,671 --> 00:09:51,632 REMOTE MONITORING. 364 00:09:51,674 --> 00:09:54,344 CAN I BEAT IT? 365 00:09:51,674 --> 00:09:54,344 YEAH. 366 00:09:54,386 --> 00:09:57,764 YOU NEED TO GET TO THE CONTROL 367 00:09:54,386 --> 00:09:57,764 PANEL AND TAKE OUT THE WI-FI. 368 00:09:57,805 --> 00:09:59,558 YOU HAVE BOLT CUTTERS? 369 00:09:59,599 --> 00:10:01,226 SMALL, MEDIUM, 370 00:09:59,599 --> 00:10:01,226 AND LARGE... 371 00:09:59,599 --> 00:10:01,226 MM. 372 00:10:01,268 --> 00:10:03,603 ...BUT THAT'S ASSUMING 373 00:10:01,268 --> 00:10:03,603 I CAN DODGE THE GUARDS. 374 00:10:03,644 --> 00:10:06,647 WELL, YOU FIND A PARTNER, 375 00:10:03,644 --> 00:10:06,647 YOU COULD RUN A WALLY BURNS. 376 00:10:03,644 --> 00:10:06,647 WHAT'S A WALLY BURNS? 377 00:10:06,689 --> 00:10:09,192 ONE PERSON DISTRACTS 378 00:10:06,689 --> 00:10:09,192 WHILE THE OTHER GAINS ACCESS. 379 00:10:09,234 --> 00:10:11,194 OH. YOU THINK I COULD 380 00:10:09,234 --> 00:10:11,194 GO IT ALONE 381 00:10:11,236 --> 00:10:13,321 WITH A STUN GUN 382 00:10:11,236 --> 00:10:13,321 AND A D.O.D.-GRADE ROUTER? 383 00:10:13,363 --> 00:10:14,573 MM. 384 00:10:14,614 --> 00:10:16,783 NORMAL PEOPLE DON'T TALK 385 00:10:14,614 --> 00:10:16,783 ABOUT THIS BEFORE WORK. 386 00:10:16,824 --> 00:10:20,203 NO, THEY DON'T. 387 00:10:16,824 --> 00:10:20,203 WE CAN TRY NORMAL. 388 00:10:20,245 --> 00:10:21,788 OKAY. 389 00:10:20,245 --> 00:10:21,788 YEAH, LET'S TRY IT. 390 00:10:21,829 --> 00:10:23,664 GREAT. SWEETIE? 391 00:10:23,706 --> 00:10:25,292 YES, DARLING? 392 00:10:25,333 --> 00:10:27,001 DID YOU 393 00:10:25,333 --> 00:10:27,001 TAKE OUT THE GARBAGE? 394 00:10:27,043 --> 00:10:30,088 HONEY, 395 00:10:27,043 --> 00:10:30,088 I SHREDDED THE GARBAGE. 396 00:10:30,130 --> 00:10:31,672 YOU KNOW THE FEDS 397 00:10:30,130 --> 00:10:31,672 LOVE TO RUMMAGE. 398 00:10:31,714 --> 00:10:33,216 THEY'RE NOT 399 00:10:31,714 --> 00:10:33,216 THE ONLY ONES. 400 00:10:33,258 --> 00:10:35,385 YOU KNOW, I ONCE TRACKED 401 00:10:33,258 --> 00:10:35,385 A ROTHKO TO THE HAMPTONS 402 00:10:35,427 --> 00:10:36,677 USING 403 00:10:35,427 --> 00:10:36,677 A JITNEY RECEIPT. 404 00:10:36,719 --> 00:10:39,139 [ CHUCKLES ] 405 00:10:36,719 --> 00:10:39,139 OKAY, THAT DID NOT WORK. 406 00:10:39,180 --> 00:10:40,640 [ CHUCKLES ] 407 00:10:40,681 --> 00:10:42,142 UM...ALL RIGHT, 408 00:10:40,681 --> 00:10:42,142 HOW'S THIS FOR NORMAL? 409 00:10:42,183 --> 00:10:44,811 WE ARE INVITED TO MY CO-WORKER'S 410 00:10:42,183 --> 00:10:44,811 HOUSE FOR A DINNER PARTY. 411 00:10:44,852 --> 00:10:47,272 I WILL WHIP UP 412 00:10:44,852 --> 00:10:47,272 SOME CANAPéS. 413 00:10:48,273 --> 00:10:49,441 YOU'RE BEING SERIOUS? 414 00:10:49,483 --> 00:10:50,775 DIANA'S GIRLFRIEND 415 00:10:49,483 --> 00:10:50,775 THOUGHT IT MIGHT BE FUN. 416 00:10:50,817 --> 00:10:54,237 YEAH. 417 00:10:50,817 --> 00:10:54,237 YEAH, I THINK SO, TOO. 418 00:10:57,907 --> 00:10:59,700 WHAT'S BEHIND 419 00:10:57,907 --> 00:10:59,700 THAT TECH 98? 420 00:10:59,742 --> 00:11:01,702 I CAN'T TELL YOU. 421 00:11:01,744 --> 00:11:03,538 WHAT ARE YOU 422 00:11:01,744 --> 00:11:03,538 DOING TODAY? 423 00:11:03,580 --> 00:11:06,082 HELPING PETER FIND OUT 424 00:11:03,580 --> 00:11:06,082 KILL A PUBLIC FIGURE 425 00:11:06,124 --> 00:11:07,708 WHILE DIANA GOES UNDERCOVER 426 00:11:06,124 --> 00:11:07,708 AS HER ASSISTANT. 427 00:11:07,750 --> 00:11:09,169 SAME OLD, SAME OLD? 428 00:11:07,750 --> 00:11:09,169 MM-HMM. 429 00:11:09,210 --> 00:11:11,171 WHO IS IT? 430 00:11:09,210 --> 00:11:11,171 CAN'T TELL YOU. 431 00:11:16,801 --> 00:11:20,180 YOU CAN'T NAME THE PARENT 432 00:11:16,801 --> 00:11:20,180 COMPANY OF THIS MAGAZINE, 433 00:11:20,221 --> 00:11:23,724 YET YOU WANT TO WORK WITH ME, 434 00:11:20,221 --> 00:11:23,724 COVERING THE WORLD OF FINANCE? 435 00:11:23,766 --> 00:11:27,395 GO. 436 00:11:23,766 --> 00:11:27,395 DAWSON, DIANA. 437 00:11:28,771 --> 00:11:30,731 Diana: [ English accent ] 438 00:11:28,771 --> 00:11:30,731 SHELTON GLOBAL MEDIA'S 439 00:11:30,773 --> 00:11:32,359 THE PARENT COMPANY 440 00:11:30,773 --> 00:11:32,359 FOR THIS MAGAZINE. 441 00:11:32,400 --> 00:11:35,111 LELAND SHELTON IS THE FOUNDER, 442 00:11:32,400 --> 00:11:35,111 CHAIRMAN, AND C.E.O. 443 00:11:35,153 --> 00:11:37,280 WHERE ARE YOU FROM? 444 00:11:37,322 --> 00:11:38,906 DIDSBURY, 445 00:11:37,322 --> 00:11:38,906 IN MANCHESTER. 446 00:11:38,948 --> 00:11:41,117 I LIVED IN MANCHESTER 447 00:11:38,948 --> 00:11:41,117 FOR A YEAR 448 00:11:41,159 --> 00:11:43,286 WHEN I WROTE 449 00:11:41,159 --> 00:11:43,286 FOR THE ECONOMIST. 450 00:11:43,328 --> 00:11:44,412 I KNOW. 451 00:11:47,415 --> 00:11:49,876 SO, WHY DO YOU 452 00:11:47,415 --> 00:11:49,876 WANT THIS JOB? 453 00:11:49,917 --> 00:11:52,295 I'VE FOLLOWED YOU SINCE 454 00:11:49,917 --> 00:11:52,295 YOU WERE A FOREIGN CORRESPONDENT 455 00:11:52,337 --> 00:11:53,505 FOR THE TIMES. 456 00:11:53,547 --> 00:11:55,173 YOUR INTERVIEW 457 00:11:53,547 --> 00:11:55,173 WITH THE SECRETARY OF STATE 458 00:11:55,215 --> 00:11:56,550 WAS THE BEST THING 459 00:11:55,215 --> 00:11:56,550 I READ LAST YEAR. 460 00:11:56,591 --> 00:12:00,303 YOU'RE OVERQUALIFIED 461 00:11:56,591 --> 00:12:00,303 AND TOO OLD. 462 00:12:03,139 --> 00:12:06,725 THAT MEANS YOU CAN GO. 463 00:12:11,189 --> 00:12:13,107 LITTLE MISS HEADBAND 464 00:12:11,189 --> 00:12:13,107 OUT THERE? 465 00:12:13,149 --> 00:12:14,775 SHE WON'T LAST 466 00:12:13,149 --> 00:12:14,775 A WEEK -- 467 00:12:14,817 --> 00:12:17,778 BECAUSE SHE DOESN'T KNOW WHO 468 00:12:14,817 --> 00:12:17,778 SHE IS OR WHERE SHE WANTS TO BE. 469 00:12:17,820 --> 00:12:20,739 I DO. 470 00:12:17,820 --> 00:12:20,739 I WANT TO WORK FOR YOU. 471 00:12:21,824 --> 00:12:25,286 AND YOUR PIECE 472 00:12:21,824 --> 00:12:25,286 IN LAST MONTH'S ISSUE -- 473 00:12:25,328 --> 00:12:27,622 THAT ARMS DEALER 474 00:12:25,328 --> 00:12:27,622 HAD CORPORATE BACKING. 475 00:12:27,664 --> 00:12:29,290 YOU DIDN'T GO 476 00:12:27,664 --> 00:12:29,290 FOR THE THROAT. 477 00:12:29,332 --> 00:12:33,169 CONSIDERING 478 00:12:29,332 --> 00:12:33,169 THE GEOPOLITICS INVOLVED, 479 00:12:33,211 --> 00:12:36,548 YOUR CONCLUSION 480 00:12:33,211 --> 00:12:36,548 WAS MY INTENTION. 481 00:12:38,841 --> 00:12:40,343 YOU START NOW. 482 00:12:40,385 --> 00:12:42,803 YOUR JOB IS TO TAKE CARE 483 00:12:40,385 --> 00:12:42,803 OF EVERYTHING IN MY LIFE 484 00:12:42,845 --> 00:12:45,139 SO THAT I DON'T HAVE TO 485 00:12:42,845 --> 00:12:45,139 THINK ABOUT LIVING IT. 486 00:12:45,181 --> 00:12:47,726 YOUR FIRST TASK -- 487 00:12:45,181 --> 00:12:47,726 GET RID OF THE GIRLS OUT THERE. 488 00:12:47,766 --> 00:12:48,809 THANK YOU. 489 00:12:48,851 --> 00:12:50,186 EVER TALK TO ME LIKE THAT 490 00:12:48,851 --> 00:12:50,186 TO ME AGAIN, 491 00:12:50,228 --> 00:12:51,521 AND YOU'LL FIND OUT 492 00:12:50,228 --> 00:12:51,521 WHAT IT FEELS LIKE 493 00:12:51,563 --> 00:12:52,564 WHEN I GO 494 00:12:51,563 --> 00:12:52,564 FOR THE THROAT. 495 00:13:02,323 --> 00:13:03,700 DIANA'S IN. 496 00:13:02,323 --> 00:13:03,700 NICE. 497 00:13:03,742 --> 00:13:06,035 SHE PICKED UP TWO CLUES 498 00:13:03,742 --> 00:13:06,035 THAT MIGHT POINT US 499 00:13:06,077 --> 00:13:08,079 TO THE THREATS 500 00:13:06,077 --> 00:13:08,079 AGAINST HELEN ANDERSON -- 501 00:13:08,121 --> 00:13:10,665 TWO NAMES -- P. SULLIVAN 502 00:13:08,121 --> 00:13:10,665 AND PRAGER and VAUGHN. 503 00:13:10,707 --> 00:13:13,543 MY BUDDY AT THE FDA 504 00:13:10,707 --> 00:13:13,543 GAVE US HIS FILES ON PandV. 505 00:13:13,585 --> 00:13:16,837 PHARMACEUTICALS -- 506 00:13:13,585 --> 00:13:16,837 MULTILEVEL COMPANY, 507 00:13:16,879 --> 00:13:19,840 PROBABLY RESPONSIBLE 508 00:13:16,879 --> 00:13:19,840 FOR A THIRD OF THE STUFF 509 00:13:16,879 --> 00:13:19,840 IN YOUR MEDICINE CABINET. 510 00:13:19,882 --> 00:13:23,261 OH. PRODUCT RECALLS, 511 00:13:19,882 --> 00:13:23,261 RUMORS OF BAD MANUFACTURING. 512 00:13:23,303 --> 00:13:25,555 NOT SURE I'D TRUST THESE GUYS 513 00:13:23,303 --> 00:13:25,555 TO MAKE ME FEEL BETTER. 514 00:13:25,597 --> 00:13:28,349 PAUL SULLIVAN IS THE HEAD 515 00:13:25,597 --> 00:13:28,349 OF NEW-PRODUCT DEVELOPMENT. 516 00:13:28,391 --> 00:13:30,310 HE WAS CALLED IN 517 00:13:28,391 --> 00:13:30,310 TO CLEAN UP 518 00:13:30,351 --> 00:13:32,687 PandV's MOST RECENT 519 00:13:30,351 --> 00:13:32,687 COLD MEDICINE RECALL. 520 00:13:32,729 --> 00:13:34,188 HE PULLED THE COMPANY STOCK 521 00:13:32,729 --> 00:13:34,188 BACK FROM THE LEDGE. 522 00:13:34,230 --> 00:13:36,149 IF HELEN'S 523 00:13:34,230 --> 00:13:36,149 INVESTIGATING HIM, 524 00:13:36,190 --> 00:13:39,152 THERE COULD BE A PROBLEM 525 00:13:36,190 --> 00:13:39,152 WITH ONE OF THEIR NEW PRODUCTS. 