All language subtitles for NYPD Blue s06e09 Grime Scene.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,246 --> 00:00:14,515 HIYA, DANNY. 2 00:00:14,548 --> 00:00:15,882 HOW�S IT GOIN�? 3 00:00:15,916 --> 00:00:16,883 GOOD. 4 00:00:16,917 --> 00:00:19,219 [PAGER BEEPS] 5 00:00:19,252 --> 00:00:20,253 EXCUSE ME. 6 00:00:31,097 --> 00:00:32,098 REBECCA? 7 00:00:35,301 --> 00:00:36,570 HOW�S IT GOIN�? 8 00:00:36,603 --> 00:00:37,571 GOOD MORNIN�, ANDY. 9 00:00:37,604 --> 00:00:39,339 YEAH. WHERE? 10 00:00:39,372 --> 00:00:40,774 MORNING, GREG. 11 00:00:40,807 --> 00:00:42,042 Kirkendall: OK, UH... 12 00:00:42,075 --> 00:00:43,443 HEY. HOW�S IT GOING, DANNY? 13 00:00:43,476 --> 00:00:46,780 SLOW DOWN, SLOW DOWN. WAIT A MINUTE. 14 00:00:46,813 --> 00:00:48,248 OKAY, UH... 15 00:00:48,281 --> 00:00:50,183 HOW�S THE TANK? 16 00:00:50,216 --> 00:00:52,452 MY NEONS ARE A LITTLE LISTLESS. 17 00:00:52,485 --> 00:00:54,020 Fancy: GOT IT. THANKS. 18 00:00:54,054 --> 00:00:56,089 TELL KYLE MOMMY�S ON THE WAY. 19 00:00:56,122 --> 00:00:58,892 A STABBING VICTIM AT A CONVENIENCE STORE 20 00:00:58,925 --> 00:01:00,126 AT SECOND AVENUE AND THIRD STREET. 21 00:01:00,160 --> 00:01:01,061 ANDY, YOU�RE UP. 22 00:01:03,129 --> 00:01:05,632 KYLE SAW IT. 23 00:01:05,666 --> 00:01:08,268 HE SAW THE STABBING. HE WAS IN THE STORE WHEN IT HAPPENED. 24 00:01:08,301 --> 00:01:09,703 HER 9?YEAR?OLD. 25 00:01:09,736 --> 00:01:11,037 EVERYONE ON BACKUP. 26 00:01:11,071 --> 00:01:13,740 COME ON, JILL. I�VE GOT THE KEYS. 27 00:01:13,774 --> 00:01:16,577 IF YOU NEED TO BANG OUT FOR THE REST OF THE SHIFT, THAT�S FINE. 28 00:01:16,610 --> 00:01:18,311 WHAT? 29 00:01:18,344 --> 00:01:19,913 DO WHAT YOU GOTTA DO. 30 00:01:19,946 --> 00:01:22,015 I�M GOING TO. 31 00:01:37,664 --> 00:01:39,766 [WOMAN CRYING] 32 00:01:39,800 --> 00:01:43,469 MIGUEL! OH, MIGUEL! 33 00:01:51,377 --> 00:01:52,345 MOM! 34 00:01:52,378 --> 00:01:53,346 ARE YOU OK? 35 00:01:53,379 --> 00:01:56,617 OH! OK, KYLE. IT�S OK. 36 00:01:58,552 --> 00:02:00,821 Danny: HEY, COME HERE AND TALK TO ME. 37 00:02:00,854 --> 00:02:02,122 WHAT HAPPENED? 38 00:02:02,155 --> 00:02:03,857 KID�S IN THE STORE WITH THE SITTER. 39 00:02:03,890 --> 00:02:05,091 SHE�S IN THE JOHN. 40 00:02:05,125 --> 00:02:06,927 PERP ROBS AND STABS THE CLERK. 41 00:02:06,960 --> 00:02:07,794 ANYBODY ELSE IN THE STORE? 42 00:02:07,828 --> 00:02:08,829 NAH. JUST THE KID. 43 00:02:08,862 --> 00:02:10,964 YOU�RE NOT HURT? 44 00:02:10,997 --> 00:02:12,032 OK. 45 00:02:12,065 --> 00:02:13,800 ALL RIGHT, BABY. 46 00:02:13,834 --> 00:02:15,168 WHAT�S THE PROBLEM? 47 00:02:15,201 --> 00:02:16,637 WHO ARE YOU WORKING FOR, GARY? I FREELANCE. 48 00:02:16,670 --> 00:02:18,639 MY NAME�S DANNY SORENSON, I�M WITH THE 15th SQUAD, 49 00:02:18,672 --> 00:02:20,440 AND I�M GONNA NEED THE LAST FILM YOU JUST SHOT. 50 00:02:20,473 --> 00:02:22,042 WHAT DO YOU MEAN? WELL, WHAT PART? 51 00:02:22,075 --> 00:02:22,976 WITH THE MOTHER AND HER BOY. 52 00:02:23,009 --> 00:02:24,978 THAT�S GREAT STUFF. 53 00:02:25,011 --> 00:02:26,647 I DON�T WANT THAT PART CIRCULATING, GARY. 54 00:02:26,680 --> 00:02:29,182 YOU DO ME THIS SOLID, I�LL GET YOU SOME EXCLUSIVES 55 00:02:29,215 --> 00:02:30,316 ON WALKOUTS FROM MY STATION HOUSE. 56 00:02:30,350 --> 00:02:31,885 I DON�T KNOW. 57 00:02:31,918 --> 00:02:34,054 SURE, YOU DO, GARY. 58 00:02:34,087 --> 00:02:35,889 I�LL TAKE REAL GOOD CARE OF YA, 59 00:02:35,922 --> 00:02:38,058 AND I�M GONNA BE ON THIS JOB A LONG TIME. 60 00:02:38,091 --> 00:02:39,526 ALL RIGHT. 61 00:02:39,560 --> 00:02:41,194 LET ME REWIND. 62 00:02:43,063 --> 00:02:45,065 THE MAN IN THE STORE�S DEAD. 63 00:02:45,098 --> 00:02:48,468 AND THE OTHER MAN STABBED HIM WITH A KNIFE. 64 00:02:48,502 --> 00:02:51,137 A D.O.A. AT THAT HOMELESS CAMP OVER ON FOURTH STREET. 65 00:02:51,171 --> 00:02:52,138 YOU�RE CATCHIN�? 66 00:02:52,172 --> 00:02:53,373 YEAH, WE�RE THE LUCKY TEAM. 67 00:02:53,406 --> 00:02:54,340 YEAH. 68 00:02:57,544 --> 00:03:00,013 AAAH! AAH! 69 00:03:00,046 --> 00:03:02,348 [SCREAMING AND CRYING] 70 00:03:03,884 --> 00:03:05,418 LET�S GET HIM OUTTA HERE. 71 00:03:05,451 --> 00:03:08,722 Woman: NO! NO! NO! 72 00:03:08,755 --> 00:03:09,690 [SOBS] 73 00:03:09,723 --> 00:03:11,391 iPOR QU?! 74 00:03:11,424 --> 00:03:14,995 [CRYING AND SCREAMING IN SPANISH] 75 00:03:15,028 --> 00:03:18,398 ?POR QU?? NO! ?POR QU?? 76 00:04:58,331 --> 00:05:00,867 HOW LONG YOU BEEN MARRIED TO SIPOWICZ? 77 00:05:02,168 --> 00:05:04,237 A LITTLE OVER 3 YEARS. 78 00:05:06,039 --> 00:05:08,642 LET ME TELL YOU ONCE, SERGEANT, 79 00:05:08,675 --> 00:05:10,476 HOW GRATEFUL I AM FOR WHAT YOU�RE DOING?? 80 00:05:10,511 --> 00:05:13,146 JERMAINE SLUNG DOPE ON THAT CORNER. 81 00:05:13,179 --> 00:05:14,881 IF THIS MURDER�S DRUG?RELATED 82 00:05:14,915 --> 00:05:16,550 AND SUAREZ WAS A BOUGHT PATSY, 83 00:05:16,583 --> 00:05:18,284 JERMAINE OUGHT TO KNOW ABOUT IT. 84 00:05:18,318 --> 00:05:20,320 LISTEN, ABOUT JERMAINE BEING SISSIFIED, 85 00:05:20,353 --> 00:05:22,388 DON�T LET THAT FOOL YOU. 86 00:05:22,422 --> 00:05:23,824 NO. 87 00:05:23,857 --> 00:05:25,959 HE CAN HANDLE HIMSELF ON THE STREET. 88 00:05:25,992 --> 00:05:28,529 Man: I SEE YOU IN THERE, DETECTIVE DORNAN. 89 00:05:28,562 --> 00:05:31,865 HERE I AM, JERMAINE, AND IT�S SERGEANT DORNAN. 90 00:05:31,898 --> 00:05:35,035 CONGRATULATIONS. 91 00:05:35,068 --> 00:05:36,670 ASSISTANT DISTRICT ATTORNEY COSTAS. 92 00:05:36,703 --> 00:05:37,704 HOW DO YOU DO. 93 00:05:37,738 --> 00:05:39,640 HOW DO YOU DO? 94 00:05:39,673 --> 00:05:40,841 [PUSHES CHAIR] 95 00:05:40,874 --> 00:05:43,544 ASSISTANT DISTRICT ATTORNEY. 96 00:05:43,577 --> 00:05:47,213 YES, WELL, I�M AFRAID I CAN�T SPEAK TO YOU JUST NOW 97 00:05:47,247 --> 00:05:50,083 BECAUSE OF AN URGENT DENTURE PROBLEM. 98 00:05:50,116 --> 00:05:52,185 WHAT�S THIS, NOW? 99 00:05:52,218 --> 00:05:55,722 IT�S GETTIN� ON 16 DAYS I�VE BEEN ASKIN� TO SEE THE DENTIST 100 00:05:55,756 --> 00:05:58,759 TO HAVE MY UPPER PLATE ADJUSTED. 101 00:05:58,792 --> 00:06:02,062 AND I�M AFRAID THAT WHATEVER COOPERATION YOU�RE LOOKING FOR 102 00:06:02,095 --> 00:06:04,497 I CAN�T PROVIDE UNTIL THAT HAPPENS. 103 00:06:04,531 --> 00:06:05,398 LET�S TAKE CARE OF THAT RIGHT AFTER THIS. 104 00:06:05,431 --> 00:06:07,901 NO, NO, NO. 105 00:06:07,934 --> 00:06:10,704 IT WILL NOT TAKE LONG. 106 00:06:10,737 --> 00:06:13,740 MY MOUTH IS VERY IMPORTANT TO ME. 107 00:06:13,774 --> 00:06:15,909 ALL RIGHT. CAN WE GET HIM IN 108 00:06:15,942 --> 00:06:18,712 FOR A DENTURE ADJUSTMENT NOW? 109 00:06:18,745 --> 00:06:21,414 THANK YOU VERY MUCH. 110 00:06:21,447 --> 00:06:24,885 I EXPECT YOU TO COOPERATE WHEN YOU GET BACK HERE. 111 00:06:24,918 --> 00:06:27,821 OH, I�LL BE VERY COOPERATIVE WITH MY PLATE REPAIRED. 