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These are the user uploaded subtitles that are being translated: 1 00:00:01,033 --> 00:00:03,000 -♪ It's the song I love the melody of ♪ 2 00:00:03,033 --> 00:00:04,166 -Next on "Great Performances"... 3 00:00:04,200 --> 00:00:06,333 -♪ 42nd Street 4 00:00:06,366 --> 00:00:08,600 -The Tony Award-winning 5 00:00:08,633 --> 00:00:13,200 all-singing, all-dancing dream fable of Broadway. 6 00:00:13,233 --> 00:00:16,600 ♪♪ 7 00:00:16,633 --> 00:00:19,933 With Clare Halse as the ingenue Peggy Sawyer, 8 00:00:19,966 --> 00:00:24,600 Tom Lister as the demanding director Julian Marsh, 9 00:00:24,633 --> 00:00:28,533 and Bonnie Langford as Broadway diva Dorothy Brock. 10 00:00:28,566 --> 00:00:31,333 -♪ We're in the money 11 00:00:31,366 --> 00:00:33,566 -With a cast of nearly 60, 12 00:00:33,600 --> 00:00:36,600 this is a tap-dance musical extravaganza 13 00:00:36,633 --> 00:00:37,700 like no other. 14 00:00:37,733 --> 00:00:39,700 -We've got a show to do. 15 00:00:39,733 --> 00:00:43,733 ♪ Forty 16 00:00:43,766 --> 00:00:44,800 -Next. 17 00:00:44,833 --> 00:00:48,200 ♪ Second Street 18 00:00:48,233 --> 00:00:49,533 ♪♪ 19 00:00:51,966 --> 00:01:00,800 ♪♪ 20 00:01:00,833 --> 00:01:09,633 ♪♪ 21 00:01:09,666 --> 00:01:18,466 ♪♪ 22 00:01:18,500 --> 00:01:27,300 ♪♪ 23 00:01:27,333 --> 00:01:36,133 ♪♪ 24 00:01:36,166 --> 00:01:44,966 ♪♪ 25 00:01:45,000 --> 00:01:50,500 ♪♪ 26 00:01:50,533 --> 00:01:56,000 ♪♪ 27 00:01:56,033 --> 00:02:01,600 ♪♪ 28 00:02:01,633 --> 00:02:08,199 ♪♪ 29 00:02:08,233 --> 00:02:13,966 ♪♪ 30 00:02:14,000 --> 00:02:19,866 ♪♪ 31 00:02:19,900 --> 00:02:23,966 ♪♪ 32 00:02:24,000 --> 00:02:30,100 ♪♪ 33 00:02:30,133 --> 00:02:36,266 ♪♪ 34 00:02:36,300 --> 00:02:42,400 ♪♪ 35 00:02:42,433 --> 00:02:49,300 ♪♪ 36 00:02:49,333 --> 00:02:56,166 ♪♪ 37 00:02:56,200 --> 00:03:03,133 ♪♪ 38 00:03:03,166 --> 00:03:06,500 ♪♪ 39 00:03:06,533 --> 00:03:11,933 ♪♪ 40 00:03:11,966 --> 00:03:17,100 ♪♪ 41 00:03:17,133 --> 00:03:18,600 -Hey. Did ya see this? 42 00:03:18,633 --> 00:03:20,700 Julian Marsh is doing a show. 43 00:03:20,733 --> 00:03:21,966 -It's a variety. 44 00:03:22,000 --> 00:03:24,166 Julian Marsh is doing a show! 45 00:03:24,200 --> 00:03:25,133 -Jobs! -Jobs! 46 00:03:25,166 --> 00:03:26,400 -We're gonna work again! 47 00:03:26,433 --> 00:03:28,733 -Get out your tap shoes, Frances. 48 00:03:28,766 --> 00:03:31,266 -Julian Marsh is doing a show! -Julian Marsh is doing a show! 49 00:03:31,300 --> 00:03:34,766 -First audition -- 10:00 a.m. tomorrow! 50 00:03:34,800 --> 00:03:39,766 ♪♪ 51 00:03:39,800 --> 00:03:44,733 ♪♪ 52 00:03:44,766 --> 00:03:47,600 [ Rhythmic tapping ] 53 00:03:47,633 --> 00:03:49,766 [ Cheers and applause ] 54 00:03:49,800 --> 00:03:57,666 ♪♪ 55 00:03:57,700 --> 00:04:05,600 ♪♪ 56 00:04:05,633 --> 00:04:13,500 ♪♪ 57 00:04:13,533 --> 00:04:16,000 -Right arm over! 58 00:04:16,033 --> 00:04:17,600 Left arm! 59 00:04:17,633 --> 00:04:20,600 ♪♪ 60 00:04:20,633 --> 00:04:22,533 Good! 61 00:04:22,566 --> 00:04:32,500 ♪♪ 62 00:04:32,533 --> 00:04:33,866 Change lines! 63 00:04:33,900 --> 00:04:37,666 [ Indistinct talking ] -I'll get you back -- you wait! 64 00:04:37,700 --> 00:04:39,833 -Going right! 65 00:04:39,866 --> 00:04:47,366 ♪♪ 66 00:04:49,766 --> 00:04:50,666 ♪♪ 67 00:04:52,200 --> 00:04:53,166 ♪♪ 68 00:04:53,666 --> 00:04:57,566 ♪♪ 69 00:04:57,600 --> 00:04:59,400 Pick this up! 70 00:04:59,433 --> 00:05:01,966 [ Indistinct shouting ] 71 00:05:02,000 --> 00:05:04,166 ♪♪ 72 00:05:08,166 --> 00:05:18,100 ♪♪ 73 00:05:18,133 --> 00:05:28,066 ♪♪ 74 00:05:28,100 --> 00:05:38,033 ♪♪ 75 00:05:38,066 --> 00:05:39,100 Go! 76 00:05:39,133 --> 00:05:40,700 ♪♪ 77 00:05:40,733 --> 00:05:41,733 Go! 78 00:05:41,766 --> 00:05:43,233 ♪♪ 79 00:05:43,266 --> 00:05:44,900 Go! 80 00:05:44,933 --> 00:05:47,566 -♪ One, two, three, four, five, six, seven, eight ♪ 81 00:05:47,600 --> 00:05:51,066 ♪ One, two, three, four, five, six, seven, eight, break ♪ 82 00:05:51,100 --> 00:05:52,733 ♪♪ 83 00:05:52,766 --> 00:05:54,566 Yeah! 84 00:05:54,600 --> 00:05:57,900 [ Cheers and applause ] 85 00:05:57,933 --> 00:06:00,666 [ Indistinct conversations ] 86 00:06:02,733 --> 00:06:05,033 -Okay, kids. Hold it down. 87 00:06:05,066 --> 00:06:06,700 Quiet! 88 00:06:06,733 --> 00:06:08,200 All of ya! [ Conversations stop ] 89 00:06:08,233 --> 00:06:09,500 Here come the writers. 90 00:06:09,533 --> 00:06:10,833 Well, Miss Jones, what do you think? 91 00:06:10,866 --> 00:06:13,666 -Not a bad bunch, Andy. Gladys, you're improving. 92 00:06:13,700 --> 00:06:15,200 Winnie, keep those knees up. 93 00:06:15,233 --> 00:06:18,766 Boys, you gotta pick 'em up and lay 'em down! 94 00:06:18,800 --> 00:06:22,133 They're paying $4.40 a seat out there. 95 00:06:22,166 --> 00:06:23,266 [ Light laughter ] 96 00:06:23,300 --> 00:06:25,100 Mac, get these names and addresses. 97 00:06:25,133 --> 00:06:27,166 I want everything set when Julian Marsh gets here. 98 00:06:27,200 --> 00:06:29,000 Come on, Bert. We still have four songs to write. 99 00:06:29,033 --> 00:06:30,500 -Oh, we got the whole weekend. 100 00:06:30,533 --> 00:06:31,833 -Bert! -Alright. 101 00:06:31,866 --> 00:06:33,433 Let's have those names and addresses. 102 00:06:33,466 --> 00:06:36,700 -Phyllis Dale, 156 West 47th Street. 103 00:06:36,733 --> 00:06:39,800 -Lorraine Flemming, same address as her. 104 00:06:39,833 --> 00:06:42,033 -Diane Lorimer, 105 00:06:42,066 --> 00:06:44,233 333 Park Avenue. 106 00:06:44,266 --> 00:06:47,233 -And I'll bet she gets a little behind in her rent. 107 00:06:47,266 --> 00:06:48,733 -Well, look who's here. 108 00:06:48,766 --> 00:06:51,266 You remember Ann Reilly. -"Anytime Annie"? 109 00:06:51,300 --> 00:06:52,366 Who could forget her? 110 00:06:52,400 --> 00:06:53,966 She only said "no" once, 111 00:06:54,000 --> 00:06:55,966 and then she didn't hear the question. 112 00:06:56,000 --> 00:06:57,933 -Hey, Ethel, must have been tough on your mother 113 00:06:57,966 --> 00:06:59,866 not having any children. 114 00:06:59,900 --> 00:07:01,933 [ Indistinct shouting ] 115 00:07:01,966 --> 00:07:04,266 -Quiet, all of ya! 116 00:07:04,300 --> 00:07:06,766 This is still an audition, damn it! 117 00:07:06,800 --> 00:07:08,166 Anyone who doesn't want this job, 118 00:07:08,200 --> 00:07:12,000 the nearest breadline is around the corner! 119 00:07:12,033 --> 00:07:14,666 Alright, Mac, get those names and addresses. 120 00:07:14,700 --> 00:07:15,833 -Alright, let's have 'em. 121 00:07:15,866 --> 00:07:21,166 ♪♪ 122 00:07:21,200 --> 00:07:26,500 ♪♪ 123 00:07:26,533 --> 00:07:29,333 -Looking for somebody? -The Dance Director. 124 00:07:29,366 --> 00:07:31,700 I'm here to get into the show. -Well, you're a little late. 125 00:07:31,733 --> 00:07:33,100 They've already picked the course. 126 00:07:33,133 --> 00:07:34,433 You should have been here at 10:00. 127 00:07:34,466 --> 00:07:35,933 -Oh, I was, 128 00:07:35,966 --> 00:07:37,566 but it took me an hour to get up enough courage 129 00:07:37,600 --> 00:07:39,666 to go through the stage door. -[ Chuckles ] 130 00:07:39,700 --> 00:07:41,066 -You're not Mr. Marsh, are you? 131 00:07:41,100 --> 00:07:44,766 -Billy Lawlor, one of Broadway's better juveniles! 132 00:07:44,800 --> 00:07:46,633 Say, you must be new to show business. 133 00:07:46,666 --> 00:07:48,700 -Oh, I've had experience. -How many shows? 134 00:07:48,733 --> 00:07:51,766 -Any number of 'em. -Such as...? 135 00:07:51,800 --> 00:07:54,100 -This would have been my first, if they'd taken me. 136 00:07:54,133 --> 00:07:55,933 -I'd take you any day. How about lunch? 137 00:07:55,966 --> 00:07:58,100 -[ Chuckling ] Oh, no. I've got to see the Dance Director. 138 00:07:58,133 --> 00:08:00,233 -Okay, then, dinner. Or lunch tomorrow? 139 00:08:00,266 --> 00:08:01,566 -That's very kind, 140 00:08:01,600 --> 00:08:03,900 but I really must see the Dance Director. 141 00:08:03,933 --> 00:08:06,366 -♪ I know a bundle of humanity 142 00:08:06,400 --> 00:08:09,333 ♪ She's about so high 143 00:08:09,366 --> 00:08:11,966 ♪ I'm nearly driven to insanity ♪ 144 00:08:12,000 --> 00:08:14,800 ♪ When she passes by 145 00:08:14,833 --> 00:08:18,166 ♪ She's a sunny little honey 146 00:08:18,200 --> 00:08:21,133 ♪ Who's, oh, so hard to kiss 147 00:08:21,166 --> 00:08:23,700 ♪ I'll try to overcome her vanity ♪ 148 00:08:23,733 --> 00:08:27,866 ♪ And then I'll tell her this 149 00:08:27,900 --> 00:08:30,200 -Hey! Watch it. -Sorry! 150 00:08:30,233 --> 00:08:32,533 -♪ I'm young and healthy 151 00:08:32,566 --> 00:08:34,966 ♪ And you've got charms 152 00:08:35,000 --> 00:08:39,666 ♪ It would really be a sin not to have you in my arms ♪ 153 00:08:39,700 --> 00:08:42,033 ♪ I'm young and healthy 154 00:08:42,066 --> 00:08:44,266 ♪ And so are you 155 00:08:44,300 --> 00:08:49,066 ♪ When the moon is in the sky, tell me, what am I to do? ♪ 156 00:08:49,100 --> 00:08:51,433 ♪ If I could hate ya 157 00:08:51,466 --> 00:08:53,700 ♪ I'd keep away 158 00:08:53,733 --> 00:08:55,566 ♪ But that ain't my nature 159 00:08:55,600 --> 00:08:57,400 ♪ I'm full of vitamin A 160 00:08:57,433 --> 00:08:58,433 ♪ Say 161 00:08:58,466 --> 00:09:00,133 Say, I have an idea. 162 00:09:00,166 --> 00:09:02,300 You're not gonna get Andy Lee to audition you 163 00:09:02,333 --> 00:09:03,633 unless he's got no choice. 164 00:09:03,666 --> 00:09:05,800 Come with me! 165 00:09:05,833 --> 00:09:07,133 -Watch out, honey. 166 00:09:07,166 --> 00:09:10,466 He's a tenor, but he's got "base" ideas. 167 00:09:10,500 --> 00:09:11,833 -Er, you do know this song, don't you? 168 00:09:11,866 --> 00:09:12,966 -Of course I do. 169 00:09:13,000 --> 00:09:14,866 -Okay, kid. Go to it. -To what? 170 00:09:14,900 --> 00:09:18,133 -Well, your first notes on Broadway! 171 00:09:18,166 --> 00:09:20,500 Er, what are you looking for? -My good-luck scarf! 172 00:09:20,533 --> 00:09:21,866 I wore it when I was elected 173 00:09:21,900 --> 00:09:24,200 Miss Allentown and Miss Junior Elk. 174 00:09:24,233 --> 00:09:25,866 -Come on, kid. 175 00:09:25,900 --> 00:09:27,700 Sing! 176 00:09:27,733 --> 00:09:29,900 -♪ I'm young and healthy 177 00:09:29,933 --> 00:09:32,266 ♪ And you've got charms 178 00:09:32,300 --> 00:09:37,033 ♪ It would really be a sin not to have you in my arms ♪ 179 00:09:37,066 --> 00:09:39,266 ♪ I'm young and healthy 180 00:09:39,300 --> 00:09:41,566 ♪ And so are you 181 00:09:41,600 --> 00:09:46,033 ♪ When the moon is in the sky, tell me, what am I to do? ♪ 182 00:09:46,066 --> 00:09:48,600 -♪ If I could hate ya 183 00:09:48,633 --> 00:09:50,733 -♪ I'd keep away 184 00:09:50,766 --> 00:09:52,733 -♪ But that ain't my nature 185 00:09:52,766 --> 00:09:54,800 ♪ I'm full of vitamin A 186 00:09:54,833 --> 00:09:55,766 ♪ Say 187 00:09:55,800 --> 00:09:57,933 -♪ I'm young and healthy 188 00:09:57,966 --> 00:10:00,333 ♪ So, let's be bold -Face front! 189 00:10:00,366 --> 00:10:03,166 -♪ In a year or two or three, maybe we will be too old ♪ 190 00:10:03,200 --> 00:10:05,000 -Take it from the top, Oscar. 191 00:10:05,033 --> 00:10:07,266 -♪ I'm young and healthy 192 00:10:07,300 --> 00:10:09,533 ♪ And you've got charms 193 00:10:09,566 --> 00:10:12,866 ♪ It would really be a sin not to have you in my arms ♪ 194 00:10:12,900 --> 00:10:15,366 -Hold it! Hold it, Oscar! 195 00:10:15,400 --> 00:10:17,466 Who told you to sing? -It was my idea, Andy. 196 00:10:17,500 --> 00:10:19,833 -That's a pretty fresh idea. You, beat it. 197 00:10:19,866 --> 00:10:21,433 -Oh, give her a break, Andy. She's great. 198 00:10:21,466 --> 00:10:22,500 -Andy! 199 00:10:22,533 --> 00:10:24,533 Andy, Mr. Marsh is here. 200 00:10:24,566 --> 00:10:27,366 -I got no time for breaks. Mr. Marsh is here. 201 00:10:27,400 --> 00:10:29,366 Amscray, toots. -Alright. I'm going. 202 00:10:29,400 --> 00:10:30,700 -At least give me your name. 203 00:10:30,733 --> 00:10:32,033 -[ Gasps ] 204 00:10:32,066 --> 00:10:34,533 -Mr. Marsh! Excuse me. I'm sorry. 205 00:10:34,566 --> 00:10:35,866 I didn't see you. 206 00:10:35,900 --> 00:10:37,266 I don't know what I was thinking. 207 00:10:37,300 --> 00:10:38,666 -What the hell was that? 208 00:10:38,700 --> 00:10:40,833 -She wanted to get into the line, boss. 209 00:10:40,866 --> 00:10:43,533 -What as -- a quarterback? [ Laughter ] 210 00:10:43,566 --> 00:10:46,733 Alright, everybody gather 'round and listen to me. 211 00:10:49,333 --> 00:10:51,466 This is April 2nd, 1933, 212 00:10:51,500 --> 00:10:53,933 and today, we start work on a new show. 213 00:10:53,966 --> 00:10:57,200 You're gonna rehearse four weeks then try out in Atlantic City. 214 00:10:57,233 --> 00:11:00,333 You're gonna work 12 hours a day, 7 days a week. 215 00:11:00,366 --> 00:11:01,900 You're gonna dance till your feet fall off, 216 00:11:01,933 --> 00:11:05,433 and you aren't able to stand up, but five weeks from now, 217 00:11:05,466 --> 00:11:07,866 "Pretty Lady's" gonna be the best damn show 218 00:11:07,900 --> 00:11:10,033 this town's ever seen. 219 00:11:10,066 --> 00:11:12,333 You're on your way to glory... 220 00:11:12,366 --> 00:11:14,533 and 32 bucks a week. 221 00:11:14,566 --> 00:11:16,466 [ Excited talking ] -So, anybody who doesn't 222 00:11:16,500 --> 00:11:20,900 think he can take it better quit right now. 223 00:11:20,933 --> 00:11:22,400 Nobody? Good. 224 00:11:22,433 --> 00:11:24,566 Take a half-hour, get measured for wigs and costumes, 225 00:11:24,600 --> 00:11:26,400 and let's get to work! 226 00:11:26,433 --> 00:11:29,233 [ All cheering ] 227 00:11:29,266 --> 00:11:31,300 -Come on, get a move on! 228 00:11:31,333 --> 00:11:33,300 -Hey! Someone left a purse on the piano. 229 00:11:33,333 --> 00:11:35,166 -It must hers, the kid Andy threw out. 230 00:11:35,200 --> 00:11:37,700 Is there anything in it? -Er, yeah. 231 00:11:37,733 --> 00:11:40,033 40 cents and a card -- 232 00:11:40,066 --> 00:11:42,700 "Peggy Sawyer, 125 Elm Street, 233 00:11:42,733 --> 00:11:44,933 Allentown, Pennsylvania." 234 00:11:44,966 --> 00:11:46,800 Look, you go to your fitting, and I'll see that she gets it. 235 00:11:46,833 --> 00:11:47,766 -Okay. 236 00:11:47,800 --> 00:11:50,233 -Julian, that was a great speech, 237 00:11:50,266 --> 00:11:51,900 and you won't regret a word of it. 238 00:11:51,933 --> 00:11:53,766 "Pretty Lady" is the best show we've ever written. 239 00:11:53,800 --> 00:11:55,566 -That's why we're producing it ourselves. 240 00:11:55,600 --> 00:11:57,300 -And now with the greatest Director on Broadway, we... 241 00:11:57,333 --> 00:11:58,533 -Never mind the soft soap, Maggie. 242 00:11:58,566 --> 00:12:00,033 I need this show as much as you do. 243 00:12:00,066 --> 00:12:03,233 -Wall Street got you, too? -You know the old saying. 244 00:12:03,266 --> 00:12:06,966 "There's a horse's ass for every light on Broadway." 245 00:12:07,000 --> 00:12:09,366 -I've given all I had to that glittering gulch out there, 246 00:12:09,400 --> 00:12:11,300 and it's been a hell of a ride. 247 00:12:11,333 --> 00:12:13,800 Okay, so The Crash got me down for the count. 248 00:12:13,833 --> 00:12:15,933 I'm still Julian Marsh, damn it, 249 00:12:15,966 --> 00:12:18,600 and "Pretty Lady's" gonna put me back on top. 250 00:12:18,633 --> 00:12:20,333 Let's talk about the cast. -Best in town. 251 00:12:20,366 --> 00:12:21,700 Billy Lawlor for the juvenile. 252 00:12:21,733 --> 00:12:23,833 -Me and Maggie playing the comedy roles. 253 00:12:23,866 --> 00:12:26,366 -And Dorothy Brock in the lead! 254 00:12:26,400 --> 00:12:27,900 -It's Brock I'm worried about. 255 00:12:27,933 --> 00:12:30,800 Her last hit was 10 years ago. 256 00:12:30,833 --> 00:12:32,266 -We have to use her, Julian. 257 00:12:32,300 --> 00:12:34,433 She's got Abner Dillon in her back pocket. 258 00:12:34,466 --> 00:12:37,333 -You know, "Dillon's Kiddie Kars"? 259 00:12:37,366 --> 00:12:39,233 -♪ Hop on for a run, hop on for some fun ♪ 260 00:12:39,266 --> 00:12:41,500 ♪ On your Kiddie Kar, Kiddie Kar ♪ 261 00:12:41,533 --> 00:12:43,533 ♪ Dillon's Kiddie Kars Beep, beep! 262 00:12:43,566 --> 00:12:45,833 -The Kiddie Kar business hasn't suffered from The Depression. 263 00:12:45,866 --> 00:12:48,266 -And he's agreed to put up the whole $100,000 264 00:12:48,300 --> 00:12:50,933 if she's the star. -But she can't dance! 265 00:12:50,966 --> 00:12:54,433 -Put a lot of girls around her. Let her wave her arms a lot. 266 00:12:54,466 --> 00:12:55,933 The public will never know the difference. 