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These are the user uploaded subtitles that are being translated: 1 00:00:01,429 --> 00:00:03,959 when I was living in this road as a 2 00:00:03,959 --> 00:00:07,470 child I spent a lot of time immersed in 3 00:00:07,470 --> 00:00:09,120 the fantasy world of the books that I 4 00:00:09,120 --> 00:00:12,000 got from the library but my top favorite 5 00:00:12,000 --> 00:00:14,190 especially in the film version was 6 00:00:14,190 --> 00:00:17,450 mothering Heights 7 00:00:17,570 --> 00:00:19,600 you 8 00:00:19,600 --> 00:00:22,390 make the world stop right here make 9 00:00:22,390 --> 00:00:24,010 everything stop and stand still and 10 00:00:24,010 --> 00:00:26,320 never move again make them more has 11 00:00:26,320 --> 00:00:29,619 never changed you and I never change and 12 00:00:29,619 --> 00:00:33,010 this was my Moors I would run around 13 00:00:33,010 --> 00:00:36,010 being the wild child Cathy calling for 14 00:00:36,010 --> 00:00:38,890 Heathcliff oh I was so in love with him 15 00:00:38,890 --> 00:00:42,510 he was my ideal man 16 00:00:43,640 --> 00:00:45,700 you 17 00:00:46,170 --> 00:00:49,260 older and wiser I realized that 18 00:00:49,260 --> 00:00:52,559 Hollywood had misled me they'd left a 19 00:00:52,559 --> 00:00:56,870 lot out weathering hikes never was a 20 00:00:56,870 --> 00:00:59,970 sentimental love story and Heathcliff is 21 00:00:59,970 --> 00:01:02,519 far from the rather soapy romantic lead 22 00:01:02,519 --> 00:01:05,450 Laurence Olivier portrays in the film 23 00:01:05,450 --> 00:01:08,640 Emily Bronte's masterpiece is a dark 24 00:01:08,640 --> 00:01:11,550 study of the wild extremes of human 25 00:01:11,550 --> 00:01:14,640 obsession and my childhood heartthrob is 26 00:01:14,640 --> 00:01:17,990 a vicious psychopath 27 00:01:18,320 --> 00:01:20,729 Emily's older sister Charlotte wrote 28 00:01:20,729 --> 00:01:22,880 another book that transfixed me 29 00:01:22,880 --> 00:01:27,229 the shocking Gothic romance Jane Eyre 30 00:01:27,229 --> 00:01:29,670 one of the best-selling novels of all 31 00:01:29,670 --> 00:01:30,920 time 32 00:01:30,920 --> 00:01:34,380 while Anne Bronte is brilliant the 33 00:01:34,380 --> 00:01:37,170 tenant of Wildfell Hall scandalized 34 00:01:37,170 --> 00:01:40,080 Victorian society and is now widely 35 00:01:40,080 --> 00:01:44,509 regarded as an early feminist classic I 36 00:01:44,509 --> 00:01:47,700 rate each of the Bronte sisters amongst 37 00:01:47,700 --> 00:01:50,299 the greatest novelists I have ever read 38 00:01:50,299 --> 00:01:54,570 but I am left with a question how did 39 00:01:54,570 --> 00:01:58,590 three spinsters who spent most of their 40 00:01:58,590 --> 00:02:02,369 life in a remote parsonage on the edge 41 00:02:02,369 --> 00:02:06,000 of the Moors come to write books that I 42 00:02:06,000 --> 00:02:11,549 find shocking erotic profoundly moving 43 00:02:11,549 --> 00:02:16,970 and quite wonderful 44 00:02:18,060 --> 00:02:27,470 [Music] 45 00:02:27,470 --> 00:02:30,780 my journey starts in the yorkshire 46 00:02:30,780 --> 00:02:33,600 village of health as I searched through 47 00:02:33,600 --> 00:02:35,820 the life and work of the Bronte sisters 48 00:02:35,820 --> 00:02:38,280 for some kind of explanation for this 49 00:02:38,280 --> 00:02:42,530 family's unique genius 50 00:02:42,710 --> 00:02:45,990 Patrick Bronte was appointed perpetual 51 00:02:45,990 --> 00:02:50,820 curate at Howarth in 1820 and he and his 52 00:02:50,820 --> 00:02:53,880 wife Mariah and six young children moved 53 00:02:53,880 --> 00:02:58,980 here to the parsonage he was a self-made 54 00:02:58,980 --> 00:03:03,300 man born in a tiny Shack in Ireland yes 55 00:03:03,300 --> 00:03:04,950 he got to Cambridge where he got a 56 00:03:04,950 --> 00:03:10,110 first-class degree just six months after 57 00:03:10,110 --> 00:03:13,160 arriving in half Mariah died of cancer 58 00:03:13,160 --> 00:03:16,350 leaving Patrick with six children under 59 00:03:16,350 --> 00:03:20,130 the age of eight his two eldest 60 00:03:20,130 --> 00:03:22,590 daughters succumbed to TB less than four 61 00:03:22,590 --> 00:03:26,840 years later the four surviving children 62 00:03:26,840 --> 00:03:30,180 Charlotte Emily Ann and their brother 63 00:03:30,180 --> 00:03:32,340 Branwell were raised by their father at 64 00:03:32,340 --> 00:03:34,740 the parsonage with the help of his late 65 00:03:34,740 --> 00:03:39,030 wife sister aunt Bramwell Patrick 66 00:03:39,030 --> 00:03:41,880 encouraged the remarkable creativity of 67 00:03:41,880 --> 00:03:45,300 his precocious offspring this is a 68 00:03:45,300 --> 00:03:48,930 little pencil drawing by Bramwell when 69 00:03:48,930 --> 00:03:50,510 he was eleven years old 70 00:03:50,510 --> 00:03:54,570 rod sweet each of the young Bronte 71 00:03:54,570 --> 00:03:58,020 showed some promise as artists this is 72 00:03:58,020 --> 00:04:02,190 really good I think it's it's a painting 73 00:04:02,190 --> 00:04:06,450 by Emily of her dog she had several dogs 74 00:04:06,450 --> 00:04:09,860 but this is keeper I think but 75 00:04:09,860 --> 00:04:11,940 storytelling seems to have been their 76 00:04:11,940 --> 00:04:15,480 great passion each week the Reverend 77 00:04:15,480 --> 00:04:18,209 Bronte would prepare his sermon in the 78 00:04:18,209 --> 00:04:21,329 study while upstairs the wild 79 00:04:21,329 --> 00:04:23,340 imaginations of his four children would 80 00:04:23,340 --> 00:04:26,850 run riot in the small bedroom where they 81 00:04:26,850 --> 00:04:29,390 gathered to create exotic fan 82 00:04:29,390 --> 00:04:33,050 see world's inspired in part by a 83 00:04:33,050 --> 00:04:37,580 childhood gift of 12 Thai soldiers we 84 00:04:37,580 --> 00:04:40,040 have lovely account by Charlotte father 85 00:04:40,040 --> 00:04:42,560 buying the soldiers in returning back to 86 00:04:42,560 --> 00:04:45,740 earth with them which which I can show 87 00:04:45,740 --> 00:04:50,330 you you've no right a purport run will 88 00:04:50,330 --> 00:04:53,210 some soldiers at Leeds I snatched up one 89 00:04:53,210 --> 00:04:55,340 and exclaimed this is the Duke of 90 00:04:55,340 --> 00:04:58,940 Wellington it shall be mine mine was the 91 00:04:58,940 --> 00:05:01,790 bonniest and perfect in every part 92 00:05:01,790 --> 00:05:04,550 Emily's was a grave looking fellow and 93 00:05:04,550 --> 00:05:07,940 we called him gravy Alice was a queer 94 00:05:07,940 --> 00:05:10,490 little thing very much like herself 95 00:05:10,490 --> 00:05:13,490 bran will chose Bonaparte oh that's 96 00:05:13,490 --> 00:05:14,510 wonderful 97 00:05:14,510 --> 00:05:17,090 they would act out little plays with 98 00:05:17,090 --> 00:05:20,210 soldiers and they went from acting them 99 00:05:20,210 --> 00:05:25,160 out to writing them down and this is by 100 00:05:25,160 --> 00:05:27,890 charlotte brontë she'd been 14 when she 101 00:05:27,890 --> 00:05:31,100 wrote this and it's designed to be small 102 00:05:31,100 --> 00:05:33,590 enough for the toy soldiers to read but 103 00:05:33,590 --> 00:05:35,750 it has the advantage have been like 104 00:05:35,750 --> 00:05:38,960 secret code amongst the children and 105 00:05:38,960 --> 00:05:41,720 their father or their aunt just wouldn't 106 00:05:41,720 --> 00:05:43,700 have been able to read it why was it so 107 00:05:43,700 --> 00:05:45,170 secret was there with the because they 108 00:05:45,170 --> 00:05:47,300 were naughty story so well as they got 109 00:05:47,300 --> 00:05:49,370 older they probably not what you would 110 00:05:49,370 --> 00:05:51,080 expect the vicar's children to be 111 00:05:51,080 --> 00:05:53,930 writing their reading was uncensored so 112 00:05:53,930 --> 00:05:55,970 they were reading by ruining all kinds 113 00:05:55,970 --> 00:05:58,700 of Moffat books and everything fed into 114 00:05:58,700 --> 00:06:02,930 these stories an extraordinary dream by 115 00:06:02,930 --> 00:06:06,950 Lord Charles will see in this slumber I 116 00:06:06,950 --> 00:06:09,380 thought I was walking on the banks of a 117 00:06:09,380 --> 00:06:13,010 river which murmured over small pebbles 118 00:06:13,010 --> 00:06:15,950 at the bottom gleaming like crystals 