1
00:00:01,150 --> 00:00:05,210
Thompson will never hurt your
mother. How do you think? We can

2
00:00:05,210 --> 00:00:08,270
familiarity. After all, between father and
girl.

3
00:00:08,570 --> 00:00:11,330
Could she be the girl? Of his
father, yes.

4
00:00:11,550 --> 00:00:13,510
It's nice to have someone close to you
height.

5
00:00:14,010 --> 00:00:15,010
I'm his father.

6
00:00:15,230 --> 00:00:16,230
I'll come get her.

7
00:00:16,830 --> 00:00:21,330
I would like to invite you to me
decipher the enigma of Leonardo

8
00:00:22,010 --> 00:00:25,450
Salamandra. The Basilica of Saint
-Denis. The painting is definitely there

9
00:00:25,450 --> 00:00:28,650
The question is rather how far I can
sink you if you refuse to m

10
00:00:28,650 --> 00:00:32,280
'help. Sophie took Thompson to
bad place at the basilica. When

11
00:00:32,280 --> 00:00:36,240
Thompson will realize it, he will
go crazy. You tried again

12
00:00:36,240 --> 00:00:37,760
roll in flour, my little Sophie.

13
00:00:38,180 --> 00:00:41,120
It's not Salamandra, it's
Salaymandra.

14
00:00:41,360 --> 00:00:44,140
Debussy's apprentice and lover.

15
00:00:44,340 --> 00:00:47,320
You have an undercover accomplice
ministry? This is the only place where

16
00:00:47,320 --> 00:00:48,320
The enigma can be deciphered.

17
00:01:25,160 --> 00:01:28,860
Where is the tomb of Francis I?
At the back of the nave on the left.

18
00:02:04,200 --> 00:02:05,440
Hold. Yes.

19
00:02:10,100 --> 00:02:11,100
Yes,

20
00:02:12,580 --> 00:02:14,920
Thompson left the scene. The tomb
is intact.

21
00:02:15,560 --> 00:02:16,560
He doesn't have the table.

22
00:02:18,100 --> 00:02:20,680
He still retains Sophie Seguret. We
continue the research.

23
00:02:24,760 --> 00:02:27,680
What do we do? We launch a
mistral operation.

24
00:02:27,940 --> 00:02:29,660
Do you think it will work? Obviously.

25
00:02:39,560 --> 00:02:42,240
Where is our daughter? I'll take you back
at RTL.

26
00:03:08,560 --> 00:03:10,280
Oscar! The girl, you.

27
00:03:11,260 --> 00:03:17,660
What ? What ? At least you don't
will not cut.

28
00:03:23,580 --> 00:03:26,080
Don't worry about your daughter.
I'm going to find her.

29
00:03:28,850 --> 00:03:29,870
It's nice.

30
00:03:30,570 --> 00:03:31,990
It hasn't changed.

31
00:03:32,930 --> 00:03:37,930
On the other hand, it took you a little bit,
no? How much is 34? I

32
00:03:37,930 --> 00:03:39,110
reminds us that Sophie is in great danger.

33
00:03:39,330 --> 00:03:43,370
Yes, yes, yes, Oscar. Do you
know where the Vitruvian Man is? In

34
00:03:43,370 --> 00:03:44,349
room over there.

35
00:03:44,350 --> 00:03:46,450
For what ? Because we have to find where
Thompson took Sophie.

36
00:03:46,730 --> 00:03:49,050
We got arrested on purpose
to access the drawing.

37
00:03:49,810 --> 00:03:51,730
Have you launched a mistral operation?

38
00:03:54,700 --> 00:03:55,880
You are strong.

39
00:03:57,120 --> 00:03:58,400
You are strong, it's impossible.

40
00:03:59,720 --> 00:04:00,720
Come on, go ahead.

41
00:04:01,880 --> 00:04:04,500
So the plan is to recover the
Leda before Thompson.

42
00:04:05,340 --> 00:04:07,380
This will be our means of exchange for
the one who follows him.

43
00:04:18,720 --> 00:04:21,560
You see, you're not so
pitiful, ultimately, Commander.

44
00:04:22,040 --> 00:04:25,180
The Ségurés are behind bars.
You can return there to your little ones

45
00:04:25,180 --> 00:04:26,180
business now.

46
00:04:26,400 --> 00:04:30,500
Wait, what about Thompson? What, Thompson?
But, Thompson, he's the real one

47
00:04:30,500 --> 00:04:31,459
criminal in all of this.

48
00:04:31,460 --> 00:04:34,960
And you know it, the Ségurés committed
infractions, but they were

49
00:04:34,960 --> 00:04:39,560
manipulated. The Ségurés manipulated? But
are you naive? It is

50
00:04:39,560 --> 00:04:41,900
tiring in the end. And Thompson remembers
always Sophie Ségué.

51
00:04:42,940 --> 00:04:47,240
That's why you're agitated
like a rooster in a farmyard, you

52
00:04:47,240 --> 00:04:48,240
pinch for her actually.

53
00:04:48,540 --> 00:04:49,540
Not at all, anything.

54
00:04:49,790 --> 00:04:51,710
As long as it's not lying, we've got you everything
Good, Commander.

55
00:04:52,850 --> 00:04:57,130
The Ségurés is my file, my
investigation, my success. So you

56
00:04:57,130 --> 00:04:59,790
your jewelry brewers and you me
leave the real criminals. Goodbye,

57
00:04:59,790 --> 00:05:01,330
commander. Thank you so much.