267 00:12:55,966 --> 00:12:57,266 -I don't know, Maggie. I think we need to -- 268 00:12:57,300 --> 00:12:59,400 -Easy, Marsh. Here she comes. Dorothy, may I -- 269 00:12:59,433 --> 00:13:03,066 -Don't say a word! I wanna do this myself. 270 00:13:03,100 --> 00:13:06,733 Mr. Marsh, ever since I was a tiny, little girl 271 00:13:06,766 --> 00:13:09,700 and saw my first Julian Marsh show, 272 00:13:09,733 --> 00:13:11,800 I've dreamed of the day 273 00:13:11,833 --> 00:13:15,800 when I might work with the king of Broadway. 274 00:13:15,833 --> 00:13:18,133 At last! That day has come, 275 00:13:18,166 --> 00:13:21,433 and I am filled with pride, joy... 276 00:13:21,466 --> 00:13:24,066 and humility. 277 00:13:24,100 --> 00:13:26,400 -Thanks, Miss Brock. 278 00:13:26,433 --> 00:13:28,666 I'm feeling a little full myself. 279 00:13:28,700 --> 00:13:30,333 Now, before we go any further, 280 00:13:30,366 --> 00:13:32,466 I'd like to try you out on one of the numbers. 281 00:13:32,500 --> 00:13:34,133 -Hold on, Mr. Marsh. 282 00:13:34,166 --> 00:13:36,300 Dorothy don't have to try out. 283 00:13:36,333 --> 00:13:38,133 She's already got her contract. 284 00:13:38,166 --> 00:13:41,066 -Mr. Dillon, what would I do without you? 285 00:13:41,100 --> 00:13:42,700 By the way, there were a few items 286 00:13:42,733 --> 00:13:46,300 you forgot to mention, so I made a list -- 287 00:13:46,333 --> 00:13:48,633 limousine, redecorated dressing room, 288 00:13:48,666 --> 00:13:49,500 private maid. 289 00:13:49,533 --> 00:13:51,300 No problem about the salary -- 290 00:13:51,333 --> 00:13:52,833 I just added another zero. 291 00:13:52,866 --> 00:13:54,000 -Now, see here, Dorothy -- -Of course, 292 00:13:54,033 --> 00:13:57,300 if there's any objections, I won't insist. 293 00:13:57,333 --> 00:14:00,333 We'll just peddle our Kiddie Kars, 294 00:14:00,366 --> 00:14:02,400 and you can start selling apples. 295 00:14:02,433 --> 00:14:03,533 -You're not hearing me, Miss Brock. 296 00:14:03,566 --> 00:14:05,900 I'd like to try you on one of the songs 297 00:14:05,933 --> 00:14:08,466 to see if you can handle the role. 298 00:14:08,500 --> 00:14:12,166 -If you're asking me to audition, Mr. Marsh, 299 00:14:12,200 --> 00:14:14,933 I'm afraid the answer is no. 300 00:14:14,966 --> 00:14:16,966 -It's not an audition, Dorothy. 301 00:14:17,000 --> 00:14:20,300 Julian just wants to find out if it's in the right key. 302 00:14:20,333 --> 00:14:23,833 -Try that new one we sent over to you yesterday, Dorothy. 303 00:14:23,866 --> 00:14:25,766 You are going to love it. 304 00:14:25,800 --> 00:14:31,933 Now, Bert and I see you in this lowdown dive. 305 00:14:31,966 --> 00:14:35,266 The piano pounds out a hot jazz beat 306 00:14:35,300 --> 00:14:37,766 as you enter and sing! 307 00:14:37,800 --> 00:14:42,933 ♪ Shadows on the wall 308 00:14:42,966 --> 00:14:45,466 ♪ I can see them fall 309 00:14:45,500 --> 00:14:47,833 ♪ Here and there 310 00:14:47,866 --> 00:14:50,100 ♪ Everywhere 311 00:14:50,133 --> 00:14:52,766 ♪ Silhouettes in blue 312 00:14:52,800 --> 00:14:55,366 ♪ Dancing in the dew 313 00:14:55,400 --> 00:14:57,866 ♪ Here am I, baby 314 00:14:57,900 --> 00:14:59,933 ♪ Where are you? 315 00:14:59,966 --> 00:15:02,800 ♪ In the shadows, let me come and sing to you ♪ 316 00:15:02,833 --> 00:15:03,933 ♪ Let me sing, I want to sing -Stop her. 317 00:15:03,966 --> 00:15:05,266 -Thank you, Maggie. 318 00:15:05,300 --> 00:15:07,933 -♪ Let me dream a dream that I can bring to you ♪ 319 00:15:07,966 --> 00:15:09,800 ♪ Here comes a big, fat dream, pow! ♪ 320 00:15:09,833 --> 00:15:11,233 -Maggie! -♪ Take me in your arms 321 00:15:11,266 --> 00:15:12,800 ♪ And let me cling -Maggie! 322 00:15:12,833 --> 00:15:15,633 -What?! 323 00:15:15,666 --> 00:15:17,133 -That was fine. 324 00:15:17,166 --> 00:15:19,533 Oscar, try it three-quarter time for Miss Brock. 325 00:15:19,566 --> 00:15:20,966 -Julian, we wrote that number as a jazz -- 326 00:15:21,000 --> 00:15:23,266 -And down a tone. 327 00:15:23,300 --> 00:15:25,466 From the top, Miss Brock? -I have no intention -- 328 00:15:25,500 --> 00:15:27,933 -From the top, Miss Brock. 329 00:15:27,966 --> 00:15:31,900 ♪♪ 330 00:15:31,933 --> 00:15:35,066 -♪ Shadows on the wall 331 00:15:35,100 --> 00:15:38,266 ♪ I can see them fall 332 00:15:38,300 --> 00:15:40,866 ♪ Here and there 333 00:15:40,900 --> 00:15:43,300 ♪ Everywhere 334 00:15:43,333 --> 00:15:45,566 ♪ Silhouettes in blue 335 00:15:45,600 --> 00:15:48,166 ♪ Dancing in the dew 336 00:15:48,200 --> 00:15:50,200 ♪ Here am I 337 00:15:50,233 --> 00:15:52,466 ♪ Where are you? -That's fine. 338 00:15:52,500 --> 00:15:53,933 Andy, Mac! -Yeah, boss? 339 00:15:53,966 --> 00:15:56,500 -I want two shin-busters -- one right, one left. 340 00:15:56,533 --> 00:15:59,133 Miss Brock, right here, if you please. 341 00:15:59,166 --> 00:16:00,333 Willard! -Yeah? 342 00:16:00,366 --> 00:16:03,233 -You got a drop on line 28, bring it in. 343 00:16:03,266 --> 00:16:04,366 -Coming in, Mr. Marsh. 344 00:16:04,400 --> 00:16:08,133 -Oscar, top of the chorus, nice and easy. 345 00:16:08,166 --> 00:16:10,000 Kill the work lights! 346 00:16:10,033 --> 00:16:11,966 Miss Brock... 347 00:16:12,000 --> 00:16:14,466 if you please. 348 00:16:14,500 --> 00:16:18,133 -♪ In the shadows, let me come and sing ♪ 349 00:16:18,166 --> 00:16:20,466 Ow! -That's alright. 350 00:16:20,500 --> 00:16:22,666 Look straight front. 351 00:16:22,700 --> 00:16:25,500 -♪ To you 352 00:16:25,533 --> 00:16:29,266 ♪ Let me dream a song that I can bring ♪ 353 00:16:29,300 --> 00:16:30,500 Got ya! 354 00:16:30,533 --> 00:16:31,600 -I've got you. 355 00:16:31,633 --> 00:16:33,066 Look behind ya. 356 00:16:33,100 --> 00:16:34,333 -[ Gasps ] 357 00:16:34,366 --> 00:16:37,500 ♪ To you 358 00:16:37,533 --> 00:16:42,466 ♪ Take me in your arms and let me cling to you ♪ 359 00:16:42,500 --> 00:16:44,933 ♪ Let me linger long 360 00:16:44,966 --> 00:16:48,933 ♪ Let me live my song 361 00:16:48,966 --> 00:16:54,766 ♪ In the winter, let me bring the spring to you ♪ 362 00:16:54,800 --> 00:16:59,766 ♪ Let me feel that I mean everything ♪ 363 00:16:59,800 --> 00:17:02,000 ♪ To you 364 00:17:02,033 --> 00:17:06,500 ♪ Love's old song will be new 365 00:17:06,533 --> 00:17:09,000 ♪ In the shadows when I come and sing ♪ 366 00:17:09,033 --> 00:17:11,700 ♪ In the shadows when I come and sing ♪ 367 00:17:11,733 --> 00:17:14,200 ♪ In the shadows, in the shadows ♪ 368 00:17:14,233 --> 00:17:17,366 ♪ In the shadows 369 00:17:17,400 --> 00:17:27,200 ♪♪ 370 00:17:27,233 --> 00:17:37,033 ♪♪ 371 00:17:37,066 --> 00:17:38,400 Oof. 372 00:17:38,433 --> 00:17:39,766 ♪♪ 373 00:17:39,800 --> 00:17:41,266 Oop. 374 00:17:41,300 --> 00:17:48,166 ♪♪ 375 00:17:48,200 --> 00:17:55,100 ♪♪ 376 00:17:55,133 --> 00:18:02,066 ♪♪ 377 00:18:02,100 --> 00:18:06,466 -♪ In the shadows, let me come and sing to you ♪ 378 00:18:06,500 --> 00:18:10,700 ♪ Let me dream a song that I can sing to you ♪ 379 00:18:10,733 --> 00:18:14,533 ♪ Take me in your arms and let me cling to you ♪ 380 00:18:14,566 --> 00:18:16,866 ♪ Let me linger long 381 00:18:16,900 --> 00:18:20,133 ♪ Let me live my song 382 00:18:20,166 --> 00:18:24,566 ♪ In the winter, let me bring the spring to you ♪ 383 00:18:24,600 --> 00:18:28,500 ♪ Let me feel that I mean everything to you ♪ 384 00:18:28,533 --> 00:18:34,200 ♪ Love's old song will be new 385 00:18:34,233 --> 00:18:36,266 ♪ In the shadows when I come and sing ♪ 386 00:18:36,300 --> 00:18:38,566 ♪ In the shadows when I come and sing ♪ 387 00:18:38,600 --> 00:18:41,700 ♪ In the shadows when I come and sing to you ♪ 388 00:18:41,733 --> 00:18:51,566 ♪♪ 389 00:18:51,600 --> 00:19:01,500 ♪♪ 390 00:19:01,533 --> 00:19:07,733 -♪ In the winter, let me bring the spring to you ♪ 391 00:19:07,766 --> 00:19:12,566 ♪ Let me feel that I mean everything to you ♪ 392 00:19:12,600 --> 00:19:15,666 ♪ Love's old song 393 00:19:15,700 --> 00:19:19,633 ♪ Will be new 394 00:19:19,666 --> 00:19:26,133 ♪ In the shadows when I come and sing to you, dear ♪ 395 00:19:26,166 --> 00:19:31,066 ♪ In the shadows 396 00:19:31,100 --> 00:19:35,066 ♪ When I come and sing 397 00:19:35,100 --> 00:19:43,233 ♪ To you 398 00:19:43,266 --> 00:19:44,233 [ Music ends ] 399 00:19:44,266 --> 00:19:47,400 [ Cheers and applause ] 400 00:19:47,433 --> 00:19:49,466 -Not bad, Miss Brock. 401 00:19:49,500 --> 00:19:50,966 Not bad. 402 00:19:51,000 --> 00:19:53,633 -Mr. Marsh, what does it take to get a compliment out of you? 403 00:19:53,666 --> 00:19:55,466 -That was a compliment, Miss Brock. 404 00:19:55,500 --> 00:19:57,866 -Wardrobe! Where are you?! 405 00:19:57,900 --> 00:19:59,233 How do you expect me to dance 406 00:19:59,266 --> 00:20:00,900 with sleeves halfway to the ground 407 00:20:00,933 --> 00:20:02,233 and feathers up my nose? 408 00:20:02,266 --> 00:20:04,066 -Hello, kid. -Pat? 409 00:20:04,100 --> 00:20:06,000 Pat, darling, what are you doing here? 410 00:20:06,033 --> 00:20:07,866 -Had to see some booking agents in the neighborhood 411 00:20:07,900 --> 00:20:09,966 and thought I'd drop by to see my best girl. 412 00:20:10,000 --> 00:20:12,200 -But, Pat, what if Mr. Dillon had been here? 413 00:20:12,233 --> 00:20:13,766 -I don't care about Abner Dillon. 414 00:20:13,800 --> 00:20:15,300 -No, no! -[ Laughs ] 415 00:20:15,333 --> 00:20:16,333 -It's too dangerous! 416 00:20:16,366 --> 00:20:18,000 Now -- Now, be a dear. 417 00:20:18,033 --> 00:20:19,600 Take in a picture or something 418 00:20:19,633 --> 00:20:21,266 and meet me in my dressing room at 5:00. 419 00:20:21,300 --> 00:20:23,100 -Dorothy... 420 00:20:23,133 --> 00:20:25,266 I can't take your money. 421 00:20:25,300 --> 00:20:26,400 It was alright in the old days, 422 00:20:26,433 --> 00:20:27,900 when we had the act in Vaudeville, 423 00:20:27,933 --> 00:20:31,733 but now you're a star. 424 00:20:31,766 --> 00:20:33,233 -Well, what difference does that make 425 00:20:33,266 --> 00:20:35,866 if we still care for each other? 426 00:20:35,900 --> 00:20:36,966 Oh, Pat, don't you think 427 00:20:37,000 --> 00:20:39,000 I hate meeting in corners like this, too? 428 00:20:39,033 --> 00:20:43,333 But isn't it better than not meeting at all? 429 00:20:43,366 --> 00:20:49,333 ♪ In the winter, let me bring the spring to you ♪ 430 00:20:49,366 --> 00:20:56,000 ♪ Let me feel that I mean everything to you ♪ 431 00:20:56,033 --> 00:21:00,233 ♪♪ 432 00:21:00,266 --> 00:21:01,733 -Now, run along, my dearest, 433 00:21:01,766 --> 00:21:03,566 and meet me in my dressing room at 5:00. 434 00:21:03,600 --> 00:21:05,566 -Dorothy, I can't -- -Till 5:00, my darling. 435 00:21:05,600 --> 00:21:07,166 -Come on, girls, get a move on. 436 00:21:07,200 --> 00:21:10,000 We only have an hour for lunch. -An hour? 437 00:21:10,033 --> 00:21:11,666 -Hey, kid! I've been looking for you. 438 00:21:11,700 --> 00:21:14,166 You left this on the piano. -[ Gasps ] Oh. 439 00:21:14,200 --> 00:21:16,066 -And don't worry -- the bankroll is intact. 440 00:21:16,100 --> 00:21:19,566 -Thank you, Miss... -Jones. Maggie Jones. 441 00:21:19,600 --> 00:21:21,333 Say, you look like you could use some grub. 442 00:21:21,366 --> 00:21:23,833 How about putting on the feedbag with me and the girls? 443 00:21:23,866 --> 00:21:25,533 -[ Scoffs ] -I don't think I can. 444 00:21:25,566 --> 00:21:27,333 -Not another word -- it's all settled. 445 00:21:27,366 --> 00:21:29,966 -Hey! I've been looking for you. How about having lunch? 446 00:21:30,000 --> 00:21:32,533 -I'd love to. -I meant Peggy. 447 00:21:32,566 --> 00:21:33,833 -Sorry, but I just promised 448 00:21:33,866 --> 00:21:35,066 to eat with Miss Jones and the girls. 449 00:21:35,100 --> 00:21:36,633 -Would you like to join us? -Er, no thanks. 450 00:21:36,666 --> 00:21:38,966 I'm looking for a mouthful, not an earful, 451 00:21:39,000 --> 00:21:40,633 but don't feel bad -- 452 00:21:40,666 --> 00:21:42,866 I'll let you have a rain check. 453 00:21:42,900 --> 00:21:44,733 -What makes tenors such wolves? 454 00:21:44,766 --> 00:21:48,066 -I think it's that tight underwear they wear. 455 00:21:48,100 --> 00:21:50,133 -No, that's what makes them tenors. 456 00:21:50,166 --> 00:21:51,466 Come on, girls. 457 00:21:51,500 --> 00:21:53,700 I'm taking you to that lovely place with the windows. 458 00:21:53,733 --> 00:21:55,300 -The Astor Roof? -The Astor Roof? 459 00:21:55,333 --> 00:21:56,966 -The Automat! 460 00:21:57,000 --> 00:21:57,966 -Oh. -Oh. 461 00:21:58,000 --> 00:22:00,000 -Alright. The Gypsy Tea Kettle, 462 00:22:00,033 --> 00:22:01,300 but you're gonna dance your way over. 463 00:22:01,333 --> 00:22:02,766 I don't want to waste any time. 464 00:22:02,800 --> 00:22:04,200 -But I don't know your steps. 465 00:22:04,233 --> 00:22:06,266 -Well, if you think you can pick 'em up, 466 00:22:06,300 --> 00:22:08,033 I'll show 'em to you. 467 00:22:08,066 --> 00:22:09,566 -Okay. 468 00:22:20,866 --> 00:22:22,000 -Okay. 469 00:22:22,033 --> 00:22:24,033 Now with the pullback. 470 00:22:30,200 --> 00:22:32,233 Hey, kid, you're good! -I know! 471 00:22:32,266 --> 00:22:33,700 -Well, come on. 472 00:22:33,733 --> 00:22:35,266 Let's put it all together. 473 00:22:35,300 --> 00:22:37,266 Five, six, seven, eight. 474 00:22:37,300 --> 00:22:46,833 ♪♪ 475 00:22:46,866 --> 00:22:56,400 ♪♪ 476 00:22:56,433 --> 00:23:06,033 ♪♪ 477 00:23:06,066 --> 00:23:08,000 -What'll ya have? 478 00:23:08,033 --> 00:23:10,033 [ Cheers and applause ] 479 00:23:13,900 --> 00:23:15,866 -Five cups of boiling water 480 00:23:15,900 --> 00:23:18,433 and one teabag. 481 00:23:18,466 --> 00:23:20,600 -Any gravy? -No thanks. 482 00:23:20,633 --> 00:23:22,100 There was enough on the tablecloth. 483 00:23:22,133 --> 00:23:24,333 Now, bring us five combination dinners and get the lead out. 484 00:23:24,366 --> 00:23:26,866 We're heavy tippers. 485 00:23:26,900 --> 00:23:28,666 Well, Peggy, you still wanna get into show business 486 00:23:28,700 --> 00:23:29,900 after today? 487 00:23:29,933 --> 00:23:30,900 -More than ever. 488 00:23:30,933 --> 00:23:32,433 Imagine someday dancing 489 00:23:32,466 --> 00:23:34,266 on the same stage as Dorothy Brock. 490 00:23:34,300 --> 00:23:36,066 -I understand how she feels. 491 00:23:36,100 --> 00:23:38,233 My grandmother felt the same way. 492 00:23:38,266 --> 00:23:40,566 -I don't know how you can say that. 493 00:23:40,600 --> 00:23:43,400 Dorothy worked very hard to get where she is. 494 00:23:43,433 --> 00:23:46,400 I remember on her first show, she made 30 bucks a week 495 00:23:46,433 --> 00:23:48,700 and sent $100 home to her mother. 496 00:23:48,733 --> 00:23:49,933 -Let's face it. 497 00:23:49,966 --> 00:23:52,766 The only thing she has over anyone at this table 498 00:23:52,800 --> 00:23:54,766 is Abner Dillon. -Who's he? 499 00:23:54,800 --> 00:23:57,600 -Her sugar daddy. -Her father? 500 00:23:57,633 --> 00:23:59,000 -You can't be just 21. 501 00:23:59,033 --> 00:24:02,400 A girl can't get that dumb in only 21 years. 502 00:24:02,433 --> 00:24:04,533 -Kid, we're gonna have to teach you 503 00:24:04,566 --> 00:24:06,866 the Broadway facts of life. 504 00:24:06,900 --> 00:24:08,133 -Don't worry about me. 505 00:24:08,166 --> 00:24:11,000 I learned all about men in Allentown. 506 00:24:11,033 --> 00:24:12,833 -Eugene O'Neill would give his eyeteeth 507 00:24:12,866 --> 00:24:14,133 to have written that line. 508 00:24:14,166 --> 00:24:16,133 -Should we tell her about musicians? 509 00:24:16,166 --> 00:24:19,300 -All she has to know is that we keep them in a pit, 510 00:24:19,333 --> 00:24:22,566 and it's for a good reason. 511 00:24:22,600 --> 00:24:24,433 -I still wish I were in the show with you. 512 00:24:24,466 --> 00:24:26,933 -You will be, kid. 513 00:24:26,966 --> 00:24:28,933 If not this show, the next one. 514 00:24:28,966 --> 00:24:29,900 You're a looker. 515 00:24:29,933 --> 00:24:31,333 You can chirp like a bird, 516 00:24:31,366 --> 00:24:33,833 and you're pretty hot stuff in the steps department, too. 517 00:24:33,866 --> 00:24:35,066 You hopefuls are the luckiest ones 518 00:24:35,100 --> 00:24:37,466 in the whole darn businesses. 519 00:24:37,500 --> 00:24:39,733 So, what if you had a bit of bad luck this a.m.? 520 00:24:39,766 --> 00:24:42,166 You've got all you need to cheer you up right there 521 00:24:42,200 --> 00:24:44,466 at the end of your ankles. 