119 00:06:15,950 --> 00:06:18,440 through the silver stream and the green 120 00:06:18,440 --> 00:06:20,840 parts of the wild rose trees around were 121 00:06:20,840 --> 00:06:24,680 unand and a mild warmth was shed from 122 00:06:24,680 --> 00:06:26,969 the Sun then at its 123 00:06:26,969 --> 00:06:30,330 in the blue sky huh 124 00:06:30,330 --> 00:06:33,560 that's obviously from their walks isn't 125 00:06:33,560 --> 00:06:36,930 bran well and Charlotte created dozens 126 00:06:36,930 --> 00:06:39,509 of these little books writing about life 127 00:06:39,509 --> 00:06:42,180 in a glamorous exotic realm called 128 00:06:42,180 --> 00:06:43,229 angrier 129 00:06:43,229 --> 00:06:46,099 it was peopled by aristocratic 130 00:06:46,099 --> 00:06:48,870 characters and setting these grunt all's 131 00:06:48,870 --> 00:06:51,810 with balls and all the things really I 132 00:06:51,810 --> 00:06:53,520 think the Bronte's of luck to their 133 00:06:53,520 --> 00:06:57,030 everyday in life their younger sisters 134 00:06:57,030 --> 00:06:59,819 Emily and Anne felt excluded from the 135 00:06:59,819 --> 00:07:02,370 angrier adventures so they invented a 136 00:07:02,370 --> 00:07:05,789 country of their own Emily even added 137 00:07:05,789 --> 00:07:08,009 their imaginary land gondol to a 138 00:07:08,009 --> 00:07:10,620 geography textbook with a location in 139 00:07:10,620 --> 00:07:14,610 the North Pacific I just loved the idea 140 00:07:14,610 --> 00:07:17,300 of these children in this tiny room 141 00:07:17,300 --> 00:07:23,330 creating these extraordinary worlds and 142 00:07:23,330 --> 00:07:26,849 I'm sure this early writing work would 143 00:07:26,849 --> 00:07:28,770 have developed the skills of all the 144 00:07:28,770 --> 00:07:31,529 Bronte's but while Charlotte and Anne 145 00:07:31,529 --> 00:07:34,319 drew on their adult experiences to 146 00:07:34,319 --> 00:07:36,990 produce their later masterpieces their 147 00:07:36,990 --> 00:07:39,779 sister never abandoned the story she 148 00:07:39,779 --> 00:07:43,710 wrote as a child for Emily the fantasy 149 00:07:43,710 --> 00:07:46,770 world that she created in gondol was 150 00:07:46,770 --> 00:07:49,500 used later as the basis that the only 151 00:07:49,500 --> 00:07:51,839 novel that she ever published Wuthering 152 00:07:51,839 --> 00:07:52,490 Heights 153 00:07:52,490 --> 00:07:56,250 but whereas the imaginary world was set 154 00:07:56,250 --> 00:07:59,370 in tropical climates she set this in a 155 00:07:59,370 --> 00:08:01,259 landscape that she knew very well the 156 00:08:01,259 --> 00:08:04,110 wild moors that lay at the back of the 157 00:08:04,110 --> 00:08:05,729 home that she lived in since she was a 158 00:08:05,729 --> 00:08:06,870 toddler 159 00:08:06,870 --> 00:08:13,009 [Music] 160 00:08:13,310 --> 00:08:16,730 I'm retracing the route that Emily would 161 00:08:16,730 --> 00:08:18,920 have followed across her beloved Moors 162 00:08:18,920 --> 00:08:21,950 to the locations said to have inspired 163 00:08:21,950 --> 00:08:25,280 watering heights the big remote 164 00:08:25,280 --> 00:08:28,060 farmhouse where he thief makes his home 165 00:08:28,060 --> 00:08:31,100 this is Emily's opening description of 166 00:08:31,100 --> 00:08:35,289 that brutal windswept landscape pure 167 00:08:35,289 --> 00:08:38,120 bracing ventilation they must have up 168 00:08:38,120 --> 00:08:41,059 there at all times indeed one may guess 169 00:08:41,059 --> 00:08:43,340 the power of the north wind blowing over 170 00:08:43,340 --> 00:08:46,220 the edge by the excessive slant of the 171 00:08:46,220 --> 00:08:49,640 few stunted firs at the end of the house 172 00:08:49,640 --> 00:08:52,880 and by the range of Gaunt thorns all 173 00:08:52,880 --> 00:08:56,390 stretching their limbs one way as if 174 00:08:56,390 --> 00:09:00,970 craving alms of the Sun 175 00:09:01,790 --> 00:09:04,980 Kathie's undying obsession with the 176 00:09:04,980 --> 00:09:07,830 cruel Heathcliff is mirrored by her love 177 00:09:07,830 --> 00:09:11,370 of this untamed wilderness and I'm sure 178 00:09:11,370 --> 00:09:13,230 the author's own passion for the 179 00:09:13,230 --> 00:09:15,810 landscape can be heard in Cathy's almost 180 00:09:15,810 --> 00:09:18,420 blasphemous Kim to the Moors 181 00:09:18,420 --> 00:09:21,540 if I were in heaven I should be 182 00:09:21,540 --> 00:09:25,020 extremely miserable I dreamt I was there 183 00:09:25,020 --> 00:09:28,410 once heaven did not seem to be my home 184 00:09:28,410 --> 00:09:31,590 and I broke my heart with weeping to 185 00:09:31,590 --> 00:09:34,110 come back to earth and the Angels was so 186 00:09:34,110 --> 00:09:36,360 angry that they flung me out in the 187 00:09:36,360 --> 00:09:38,010 middle of the heat on the top of 188 00:09:38,010 --> 00:09:41,040 watering heights where I woke shopping 189 00:09:41,040 --> 00:09:42,220 for joy 190 00:09:42,220 --> 00:09:46,710 [Music] 191 00:09:49,000 --> 00:09:51,459 Emily Bronte's tortured love story 192 00:09:51,459 --> 00:09:55,480 continues to inspire new films musicals 193 00:09:55,480 --> 00:10:01,750 opera songs and ballets David Nixon 194 00:10:01,750 --> 00:10:04,149 choreographed a recent interpretation of 195 00:10:04,149 --> 00:10:08,639 watering Heights for northern ballet I 196 00:10:09,389 --> 00:10:12,730 sat in with David for a rehearsal of the 197 00:10:12,730 --> 00:10:14,589 section where Heathcliff takes revenge 198 00:10:14,589 --> 00:10:18,009 on Cathy for marrying his wealthy rival 199 00:10:18,009 --> 00:10:22,120 Edgar Linton and look he taunts Cathy by 200 00:10:22,120 --> 00:10:24,759 toying with Linton's sister Isabella 201 00:10:24,759 --> 00:10:27,879 under her jealous gaze that was really 202 00:10:27,879 --> 00:10:28,329 good 203 00:10:28,329 --> 00:10:30,430 it's Hariri action you're watching as 204 00:10:30,430 --> 00:10:32,769 you're touching her I know what you've 205 00:10:32,769 --> 00:10:38,170 always wanted but Missy here is gonna 206 00:10:38,170 --> 00:10:38,900 get it instead 207 00:10:38,900 --> 00:10:54,470 [Music] 208 00:10:54,470 --> 00:10:58,280 well done wonderful wonderful really 209 00:10:58,280 --> 00:11:01,520 wonderful what seemed most attracted you 210 00:11:01,520 --> 00:11:04,130 in the book I think they were kind of 211 00:11:04,130 --> 00:11:07,460 probably two things at one point in 212 00:11:07,460 --> 00:11:08,150 their youth 213 00:11:08,150 --> 00:11:11,060 there was this absolute harmony between 214 00:11:11,060 --> 00:11:13,550 two young people and it had to do with 215 00:11:13,550 --> 00:11:16,550 the mores and how at one they all were 216 00:11:16,550 --> 00:11:19,730 in that space and then the contrast to 217 00:11:19,730 --> 00:11:21,920 that that as we grow up and as we make 218 00:11:21,920 --> 00:11:24,680 choices how that actually destroys it 219 00:11:24,680 --> 00:11:26,240 yes absolutely 220 00:11:26,240 --> 00:11:28,250 it's an obsessional love affair it's 221 00:11:28,250 --> 00:11:30,980 something that they have to have to 222 00:11:30,980 --> 00:11:32,780 that's a lot of what we spoke about in 223 00:11:32,780 --> 00:11:34,790 the rehearsal we didn't actually say a 224 00:11:34,790 --> 00:11:36,800 lot of in love sort of things it was how 225 00:11:36,800 --> 00:11:42,260 obsession what I just find unbelievable 226 00:11:42,260 --> 00:11:45,320 is it it's so true yeah she understands 227 00:11:45,320 --> 00:11:47,270 the nature not just a woman but a man 228 00:11:47,270 --> 00:11:49,790 and this is a woman that had no life 229 00:11:49,790 --> 00:11:51,440 experience I mean this woman's had 230 00:11:51,440 --> 00:11:54,050 nothing yet she brings this truth of 231 00:11:54,050 --> 00:11:57,800 life that I mean lust sex everything she 232 00:11:57,800 --> 00:12:00,460 has not any of it really 233 00:12:00,460 --> 00:12:03,830 Emily was only 27 when she completed 234 00:12:03,830 --> 00:12:06,410 weathering Heights yet her novel tells 235 00:12:06,410 --> 00:12:09,830 us so much about the darkest moments of 236 00:12:09,830 --> 00:12:13,310 the human condition when Kathy is dying 237 00:12:13,310 --> 00:12:16,600 the scene between her and Heathcliff is 238 00:12:16,600 --> 00:12:19,690 absolutely