58
00:05:05,150 --> 00:05:06,610
Wait, one last thing.

59
00:05:07,130 --> 00:05:09,970
Thompson left the scene just before
when I arrived, but he didn't touch anything

60
00:05:09,970 --> 00:05:10,970
in the basilica.

61
00:05:11,150 --> 00:05:16,770
For what ? Wouldn't he have
been warned by someone? someone

62
00:05:16,770 --> 00:05:19,350
who would have had direct access to the message
left by Da Vinci?

63
00:05:19,690 --> 00:05:23,350
Except that, apart from the tegurés, there are no
as your experts who know the code.

64
00:05:24,590 --> 00:05:29,390
What are you insinuating? That there is a
mole in my house? Pay attention to your

65
00:05:29,390 --> 00:05:30,390
guesses, Moctar.

66
00:05:31,370 --> 00:05:33,630
You are right. Sorry, I am
tired.

67
00:05:34,970 --> 00:05:36,110
Goodbye, Mrs. Larbenois.

68
00:05:49,320 --> 00:05:50,740
Pardon ? Renaud?

69
00:06:50,240 --> 00:06:53,400
So, this is what my
Ministry informant.

70
00:06:53,800 --> 00:06:57,120
Apparently, the Salaï Mandra code is
last clue left by Vinci for

71
00:06:57,120 --> 00:06:58,120
locate the table.

72
00:06:59,960 --> 00:07:01,200
Salai Mandra. Salai.

73
00:07:01,900 --> 00:07:03,280
The name of Vinci's lover.

74
00:07:04,120 --> 00:07:07,980
His student, his muse, who accompanied the
master until the end of his life

75
00:07:07,980 --> 00:07:08,980
France.

76
00:07:09,280 --> 00:07:13,700
Do you still need me? Your
source, she can't take care of it? We

77
00:07:13,700 --> 00:07:16,760
do not entrust the sails to a single wind
of his ship, as the Greeks said.

78
00:07:17,840 --> 00:07:21,980
SO ? The Greeks also said, if you
earn money talking, you earn

79
00:07:21,980 --> 00:07:22,980
gold to keep quiet.

80
00:07:24,960 --> 00:07:27,680
Your parents are always at the mercy of
my agent, then I advise you to

81
00:07:27,680 --> 00:07:28,900
speak. Hurry up.

82
00:07:32,740 --> 00:07:36,660
So I cut myself off from the guardian of the
carries, I approach him, arm lock

83
00:07:36,660 --> 00:07:39,840
reversed, and then I weed it before
let him realize what is happening. Here it is

84
00:07:39,840 --> 00:07:40,219
That's it.

85
00:07:40,220 --> 00:07:43,640
I take the one at the entrance,
targeted mowing at knee level, and

86
00:07:43,640 --> 00:07:45,900
rapid neutralization with strangulation
rear.

87
00:07:46,280 --> 00:07:49,380
And him? Me, I show you, I'm leaving
up to the board. So.

88
00:07:51,020 --> 00:07:53,860
Oh no, no! What ? But it's
not possible.

89
00:07:54,160 --> 00:07:56,680
What ? I can't pick the lock,
they put a box.

90
00:07:56,940 --> 00:07:58,540
Oh no, that's not true.

91
00:07:58,820 --> 00:08:01,760
I told you to take powder
nitro, but you never want to

92
00:08:01,760 --> 00:08:03,480
'listen. Fortunately I listen to you
not always.

93
00:08:03,860 --> 00:08:09,600
Pardon ? What do we do now? I

94
00:08:09,600 --> 00:08:15,980
know. What do you want to do with it?
painting ? In your opinion?

95
00:08:15,980 --> 00:08:21,960
Do you want to sell it? You do everything
this for money? Sell.

96
00:08:24,800 --> 00:08:27,140
Buying is the big game.

97
00:08:29,600 --> 00:08:30,600
Art is a business.

98
00:08:32,200 --> 00:08:34,679
You think that Leonardo said to himself that
'he was going to get a good price for it

99
00:08:34,679 --> 00:08:38,559
painting the Leda? Leonardo painted for
the kings and greats of this world. He

100
00:08:38,559 --> 00:08:39,559
knew very well what he was doing.

101
00:08:52,400 --> 00:08:53,400
Where is she?

102
00:09:03,790 --> 00:09:05,130
You're going to help us from here.

103
00:09:05,710 --> 00:09:07,590
This is what I was going to offer you
kindly.

104
00:09:08,710 --> 00:09:09,810
Kindly? Yes.

105
00:09:13,550 --> 00:09:19,710
Why is this painting exceptional?
'after you? The technique, the

106
00:09:19,710 --> 00:09:22,310
composition, formal innovation.

107
00:09:22,830 --> 00:09:25,450
That's exactly what I thought, you don't
know nothing in fact.

108
00:09:27,630 --> 00:09:28,630
I know a lot about it.

109
00:09:32,940 --> 00:09:35,400
When Leonardo painted this work, he did not
no more patrons.

110
00:09:36,660 --> 00:09:37,660
Emotionally, he is isolated.

111
00:09:38,660 --> 00:09:40,960
This canvas is a refuge for him.

112
00:09:42,620 --> 00:09:48,340
It expresses all the duality of
love, the cement between abandonment and

113
00:09:48,340 --> 00:09:49,340
resistance.

114
00:09:50,400 --> 00:09:52,900
And many think that it suits him
full model.

