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1
00:00:13,246 --> 00:00:14,515
HIYA, DANNY.
2
00:00:14,548 --> 00:00:15,882
HOW�S IT GOIN�?
3
00:00:15,916 --> 00:00:16,883
GOOD.
4
00:00:16,917 --> 00:00:19,219
[PAGER BEEPS]
5
00:00:19,252 --> 00:00:20,253
EXCUSE ME.
6
00:00:31,097 --> 00:00:32,098
REBECCA?
7
00:00:35,301 --> 00:00:36,570
HOW�S IT GOIN�?
8
00:00:36,603 --> 00:00:37,571
GOOD MORNIN�, ANDY.
9
00:00:37,604 --> 00:00:39,339
YEAH. WHERE?
10
00:00:39,372 --> 00:00:40,774
MORNING, GREG.
11
00:00:40,807 --> 00:00:42,042
Kirkendall: OK, UH...
12
00:00:42,075 --> 00:00:43,443
HEY. HOW�S IT GOING, DANNY?
13
00:00:43,476 --> 00:00:46,780
SLOW DOWN, SLOW DOWN.
WAIT A MINUTE.
14
00:00:46,813 --> 00:00:48,248
OKAY, UH...
15
00:00:48,281 --> 00:00:50,183
HOW�S THE TANK?
16
00:00:50,216 --> 00:00:52,452
MY NEONS ARE
A LITTLE LISTLESS.
17
00:00:52,485 --> 00:00:54,020
Fancy: GOT IT. THANKS.
18
00:00:54,054 --> 00:00:56,089
TELL KYLE
MOMMY�S ON THE WAY.
19
00:00:56,122 --> 00:00:58,892
A STABBING VICTIM
AT A CONVENIENCE STORE
20
00:00:58,925 --> 00:01:00,126
AT SECOND AVENUE
AND THIRD STREET.
21
00:01:00,160 --> 00:01:01,061
ANDY, YOU�RE UP.
22
00:01:03,129 --> 00:01:05,632
KYLE SAW IT.
23
00:01:05,666 --> 00:01:08,268
HE SAW THE STABBING.
HE WAS IN THE STORE WHEN IT HAPPENED.
24
00:01:08,301 --> 00:01:09,703
HER 9?YEAR?OLD.
25
00:01:09,736 --> 00:01:11,037
EVERYONE ON BACKUP.
26
00:01:11,071 --> 00:01:13,740
COME ON, JILL.
I�VE GOT THE KEYS.
27
00:01:13,774 --> 00:01:16,577
IF YOU NEED TO BANG OUT
FOR THE REST OF THE SHIFT, THAT�S FINE.
28
00:01:16,610 --> 00:01:18,311
WHAT?
29
00:01:18,344 --> 00:01:19,913
DO WHAT YOU GOTTA DO.
30
00:01:19,946 --> 00:01:22,015
I�M GOING TO.
31
00:01:37,664 --> 00:01:39,766
[WOMAN CRYING]
32
00:01:39,800 --> 00:01:43,469
MIGUEL! OH, MIGUEL!
33
00:01:51,377 --> 00:01:52,345
MOM!
34
00:01:52,378 --> 00:01:53,346
ARE YOU OK?
35
00:01:53,379 --> 00:01:56,617
OH! OK, KYLE. IT�S OK.
36
00:01:58,552 --> 00:02:00,821
Danny: HEY, COME HERE
AND TALK TO ME.
37
00:02:00,854 --> 00:02:02,122
WHAT HAPPENED?
38
00:02:02,155 --> 00:02:03,857
KID�S IN THE STORE
WITH THE SITTER.
39
00:02:03,890 --> 00:02:05,091
SHE�S IN THE JOHN.
40
00:02:05,125 --> 00:02:06,927
PERP ROBS
AND STABS THE CLERK.
41
00:02:06,960 --> 00:02:07,794
ANYBODY ELSE
IN THE STORE?
42
00:02:07,828 --> 00:02:08,829
NAH. JUST THE KID.
43
00:02:08,862 --> 00:02:10,964
YOU�RE NOT HURT?
44
00:02:10,997 --> 00:02:12,032
OK.
45
00:02:12,065 --> 00:02:13,800
ALL RIGHT, BABY.
46
00:02:13,834 --> 00:02:15,168
WHAT�S THE PROBLEM?
47
00:02:15,201 --> 00:02:16,637
WHO ARE YOU
WORKING FOR, GARY? I FREELANCE.
48
00:02:16,670 --> 00:02:18,639
MY NAME�S
DANNY SORENSON, I�M WITH THE 15th SQUAD,
49
00:02:18,672 --> 00:02:20,440
AND I�M GONNA
NEED THE LAST FILM YOU JUST SHOT.
50
00:02:20,473 --> 00:02:22,042
WHAT DO YOU MEAN?
WELL, WHAT PART?
51
00:02:22,075 --> 00:02:22,976
WITH THE MOTHER
AND HER BOY.
52
00:02:23,009 --> 00:02:24,978
THAT�S GREAT STUFF.
53
00:02:25,011 --> 00:02:26,647
I DON�T WANT THAT PART
CIRCULATING, GARY.
54
00:02:26,680 --> 00:02:29,182
YOU DO ME THIS SOLID,
I�LL GET YOU SOME EXCLUSIVES
55
00:02:29,215 --> 00:02:30,316
ON WALKOUTS
FROM MY STATION HOUSE.
56
00:02:30,350 --> 00:02:31,885
I DON�T KNOW.
57
00:02:31,918 --> 00:02:34,054
SURE, YOU DO, GARY.
58
00:02:34,087 --> 00:02:35,889
I�LL TAKE REAL GOOD
CARE OF YA,
59
00:02:35,922 --> 00:02:38,058
AND I�M GONNA BE
ON THIS JOB A LONG TIME.
60
00:02:38,091 --> 00:02:39,526
ALL RIGHT.
61
00:02:39,560 --> 00:02:41,194
LET ME REWIND.
62
00:02:43,063 --> 00:02:45,065
THE MAN
IN THE STORE�S DEAD.
63
00:02:45,098 --> 00:02:48,468
AND THE OTHER MAN
STABBED HIM WITH A KNIFE.
64
00:02:48,502 --> 00:02:51,137
A D.O.A.
AT THAT HOMELESS CAMP OVER ON FOURTH STREET.
65
00:02:51,171 --> 00:02:52,138
YOU�RE CATCHIN�?
66
00:02:52,172 --> 00:02:53,373
YEAH, WE�RE
THE LUCKY TEAM.
67
00:02:53,406 --> 00:02:54,340
YEAH.
68
00:02:57,544 --> 00:03:00,013
AAAH! AAH!
69
00:03:00,046 --> 00:03:02,348
[SCREAMING AND CRYING]
70
00:03:03,884 --> 00:03:05,418
LET�S GET HIM
OUTTA HERE.
71
00:03:05,451 --> 00:03:08,722
Woman: NO! NO! NO!
72
00:03:08,755 --> 00:03:09,690
[SOBS]
73
00:03:09,723 --> 00:03:11,391
iPOR QU?!
74
00:03:11,424 --> 00:03:14,995
[CRYING AND SCREAMING
IN SPANISH]
75
00:03:15,028 --> 00:03:18,398
?POR QU?? NO! ?POR QU??
76
00:04:58,331 --> 00:05:00,867
HOW LONG YOU BEEN
MARRIED TO SIPOWICZ?
77
00:05:02,168 --> 00:05:04,237
A LITTLE OVER 3 YEARS.
78
00:05:06,039 --> 00:05:08,642
LET ME TELL YOU ONCE,
SERGEANT,
79
00:05:08,675 --> 00:05:10,476
HOW GRATEFUL I AM
FOR WHAT YOU�RE DOING??
80
00:05:10,511 --> 00:05:13,146
JERMAINE SLUNG DOPE
ON THAT CORNER.
81
00:05:13,179 --> 00:05:14,881
IF THIS MURDER�S
DRUG?RELATED
82
00:05:14,915 --> 00:05:16,550
AND SUAREZ WAS
A BOUGHT PATSY,
83
00:05:16,583 --> 00:05:18,284
JERMAINE OUGHT
TO KNOW ABOUT IT.
84
00:05:18,318 --> 00:05:20,320
LISTEN, ABOUT JERMAINE
BEING SISSIFIED,
85
00:05:20,353 --> 00:05:22,388
DON�T LET THAT FOOL YOU.
86
00:05:22,422 --> 00:05:23,824
NO.
87
00:05:23,857 --> 00:05:25,959
HE CAN HANDLE HIMSELF
ON THE STREET.
88
00:05:25,992 --> 00:05:28,529
Man: I SEE YOU IN THERE,
DETECTIVE DORNAN.
89
00:05:28,562 --> 00:05:31,865
HERE I AM, JERMAINE,
AND IT�S SERGEANT DORNAN.
90
00:05:31,898 --> 00:05:35,035
CONGRATULATIONS.
91
00:05:35,068 --> 00:05:36,670
ASSISTANT DISTRICT
ATTORNEY COSTAS.
92
00:05:36,703 --> 00:05:37,704
HOW DO YOU DO.
93
00:05:37,738 --> 00:05:39,640
HOW DO YOU DO?
94
00:05:39,673 --> 00:05:40,841
[PUSHES CHAIR]
95
00:05:40,874 --> 00:05:43,544
ASSISTANT DISTRICT ATTORNEY.
96
00:05:43,577 --> 00:05:47,213
YES, WELL, I�M AFRAID I CAN�T
SPEAK TO YOU JUST NOW
97
00:05:47,247 --> 00:05:50,083
BECAUSE OF AN URGENT
DENTURE PROBLEM.
98
00:05:50,116 --> 00:05:52,185
WHAT�S THIS, NOW?
99
00:05:52,218 --> 00:05:55,722
IT�S GETTIN� ON 16 DAYS
I�VE BEEN ASKIN� TO SEE THE DENTIST
100
00:05:55,756 --> 00:05:58,759
TO HAVE MY UPPER PLATE
ADJUSTED.
101
00:05:58,792 --> 00:06:02,062
AND I�M AFRAID THAT
WHATEVER COOPERATION YOU�RE LOOKING FOR
102
00:06:02,095 --> 00:06:04,497
I CAN�T PROVIDE
UNTIL THAT HAPPENS.
103
00:06:04,531 --> 00:06:05,398
LET�S TAKE CARE OF THAT
RIGHT AFTER THIS.
104
00:06:05,431 --> 00:06:07,901
NO, NO, NO.
105
00:06:07,934 --> 00:06:10,704
IT WILL NOT TAKE LONG.
106
00:06:10,737 --> 00:06:13,740
MY MOUTH IS
VERY IMPORTANT TO ME.
107
00:06:13,774 --> 00:06:15,909
ALL RIGHT.
CAN WE GET HIM IN
108
00:06:15,942 --> 00:06:18,712
FOR A DENTURE
ADJUSTMENT NOW?
109
00:06:18,745 --> 00:06:21,414
THANK YOU VERY MUCH.
