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SANATORIUM "KARPATY"
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At the foot of the Carpathians stands
sanatorium of the same name.
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She was treated here in 1937
patient Yu. (1905-1991).
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[Voice recording of Yu.Sh.
from 1936 from the recording archive]
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Sometimes...
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in the gap...
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streets...
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someone turns to the sky
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bright, cut out of the darkness
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half of the face
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with an astonished and luminous eye,
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listening to the noise of space.
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SANATORIUM UNDER CLEPSYDRA
Translation of Dark Alice literary
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Based on "Sanatorium under the Clepsydra"
and other works by Bruno Schulz
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PRELUDE
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Ladies and gentlemen!
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We invite you to the auction!
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Shells of twin quail eggs
*Quay-Quail pun
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extraordinary size,
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demolished during a solar eclipse
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May 12, 1706!
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What are your suggestions?
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Or three petrified mermaid ribs
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along with the hands
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discovered in the royal
Fredensborg menagerie
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September 27, 1674?
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Or an iron harpoon,
striking with lightning?
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Warm bee blood?
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The hour of your death?
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Don't hesitate!
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Place your bets!
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Clean, clean!
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Chimney sweeps, clean, clean!
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Put up for auction "Low Season"
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and the fake "Second Autumn".
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Sold a fragment
from "Regions of the Great Heresy".
37
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And secretly weaved apocrypha between the chapters.
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Even an additional 13 month!
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I am your trader, merchant,
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your peddler
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and the auctioneer!
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Lot No. 47...
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up for public auction!
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"A truly unique thing,
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which, as far as I know,
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must be activated
at this very moment.
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Has an ominous name
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Model of the retinal tomb.
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It's unusually dilapidated,
but a richly decorated casket,
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miniature
autopsy room
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with a cleverly hidden secret box,
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presumably containing the retina
its deceased original owner.
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From the outside
the above-mentioned casket
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there are seven randomly
located lenses,
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equipped with screws for adjustment.
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Each lens contains a fragment
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one of the seven parts of the image,
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seen by the deceased before death.
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In the correct position, once a year,
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November 19,
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the sun's rays fall like this
that the retina is dead
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moisturizes,
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anointing in this way
each of the seven images
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and setting them in motion.
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What a wonderful twist of fate!
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Ladies and gentlemen,
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What does this object tell us?
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Is this
microscopic section
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a storm of unknown strength,
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associated with some imaginary event?
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00:10:19,200 --> 00:10:30,280
Or just a painful mirage
emitted by a cloudy projection,
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which is impossible to comprehend?
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A labyrinth of slamming doors?
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00:12:05,040 --> 00:12:07,840
The road was long.
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Along this abandoned branch,
where trains ran once a week,
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There were only a few passengers traveling.
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I have never seen
the carriages are of such an archaic type.
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Long unused
in other directions,
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spacious, like a home,
dark, with many nooks and crannies.
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In the corridors turning
from different angles,
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in the compartment, empty,
labyrinthine and cold,
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I felt some strange abandonment,
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something almost scary.
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I moved from carriage to carriage.
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From carriage to carriage.
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He moved from carriage to carriage.
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Father!
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It's you?
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We're approaching, sir.
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Gentlemen, it seems to me that we have forgotten
send the stroller to the station.
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Well, yes, pick up our guest.
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Which one of you forgot?
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Now look.
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SANATORIUM UNDER CLEPSYDRA
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TODAY ME, AND TOMORROW YOU
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PART I: THE ENTRANCE TO THE AFTERWORLD.
JOSEPH VISITS HIS DYING FATHER.
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I came from afar
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and ordered a room in this house by dispatch.
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I ordered a room in this house by dispatch.
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Who should I turn to now?
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Who should I turn to now?
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DR. GOTTARD'S OFFICE
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"Rental of decommissioned chalk."
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I came from afar.
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I ordered a room in this house by dispatch.
Who should I turn to now?
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Wait in the restaurant.
Everyone is sleeping now.
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When the doctor gets up,
he will register you.
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Are they sleeping? Now is the day
The night is still far away.
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We always sleep.
Don't you know?
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Besides, it is never night.
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PART II: IN THE EVENING CORRIDOR
PROVOKATION DETECTED. HOSANNA!
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Joseph!
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Joseph!
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Joseph!
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Joseph!
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I was sent to find you.
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DR. GOTTARD'S OFFICE
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We received your message yesterday.
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They sent the stroller to the station.
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But you arrived on a different train.
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Alas, the railway
leaves much to be desired.
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How are you feeling?
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Is my father alive?
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Of course he's alive.
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Of course, within the limits
conditioned by the situation.
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Yes...
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You, like me, know well
what from your family's point of view,
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from the position of your country, -
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he died. This is completely
can't be fixed.
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Death imposed a certain
imprint on his life here.
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But he himself has no idea?
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Be calm.
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Our patients have no idea
can't guess.