115
00:09:56,240 --> 00:10:00,880
It represents the whole aspiration of
From Vinci to transformation.

116
00:10:02,530 --> 00:10:03,530
And desire.

117
00:10:04,970 --> 00:10:06,610
That's it, that's all that it does
beauty.

118
00:10:07,770 --> 00:10:11,310
Have you finished your little lesson? You don't
understand nothing at the moment because you

119
00:10:11,310 --> 00:10:12,310
feel nothing.

120
00:10:12,430 --> 00:10:15,190
You hide behind
knowledge, but I see very

121
00:10:15,190 --> 00:10:18,110
are. And that's why you are
unable to solve the treasure hunt

122
00:10:18,110 --> 00:10:19,110
imagined by Da Vinci.

123
00:10:19,930 --> 00:10:23,070
Because its enigmas are at the
height of the feelings he experienced, and

124
00:10:23,070 --> 00:10:29,290
you have feelings where you don't have any
none. That's enough! Stop acting

125
00:10:29,290 --> 00:10:30,290
malignant.

126
00:10:30,480 --> 00:10:32,320
It's me, the master of clocks.

127
00:10:33,460 --> 00:10:37,120
While he and your parents were
taken by the cop to RTN, a message

128
00:10:37,120 --> 00:10:40,160
my agent, and he executes them
discreetly, so I'll ask you

129
00:10:41,560 --> 00:10:44,940
Where is this painting?

130
00:10:59,550 --> 00:11:00,750
I await your hypotheses.

131
00:11:01,770 --> 00:11:03,010
All the statues there, in the
crates.

132
00:11:15,830 --> 00:11:16,990
Tick-tock, tick-tock, tick-tock.

133
00:11:18,110 --> 00:11:19,110
Ah, maybe I have an idea.

134
00:11:20,550 --> 00:11:23,250
I saw that da Vinci had bequeathed a
wine estate in Salaï, near

135
00:11:23,570 --> 00:11:26,650
Maybe it's there? No, it's too much
direct. It lacks meaning.

136
00:11:27,720 --> 00:11:29,100
You have to look for a place
symbolic.

137
00:11:32,120 --> 00:11:34,280
But it's a good idea.

138
00:11:35,380 --> 00:11:36,380
Really.

139
00:11:39,040 --> 00:11:42,040
Leonard and Salah were in France when
he painted the Leda, which is the

140
00:11:42,040 --> 00:11:43,680
expression of love and desire.

141
00:11:44,720 --> 00:11:48,020
But his emblematic painting of his
vision of the world, it is the man of

142
00:11:50,960 --> 00:11:53,880
It is on this table that we must
concentrate. You can put it on me

143
00:11:53,880 --> 00:11:54,880
of the Vitruvian man?

144
00:11:55,680 --> 00:11:59,960
How could the painting be in
Italy? That's not true.

145
00:12:00,580 --> 00:12:01,700
It pisses me off.

146
00:12:03,140 --> 00:12:05,160
No one moves or I'll kill them. He is
dead in the air.

147
00:12:05,960 --> 00:12:08,220
Don't listen, she is incapable of
kill someone.

148
00:12:10,020 --> 00:12:11,160
Don't try, Christine.

149
00:12:12,220 --> 00:12:16,180
It's true, I've never killed
no one, but there, I admit, it bothers me

150
00:12:16,180 --> 00:12:17,180
almost pleasure.

151
00:12:17,920 --> 00:12:20,840
Ah, she's not bluffing. Since the
time she told me she would stop

152
00:12:20,840 --> 00:12:21,840
do.

153
00:12:22,120 --> 00:12:24,820
Moctari, what are you waiting for?
Are you with us? Sorry.

154
00:12:29,230 --> 00:12:30,230
My painting.

155
00:12:32,290 --> 00:12:33,290
Françoise.

156
00:12:33,490 --> 00:12:34,790
Always in my way.

157
00:12:35,490 --> 00:12:37,790
I should have gotten rid of you when
I could.

158
00:12:38,730 --> 00:12:41,050
Don't be jealous, Christine.

159
00:12:41,790 --> 00:12:44,550
It's you who always preferred
cheat to climb.

160
00:12:45,150 --> 00:12:48,010
Me, I'm happy to be there
best.

161
00:12:48,470 --> 00:12:49,470
Don't go.

162
00:12:49,550 --> 00:12:51,310
Wait. We can find a
arrangement.

163
00:12:52,030 --> 00:12:53,530
You go look for the painting.

164
00:12:53,890 --> 00:12:57,590
I drop all charges against you
and we forget everything. We'll think about it, we

165
00:12:57,590 --> 00:12:58,590
will think about it.

166
00:12:59,229 --> 00:13:02,170
Thanks for everything. Without you, we wouldn't have
never could get there.

167
00:13:02,450 --> 00:13:07,870
No ! But what

168
00:13:07,870 --> 00:13:14,750
what are you doing? don't stay
planted something there! Hi

169
00:13:14,750 --> 00:13:15,750
the new ones.

170
00:13:43,760 --> 00:13:44,960
Now give me back my gun.

171
00:13:46,140 --> 00:13:47,600
Best task-taking break
Earth.

172
00:13:47,960 --> 00:13:49,280
Yeah, we did well.

173
00:13:49,920 --> 00:13:53,500
I received the end of mission report,
when Thompson was arrested in

174
00:13:53,500 --> 00:13:54,720
2010 and it took 15 years.

175
00:13:55,140 --> 00:13:56,360
As for you, my darling.