110
00:06:21,447 --> 00:06:24,885
I EXPECT YOU
TO COOPERATE WHEN YOU GET BACK HERE.
111
00:06:24,918 --> 00:06:27,821
OH, I�LL BE VERY COOPERATIVE
WITH MY PLATE REPAIRED.
112
00:06:34,260 --> 00:06:36,096
[SIGHS]
113
00:06:56,116 --> 00:06:57,050
D.O.A.�s HEAD�S CAVED IN.
114
00:06:57,083 --> 00:07:00,053
BLOODY 2 X 4
NEXT TO THE BODY.
115
00:07:00,086 --> 00:07:01,588
THEY SAID
HIS NAME�S VIC.
116
00:07:01,622 --> 00:07:02,923
HE LIVED IN THE LOT.
117
00:07:02,956 --> 00:07:04,925
APPARENTLY, HE WAS
THE CAMPUS ASSHOLE.
118
00:07:04,958 --> 00:07:07,661
YEAH? NO ONE�S TOO SORRY
TO SEE HIM DEAD?
119
00:07:07,694 --> 00:07:08,862
NOPE.
120
00:07:11,431 --> 00:07:12,933
HE�S BANGED UP GOOD,
121
00:07:12,966 --> 00:07:15,435
BUT NOT A LOT OF BLOOD
IN THE CART.
122
00:07:15,468 --> 00:07:18,004
HIS HANDS ARE TORN UP
LIKE HE WAS IN A FIGHT.
123
00:07:18,038 --> 00:07:21,007
VIC LEARNED THE LESSON
OF SADDAM HUSSEIN IN KUWAIT.
124
00:07:21,041 --> 00:07:22,909
EXPAND UPON YOUR NEIGHBORS,
125
00:07:22,943 --> 00:07:24,578
THE EAGLE OF DEATH
SWOOPS ON YOUR SHOULDER
126
00:07:24,611 --> 00:07:26,346
AND TAKES A HUGE DUMP.
127
00:07:26,379 --> 00:07:30,350
WE MAPPED OUT CAN TERRITORY??
PICKING UP CANS.
128
00:07:30,383 --> 00:07:31,618
VIC DIDN�T STICK TO IT.
129
00:07:31,652 --> 00:07:32,986
RAT BASTARD WAS A POACHER
130
00:07:33,019 --> 00:07:34,320
WITH AN ENEMIES LIST
THE LENGTH OF YOUR ARM.
131
00:07:34,354 --> 00:07:36,089
DID THAT INCLUDE YOU?
132
00:07:36,122 --> 00:07:38,391
HEY, I ONLY FOUND HIS BODY.
133
00:07:39,693 --> 00:07:41,862
PSST! PSST!
134
00:07:41,895 --> 00:07:44,297
I CAN GIVE YOU A SUSPECT,
135
00:07:44,330 --> 00:07:47,768
BUT, UH, MONEY?WISE,
IT�S A HARD WORLD.
136
00:07:47,801 --> 00:07:49,903
THANKS A LOT.
137
00:07:52,973 --> 00:07:55,175
HERE.
138
00:07:55,208 --> 00:07:58,011
ANOTHER 20
IF YOU�RE RIGHT.
139
00:07:58,044 --> 00:08:01,882
VIC BEAT THE CRAP OUT OF HIM
A COUPLE OF NIGHTS AGO,
140
00:08:01,915 --> 00:08:03,116
AND ED SWORE VENGEANCE.
141
00:08:03,149 --> 00:08:04,685
ED�S THE GUY
THAT�S PASSED OUT?
142
00:08:04,718 --> 00:08:06,653
HE�S NOT AS PASSED OUT
AS HE LOOKS.
143
00:08:06,687 --> 00:08:10,691
HE�S, UH, PARTWAY
PLAYING POSSUM.
144
00:08:10,724 --> 00:08:13,326
HE SAYS THIS GUY�S
WORTH A CONVERSATION.
145
00:08:13,359 --> 00:08:14,094
WHAT,
THE ONE PASSED OUT? YEAH.
146
00:08:18,765 --> 00:08:20,701
YOU STAY HERE.
147
00:08:21,868 --> 00:08:22,869
UGH.
148
00:08:28,875 --> 00:08:32,178
THAT BODEGA SHOOTING
THAT NEVER CLEARED,
149
00:08:32,212 --> 00:08:34,380
THIS IS THE COUGH SYRUP JUNKIE
THAT WE TALKED TO OUTSIDE.
150
00:08:34,414 --> 00:08:36,216
OH, YEAH.
HE TOLD US ABOUT THE CRACKHEAD HOOKER
151
00:08:36,249 --> 00:08:38,384
GOING DOWN ON GUYS
IN THE BASEMENT.
152
00:08:38,418 --> 00:08:39,920
YEAH, HE WAS STRAIGHT
WITH US ABOUT HER, AS FAR AS THAT GOES.
153
00:08:39,953 --> 00:08:41,021
HEY! [KICKING]
154
00:08:41,054 --> 00:08:41,988
WAKE UP!
155
00:08:42,022 --> 00:08:43,757
WHAT�S GOIN� ON?
156
00:08:43,790 --> 00:08:45,559
THERE WAS A GUY
MURDERED OVER HERE.
157
00:08:45,592 --> 00:08:46,860
WHAT DO YOU
KNOW ABOUT THAT?
158
00:08:46,893 --> 00:08:49,062
NEXT TO NOTHIN�.
159
00:08:49,095 --> 00:08:50,897
HE�S GOT BLOOD
ON HIS SWEATSHIRT.
160
00:08:50,931 --> 00:08:54,000
YEAH. THIS VIC THAT�S DEAD,
YOU HAVE HARD FEELINGS WITH HIM?
161
00:08:54,034 --> 00:08:56,036
NO MORE THAN THE NEXT FELLA.
162
00:08:56,069 --> 00:08:57,437
BUT YOU MAY HAVE
HAD SOME?
163
00:08:57,470 --> 00:09:00,006
MAYBE SOME SMALL AMOUNT.
164
00:09:00,040 --> 00:09:01,742
ALL RIGHT,
YA GOTTA COME WITH US.
165
00:09:01,775 --> 00:09:02,709
LET�S GO.
166
00:09:02,743 --> 00:09:04,077
AH, JEEZ!
167
00:09:04,110 --> 00:09:06,547
MAYBE YOU WON�T
BE GONE LONG.
168
00:09:06,580 --> 00:09:09,449
HEY, I GOT
A NICE BUZZ GOIN�. COME ON.
169
00:09:09,482 --> 00:09:10,350
YEAH,
THAT�S THE BREAKS. [SQUISH]
170
00:09:10,383 --> 00:09:12,018
OH!
171
00:09:12,052 --> 00:09:14,588
GUM AND DOG CRAP.
172
00:09:14,621 --> 00:09:18,424
YEAH, THE DOG CRAP HERE
IS TERRIBLE.
173
00:09:26,166 --> 00:09:28,134
WE CAME
INTO THE STORE
174
00:09:28,168 --> 00:09:29,736
COMING FROM
DR. KENDALL�S.
175
00:09:29,770 --> 00:09:31,404
YOU AND REBECCA.
176
00:09:31,437 --> 00:09:33,406
SHE TOOK ME
FOR MY EAR INFECTION,
177
00:09:33,439 --> 00:09:37,310
AND COMING HOME,
WE WENT IN TO GET A SUPER CONE
178
00:09:37,343 --> 00:09:40,313
AND FOR REBECCA
TO USE THE LAVATORY.
179
00:09:40,346 --> 00:09:42,415
WHO WAS IN THE STORE THEN?
180
00:09:42,448 --> 00:09:45,285
FIRST,
IT WAS JUST THE MAN BEHIND THE COUNTER.
181
00:09:47,921 --> 00:09:49,956
BUT WHEN I WAS OVER
AT THE MACHINE,
182
00:09:49,990 --> 00:09:51,958
THE OTHER MAN CAME IN.
183
00:09:51,992 --> 00:09:55,629
THIS WAS THE MAN
WHO WOUND UP HURTING THE MAN BEHIND THE COUNTER?
184
00:09:55,662 --> 00:09:56,897
YES.
185
00:09:56,930 --> 00:09:58,665
WHAT DID THAT MAN LOOK LIKE?
186
00:10:00,500 --> 00:10:03,403
HE...HE WAS WHITE
187
00:10:03,436 --> 00:10:05,839
AND ABOUT MY DAD�S SIZE.
188
00:10:05,872 --> 00:10:08,108
OH. HOW TALL IS YOUR DAD?
189
00:10:09,843 --> 00:10:12,679
5�10".
190
00:10:12,713 --> 00:10:16,182
AND HE WAS, LIKE,
MAYBE 5 YEARS YOUNGER THAN MY DAD.
191
00:10:16,216 --> 00:10:17,450
MAYBE 30.
192
00:10:17,483 --> 00:10:20,420
AND HE TOLD THE MAN
BEHIND THE COUNTER
193
00:10:20,453 --> 00:10:22,923
HE WANTED ALL THE MONEY
FROM THE CASH REGISTER
194
00:10:22,956 --> 00:10:25,158
AND ALL
THE LOTTERY TICKETS.
195
00:10:25,191 --> 00:10:26,492
AND THE MAN
BEHIND THE COUNTER
196
00:10:26,527 --> 00:10:29,195
DIDN�T EVEN REALLY GET
A CHANCE TO ANSWER HIM.
197
00:10:29,229 --> 00:10:30,731
AND THEN THE OTHER MAN
STABBED HIM.
198
00:10:32,365 --> 00:10:37,337
KYLE, DID THE MAN WHO STABBED
THE OTHER MAN SEE YOU?
199
00:10:37,370 --> 00:10:40,874
HE SAW ME,
AND HE SORT OF POINTED AT ME
200
00:10:40,907 --> 00:10:42,709
WHEN HE WAS
RUNNING OUT.
201
00:10:42,743 --> 00:10:47,147
HE HAD A BUNCH
OF LOTTERY TICKETS
202
00:10:47,180 --> 00:10:49,983
AND...SOME MONEY.
203
00:10:50,016 --> 00:10:52,786
AND THE OTHER MAN,
WHO WAS STABBED,
204
00:10:52,819 --> 00:10:55,155
HE WAS TRYING
TO FOLLOW HIM, BUT HE COULDN�T
205
00:10:55,188 --> 00:10:57,057
BECAUSE HE
WAS BLEEDING.
206
00:10:59,159 --> 00:11:02,195
AND THEN HE FELL
TO THE FLOOR.
207
00:11:02,228 --> 00:11:04,464
AND AFTER HE RAN OUT,
208
00:11:04,497 --> 00:11:08,468
THE OTHER MAN SORT OF
REACHED HIS HAND OUT,
209
00:11:08,502 --> 00:11:12,038
AND THEN HE LAID
HIS HEAD DOWN.
210
00:11:12,072 --> 00:11:15,041
AND THAT�S WHEN
I GOT REBECCA.