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The trick is that we took time back.
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We're behind in time here
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for some interval.
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Interval?
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The interval, the value of which
not easy to define.
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It all comes down to the simplest relativism.
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Simply put, his death
hasn't happened here yet.
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The same one that is in your country
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it has already befallen him.
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And now you probably
want to see him?
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I'll accompany you.
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Your father is here.
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- Here?
- Interval.
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Interval.
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Go now.
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City built
from wooden blanks,
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bought from a Jewish merchant,
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and there is a working theater in it
with only one place
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having limited visibility.
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Your father is here.
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Father is here.
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Father is here.
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Father?
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Father, is that you?
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LODGE 7A
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- Sleeping?
- Of course.
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00:35:29,080 --> 00:35:30,600
Now...
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you are Papageno!
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A night at the opera.
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Did you catch him?
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And now you probably
want to see him?
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I'll accompany you.
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Father...
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00:37:07,920 --> 00:37:14,880
Phylloscopus borealis,
scansores, pluvialis dominica…
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00:37:16,600 --> 00:37:26,720
Aegypius monachus,
parus cyanus, limosa lapponica…
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PART III: REMOTE PRESENCE,
MARKED AROUND THE KNEE
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Aquila adalberti!
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Gallinula martinica!
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Puffinus mauretanicus…
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You know where to start.
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Yes, yes, Burning Palaces.
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It's time to get up!
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It's time to get up!
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Come on, rise and shine!
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It's time to get up!
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Joseph!
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PART IV: THE FATHER POINTED TO THE CHAMBER OF SECRETS,
WHERE THE SUSPICIOUS OBJECT WAS LOCATED
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PART V: PROCESSION OF THE IDOLATERS
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Funeral?
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00:55:42,040 --> 00:55:45,000
Whose?
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00:55:47,760 --> 00:55:49,680
Our?
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00:55:51,640 --> 00:55:53,840
Yours?
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00:55:55,560 --> 00:55:58,200
My?
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PART VI: VISIONS IN GLASS.
FATHER'S GRADUAL CARE.
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Look, your father has become a saint!
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Look!
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In that state
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what kind of place he was in,
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unfinished and unfinished
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at a random point
time and space,
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without keeping score,
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without reaching the finish line,
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as if in mid-sentence,
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without a period or exclamation mark,
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without judgment and wrath of God,
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the world was about to end
finally and irrevocably.
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Don't hesitate!
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For the hour has struck - the hour of your death.
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He's coming, open the door!
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01:00:53,200 --> 01:00:57,600
Lodge 7A... 7A.
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01:01:31,000 --> 01:01:34,079
PART VII: JOURNEY THROUGH THE REMAINS OF THE WORLD
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01:01:50,960 --> 01:01:53,000
Father, is that you?
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01:01:55,001 --> 01:01:57,079
LODGE 7A
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01:02:24,000 --> 01:02:28,000
BODY WITH ONE SEAT
AND LIMITED REVIEW
208
01:03:14,080 --> 01:03:15,920
Father?
209
01:03:27,600 --> 01:03:28,760
Again.
210
01:03:30,280 --> 01:03:32,120
Again.
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01:03:33,360 --> 01:03:35,200
Again.
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01:06:04,000 --> 01:06:09,720
Immediately behind the slingshots is a map of the country
becomes nameless and cosmic.
213
01:06:09,800 --> 01:06:14,440
Above this narrow lost piece of land
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01:06:14,520 --> 01:06:21,200
the sky opened deeper again
and more extensive than anywhere else,
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01:06:21,280 --> 01:06:27,440
full of unfinished frescoes
and rapid ascensions.
216
01:06:29,920 --> 01:06:36,720
While other cities were developing their economies,
grew statistically and quantitatively,
217
01:06:36,800 --> 01:06:40,920
our city was gaining significance.
218
01:06:41,000 --> 01:06:43,440
Nothing happens here for nothing
219
01:06:43,520 --> 01:06:49,040
nothing happens without deep
meaning and intentionality.
220
01:06:49,120 --> 01:06:54,600
Events here are not
non-ephemeral phantoms on the surface:
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01:06:54,680 --> 01:07:00,320
their roots go deep
things and get to the point.
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01:07:00,400 --> 01:07:03,360
Something is being decided here every minute -
223
01:07:03,440 --> 01:07:06,720
exemplary and forever.
224
01:07:06,800 --> 01:07:12,200
All things happen here
only once and finally.
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01:07:19,840 --> 01:07:24,640
The window is moving again
and slowly turns around
226
01:07:24,720 --> 01:07:29,680
a huge bowl of the horizon,
full of dark noisy forests,
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01:07:29,760 --> 01:07:33,160
among which the walls of the sanatorium are white.
228
01:07:34,240 --> 01:07:38,400
Since then I've been going and going,
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01:07:38,480 --> 01:07:42,120
as if he had settled on the railway.