112 00:06:34,260 --> 00:06:36,096 [SIGHS] 113 00:06:56,116 --> 00:06:57,050 D.O.A.�s HEAD�S CAVED IN. 114 00:06:57,083 --> 00:07:00,053 BLOODY 2 X 4 NEXT TO THE BODY. 115 00:07:00,086 --> 00:07:01,588 THEY SAID HIS NAME�S VIC. 116 00:07:01,622 --> 00:07:02,923 HE LIVED IN THE LOT. 117 00:07:02,956 --> 00:07:04,925 APPARENTLY, HE WAS THE CAMPUS ASSHOLE. 118 00:07:04,958 --> 00:07:07,661 YEAH? NO ONE�S TOO SORRY TO SEE HIM DEAD? 119 00:07:07,694 --> 00:07:08,862 NOPE. 120 00:07:11,431 --> 00:07:12,933 HE�S BANGED UP GOOD, 121 00:07:12,966 --> 00:07:15,435 BUT NOT A LOT OF BLOOD IN THE CART. 122 00:07:15,468 --> 00:07:18,004 HIS HANDS ARE TORN UP LIKE HE WAS IN A FIGHT. 123 00:07:18,038 --> 00:07:21,007 VIC LEARNED THE LESSON OF SADDAM HUSSEIN IN KUWAIT. 124 00:07:21,041 --> 00:07:22,909 EXPAND UPON YOUR NEIGHBORS, 125 00:07:22,943 --> 00:07:24,578 THE EAGLE OF DEATH SWOOPS ON YOUR SHOULDER 126 00:07:24,611 --> 00:07:26,346 AND TAKES A HUGE DUMP. 127 00:07:26,379 --> 00:07:30,350 WE MAPPED OUT CAN TERRITORY?? PICKING UP CANS. 128 00:07:30,383 --> 00:07:31,618 VIC DIDN�T STICK TO IT. 129 00:07:31,652 --> 00:07:32,986 RAT BASTARD WAS A POACHER 130 00:07:33,019 --> 00:07:34,320 WITH AN ENEMIES LIST THE LENGTH OF YOUR ARM. 131 00:07:34,354 --> 00:07:36,089 DID THAT INCLUDE YOU? 132 00:07:36,122 --> 00:07:38,391 HEY, I ONLY FOUND HIS BODY. 133 00:07:39,693 --> 00:07:41,862 PSST! PSST! 134 00:07:41,895 --> 00:07:44,297 I CAN GIVE YOU A SUSPECT, 135 00:07:44,330 --> 00:07:47,768 BUT, UH, MONEY?WISE, IT�S A HARD WORLD. 136 00:07:47,801 --> 00:07:49,903 THANKS A LOT. 137 00:07:52,973 --> 00:07:55,175 HERE. 138 00:07:55,208 --> 00:07:58,011 ANOTHER 20 IF YOU�RE RIGHT. 139 00:07:58,044 --> 00:08:01,882 VIC BEAT THE CRAP OUT OF HIM A COUPLE OF NIGHTS AGO, 140 00:08:01,915 --> 00:08:03,116 AND ED SWORE VENGEANCE. 141 00:08:03,149 --> 00:08:04,685 ED�S THE GUY THAT�S PASSED OUT? 142 00:08:04,718 --> 00:08:06,653 HE�S NOT AS PASSED OUT AS HE LOOKS. 143 00:08:06,687 --> 00:08:10,691 HE�S, UH, PARTWAY PLAYING POSSUM. 144 00:08:10,724 --> 00:08:13,326 HE SAYS THIS GUY�S WORTH A CONVERSATION. 145 00:08:13,359 --> 00:08:14,094 WHAT, THE ONE PASSED OUT? YEAH. 146 00:08:18,765 --> 00:08:20,701 YOU STAY HERE. 147 00:08:21,868 --> 00:08:22,869 UGH. 148 00:08:28,875 --> 00:08:32,178 THAT BODEGA SHOOTING THAT NEVER CLEARED, 149 00:08:32,212 --> 00:08:34,380 THIS IS THE COUGH SYRUP JUNKIE THAT WE TALKED TO OUTSIDE. 150 00:08:34,414 --> 00:08:36,216 OH, YEAH. HE TOLD US ABOUT THE CRACKHEAD HOOKER 151 00:08:36,249 --> 00:08:38,384 GOING DOWN ON GUYS IN THE BASEMENT. 152 00:08:38,418 --> 00:08:39,920 YEAH, HE WAS STRAIGHT WITH US ABOUT HER, AS FAR AS THAT GOES. 153 00:08:39,953 --> 00:08:41,021 HEY! [KICKING] 154 00:08:41,054 --> 00:08:41,988 WAKE UP! 155 00:08:42,022 --> 00:08:43,757 WHAT�S GOIN� ON? 156 00:08:43,790 --> 00:08:45,559 THERE WAS A GUY MURDERED OVER HERE. 157 00:08:45,592 --> 00:08:46,860 WHAT DO YOU KNOW ABOUT THAT? 158 00:08:46,893 --> 00:08:49,062 NEXT TO NOTHIN�. 159 00:08:49,095 --> 00:08:50,897 HE�S GOT BLOOD ON HIS SWEATSHIRT. 160 00:08:50,931 --> 00:08:54,000 YEAH. THIS VIC THAT�S DEAD, YOU HAVE HARD FEELINGS WITH HIM? 161 00:08:54,034 --> 00:08:56,036 NO MORE THAN THE NEXT FELLA. 162 00:08:56,069 --> 00:08:57,437 BUT YOU MAY HAVE HAD SOME? 163 00:08:57,470 --> 00:09:00,006 MAYBE SOME SMALL AMOUNT. 164 00:09:00,040 --> 00:09:01,742 ALL RIGHT, YA GOTTA COME WITH US. 165 00:09:01,775 --> 00:09:02,709 LET�S GO. 166 00:09:02,743 --> 00:09:04,077 AH, JEEZ! 167 00:09:04,110 --> 00:09:06,547 MAYBE YOU WON�T BE GONE LONG. 168 00:09:06,580 --> 00:09:09,449 HEY, I GOT A NICE BUZZ GOIN�. COME ON. 169 00:09:09,482 --> 00:09:10,350 YEAH, THAT�S THE BREAKS. [SQUISH] 170 00:09:10,383 --> 00:09:12,018 OH! 171 00:09:12,052 --> 00:09:14,588 GUM AND DOG CRAP. 172 00:09:14,621 --> 00:09:18,424 YEAH, THE DOG CRAP HERE IS TERRIBLE. 173 00:09:26,166 --> 00:09:28,134 WE CAME INTO THE STORE 174 00:09:28,168 --> 00:09:29,736 COMING FROM DR. KENDALL�S. 175 00:09:29,770 --> 00:09:31,404 YOU AND REBECCA. 176 00:09:31,437 --> 00:09:33,406 SHE TOOK ME FOR MY EAR INFECTION, 177 00:09:33,439 --> 00:09:37,310 AND COMING HOME, WE WENT IN TO GET A SUPER CONE 178 00:09:37,343 --> 00:09:40,313 AND FOR REBECCA TO USE THE LAVATORY. 179 00:09:40,346 --> 00:09:42,415 WHO WAS IN THE STORE THEN? 180 00:09:42,448 --> 00:09:45,285 FIRST, IT WAS JUST THE MAN BEHIND THE COUNTER. 181 00:09:47,921 --> 00:09:49,956 BUT WHEN I WAS OVER AT THE MACHINE, 182 00:09:49,990 --> 00:09:51,958 THE OTHER MAN CAME IN. 183 00:09:51,992 --> 00:09:55,629 THIS WAS THE MAN WHO WOUND UP HURTING THE MAN BEHIND THE COUNTER? 184 00:09:55,662 --> 00:09:56,897 YES. 185 00:09:56,930 --> 00:09:58,665 WHAT DID THAT MAN LOOK LIKE? 186 00:10:00,500 --> 00:10:03,403 HE...HE WAS WHITE 187 00:10:03,436 --> 00:10:05,839 AND ABOUT MY DAD�S SIZE. 188 00:10:05,872 --> 00:10:08,108 OH. HOW TALL IS YOUR DAD? 189 00:10:09,843 --> 00:10:12,679 5�10". 190 00:10:12,713 --> 00:10:16,182 AND HE WAS, LIKE, MAYBE 5 YEARS YOUNGER THAN MY DAD. 191 00:10:16,216 --> 00:10:17,450 MAYBE 30. 192 00:10:17,483 --> 00:10:20,420 AND HE TOLD THE MAN BEHIND THE COUNTER 193 00:10:20,453 --> 00:10:22,923 HE WANTED ALL THE MONEY FROM THE CASH REGISTER 194 00:10:22,956 --> 00:10:25,158 AND ALL THE LOTTERY TICKETS. 195 00:10:25,191 --> 00:10:26,492 AND THE MAN BEHIND THE COUNTER 196 00:10:26,527 --> 00:10:29,195 DIDN�T EVEN REALLY GET A CHANCE TO ANSWER HIM. 197 00:10:29,229 --> 00:10:30,731 AND THEN THE OTHER MAN STABBED HIM. 198 00:10:32,365 --> 00:10:37,337 KYLE, DID THE MAN WHO STABBED THE OTHER MAN SEE YOU? 199 00:10:37,370 --> 00:10:40,874 HE SAW ME, AND HE SORT OF POINTED AT ME 200 00:10:40,907 --> 00:10:42,709 WHEN HE WAS RUNNING OUT. 201 00:10:42,743 --> 00:10:47,147 HE HAD A BUNCH OF LOTTERY TICKETS 202 00:10:47,180 --> 00:10:49,983 AND...SOME MONEY. 203 00:10:50,016 --> 00:10:52,786 AND THE OTHER MAN, WHO WAS STABBED, 204 00:10:52,819 --> 00:10:55,155 HE WAS TRYING TO FOLLOW HIM, BUT HE COULDN�T 205 00:10:55,188 --> 00:10:57,057 BECAUSE HE WAS BLEEDING. 206 00:10:59,159 --> 00:11:02,195 AND THEN HE FELL TO THE FLOOR. 207 00:11:02,228 --> 00:11:04,464 AND AFTER HE RAN OUT, 208 00:11:04,497 --> 00:11:08,468 THE OTHER MAN SORT OF REACHED HIS HAND OUT, 209 00:11:08,502 --> 00:11:12,038 AND THEN HE LAID HIS HEAD DOWN. 210 00:11:12,072 --> 00:11:15,041 AND THAT�S WHEN I GOT REBECCA. 