All language subtitles for Mister.Chocolat.2016.ITA-FRE.Bluray.720p.x264-CB01HD

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So, good. Yeah ... you're good.

Magnificent! I like very much.

But we can not feed a beast so at the time.

in the

Go easy, tell him I sent you. I'm sorry.

Let's go.

Georges! I look at you.

And do even more?

Yes. Juggling, acrobatics ... All you ...

All right. Come on, Georges, never mind.

in the

Yes, you've had your time, but ...

come on ... does not work. Nobody wants to see these things.

What you do is bleak, it is left, and ...
maybe makes children laugh, to say so.

This is the twentieth century, no? The groans want modern things, new ...

- And spectacular. - Yes, they pay and claim.

The circuses out there, they go elsewhere.

I am finished, then. I retire.

Keep searching. Come on!

I'm almost done. You saved me, thank you.

You're welcome. Delvaux has taken you?

Tergiversa. It irritates me. I think it will refuse.

I understand you.

With a career like yours ...

Can I sleep here tonight?

Tomorrow I go to Paris, I almost signed ...

Of course, old man. Here you are at home.

It's an idiot, Delvaux. He does not see who is good.

A round of applause for the wonderful,

the charming, delightful ...

Camille Pantani!

It's coming, ladies and gentlemen,

a strange representative, but I say strange.

An amazing representative of our species.

Brought here at the end of a very dangerous journey.

From the land of a thousand hills, from the country of the great apes,

the true missing link between those primates ... and us!

Shake hands with your children: here is the King Negro Kananga!

Kanangaè ... accompanied by Pasha.

His or her ... faithful chimp, nobody knows.

Both come from Africa,

but among them who better speak our language is not Iui.

It's the animal, ladies and gentlemen!

Dance, doll!

I read terrible anxiety in your eyes!

- It's his real leather? - No, that's the trick.

Teeth Kananga his neck are authentic and admired!

The ones you see Sonoi real teeth of his enemies.

And here pubblico gentile!

It's a man.

0 a woman?

Do you understand what I say?

It's a girl.

It does not say "woman" monkeys pearls.

Ah, Pasha? Good night. You did good.

So ... do you like the cannibal?

They sell more tickets, and I eat what I want.

It's the least. The show is you.

Have you ever been out to do something different?

- And why? I'm fine here. - My name is Georges Footit.

Maybe you know me, I'm a clown.

I look for someone comets. Someone to renew my number.

Looking for a black man? If you pay more, let's talk.

I am seeking a stuntman. A clown ... like shoulder.

You're a clown and looking for a clown?

Pasha, you heard? Search a clown, you interested?

Hey, Kananga. Come? There is the parade!

Afar afraid to children are all capable.

Take my place.

It will give you another ticket!

We will be here for you all Ie evenings at nine on Sunday morning!

There are still tickets available, say it well around.

And come back to see us, the artists await you!

Come on guys!

Well, anything.

- Do not you want to bet? - It's my turn.

How come you have a hedgehog in your pockets?

- I do not like to play. - You're stingy, Georges.

In all circuses that you've done, do not they have ever seen paying a ride.

- Is not it? - It is not fake.

Start praying, white faces.

- You've lost again! - Not even you.

Youth @ the

Shut your mouth, Marval. He knows what he does.

- The mail, negro. - It'll leave you in your underwear.

Better, so remember Africa.

Do not play with dice in Africa play at Ie bones of whites.

Deciditi, Kananga!

Play!

Do without me.

The next time you play Pasha in your place. Maybe you have more luck

- Wrong evening. - Comrades wrong.

- You are stubborn, right? - II My èfar working people laugh.

Lately it is more difficult, but the count may be different.

And how much is in your pocket I?

Rather than making the cannibal.

- Kananga is your real name? - Here they call me that.

Come on. Make me laugh.

- Here, you mean? - Yes now. Come on!

Stop. Stop, stop. Fermo!

You have a way of moving that I have never seen before, but I do not know exploit.

It goes all Ie parts ...

But he does not tell me anything.

- The circus companions laugh. - Yes, it's funny, but this is not enough.

Consider writing situations.

So I, as a viewer, I'm not involved.

And I'm bored.

Do you understand?

Here it is. This makes me laugh.

I speak to you as a professional, Kananga. Come.

Always create a surprise effect, a contrast

between what the public expects and what actually it happens, ah?

Georges!

Are you OK?

Yes I'm fine.

You are a clown white, right? - You are the august, the fool, the idiot.

Usually in the scene there is either the one or the other, never are together.

And will we turn?

No, my idea is precisely to put them together.

For the first time, they will recite in pairs.

Ie will be two sides of the same coin,

completely different, but inseparable.

Indissociabili?

US. I got it?

Ai

Do not move, I got it.

- Good morning gentlemen. - Good morning.