526 00:13:39,193 --> 00:13:41,154 MM-HMM. 527 00:13:39,193 --> 00:13:41,154 WITH HIS 528 00:13:39,193 --> 00:13:41,154 TRACK RECORD, 529 00:13:41,195 --> 00:13:43,114 SULLIVAN MIGHT HAVE 530 00:13:41,195 --> 00:13:43,114 A LOT TO HIDE. 531 00:13:43,156 --> 00:13:44,907 YEAH, 532 00:13:43,156 --> 00:13:44,907 OR A LOT TO LOSE. 533 00:13:44,949 --> 00:13:46,701 BY THE TIME PandV 534 00:13:44,949 --> 00:13:46,701 PUTS A DRUG ON THE MARKET, 535 00:13:46,743 --> 00:13:48,161 THEY'VE INVESTED 536 00:13:46,743 --> 00:13:48,161 A BILLION DOLLARS IN IT. 537 00:13:48,202 --> 00:13:50,955 THAT MUCH AT STAKE, SOMEONE 538 00:13:48,202 --> 00:13:50,955 MIGHT KILL TO KEEP A SECRET. 539 00:13:50,997 --> 00:13:53,166 NEAL, LET'S GO TALK 540 00:13:50,997 --> 00:13:53,166 TO SULLIVAN. 541 00:13:53,207 --> 00:13:55,876 PETER, WE START 542 00:13:53,207 --> 00:13:55,876 FLASHING BADGES AT PandV, 543 00:13:55,918 --> 00:13:57,878 WE'RE GONNA CRASH 544 00:13:55,918 --> 00:13:57,878 HELEN'S STORY. 545 00:13:57,920 --> 00:14:00,006 DEPENDS ON WHICH BADGES 546 00:13:57,920 --> 00:14:00,006 WE FLASH. 547 00:14:04,927 --> 00:14:08,515 TED BROWN, FDA. 548 00:14:04,927 --> 00:14:08,515 WE'RE LOOKING FOR MR. SULLIVAN. 549 00:14:08,556 --> 00:14:11,434 DON'T BOTHER CHECKING. 550 00:14:08,556 --> 00:14:11,434 I'M NOT ON HIS CALENDAR. 551 00:14:11,476 --> 00:14:13,520 Woman: HE'S UNAVAILABLE, SIR. 552 00:14:11,476 --> 00:14:13,520 YOU CAN'T GO UP THERE. 553 00:14:13,561 --> 00:14:14,895 I'M CALLING 554 00:14:13,561 --> 00:14:14,895 MR. SULLIVAN. 555 00:14:13,561 --> 00:14:14,895 FDA. 556 00:14:14,937 --> 00:14:16,147 THOUGHT I WAS 557 00:14:14,937 --> 00:14:16,147 THE ONLY ONE 558 00:14:16,189 --> 00:14:18,149 WHO COULD IMPERSONATE 559 00:14:16,189 --> 00:14:18,149 FEDERAL AGENTS. 560 00:14:18,191 --> 00:14:20,568 I'M AUTHORIZED TO GO UNDERCOVER. 561 00:14:18,191 --> 00:14:20,568 THERE'S A DIFFERENCE. 562 00:14:20,610 --> 00:14:22,903 AND THE GLASSES? 563 00:14:20,610 --> 00:14:22,903 I USE THEM 564 00:14:20,610 --> 00:14:22,903 TO MAKE A POINT. 565 00:14:22,945 --> 00:14:25,448 FDA. 566 00:14:22,945 --> 00:14:25,448 LOOKING FOR PAUL SULLIVAN. 567 00:14:25,490 --> 00:14:27,283 PAUL SULLIVAN? 568 00:14:27,325 --> 00:14:29,076 GOT A PLAN TO GO 569 00:14:27,325 --> 00:14:29,076 WITH THAT BADGE? 570 00:14:29,118 --> 00:14:30,495 WE'RE FLUSHING, 571 00:14:29,118 --> 00:14:30,495 LIKE WITH QUAIL. 572 00:14:30,537 --> 00:14:31,912 I FIRE OFF SHOTS, 573 00:14:31,954 --> 00:14:34,290 AND THEN YOU KEEP AN EYE OUT 574 00:14:31,954 --> 00:14:34,290 FOR A REACTION. 575 00:14:31,954 --> 00:14:34,290 GOT IT. 576 00:14:34,332 --> 00:14:35,249 EXCUSE ME. 577 00:14:34,332 --> 00:14:35,249 FDA! 578 00:14:35,291 --> 00:14:38,085 FDA! 579 00:14:38,127 --> 00:14:39,879 Put it away. 580 00:14:38,127 --> 00:14:39,879 Go. 581 00:14:44,801 --> 00:14:46,927 I'M LOOKING 582 00:14:44,801 --> 00:14:46,927 FOR PAUL SULLIVAN. 583 00:14:46,969 --> 00:14:48,221 I'M PAUL SULLIVAN. 584 00:14:48,262 --> 00:14:49,889 PLEASE. 585 00:14:52,975 --> 00:14:55,895 I'VE ASKED MY COUNSEL, 586 00:14:52,975 --> 00:14:55,895 MR. CARTER, TO SIT IN. 587 00:14:55,936 --> 00:14:57,104 WHAT CAN WE HELP YOU WITH, 588 00:14:55,936 --> 00:14:57,104 MR. BROWN? 589 00:14:57,146 --> 00:14:58,773 WE MET WITH THE FDA 590 00:14:57,146 --> 00:14:58,773 TWO WEEKS AGO. 591 00:14:58,815 --> 00:15:00,650 THAT WAS 592 00:14:58,815 --> 00:15:00,650 A SCHEDULED MEETING. 593 00:15:00,692 --> 00:15:02,318 TODAY YOU THOUGHT 594 00:15:00,692 --> 00:15:02,318 YOU'D SURPRISE US? 595 00:15:02,360 --> 00:15:03,528 Peter: SURPRISE. 596 00:15:03,570 --> 00:15:05,488 WHO'S THIS? 597 00:15:05,530 --> 00:15:06,781 [ CLEARS THROAT ] 598 00:15:05,530 --> 00:15:06,781 MY ASSOCIATE. 599 00:15:06,823 --> 00:15:08,949 [ CELLPHONE BEEPS ] 600 00:15:08,991 --> 00:15:12,370 HEY, BLAKE, WHO'S AT EXTENSION 601 00:15:08,991 --> 00:15:12,370 2614 AT PRAGER and VAUGHN? 602 00:15:12,412 --> 00:15:16,875 COMPANY DIRECTORY HAS HER LISTED 603 00:15:12,412 --> 00:15:16,875 AS AMY SAWYER, RandD. 604 00:15:16,916 --> 00:15:18,042 SAWYER. 605 00:15:18,084 --> 00:15:21,546 SHE LIVES AT... 606 00:15:18,084 --> 00:15:21,546 4258 WEST 79th STREET. 607 00:15:21,588 --> 00:15:23,840 SHE'S CUTE. 608 00:15:21,588 --> 00:15:23,840 YES, SHE IS. 609 00:15:23,882 --> 00:15:25,049 [ KEYS CLACKING ] 610 00:15:25,091 --> 00:15:28,511 UNMARRIED. 611 00:15:25,091 --> 00:15:28,511 NO DEPENDENTS. 612 00:15:28,553 --> 00:15:31,013 UNLESS YOU COUNT 613 00:15:28,553 --> 00:15:31,013 SIR BOOTS BARKLEY. 614 00:15:31,055 --> 00:15:33,015 YOU GOT 615 00:15:31,055 --> 00:15:33,015 HER CELLPHONE? 616 00:15:31,055 --> 00:15:33,015 YEAH. 617 00:15:33,057 --> 00:15:36,561 THIS COMPANY HAS HAD A BAD RUN 618 00:15:33,057 --> 00:15:36,561 UNDER YOUR WATCH. 619 00:15:36,603 --> 00:15:38,062 [ CELLPHONE VIBRATES ] 620 00:15:38,104 --> 00:15:39,522 IT'S MY 621 00:15:38,104 --> 00:15:39,522 PERSONAL MISSION 622 00:15:39,564 --> 00:15:41,023 TO MAKE SURE YOU'VE CLEANED UP 623 00:15:39,564 --> 00:15:41,023 YOUR PRACTICES. 624 00:15:41,065 --> 00:15:42,525 [ TELEPHONE RINGS ] 625 00:15:41,065 --> 00:15:42,525 HELLO? 626 00:15:42,567 --> 00:15:44,694 YES, MS. SAWYER? 627 00:15:42,567 --> 00:15:44,694 I LIVE IN 6A. 628 00:15:44,736 --> 00:15:46,028 I FOUND YOUR DOG, BOOTS, 629 00:15:44,736 --> 00:15:46,028 IN THE HALLWAY. 630 00:15:46,070 --> 00:15:48,740 BOOTS? 631 00:15:46,070 --> 00:15:48,740 HOW DID HE GET OUT? 632 00:15:48,782 --> 00:15:50,867 I HAVE NO IDEA. 633 00:15:48,782 --> 00:15:50,867 BUT I GOT TO GET TO WORK. 634 00:15:50,909 --> 00:15:51,992 CAN YOU PLEASE COME 635 00:15:50,909 --> 00:15:51,992 AND PICK HIM UP? 636 00:15:52,034 --> 00:15:54,370 YEAH, I'M ON MY WAY. 637 00:15:58,291 --> 00:16:02,712 SHOULD WE START WITH 638 00:15:58,291 --> 00:16:02,712 OFFSHORE MARKETING OR RECALLS? 639 00:16:02,754 --> 00:16:03,880 I NEED TO TAKE THIS. 640 00:16:03,922 --> 00:16:06,633 UH, WILL YOU BE ALL RIGHT 641 00:16:03,922 --> 00:16:06,633 WITHOUT ME? 642 00:16:06,674 --> 00:16:08,885 WE'LL BE FINE. 643 00:16:14,515 --> 00:16:18,561 GENTLEMEN, IF YOU'D TAKE A LOOK 644 00:16:14,515 --> 00:16:18,561 AT THIS NUMBER RIGHT HERE, 645 00:16:18,603 --> 00:16:21,105 THAT ONE PUZZLES ME. 646 00:16:21,147 --> 00:16:24,024 Sullivan: WHAT'S CONFUSING, 647 00:16:21,147 --> 00:16:24,024 MR. BROWN? 648 00:16:24,066 --> 00:16:27,612 THE FDA OPERATES 649 00:16:24,066 --> 00:16:27,612 UNDER THE INFORMATION WE HAVE. 650 00:16:27,654 --> 00:16:30,114 YOUR COMPANY'S NOT KNOWN 651 00:16:27,654 --> 00:16:30,114 FOR ITS TRANSPARENCY. 652 00:16:30,156 --> 00:16:32,408 MR. BROWN, DESPITE WHAT 653 00:16:30,156 --> 00:16:32,408 YOU'RE INSINUATING, 654 00:16:32,450 --> 00:16:34,201 WE'RE IN THE BUSINESS 655 00:16:32,450 --> 00:16:34,201 OF HELPING PEOPLE. 656 00:16:34,243 --> 00:16:35,662 PandV's THE REASON 657 00:16:34,243 --> 00:16:35,662 YOU'RE GONNA LIVE LONG ENOUGH 658 00:16:35,703 --> 00:16:39,457 TO FIND YOURSELF BROWSING 659 00:16:35,703 --> 00:16:39,457 THE AISLES FOR ADULT DIAPERS. 660 00:16:39,499 --> 00:16:41,041 AND YOU'LL THANK US 661 00:16:39,499 --> 00:16:41,041 FOR IT. 662 00:16:41,083 --> 00:16:42,209 OKAY. 663 00:16:42,251 --> 00:16:43,670 NICE SPEECH. 664 00:16:43,711 --> 00:16:47,298 I WANT Q.C. REPORTS, 665 00:16:43,711 --> 00:16:47,298 STAGE-FOUR CLINICAL TRIALS, 666 00:16:47,340 --> 00:16:49,884 AND RandD FOR ALL 667 00:16:47,340 --> 00:16:49,884 PRODUCTS LAUNCHED 668 00:16:49,926 --> 00:16:51,928 WITHIN THE LAST 669 00:16:49,926 --> 00:16:51,928 SIX MONTHS -- 670 00:16:51,970 --> 00:16:53,972 ALL OF IT -- 671 00:16:51,970 --> 00:16:53,972 TODAY. 672 00:16:54,013 --> 00:16:55,264 WE'LL SHIP IT OVER. 673 00:16:57,099 --> 00:16:59,101 ARE WE DONE HERE? 674 00:16:57,099 --> 00:16:59,101 I GOT A THING. 675 00:16:59,143 --> 00:17:01,855 WE'RE DONE. 676 00:17:07,944 --> 00:17:09,445 YOU GOT ME 677 00:17:07,944 --> 00:17:09,445 A BLANK SHEET OF PAPER? 678 00:17:09,487 --> 00:17:13,073 MOST HIGH-QUALITY PAPER STOCK 679 00:17:09,487 --> 00:17:13,073 CAN BE SPLIT IN TWO. 680 00:17:13,115 --> 00:17:15,660 HERE. 681 00:17:24,752 --> 00:17:27,087 WOW. 682 00:17:24,752 --> 00:17:27,087 SEE? 683 00:17:27,129 --> 00:17:28,130 YEAH. 684 00:17:27,129 --> 00:17:28,130 LET ME TRY THAT. 685 00:17:34,554 --> 00:17:36,973 YEAH. 686 00:17:34,554 --> 00:17:36,973 YOU NEED THE RIGHT TOUCH. 687 00:17:38,725 --> 00:17:40,894 [ BLOWS ] 688 00:17:40,935 --> 00:17:43,437 A LITTLE 689 00:17:40,935 --> 00:17:43,437 FINGERPRINT POWDER. 690 00:17:43,479 --> 00:17:45,439 AND THERE YOU GO. 691 00:17:45,481 --> 00:17:48,735 THEY REDACTED THE DRUG 692 00:17:45,481 --> 00:17:48,735 AFTER THE DOCUMENT WAS PRINTED. 693 00:17:48,776 --> 00:17:50,737 THAT'S WHY I HAD TO 694 00:17:48,776 --> 00:17:50,737 GET THE ORIGINAL. 695 00:17:50,778 --> 00:17:52,739 CAN YOU TELL 696 00:17:50,778 --> 00:17:52,739 WHO SIGNED THE REPORT? 697 00:17:52,780 --> 00:17:54,532 NO, I COULDN'T MAKE IT OUT 698 00:17:52,780 --> 00:17:54,532 ON THE ORIGINAL, EITHER. 