176
00:13:57,740 --> 00:14:01,100
Apparently you had methods
unorthodox. Me ? Oh, never

177
00:14:01,100 --> 00:14:01,679
year, no.

178
00:14:01,680 --> 00:14:03,120
This is what the Ardennese claimed.

179
00:14:03,320 --> 00:14:06,140
Maybe she wanted to play
the procedural defect and being able to release

180
00:14:06,140 --> 00:14:07,140
Thompson.

181
00:14:07,260 --> 00:14:08,920
The Ardennes? Yeah.

182
00:14:09,240 --> 00:14:11,820
Free Thompson? Well, that’s
holds.

183
00:14:12,040 --> 00:14:14,540
From the beginning, she has been obsessed with
stopping you, while

184
00:14:14,540 --> 00:14:18,060
clearly, it is Thompson who is
behind all that. She protects him? No,

185
00:14:18,080 --> 00:14:21,080
no, no, I don't believe it. She is tough,
but from there to playing a double game like that,

186
00:14:21,120 --> 00:14:24,120
no, no, no. This means that she
still dealing with him?

187
00:14:24,120 --> 00:14:27,840
Maybe she wants to find the
table to recover half of the

188
00:14:27,840 --> 00:14:29,860
gains. Like this, she ends her days in
beauty.

189
00:14:31,260 --> 00:14:33,520
Me, if there is one thing that I
Hates, it's the traitors.

190
00:14:33,900 --> 00:14:34,900
Yeah.

191
00:14:35,100 --> 00:14:36,100
Well, them.

192
00:14:56,460 --> 00:14:59,200
There is a mystery around the last
part of Da Vinci's life.

193
00:15:01,780 --> 00:15:04,980
Legend has it that he came in
a secret place near Paris,

194
00:15:05,120 --> 00:15:07,860
accompanied by Salaï, to teach
his students.

195
00:15:08,320 --> 00:15:12,720
I already know all that, where is this place
? The relationship between Da Vinci and Salaï

196
00:15:12,720 --> 00:15:15,600
was secret, but their love was
authentic.

197
00:15:16,600 --> 00:15:20,040
The circle represents perfection,
unity, infinity.

198
00:15:21,640 --> 00:15:24,700
So maybe Leonardo wanted
offer your masterpiece to your lover.

199
00:15:26,339 --> 00:15:30,980
Because the circle symbolizes for
Devinci the love he had for Salaï.

200
00:15:32,200 --> 00:15:34,800
The circle is the key to the enigma.

201
00:15:36,180 --> 00:15:42,980
It's a vision

202
00:15:42,980 --> 00:15:46,560
humanist of the Renaissance, where man
is both the measure of all things and

203
00:15:46,560 --> 00:15:47,560
reflection of the universe.

204
00:15:51,800 --> 00:15:53,580
Leonardo has a vision of the world
morphological.

205
00:15:54,440 --> 00:15:56,640
The world is the body and the body is the
world.

206
00:15:57,020 --> 00:16:00,880
For Leonardo, the body, the human body
is like the Earth.

207
00:16:01,120 --> 00:16:03,180
It is governed by proportions, by
benchmarks.

208
00:16:03,560 --> 00:16:06,480
As if human anatomy were the
key.

209
00:16:06,780 --> 00:16:08,480
To understand the entire universe.

210
00:16:08,700 --> 00:16:11,260
So maybe he wanted us
show not only the structure of the

211
00:16:11,260 --> 00:16:17,840
body, but also... Correspondence
between the body represented and the universe.

212
00:16:21,920 --> 00:16:23,660
A secret map.

213
00:16:27,339 --> 00:16:32,780
A layer? A compass. You have a
map of Ile-de-France? What ? It's

214
00:16:32,780 --> 00:16:34,000
a layer. Give me a map.

215
00:16:34,240 --> 00:16:35,260
Yes, give me a card.

216
00:16:38,000 --> 00:16:39,000
Come on.

217
00:16:40,320 --> 00:16:41,320
Four hours ago.

218
00:17:04,310 --> 00:17:05,310
Four hours.

219
00:17:10,109 --> 00:17:11,869
Oh, it's no good, it's worth millions.

220
00:17:12,190 --> 00:17:13,390
My daughter's life is priceless.

221
00:17:20,930 --> 00:17:23,130
Can you help me? Come on.

222
00:17:28,150 --> 00:17:29,890
Can you increase the brightness?

223
00:17:39,370 --> 00:17:41,670
Once superimposed, these points
become locations.

224
00:17:43,590 --> 00:17:45,890
So we find our way using the extremities
members.

225
00:17:46,690 --> 00:17:47,690
Like with a compass.

226
00:17:48,650 --> 00:17:52,130
This is the male genitalia,
the center of the square, which represents the

227
00:17:52,130 --> 00:17:55,450
terrestrial. It must be positioned on
Paris, in the center of the map.

228
00:17:56,270 --> 00:17:58,530
Right foot on Boulevicomte.

229
00:17:59,830 --> 00:18:02,990
Right hand on Marly. The point that
what we are looking for is linked to the index.

230
00:18:03,870 --> 00:18:06,150
Namely Salaï, the hidden lover of
Devinci.

231
00:18:07,310 --> 00:18:08,650
So this point is the point of
love.

232
00:18:09,240 --> 00:18:10,240
The point of the heart.

233
00:18:11,620 --> 00:18:15,460
So this point is the point of
love, the point of the heart.