211 00:11:15,075 --> 00:11:17,143 OK, KYLE. 212 00:11:17,177 --> 00:11:21,047 YOU�VE BEEN REALLY BRAVE TALKING TO ME ABOUT THIS. 213 00:11:21,081 --> 00:11:23,316 IF I SAW HIM, I�D RECOGNIZE THE MAN 214 00:11:23,349 --> 00:11:25,619 WHO STABBED THE OTHER MAN WITH THE KNIFE. 215 00:11:27,954 --> 00:11:29,556 WE CAN TALK LATER 216 00:11:29,590 --> 00:11:33,059 IF YOU�RE ACTUALLY REALLY SURE ABOUT THAT. 217 00:11:33,093 --> 00:11:35,195 YOU TAKE A LITTLE TIME WITH YOUR MOM. 218 00:11:35,228 --> 00:11:36,563 OK. 219 00:11:42,536 --> 00:11:44,204 I�M REALLY PROUD OF YOU, SWEETIE. 220 00:11:47,440 --> 00:11:48,041 [DOOR OPENS] 221 00:11:49,810 --> 00:11:51,512 HOW�S HE DOING? 222 00:11:51,545 --> 00:11:53,780 JILL�S RIGHT WITH HIM. 223 00:11:53,814 --> 00:11:56,049 DID HE GIVE YOU ANY SORT OF DESCRIPTION? 224 00:11:56,082 --> 00:11:59,419 HE GAVE ME A DECENT GENERAL DESCRIPTION. 225 00:11:59,452 --> 00:12:01,121 DIDN�T REALLY GET A GOOD SPECIFIC LOOK. 226 00:12:01,154 --> 00:12:04,224 YEAH. I�M NOT SURE IF HE COULD PICK THE GUY OUT. 227 00:12:06,827 --> 00:12:09,630 THE SITTER�S GOT NOTHIN�, THIS REBECCA. 228 00:12:09,663 --> 00:12:11,097 [DOOR OPENS] 229 00:12:11,131 --> 00:12:12,065 Fancy: HI, JILL. 230 00:12:12,098 --> 00:12:13,099 HI. 231 00:12:13,133 --> 00:12:16,637 ANY OTHER WITNESSES ON CANVASS? 232 00:12:16,670 --> 00:12:18,605 NARCOTICS AND ANTI?CRIME ARE FOLLOWING UP ON THE CORNERS. 233 00:12:18,639 --> 00:12:20,941 THEY MAY VERY WELL COME UP WITH SOMETHING. 234 00:12:20,974 --> 00:12:24,410 IN OTHER WORDS, WE GOT NOTHING EXCEPT FOR KYLE. 235 00:12:28,481 --> 00:12:31,818 DOES KYLE WANT A SODA OR ANYTHING? 236 00:12:31,852 --> 00:12:33,386 I�M GETTING HIM ONE. 237 00:12:33,419 --> 00:12:36,189 I JUST NEED TO USE THE JOHN FOR A SECOND. 238 00:12:40,927 --> 00:12:42,162 CUT THE SITTER LOOSE? 239 00:12:42,195 --> 00:12:43,129 Fancy: YEAH. 240 00:12:44,931 --> 00:12:48,635 DUMB?ASS D. O. A. DON�T HAVE A SURVEILLANCE CAMERA. 241 00:12:48,669 --> 00:12:50,370 [SIGHS] 242 00:12:58,645 --> 00:13:01,414 KYLE WATCHED THIS EVIL SON OF A BITCH 243 00:13:01,447 --> 00:13:03,817 STAB A MAN IN HIS CHEST 244 00:13:03,850 --> 00:13:06,286 AND THE MAN BLEED OUT IN FRONT OF HIM. 245 00:13:06,319 --> 00:13:11,324 NOW, BAD ENOUGH HE�LL CARRY THOSE MEMORIES THE REST OF HIS LIFE... 246 00:13:11,357 --> 00:13:14,828 WITHOUT HAVING TO RELIVE THEM A WEEK FROM NOW 247 00:13:14,861 --> 00:13:16,663 IN THAT GRAND JURY ROOM 248 00:13:16,697 --> 00:13:18,498 AND THEN IN FRONT OF ANOTHER GROUP OF STRANGERS 249 00:13:18,532 --> 00:13:21,835 IN A COURTROOM HEARING 6 MONTHS FROM NOW. 250 00:13:21,868 --> 00:13:24,104 AND THEN A YEAR LATER, 251 00:13:24,137 --> 00:13:26,540 HAVE TO SIT ON THE WITNESS STAND 252 00:13:26,573 --> 00:13:28,609 WHILE THAT SAME EVIL BASTARD 253 00:13:28,642 --> 00:13:30,844 SCARES HIM WITH HIS HATEFUL LOOKS, 254 00:13:30,877 --> 00:13:33,179 AND HIS ASSHOLE LAWYER 255 00:13:33,213 --> 00:13:37,551 TRIES TO BREAK MY BOY DOWN AND HUMILIATE HIM. 256 00:13:37,584 --> 00:13:39,452 JILL, IF YOU WANT, 257 00:13:39,485 --> 00:13:41,287 WE�LL WALK KYLE OUT THE DOOR, 258 00:13:41,321 --> 00:13:43,456 AND NO ONE WILL EVER SEE HIS NAME 259 00:13:43,489 --> 00:13:44,891 IN A SINGLE PIECE OF PAPERWORK 260 00:13:44,925 --> 00:13:45,992 CONNECTED WITH THIS CASE. 261 00:13:46,026 --> 00:13:48,962 I WANT THE CASE MADE. 262 00:13:48,995 --> 00:13:53,066 I JUST PRAY THAT KYLE DOESN�T HAVE TO GO THROUGH MORE. 263 00:13:54,601 --> 00:13:56,737 ALL RIGHT. 264 00:13:56,770 --> 00:13:59,439 THIS IS GONNA BE ALL RIGHT. 265 00:14:11,918 --> 00:14:13,086 JILL�S ALL UPSET? 266 00:14:13,119 --> 00:14:15,355 SHE�S WORRIED FOR HER BOY. 267 00:14:15,388 --> 00:14:18,124 SHE�S SUPPOSED TO BE WORRIED FOR HIM. 268 00:14:19,860 --> 00:14:22,195 WE NEED A CONFESSION IN THIS CASE. 269 00:14:22,228 --> 00:14:24,698 YEAH, A CONFESSION WOULD BE GOOD. 270 00:14:24,731 --> 00:14:28,201 YEAH. WE NEED TO GET THE ASSHOLE WHO DID THIS TO CONFESS. 271 00:14:53,727 --> 00:14:55,696 I HAVE TO SAY, DOLORES, 272 00:14:55,729 --> 00:14:57,698 WHATEVER BENEFIT YOU�RE GETTING FROM ORGANIZING YOUR THOUGHTS 273 00:14:57,731 --> 00:14:59,032 CANNOT OUTWEIGH THE NEGATIVE IMPRESSION 274 00:14:59,065 --> 00:15:00,400 YOU ARE MAKING BY BEING LATE. 275 00:15:00,433 --> 00:15:02,435 I WANT CERTAIN THINGS UNDERSTOOD DOWNSTAIRS. 276 00:15:02,468 --> 00:15:04,404 THIS IS NOT THE TIME TO BE MAKING CONDITIONS. 277 00:15:04,437 --> 00:15:06,573 IT IS ALSO NOT THE TIME FOR ANYONE IN THAT SQUAD 278 00:15:06,607 --> 00:15:09,910 TO BE LOOKING STRANGE AT ME OR DOWN THEIR NOSE. 279 00:15:09,943 --> 00:15:11,244 LIEUTENANT FANCY WOULD HAVE REPLACED YOU 280 00:15:11,277 --> 00:15:12,779 IF HE DIDN�T WANT THIS TO WORK OUT. 281 00:15:12,813 --> 00:15:16,583 UNLESS HE WANTS ME UNDER A MICROSCOPE LIKE A VIRUS SPECIMEN 282 00:15:16,617 --> 00:15:17,951 TO LOOK DOWN HIS NOSE AT. 283 00:15:17,984 --> 00:15:19,620 OR HIS FEMALE DETECTIVES LOOKIN� DOWN THEIR NOSE. 284 00:15:19,653 --> 00:15:21,187 UH... 285 00:15:22,823 --> 00:15:26,492 IN FACT, YOU KNOW WHAT? JUST ASK HIM, WRITE YES OR NO. 286 00:15:26,527 --> 00:15:28,461 WHAT ARE YOU TALKING ABOUT?! 287 00:15:28,494 --> 00:15:31,297 TAKE THIS DOWNSTAIRS, HAND IT TO LIEUTENANT FANCY, 288 00:15:31,331 --> 00:15:33,066 AND AT THE BOTTOM OF THE LIST, 289 00:15:33,099 --> 00:15:35,168 ASK HIM TO WRITE YES OR NO. 290 00:15:36,469 --> 00:15:38,204 I�M NOT GOING TO DO THAT, DOLORES. 291 00:15:42,108 --> 00:15:45,111 WELL, SOME FRIEND YOU ARE. 292 00:15:45,145 --> 00:15:46,947 SO WHO�S THE IMPERSONATOR?? 293 00:15:46,980 --> 00:15:49,182 THE GIRL WHO CALLED CRYING 3 DIFFERENT NIGHTS 294 00:15:49,215 --> 00:15:51,317 OR THE...SMART?ASS IN FRONT OF ME NOW? 295 00:15:51,351 --> 00:15:53,920 SOMEONE CALLED YOU AT HOME, SAID SHE WAS ME? 296 00:15:53,954 --> 00:15:55,421 CALLED, TOLD ME SHE WAS DOING THINGS 297 00:15:55,455 --> 00:15:57,257 SHE DIDN�T WANT TO AND DIDN�T UNDERSTAND, 298 00:15:57,290 --> 00:15:58,992 THAT HER LIFE WAS SPINNING OUT OF CONTROL 299 00:15:59,025 --> 00:16:01,094 AND THAT IF SHE GOT HER JOB BACK, 300 00:16:01,127 --> 00:16:03,129 THAT WOULD MEAN SHE COULD HELP HERSELF. 301 00:16:03,163 --> 00:16:05,666 YOU BETTER GET YOUR NUMBER CHANGED, JOHN. 302 00:16:05,699 --> 00:16:08,168 SOME WACKO�S GOT IT, PRETENDING TO BE ME. 303 00:16:10,070 --> 00:16:12,806 WANT TO MAKE A PAPER PLANE? 304 00:16:12,839 --> 00:16:14,074 NO. 305 00:16:17,678 --> 00:16:18,912 AND I�M NOT GONNA CHANGE MY PHONE NUMBER. 