522 00:24:44,500 --> 00:24:49,433 ♪ If you've a melancholy case of the blues ♪ 523 00:24:49,466 --> 00:24:53,766 ♪ I've got a remedy for you 524 00:24:53,800 --> 00:24:59,133 ♪ If you've an ounce of rhythm down in your shoes ♪ 525 00:24:59,166 --> 00:25:05,600 ♪ Then I'll change your point of view ♪ 526 00:25:05,633 --> 00:25:09,400 ♪ If you've been singing a sad and blue song ♪ 527 00:25:09,433 --> 00:25:13,766 -♪ Go into your dance 528 00:25:13,800 --> 00:25:17,400 -♪ Until you learn how to sing a new song ♪ 529 00:25:17,433 --> 00:25:20,600 -♪ Go into your dance 530 00:25:20,633 --> 00:25:24,800 ♪ Don't be complaining -♪ Learn how to smile 531 00:25:24,833 --> 00:25:27,533 -♪ And if it's raining 532 00:25:27,566 --> 00:25:29,733 -♪ Dance in the rain a while 533 00:25:29,766 --> 00:25:33,466 -♪ Put off your sorrow until tomorrow ♪ 534 00:25:33,500 --> 00:25:36,566 ♪ Go into your dance 535 00:25:36,600 --> 00:25:44,033 ♪♪ 536 00:25:44,066 --> 00:25:51,466 ♪♪ 537 00:25:51,500 --> 00:25:54,966 ♪ To get a job in a Broadway chorus ♪ 538 00:25:55,000 --> 00:25:58,133 ♪ Go into your dance 539 00:25:58,166 --> 00:26:01,066 ♪♪ 540 00:26:01,100 --> 00:26:04,466 ♪ Just strut your stuff and they can't ignore us ♪ 541 00:26:04,500 --> 00:26:06,666 ♪ Go into your dance 542 00:26:06,700 --> 00:26:09,200 -Dance, girls, dance! 543 00:26:11,366 --> 00:26:15,333 ♪ If it's a two-step, give 'em a smile ♪ 544 00:26:15,366 --> 00:26:20,066 ♪ If it's a new step, do it with grace and style ♪ 545 00:26:20,100 --> 00:26:23,566 -♪ A raw beginner can be a winner ♪ 546 00:26:23,600 --> 00:26:26,433 -♪ Just give me a chance 547 00:26:26,466 --> 00:26:30,600 -♪ Shake your shoes and go into your dance ♪ 548 00:26:30,633 --> 00:26:38,400 ♪♪ 549 00:26:38,433 --> 00:26:46,233 ♪♪ 550 00:26:46,266 --> 00:26:54,033 ♪♪ 551 00:26:54,066 --> 00:27:01,900 ♪♪ 552 00:27:01,933 --> 00:27:03,733 -Come on, girls. 553 00:27:03,766 --> 00:27:10,633 ♪♪ 554 00:27:10,666 --> 00:27:17,533 ♪♪ 555 00:27:17,566 --> 00:27:18,966 Hey, Andy! 556 00:27:19,000 --> 00:27:20,466 -Not now, girls, I'm busy. 557 00:27:20,500 --> 00:27:22,800 -Too busy to dance? 558 00:27:22,833 --> 00:27:29,466 ♪♪ 559 00:27:29,500 --> 00:27:36,133 ♪♪ 560 00:27:36,166 --> 00:27:37,800 -Ha! 561 00:27:37,833 --> 00:27:45,800 ♪♪ 562 00:27:45,833 --> 00:27:53,800 ♪♪ 563 00:27:53,833 --> 00:28:01,833 ♪♪ 564 00:28:01,866 --> 00:28:09,833 ♪♪ 565 00:28:09,866 --> 00:28:11,833 Ha-ha! 566 00:28:11,866 --> 00:28:18,766 ♪♪ 567 00:28:18,800 --> 00:28:22,433 -♪ To get a job in a Broadway chorus ♪ 568 00:28:22,466 --> 00:28:26,433 ♪ Go into your dance 569 00:28:26,466 --> 00:28:30,100 ♪ Just strut your stuff, and they can't ignore us ♪ 570 00:28:30,133 --> 00:28:32,766 ♪ Go into your dance 571 00:28:32,800 --> 00:28:35,766 ♪ Shake your shoes And go into your ♪ 572 00:28:35,800 --> 00:28:38,266 ♪ Go into your 573 00:28:38,300 --> 00:28:45,500 ♪♪ 574 00:28:45,533 --> 00:28:52,733 ♪♪ 575 00:28:52,766 --> 00:28:55,766 [ Music ends ] [ Cheers and applause ] 576 00:28:55,800 --> 00:28:58,266 [ Indistinct talking ] 577 00:28:58,300 --> 00:29:02,133 -Just what the hell do you think you're doing?! 578 00:29:02,166 --> 00:29:03,666 Here, I'm knocking my brains out, 579 00:29:03,700 --> 00:29:06,000 trying to put on a show they'll pay good money to see, 580 00:29:06,033 --> 00:29:08,333 and you're giving it away free on the street? 581 00:29:08,366 --> 00:29:10,666 Now, you kids get back in there. 582 00:29:10,700 --> 00:29:13,433 Not so fast, Andy. -Something wrong, boss? 583 00:29:13,466 --> 00:29:16,033 -Wrong? We're shy one girl -- that's what's wrong. 584 00:29:16,066 --> 00:29:17,533 -Boss, you told me to pick two dozen. 585 00:29:17,566 --> 00:29:18,666 -Plus one for good measure. 586 00:29:18,700 --> 00:29:20,866 I always pick one for good measure. 587 00:29:20,900 --> 00:29:22,166 -You never pick one -- -Now, don't you give me 588 00:29:22,200 --> 00:29:23,166 any excuses. 589 00:29:23,200 --> 00:29:25,000 Just get me another girl. 590 00:29:25,033 --> 00:29:26,733 -Well, I could have one here first thing in the morning. 591 00:29:26,766 --> 00:29:28,633 -Well, that's just ducky! I can hardly wait! 592 00:29:28,666 --> 00:29:30,333 I'm supposed to set the "Boardwalk" number 593 00:29:30,366 --> 00:29:31,666 this afternoon. 594 00:29:31,700 --> 00:29:33,400 You know, I've got a good mind to pick the first girl 595 00:29:33,433 --> 00:29:34,733 I see off the street? 596 00:29:34,766 --> 00:29:36,100 -Ooh. 597 00:29:36,133 --> 00:29:38,833 -Go up to the first dame who passes and say... 598 00:29:38,866 --> 00:29:41,500 you. 599 00:29:41,533 --> 00:29:42,966 -Who, me? 600 00:29:43,000 --> 00:29:44,100 -Yeah, you. 601 00:29:44,133 --> 00:29:45,900 Can you dance? 602 00:29:45,933 --> 00:29:48,000 -I'm from Allentown, Pennsylvania, 603 00:29:48,033 --> 00:29:50,666 and I can do any tap step ever invented. 604 00:29:50,700 --> 00:29:52,333 Wings. 605 00:29:52,366 --> 00:29:54,033 Cramp rolls. 606 00:29:54,066 --> 00:29:55,900 Buffaloes. 607 00:29:55,933 --> 00:29:58,266 Shuffles! 608 00:29:58,300 --> 00:30:01,233 -Hey. Hey. Hey! 609 00:30:01,266 --> 00:30:02,900 Allentown, take it easy. 610 00:30:02,933 --> 00:30:04,133 You've got the job. 611 00:30:04,166 --> 00:30:05,500 -Thank you! -Andy, take her in there 612 00:30:05,533 --> 00:30:07,933 and get her ready to rehearse at 2:00 sharp. 613 00:30:07,966 --> 00:30:10,366 -Right, boss. 614 00:30:10,400 --> 00:30:11,233 -Hey. 615 00:30:11,266 --> 00:30:13,366 Wait a minute. 616 00:30:13,400 --> 00:30:14,800 Aren't you the Mack truck 617 00:30:14,833 --> 00:30:17,033 that tried to run me down this morning? 618 00:30:17,066 --> 00:30:18,333 -I'm sorry. 619 00:30:18,366 --> 00:30:19,600 I didn't know it was you. 620 00:30:19,633 --> 00:30:20,600 It'll never happen again, 621 00:30:20,633 --> 00:30:21,900 I swear on my mother. -Alright. 622 00:30:21,933 --> 00:30:23,166 -On my mother and father. -Alright. 623 00:30:23,200 --> 00:30:24,333 -On my aunts and uncles and cousins. 624 00:30:24,366 --> 00:30:27,333 -Relax, kid. I kind of enjoyed it. 625 00:30:27,366 --> 00:30:31,333 Now, get in there and start learning those routines. 626 00:30:31,366 --> 00:30:33,333 We've got a show to do. 627 00:30:33,366 --> 00:30:35,833 -Thank you, Mr. Marsh! 628 00:30:35,866 --> 00:30:40,600 ♪♪ 629 00:30:40,633 --> 00:30:42,300 -Mac, have you got the kids in costume? 630 00:30:42,333 --> 00:30:43,100 -Yes, sir. -Good. 631 00:30:43,133 --> 00:30:44,300 Now, get me Brock and Billy. 632 00:30:44,333 --> 00:30:45,833 I wanna rehearse the "Boardwalk" number 633 00:30:45,866 --> 00:30:47,000 with the dialogue. 634 00:30:47,033 --> 00:30:48,433 -We can't do the dance section, Mr. Marsh. 635 00:30:48,466 --> 00:30:50,566 Gladys is out with a cold. -Then use Winnie. 636 00:30:50,600 --> 00:30:52,966 -That won't work, boss. Winnie's in the number before. 637 00:30:53,000 --> 00:30:54,133 She'll never make the costume change in time. 638 00:30:54,166 --> 00:30:55,266 -Then get me any girl. 639 00:30:55,300 --> 00:30:57,000 We'll put a costume on her later. 640 00:30:57,033 --> 00:30:59,833 I want to rehearse this number right now. 641 00:30:59,866 --> 00:31:01,533 Bring in the "Boardwalk" drop. 642 00:31:01,566 --> 00:31:04,900 Miss Brock, Billy, let's go. 643 00:31:06,833 --> 00:31:08,033 -[ Clapping ] 644 00:31:08,066 --> 00:31:11,400 -No, no, no. 645 00:31:11,433 --> 00:31:13,400 [ Light laughter ] 646 00:31:13,433 --> 00:31:16,400 -It is a summer afternoon in Atlantic City. 647 00:31:16,433 --> 00:31:19,266 The sun sparkles brightly on a section of the Boardwalk 648 00:31:19,300 --> 00:31:22,266 as we discover Rodney... 649 00:31:22,300 --> 00:31:23,666 and Madeleine. 650 00:31:23,700 --> 00:31:25,333 -Oh. 651 00:31:25,366 --> 00:31:26,333 -Madeleine speaks. 652 00:31:26,366 --> 00:31:27,700 -Darling, darling, 653 00:31:27,733 --> 00:31:30,466 why did you take so long to declare yourself? 654 00:31:30,500 --> 00:31:32,666 The answer is yes, of course! 655 00:31:32,700 --> 00:31:35,166 We'll live together in a cottage by the sea, 656 00:31:35,200 --> 00:31:37,200 and every morning, we'll have breakfast 657 00:31:37,233 --> 00:31:38,433 and kisses in bed. 658 00:31:38,466 --> 00:31:41,300 Oh, my God. 659 00:31:41,333 --> 00:31:44,466 -And will you always love me, Madeleine? 660 00:31:44,500 --> 00:31:48,133 -Yes, yes, yes, yes! 661 00:31:48,166 --> 00:31:49,433 Yes! 662 00:31:49,466 --> 00:31:51,566 -Now Rodney declares his love, 663 00:31:51,600 --> 00:31:53,400 and they kiss. 664 00:31:53,433 --> 00:31:54,900 -Hold on a minute! 665 00:31:54,933 --> 00:31:57,066 What's that fella doing to Dorothy?! 666 00:31:57,100 --> 00:31:58,333 -I'm just acting, Mr. Dillon. 667 00:31:58,366 --> 00:32:00,366 -I don't care what you call it. 668 00:32:00,400 --> 00:32:02,066 I ain't putting up good money 669 00:32:02,100 --> 00:32:04,933 to see the lady I loooove kissed by no actor. 670 00:32:04,966 --> 00:32:06,400 -Alright, cut the kiss. -What? 671 00:32:06,433 --> 00:32:08,266 -Just say the speech... 672 00:32:08,300 --> 00:32:10,966 and improvise something. 673 00:32:15,166 --> 00:32:18,800 -Oh, my darling, I love you! 674 00:32:18,833 --> 00:32:22,133 I worship you! 675 00:32:22,166 --> 00:32:23,966 I adore you! 676 00:32:26,000 --> 00:32:27,300 [ Laughter ] 677 00:32:27,333 --> 00:32:28,966 ♪♪ 678 00:32:29,000 --> 00:32:31,700 -♪ I don't know exactly how it started ♪ 679 00:32:31,733 --> 00:32:35,033 ♪ But it started in fun 680 00:32:35,066 --> 00:32:37,866 ♪ I just wanted someone to be gay with ♪ 681 00:32:37,900 --> 00:32:41,200 ♪ To play with someone 682 00:32:41,233 --> 00:32:46,366 ♪ But now I realize that I could never let you go ♪ 683 00:32:46,400 --> 00:32:52,400 ♪ And I've come to tell you so 684 00:32:52,433 --> 00:32:56,733 ♪ Every kiss, every hug seems to act just like a drug ♪ 685 00:32:56,766 --> 00:33:00,300 ♪ You're getting to be a habit with me ♪ 686 00:33:00,333 --> 00:33:02,466 ♪ Let me stay in your arms 687 00:33:02,500 --> 00:33:04,400 ♪ I'm addicted to your charms 688 00:33:04,433 --> 00:33:08,733 ♪ You're getting to be a habit with me ♪ 689 00:33:08,766 --> 00:33:11,366 ♪ I used to think your love was something 690 00:33:11,400 --> 00:33:16,400 ♪ That I could take or leave alone ♪ 691 00:33:16,433 --> 00:33:19,900 ♪ But now I couldn't do without my supply ♪ 692 00:33:19,933 --> 00:33:23,433 ♪ I need you for my own 693 00:33:23,466 --> 00:33:25,466 ♪ Oh, I can't break away 694 00:33:25,500 --> 00:33:31,266 ♪ I must have you every day as regularly as coffee or tea ♪ 695 00:33:31,300 --> 00:33:33,266 ♪ You've got me in your clutches ♪ 696 00:33:33,300 --> 00:33:35,433 ♪ And I can't get free 697 00:33:35,466 --> 00:33:40,266 ♪ You're getting to be a habit with me ♪ 698 00:33:40,300 --> 00:33:47,400 ♪♪ 699 00:33:47,433 --> 00:33:54,500 ♪♪ 700 00:33:54,533 --> 00:34:01,700 ♪♪ 701 00:34:01,733 --> 00:34:03,033 -Peggy?! 702 00:34:03,066 --> 00:34:04,866 [ Indistinct talking ] 703 00:34:04,900 --> 00:34:07,233 -Stay with Hank! 704 00:34:07,266 --> 00:34:09,800 -Move it! -Sorry. 705 00:34:09,833 --> 00:34:17,066 ♪♪ 706 00:34:17,100 --> 00:34:24,300 ♪♪ 707 00:34:24,333 --> 00:34:31,566 ♪♪ 708 00:34:31,600 --> 00:34:32,900 -Watch it! 709 00:34:32,933 --> 00:34:34,400 -Sorry. 710 00:34:34,433 --> 00:34:40,866 ♪♪ 711 00:34:40,900 --> 00:34:42,033 Who are you? 712 00:34:42,066 --> 00:34:43,699 Julian! 713 00:34:43,733 --> 00:34:45,366 Julian! -Peggy! 714 00:34:45,400 --> 00:34:47,199 -This is not what we rehearsed! 715 00:34:47,233 --> 00:34:48,866 -Wait there. 716 00:34:48,900 --> 00:34:52,000 Miss Brock! Miss Brock, don't... 717 00:34:52,033 --> 00:34:55,833 ♪♪ 718 00:34:55,866 --> 00:34:56,699 -[ Speaking indistinctly ] 719 00:34:56,733 --> 00:34:58,533 -Get over here! 720 00:34:58,566 --> 00:35:01,766 ♪♪ 721 00:35:01,800 --> 00:35:03,100 He's over here. 722 00:35:03,133 --> 00:35:04,933 He's the only one dancing round on his own. 723 00:35:04,966 --> 00:35:06,100 -So sorry! -What are you waiting for? 724 00:35:06,133 --> 00:35:07,433 -Yes, sir! 725 00:35:07,466 --> 00:35:08,766 Whoa! 726 00:35:08,800 --> 00:35:09,866 [ Indistinct shouting ] 727 00:35:09,900 --> 00:35:12,100 -Hold it! Hold it! 728 00:35:12,133 --> 00:35:15,000 -Who is that person?! -Her name's Peggy Sawyer. 729 00:35:15,033 --> 00:35:16,000 She's new. 730 00:35:16,033 --> 00:35:18,133 You okay, kid? 731 00:35:18,166 --> 00:35:19,333 She fainted! 732 00:35:19,366 --> 00:35:20,566 -Thank God. 733 00:35:20,600 --> 00:35:22,333 -It's not Peggy's fault. She didn't eat any lunch. 734 00:35:22,366 --> 00:35:25,166 -Alright, Billy, Mac, put her in Brock's dressing room. 735 00:35:25,200 --> 00:35:26,533 The rest of you, 736 00:35:26,566 --> 00:35:28,233 this is still a rehearsal! 737 00:35:28,266 --> 00:35:29,600 Andy, come on. 738 00:35:29,633 --> 00:35:31,766 I want to clean up that last section before the pivot, 739 00:35:31,800 --> 00:35:33,366 and this time... 740 00:35:33,400 --> 00:35:35,333 do it like you mean it. 741 00:35:35,366 --> 00:35:36,333 Hit it! 742 00:35:36,366 --> 00:35:38,333 -Five, six, seven, eight. 743 00:35:38,366 --> 00:35:41,166 -Easy, Mac. Okay, set her down. 744 00:35:41,200 --> 00:35:43,433 -What happened? -One of the kids fainted. 745 00:35:43,466 --> 00:35:46,100 Par for the course on a Julian Marsh show. 746 00:35:46,133 --> 00:35:47,900 Get her some water, will ya? 747 00:35:47,933 --> 00:35:49,566 You better get back out there before the boss 748 00:35:49,600 --> 00:35:51,433 starts yelling for ya. -Er, when she comes to, 749 00:35:51,466 --> 00:35:53,433 tell her I'll be back as soon as I get a break. 750 00:35:53,466 --> 00:35:56,600 Er, the name's Lawlor -- Billy Lawlor! 751 00:35:56,633 --> 00:35:58,966 -Yeah, yeah. Come on, Billy. 752 00:36:02,966 --> 00:36:04,266 -Are you alright? 753 00:36:04,300 --> 00:36:07,033 -I guess I fainted. -Good guess. 754 00:36:07,066 --> 00:36:10,033 -But I guess I'm all right now. 755 00:36:10,066 --> 00:36:11,700 -Whoa, bad guess. 756 00:36:11,733 --> 00:36:13,300 Now, let me be the doctor for a while. 757 00:36:13,333 --> 00:36:15,566 What you need is some rest. -But the rehearsal isn't over. 758 00:36:15,600 --> 00:36:17,800 -Oh, yes, it is, young lady. For you, anyway. 759 00:36:17,833 --> 00:36:20,133 Now, as your doctor, my first prescription is 760 00:36:20,166 --> 00:36:22,600 for you to sit on this chaise. 761 00:36:22,633 --> 00:36:24,933 And, as your doctor, my second prescription is 762 00:36:24,966 --> 00:36:26,233 for you to get those legs up. 763 00:36:26,266 --> 00:36:28,966 -And I'll bet I know what your third prescription is. 764 00:36:29,000 --> 00:36:30,300 -Dorothy, I didn't expect you -- 765 00:36:30,333 --> 00:36:33,300 -It's quite obvious you didn't expect me, Doctor. 766 00:36:33,333 --> 00:36:34,566 -But, darling, she fainted, 767 00:36:34,600 --> 00:36:35,900 and they brought her in here till she came to! 768 00:36:35,933 --> 00:36:37,833 -And since when is my dressing room 769 00:36:37,866 --> 00:36:40,666 an emergency ward for every web-footed chorine 770 00:36:40,700 --> 00:36:42,600 who throws a little fainting act? 771 00:36:42,633 --> 00:36:44,500 Get her out of here before I prescribe 772 00:36:44,533 --> 00:36:46,733 a little medication she won't like so much. 773 00:36:46,766 --> 00:36:48,800 -Please, Miss Brock -- -You, shut up! 774 00:36:48,833 --> 00:36:50,800 And if my prescription upsets you, Doctor, 775 00:36:50,833 --> 00:36:51,966 you can just get out with her! 776 00:36:52,000 --> 00:36:53,233 -What the hell is going on here? 777 00:36:53,266 --> 00:36:56,566 I'm trying to conduct a rehearsal on that stage! 778 00:36:56,600 --> 00:36:57,566 Who are you? 779 00:36:57,600 --> 00:36:59,066 -My name is Pat Denning, Mr. Marsh. 780 00:36:59,100 --> 00:37:01,800 I was a guest of Miss Brock's. -Well, beat it! 781 00:37:01,833 --> 00:37:04,133 Miss Brock's official gentleman friend 782 00:37:04,166 --> 00:37:05,600 happens to be in the house, 783 00:37:05,633 --> 00:37:08,100 and I don't want him to get any funny ideas. 784 00:37:08,133 --> 00:37:09,433 [ Knock on door ] -Dorothy! 785 00:37:09,466 --> 00:37:11,433 -It's Abner! Pat, quick, behind the shades! 786 00:37:11,466 --> 00:37:14,100 -You stay right where you are. 787 00:37:14,133 --> 00:37:15,766 Come right in, Mr. Dillon. 788 00:37:15,800 --> 00:37:18,766 We were just having a little script conference. 789 00:37:18,800 --> 00:37:22,400 -Hm. -Hello, Sugarplum. 790 00:37:22,433 --> 00:37:24,700 I just brought these posies for ya. 791 00:37:24,733 --> 00:37:25,833 -Thank you. 792 00:37:25,866 --> 00:37:27,733 -I hope I'm not interrupting anything. 793 00:37:27,766 --> 00:37:29,900 -No, no, not at all. We were just winding up. 794 00:37:29,933 --> 00:37:32,900 By the way, this is one of our dancers, Peggy Sawyer, 795 00:37:32,933 --> 00:37:35,400 and her boyfriend, Pat Denning. 