1 00:00:03,843 --> 00:00:06,843 [♪♪♪] 2 00:01:51,342 --> 00:01:53,217 [WIND WHISTLING] 3 00:01:53,301 --> 00:01:55,301 [SAMWELL SHIVERING] 4 00:01:58,050 --> 00:01:59,134 NORTHMAN 1: Oi! 5 00:02:00,967 --> 00:02:02,009 NORTHMAN 2: Mind out. 6 00:02:04,301 --> 00:02:05,301 Move! 7 00:02:08,843 --> 00:02:11,843 [♪♪♪] 8 00:02:14,884 --> 00:02:16,925 [MEN CHATTERING INDISTINCTLY] 9 00:02:20,301 --> 00:02:22,801 NORTHMAN: Look, on the west wall! 10 00:02:22,884 --> 00:02:24,801 SOLDIER: Get down to the crypt! 11 00:02:24,884 --> 00:02:26,509 [BABY CRYING] 12 00:02:27,843 --> 00:02:29,050 SOLDIER: Just hold. 13 00:02:30,134 --> 00:02:31,342 MAN: We'll take him. 14 00:02:35,801 --> 00:02:38,050 -Come on, help the lads! SOLDIER 1: Yes, my lady. 15 00:02:38,134 --> 00:02:41,301 LYANNA: Quickly, now! Quickly! Get those in position. 16 00:02:41,384 --> 00:02:44,467 SOLDIER 1: Come on. SOLDIER 2: Close the gate! 17 00:02:44,551 --> 00:02:46,175 SOLDIER 3: That's it. 18 00:02:46,259 --> 00:02:49,217 [♪♪♪] 19 00:03:02,092 --> 00:03:03,384 [GRUNTS] 20 00:03:34,634 --> 00:03:36,593 [WIND WHISTLING] 21 00:03:46,092 --> 00:03:47,175 [EXHALES HEAVILY] 22 00:04:07,843 --> 00:04:09,050 [GASPS SOFTLY] 23 00:04:09,134 --> 00:04:11,134 [DRAGON ROARING] 24 00:04:15,092 --> 00:04:17,134 [SOLDIERS SHOUTING INDISTINCTLY] 25 00:04:42,301 --> 00:04:44,301 [HORSES SNORTING] 26 00:05:22,718 --> 00:05:23,718 [CLEARS THROAT] 27 00:05:25,384 --> 00:05:28,925 Oh, for fuck's sake. You took your time. 28 00:05:30,259 --> 00:05:31,884 [HORSE NEIGHS] 29 00:05:37,634 --> 00:05:39,551 [SNORTING] 30 00:06:00,551 --> 00:06:02,467 [WIND WHISTLING] 31 00:06:13,175 --> 00:06:15,134 [DRAGONS GROWLING] 32 00:06:52,634 --> 00:06:55,634 [♪♪♪] 33 00:07:32,551 --> 00:07:34,509 Do you speak their tongue? 34 00:07:38,092 --> 00:07:40,509 Tell them to lift their swords. 35 00:07:45,175 --> 00:07:47,134 [WIND WHISTLING] 36 00:07:53,467 --> 00:07:55,426 [SPEAKS IN DOTHRAKI] 37 00:07:56,925 --> 00:07:58,884 [WEAPONS CLINKING] 38 00:08:13,134 --> 00:08:16,092 [♪♪♪] 39 00:08:17,259 --> 00:08:19,259 [SPEAKING IN HIGH VALYRIAN] 40 00:08:34,884 --> 00:08:36,801 [SOLDIERS EXCLAIMING] 41 00:08:36,884 --> 00:08:39,884 [♪♪♪] 42 00:09:18,384 --> 00:09:20,801 [♪♪♪] 43 00:09:24,217 --> 00:09:25,843 Valar morghulis. 44 00:09:25,925 --> 00:09:27,843 Valar dohaeris. 45 00:09:42,634 --> 00:09:43,759 Open the gate! 46 00:09:43,843 --> 00:09:45,259 SOLDIER 1: Open the gate! 47 00:09:45,342 --> 00:09:47,342 SOLDIER 2: Open the gate! 48 00:10:02,342 --> 00:10:04,134 MAN 1: Come. Come on. 49 00:10:05,509 --> 00:10:06,509 Easy. 50 00:10:10,050 --> 00:10:13,009 [♪♪♪] 51 00:10:33,092 --> 00:10:35,884 There's no need to execute me, Ser Davos. 52 00:10:35,967 --> 00:10:38,551 I'll be dead before the dawn. 53 00:10:40,718 --> 00:10:43,718 [♪♪♪] 54 00:10:59,050 --> 00:11:01,217 [SOLDIER SHOUTING INDISTINCTLY] 55 00:11:02,217 --> 00:11:04,217 [DOTHRAKI ULULATING] 56 00:12:38,301 --> 00:12:41,676 SOLDIER [IN DOTHRAKI]: 57 00:12:50,467 --> 00:12:52,384 [WIND WHISTLING] 58 00:13:38,217 --> 00:13:40,217 [HOOFBEATS POUNDING] 59 00:13:43,175 --> 00:13:44,384 [NEIGHS HOARSELY] 60 00:13:47,634 --> 00:13:50,593 [♪♪♪] 61 00:13:51,884 --> 00:13:53,884 [HORSES NEIGHING] 62 00:14:19,134 --> 00:14:20,426 [GASPS] 63 00:14:21,759 --> 00:14:23,634 The Night King is coming. 64 00:14:25,384 --> 00:14:27,384 The dead are already here. 65 00:14:30,801 --> 00:14:33,134 [DRAGON ROARS] 66 00:14:56,967 --> 00:14:59,967 [♪♪♪] 67 00:15:04,342 --> 00:15:06,301 [WIND WHISTLING] 68 00:15:23,676 --> 00:15:25,384 [GREY WORM SPEAKS IN VALYRIAN] 69 00:15:25,467 --> 00:15:26,634 [UNSULLIED GRUNT] 70 00:15:32,009 --> 00:15:34,009 [SOLDIERS GRUNTING] 71 00:15:37,593 --> 00:15:39,551 [WIGHTS SNARLING] 72 00:15:47,551 --> 00:15:49,175 [YELLS] 73 00:15:52,050 --> 00:15:53,718 Stand your ground! 74 00:15:53,801 --> 00:15:55,801 [SOLDIERS CLAMORING] 75 00:16:07,593 --> 00:16:08,593 [SCREAMS] 76 00:16:08,676 --> 00:16:09,718 [GRUNTS] 77 00:16:11,301 --> 00:16:12,884 [SCREAMS] 78 00:16:13,884 --> 00:16:16,884 [♪♪♪] 79 00:17:13,259 --> 00:17:15,217 [WIND WHISTLING] 80 00:17:38,718 --> 00:17:41,467 [♪♪♪] 81 00:17:43,092 --> 00:17:44,843 ARYA: Get down to the crypt. 82 00:17:46,134 --> 00:17:48,050 SANSA: I'm not abandoning my people. 83 00:17:48,134 --> 00:17:49,634 ARYA: Take this and go. 84 00:17:53,175 --> 00:17:54,801 I don't know how to use it. 85 00:17:56,009 --> 00:17:57,801 Stick them with the pointy end. 86 00:18:04,384 --> 00:18:07,301 [♪♪♪] 87 00:18:07,384 --> 00:18:09,342 [SOLDIERS GRUNTING] 88 00:19:15,509 --> 00:19:17,217 [SOLDIER SHOUTS INDISTINCTLY] 89 00:19:24,509 --> 00:19:25,884 SAMWELL: Edd! 90 00:19:27,050 --> 00:19:28,342 Edd! 91 00:19:29,509 --> 00:19:31,050 [WHIMPERING] 92 00:19:47,259 --> 00:19:48,551 EDD: Sam, get up! 93 00:19:52,175 --> 00:19:53,426 [GASPING] 94 00:19:53,509 --> 00:19:55,759 Oh, God. Sam. 95 00:19:57,426 --> 00:19:59,050 [SNARLS] 96 00:19:59,925 --> 00:20:01,301 WOMAN [SCREAMS]: Edd! 97 00:20:03,925 --> 00:20:06,259 [DOOR CLOSES, THEN LOCKS] 98 00:20:11,259 --> 00:20:13,301 [PEOPLE WHISPERING INDISTINCTLY] 99 00:20:52,467 --> 00:20:54,467 [WIND WHISTLING] 100 00:21:02,551 --> 00:21:03,676 [JON GRUNTS] 101 00:21:15,426 --> 00:21:16,593 [DAENERYS GRUNTS] 102 00:21:16,676 --> 00:21:18,843 [JON GRUNTS] 103 00:21:36,843 --> 00:21:39,843 [♪♪♪] 104 00:21:42,884 --> 00:21:45,551 Fall back! Fall back! 105 00:21:47,843 --> 00:21:49,925 Fall back! 106 00:21:50,009 --> 00:21:51,092 SOLDIER: Come on! 107 00:21:52,801 --> 00:21:53,759 Open the gate! 108 00:21:53,843 --> 00:21:55,759 SOLDIER 1: Open the gate! 109 00:21:55,843 --> 00:21:57,050 SOLDIER 2: Let us in! 110 00:21:59,259 --> 00:22:00,759 SOLDIER 1: Open the gate! 111 00:22:00,843 --> 00:22:02,217 SOLDIER 3: Open the gate! 112 00:22:05,050 --> 00:22:06,217 SOLDIER 4: Keep moving! 113 00:22:10,009 --> 00:22:11,342 SOLDIER 5: Come on! 114 00:22:14,551 --> 00:22:17,134 LYANNA: Keep moving, fast. SOLDIER 5: To your posts. 115 00:22:17,217 --> 00:22:19,217 SOLDIER 6: Go! SOLDIER 7: Keep moving! 116 00:22:21,050 --> 00:22:22,801 SOLDIER 1: Come on, run! 117 00:22:22,884 --> 00:22:24,050 Keep moving! 118 00:22:30,676 --> 00:22:32,718 [IN VALYRIAN] 119 00:22:38,759 --> 00:22:39,967 [UNSULLIED GRUNT] 120 00:22:55,092 --> 00:22:57,092 [SOLDIERS CLAMORING] 121 00:23:15,175 --> 00:23:17,134 [♪♪♪] 122 00:23:19,426 --> 00:23:20,801 Dany! 123 00:23:33,259 --> 00:23:35,175 [WIND WHISTLING] 124 00:23:47,593 --> 00:23:49,509 SOLDIER 1: Grab your weapon now! 125 00:23:49,593 --> 00:23:51,175 SOLDIER 2: Guard the barricades! 126 00:23:51,259 --> 00:23:53,509 SOLDIER 3: Through that pass! 127 00:23:53,593 --> 00:23:55,092 BRIENNE: Hey! Hey! Hey! 128 00:23:55,175 --> 00:23:56,593 SOLDIER 4: Close up the gaps! 129 00:23:56,676 --> 00:23:59,593 Go! Hey! Go! Go! 130 00:23:59,676 --> 00:24:01,593 Get in! Get in! 131 00:24:01,676 --> 00:24:03,342 Get in! Come on! 132 00:24:06,175 --> 00:24:07,759 [GREY WORM SHOUTING INDISTINCTLY] 133 00:24:07,843 --> 00:24:09,050 [UNSULLIED GRUNTING] 134 00:24:24,301 --> 00:24:27,301 [♪♪♪] 135 00:24:38,134 --> 00:24:39,759 SOLDIER 1: Move! 136 00:24:53,217 --> 00:24:55,175 [SNARLING] 137 00:25:04,884 --> 00:25:06,217 [SOLDIER WHIMPERING] 138 00:25:09,551 --> 00:25:13,092 SOLDIER 1 [IN VALYRIAN]: 139 00:25:13,175 --> 00:25:14,676 SOLDIER 2 [IN VALYRIAN]: 140 00:25:14,759 --> 00:25:16,801 SOLDIER 1 [IN ENGLISH]: Come on! SOLDIER 2 [IN ENGLISH]: Come on! 141 00:25:16,884 --> 00:25:18,426 SOLDIER 1: Come on! SOLDIER 3: Come on! 142 00:25:19,884 --> 00:25:21,217 LYANNA: Protect the gate! 143 00:25:21,301 --> 00:25:23,342 SOLDIER 1: Protect the gate! 144 00:25:23,426 --> 00:25:25,925 They're coming! Come on! 145 00:25:26,009 --> 00:25:27,593 Fall back! 146 00:25:33,551 --> 00:25:35,426 [PANTING] 147 00:25:47,509 --> 00:25:48,551 Light the trench! 148 00:25:49,342 --> 00:25:50,759 Light the trench! 149 00:25:52,050 --> 00:25:54,467 SOLDIER 2: Wait! SOLDIER 3: Light the trench! 150 00:26:07,634 --> 00:26:08,467 [GRUNTS] 151 00:26:08,551 --> 00:26:11,509 [♪♪♪] 152 00:26:23,801 --> 00:26:25,009 She can't see us. 153 00:26:26,759 --> 00:26:27,801 Light the trenches! 154 00:26:42,301 --> 00:26:44,426 SOLDIER 1: With a torch, light the trenches! 155 00:26:44,509 --> 00:26:46,967 -Right there. SOLDIER 2: Torch it! 156 00:26:48,593 --> 00:26:49,676 Light the trenches! 157 00:27:09,925 --> 00:27:11,509 [GRUNTING] 158 00:27:14,634 --> 00:27:16,634 [SNARLING] 159 00:27:16,718 --> 00:27:18,509 [SHOUTS INDISTINCTLY] 160 00:27:20,718 --> 00:27:22,718 [SHOUTING INDISTINCTLY] 161 00:27:28,342 --> 00:27:30,467 [UNSULLIED GRUNT] 162 00:27:30,551 --> 00:27:32,759 [MAN SHOUTING INDISTINCTLY] 163 00:27:42,009 --> 00:27:43,342 [SPEAKS IN VALYRIAN] 164 00:27:43,426 --> 00:27:44,509 [UNSULLIED GRUNT] 165 00:27:54,384 --> 00:27:56,384 [SPEAKING IN HIGH VALYRIAN] 166 00:28:41,092 --> 00:28:43,092 [♪♪♪] 167 00:29:12,843 --> 00:29:15,050 [SCREECHING] 168 00:29:15,134 --> 00:29:17,676 [SOLDIERS SHOUTING INDISTINCTLY] 169 00:29:34,551 --> 00:29:35,509 Clegane. 170 00:29:37,843 --> 00:29:39,801 [BABY CRYING] 171 00:29:41,676 --> 00:29:44,676 WOMAN [SOFTLY]: You must try not to worry yourself. 172 00:29:56,676 --> 00:29:59,843 [SIGHS] At least we're already in a crypt. 173 00:30:04,551 --> 00:30:06,509 If we were up there, 174 00:30:06,593 --> 00:30:10,092 we might see something everyone else is missing. 175 00:30:11,551 --> 00:30:13,175 Something that makes a difference. 176 00:30:13,259 --> 00:30:15,967 -[SCOFFS] -What? 177 00:30:16,050 --> 00:30:17,676 Remember the Battle of Blackwater? 178 00:30:17,759 --> 00:30:19,092 I brought us through the Mud Gate. 179 00:30:19,175 --> 00:30:20,593 And got your face cut in half. 180 00:30:20,676 --> 00:30:22,384 And it made a difference. 181 00:30:24,884 --> 00:30:26,467 If I was out there right now... 182 00:30:26,551 --> 00:30:27,925 You'd die. 183 00:30:30,259 --> 00:30:32,259 There's nothing you can do. 184 00:30:35,843 --> 00:30:38,134 You might be surprised at the lengths I'd go 185 00:30:38,217 --> 00:30:40,634 to avoid joining the Army of the Dead. 186 00:30:40,718 --> 00:30:43,925 I could think of no organization less suited to my talents. 