211
00:11:15,075 --> 00:11:17,143
OK, KYLE.
212
00:11:17,177 --> 00:11:21,047
YOU�VE BEEN REALLY BRAVE
TALKING TO ME ABOUT THIS.
213
00:11:21,081 --> 00:11:23,316
IF I SAW HIM,
I�D RECOGNIZE THE MAN
214
00:11:23,349 --> 00:11:25,619
WHO STABBED
THE OTHER MAN WITH THE KNIFE.
215
00:11:27,954 --> 00:11:29,556
WE CAN TALK LATER
216
00:11:29,590 --> 00:11:33,059
IF YOU�RE ACTUALLY
REALLY SURE ABOUT THAT.
217
00:11:33,093 --> 00:11:35,195
YOU TAKE A LITTLE TIME
WITH YOUR MOM.
218
00:11:35,228 --> 00:11:36,563
OK.
219
00:11:42,536 --> 00:11:44,204
I�M REALLY PROUD OF YOU,
SWEETIE.
220
00:11:47,440 --> 00:11:48,041
[DOOR OPENS]
221
00:11:49,810 --> 00:11:51,512
HOW�S HE DOING?
222
00:11:51,545 --> 00:11:53,780
JILL�S RIGHT WITH HIM.
223
00:11:53,814 --> 00:11:56,049
DID HE GIVE YOU
ANY SORT OF DESCRIPTION?
224
00:11:56,082 --> 00:11:59,419
HE GAVE ME A DECENT
GENERAL DESCRIPTION.
225
00:11:59,452 --> 00:12:01,121
DIDN�T REALLY GET
A GOOD SPECIFIC LOOK.
226
00:12:01,154 --> 00:12:04,224
YEAH. I�M NOT SURE
IF HE COULD PICK THE GUY OUT.
227
00:12:06,827 --> 00:12:09,630
THE SITTER�S GOT NOTHIN�,
THIS REBECCA.
228
00:12:09,663 --> 00:12:11,097
[DOOR OPENS]
229
00:12:11,131 --> 00:12:12,065
Fancy: HI, JILL.
230
00:12:12,098 --> 00:12:13,099
HI.
231
00:12:13,133 --> 00:12:16,637
ANY OTHER WITNESSES
ON CANVASS?
232
00:12:16,670 --> 00:12:18,605
NARCOTICS AND ANTI?CRIME
ARE FOLLOWING UP ON THE CORNERS.
233
00:12:18,639 --> 00:12:20,941
THEY MAY VERY WELL
COME UP WITH SOMETHING.
234
00:12:20,974 --> 00:12:24,410
IN OTHER WORDS, WE GOT
NOTHING EXCEPT FOR KYLE.
235
00:12:28,481 --> 00:12:31,818
DOES KYLE WANT
A SODA OR ANYTHING?
236
00:12:31,852 --> 00:12:33,386
I�M GETTING HIM ONE.
237
00:12:33,419 --> 00:12:36,189
I JUST NEED TO USE
THE JOHN FOR A SECOND.
238
00:12:40,927 --> 00:12:42,162
CUT THE SITTER LOOSE?
239
00:12:42,195 --> 00:12:43,129
Fancy: YEAH.
240
00:12:44,931 --> 00:12:48,635
DUMB?ASS D. O. A. DON�T HAVE
A SURVEILLANCE CAMERA.
241
00:12:48,669 --> 00:12:50,370
[SIGHS]
242
00:12:58,645 --> 00:13:01,414
KYLE WATCHED
THIS EVIL SON OF A BITCH
243
00:13:01,447 --> 00:13:03,817
STAB A MAN IN HIS CHEST
244
00:13:03,850 --> 00:13:06,286
AND THE MAN BLEED OUT
IN FRONT OF HIM.
245
00:13:06,319 --> 00:13:11,324
NOW, BAD ENOUGH HE�LL
CARRY THOSE MEMORIES THE REST OF HIS LIFE...
246
00:13:11,357 --> 00:13:14,828
WITHOUT HAVING
TO RELIVE THEM A WEEK FROM NOW
247
00:13:14,861 --> 00:13:16,663
IN THAT GRAND JURY ROOM
248
00:13:16,697 --> 00:13:18,498
AND THEN IN FRONT OF
ANOTHER GROUP OF STRANGERS
249
00:13:18,532 --> 00:13:21,835
IN A COURTROOM HEARING
6 MONTHS FROM NOW.
250
00:13:21,868 --> 00:13:24,104
AND THEN A YEAR LATER,
251
00:13:24,137 --> 00:13:26,540
HAVE TO SIT
ON THE WITNESS STAND
252
00:13:26,573 --> 00:13:28,609
WHILE THAT SAME
EVIL BASTARD
253
00:13:28,642 --> 00:13:30,844
SCARES HIM
WITH HIS HATEFUL LOOKS,
254
00:13:30,877 --> 00:13:33,179
AND HIS ASSHOLE LAWYER
255
00:13:33,213 --> 00:13:37,551
TRIES TO BREAK MY BOY DOWN
AND HUMILIATE HIM.
256
00:13:37,584 --> 00:13:39,452
JILL, IF YOU WANT,
257
00:13:39,485 --> 00:13:41,287
WE�LL WALK KYLE
OUT THE DOOR,
258
00:13:41,321 --> 00:13:43,456
AND NO ONE WILL
EVER SEE HIS NAME
259
00:13:43,489 --> 00:13:44,891
IN A SINGLE PIECE
OF PAPERWORK
260
00:13:44,925 --> 00:13:45,992
CONNECTED
WITH THIS CASE.
261
00:13:46,026 --> 00:13:48,962
I WANT THE CASE MADE.
262
00:13:48,995 --> 00:13:53,066
I JUST PRAY THAT KYLE DOESN�T
HAVE TO GO THROUGH MORE.
263
00:13:54,601 --> 00:13:56,737
ALL RIGHT.
264
00:13:56,770 --> 00:13:59,439
THIS IS GONNA BE
ALL RIGHT.
265
00:14:11,918 --> 00:14:13,086
JILL�S ALL UPSET?
266
00:14:13,119 --> 00:14:15,355
SHE�S WORRIED FOR HER BOY.
267
00:14:15,388 --> 00:14:18,124
SHE�S SUPPOSED
TO BE WORRIED FOR HIM.
268
00:14:19,860 --> 00:14:22,195
WE NEED A CONFESSION
IN THIS CASE.
269
00:14:22,228 --> 00:14:24,698
YEAH, A CONFESSION
WOULD BE GOOD.
270
00:14:24,731 --> 00:14:28,201
YEAH. WE NEED TO GET
THE ASSHOLE WHO DID THIS TO CONFESS.
271
00:14:53,727 --> 00:14:55,696
I HAVE TO SAY, DOLORES,
272
00:14:55,729 --> 00:14:57,698
WHATEVER BENEFIT
YOU�RE GETTING FROM ORGANIZING YOUR THOUGHTS
273
00:14:57,731 --> 00:14:59,032
CANNOT OUTWEIGH
THE NEGATIVE IMPRESSION
274
00:14:59,065 --> 00:15:00,400
YOU ARE MAKING
BY BEING LATE.
275
00:15:00,433 --> 00:15:02,435
I WANT CERTAIN THINGS
UNDERSTOOD DOWNSTAIRS.
276
00:15:02,468 --> 00:15:04,404
THIS IS NOT THE TIME
TO BE MAKING CONDITIONS.
277
00:15:04,437 --> 00:15:06,573
IT IS ALSO NOT THE TIME
FOR ANYONE IN THAT SQUAD
278
00:15:06,607 --> 00:15:09,910
TO BE LOOKING STRANGE AT ME
OR DOWN THEIR NOSE.
279
00:15:09,943 --> 00:15:11,244
LIEUTENANT FANCY
WOULD HAVE REPLACED YOU
280
00:15:11,277 --> 00:15:12,779
IF HE DIDN�T WANT THIS
TO WORK OUT.
281
00:15:12,813 --> 00:15:16,583
UNLESS HE WANTS ME
UNDER A MICROSCOPE LIKE A VIRUS SPECIMEN
282
00:15:16,617 --> 00:15:17,951
TO LOOK DOWN HIS NOSE AT.
283
00:15:17,984 --> 00:15:19,620
OR HIS FEMALE DETECTIVES
LOOKIN� DOWN THEIR NOSE.
284
00:15:19,653 --> 00:15:21,187
UH...
285
00:15:22,823 --> 00:15:26,492
IN FACT, YOU KNOW WHAT?
JUST ASK HIM, WRITE YES OR NO.
286
00:15:26,527 --> 00:15:28,461
WHAT ARE YOU
TALKING ABOUT?!
287
00:15:28,494 --> 00:15:31,297
TAKE THIS DOWNSTAIRS,
HAND IT TO LIEUTENANT FANCY,
288
00:15:31,331 --> 00:15:33,066
AND AT THE BOTTOM
OF THE LIST,
289
00:15:33,099 --> 00:15:35,168
ASK HIM TO WRITE
YES OR NO.
290
00:15:36,469 --> 00:15:38,204
I�M NOT GOING
TO DO THAT, DOLORES.
291
00:15:42,108 --> 00:15:45,111
WELL, SOME FRIEND
YOU ARE.
292
00:15:45,145 --> 00:15:46,947
SO WHO�S
THE IMPERSONATOR??
293
00:15:46,980 --> 00:15:49,182
THE GIRL
WHO CALLED CRYING 3 DIFFERENT NIGHTS
294
00:15:49,215 --> 00:15:51,317
OR THE...SMART?ASS
IN FRONT OF ME NOW?
295
00:15:51,351 --> 00:15:53,920
SOMEONE CALLED YOU AT HOME,
SAID SHE WAS ME?
296
00:15:53,954 --> 00:15:55,421
CALLED, TOLD ME
SHE WAS DOING THINGS
297
00:15:55,455 --> 00:15:57,257
SHE DIDN�T WANT TO
AND DIDN�T UNDERSTAND,
298
00:15:57,290 --> 00:15:58,992
THAT HER LIFE WAS
SPINNING OUT OF CONTROL
299
00:15:59,025 --> 00:16:01,094
AND THAT IF SHE
GOT HER JOB BACK,
300
00:16:01,127 --> 00:16:03,129
THAT WOULD MEAN
SHE COULD HELP HERSELF.
301
00:16:03,163 --> 00:16:05,666
YOU BETTER GET
YOUR NUMBER CHANGED, JOHN.
302
00:16:05,699 --> 00:16:08,168
SOME WACKO�S GOT IT,
PRETENDING TO BE ME.
303
00:16:10,070 --> 00:16:12,806
WANT TO MAKE
A PAPER PLANE?
304
00:16:12,839 --> 00:16:14,074
NO.
305
00:16:17,678 --> 00:16:18,912
AND I�M NOT GONNA
CHANGE MY PHONE NUMBER.
306
00:16:28,154 --> 00:16:30,490
GUY STUCK UP
A CONVENIENCE STORE,
307
00:16:30,524 --> 00:16:33,159
PRETTY MUCH FITS
THE DESCRIPTION.