GNER Ananga! prego, GNER Ananga!

Here are the acrobats. Thus, another!

Here are the acrobats.

I'm sorry, George, just.

I just said, Georges! I am not convinced.

Here lack of ... of pace, lack of mastery and ...

Of everything. It lacks everything.

You turn track tonight with Pasha.

Delvaux, do not.

Please, Delvaux, did you see how it moves.

If you do not see what I see, changing profession!

Have not I said the opposite, you know that I see.

Maè you two together do not run.

Need news, are you that you tell me!

A pair of clowns, you'd be the first!

E
Hg

Theodore, do not waste any more time.

Just give us a chance ... a chance.

Theodore.

We'll work. We will find costumes, rhythm, acrobatics. You have nothing to lose.

And the public will decide.

On a big round of applause for the giant Landon!

II Iillipuziano Marval!

II Mr. Snake and Snake Lady with their offspring!

Hercules, the Chaldean which lifts 150 pounds, amazing, ladies and gentlemen.

And finally, Esmeralda, the greatest woman in the world!

And now, ladies and gentlemen, unusually for you tonight,

two clowns at the price of one!

You must always look at me.

It is I who the pace.

II duo Footit e Kananga!

You are welcome.

Signor Kananga!

Mr. Kananga! Please!

Mr. Kananga! They're calling!

The waiting.

Mr. Kananga? Come on!

Come on, wake up. Come on, move.

Ah, I understand.

Mr. Kananga ... please ... please ...

Please!

But I had already heard the first time!

A big round of applause, ladies and gentlemen,

for our world exclusive: Footit and Kananga!

- Georges, tonight we talk. - Bravo, Kananga.

You made me laugh, Kananga!

If you do as I say, you will hear applause all Ie evenings.

A
a n

'I I m}

- Where am I going? - You do couple with Marval.

And find me another name, Kananga is fine for a black man, not a clown.

Georges, think about it.

- It means that took us? - Now comes the hardest part.

I'm a clown! I'm a clown!

You're an artist!

I have never laughed so much. And you were too cute.

- Thank you, Camille! - Bravo, Kananga.

You hear that, Footit? I'm cute!

Thanks for the compliment.

Camille! Come!

No, no, no! The head that will not do! And it takes more body.

You must take the slap, so, you see? It must be true!

Agree?

- Bravo! - Bravo!

A triumph, a triumph, ladies and gentlemen,

for the famous, magnificent,

explosives, the fantastic and fabulous ...

Footit e Chocolat!

What is it?

Romeo and Juliet.

- Shakespeare. - Yes, he gave me Camille.

How do you like it?

I just started. It's difficult.

- So, what's your name? - Gustave.

How you write? With the ink, perhaps?

Thank you.

Here you put a Iineetta ... ascend on the "t" ...

and put the hyphen here.

Fatto. Cho-co-Iat.

Do you like?

What is your real name?

Because? You do not like Chocolat?

Yes, but ... And because Iui not called ...

Flour, or ... bedpan?

Ah, flour and chocolate ... do not mix well.

Now I have to go.

If you do not see me fall, they may fall here.

So? With your brother playing dice, he loves me.

I know you do not, Iui is worse than my father!

- Camille, do not leave me, I'm cold. - No, come on, I have to go.

Did not I have to teach me, the èfragile success.

Like all circuses, we are full of debts.

A little 'patience, is a matter of a few months,

Ia few weeks and the situation will be clearer.

It is obvious that if I make a full house even in the spring, then we'll talk.

You said I myself last month and even the one before.

But since we're here, you've doubled the takings.

Do not overdo it. You live better, that's all.

- Especially you. - What are you insinuating?

We reinvested all about you:

advertising, posters, convenience to the public, everything!

- Until the last cents ... - Forget it, Yvonne.

You do not understand this language. I will only can give the increase!

I would like to but I can not.

- Maybe ... - Maybe?

A couple of perte tickets.

Ah, since you're here, look. Tomorrow I will hang, hold, take it.

And You

At this point you could also change the name.

Circus Eat-Shit sounds even better.

- As? - Eat-shit.

You do not talk like a negro.

You can be circus and talk with their vocation.

Me and my partner we want seven francs a day.

- You are crazy? - Do you tease.

You decide, Delvaux. 0 Tomorrow morning we leave.

Yvonne. Theodore.

Are you sure it will be fine with Delvaux?

I know what I do.

But you ... Save it perte, otherwise it's over.

- It's not bad here, no? - Do not be stupid. I have other ambitions.

Circus-Eat shit!

- You made it. - Yes. But I have little time.

And how did you do?

I said I was too tired to take care of the horses.

Get up!

Next, still a little effort.

Standing there. So.

Good. Perfect.

Very well!

We make a small knot ... So I tightened.

So, please!