796 00:37:35,433 --> 00:37:36,633 -Now, just a moment, Julian. 797 00:37:36,666 --> 00:37:39,066 -Say, Mr. Dillon, do you realize it's your fault 798 00:37:39,100 --> 00:37:40,733 our conference is breaking up? 799 00:37:40,766 --> 00:37:41,733 -My fault? -Yes. 800 00:37:41,766 --> 00:37:43,100 Dorothy said she didn't want 801 00:37:43,133 --> 00:37:45,633 to discuss the script any further... 802 00:37:45,666 --> 00:37:48,766 because she wanted to be alone 803 00:37:48,800 --> 00:37:50,833 with you. 804 00:37:50,866 --> 00:37:53,166 -Do you mean that, Dorothy? 805 00:37:53,200 --> 00:37:55,433 -Of course I mean it! 806 00:37:55,466 --> 00:37:59,100 What girl wouldn't wanna be alone with you? 807 00:37:59,133 --> 00:38:01,800 Just look at yourself! 808 00:38:01,833 --> 00:38:03,333 Come on! 809 00:38:03,366 --> 00:38:08,066 ♪♪ 810 00:38:08,100 --> 00:38:10,933 -Mr. Denning, your presence in this dressing room 811 00:38:10,966 --> 00:38:14,300 has caused a great deal of unnecessary turmoil. 812 00:38:14,333 --> 00:38:17,700 I suggest such visits do not occur again. 813 00:38:17,733 --> 00:38:20,433 And, Mr. Denning, this kid's a pretty good hoofer. 814 00:38:20,466 --> 00:38:21,466 I don't wanna lose her 815 00:38:21,500 --> 00:38:23,533 for the price of a bowl of chili. 816 00:38:23,566 --> 00:38:24,700 Take her out. 817 00:38:24,733 --> 00:38:26,566 Get her something to eat. 818 00:38:28,600 --> 00:38:31,733 Miss Brock, may I have a word with you? 819 00:38:31,766 --> 00:38:33,033 -Of course, Julian. 820 00:38:33,066 --> 00:38:34,700 Is it about the character I'm playing? 821 00:38:34,733 --> 00:38:37,866 -It's about the character you're playing around with. 822 00:38:37,900 --> 00:38:39,933 I don't know what went on in that dressing room, 823 00:38:39,966 --> 00:38:41,833 but "Pretty Lady" means far too much to me 824 00:38:41,866 --> 00:38:45,133 to let some gigolo stand in its way. 825 00:38:45,166 --> 00:38:47,533 I want you to give him up. 826 00:38:47,566 --> 00:38:49,566 -Aren't you a bit confused, Julian? 827 00:38:49,600 --> 00:38:51,733 You are the director of my show, 828 00:38:51,766 --> 00:38:53,766 not my personal life. 829 00:38:53,800 --> 00:38:58,466 -When your personal life gets in the way of my show, 830 00:38:58,500 --> 00:39:00,133 I direct that, too. 831 00:39:00,166 --> 00:39:04,300 -Mr. Marsh, I shall see whom I please when I please, 832 00:39:04,333 --> 00:39:07,300 and no show is gonna stand in my way. 833 00:39:07,333 --> 00:39:08,800 [ Inhales sharply ] 834 00:39:08,833 --> 00:39:10,833 -[ Scatting ] 835 00:39:16,566 --> 00:39:19,733 -Bert, I think we've got ourselves a little problem, 836 00:39:19,766 --> 00:39:22,566 and I think I've got myself a little solution. 837 00:39:22,600 --> 00:39:23,866 Nick Murphy, please! 838 00:39:23,900 --> 00:39:26,166 -Murphy? He's a killer! 839 00:39:26,200 --> 00:39:28,466 Look, Julian, if you don't like the song, 840 00:39:28,500 --> 00:39:29,600 just say so. 841 00:39:29,633 --> 00:39:32,900 -I put his girlfriend in my last show, 842 00:39:32,933 --> 00:39:35,400 and, boy, does he owe me a favor. 843 00:39:35,433 --> 00:39:36,866 Hello, Nick! 844 00:39:36,900 --> 00:39:38,166 Julian Marsh. 845 00:39:38,200 --> 00:39:40,633 I'm calling about a bit of a problem I'm having. 846 00:39:40,666 --> 00:39:43,233 You see, there's a fella been hanging around Dorothy Brock 847 00:39:43,266 --> 00:39:45,600 by the name of Pat Denning, 848 00:39:45,633 --> 00:39:46,733 and I thought that, 849 00:39:46,766 --> 00:39:48,666 since your place is right across the street, 850 00:39:48,700 --> 00:39:50,233 maybe you could send a couple of boys over 851 00:39:50,266 --> 00:39:55,500 to persuade him to make himself scarce for the next few weeks. 852 00:39:55,533 --> 00:39:57,666 Right. 853 00:39:57,700 --> 00:39:59,166 Thank you, Nick. 854 00:39:59,200 --> 00:40:01,700 Pleasure doing business with ya. 855 00:40:01,733 --> 00:40:04,500 And that, I believe, is the end of Pat Denning. 856 00:40:04,533 --> 00:40:07,666 -Julian! I just got a call from Atlantic City. 857 00:40:07,700 --> 00:40:08,900 They've canceled our booking. 858 00:40:08,933 --> 00:40:10,700 -What?! -But everything's alright. 859 00:40:10,733 --> 00:40:12,533 We picked up a week at the Arch Street Theatre 860 00:40:12,566 --> 00:40:13,900 in Philadelphia! 861 00:40:13,933 --> 00:40:16,866 -But all our shows have opened in Atlantic City! 862 00:40:16,900 --> 00:40:18,800 -Maybe Philly'll change your luck. 863 00:40:18,833 --> 00:40:20,566 -He's right. -Come on! 864 00:40:20,600 --> 00:40:22,600 Let's get packing. 865 00:40:22,633 --> 00:40:25,733 ♪ I'm grabbing my hat and coat 866 00:40:25,766 --> 00:40:28,700 -♪ I'm leaving the cat a note 867 00:40:28,733 --> 00:40:30,933 -♪ Quick, call me a ferryboat 868 00:40:30,966 --> 00:40:34,833 ♪ Gettin' out of town 869 00:40:34,866 --> 00:40:36,866 -I'm sorry I couldn't take you any place fancier, 870 00:40:36,900 --> 00:40:38,366 but, you know, the old purse strings 871 00:40:38,400 --> 00:40:39,866 are a bit frayed at the moment. 872 00:40:39,900 --> 00:40:42,100 -You know a guy named Pat Denning? 873 00:40:42,133 --> 00:40:44,000 -Oh, yes. -We got a message for him. 874 00:40:44,033 --> 00:40:45,766 He better lay off this Brock dame, 875 00:40:45,800 --> 00:40:48,266 or it's gonna be too bad for him. 876 00:40:48,300 --> 00:40:50,833 Get it? -Alright. I'll tell him. 877 00:40:50,866 --> 00:40:52,766 -Yeah? This is so's you don't forget. 878 00:40:52,800 --> 00:40:54,466 -[ Grunts ] -Pat! 879 00:40:54,500 --> 00:40:56,666 Who were they? -Friends. 880 00:40:56,700 --> 00:40:59,000 With good advice. 881 00:40:59,033 --> 00:41:00,433 You with the company? -Yeah. 882 00:41:00,466 --> 00:41:02,866 -I'd like to leave a message for Miss Dorothy Brock. 883 00:41:02,900 --> 00:41:06,566 Tell her Pat Denning has joined a stock company in Philadelphia. 884 00:41:06,600 --> 00:41:08,466 Will be gone at least six months. 885 00:41:08,500 --> 00:41:11,966 With no forwarding address! 886 00:41:12,000 --> 00:41:15,266 ♪ I'm shining my traveling shoes ♪ 887 00:41:15,300 --> 00:41:18,266 ♪ Big scoop in Th 888 00:41:15,300 --> 00:41:18,266 e Daily News 889 00:41:15,300 --> 00:41:18,266 ♪ 890 00:41:18,300 --> 00:41:20,500 ♪ Who's saying his toodle-oos? ♪ 891 00:41:20,533 --> 00:41:22,666 ♪ Gettin' out of town! 892 00:41:22,700 --> 00:41:25,466 -I'm sorry, but I don't want to go to Philadelphia. 893 00:41:25,500 --> 00:41:28,633 My contract says I must play out of town in Atlantic City! 894 00:41:28,666 --> 00:41:30,300 -I got a note for you, Miss Brock. 895 00:41:30,333 --> 00:41:32,500 Fella left it last night. 896 00:41:32,533 --> 00:41:37,166 -Dorothy, why don't you wanna go to Philadelphia? 897 00:41:37,200 --> 00:41:39,233 -Who says I don't wanna go to Philadelphia? 898 00:41:39,266 --> 00:41:40,633 I wanna go to Philadelphia! 899 00:41:40,666 --> 00:41:43,033 My contract says I must play out of town 900 00:41:43,066 --> 00:41:44,733 in Philadelphia! 901 00:41:44,766 --> 00:41:46,100 ♪♪ 902 00:41:46,133 --> 00:41:47,433 -♪ Cares fly by 903 00:41:47,466 --> 00:41:48,966 ♪ They're going bye-bye 904 00:41:49,000 --> 00:41:52,100 ♪ And we're shoutin', "Hoorah!" ♪ 905 00:41:52,133 --> 00:41:53,266 ♪ Wings spreadin' 906 00:41:53,300 --> 00:41:56,566 ♪ 'Cause we're headin' for hot cha ♪ 907 00:41:56,600 --> 00:41:57,933 ♪ Hot cha cha cha! 908 00:41:57,966 --> 00:41:59,433 -Alright, you got everything -- 909 00:41:59,466 --> 00:42:03,600 hats, coats, trunks, dogs, cats, canaries? 910 00:42:03,633 --> 00:42:04,733 So let's get 'em aboard. 911 00:42:04,766 --> 00:42:06,133 The dress rehearsal in Philadelphia 912 00:42:06,166 --> 00:42:08,366 starts at 8:00 sharp, so get moving. 913 00:42:08,400 --> 00:42:10,866 Say goodbye to little old New York. 914 00:42:10,900 --> 00:42:13,800 -♪ My neighbors are awful nice 915 00:42:13,833 --> 00:42:16,900 ♪ They've promised to feed the mice ♪ 916 00:42:16,933 --> 00:42:19,000 ♪ Hey, Iceman, don't need your ice ♪ 917 00:42:19,033 --> 00:42:21,300 ♪ Gettin' out of town 918 00:42:21,333 --> 00:42:22,500 ♪♪ 919 00:42:22,533 --> 00:42:24,000 ♪ Cares fly by 920 00:42:24,033 --> 00:42:25,666 ♪ They're going bye-bye 921 00:42:25,700 --> 00:42:28,833 ♪ And we're shouting, "Hoorah!" ♪ 922 00:42:28,866 --> 00:42:30,100 ♪ Wings spreading 923 00:42:30,133 --> 00:42:33,400 ♪ 'Cause we're heading for hot cha ♪ 924 00:42:33,433 --> 00:42:34,900 ♪ Hot cha cha cha 925 00:42:34,933 --> 00:42:36,800 ♪ Hot cha cha cha 926 00:42:36,833 --> 00:42:39,766 ♪ A new kind of company 927 00:42:39,800 --> 00:42:42,800 ♪ Is just magnetizing me 928 00:42:42,833 --> 00:42:45,566 ♪ I'm footloose and fancy-free 929 00:42:45,600 --> 00:42:48,533 ♪ Getting 930 00:42:48,566 --> 00:42:51,800 ♪ Getting out 931 00:42:51,833 --> 00:43:00,866 ♪ Getting out of town! 932 00:43:00,900 --> 00:43:03,900 [ Cheers and applause ] 933 00:43:05,500 --> 00:43:08,100 -Alright, now! 934 00:43:08,133 --> 00:43:10,500 The company got you all to Philadelphia, 935 00:43:10,533 --> 00:43:13,900 and it's up to you to see that we get out of here alive. 936 00:43:13,933 --> 00:43:15,400 There's a pit full of musicians down there 937 00:43:15,433 --> 00:43:17,033 just dying to go on overtime, 938 00:43:17,066 --> 00:43:19,033 so let's get this dress rehearsal started. 939 00:43:19,066 --> 00:43:20,800 [ Indistinct shouting ] One more thing. 940 00:43:20,833 --> 00:43:23,400 Not all the scenery and costumes have arrived yet, 941 00:43:23,433 --> 00:43:25,433 and we'll be adding things as we go along, 942 00:43:25,466 --> 00:43:28,533 so don't let it throw you. 943 00:43:28,566 --> 00:43:31,100 Professor, we're late. Let's go! 944 00:43:31,133 --> 00:43:34,833 -Dressing room assignments are on the callboard! 945 00:43:34,866 --> 00:43:37,633 [ Indistinct shouting ] 946 00:43:37,666 --> 00:43:44,433 ♪♪ 947 00:43:44,466 --> 00:43:46,600 [ Shouting continues ] 948 00:43:46,633 --> 00:43:47,600 ♪♪ 949 00:43:47,633 --> 00:43:49,766 -I can't hear my first note. 950 00:43:49,800 --> 00:43:51,433 ♪♪ 951 00:43:51,466 --> 00:43:54,266 What is it? -No, no, no. 952 00:43:54,300 --> 00:43:56,000 -Mac? Mac, please! 953 00:43:56,033 --> 00:44:00,400 -Quiet! 954 00:44:00,433 --> 00:44:02,633 -Thank you. 955 00:44:02,666 --> 00:44:04,566 -I know. I know. 956 00:44:04,600 --> 00:44:05,800 ♪♪ 957 00:44:05,833 --> 00:44:09,833 ♪ Who writes the words and music ♪ 958 00:44:09,866 --> 00:44:13,466 ♪ For all... -Sorry! 959 00:44:13,500 --> 00:44:16,633 -♪ ...the girly shows? 960 00:44:16,666 --> 00:44:22,133 ♪ No one cares, and no one knows ♪ 961 00:44:22,166 --> 00:44:25,533 ♪ Who is the handsome hero 962 00:44:25,566 --> 00:44:29,666 ♪ Some villain always frames? 963 00:44:29,700 --> 00:44:35,000 ♪ But who cares if there's a plot or not ♪ 964 00:44:35,033 --> 00:44:44,800 ♪ When they've got a lot of dames? ♪ 965 00:44:44,833 --> 00:44:46,133 ♪♪ 966 00:44:46,166 --> 00:44:51,233 -♪ What do you go for, go see a show for? ♪ 967 00:44:51,266 --> 00:44:52,433 ♪ Tell the truth 968 00:44:52,466 --> 00:44:58,166 ♪ You go to see those beautiful dames ♪ 969 00:44:58,200 --> 00:45:01,466 ♪ You spend your dough for 970 00:45:01,500 --> 00:45:03,633 ♪ Bouquets that grow for 971 00:45:03,666 --> 00:45:10,133 ♪ All those cute and cunning young and beautiful dames ♪ 972 00:45:10,166 --> 00:45:12,100 ♪ Dames 973 00:45:12,133 --> 00:45:16,433 ♪ Are temporary flames to you 974 00:45:16,466 --> 00:45:20,900 ♪ Dames, you don't recall their names ♪ 975 00:45:20,933 --> 00:45:22,566 ♪ Do you? 976 00:45:22,600 --> 00:45:25,533 ♪ But their caresses 977 00:45:25,566 --> 00:45:27,866 ♪ And home addresses 978 00:45:27,900 --> 00:45:31,266 ♪ Linger in your mem'ry of those beautiful ♪ 979 00:45:31,300 --> 00:45:34,366 ♪ In your mem'ry, see those beautiful ♪ 980 00:45:34,400 --> 00:45:41,033 ♪ In your mem'ry, all those beautiful dames ♪ 981 00:45:41,066 --> 00:45:48,033 ♪♪ 982 00:45:48,066 --> 00:45:55,066 ♪♪ 983 00:45:55,100 --> 00:46:02,133 ♪♪ 984 00:46:02,166 --> 00:46:04,966 -♪ What's cute about a little cutie? ♪ 985 00:46:05,000 --> 00:46:08,433 ♪ It's her beauty, not brains 986 00:46:08,466 --> 00:46:11,600 -♪ Oh, Father Time will never harm you ♪ 987 00:46:11,633 --> 00:46:15,300 ♪ If your charm still remains 988 00:46:15,333 --> 00:46:20,466 -♪ After you've grown old, baby ♪ 989 00:46:20,500 --> 00:46:29,633 -♪ You don't have to be a cold baby ♪ 990 00:46:29,666 --> 00:46:32,400 -♪ Keep young and beautiful -♪ Keep young and beautiful 991 00:46:32,433 --> 00:46:33,633 -♪ Oh, yes 992 00:46:33,666 --> 00:46:35,866 -♪ It's your duty to be beautiful ♪ 993 00:46:35,900 --> 00:46:37,566 -♪ Oh, yes 994 00:46:37,600 --> 00:46:40,533 -♪ Keep young and beautiful -♪ Keep young and beautiful 995 00:46:40,566 --> 00:46:42,033 -♪ If you want to be loved -♪ If you want to be loved 996 00:46:42,066 --> 00:46:44,033 -♪ Oh, yes, we wanna 997 00:46:44,066 --> 00:46:47,733 -♪ Don't fail to do your stuff -♪ Our stuff? 998 00:46:47,766 --> 00:46:50,000 -♪ With a little powder and a puff ♪ 999 00:46:50,033 --> 00:46:51,800 -♪ A puff 1000 00:46:51,833 --> 00:46:54,533 -♪ Keep young and beautiful -♪ Keep young and beautiful 1001 00:46:54,566 --> 00:46:57,200 -♪ If you want to be loved -♪ If you want to be loved 1002 00:46:57,233 --> 00:47:00,800 -♪ If you're wise, exercise all the fat off ♪ 1003 00:47:00,833 --> 00:47:04,466 ♪ Take it off, off-a here, off-a there ♪ 1004 00:47:04,500 --> 00:47:07,900 -♪ When you're seen anywhere with your hat off ♪ 1005 00:47:07,933 --> 00:47:12,066 ♪ Have a permanent wave in your hair ♪ 1006 00:47:12,100 --> 00:47:15,166 -♪ Take care of all those charms ♪ 1007 00:47:15,200 --> 00:47:16,500 -♪ Those charms 1008 00:47:16,533 --> 00:47:18,766 -♪ And you'll always be in some guy's arms ♪ 1009 00:47:18,800 --> 00:47:22,600 -♪ His arms! -♪ Keep young and beautiful 1010 00:47:22,633 --> 00:47:24,400 -♪ If you want to be 1011 00:47:24,433 --> 00:47:26,300 -♪ Oh, we want to be 1012 00:47:26,333 --> 00:47:29,800 -♪ If you want to be loved 1013 00:47:29,833 --> 00:47:37,466 ♪♪ 1014 00:47:37,500 --> 00:47:45,100 ♪♪ 1015 00:47:45,133 --> 00:47:52,766 ♪♪ 1016 00:47:52,800 --> 00:48:00,466 ♪♪ 1017 00:48:00,500 --> 00:48:08,133 ♪♪ 1018 00:48:08,166 --> 00:48:15,766 ♪♪ 1019 00:48:15,800 --> 00:48:23,433 ♪♪ 1020 00:48:23,466 --> 00:48:31,066 ♪♪ 1021 00:48:31,100 --> 00:48:38,733 ♪♪ 1022 00:48:38,766 --> 00:48:46,366 ♪♪ 1023 00:48:46,400 --> 00:48:54,033 ♪♪ 1024 00:48:54,066 --> 00:49:01,733 ♪♪ 1025 00:49:01,766 --> 00:49:09,400 ♪♪ 1026 00:49:09,433 --> 00:49:17,033 ♪♪ 1027 00:49:17,066 --> 00:49:24,700 ♪♪ 1028 00:49:24,733 --> 00:49:27,633 -♪ Who writes the words and music ♪ 1029 00:49:27,666 --> 00:49:30,500 ♪ For all the girly shows? 1030 00:49:30,533 --> 00:49:33,866 ♪ No one cares, and no one knows ♪ 1031 00:49:33,900 --> 00:49:37,200 ♪ Who is the handsome hero 1032 00:49:37,233 --> 00:49:39,766 ♪ Some villain always frames? 1033 00:49:39,800 --> 00:49:43,433 -♪ But who cares if there's a plot or not? ♪ 1034 00:49:43,466 --> 00:49:49,933 ♪♪ 1035 00:49:49,966 --> 00:49:55,066 -♪ What do you go for, go see a show for? ♪ 1036 00:49:55,100 --> 00:49:56,466 ♪ Tell the truth 1037 00:49:56,500 --> 00:50:02,166 ♪ You go to see those beautiful dames ♪ 1038 00:50:02,200 --> 00:50:05,666 ♪ You spend your dough for 1039 00:50:05,700 --> 00:50:07,833 ♪ Bouquets that grow for 1040 00:50:07,866 --> 00:50:13,900 ♪ All those cute and cunning, young and beautiful dames ♪ 1041 00:50:13,933 --> 00:50:17,900 ♪♪ 1042 00:50:17,933 --> 00:50:19,800 ♪ Dames 1043 00:50:19,833 --> 00:50:24,100 ♪ Are temporary flames to you 1044 00:50:24,133 --> 00:50:28,866 ♪ Dames, you don't recall their names ♪ 1045 00:50:28,900 --> 00:50:30,866 ♪ Do you? 1046 00:50:30,900 --> 00:50:33,966 -♪ Keep young and beautiful -♪ Doo-doo-wah 1047 00:50:34,000 --> 00:50:35,200 -♪ It's your duty 1048 00:50:35,233 --> 00:50:37,100 ♪ To be beautiful -♪ Doo-wah 1049 00:50:37,133 --> 00:50:40,133 -♪ Keep young and beautiful -♪ Doo-doo-wah 1050 00:50:40,166 --> 00:50:43,566 -♪ If you want to be loved -♪ Doo-wah, doo-wah, dames! 