1
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Subtitle by TescoJim.

2
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Nobody move! First one
who moves, I'll drop him!

3
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-You know who I run accounts for?
-Tonight you run them for me! Move!

4
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You know what I was thinking?

5
00:00:26,400 --> 00:00:28,776
That maybe you've
gotten a bit too ambitious,

6
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and that it was your idea.

7
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I'm sure Angelo had nothing to do with it,

8
00:00:32,600 --> 00:00:35,200
and that he'll bring us the
rat who stole all our money.

9
00:00:35,400 --> 00:00:37,576
If you kill me, you won't fix anything.

10
00:00:37,600 --> 00:00:40,976
The real problem is the one who kisses you
and then stabs you in the back.

11
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France'!

12
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[UNREADABLE]

13
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[UNREADABLE 39]

14
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Holy shit—your best friend.

15
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Don't do it.

16
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There's only one Naples.

17
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It's either all of us,

18
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or it's nothing.

19
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They're on us! They're on us!

20
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Go, Angiolè! Go, go!

21
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POLICE!

22
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Run, Angiolè, run! They're catching us!

23
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We're gonna crash too like this!

24
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We made it, kid!

25
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Come here, come on!

26
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We stuck it right up
the Finance Police's ass!

27
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Come on, Don Corrado.

28
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-Long live Corrado Arena!
-Good evening, guys.

29
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Corrado Arena is Naples' father!

30
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Don Corrado, you're number one!

31
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You're the best, Angiolè!

32
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-Don Corra', you're number one!
-You're too kind.

33
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-Too kind.
-Come on, guys, quick!

34
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Let's get to work—move, boys!

35
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Thanks, thanks. But let's
not waste time, alright?

36
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Come on—move!

37
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Enough with the ceremony...

38
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go unload.

39
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Angiolè, now I get why
they call you 'A Sirena...

40
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'cause out at sea you're a beast.

41
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You know your worth,

42
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and you know the people
you work for don't appreciate it.

43
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I get it—that's why you risk
your life out there at sea,

44
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to be free.

45
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Freedom?

46
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What freedom, Don Corrado?

47
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With all due respect,

48
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but the freedom you're talking
about is only for people like you.

49
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You know what they
call us in Secondigliano?

50
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Little monkeys.

51
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And what chance does a little
monkey have of being free?

52
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I'll give you that chance.

53
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Next week is my daughter's christening.

54
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All the families that matter will be there.

55
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You come too—sit at the table with us,

56
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where the seat you deserve is.

57
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It's an honor, Don Corrado.

58
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If you come, you'll be doing me the honor.

59
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Take care, kid.

60
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-Good evening, everyone.
-Good evening, Don Corrado.

61
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May the Madonna guide him.

62
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May he be with the angels.

63
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Do they know how he died?

64
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Pie'—you don't know anything?

65
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Why are you asking me?

66
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Nobody in the neighborhood talks.

67
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Nobody knows anything.

68
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Enza, have some coffee...

69
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you need to keep your
strength up, for the baby too.

70
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Come on.

71
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He didn't even get to hear him say “Dad.”

72
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What happened?

73
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Whoever did it, I'll never
forgive them till the day I die.

74
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How did your lesson go?

75
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The teacher said I'm improving a lot.

76
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-Really?
-Yes.

77
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-Are you happy?
-So much!

78
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Hi.
Daddy's beautiful girl.

79
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So?
It went really well.

80
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He said I'm improving a lot.
Good girl.

81
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We learned some new songs too.

82
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JEWELRY STORE

83
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JEWELRY STORE

84
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Angiolè—already back?

85
00:11:11,800 --> 00:11:13,400
Uncle, good night.

86
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Uncle… Mom was right.

87
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I disappointed her.

88
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I'm not what she hoped for.

89
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You know what your mother did

90
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when she shot the man
who killed your father?

91
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She came back home to feed you.

92
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Even though she knew it wouldn't end well,

93
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she was happy,

94
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because she had you in
her arms—she was smiling.

95
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She told me: “I'm entrusting him to you.

96
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Tell him he's my heart,

97
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and he has to make me proud
I brought him into the world.