699 00:17:54,574 --> 00:17:57,243 BUT THE DRUG NAME 700 00:17:54,574 --> 00:17:57,243 IS CLEAR. 701 00:17:59,996 --> 00:18:02,081 NEVER HEARD OF ZYBAX. 702 00:18:02,122 --> 00:18:04,166 GOOD THING YOU DEMANDED 703 00:18:02,122 --> 00:18:04,166 ALL THAT PRODUCT INFORMATION. 704 00:18:04,208 --> 00:18:06,002 YEAH. 705 00:18:06,044 --> 00:18:08,629 [ BLOWS ] 706 00:18:08,671 --> 00:18:12,091 NEED THE RIGHT TOUCH. 707 00:18:15,177 --> 00:18:17,137 WHERE'S THE RESEARCH 708 00:18:15,177 --> 00:18:17,137 I ASKED YOU FOR? 709 00:18:17,179 --> 00:18:18,305 I'M ALMOST FINISHED. 710 00:18:18,347 --> 00:18:20,099 WELL, YOU SAID FOR ME 711 00:18:18,347 --> 00:18:20,099 TO STAY AT MY DESK. 712 00:18:20,140 --> 00:18:22,268 WOULD YOU LIKE ME TO MAKE COPIES 713 00:18:20,140 --> 00:18:22,268 OR ANSWER THE PHONE? 714 00:18:22,309 --> 00:18:24,020 YES. 715 00:18:24,062 --> 00:18:26,146 THERE'S A STAIN. 716 00:18:24,062 --> 00:18:26,146 GET IT OUT. 717 00:18:26,188 --> 00:18:28,232 SET UP DINNER WITH 718 00:18:26,188 --> 00:18:28,232 SALMAN RUSHDIE TONIGHT. 719 00:18:28,274 --> 00:18:30,860 IT'S 1:00. VITAMINS! 720 00:18:28,274 --> 00:18:30,860 I'VE HAD MALARIA TWICE. 721 00:18:30,902 --> 00:18:32,904 ARE YOU TRYING TO UNDERMINE 722 00:18:30,902 --> 00:18:32,904 MY IMMUNE SYSTEM? 723 00:18:32,946 --> 00:18:34,321 COPIES. NOW. 724 00:18:34,363 --> 00:18:36,783 [ TELEPHONE RINGING 725 00:18:34,363 --> 00:18:36,783 IN BACKGROUND ] 726 00:18:46,208 --> 00:18:48,168 [ COPIER WHIRS ] 727 00:18:48,210 --> 00:18:50,671 [ CELLPHONE RINGS ] 728 00:18:48,210 --> 00:18:50,671 HELEN ANDERSON'S OFFICE. 729 00:18:50,713 --> 00:18:52,506 ONE MOMENT. 730 00:18:52,548 --> 00:18:55,093 It's the financial analyst 731 00:18:52,548 --> 00:18:55,093 from Channel Nine. 732 00:18:55,134 --> 00:18:57,177 PUT HIM THROUGH. 733 00:18:57,219 --> 00:18:59,179 [ CELLPHONE RINGS ] 734 00:18:59,221 --> 00:19:01,181 HELEN ANDERSON'S 735 00:18:59,221 --> 00:19:01,181 OFFICE. 736 00:19:01,223 --> 00:19:03,684 I DIALED 737 00:19:01,223 --> 00:19:03,684 YOUR FBI PHONE. 738 00:19:03,726 --> 00:19:06,896 [ Normal voice ] I FORWARDED 739 00:19:03,726 --> 00:19:06,896 HELEN'S CALLS TO MY CELL. 740 00:19:06,938 --> 00:19:08,230 OH. GOOD. 741 00:19:08,272 --> 00:19:10,190 HEY, THE ACCENT SOUNDS 742 00:19:08,272 --> 00:19:10,190 PRETTY REALISTIC. 743 00:19:10,232 --> 00:19:11,400 How's it going 744 00:19:10,232 --> 00:19:11,400 over there? 745 00:19:11,442 --> 00:19:14,070 I HAVE SO MANY PAPER CUTS, 746 00:19:11,442 --> 00:19:14,070 I NEED A BLOOD TRANSFUSION 747 00:19:14,112 --> 00:19:16,280 IT IS IMPOSSIBLE TO REMOVE 748 00:19:14,112 --> 00:19:16,280 WHEAT GRASS FROM CHANEL. 749 00:19:16,322 --> 00:19:19,909 She made me go to her brownstone 750 00:19:16,322 --> 00:19:19,909 to give Prozac to her parrot. 751 00:19:19,951 --> 00:19:21,201 HOW WAS THAT? 752 00:19:21,243 --> 00:19:24,204 IT SHRIEKED AT ME 753 00:19:21,243 --> 00:19:24,204 ABOUT DEADLINES. 754 00:19:24,246 --> 00:19:25,915 IS THAT 755 00:19:24,246 --> 00:19:25,915 A PERSONAL CALL? 756 00:19:25,957 --> 00:19:28,208 [ English accent ] 757 00:19:25,957 --> 00:19:28,208 DOCUMENT STORAGE. 758 00:19:25,957 --> 00:19:28,208 THE FILES YOU ASKED FOR. 759 00:19:28,250 --> 00:19:29,710 WAS THAT HER 760 00:19:28,250 --> 00:19:29,710 OR THE PARROT? 761 00:19:29,752 --> 00:19:32,212 [ Normal voice ] I DON'T KNOW 762 00:19:29,752 --> 00:19:32,212 HOW LONG I CAN DO THIS. 763 00:19:32,254 --> 00:19:34,214 SHE WANTS TO HAVE DINNER 764 00:19:32,254 --> 00:19:34,214 WITH SALMAN RUSHDIE TONIGHT. 765 00:19:34,256 --> 00:19:35,382 HOW AM I 766 00:19:34,256 --> 00:19:35,382 SUPPOSED TO F-- 767 00:19:35,424 --> 00:19:37,217 WAIT, YOU CAN FIND 768 00:19:35,424 --> 00:19:37,217 SALMAN RUSHDIE. 769 00:19:37,259 --> 00:19:39,219 OH, I'D HAVE TO 770 00:19:37,259 --> 00:19:39,219 PULL SOME STRINGS. 771 00:19:39,261 --> 00:19:40,220 Man: MAIL. 772 00:19:40,262 --> 00:19:43,223 Helen: WHY ISN'T 773 00:19:40,262 --> 00:19:43,223 MY MAIL OPEN? 774 00:19:43,265 --> 00:19:46,519 I SEE WHY SHE GETS 775 00:19:43,265 --> 00:19:46,519 SO MANY DEATH THREATS. 776 00:19:50,314 --> 00:19:52,108 PETER. 777 00:19:50,314 --> 00:19:52,108 WHAT IS IT? 778 00:19:54,610 --> 00:19:57,613 THEY GOT INSIDE 779 00:19:54,610 --> 00:19:57,613 HELEN'S PLACE. 780 00:20:03,285 --> 00:20:04,912 THE FBI IS SWEEPING 781 00:20:03,285 --> 00:20:04,912 MY APARTMENT NOW. 782 00:20:04,954 --> 00:20:07,247 CHARLIE'S ON THE WAY 783 00:20:04,954 --> 00:20:07,247 TO HIS DAD'S, 784 00:20:07,289 --> 00:20:10,250 AND HE'LL STAY THERE 785 00:20:07,289 --> 00:20:10,250 UNTIL THINGS SETTLE DOWN. 786 00:20:10,292 --> 00:20:12,003 HAVE YOU ARRANGED 787 00:20:10,292 --> 00:20:12,003 FOR SECURITY? 788 00:20:12,045 --> 00:20:13,212 [ English accent ] 789 00:20:12,045 --> 00:20:13,212 NYPD WILL MONITOR 790 00:20:13,253 --> 00:20:15,214 YOUR EX-HUSBAND'S BUILDING 791 00:20:13,253 --> 00:20:15,214 AND CHARLIE'S SCHOOL. 792 00:20:15,255 --> 00:20:17,216 WOULD YOU LIKE ME TO BOOK YOU 793 00:20:15,255 --> 00:20:17,216 INTO A HOTEL FOR TONIGHT? 794 00:20:17,257 --> 00:20:20,053 I SPENT YEARS SLEEPING IN TENTS 795 00:20:17,257 --> 00:20:20,053 AND BOMBED-OUT HOTELS. 796 00:20:20,094 --> 00:20:23,639 ONE OF THE PERKS OF THIS JOB 797 00:20:20,094 --> 00:20:23,639 IS FRETTE SHEETS IN MY OWN HOME. 798 00:20:23,681 --> 00:20:25,265 THEY CAN'T INTIMIDATE ME 799 00:20:23,681 --> 00:20:25,265 WITH THIS CRAP. 800 00:20:25,307 --> 00:20:28,268 THAT WAS EVIDENCE. 801 00:20:25,307 --> 00:20:28,268 THEN TAPE IT BACK TOGETHER. 802 00:20:25,307 --> 00:20:28,268 I HAVE TO MAKE A CALL. 803 00:20:28,310 --> 00:20:30,188 I'LL DIAL YOU IN. 804 00:20:28,310 --> 00:20:30,188 SHOULD I TAKE NOTES? 805 00:20:30,229 --> 00:20:32,899 I'LL DIAL MYSELF IN. 806 00:20:30,229 --> 00:20:32,899 GO DO YOUR JOB. 807 00:20:32,940 --> 00:20:35,609 [ Dialing ] 808 00:20:51,333 --> 00:20:52,752 [ CELLPHONE BEEPS ] 809 00:20:52,793 --> 00:20:54,294 They got into my home. 810 00:20:54,336 --> 00:20:55,379 THIS IS GETTING DANGEROUS. 811 00:20:55,421 --> 00:20:57,339 IF WE WANT TO STOP THIS, 812 00:20:55,421 --> 00:20:57,339 I NEED MORE. 813 00:20:57,381 --> 00:21:00,051 MAN: You're right. 814 00:20:57,381 --> 00:21:00,051 People are dying. 815 00:21:00,093 --> 00:21:02,678 I'll give you what I have. 816 00:21:00,093 --> 00:21:02,678 I'm ready to meet. 817 00:21:02,720 --> 00:21:04,222 GOOD. WHERE? 818 00:21:04,263 --> 00:21:06,557 The place you suggested. 819 00:21:04,263 --> 00:21:06,557 8:00 P.M. 820 00:21:06,599 --> 00:21:09,309 LET'S TAKE THEM DOWN. 821 00:21:09,351 --> 00:21:11,270 [ RECEIVER CLICKS, 822 00:21:09,351 --> 00:21:11,270 CELLPHONE BEEPS ] 823 00:21:16,316 --> 00:21:19,278 WHAT WE HAVE HERE 824 00:21:16,316 --> 00:21:19,278 IS A COST-BENEFIT ANALYSIS 825 00:21:19,319 --> 00:21:21,363 FOR THE RECALL 826 00:21:19,319 --> 00:21:21,363 OF A DRUG NAMED ZYBAX. 827 00:21:21,405 --> 00:21:23,282 DO WE HAVE ANYTHING 828 00:21:21,405 --> 00:21:23,282 ON ZYBAX? 829 00:21:23,323 --> 00:21:25,243 Jones: WE'VE GOT EVERYTHING 830 00:21:23,323 --> 00:21:25,243 ON ZYBAX. 831 00:21:25,284 --> 00:21:26,869 IT'S A NEW ANTIBIOTIC 832 00:21:25,284 --> 00:21:26,869 DESIGNED 833 00:21:26,911 --> 00:21:28,621 TO COMBAT 834 00:21:26,911 --> 00:21:28,621 DRUG-RESISTANT INFECTIONS. 835 00:21:28,662 --> 00:21:30,248 SOUNDS LIKE 836 00:21:28,662 --> 00:21:30,248 THE NEXT BIG THING. 837 00:21:30,289 --> 00:21:31,540 MARKETING REPORT SAYS 838 00:21:31,582 --> 00:21:33,459 THEY ROLLED IT OUT IN NEW YORK, 839 00:21:31,582 --> 00:21:33,459 BOSTON, AND PHILLY. 840 00:21:33,500 --> 00:21:35,335 THEY'RE GOING NATIONAL 841 00:21:33,500 --> 00:21:35,335 THIS MONTH. 842 00:21:35,377 --> 00:21:37,421 PASSED CLINICAL TRIALS, 843 00:21:35,377 --> 00:21:37,421 GOT FDA APPROVAL. 844 00:21:37,463 --> 00:21:38,881 LOOKS PERFECT 845 00:21:37,463 --> 00:21:38,881 ON PAPER. 846 00:21:38,923 --> 00:21:41,341 PandV WANTED TO KNOW 847 00:21:38,923 --> 00:21:41,341 HOW MUCH IT WOULD COST 848 00:21:41,383 --> 00:21:43,261 TO TAKE THIS DRUG 849 00:21:41,383 --> 00:21:43,261 OFF THE MARKET. 850 00:21:43,302 --> 00:21:44,637 WE NEED TO FIND OUT WHY. 851 00:21:44,678 --> 00:21:47,306 [ CELLPHONE RINGS ] 852 00:21:47,347 --> 00:21:48,849 [ CELLPHONE BEEPS ] 853 00:21:48,891 --> 00:21:51,185 DIANA. 854 00:21:48,891 --> 00:21:51,185 WHAT'S GOING ON? 855 00:21:51,227 --> 00:21:53,187 [ Normal voice ] 856 00:21:51,227 --> 00:21:53,187 HELEN HAS A SOURCE AT PandV. 857 00:21:53,229 --> 00:21:54,354 PETER, 858 00:21:53,229 --> 00:21:54,354 THIS IS SERIOUS. 859 00:21:54,396 --> 00:21:56,356 HE MENTIONED PEOPLE 860 00:21:54,396 --> 00:21:56,356 ARE DYING OVER THIS. 861 00:21:56,398 --> 00:21:57,357 THEY SET UP A MEET. 862 00:21:57,399 --> 00:21:59,401 WHERE? WE CAN SECURE 863 00:21:57,399 --> 00:21:59,401 THE LOCATION. 