amazing 239 00:12:19,690 --> 00:12:21,710 anybody that's watched somebody they 240 00:12:21,710 --> 00:12:25,970 love died will understand that that 241 00:12:25,970 --> 00:12:30,530 appalling desperation of wanting to keep 242 00:12:30,530 --> 00:12:33,730 the person with you 243 00:12:35,510 --> 00:12:39,030 her present countenance had a wild 244 00:12:39,030 --> 00:12:43,590 vindictiveness in its white cheek and a 245 00:12:43,590 --> 00:12:46,860 bloodless lip and scintillating eye and 246 00:12:46,860 --> 00:12:49,650 she retained in her closed fingers a 247 00:12:49,650 --> 00:12:52,650 portion of locks she had been grasping 248 00:12:52,650 --> 00:12:56,460 as there her companion so inadequate was 249 00:12:56,460 --> 00:12:58,380 his stock of gentleness to the 250 00:12:58,380 --> 00:13:00,510 requirements of her condition that on 251 00:13:00,510 --> 00:13:03,720 his letting go I saw four distinct 252 00:13:03,720 --> 00:13:07,170 impressions left blue in the colourless 253 00:13:07,170 --> 00:13:09,620 skin 254 00:13:13,280 --> 00:13:15,710 I think I find weathering is 255 00:13:15,710 --> 00:13:18,650 particularly moving because I have felt 256 00:13:18,650 --> 00:13:21,610 all the feelings that are in that book 257 00:13:21,610 --> 00:13:23,950 particularly the sense of loss and 258 00:13:23,950 --> 00:13:27,620 desperation and luckily for me great 259 00:13:27,620 --> 00:13:28,220 love 260 00:13:28,220 --> 00:13:31,789 [Music] 261 00:13:31,910 --> 00:13:35,370 Emily expresses many of these powerful 262 00:13:35,370 --> 00:13:38,240 emotions using imagery from this 263 00:13:38,240 --> 00:13:42,690 majestic landscape and the Moors do seem 264 00:13:42,690 --> 00:13:45,060 to have given inspiration to all three 265 00:13:45,060 --> 00:13:49,260 of the Bronte sisters but in other ways 266 00:13:49,260 --> 00:13:51,840 these young women were each very 267 00:13:51,840 --> 00:13:52,830 different 268 00:13:52,830 --> 00:13:55,410 Emily's talent seemed to come from her 269 00:13:55,410 --> 00:13:57,860 Yorkshire roots and a wild imagination 270 00:13:57,860 --> 00:14:00,840 but she wrote only for herself 271 00:14:00,840 --> 00:14:04,230 now her older sister Charlotte was quite 272 00:14:04,230 --> 00:14:07,410 different she was ambitious and 273 00:14:07,410 --> 00:14:10,250 adventurous and hungry for fame 274 00:14:10,250 --> 00:14:16,799 [Music] 275 00:14:18,880 --> 00:14:22,100 the three Bronte girls were raised in 276 00:14:22,100 --> 00:14:24,440 humble surroundings by their curate 277 00:14:24,440 --> 00:14:26,660 father Patrick and their late mother 278 00:14:26,660 --> 00:14:28,960 sister aunt Bramwell 279 00:14:28,960 --> 00:14:32,180 Emily Charlotte and Anne would go on to 280 00:14:32,180 --> 00:14:35,210 write classic Victorian novels but 281 00:14:35,210 --> 00:14:37,910 before their books were published the 282 00:14:37,910 --> 00:14:40,850 sister spent many years trying to find 283 00:14:40,850 --> 00:14:44,780 other ways to earn money in the 19th 284 00:14:44,780 --> 00:14:47,360 century most middle-class women with no 285 00:14:47,360 --> 00:14:49,430 independent means had to either get 286 00:14:49,430 --> 00:14:52,520 married or work as governesses and 287 00:14:52,520 --> 00:14:54,650 teachers something that the Bronte 288 00:14:54,650 --> 00:14:56,480 sisters did and wrote about in their 289 00:14:56,480 --> 00:14:59,480 books when they were young they came as 290 00:14:59,480 --> 00:15:02,660 students to this school here row head 291 00:15:02,660 --> 00:15:05,480 school later Charlotte came here as a 292 00:15:05,480 --> 00:15:08,720 teacher it wasn't altogether a happy 293 00:15:08,720 --> 00:15:12,860 situation she wanted to be a writer but 294 00:15:12,860 --> 00:15:15,680 circumstances dictated that she had to 295 00:15:15,680 --> 00:15:17,510 be a teacher there's a wonderful bit 296 00:15:17,510 --> 00:15:19,070 that Charlotte writes in the row head 297 00:15:19,070 --> 00:15:21,740 journal am I to spend all the best part 298 00:15:21,740 --> 00:15:23,710 of my life in this wretched bondage 299 00:15:23,710 --> 00:15:26,300 forcibly suppressing my rage at the 300 00:15:26,300 --> 00:15:29,200 idleness the apathy and most asinine 301 00:15:29,200 --> 00:15:32,150 stupidity of these fat-headed oafs I 302 00:15:32,150 --> 00:15:34,160 think that's when her letter must sum up 303 00:15:34,160 --> 00:15:36,140 a lot of teachers attitude what she's 304 00:15:36,140 --> 00:15:37,910 wanting to do is write about her 305 00:15:37,910 --> 00:15:40,880 imaginary world angrier and she can't 306 00:15:40,880 --> 00:15:43,250 she has to sit there and teach these 307 00:15:43,250 --> 00:15:46,700 wretched children while she was teaching 308 00:15:46,700 --> 00:15:49,700 at row head Charlotte wrote to the poet 309 00:15:49,700 --> 00:15:52,520 laureate Robert Southey asking for his 310 00:15:52,520 --> 00:15:55,670 opinion of a selection of her poems he 311 00:15:55,670 --> 00:15:57,800 wrote back to her literature cannot be 312 00:15:57,800 --> 00:16:00,050 the business of a woman's life and he 313 00:16:00,050 --> 00:16:02,720 taught not to be the more she is engaged 314 00:16:02,720 --> 00:16:05,000 in her proper duties the less leisure 315 00:16:05,000 --> 00:16:07,130 she will have for it even as an 316 00:16:07,130 --> 00:16:10,430 accomplishment or a recreation now you 317 00:16:10,430 --> 00:16:12,500 and I I'm sure will be up in arms about 318 00:16:12,500 --> 00:16:14,390 that but the point about the whole 319 00:16:14,390 --> 00:16:16,880 letter is that he's actually saying to 320 00:16:16,880 --> 00:16:19,640 her yes it's okay to write poetry but 321 00:16:19,640 --> 00:16:21,590 don't try to be famous with your writing 322 00:16:21,590 --> 00:16:24,620 write poetry for its own sake not with a 323 00:16:24,620 --> 00:16:25,790 view to celebrity 324 00:16:25,790 --> 00:16:28,370 but if you are the woman and living in a 325 00:16:28,370 --> 00:16:31,310 vicarage you are going to have to aim 326 00:16:31,310 --> 00:16:34,460 for success and we wouldn't have heard 327 00:16:34,460 --> 00:16:36,290 of any of those girls if Charlotte 328 00:16:36,290 --> 00:16:40,490 hadn't wanted celebrity but even for a 329 00:16:40,490 --> 00:16:42,410 woman as ambitious and driven as 330 00:16:42,410 --> 00:16:45,170 Charlotte brontë Salvi's letter was a 331 00:16:45,170 --> 00:16:46,940 major setback 332 00:16:46,940 --> 00:16:49,430 Charlotte's kept the envelope and she 333 00:16:49,430 --> 00:16:50,300 wrote upon it 334 00:16:50,300 --> 00:16:53,750 Sally's advice to be kept forever row 335 00:16:53,750 --> 00:16:58,550 head April 21st 1837 my 21st birthday oh 336 00:16:58,550 --> 00:16:59,750 really 337 00:16:59,750 --> 00:17:01,130 and then at the top she's written 338 00:17:01,130 --> 00:17:03,410 melpomene e and that's the muse of 339 00:17:03,410 --> 00:17:08,359 tragedy when she went back to school or 340 00:17:08,359 --> 00:17:09,980 she would concentrate on was doing her 341 00:17:09,980 --> 00:17:12,079 duty as a teacher I mean you think that 342 00:17:12,079 --> 00:17:14,569 was partly result in his letter I'm sure 343 00:17:14,569 --> 00:17:16,490 it is because it closed that door for 344 00:17:16,490 --> 00:17:18,730 her 345 00:17:19,170 --> 00:17:22,660 the route to a literary career seemed to 346 00:17:22,660 --> 00:17:26,260 be shut off for the bronty's their early 347 00:17:26,260 --> 00:17:28,660 efforts in education had proved a dead 348 00:17:28,660 --> 00:17:33,040 end so it was time to start out on a new 349 00:17:33,040 --> 00:17:36,640 path the three sisters now all in their 350 00:17:36,640 --> 00:17:40,090 20s hatched a plan they would establish 351 00:17:40,090 --> 00:17:43,810 a school of their own their ever-loving 352 00:17:43,810 --> 00:17:46,540 aren't Bramwell gave them the money to 353 00:17:46,540 --> 00:17:49,030 set up the school and charlatan Emily 354 00:17:49,030 --> 00:17:51,880 used part of it to go to Brussels to 355 00:17:51,880 --> 00:17:54,070 improve their French and other subjects 356 00:17:54,070 --> 00:17:56,610 so that they had better credentials 357 00:17:56,610 --> 00:17:59,650 Charlotte's time in Belgium was to have 358 00:17:59,650 --> 00:18:01,650 