You are welcome. You are welcome.

Signor Chocolat. Signor Chocolat!

- And now I can do again. - You were not there a lot tonight.

Since when do you flirt with Camille, are not there a lot.

I like it, Camille. I love making love to her.

I do not care Camille. It's not her that will make us live.

The public is conquered night after night.

If you can not put all the people and I feel you IAFA pay. You understand it?

No. I do not understand.

In Uîefi

No, staseraè with his family. But tomorrow, yes!

Next!

Gentlemen. You can?

Yes ... Yes, yes, of course.

When they told me that a white clowns and one black man were performing together,

I thought it would take me around. Especially the famous Footit.

She had not used to this kind of end, my dear Georges.

But this time I was amazed.

Chocolate, ti presento Joseph OIIer. He directs a Parigi New Circus.

There is madness in your number. Of true originality.

And the numbers, you know, I see every day.

II white clown and the august that divide the scene. No, really...

- It's a great find. - Please, take a seat.

I will not take it long pearls. I have a proposition for you.

How about coming to work for me? In Paris.

A white and a black, is something that has not yet ever.

It will be a sure success. You have other numbers in addition to the ones I've seen?

_?. @

II our audience is demanding, it takes a great show.

Yes, of course. We always have a number more.

There needs to be some adjustment, but we are on track

Perfect. And I want to debut in Paris. I deal only exclusive.

So what do you think, dear Georges?

I do not tell me that I have come a long way for nothing, right?

Then? What do you think, dear Georges?

He does not tell me she has come a long way for nothing?

Evmta 'You

of the

Here's what I propose. AI month, and renewable.

With room and board, of course.

Gentlemen, Paris awaits you.

Hello.

EÈÈ
a

Very? Very?

Paris!

I settle and let you come.

We will see.

I promise you. I'll buy nice clothes. Sarai Ia Queen of Paris!

Camille!

And please. Do not say anything, and then one day: "Hello, baby."

I too, I urge you: do not belong to Mr. Footit.

We are inseparable, and I Farina. The two sides of a coin.

- You will write? - Yes, of course.

- Goodbye, artist! - Hello, Chocolat.

- Have a good trip. - Let us come to Paris.

- Do not forget about us. - Hello, Footit.

All Paris is waiting for you!

Believe me, you do not regret it for a long.

II coal. Who wants to coal?

This city already makes me mad.

Goodmorning Sir.

M?
a

- Very well. - Good. Follow me.

I'm very picky about punctuality, I know all.

The show starts at 20:30 precise. AIIE 14:30 Ie matinees.

Considering your entry order, you will be in the dressing room at 20 in the evening

and pearls matinee at the latest at 14.

Do not you move until Mr. Fergus, the director, is not looking for you.

If you are not ready, if you are missing an accessory or makeup is not perfect,

the least thing, Mr. Fergus me I noted, and is either a fine or the door.

Ah, I know I and the provincial circuses habits,

but here when I show ends, it demands that all come out to say hello.

And I mean everyone, is that clear? And soon after, meet your audience.

- Not even on this are discussed. - Good evening, Mr. OIIer.

Good evening ... Good evening.

Ah, awiso Ia costume designer who pass by Iei after I show.

For tonight we have no choice, never your costumes are not acceptable.

Good. And finally, I hope you're ready,

because here, or all or nothing, no second chances.

EH You

Fifteen hundred people ... make noise. I'm confident.

I leave in the hands of Mr. Fergus.

In the scene in three minutes.

I do not.

Look, too, is gorgeous. There's high society, here.

A good audience is clapping at the end. Concentrated.

Hello, Georges.

And so you're back in Paris.

Hello, Ortis. Yes, as you see.

- And do not you introduce us? - Chocolat, my partner.

Ortis and Green, the most famous duo of eccentric Paris.

To serve you.

Then "shit!" A lot of shit.

Sunday is never a good audience.

Make calm your gorilla.

Gentlemen. It's up to you.

Atchichibum! Atchichibum!

Atchichibum! Atchichibum!

Chi è is? Chi è is?

Signor Chocolat?

That black fifa, in the dark.

Chi è is? Chi è is?

I know that there is someone, Mr. Chocolat!

She is here. Yes, yes, she's here!

Yes. I know it well!

- Health, friend. - Thank you.

Where is he gone? Where is he gone?

Footit!

- But what happened was ...
- Footit!

This is

Oh really?

... No No, Vi Prego, No.

- After you. - With pleasure.

- But please. - How kind.

- Cordially. - Condolence.

Mr. Chocolat, she ètalmente nice ...

- Really? - I'll make a beautiful portrait.

How kind.

- Mr. Footit? - What's up?

I'm going to fall!

AAspetutn
a

- Do not look down. - Too late!

- Do not move! - I will not move.