1051 00:50:43,600 --> 00:50:46,733 -♪ Don't fail to do your stuff -♪ Doo-doo-wah 1052 00:50:46,766 --> 00:50:49,033 -♪ With a little powder and a puff ♪ 1053 00:50:49,066 --> 00:50:50,433 -♪ Doo-wah 1054 00:50:50,466 --> 00:50:53,366 -♪ Keep young and beautiful -♪ Doo-doo-wah 1055 00:50:53,400 --> 00:50:56,900 -♪ If you want to be loved -♪ All those lovely dames 1056 00:50:56,933 --> 00:50:58,433 -♪ Those gorgeous dames 1057 00:50:58,466 --> 00:51:00,133 -♪ Are temporary flames to you 1058 00:51:00,166 --> 00:51:02,866 -♪ Are temporary playthings to you ♪ 1059 00:51:02,900 --> 00:51:04,733 -♪ Dames -♪ Yet, all the same 1060 00:51:04,766 --> 00:51:06,200 -♪ You don't recall their names ♪ 1061 00:51:06,233 --> 00:51:11,033 -♪ You melt when they cling to you ♪ 1062 00:51:11,066 --> 00:51:15,400 -♪ Slim, trim, or curvy 1063 00:51:15,433 --> 00:51:18,533 ♪ Sweet, shy, or nervy 1064 00:51:18,566 --> 00:51:23,700 ♪ There is nothing as divine, as beautiful ♪ 1065 00:51:23,733 --> 00:51:28,000 ♪ No sun can shine like beautiful ♪ 1066 00:51:28,033 --> 00:51:31,866 ♪ Bring on a line of beautiful 1067 00:51:31,900 --> 00:51:35,900 ♪ Dames, dames, dames, dames 1068 00:51:35,933 --> 00:51:43,833 ♪ Dames, dames, dames, dames 1069 00:51:43,866 --> 00:51:49,500 ♪ Dames! 1070 00:51:49,533 --> 00:51:52,533 [ Music ends ] [ Cheers and applause ] 1071 00:51:54,433 --> 00:51:57,566 -Kill the spots! 1072 00:51:57,600 --> 00:51:59,133 Congratulations, kids. 1073 00:51:59,166 --> 00:52:01,566 That was damn good. 1074 00:52:01,600 --> 00:52:03,200 -Too damn good. 1075 00:52:03,233 --> 00:52:05,600 I am the star of this show, Julian, 1076 00:52:05,633 --> 00:52:08,100 and I do not appreciate making my entrance 1077 00:52:08,133 --> 00:52:10,766 10 seconds before the blackout. 1078 00:52:10,800 --> 00:52:14,166 -Are you suggesting I bring you on after the blackout? 1079 00:52:14,200 --> 00:52:17,600 -I'm suggesting you redo the dance to suit my talents. 1080 00:52:17,633 --> 00:52:21,066 -That might make it a rather short number, Miss Brock. 1081 00:52:21,100 --> 00:52:23,600 -You'll regret that remark, Mr. Marsh. 1082 00:52:23,633 --> 00:52:26,366 You may be the director of this show, 1083 00:52:26,400 --> 00:52:29,866 but I'm driving the Kiddie Kar. 1084 00:52:29,900 --> 00:52:33,500 Get out of my way! 1085 00:52:33,533 --> 00:52:36,466 -Alright, the rest of you, you've earned it, 1086 00:52:36,500 --> 00:52:38,133 so I want you to go out and relax 1087 00:52:38,166 --> 00:52:40,866 and forget all about "Pretty Lady" until tomorrow. 1088 00:52:40,900 --> 00:52:43,866 Then, I want you to come back here 1089 00:52:43,900 --> 00:52:47,500 and give the performance of your lives! 1090 00:52:47,533 --> 00:52:49,866 Company dismissed. -Company dismissed! 1091 00:52:49,900 --> 00:52:52,866 -Company dismissed! -Half-hour call, 8:00! 1092 00:52:52,900 --> 00:52:55,833 8:00 sharp! -Girls! That means you. 1093 00:52:55,866 --> 00:52:57,400 -We heard ya! -We heard ya! 1094 00:52:57,433 --> 00:53:00,166 -Willard! I wanna check those spot cues. 1095 00:53:00,200 --> 00:53:02,466 -I'll finish changing, Peggy. Meet you at the stage door. 1096 00:53:02,500 --> 00:53:04,533 -Be there in a minute, Billy. 1097 00:53:04,566 --> 00:53:07,566 Are you coming to the party, Mr. Marsh? 1098 00:53:07,600 --> 00:53:09,800 -Huh? -To the Regency Club. 1099 00:53:09,833 --> 00:53:13,300 Miss Jones and Mr. Barry just invited everyone. 1100 00:53:13,333 --> 00:53:14,966 Is something funny? 1101 00:53:15,000 --> 00:53:16,266 -You are. 1102 00:53:16,300 --> 00:53:18,333 Eyes shining like a kid at Christmas, 1103 00:53:18,366 --> 00:53:20,966 dreaming of parties and opening nights, 1104 00:53:21,000 --> 00:53:24,566 the tinsel and glitter of musical comedy. 1105 00:53:24,600 --> 00:53:26,266 Just look at yourself. 1106 00:53:26,300 --> 00:53:29,033 A speck of dust on this stage, indistinguishable 1107 00:53:29,066 --> 00:53:32,133 from the 40 other specks of dust I put there. 1108 00:53:32,166 --> 00:53:34,033 -I know that, Mr. Marsh, 1109 00:53:34,066 --> 00:53:36,466 but -- but all those specks together, 1110 00:53:36,500 --> 00:53:39,100 you have something alive and beautiful 1111 00:53:39,133 --> 00:53:41,000 that can reach out to thousands of people 1112 00:53:41,033 --> 00:53:42,400 we've never seen before. 1113 00:53:42,433 --> 00:53:45,666 -Broadway dreams, Sawyer. We've all had them. 1114 00:53:45,700 --> 00:53:47,933 -Well, I mean to hold on to mine, Mr. Marsh. 1115 00:53:47,966 --> 00:53:49,866 -So did I. 1116 00:53:49,900 --> 00:53:52,700 Sweet dreams, kid. -They are. 1117 00:53:52,733 --> 00:53:56,066 I'm a speck of dust in your show. 1118 00:53:59,566 --> 00:54:01,100 -Andy? 1119 00:54:01,133 --> 00:54:02,600 Andy, where the hell are ya?! 1120 00:54:02,633 --> 00:54:04,266 -Right here, boss! Comin'. 1121 00:54:04,300 --> 00:54:07,900 I got all the notes typed out, all seven pages. 1122 00:54:07,933 --> 00:54:10,066 -The notes can wait. -But, boss... 1123 00:54:10,100 --> 00:54:12,500 -I've decided to take some of my own advice 1124 00:54:12,533 --> 00:54:15,300 and forget about everything until tomorrow. 1125 00:54:15,333 --> 00:54:19,166 Jones and Barry are throwing a party at the Regency Club. 1126 00:54:19,200 --> 00:54:20,866 Come on. 1127 00:54:20,900 --> 00:54:22,700 Let's go dream a little. 1128 00:54:22,733 --> 00:54:26,533 ♪♪ 1129 00:54:26,566 --> 00:54:29,200 [ Indistinct talking, laughter ] 1130 00:54:29,233 --> 00:54:34,466 ♪♪ 1131 00:54:34,500 --> 00:54:39,766 ♪♪ 1132 00:54:39,800 --> 00:54:43,533 -Mr. Barry, d'you think I'll ever be a star? 1133 00:54:43,566 --> 00:54:45,866 -If you can make those sing, you will be. 1134 00:54:45,900 --> 00:54:48,200 -Aah! Mr. Barry, stop! 1135 00:54:48,233 --> 00:54:50,066 -Let's dance. 1136 00:54:50,100 --> 00:54:52,633 -Hey, Mac, are you sure there were no calls for me? 1137 00:54:52,666 --> 00:54:56,133 -No, Miss Brock, but there is a gentleman waiting. 1138 00:54:56,166 --> 00:54:57,966 -Why didn't you say so?! Where is he?! 1139 00:54:58,000 --> 00:55:01,266 -Hello, kitten! Are you glad to see me?! 1140 00:55:01,300 --> 00:55:03,800 -I'm practically hysterical. 1141 00:55:03,833 --> 00:55:05,666 -You know, I got half a mind -- 1142 00:55:05,700 --> 00:55:07,433 -You're telling me. 1143 00:55:07,466 --> 00:55:10,433 -Is it me, or is she getting harder to love? 1144 00:55:10,466 --> 00:55:11,433 -Hey! 1145 00:55:11,466 --> 00:55:13,000 Play something fun, will ya? 1146 00:55:13,033 --> 00:55:14,866 Something not from the show! 1147 00:55:14,900 --> 00:55:16,866 -Say, another one of those, 1148 00:55:16,900 --> 00:55:19,000 and they'll build a bridge over you. 1149 00:55:19,033 --> 00:55:20,466 -Another crack like that, 1150 00:55:20,500 --> 00:55:22,400 they'll build a monument over you. 1151 00:55:22,433 --> 00:55:25,700 -Kitten, I turned around, and you disappeared! 1152 00:55:25,733 --> 00:55:28,600 How does that feel, sweetie pie? 1153 00:55:28,633 --> 00:55:30,600 -Like a dead, wet cobra. 1154 00:55:30,633 --> 00:55:32,866 -Dorothy! -Say, what's eating you tonight? 1155 00:55:32,900 --> 00:55:35,566 -I finally figured out what this show needs -- 1156 00:55:35,600 --> 00:55:38,566 a few more songs by Irving Berlin. 1157 00:55:38,600 --> 00:55:41,233 Now get away from me and take Buffalo Bill with ya. 1158 00:55:41,266 --> 00:55:42,166 -Hey, wait a minute! 1159 00:55:42,200 --> 00:55:44,333 I got $100,000 in this show, 1160 00:55:44,366 --> 00:55:46,100 so you better not give me the air! 1161 00:55:46,133 --> 00:55:47,966 -So I better not give you the air, huh? 1162 00:55:48,000 --> 00:55:48,966 -Uh. 1163 00:55:49,000 --> 00:55:51,300 -Well, how about just a few bubbles? 1164 00:55:51,333 --> 00:55:53,533 -Aah! -Now, get on your Kiddie Kar 1165 00:55:53,566 --> 00:55:57,033 and pedal back to Tulsa, you beached whale! 1166 00:55:57,066 --> 00:55:59,933 -Oh, she didn't mean it! 1167 00:55:59,966 --> 00:56:02,666 She's all excited, you know, with the opening tomorrow. 1168 00:56:02,700 --> 00:56:05,500 -There ain't gonna be no opening tomorrow, 1169 00:56:05,533 --> 00:56:07,233 not with Dorothy Brock. 1170 00:56:07,266 --> 00:56:09,566 She's out of the show! -Wrong! 1171 00:56:09,600 --> 00:56:11,900 Brock opens tomorrow night, as scheduled. 1172 00:56:11,933 --> 00:56:13,600 Don't be a fool, Dillon. 1173 00:56:13,633 --> 00:56:15,266 You wanna toss away all that money 1174 00:56:15,300 --> 00:56:17,300 because of a dame? -It's my funeral, ain't it? 1175 00:56:17,333 --> 00:56:19,400 -And the funeral of half a hundred kids 1176 00:56:19,433 --> 00:56:20,833 who've been dancing their feet off 1177 00:56:20,866 --> 00:56:23,066 to give you a show you could be proud of. 1178 00:56:23,100 --> 00:56:25,266 You wanna put them out on the street, too? 1179 00:56:25,300 --> 00:56:27,300 -Oh, Mr. Dillon! 1180 00:56:27,333 --> 00:56:30,100 You wouldn't do that, would you? 1181 00:56:30,133 --> 00:56:33,066 -Not after we've put all our faith in you. 1182 00:56:33,100 --> 00:56:35,933 -But she called me a whale. -Oh! 1183 00:56:35,966 --> 00:56:38,433 -And a cobra! -No! 1184 00:56:38,466 --> 00:56:41,600 -Listen, in show business, that's a compliment! 1185 00:56:41,633 --> 00:56:43,233 What you need is some fun. 1186 00:56:43,266 --> 00:56:44,933 Why don't you come to a quiet corner, 1187 00:56:44,966 --> 00:56:49,266 and I'll sing you the scores from our last six shows? 1188 00:56:49,300 --> 00:56:51,766 Get a load of this. 1189 00:56:51,800 --> 00:56:55,866 -Hello, Belvedere. Have you got a Pat Denning there? 1190 00:56:55,900 --> 00:56:56,866 You do? 1191 00:56:56,900 --> 00:56:58,300 Well, give him to me, you idiot! 1192 00:56:58,333 --> 00:57:00,366 -I don't know what got into Dorothy. 1193 00:57:00,400 --> 00:57:02,000 She was fine this afternoon. 1194 00:57:02,033 --> 00:57:03,500 -I smell a rat, 1195 00:57:03,533 --> 00:57:05,966 and the rat's initials are Pat Denning. 1196 00:57:06,000 --> 00:57:07,866 -Hey, boss. It's Flo at the switchboard. 1197 00:57:07,900 --> 00:57:09,233 She's an old pal of mine. 1198 00:57:09,266 --> 00:57:11,900 She just told me Dorothy Brock's been calling all over town 1199 00:57:11,933 --> 00:57:13,100 to get Pat Denning. 1200 00:57:13,133 --> 00:57:15,200 -So I was right. Denning's in town. 1201 00:57:15,233 --> 00:57:19,300 -Hello, Pat. Pat, darling, I can't go on like this. 1202 00:57:19,333 --> 00:57:21,933 I've tried to forget you, but it's no use. 1203 00:57:21,966 --> 00:57:23,333 I've been such a fool. 1204 00:57:23,366 --> 00:57:25,533 Please come back. I need you so. 1205 00:57:25,566 --> 00:57:27,700 -What are you gonna do about Denning, Boss? 1206 00:57:27,733 --> 00:57:29,533 -Call Nick Murphy. 1207 00:57:29,566 --> 00:57:31,733 I think he's got a couple of Philadelphia cousins 1208 00:57:31,766 --> 00:57:33,933 who might be able to handle the situation. 1209 00:57:33,966 --> 00:57:35,933 -Oh, Pat, darling, can you ever forgive me? 1210 00:57:35,966 --> 00:57:37,566 -Dorothy, will you calm down and tell me what's wrong? 1211 00:57:37,600 --> 00:57:39,066 -In a minute. Just hold me first. 1212 00:57:39,100 --> 00:57:41,900 Hold me and never let me go! 1213 00:57:41,933 --> 00:57:43,466 -It's all set. 1214 00:57:43,500 --> 00:57:46,266 Two of the boys'll be over in 10 minutes, 1215 00:57:46,300 --> 00:57:48,366 and they better not find Denning here. 1216 00:57:48,400 --> 00:57:49,833 -Hey, Peggy, how about the next dance? 1217 00:57:49,866 --> 00:57:51,666 -Sorry, Billy, but a friend of mine is in trouble. 1218 00:57:51,700 --> 00:57:53,133 -A man friend or a lady friend? 1219 00:57:53,166 --> 00:57:54,666 -A man. 1220 00:57:54,700 --> 00:57:56,500 But it's not -- -I get it. 1221 00:57:56,533 --> 00:57:59,000 Good night, Peggy. -Billy, I... 1222 00:57:59,033 --> 00:58:02,500 ♪♪ 1223 00:58:02,533 --> 00:58:06,333 -Something the matter, Billy? 1224 00:58:06,366 --> 00:58:08,500 -Not anymore. Come on! 1225 00:58:08,533 --> 00:58:10,833 Let's have some fun! -Ooh! 1226 00:58:10,866 --> 00:58:13,800 -♪ Keep young and beautiful 1227 00:58:13,833 --> 00:58:16,800 ♪ It's your duty to be beautiful ♪ 1228 00:58:16,833 --> 00:58:19,800 ♪ Keep young and beautiful 1229 00:58:19,833 --> 00:58:24,333 ♪ If you want to be loved 1230 00:58:24,366 --> 00:58:26,100 [ Knock on door ] -Who is it? 1231 00:58:26,133 --> 00:58:27,800 -Peggy Sawyer, Miss Brock. 1232 00:58:27,833 --> 00:58:28,666 -Peggy Sawyer? 1233 00:58:28,700 --> 00:58:30,533 Oh, the fainting violet 1234 00:58:30,566 --> 00:58:32,366 Mr. Denning took out to dinner last week. 1235 00:58:32,400 --> 00:58:34,500 -I've got to see Pat. There's going to be trouble. 1236 00:58:34,533 --> 00:58:35,700 -You're darn right there is 1237 00:58:35,733 --> 00:58:36,933 unless you get the hell out of here! 1238 00:58:36,966 --> 00:58:38,600 -Wait a minute, Dorothy. What is it, Peggy? 1239 00:58:38,633 --> 00:58:40,333 -Two men, friends of Murphy's. 1240 00:58:40,366 --> 00:58:41,800 -Don't tell me to wait a minute, 1241 00:58:41,833 --> 00:58:43,633 and how come you're sticking up for her in the first place? 1242 00:58:43,666 --> 00:58:44,700 -Dorothy, you don't understand. 1243 00:58:44,733 --> 00:58:46,700 -I think I understand all too well. 1244 00:58:46,733 --> 00:58:48,033 -No, you don't! -Get out of here! 1245 00:58:48,066 --> 00:58:49,466 Both of you! -But, Miss Brock -- 1246 00:58:49,500 --> 00:58:51,000 -It's alright, Peggy. 1247 00:58:55,300 --> 00:58:57,600 Now, Dorothy -- -I said, "Both of you"! 1248 00:58:57,633 --> 00:58:59,266 -Alright, if that's the way you want it -- 1249 00:58:59,300 --> 00:59:03,200 -That's the way I want it! Get out! Out! Out! 1250 00:59:04,833 --> 00:59:07,033 Oh, Pat! 1251 00:59:07,066 --> 00:59:09,800 [ Sniffles, sighs ] 1252 00:59:09,833 --> 00:59:13,900 ♪♪ 1253 00:59:13,933 --> 00:59:19,266 ♪ Are the stars out tonight? 1254 00:59:19,300 --> 00:59:24,933 ♪ I don't know if it's cloudy or bright ♪ 1255 00:59:24,966 --> 00:59:29,966 ♪ 'Cause I only have eyes 1256 00:59:30,000 --> 00:59:35,200 ♪ For you, dear 1257 00:59:35,233 --> 00:59:39,566 ♪ The moon may be high 1258 00:59:39,600 --> 00:59:43,400 ♪ But I can't see a thing in the sky ♪ 1259 00:59:43,433 --> 00:59:51,200 ♪ 'Cause I only have eyes for you ♪ 1260 00:59:51,233 --> 00:59:58,900 ♪ How can I live a day without you? ♪ 1261 00:59:58,933 --> 01:00:04,566 ♪ I need your love to see me through ♪ 1262 01:00:04,600 --> 01:00:10,166 ♪ You're not here by my side 1263 01:00:10,200 --> 01:00:14,166 ♪ Maybe millions of people pass by ♪ 1264 01:00:14,200 --> 01:00:20,333 ♪ But they all disappear from view ♪ 1265 01:00:20,366 --> 01:00:26,666 ♪ 'Cause I only have eyes 1266 01:00:26,700 --> 01:00:32,500 ♪ For you 1267 01:00:32,533 --> 01:00:38,100 ♪♪ 1268 01:00:38,133 --> 01:00:43,666 ♪♪ 1269 01:00:43,700 --> 01:00:49,333 ♪ You're not here by my side 1270 01:00:49,366 --> 01:00:53,000 ♪ Maybe millions of people pass by ♪ 1271 01:00:53,033 --> 01:00:58,833 ♪ But they all disappear from view ♪ 1272 01:00:58,866 --> 01:01:06,066 ♪ 'Cause I only have eyes 1273 01:01:06,100 --> 01:01:14,066 ♪ For you 1274 01:01:14,100 --> 01:01:17,900 [ Applause ] 1275 01:01:17,933 --> 01:01:19,900 ♪♪ 1276 01:01:19,933 --> 01:01:26,900 -♪ I don't know if we're in a garden ♪ 1277 01:01:26,933 --> 01:01:31,900 ♪ Or on a crowded avenue 1278 01:01:31,933 --> 01:01:34,900 ♪ You are here 1279 01:01:34,933 --> 01:01:36,633 ♪ So am I 1280 01:01:36,666 --> 01:01:40,166 ♪ Maybe millions of people pass by ♪ 1281 01:01:40,200 --> 01:01:47,833 ♪ But they all disappear from view ♪ 1282 01:01:47,866 --> 01:01:51,333 ♪ 'Cause I 1283 01:01:51,366 --> 01:01:55,600 ♪ Only have eyes 1284 01:01:55,633 --> 01:01:58,700 [ Clears throat ] 1285 01:01:58,733 --> 01:02:02,033 ♪ For 1286 01:02:02,066 --> 01:02:10,666 ♪ You 1287 01:02:10,700 --> 01:02:14,166 -[ Vocalizing ] 1288 01:02:14,200 --> 01:02:16,166 [ Applause ] -Garden drop, out! 1289 01:02:16,200 --> 01:02:18,233 Come on, ladies. Come on. Step lively. 1290 01:02:18,266 --> 01:02:20,233 Keep moving. Keep going. Quick, quick! 1291 01:02:20,266 --> 01:02:21,566 -Is the chorus ready? -Yes, sir. 1292 01:02:21,600 --> 01:02:24,366 -Is Brock ready yet? -Not yet. 1293 01:02:24,400 --> 01:02:27,533 -That broad is starting to work my last nerve. 1294 01:02:27,566 --> 01:02:30,033 Is she ready now? -Yes, sir. 1295 01:02:30,066 --> 01:02:31,600 -Mac, take it away. 1296 01:02:31,633 --> 01:02:34,100 -Cue 58! Go! 1297 01:02:34,133 --> 01:02:36,600 ♪♪ 1298 01:02:36,633 --> 01:02:38,766 -♪ Misery! 1299 01:02:38,800 --> 01:02:41,400 ♪ Heartache! 1300 01:02:41,433 --> 01:02:46,733 ♪ Sorrow! 