306 00:16:28,154 --> 00:16:30,490 GUY STUCK UP A CONVENIENCE STORE, 307 00:16:30,524 --> 00:16:33,159 PRETTY MUCH FITS THE DESCRIPTION. 308 00:16:33,193 --> 00:16:35,529 VINCENT SHAW. 309 00:16:35,562 --> 00:16:37,063 YEAH. I GOT A VINCE SHAW, TOO. 310 00:16:37,097 --> 00:16:38,965 VINCENT SHAW FROM 23rd STREET. 311 00:16:38,999 --> 00:16:40,133 I CHECKED HIM AN HOUR AGO. 312 00:16:40,166 --> 00:16:42,135 HE�S DOING A POUND UPSTATE. 313 00:16:42,168 --> 00:16:43,970 CRIME SCENE�S GOT NO LIFTS 314 00:16:44,004 --> 00:16:45,405 FROM THE COUNTERS INSIDE THE STORE. 315 00:16:45,438 --> 00:16:47,574 NO DESCRIPTION MATCHES SO FAR 316 00:16:47,608 --> 00:16:49,342 IN SIMILAR?PATTERN STICKUPS. 317 00:16:49,375 --> 00:16:52,012 A WOMAN CAUGHT THE PLATE ON A SEDAN 318 00:16:52,045 --> 00:16:53,880 THAT SIDESWIPED HER CAR AND KEPT GOING 2 BLOCKS FROM YOUR CRIME SCENE. 319 00:16:53,914 --> 00:16:55,181 THE TIME FITS. 320 00:16:55,215 --> 00:16:58,218 PLATE COMES BACK TO A JOHN FALCONE. 321 00:16:58,251 --> 00:17:00,420 WORKS OVER AT THE FULTON MARKET. 322 00:17:00,453 --> 00:17:03,223 I GOT 7 MINUTES TILL A COMMITMENT WITH SYLVIA. 323 00:17:05,559 --> 00:17:07,360 DIANE AND ME CAN GRAB HIM UP. 324 00:17:10,130 --> 00:17:12,198 YEAH. OK. 325 00:17:28,649 --> 00:17:32,686 SO MUCH THESE DAYS IS CONFUSIN� TO ME. 326 00:17:32,719 --> 00:17:34,621 THAT COUGH SYRUP WILL BRING YOU TO YOUR KNEES. 327 00:17:34,655 --> 00:17:36,222 I GOT BRONCHITIS. 328 00:17:36,256 --> 00:17:39,025 [COUGHS] CHRONIC. 329 00:17:39,059 --> 00:17:41,962 THAT�S WHAT KNOCKS ME OVER. 330 00:17:41,995 --> 00:17:44,397 ANYWAYS, ED, OUR SPECIFIC CONCERN 331 00:17:44,430 --> 00:17:46,867 IS THE BLOOD ON YOUR SWEATSHIRT. 332 00:17:46,900 --> 00:17:49,536 I OFTEN GET MY BALLS BEAT OFF. 333 00:17:49,570 --> 00:17:51,572 WHAT�S THE CRIME IN THAT? 334 00:17:51,605 --> 00:17:52,639 SO YOU�RE SAYING THAT�S YOUR OWN BLOOD. 335 00:17:52,673 --> 00:17:54,407 SURE. 336 00:17:54,440 --> 00:17:56,376 WHERE WERE YOU LAST NIGHT, ED? 337 00:17:56,409 --> 00:18:00,614 BIG PART OF THE NIGHT AT THAT OIL DRUM FIRE 338 00:18:00,647 --> 00:18:03,650 WE GET GOIN� OUTSIDE THE GARAGE ON LAFAYETTE. 339 00:18:03,684 --> 00:18:05,619 WHO CAN BACK THAT? BECAUSE OF THE COLD. 340 00:18:05,652 --> 00:18:07,521 YEAH, IT�S GOTTEN VERY CHILLY. 341 00:18:09,422 --> 00:18:10,591 ED! 342 00:18:10,624 --> 00:18:11,625 AAAH... 343 00:18:11,658 --> 00:18:13,226 WHO CAN BACK YOU BEING 344 00:18:13,259 --> 00:18:14,795 OUTSIDE THE GARAGE ON LAFAYETTE? 345 00:18:14,828 --> 00:18:16,563 THE PEOPLE THERE WITH ME! 346 00:18:16,597 --> 00:18:18,498 YEAH, GOOD. 347 00:18:18,532 --> 00:18:20,601 WE�RE GONNA TAKE A RIDE OVER TO LAFAYETTE LATER, ED. 348 00:18:20,634 --> 00:18:22,636 THE FELLAS THERE HAD BETTER BE ABLE TO BACK YOUR STORY. 349 00:18:22,669 --> 00:18:25,305 THEY WILL! 350 00:18:25,338 --> 00:18:28,942 IF THAT WAS THE NIGHT THAT WE HAD THE FIRE. 351 00:18:31,444 --> 00:18:34,080 WHEN DID YOU LAST SEE VIC FRAWLEY? 352 00:18:34,114 --> 00:18:36,249 LOOK, HE TOOK MY CAN ROUTE, 353 00:18:36,282 --> 00:18:38,284 BUT I DIDN�T KILL HIM. 354 00:18:38,318 --> 00:18:40,954 WAS IT VIC THAT BEAT ON YOUR HEAD? 355 00:18:40,987 --> 00:18:43,489 MANY PEOPLE BEAT ON ME. 356 00:18:43,524 --> 00:18:46,827 THE STORY WE�RE HEARING IS VIC BEAT ON YOU TAKIN� OVER YOUR CAN TERRITORY. 357 00:18:46,860 --> 00:18:49,530 HIM COMING UP DEAD, WE GOTTA LOOK AT YOU AS HAVING A MOTIVE. 358 00:18:49,563 --> 00:18:52,332 IF WE TAKE YOUR SWEATSHIRT TO YOUR LAB, ED, 359 00:18:52,365 --> 00:18:54,134 AND IT COMES UP POSITIVE FOR VIC�S BLOOD, 360 00:18:54,167 --> 00:18:56,136 YOU�RE FACIN� A MURDER CHARGE. 361 00:18:56,169 --> 00:18:58,271 ED, IF YOU DID SOMETHIN� TO VIC?? 362 00:18:58,304 --> 00:18:59,773 MAYBE COMPLETELY JUSTIFIABLE?? 363 00:18:59,806 --> 00:19:02,375 OVER HIM BULLYING YOU OFF YOUR CAN ROUTE, 364 00:19:02,408 --> 00:19:05,612 THE TIME TO SAY SO IS NOW, BEFORE THE EVIDENCE PAINTS YOU INTO A CORNER 365 00:19:05,646 --> 00:19:08,181 WHERE YOU DON�T GET NO CREDIT FOR REMORSE! 366 00:19:08,214 --> 00:19:09,716 ED! 367 00:19:09,750 --> 00:19:11,652 [SNORING] 368 00:19:20,561 --> 00:19:21,862 IT�S STUCK. 369 00:19:30,403 --> 00:19:33,173 [SNORING CONTINUES] 370 00:19:39,580 --> 00:19:42,583 HONEY, I NEED TO BE HERE PAYING ATTENTION 371 00:19:42,616 --> 00:19:45,018 SO YOUR BROTHER DOESN�T GET MORE INVOLVED WITH THIS. 372 00:19:45,051 --> 00:19:48,589 AND I WANT KYLE WITH ME SO I CAN KEEP HIM GOOD COMPANY. 373 00:19:48,622 --> 00:19:52,092 NO, NO. BUT THAT�S WHY I WANT TO KEEP HIM COMPANY?? 374 00:19:52,125 --> 00:19:53,827 SO HE DOESN�T GET SCARED. 375 00:19:53,860 --> 00:19:55,562 NOW, WHAT YOU CAN DO FOR MOM IS?? 376 00:19:59,132 --> 00:20:01,868 NO. HONEY, I DON�T WANT YOU DOWN HERE 377 00:20:01,902 --> 00:20:05,105 OR KYLE HERE A MINUTE LONGER THAN HE HAS TO BE. 378 00:20:05,138 --> 00:20:07,273 JUST GIVE MOM A COUPLE OF HOURS 379 00:20:07,307 --> 00:20:09,275 SO I CAN LOOK OUT FOR YOUR BROTHER, 380 00:20:09,309 --> 00:20:12,546 AND THEN ME AND KYLE ARE COMING HOME. 381 00:20:12,579 --> 00:20:14,548 YEAH. 382 00:20:14,581 --> 00:20:18,351 THEN WE�LL ALL TALK ABOUT WHAT HAPPENED, FRANK. 383 00:20:18,384 --> 00:20:22,055 �CAUSE I�LL BET HEARIN� WHAT HAPPENED�S BEEN SCARY FOR YOU, TOO. 384 00:20:22,088 --> 00:20:23,156 MM?HMM. 385 00:20:26,760 --> 00:20:28,494 I LOVE YOU, SON. 386 00:20:30,430 --> 00:20:32,232 YEAH, MOM LOVES YOU. 387 00:20:32,265 --> 00:20:35,068 BIG KISS IN YOUR ACCOUNT. 388 00:20:35,101 --> 00:20:36,069 BYE. 389 00:20:49,616 --> 00:20:50,651 LEO, WHAT ARE YOU DOING? 390 00:20:50,684 --> 00:20:52,719 HE�S SLEEPIN�, HUH? 391 00:20:52,753 --> 00:20:54,420 YEAH. KYLE�S TAKIN� A NAP. 392 00:20:54,454 --> 00:20:55,956 WHAT A NIGHTMARE FOR HIM. 393 00:20:55,989 --> 00:20:57,123 UH?HUH. 394 00:20:57,157 --> 00:20:58,792 HE ACTUALLY SAW THE MURDER? 395 00:20:58,825 --> 00:21:00,627 WHY? 396 00:21:00,661 --> 00:21:02,228 WELL, �CAUSE IT WOULD BE THAT MUCH MORE OF A NIGHTMARE FOR HIM 397 00:21:02,262 --> 00:21:03,463 IF HE ACTUALLY SAW THE MURDER TAKE PLACE. 398 00:21:03,496 --> 00:21:06,600 YEAH, WELL, IT�S NOT REALLY CLEAR WHAT HE SAW. 399 00:21:06,633 --> 00:21:08,569 I�M NOT HERE AS ASSISTANT DISTRICT ATTORNEY, JILL. 400 00:21:08,602 --> 00:21:09,803 I�M NOT EVEN THE RIDING D. A. 401 00:21:09,836 --> 00:21:11,772 OK. 402 00:21:11,805 --> 00:21:14,074 I MEAN...WE DO HAVE A RELATIONSHIP. 403 00:21:14,107 --> 00:21:17,010 LEO, IF YOU�RE HERE FOR SUPPORT, 404 00:21:17,043 --> 00:21:18,612 SHOW IT BY WALKING AWAY. 405 00:21:18,645 --> 00:21:20,013 YOU WORK IN A PART OF THE SYSTEM 406 00:21:20,046 --> 00:21:21,247 I JUST CAN�T TRUST RIGHT NOW. 407 00:21:21,281 --> 00:21:22,683 YOU THINK I WOULD HURT KYLE? 408 00:21:22,716 --> 00:21:25,185 OH, THE SYSTEM NEVER MEANS TO HURT ANYBODY. 