Guardi. I think it is ... it is ...

There! Now I like more.

So, this scene is Louis Pasteur,

who he discovered in 1885 the vaccine against rabies.

Ready for the picture?

Thank you.

Hey, it Chocolat!

Paul, Paul. Paul, fermo.

- Where Footit? - There are differences between you?

Nienfaffatto. Georges was detained by other commitments and actually apologizes.

And gfifisîaîu

Good morning. What's your name?

- Paul. - Paul?

Like Paul North?

And ... as you call your next issue?

II next issue is William Tell. A distant cousin in Switzerland.

- But ... far less beautiful than me. - Who created it, she or Footit?

How do you respond to those who do not believe able to write a number?

It looks like I'm not even able to make people laugh!

I thought where I worked before, to Delvaux Circus.

The eeneseetue? the

You, perhaps?

Fialflfiîìîfl

It is said that you are the victim of harassment at the Nouveau Cirque.

It is just innocent jokes. Ah, no malice

fitaî
a

- True, Chocolat? - That's right.

Come on.

- Why do not I stay? - It's not here for that.

Mm pedageg
E

It is said that Iei you love the game, and that every night lost substantial sums.

Are not you afraid one day to find himself with nothing?

When you come from below, not from above falls. True, miss?

True, Miss Pedagogy?

- Do not you think you're exaggerating? - To whom do boredom?

- Do not be surprised then if Ia people notice you. - Not expecting the car to do it.

On, at work. We have to finish William Tell.

- You have to work on falls. - No, I do not want to break my bones Ie.

If you do improve more, follow the posted ...

II my fans following me already.

Come on, let's have a glass.

Why do not you ever laugh?

- I laugh in the head. - But you do not like anything.

I do not like what they like ate.

Agree. And what do you like? Speaks, I listen.

Ie not love cards, do not love the nuts, you do not like to eat, drink I understand,

but you do not like going out with women! Or maybe yes?

You have a girlfriend? Much better, I'm happy for you.

And with the money, Georges? What are you doing?

- Okay, you're done? - Dress up always in the same way.

As Ii spend, tell me! You have a secret family?

Ah, yes, I understand. Keep a group of old clowns retired. And so?

Bravo!

They are waiting for you. Follow me.

- Bravo! - Bravo!

I'll be back in a minute.

Ah, the famous star.

II Course says that Iei you can trust.

This is enough?

[Ka

Bene, signor Costantine.

If you tip?

But we will spend the whole day so Ia?

Until they monopolize the whole track, not that we can do much.

You see, I insert here the film, in fact in the box, and then ...

the fixed and at this point we're ready.

And your clown will be on film and tomorrow, day after tomorrow,

in ten years Ii can review.

In a bit 'you tell me this little box will replace the variety.

Ah, is not its function, but it is an attraction that will, over time,

interest an audience that wants to novelty.

We do our number in front of the canvas.

We must not intrude.

- Play a lot? - Lost a lot.

This lousy knob.

If there is too much light, it is all white. And if it is little, is all black.

And I see no black on black!

- Louis, let's start. - Perfect.

Gentlemen, get in position.

- Let the appliance? - No, it's not necessary.

Do your number ... as if you were in front of the public.

Forget about us. Know claw machine does a hell of noise.

You will see it. But this is not felt at the screening.

Ah, give me ...

Gentlemen, we're shooting. Action, action!

It is a real number of clowns.

- Oh, stop, stop, stop. - You went out.

Come back, come over in here. Next.

- Now I make him pay. - No. Who?

- Leave me! - A Ortis? A Green? A Manetti?

Atutto the circus? So we will lose everything.

SUMMER a

We cause, we have success. We bother, it's normal.

Who bothers?

I wrote to you I was coming. Why you did not answer me?

Ie you do not even open.

I did two days by train.

I told everyone that I would not come back.

- For those who have taken me? - You know, this is not always easy for Iui.

Camille...

But...

And what is it?

What is it? What is it?

What, mmm?

But no! My apple!

Where is my apple?

Qfignè q
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'h
'h
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What do you want?

What's up? Where is my apple? Where did you put it? I want my apple!

My apple! I want it back ...

Thank you.

EE Afifl

Please, for an autograph.

Good morning. Remember? We met at the museum.

Pedagogy Miss. He led other children?

Ah yes, but thank God they are in good shape.

My apple! Where is my apple?

Eugene and Suzanne. They are my children.

Good morning.

Nfimafiu
a

- And the father does not like the circus? - Ah, yes, very. Very.

But he died.

He would agree to come and perform in a hospital?

- Why a hospital? - I'm a nurse.

I take care of sick children.

You might bring them a little ' of ... of joy.

Rawivare their day

And since it would be difficult for me to make them move all ...

Miss, have our word. There we are. Eh, Georges?

Yes why not?