1301 01:02:46,766 --> 01:02:51,066 ♪♪ 1302 01:02:51,100 --> 01:02:56,133 -♪ I walk along the street of sorrow ♪ 1303 01:02:56,166 --> 01:03:00,700 ♪ The boulevard of broken dreams ♪ 1304 01:03:00,733 --> 01:03:06,033 ♪ Where gigolo and gigolette can take a kiss without regret ♪ 1305 01:03:06,066 --> 01:03:10,200 ♪ And so forget their broken dreams ♪ 1306 01:03:10,233 --> 01:03:14,866 ♪ You laugh today and cry tomorrow ♪ 1307 01:03:14,900 --> 01:03:19,166 ♪ When you behold those shattered schemes ♪ 1308 01:03:19,200 --> 01:03:21,833 ♪ And gigolo and gigolette 1309 01:03:21,866 --> 01:03:24,233 ♪ Wake up to find their eyes are wet ♪ 1310 01:03:24,266 --> 01:03:29,066 ♪ With tears that tell of broken dreams ♪ 1311 01:03:29,100 --> 01:03:33,900 ♪ Here is where you'll always find me ♪ 1312 01:03:33,933 --> 01:03:38,733 ♪ Always walking up and down 1313 01:03:38,766 --> 01:03:43,066 ♪ But I left my soul behind me 1314 01:03:43,100 --> 01:03:47,466 ♪ In an old cathedral town 1315 01:03:47,500 --> 01:03:51,966 ♪ The joy that you find here, you borrow ♪ 1316 01:03:52,000 --> 01:03:56,633 ♪ You cannot keep it long, it seems ♪ 1317 01:03:56,666 --> 01:04:01,700 ♪ But gigolo and gigolette still sing a song and dance along ♪ 1318 01:04:01,733 --> 01:04:06,366 ♪ The boulevard of broken dreams ♪ 1319 01:04:06,400 --> 01:04:15,233 ♪♪ 1320 01:04:15,266 --> 01:04:24,100 ♪♪ 1321 01:04:24,133 --> 01:04:28,566 ♪ Here is where you'll always find me ♪ 1322 01:04:28,600 --> 01:04:35,733 ♪ Always walking up and down 1323 01:04:35,766 --> 01:04:40,233 ♪ But I left my soul behind me 1324 01:04:40,266 --> 01:04:44,666 ♪ In an old cathedral town 1325 01:04:44,700 --> 01:04:49,500 ♪ The joy that you find here 1326 01:04:49,533 --> 01:04:52,666 ♪ You borrow 1327 01:04:52,700 --> 01:04:57,166 ♪ You cannot keep it long, it seems ♪ 1328 01:04:57,200 --> 01:05:03,066 ♪ But gigolo and gigolette still sing a song and dance along ♪ 1329 01:05:03,100 --> 01:05:10,566 ♪ The boulevard of broken 1330 01:05:10,600 --> 01:05:15,400 ♪ Dreams 1331 01:05:15,433 --> 01:05:18,433 [ Music ends ] [ Cheers and applause ] 1332 01:05:22,933 --> 01:05:24,966 -Boss! Boss, we are in. 1333 01:05:25,000 --> 01:05:27,133 This is the best out-of-town opening we've ever had. 1334 01:05:27,166 --> 01:05:28,200 They love it. 1335 01:05:28,233 --> 01:05:29,233 -Well, they won't love it for long 1336 01:05:29,266 --> 01:05:30,733 if we don't speed up these changes. 1337 01:05:30,766 --> 01:05:33,366 Mac! Where the hell is that cue? -Just waiting for the kids 1338 01:05:33,400 --> 01:05:34,600 to get in their place, Mr. Marsh. 1339 01:05:34,633 --> 01:05:36,266 -Alright. Here they are. 1340 01:05:36,300 --> 01:05:37,766 -Cue 64. 1341 01:05:37,800 --> 01:05:39,266 Go! 1342 01:05:39,300 --> 01:05:42,666 ♪♪ 1343 01:05:42,700 --> 01:05:45,400 -[ Gasps ] You got it. -Now pull it up. 1344 01:05:45,433 --> 01:05:47,400 -I gotta wait for the gum to stick. 1345 01:05:47,433 --> 01:05:49,766 -It's stuck. Now pull it up. 1346 01:05:49,800 --> 01:05:51,966 -Watch out for the subway grating! 1347 01:05:52,000 --> 01:05:53,466 -I got it. -Well, what is it?! 1348 01:05:53,500 --> 01:05:54,466 A penny? 1349 01:05:54,500 --> 01:05:55,500 -A nickel? -A nickel? 1350 01:05:55,533 --> 01:05:57,000 -Would ya hold your horses 1351 01:05:57,033 --> 01:06:00,900 and let me get the dirt off? 1352 01:06:00,933 --> 01:06:02,900 [ Gasps ] A dime. 1353 01:06:02,933 --> 01:06:05,733 ♪ We're in the money 1354 01:06:05,766 --> 01:06:08,566 ♪ We're in the money 1355 01:06:08,600 --> 01:06:13,900 -♪ We got a lot of what it takes to get along ♪ 1356 01:06:13,933 --> 01:06:16,566 -♪ We're in the money 1357 01:06:16,600 --> 01:06:19,566 ♪ The skies are sunny 1358 01:06:19,600 --> 01:06:22,400 -♪ Old Man Depression, you are through ♪ 1359 01:06:22,433 --> 01:06:25,133 ♪ You've done us wrong 1360 01:06:25,166 --> 01:06:29,966 ♪ We never see a headline 'bout a breadline today ♪ 1361 01:06:30,000 --> 01:06:32,100 ♪ And when we see the landlord 1362 01:06:32,133 --> 01:06:35,366 ♪ We can look that guy right in the eye ♪ 1363 01:06:35,400 --> 01:06:37,966 ♪ We're in the money 1364 01:06:38,000 --> 01:06:40,400 ♪ Come on, my honey 1365 01:06:40,433 --> 01:06:46,233 ♪ Let's spend it, lend it, send it rolling along ♪ 1366 01:06:46,266 --> 01:06:53,000 ♪♪ 1367 01:06:53,033 --> 01:06:59,766 ♪♪ 1368 01:06:59,800 --> 01:07:06,600 ♪♪ 1369 01:07:06,633 --> 01:07:09,033 ♪ We're in the money 1370 01:07:09,066 --> 01:07:11,766 ♪ We're in the money 1371 01:07:11,800 --> 01:07:16,166 ♪ We got a lot of what it takes to get along ♪ 1372 01:07:16,200 --> 01:07:18,500 ♪ We're in the money 1373 01:07:18,533 --> 01:07:21,000 ♪ The skies are sunny 1374 01:07:21,033 --> 01:07:23,500 ♪ Old Man Depression, you are through ♪ 1375 01:07:23,533 --> 01:07:25,900 ♪ You've done us wrong 1376 01:07:25,933 --> 01:07:30,733 ♪ We never see a headline 'bout a breadline today ♪ 1377 01:07:30,766 --> 01:07:32,600 ♪ And when we see the landlord 1378 01:07:32,633 --> 01:07:35,233 ♪ We can look that guy right in the eye ♪ 1379 01:07:35,266 --> 01:07:37,766 ♪ Look that guy right in the eye ♪ 1380 01:07:37,800 --> 01:07:40,533 ♪ Look that guy right in the eye ♪ 1381 01:07:40,566 --> 01:07:42,966 ♪ We're in the money 1382 01:07:43,000 --> 01:07:45,200 ♪ Come on, my honey 1383 01:07:45,233 --> 01:07:47,633 ♪ Let's spend it, lend it, send it ♪ 1384 01:07:47,666 --> 01:07:49,733 ♪ Let's spend it, lend it, send it ♪ 1385 01:07:49,766 --> 01:07:52,266 ♪ Roll, roll, roll, roll 1386 01:07:52,300 --> 01:07:54,766 ♪ Rolling along 1387 01:07:54,800 --> 01:08:03,833 ♪♪ 1388 01:08:03,866 --> 01:08:12,800 ♪♪ 1389 01:08:12,833 --> 01:08:21,800 ♪♪ 1390 01:08:21,833 --> 01:08:30,766 ♪♪ 1391 01:08:30,800 --> 01:08:39,766 ♪♪ 1392 01:08:39,800 --> 01:08:48,766 ♪♪ 1393 01:08:48,800 --> 01:08:57,733 ♪♪ 1394 01:08:57,766 --> 01:09:06,800 ♪♪ 1395 01:09:06,833 --> 01:09:15,766 ♪♪ 1396 01:09:15,800 --> 01:09:24,766 ♪♪ 1397 01:09:24,800 --> 01:09:33,733 ♪♪ 1398 01:09:33,766 --> 01:09:42,733 ♪♪ 1399 01:09:42,766 --> 01:09:45,933 [ Music ends ] [ Cheers and applause ] 1400 01:09:51,800 --> 01:09:55,400 -Sunbursts! Come on! What are you waiting for, roses? 1401 01:09:55,433 --> 01:09:58,900 Get out of here. Hey, Roxy! Move it. 1402 01:09:58,933 --> 01:10:00,566 ♪♪ 1403 01:10:00,600 --> 01:10:02,733 -Places. Places! Act one, finale. 1404 01:10:02,766 --> 01:10:03,700 Places! 1405 01:10:03,733 --> 01:10:04,966 -How's it going, Julian? 1406 01:10:05,000 --> 01:10:06,633 -Like a Marsh show should. Great. 1407 01:10:06,666 --> 01:10:08,133 But this is the number that counts. 1408 01:10:08,166 --> 01:10:09,800 Send 'em out for the intermission buzzing, 1409 01:10:09,833 --> 01:10:10,933 and that's the ballgame. 1410 01:10:10,966 --> 01:10:12,100 -Then we've nothing to worry about -- 1411 01:10:12,133 --> 01:10:13,566 the finale's the best number in the act. 1412 01:10:13,600 --> 01:10:15,400 -Well, there won't be a finale unless Brock gets out here. 1413 01:10:15,433 --> 01:10:17,033 Dorothy, where the hell are ya?! 1414 01:10:17,066 --> 01:10:18,333 -There's no need to shout, Julian. 1415 01:10:18,366 --> 01:10:19,500 I can hear you. -Right. 1416 01:10:19,533 --> 01:10:20,800 You're on in about 10 seconds. 1417 01:10:20,833 --> 01:10:22,866 -I have never missed a cue in my life. 1418 01:10:22,900 --> 01:10:24,433 When I do, you can take me to task, 1419 01:10:24,466 --> 01:10:25,633 not before. 1420 01:10:25,666 --> 01:10:27,233 -Excuse me, Miss Brock. I want to explain -- 1421 01:10:27,266 --> 01:10:29,166 -I don't want an explanation from you. 1422 01:10:29,200 --> 01:10:30,800 -But, Miss -- -Get away from me! 1423 01:10:30,833 --> 01:10:32,733 The farther the better. -[ Whispering ] Quiet. 1424 01:10:32,766 --> 01:10:35,733 Quiet. 1425 01:10:35,766 --> 01:10:37,500 -You're on. -Alright, everybody. 1426 01:10:37,533 --> 01:10:39,500 Cue 68. 1427 01:10:39,533 --> 01:10:41,333 Go! 1428 01:10:41,366 --> 01:10:47,600 ♪♪ 1429 01:10:47,633 --> 01:10:49,933 -♪ In the heart 1430 01:10:49,966 --> 01:10:53,100 ♪ Of little old New York 1431 01:10:53,133 --> 01:10:59,000 ♪ You'll find a thoroughfare 1432 01:10:59,033 --> 01:11:03,633 ♪ It's the part of little old New York ♪ 1433 01:11:03,666 --> 01:11:10,000 ♪ That runs into Times Square 1434 01:11:10,033 --> 01:11:16,666 ♪ A crazy quilt that Wall Street Jack built ♪ 1435 01:11:16,700 --> 01:11:21,666 ♪ If you've got a little time to spare ♪ 1436 01:11:21,700 --> 01:11:29,333 ♪ I want to take you there 1437 01:11:29,366 --> 01:11:38,666 ♪ Come and meet those dancing feet ♪ 1438 01:11:38,700 --> 01:11:46,500 ♪ On the avenue I'm taking ya to ♪ 1439 01:11:46,533 --> 01:11:52,966 ♪♪ 1440 01:11:53,000 --> 01:11:59,433 ♪♪ 1441 01:11:59,466 --> 01:12:01,700 -[ Gasps ] 1442 01:12:01,733 --> 01:12:02,966 -[ Screams ] [ Indistinct shouting ] 1443 01:12:03,000 --> 01:12:06,366 -Curtain! Curtain! Bring it in. -What happened? 1444 01:12:06,400 --> 01:12:07,866 -What the hell happened? 1445 01:12:07,900 --> 01:12:09,200 -She pushed me! 1446 01:12:09,233 --> 01:12:10,866 Sawyer! -Damn it, Sawyer. 1447 01:12:10,900 --> 01:12:14,133 What were you doing out of line? -I wasn't out of line. 1448 01:12:14,166 --> 01:12:16,800 -She pushed me! 1449 01:12:16,833 --> 01:12:19,100 I want her fired. 1450 01:12:19,133 --> 01:12:20,933 -You little fool. 1451 01:12:20,966 --> 01:12:23,966 Take your things and get outta here. 1452 01:12:24,000 --> 01:12:25,966 No one steps out of line in a Marsh show! 1453 01:12:26,000 --> 01:12:27,300 You're fired! 1454 01:12:27,333 --> 01:12:28,666 [ Indistinct talking ] 1455 01:12:33,333 --> 01:12:36,566 -Oh! 1456 01:12:36,600 --> 01:12:39,300 -May I have your attention, please? 1457 01:12:39,333 --> 01:12:41,900 Miss Dorothy Brock has had an accident 1458 01:12:41,933 --> 01:12:43,233 and will not be able to continue 1459 01:12:43,266 --> 01:12:46,733 with tonight's performance of "Pretty Lady." 1460 01:12:46,766 --> 01:12:48,566 Ladies and gentlemen, 1461 01:12:48,600 --> 01:12:51,400 your tickets will be refunded at the box office. 1462 01:12:51,433 --> 01:12:52,733 [ Audience murmurs ] 1463 01:12:52,766 --> 01:12:54,300 House lights! 1464 01:12:54,333 --> 01:12:57,100 [ Applause ] 1465 01:13:00,900 --> 01:13:02,866 [ Indistinct conversations ] 1466 01:13:06,433 --> 01:13:08,400 ♪♪ 1467 01:13:08,433 --> 01:13:09,666 -Any word? 1468 01:13:09,700 --> 01:13:11,066 -No, Billy. We're waiting for the doctor. 1469 01:13:11,100 --> 01:13:12,366 -Well, Doc, what is it? 1470 01:13:12,400 --> 01:13:13,766 -I'm afraid it's broken -- 1471 01:13:13,800 --> 01:13:15,700 compound fracture. 1472 01:13:15,733 --> 01:13:17,966 It'll be months before she can walk on that ankle again. 1473 01:13:18,000 --> 01:13:19,066 -Are you nuts? 1474 01:13:19,100 --> 01:13:21,133 She's got a show to do tomorrow night. 1475 01:13:21,166 --> 01:13:23,566 -She's a trooper. Put a bandage on it. 1476 01:13:23,600 --> 01:13:24,966 -You don't seem to understand. 1477 01:13:25,000 --> 01:13:26,733 She won't even be able to stand up. 1478 01:13:26,766 --> 01:13:29,333 Miss Brock has a broken ankle. 1479 01:13:29,366 --> 01:13:32,000 -We'll get another doctor, a second opinion. 1480 01:13:32,033 --> 01:13:35,000 [ Overlapping talking ] -Quiet. Quiet, all of ya! 1481 01:13:35,033 --> 01:13:36,766 We have no star. 1482 01:13:36,800 --> 01:13:39,600 Without a star, there's no show. We're closing. 1483 01:13:39,633 --> 01:13:40,666 -What? -You can't do that! 1484 01:13:40,700 --> 01:13:41,900 -My decision is final. 1485 01:13:41,933 --> 01:13:43,766 No star, no show. 1486 01:13:43,800 --> 01:13:46,166 Tell the kids to clear out of their dressing rooms. 1487 01:13:46,200 --> 01:13:47,933 "Pretty Lady" closes tonight. 1488 01:13:47,966 --> 01:13:50,066 -Boss, you can't be serious! [ Indistinct shouting ] 1489 01:13:50,100 --> 01:13:53,233 -The show is closing! -The show is closing! 1490 01:13:53,266 --> 01:13:55,566 -The show is closing?! -I'm out of a job! 1491 01:13:55,600 --> 01:13:58,233 -I can't pay my rent! -I'm broke! 1492 01:13:58,266 --> 01:14:00,866 -The show is closing! -The show is closing! 1493 01:14:00,900 --> 01:14:02,866 ♪♪ 1494 01:14:02,900 --> 01:14:08,500 -♪ Sing tra la la la la la la la ♪ 1495 01:14:08,533 --> 01:14:12,833 ♪ The sun may never ever shine 1496 01:14:12,866 --> 01:14:17,200 -♪ That's tra la la la la la la la ♪ 1497 01:14:17,233 --> 01:14:22,200 ♪ Somewhere the weather's fine 1498 01:14:22,233 --> 01:14:26,133 -♪ Long ago, one fine day 1499 01:14:26,166 --> 01:14:29,900 ♪ Some philosopher was heard to say ♪ 1500 01:14:29,933 --> 01:14:37,066 -♪ There's a sunny side to every situation ♪ 1501 01:14:37,100 --> 01:14:40,733 -♪ And the same applies to you 1502 01:14:40,766 --> 01:14:44,400 ♪ His philosophy's still true 1503 01:14:44,433 --> 01:14:51,066 -♪ There's a funny side to every situation ♪ 1504 01:14:51,100 --> 01:14:54,800 -♪ You've no dough, so relax 1505 01:14:54,833 --> 01:14:58,133 ♪ You don't have to pay an income tax ♪ 1506 01:14:58,166 --> 01:14:59,766 -♪ You've no job 1507 01:14:59,800 --> 01:15:05,400 ♪ So just pretend it's your vacation ♪ 1508 01:15:05,433 --> 01:15:09,333 ♪ Should the landlord raise your rent ♪ 1509 01:15:09,366 --> 01:15:12,966 ♪ Thumb your nose and pitch a tent ♪ 1510 01:15:13,000 --> 01:15:20,633 ♪ Every situation has a sunny side ♪ 1511 01:15:20,666 --> 01:15:24,600 ♪ Sing tra la la la la la la la ♪ 1512 01:15:24,633 --> 01:15:28,433 ♪ The sun may never ever shine 1513 01:15:28,466 --> 01:15:32,466 ♪ But tra la la la la la la la ♪ 1514 01:15:32,500 --> 01:15:38,133 ♪ Somewhere the weather's fine 1515 01:15:38,166 --> 01:15:42,166 -♪ With no bonds and no stocks 1516 01:15:42,200 --> 01:15:45,833 ♪ In your little safe deposit box ♪ 1517 01:15:45,866 --> 01:15:53,733 -♪ You can never be affected by inflation ♪ 1518 01:15:53,766 --> 01:15:57,266 -♪ When your car is out of gas 1519 01:15:57,300 --> 01:16:01,166 ♪ Then no red lights can you pass ♪ 1520 01:16:01,200 --> 01:16:09,666 -♪ Every situation has a sunny side ♪ 1521 01:16:09,700 --> 01:16:19,333 ♪ Every situation has a sunny 1522 01:16:19,366 --> 01:16:21,966 -Wait a minute! Why does the show have to close? 1523 01:16:22,000 --> 01:16:24,066 -Because our star broke her ankle. 1524 01:16:24,100 --> 01:16:26,700 -So? We get someone to replace her. 1525 01:16:26,733 --> 01:16:28,466 -Someone to replace Brock? 1526 01:16:28,500 --> 01:16:30,966 -Someone to replace Brock! Yeah. 1527 01:16:31,000 --> 01:16:32,933 -What about Marilyn Eaton? 1528 01:16:32,966 --> 01:16:34,133 -She's in London. 1529 01:16:34,166 --> 01:16:36,466 -Mary McKay? -Hollywood. 1530 01:16:36,500 --> 01:16:39,800 -Nora Sinclair? She sings. She dances. She acts. 1531 01:16:39,833 --> 01:16:42,966 -And has been for the past 50 years. 1532 01:16:43,000 --> 01:16:45,600 -Wait a minute. I know someone who can do it. 1533 01:16:45,633 --> 01:16:46,600 -Who? -Who? 1534 01:16:46,633 --> 01:16:48,033 -Peggy Sawyer. 1535 01:16:48,066 --> 01:16:50,366 -That kid? -Yes, Peggy. 1536 01:16:50,400 --> 01:16:52,033 She's got a voice that'll panic 'em, 1537 01:16:52,066 --> 01:16:54,033 and she can dance rings around Brock. 1538 01:16:54,066 --> 01:16:56,433 -She has got something. -She sure is pretty. 1539 01:16:56,466 --> 01:16:58,066 -It might be worth a try! 1540 01:16:58,100 --> 01:17:02,300 -We'd have to get to Mr. Marsh before he leaves the theater. 1541 01:17:02,333 --> 01:17:05,466 -Well, what are we waiting for? Come on, let's go! 1542 01:17:05,500 --> 01:17:07,466 [ Indistinct talking ] 1543 01:17:07,500 --> 01:17:15,933 ♪♪ 1544 01:17:15,966 --> 01:17:17,600 [ Talking continues ] 1545 01:17:17,633 --> 01:17:19,933 -Mr. Marsh, wait a minute! 1546 01:17:19,966 --> 01:17:21,666 You don't have to close the show. 1547 01:17:21,700 --> 01:17:22,766 -What? 1548 01:17:22,800 --> 01:17:24,333 -We've got someone right in the company 1549 01:17:24,366 --> 01:17:26,166 who can replace Brock. -My dear Miss Reilly, 1550 01:17:26,200 --> 01:17:27,600 if there were someone in the company 1551 01:17:27,633 --> 01:17:29,100 with that much talent, 1552 01:17:29,133 --> 01:17:30,566 don't you think I would have noticed her? 1553 01:17:30,600 --> 01:17:32,000 -Maybe not in this case. 1554 01:17:32,033 --> 01:17:33,133 -We're wasting our time. 1555 01:17:33,166 --> 01:17:35,000 -All you have to do is give her a chance. 1556 01:17:35,033 --> 01:17:37,033 Isn't anything better than closing the show? 1557 01:17:37,066 --> 01:17:38,166 -Yeah! -Yeah! 1558 01:17:38,200 --> 01:17:39,933 -Who is she? -Peggy Sawyer. 1559 01:17:39,966 --> 01:17:42,600 -That kid? -Yes. Peggy. 1560 01:17:42,633 --> 01:17:44,400 She's got a voice that'll panic 'em, 1561 01:17:44,433 --> 01:17:46,066 and she can dance rings around Brock. 1562 01:17:46,100 --> 01:17:47,633 -A raw beginner! 