187 00:30:44,009 --> 00:30:46,426 Witty remarks won't make a difference. 188 00:30:48,801 --> 00:30:51,967 That's why we're down here, none of us can do anything. 189 00:30:53,801 --> 00:30:54,884 It's the truth. 190 00:30:56,134 --> 00:30:58,925 It's the most heroic thing we can do now... 191 00:31:00,384 --> 00:31:02,426 look the truth in the face. 192 00:31:07,259 --> 00:31:09,676 Maybe we should have stayed married. 193 00:31:09,759 --> 00:31:11,593 You were the best of them. 194 00:31:12,801 --> 00:31:14,967 What a terrifying thought. 195 00:31:21,925 --> 00:31:23,426 It wouldn't work between us. 196 00:31:24,759 --> 00:31:26,426 Why not? 197 00:31:26,509 --> 00:31:27,925 The Dragon Queen. 198 00:31:29,925 --> 00:31:33,301 Your divided loyalties would become a problem. 199 00:31:34,301 --> 00:31:36,050 MISSANDEI: Yes. 200 00:31:36,134 --> 00:31:38,967 Without the Dragon Queen, there'd be no problem at all. 201 00:31:40,092 --> 00:31:41,676 We'd all be dead already. 202 00:31:50,843 --> 00:31:52,801 [WIND WHISTLING] 203 00:32:03,426 --> 00:32:05,301 They lit the trench. 204 00:32:19,009 --> 00:32:20,009 Bran... 205 00:32:25,426 --> 00:32:27,342 I just want you to know... 206 00:32:31,509 --> 00:32:32,467 I wish-- 207 00:32:33,718 --> 00:32:35,050 The things I did-- 208 00:32:35,134 --> 00:32:38,050 Everything you did brought you where you are now. 209 00:32:40,342 --> 00:32:41,718 Where you belong. 210 00:32:43,843 --> 00:32:45,009 Home. 211 00:32:55,718 --> 00:32:57,884 I'm going to go now. 212 00:33:00,551 --> 00:33:01,551 Go where? 213 00:33:03,884 --> 00:33:06,884 [♪♪♪] 214 00:33:08,718 --> 00:33:10,718 [RAVENS CAWING] 215 00:33:32,509 --> 00:33:34,467 [♪♪♪] 216 00:34:32,801 --> 00:34:34,801 [♪♪♪] 217 00:34:50,301 --> 00:34:51,634 Man the walls! 218 00:34:52,676 --> 00:34:54,301 SOLDIER 1: Man the walls! 219 00:35:02,509 --> 00:35:04,676 SOLDIER 2: Man the wall! 220 00:35:04,759 --> 00:35:06,342 Man the walls! 221 00:35:08,175 --> 00:35:09,925 Come on! 222 00:35:10,009 --> 00:35:12,801 Get out there! Get moving! 223 00:35:12,884 --> 00:35:15,009 Come on. Come on! Come on! 224 00:35:18,467 --> 00:35:20,843 Go, go, go! 225 00:35:20,925 --> 00:35:22,384 BRIENNE: Come on! 226 00:35:49,884 --> 00:35:52,217 [ROARS] 227 00:36:01,884 --> 00:36:03,759 SOLDIER 1: They're against the wall! 228 00:36:07,884 --> 00:36:10,092 Get more men up here! 229 00:36:14,259 --> 00:36:16,342 -Fill the gaps, quickly! -Get in there! 230 00:36:16,426 --> 00:36:17,967 SOLDIER 2: They're climbing the walls! 231 00:36:18,050 --> 00:36:20,593 -Relieve the archers! SOLDIER 2: Relieve the archers! 232 00:36:22,467 --> 00:36:23,843 Archers on top! 233 00:36:23,925 --> 00:36:26,676 SOLDIER 1: Move up! SOLDIER 2: Go, go! Come here! 234 00:36:26,759 --> 00:36:28,301 -Come on! SOLDIER 3: Move back! 235 00:36:28,384 --> 00:36:30,301 SOLDIER 4: Stand away! SOLDIER 2: Go on, go on. Go! Go. 236 00:36:30,384 --> 00:36:32,718 SOLDIER 3: Step back. SOLDIER 4: All the way, archers! 237 00:36:36,092 --> 00:36:37,467 [SPEAKS IN VALYRIAN] 238 00:36:42,884 --> 00:36:44,467 [SNARLING] 239 00:36:48,426 --> 00:36:49,676 SOLDIER 1: Hold the wall! 240 00:36:49,759 --> 00:36:51,301 SOLDIER 2: The wall, they're coming up! 241 00:36:51,384 --> 00:36:54,843 SOLDIER 3: Hold the wall! SOLDIER 4: Hold the wall! 242 00:36:54,925 --> 00:36:56,092 Draw! 243 00:37:20,801 --> 00:37:21,967 Come on! 244 00:37:55,967 --> 00:37:58,967 [♪♪♪] 245 00:38:05,050 --> 00:38:06,134 [YELLS] 246 00:38:12,843 --> 00:38:14,175 SOLDIER: They're coming up! 247 00:38:26,384 --> 00:38:27,551 Look out! 248 00:38:31,843 --> 00:38:33,217 [WHIMPERING] 249 00:39:27,259 --> 00:39:29,217 [SHUDDERING] 250 00:39:42,634 --> 00:39:44,925 [♪♪♪] 251 00:39:53,467 --> 00:39:54,634 [YELLS] 252 00:39:55,967 --> 00:39:57,967 [GRUNTING] 253 00:40:06,551 --> 00:40:07,676 Clegane! 254 00:40:09,134 --> 00:40:10,259 Clegane! 255 00:40:42,009 --> 00:40:43,384 [SCREAMS] 256 00:40:48,259 --> 00:40:49,342 [GRUNTS] 257 00:41:20,759 --> 00:41:22,676 BERIC: Clegane! 258 00:41:22,759 --> 00:41:24,967 Clegane, we need you! 259 00:41:25,050 --> 00:41:26,301 You can't give up on us. 260 00:41:26,384 --> 00:41:28,593 Fuck off! We can't beat them. 261 00:41:28,676 --> 00:41:31,175 Don't you see that, you stupid whore? 262 00:41:31,259 --> 00:41:32,967 We're fighting Death! 263 00:41:33,050 --> 00:41:34,384 They can't beat Death. 