a profound effect on 359 00:18:01,650 --> 00:18:04,500 [Music] 360 00:18:04,500 --> 00:18:08,490 I joined a tour of the Belgian capital 361 00:18:08,490 --> 00:18:12,600 run by the Brussels Bronte society to 362 00:18:12,600 --> 00:18:15,059 find out more about the sisters stay in 363 00:18:15,059 --> 00:18:18,390 the city Brussels was cosmopolitan city 364 00:18:18,390 --> 00:18:21,360 it was also cheaper than Paris so a lot 365 00:18:21,360 --> 00:18:23,220 of English people sent their daughters 366 00:18:23,220 --> 00:18:26,789 to be educated here the Bronte sisters 367 00:18:26,789 --> 00:18:28,710 attended services at the Protestant 368 00:18:28,710 --> 00:18:30,690 Chapel that we see there and Charlotte 369 00:18:30,690 --> 00:18:32,549 in particular enjoyed watching the 370 00:18:32,549 --> 00:18:34,559 ladies coming out and the way they were 371 00:18:34,559 --> 00:18:37,260 dressed far better dress than the 372 00:18:37,260 --> 00:18:38,809 English ladies 373 00:18:38,809 --> 00:18:41,730 Charlotte's interest in Belgium fashion 374 00:18:41,730 --> 00:18:43,530 is certainly at odds with her reputation 375 00:18:43,530 --> 00:18:47,850 as a simple country girl but more 376 00:18:47,850 --> 00:18:50,340 importantly the tuition she received in 377 00:18:50,340 --> 00:18:52,890 Brussels at the pensioner Asia would 378 00:18:52,890 --> 00:18:56,789 transform her as a writer the personal 379 00:18:56,789 --> 00:18:59,159 where the sisters are stayed and studied 380 00:18:59,159 --> 00:19:01,370 was straight in the middle of this 381 00:19:01,370 --> 00:19:06,870 street Charla described mr. Ajay there a 382 00:19:06,870 --> 00:19:10,620 teacher as a brilliant man and she felt 383 00:19:10,620 --> 00:19:13,919 that she was respected for her passion 384 00:19:13,919 --> 00:19:15,870 for writing and for her willingness to 385 00:19:15,870 --> 00:19:18,870 learn is it true also that we made her 386 00:19:18,870 --> 00:19:22,470 economize in language he he told them 387 00:19:22,470 --> 00:19:24,720 discipline the improvements in 388 00:19:24,720 --> 00:19:29,000 Charlotte's writing was enormous 389 00:19:29,490 --> 00:19:33,009 monsieur aj certainly helped his pupil 390 00:19:33,009 --> 00:19:36,399 to develop her writing style he may also 391 00:19:36,399 --> 00:19:39,789 have aroused unfamiliar passions in this 392 00:19:39,789 --> 00:19:41,970 twenty seven-year-old Yorkshire woman 393 00:19:41,970 --> 00:19:44,860 driving the dutiful daughter of an 394 00:19:44,860 --> 00:19:47,529 Anglican minister to an extraordinary 395 00:19:47,529 --> 00:19:50,320 visit to the Catholic cathedral in 396 00:19:50,320 --> 00:19:53,380 Brussels a remarkable episode in 397 00:19:53,380 --> 00:19:55,960 Charlotte's life happened here she felt 398 00:19:55,960 --> 00:19:58,809 so bad she decided to enter the 399 00:19:58,809 --> 00:20:01,600 cathedral and confess there was a letter 400 00:20:01,600 --> 00:20:02,860 to Emily where she said for heaven's 401 00:20:02,860 --> 00:20:05,789 sake don't tell father because he was so 402 00:20:05,789 --> 00:20:09,309 absolutely against Catholicism yes of 403 00:20:09,309 --> 00:20:11,320 course yes so fascinating an idea of how 404 00:20:11,320 --> 00:20:13,389 desperate she must have been feeling and 405 00:20:13,389 --> 00:20:15,850 she felt the need for that inde and as 406 00:20:15,850 --> 00:20:18,129 she she felt she had to find comfort 407 00:20:18,129 --> 00:20:24,580 somewhere even with a Catholic priest we 408 00:20:24,580 --> 00:20:26,799 will never know exactly what Charlotte 409 00:20:26,799 --> 00:20:28,720 said in the secret of the confessional 410 00:20:28,720 --> 00:20:31,629 but there are strong clues that she may 411 00:20:31,629 --> 00:20:33,399 have been experiencing the sort of 412 00:20:33,399 --> 00:20:36,009 terrible emotional turmoil she would 413 00:20:36,009 --> 00:20:38,660 later write about in her classic novels 414 00:20:38,660 --> 00:20:40,980 [Music] 415 00:20:40,980 --> 00:20:43,539 evidence of Charlotte's state of mind 416 00:20:43,539 --> 00:20:46,120 can be found back in London at the 417 00:20:46,120 --> 00:20:48,490 British Library in a series of letters 418 00:20:48,490 --> 00:20:51,519 she wrote to Monsieur AJ after leaving 419 00:20:51,519 --> 00:20:54,639 Brussels they probably the most 420 00:20:54,639 --> 00:20:57,509 important relics of Charlotte Bronte 421 00:20:57,509 --> 00:21:00,970 they tell us about her feelings for man 422 00:21:00,970 --> 00:21:03,490 who was her mentor at a crucial point in 423 00:21:03,490 --> 00:21:06,129 her life she says some very daring 424 00:21:06,129 --> 00:21:07,389 things to Monsieur 425 00:21:07,389 --> 00:21:09,759 she said you showed me a little interest 426 00:21:09,759 --> 00:21:13,149 in Brussels I demand that you show me 427 00:21:13,149 --> 00:21:17,620 the same interest now unsurprisingly 428 00:21:17,620 --> 00:21:21,009 this father of five under the watchful 429 00:21:21,009 --> 00:21:23,980 eye of his wife a Madame AGA does not 430 00:21:23,980 --> 00:21:25,899 seem to have been very pleased to 431 00:21:25,899 --> 00:21:27,759 receive these passionate letters from 432 00:21:27,759 --> 00:21:29,080 his former pupil 433 00:21:29,080 --> 00:21:31,899 he tore them up put them in his waste 434 00:21:31,899 --> 00:21:34,419 paper basket and what I imagine is that 435 00:21:34,419 --> 00:21:38,200 my dam plucked them up she has threaded 436 00:21:38,200 --> 00:21:42,580 a needle and patiently sewn the pieces 437 00:21:42,580 --> 00:21:45,789 of the letter together because she had 438 00:21:45,789 --> 00:21:48,850 to understand the dynamic between her 439 00:21:48,850 --> 00:21:52,059 husband and his star pupils and she 440 00:21:52,059 --> 00:21:54,070 understood from reading these letters 441 00:21:54,070 --> 00:21:56,379 that she should had nothing more to do 442 00:21:56,379 --> 00:21:58,509 with the Bronte's and she refused to 443 00:21:58,509 --> 00:22:01,450 have English pupils for some years can 444 00:22:01,450 --> 00:22:03,279 you give me an example of why you think 445 00:22:03,279 --> 00:22:06,249 that she was really in love with this 446 00:22:06,249 --> 00:22:10,299 well what we have here is the last 447 00:22:10,299 --> 00:22:12,609 letter she wrote to Monsieur and this is 448 00:22:12,609 --> 00:22:15,340 the one litter we have that wasn't torn 449 00:22:15,340 --> 00:22:19,899 up she says I must say one word to you 450 00:22:19,899 --> 00:22:23,470 in English and she goes on to tell him 451 00:22:23,470 --> 00:22:26,169 that she delighted in speaking in French 452 00:22:26,169 --> 00:22:30,129 because it reminded her of him and she 453 00:22:30,129 --> 00:22:34,289 says every word was most precious to me 454 00:22:34,289 --> 00:22:38,320 because it reminded me of you I love 455 00:22:38,320 --> 00:22:42,340 French for your sake with all my heart 456 00:22:42,340 --> 00:22:45,580 and soul did so I think that Monsieur 457 00:22:45,580 --> 00:22:48,419 never replied to this letter and by 458 00:22:48,419 --> 00:22:51,970 enlarging this letter for the camera we 459 00:22:51,970 --> 00:22:54,460 have discovered that that full stop is 460 00:22:54,460 --> 00:22:57,369 actually in the shape of a heart so it 461 00:22:57,369 --> 00:23:01,809 is it is our heart this is amazing so 462 00:23:01,809 --> 00:23:04,149 she sent this message to Monsieur but I 463 00:23:04,149 --> 00:23:06,039 don't think we can think of love in our 464 00:23:06,039 --> 00:23:09,909 present-day sense it isn't adulterous it 465 00:23:09,909 --> 00:23:12,249 isn't an affair but it's more than 466 00:23:12,249 --> 00:23:16,239 friendship because for a very proper 467 00:23:16,239 --> 00:23:18,429 young woman in the middle of the 19th 468 00:23:18,429 --> 00:23:22,090 century she had to imagine love rather 469 00:23:22,090 --> 00:23:24,759 than enacted and that imagining was 470 00:23:24,759 --> 00:23:27,779 crucial for her writing 471 00:23:28,629 --> 00:23:31,309 one of the great myths about the 472 00:23:31,309 --> 00:23:33,830 Bronte's is that they never experience 473 00:23:33,830 --> 00:23:35,809 the emotions that they express so 474 00:23:35,809 --> 00:23:39,049 powerfully in their books I certainly 475 