1563 01:17:47,666 --> 01:17:49,700 This is her first job in the chorus. 1564 01:17:49,733 --> 01:17:50,733 -Now, wait, boss. 1565 01:17:50,766 --> 01:17:52,733 She is the best dancer in the line. 1566 01:17:52,766 --> 01:17:55,000 -That's not carrying a show. 1567 01:17:55,033 --> 01:17:57,500 Brock's such an easy performer, she's fooled you. 1568 01:17:57,533 --> 01:18:00,733 That sort of style takes years of experience to develop. 1569 01:18:00,766 --> 01:18:02,366 -Unless this kid's got it naturally, 1570 01:18:02,400 --> 01:18:03,933 which she just might have. 1571 01:18:03,966 --> 01:18:05,666 -D'you know how many pages she'd have to learn, 1572 01:18:05,700 --> 01:18:07,400 not to mention the songs and routines? 1573 01:18:07,433 --> 01:18:08,766 -She's young. 1574 01:18:08,800 --> 01:18:11,233 Kids can do anything. 1575 01:18:11,266 --> 01:18:14,166 -You could put the dancing back in the show, boss. 1576 01:18:14,200 --> 01:18:15,500 -Julian... 1577 01:18:15,533 --> 01:18:19,033 it's worth a try, isn't it? 1578 01:18:21,900 --> 01:18:24,333 [ Laughter ] 1579 01:18:24,366 --> 01:18:26,400 -Alright. Send her in. [ All murmuring ] 1580 01:18:26,433 --> 01:18:29,066 -There's only one hitch. You just fired her. 1581 01:18:29,100 --> 01:18:31,500 -But it may not be too late to get her back. 1582 01:18:31,533 --> 01:18:34,100 She's taking the 11:10 to Allentown. 1583 01:18:34,133 --> 01:18:35,633 That gives you 20 minutes 1584 01:18:35,666 --> 01:18:37,433 to get down to Broad Street Station. 1585 01:18:37,466 --> 01:18:40,033 -What do we do, boss? -Get her off that train. 1586 01:18:40,066 --> 01:18:41,666 I want Sawyer in New York, 1587 01:18:41,700 --> 01:18:43,533 ready to work at 8:00 tomorrow morning. 1588 01:18:43,566 --> 01:18:45,366 -Ain't we gonna stay here in Philadelphia? 1589 01:18:45,400 --> 01:18:48,900 -Not even a dog would come to a tryout without a star. 1590 01:18:48,933 --> 01:18:51,566 Our only chance is to ship the show to New York, 1591 01:18:51,600 --> 01:18:54,066 beat the part into her in 36 hours, 1592 01:18:54,100 --> 01:18:56,066 and open cold on Thursday. 1593 01:18:56,100 --> 01:18:57,400 Now get going! 1594 01:18:57,433 --> 01:18:58,733 [ Indistinct talking ] 1595 01:18:58,766 --> 01:19:00,766 No! 1596 01:19:00,800 --> 01:19:02,566 Wait a minute. 1597 01:19:02,600 --> 01:19:04,266 This is my job. 1598 01:19:04,300 --> 01:19:07,100 I fired her. It's up to me to get her back. 1599 01:19:07,133 --> 01:19:09,733 -But, Julian, I'm the producer. I can go. 1600 01:19:09,766 --> 01:19:12,000 -No. You might scare her. 1601 01:19:12,033 --> 01:19:14,366 -I said I'll go. 1602 01:19:14,400 --> 01:19:15,900 Thank you, Annie. 1603 01:19:15,933 --> 01:19:17,800 You may have done me quite a favor. 1604 01:19:17,833 --> 01:19:20,066 -Anytime, Mr. Marsh. 1605 01:19:20,100 --> 01:19:22,133 Anytime. 1606 01:19:22,166 --> 01:19:25,433 -Alright! We'll give him 15 minutes to convince her. 1607 01:19:25,466 --> 01:19:28,766 Then we bring in the big guns. 1608 01:19:28,800 --> 01:19:30,766 [ Indistinct conversations ] 1609 01:19:30,800 --> 01:19:40,600 ♪♪ 1610 01:19:40,633 --> 01:19:43,100 [ Bell dinging, train whistle blows ] 1611 01:19:43,133 --> 01:19:51,166 ♪♪ 1612 01:19:51,200 --> 01:19:59,200 ♪♪ 1613 01:19:59,233 --> 01:20:01,533 -Sawyer! 1614 01:20:01,566 --> 01:20:04,266 I know you're angry with me, and I can't blame ya. 1615 01:20:04,300 --> 01:20:07,033 It's not easy being fired. 1616 01:20:07,066 --> 01:20:09,600 -You did me a favor, Mr. Marsh. 1617 01:20:09,633 --> 01:20:10,900 It may not have been easy, 1618 01:20:10,933 --> 01:20:13,566 but I got the message loud and clear -- 1619 01:20:13,600 --> 01:20:16,900 "Go back to where you came from, Miss Peggy Sawyer," 1620 01:20:16,933 --> 01:20:18,433 and that's just what I'm gonna do. 1621 01:20:18,466 --> 01:20:20,900 -Miss Sawyer, I'm here to apologize for what happened 1622 01:20:20,933 --> 01:20:22,133 and to ask you to come back... 1623 01:20:22,166 --> 01:20:23,666 -I have a train to catch, Mr. Marsh. 1624 01:20:23,700 --> 01:20:25,866 -...and take over Dorothy Brock's role 1625 01:20:25,900 --> 01:20:27,800 in "Pretty Lady." 1626 01:20:27,833 --> 01:20:29,533 Her ankle's broken. 1627 01:20:29,566 --> 01:20:31,300 She's out of the show. 1628 01:20:31,333 --> 01:20:34,033 If you can do it, the part's yours. 1629 01:20:34,066 --> 01:20:35,933 -I'm sorry, Mr. Marsh. 1630 01:20:35,966 --> 01:20:37,700 Show business isn't for me. 1631 01:20:37,733 --> 01:20:40,900 I'm going back to Allentown. 1632 01:20:40,933 --> 01:20:42,800 -What was that word you just said? 1633 01:20:42,833 --> 01:20:45,566 "Allentown"? 1634 01:20:45,600 --> 01:20:47,266 I'm offering you a chance to star 1635 01:20:47,300 --> 01:20:50,666 in the biggest musical Broadway's seen in 20 years, 1636 01:20:50,700 --> 01:20:54,766 and you say "Allentown"? 1637 01:20:54,800 --> 01:20:57,066 Now, listen, Sawyer, and listen good. 1638 01:20:57,100 --> 01:20:58,766 Even if you don't give a damn about me, 1639 01:20:58,800 --> 01:21:01,200 think of all those kids you'll be throwing out of work 1640 01:21:01,233 --> 01:21:04,133 if you don't do this. 1641 01:21:04,166 --> 01:21:06,233 Think of the songs that will wither and die 1642 01:21:06,266 --> 01:21:09,633 if you don't get up there and sing them. 1643 01:21:09,666 --> 01:21:12,000 Think of the scenery that'll never be seen, 1644 01:21:12,033 --> 01:21:13,900 the costumes never worn, 1645 01:21:13,933 --> 01:21:16,833 the orchestrations never heard. 1646 01:21:16,866 --> 01:21:19,133 Think of "Pretty Lady" 1647 01:21:19,166 --> 01:21:21,966 and the thrill and pleasure it could give to millions. 1648 01:21:22,000 --> 01:21:25,366 Think of musical comedy, 1649 01:21:25,400 --> 01:21:26,766 the most glorious words 1650 01:21:26,800 --> 01:21:30,033 in the English language. 1651 01:21:30,066 --> 01:21:31,366 Sawyer! 1652 01:21:31,400 --> 01:21:33,700 Think of Broadway, damn it! 1653 01:21:33,733 --> 01:21:37,333 ♪ Come on along and listen to 1654 01:21:37,366 --> 01:21:41,733 ♪ The lullaby of Broadway 1655 01:21:41,766 --> 01:21:46,266 ♪ The hip hooray and ballyhoo 1656 01:21:46,300 --> 01:21:50,733 ♪ The lullaby of Broadway 1657 01:21:50,766 --> 01:21:55,933 ♪ The rumble of a subway train 1658 01:21:55,966 --> 01:22:00,266 ♪ The rattle of the taxis 1659 01:22:00,300 --> 01:22:05,266 ♪ The daffodils who entertain 1660 01:22:05,300 --> 01:22:09,033 ♪ At Angelo's and Maxie's 1661 01:22:09,066 --> 01:22:15,533 ♪ When a Broadway baby says good night ♪ 1662 01:22:15,566 --> 01:22:19,400 ♪ It's early in the mornin' 1663 01:22:19,433 --> 01:22:23,466 ♪ Manhattan babies don't sleep tight ♪ 1664 01:22:23,500 --> 01:22:26,900 ♪ Until the dawn 1665 01:22:26,933 --> 01:22:33,633 ♪ Good night, baby 1666 01:22:33,666 --> 01:22:37,666 ♪ Good night 1667 01:22:37,700 --> 01:22:41,066 ♪ Milkman's on his way 1668 01:22:41,100 --> 01:22:48,266 ♪ Sleep tight, baby 1669 01:22:48,300 --> 01:22:52,100 ♪ Sleep tight 1670 01:22:52,133 --> 01:22:56,800 ♪ Let's call it a day 1671 01:22:56,833 --> 01:23:02,200 ♪ Listen to the lullaby 1672 01:23:02,233 --> 01:23:06,700 ♪ Of old Broadway 1673 01:23:06,733 --> 01:23:14,866 ♪♪ 1674 01:23:14,900 --> 01:23:17,533 [ Chuckling ] You gotta be kidding me. 1675 01:23:17,566 --> 01:23:20,866 -♪ Come on along and listen to 1676 01:23:20,900 --> 01:23:25,133 ♪ The lullaby of Broadway 1677 01:23:25,166 --> 01:23:28,166 -♪ The hi-de-hi and whoop-di-do ♪ 1678 01:23:28,200 --> 01:23:30,533 -♪ The lullaby of Broadway 1679 01:23:30,566 --> 01:23:32,000 -Get yourself down here. I need your help. 1680 01:23:32,033 --> 01:23:34,333 -♪ The band begins to go to town ♪ 1681 01:23:34,366 --> 01:23:37,266 ♪ And everyone goes crazy 1682 01:23:37,300 --> 01:23:40,233 ♪ You rock-a-bye your baby 'round ♪ 1683 01:23:40,266 --> 01:23:42,533 ♪ Till everything gets hazy 1684 01:23:42,566 --> 01:23:46,366 ♪ "Hush-a-bye, I'll buy you this and that" ♪ 1685 01:23:46,400 --> 01:23:49,433 ♪ You hear a daddy saying 1686 01:23:49,466 --> 01:23:52,600 ♪ And baby goes home to her flat ♪ 1687 01:23:52,633 --> 01:23:55,533 ♪ To sleep all day 1688 01:23:55,566 --> 01:24:01,600 -♪ Good night, baby 1689 01:24:01,633 --> 01:24:04,933 ♪ Good night 1690 01:24:04,966 --> 01:24:07,566 -♪ Milkman's on his way 1691 01:24:07,600 --> 01:24:14,066 -♪ Sleep tight, baby 1692 01:24:14,100 --> 01:24:17,400 ♪ Sleep tight 1693 01:24:17,433 --> 01:24:21,666 -♪ Let's call it a 1694 01:24:21,700 --> 01:24:25,900 -♪ Day 1695 01:24:25,933 --> 01:24:26,800 Oop! 1696 01:24:26,833 --> 01:24:32,333 -♪ Listen to the lullaby 1697 01:24:32,366 --> 01:24:37,633 ♪ Of old Broadway 1698 01:24:37,666 --> 01:24:39,200 -Where you going? 1699 01:24:39,233 --> 01:24:42,066 -♪ Come on along and listen to 1700 01:24:42,100 --> 01:24:45,133 ♪ The lullaby of Broadway 1701 01:24:45,166 --> 01:24:48,133 ♪ That hip hooray and ballyhoo 1702 01:24:48,166 --> 01:24:51,400 ♪ The lullaby of Broadway 1703 01:24:51,433 --> 01:24:54,233 -♪ The rumble of a subway train ♪ 1704 01:24:54,266 --> 01:24:57,166 ♪ The rattle of the taxis 1705 01:24:57,200 --> 01:25:00,766 -♪ The daffodils who entertain 1706 01:25:00,800 --> 01:25:03,933 ♪ Until the dawn 1707 01:25:03,966 --> 01:25:09,100 ♪♪ 1708 01:25:09,133 --> 01:25:14,300 ♪♪ 1709 01:25:14,333 --> 01:25:16,466 -Hey, guys. Come on. Help us out. 1710 01:25:16,500 --> 01:25:19,800 [ Indistinct talking ] 1711 01:25:19,833 --> 01:25:25,200 ♪♪ 1712 01:25:25,233 --> 01:25:30,600 ♪♪ 1713 01:25:30,633 --> 01:25:32,133 [ Talking stops ] 1714 01:25:32,166 --> 01:25:34,133 -I'll do it! 1715 01:25:34,166 --> 01:25:35,566 [ All cheering ] 1716 01:25:35,600 --> 01:25:38,566 ♪♪ 1717 01:25:38,600 --> 01:25:41,233 -♪ Come 1718 01:25:41,266 --> 01:25:44,233 ♪ Along 1719 01:25:44,266 --> 01:25:48,466 ♪ Come on along and listen to 1720 01:25:48,500 --> 01:25:52,600 ♪ The lullaby of Broadway 1721 01:25:52,633 --> 01:25:56,700 ♪ The hi-de-hi and whoop-di-do 1722 01:25:56,733 --> 01:26:01,133 ♪ The lullaby of Broadway 1723 01:26:01,166 --> 01:26:05,166 ♪ The band begins to go to town ♪ 1724 01:26:05,200 --> 01:26:09,366 ♪ And everyone goes crazy 1725 01:26:09,400 --> 01:26:13,533 ♪ You rock-a-bye your baby 'round ♪ 1726 01:26:13,566 --> 01:26:18,733 ♪ And sleep all day 1727 01:26:18,766 --> 01:26:21,333 -♪ Listen to 1728 01:26:21,366 --> 01:26:25,833 ♪ The lullaby of 1729 01:26:25,866 --> 01:26:29,000 -♪ Old 1730 01:26:29,033 --> 01:26:38,333 ♪ Broadway 1731 01:26:38,366 --> 01:26:39,466 [ Music ends ] 1732 01:26:39,500 --> 01:26:42,066 [ Cheers and applause ] 1733 01:26:43,633 --> 01:26:50,733 ♪♪ 1734 01:26:50,766 --> 01:26:57,900 ♪♪ 1735 01:26:57,933 --> 01:26:59,233 -Alright. 1736 01:26:59,266 --> 01:27:02,466 Schmidt and Kirk, pack up those sets and costumes 1737 01:27:02,500 --> 01:27:05,633 and get 'em back to New York. 1738 01:27:05,666 --> 01:27:08,866 ♪ Cares fly by, we're going bye-bye ♪ 1739 01:27:08,900 --> 01:27:12,033 ♪ And we're shouting, "Hoorah!" ♪ 1740 01:27:12,066 --> 01:27:13,366 ♪ Wings spreading 1741 01:27:13,400 --> 01:27:16,366 ♪ 'Cause we're heading for hot cha ♪ 1742 01:27:16,400 --> 01:27:17,933 ♪ Hot cha cha cha 1743 01:27:17,966 --> 01:27:20,100 ♪ Hot cha cha cha 1744 01:27:20,133 --> 01:27:22,800 ♪ A new kind of company 1745 01:27:22,833 --> 01:27:25,900 ♪ Is just magnetizing me 1746 01:27:25,933 --> 01:27:28,733 ♪ I'm footloose and fancy-free 1747 01:27:28,766 --> 01:27:31,700 ♪ Heading 1748 01:27:31,733 --> 01:27:34,733 ♪ Heading back 1749 01:27:34,766 --> 01:27:43,400 ♪ Back to old Broadway 1750 01:27:43,433 --> 01:27:45,600 -Sawyer! 1751 01:27:45,633 --> 01:27:48,100 You're two minutes late. -Sorry, Mr. Marsh. 1752 01:27:48,133 --> 01:27:49,500 I was looking for my good-luck scarf. 1753 01:27:49,533 --> 01:27:51,633 -Sawyer, "Pretty Lady" opens on this stage 1754 01:27:51,666 --> 01:27:53,633 in exactly 36 hours. 1755 01:27:53,666 --> 01:27:57,666 You've got 25 pages, 6 songs, and 10 dance routines to learn 1756 01:27:57,700 --> 01:27:59,833 by 8:30 tomorrow night. 1757 01:27:59,866 --> 01:28:02,766 You think you can do it? -Well, I... 1758 01:28:02,800 --> 01:28:04,633 -Do you think you can do it, Sawyer? 1759 01:28:04,666 --> 01:28:06,800 -Yes, Mr. Marsh. I can. 1760 01:28:06,833 --> 01:28:09,800 -Then we begin. Oscar... 1761 01:28:09,833 --> 01:28:11,466 Mac, where the hell is the piano? 1762 01:28:11,500 --> 01:28:12,533 -Coming in, Mr. Marsh. 1763 01:28:12,566 --> 01:28:13,866 -Andy, let's go. 1764 01:28:13,900 --> 01:28:15,033 Alright. 1765 01:28:15,066 --> 01:28:16,466 I wanna start with the opening number, 1766 01:28:16,500 --> 01:28:18,166 then work through all the songs and dances, 1767 01:28:18,200 --> 01:28:19,666 then go back and do the scenes. 1768 01:28:19,700 --> 01:28:23,233 There'll be a five-minute break every hour for food or coffee 1769 01:28:23,266 --> 01:28:26,566 and a full 15 minutes every four hours for rest. 1770 01:28:26,600 --> 01:28:30,533 And no one else on this stage unless I call it. 1771 01:28:30,566 --> 01:28:33,400 -Alright! Clear the stage. -Clear the stage! 1772 01:28:33,433 --> 01:28:34,433 -By tomorrow night, 1773 01:28:34,466 --> 01:28:37,100 I'll either have a live leading lady... 1774 01:28:37,133 --> 01:28:39,400 or a dead chorus girl. 1775 01:28:39,433 --> 01:28:40,333 Alright. 1776 01:28:40,366 --> 01:28:42,200 What are we waiting for? Let's go! 1777 01:28:42,233 --> 01:28:43,600 -Alright, Peg. Flaps on the right. 1778 01:28:43,633 --> 01:28:46,500 -And... -One, two, three, four, 1779 01:28:46,533 --> 01:28:47,833 five, six, flap-ball-change. -Come on. Sharp, sharp! 1780 01:28:47,866 --> 01:28:50,200 -One, two, three, four, five. -Andy, show her how. 1781 01:28:50,233 --> 01:28:52,400 -One, two, three, four, five, turn! 1782 01:28:52,433 --> 01:28:55,066 One, two, three, four, five... -Come on. Smile, Allentown. 1783 01:28:55,100 --> 01:28:57,500 You're not in the back row now. -...six, seven, eight. 1784 01:28:57,533 --> 01:28:59,800 A-one, two, three, four, five, six, seven, eight. 1785 01:28:59,833 --> 01:29:01,400 A one, two, three... -Come on. Come on. 1786 01:29:01,433 --> 01:29:02,866 -...five, six, seven, eight. -Show moxie. 1787 01:29:02,900 --> 01:29:05,200 -Alright, Peg. Down the back. 1788 01:29:05,233 --> 01:29:08,000 Okay. Ballet combination. 1789 01:29:08,033 --> 01:29:09,400 ♪♪ 1790 01:29:09,433 --> 01:29:11,500 One, two, three, four, five, move. 1791 01:29:11,533 --> 01:29:13,433 -Lyrical! -Four, five, six, two... 1792 01:29:13,466 --> 01:29:14,766 -Elegant! -...two, three, four. 1793 01:29:14,800 --> 01:29:16,933 -Make every man fall in love. -Three, two, three, four! 1794 01:29:16,966 --> 01:29:20,166 -Hold it! Hold it! She went too wide, Andy. 1795 01:29:20,200 --> 01:29:21,600 She's late. -Sorry, Mr. Marsh. 1796 01:29:21,633 --> 01:29:22,700 -Alright, boss. I'll fix it. 1797 01:29:22,733 --> 01:29:23,833 -I'm sorry. -Fix it now. 1798 01:29:23,866 --> 01:29:26,433 -Girls, girls, come on. From the balancé. 1799 01:29:26,466 --> 01:29:29,100 A-one, two, three, four, five, move. 1800 01:29:29,133 --> 01:29:31,600 Two, three, four, five, six. Two, two, three, four. 1801 01:29:31,633 --> 01:29:33,100 -That's very pretty. Now stay tight. 1802 01:29:33,133 --> 01:29:34,433 -Three, two, three, four. -Stay tight. Come on. 1803 01:29:34,466 --> 01:29:36,366 -Four, two, three, four. 1804 01:29:36,400 --> 01:29:40,533 Five, two, three, four, five, six, six, two, three, four. 1805 01:29:40,566 --> 01:29:43,533 -Very nice, Billy. -Seven, two, three, four. 1806 01:29:43,566 --> 01:29:46,133 -Beautiful. Very nice, girls. 1807 01:29:46,166 --> 01:29:48,466 An-- Andy! Where the hell is she? 1808 01:29:48,500 --> 01:29:50,466 -She's right here, boss. Hold your horses. 1809 01:29:50,500 --> 01:29:51,966 -Which way do I turn? -Turn left. 1810 01:29:52,000 --> 01:29:53,466 -Six, seven, eight. A-one, two, three, four. 1811 01:29:53,500 --> 01:29:55,133 -Turn right. -Five, six, seven, eight. 1812 01:29:55,166 --> 01:29:57,633 -Do it like you mean it. -A-one, two, three, four, 1813 01:29:57,666 --> 01:29:59,366 five, six, seven, turn. 1814 01:29:59,400 --> 01:30:01,833 Two, three, four. -Single step, going back. 1815 01:30:01,866 --> 01:30:04,300 -Five, six, seven, eight. A-one, two, three, four... 1816 01:30:04,333 --> 01:30:05,933 -And double it! -...five, six, seven, eight. 1817 01:30:05,966 --> 01:30:08,266 A-one, two, three. -[ Gasping ] Oh. 1818 01:30:08,300 --> 01:30:10,266 ♪♪ 1819 01:30:10,300 --> 01:30:11,733 -I can't do this. 1820 01:30:11,766 --> 01:30:14,233 I can't do this. -Crisscross. 