- She is the clown Chocolat? - Yes, you want an autograph?

identity check. Full name and date of birth.

Excuse me, all I know. Talk to the manager.

I do not I know. I need a document.

They are authorized to work on the Nouveau Cirque.

Yes, but that's not what we asked for.

Èfifl

- It has the documents? - Yes. I'm in the dressing room.

He has not Ii, though.

Now we test, and if all goes well I will report.

Do not get smart.

So it hurts!

Sali.

- Do not worry, I will take care of it. - Please, Georges.

As the

I am the clown. The clown Chocolat.

Up, stripped.

Sbiancatemelo!

Enough! Enough!

He likes!

Harder.

Harder!

Did you see? We tried.

But a Negro remains a Negro. You can not credeni those who are not.

Give him back his clothes.

Tahitian, shut your mouth or I'll have the same.

Haitian bastard.

Oh yes.

You are what you do every night to kick ass by a white.

What makes you laugh uptown.

Here you do not laugh, though.

Go to sleep. Here is the only relief.

Has anyone been to me?

They're waiting, I perform all Ie evenings.

Work on the Nouveau Cirque.

Another, please.

Thank you.

Are you leaving already? We have not even presented.

I have to go. The work ...

You say with an air ... What do you do?

II clown.

I do the greek-Roman wrestling. Want to see my grip?

- What makes us one comet here? - Intent sowersivi.

My political ideas did not please everyone.

- And you go to jail for that? - You die for this.

- And you know why you're inside? - I do not have documents.

- I have no identity. - And you dare you live?

That is the question.

II Your success is an insult to all white.

[ljmfl
H

A black man is tamed.

It was a different era. We were not free.

Ie here with their beautiful words make you believe that we are all equal.

Paris "City of Lights" is a lie. Never expect anything from them.

We must defend ourselves, fists and teeth.

And make him the war, brother ... until the end.

I'm not a soldier, I do not make war.

You like to whites because Ii reassuring.

They laugh all the Negro Ie evenings you kicking,

and he smiles to all teeth.

I also do another.

I do pantomime, I interpret the characters, I move and I dance.

- I am an artist. - This is not the artist.

A true artist opens a breach. A true artist gives the example.

Bring him out.

- Leave him, cursed dogs! - Stop! Leave me!

Victor! Victor! Leave me!

Victor! Leave me!

Where is my apple, Mr. Chocolat?

I feel dirty, Georges.

Here. It is the attestation of OIIer, we èfatto guarantor for you.

With this you have nothing to fear now.

He has been busy. A week without us it was tough.

A third fewer spectators.

It was Mrs. Delvaux to denounce you.

It's tough eh? It's hard.

- I understand. - Male ...

So...

One...

And then two ...

So ... three!

Here. Take a sip of this.

It is best to alcohol. But it is more expensive.

- What? - And Iaudano.

- How come? - Fifty.

Go easy.

in the

It remains. This morning there arrived two new.

Get Them!

If you are dry, old, gives way.

This'll just, "old man"?

Hey, it begins to be very ...

- I'll leave the car as collateral. - Look who is already committed.

Shit!

Lend me some money.

We hope soon to spread the brand Félix Potin in the province.

It was the desire of my father.

And my colleagues have been thinking about you.

Èformidabile!

@@U
EH

It is the first time we sign a contract with such a big circus artists.

- Usually we work with actors. - They have less notoriety.

Afifim
a

Well, Ii will place anywhere!

Kiosks, use of billboards, posters.

It will be hard not to notice.

- Good. - Georges?

Good. Very well.

Well ... we all agree.

II good negro subdued takes kicks smiling.

Yes, this really like people.

Make me an attraction, a fairground animal ...

- No, look at that ... - And because I designed it?

It might look like? It's me? And my face?

He looks, he acknowledges. But not me!

We were inspired by Toulouse Lautrec's paintings in which she.

They are the current stereotypes.

The image that people get the ... people like you, people of color.

II Mr. Potin is right.

Even Légitimus deputy Ia caricature,

It is part of public life. She èfamoso, Chocolat!

G ...

and your popularity, there is no reason to have you.

Especially at this price.

Georges, a contract like this does not refuse.

For the circus artists is unprecedented!

I'll kick your ass all night Ie.

He never complains.

- Allowing? - You are welcome.

And if we did ... so?

Chocolat would seem to jump for joy on his behalf.

- How about? - Yes, well, you can do it.

And for the Georges contract?

Mdìfltè
a

- Georges? - Apparently it's not me who decides.

Chocolate?

Raise up a human form of my face.

Resta with me!

Resta with me!

- Will you show me the 'design? - It is not perte. And for Iui.

I feared Ie reactions.

Children or of his colleagues, always ready to criticize Ia minimum initiative?

A bit 'of both, Marie.