00:23:39,049 --> 00:23:41,059 don't think that is true a Charlotte and 476 00:23:41,059 --> 00:23:43,789 her great classic Jane Eyre in which the 477 00:23:43,789 --> 00:23:46,580 young heroine has a doomed passion for 478 00:23:46,580 --> 00:23:50,119 the married mr. Rochester this is Jane 479 00:23:50,119 --> 00:23:53,389 when mr. Rochester is proposing to her 480 00:23:53,389 --> 00:23:55,369 she thinks he's just talking about her 481 00:23:55,369 --> 00:23:58,700 having to leave but I feel it's 482 00:23:58,700 --> 00:24:00,229 something to do with what Charlotte 483 00:24:00,229 --> 00:24:01,909 Bronte felt when she had to leave the 484 00:24:01,909 --> 00:24:05,659 man she loved in Brussels I grieved to 485 00:24:05,659 --> 00:24:08,179 leave Thornfield because I have lived in 486 00:24:08,179 --> 00:24:09,679 it a full and delightful life 487 00:24:09,679 --> 00:24:12,379 momentarily at least I have talked 488 00:24:12,379 --> 00:24:15,499 face-to-face with an original a vigorous 489 00:24:15,499 --> 00:24:17,119 and expanded mind 490 00:24:17,119 --> 00:24:20,659 I have no new mr. Rochester and it 491 00:24:20,659 --> 00:24:23,239 strikes me with terror and anguish to 492 00:24:23,239 --> 00:24:25,309 feel I absolutely must be torn from you 493 00:24:25,309 --> 00:24:28,309 forever I see the necessity of departure 494 00:24:28,309 --> 00:24:31,249 and it is like looking on the necessity 495 00:24:31,249 --> 00:24:35,599 of death I'm sure she was thinking of 496 00:24:35,599 --> 00:24:38,210 her lover or her not a lover 497 00:24:38,210 --> 00:24:39,890 [Music] 498 00:24:39,890 --> 00:24:43,070 I think that Jane Eyre is a wonderful 499 00:24:43,070 --> 00:24:45,620 novel it can drive me to tears and 500 00:24:45,620 --> 00:24:48,830 laughter at the same reading and for me 501 00:24:48,830 --> 00:24:52,160 that spirit has really been captured by 502 00:24:52,160 --> 00:24:54,440 artist Dame Paula Rekha 503 00:24:54,440 --> 00:24:58,130 oh yes that's strange one she has 504 00:24:58,130 --> 00:25:00,830 produced a series of works based on 505 00:25:00,830 --> 00:25:04,010 texts from the book many of the pieces 506 00:25:04,010 --> 00:25:06,260 cover the cruel treatment of Jane as a 507 00:25:06,260 --> 00:25:08,960 young orphan often in the house of her 508 00:25:08,960 --> 00:25:13,160 aunt mrs. Reed this is marvelous mrs. 509 00:25:13,160 --> 00:25:16,460 Norris they punish her by throwing her 510 00:25:16,460 --> 00:25:19,580 all alone in this big room she's flat on 511 00:25:19,580 --> 00:25:24,470 her tummy oh she's all crumpled hmm like 512 00:25:24,470 --> 00:25:26,990 all this crumpled thus one of my 513 00:25:26,990 --> 00:25:30,049 favorite this because it's just how it 514 00:25:30,049 --> 00:25:33,830 was how it was for her yes has it ever 515 00:25:33,830 --> 00:25:36,490 been like that Hume I felt crumpled down 516 00:25:36,490 --> 00:25:41,059 scared stiff and these pictures reflect 517 00:25:41,059 --> 00:25:43,580 the characters as they are written not 518 00:25:43,580 --> 00:25:45,350 the more sentimental versions often 519 00:25:45,350 --> 00:25:49,400 portrayed in adaptations Jane was ugly 520 00:25:49,400 --> 00:25:52,070 she says herself but nine times out of 521 00:25:52,070 --> 00:25:54,080 ten if you see a movie the girl is 522 00:25:54,080 --> 00:25:57,530 pretty Lee ya know sort of no makeup 523 00:25:57,530 --> 00:26:00,290 that's the consensus drug leaders but 524 00:26:00,290 --> 00:26:02,960 you actually make no bones about it here 525 00:26:02,960 --> 00:26:06,200 that is not a beautiful woman that is 526 00:26:06,200 --> 00:26:10,040 Jane in Charlotte's novel Jane does 527 00:26:10,040 --> 00:26:13,309 eventually find love in the form of the 528 00:26:13,309 --> 00:26:17,690 aloof unattainable mr. Rochester you're 529 00:26:17,690 --> 00:26:19,910 showing him with his dark sort of 530 00:26:19,910 --> 00:26:23,270 glowering look yeah what do you think of 531 00:26:23,270 --> 00:26:25,730 watch Esther well I think he's a pompous 532 00:26:25,730 --> 00:26:30,470 twit and I think he's not kind and he's 533 00:26:30,470 --> 00:26:33,500 very very nasty to women he cares about 534 00:26:33,500 --> 00:26:35,299 Jane though do you not think in the end 535 00:26:35,299 --> 00:26:37,770 I think he's pleased 536 00:26:37,770 --> 00:26:41,870 live yellow he could have been dead 537 00:26:41,870 --> 00:26:44,730 Charlotte does allow her unfortunate 538 00:26:44,730 --> 00:26:48,120 heroine a happy ending after all the 539 00:26:48,120 --> 00:26:50,940 passionate love and shocking gothic 540 00:26:50,940 --> 00:26:51,870 carryings-on 541 00:26:51,870 --> 00:26:56,510 this is what happens reader I married 542 00:26:56,510 --> 00:27:02,640 him a quiet wedding we had he and I when 543 00:27:02,640 --> 00:27:04,890 we got back from church I went into the 544 00:27:04,890 --> 00:27:08,340 kitchen and I said Mary I have been 545 00:27:08,340 --> 00:27:10,790 married to mr. Rochester this morning 546 00:27:10,790 --> 00:27:12,020 Mary 547 00:27:12,020 --> 00:27:15,140 bending again over the roast said only 548 00:27:15,140 --> 00:27:23,280 have you miss well for sure so funny to 549 00:27:23,280 --> 00:27:26,330 end up with something so casual and 550 00:27:26,330 --> 00:27:31,100 nonchalant brilliant 551 00:27:33,070 --> 00:27:36,280 Charlotte based her clever passionate 552 00:27:36,280 --> 00:27:39,400 and witty books on her own rich and 553 00:27:39,400 --> 00:27:42,690 varied emotional life 554 00:27:42,930 --> 00:27:45,780 as histor emily drew on her childhood 555 00:27:45,780 --> 00:27:50,330 fantasies for her only published novel 556 00:27:50,330 --> 00:27:54,650 but Anne Bronte was different again her 557 00:27:54,650 --> 00:27:57,830 greatest work was a campaigning novel 558 00:27:57,830 --> 00:28:01,310 now seen as a groundbreaking feminist 559 00:28:01,310 --> 00:28:02,290 classic 560 00:28:02,290 --> 00:28:08,750 [Music] 561 00:28:08,750 --> 00:28:13,039 by 1845 Charlotte Emily and Anne Bronte 562 00:28:13,039 --> 00:28:14,539 were all living with their father 563 00:28:14,539 --> 00:28:18,919 Patrick back in the parsonage the two 564 00:28:18,919 --> 00:28:21,380 older girls had returned from Brussels 565 00:28:21,380 --> 00:28:23,960 but there were no takers 566 00:28:23,960 --> 00:28:28,100 for their plans school in half probably 567 00:28:28,100 --> 00:28:31,789 because of its remote location the 568 00:28:31,789 --> 00:28:34,730 Bronte sisters now in their late 20s and 569 00:28:34,730 --> 00:28:38,120 yet to start writing their novels still 570 00:28:38,120 --> 00:28:40,990 needed to find a way to earn a living 571 00:28:40,990 --> 00:28:43,669 then Charlotte came upon something that 572 00:28:43,669 --> 00:28:45,530 would change their lives forever 573 00:28:45,530 --> 00:28:49,100 on a little writing desk like this she 574 00:28:49,100 --> 00:28:51,919 found a notebook full of Emily's poems 575 00:28:51,919 --> 00:28:57,080 like this one maybe even this one she 576 00:28:57,080 --> 00:29:00,020 wrote I know no woman that ever lived 577 00:29:00,020 --> 00:29:04,400 ever wrote such poetry before any 578 00:29:04,400 --> 00:29:07,250 furious that Charlotte had invaded her 579 00:29:07,250 --> 00:29:09,799 privacy she didn't even want her poetry 580 00:29:09,799 --> 00:29:12,440 read but she was persuaded that they 581 00:29:12,440 --> 00:29:14,600 should publish a collection of their 582 00:29:14,600 --> 00:29:18,710 works this is the very first edition of 583 00:29:18,710 --> 00:29:22,970 poems by Qura Ellis and Upton Bell they 584 00:29:22,970 --> 00:29:25,850 decided to adopt pseudonyms because they 585 00:29:25,850 --> 00:29:27,590 recognized that there was a kind of 586 00:29:27,590 --> 00:29:30,110 double standard in the way writing was 587 00:29:30,110 --> 00:29:32,990 reviewed and they wanted to be viewed as 588 00:29:32,990 --> 00:29:34,940 right it's not particularly women 589 00:29:34,940 --> 00:29:38,000 writers there's work here that I like by 590 00:29:38,000 --> 00:29:41,059 Ellis nay Emily and it's good to 591 00:29:41,059 --> 00:29:44,270 imagination so hopeless is a world 592 00:29:44,270 --> 00:29:47,780 without the world within I doubly prized 593 