234
00:18:16,160 --> 00:18:19,540
So the table is there.

235
00:18:21,160 --> 00:18:25,840
The picture is there, with certainty.

236
00:18:27,120 --> 00:18:28,740
I hope for you.

237
00:18:30,000 --> 00:18:31,000
Okay, come on.

238
00:18:45,590 --> 00:18:49,390
Tenzin, you stay here. You finish
'pack all the works in

239
00:18:49,390 --> 00:18:51,250
acid-free tissue paper, such as
habit.

240
00:18:51,990 --> 00:18:57,110
You will transport all this to the free port
from Geneva. There you will have an appointment

241
00:18:57,110 --> 00:18:58,430
with Mr. Muller.

242
00:18:59,170 --> 00:19:00,270
Passport, driving license.

243
00:19:02,270 --> 00:19:03,270
Andrea Kovacs.

244
00:19:06,930 --> 00:19:08,350
Once again, I entrust my life to you.

245
00:19:11,890 --> 00:19:12,890
Goodbye my friend.

246
00:19:13,090 --> 00:19:14,090
See you again soon.

247
00:19:17,010 --> 00:19:18,010
Come on, let's go.

248
00:20:11,780 --> 00:20:15,140
There you go, this is where Da Vinci came
teach his French disciples, in

249
00:20:15,140 --> 00:20:16,140
this abbey.

250
00:20:16,440 --> 00:20:20,700
Famous copies of
his paintings, and probably the

251
00:20:20,920 --> 00:20:23,180
Whose model was Salaï.

252
00:20:23,440 --> 00:20:28,080
You already told me. And now we
looking for... We are looking for the figure of

253
00:20:28,080 --> 00:20:31,260
circle. Leave your art! Gently.

254
00:20:33,760 --> 00:20:34,760
Throw her to the ground.

255
00:20:36,580 --> 00:20:37,580
Gently.

256
00:20:49,000 --> 00:20:55,380
You look... Good! Come on !

257
00:20:55,380 --> 00:20:59,140
It's not black art, Lato.

258
00:20:59,940 --> 00:21:00,940
It's me.

259
00:21:14,240 --> 00:21:15,240
Stop!

260
00:21:39,410 --> 00:21:44,490
Well, Sophie, you didn't come here for a
date, but let me go!

261
00:21:44,490 --> 00:21:51,010
The painting! Let me go! It's okay, it's
good.

262
00:21:53,710 --> 00:21:54,710
Well, here we go.

263
00:22:01,190 --> 00:22:03,450
If they move, you shoot them in the
knees.

264
00:22:24,080 --> 00:22:28,120
That's the circle.

265
00:23:21,879 --> 00:23:27,900
Here, Leonard and Salaï were happy. The
table must be inside.

266
00:23:32,940 --> 00:23:35,660
Salai Mandra. Mandra, that means
checkerboard in Latin.

267
00:24:12,460 --> 00:24:14,160
Four centuries contemplate you.

268
00:24:16,600 --> 00:24:17,600
It's magnificent.

269
00:24:29,280 --> 00:24:30,380
I must thank you.

270
00:24:30,960 --> 00:24:31,960
Yes, yes.

271
00:24:32,680 --> 00:24:35,300
Thanks to you, I had 15 years to
carry out this operation.

272
00:24:35,880 --> 00:24:37,220
And here is the result.

273
00:25:41,250 --> 00:25:43,350
Jean-Pierre, it's good that I don't have
of weapons.

274
00:25:44,050 --> 00:25:46,450
It was in the old people's camper van.
It was programmed to give you.

275
00:25:47,970 --> 00:25:49,550
Well done, the alarm bell.

276
00:25:57,130 --> 00:25:58,470
I can no longer see them in painting.

277
00:25:58,830 --> 00:25:59,830
We don't need them anymore.

278
00:26:00,310 --> 00:26:03,090
This is indeed the first time that a
Are you not interested in painting?

279
00:26:03,090 --> 00:26:09,910
You finish them and you

280
00:26:09,910 --> 00:26:12,220
join. You will take their campervan.

281
00:26:16,100 --> 00:26:17,160
You come with me.

282
00:26:17,400 --> 00:26:18,400
No.

283
00:26:18,720 --> 00:26:19,720
No.

284
00:26:24,820 --> 00:26:31,060
You're less smart, huh? Louis
-Gar,

285
00:26:31,160 --> 00:26:33,700
we have faults, but you won't us
kill.

286
00:26:34,120 --> 00:26:35,720
Well, all that for Thompson.

287
00:26:37,180 --> 00:26:38,920
You believe yourself morally above
from him?

288
00:26:39,960 --> 00:26:41,260
You don't veil the ségurés any better.

289
00:26:42,040 --> 00:26:43,040
It's always you first.

290
00:26:43,440 --> 00:26:45,260
But we gave you everything, we trained you.

291
00:26:47,940 --> 00:26:52,780
Are you sure you have nothing of your own
blame you? What are you

292
00:27:08,490 --> 00:27:12,910
You know that it was Jean-Pierre who
put Thompson on canvas? But

293
00:27:12,950 --> 00:27:13,950
of course.

294
00:27:14,010 --> 00:27:15,470
And he never told you how he had
done?

295
00:27:48,780 --> 00:27:52,140
He sent me alone into an alley,
knowing that Thompson was looking for an agent

296
00:27:52,140 --> 00:27:54,380
isolated. Damn, we've talked about a hundred
times, dammit.