409 00:21:27,187 --> 00:21:28,522 I�M SORRY. 410 00:21:28,555 --> 00:21:31,291 I GOTTA COUNT ON MY OWN. 411 00:21:43,704 --> 00:21:47,508 SINCE I WAS THE ONE WHO ACCEPTED MR. SUAREZ�S CONFESSION 412 00:21:47,541 --> 00:21:51,645 AND RECOMMENDED HIS INCARCERATION TO THE JUDGE... 413 00:21:51,678 --> 00:21:55,315 AND IF THAT CONFESSION WAS BOUGHT AND PAID FOR, 414 00:21:55,348 --> 00:21:58,484 AS NOW SEEMS POSSIBLE, OR EVEN LIKELY, 415 00:21:58,519 --> 00:22:03,156 AND WITH MR. SUAREZ NOW HAVING BEEN MURDERED 416 00:22:03,189 --> 00:22:05,225 WHILE SERVING THAT SENTENCE?? 417 00:22:05,258 --> 00:22:07,227 YOU WOULD FEEL BAD. 418 00:22:07,260 --> 00:22:08,895 Dornan: YOU BEING SMART, JERMAINE? 419 00:22:08,929 --> 00:22:10,864 IF I WAS SMART, WOULD I BE LOCKED UP? 420 00:22:10,897 --> 00:22:11,965 YOU WERE ON THAT CORNER. 421 00:22:11,998 --> 00:22:14,535 WHEN THE MURDER HAPPENED, YES. 422 00:22:14,568 --> 00:22:17,203 DID SUAREZ DO IT? 423 00:22:17,237 --> 00:22:21,742 I REALLY APPRECIATED YOUR HELP WITH MY DENTAL PLATE. 424 00:22:24,578 --> 00:22:26,212 $250 IN YOUR COMMISSARY ACCOUNT. 425 00:22:26,246 --> 00:22:28,214 FOR EVERYTHING. 426 00:22:28,248 --> 00:22:31,552 WELL, I WOULD NEED TO KNOW WHAT EVERYTHING MEANS. 427 00:22:31,585 --> 00:22:33,186 $250 IN YOUR COMMISSARY ACCOUNT 428 00:22:33,219 --> 00:22:34,755 FOR WHAT HAPPENED ON THE CORNER 429 00:22:34,788 --> 00:22:36,189 AND HERE INSIDE. 430 00:22:39,225 --> 00:22:42,996 I WORKED THE CORNER FOR FREDDIE ASUNCION. 431 00:22:43,029 --> 00:22:47,333 GENERO LOPEZ USED THE SAME CORNER LATE AT NIGHT, 432 00:22:47,367 --> 00:22:49,202 SELLING TO THE CHRONIC FIENDS. 433 00:22:49,235 --> 00:22:52,105 NOW, GENERO AND FREDDIE COME TO DISAGREE 434 00:22:52,138 --> 00:22:55,341 OVER WHAT EXACTLY WAS LATE AT NIGHT 435 00:22:55,375 --> 00:22:59,079 AND WHAT WAS EARLY THE NEXT MORNING. 436 00:22:59,112 --> 00:23:02,348 WHAT TIME ASUNCION TOOK THE CORNER BACK. 437 00:23:02,382 --> 00:23:05,185 GETTIN� THE DRIVE?TIME JUNKIES HEADIN� FOR WORK. 438 00:23:05,218 --> 00:23:08,021 SEE, THAT�S A LUCRATIVE TRADE... 439 00:23:08,054 --> 00:23:13,594 AND FREDDIE ASUNCION IS A GREEDY PERSON. 440 00:23:13,627 --> 00:23:16,129 AND BEING A GREEDY PERSON, 441 00:23:16,162 --> 00:23:19,600 FREDDIE ASUNCION DID WHAT HE FELT HE HAD TO 442 00:23:19,633 --> 00:23:21,134 TO GENERO LOPEZ. 443 00:23:21,167 --> 00:23:23,136 HE KILLED HIM. 444 00:23:25,138 --> 00:23:27,407 FREDDIE THEN LOOKED TO JUAN SUAREZ, 445 00:23:27,440 --> 00:23:30,443 A TIMID YOUTH, WHO WAS SEARCHING FOR RESPECT 446 00:23:30,476 --> 00:23:33,146 AFTER GENERO BRAINED HIS BROTHER WITH A CROWBAR. 447 00:23:33,179 --> 00:23:35,749 JUAN WAS AFRAID TO TAKE HIS REVENGE, 448 00:23:35,782 --> 00:23:37,984 BUT THEN FREDDIE OFFERED HIM 449 00:23:38,018 --> 00:23:40,420 A MONTHLY AMOUNT OF MONEY FOR HIS WIFE 450 00:23:40,453 --> 00:23:43,156 IF JUAN ADMITTED TO THE KILLING. 451 00:23:43,189 --> 00:23:46,927 AND, BY SEARCHING FOR RESPECT... 452 00:23:46,960 --> 00:23:48,461 JUAN AGREED. 453 00:23:48,494 --> 00:23:53,934 THING ABOUT THE INSIDE, ASSISTANT DISTRICT ATTORNEY, 454 00:23:53,967 --> 00:23:58,505 COP TO A MURDER, YOU BETTER BE CAPABLE OF MURDER TO DEFEND YOURSELF, 455 00:23:58,539 --> 00:24:02,108 OR YOU END UP TREATED WAYS YOU DON�T ENJOY. 456 00:24:02,142 --> 00:24:07,180 AND IF FREDDIE ASUNCION DECIDES, WHILE YOU�RE IN THE SLAM, 457 00:24:07,213 --> 00:24:10,116 HE WANTS TO BANG YOUR WIFE 458 00:24:10,150 --> 00:24:13,286 INSTEAD OF PAYING HER QUIET MONEY, 459 00:24:13,319 --> 00:24:16,790 THEN ONE OF THOSE WAYS YOU DON�T ENJOY... 460 00:24:16,823 --> 00:24:20,527 COULD BE A SHANK IN THE LAUNDRY ROOM. 461 00:24:24,364 --> 00:24:25,966 FREDDIE ASUNCION. 462 00:24:27,701 --> 00:24:30,070 FREDDIE ASUNCION. 463 00:24:31,805 --> 00:24:35,709 UH, GIVE ME SOMEBODY WORKING FOR FREDDIE WE CAN FLIP. 464 00:24:35,742 --> 00:24:37,944 TOMMY IBARRA. 465 00:24:37,978 --> 00:24:42,315 USE SOMEONE PRETTY. TOMMY�LL OFFER HIM DISCOUNT DOPE FOR SEX. 466 00:24:45,719 --> 00:24:47,187 LOVELY SUIT. 467 00:24:56,863 --> 00:24:58,732 HAVE A SEAT IN HERE, JOHN. 468 00:24:58,765 --> 00:25:00,366 FINALLY, SHE SPEAKS TO ME. 469 00:25:00,400 --> 00:25:01,868 THANK YOU. 470 00:25:01,902 --> 00:25:04,004 THANK YOU. 471 00:25:04,037 --> 00:25:06,640 YOU DON�T TELL ME NOTHIN� ABOUT NOTHIN�. 472 00:25:06,673 --> 00:25:09,409 WE GOTTA TALK ABOUT A SITUATION. WHAT SITUATION? 473 00:25:09,442 --> 00:25:12,312 YOU�RE BEING VERY SECRETIVE, VERY COVERT. 474 00:25:12,345 --> 00:25:13,079 VERY ENIGMATIC. 475 00:25:15,682 --> 00:25:17,417 THE CAR THING? 476 00:25:19,520 --> 00:25:22,989 ALL RIGHT. I GUESS I SHOULDA STOPPED 477 00:25:23,023 --> 00:25:25,158 WHEN I BRUSHED THAT OTHER CAR. 478 00:25:25,191 --> 00:25:27,093 PRESSURE OF THE MOMENT, JOHN. 479 00:25:27,127 --> 00:25:28,595 THAT�S EXACTLY HOW IT HAPPENED. 480 00:25:28,629 --> 00:25:30,531 HEAT OF THE MOMENT, AND I DID SOMETHIN� STUPID. 481 00:25:34,400 --> 00:25:35,536 I MEAN, NOBODY WAS HURT, RIGHT? 482 00:25:35,569 --> 00:25:36,903 WERE YOU BY YOURSELF IN THE CAR, JOHN? 483 00:25:36,937 --> 00:25:39,105 NO. I WAS WITH A FRIEND. 484 00:25:39,139 --> 00:25:40,941 WHAT�S THE FRIEND�S NAME? VINCE. 485 00:25:40,974 --> 00:25:41,875 VINCE WHAT? 486 00:25:41,908 --> 00:25:44,077 LOOK... 487 00:25:44,110 --> 00:25:46,346 I MEAN, THE WOMAN WASN�T HURT, WAS SHE? 488 00:25:46,379 --> 00:25:48,549 IF SHE�S SAYING SHE�S HURT NOW, 489 00:25:48,582 --> 00:25:50,116 SHE�S SCAMMING YOU. 490 00:25:50,150 --> 00:25:52,118 WHAT DID MY PARTNER ASK YOU? 491 00:25:52,152 --> 00:25:55,689 I�M JUST SAYING THAT THIS IS TURNING INTO SOME MAJOR ATMOSPHERE HERE. 492 00:25:55,722 --> 00:25:57,524 THE ATMOSPHERE�S GONNA GET MAJOR, JOHN, 493 00:25:57,558 --> 00:25:59,626 IF MY PARTNER HAS TO ASK AGAIN THIS VINCE�S LAST NAME. 494 00:26:01,828 --> 00:26:03,029 BARDELLO, ALL RIGHT? 495 00:26:03,063 --> 00:26:04,931 HE�S LIKE KENNETH STARR... 496 00:26:04,965 --> 00:26:07,934 LIKE PERRY MASON WITH THE QUESTIONS. HE DON�T LET UP. 497 00:26:07,968 --> 00:26:09,703 YOU EVER COMMIT A VIOLENT CRIME? 498 00:26:09,736 --> 00:26:10,737 ABSOLUTELY NOT. 499 00:26:10,771 --> 00:26:12,539 ABSOLUTELY NOT. 500 00:26:12,573 --> 00:26:15,408 I NEVER DROVE AWAY FROM A VIOLENT CRIME IN MY LIFE. 501 00:26:15,441 --> 00:26:18,278 WE�RE NOT ASKING YOU ABOUT THE WOMAN NO MORE. 502 00:26:18,311 --> 00:26:20,614 HE ASKIN� ABOUT A SECOND VIOLENT CRIME? 