98
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Because only then can
my son earn respect...

99
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the respect we never had.”

100
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Angiolè, each of us has our own fate.

101
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I look at you

102
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and I see the man you can become.

103
00:12:27,400 --> 00:12:30,600
Now take this torment
off your shoulders, my son.

104
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Uncle, it's not torment.

105
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It's anger that's eating me alive.

106
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Blondies.

107
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Blondies.

108
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Catcher

109
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[UNREADABLE NA.7]

110
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Alright.

111
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We're done.

112
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Twenty are ours and fifty
go to the Villas, like always.

113
00:13:23,600 --> 00:13:26,600
We do the work and they
give us a miserable cut.

114
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I'm not letting the Villas
step on my face anymore!

115
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Secondigliano is our home,

116
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and I want it to become an empire,

117
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not stay some backwater.

118
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And if you wanna know—
Corrado Arena is already on our side,

119
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he believes in us.

120
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He even invited us to his daughter's
christening. You know what that means?

121
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All the bosses of Naples will be there.

122
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And then there's us.

123
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And does Don Antonio know about this?

124
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We don't work for Corrado Arena...

125
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we work for the Villas,
and we need permission.

126
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After what happened, we can't
do stupid shit like this anymore.

127
00:14:07,800 --> 00:14:11,000
What we can't do is
miss a chance like this.

128
00:14:14,400 --> 00:14:15,800
Guys...

129
00:14:17,200 --> 00:14:18,800
we accept the invitation.

130
00:14:20,200 --> 00:14:22,400
I get what you're saying...

131
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but right now I need
to live quiet, Angiolè.

132
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Mimì—you scared?

133
00:14:54,200 --> 00:14:56,000
You're right.

134
00:14:56,200 --> 00:14:58,600
When I deliver the crates to the Villas,
I'll ask permission,

135
00:14:58,800 --> 00:15:00,800
so we keep him happy—and
make him a sucker too.

136
00:15:04,800 --> 00:15:06,200
Good, Angiolè.

137
00:15:32,000 --> 00:15:35,200
You bring the word of Our Lord
to this sick earth,

138
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but honestly, I can't do it
for less than five million.

139
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This is 500 years old, Don Bene'—
If you ever wanted to sell it.

140
00:15:43,400 --> 00:15:47,200
I never would. You know
for me it's not about money.

141
00:15:47,400 --> 00:15:50,000
I know—for you it's a passion for life

142
00:15:50,200 --> 00:15:52,000
and the story of Our Lord,

143
00:15:52,200 --> 00:15:54,200
but in this filthy world
everything has a price.

144
00:15:54,400 --> 00:15:58,000
And you know what a foreign
collector would pay for it?

145
00:15:58,200 --> 00:16:00,800
A hundred times what I
asked you for, Don Bene'.

146
00:16:01,000 --> 00:16:02,400
Alright, alright.

147
00:16:03,400 --> 00:16:05,000
Come with me.

148
00:16:40,400 --> 00:16:43,000
Just make sure this stays between us.

149
00:16:47,200 --> 00:16:49,000
Thanks a lot, Don Bene'. Have a good day!

150
00:16:49,200 --> 00:16:50,800
You're welcome, you're welcome.

151
00:16:52,200 --> 00:16:55,000
And pray! Always, Don Bene'—always!

152
00:16:58,200 --> 00:16:59,600
Rosà!

153
00:17:01,200 --> 00:17:02,600
Rosalba!

154
00:17:04,800 --> 00:17:06,200
Rosalba!

155
00:17:20,600 --> 00:17:22,400
Rosalba, are you deaf?

156
00:17:22,600 --> 00:17:26,000
Sorry, Don Bene'—the tap
was running, I didn't hear you.

157
00:17:26,200 --> 00:17:29,200
You don't need to come
tomorrow. I'm leaving for a few days.

158
00:17:29,400 --> 00:17:31,400
And where are you off to, then?

159
00:17:31,600 --> 00:17:33,600
The Pope wants me in Rome.

160
00:17:33,799 --> 00:17:36,600
-Oh my God, what a wonderful thing!
-Wonderful, yes...

161
00:17:36,799 --> 00:17:38,799
Work. Go on, go on.