864 00:21:59,443 --> 00:22:00,736 I DIDN'T GET AN ADDRESS. 865 00:22:00,778 --> 00:22:02,362 I WANT YOU THERE. 866 00:22:02,404 --> 00:22:03,948 [ English accent ] 867 00:22:02,404 --> 00:22:03,948 IT'S NOT A PERSONAL CALL. 868 00:22:03,990 --> 00:22:05,032 LOVELY. 869 00:22:05,074 --> 00:22:06,366 MS. ANDERSON'S 870 00:22:05,074 --> 00:22:06,366 LOOKING FORWARD 871 00:22:06,408 --> 00:22:07,534 TO SEEING 872 00:22:06,408 --> 00:22:07,534 MR. RUSHDIE TONIGHT. 873 00:22:07,576 --> 00:22:10,370 CANCEL THE DINNER. 874 00:22:07,576 --> 00:22:10,370 TELL MY DRIVER HE CAN 875 00:22:07,576 --> 00:22:10,370 TAKE THE NIGHT OFF. 876 00:22:10,412 --> 00:22:13,207 I'LL TAKE A TAXI HOME. 877 00:22:10,412 --> 00:22:13,207 AND THIS DOESN'T FILL ITSELF. 878 00:22:13,249 --> 00:22:15,375 COFFEE. 879 00:22:15,417 --> 00:22:18,171 YOU'RE MEETING WITH A SOURCE 880 00:22:15,417 --> 00:22:18,171 TONIGHT, AREN'T YOU? 881 00:22:18,212 --> 00:22:21,257 YOU'RE ASKING A WILDLY 882 00:22:18,212 --> 00:22:21,257 INAPPROPRIATE QUESTION. 883 00:22:21,299 --> 00:22:23,217 I KNOW HOW IMPORTANT 884 00:22:21,299 --> 00:22:23,217 THAT DINNER WAS TO YOU. 885 00:22:23,259 --> 00:22:24,551 AND I KNOW YOU'D ONLY 886 00:22:23,259 --> 00:22:24,551 TAKE A TAXI 887 00:22:24,593 --> 00:22:26,386 IF YOU DIDN'T WANT ANYONE 888 00:22:24,593 --> 00:22:26,386 TO KNOW WHERE YOU WERE GOING. 889 00:22:26,428 --> 00:22:28,388 AND THIS IS YOUR 890 00:22:26,428 --> 00:22:28,388 THIRD CUP OF COFFEE. 891 00:22:28,430 --> 00:22:29,723 YOU'RE GEARING UP 892 00:22:28,430 --> 00:22:29,723 FOR A MEETING. 893 00:22:29,765 --> 00:22:32,226 YOU SHOULD TAKE ME WITH YOU. 894 00:22:29,765 --> 00:22:32,226 I CAN HELP. 895 00:22:34,270 --> 00:22:37,148 I'LL TELL YOU 896 00:22:34,270 --> 00:22:37,148 HOW YOU CAN HELP ME. 897 00:22:37,190 --> 00:22:38,440 IT'S MY CHILD'S 898 00:22:37,190 --> 00:22:38,440 6th BIRTHDAY. 899 00:22:38,482 --> 00:22:40,067 IT'S NOT 900 00:22:38,482 --> 00:22:40,067 ON YOUR CALENDAR. 901 00:22:40,109 --> 00:22:41,401 THAT'S WHY 902 00:22:40,109 --> 00:22:41,401 I HAVE A PULITZER 903 00:22:41,443 --> 00:22:43,237 AND NOT 904 00:22:41,443 --> 00:22:43,237 A "MOMMY OF THE YEAR" MUG. 905 00:22:43,279 --> 00:22:44,404 NOW, MY LAST ASSISTANT 906 00:22:44,446 --> 00:22:46,406 ARRANGED FOR CHARLIE'S PARTY 907 00:22:44,446 --> 00:22:46,406 AT MY APARTMENT, 908 00:22:46,448 --> 00:22:48,408 WHICH IS CURRENTLY 909 00:22:46,448 --> 00:22:48,408 A CRIME SCENE. 910 00:22:48,450 --> 00:22:50,410 OKAY. 911 00:22:48,450 --> 00:22:50,410 WHEN IS THE PARTY? 912 00:22:48,450 --> 00:22:50,410 TODAY AT 4:00. 913 00:22:50,452 --> 00:22:52,288 THAT'S WHY I NEED YOU 914 00:22:50,452 --> 00:22:52,288 TO MOVE EVERYTHING -- 915 00:22:52,330 --> 00:22:54,081 THE CAKE, THE DECORATIONS, 916 00:22:52,330 --> 00:22:54,081 EVERYTHING. 917 00:22:54,123 --> 00:22:55,415 AND YOU NEED TO CALL 918 00:22:54,123 --> 00:22:55,415 ALL THE GUESTS 919 00:22:55,457 --> 00:22:57,417 AND TELL THEM THAT I'M SORRY 920 00:22:55,457 --> 00:22:57,417 THAT I'M NOT THERE. 921 00:22:57,459 --> 00:22:59,419 IF THIS THREAT'S REAL 922 00:22:57,459 --> 00:22:59,419 AND I WENT, 923 00:22:59,461 --> 00:23:02,422 I WOULD BE PUTTING CHARLIE 924 00:22:59,461 --> 00:23:02,422 AND ALL THE CHILDREN IN DANGER. 925 00:23:02,464 --> 00:23:04,550 NEW PARTY. 926 00:23:02,464 --> 00:23:04,550 GOT IT. 927 00:23:02,464 --> 00:23:04,550 OH, DAMN. 928 00:23:04,591 --> 00:23:07,011 I FIRED MELINDA BEFORE 929 00:23:04,591 --> 00:23:07,011 SHE COULD GET CHARLIE'S GIFT. 930 00:23:07,053 --> 00:23:08,595 THERE'S A ROBOT 931 00:23:07,053 --> 00:23:08,595 THAT HE LOVES. 932 00:23:08,637 --> 00:23:10,348 SHE WROTE IT DOWN 933 00:23:08,637 --> 00:23:10,348 SOMEWHERE. 934 00:23:10,388 --> 00:23:12,599 AND I WANT NEW LOCKS, 935 00:23:10,388 --> 00:23:12,599 THE KIND THE WHITE HOUSE USES. 936 00:23:12,641 --> 00:23:14,185 IF I GET ALL THIS DONE, 937 00:23:14,227 --> 00:23:16,562 CAN I COME WITH YOU 938 00:23:14,227 --> 00:23:16,562 TO MEET THE SOURCE? 939 00:23:16,603 --> 00:23:19,148 FINISH IT ALL, 940 00:23:16,603 --> 00:23:19,148 AND I'LL LET YOU DRIVE ME. 941 00:23:19,190 --> 00:23:21,734 OH, AND MAKE SURE 942 00:23:19,190 --> 00:23:21,734 YOU TRANSLATE 943 00:23:21,775 --> 00:23:25,403 THE LISBON COMMUNIQUé 944 00:23:21,775 --> 00:23:25,403 INTO ENGLISH BY 6:00. 945 00:23:28,199 --> 00:23:29,407 [ SIGHS ] 946 00:23:31,493 --> 00:23:32,995 [ CELLPHONE BEEPS ] 947 00:23:33,037 --> 00:23:34,997 [ Normal voice ] 948 00:23:33,037 --> 00:23:34,997 PETER, IF YOU WANT ME THERE 949 00:23:35,039 --> 00:23:37,208 WHEN HELEN MEETS THE SOURCE, 950 00:23:35,039 --> 00:23:37,208 I'M GONNA NEED SOME HELP. 951 00:23:37,250 --> 00:23:38,625 I'M E-MAILING YOU A LIST. 952 00:23:38,667 --> 00:23:40,378 LISTEN UP. 953 00:23:40,418 --> 00:23:42,462 DIANA NEEDS TO BE WITHIN 954 00:23:40,418 --> 00:23:42,462 20 YARDS OF HELEN AT ALL TIMES, 955 00:23:42,504 --> 00:23:44,131 SO WE'RE GONNA 956 00:23:42,504 --> 00:23:44,131 LEND A HAND. 957 00:23:44,173 --> 00:23:47,343 FIRST UP, WE NEED A LOCK 958 00:23:44,173 --> 00:23:47,343 FOR A RESIDENTIAL DOOR -- 959 00:23:47,385 --> 00:23:49,136 ULTRA-SECURE, 960 00:23:47,385 --> 00:23:49,136 STATE OF THE ART. 961 00:23:49,178 --> 00:23:50,346 I GOT A GUY. 962 00:23:50,388 --> 00:23:52,390 HE'LL EVEN DO 963 00:23:50,388 --> 00:23:52,390 THE ROAD WORK FOR YOU. 964 00:23:50,388 --> 00:23:52,390 MOZZIE? 965 00:23:53,599 --> 00:23:54,808 I WANT THE MASTER KEY. 966 00:23:54,850 --> 00:23:56,434 ALL RIGHT, 967 00:23:54,850 --> 00:23:56,434 WHO HERE SPEAKS PORTUGUESE? 968 00:23:57,519 --> 00:23:59,939 GOOD. YOU GET TO 969 00:23:57,519 --> 00:23:59,939 TRANSLATE A COMMUNIQUé. 970 00:23:59,980 --> 00:24:02,358 WHAT'S A SUPAIKU-BOT? 971 00:24:02,400 --> 00:24:04,484 I DON'T KNOW. 972 00:24:02,400 --> 00:24:04,484 SOME KIND OF ROBOT HEDGEHOG TOY. 973 00:24:04,526 --> 00:24:06,028 I'LL GET THAT. 974 00:24:06,070 --> 00:24:08,614 JONES, YOU'RE GONNA RUN POINT 975 00:24:06,070 --> 00:24:08,614 AND HANDLE DECORATIONS. 976 00:24:08,655 --> 00:24:10,490 SO, STREAMERS 977 00:24:08,655 --> 00:24:10,490 AND A COUPLE BALLOONS? 978 00:24:10,532 --> 00:24:12,243 MM-HMM. 979 00:24:10,532 --> 00:24:12,243 NO. NO, NO, NO. 980 00:24:12,285 --> 00:24:13,493 NO? 981 00:24:12,285 --> 00:24:13,493 MNH-MNH. 982 00:24:13,535 --> 00:24:15,579 NO. NO. WE ARE IN 983 00:24:13,535 --> 00:24:15,579 WAY OVER OUR HEADS, AREN'T WE? 984 00:24:15,621 --> 00:24:17,039 YEAH. 985 00:24:17,081 --> 00:24:18,540 [ SIGHS ] 986 00:24:18,582 --> 00:24:20,500 WE NEED A RINGER. 987 00:24:20,542 --> 00:24:21,710 Elizabeth: 988 00:24:20,542 --> 00:24:21,710 OKAY, SO THE SUGAR-FREE CAKE, 989 00:24:21,752 --> 00:24:23,254 THE NUT-FREE CAKE, 990 00:24:21,752 --> 00:24:23,254 AND THE DAIRY-FREE CAKE -- 991 00:24:23,296 --> 00:24:24,504 THEY GO ON THAT TABLE 992 00:24:23,296 --> 00:24:24,504 OVER THERE. 993 00:24:24,546 --> 00:24:27,049 GOT THE GOODIE BAGS -- 994 00:24:24,546 --> 00:24:27,049 TABLE OVER THERE BY THE CACTUS. 995 00:24:27,091 --> 00:24:29,467 OKAY, WE'VE GOT THE COWBOY HATS 996 00:24:27,091 --> 00:24:29,467 AND THE CUTE LITTLE ALIENS. 997 00:24:29,509 --> 00:24:31,511 WE'RE GONNA PUT THOSE OUT 998 00:24:29,509 --> 00:24:31,511 ON THE TABLES OVER HERE. 999 00:24:31,553 --> 00:24:33,347 HEY, JONES. 1000 00:24:31,553 --> 00:24:33,347 HEY! 1001 00:24:33,389 --> 00:24:35,391 COWBOYS IN SPACE? 1002 00:24:35,433 --> 00:24:37,059 I WANT YOU TO PLAN 1003 00:24:35,433 --> 00:24:37,059 MY BIRTHDAY PARTY. 1004 00:24:37,101 --> 00:24:38,644 DO YOU WANT A MOON BOUNCE, 1005 00:24:37,101 --> 00:24:38,644 AS WELL? 1006 00:24:38,685 --> 00:24:40,520 I WANT TO BE A COWBOY. 1007 00:24:40,562 --> 00:24:43,023 OH, WELL, 1008 00:24:40,562 --> 00:24:43,023 THERE YOU GO, JONES. 1009 00:24:43,065 --> 00:24:44,442 GIDDY UP. 1010 00:24:44,482 --> 00:24:45,985 NICE. 1011 00:24:50,239 --> 00:24:52,032 THE ZHVIEGEL MILLENIUM? 1012 00:24:52,074 --> 00:24:54,285 I WON'T EVEN NEED MY PICKS. 1013 00:24:52,074 --> 00:24:54,285 I'LL JUST BUMP IT. 1014 00:24:58,205 --> 00:24:59,248 AH. 1015 00:24:59,290 --> 00:25:01,041 BUT WITH 1016 00:24:59,290 --> 00:25:01,041 MY MODIFICATIONS, 1017 00:25:01,083 --> 00:25:03,501 IT IS UNLIKE ANY OTHER ZHVIEGEL 1018 00:25:01,083 --> 00:25:03,501 ON THE MARKET. 1019 00:25:15,597 --> 00:25:18,558 TENSION'S UNREADABLE. 1020 00:25:15,597 --> 00:25:18,558 I'M IMPRESSED. 1021 00:25:18,600 --> 00:25:24,231 THAT LOCK IS SO COMPLEX, 1022 00:25:18,600 --> 00:25:24,231 IT IS ONLY RIVALED BY MY MIND. 1023 00:25:24,273 --> 00:25:26,108 [ LOCK CLICKS ] 1024 00:25:26,150 --> 00:25:29,195 OH, I USED THE HOOK. 1025 00:25:26,150 --> 00:25:29,195 IT WAS TOUGH, THOUGH. 1026 00:25:29,236 --> 00:25:30,821 IF YOU ADDED 1027 00:25:29,236 --> 00:25:30,821 ANOTHER PIN -- 1028 00:25:30,863 --> 00:25:33,573 AH, A BLUFF 1029 00:25:30,863 --> 00:25:33,573 INSIDE THE CYLINDER. 