264 00:41:39,301 --> 00:41:40,551 Tell her that. 265 00:41:50,718 --> 00:41:52,301 [PANTING] 266 00:41:52,384 --> 00:41:53,925 [SCREAMING] 267 00:42:04,175 --> 00:42:06,092 [GASPING] 268 00:42:15,676 --> 00:42:16,967 [YELLS] 269 00:42:37,843 --> 00:42:40,009 [ROARS] 270 00:42:52,217 --> 00:42:55,175 [♪♪♪] 271 00:43:09,009 --> 00:43:11,967 [♪♪♪] 272 00:43:24,175 --> 00:43:26,342 [DAENERYS WHIMPERING] 273 00:43:39,843 --> 00:43:41,676 [GRUNTING] 274 00:43:43,551 --> 00:43:46,509 [♪♪♪] 275 00:44:43,342 --> 00:44:45,259 [PANTING] 276 00:44:46,259 --> 00:44:48,301 [FOOTSTEPS] 277 00:46:06,217 --> 00:46:09,175 [♪♪♪] 278 00:46:47,467 --> 00:46:49,426 [WIGHT CROAKS] 279 00:47:00,843 --> 00:47:02,426 [SNARLING] 280 00:47:18,593 --> 00:47:19,843 [GASPS SOFTLY] 281 00:47:31,467 --> 00:47:33,426 [WIND WHISTLING] 282 00:47:42,759 --> 00:47:44,759 [SNARLING IN DISTANCE] 283 00:47:46,342 --> 00:47:48,301 [BREATHING SHAKILY] 284 00:47:58,384 --> 00:48:00,301 [SNARLING] 285 00:48:03,092 --> 00:48:04,593 [PANTING] 286 00:48:32,718 --> 00:48:35,925 [WIGHTS SNARLING IN DISTANCE] [MEN YELLING IN DISTANCE] 287 00:49:11,634 --> 00:49:13,092 [DOOR THUDS] 288 00:49:13,175 --> 00:49:14,967 [ALL GASPING] 289 00:49:15,050 --> 00:49:16,342 SOLDIER 1: Open the door! 290 00:49:18,967 --> 00:49:20,301 SOLDIER 2: Open the door! 291 00:49:20,384 --> 00:49:22,134 SOLDIER 3: Come on! SOLDIER 4: Open the door! 292 00:49:22,217 --> 00:49:23,634 Open the door! 293 00:49:28,426 --> 00:49:30,259 Please! 294 00:49:30,342 --> 00:49:31,509 Open it! 295 00:49:31,593 --> 00:49:33,718 [SOLDIERS SCREAMING INDISTINCTLY] 296 00:49:35,676 --> 00:49:37,676 [SCREAMING FADES] 297 00:49:46,426 --> 00:49:48,384 [WIND WHISTLING] 298 00:50:04,551 --> 00:50:06,509 [OBJECT CLATTERS IN DISTANCE] 299 00:50:21,925 --> 00:50:23,593 -[OBJECT THUDS] -[GASPS] 300 00:50:24,801 --> 00:50:26,884 [WIGHTS SNARLING IN DISTANCE] 301 00:50:44,925 --> 00:50:46,884 [SCREAMING] 302 00:50:48,593 --> 00:50:50,259 Rah! 303 00:50:57,009 --> 00:50:58,092 Aah! 304 00:51:00,467 --> 00:51:02,426 [GRUNTING] 305 00:51:06,301 --> 00:51:08,884 Come on! Go! 306 00:51:08,967 --> 00:51:11,843 -Come on! BERIC: Run! 307 00:51:38,050 --> 00:51:39,342 We've gotta go! 308 00:51:41,676 --> 00:51:44,676 [♪♪♪] 309 00:52:16,175 --> 00:52:18,175 [PANTING] 310 00:52:25,884 --> 00:52:27,384 [SPEAKS INDISTINCTLY] 311 00:52:40,759 --> 00:52:43,843 MELISANDRE: The Lord brought him back for a purpose. 312 00:52:48,217 --> 00:52:50,426 Now that purpose has been served. 313 00:52:52,843 --> 00:52:55,801 [♪♪♪] 314 00:52:55,884 --> 00:52:56,884 I know you. 315 00:53:02,593 --> 00:53:03,759 And I know you. 316 00:53:11,551 --> 00:53:13,843 You said we'd meet again. 317 00:53:13,925 --> 00:53:15,134 And here we are. 318 00:53:16,175 --> 00:53:17,467 At the end of the world. 319 00:53:19,593 --> 00:53:21,551 You said I'd shut many eyes forever. 320 00:53:23,217 --> 00:53:24,759 You were right about that too. 321 00:53:25,843 --> 00:53:27,676 Brown eyes... 322 00:53:27,759 --> 00:53:28,967 green eyes... 323 00:53:31,301 --> 00:53:32,634 and blue eyes. 324 00:53:38,259 --> 00:53:40,301 [WIGHTS SNARLING AND THUDDING ON DOOR] 325 00:53:52,092 --> 00:53:54,801 What do we say to the God of Death? 326 00:53:59,050 --> 00:54:00,134 Not today. 327 00:54:01,759 --> 00:54:04,759 [♪♪♪] 328 00:54:15,009 --> 00:54:16,967 [WIND WHISTLING] 329 00:54:18,259 --> 00:54:19,801 [WIGHTS SNARLING] 330 00:54:19,884 --> 00:54:21,259 [GASPS SOFTLY] 331 00:54:25,634 --> 00:54:26,676 Here they come! 332 00:54:30,426 --> 00:54:31,509 Steady, lads. 333 00:54:32,884 --> 00:54:33,967 Steady now. 334 00:54:36,801 --> 00:54:38,175 Make every shot count. 335 00:54:39,217 --> 00:54:41,676 [♪♪♪] 336 00:54:47,593 --> 00:54:48,676 MAN 1: Over there! 337 00:54:51,925 --> 00:54:52,967 MAN 2: There! 338 00:54:54,843 --> 00:54:57,843 [♪♪♪] 339 00:55:33,426 --> 00:55:34,718 JON: Get off. 340 00:55:49,050 --> 00:55:50,634 [GRUNTING] 341 00:56:22,718 --> 00:56:23,801 [JON GRUNTS] 342 00:56:27,676 --> 00:56:29,050 [GROANS] 343 00:56:29,134 --> 00:56:31,134 [PANTING] 344 00:56:33,801 --> 00:56:35,509 [ROARS] 345 00:56:40,801 --> 00:56:43,134 [DRAGON ROARING] 346 00:56:56,092 --> 00:56:59,092 [♪♪♪] 347 00:57:11,925 --> 00:57:13,009 Dracarys. 348 00:57:17,467 --> 00:57:20,467 [♪♪♪] 349 00:58:04,134 --> 00:58:07,092 [♪♪♪] 350 00:58:14,259 --> 00:58:15,676 [DAENERYS GRUNTS] 351 00:59:08,843 --> 00:59:10,801 [♪♪♪] 352 00:59:12,217 --> 00:59:14,134 [PANTING] 353 00:59:43,467 --> 00:59:45,426 [WIND WHISTLING] 354 00:59:53,509 --> 00:59:56,134 [ALL GRUNTING] 355 01:00:39,426 --> 01:00:41,384 [♪♪♪] 356 01:00:55,259 --> 01:00:56,676 [JON YELLS] 357 01:01:21,551 --> 01:01:23,551 [WIGHTS RUSTLING] 358 01:01:27,134 --> 01:01:28,259 [GASPS] 359 01:01:29,884 --> 01:01:31,801 [SNARLING] 360 01:01:39,593 --> 01:01:41,593 [BABY CRYING] 361 01:01:49,718 --> 01:01:51,718 [PEOPLE SCREAMING] 362 01:01:56,884 --> 01:01:58,426 Come on! Come on! 363 01:02:00,593 --> 01:02:02,925 No! No, no, no! 364 01:02:21,551 --> 01:02:22,925 [GRUNTING] 365 01:02:39,050 --> 01:02:41,967 [♪♪♪] 366 01:02:52,801 --> 01:02:55,175 -Bran! DAENERYS: Go! 367 01:03:00,301 --> 01:03:02,342 [WIGHTS SNARLING] [DROGON ROARING] 368 01:03:27,467 --> 01:03:29,426 [DROGON SCREECHES] 369 01:03:44,634 --> 01:03:45,718 [GRUNTS] 370 01:04:03,551 --> 01:04:04,509 [WHIMPERS] 371 01:04:17,634 --> 01:04:20,593 [♪♪♪] 372 01:04:37,593 --> 01:04:39,718 [YELLING INDISTINCTLY] 373 01:04:40,593 --> 01:04:41,593 [GRUNTS] 374 01:04:42,426 --> 01:04:44,259 [SAMWELL SCREAMING] 375 01:05:22,301 --> 01:05:24,301 [HISSING AND SNARLING] 376 01:05:53,009 --> 01:05:54,342 [YELLS] 377 01:06:19,551 --> 01:06:21,259 [SCREAMING] 378 01:06:37,884 --> 01:06:39,884 [PANTING] 379 01:07:02,092 --> 01:07:04,092 [♪♪♪] 380 01:07:28,467 --> 01:07:29,593 [EXHALES SHARPLY] 381 01:07:34,967 --> 01:07:36,426 [DRAGON ROARS] 382 01:07:46,967 --> 01:07:48,134 [GRUNTS] 383 01:08:13,134 --> 01:08:14,175 Jorah! 