162
00:17:39,000 --> 00:17:39,200
Yes.

163
00:17:39,799 --> 00:17:40,799
Yes.

164
00:18:07,200 --> 00:18:09,000
Bathroom—I need the bathroom...

165
00:18:10,600 --> 00:18:13,040
Fucariè, why are you running like that?
You shitting yourself?

166
00:18:13,200 --> 00:18:15,799
You guessed it—I'm shitting myself.

167
00:18:16,000 --> 00:18:18,200
You got newspaper to wipe your ass?

168
00:18:18,400 --> 00:18:19,799
Yeah—here!

169
00:18:20,400 --> 00:18:23,200
Open up, open up—I'm shitting myself!

170
00:18:28,000 --> 00:18:31,200
Jesus, it stinks in here!

171
00:18:31,400 --> 00:18:33,400
It's like a bomb went off!

172
00:18:33,600 --> 00:18:34,799
So what do we do?

173
00:18:35,000 --> 00:18:37,400
Let's go to Angelo's bar—maybe
he's got a little job for us.

174
00:18:37,600 --> 00:18:39,400
-Yeah, guys, let's go.
-Yeah, let's go.

175
00:18:39,600 --> 00:18:41,600
-Pie', you coming?
-No.

176
00:18:41,799 --> 00:18:44,400
Pie', what's up with
you? You're weird today.

177
00:18:44,600 --> 00:18:45,799
Nothing, Manue'.

178
00:18:46,200 --> 00:18:49,400
Pie', whatever it is, we're with you.

179
00:18:53,400 --> 00:18:54,400
I know.

180
00:18:54,600 --> 00:18:57,400
Pie', we're one and the same.

181
00:18:57,600 --> 00:19:00,400
If something's eating
at you, you can tell us.

182
00:19:04,200 --> 00:19:05,600
There's a girl I like.

183
00:19:06,400 --> 00:19:07,799
You could've just said that!

184
00:19:08,000 --> 00:19:09,799
-Talk—who is she?
-You don't know her.

185
00:19:10,000 --> 00:19:12,200
Come on! Jesus, Pie'—tell us!

186
00:19:12,600 --> 00:19:15,000
Even if she's from Secondigliano,
you don't know her.

187
00:19:16,000 --> 00:19:18,600
She goes to school, she studies,
her family has money.

188
00:19:19,200 --> 00:19:20,799
Are you serious?

189
00:19:21,200 --> 00:19:24,000
Pie', you know better than
us how those people see us.

190
00:19:24,600 --> 00:19:26,000
We're trash to them.

191
00:19:27,799 --> 00:19:29,200
Not all of them are like that.

192
00:19:29,400 --> 00:19:32,200
So what— I can't even dream about her?

193
00:19:32,400 --> 00:19:35,400
But you still dream
about playing for Napoli!

194
00:19:35,600 --> 00:19:37,600
What's that got to do with it?
I've got the talent.

195
00:19:37,799 --> 00:19:39,200
Bullshit!

196
00:19:39,400 --> 00:19:41,799
Pie', if you dream too much
your head gets scrambled,

197
00:19:42,000 --> 00:19:44,400
and then you don't know what's a dream
and what's real.

198
00:19:44,600 --> 00:19:46,600
You're wrong, Manue'.

199
00:19:47,200 --> 00:19:49,400
I know the difference.

200
00:19:49,600 --> 00:19:51,600
Reality is better than dreams,

201
00:19:51,799 --> 00:19:54,000
because dreams—you
just keep them as they are,

202
00:19:54,200 --> 00:19:57,000
but reality? You can change that.

203
00:20:00,400 --> 00:20:01,400
Lello!

204
00:20:02,000 --> 00:20:04,000
-Lellù!
-Look who it is!

205
00:20:04,799 --> 00:20:06,000
Rosalba, get in!

206
00:20:06,200 --> 00:20:08,400
-Get in, Rosalba!
-We'll get out.

207
00:20:08,600 --> 00:20:10,799
Guys, don't bust my balls!

208
00:20:11,000 --> 00:20:13,600
“Don't bust my balls” my ass—move!