308
00:16:33,193 --> 00:16:35,529
VINCENT SHAW.
309
00:16:35,562 --> 00:16:37,063
YEAH. I GOT
A VINCE SHAW, TOO.
310
00:16:37,097 --> 00:16:38,965
VINCENT SHAW
FROM 23rd STREET.
311
00:16:38,999 --> 00:16:40,133
I CHECKED HIM
AN HOUR AGO.
312
00:16:40,166 --> 00:16:42,135
HE�S DOING
A POUND UPSTATE.
313
00:16:42,168 --> 00:16:43,970
CRIME SCENE�S
GOT NO LIFTS
314
00:16:44,004 --> 00:16:45,405
FROM THE COUNTERS
INSIDE THE STORE.
315
00:16:45,438 --> 00:16:47,574
NO DESCRIPTION
MATCHES SO FAR
316
00:16:47,608 --> 00:16:49,342
IN SIMILAR?PATTERN
STICKUPS.
317
00:16:49,375 --> 00:16:52,012
A WOMAN CAUGHT
THE PLATE ON A SEDAN
318
00:16:52,045 --> 00:16:53,880
THAT SIDESWIPED HER CAR
AND KEPT GOING 2 BLOCKS FROM YOUR CRIME SCENE.
319
00:16:53,914 --> 00:16:55,181
THE TIME FITS.
320
00:16:55,215 --> 00:16:58,218
PLATE COMES BACK
TO A JOHN FALCONE.
321
00:16:58,251 --> 00:17:00,420
WORKS OVER
AT THE FULTON MARKET.
322
00:17:00,453 --> 00:17:03,223
I GOT 7 MINUTES
TILL A COMMITMENT WITH SYLVIA.
323
00:17:05,559 --> 00:17:07,360
DIANE AND ME
CAN GRAB HIM UP.
324
00:17:10,130 --> 00:17:12,198
YEAH. OK.
325
00:17:28,649 --> 00:17:32,686
SO MUCH THESE DAYS
IS CONFUSIN� TO ME.
326
00:17:32,719 --> 00:17:34,621
THAT COUGH SYRUP WILL
BRING YOU TO YOUR KNEES.
327
00:17:34,655 --> 00:17:36,222
I GOT BRONCHITIS.
328
00:17:36,256 --> 00:17:39,025
[COUGHS] CHRONIC.
329
00:17:39,059 --> 00:17:41,962
THAT�S WHAT
KNOCKS ME OVER.
330
00:17:41,995 --> 00:17:44,397
ANYWAYS, ED,
OUR SPECIFIC CONCERN
331
00:17:44,430 --> 00:17:46,867
IS THE BLOOD
ON YOUR SWEATSHIRT.
332
00:17:46,900 --> 00:17:49,536
I OFTEN GET
MY BALLS BEAT OFF.
333
00:17:49,570 --> 00:17:51,572
WHAT�S THE CRIME
IN THAT?
334
00:17:51,605 --> 00:17:52,639
SO YOU�RE SAYING
THAT�S YOUR OWN BLOOD.
335
00:17:52,673 --> 00:17:54,407
SURE.
336
00:17:54,440 --> 00:17:56,376
WHERE WERE YOU
LAST NIGHT, ED?
337
00:17:56,409 --> 00:18:00,614
BIG PART OF THE NIGHT
AT THAT OIL DRUM FIRE
338
00:18:00,647 --> 00:18:03,650
WE GET GOIN�
OUTSIDE THE GARAGE ON LAFAYETTE.
339
00:18:03,684 --> 00:18:05,619
WHO CAN BACK THAT?
BECAUSE OF THE COLD.
340
00:18:05,652 --> 00:18:07,521
YEAH, IT�S GOTTEN
VERY CHILLY.
341
00:18:09,422 --> 00:18:10,591
ED!
342
00:18:10,624 --> 00:18:11,625
AAAH...
343
00:18:11,658 --> 00:18:13,226
WHO CAN BACK YOU BEING
344
00:18:13,259 --> 00:18:14,795
OUTSIDE THE GARAGE
ON LAFAYETTE?
345
00:18:14,828 --> 00:18:16,563
THE PEOPLE THERE
WITH ME!
346
00:18:16,597 --> 00:18:18,498
YEAH, GOOD.
347
00:18:18,532 --> 00:18:20,601
WE�RE GONNA TAKE A RIDE
OVER TO LAFAYETTE LATER, ED.
348
00:18:20,634 --> 00:18:22,636
THE FELLAS THERE HAD BETTER
BE ABLE TO BACK YOUR STORY.
349
00:18:22,669 --> 00:18:25,305
THEY WILL!
350
00:18:25,338 --> 00:18:28,942
IF THAT WAS THE NIGHT
THAT WE HAD THE FIRE.
351
00:18:31,444 --> 00:18:34,080
WHEN DID YOU LAST SEE
VIC FRAWLEY?
352
00:18:34,114 --> 00:18:36,249
LOOK, HE TOOK
MY CAN ROUTE,
353
00:18:36,282 --> 00:18:38,284
BUT I DIDN�T
KILL HIM.
354
00:18:38,318 --> 00:18:40,954
WAS IT VIC THAT
BEAT ON YOUR HEAD?
355
00:18:40,987 --> 00:18:43,489
MANY PEOPLE BEAT ON ME.
356
00:18:43,524 --> 00:18:46,827
THE STORY WE�RE HEARING IS
VIC BEAT ON YOU TAKIN� OVER YOUR CAN TERRITORY.
357
00:18:46,860 --> 00:18:49,530
HIM COMING UP DEAD,
WE GOTTA LOOK AT YOU AS HAVING A MOTIVE.
358
00:18:49,563 --> 00:18:52,332
IF WE TAKE YOUR SWEATSHIRT
TO YOUR LAB, ED,
359
00:18:52,365 --> 00:18:54,134
AND IT COMES UP POSITIVE
FOR VIC�S BLOOD,
360
00:18:54,167 --> 00:18:56,136
YOU�RE FACIN�
A MURDER CHARGE.
361
00:18:56,169 --> 00:18:58,271
ED, IF YOU DID
SOMETHIN� TO VIC??
362
00:18:58,304 --> 00:18:59,773
MAYBE COMPLETELY
JUSTIFIABLE??
363
00:18:59,806 --> 00:19:02,375
OVER HIM BULLYING YOU
OFF YOUR CAN ROUTE,
364
00:19:02,408 --> 00:19:05,612
THE TIME TO SAY SO IS NOW,
BEFORE THE EVIDENCE PAINTS YOU INTO A CORNER
365
00:19:05,646 --> 00:19:08,181
WHERE YOU DON�T GET
NO CREDIT FOR REMORSE!
366
00:19:08,214 --> 00:19:09,716
ED!
367
00:19:09,750 --> 00:19:11,652
[SNORING]
368
00:19:20,561 --> 00:19:21,862
IT�S STUCK.
369
00:19:30,403 --> 00:19:33,173
[SNORING CONTINUES]
370
00:19:39,580 --> 00:19:42,583
HONEY, I NEED TO BE HERE
PAYING ATTENTION
371
00:19:42,616 --> 00:19:45,018
SO YOUR BROTHER DOESN�T
GET MORE INVOLVED WITH THIS.
372
00:19:45,051 --> 00:19:48,589
AND I WANT KYLE WITH ME SO
I CAN KEEP HIM GOOD COMPANY.
373
00:19:48,622 --> 00:19:52,092
NO, NO. BUT THAT�S WHY
I WANT TO KEEP HIM COMPANY??
374
00:19:52,125 --> 00:19:53,827
SO HE DOESN�T GET SCARED.
375
00:19:53,860 --> 00:19:55,562
NOW, WHAT YOU CAN DO
FOR MOM IS??
376
00:19:59,132 --> 00:20:01,868
NO. HONEY, I DON�T
WANT YOU DOWN HERE
377
00:20:01,902 --> 00:20:05,105
OR KYLE HERE A MINUTE LONGER
THAN HE HAS TO BE.
378
00:20:05,138 --> 00:20:07,273
JUST GIVE MOM
A COUPLE OF HOURS
379
00:20:07,307 --> 00:20:09,275
SO I CAN LOOK OUT
FOR YOUR BROTHER,
380
00:20:09,309 --> 00:20:12,546
AND THEN ME AND KYLE
ARE COMING HOME.
381
00:20:12,579 --> 00:20:14,548
YEAH.
382
00:20:14,581 --> 00:20:18,351
THEN WE�LL ALL TALK ABOUT
WHAT HAPPENED, FRANK.
383
00:20:18,384 --> 00:20:22,055
�CAUSE I�LL BET
HEARIN� WHAT HAPPENED�S BEEN SCARY FOR YOU, TOO.
384
00:20:22,088 --> 00:20:23,156
MM?HMM.
385
00:20:26,760 --> 00:20:28,494
I LOVE YOU, SON.
386
00:20:30,430 --> 00:20:32,232
YEAH, MOM LOVES YOU.
387
00:20:32,265 --> 00:20:35,068
BIG KISS IN YOUR ACCOUNT.
388
00:20:35,101 --> 00:20:36,069
BYE.
389
00:20:49,616 --> 00:20:50,651
LEO, WHAT ARE YOU DOING?
390
00:20:50,684 --> 00:20:52,719
HE�S SLEEPIN�, HUH?
391
00:20:52,753 --> 00:20:54,420
YEAH.
KYLE�S TAKIN� A NAP.
392
00:20:54,454 --> 00:20:55,956
WHAT A NIGHTMARE FOR HIM.
393
00:20:55,989 --> 00:20:57,123
UH?HUH.
394
00:20:57,157 --> 00:20:58,792
HE ACTUALLY
SAW THE MURDER?
395
00:20:58,825 --> 00:21:00,627
WHY?
396
00:21:00,661 --> 00:21:02,228
WELL, �CAUSE IT WOULD
BE THAT MUCH MORE OF A NIGHTMARE FOR HIM
397
00:21:02,262 --> 00:21:03,463
IF HE ACTUALLY SAW
THE MURDER TAKE PLACE.
398
00:21:03,496 --> 00:21:06,600
YEAH, WELL,
IT�S NOT REALLY CLEAR WHAT HE SAW.
399
00:21:06,633 --> 00:21:08,569
I�M NOT HERE AS ASSISTANT
DISTRICT ATTORNEY, JILL.
400
00:21:08,602 --> 00:21:09,803
I�M NOT EVEN THE RIDING D. A.
401
00:21:09,836 --> 00:21:11,772
OK.
402
00:21:11,805 --> 00:21:14,074
I MEAN...WE DO HAVE
A RELATIONSHIP.
403
00:21:14,107 --> 00:21:17,010
LEO, IF YOU�RE
HERE FOR SUPPORT,
404
00:21:17,043 --> 00:21:18,612
SHOW IT BY WALKING AWAY.