297
00:27:54,680 --> 00:27:57,760
It was the only way to do it
get out of his hideout. It was necessary to

298
00:27:57,900 --> 00:28:03,140
I have never seen more land!
Never ! You sent me to memory

299
00:28:03,140 --> 00:28:08,540
! If I close my eyes,

300
00:28:09,440 --> 00:28:12,360
I realize that we have this
alley.

301
00:28:13,890 --> 00:28:17,070
I have only hurt you here,
but who makes me in the stomach? I t

302
00:28:17,070 --> 00:28:20,850
sent help. You left me
carry like a dog for running

303
00:28:20,850 --> 00:28:23,450
Thompson. You said your bourgeois thing to
my life.

304
00:28:23,750 --> 00:28:24,810
I will never forgive you for that.

305
00:28:25,090 --> 00:28:26,930
I sent help.

306
00:28:27,390 --> 00:28:28,790
But don't worry, you.

307
00:28:29,890 --> 00:28:32,310
When the RTN closed, you didn't
never cared about me.

308
00:28:32,710 --> 00:28:37,030
Never ! You left me and you have me
abandoned with the other patient, art

309
00:28:37,030 --> 00:28:39,710
nuts. And to remember, I had to
that your back is against the wall.

310
00:28:41,130 --> 00:28:42,130
Luckily he was there, Thompson.

311
00:28:43,400 --> 00:28:50,340
It's someone who is well known to me
real heel! They're rather weird,

312
00:28:50,340 --> 00:28:51,340
him.

313
00:28:52,140 --> 00:28:54,560
How did you manage to find us?
It's okay, I too have the right to my

314
00:28:54,560 --> 00:28:55,560
little secrets.

315
00:28:55,660 --> 00:28:57,360
I told you she was a queen
'agent.

316
00:28:58,000 --> 00:28:59,000
Okay, come on, ma’am.

317
00:29:04,440 --> 00:29:06,420
I don't have the impression that there is
vital organs affected.

318
00:29:06,700 --> 00:29:07,920
We're taking you to the hospital. Yes.

319
00:29:09,740 --> 00:29:10,740
Sophie.

320
00:29:11,320 --> 00:29:12,320
Come on, shake your girl.

321
00:29:12,560 --> 00:29:14,840
Yes, go ahead, I'll call for help and
I stay with you. Yes, but we don't

322
00:29:14,840 --> 00:29:15,840
don't know where they went.

323
00:29:16,540 --> 00:29:17,540
Ah, but I heard it.

324
00:29:17,740 --> 00:29:19,900
He said he had a fight that
was going to last two hours in Rome.

325
00:29:20,160 --> 00:29:26,180
What ? He said “The fight takes two
hours”. Ah, he's going to take a plane.

326
00:29:26,220 --> 00:29:27,520
there is an airfield right next to it.

327
00:29:27,720 --> 00:29:30,000
Here, you compress well so that it doesn't
there's too much blood flowing.

328
00:29:30,260 --> 00:29:31,260
That's why.

329
00:29:31,660 --> 00:29:32,379
You too.

330
00:29:32,380 --> 00:29:33,860
And you use it like that, eh?

331
00:29:34,120 --> 00:29:36,000
If he ever wakes up. Yes, well yes,
yes.

332
00:29:46,520 --> 00:29:48,740
Yes, hello? Yes, I'm listening to you. Yes, he
I need an ambulance now.

333
00:29:56,060 --> 00:29:59,260
Well, we agree, right? We are going
arrive on the Starmac, we do

334
00:29:59,260 --> 00:30:00,159
number 2.

335
00:30:00,160 --> 00:30:02,720
Don't you think we should make a
Omega code, rather? No, no, no, no,

336
00:30:02,720 --> 00:30:05,020
no, no. Eclipse number 2 is the
only way to save it all.

337
00:30:05,500 --> 00:30:06,399
We are at the abbey.

338
00:30:06,400 --> 00:30:07,400
The ségurés are no longer there.

339
00:30:07,820 --> 00:30:10,440
There is just one injured colleague,
kid and a surprising success.

340
00:30:11,920 --> 00:30:15,840
Chief, we spotted the camper van on the
C-67 heading towards the airfield.

341
00:30:16,380 --> 00:30:19,840
I repeat, it does not disappoint. So we
rush to the airfield. We have to stop

342
00:30:19,840 --> 00:30:20,840
cigarettes.

343
00:30:21,220 --> 00:30:23,840
Come on, go, go. Go for it, darling.

344
00:30:51,400 --> 00:30:52,400
That's it.

345
00:31:02,520 --> 00:31:07,060
What is she still doing there? I
I'm not armed.

346
00:31:08,780 --> 00:31:09,980
I'll give you one ending, Thompson.

347
00:31:10,560 --> 00:31:11,560
Leave me, Sophie.

348
00:31:12,260 --> 00:31:15,460
But what are you talking about? You're finished, my
poor Françoise.

349
00:31:15,760 --> 00:31:18,360
But you don't understand? You don't have it,
the table.

350
00:31:20,370 --> 00:31:21,370
He is there.

351
00:31:33,270 --> 00:31:34,350
Now it's very simple.

352
00:31:35,090 --> 00:31:36,710
You want the painting, I want my
girl.

353
00:31:37,810 --> 00:31:39,970
We exchange and remain good friends.

354
00:31:40,690 --> 00:31:42,390
Well, way of saying, eh.

355
00:31:42,750 --> 00:31:46,970
Who tells me it's not a copy?
I'll come closer if you come closer.