384 01:08:48,426 --> 01:08:50,342 [ROARING] 385 01:08:53,676 --> 01:08:54,843 [GRUNTS] 386 01:09:45,259 --> 01:09:46,509 [YELLS] 387 01:09:46,593 --> 01:09:48,551 [SNIFFLING] 388 01:10:13,342 --> 01:10:14,259 [GASPS] 389 01:10:59,759 --> 01:11:00,925 BRAN: Theon. 390 01:11:12,759 --> 01:11:14,301 You're a good man. 391 01:11:20,342 --> 01:11:21,342 Thank you. 392 01:11:56,384 --> 01:11:58,718 [YELLING] 393 01:12:15,050 --> 01:12:16,175 [GRUNTING] 394 01:13:34,551 --> 01:13:35,634 [GRUNTS] 395 01:14:12,676 --> 01:14:14,509 [VISERION ROARS] 396 01:15:25,092 --> 01:15:26,801 [YELLS] 397 01:15:38,801 --> 01:15:40,050 [YELLS] 398 01:15:46,843 --> 01:15:47,967 [GRUNTS] 399 01:15:53,593 --> 01:15:55,050 [GASPS] 400 01:16:09,175 --> 01:16:12,801 [♪♪♪] 401 01:16:45,175 --> 01:16:46,843 I'm hurt. 402 01:17:22,050 --> 01:17:25,050 [♪♪♪] 403 01:17:41,551 --> 01:17:42,884 [SOBBING] 404 01:18:13,259 --> 01:18:15,259 [GROWLING SOFTLY] 405 01:20:04,509 --> 01:20:07,551 [♪♪♪] 406 01:21:16,259 --> 01:21:18,551 (FIRE CRACKLING) 407 01:21:21,884 --> 01:21:24,092 ♪ (DRAMATIC MUSIC PLAYS) ♪ 408 01:21:25,217 --> 01:21:27,301 DAENERYS TARGARYEN: We have won the Great War. 409 01:21:29,134 --> 01:21:30,718 Now, we will win the last war. 410 01:21:30,801 --> 01:21:31,718 (CHEERING) 411 01:21:31,801 --> 01:21:34,426 ♪ (MUSIC INTENSIFIES) ♪ 412 01:21:38,718 --> 01:21:40,801 DAENERYS: We'll rip her out root and stem. 413 01:21:46,509 --> 01:21:49,134 -(WHIMPERS) -MAN: Mind out! 414 01:21:51,467 --> 01:21:52,384 Move. 415 01:21:52,718 --> 01:21:54,967 We've been building towards this for so long now. 416 01:21:55,050 --> 01:21:56,884 You think back to the very beginning 417 01:21:56,967 --> 01:21:58,175 of the very first episode, 418 01:21:58,467 --> 01:22:01,718 and it's beyond the Wall where the White Walkers are stalking. 419 01:22:01,801 --> 01:22:02,801 They're a group of rangers. 420 01:22:03,217 --> 01:22:05,426 So, this is the culmination of one of the key storylines 421 01:22:05,509 --> 01:22:06,801 in-- in the whole show. 422 01:22:07,718 --> 01:22:09,259 And this is for everything. 423 01:22:09,593 --> 01:22:11,259 We've been talking for a long time, 424 01:22:11,342 --> 01:22:13,759 how Night King's forces have been growing in power, 425 01:22:13,843 --> 01:22:15,217 and most of the living have been kind of 426 01:22:15,301 --> 01:22:18,175 openly disdainful of the threat, and now there's no choice 427 01:22:18,259 --> 01:22:19,050 but to fight it. 428 01:22:19,134 --> 01:22:21,884 ♪ (DRAMATIC MUSIC PLAYING) ♪ 429 01:22:24,759 --> 01:22:25,843 DAVID BENIOFF: I really love the way 430 01:22:25,925 --> 01:22:27,718 the first ten minutes or so plays out, 431 01:22:27,801 --> 01:22:29,050 because there's so much tension 432 01:22:29,134 --> 01:22:31,593 before there's any encounter with the enemy. 433 01:22:31,676 --> 01:22:32,759 BOY: Come on! 434 01:22:32,843 --> 01:22:34,092 (INDISTINCT SHOUTING) 435 01:22:34,301 --> 01:22:36,259 BENIOFF: You know, as much as they try to conceal it, 436 01:22:36,342 --> 01:22:38,759 people are terrified, because this is... 437 01:22:38,843 --> 01:22:40,467 this is death coming for them. 438 01:22:40,551 --> 01:22:42,718 You know, so much of it is just kind of, on one hand, 439 01:22:42,801 --> 01:22:44,426 setting the mood for the episode, 440 01:22:44,509 --> 01:22:46,759 and the other hand, showing us where these characters are gonna be. 441 01:22:46,843 --> 01:22:49,050 The entire episode takes place in Winterfell. 442 01:22:49,134 --> 01:22:52,259 And you have 19 or 20 characters all involved 443 01:22:52,342 --> 01:22:54,217 in a very chaotic situation, 444 01:22:54,301 --> 01:22:57,884 that needs many, many locations to service it. 445 01:23:01,551 --> 01:23:03,967 BENIOFF: Because it's such a long battle in this episode, 446 01:23:04,050 --> 01:23:06,301 it's important that we feel the ebb and flow. 447 01:23:06,384 --> 01:23:07,884 And so, there are moments when you think things 448 01:23:07,967 --> 01:23:09,551 are going a little bit better for the living. 449 01:23:09,634 --> 01:23:10,843 Tell them to lift their swords. 450 01:23:11,384 --> 01:23:15,676 We felt like it was important to have that moment of hope, 451 01:23:15,759 --> 01:23:18,426 when Mel comes in and lights up their arakh, 452 01:23:18,884 --> 01:23:20,759 and they all ride off into battle. 