Shall we? I have some new ideas for William Tell.

I'm fine, leave me alone.

Lady

I am convinced that Ia laughter therapy can serve some purpose.

Laughing can not hurt.

How to blame her.

- Check first! - Kids, wait!

- Is this the car? - Yes, I guessed.

The minutes

She has a huge talent. Hospital are all crazy about Iei.

I never saw the professor laugh so much.

I love his smile. The enlightening the eyes.

Where are the children?

What you see here are the most primitive savages discovered to date.

You can watch them without fear, Mae advised not to approach.

Come down here, you!

- Why, Mom? - I told you to stay beside me.

in the

Absolutely not.

The valiant colonial troops took months

to approach them and make them tame.

Our civilizing mission in Ioro comparisons is just beginning.

Do not let's stay here. Come.

Come on, kids, come.

I remind you that you signed a contract and you are obligated to arrive on time.

What is Iatua excuse today?

I'm talking about!

We are two! You understand it?

When you arrive late, I'm late!

When you make a mistake, you put me in trouble.

And when the pay, you're you ...
that pocketing twice.

On each réclame, each performance. twice the negro II.

How much did you get for Potin, without even being on the poster?

I'm not on that poster because someone I was degrading.

Because you want all perte, yes! But you have a short memory, my friend.

The Delvaux, Kananga ... who did you come to look for when you were a phenomenon to be ...

A wild? Rest a nigger! Even with documents.

[limiafim

Then where? Where is the difference with Delvaux?

Ma è through! É through! É through, through, through! Non Vedi?

You created me, is that it? I owe everything?

Of course! Look and look at me: what is the difference?

The only clown here I am!

You're not a stuntman, one who takes slaps.

What else can you do? Do not ever work your numbers, you're lazy!

I always I will manage.

You, without me you are nothing, you're finished.

Signor Chocolat!

Come back here, Mr. Chocolat!

Come on, do not try the patience of a poor geisha.

Tornate that! Arigato, Chocolate.

Signor Chocolat?

I have to go.

Finally.

Fermatevi is! Is, is, is, is, is ... is!

Arigato!

E no!

She Eun fool, Mr. Chocolat. I've had enough.

A monkey would understand more quickly than him!

And now a nice bow! I spank your bottom.

Lower.

I do not finish?

You want me to tell you I?

It has a great fear of losing you, Footit.

Without his shoulder, his favorite victim, again becomes trivial.

- Trivial to die. - You can not understand.

When I met him, he was already a great clown.

It was his idea of the duo.

It gave me a chance, he fought for me.

So what are you complaining? Respect your boss.

You have become an expression. You have it in your bones.

Sei Chocolate.

I have no masters, Victor.

My father had it, but I do not.

Romeo and Juliet. I read it three times.

I could recite. What do you think about it?

Do not be offended, but Romeo and Juliet is not for blacks.

It is an operetta, brother. bourgeois romanticism.

- But they die at the end. - Everyone dies in the end.

Here, read it. Othello.

Black goat for some, Prince Moor of Venice for others.

He fought white pear, married their women,

He believes that he deserved Ia their estimate on the battlefield.

The fate I punished for his great ingenuity.

Mm-ntuerpret act Dm

Be the first who, brother. Then you'll be an artist

Then you will be respected.

Here, by a shot.

Listen to me. This...

of the

Now they want them. The gooks, the latest invention of OIIer.

Are exotic, it seems. Tomorrow will be the mestizos to rule the roost here.

At least you've shown your worth.

You're a good nigger.

How old are they? Three or four who get kicks aII night?

And not enough.

After all you had ... misjudged.

You're really good.

- Chocolate! - Chocolate!

Stop them. Stop!

Ortis!

Separateli!

Fermi!

Did you break your nose, but will recover. I am not upset about this.

- You have the whole crew against. - I do not care.

He does not act as the victim, the dumb nigger. Thats enough.

And I will no longer Footit the shoulder.

Chocolat, no one minimizes your talent.

- What's My Name? - What do you mean what's your name?

The true name, that of birth.

He sees it?

I want to do theater, Mr. OIIer. I want to be taken seriously.

Thing?

You complain to me not to be taken seriously?

A @ = heeelat?

Have you forgotten?

From that Ierciume, from slime that I pulled you out?

Who respected you? Who took you seriously? Never anyone!

It was exploited like an animal, like your parents before you.

Rfim
a

but Umtafifl

Listen.

Dm
(Èaì,

ÎMQÈE

Today is longer laughing as before.

A
elappertnutntne

cinema, advertising, toys.

I have requests for you to Bon Marche, Michelin, even a board game.

You realize?

Do not give up everything for a header.

They have

because a white gives it kicks your ass every night.

I do not know if I would accept in another guise.

I'm not ready to see you as an actor.

- Well? - Anything.