356
00:31:48,530 --> 00:31:49,530
Hands in the air!

357
00:31:50,890 --> 00:31:52,510
Maxime, shoot, if you lower them.

358
00:32:11,410 --> 00:32:14,270
Oh, lamentable.

359
00:32:15,450 --> 00:32:16,510
Show me the table.

360
00:32:24,400 --> 00:32:25,400
I close.

361
00:32:34,520 --> 00:32:36,760
Do you have what you want? Now give back
me my daughter.

362
00:32:37,040 --> 00:32:38,920
Do you mean my daughter? I forbid you.

363
00:32:40,780 --> 00:32:41,780
Fascinating, this situation.

364
00:32:42,700 --> 00:32:46,580
Do you know the judgment of Solomon? Two
mothers claim the same child.

365
00:32:47,000 --> 00:32:50,020
Solomon, in his infinite wisdom,
suggests cutting it in two.

366
00:32:50,500 --> 00:32:52,820
Of course, the real mother gives up
save the child.

367
00:32:53,630 --> 00:32:58,410
And you, Françoise? What are you
Are you ready to sacrifice? You, Thompson.

368
00:33:01,930 --> 00:33:02,930
However, I loved you.

369
00:33:03,110 --> 00:33:05,630
You ? You've never loved anyone.

370
00:33:06,590 --> 00:33:07,590
You don't feel anything.

371
00:33:08,410 --> 00:33:11,190
It's easy to blame Jean
-Pierre, who threw you in prison.

372
00:33:11,750 --> 00:33:16,230
But prison, the real prison,
it's inside you. She is

373
00:33:16,230 --> 00:33:18,650
empty, it is deserted. And there is no
person.

374
00:33:21,190 --> 00:33:22,190
Look at you.

375
00:33:22,280 --> 00:33:23,500
You told me I was boring.

376
00:33:23,860 --> 00:33:25,220
But you are empty.

377
00:33:25,880 --> 00:33:27,740
Even your fascination with this painting,
she is fake.

378
00:33:29,940 --> 00:33:31,440
This painting was of both of us, as children.

379
00:33:33,540 --> 00:33:36,020
Now he doesn't mean anything anymore
for me. That's why I

380
00:33:36,580 --> 00:33:38,220
He will end up locked in a trunk.

381
00:33:39,260 --> 00:33:41,920
Like you, in your little pavilion
pathetic.

382
00:33:44,760 --> 00:33:49,720
But in my shabby little pavilion,
as you say, there will be my daughter.

383
00:33:51,750 --> 00:33:53,150
She didn't know how to hold her back either.

384
00:33:53,770 --> 00:33:54,770
Look behind you, she's gone
To be.

385
00:34:54,969 --> 00:34:55,768
Answer me.

386
00:34:55,770 --> 00:34:56,748
Answer me, please.

387
00:34:56,750 --> 00:35:00,390
Mom, mom, hold on to me, okay?
Do it for me, okay? Please

388
00:35:00,390 --> 00:35:01,390
pleases.

389
00:35:06,170 --> 00:35:09,250
I still want to jump a thousand
bridges with you. We will go and steal everything

390
00:35:09,250 --> 00:35:11,370
you want, okay? Come on, mom, please
please you.

391
00:35:11,630 --> 00:35:13,270
I got a taste for adrenaline.

392
00:35:18,660 --> 00:35:21,080
Mom, don't leave me now. We
just starting to get to know each other,

393
00:35:21,080 --> 00:35:22,080
please you.

394
00:35:22,380 --> 00:35:23,520
Come on, mom.

395
00:35:23,920 --> 00:35:25,680
Mom, please don't leave me.
I still need you.

396
00:35:28,700 --> 00:35:31,800
I love you too, my darling.

397
00:35:33,780 --> 00:35:40,700
Blood move, no more blablan, no more
detonator, equal burst

398
00:35:40,700 --> 00:35:43,360
perceptions. Do you remember? But
it's not okay.

399
00:35:43,960 --> 00:35:45,200
But you're really crazy, actually.

400
00:36:24,140 --> 00:36:25,360
I preferred my daughter.

401
00:36:30,880 --> 00:36:34,140
Recover the board or put yourself in
prison, I don't know what I

402
00:36:36,940 --> 00:36:37,940
Hands behind your back.

403
00:36:39,060 --> 00:36:40,060
Come on.

404
00:36:43,800 --> 00:36:46,660
Dad ? Ah well, don't make that face,
darling.

405
00:36:47,100 --> 00:36:49,160
Another good team, right? It's in
obvious.

406
00:36:52,480 --> 00:36:53,480
Wait !

407
00:36:59,920 --> 00:37:01,100
I'm sorry, I was jealous.

408
00:37:01,580 --> 00:37:05,580
I don't know, I wanted to please him,
but it was so stupid to want

409
00:37:05,580 --> 00:37:06,580
to be loved by an idiot.

410
00:37:22,640 --> 00:37:24,500
This painting is too beautiful to stay
in a trunk.

411
00:37:25,000 --> 00:37:27,220
Isn't that right, Jean-Pierre? Chew
-them!

412
00:37:40,090 --> 00:37:41,090
And that makes you Clune, Jean-Pierre.

413
00:37:41,670 --> 00:37:43,810
Even though I don't think that tomorrow, s
he hit his students so often

414
00:37:43,810 --> 00:37:44,810
you.

415
00:38:32,710 --> 00:38:33,870
Mission accomplished.