00:29:47,780 --> 00:29:51,440 the world where guile and hate and doubt 594 00:29:51,440 --> 00:29:54,770 and cold suspicions never rise where 595 00:29:54,770 --> 00:29:59,750 thou and I and Liberty have a undisputed 596 00:29:59,750 --> 00:30:03,559 sovereignty it must bring some the 597 00:30:03,559 --> 00:30:05,659 biggest failures in the history 598 00:30:05,659 --> 00:30:08,690 publishing there were two copies sold Oh 599 00:30:08,690 --> 00:30:12,850 rose by some very favorable reviews and 600 00:30:12,850 --> 00:30:15,440 Charlotte sent some of the remaining 601 00:30:15,440 --> 00:30:17,640 copies to authors 602 00:30:17,640 --> 00:30:20,760 and it by this no sir my relatives 603 00:30:20,760 --> 00:30:23,220 Ellison Upton Bell and myself have 604 00:30:23,220 --> 00:30:25,200 committed the rush ACT of printing a 605 00:30:25,200 --> 00:30:27,960 volume of poems the consequence 606 00:30:27,960 --> 00:30:30,450 predicted half of course overtaken us 607 00:30:30,450 --> 00:30:32,460 our book is found to be a drug 608 00:30:32,460 --> 00:30:36,000 no man needs it or hands it in space for 609 00:30:36,000 --> 00:30:38,070 year our publisher has disposed but of 610 00:30:38,070 --> 00:30:40,679 two copies and by what painful efforts 611 00:30:40,679 --> 00:30:43,440 he succeeded in getting rid of these two 612 00:30:43,440 --> 00:30:47,130 himself only knows that's tragic but 613 00:30:47,130 --> 00:30:48,179 funny as well 614 00:30:48,179 --> 00:30:50,850 yeah lesser I mean she's making a joke 615 00:30:50,850 --> 00:30:52,679 of it that's right when it must have 616 00:30:52,679 --> 00:30:55,080 been at crushing oh Island but she was 617 00:30:55,080 --> 00:30:57,540 determined and to carry on with the 618 00:30:57,540 --> 00:31:00,950 publishing it had given a zest to life 619 00:31:00,950 --> 00:31:03,900 having lost money on their volume of 620 00:31:03,900 --> 00:31:06,750 poetry the Bronte sisters resolved to 621 00:31:06,750 --> 00:31:08,760 focus their formidable energies on a 622 00:31:08,760 --> 00:31:11,309 more lucrative side of the literary 623 00:31:11,309 --> 00:31:14,520 business they said to work writing 624 00:31:14,520 --> 00:31:19,080 novels every evening at about nine 625 00:31:19,080 --> 00:31:22,460 o'clock Patrick would leave his study 626 00:31:22,460 --> 00:31:27,330 wind up that clock and then make his way 627 00:31:27,330 --> 00:31:32,370 to bed with him gone the three girls 628 00:31:32,370 --> 00:31:34,610 would come into the dining room and 629 00:31:34,610 --> 00:31:37,669 promenade around this table reading 630 00:31:37,669 --> 00:31:40,169 extracts of their work to one another 631 00:31:40,169 --> 00:31:42,960 this production line produced three 632 00:31:42,960 --> 00:31:45,150 classic novels Emily's Wuthering Heights 633 00:31:45,150 --> 00:31:47,880 and Agnes gray and Charlotte's the 634 00:31:47,880 --> 00:31:49,740 professor and the first two were 635 00:31:49,740 --> 00:31:51,980 accepted for publication 636 00:31:51,980 --> 00:31:54,960 Charlotte's was rejected however she 637 00:31:54,960 --> 00:31:57,360 just sat down and in a few weeks she 638 00:31:57,360 --> 00:32:02,220 produced Jane Eyre Jane Eyre was 639 00:32:02,220 --> 00:32:05,630 published first and was an instant hit 640 00:32:05,630 --> 00:32:08,190 Wuthering Heights and Agnes gray 641 00:32:08,190 --> 00:32:11,250 followed two months later they were less 642 00:32:11,250 --> 00:32:13,830 successful but all three of the sisters 643 00:32:13,830 --> 00:32:17,510 were now published novelists 644 00:32:17,510 --> 00:32:20,360 their brother Branwell however was in a 645 00:32:20,360 --> 00:32:25,100 desperate state as a young man Branwell 646 00:32:25,100 --> 00:32:27,500 had been the golden boy of the Bronte 647 00:32:27,500 --> 00:32:30,440 family he was the guiding force behind 648 00:32:30,440 --> 00:32:33,020 their childhood writings had poems 649 00:32:33,020 --> 00:32:35,540 published in local papers and harbored 650 00:32:35,540 --> 00:32:37,970 serious ambitions to become a 651 00:32:37,970 --> 00:32:42,380 professional artist here in the National 652 00:32:42,380 --> 00:32:44,780 Portrait Gallery is bramwell's only 653 00:32:44,780 --> 00:32:47,799 surviving painting of his three sisters 654 00:32:47,799 --> 00:32:51,290 originally he was in the picture there 655 00:32:51,290 --> 00:32:55,970 you can see a faint outline but for some 656 00:32:55,970 --> 00:32:58,580 reason he painted himself out with a 657 00:32:58,580 --> 00:33:01,760 pillar which is fortunately beginning to 658 00:33:01,760 --> 00:33:05,179 face oh we know what happened it's a 659 00:33:05,179 --> 00:33:07,640 slight mystery as to why he did that I 660 00:33:07,640 --> 00:33:10,040 mean I think the official reason is that 661 00:33:10,040 --> 00:33:11,720 it was because he thought the 662 00:33:11,720 --> 00:33:13,490 composition was better without him or 663 00:33:13,490 --> 00:33:15,919 maybe he just painted himself really 664 00:33:15,919 --> 00:33:19,760 rather badly but I think it's an amazing 665 00:33:19,760 --> 00:33:24,130 image of what was going to happen later 666 00:33:24,130 --> 00:33:27,230 either through lack of ability or lack 667 00:33:27,230 --> 00:33:30,020 of application Bramwell never made it as 668 00:33:30,020 --> 00:33:32,480 a portrait painter and he was later 669 00:33:32,480 --> 00:33:35,750 dismissed from a succession of jobs by 670 00:33:35,750 --> 00:33:37,820 the time his sister started to win 671 00:33:37,820 --> 00:33:41,299 famous writers he had been sacked as a 672 00:33:41,299 --> 00:33:43,790 tutor seemingly because of an affair 673 00:33:43,790 --> 00:33:47,150 with his employer's wife he returned 674 00:33:47,150 --> 00:33:50,270 grief stricken to the parsonage where he 675 00:33:50,270 --> 00:33:53,620 sank into serious alcohol and drug abuse 676 00:33:53,620 --> 00:33:57,200 this is a room that eventually branwall 677 00:33:57,200 --> 00:33:59,630 shared with his father what happened was 678 00:33:59,630 --> 00:34:02,510 that he came back paralytic one night 679 00:34:02,510 --> 00:34:04,100 and he managed to set fire to his 680 00:34:04,100 --> 00:34:06,890 bedclothes and an Emily rescued him and 681 00:34:06,890 --> 00:34:08,929 Patrick decided that he had to keep an 682 00:34:08,929 --> 00:34:11,719 eye on him can you imagine what it was 683 00:34:11,719 --> 00:34:14,690 like in this house his whole life was 684 00:34:14,690 --> 00:34:16,940 disintegrating this beloved brother and 685 00:34:16,940 --> 00:34:20,119 son in front of their eyes but out of it 686 00:34:20,119 --> 00:34:23,929 came a wonderful book by an the tenant 687 00:34:23,929 --> 00:34:26,989 of Wildfell Hall it is one of the best 688 00:34:26,989 --> 00:34:30,020 studies of alcoholism and his 689 00:34:30,020 --> 00:34:31,460 effect on the family and everybody 690 00:34:31,460 --> 00:34:35,830 around them that I have ever read 691 00:34:38,380 --> 00:34:41,600 branwall used to blame his alcoholism on 692 00:34:41,600 --> 00:34:43,820 a sad affair that he had with a married 693 00:34:43,820 --> 00:34:46,370 woman and it is sometimes a trait of 694 00:34:46,370 --> 00:34:48,290 addiction that people are apt to blame 695 00:34:48,290 --> 00:34:50,770 other people for their terrible illness 696 00:34:50,770 --> 00:34:54,168 the character in waffle Hall turns on 697 00:34:54,168 --> 00:34:56,840 his wife and blames her for all his bad 698 00:34:56,840 --> 00:34:58,760 behavior and this is a typical passage 699 00:34:58,760 --> 00:35:02,090 of that as for him for the first week or 700 00:35:02,090 --> 00:35:04,760 two he was peevish and low fretting I 701 00:35:04,760 --> 00:35:06,950 suppose over his dear Anna Bella's 702 00:35:06,950 --> 00:35:09,160 departure that's his mistress and 703 00:35:09,160 --> 00:35:12,130 particularly ill-tempered to me 704 00:35:12,130 --> 00:35:15,680 everything I did was wrong I was cold 705 00:35:15,680 --> 00:35:19,640 hearted hard insensate my sour pale face 706 00:35:19,640 --> 00:35:22,910 was perfectly repulsive my voice made 707 00:35:22,910 --> 00:35:25,370 him shudder he knew not how he could 708 00:35:25,370 --> 00:35:27,710 live through the winter with me I should 709 00:35:27,710 --> 00:35:31,820 kill him by inches and the tenant of 710 00:35:31,820 --> 00:35:34,670 Wildfell Hall was a revolutionary 711 00:35:34,670 --> 00:35:37,280 depiction of the powerlessness of a 712 00:35:37,280 --> 00:35:40,040 woman in an abusive marriage and I think 713 00:35:40,040 --> 00:35:42,680 it's every bit as good as the 714 00:35:42,680 --> 00:35:45,890 better-known Bronte books in fact all 715 00:35:45,890 --> 00:35:49,070 three sisters produced enduring 716 00:35:49,070 --> 00:35:52,850 masterpieces how did it happen how was 717 00:35:52,850 --> 00:35:56,630 it possible three Victorian spinsters 718 00:35:56,630 --> 00:35:59,390 living in isolation on the Yorkshire 719 00:35:59,390 --> 00:36:02,150 Moors award-winning playwright Polly 720 00:36:02,150 --> 00:36:04,730 teal has written extensively about the 721 00:36:04,730 --> 00:36:06,410 Bronte's 722 00:36:06,410 --> 00:36:09,140 I joined Pali to talk about this unique 723 00:36:09,140 --> 00:36:11,840 literary family at the dining room table 724 00:36:11,840 --> 00:36:14,390 where so many of the Bronte classics 725 00:36:14,390 --> 00:36:17,030 were produced when they're writing and 726 00:36:17,030 --> 00:36:18,500 walking around this table they must have 727 00:36:18,500 --> 00:36:20,840 had such a laugh and they must have 728 00:36:20,840 --> 00:36:23,420 inspired one another it must have been a 729 00:36:23,420 --> 00:36:25,430 kind of furnace mustn't it with the 730 00:36:25,430 --> 00:36:27,140 three of them right from when they were 731 00:36:27,140 --> 00:36:28,820 children because they did that with 732 00:36:28,820 --> 00:36:31,130 angry and you know the books the little 733 00:36:31,130 --> 00:36:33,890 tiny books and her father gave them this 734 00:36:33,890 --> 00:36:36,800 extraordinary access to literature and 735 00:36:36,800 --> 00:36:38,630 they read in a way that was would have 736 00:36:38,630 --> 00:36:41,720 been very unusual for girls at that time 737 00:36:41,720 --> 00:36:44,330 and in fact you could only go to the 738 00:36:44,330 --> 00:36:46,850 local library if you are a man and so 739 00:36:46,850 --> 00:36:48,650 they were had to get Bramwell to bring 740 00:36:48,650 --> 00:36:52,190 the books back for them our books are 741 00:36:52,190 --> 00:36:54,380 covered in flour and spatters our 742 00:36:54,380 --> 00:36:57,470 bravery the library of complained not to 743 00:36:57,470 --> 00:37:00,230 us we are not allowed to go there 744 00:37:00,230 --> 00:37:03,320 fathers and sons only but our brother 745 00:37:03,320 --> 00:37:05,660 tells us that a carrot peeling was found 746 00:37:05,660 --> 00:37:08,710 lying like a bookmark by the librarian I 747 00:37:08,710 --> 00:37:11,840 think none of them would have written 748 00:37:11,840 --> 00:37:14,840 but for the existence of the others even 749 00:37:14,840 --> 00:37:17,270 Bramwell I think they could almost smell 750 00:37:17,270 --> 00:37:19,880 it off him these affairs these 751 00:37:19,880 --> 00:37:21,830 adventures that he was having living 752 00:37:21,830 --> 00:37:23,840 this life out there in the world whilst 753 00:37:23,840 --> 00:37:28,280 they were really confined to this very 754 00:37:28,280 --> 00:37:31,910 domestic world that women occupied do 755 00:37:31,910 --> 00:37:32,930 you think they would have written the 756 00:37:32,930 --> 00:37:35,000 books if they'd had the kind of freedom 757 00:37:35,000 --> 00:37:37,970 that we have perhaps not the power of 758 00:37:37,970 --> 00:37:40,190 books comes out of that repression you 759 00:37:40,190 --> 00:37:42,080 know it's almost like in their writing 760 00:37:42,080 --> 00:37:44,330 there was an opportunity for them to 761 00:37:44,330 --> 00:37:47,030 take revenge on a world that didn't 762 00:37:47,030 --> 00:37:50,450 allow them a voice and yet here alone in 763 00:37:50,450 --> 00:37:52,820 this room they could say whatever they 764 00:37:52,820 --> 00:37:55,240 wanted to 765 00:37:55,390 --> 00:37:58,089 it seems that the safe-haven of the 766 00:37:58,089 --> 00:38:00,190 parsonage and the bonds that formed 767 00:38:00,190 --> 00:38:02,349 between the four Bronte children within 768 00:38:02,349 --> 00:38:07,589 its walls were crucial to their art but 769 00:38:07,589 --> 00:38:10,930 this was also a very unhealthy place to 770 00:38:10,930 --> 00:38:16,119 live the average life expectancy in 771 00:38:16,119 --> 00:38:20,650 hearth was just 25 partly as a result of 772 00:38:20,650 --> 00:38:22,839 the church graveyard polluting the 773 00:38:22,839 --> 00:38:25,150 drinking water as it flowed down from 774 00:38:25,150 --> 00:38:27,269 the Moors 775 00:38:27,269 --> 00:38:30,849 the two oldest Bronte girls Mariah and 776 00:38:30,849 --> 00:38:33,849 Elizabeth had died of TB or consumption 777 00:38:33,849 --> 00:38:37,859 as it used to be known as young children 778 00:38:37,859 --> 00:38:41,769 in 1848 this terrible disease would 779 00:38:41,769 --> 00:38:46,869 strike again at the family Branwell was 780 00:38:46,869 --> 00:38:49,869 the first to succumb dying in September 781 00:38:49,869 --> 00:38:54,150 that year at the age of 31 782 00:38:56,040 --> 00:39:00,480 his sister Emily aged just 30 followed 783 00:39:00,480 --> 00:39:07,080 only three months later and to developed 784 00:39:07,080 --> 00:39:10,410 the symptoms of consumption and as her 785 00:39:10,410 --> 00:39:12,630 condition deteriorated she wrote this 786 00:39:12,630 --> 00:39:18,060 heartbreaking letter I wish it would 787 00:39:18,060 --> 00:39:21,990 please God to spare me not only for Papa 788 00:39:21,990 --> 00:39:25,410 and Charlotte's sakes but because I long 789 00:39:25,410 --> 00:39:27,570 to do some good in the world 790 00:39:27,570 --> 00:39:31,050 before I leave it I have many schemes in 791 00:39:31,050 --> 00:39:34,440 my head for future practice humble and 792 00:39:34,440 --> 00:39:38,220 limited indeed but still I should not 793 00:39:38,220 --> 00:39:41,490 like them to come to nothing and myself 794 00:39:41,490 --> 00:39:45,870 to have lived to so little purpose but 795 00:39:45,870 --> 00:39:47,090 God's will be done 796 00:39:47,090 --> 00:39:50,629 [Music] 797 00:39:51,119 --> 00:39:54,089 and came here to Scarborough with 798 00:39:54,089 --> 00:39:56,789 Charlotte she thought somehow it would 799 00:39:56,789 --> 00:40:00,690 make him feel better she had been here 800 00:40:00,690 --> 00:40:02,759 before when she was governess to her 801 00:40:02,759 --> 00:40:04,170 family and she fell in love with the 802 00:40:04,170 --> 00:40:10,259 place sadly her condition worsened they 803 00:40:10,259 --> 00:40:11,960 couldn't get her back to her and she 804 00:40:11,960 --> 00:40:19,619 died here in 18-49 aged only 29 Anne's 805 00:40:19,619 --> 00:40:26,489 death was a gentle and brave one and 806 00:40:26,489 --> 00:40:29,160 almost her last words were take courage 807 00:40:29,160 --> 00:40:33,079 Charlotte take courage 808 00:40:36,330 --> 00:40:43,740 so Charlotte was on her own she wrote it 809 00:40:43,740 --> 00:40:51,800 is over Emily Bramwell and all are gone 810 00:40:51,800 --> 00:40:55,680 like dreams I have watched them fall 811 00:40:55,680 --> 00:40:59,460 asleep on my arm have closed their 812 00:40:59,460 --> 00:41:04,440 glazed eyes I have seen them buried one 813 00:41:04,440 --> 00:41:10,050 by one desperately lonely 814 00:41:10,050 --> 00:41:12,120 Charlotte threw herself into her work 815 00:41:12,120 --> 00:41:14,790 and less than six months after Anne's 816 00:41:14,790 --> 00:41:18,840 death published a new novel surely I met 817 00:41:18,840 --> 00:41:21,570 biographer Lucas Tom Miller at the red 818 00:41:21,570 --> 00:41:24,120 house in gummersall model for the home 819 00:41:24,120 --> 00:41:26,580 of the York family and surely to find 820 00:41:26,580 --> 00:41:29,910 out how the now celebrated author would 821 00:41:29,910 --> 00:41:32,910 cope with her terrible loss Charlotte 822 00:41:32,910 --> 00:41:34,710 came back from Scarborough and there she 823 00:41:34,710 --> 00:41:37,080 was alone with Patrick must have been a 824 00:41:37,080 --> 00:41:39,080 nightmare must need to come back to hath 825 00:41:39,080 --> 00:41:42,150 there's a absolutely