1030 00:25:30,863 --> 00:25:33,573 YEAH. 1031 00:25:33,615 --> 00:25:35,742 THIS AND A WEDGE 1032 00:25:33,615 --> 00:25:35,742 UNDER THE DOOR, 1033 00:25:35,784 --> 00:25:37,577 AND HELEN ANDERSON'S 1034 00:25:35,784 --> 00:25:37,577 TOWNHOUSE 1035 00:25:37,619 --> 00:25:39,746 WILL BE MORE SECURE 1036 00:25:37,619 --> 00:25:39,746 THAN FORT KNOX. 1037 00:25:39,788 --> 00:25:42,416 WHICH, AS WE KNOW, 1038 00:25:39,788 --> 00:25:42,416 HAS ITS OWN WEAKNESSES. 1039 00:25:42,458 --> 00:25:44,584 SPEAKING OF, 1040 00:25:42,458 --> 00:25:44,584 WHERE'S DIANA'S BRIEFCASE? 1041 00:25:44,626 --> 00:25:46,712 OH, SHE TOOK IT BACK 1042 00:25:44,626 --> 00:25:46,712 TO THE SHEAGLE'S NEST. 1043 00:25:46,753 --> 00:25:48,255 WE'VE ONLY GOT TWO DAYS 1044 00:25:46,753 --> 00:25:48,255 TO GET IT. 1045 00:25:48,297 --> 00:25:50,716 DON'T WORRY, MOZ. 1046 00:25:50,757 --> 00:25:52,801 I'LL COOK SOMETHING UP. 1047 00:25:59,475 --> 00:26:01,185 HEY. 1048 00:26:01,227 --> 00:26:03,437 HEARD YOU GUYS 1049 00:26:01,227 --> 00:26:03,437 GOT A SHIPMENT. 1050 00:26:03,479 --> 00:26:06,773 SPECIAL AGENT PETER BURKE, 1051 00:26:03,479 --> 00:26:06,773 FBI. 1052 00:26:06,815 --> 00:26:09,068 I'M COMMANDEERING 1053 00:26:06,815 --> 00:26:09,068 A SUPAIKU-BOT. 1054 00:26:14,073 --> 00:26:16,200 [ ROBOTIC BUZZING ] 1055 00:26:16,242 --> 00:26:18,618 WHAT? 1056 00:26:18,660 --> 00:26:20,413 [ English accent ] 1057 00:26:18,660 --> 00:26:20,413 THE PARTY WAS A HIT. 1058 00:26:23,374 --> 00:26:26,919 YOUR JACKET'S CLEAN, RESEARCH 1059 00:26:23,374 --> 00:26:26,919 IS CATEGORIZED AND COLLATED, 1060 00:26:26,960 --> 00:26:28,295 AND I CANCELED 1061 00:26:26,960 --> 00:26:28,295 THE RUSHDIE DINNER. 1062 00:26:28,337 --> 00:26:29,422 WHAT ABOUT -- 1063 00:26:29,463 --> 00:26:31,631 YOUR 5:30 1064 00:26:29,463 --> 00:26:31,631 WHEAT-GRASS SMOOTHIE. 1065 00:26:31,673 --> 00:26:32,799 KEYS TO YOUR NEW LOCKS 1066 00:26:32,841 --> 00:26:34,218 AND THE TRANSLATION 1067 00:26:32,841 --> 00:26:34,218 OF THE LISBON COMMUNIQUé. 1068 00:26:36,470 --> 00:26:38,138 I'M DRIVING. 1069 00:26:49,691 --> 00:26:51,318 [ CAR DOOR OPENS ] 1070 00:26:51,360 --> 00:26:53,112 [ CRICKETS CHIRPING ] 1071 00:26:53,153 --> 00:26:54,612 [ CAR DOOR CLOSES ] 1072 00:26:56,365 --> 00:26:57,491 WHAT ARE YOU DOING? 1073 00:26:57,533 --> 00:26:59,118 I THOUGHT I WAS 1074 00:26:57,533 --> 00:26:59,118 COMING WITH YOU. 1075 00:26:59,159 --> 00:27:01,745 NO. THIS IS THE FIRST TIME 1076 00:26:59,159 --> 00:27:01,745 I'M MEETING THE SOURCE. 1077 00:27:01,787 --> 00:27:03,956 I SAID YOU COULD DRIVE ME. 1078 00:27:01,787 --> 00:27:03,956 THAT'S AS FAR AS YOU GET. 1079 00:27:03,997 --> 00:27:05,082 [ CELLPHONE BEEPS ] 1080 00:27:05,124 --> 00:27:06,666 THERE HE IS. 1081 00:27:06,708 --> 00:27:08,668 YOU WANT TO DO 1082 00:27:06,708 --> 00:27:08,668 WHAT I DO, 1083 00:27:08,710 --> 00:27:11,297 YOU NEED GUTS, GOOD INSTINCTS, 1084 00:27:08,710 --> 00:27:11,297 AND PATIENCE. 1085 00:27:11,338 --> 00:27:12,630 WORK ON THAT. 1086 00:27:23,016 --> 00:27:25,018 WE GOT TO 1087 00:27:23,016 --> 00:27:25,018 MAKE THIS QUICK. 1088 00:27:25,060 --> 00:27:26,353 ALL RIGHT. 1089 00:27:26,395 --> 00:27:29,315 THERE'S A WHISTLE-BLOWER 1090 00:27:26,395 --> 00:27:29,315 PROTECTION. TELL ME... 1091 00:27:29,356 --> 00:27:30,690 [ INDISTINCT CONVERSATION ] 1092 00:27:30,732 --> 00:27:32,192 THIS DIDN'T COME 1093 00:27:30,732 --> 00:27:32,192 FROM ME. 1094 00:27:32,234 --> 00:27:34,320 WE BOTH KNOW 1095 00:27:32,234 --> 00:27:34,320 WHAT HAPPENS WHEN... 1096 00:27:34,361 --> 00:27:35,821 [ INDISTINCT CONVERSATION ] 1097 00:27:40,742 --> 00:27:42,660 HELEN! 1098 00:27:47,749 --> 00:27:49,667 HELEN! 1099 00:27:52,254 --> 00:27:53,713 WAIT! 1100 00:27:53,755 --> 00:27:56,883 UGH! WHY DID YOU DO THAT? 1101 00:27:53,755 --> 00:27:56,883 YOU SCARED MY SOURCE! 1102 00:27:56,925 --> 00:27:58,802 SOMEONE FOLLOWED YOU. 1103 00:27:56,925 --> 00:27:58,802 LOOK. 1104 00:27:58,844 --> 00:28:01,180 Helen: HE GAVE ME 1105 00:27:58,844 --> 00:28:01,180 THIS FLASH DRIVE. 1106 00:28:01,221 --> 00:28:04,224 ALL RIGHT. 1107 00:28:08,979 --> 00:28:10,856 [ Normal voice ] THE SOURCE 1108 00:28:08,979 --> 00:28:10,856 DIDN'T GIVE HELEN A NAME. 1109 00:28:10,897 --> 00:28:12,065 AT LEAST, 1110 00:28:10,897 --> 00:28:12,065 THAT'S WHAT SHE TOLD ME. 1111 00:28:12,107 --> 00:28:13,317 I DROPPED HER HOME. 1112 00:28:13,359 --> 00:28:15,319 YOU WANT ME TO DOUBLE BACK 1113 00:28:13,359 --> 00:28:15,319 FOR A STAKEOUT? 1114 00:28:15,361 --> 00:28:16,529 PETER: No need. 1115 00:28:16,570 --> 00:28:18,197 We've got an unmarked car 1116 00:28:16,570 --> 00:28:18,197 on her house. 1117 00:28:18,238 --> 00:28:19,739 Good work today. 1118 00:28:18,238 --> 00:28:19,739 Get some rest. 1119 00:28:19,781 --> 00:28:22,075 IF YOU INSIST. 1120 00:28:19,781 --> 00:28:22,075 GOOD NIGHT, PETER. 1121 00:28:22,117 --> 00:28:23,910 WHAT SMELLS SO G-- 1122 00:28:23,952 --> 00:28:25,287 HEY! 1123 00:28:25,329 --> 00:28:27,289 Christie: 1124 00:28:25,329 --> 00:28:27,289 HI, HONEY. 1125 00:28:27,331 --> 00:28:28,748 PEOPLE ALWAYS SAY 1126 00:28:27,331 --> 00:28:28,748 THEY'RE GONNA GET TOGETHER, 1127 00:28:28,790 --> 00:28:31,709 AND THEY NEVER DO, 1128 00:28:28,790 --> 00:28:31,709 SO I CALLED CHRISTIE. 1129 00:28:31,751 --> 00:28:32,961 AND HERE WE ARE. 1130 00:28:33,003 --> 00:28:35,297 HERE WE ARE. 1131 00:28:35,339 --> 00:28:38,091 NEAL, THIS RISOTTO'S DELICIOUS. 1132 00:28:35,339 --> 00:28:38,091 I NEED ONE MORE BITE. 1133 00:28:38,133 --> 00:28:39,759 CONTRABAND CHEESE. 1134 00:28:39,801 --> 00:28:42,054 CAFFREY, I SHOULD FINE YOU 1135 00:28:39,801 --> 00:28:42,054 AND CONFISCATE THE DAIRY. 1136 00:28:42,095 --> 00:28:43,889 HEY, DON'T TAKE YOUR DAY 1137 00:28:42,095 --> 00:28:43,889 WITH HELEN OUT ON ME. 1138 00:28:43,930 --> 00:28:45,765 OH, 1139 00:28:43,930 --> 00:28:45,765 DON'T GET ME STARTED. 1140 00:28:45,807 --> 00:28:47,767 ACTUALLY, I COULD USE 1141 00:28:45,807 --> 00:28:47,767 YOUR HELP WITH THIS. 1142 00:28:47,809 --> 00:28:49,144 HER SOURCE GAVE HER 1143 00:28:47,809 --> 00:28:49,144 A FLASH DRIVE 1144 00:28:49,186 --> 00:28:51,771 WITH THESE NUMBERS ON IT 1145 00:28:49,186 --> 00:28:51,771 AND NO EXPLANATION. 1146 00:28:51,813 --> 00:28:54,358 OH. PATENT I.D.s, 1147 00:28:51,813 --> 00:28:54,358 FORMULA FILES? 1148 00:28:54,400 --> 00:28:57,486 NOPE. THEY DON'T CORRESPOND 1149 00:28:54,400 --> 00:28:57,486 WITH ZYBAX OR ANY PandV PRODUCT. 1150 00:28:57,528 --> 00:28:58,987 MAYBE SAMPLES. 1151 00:28:59,029 --> 00:29:01,156 I COULD CHECK IN THE HOSPITAL 1152 00:28:59,029 --> 00:29:01,156 PHARMACY TOMORROW. 1153 00:29:01,198 --> 00:29:02,741 THANK YOU. 1154 00:29:04,201 --> 00:29:05,327 HOW ABOUT YOU, SARA? 1155 00:29:04,201 --> 00:29:05,327 WHAT DO YOU DO? 1156 00:29:05,369 --> 00:29:07,496 SHE IS IN INSURANCE. 1157 00:29:07,538 --> 00:29:09,789 OH, THE KIND THAT SENDS ME 1158 00:29:07,538 --> 00:29:09,789 MOUNTAINS OF PAPERWORK? 1159 00:29:09,831 --> 00:29:11,083 NO. NO, NO. 1160 00:29:11,124 --> 00:29:13,085 UM, BUT IF YOUR RODIN 1161 00:29:11,124 --> 00:29:13,085 GOES MISSING, PLEASE CALL ME. 1162 00:29:13,126 --> 00:29:15,170 OH, 1163 00:29:13,126 --> 00:29:15,170 INSURANCE RECOVERY. 1164 00:29:15,212 --> 00:29:16,838 YES. 1165 00:29:16,880 --> 00:29:18,798 WAIT A MINUTE. 1166 00:29:18,840 --> 00:29:20,050 MM. 1167 00:29:18,840 --> 00:29:20,050 Christie: 1168 00:29:18,840 --> 00:29:20,050 THAT MEANS THAT -- 1169 00:29:20,092 --> 00:29:22,595 THAT'S RIGHT. HE STEALS 'EM. 1170 00:29:20,092 --> 00:29:22,595 SHE GETS 'EM BACK. 1171 00:29:22,636 --> 00:29:23,803 [ CHUCKLES ] 1172 00:29:23,845 --> 00:29:25,389 WOW. I'VE GOT TO KNOW 1173 00:29:23,845 --> 00:29:25,389 HOW YOU BOTH MET. 1174 00:29:25,431 --> 00:29:27,807 SHE HAS BEEN AFTER ME 1175 00:29:25,431 --> 00:29:27,807 FOR A LONG TIME. 1176 00:29:27,849 --> 00:29:29,309 OH! 1177 00:29:27,849 --> 00:29:29,309 Sara: OH, MY GOD! 1178 00:29:29,351 --> 00:29:31,270 HE STOLE A RAPHAEL. 1179 00:29:29,351 --> 00:29:31,270 CONJECTURE, YOUR HONOR. 1180 00:29:31,311 --> 00:29:32,354 AND I PURSUED. 1181 00:29:32,396 --> 00:29:34,607 AND I HAVEN'T FORGOTTEN 1182 00:29:32,396 --> 00:29:34,607 ABOUT THE RAPHAEL. 1183 00:29:34,648 --> 00:29:35,815 OHH! 1184 00:29:34,648 --> 00:29:35,815 [ CHUCKLES ] 1185 00:29:35,857 --> 00:29:37,150 WE'RE BORING. 1186 00:29:37,192 --> 00:29:38,818 ANYWAY, HOW ABOUT YOU TWO? 1187 00:29:37,192 --> 00:29:38,818 HOW'D YOU TWO MEET? 1188 00:29:38,860 --> 00:29:40,112 IT'S A REALLY CUTE 1189 00:29:38,860 --> 00:29:40,112 STORY. 