405
00:21:18,645 --> 00:21:20,013
YOU WORK IN
A PART OF THE SYSTEM
406
00:21:20,046 --> 00:21:21,247
I JUST CAN�T TRUST
RIGHT NOW.
407
00:21:21,281 --> 00:21:22,683
YOU THINK
I WOULD HURT KYLE?
408
00:21:22,716 --> 00:21:25,185
OH, THE SYSTEM NEVER
MEANS TO HURT ANYBODY.
409
00:21:27,187 --> 00:21:28,522
I�M SORRY.
410
00:21:28,555 --> 00:21:31,291
I GOTTA COUNT ON MY OWN.
411
00:21:43,704 --> 00:21:47,508
SINCE I WAS
THE ONE WHO ACCEPTED MR. SUAREZ�S CONFESSION
412
00:21:47,541 --> 00:21:51,645
AND RECOMMENDED
HIS INCARCERATION TO THE JUDGE...
413
00:21:51,678 --> 00:21:55,315
AND IF THAT CONFESSION
WAS BOUGHT AND PAID FOR,
414
00:21:55,348 --> 00:21:58,484
AS NOW SEEMS POSSIBLE,
OR EVEN LIKELY,
415
00:21:58,519 --> 00:22:03,156
AND WITH MR. SUAREZ
NOW HAVING BEEN MURDERED
416
00:22:03,189 --> 00:22:05,225
WHILE SERVING
THAT SENTENCE??
417
00:22:05,258 --> 00:22:07,227
YOU WOULD FEEL BAD.
418
00:22:07,260 --> 00:22:08,895
Dornan: YOU BEING SMART,
JERMAINE?
419
00:22:08,929 --> 00:22:10,864
IF I WAS SMART,
WOULD I BE LOCKED UP?
420
00:22:10,897 --> 00:22:11,965
YOU WERE
ON THAT CORNER.
421
00:22:11,998 --> 00:22:14,535
WHEN THE MURDER
HAPPENED, YES.
422
00:22:14,568 --> 00:22:17,203
DID SUAREZ DO IT?
423
00:22:17,237 --> 00:22:21,742
I REALLY
APPRECIATED YOUR HELP WITH MY DENTAL PLATE.
424
00:22:24,578 --> 00:22:26,212
$250 IN YOUR
COMMISSARY ACCOUNT.
425
00:22:26,246 --> 00:22:28,214
FOR EVERYTHING.
426
00:22:28,248 --> 00:22:31,552
WELL, I WOULD NEED TO KNOW
WHAT EVERYTHING MEANS.
427
00:22:31,585 --> 00:22:33,186
$250 IN YOUR
COMMISSARY ACCOUNT
428
00:22:33,219 --> 00:22:34,755
FOR WHAT HAPPENED
ON THE CORNER
429
00:22:34,788 --> 00:22:36,189
AND HERE INSIDE.
430
00:22:39,225 --> 00:22:42,996
I WORKED THE CORNER
FOR FREDDIE ASUNCION.
431
00:22:43,029 --> 00:22:47,333
GENERO LOPEZ
USED THE SAME CORNER LATE AT NIGHT,
432
00:22:47,367 --> 00:22:49,202
SELLING
TO THE CHRONIC FIENDS.
433
00:22:49,235 --> 00:22:52,105
NOW, GENERO AND FREDDIE
COME TO DISAGREE
434
00:22:52,138 --> 00:22:55,341
OVER WHAT EXACTLY WAS
LATE AT NIGHT
435
00:22:55,375 --> 00:22:59,079
AND WHAT WAS
EARLY THE NEXT MORNING.
436
00:22:59,112 --> 00:23:02,348
WHAT TIME ASUNCION
TOOK THE CORNER BACK.
437
00:23:02,382 --> 00:23:05,185
GETTIN� THE DRIVE?TIME
JUNKIES HEADIN� FOR WORK.
438
00:23:05,218 --> 00:23:08,021
SEE, THAT�S
A LUCRATIVE TRADE...
439
00:23:08,054 --> 00:23:13,594
AND FREDDIE ASUNCION
IS A GREEDY PERSON.
440
00:23:13,627 --> 00:23:16,129
AND BEING
A GREEDY PERSON,
441
00:23:16,162 --> 00:23:19,600
FREDDIE ASUNCION DID
WHAT HE FELT HE HAD TO
442
00:23:19,633 --> 00:23:21,134
TO GENERO LOPEZ.
443
00:23:21,167 --> 00:23:23,136
HE KILLED HIM.
444
00:23:25,138 --> 00:23:27,407
FREDDIE THEN LOOKED
TO JUAN SUAREZ,
445
00:23:27,440 --> 00:23:30,443
A TIMID YOUTH, WHO WAS
SEARCHING FOR RESPECT
446
00:23:30,476 --> 00:23:33,146
AFTER GENERO BRAINED
HIS BROTHER WITH A CROWBAR.
447
00:23:33,179 --> 00:23:35,749
JUAN WAS AFRAID
TO TAKE HIS REVENGE,
448
00:23:35,782 --> 00:23:37,984
BUT THEN FREDDIE
OFFERED HIM
449
00:23:38,018 --> 00:23:40,420
A MONTHLY AMOUNT OF MONEY
FOR HIS WIFE
450
00:23:40,453 --> 00:23:43,156
IF JUAN ADMITTED
TO THE KILLING.
451
00:23:43,189 --> 00:23:46,927
AND, BY SEARCHING
FOR RESPECT...
452
00:23:46,960 --> 00:23:48,461
JUAN AGREED.
453
00:23:48,494 --> 00:23:53,934
THING ABOUT THE INSIDE,
ASSISTANT DISTRICT ATTORNEY,
454
00:23:53,967 --> 00:23:58,505
COP TO A MURDER,
YOU BETTER BE CAPABLE OF MURDER TO DEFEND YOURSELF,
455
00:23:58,539 --> 00:24:02,108
OR YOU END UP TREATED WAYS
YOU DON�T ENJOY.
456
00:24:02,142 --> 00:24:07,180
AND IF FREDDIE ASUNCION
DECIDES, WHILE YOU�RE IN THE SLAM,
457
00:24:07,213 --> 00:24:10,116
HE WANTS
TO BANG YOUR WIFE
458
00:24:10,150 --> 00:24:13,286
INSTEAD OF PAYING
HER QUIET MONEY,
459
00:24:13,319 --> 00:24:16,790
THEN ONE OF THOSE WAYS
YOU DON�T ENJOY...
460
00:24:16,823 --> 00:24:20,527
COULD BE A SHANK
IN THE LAUNDRY ROOM.
461
00:24:24,364 --> 00:24:25,966
FREDDIE ASUNCION.
462
00:24:27,701 --> 00:24:30,070
FREDDIE ASUNCION.
463
00:24:31,805 --> 00:24:35,709
UH, GIVE ME SOMEBODY WORKING
FOR FREDDIE WE CAN FLIP.
464
00:24:35,742 --> 00:24:37,944
TOMMY IBARRA.
465
00:24:37,978 --> 00:24:42,315
USE SOMEONE PRETTY.
TOMMY�LL OFFER HIM DISCOUNT DOPE FOR SEX.
466
00:24:45,719 --> 00:24:47,187
LOVELY SUIT.
467
00:24:56,863 --> 00:24:58,732
HAVE A SEAT IN HERE, JOHN.
468
00:24:58,765 --> 00:25:00,366
FINALLY,
SHE SPEAKS TO ME.
469
00:25:00,400 --> 00:25:01,868
THANK YOU.
470
00:25:01,902 --> 00:25:04,004
THANK YOU.
471
00:25:04,037 --> 00:25:06,640
YOU DON�T TELL ME NOTHIN�
ABOUT NOTHIN�.
472
00:25:06,673 --> 00:25:09,409
WE GOTTA TALK ABOUT
A SITUATION. WHAT SITUATION?
473
00:25:09,442 --> 00:25:12,312
YOU�RE BEING VERY SECRETIVE,
VERY COVERT.
474
00:25:12,345 --> 00:25:13,079
VERY ENIGMATIC.
475
00:25:15,682 --> 00:25:17,417
THE CAR THING?
476
00:25:19,520 --> 00:25:22,989
ALL RIGHT.
I GUESS I SHOULDA STOPPED
477
00:25:23,023 --> 00:25:25,158
WHEN I BRUSHED
THAT OTHER CAR.
478
00:25:25,191 --> 00:25:27,093
PRESSURE
OF THE MOMENT, JOHN.
479
00:25:27,127 --> 00:25:28,595
THAT�S EXACTLY
HOW IT HAPPENED.
480
00:25:28,629 --> 00:25:30,531
HEAT OF THE MOMENT,
AND I DID SOMETHIN� STUPID.
481
00:25:34,400 --> 00:25:35,536
I MEAN,
NOBODY WAS HURT, RIGHT?
482
00:25:35,569 --> 00:25:36,903
WERE YOU BY YOURSELF
IN THE CAR, JOHN?
483
00:25:36,937 --> 00:25:39,105
NO. I WAS WITH A FRIEND.
484
00:25:39,139 --> 00:25:40,941
WHAT�S THE FRIEND�S NAME?
VINCE.
485
00:25:40,974 --> 00:25:41,875
VINCE WHAT?
486
00:25:41,908 --> 00:25:44,077
LOOK...
487
00:25:44,110 --> 00:25:46,346
I MEAN, THE WOMAN
WASN�T HURT, WAS SHE?
488
00:25:46,379 --> 00:25:48,549
IF SHE�S SAYING
SHE�S HURT NOW,
489
00:25:48,582 --> 00:25:50,116
SHE�S SCAMMING YOU.
490
00:25:50,150 --> 00:25:52,118
WHAT DID MY PARTNER
ASK YOU?
491
00:25:52,152 --> 00:25:55,689
I�M JUST SAYING THAT
THIS IS TURNING INTO SOME MAJOR ATMOSPHERE HERE.
492
00:25:55,722 --> 00:25:57,524
THE ATMOSPHERE�S
GONNA GET MAJOR, JOHN,
493
00:25:57,558 --> 00:25:59,626
IF MY PARTNER HAS
TO ASK AGAIN THIS VINCE�S LAST NAME.
494
00:26:01,828 --> 00:26:03,029
BARDELLO, ALL RIGHT?
495
00:26:03,063 --> 00:26:04,931
HE�S LIKE KENNETH STARR...
496
00:26:04,965 --> 00:26:07,934
LIKE PERRY MASON
WITH THE QUESTIONS. HE DON�T LET UP.
497
00:26:07,968 --> 00:26:09,703
YOU EVER COMMIT
A VIOLENT CRIME?
498
00:26:09,736 --> 00:26:10,737
ABSOLUTELY NOT.
499
00:26:10,771 --> 00:26:12,539
ABSOLUTELY NOT.
500
00:26:12,573 --> 00:26:15,408
I NEVER DROVE AWAY FROM
A VIOLENT CRIME IN MY LIFE.
501
00:26:15,441 --> 00:26:18,278
WE�RE NOT ASKING
YOU ABOUT THE WOMAN NO MORE.