453 01:23:20,843 --> 01:23:23,050 (SPEAKS VALYRIAN) 454 01:23:26,175 --> 01:23:27,342 (SOLDIERS GASP) 455 01:23:27,718 --> 01:23:29,467 (INDISTINCT SHOUTING) 456 01:23:29,551 --> 01:23:31,217 D.B. WEISS: We wanted our characters to feel, like, 457 01:23:31,301 --> 01:23:33,050 that this-- maybe this is all gonna work out, 458 01:23:33,134 --> 01:23:34,426 maybe things are all gonna be okay. 459 01:23:34,967 --> 01:23:38,967 We've seen how devastating a Dothraki charge can be just with their regular swords, 460 01:23:39,050 --> 01:23:40,843 and now when they're galloping into combat 461 01:23:40,925 --> 01:23:42,967 with, uh, flaming arakhs, it's-- it's-- 462 01:23:43,050 --> 01:23:45,342 Uh... What could possibly stand against that? 463 01:23:45,426 --> 01:23:47,259 (HORSE WHINNIES) 464 01:23:48,718 --> 01:23:50,050 BENIOFF: What they see is just 465 01:23:50,134 --> 01:23:52,134 the end of the Dothraki, essentially. 466 01:23:53,009 --> 01:23:54,801 WEISS: They have a plan, and it's important 467 01:23:54,884 --> 01:23:57,092 to wait for the Night King to reveal himself, 468 01:23:57,175 --> 01:23:59,426 and then have two dragons against one dragon, 469 01:23:59,509 --> 01:24:01,925 and a really good chance of-- of defeating him. 470 01:24:02,009 --> 01:24:03,467 One thing that they couldn't have foreseen 471 01:24:03,551 --> 01:24:07,342 was Daeny's reaction to seeing the Dothraki decimated. 472 01:24:07,426 --> 01:24:10,426 Jon is the person who wants to stick to the plan, 473 01:24:10,509 --> 01:24:11,843 but the Dothraki are not Jon's; 474 01:24:11,925 --> 01:24:13,801 they're not loyal to Jon, they're loyal to Daeny, 475 01:24:13,884 --> 01:24:18,009 and I think that Daeny can't bring herself to just watch them die, 476 01:24:18,092 --> 01:24:20,925 and so the plan starts to fall apart 477 01:24:21,009 --> 01:24:23,426 the second she gets on her dragon, 478 01:24:23,509 --> 01:24:26,676 so he does too, and then we take it from there. 479 01:24:26,759 --> 01:24:29,843 ♪ (TENSE MUSIC PLAYING) ♪ 480 01:24:38,217 --> 01:24:40,175 (SNARLING) 481 01:24:40,384 --> 01:24:43,384 BENIOFF: We knew this episode was gonna be almost entirely battle, 482 01:24:43,467 --> 01:24:45,843 and that can get really boring really quickly. 483 01:24:45,925 --> 01:24:48,925 You can watch it for a certain number of minutes 484 01:24:49,009 --> 01:24:51,384 before the effect starts to dampen. 485 01:24:51,467 --> 01:24:54,050 Part of it was making sure that we really stayed focused on the characters, 486 01:24:54,134 --> 01:24:56,925 and so whether it's Arya's storyline, 487 01:24:57,009 --> 01:24:59,426 or Sansa and Tyrion down the crypt, 488 01:24:59,509 --> 01:25:02,759 or Jon Snow and Daeny up on the dragons. 489 01:25:02,843 --> 01:25:05,384 Kinda like all these separate little battles within the... 490 01:25:05,467 --> 01:25:06,718 within the greater battle. 491 01:25:07,342 --> 01:25:09,634 -(SWORDS CLANKING) -(SNARLING) 492 01:25:10,593 --> 01:25:13,718 Lyanna Mormont was supposed to be a one-scene character, 493 01:25:13,801 --> 01:25:15,301 and then we met Bella Ramsay, 494 01:25:15,384 --> 01:25:19,009 and we realized that we would not be doing our jobs 495 01:25:19,092 --> 01:25:21,342 if we kept her as a one-scene character. 496 01:25:21,551 --> 01:25:24,593 My mother wasn't a great beauty or any other kind of beauty. 497 01:25:24,843 --> 01:25:26,259 She was a great warrior, though. 498 01:25:26,342 --> 01:25:28,509 She died fighting for your brother, Robb. 499 01:25:29,092 --> 01:25:30,925 WEISS: We knew that you can't give a-- 500 01:25:31,009 --> 01:25:34,009 a big death to everybody who dies in this battle, 501 01:25:34,092 --> 01:25:36,759 'cause it would've-- It just would've been too much, 502 01:25:36,843 --> 01:25:38,342 but there-- Also, if she were to die, 503 01:25:38,426 --> 01:25:42,050 there was no way to-- to not make a moment of it, so... 504 01:25:42,301 --> 01:25:44,884 that's where the zombie giant comes in. 505 01:25:46,301 --> 01:25:49,843 It just did add a whole level of complexity 506 01:25:49,925 --> 01:25:52,467 to that moment, that I'm sure a lot of people 507 01:25:52,551 --> 01:25:55,634 would've been okay with not having there, 508 01:25:55,718 --> 01:25:57,509 if we had demanded to cut it, 509 01:25:57,593 --> 01:26:00,092 but I think they also understood why we needed 510 01:26:00,175 --> 01:26:03,884 to give one of the strongest smaller people in the show 511 01:26:03,967 --> 01:26:06,050 a chance to go out taking down 512 01:26:06,134 --> 01:26:08,759 one of the strongest larger things we've, uh, 513 01:26:08,843 --> 01:26:10,050 we've ever seen in the show. 514 01:26:10,134 --> 01:26:13,676 -(LYANNA SCREAMS) -(ZOMBIE GIANT GROWLS) 515 01:26:20,718 --> 01:26:21,634 (ARYA SHRIEKS) 516 01:26:23,342 --> 01:26:26,009 WEISS: In any situation where people are fighting, 517 01:26:26,092 --> 01:26:27,759 Arya needs to play a central role, 518 01:26:27,843 --> 01:26:29,050 'cause she's one of the best at it, 519 01:26:29,134 --> 01:26:31,384 and she's one of the most fun to watch doing it. 520 01:26:31,467 --> 01:26:32,676 -(ARYA GRUNTS) -BENIOFF: Even for Arya, 521 01:26:32,759 --> 01:26:35,551 she can't take on a horde of wights by herself, 522 01:26:35,634 --> 01:26:37,676 and especially when her head gets smacked, 523 01:26:37,759 --> 01:26:39,009 she's no longer at 100 percent. 524 01:26:39,217 --> 01:26:41,467 It's just about survival at that point. 