1190 00:29:38,860 --> 00:29:40,112 OH, THEY DON'T 1191 00:29:38,860 --> 00:29:40,112 WANT TO HEAR IT. 1192 00:29:40,153 --> 00:29:41,321 YEAH. 1193 00:29:40,153 --> 00:29:41,321 I WANT TO HEAR IT. 1194 00:29:41,363 --> 00:29:43,490 I'M GOOD. 1195 00:29:41,363 --> 00:29:43,490 WE -- 1196 00:29:43,532 --> 00:29:45,784 I'LL JUST BE -- NO, I'M GOOD. 1197 00:29:43,532 --> 00:29:45,784 I'M JUST GONNA... 1198 00:29:45,825 --> 00:29:47,703 [ LAUGHS ] 1199 00:29:45,825 --> 00:29:47,703 WOW. 1200 00:29:47,745 --> 00:29:49,705 YOU KNOW, YOU ARE JUST LIKE 1201 00:29:47,745 --> 00:29:49,705 MY FRIEND WALLY BURNS. 1202 00:29:49,747 --> 00:29:51,749 IT TOOK HIM FOREVER TO TELL ME 1203 00:29:49,747 --> 00:29:51,749 HOW HE MET HIS WIFE. 1204 00:29:51,790 --> 00:29:54,167 YOU REMEMBER WALLY, RIGHT? 1205 00:29:51,790 --> 00:29:54,167 I TOLD YOU ABOUT HIM. 1206 00:29:54,209 --> 00:29:55,711 YEAH, I REMEMBER WALLY. 1207 00:29:55,753 --> 00:29:57,963 UM, 1208 00:29:55,753 --> 00:29:57,963 DINNER-PARTY RULES. 1209 00:29:58,004 --> 00:30:00,591 YOU GUYS COOKED, 1210 00:29:58,004 --> 00:30:00,591 SO DIANA AND I -- 1211 00:29:58,004 --> 00:30:00,591 GET DESSERT. 1212 00:30:00,633 --> 00:30:02,509 YES. 1213 00:30:00,633 --> 00:30:02,509 AND MORE WINE. 1214 00:30:02,551 --> 00:30:04,553 THANK YOU SO MUCH. 1215 00:30:02,551 --> 00:30:04,553 THANK YOU. 1216 00:30:04,595 --> 00:30:07,889 I HAVE TO TELL YOU, 1217 00:30:04,595 --> 00:30:07,889 I LOVE YOUR PLACE. 1218 00:30:07,931 --> 00:30:09,057 Diana: OH, THANKS. 1219 00:30:09,099 --> 00:30:12,060 SO, YOU AND DIANA -- 1220 00:30:09,099 --> 00:30:12,060 COME ON. 1221 00:30:12,102 --> 00:30:15,147 YOU WERE HER DOCTOR? 1222 00:30:12,102 --> 00:30:15,147 KRAV MAGA? 1223 00:30:15,188 --> 00:30:16,565 I'M NOT 1224 00:30:15,188 --> 00:30:16,565 GONNA TELL YOU. 1225 00:30:16,607 --> 00:30:18,858 ALL RIGHT, FINE. 1226 00:30:16,607 --> 00:30:18,858 HOW WAS DINNER THE OTHER NIGHT? 1227 00:30:18,900 --> 00:30:20,110 OH, IT WAS GREAT. 1228 00:30:20,152 --> 00:30:21,403 WHEN I EAT AT BABBO, 1229 00:30:21,445 --> 00:30:23,155 I LIKE TO GO TO THIS BAR 1230 00:30:21,445 --> 00:30:23,155 AROUND THE CORNER AFTER -- 1231 00:30:23,196 --> 00:30:24,531 SIMONE'S. 1232 00:30:24,573 --> 00:30:26,074 I LOVE SIMONE'S. 1233 00:30:24,573 --> 00:30:26,074 YEAH? 1234 00:30:26,116 --> 00:30:28,452 WE CAME STRAIGHT HOME. 1235 00:30:26,116 --> 00:30:28,452 WE BOTH HAD WORK TO DO. 1236 00:30:28,494 --> 00:30:30,870 OH. LAPTOPS IN BED? 1237 00:30:28,494 --> 00:30:30,870 SOUNDS ROMANTIC. 1238 00:30:30,912 --> 00:30:32,706 VERY -- 1239 00:30:30,912 --> 00:30:32,706 I RESEARCHED STENTS, 1240 00:30:32,748 --> 00:30:35,041 AND DI FINISHED UP 1241 00:30:32,748 --> 00:30:35,041 FOR A MORNING MEETING. 1242 00:30:35,083 --> 00:30:37,586 A MEETING BEFORE HER DAY 1243 00:30:35,083 --> 00:30:37,586 WITH HELEN? 1244 00:30:37,628 --> 00:30:39,045 SOUNDS LIKE A BUSY DAY. 1245 00:30:39,087 --> 00:30:40,839 SHE HAD TO 1246 00:30:39,087 --> 00:30:40,839 DROP SOMETHING OFF. 1247 00:30:44,343 --> 00:30:47,304 YOU TOLD HIM, 1248 00:30:44,343 --> 00:30:47,304 DIDN'T YOU? 1249 00:30:44,343 --> 00:30:47,304 TOLD ME WHAT? 1250 00:30:47,346 --> 00:30:49,848 YEAH, NICE TRY, CAFFREY. 1251 00:30:47,346 --> 00:30:49,848 HOW WE MET. 1252 00:30:49,889 --> 00:30:51,016 I DIDN'T TELL HIM. 1253 00:30:49,889 --> 00:30:51,016 I THOUGHT IT WAS CUTE. 1254 00:30:51,057 --> 00:30:52,768 THERE'S NOTHING CUTE 1255 00:30:51,057 --> 00:30:52,768 ABOUT POTTERY CLASS. 1256 00:30:52,810 --> 00:30:54,687 YES! POTTERY CLASS! 1257 00:30:54,728 --> 00:30:56,855 SO MUCH BETTER THAN I EVER 1258 00:30:54,728 --> 00:30:56,855 COULD HAVE IMAGINED. 1259 00:30:54,728 --> 00:30:56,855 OH, NO. 1260 00:30:56,896 --> 00:30:59,149 AND THAT WOULD HAVE 1261 00:30:56,896 --> 00:30:59,149 EXPLAINED... 1262 00:30:59,191 --> 00:31:00,900 YEAH, WELL, 1263 00:30:59,191 --> 00:31:00,900 I MADE THAT. 1264 00:31:00,942 --> 00:31:03,278 OH, UH, I MEAN, 1265 00:31:00,942 --> 00:31:03,278 I THINK THAT IT'S LOVELY. 1266 00:31:03,320 --> 00:31:05,280 DITTO. 1267 00:31:03,320 --> 00:31:05,280 [ LAUGHS ] 1268 00:31:05,322 --> 00:31:07,157 OH, YEAH. ALL RIGHT, 1269 00:31:05,322 --> 00:31:07,157 LET'S GET ALL THE "GHOST" JOKES 1270 00:31:07,199 --> 00:31:08,450 OUT OF THE WAY -- 1271 00:31:07,199 --> 00:31:08,450 HUM "UNCHAINED MELODY," 1272 00:31:08,492 --> 00:31:09,702 SLIDE A PENNY 1273 00:31:08,492 --> 00:31:09,702 UP THE WALL. 1274 00:31:09,743 --> 00:31:12,287 UH-HUH. IT'S SUPPOSED TO 1275 00:31:09,743 --> 00:31:12,287 BE ROUND, RIGHT? 1276 00:31:12,329 --> 00:31:13,539 IT'S 1277 00:31:12,329 --> 00:31:13,539 ABSOLUTELY HIDEOUS. 1278 00:31:13,580 --> 00:31:14,873 YEAH. YEAH. 1279 00:31:19,169 --> 00:31:24,132 SO, WHY DID WE RUN A WALLY BURNS 1280 00:31:19,169 --> 00:31:24,132 ON DIANA'S GIRLFRIEND? 1281 00:31:24,174 --> 00:31:25,884 OH, 1282 00:31:24,174 --> 00:31:25,884 I CAN'T TELL YOU. 1283 00:31:25,925 --> 00:31:29,012 OH. OKAY. 1284 00:31:29,054 --> 00:31:30,013 HOLD ON. 1285 00:31:30,055 --> 00:31:31,931 AH. OH. 1286 00:31:31,973 --> 00:31:34,142 YOU DON'T GIVE ME DETAILS 1287 00:31:31,973 --> 00:31:34,142 ABOUT YOUR JOB. 1288 00:31:34,184 --> 00:31:37,062 YEAH. I COULD PROBABLY LIVE 1289 00:31:34,184 --> 00:31:37,062 WITH A SECRET OR TWO. 1290 00:31:37,103 --> 00:31:38,689 I COULD HANDLE THAT. 1291 00:31:38,731 --> 00:31:40,691 YEAH? 1292 00:31:43,402 --> 00:31:45,821 NEAL. 1293 00:31:43,402 --> 00:31:45,821 DID YOU GET IT? 1294 00:31:47,614 --> 00:31:49,366 OH. 1295 00:31:49,408 --> 00:31:51,034 GET A ROOM! 1296 00:31:51,076 --> 00:31:52,745 WE ARE IN A ROOM. 1297 00:31:52,786 --> 00:31:53,953 MY ROOM. 1298 00:31:53,995 --> 00:31:55,955 THAT HURTS. 1299 00:31:55,997 --> 00:31:57,207 NEXT TIME I MAKE A LOCK, 1300 00:31:57,249 --> 00:31:59,209 I GUESS IT SHOULD BE 1301 00:31:57,249 --> 00:31:59,209 FOR "YOUR" DOOR. 1302 00:31:59,251 --> 00:32:01,920 OR THERE IS THIS THING 1303 00:31:59,251 --> 00:32:01,920 CALLED KNOCKING. 1304 00:32:01,961 --> 00:32:03,505 WAIT, WAIT, WAIT, WAIT, 1305 00:32:01,961 --> 00:32:03,505 WAIT, WAIT, WAIT. 1306 00:32:03,547 --> 00:32:05,006 YOU'RE LEAVING? 1307 00:32:05,048 --> 00:32:07,926 MOOD 1308 00:32:05,048 --> 00:32:07,926 SUFFICIENTLY KILLED. 1309 00:32:11,054 --> 00:32:13,640 CALL ME LATER. 1310 00:32:11,054 --> 00:32:13,640 OR COME OVER. 1311 00:32:13,682 --> 00:32:15,308 Mozzie: SURE. 1312 00:32:13,682 --> 00:32:15,308 NOT YOU. 1313 00:32:21,022 --> 00:32:23,983 SERIOUSLY, JUST PUT 1314 00:32:21,022 --> 00:32:23,983 A SOCK ON THE DOORKNOB. 1315 00:32:24,025 --> 00:32:25,360 YEAH. 1316 00:32:25,402 --> 00:32:27,654 ANY LEADS 1317 00:32:25,402 --> 00:32:27,654 ON THE LIST? 1318 00:32:27,696 --> 00:32:29,865 DIANA MET WITH AGENT MATTHEWS 1319 00:32:27,696 --> 00:32:29,865 YESTERDAY. 1320 00:32:29,907 --> 00:32:32,618 SHE GAVE HER THE LIST. 1321 00:32:29,907 --> 00:32:32,618 AH, FAIR MELISSA. 1322 00:32:32,659 --> 00:32:34,994 SHE'S AN EASIER MARK 1323 00:32:32,659 --> 00:32:34,994 THAN BADASS BERRIGAN. 1324 00:32:35,036 --> 00:32:38,081 YOU REALIZE THAT LIST IS 1325 00:32:35,036 --> 00:32:38,081 ON LOCKDOWN IN HER HOTEL ROOM. 1326 00:32:38,123 --> 00:32:41,000 YEAH, WE JUST RIP OUT A PAGE 1327 00:32:38,123 --> 00:32:41,000 FROM OUR OWN PLAYBOOK. 1328 00:32:41,042 --> 00:32:44,504 WE KNOW WHEN MELISSA 1329 00:32:41,042 --> 00:32:44,504 IS HEADING OUT OF TOWN. 1330 00:32:44,546 --> 00:32:47,006 WE SWAP THE BRIEFCASES 1331 00:32:44,546 --> 00:32:47,006 WHEN SHE LEAVES FOR THE AIRPORT. 1332 00:32:47,048 --> 00:32:50,051 DIFFICULTIES MASTERED 1333 00:32:47,048 --> 00:32:50,051 ARE OPPORTUNITIES WON. 1334 00:32:52,053 --> 00:32:54,389 SOME OF US HAVE WORK 1335 00:32:52,053 --> 00:32:54,389 IN THE MORNING. 1336 00:33:00,186 --> 00:33:01,772 MORNING. 1337 00:33:01,814 --> 00:33:03,022 CHRISTIE CALLED. 1338 00:33:03,064 --> 00:33:05,943 OH. SHE RUN THE NUMBERS 1339 00:33:03,064 --> 00:33:05,943 THROUGH THE HOSPITAL PHARMACY? 1340 00:33:05,984 --> 00:33:08,027 SHE WANTED ME TO ASK YOU 1341 00:33:05,984 --> 00:33:08,027 IF AND YOU AND SARA 1342 00:33:08,069 --> 00:33:09,488 WANT TO PLAY DOUBLES 1343 00:33:08,069 --> 00:33:09,488 NEXT WEEKEND. 1344 00:33:09,529 --> 00:33:11,490 YEAH, CAFFREY, 1345 00:33:09,529 --> 00:33:11,490 WHEN YOU GONNA COOK ME DINNER? 1346 00:33:11,531 --> 00:33:13,116 I LIKE RISOTTO. 1347 00:33:11,531 --> 00:33:13,116 [ CHUCKLES ] 1348 00:33:13,158 --> 00:33:15,118 LOOK AT THE TWO OF YOU, 1349 00:33:13,158 --> 00:33:15,118 TRYING TO BE FUNNY. 1350 00:33:15,160 --> 00:33:16,328 DON'T WE HAVE 1351 00:33:15,160 --> 00:33:16,328 A CASE TO WORK? 1352 00:33:16,369 --> 00:33:17,955 WE DO. 1353 00:33:17,996 --> 00:33:20,248 TURNS OUT THE NUMBERS 1354 00:33:17,996 --> 00:33:20,248 THE SOURCE GAVE HELEN 1355 00:33:20,290 --> 00:33:23,502 MATCH SERIAL NUMBERS 1356 00:33:20,290 --> 00:33:23,502 OF THE SAMPLE PACKS OF ZYBAX 1357 00:33:23,543 --> 00:33:25,253 IN THE HOSPITAL DATABASE. 1358 00:33:25,295 --> 00:33:27,130 BUT HERE'S THE THING. 