502
00:26:18,311 --> 00:26:20,614
HE ASKIN� ABOUT
A SECOND VIOLENT CRIME?
503
00:26:20,647 --> 00:26:23,283
3 MINUTES BEFORE
THE ONE YOU ADMITTED TO, AND 2 BLOCKS AWAY.
504
00:26:23,316 --> 00:26:26,553
3 MINUTES BEFORE,
I�M PARKED ON THE STREET.
505
00:26:26,587 --> 00:26:27,954
WHERE WERE
YOU PARKED?
506
00:26:27,988 --> 00:26:31,658
AROUND THE CORNER
FROM SOMEWHERE VINCE WENT IN TO GET SMOKES.
507
00:26:31,692 --> 00:26:33,059
A CONVENIENCE STORE.
508
00:26:33,093 --> 00:26:35,061
YEAH, HUH?
509
00:26:35,095 --> 00:26:37,764
WHERE DID THIS
VIOLENT CRIME TAKE PLACE?
510
00:26:37,798 --> 00:26:39,232
WHERE DO
YOU THINK?
511
00:26:39,265 --> 00:26:40,166
OH, MAN.
512
00:26:40,200 --> 00:26:41,134
HOW DID VINCE ACT
513
00:26:41,167 --> 00:26:42,669
WHEN HE CAME BACK
FROM THE STORE?
514
00:26:42,703 --> 00:26:44,004
HE WAS ALL RIGHT...
515
00:26:44,037 --> 00:26:47,273
UNTIL, LIKE,
A BLOCK LATER.
516
00:26:47,307 --> 00:26:48,842
BLOCK LATER,
WE�RE AT A LIGHT,
517
00:26:48,875 --> 00:26:51,277
AND VINCE STARTS GOING,
"JUMP IT, JUMP IT!"
518
00:26:51,311 --> 00:26:53,113
HE SAID HE BOOSTED
THE SMOKES.
519
00:26:57,483 --> 00:27:00,787
YOU KNOW WHAT
"ACTING IN CONCERT" MEANS, JOHN?
520
00:27:00,821 --> 00:27:03,489
BEING WHEEL MAN FOR
A STICKUP IS LIKE DOING THE STICKUP.
521
00:27:03,524 --> 00:27:05,526
A MURDER GOES DOWN
IN THE COURSE OF THE STICKUP,
522
00:27:05,559 --> 00:27:06,993
YOU�RE GUILTY.
523
00:27:07,027 --> 00:27:09,663
A MURDER? I DIDN�T EVEN
KNOW A ROBBERY TOOK PLACE.
524
00:27:09,696 --> 00:27:13,499
I WAS JUST DRIVING
THE CRAZY SON OF A BITCH HOME FROM BEING FIRED.
525
00:27:13,534 --> 00:27:15,035
YEAH? WELL, YOU
BETTER TELL US ALL ABOUT THAT??
526
00:27:15,068 --> 00:27:16,670
EVERYTHING YOU
GOT ON VINCE.
527
00:27:16,703 --> 00:27:19,806
I WILL...
I WILL!
528
00:27:25,579 --> 00:27:29,550
LOOK...WE?WE�LL TALK
ABOUT IT TONIGHT. I GOTTA GO.
529
00:27:32,318 --> 00:27:34,688
HEY, GREG,
THE D. O. A.�s BLOOD
530
00:27:34,721 --> 00:27:36,623
DON�T MATCH
THE BLOOD ON ED�S SWEATSHIRT.
531
00:27:36,657 --> 00:27:38,725
OH. GOOD.
532
00:27:38,759 --> 00:27:41,494
BECAUSE GOD FORBID
WE SHOULD BE SPARED
533
00:27:41,528 --> 00:27:44,665
INTERVIEWING 50 MORE
LICE?INFESTED BUMS.
534
00:27:46,066 --> 00:27:47,200
ANNIE?
535
00:27:47,233 --> 00:27:49,235
ANNIE COULDN�T GIVE
HER NOTICE.
536
00:27:49,269 --> 00:27:52,472
HER BOSS IS LAID LOW
BY AN ALLERGY ATTACK.
537
00:27:52,506 --> 00:27:55,008
I�D LIKE HIM
LAID LOW BY A BUS.
538
00:28:22,402 --> 00:28:24,370
HI, ANDY.
539
00:28:24,404 --> 00:28:25,071
HI.
540
00:28:26,573 --> 00:28:27,908
HOW�S IT GOING,
SIPOWICZ?
541
00:28:29,409 --> 00:28:30,911
SORRY WE�RE LATE.
542
00:28:30,944 --> 00:28:33,947
WHAT�D YOU FIND OUT?
543
00:28:36,216 --> 00:28:37,117
FREDDIE ASUNCION.
544
00:28:39,553 --> 00:28:42,188
DID THE MURDER SUAREZ
COPPED TO, OR...
545
00:28:42,222 --> 00:28:44,124
HAD SUAREZ KILLED
IN PRISON?
546
00:28:44,157 --> 00:28:45,291
BOTH.
547
00:28:47,393 --> 00:28:49,295
THIS IS NOT ABOUT
FINGER POINTING.
548
00:28:49,329 --> 00:28:51,598
SUAREZ WAS
A CONVICTED MURDERER,
549
00:28:51,632 --> 00:28:55,368
AND NAMING ASUNCION
IN A LETTER FROM PRISON WAS NOT ENOUGH TO GO ON.
550
00:28:55,401 --> 00:28:56,803
WE GOT A GUY
TO FLIP.
551
00:28:56,837 --> 00:28:58,905
DEALS DOPE
FOR ASUNCION?
552
00:28:58,939 --> 00:29:00,206
YEAH.
553
00:29:00,240 --> 00:29:01,374
TOMMY IBARRA.
554
00:29:01,407 --> 00:29:04,210
HE�S IN CUSTODY?
555
00:29:04,244 --> 00:29:07,080
NOPE. WE HAVE TO
PUT HIM IN CUSTODY.
556
00:29:10,517 --> 00:29:13,920
I HOPE SHE WASN�T PROPOSING
NO VIGILANTE TACTICS
557
00:29:13,954 --> 00:29:15,789
ON THE RIDE BACK
FROM RIKERS.
558
00:29:15,822 --> 00:29:17,624
I�LL TAKE CARE
OF THE TACTICS.
559
00:29:33,339 --> 00:29:35,976
SO, THIS
DOROTHY NATALE
560
00:29:36,009 --> 00:29:38,244
THAT FILED
THE COMPLAINT??
561
00:29:38,278 --> 00:29:39,646
THE WOMAN WHOSE CAR
YOU SIDESWIPED??
562
00:29:39,680 --> 00:29:41,247
I DID NOT SIDESWIPE
HER CAR.
563
00:29:41,281 --> 00:29:44,484
THAT YOUR BUDDY JOHN
SIDESWIPED HER CAR.
564
00:29:44,518 --> 00:29:46,653
WHAT�S JOHN WANNA
INVOLVE ME WITH THAT FOR?
565
00:29:46,687 --> 00:29:48,488
WE ASKED HIM TO
INVOLVE YOU, VINCE,
566
00:29:48,522 --> 00:29:50,090
BECAUSE THIS
DOROTHY NATALE, WHOSE CAR JOHN HIT,
567
00:29:50,123 --> 00:29:52,793
HAS BEEN BREAKING BALLS
ALL DAY.
568
00:29:52,826 --> 00:29:55,996
WE GOT HALF
AN IDEA SHE�S BUILDING SOME INSURANCE CASE.
569
00:29:56,029 --> 00:29:58,532
THAT�S ON US,
VINCE??ASKING JOHN FOR YOUR NAME.
570
00:29:58,565 --> 00:30:01,702
WE ASKED HIM WAS
THERE SOMEONE WHO COULD CORROBORATE
571
00:30:01,735 --> 00:30:03,970
HE ONLY DID
MINIMAL DAMAGE.
572
00:30:04,004 --> 00:30:06,540
YEAH...YEAH.
MINIMAL DAMAGE.
573
00:30:06,573 --> 00:30:09,042
HE ONLY MINIMALLY
DAMAGED HER CAR?
574
00:30:09,075 --> 00:30:12,312
UH...A MINOR
SIDESWIPE.
575
00:30:12,345 --> 00:30:14,180
JOHN SAID
YOU GOT FIRED TODAY.
576
00:30:14,214 --> 00:30:16,950
I WAS FIRED, YEAH.
577
00:30:16,983 --> 00:30:18,552
WILL THAT JAM UP
YOUR PAROLE?
578
00:30:18,585 --> 00:30:22,122
NO. I WOULDN�T
ASSUME SO.
579
00:30:22,155 --> 00:30:26,292
WHO�S YOUR P. O.,
MOTHER TERESA?
580
00:30:26,326 --> 00:30:28,061
MAYBE IT WILL JAM ME UP.
I DON�T KNOW.
581
00:30:28,094 --> 00:30:29,495
NOT YOUR PROBLEM,
RIGHT?
582
00:30:29,530 --> 00:30:31,131
WHAT?
583
00:30:31,164 --> 00:30:32,498
IF I GET JAMMED UP
ON MY PAROLE,
584
00:30:32,533 --> 00:30:34,034
IT�S NOT REALLY
YOUR PROBLEM.
585
00:30:34,067 --> 00:30:36,069
ACCOUNT
FOR YOUR DAY.
586
00:30:36,102 --> 00:30:37,671
WHAT DOES MY DAY
HAVE TO DO
587
00:30:37,704 --> 00:30:40,641
WITH JOHN FALCONE
SIDESWIPING SOME BALL?BREAKING BITCH
588
00:30:40,674 --> 00:30:42,042
LOOKIN� TO EARN ON
A FENDER BENDER?
589
00:30:42,075 --> 00:30:44,044
IF I ASK YOU
TO ACCOUNT FOR YOUR DAY, SCUMBAG,
590
00:30:44,077 --> 00:30:46,847
START ACCOUNTING
FOR YOUR DAY.
591
00:30:46,880 --> 00:30:48,649
WOKE UP ABOUT 7:15??
592
00:30:48,682 --> 00:30:50,651
WHAT WERE YOU DOING
JUST BEFORE YOU HIT THAT LADY?
593
00:30:50,684 --> 00:30:52,052
HEH, I DIDN�T HIT
THAT LADY.
594
00:30:52,085 --> 00:30:54,487
NO. YOU KILLED
THAT STORE CLERK.
595
00:30:54,521 --> 00:30:56,857
WHAT?
596
00:30:56,890 --> 00:30:59,325
JUST BEFORE YOUR
BUDDY JOHN SIDESWIPED THAT LADY�S CAR,
597
00:30:59,359 --> 00:31:02,095
DRIVING FAST
LIKE YOU TOLD HIM TO,
598
00:31:02,128 --> 00:31:03,864
YOU PULLED A KNIFE IN
THAT CONVENIENCE STORE
599
00:31:03,897 --> 00:31:05,766
AND PUT IT IN THAT
STORE CLERK�S CHEST.