503 00:26:20,647 --> 00:26:23,283 3 MINUTES BEFORE THE ONE YOU ADMITTED TO, AND 2 BLOCKS AWAY. 504 00:26:23,316 --> 00:26:26,553 3 MINUTES BEFORE, I�M PARKED ON THE STREET. 505 00:26:26,587 --> 00:26:27,954 WHERE WERE YOU PARKED? 506 00:26:27,988 --> 00:26:31,658 AROUND THE CORNER FROM SOMEWHERE VINCE WENT IN TO GET SMOKES. 507 00:26:31,692 --> 00:26:33,059 A CONVENIENCE STORE. 508 00:26:33,093 --> 00:26:35,061 YEAH, HUH? 509 00:26:35,095 --> 00:26:37,764 WHERE DID THIS VIOLENT CRIME TAKE PLACE? 510 00:26:37,798 --> 00:26:39,232 WHERE DO YOU THINK? 511 00:26:39,265 --> 00:26:40,166 OH, MAN. 512 00:26:40,200 --> 00:26:41,134 HOW DID VINCE ACT 513 00:26:41,167 --> 00:26:42,669 WHEN HE CAME BACK FROM THE STORE? 514 00:26:42,703 --> 00:26:44,004 HE WAS ALL RIGHT... 515 00:26:44,037 --> 00:26:47,273 UNTIL, LIKE, A BLOCK LATER. 516 00:26:47,307 --> 00:26:48,842 BLOCK LATER, WE�RE AT A LIGHT, 517 00:26:48,875 --> 00:26:51,277 AND VINCE STARTS GOING, "JUMP IT, JUMP IT!" 518 00:26:51,311 --> 00:26:53,113 HE SAID HE BOOSTED THE SMOKES. 519 00:26:57,483 --> 00:27:00,787 YOU KNOW WHAT "ACTING IN CONCERT" MEANS, JOHN? 520 00:27:00,821 --> 00:27:03,489 BEING WHEEL MAN FOR A STICKUP IS LIKE DOING THE STICKUP. 521 00:27:03,524 --> 00:27:05,526 A MURDER GOES DOWN IN THE COURSE OF THE STICKUP, 522 00:27:05,559 --> 00:27:06,993 YOU�RE GUILTY. 523 00:27:07,027 --> 00:27:09,663 A MURDER? I DIDN�T EVEN KNOW A ROBBERY TOOK PLACE. 524 00:27:09,696 --> 00:27:13,499 I WAS JUST DRIVING THE CRAZY SON OF A BITCH HOME FROM BEING FIRED. 525 00:27:13,534 --> 00:27:15,035 YEAH? WELL, YOU BETTER TELL US ALL ABOUT THAT?? 526 00:27:15,068 --> 00:27:16,670 EVERYTHING YOU GOT ON VINCE. 527 00:27:16,703 --> 00:27:19,806 I WILL... I WILL! 528 00:27:25,579 --> 00:27:29,550 LOOK...WE?WE�LL TALK ABOUT IT TONIGHT. I GOTTA GO. 529 00:27:32,318 --> 00:27:34,688 HEY, GREG, THE D. O. A.�s BLOOD 530 00:27:34,721 --> 00:27:36,623 DON�T MATCH THE BLOOD ON ED�S SWEATSHIRT. 531 00:27:36,657 --> 00:27:38,725 OH. GOOD. 532 00:27:38,759 --> 00:27:41,494 BECAUSE GOD FORBID WE SHOULD BE SPARED 533 00:27:41,528 --> 00:27:44,665 INTERVIEWING 50 MORE LICE?INFESTED BUMS. 534 00:27:46,066 --> 00:27:47,200 ANNIE? 535 00:27:47,233 --> 00:27:49,235 ANNIE COULDN�T GIVE HER NOTICE. 536 00:27:49,269 --> 00:27:52,472 HER BOSS IS LAID LOW BY AN ALLERGY ATTACK. 537 00:27:52,506 --> 00:27:55,008 I�D LIKE HIM LAID LOW BY A BUS. 538 00:28:22,402 --> 00:28:24,370 HI, ANDY. 539 00:28:24,404 --> 00:28:25,071 HI. 540 00:28:26,573 --> 00:28:27,908 HOW�S IT GOING, SIPOWICZ? 541 00:28:29,409 --> 00:28:30,911 SORRY WE�RE LATE. 542 00:28:30,944 --> 00:28:33,947 WHAT�D YOU FIND OUT? 543 00:28:36,216 --> 00:28:37,117 FREDDIE ASUNCION. 544 00:28:39,553 --> 00:28:42,188 DID THE MURDER SUAREZ COPPED TO, OR... 545 00:28:42,222 --> 00:28:44,124 HAD SUAREZ KILLED IN PRISON? 546 00:28:44,157 --> 00:28:45,291 BOTH. 547 00:28:47,393 --> 00:28:49,295 THIS IS NOT ABOUT FINGER POINTING. 548 00:28:49,329 --> 00:28:51,598 SUAREZ WAS A CONVICTED MURDERER, 549 00:28:51,632 --> 00:28:55,368 AND NAMING ASUNCION IN A LETTER FROM PRISON WAS NOT ENOUGH TO GO ON. 550 00:28:55,401 --> 00:28:56,803 WE GOT A GUY TO FLIP. 551 00:28:56,837 --> 00:28:58,905 DEALS DOPE FOR ASUNCION? 552 00:28:58,939 --> 00:29:00,206 YEAH. 553 00:29:00,240 --> 00:29:01,374 TOMMY IBARRA. 554 00:29:01,407 --> 00:29:04,210 HE�S IN CUSTODY? 555 00:29:04,244 --> 00:29:07,080 NOPE. WE HAVE TO PUT HIM IN CUSTODY. 556 00:29:10,517 --> 00:29:13,920 I HOPE SHE WASN�T PROPOSING NO VIGILANTE TACTICS 557 00:29:13,954 --> 00:29:15,789 ON THE RIDE BACK FROM RIKERS. 558 00:29:15,822 --> 00:29:17,624 I�LL TAKE CARE OF THE TACTICS. 559 00:29:33,339 --> 00:29:35,976 SO, THIS DOROTHY NATALE 560 00:29:36,009 --> 00:29:38,244 THAT FILED THE COMPLAINT?? 561 00:29:38,278 --> 00:29:39,646 THE WOMAN WHOSE CAR YOU SIDESWIPED?? 562 00:29:39,680 --> 00:29:41,247 I DID NOT SIDESWIPE HER CAR. 563 00:29:41,281 --> 00:29:44,484 THAT YOUR BUDDY JOHN SIDESWIPED HER CAR. 564 00:29:44,518 --> 00:29:46,653 WHAT�S JOHN WANNA INVOLVE ME WITH THAT FOR? 565 00:29:46,687 --> 00:29:48,488 WE ASKED HIM TO INVOLVE YOU, VINCE, 566 00:29:48,522 --> 00:29:50,090 BECAUSE THIS DOROTHY NATALE, WHOSE CAR JOHN HIT, 567 00:29:50,123 --> 00:29:52,793 HAS BEEN BREAKING BALLS ALL DAY. 568 00:29:52,826 --> 00:29:55,996 WE GOT HALF AN IDEA SHE�S BUILDING SOME INSURANCE CASE. 569 00:29:56,029 --> 00:29:58,532 THAT�S ON US, VINCE??ASKING JOHN FOR YOUR NAME. 570 00:29:58,565 --> 00:30:01,702 WE ASKED HIM WAS THERE SOMEONE WHO COULD CORROBORATE 571 00:30:01,735 --> 00:30:03,970 HE ONLY DID MINIMAL DAMAGE. 572 00:30:04,004 --> 00:30:06,540 YEAH...YEAH. MINIMAL DAMAGE. 573 00:30:06,573 --> 00:30:09,042 HE ONLY MINIMALLY DAMAGED HER CAR? 574 00:30:09,075 --> 00:30:12,312 UH...A MINOR SIDESWIPE. 575 00:30:12,345 --> 00:30:14,180 JOHN SAID YOU GOT FIRED TODAY. 576 00:30:14,214 --> 00:30:16,950 I WAS FIRED, YEAH. 577 00:30:16,983 --> 00:30:18,552 WILL THAT JAM UP YOUR PAROLE? 578 00:30:18,585 --> 00:30:22,122 NO. I WOULDN�T ASSUME SO. 579 00:30:22,155 --> 00:30:26,292 WHO�S YOUR P. O., MOTHER TERESA? 580 00:30:26,326 --> 00:30:28,061 MAYBE IT WILL JAM ME UP. I DON�T KNOW. 581 00:30:28,094 --> 00:30:29,495 NOT YOUR PROBLEM, RIGHT? 582 00:30:29,530 --> 00:30:31,131 WHAT? 583 00:30:31,164 --> 00:30:32,498 IF I GET JAMMED UP ON MY PAROLE, 584 00:30:32,533 --> 00:30:34,034 IT�S NOT REALLY YOUR PROBLEM. 585 00:30:34,067 --> 00:30:36,069 ACCOUNT FOR YOUR DAY. 586 00:30:36,102 --> 00:30:37,671 WHAT DOES MY DAY HAVE TO DO 587 00:30:37,704 --> 00:30:40,641 WITH JOHN FALCONE SIDESWIPING SOME BALL?BREAKING BITCH 588 00:30:40,674 --> 00:30:42,042 LOOKIN� TO EARN ON A FENDER BENDER? 589 00:30:42,075 --> 00:30:44,044 IF I ASK YOU TO ACCOUNT FOR YOUR DAY, SCUMBAG, 590 00:30:44,077 --> 00:30:46,847 START ACCOUNTING FOR YOUR DAY. 591 00:30:46,880 --> 00:30:48,649 WOKE UP ABOUT 7:15?? 592 00:30:48,682 --> 00:30:50,651 WHAT WERE YOU DOING JUST BEFORE YOU HIT THAT LADY? 593 00:30:50,684 --> 00:30:52,052 HEH, I DIDN�T HIT THAT LADY. 594 00:30:52,085 --> 00:30:54,487 NO. YOU KILLED THAT STORE CLERK. 595 00:30:54,521 --> 00:30:56,857 WHAT? 596 00:30:56,890 --> 00:30:59,325 JUST BEFORE YOUR BUDDY JOHN SIDESWIPED THAT LADY�S CAR, 597 00:30:59,359 --> 00:31:02,095 DRIVING FAST LIKE YOU TOLD HIM TO, 598 00:31:02,128 --> 00:31:03,864 YOU PULLED A KNIFE IN THAT CONVENIENCE STORE 599 00:31:03,897 --> 00:31:05,766 AND PUT IT IN THAT STORE CLERK�S CHEST. 600 00:31:05,799 --> 00:31:07,568 HE WAS NOT THERE. 