209
00:20:13,799 --> 00:20:16,600
Stop busting my balls
and act like grown-ups.

210
00:20:18,000 --> 00:20:19,200
Go!

211
00:20:20,600 --> 00:20:22,400
Hi, Lello. Hi, Cinese.

212
00:20:23,000 --> 00:20:25,200
I was just thinking about you, Le'.

213
00:20:26,200 --> 00:20:27,200
Me?

214
00:20:28,600 --> 00:20:30,400
I've got something for you.

215
00:20:31,000 --> 00:20:32,799
And what is it? Talk.

216
00:20:35,000 --> 00:20:36,920
I'll tell you only if you
take me out tonight...

217
00:20:37,600 --> 00:20:39,400
something really important.

218
00:20:39,600 --> 00:20:42,000
Lello, take her out for a babà,

219
00:20:42,200 --> 00:20:43,600
this big!

220
00:20:45,000 --> 00:20:47,400
Can I have a minute? Just one.

221
00:20:48,400 --> 00:20:50,400
Guys, I don't have a lira.

222
00:20:50,600 --> 00:20:53,000
Rosalba said it's important,

223
00:20:53,200 --> 00:20:55,400
so it's worth making a little sacrifice.

224
00:20:55,600 --> 00:20:57,600
Guys, give me whatever
you've got in your pockets.

225
00:20:57,800 --> 00:21:00,800
-Oh yeah? I've got ass-wiping paper.
-Give it here—it'll do.

226
00:21:01,400 --> 00:21:03,400
Pie', throw something in too.

227
00:21:03,600 --> 00:21:05,000
Alright.

228
00:21:05,200 --> 00:21:07,200
Put it in your pocket—enough for a snack.

229
00:21:07,400 --> 00:21:09,600
One? And what about me, guys?

230
00:21:09,800 --> 00:21:12,000
You can watch her while she eats.

231
00:21:12,200 --> 00:21:13,400
Move it, Lellù!

232
00:21:14,600 --> 00:21:17,600
So tonight I can come pick you up?

233
00:21:20,000 --> 00:21:21,000
How nice.

234
00:21:29,400 --> 00:21:32,600
Blondies.

235
00:21:44,800 --> 00:21:46,600
Fifty, like always.

236
00:21:47,200 --> 00:21:49,000
-All good.
-Good.

237
00:21:50,800 --> 00:21:52,000
Goodbye.

238
00:21:52,800 --> 00:21:54,200
Angiolè...

239
00:21:57,400 --> 00:22:00,400
I know how much it cost
you to do what you did.

240
00:22:02,400 --> 00:22:04,800
I never doubted you.

241
00:22:05,600 --> 00:22:07,800
I knew you were loyal.

242
00:22:10,400 --> 00:22:12,000
But Dad, Angelo...

243
00:22:13,400 --> 00:22:15,400
Dad doesn't trust anyone,

244
00:22:17,000 --> 00:22:18,800
not even me.

245
00:22:20,800 --> 00:22:24,400
But after what you did,
I think he can't say a word anymore.

246
00:22:25,600 --> 00:22:28,600
About that, there's something
I should ask Don Antonio.

247
00:22:28,800 --> 00:22:31,800
Dad isn't here. He's away
on business—back tomorrow.

248
00:22:33,200 --> 00:22:35,400
But you can tell me, you know.

249
00:22:36,400 --> 00:22:38,000
I'm sorry,

250
00:22:38,600 --> 00:22:41,600
but for certain things I
have to speak to your father.

251
00:22:44,200 --> 00:22:46,200
Dad isn't immortal.

252
00:22:48,800 --> 00:22:51,400
The day will come when you'll answer to me.

253
00:22:53,400 --> 00:22:56,800
When that day comes, I
know exactly which side I'm on.

254
00:22:58,200 --> 00:23:00,200
I've always known.

255
00:23:02,400 --> 00:23:03,600
Excuse me.

256
00:23:04,400 --> 00:23:06,000
Take care.

257
00:23:31,400 --> 00:23:32,600
This.

258
00:24:16,400 --> 00:24:19,200
For me it's only me, swear it?

259
00:24:21,400 --> 00:24:23,000
Yes, I swear.