heart-rending story 826 00:41:42,150 --> 00:41:44,130 of Charlotte going down to the dining 827 00:41:44,130 --> 00:41:45,690 room where previously she and her 828 00:41:45,690 --> 00:41:47,520 sisters used to walk around talking 829 00:41:47,520 --> 00:41:50,700 about their writing and going round and 830 00:41:50,700 --> 00:41:53,520 round the table on her own really I mean 831 00:41:53,520 --> 00:41:56,130 it's absolutely appalling Samsun loss 832 00:41:56,130 --> 00:41:59,250 and bereavement and Charlotte was facing 833 00:41:59,250 --> 00:42:03,930 further problems the Bronte sisters had 834 00:42:03,930 --> 00:42:06,630 written a series of controversial novels 835 00:42:06,630 --> 00:42:08,790 Jane Eyre was about the relationship 836 00:42:08,790 --> 00:42:11,750 between a married man and his governess 837 00:42:11,750 --> 00:42:14,430 both van's books were campaigning 838 00:42:14,430 --> 00:42:16,800 attacks on conventional Victorian 839 00:42:16,800 --> 00:42:20,400 society was weathering Heights was 840 00:42:20,400 --> 00:42:24,840 considered immoral and ungodly when it 841 00:42:24,840 --> 00:42:27,990 became known the authors of these novels 842 00:42:27,990 --> 00:42:31,290 were actually women Victorian society 843 00:42:31,290 --> 00:42:33,550 was scanned 844 00:42:33,550 --> 00:42:36,430 a storm was brewing against the work and 845 00:42:36,430 --> 00:42:39,460 the morals of the Bronte's Charlotte's 846 00:42:39,460 --> 00:42:42,040 response would be to create a new work 847 00:42:42,040 --> 00:42:43,210 of fiction 848 00:42:43,210 --> 00:42:46,120 she republished Wuthering Heights which 849 00:42:46,120 --> 00:42:48,460 gave her the opportunity to write a 850 00:42:48,460 --> 00:42:50,620 short biography chol notice of her 851 00:42:50,620 --> 00:42:53,280 sisters she is trying to get the public 852 00:42:53,280 --> 00:42:55,360 almost to forgive them for having 853 00:42:55,360 --> 00:42:57,340 written these shocking books it's a 854 00:42:57,340 --> 00:43:00,550 piece of victorian spin she creates this 855 00:43:00,550 --> 00:43:02,800 myth of the moors and how earth as if 856 00:43:02,800 --> 00:43:04,540 that was all there was to their 857 00:43:04,540 --> 00:43:07,750 inspiration she presents her sisters as 858 00:43:07,750 --> 00:43:09,190 being uneducated 859 00:43:09,190 --> 00:43:11,380 she says neither Emily nor Anne will 860 00:43:11,380 --> 00:43:13,080 learn it when in fact they were 861 00:43:13,080 --> 00:43:15,250 voracious readers you know they were 862 00:43:15,250 --> 00:43:17,830 highly they speak French and they highly 863 00:43:17,830 --> 00:43:19,150 they dream their lives 864 00:43:19,150 --> 00:43:22,030 exactly i had already discovered that 865 00:43:22,030 --> 00:43:24,790 the Bronte sisters were not the isolated 866 00:43:24,790 --> 00:43:27,700 uneducated country girls of popular 867 00:43:27,700 --> 00:43:31,210 imagination they enjoyed an excellent if 868 00:43:31,210 --> 00:43:33,490 unconventional education and quite a 869 00:43:33,490 --> 00:43:36,160 wealth of experiences for young women of 870 00:43:36,160 --> 00:43:40,030 the age what I hadn't realized was that 871 00:43:40,030 --> 00:43:43,120 this story was partly concocted by 872 00:43:43,120 --> 00:43:46,150 Charlotte to protect the reputations of 873 00:43:46,150 --> 00:43:49,210 the sisters who's lost she mourned so 874 00:43:49,210 --> 00:43:52,780 deeply but it seems Charlotte may have 875 00:43:52,780 --> 00:43:55,780 dealt a much more substantial blow to 876 00:43:55,780 --> 00:43:58,690 the Bronte legacy she went through all 877 00:43:58,690 --> 00:44:01,360 her sisters papers after they died when 878 00:44:01,360 --> 00:44:03,400 she prepared some of their poetry to be 879 00:44:03,400 --> 00:44:05,440 published and in some cases making 880 00:44:05,440 --> 00:44:08,530 really quite substantial changes he 881 00:44:08,530 --> 00:44:10,180 actually changed words she actually 882 00:44:10,180 --> 00:44:13,210 changed words and more tragically it's 883 00:44:13,210 --> 00:44:15,310 also possible that Charlotte destroyed 884 00:44:15,310 --> 00:44:17,860 the unfinished manuscript of a possible 885 00:44:17,860 --> 00:44:20,200 second novel by Emily I hope that's not 886 00:44:20,200 --> 00:44:22,510 very so awful how would she have 887 00:44:22,510 --> 00:44:24,580 destroyed it will we find it and is it 888 00:44:24,580 --> 00:44:26,200 likely to be in somebody's attic our 889 00:44:26,200 --> 00:44:28,480 thesis I think if she did destroy it she 890 00:44:28,480 --> 00:44:30,540 probably would have burnt it you can be 891 00:44:30,540 --> 00:44:32,620 particularly if you're insane with grief 892 00:44:32,620 --> 00:44:33,660 yeah 893 00:44:33,660 --> 00:44:36,299 make strange decisions can't you and 894 00:44:36,299 --> 00:44:39,059 thinking they wouldn't like that and and 895 00:44:39,059 --> 00:44:41,280 try and do what you think is best I 896 00:44:41,280 --> 00:44:43,049 suppose that's what she was doing but 897 00:44:43,049 --> 00:44:44,880 it's just tragic for us there was a 898 00:44:44,880 --> 00:44:49,260 second book we will never know if Emily 899 00:44:49,260 --> 00:44:51,869 wrote a second novel but Charlotte 900 00:44:51,869 --> 00:44:54,559 herself produced one more book Villette 901 00:44:54,559 --> 00:44:57,630 based heavily on her experiences in 902 00:44:57,630 --> 00:45:01,079 Brussels she also found some brief 903 00:45:01,079 --> 00:45:03,359 respite from the crippling loneliness 904 00:45:03,359 --> 00:45:05,910 she had felt since the death of her 905 00:45:05,910 --> 00:45:11,760 brother and her sisters in 1852 off the 906 00:45:11,760 --> 00:45:15,480 Belle Nichols the cure it to Patrick in 907 00:45:15,480 --> 00:45:19,140 howarth proposed to Charlotte to begin 908 00:45:19,140 --> 00:45:20,430 with she wasn't particularly interested 909 00:45:20,430 --> 00:45:24,000 and Patrick opposed it but Nick was won 910 00:45:24,000 --> 00:45:28,500 them round and in 1854 they married in 911 00:45:28,500 --> 00:45:31,470 the father's Church the villager said 912 00:45:31,470 --> 00:45:35,039 that she looked like a snowdrop he was a 913 00:45:35,039 --> 00:45:38,520 nice man he wasn't at all like the role 914 00:45:38,520 --> 00:45:41,420 of sadistic heroes of the girls novels 915 00:45:41,420 --> 00:45:45,089 but sadly after a few months Charlotte 916 00:45:45,089 --> 00:45:49,460 died in the early stages of pregnancy 917 00:45:49,460 --> 00:45:50,700 Charlotte 918 00:45:50,700 --> 00:45:53,760 only 38 years old was laid to rest 919 00:45:53,760 --> 00:45:56,400 alongside her mother her brother and 920 00:45:56,400 --> 00:45:59,819 three of her sisters beneath the church 921 00:45:59,819 --> 00:46:02,160 where her father served as rector for 922 00:46:02,160 --> 00:46:06,240 more than 40 years I hope with all my 923 00:46:06,240 --> 00:46:09,930 heart that the beautiful last paragraph 924 00:46:09,930 --> 00:46:12,539 of Emily's Wuthering Heights which is 925 00:46:12,539 --> 00:46:14,369 actually about the graves of Cathy and 926 00:46:14,369 --> 00:46:16,859 Heathcliff and Linton could also be 927 00:46:16,859 --> 00:46:20,510 applied to the graves of the Bronte's I 928 00:46:20,510 --> 00:46:24,630 lingered round them under that benign 929 00:46:24,630 --> 00:46:29,039 sky watched the moths fluttering among 930 00:46:29,039 --> 00:46:33,119 the heath and hair bells listened to the 931 00:46:33,119 --> 00:46:35,869 soft wind breathing through the grass 932 00:46:35,869 --> 00:46:40,200 and wondered how anyone could ever 933 00:46:40,200 --> 00:46:43,400 imagine unquiet 934 00:46:43,400 --> 00:46:47,270 lumbers for the sleepers in that quiet 935 00:46:47,270 --> 00:46:49,750 earth 936 00:46:53,829 --> 00:46:56,499 Jack handed in Danny's phone but will it 937 00:46:56,499 --> 00:46:58,420 hold the key to what really happened and 938 00:46:58,420 --> 00:47:00,160 with the truth about his past in the 939 00:47:00,160 --> 00:47:02,319 press can the police protect him the 940 00:47:02,319 --> 00:47:04,420 drama continues in broadchurch tomorrow 941 00:47:04,420 --> 00:47:05,450 at 9:00 942 00:47:05,450 --> 00:00:00,000 [Music] 103212

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