601 00:31:07,601 --> 00:31:09,369 IF HE TOLD YOU HE WAS, HE LIED. 602 00:31:09,402 --> 00:31:11,404 THE STORE CLERK�S DEAD, VINCE. 603 00:31:11,437 --> 00:31:12,839 WE�RE GONNA LOCK YOU UP FOR MURDER. 604 00:31:12,873 --> 00:31:15,175 JOHN WAS NOT IN THAT STORE. 605 00:31:15,208 --> 00:31:16,276 2 OTHER PEOPLE WERE, VINCE?? 606 00:31:16,309 --> 00:31:17,778 A MAN AND HIS WIFE, 607 00:31:17,811 --> 00:31:19,279 AND AFTER JOHN GAVE US YOUR NAME 608 00:31:19,312 --> 00:31:20,947 AND WE GOT YOUR PHOTO FROM B. C. I., 609 00:31:20,981 --> 00:31:22,783 THEM 2 PEOPLE PICKED YOU OUT. 610 00:31:22,816 --> 00:31:25,118 THERE WAS NOT A MAN AND A WIFE IN THAT STORE. 611 00:31:25,151 --> 00:31:26,953 I GUESS THAT MEANS YOU WERE. 612 00:31:26,987 --> 00:31:28,388 WHO SAID I WASN�T? 613 00:31:28,421 --> 00:31:31,558 LOOK, I PURCHASED MY SMOKES AND THEN WALKED OUT. 614 00:31:31,592 --> 00:31:33,359 JOHN PUTTING ME IN THAT STORE 615 00:31:33,393 --> 00:31:35,962 DOES NOT MAKE ME GUILTY OF MURDER OR ANYTHING. 616 00:31:35,996 --> 00:31:38,298 AND YOU�RE MAKING THEM 2 PEOPLE UP. 617 00:31:38,331 --> 00:31:41,401 WAS THERE A LITTLE BOY IN THAT STORE? 618 00:31:41,434 --> 00:31:42,903 WHAT�S THIS NOW? 619 00:31:42,936 --> 00:31:46,406 WAS THERE A LITTLE BOY SAW YOU STICK THE STORE CLERK 620 00:31:46,439 --> 00:31:47,741 BEFORE THE CLERK EVEN HAD A CHANCE TO GIVE YOU 621 00:31:47,774 --> 00:31:50,911 THE MONEY OR LOTTERY TICKETS YOU WANTED? 622 00:31:50,944 --> 00:31:53,313 DID YOU POINT YOUR FINGER AT THAT LITTLE BOY 623 00:31:53,346 --> 00:31:55,716 TO THREATEN AND INTIMIDATE HIM BEFORE YOU RAN OUT? 624 00:31:55,749 --> 00:31:58,318 HE�S GOT ME CONFUSED WITH SOMEBODY ELSE. 625 00:31:58,351 --> 00:32:01,321 NO. HE SAW YOU, AND YOU�RE GETTING LOCKED UP. 626 00:32:01,354 --> 00:32:04,457 BUT THE BEST LUCK YOU�VE HAD IN YOUR SORRY LIFE, VINCE, 627 00:32:04,490 --> 00:32:07,961 WE DON�T WANT THAT BOY TO HAVE TO TESTIFY... 628 00:32:07,994 --> 00:32:09,329 SO IF YOU COOPERATE 629 00:32:09,362 --> 00:32:11,131 BY GIVING US A STATEMENT, 630 00:32:11,164 --> 00:32:14,100 I�LL PERSONALLY GUARANTEE I�LL GO TO BAT FOR YOU... 631 00:32:14,134 --> 00:32:17,137 AND DETECTIVE RUSSELL WILL ALSO. 632 00:32:17,170 --> 00:32:20,173 IF YOU AND THE CLERK HAD SOME PRIOR BACK?AND?FORTH 633 00:32:20,206 --> 00:32:21,942 THAT LITTLE BOY DIDN�T SEE, 634 00:32:21,975 --> 00:32:23,476 WE WILL GO TO BAT FOR THAT. 635 00:32:23,510 --> 00:32:25,311 IF HE PROVOKED YOU SOME WAY, 636 00:32:25,345 --> 00:32:27,681 DISRESPECTED YOUR PURPOSE BEING THERE... 637 00:32:27,714 --> 00:32:28,915 WE KNOW A LOT OF SITUATIONS, 638 00:32:28,949 --> 00:32:30,283 A GUY ONLY SHOWS A KNIFE 639 00:32:30,316 --> 00:32:32,318 TO LET THE CLERK KNOW HE�S SERIOUS. 640 00:32:32,352 --> 00:32:34,320 NOW, THE CLERK INSULTS HIM SOME WAY, 641 00:32:34,354 --> 00:32:36,623 TELLS HIM TO SHOVE THE KNIFE UP HIS ASS... 642 00:32:36,657 --> 00:32:39,960 THE WHOLE PICTURE CHANGES BEHIND THE CLERK�S PROVOCATION. 643 00:32:42,395 --> 00:32:44,965 AND NOW, HERE�S THE ALTERNATIVE, VINCE. 644 00:32:44,998 --> 00:32:46,833 IF YOU DO NOT MAKE A STATEMENT, 645 00:32:46,867 --> 00:32:49,803 KNOWING WE�VE GOT AN EYEWITNESS TO WHAT YOU DID INSIDE, 646 00:32:49,836 --> 00:32:53,273 AND YOUR BUDDY JOHN CORROBORATING YOU WERE THERE, 647 00:32:53,306 --> 00:32:55,542 YOU MAKE US PUT THAT LITTLE BOY ON, 648 00:32:55,576 --> 00:32:57,978 DETECTIVE RUSSELL AND ME, WE�LL TAKE A VOW IN THIS ROOM 649 00:32:58,011 --> 00:32:59,445 THAT WE WILL CRUCIFY YOU. 650 00:32:59,479 --> 00:33:01,047 I GOT A LOT OF FRIENDS 651 00:33:01,081 --> 00:33:02,048 IN THE DISTRICT ATTORNEY�S OFFICE, 652 00:33:02,082 --> 00:33:04,384 AND SO DOES DETECTIVE SORENSON, 653 00:33:04,417 --> 00:33:06,620 AND WE WILL CALL IN EVERY FAVOR WE�RE OWED 654 00:33:06,653 --> 00:33:09,289 TO MAKE THIS A DEATH PENALTY CASE. 655 00:33:09,322 --> 00:33:11,992 GIVE IT UP, VINCE. TELL US YOUR SIDE. 656 00:33:16,830 --> 00:33:19,833 MY LIFE STINKS... 657 00:33:19,866 --> 00:33:21,835 DAY ONE TILL TODAY. 658 00:33:31,778 --> 00:33:33,747 ALL RIGHT, ALL RIGHT. 659 00:33:33,780 --> 00:33:34,748 I�LL TELL. 660 00:33:49,195 --> 00:33:51,164 STAND IN THE DARK... 661 00:33:51,197 --> 00:33:53,567 OUR TOES FROZEN... 662 00:33:53,600 --> 00:33:56,069 TALKING TO A PROCESSION OF WET BRAINS. 663 00:33:56,102 --> 00:33:58,271 THAT�S HOW OUR EVENING�S SHAPING UP, JAMES. 664 00:34:00,273 --> 00:34:02,576 KNOW WHAT I DON�T LIKE? THEM EMBERS... 665 00:34:02,609 --> 00:34:06,212 FROM THEIR BARREL FIRES GETTING IN YOUR EYES. 666 00:34:06,246 --> 00:34:10,116 I CAN HAVE A DARK MOOD COME OVER ME IN THEM ALLEYS. 667 00:34:10,150 --> 00:34:12,953 WE�LL MAKE IT A 2?HOUR SHOT, MAXIMUM, ALL RIGHT, GREG? 668 00:34:12,986 --> 00:34:15,522 OR 9 P. M. ABSOLUTE MAXIMUM. 669 00:34:15,556 --> 00:34:17,357 YEAH, ALL RIGHT. 670 00:34:17,390 --> 00:34:20,193 �CAUSE 9 P. M., THE RATS START SCURRYING AROUND. 671 00:34:20,226 --> 00:34:21,762 WHOA! HEY, 672 00:34:21,795 --> 00:34:22,729 YOU WANNA STOP RIGHT THERE FOR US? 673 00:34:22,763 --> 00:34:23,897 YEAH, SURE. 674 00:34:25,331 --> 00:34:26,767 HOW�S IT GOING? 675 00:34:26,800 --> 00:34:28,969 GOOD. 676 00:34:29,002 --> 00:34:30,270 WHAT DO YOU NEED? 677 00:34:31,471 --> 00:34:32,739 KNIFE. 678 00:34:32,773 --> 00:34:35,308 NEED A KNIFE, HUH? 679 00:34:35,341 --> 00:34:36,409 PUT YOUR ARMS UP. 680 00:34:42,148 --> 00:34:43,717 AAH! 681 00:34:43,750 --> 00:34:46,086 [GROANS] 682 00:34:47,521 --> 00:34:50,891 WHAT�S THE MATTER? YOUR HEAD HURT YOU? 683 00:34:50,924 --> 00:34:54,494 COULD YOU SHOW ME THE MAGNET YOU USE FOR THE MIND SALVATION? 684 00:34:54,528 --> 00:34:56,496 WE�RE NOT ALLOWED TO DO THAT. 685 00:34:56,530 --> 00:34:59,099 THEY MAKE US KEEP IT UNDER WRAPS. 686 00:34:59,132 --> 00:35:01,267 VIC JUST THREW IT IN THERE! 687 00:35:01,301 --> 00:35:04,971 VIC TOOK MY KNIFE AND THREW IT IN THE SEWER! 688 00:35:05,005 --> 00:35:06,840 WHAT HAPPENED AFTER THAT? 689 00:35:06,873 --> 00:35:11,244 I LIFTED HIM... IN THE POSTAL CART. 690 00:35:11,277 --> 00:35:14,280 WHICH SHOULDER DID YOU HAVE HIM ON? 691 00:35:16,149 --> 00:35:18,218 YOU GOT SOME... BLOOD ON THERE. 692 00:35:20,821 --> 00:35:24,290 DID YOU HIT VIC BEFORE YOU PUT HIM IN THE CART? 693 00:35:24,324 --> 00:35:26,292 DAMN RIGHT I DID. I CAVED HIS HEAD IN. 694 00:35:26,326 --> 00:35:28,128 REMEMBER WHAT YOU USED TO DO IT? 695 00:35:28,161 --> 00:35:32,365 YEAH. I USED A GOOD, STRONG PIECE OF 2 X 4. 696 00:35:35,368 --> 00:35:37,671 ALL RIGHT, LET�S GET YOU ON YOUR FEET. 697 00:35:37,704 --> 00:35:39,773 YOU ARE GONNA HELP ME WITH THE MIND SALVATION? 