600
00:31:05,799 --> 00:31:07,568
HE WAS NOT THERE.
601
00:31:07,601 --> 00:31:09,369
IF HE TOLD YOU HE WAS,
HE LIED.
602
00:31:09,402 --> 00:31:11,404
THE STORE CLERK�S
DEAD, VINCE.
603
00:31:11,437 --> 00:31:12,839
WE�RE GONNA LOCK
YOU UP FOR MURDER.
604
00:31:12,873 --> 00:31:15,175
JOHN WAS NOT
IN THAT STORE.
605
00:31:15,208 --> 00:31:16,276
2 OTHER PEOPLE
WERE, VINCE??
606
00:31:16,309 --> 00:31:17,778
A MAN AND HIS WIFE,
607
00:31:17,811 --> 00:31:19,279
AND AFTER JOHN
GAVE US YOUR NAME
608
00:31:19,312 --> 00:31:20,947
AND WE GOT YOUR PHOTO
FROM B. C. I.,
609
00:31:20,981 --> 00:31:22,783
THEM 2 PEOPLE
PICKED YOU OUT.
610
00:31:22,816 --> 00:31:25,118
THERE WAS NOT
A MAN AND A WIFE IN THAT STORE.
611
00:31:25,151 --> 00:31:26,953
I GUESS THAT MEANS
YOU WERE.
612
00:31:26,987 --> 00:31:28,388
WHO SAID I WASN�T?
613
00:31:28,421 --> 00:31:31,558
LOOK, I PURCHASED MY SMOKES
AND THEN WALKED OUT.
614
00:31:31,592 --> 00:31:33,359
JOHN PUTTING ME
IN THAT STORE
615
00:31:33,393 --> 00:31:35,962
DOES NOT MAKE ME GUILTY
OF MURDER OR ANYTHING.
616
00:31:35,996 --> 00:31:38,298
AND YOU�RE MAKING
THEM 2 PEOPLE UP.
617
00:31:38,331 --> 00:31:41,401
WAS THERE A LITTLE BOY
IN THAT STORE?
618
00:31:41,434 --> 00:31:42,903
WHAT�S THIS NOW?
619
00:31:42,936 --> 00:31:46,406
WAS THERE
A LITTLE BOY SAW YOU STICK THE STORE CLERK
620
00:31:46,439 --> 00:31:47,741
BEFORE THE CLERK EVEN
HAD A CHANCE TO GIVE YOU
621
00:31:47,774 --> 00:31:50,911
THE MONEY OR LOTTERY
TICKETS YOU WANTED?
622
00:31:50,944 --> 00:31:53,313
DID YOU POINT
YOUR FINGER AT THAT LITTLE BOY
623
00:31:53,346 --> 00:31:55,716
TO THREATEN
AND INTIMIDATE HIM BEFORE YOU RAN OUT?
624
00:31:55,749 --> 00:31:58,318
HE�S GOT ME CONFUSED
WITH SOMEBODY ELSE.
625
00:31:58,351 --> 00:32:01,321
NO. HE SAW YOU,
AND YOU�RE GETTING LOCKED UP.
626
00:32:01,354 --> 00:32:04,457
BUT THE BEST LUCK YOU�VE HAD
IN YOUR SORRY LIFE, VINCE,
627
00:32:04,490 --> 00:32:07,961
WE DON�T WANT THAT BOY
TO HAVE TO TESTIFY...
628
00:32:07,994 --> 00:32:09,329
SO IF YOU COOPERATE
629
00:32:09,362 --> 00:32:11,131
BY GIVING US
A STATEMENT,
630
00:32:11,164 --> 00:32:14,100
I�LL PERSONALLY
GUARANTEE I�LL GO TO BAT FOR YOU...
631
00:32:14,134 --> 00:32:17,137
AND DETECTIVE RUSSELL
WILL ALSO.
632
00:32:17,170 --> 00:32:20,173
IF YOU AND THE CLERK
HAD SOME PRIOR BACK?AND?FORTH
633
00:32:20,206 --> 00:32:21,942
THAT LITTLE BOY
DIDN�T SEE,
634
00:32:21,975 --> 00:32:23,476
WE WILL GO TO BAT
FOR THAT.
635
00:32:23,510 --> 00:32:25,311
IF HE PROVOKED YOU
SOME WAY,
636
00:32:25,345 --> 00:32:27,681
DISRESPECTED YOUR
PURPOSE BEING THERE...
637
00:32:27,714 --> 00:32:28,915
WE KNOW A LOT
OF SITUATIONS,
638
00:32:28,949 --> 00:32:30,283
A GUY ONLY
SHOWS A KNIFE
639
00:32:30,316 --> 00:32:32,318
TO LET THE CLERK
KNOW HE�S SERIOUS.
640
00:32:32,352 --> 00:32:34,320
NOW, THE CLERK
INSULTS HIM SOME WAY,
641
00:32:34,354 --> 00:32:36,623
TELLS HIM TO
SHOVE THE KNIFE UP HIS ASS...
642
00:32:36,657 --> 00:32:39,960
THE WHOLE PICTURE
CHANGES BEHIND THE CLERK�S PROVOCATION.
643
00:32:42,395 --> 00:32:44,965
AND NOW, HERE�S
THE ALTERNATIVE, VINCE.
644
00:32:44,998 --> 00:32:46,833
IF YOU DO NOT
MAKE A STATEMENT,
645
00:32:46,867 --> 00:32:49,803
KNOWING WE�VE
GOT AN EYEWITNESS TO WHAT YOU DID INSIDE,
646
00:32:49,836 --> 00:32:53,273
AND YOUR BUDDY JOHN
CORROBORATING YOU WERE THERE,
647
00:32:53,306 --> 00:32:55,542
YOU MAKE US PUT
THAT LITTLE BOY ON,
648
00:32:55,576 --> 00:32:57,978
DETECTIVE RUSSELL
AND ME, WE�LL TAKE A VOW IN THIS ROOM
649
00:32:58,011 --> 00:32:59,445
THAT WE WILL
CRUCIFY YOU.
650
00:32:59,479 --> 00:33:01,047
I GOT A LOT
OF FRIENDS
651
00:33:01,081 --> 00:33:02,048
IN THE DISTRICT
ATTORNEY�S OFFICE,
652
00:33:02,082 --> 00:33:04,384
AND SO DOES
DETECTIVE SORENSON,
653
00:33:04,417 --> 00:33:06,620
AND WE WILL
CALL IN EVERY FAVOR WE�RE OWED
654
00:33:06,653 --> 00:33:09,289
TO MAKE THIS
A DEATH PENALTY CASE.
655
00:33:09,322 --> 00:33:11,992
GIVE IT UP, VINCE.
TELL US YOUR SIDE.
656
00:33:16,830 --> 00:33:19,833
MY LIFE STINKS...
657
00:33:19,866 --> 00:33:21,835
DAY ONE TILL TODAY.
658
00:33:31,778 --> 00:33:33,747
ALL RIGHT, ALL RIGHT.
659
00:33:33,780 --> 00:33:34,748
I�LL TELL.
660
00:33:49,195 --> 00:33:51,164
STAND IN THE DARK...
661
00:33:51,197 --> 00:33:53,567
OUR TOES FROZEN...
662
00:33:53,600 --> 00:33:56,069
TALKING TO
A PROCESSION OF WET BRAINS.
663
00:33:56,102 --> 00:33:58,271
THAT�S HOW
OUR EVENING�S SHAPING UP, JAMES.
664
00:34:00,273 --> 00:34:02,576
KNOW WHAT I DON�T LIKE?
THEM EMBERS...
665
00:34:02,609 --> 00:34:06,212
FROM THEIR BARREL FIRES
GETTING IN YOUR EYES.
666
00:34:06,246 --> 00:34:10,116
I CAN HAVE A DARK MOOD
COME OVER ME IN THEM ALLEYS.
667
00:34:10,150 --> 00:34:12,953
WE�LL MAKE IT A 2?HOUR SHOT,
MAXIMUM, ALL RIGHT, GREG?
668
00:34:12,986 --> 00:34:15,522
OR 9 P. M.
ABSOLUTE MAXIMUM.
669
00:34:15,556 --> 00:34:17,357
YEAH, ALL RIGHT.
670
00:34:17,390 --> 00:34:20,193
�CAUSE 9 P. M.,
THE RATS START SCURRYING AROUND.
671
00:34:20,226 --> 00:34:21,762
WHOA! HEY,
672
00:34:21,795 --> 00:34:22,729
YOU WANNA STOP
RIGHT THERE FOR US?
673
00:34:22,763 --> 00:34:23,897
YEAH, SURE.
674
00:34:25,331 --> 00:34:26,767
HOW�S IT GOING?
675
00:34:26,800 --> 00:34:28,969
GOOD.
676
00:34:29,002 --> 00:34:30,270
WHAT DO YOU NEED?
677
00:34:31,471 --> 00:34:32,739
KNIFE.
678
00:34:32,773 --> 00:34:35,308
NEED A KNIFE, HUH?
679
00:34:35,341 --> 00:34:36,409
PUT YOUR ARMS UP.
680
00:34:42,148 --> 00:34:43,717
AAH!
681
00:34:43,750 --> 00:34:46,086
[GROANS]
682
00:34:47,521 --> 00:34:50,891
WHAT�S THE MATTER?
YOUR HEAD HURT YOU?
683
00:34:50,924 --> 00:34:54,494
COULD YOU SHOW ME
THE MAGNET YOU USE FOR THE MIND SALVATION?
684
00:34:54,528 --> 00:34:56,496
WE�RE NOT ALLOWED
TO DO THAT.
685
00:34:56,530 --> 00:34:59,099
THEY MAKE US KEEP IT
UNDER WRAPS.
686
00:34:59,132 --> 00:35:01,267
VIC JUST THREW IT
IN THERE!
687
00:35:01,301 --> 00:35:04,971
VIC TOOK MY KNIFE
AND THREW IT IN THE SEWER!
688
00:35:05,005 --> 00:35:06,840
WHAT HAPPENED
AFTER THAT?
689
00:35:06,873 --> 00:35:11,244
I LIFTED HIM...
IN THE POSTAL CART.
690
00:35:11,277 --> 00:35:14,280
WHICH SHOULDER
DID YOU HAVE HIM ON?
691
00:35:16,149 --> 00:35:18,218
YOU GOT SOME...
BLOOD ON THERE.
692
00:35:20,821 --> 00:35:24,290
DID YOU HIT VIC
BEFORE YOU PUT HIM IN THE CART?
693
00:35:24,324 --> 00:35:26,292
DAMN RIGHT I DID.
I CAVED HIS HEAD IN.
694
00:35:26,326 --> 00:35:28,128
REMEMBER WHAT
YOU USED TO DO IT?
695
00:35:28,161 --> 00:35:32,365
YEAH. I USED
A GOOD, STRONG PIECE OF 2 X 4.
696
00:35:35,368 --> 00:35:37,671
ALL RIGHT,
LET�S GET YOU ON YOUR FEET.