260
00:24:23,400 --> 00:24:25,000
But now you're telling me?

261
00:24:27,400 --> 00:24:29,200
Will you kiss me?

262
00:24:46,200 --> 00:24:48,400
But now you'll tell me?

263
00:25:19,800 --> 00:25:20,800
[UNREADABLE NA 932246]

264
00:26:08,600 --> 00:26:10,400
Hi, Pietro.

265
00:26:11,000 --> 00:26:12,400
Hi, Imma.

266
00:26:16,000 --> 00:26:18,000
I'm glad to see you're doing well.

267
00:26:18,200 --> 00:26:19,400
Thanks.

268
00:26:20,400 --> 00:26:23,800
Anyway, you don't follow a
young lady in secret, you know.

269
00:26:24,600 --> 00:26:26,800
I wasn't following you in secret...

270
00:26:27,000 --> 00:26:29,200
I was following you. Period.

271
00:26:33,000 --> 00:26:35,200
Anyway, you play well,

272
00:26:35,400 --> 00:26:37,400
and you've got a beautiful voice too.

273
00:26:38,400 --> 00:26:39,600
Thank you.

274
00:26:40,400 --> 00:26:42,200
But I'm not that good.

275
00:26:42,800 --> 00:26:45,600
I have to do more if I want
to make my dream come true.

276
00:26:46,400 --> 00:26:47,800
And what would that be?

277
00:26:48,000 --> 00:26:50,200
I mean… what is it?

278
00:26:53,200 --> 00:26:55,400
Once I graduate, I want to get into

279
00:26:55,600 --> 00:26:57,600
the best university in
the world for musicians.

280
00:26:59,000 --> 00:27:00,000
Nice.

281
00:27:00,600 --> 00:27:02,200
And where is it?

282
00:27:02,400 --> 00:27:03,600
In New York.

283
00:27:07,200 --> 00:27:08,600
That far?

284
00:27:09,400 --> 00:27:11,600
I know—it's on the other
side of the world, but...

285
00:27:11,800 --> 00:27:15,000
it's my dream, and dreams are
meant to be chased, don't you think?

286
00:27:15,200 --> 00:27:16,800
That's normal.

287
00:27:20,400 --> 00:27:24,000
-What is it? Did I say something wrong?
-No—when have you ever?

288
00:27:25,800 --> 00:27:27,800
Actually, it's a beautiful thing.

289
00:27:29,400 --> 00:27:30,600
And you?

290
00:27:31,400 --> 00:27:33,400
Do you have something like that?

291
00:27:34,000 --> 00:27:36,200
Something you'd do anything for?

292
00:27:46,000 --> 00:27:48,800
-Come on, I have to go to work.
-Yeah, I have to go too.

293
00:27:49,000 --> 00:27:51,576
I've got class at the Conservatory.
We can walk part of the way together.

294
00:27:51,600 --> 00:27:53,200
No, I'm going the other way.

295
00:27:55,400 --> 00:27:57,000
Bye.
Bye.

296
00:28:18,200 --> 00:28:20,000
Guys, we gotta go—move!

297
00:28:20,200 --> 00:28:21,800
And we're not waiting for Pietro?

298
00:28:22,600 --> 00:28:24,400
Guys, we've waited for him long enough.

299
00:28:24,600 --> 00:28:28,200
Maybe you didn't get it—
Pietro's lost his head over that girl.

300
00:28:28,400 --> 00:28:31,600
His sweetheart—the good family's daughter.

301
00:28:31,800 --> 00:28:33,200
Let's go. Enough.

302
00:29:02,600 --> 00:29:03,800
Who is it?

303
00:29:05,400 --> 00:29:06,800
I knew you'd come!

304
00:29:07,000 --> 00:29:08,400
Shut up, idiot!

305
00:29:09,000 --> 00:29:11,400
If I left you alone, you know
what a mess you'd make!

306
00:29:11,600 --> 00:29:14,000
Pie', you're number one!

307
00:29:52,400 --> 00:29:54,400
This house is beautiful!

308
00:29:56,400 --> 00:29:58,800
Pie', the cabinet's here.