- It gave me a fine. - You did well, though I deserved.

You're a real clown, Chocolat. Everybody knows.

Thank you.

How has ever come here?

Do you forgive me. It's late, but I did not know where ...

Come, but not make any noise. The children are sleeping.

Try not to move, I'm almost done.

AEmÌ
a

On stage, it means? Without Footit?

It should not make account. You are free to choose.

It is free ... to become a sinister character, if you feel like it.

Wîfim

By the buzz, no Ie Ie sorry kissing women.

This is different.

She is a nurse,

is the widow of a doctor,

and it is beautiful. Beautiful as the sun.

Thank you.

- And the children? - They sleep like rocks.

in the

I did Ia crossing with a Spaniard.

He had bought for her mother's farm in Bilbao.

Alone? Without family?

My parents were happy. It was before the war.

So I could leave the country.

Allafattoria, his children were violent with me, were crazy.

So they fled.

I did the porter, the miner, the port.

Then some guy found me on the street, got into a fight.

ME
a

And when I discovered the circus, it was all beautiful.

Also making the cannibal.

Era facile...

Madeleine came yesterday evening. Tuberculosis.

We'll have to put it into isolation.

Ciao, Madeleine.

I introduce you to one person.

È loss.

II Mr. and Mrs. Gémier, the Jeanne parents coming out tomorrow.

They wanted to thank you.

- Ciao, Jeanne.
- Ciao, Chocolat.

- Lady. - Lord.

- Good morning. - Good morning.

I admire his dedication Ia. The artists we had not used atanto altruism.

II Mr. Gémier directs the Theatre Antoine, near the Porte Saint-Martin.

in the

I told him that you are no longer happy with the Nouveau Cirque.

If she leaves, 0ller will eat my hat.

It will be a huge hole.

Marie told me that ... would like to do theater.

- Did he say that? - Yes, it was wrong?

No no.

- What kind of theater? - Shakespeare.

You damn ... Iei no half measures.

- And ... as the work of Shakespeare? - The only written for a black.

However, as the liver. She really liver.

It has never been played by a black actor. At least in France.

They are always white and wear makeup face.

Would restore the truth of the character.

Anyway kindled Ie lights on my theater.

Shakespeare and I know each other well.

And we appreciate.

We hang out for years now and Othello is even simpler.

Who could interpret it, in France, with equal realism?

Signor Chocolat,

is to take its nice slap.

Now I'll do!

Yeah, Mr. Footit. You are not dreaming!

You see? Even otherwise works.

It's over, Georges.

Bravo!

Othello takes Desdemona, loves her passionately.

But Ia kills. They are doomed from the start.

They can not be together in a white world.

The fundamental point is the failure of Othello

in becoming a man like other men.

Yes, absolutely. I think like her.

Listen. I present the company with my clown name.

Chocolat is for the circus. I would prefer Rafael Padilla.

- Is your real name? - What I had before.

Good. Yup.

Although for posters, Chocolat sells more.

Also on the posters. I leave you to Chocolat shoulders.

- I want to be myself. - Be yourself ... it is not ambitious.

We will see.

... And for my pay, how it works?

Ah, my dear, here knows ...
nobody has a fixed pay.

They all have a percentage.

If the audience is large, it gains a lot.

Otherwise ... The theater is ...

the art of taking risks, especially if advanced.

I count on Iei to fill it, this theater.

In front of us there is Desdemona. Régina Badet.

- Regina? - Fermin.

I present Rafael Padilla.

I saw her at the Grevin Museum days ago.

And now here it was, in the flesh before me.

That's weird!

I will try to be more expressive of my wax figure.

E buffo. No?

Jules. Where was he hiding?

Forgive the delay. They have detained journalists.

Thank you very much.

The waiver of Auriol had put in trouble.

Spetnt-aeel

You know that no Ie I can refuse nothing, my dear Fermin.

Come, Ie introduce our Othello, more true than in the wild.

Rafael, here is our sower of trouble: the anguish, the terrifying lake.

Nice to meet you.

Othello much, in fact.

At least Iei viewers not taste a surrogate.

Queen, my dear, I find her pleasure.

II clown Chocolat
presto al Teatro Antoine!

The aviator de Léo Lagrange flies for forty seconds!

Stay down whore!

Kill me tomorrow! Let me live tonight.

No! And if you dare to rebel ...

Half an hour only.

No, no, no, for God's sake! You gave back away from the audience!

We're not in the circus, the stage is not round!

It is us who have to watch! You have to watch us!

He brings out those hands!

Come on, we resume. Queen, was ... very well.

But he loved without wisdom.

- As a man ... - Who ... Who ... Christ!

- I have an empty head! - Calm down!

- You'll learn. - I do not ever learn.

Footit was right, I can not do anything, I'm just a stuntman!