698 00:35:39,806 --> 00:35:41,107 YEAH, OH, YEAH. 699 00:35:41,141 --> 00:35:43,009 WAIT. WE�RE GOING IN HERE TO TALK. 700 00:35:43,043 --> 00:35:45,445 THAT�S WHERE WE�LL HELP YOU WITH THE MIND SALVATION. 701 00:35:45,478 --> 00:35:46,379 GOOD. 702 00:36:16,342 --> 00:36:17,310 [KNOCK ON DOOR] 703 00:36:17,343 --> 00:36:18,378 [DOOR OPENS] 704 00:37:03,323 --> 00:37:06,292 I AM SO PROUD OF YOU. 705 00:37:06,326 --> 00:37:08,629 FREE HORS D�OEUVRES IS FREE HORS D�OEUVRES, RIGHT? 706 00:37:08,662 --> 00:37:11,297 NOT JUST FOR THE PEOPLE AT THE BAR. 707 00:37:11,331 --> 00:37:13,900 WE�RE PATRONS, CITIZENS OF THIS COUNTRY. 708 00:37:16,837 --> 00:37:19,740 I TELL YOU, KEEPING KYLE FROM HAVING TO BE INVOLVED, 709 00:37:19,773 --> 00:37:22,576 JILL MUST�VE BEEN SOME KIND OF GRATEFUL TO YOU TWO. 710 00:37:24,678 --> 00:37:27,648 WELL, I AM THE BEARER OF GLAD TIDINGS. 711 00:37:27,681 --> 00:37:29,149 WHAT�S GOING ON? 712 00:37:29,182 --> 00:37:31,451 UH, THE GIRL I�VE BEEN SEEING? 713 00:37:31,484 --> 00:37:34,287 WE�VE HAD A LOT OF STRAIN LATELY 714 00:37:34,320 --> 00:37:36,289 ON THE SUBJECT OF INDECISIVENESS. 715 00:37:36,322 --> 00:37:39,059 DID YOU TELL HER YOU CLEARED A CASE TODAY? 716 00:37:39,092 --> 00:37:42,428 SHE�S THE ONE THAT�S INDECISIVE. 717 00:37:42,462 --> 00:37:45,732 ANY EVENT, UH, THE JOB SHE HATES, 718 00:37:45,766 --> 00:37:48,168 THAT, UH, HAS BEEN A BONE OF CONTENTION, 719 00:37:48,201 --> 00:37:50,971 ANNIE JUST TOLD ME SHE QUIT. 720 00:37:51,004 --> 00:37:52,773 GOOD. GOOD FOR ANN. 721 00:37:52,806 --> 00:37:54,307 THAT�S GREAT, GREG. 722 00:37:54,340 --> 00:37:56,376 YEAH. THAT WAS A BIG HUMP SHE WENT OVER. 723 00:37:58,712 --> 00:38:02,683 ANYWAYS, UH...I�M GONNA GO SEE HER NOW. 724 00:38:02,716 --> 00:38:06,152 ACTUALLY, SHE�S, UH, COMING OVER TO MY PLACE. 725 00:38:08,488 --> 00:38:09,790 WE, UH... 726 00:38:09,823 --> 00:38:11,958 WE DID AN HONEST DAY�S WORK TODAY, DIDN�T WE? 727 00:38:11,992 --> 00:38:14,360 YEAH, WE DID. 728 00:38:14,394 --> 00:38:17,030 WE ALL DID AN HONEST DAY�S WORK. 729 00:38:17,063 --> 00:38:20,300 GOOD NIGHT, DIANE. SEE YA. 730 00:38:26,306 --> 00:38:28,742 I THINK THERE MAY BE A HUMP IN GREG�S FUTURE, TOO. 731 00:38:33,313 --> 00:38:34,548 EXCUSE ME. 732 00:38:47,060 --> 00:38:48,762 THANKS FOR WORKING THAT WITH ME. 733 00:38:50,731 --> 00:38:53,233 YEAH. WE WORKED THAT GOOD. 734 00:38:53,266 --> 00:38:56,036 3 BEERS AND A SODA. 735 00:39:04,210 --> 00:39:06,580 GREG LEFT A SOLDIER IN THE FORT. 736 00:39:18,358 --> 00:39:19,626 WASTE NOT, WANT NOT. 737 00:39:23,296 --> 00:39:25,666 THIS JERK LOCKS THE DOOR. 738 00:39:25,699 --> 00:39:29,169 AND HE DIDN�T HAVE TO. HE WAS ONLY PISSIN�. 739 00:39:29,202 --> 00:39:30,236 I COULD HEAR HIM. 740 00:39:30,270 --> 00:39:31,471 THE NERVE. 741 00:39:52,492 --> 00:39:54,060 HA HA! 742 00:39:54,094 --> 00:39:55,929 OH, I GET IT. 743 00:39:55,962 --> 00:39:57,798 HA! THESE ARE A PAIR. 744 00:39:59,132 --> 00:40:01,234 DIFFERENT VIEWS. 745 00:40:01,267 --> 00:40:03,804 THEY�RE PROBABLY BY THE SAME ARTIST. 746 00:40:08,174 --> 00:40:11,578 HEY, THAT WAS BIG FOR DIANE?? GOING OUT WITH US. 747 00:40:11,612 --> 00:40:13,914 YEAH. I EXPECT SHE HASN�T BEEN SOCIALIZING. 748 00:40:13,947 --> 00:40:16,550 IT�S THE FIRST I�M AWARE SINCE BOBBY PASSED. 749 00:40:16,583 --> 00:40:18,284 UH?HUH. 750 00:40:18,318 --> 00:40:19,653 AND I�LL TELL YOU SOMETHING ELSE, DANNY. 751 00:40:19,686 --> 00:40:21,154 I WAS GLAD ENOUGH THAT THE TWO OF YOU 752 00:40:21,187 --> 00:40:23,123 WORKED TOGETHER TODAY ON THAT CASE. 753 00:40:23,156 --> 00:40:26,092 MAYBE BROKE THE ICE A LITTLE. 754 00:40:26,126 --> 00:40:27,928 I�LL TELL YOU, STRAIGHT OUT, 755 00:40:27,961 --> 00:40:29,930 DIANE�S BEEN RESERVED TOWARD YOU. 756 00:40:29,963 --> 00:40:31,765 MAKES SENSE, NO? 757 00:40:31,798 --> 00:40:35,602 WELL, I�M GLAD THIS MAY HAVE BEEN THE BREAKING OF THE ICE. 758 00:40:35,636 --> 00:40:38,171 HEY, JAMES, DOES DIANE ENJOY A BEER, DO YOU KNOW? 759 00:40:38,204 --> 00:40:40,006 DIANE? 760 00:40:40,040 --> 00:40:42,008 IS SHE A TEETOTALER, OR WHAT? 761 00:40:42,042 --> 00:40:44,010 I NEVER NOTICED HER DRINK, 762 00:40:44,044 --> 00:40:46,179 BUT IF THAT�S HARD AND FAST OR NOT, I DON�T KNOW. 763 00:40:46,212 --> 00:40:48,014 I NEVER SEEN HER DRINK, 764 00:40:48,048 --> 00:40:50,617 BUT I ALSO NEVER HEARD HER SAY THAT SHE DON�T. 765 00:40:50,651 --> 00:40:51,818 YEAH, WELL, ANYWAYS. 766 00:40:51,852 --> 00:40:53,954 WHY DO YOU ASK, DANNY? 767 00:40:53,987 --> 00:40:57,123 �CAUSE I�M OUT OF THINGS TO ASK ABOUT, AND I�M FREEZING. 768 00:40:57,157 --> 00:41:00,761 HEY, HEY, DANNY, IT�S 10 P. M.! 769 00:41:00,794 --> 00:41:02,696 AND I FEEL NO URGENCY CATCHING THE TRAIN 770 00:41:02,729 --> 00:41:04,698 �CAUSE IT�S THE SOFA FOR ME ANYWAYS. 771 00:41:04,731 --> 00:41:06,466 WHAT, HOUSE POLICY? 772 00:41:06,499 --> 00:41:10,370 WELL, 10 P. M., THE IRON CURTAIN TENDS TO DESCEND. 773 00:41:10,403 --> 00:41:12,005 ANYWAYS. 774 00:41:12,038 --> 00:41:13,540 ANYWAYS, LET ME CATCH MY TRAIN. 775 00:41:13,574 --> 00:41:14,541 ALL RIGHT. ALL RIGHT? 776 00:41:14,575 --> 00:41:15,609 HEY, JAMES? YEAH? 777 00:41:15,642 --> 00:41:17,811 YOU GOT THE SQUAD ROSTER ON YOUR CASIO? 778 00:41:17,844 --> 00:41:19,613 YEAH. WHAT NUMBER YOU WANT? 779 00:41:19,646 --> 00:41:22,182 YEAH, LET ME GET ANDY�S NUMBER OFF OF IT, PLEASE. 780 00:41:22,215 --> 00:41:24,350 I�LL DO IT. 781 00:41:24,384 --> 00:41:29,055 WHAT, YOU THINK I�M LOSING MY MANUAL DEXTERITY? HUH? 782 00:41:29,089 --> 00:41:31,457 HEY, I ENJOYED WORKING WITH YOU TODAY... 783 00:41:31,491 --> 00:41:32,859 HEY, THANKS A LOT. 784 00:41:32,893 --> 00:41:34,027 SPENDING TIME AFTERWARDS. 785 00:41:34,060 --> 00:41:35,028 SAME HERE. 786 00:41:35,061 --> 00:41:36,362 ALL RIGHT, DANNY. 787 00:41:38,164 --> 00:41:40,000 DANNY. 788 00:42:02,556 --> 00:42:05,526 YOU SEEMED A LITTLE IFFY AT THE BAR. 789 00:42:05,559 --> 00:42:08,529 NOT THAT IT�S ANY OF MY BUSINESS... 790 00:42:08,562 --> 00:42:10,864 NOT THAT IT�S ANY OF MY BUSINESS... 791 00:42:16,803 --> 00:42:19,239 [TELEPHONE RINGING] 792 00:42:23,777 --> 00:42:26,079 Recording: HI. THIS IS DIANE. I�M NOT IN RIGHT NOW. 793 00:42:26,112 --> 00:42:28,214 PLEASE LEAVE A MESSAGE. [BEEP] 794 00:42:41,962 --> 00:42:43,930 "OH, I SEE. THEY�RE A PAIR. 795 00:42:43,964 --> 00:42:46,633 PROBABLY FROM THE SAME ARTIST." 796 00:42:46,667 --> 00:42:48,602 HA HA... 797 00:42:48,652 --> 00:42:53,202 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 57421

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.