309
00:30:03,200 --> 00:30:06,200
-You sure the priest isn't here?
-Don't worry!

310
00:30:06,400 --> 00:30:08,600
Cinese told me he's in Rome with the Pope.

311
00:30:17,000 --> 00:30:18,200
Move.

312
00:30:23,400 --> 00:30:25,000
Harder.

313
00:30:30,000 --> 00:30:31,400
Nice!

314
00:30:35,000 --> 00:30:36,400
Jesus...

315
00:30:39,400 --> 00:30:41,200
It's beautiful!

316
00:30:42,800 --> 00:30:44,800
-It's scary.
-Jesus!

317
00:30:45,200 --> 00:30:46,800
Let's go.

318
00:30:47,400 --> 00:30:49,000
What's that?

319
00:30:49,200 --> 00:30:50,400
Guys, someone's here.

320
00:30:53,200 --> 00:30:54,600
Guys, someone's really here!

321
00:30:54,800 --> 00:30:56,800
-We're fucked!
-Shut up!

322
00:30:57,600 --> 00:30:59,600
-Wait, let me put this down.
-Get over here.

323
00:30:59,800 --> 00:31:01,600
Damn me for taking it!

324
00:31:02,800 --> 00:31:04,600
Don't make noise!

325
00:31:15,400 --> 00:31:17,400
Easy, easy, guys...

326
00:31:18,800 --> 00:31:20,200
They're coming here.

327
00:31:24,800 --> 00:31:26,800
Pie', what the fuck do we do now?

328
00:31:30,800 --> 00:31:33,200
Yeah—let's go to bed, my girl!

329
00:31:37,000 --> 00:31:38,200
Manue'...

330
00:31:38,800 --> 00:31:40,800
they're taking too long.

331
00:31:41,400 --> 00:31:43,400
What could've happened, To'?

332
00:31:43,600 --> 00:31:45,400
How the hell should I know?

333
00:31:46,000 --> 00:31:48,200
-So what do we do now?
-What do you want to do?

334
00:31:48,600 --> 00:31:50,000
Pray.

335
00:31:51,400 --> 00:31:53,600
Pray to Our Lady of Mount Carmel.

336
00:31:59,000 --> 00:32:01,600
Good! Like that!

337
00:32:21,200 --> 00:32:23,000
The bathroom?

338
00:32:24,800 --> 00:32:26,400
End of the hall.

339
00:33:00,000 --> 00:33:01,200
Freeze!

340
00:33:03,800 --> 00:33:05,600
Hands up.

341
00:33:13,000 --> 00:33:15,000
Robbing God's house!

342
00:33:15,600 --> 00:33:17,600
You've got no conscience!

343
00:33:21,000 --> 00:33:24,000
Now I'm calling the police, and you'll
end up in Poggioreale for 15 years.

344
00:33:25,400 --> 00:33:27,400
You're calling the police?

345
00:33:27,600 --> 00:33:30,200
With all due respect—what will
you tell them when they ask you

346
00:33:30,400 --> 00:33:31,800
who the lady was in bed with you?

347
00:33:32,000 --> 00:33:35,000
What lady? There's nobody here!

348
00:33:39,400 --> 00:33:41,800
And who do you think people will believe?

349
00:33:42,000 --> 00:33:45,000
Me—or three thieves like you?

350
00:33:45,200 --> 00:33:48,200
That's a good question.
I'd like to know too, right, Lellù?

351
00:33:48,600 --> 00:33:50,600
I can't wait to tell everyone.

352
00:33:50,800 --> 00:33:52,800
Fucariè—how did the priest do it?

353
00:33:54,600 --> 00:33:57,000
Ooh! Aaah!

354
00:33:57,800 --> 00:33:59,200
Yes!

355
00:34:00,200 --> 00:34:01,600
You're as beautiful as the Madonna!

356
00:34:02,000 --> 00:34:03,600
What's going on?

357
00:34:03,800 --> 00:34:06,200
Nothing—come on, everything's fine.

358
00:34:07,200 --> 00:34:09,200
These boys are leaving.

359
00:34:09,400 --> 00:34:11,000
Yes ma'am—goodbye.