525 01:26:41,551 --> 01:26:44,175 WEISS: Otherwise, she's completely unstoppable, 526 01:26:44,259 --> 01:26:45,467 and she never loses her cool, 527 01:26:45,551 --> 01:26:47,843 and it's amazing, and it's a lot of fun to watch, 528 01:26:47,925 --> 01:26:49,718 but it's also-- it's one note, 529 01:26:49,801 --> 01:26:54,551 so we decided that almost rewinding the clock on who Arya Stark is 530 01:26:54,634 --> 01:26:58,925 to back before she became this sort of magical figure that she's become 531 01:26:59,009 --> 01:27:00,467 would really be interesting, 532 01:27:00,551 --> 01:27:02,509 and would also give us a chance to change up 533 01:27:02,593 --> 01:27:05,426 the nature of the story we were telling. 534 01:27:07,467 --> 01:27:09,676 We talked about Winterfell as kind of the home for the show, 535 01:27:09,759 --> 01:27:11,718 and, uh, one of the things that always struck us 536 01:27:11,801 --> 01:27:14,342 as a horrific aspect of this is that these hallways 537 01:27:14,426 --> 01:27:16,551 and rooms where we spent a lot of good times 538 01:27:16,634 --> 01:27:19,175 and-- and quiet times with characters that we care about, 539 01:27:19,259 --> 01:27:20,884 has now become a horror set, 540 01:27:20,967 --> 01:27:23,759 because it's been invaded by undead soldiers. 541 01:27:24,676 --> 01:27:25,925 (SNARLS) 542 01:27:26,009 --> 01:27:27,217 WEISS: Before that point, 543 01:27:27,301 --> 01:27:29,426 there's sort of an agoraphobia to the whole thing 544 01:27:29,509 --> 01:27:32,175 where you have this giant wide-open space 545 01:27:32,259 --> 01:27:36,009 and everywhere you look you-- there's something 546 01:27:36,092 --> 01:27:37,467 that could be coming to kill you. 547 01:27:37,551 --> 01:27:39,884 Once you get inside Winterfell, everything contracts, 548 01:27:39,967 --> 01:27:43,342 and the-- the walls literally start to close in around you, 549 01:27:43,426 --> 01:27:45,259 and something is there in the dark with you, 550 01:27:45,342 --> 01:27:47,259 but you don't know exactly where it is. 551 01:27:47,342 --> 01:27:49,092 And we thought that the pace change 552 01:27:49,175 --> 01:27:51,050 and the tonal change was really important 553 01:27:51,342 --> 01:27:54,009 to have that in this episode, 554 01:27:54,092 --> 01:27:56,175 otherwise the episode would start to feel... 555 01:27:56,509 --> 01:27:58,342 would start to feel monotonous. 556 01:28:01,551 --> 01:28:02,801 Dracarys. 557 01:28:03,009 --> 01:28:04,259 WEISS: We thought it was important that, 558 01:28:04,342 --> 01:28:07,384 whatever the plan was, that it not just work out, 559 01:28:07,467 --> 01:28:09,259 'cause that would be kind of dull. 560 01:28:09,342 --> 01:28:11,634 While there's no reason to know for certain that 561 01:28:11,718 --> 01:28:14,884 the fire wouldn't kill or destroy the Night King, 562 01:28:14,967 --> 01:28:17,801 there's also no particular reason to believe that it would. 563 01:28:18,009 --> 01:28:20,342 And then, a few moments after this happens, 564 01:28:20,509 --> 01:28:22,467 the Night King brings them a whole new, 565 01:28:22,551 --> 01:28:26,134 larger undead problem by taking all of their own 566 01:28:26,217 --> 01:28:28,967 who have been killed in the course of this battle, 567 01:28:29,050 --> 01:28:30,676 and turning them into the enemy. 568 01:28:36,009 --> 01:28:38,301 BENIOFF: I mean, we talked about various endings for Jorah 569 01:28:38,384 --> 01:28:40,551 for a long time, but, you know, you think about Jorah, 570 01:28:40,634 --> 01:28:43,217 from the very first time we met him, he was with Daeny, 571 01:28:43,301 --> 01:28:46,050 and from that time, he's been mostly by her side. 572 01:28:46,134 --> 01:28:47,467 Part of Jorah's tragedy is 573 01:28:47,551 --> 01:28:50,175 that he was in love with a woman who couldn't love him back, 574 01:28:50,259 --> 01:28:52,259 but he's accepted that for quite a long time, 575 01:28:52,342 --> 01:28:54,342 at the same time he was going to fight for her 576 01:28:54,426 --> 01:28:56,634 as long as he could and as well as he could. 577 01:28:56,718 --> 01:29:00,509 There'd never been a moment where she more needed someone 578 01:29:00,593 --> 01:29:02,634 to fight to protect her than this moment. 579 01:29:02,718 --> 01:29:05,634 And if he could've chosen a way to die, 580 01:29:05,718 --> 01:29:07,634 this is how he would've chosen to die. 581 01:29:07,718 --> 01:29:12,634 So, it was something we thought would be powerful to give him. 582 01:29:13,175 --> 01:29:16,759 -(DAENERYS SOBS) -(DRAGON EXHALES) 583 01:29:19,676 --> 01:29:21,217 BENIOFF: The reason the Godswood was chosen 584 01:29:21,301 --> 01:29:22,967 is because it's such a source of power 585 01:29:23,050 --> 01:29:26,551 for those who believe in the old gods, and for Bran in particular, 586 01:29:26,634 --> 01:29:28,843 so we know the weirwood tree and the three-eyed raven 587 01:29:28,925 --> 01:29:30,342 have a very deep connection. 