1359 00:33:27,172 --> 00:33:29,424 NONE OF THE SAMPLES ARE STOCKED 1360 00:33:27,172 --> 00:33:29,424 IN THE PHARMACIES. 1361 00:33:29,466 --> 00:33:31,343 PandV REPS CAME IN 1362 00:33:29,466 --> 00:33:31,343 AND SWAPPED THEM OUT. 1363 00:33:31,384 --> 00:33:33,428 SWAPPED THEM 1364 00:33:31,384 --> 00:33:33,428 FOR WHAT? 1365 00:33:33,470 --> 00:33:34,972 ZYBAX. 1366 00:33:35,013 --> 00:33:37,516 SAME DRUG, 1367 00:33:35,013 --> 00:33:37,516 DIFFERENT PACKAGING, 1368 00:33:37,557 --> 00:33:39,058 DIFFERENT 1369 00:33:37,557 --> 00:33:39,058 SERIAL NUMBER. 1370 00:33:39,100 --> 00:33:42,061 SO WHAT IF SULLIVAN 1371 00:33:39,100 --> 00:33:42,061 FOUND OUT ABOUT A BAD BATCH 1372 00:33:42,103 --> 00:33:43,438 AND DID 1373 00:33:42,103 --> 00:33:43,438 AN UNDERCOVER RECALL? 1374 00:33:43,480 --> 00:33:46,232 HE TRADED DIRTY SAMPLES 1375 00:33:43,480 --> 00:33:46,232 FOR CLEAN ONES. 1376 00:33:43,480 --> 00:33:46,232 RIGHT. 1377 00:33:46,274 --> 00:33:49,068 TO COVER THEIR TRACKS, 1378 00:33:46,274 --> 00:33:49,068 PandV SAID IT WAS NEW PACKAGING. 1379 00:33:49,110 --> 00:33:50,696 BUT EVEN IF THE REPS 1380 00:33:49,110 --> 00:33:50,696 CLEARED OUT 1381 00:33:50,737 --> 00:33:52,113 ALL THE DOCTORS' OFFICES 1382 00:33:50,737 --> 00:33:52,113 AND HOSPITALS, 1383 00:33:52,155 --> 00:33:54,073 THERE'S NO WAY 1384 00:33:52,155 --> 00:33:54,073 THEY GOT IT ALL BACK. 1385 00:33:54,115 --> 00:33:55,909 THIS IS WHAT 1386 00:33:54,115 --> 00:33:55,909 HELEN'S SOURCE MEANT. 1387 00:33:55,951 --> 00:33:57,911 THERE ARE PEOPLE OUT THERE 1388 00:33:55,951 --> 00:33:57,911 TAKING BAD ZYBAX. 1389 00:33:57,953 --> 00:33:59,162 IT COULD KILL THEM. 1390 00:34:00,288 --> 00:34:03,082 BUT ALL OF THIS 1391 00:34:00,288 --> 00:34:03,082 IS JUST A THEORY. 1392 00:34:03,124 --> 00:34:06,211 PandV WILL BURY US IN A LAWSUIT 1393 00:34:03,124 --> 00:34:06,211 UNLESS WE HAVE PROOF. 1394 00:34:06,252 --> 00:34:08,254 THEN LET'S GET PROOF. 1395 00:34:15,136 --> 00:34:16,221 DIANA! 1396 00:34:17,890 --> 00:34:20,099 [ English accent ] I'LL BE DONE 1397 00:34:17,890 --> 00:34:20,099 FACT-CHECKING IN FIVE. 1398 00:34:20,141 --> 00:34:22,310 MY SOURCE 1399 00:34:20,141 --> 00:34:22,310 JUST E-MAILED ME. 1400 00:34:22,352 --> 00:34:24,103 HE'S GOT MY SMOKING GUN. 1401 00:34:24,145 --> 00:34:25,230 WHAT IS IT? 1402 00:34:25,271 --> 00:34:26,857 A MEMO. 1403 00:34:26,899 --> 00:34:28,233 BUT AFTER WHAT HAPPENED 1404 00:34:26,899 --> 00:34:28,233 AT THE PARK, 1405 00:34:28,274 --> 00:34:30,235 HE'S AFRAID TO MOVE IT 1406 00:34:28,274 --> 00:34:30,235 OUT OF THE OFFICE. 1407 00:34:30,276 --> 00:34:32,111 HE'S WORRIED THEY'RE 1408 00:34:30,276 --> 00:34:32,111 GOING TO SEARCH HIM. 1409 00:34:32,153 --> 00:34:33,112 WHERE DOES THAT 1410 00:34:32,153 --> 00:34:33,112 LEAVE YOU? 1411 00:34:33,154 --> 00:34:36,241 WALKING INTO A LION'S DEN 1412 00:34:33,154 --> 00:34:36,241 OF CORNER OFFICES 1413 00:34:36,282 --> 00:34:37,492 AND CORPORATE HUBRIS. 1414 00:34:37,534 --> 00:34:39,118 HE'S GOING TO 1415 00:34:37,534 --> 00:34:39,118 GUIDE ME TO IT. 1416 00:34:39,160 --> 00:34:41,872 YOU'RE SUPPOSED TO JUST SHOW UP 1417 00:34:39,160 --> 00:34:41,872 AT PandV AND GET THE MEMO? 1418 00:34:41,914 --> 00:34:43,122 NO, WE ARE. 1419 00:34:43,164 --> 00:34:46,167 THERE'S A LAUNCH PARTY 1420 00:34:43,164 --> 00:34:46,167 FOR ZYBAX THIS AFTERNOON. 1421 00:34:46,209 --> 00:34:47,126 REALLY? 1422 00:34:47,168 --> 00:34:48,670 DON'T MAKE ME 1423 00:34:47,168 --> 00:34:48,670 REGRET THIS. 1424 00:34:55,677 --> 00:34:57,387 [ Normal voice ] 1425 00:34:55,677 --> 00:34:57,387 ACCORDING TO THE SOURCE, 1426 00:34:57,429 --> 00:34:59,138 THE MEMO AUTHORIZES 1427 00:34:57,429 --> 00:34:59,138 ZYBAX BE REPACKAGED 1428 00:34:59,180 --> 00:35:00,640 AS PART 1429 00:34:59,180 --> 00:35:00,640 OF A COVERT RECALL. 1430 00:35:00,682 --> 00:35:02,642 IT'S SIGNED BY THE HEAD 1431 00:35:00,682 --> 00:35:02,642 OF NEW PRODUCTS. 1432 00:35:02,684 --> 00:35:05,645 PAUL SULLIVAN. 1433 00:35:02,684 --> 00:35:05,645 WE GET THE MEMO, WE GET HIM. 1434 00:35:05,687 --> 00:35:08,147 YOU KNOW, HELEN NEVER INVITED 1435 00:35:05,687 --> 00:35:08,147 AN ASSISTANT ANYWHERE. 1436 00:35:08,189 --> 00:35:10,149 THIS IS LIKE 1437 00:35:08,189 --> 00:35:10,149 AN UNOFFICIAL PROMOTION. 1438 00:35:10,191 --> 00:35:13,152 YOU REALIZE YOU DON'T 1439 00:35:10,191 --> 00:35:13,152 ACTUALLY WORK FOR HER. 1440 00:35:13,194 --> 00:35:14,654 OH, BUT I DO. 1441 00:35:14,696 --> 00:35:17,490 WELL, CONGRATULATIONS 1442 00:35:14,696 --> 00:35:17,490 ON YOUR UNOFFICIAL PROMOTION. 1443 00:35:19,826 --> 00:35:22,788 STAY CLOSE TO HELEN. 1444 00:35:19,826 --> 00:35:22,788 BE CAREFUL. 1445 00:35:22,829 --> 00:35:25,164 WHOEVER HAD HER IN THEIR SIGHTS 1446 00:35:22,829 --> 00:35:25,164 IS STILL OUT THERE. 1447 00:35:25,206 --> 00:35:27,500 I WON'T LET ANYTHING 1448 00:35:25,206 --> 00:35:27,500 HAPPEN TO HELEN. 1449 00:35:27,542 --> 00:35:30,295 OH, I KNOW YOU'LL 1450 00:35:27,542 --> 00:35:30,295 TAKE CARE OF HER. 1451 00:35:30,336 --> 00:35:32,130 I'M WORRIED ABOUT YOU. 1452 00:35:32,171 --> 00:35:33,465 DON'T BE. 1453 00:35:33,506 --> 00:35:36,051 I'M GONNA WALK OUT 1454 00:35:33,506 --> 00:35:36,051 OF THE FRONT DOOR OF PandV 1455 00:35:36,093 --> 00:35:38,136 WITH EVERYTHING WE NEED 1456 00:35:36,093 --> 00:35:38,136 TO TAKE THEM DOWN. 1457 00:35:41,222 --> 00:35:43,182 MY GUT'S BOTHERING ME. 1458 00:35:43,224 --> 00:35:45,184 MAYBE YOU NEED 1459 00:35:43,224 --> 00:35:45,184 SOME ZYBAX. 1460 00:35:45,226 --> 00:35:46,812 THINK I'LL PASS. 1461 00:35:46,853 --> 00:35:48,480 BY NOW, 1462 00:35:46,853 --> 00:35:48,480 HELEN'S FIGURED OUT 1463 00:35:48,521 --> 00:35:51,232 THE SERIAL NUMBERS 1464 00:35:48,521 --> 00:35:51,232 ARE FOR THE SAMPLES OF ZYBAX. 1465 00:35:51,274 --> 00:35:53,192 SHE'S ON HER WAY 1466 00:35:51,274 --> 00:35:53,192 TO GET THE MEMO. 1467 00:35:53,234 --> 00:35:54,694 SHE STRIKES ME 1468 00:35:53,234 --> 00:35:54,694 AS THE TYPE OF PERSON 1469 00:35:54,736 --> 00:35:56,488 WHO WILL DO WHATEVER IT TAKES 1470 00:35:54,736 --> 00:35:56,488 TO GET WHAT SHE NEEDS. 1471 00:35:56,529 --> 00:35:57,990 THAT'S WHAT'S 1472 00:35:56,529 --> 00:35:57,990 BOTHERING ME. 1473 00:35:58,031 --> 00:36:00,199 SULLIVAN KNOWS 1474 00:35:58,031 --> 00:36:00,199 SHE'S LOOKING INTO PandV. 1475 00:36:00,241 --> 00:36:03,453 AND WHATEVER HE'S HIDING, 1476 00:36:00,241 --> 00:36:03,453 SHE'S GONNA COME AFTER IT. 1477 00:36:03,495 --> 00:36:06,832 IF A PandV EMPLOYEE KNOWS 1478 00:36:03,495 --> 00:36:06,832 ABOUT THE ZYBAX COVER-UP, 1479 00:36:06,873 --> 00:36:08,667 STARTS FEEDING 1480 00:36:06,873 --> 00:36:08,667 HELEN INTEL... 1481 00:36:08,708 --> 00:36:10,209 SHE PICKS UP THE TRAIL, 1482 00:36:08,708 --> 00:36:10,209 SULLIVAN FOLLOWS HER 1483 00:36:10,251 --> 00:36:11,419 ALL THE WAY 1484 00:36:10,251 --> 00:36:11,419 TO THE SOURCE. 1485 00:36:11,461 --> 00:36:13,296 IF THE MEET HAPPENS 1486 00:36:11,461 --> 00:36:13,296 AT THE LAUNCH PARTY, 1487 00:36:13,338 --> 00:36:15,007 THE SOURCE 1488 00:36:13,338 --> 00:36:15,007 COULD BE EXPOSED. 1489 00:36:15,048 --> 00:36:17,216 HEY, GUYS, 1490 00:36:15,048 --> 00:36:17,216 WE DID SOME FURTHER WORK 1491 00:36:17,258 --> 00:36:18,593 ON THAT REDACTED DOCUMENT 1492 00:36:18,635 --> 00:36:21,138 AND WERE ABLE TO IDENTIFY 1493 00:36:18,635 --> 00:36:21,138 THE SIGNATURE AT THE BOTTOM. 1494 00:36:21,179 --> 00:36:23,974 WE JUST FOUND OUR SOURCE. 1495 00:36:21,179 --> 00:36:23,974 CASEY MENDELL. 1496 00:36:24,016 --> 00:36:26,225 HEAD OF RandD. 1497 00:36:24,016 --> 00:36:26,225 LET'S GO TALK TO HIM. 1498 00:36:26,267 --> 00:36:28,186 JONES, CALL DIANA. 1499 00:36:26,267 --> 00:36:28,186 LET HER KNOW. 1500 00:36:35,276 --> 00:36:37,236 THE SOURCE THINKS 1501 00:36:35,276 --> 00:36:37,236 I'M ALONE. 1502 00:36:37,278 --> 00:36:40,448 YOU'RE HERE TO OBSERVE. 1503 00:36:37,278 --> 00:36:40,448 KEEP YOUR DISTANCE. 1504 00:36:40,490 --> 00:36:42,200 Diana: [ English accent ] 1505 00:36:40,490 --> 00:36:42,200 I'LL BE AT THE BAR. 1506 00:36:44,911 --> 00:36:47,246 [ Ringing ] 1507 00:36:47,288 --> 00:36:48,581 PETER: Yeah. 1508 00:36:48,623 --> 00:36:50,249 [ Normal voice ] 1509 00:36:48,623 --> 00:36:50,249 I HAVE EYES ON HELEN. 1510 00:36:50,291 --> 00:36:51,501 I GOT A LOOK 1511 00:36:50,291 --> 00:36:51,501 AT THE GUEST LIST. 1512 00:36:51,543 --> 00:36:53,252 CASEY MENDELL IS NOT 1513 00:36:51,543 --> 00:36:53,252 AT THIS PARTY. 1514 00:36:53,294 --> 00:36:55,672 He's not in his office. 1515 00:36:53,294 --> 00:36:55,672 We're on our way to his house. 1516 00:36:58,466 --> 00:37:00,468 [ POLICE RADIO CHATTER ] 1517 00:37:02,303 --> 00:37:03,680 THAT'S 1518 00:37:02,303 --> 00:37:03,680 MENDELL'S BUILDING. 