360
00:34:11,200 --> 00:34:13,400
-Goodbye, uncle.
-Take care.

361
00:34:13,600 --> 00:34:15,400
Take care, uncle.

362
00:34:28,599 --> 00:34:30,000
Talk.

363
00:34:32,599 --> 00:34:35,000
While I was loading the cigarettes,
Don Corrado invited me.

364
00:34:41,400 --> 00:34:43,000
And what did he invite you to?

365
00:34:46,000 --> 00:34:47,599
His daughter's christening.

366
00:34:49,800 --> 00:34:53,200
I thought it was better to
speak to you right away,

367
00:34:53,400 --> 00:34:55,000
since we're yours.

368
00:34:55,400 --> 00:34:58,599
I wouldn't want Don Corrado
to take it out on you if I said no.

369
00:35:03,599 --> 00:35:06,200
You did right, Angiolè—you did right.

370
00:35:06,400 --> 00:35:07,800
But listen to me.

371
00:35:08,000 --> 00:35:11,000
These things aren't for you.
These are important occasions.

372
00:35:11,200 --> 00:35:14,000
People like you could end up embarrassed.

373
00:35:14,200 --> 00:35:16,800
Don't worry. I'll talk to Corrado,

374
00:35:17,200 --> 00:35:20,400
and I'll tell him that on
the day of the christening

375
00:35:20,599 --> 00:35:22,800
you had to do important things for me

376
00:35:23,000 --> 00:35:24,800
that couldn't be put off.

377
00:35:42,800 --> 00:35:44,400
But don't worry...

378
00:35:45,400 --> 00:35:48,599
we'll bring you and your friends
your party favor ourselves.

379
00:35:49,599 --> 00:35:51,599
As you say, Don Anto'.

380
00:35:52,800 --> 00:35:54,000
Sorry to bother you.

381
00:35:55,000 --> 00:35:56,000
Go.

382
00:35:56,200 --> 00:35:58,200
May the Madonna guide you.

383
00:36:07,800 --> 00:36:09,400
Lawyer, eat.

384
00:36:09,800 --> 00:36:12,800
Kid—Dad, eat before it gets cold.

385
00:36:15,400 --> 00:36:17,776
Jesus—if we sell this thing,
we'll make a shitload of money, Pie'!

386
00:36:17,800 --> 00:36:20,000
You sell it and then what?
Buy clothes?

387
00:36:23,800 --> 00:36:26,599
If everything goes well
you buy a scooter, and then?

388
00:36:26,800 --> 00:36:30,000
-You run out of money, the party's over.
-So what do you want to do?

389
00:36:30,599 --> 00:36:34,200
Me? I'd treat myself to a
proper lunch like a gentleman

390
00:36:34,400 --> 00:36:37,200
in an amazing restaurant!

391
00:36:37,400 --> 00:36:40,400
We'll make a hundred
thousand, Fucariè, I promise.

392
00:36:40,599 --> 00:36:43,200
-Pie', where the fuck are you going?
-Trust me.

393
00:36:43,800 --> 00:36:45,040
-Where are you going?
-Pietro!

394
00:36:49,200 --> 00:36:50,599
Where's he going now?

395
00:36:50,800 --> 00:36:53,400
-Who the fuck understands him?
-Seriously!

396
00:36:55,400 --> 00:36:56,800
Let's go, guys.

397
00:37:07,599 --> 00:37:09,200
Kid, who are you looking for?

398
00:37:09,400 --> 00:37:13,200
Sorry to bother you—I'd
like to speak to Don Angelo.

399
00:37:16,800 --> 00:37:19,200
Wait here. I'll see if he can come.

400
00:37:55,200 --> 00:37:57,200
What are you doing here?

401
00:38:01,800 --> 00:38:04,000
I didn't think I'd see you again.

402
00:38:06,800 --> 00:38:07,800
Why?

403
00:38:08,200 --> 00:38:11,800
Because the other day at the
funeral you looked at me weird,

404
00:38:12,000 --> 00:38:14,000
and you stopped coming to the bar.

405
00:38:19,400 --> 00:38:21,599
I got the feeling that...

406
00:38:22,599 --> 00:38:24,400
like you were avoiding me.