697
00:35:37,704 --> 00:35:39,773
YOU ARE GONNA HELP ME
WITH THE MIND SALVATION?
698
00:35:39,806 --> 00:35:41,107
YEAH, OH, YEAH.
699
00:35:41,141 --> 00:35:43,009
WAIT. WE�RE GOING
IN HERE TO TALK.
700
00:35:43,043 --> 00:35:45,445
THAT�S WHERE
WE�LL HELP YOU WITH THE MIND SALVATION.
701
00:35:45,478 --> 00:35:46,379
GOOD.
702
00:36:16,342 --> 00:36:17,310
[KNOCK ON DOOR]
703
00:36:17,343 --> 00:36:18,378
[DOOR OPENS]
704
00:37:03,323 --> 00:37:06,292
I AM SO PROUD OF YOU.
705
00:37:06,326 --> 00:37:08,629
FREE HORS D�OEUVRES IS
FREE HORS D�OEUVRES, RIGHT?
706
00:37:08,662 --> 00:37:11,297
NOT JUST FOR
THE PEOPLE AT THE BAR.
707
00:37:11,331 --> 00:37:13,900
WE�RE PATRONS,
CITIZENS OF THIS COUNTRY.
708
00:37:16,837 --> 00:37:19,740
I TELL YOU, KEEPING KYLE
FROM HAVING TO BE INVOLVED,
709
00:37:19,773 --> 00:37:22,576
JILL MUST�VE BEEN SOME KIND
OF GRATEFUL TO YOU TWO.
710
00:37:24,678 --> 00:37:27,648
WELL, I AM THE BEARER
OF GLAD TIDINGS.
711
00:37:27,681 --> 00:37:29,149
WHAT�S GOING ON?
712
00:37:29,182 --> 00:37:31,451
UH, THE GIRL
I�VE BEEN SEEING?
713
00:37:31,484 --> 00:37:34,287
WE�VE HAD A LOT
OF STRAIN LATELY
714
00:37:34,320 --> 00:37:36,289
ON THE SUBJECT
OF INDECISIVENESS.
715
00:37:36,322 --> 00:37:39,059
DID YOU TELL HER
YOU CLEARED A CASE TODAY?
716
00:37:39,092 --> 00:37:42,428
SHE�S THE ONE
THAT�S INDECISIVE.
717
00:37:42,462 --> 00:37:45,732
ANY EVENT,
UH, THE JOB SHE HATES,
718
00:37:45,766 --> 00:37:48,168
THAT, UH, HAS BEEN
A BONE OF CONTENTION,
719
00:37:48,201 --> 00:37:50,971
ANNIE JUST TOLD ME
SHE QUIT.
720
00:37:51,004 --> 00:37:52,773
GOOD. GOOD FOR ANN.
721
00:37:52,806 --> 00:37:54,307
THAT�S GREAT,
GREG.
722
00:37:54,340 --> 00:37:56,376
YEAH. THAT WAS A BIG
HUMP SHE WENT OVER.
723
00:37:58,712 --> 00:38:02,683
ANYWAYS, UH...I�M
GONNA GO SEE HER NOW.
724
00:38:02,716 --> 00:38:06,152
ACTUALLY, SHE�S, UH,
COMING OVER TO MY PLACE.
725
00:38:08,488 --> 00:38:09,790
WE, UH...
726
00:38:09,823 --> 00:38:11,958
WE DID AN HONEST DAY�S
WORK TODAY, DIDN�T WE?
727
00:38:11,992 --> 00:38:14,360
YEAH, WE DID.
728
00:38:14,394 --> 00:38:17,030
WE ALL DID
AN HONEST DAY�S WORK.
729
00:38:17,063 --> 00:38:20,300
GOOD NIGHT, DIANE.
SEE YA.
730
00:38:26,306 --> 00:38:28,742
I THINK
THERE MAY BE A HUMP IN GREG�S FUTURE, TOO.
731
00:38:33,313 --> 00:38:34,548
EXCUSE ME.
732
00:38:47,060 --> 00:38:48,762
THANKS FOR WORKING
THAT WITH ME.
733
00:38:50,731 --> 00:38:53,233
YEAH. WE WORKED
THAT GOOD.
734
00:38:53,266 --> 00:38:56,036
3 BEERS AND A SODA.
735
00:39:04,210 --> 00:39:06,580
GREG LEFT A SOLDIER
IN THE FORT.
736
00:39:18,358 --> 00:39:19,626
WASTE NOT, WANT NOT.
737
00:39:23,296 --> 00:39:25,666
THIS JERK
LOCKS THE DOOR.
738
00:39:25,699 --> 00:39:29,169
AND HE DIDN�T HAVE TO.
HE WAS ONLY PISSIN�.
739
00:39:29,202 --> 00:39:30,236
I COULD HEAR HIM.
740
00:39:30,270 --> 00:39:31,471
THE NERVE.
741
00:39:52,492 --> 00:39:54,060
HA HA!
742
00:39:54,094 --> 00:39:55,929
OH, I GET IT.
743
00:39:55,962 --> 00:39:57,798
HA! THESE ARE A PAIR.
744
00:39:59,132 --> 00:40:01,234
DIFFERENT VIEWS.
745
00:40:01,267 --> 00:40:03,804
THEY�RE PROBABLY
BY THE SAME ARTIST.
746
00:40:08,174 --> 00:40:11,578
HEY, THAT WAS
BIG FOR DIANE?? GOING OUT WITH US.
747
00:40:11,612 --> 00:40:13,914
YEAH. I EXPECT
SHE HASN�T BEEN SOCIALIZING.
748
00:40:13,947 --> 00:40:16,550
IT�S THE FIRST I�M AWARE
SINCE BOBBY PASSED.
749
00:40:16,583 --> 00:40:18,284
UH?HUH.
750
00:40:18,318 --> 00:40:19,653
AND I�LL TELL YOU
SOMETHING ELSE, DANNY.
751
00:40:19,686 --> 00:40:21,154
I WAS GLAD ENOUGH
THAT THE TWO OF YOU
752
00:40:21,187 --> 00:40:23,123
WORKED TOGETHER TODAY
ON THAT CASE.
753
00:40:23,156 --> 00:40:26,092
MAYBE BROKE
THE ICE A LITTLE.
754
00:40:26,126 --> 00:40:27,928
I�LL TELL YOU,
STRAIGHT OUT,
755
00:40:27,961 --> 00:40:29,930
DIANE�S BEEN RESERVED
TOWARD YOU.
756
00:40:29,963 --> 00:40:31,765
MAKES SENSE, NO?
757
00:40:31,798 --> 00:40:35,602
WELL, I�M GLAD
THIS MAY HAVE BEEN THE BREAKING OF THE ICE.
758
00:40:35,636 --> 00:40:38,171
HEY, JAMES,
DOES DIANE ENJOY A BEER, DO YOU KNOW?
759
00:40:38,204 --> 00:40:40,006
DIANE?
760
00:40:40,040 --> 00:40:42,008
IS SHE A TEETOTALER,
OR WHAT?
761
00:40:42,042 --> 00:40:44,010
I NEVER NOTICED
HER DRINK,
762
00:40:44,044 --> 00:40:46,179
BUT IF THAT�S HARD
AND FAST OR NOT, I DON�T KNOW.
763
00:40:46,212 --> 00:40:48,014
I NEVER SEEN HER DRINK,
764
00:40:48,048 --> 00:40:50,617
BUT I ALSO NEVER HEARD
HER SAY THAT SHE DON�T.
765
00:40:50,651 --> 00:40:51,818
YEAH, WELL, ANYWAYS.
766
00:40:51,852 --> 00:40:53,954
WHY DO YOU ASK, DANNY?
767
00:40:53,987 --> 00:40:57,123
�CAUSE I�M OUT OF
THINGS TO ASK ABOUT, AND I�M FREEZING.
768
00:40:57,157 --> 00:41:00,761
HEY, HEY, DANNY,
IT�S 10 P. M.!
769
00:41:00,794 --> 00:41:02,696
AND I FEEL NO URGENCY
CATCHING THE TRAIN
770
00:41:02,729 --> 00:41:04,698
�CAUSE IT�S THE SOFA
FOR ME ANYWAYS.
771
00:41:04,731 --> 00:41:06,466
WHAT, HOUSE POLICY?
772
00:41:06,499 --> 00:41:10,370
WELL, 10 P. M.,
THE IRON CURTAIN TENDS TO DESCEND.
773
00:41:10,403 --> 00:41:12,005
ANYWAYS.
774
00:41:12,038 --> 00:41:13,540
ANYWAYS, LET ME
CATCH MY TRAIN.
775
00:41:13,574 --> 00:41:14,541
ALL RIGHT.
ALL RIGHT?
776
00:41:14,575 --> 00:41:15,609
HEY, JAMES?
YEAH?
777
00:41:15,642 --> 00:41:17,811
YOU GOT
THE SQUAD ROSTER ON YOUR CASIO?
778
00:41:17,844 --> 00:41:19,613
YEAH. WHAT NUMBER
YOU WANT?
779
00:41:19,646 --> 00:41:22,182
YEAH, LET ME GET
ANDY�S NUMBER OFF OF IT, PLEASE.
780
00:41:22,215 --> 00:41:24,350
I�LL DO IT.
781
00:41:24,384 --> 00:41:29,055
WHAT, YOU THINK
I�M LOSING MY MANUAL DEXTERITY? HUH?
782
00:41:29,089 --> 00:41:31,457
HEY, I ENJOYED WORKING
WITH YOU TODAY...
783
00:41:31,491 --> 00:41:32,859
HEY, THANKS A LOT.
784
00:41:32,893 --> 00:41:34,027
SPENDING TIME
AFTERWARDS.
785
00:41:34,060 --> 00:41:35,028
SAME HERE.
786
00:41:35,061 --> 00:41:36,362
ALL RIGHT, DANNY.
787
00:41:38,164 --> 00:41:40,000
DANNY.
788
00:42:02,556 --> 00:42:05,526
YOU SEEMED A LITTLE IFFY
AT THE BAR.
789
00:42:05,559 --> 00:42:08,529
NOT THAT IT�S ANY
OF MY BUSINESS...
790
00:42:08,562 --> 00:42:10,864
NOT THAT IT�S ANY
OF MY BUSINESS...
791
00:42:16,803 --> 00:42:19,239
[TELEPHONE RINGING]
792
00:42:23,777 --> 00:42:26,079
Recording:
HI. THIS IS DIANE. I�M NOT IN RIGHT NOW.
793
00:42:26,112 --> 00:42:28,214
PLEASE LEAVE
A MESSAGE. [BEEP]
794
00:42:41,962 --> 00:42:43,930
"OH, I SEE.
THEY�RE A PAIR.
795
00:42:43,964 --> 00:42:46,633
PROBABLY FROM
THE SAME ARTIST."
796
00:42:46,667 --> 00:42:48,602
HA HA...
797
00:42:48,652 --> 00:42:53,202
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