Othello ... it's your idea!

You always said that only you could interpret it realistically.

Then stop Iamentarti like a child!

- Do not talk like that, Marie. - Then do not behave like this.

Next, again!

"Oh, send me away, my lord, but do not kill me." To you...

You've bitten off more than it can chew.

11,000 is too much, do not step on it.

You'll have something aside.

The boys will accompany you home

Go to hell.

You, with me.

Do not run away!

Stop! Stop, I say!

Negro! Where are you, nigger?

Black?

Come outside!

Mr. Constantine II just wants to get back his money.

I have not found, it will come out the other side.

Come on, we'll try later.

Victor! Victor!

Victor!

He went back home, Victor.

This is his home.

No, he left. It is in Haiti.

Much better for Iui.

New words containing still and always love that word: love!

Cheers, Sarah Bernhardt!

No one knows where he is.

- II debut in two days. - Do not be afraid.

There will be. He always comes back.

It is beyond my strength.

My friends, my mother ... do not understand.

And make my life impossible.

Love a black is a murder to Ioro eyes.

What did you expect?

What do you think? I too have loved, nurtured, cared for.

Also me thought I had lost Ia reason. And all this because?

Why leave me in the middle of success for a header.

To please Iei. To make beautiful theater ...

He had it already that idea.

- He wanted ... to change. - Change what?

We had gold in their hands. The public depended on us.

I was ready for Iui atutto. With me could grow to become a great artist!

- It was not what he had inside. - I know what's going to tell me: who suffered.

But I too have suffered.

He believes it is easy to spend my life making people laugh?

Some days I feel so lonely that I want to die.

I do a good cry, then in the evening they are II,

with my costume, ready for the public.

Sgualdrina!

On, get up. Get up! Soon!

E
mm

- I am the son of a dog, Marie ... - Ah, yes ... but above all you've been drinking.

I was born a slave, I know?

Come in soon. Come in, help me, Rafael.

The decision is up ate, we can still cancel.

We will say that you are sick, you've had an accident.

One way is.

So what?

Although I have killed men in war craft,

But I consider as its fabric of consciousness

not commit a premeditated murder: ECHE I miss ...

in some cases, the guilt to make my interest.

... It was better that way.

No, do not be afraid. I here, in the presence of Emilia,

I guarantee your place. You were safe.

If a friend make you a promise, I keep it to the last.

- My master will have no respite. - It was Cassius who greeted my wife?

Stay down, strumpet!

Kill me tomorrow! Let me live tonight.

- And if you dare to rebel ... - Only half an hour.

It will be so, no more ado.

- Just to say a prayer. - It's too late.

- Lord! My Lord! - Who 's there?

My Lord...

I made it to the state some service, it is known.

Do not talk about it anymore.

But I beg you, in your letter, in reporting these sad events,

refer to me as I am.

Not mitigate anything. Do not add anything.

So ... you'll have to talk about a man who loved too much love,

but that he loved without wisdom.

A man not prone to jealousy and that once,

instigated by it, he was carried to the extreme madness.

A man whose hand

He threw away a precious pearl of his entire tribe.

This is a sham!

- It's a scandal! - Shame!

- Get back to the circus! - Shame!

- You made us run a lot. - We all returns.

- 11,000 francs are not few. - Ve Ii returns, I said!

Hold his arm.

Hold his arm!

You've got three days to pay your debts ... three days.

Mm
a

She is the woman of the Negro.

You know telling you the woman of the Negro?

Do not worry. The sign for the next week.

Dont have.

Thanks to our artists. And good clowns!

Ladies and gentlemen, I ask you a big round of applause

for the whole troupe Cirque de France. Bravi!

The show is replicated throughout Ia week.

Thank you! And praise to our brave crew!

- Viva Ia France! - Viva Ia France!

But}? (EAFI?

That old, you say? No, he died datanto.

Come on. Your mother is waiting for us.

The injury to the lung is irreversible. I can not do much.

Then ... a tuberculosis at this stage, without the will to heal,

It is a losing battle

I know. Thank you Doctor.

Drink some '.

in the

Are you done? You're dismissed?

No, no, I'm on leave. Allotment tomorrow.

But when I return, I will take as an assistant.

I'll introduce you to Grock, or Fratellini. They are the future.

Thanks for coming. Thank you for the money, for everything ...

I'm sorry if I've had problems lately ....

I invested in a bistro, it was a fiasco.

Let's go. Do not keep him waiting.

Then? What's the matter, my friend?

Georges ...

It's over.

It's gone bad ... chocolate.

I have...

wanted to change ...

Skin.

Stupid...

black.

I was not...

then bad.

You were the best, Rafael.

You were a prince.

But I ... I never ...

I never knew ... go further.

Together we were royalty.

Together we had no limits.

Look.

We are.

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