1519 00:37:03,722 --> 00:37:06,474 HEY, FBI. 1520 00:37:03,722 --> 00:37:06,474 WHAT'S GOING ON HERE? 1521 00:37:06,516 --> 00:37:08,226 LADY GOT HOME 1522 00:37:06,516 --> 00:37:08,226 FROM WORK, 1523 00:37:08,267 --> 00:37:10,269 FOUND HER HUSBAND ON THE FLOOR, 1524 00:37:08,267 --> 00:37:10,269 CALLED US. 1525 00:37:10,311 --> 00:37:12,981 IT WAS TOO LATE. 1526 00:37:10,311 --> 00:37:12,981 MUST'VE DIED THIS MORNING. 1527 00:37:13,023 --> 00:37:14,816 CASEY MENDELL? 1528 00:37:13,023 --> 00:37:14,816 YEAH. 1529 00:37:16,234 --> 00:37:18,236 [ INDISTINCT CONVERSATIONS ] 1530 00:37:24,076 --> 00:37:28,496 MEMO'S IN ROOM 2642 1531 00:37:24,076 --> 00:37:28,496 ON THE DESK. 1532 00:37:32,084 --> 00:37:34,961 HI. ARE YOU ONE 1533 00:37:32,084 --> 00:37:34,961 OF OUR NEW SALES REPS? 1534 00:37:35,003 --> 00:37:36,088 NO. 1535 00:37:39,298 --> 00:37:40,299 CAN I GET YOU A DRINK? 1536 00:37:40,341 --> 00:37:42,094 [ CELLPHONE RINGS ] 1537 00:37:40,341 --> 00:37:42,094 NO. 1538 00:37:42,135 --> 00:37:43,302 HELLO? 1539 00:37:43,344 --> 00:37:45,471 IT'S A SETUP. 1540 00:37:43,344 --> 00:37:45,471 MENDELL'S DEAD. 1541 00:37:45,513 --> 00:37:47,473 Whoever contacted Helen 1542 00:37:45,513 --> 00:37:47,473 pretended to be her source. 1543 00:37:47,515 --> 00:37:48,850 EXCUSE ME. 1544 00:37:50,268 --> 00:37:52,812 DAMN IT, PETER. 1545 00:37:50,268 --> 00:37:52,812 HELEN'S GONE. 1546 00:37:52,854 --> 00:37:54,856 WE'RE ON OUR WAY. 1547 00:37:52,854 --> 00:37:54,856 [ HORNS HONK ] 1548 00:38:13,374 --> 00:38:15,252 [ FOOTSTEPS ] 1549 00:38:21,382 --> 00:38:23,176 GET OUT OF MY WAY. 1550 00:38:23,218 --> 00:38:24,510 IT'S LOUD OUT THERE. 1551 00:38:28,389 --> 00:38:30,349 DON'T BOTHER SCREAMING. 1552 00:38:30,391 --> 00:38:33,311 AN UNDETECTABLE DRUG? 1553 00:38:34,854 --> 00:38:37,816 I DIE QUICKLY, 1554 00:38:37,857 --> 00:38:40,068 YOU MOVE MY BODY 1555 00:38:37,857 --> 00:38:40,068 AND SEND A TEAM 1556 00:38:40,110 --> 00:38:42,361 TO WIPE MY COMPUTERS 1557 00:38:40,110 --> 00:38:42,361 AND DESTROY MY FILES. 1558 00:38:42,403 --> 00:38:44,030 SOMETHING LIKE THAT. 1559 00:38:45,490 --> 00:38:46,491 [ GUN COCKS ] 1560 00:38:50,245 --> 00:38:51,997 [ GUNSHOT ] 1561 00:38:52,038 --> 00:38:53,999 [ GRUNTS ] 1562 00:38:54,040 --> 00:38:56,209 DROP IT, OR I'LL PUT A BULLET 1563 00:38:54,040 --> 00:38:56,209 IN EACH KNEECAP. 1564 00:38:57,335 --> 00:38:58,377 [ GUN COCKS ] 1565 00:38:58,419 --> 00:39:00,046 I PROMISE I'M FASTER. 1566 00:39:00,088 --> 00:39:01,380 DOWN. 1567 00:39:01,422 --> 00:39:03,967 DAMN IT. 1568 00:39:04,009 --> 00:39:05,426 GET THE HANDCUFFS 1569 00:39:04,009 --> 00:39:05,426 OUT OF MY PURSE. 1570 00:39:08,054 --> 00:39:09,306 WHO ARE YOU? 1571 00:39:09,347 --> 00:39:11,432 AGENT DIANA BERRIGAN, 1572 00:39:09,347 --> 00:39:11,432 FBI. 1573 00:39:12,433 --> 00:39:14,811 DAMN RIGHT, 1574 00:39:12,433 --> 00:39:14,811 I'M OVERQUALIFIED. 1575 00:39:21,318 --> 00:39:23,236 [ INDISTINCT CONVERSATIONS ] 1576 00:39:23,278 --> 00:39:25,404 TALKED TO MY BUDDY 1577 00:39:23,278 --> 00:39:25,404 AT THE FDA. 1578 00:39:25,446 --> 00:39:28,992 TURNS OUT THE BAD ZYBAX 1579 00:39:25,446 --> 00:39:28,992 CAUSES BRAIN HEMORRHAGES 1580 00:39:29,034 --> 00:39:31,203 IF TAKEN 1581 00:39:29,034 --> 00:39:31,203 WITH CERTAIN MEDICATIONS. 1582 00:39:31,244 --> 00:39:33,412 PandV FIGURED THEY'D SHUT DOWN 1583 00:39:31,244 --> 00:39:33,412 MENDELL AND HELEN, 1584 00:39:33,454 --> 00:39:36,249 THEN ROLL THE DICE ON ANY 1585 00:39:33,454 --> 00:39:36,249 MEDICATION STILL OUT THERE. 1586 00:39:36,291 --> 00:39:38,626 SETTLING LAWSUITS WOULD'VE BEEN 1587 00:39:36,291 --> 00:39:38,626 CHEAPER THAN A RECALL. 1588 00:39:38,668 --> 00:39:41,171 MM. WELL, AT LEAST 1589 00:39:38,668 --> 00:39:41,171 THE DRUG'S OFF THE MARKET, 1590 00:39:41,213 --> 00:39:43,923 AND WE'VE GOT CARTER 1591 00:39:41,213 --> 00:39:43,923 AND SULLIVAN 1592 00:39:43,965 --> 00:39:46,425 ON CONSPIRACY 1593 00:39:43,965 --> 00:39:46,425 TO COMMIT MURDER. 1594 00:39:46,467 --> 00:39:49,721 ANY CHANCE OF GETTING 1595 00:39:46,467 --> 00:39:49,721 THAT CASE REPORT 1596 00:39:49,762 --> 00:39:50,972 BY THE END OF THE DAY? 1597 00:39:51,014 --> 00:39:52,724 IF I CAN GET IT TO YOU 1598 00:39:51,014 --> 00:39:52,724 BY LUNCH, 1599 00:39:52,765 --> 00:39:55,143 CAN I GO TO THAT 1600 00:39:52,765 --> 00:39:55,143 TECH CONFERENCE IN MIAMI? 1601 00:39:55,185 --> 00:39:58,188 BY LUNCH? SURE. 1602 00:39:58,230 --> 00:40:01,440 MIAMI'S GONNA FEEL SO GOOD 1603 00:39:58,230 --> 00:40:01,440 IN NOVEMBER. 1604 00:40:03,860 --> 00:40:05,403 [ CHUCKLES ] 1605 00:40:09,241 --> 00:40:11,743 YOU KNOW, JUST THE OTHER DAY, 1606 00:40:09,241 --> 00:40:11,743 I WONDERED, 1607 00:40:11,784 --> 00:40:14,204 "WHERE HAVE 1608 00:40:11,784 --> 00:40:14,204 ALL THE BOY SCOUTS GONE?" 1609 00:40:14,246 --> 00:40:16,039 THERE ARE SOME 1610 00:40:14,246 --> 00:40:16,039 GIRL SCOUTS HERE, TOO. 1611 00:40:16,081 --> 00:40:19,458 DIANA, A WOMAN LIKE YOU 1612 00:40:16,081 --> 00:40:19,458 SHOULDN'T BE SURROUNDED 1613 00:40:19,500 --> 00:40:21,460 BY FLORESCENT LIGHTS 1614 00:40:19,500 --> 00:40:21,460 AND OLD SPICE. 1615 00:40:21,502 --> 00:40:25,382 YOU ARE THE BEST ASSISTANT 1616 00:40:21,502 --> 00:40:25,382 I HAVE EVER HAD. 1617 00:40:25,423 --> 00:40:27,050 I WANT YOU BACK. 1618 00:40:27,092 --> 00:40:29,552 WHATEVER THEY PAY YOU HERE, 1619 00:40:27,092 --> 00:40:29,552 I WILL PAY MORE THAN DOUBLE. 1620 00:40:29,594 --> 00:40:32,138 I DON'T NEED A BYLINE. 1621 00:40:32,180 --> 00:40:34,391 IN MY INTERVIEW, 1622 00:40:32,180 --> 00:40:34,391 I TOLD YOU I KNEW WHO I WAS 1623 00:40:34,432 --> 00:40:35,474 AND WHERE 1624 00:40:34,432 --> 00:40:35,474 I WANTED TO BE. 1625 00:40:35,516 --> 00:40:37,227 THAT'S RIGHT HERE. 1626 00:40:37,269 --> 00:40:40,479 I DEDICATED MY ARTICLE 1627 00:40:37,269 --> 00:40:40,479 TO CASEY MENDELL. 1628 00:40:40,521 --> 00:40:44,067 BUT I WOULDN'T BE STANDING HERE 1629 00:40:40,521 --> 00:40:44,067 IF IT WEREN'T FOR YOU. 1630 00:40:44,109 --> 00:40:46,652 YOU SHOULD HIRE 1631 00:40:44,109 --> 00:40:46,652 YOUR OLD ASSISTANT BACK. 1632 00:40:46,694 --> 00:40:48,280 SHE'S THE ONE 1633 00:40:46,694 --> 00:40:48,280 WHO SAVED YOUR LIFE. 1634 00:40:49,364 --> 00:40:51,157 I HAVE A DEADLINE. 1635 00:40:51,199 --> 00:40:54,035 GOODBYE, HELEN. 1636 00:40:57,289 --> 00:40:58,539 [ ELEVATOR BELL DINGS ] 1637 00:41:03,544 --> 00:41:05,004 Neal: 1638 00:41:03,544 --> 00:41:05,004 IT'S AMAZING. 1639 00:41:05,046 --> 00:41:06,214 THE LOVE INSIDE. 1640 00:41:06,256 --> 00:41:09,508 YOU TAKE IT WITH YOU. 1641 00:41:09,550 --> 00:41:11,761 COME ON. 1642 00:41:09,550 --> 00:41:11,761 WHO AM I? 1643 00:41:11,803 --> 00:41:14,347 YOU IN DANGER, BOY. 1644 00:41:14,389 --> 00:41:16,433 [ BOTH CHUCKLE ] 1645 00:41:16,474 --> 00:41:18,517 "GHOST" QUOTES? 1646 00:41:16,474 --> 00:41:18,517 OOH. 1647 00:41:18,559 --> 00:41:21,187 NEAL, IF YOU KNOW 1648 00:41:18,559 --> 00:41:21,187 HOW DIANA AND CHRISTIE MET, 1649 00:41:21,229 --> 00:41:23,481 YOU ARE OFFICIALLY 1650 00:41:21,229 --> 00:41:23,481 PART OF THE FAMILY. 1651 00:41:26,276 --> 00:41:28,445 [ CELLPHONE RINGING ] 1652 00:41:28,486 --> 00:41:29,695 CAFFREY WAS AT MY PLACE, 1653 00:41:29,737 --> 00:41:31,364 BUT THERE WAS NOTHING 1654 00:41:29,737 --> 00:41:31,364 FOR HIM TO FIND. 1655 00:41:31,406 --> 00:41:32,824 I TALKED 1656 00:41:31,406 --> 00:41:32,824 WITH AGENT MATTHEWS. 1657 00:41:32,865 --> 00:41:35,952 THE LIST HAS NEVER BEEN 1658 00:41:32,865 --> 00:41:35,952 OUT OF HER SIGHT. 1659 00:41:35,994 --> 00:41:37,536 SO IT'S SAFE? 1660 00:41:35,994 --> 00:41:37,536 YEAH. 1661 00:41:37,578 --> 00:41:40,206 I MADE SURE 1662 00:41:37,578 --> 00:41:40,206 IT STAYS THAT WAY. 1663 00:41:40,248 --> 00:41:42,541 [ CELLPHONE BEEPS ] 1664 00:41:42,583 --> 00:41:44,210 HEY. 1665 00:41:44,252 --> 00:41:46,004 MOZZIE: Neal, 1666 00:41:44,252 --> 00:41:46,004 we got a problem! 1667 00:41:46,045 --> 00:41:47,255 YOU AT THE AIRPORT? 1668 00:41:47,297 --> 00:41:48,465 OF COURSE. 1669 00:41:48,506 --> 00:41:49,966 I SAID 1670 00:41:48,506 --> 00:41:49,966 I'D FOLLOW MELISSA, 1671 00:41:50,008 --> 00:41:51,843 AND I DID, 1672 00:41:50,008 --> 00:41:51,843 ALL THE WAY TO THE AIRPORT. 1673 00:41:51,884 --> 00:41:53,552 SHE TOOK 1674 00:41:51,884 --> 00:41:53,552 AN EARLIER FLIGHT! 1675 00:41:53,594 --> 00:41:55,721 YOU'RE SAYING 1676 00:41:53,594 --> 00:41:55,721 THE LIST IS GONE? 1677 00:41:55,763 --> 00:41:58,891 I'M WATCHING IT 1678 00:41:55,763 --> 00:41:58,891 TAKE OFF RIGHT NOW. 1679 00:41:58,933 --> 00:42:01,436 ALL RIGHT, 1680 00:41:58,933 --> 00:42:01,436 TAKE A BREATH, MOZ. 1681 00:42:01,478 --> 00:42:04,563 BREATH? THE LIST IS 1682 00:42:01,478 --> 00:42:04,563 ON ITS WAY TO D.C.! 1683 00:42:04,605 --> 00:42:06,191 NEAL, 1684 00:42:04,605 --> 00:42:06,191 HOW DID THIS HAPPEN?! 1685 00:42:06,232 --> 00:42:09,777 NEAL...YOU COMING? 1686 00:42:09,819 --> 00:42:12,571 I GOT TO GO. 1687 00:42:12,613 --> 00:42:14,240 [ CELLPHONE BEEPS ]