588 01:29:30,426 --> 01:29:32,843 That was always the location where Bran was going 589 01:29:32,925 --> 01:29:34,676 to be waiting for the Night King. 590 01:29:35,009 --> 01:29:36,259 I just want you to know... 591 01:29:38,092 --> 01:29:40,092 -the things I did-- -Everything you did 592 01:29:40,175 --> 01:29:41,634 brought you where you are now. 593 01:29:43,759 --> 01:29:44,801 Where you belong. 594 01:29:47,426 --> 01:29:48,259 Home. 595 01:29:48,593 --> 01:29:50,634 WEISS: It's not like the show is entirely about 596 01:29:50,718 --> 01:29:53,718 people redeeming themselves and then it's all over, 597 01:29:53,801 --> 01:29:55,884 but if you-- if the canvas is big enough, 598 01:29:55,967 --> 01:29:59,384 there are spaces for those redemptive moments. 599 01:29:59,467 --> 01:30:01,384 I think what was really important for Theon 600 01:30:01,467 --> 01:30:03,759 at the end was hearing that thank you from Bran, 601 01:30:03,843 --> 01:30:05,551 because Bran knows what's gonna happen. 602 01:30:05,634 --> 01:30:06,467 BRAN: Theon. 603 01:30:11,217 --> 01:30:12,593 You're a good man. 604 01:30:13,551 --> 01:30:14,342 Thank you. 605 01:30:14,801 --> 01:30:16,593 He knows he's dead, he knows he's not gonna be able 606 01:30:16,676 --> 01:30:19,342 to kill the Night King, but I think what's really heroic 607 01:30:19,426 --> 01:30:21,384 about his action is that we're all gonna die, 608 01:30:21,467 --> 01:30:23,384 and we know we're not gonna be able to defeat death at the end, 609 01:30:23,467 --> 01:30:25,967 but, you know, it's-- it's how you face those final moments, 610 01:30:26,050 --> 01:30:27,718 and he chooses to run straight at it, 611 01:30:27,801 --> 01:30:31,384 and I think he dies in a way that, um, makes us 612 01:30:31,467 --> 01:30:34,676 really proud of him and the journey he's gone through. 613 01:30:39,175 --> 01:30:41,593 -(ARYA SCREAMS) -BENIOFF: For-- 614 01:30:41,676 --> 01:30:43,634 God, I think it's probably three years now or something, 615 01:30:43,718 --> 01:30:46,092 we've known that it was gonna be Arya 616 01:30:46,175 --> 01:30:48,259 who delivers that-- that fatal blow. 617 01:30:48,342 --> 01:30:49,925 WEISS: She seemed like the best candidate, 618 01:30:50,009 --> 01:30:52,843 provided we weren't thinking about her in that moment. 619 01:30:52,925 --> 01:30:54,593 One of the great things about having this many people 620 01:30:54,676 --> 01:30:57,259 you care about in a sequence together 621 01:30:57,342 --> 01:30:59,301 is that it can kind of pull people's attention 622 01:30:59,384 --> 01:31:01,593 and focus to people that they care about a lot, 623 01:31:01,676 --> 01:31:04,593 like Jon, like Daeny, Theon, and Bran, 624 01:31:04,676 --> 01:31:06,634 not to mention Tyrion and Sansa in the crypt, 625 01:31:06,718 --> 01:31:07,843 so you're going all over the place 626 01:31:07,925 --> 01:31:09,759 with people who you're desperately worried for, 627 01:31:09,843 --> 01:31:13,426 and, uh, hopefully you forget about the fact that 628 01:31:13,509 --> 01:31:15,593 Arya Stark ran out of that castle 629 01:31:15,676 --> 01:31:16,884 with the battle drums playing, 630 01:31:16,967 --> 01:31:18,676 going towards some purpose, 631 01:31:18,759 --> 01:31:20,718 and we don't know what until it happens. 632 01:31:20,801 --> 01:31:22,634 BENIOFF: We hoped to kind of avoid the expected, 633 01:31:22,718 --> 01:31:24,467 and Jon Snow has always been the hero, 634 01:31:24,551 --> 01:31:25,967 the one who's been the savior, 635 01:31:26,050 --> 01:31:29,301 but it just didn't seem right to us, for this-- 636 01:31:29,384 --> 01:31:30,342 for this moment. 637 01:31:31,050 --> 01:31:33,301 We knew it had to be Valyrian steel, to the exact spot where 638 01:31:33,384 --> 01:31:37,301 the child of the forest put the dragonglass blade to create the Night King, 639 01:31:37,384 --> 01:31:40,967 and he is uncreated by the Valyrian steel. 640 01:31:41,050 --> 01:31:42,634 At the end of it, it's still-- 641 01:31:42,718 --> 01:31:45,718 It's a victory for the living, but at great cost, 642 01:31:45,801 --> 01:31:48,925 because some of our favorite characters fall along the way. 643 01:31:50,217 --> 01:31:51,467 WEISS: We knew from the beginning, 644 01:31:51,551 --> 01:31:54,634 once we'd handed the outline in, what we were in for. 645 01:31:54,718 --> 01:31:58,092 The director, Miguel Sapochnik, took what we were doing 646 01:31:58,175 --> 01:32:00,092 and defined this episode. 647 01:32:00,175 --> 01:32:02,467 Miguel did a tremendous amount of 648 01:32:02,551 --> 01:32:04,509 heroic heavy lifting on this front. 649 01:32:04,593 --> 01:32:06,509 He knew that if the planning wasn't there, 650 01:32:06,593 --> 01:32:10,009 we never would've ended up with the consistent excellence 651 01:32:10,092 --> 01:32:11,134 that he delivered. 652 01:32:11,217 --> 01:32:13,050 It is to their immense credit that-- 653 01:32:13,134 --> 01:32:14,967 not only that they endured it, um, 654 01:32:15,050 --> 01:32:18,467 but that they did such a great job the whole time they were there. 655 01:32:18,551 --> 01:32:21,718 WEISS: It's a real testament to the entire Belfast crew 656 01:32:21,801 --> 01:32:24,884 who gave us something that no amount of money could ever buy.