407
00:38:31,400 --> 00:38:33,200
I got scared.

408
00:38:36,800 --> 00:38:38,599
Go back home.

409
00:38:40,800 --> 00:38:43,200
And forget what you saw.

410
00:38:47,800 --> 00:38:53,400
Where am I supposed to go? Huh?

411
00:38:53,800 --> 00:38:56,599
I've got nobody. I've got nothing!

412
00:38:57,200 --> 00:38:59,400
No mom, no dad.

413
00:39:01,400 --> 00:39:03,200
There's only one thing I know:

414
00:39:05,200 --> 00:39:06,800
my dream is to be like you,

415
00:39:07,400 --> 00:39:09,400
not a slave under a boss.

416
00:39:41,400 --> 00:39:43,000
It's for you.

417
00:39:44,400 --> 00:39:46,200
It's sacred,

418
00:39:47,400 --> 00:39:49,599
like the respect I have for you.

419
00:40:13,000 --> 00:40:15,000
Tomorrow I'll come pick you up.

420
00:40:17,800 --> 00:40:20,000
And bring all your boys.

421
00:40:20,800 --> 00:40:22,599
I'll dress you like gentlemen.

422
00:40:25,000 --> 00:40:26,400
We're going to a christening.

423
00:40:48,000 --> 00:40:54,400
COMMUNAL SHOWERS

424
00:41:33,000 --> 00:41:35,600
We only get one life,

425
00:41:38,800 --> 00:41:41,200
and if we throw it away, what's left?

426
00:41:46,200 --> 00:41:48,400
Bitterness, disappointment, injustice.

427
00:41:49,800 --> 00:41:51,400
And how

428
00:41:51,600 --> 00:41:54,600
can we even come to feel satisfaction

429
00:41:55,400 --> 00:41:58,200
in the very moment of our last breath,

430
00:41:59,200 --> 00:42:02,800
because the life we were
given—we truly lived it?

431
00:42:03,200 --> 00:42:05,200
You see, we are all brothers...

432
00:42:05,400 --> 00:42:08,200
we in here, together
with our people out there.

433
00:42:09,000 --> 00:42:10,800
Free brothers

434
00:42:11,000 --> 00:42:14,000
who fight united for the good of the poor.

435
00:42:14,200 --> 00:42:15,576
Move out of the way.

436
00:42:15,600 --> 00:42:15,777
I killed.

437
00:42:15,801 --> 00:42:18,800
Is there a procession here this morning?
Let me through.

438
00:42:19,000 --> 00:42:20,400
Move out of the way.

439
00:42:20,600 --> 00:42:22,776
-He's on the exploiter's side.
-Shut that shithole down!

440
00:42:22,800 --> 00:42:24,400
What the fuck are you looking at?

441
00:42:24,600 --> 00:42:26,600
That's why he's against us!

442
00:42:27,200 --> 00:42:30,000
And for that he will
answer to God's justice,

443
00:42:32,000 --> 00:42:34,600
of which I am the
humble hand on this earth.

444
00:42:34,800 --> 00:42:38,200
I don't have time for
this bullshit this morning.

445
00:42:38,800 --> 00:42:41,400
Fairy tales are for children,

446
00:42:41,600 --> 00:42:43,400
and this isn't church.

447
00:42:54,200 --> 00:42:56,200
I'm sorry you're so blind

448
00:42:57,200 --> 00:43:00,600
you can't see Christ
in each of these faces,

449
00:43:00,800 --> 00:43:04,200
and so deaf you mistake
the Lord's word for noise.

450
00:43:06,400 --> 00:43:07,800
You done?

451
00:43:08,400 --> 00:43:11,400
Now get the fuck out—I need to wash!

452
00:43:47,600 --> 00:43:50,000
God's will has been done!

453
00:43:52,600 --> 00:43:56,600
And it shows us how to defend
ourselves from our enemies!

454
00:44:19,000 --> 00:44:21,600
NEXT EPISODE

455
00:44:31,600 --> 00:44:34,200
What if I don't want
to wait until that day?

456
00:44:46,600 --> 00:44:50,200
That means unloading French
heroin in Naples for the first time.