416
00:38:37,270 --> 00:38:41,090
It will be exhibited at the Louvre, I
I might invite you.

417
00:38:42,430 --> 00:38:43,970
At the opening anyway.

418
00:39:33,700 --> 00:39:35,300
No, but what does she do? C
It's not possible.

419
00:39:36,040 --> 00:39:37,080
She won't be long, grandma.

420
00:39:37,660 --> 00:39:39,420
Oh, damn, stop calling me grandma.

421
00:39:39,820 --> 00:39:42,780
Fonfon, it's still not complicated
to remember, yes? Is it complicated?

422
00:39:42,780 --> 00:39:44,400
Fonfon? Yes. Well, it's true.

423
00:39:44,700 --> 00:39:46,280
Yes. Okay, okay.

424
00:39:46,500 --> 00:39:48,080
I'll give you a magic trick, okay
? Yeah.

425
00:39:48,540 --> 00:39:49,540
Come on. Tell me a card.

426
00:39:49,760 --> 00:39:50,658
Any one.

427
00:39:50,660 --> 00:39:52,220
Ah, uh... Lady of hearts.

428
00:39:53,940 --> 00:39:55,820
Okay. Yeah. That’s good.

429
00:39:56,400 --> 00:39:57,400
Wow. GOOD.

430
00:39:57,720 --> 00:40:00,320
Well, look at this map, because
'she's going to disappear. Yeah. OK, you are

431
00:40:00,320 --> 00:40:02,780
ready? Hop.

432
00:40:06,970 --> 00:40:07,970
Breath.

433
00:40:08,670 --> 00:40:09,670
Go ahead, take a breath.

434
00:40:10,670 --> 00:40:17,530
And there? Wow! Oh yes ! Not bad. From
better and better. Did you see? I m

435
00:40:17,590 --> 00:40:18,590
Getting better and better.

436
00:40:19,930 --> 00:40:20,930
Okay,

437
00:40:21,230 --> 00:40:23,710
well now, if you want
candle? Yes, please,

438
00:40:23,710 --> 00:40:24,710
candles are out.

439
00:40:24,910 --> 00:40:26,810
Yes, but listen, we're not going to wait
until the cinglingling.

440
00:40:27,190 --> 00:40:29,090
The madness, is it true? Yes, the
stingingling.

441
00:40:29,530 --> 00:40:31,870
It's her, it's her.

442
00:40:32,190 --> 00:40:35,350
Well then, what? What are you doing ? I
I'm sorry, dad, my alarm didn't go off

443
00:40:35,350 --> 00:40:37,230
given. It's true, it doesn't stick.

444
00:40:37,690 --> 00:40:38,690
The alarm didn't ring.

445
00:40:39,030 --> 00:40:39,808
Ah, Joker.

446
00:40:39,810 --> 00:40:40,810
No, no, please, I don't want to
know.

447
00:40:40,990 --> 00:40:43,890
When are you arriving? There we arrive, we
arrives. We'll be there in 20 minutes, we

448
00:40:43,890 --> 00:40:47,370
starts. And then start without us.
And look, mom, we have planned one for you

449
00:40:47,370 --> 00:40:48,490
gift. You're going to enjoy it so much.

450
00:40:48,910 --> 00:40:53,590
Enjoy? Wait, are you saying love it, mom?
Yeah, you're going to really enjoy it, Françoise.

451
00:40:53,830 --> 00:40:54,830
Come on, see you right away.

452
00:40:55,670 --> 00:40:58,410
But why did you tell them 20 minutes
? Because the GPS prompts 47 minutes.

453
00:40:59,690 --> 00:41:00,810
47 minutes? Yeah.

454
00:41:01,990 --> 00:41:04,410
It's a long time, isn't it? We suck.

455
00:41:05,030 --> 00:41:05,799
Ah good ?

456
00:41:05,800 --> 00:41:10,440
I'll give him his present later,
no? Are you sure? He would come home well

457
00:41:10,440 --> 00:41:11,440
manage without me.

458
00:41:11,840 --> 00:41:12,840
Okay.

459
00:41:13,420 --> 00:41:16,140
Is he going back there? Like that, it burns for
fist.

460
00:41:24,560 --> 00:41:25,560
Yes, yes, yes.

461
00:41:30,160 --> 00:41:31,760
For my darling. Quite.

462
00:41:38,040 --> 00:41:44,720
So, the castle of Grand Seigne in
Normandie is pleased to invite you to

463
00:41:44,720 --> 00:41:46,240
a relaxing stay.

464
00:41:48,640 --> 00:41:49,640
In Normandy.

465
00:41:52,000 --> 00:41:53,360
I wanted to go to the sun.

466
00:41:53,620 --> 00:41:56,720
But no, but if you go to Normandy,
plus, look, you have care

467
00:41:56,720 --> 00:41:58,040
offered. You will be able to make
massages.

468
00:41:58,500 --> 00:41:59,500
Great.

469
00:42:00,520 --> 00:42:01,820
I have a gift for you too.

470
00:42:35,530 --> 00:42:42,510
The ocean has delivered a fragment of the past,
carved in stone a clue, the

471
00:42:42,510 --> 00:42:46,470
garden of the Hesperides, mission
Atlantitude.

472
00:42:54,190 --> 00:42:56,870
Happy birthday my darling.

473
00:43:13,390 --> 00:43:15,610
Let's take care of the dog. Close the door.

474
00:43:15,890 --> 00:43:17,150
We left on a mission.