1821 01:30:14,266 --> 01:30:15,233 And out. 1822 01:30:15,266 --> 01:30:17,233 [ Clapping ] 1823 01:30:17,266 --> 01:30:19,400 Andy, give the rest of them a break. 1824 01:30:19,433 --> 01:30:20,433 I wanna run the love scene. 1825 01:30:20,466 --> 01:30:22,600 -Please, Mr. Marsh, I'm exhausted. 1826 01:30:22,633 --> 01:30:24,433 Can't we stop for a minute? 1827 01:30:24,466 --> 01:30:26,300 -It's 6:30, Sawyer. 1828 01:30:26,333 --> 01:30:30,800 That curtain goes up in exactly two hours. 1829 01:30:30,833 --> 01:30:33,133 It's now or never. 1830 01:30:33,166 --> 01:30:35,366 Take it from Jim's entrance. 1831 01:30:35,400 --> 01:30:36,400 ♪♪ 1832 01:30:37,466 --> 01:30:40,000 Well, what are you waiting for? 1833 01:30:40,033 --> 01:30:41,333 From Jim's entrance. 1834 01:30:41,366 --> 01:30:44,833 -Jim, they didn't tell me you were here. 1835 01:30:44,866 --> 01:30:46,300 It was grand of you to come -- 1836 01:30:46,333 --> 01:30:49,366 -Oh! No! That is impossible. 1837 01:30:49,400 --> 01:30:51,700 You are greeting the man you love. 1838 01:30:51,733 --> 01:30:54,766 Make it mean something. 1839 01:30:54,800 --> 01:30:56,066 Like this. 1840 01:30:56,100 --> 01:30:58,833 "Jim! 1841 01:30:58,866 --> 01:31:01,700 They didn't tell me you were here. 1842 01:31:01,733 --> 01:31:04,433 It was grand of you to come." 1843 01:31:04,466 --> 01:31:05,666 Try it again. 1844 01:31:05,700 --> 01:31:06,900 -Jim! 1845 01:31:06,933 --> 01:31:08,966 They didn't tell me you were here. 1846 01:31:09,000 --> 01:31:10,233 It was grand of you to come. 1847 01:31:10,266 --> 01:31:12,600 -No, no, no! 1848 01:31:15,133 --> 01:31:17,933 It won't do. 1849 01:31:17,966 --> 01:31:19,700 Listen... 1850 01:31:19,733 --> 01:31:21,700 have you ever been in love? 1851 01:31:21,733 --> 01:31:23,300 You ever had a man take you in his arms 1852 01:31:23,333 --> 01:31:24,800 and crush you to him 1853 01:31:24,833 --> 01:31:26,333 and kiss you? 1854 01:31:32,000 --> 01:31:33,133 Now say the line. 1855 01:31:33,166 --> 01:31:34,466 -Jim! They didn't tell me you were here! 1856 01:31:34,500 --> 01:31:36,466 It was grand of you to come! 1857 01:31:36,500 --> 01:31:40,133 [ Laughter, applause ] 1858 01:31:40,166 --> 01:31:42,300 -Again. -Jim! 1859 01:31:42,333 --> 01:31:43,966 They didn't tell me you were here. 1860 01:31:44,000 --> 01:31:46,966 It was grand of you to come. 1861 01:31:47,000 --> 01:31:48,966 [ Laughter ] 1862 01:31:49,000 --> 01:31:51,466 -Once more. -Jim, darling! 1863 01:31:51,500 --> 01:31:53,533 They didn't tell me you were here. 1864 01:31:53,566 --> 01:31:57,466 It was grand, grand, grand 1865 01:31:57,500 --> 01:32:00,033 of you to come! 1866 01:32:00,066 --> 01:32:01,800 -Alright. That's it. 1867 01:32:01,833 --> 01:32:03,300 Now, places for the finale. 1868 01:32:03,333 --> 01:32:06,466 -Places for the finale. Finale, everyone! 1869 01:32:06,500 --> 01:32:07,933 A-five, six, seven, eight. 1870 01:32:07,966 --> 01:32:09,133 ♪♪ 1871 01:32:09,166 --> 01:32:11,400 -Come on! -Please, Mr. Marsh! 1872 01:32:11,433 --> 01:32:14,066 I can't. I can't. I can't! -Sawyer! 1873 01:32:14,100 --> 01:32:15,300 -Now you've done it, Marsh. 1874 01:32:15,333 --> 01:32:18,133 -You've pushed her too far! -I had to! 1875 01:32:18,166 --> 01:32:20,766 That curtain goes up in 45 minutes. 1876 01:32:20,800 --> 01:32:23,100 Unless she knows this part way down in her gut, 1877 01:32:23,133 --> 01:32:24,200 she'll never get through, 1878 01:32:24,233 --> 01:32:26,566 and that goes for the rest of you, too. 1879 01:32:28,466 --> 01:32:30,066 Andy, I want 'em down in the lounge, 1880 01:32:30,100 --> 01:32:31,933 and clean up those last 16 bars. 1881 01:32:31,966 --> 01:32:32,866 -Alright. 1882 01:32:32,900 --> 01:32:34,333 Everybody down in the lounge. 1883 01:32:34,366 --> 01:32:37,166 Come on! Get a move on! 1884 01:32:37,200 --> 01:32:43,466 ♪♪ 1885 01:32:43,500 --> 01:32:49,766 ♪♪ 1886 01:32:49,800 --> 01:32:52,000 -They said I'd find you here. -Miss Brock! 1887 01:32:52,033 --> 01:32:54,766 -Pat, could you leave us alone for a moment? 1888 01:32:54,800 --> 01:32:56,666 -But, Dorothy, they just called a half-hour. 1889 01:32:56,700 --> 01:32:58,033 D'you think this is the time for this? 1890 01:32:58,066 --> 01:33:02,166 -Darling, I have some things to say to Miss Sawyer. 1891 01:33:03,566 --> 01:33:06,700 So, you're gonna take my place. 1892 01:33:06,733 --> 01:33:08,200 -I'm sorry. 1893 01:33:08,233 --> 01:33:10,200 I know how tough it must be. 1894 01:33:10,233 --> 01:33:12,866 -Do you? I'm not sure. 1895 01:33:12,900 --> 01:33:16,166 When I started for the theater this afternoon, 1896 01:33:16,200 --> 01:33:19,100 I wanted to tear your heart out. 1897 01:33:19,133 --> 01:33:20,333 I wanted to hate you. 1898 01:33:20,366 --> 01:33:22,733 I wanted to see you fail. 1899 01:33:22,766 --> 01:33:25,166 You, singing 1900 01:33:22,766 --> 01:33:25,166 my 1901 01:33:22,766 --> 01:33:25,166 songs, 1902 01:33:25,200 --> 01:33:26,666 wearing 1903 01:33:25,200 --> 01:33:26,666 my 1904 01:33:25,200 --> 01:33:26,666 costumes, 1905 01:33:26,700 --> 01:33:29,400 playing 1906 01:33:26,700 --> 01:33:29,400 my 1907 01:33:26,700 --> 01:33:29,400 role... 1908 01:33:30,966 --> 01:33:32,566 ...but sitting there in that theater 1909 01:33:32,600 --> 01:33:35,166 and watching you rehearse, 1910 01:33:35,200 --> 01:33:37,966 I found I couldn't hate you... 1911 01:33:38,000 --> 01:33:40,266 because you're good, 1912 01:33:40,300 --> 01:33:43,033 maybe even better than I would have been. 1913 01:33:43,066 --> 01:33:44,500 The public wants youth, 1914 01:33:44,533 --> 01:33:46,466 freshness, beauty, 1915 01:33:46,500 --> 01:33:48,033 and, Peggy... 1916 01:33:48,066 --> 01:33:49,766 that's what you've got. 1917 01:33:49,800 --> 01:33:53,100 Only, I'm getting something, too. 1918 01:33:53,133 --> 01:33:55,533 My whole life, the theater has kept me away 1919 01:33:55,566 --> 01:33:58,900 from the only thing I've ever wanted, 1920 01:33:58,933 --> 01:34:04,033 and it was a broken ankle that finally made me realize it. 1921 01:34:04,066 --> 01:34:06,533 Pat Denning and I were married this morning. 1922 01:34:06,566 --> 01:34:08,266 -Oh, Miss Brock! [ Laughs ] 1923 01:34:08,300 --> 01:34:10,600 -I have only one last wish for you, my dear. 1924 01:34:10,633 --> 01:34:14,533 Get out there, and be so swell, 1925 01:34:14,566 --> 01:34:17,033 you'll make me hate you. [ Both chuckle ] 1926 01:34:17,066 --> 01:34:18,666 Oh, one more thing, Sawyer. 1927 01:34:18,700 --> 01:34:19,933 I hope you won't mind it, 1928 01:34:19,966 --> 01:34:22,600 but it's about the next-to-closing number. 1929 01:34:22,633 --> 01:34:25,100 You've gotta take it easy. 1930 01:34:25,133 --> 01:34:28,466 Let the audience come to you. 1931 01:34:28,500 --> 01:34:31,233 Would you let me show you what I mean? 1932 01:34:31,266 --> 01:34:35,066 -I would appreciate it very much, Dorothy. 1933 01:34:35,100 --> 01:34:36,533 ♪♪ 1934 01:34:36,566 --> 01:34:43,366 -♪ Life begins when somebody's eyes look into your own ♪ 1935 01:34:43,400 --> 01:34:50,366 ♪ Life begins when you get your guy all alone ♪ 1936 01:34:50,400 --> 01:34:57,666 ♪ From morning until twilight, I don't know I'm alive ♪ 1937 01:34:57,700 --> 01:35:07,566 ♪ But I know love begins at 8:45 ♪ 1938 01:35:07,600 --> 01:35:14,800 ♪ The stars are gonna twinkle and shine ♪ 1939 01:35:14,833 --> 01:35:21,100 ♪ This evening about a quarter to 9:00 ♪ 1940 01:35:21,133 --> 01:35:24,900 ♪ His loving arms -♪ His loving arms 1941 01:35:24,933 --> 01:35:29,566 -♪ Are gonna tenderly twine -♪ Are gonna tenderly twine 1942 01:35:29,600 --> 01:35:35,700 -♪ Around me about a quarter to 9:00 ♪ 1943 01:35:35,733 --> 01:35:40,466 -♪ I know I won't be late 'cause at half past 8:00 ♪ 1944 01:35:40,500 --> 01:35:43,966 ♪ I'm gonna hurry there 1945 01:35:44,000 --> 01:35:48,266 ♪ I'll be waiting where the lane begins ♪ 1946 01:35:48,300 --> 01:35:51,533 ♪ Waiting for him on needles and pins ♪ 1947 01:35:51,566 --> 01:35:58,733 ♪ And then the world is gonna be mine ♪ 1948 01:35:58,766 --> 01:36:04,966 ♪ This evening about a quarter to 9:00 ♪ 1949 01:36:05,000 --> 01:36:07,966 -♪ I know I won't be late 1950 01:36:08,000 --> 01:36:13,366 ♪ 'Cause at half past 8:00 I'm gonna hurry there ♪ 1951 01:36:13,400 --> 01:36:17,600 ♪ I'll be waiting where the lane begins ♪ 1952 01:36:17,633 --> 01:36:20,900 ♪ Waiting for him on needles and pins ♪ 1953 01:36:20,933 --> 01:36:27,966 -♪ And then the world is gonna be mine ♪ 1954 01:36:28,000 --> 01:36:31,566 ♪ This evening -♪ This evening 1955 01:36:31,600 --> 01:36:35,100 -♪ This evening -♪ This evening 1956 01:36:35,133 --> 01:36:37,766 -♪ This evening 1957 01:36:37,800 --> 01:36:45,433 ♪ About a quarter to 9:00 1958 01:36:45,466 --> 01:36:47,433 [ Music ends ] [ Cheers and applause ] 1959 01:36:47,466 --> 01:36:50,766 -Now, Pat, get me the hell out of here. 1960 01:36:50,800 --> 01:36:52,233 -Thank you! 1961 01:36:52,266 --> 01:36:53,800 -You can do it, darling. 1962 01:36:53,833 --> 01:36:55,666 -Oh, Peggy! -Are you nervous, hon? 1963 01:36:55,700 --> 01:36:57,666 -Oh, well, that's a pretty dumb question. 1964 01:36:57,700 --> 01:36:58,866 Of course she's nervous. 1965 01:36:58,900 --> 01:37:00,666 -But she'll come through. 1966 01:37:00,700 --> 01:37:02,466 Won't ya, kid? -I'll try. 1967 01:37:02,500 --> 01:37:05,966 -She's gotta come through, not for Jones or Barry 1968 01:37:06,000 --> 01:37:08,066 or any of those stuffed shirts out there, 1969 01:37:08,100 --> 01:37:10,400 but for us, 1970 01:37:10,433 --> 01:37:12,333 the kids in the line. 1971 01:37:12,366 --> 01:37:15,700 Oh, you're not just Peggy Sawyer tonight -- 1972 01:37:15,733 --> 01:37:20,666 you're every girl who ever kicked up a heel in the chorus. 1973 01:37:20,700 --> 01:37:23,533 Now, get out there in front, kid, 1974 01:37:23,566 --> 01:37:25,466 and show 'em what we can do. 1975 01:37:25,500 --> 01:37:28,200 -Oh, Annie, Gladys, Lolly, Phyl, I'll do my best. 1976 01:37:28,233 --> 01:37:30,700 I promise. -Best? 1977 01:37:30,733 --> 01:37:33,033 That's not good enough. 1978 01:37:33,066 --> 01:37:35,200 I want better than your best. 1979 01:37:35,233 --> 01:37:38,100 I want sheer, unadulterated brilliance. 1980 01:37:38,133 --> 01:37:39,533 Now, what are you girls hanging around for? 1981 01:37:39,566 --> 01:37:41,900 Get into your places for the opening. 1982 01:37:44,533 --> 01:37:46,133 Scram! 1983 01:37:48,033 --> 01:37:49,666 Peggy, I wanna talk to you. 1984 01:37:49,700 --> 01:37:51,333 -Julian, it's 8:40. We've gotta call places. 1985 01:37:51,366 --> 01:37:53,166 -They've waited this long. They can wait another minute. 1986 01:37:53,200 --> 01:37:54,666 -Ohh. 1987 01:37:54,700 --> 01:37:57,000 ♪♪ 1988 01:37:57,033 --> 01:38:01,400 -Now, listen and listen hard. 1989 01:38:01,433 --> 01:38:03,700 100 people... 1990 01:38:03,733 --> 01:38:05,533 100 jobs... 1991 01:38:05,566 --> 01:38:07,033 $100,000... 1992 01:38:07,066 --> 01:38:10,233 five weeks of grind and blood and sweat, 1993 01:38:10,266 --> 01:38:13,066 and it all depends on what you do out there tonight. 1994 01:38:13,100 --> 01:38:16,133 -[ Whimpers ] 1995 01:38:16,166 --> 01:38:18,300 -I know what you're thinking. 1996 01:38:18,333 --> 01:38:21,500 "Here comes Marsh with another one of his pep talks." 1997 01:38:23,133 --> 01:38:25,666 Well, it's the last of them, Sawyer, 1998 01:38:25,700 --> 01:38:28,400 and it comes straight from the heart. 1999 01:38:28,433 --> 01:38:31,700 Our hopes, our futures, 2000 01:38:31,733 --> 01:38:34,833 our lives are in your hands. 2001 01:38:34,866 --> 01:38:38,533 Go out there and make them shine with your golden talent. 2002 01:38:39,933 --> 01:38:42,033 This afternoon, it was acting. 2003 01:38:42,066 --> 01:38:43,666 This one... 2004 01:38:43,700 --> 01:38:45,666 I mean. 2005 01:38:45,700 --> 01:38:47,000 -Julian! 2006 01:38:47,033 --> 01:38:51,366 We have got to begin. 2007 01:38:51,400 --> 01:38:52,833 -Alright. 2008 01:38:52,866 --> 01:38:55,700 Tell them to take the house to half. 2009 01:38:59,533 --> 01:39:01,800 Sawyer... 2010 01:39:01,833 --> 01:39:04,100 you're going out there a youngster, 2011 01:39:04,133 --> 01:39:07,566 but you've got to come back a star! 2012 01:39:07,600 --> 01:39:15,266 ♪♪ 2013 01:39:15,300 --> 01:39:23,000 ♪♪ 2014 01:39:23,033 --> 01:39:30,700 ♪♪ 2015 01:39:30,733 --> 01:39:35,066 -♪ Oh, oh, oh, baby, what I couldn't do ♪ 2016 01:39:35,100 --> 01:39:38,733 ♪ With plenty of money and you 2017 01:39:38,766 --> 01:39:41,933 ♪ In spite of the worry that money brings ♪ 2018 01:39:41,966 --> 01:39:45,300 ♪ Just a little filthy lucre buys a lot of things ♪ 2019 01:39:45,333 --> 01:39:49,033 ♪ And I could take you to places you'd like to go ♪ 2020 01:39:49,066 --> 01:39:52,433 ♪ But outside of that, I've no use for dough ♪ 2021 01:39:52,466 --> 01:39:56,133 ♪ It's the root of all evil, of strife and upheaval ♪ 2022 01:39:56,166 --> 01:39:59,533 ♪ But I'm certain, honey, that life could be sunny ♪ 2023 01:39:59,566 --> 01:40:04,533 ♪ With plenty of money and you 2024 01:40:04,566 --> 01:40:10,100 ♪♪ 2025 01:40:10,133 --> 01:40:15,666 ♪♪ 2026 01:40:15,700 --> 01:40:18,666 ♪ Baby, what I couldn't do 2027 01:40:18,700 --> 01:40:22,000 ♪ With plenty of money and you 2028 01:40:22,033 --> 01:40:25,400 ♪ In spite of the worry that money brings ♪ 2029 01:40:25,433 --> 01:40:28,966 ♪ Just a little filthy lucre buys a lot of things ♪ 2030 01:40:29,000 --> 01:40:32,466 ♪ And I could take you to places you'd like to go ♪ 2031 01:40:32,500 --> 01:40:36,066 ♪ But outside of that, I've no use for dough ♪ 2032 01:40:36,100 --> 01:40:39,733 ♪ It's the root of all evil, of strife and upheaval ♪ 2033 01:40:39,766 --> 01:40:43,166 ♪ But I'm certain, honey that life could be sunny ♪ 2034 01:40:43,200 --> 01:40:46,033 ♪ With plenty of money and... 2035 01:40:46,066 --> 01:40:53,366 -♪ You -♪ You 2036 01:40:53,400 --> 01:40:55,166 -♪ Ah-ah 2037 01:40:55,200 --> 01:40:59,966 ♪ Oh, baby, what I couldn't do 2038 01:41:02,166 --> 01:41:06,700 ♪ With plenty of money and you 2039 01:41:08,666 --> 01:41:13,900 ♪ In spite of the worry that money brings ♪ 2040 01:41:13,933 --> 01:41:16,866 ♪ Just a little filthy lucre 2041 01:41:16,900 --> 01:41:19,033 ♪ Buys a lot of things 2042 01:41:19,066 --> 01:41:22,666 ♪ And I could take you to places you'd like to go ♪ 2043 01:41:22,700 --> 01:41:26,333 ♪ But outside of that, I've no use for dough ♪ 2044 01:41:26,366 --> 01:41:29,500 ♪ It's the root of all evil 2045 01:41:29,533 --> 01:41:31,233 ♪ Of strife and upheaval 2046 01:41:31,266 --> 01:41:34,800 ♪ But I'm certain, honey, that life could be sunny ♪ 2047 01:41:34,833 --> 01:41:37,333 ♪ With plenty of money and... 2048 01:41:37,366 --> 01:41:47,033 ♪♪ 2049 01:41:47,066 --> 01:41:56,766 ♪♪ 2050 01:41:56,800 --> 01:42:06,533 ♪♪ 2051 01:42:06,566 --> 01:42:16,266 ♪♪ 2052 01:42:16,300 --> 01:42:25,966 ♪♪ 2053 01:42:26,000 --> 01:42:35,666 ♪♪ 2054 01:42:35,700 --> 01:42:45,400 ♪♪ 2055 01:42:45,433 --> 01:42:55,100 ♪♪ 2056 01:42:55,133 --> 01:43:04,900 ♪♪ 2057 01:43:04,933 --> 01:43:14,600 ♪♪ 2058 01:43:14,633 --> 01:43:16,300 ♪ I'm certain, honey 2059 01:43:16,333 --> 01:43:17,966 ♪♪ 2060 01:43:18,000 --> 01:43:19,700 ♪ That life could be sunny 2061 01:43:19,733 --> 01:43:27,033 ♪ With plenty of money and you 2062 01:43:27,066 --> 01:43:30,166 ♪♪ 2063 01:43:30,200 --> 01:43:31,433 [ Music stops ] 2064 01:43:31,466 --> 01:43:33,400 [ Cheers and applause ] 2065 01:43:33,433 --> 01:43:35,333 [ Music resumes ] 2066 01:43:35,366 --> 01:43:41,466 ♪♪ 2067 01:43:41,500 --> 01:43:44,133 [ Indistinct talking ] 2068 01:43:44,166 --> 01:43:47,733 ♪♪ 2069 01:43:47,766 --> 01:43:49,133 -Good. 2070 01:43:49,166 --> 01:43:53,033 You got by, they liked you, but you're not finished yet. 2071 01:43:53,066 --> 01:43:54,233 The toughest part is coming. 2072 01:43:54,266 --> 01:43:56,266 You've got to give more in the finale. 2073 01:43:56,300 --> 01:43:58,600 So, dig down there and pull it out, Sawyer. 2074 01:43:58,633 --> 01:43:59,833 You're gonna need it. 2075 01:43:59,866 --> 01:44:01,033 Now get changed. -Okay. 2076 01:44:01,066 --> 01:44:02,600 -Ready with the wedding scene, Mr. Marsh. 2077 01:44:02,633 --> 01:44:03,933 -Well, what are you waiting for? 2078 01:44:03,966 --> 01:44:06,266 -Cue 23, go! 2079 01:44:06,300 --> 01:44:14,400 ♪♪ 2080 01:44:14,433 --> 01:44:22,533 ♪♪ 2081 01:44:22,566 --> 01:44:25,033 [ Women laugh ] 2082 01:44:25,066 --> 01:44:32,033 ♪♪ 2083 01:44:32,066 --> 01:44:35,566 -♪ Now that we have had the rice and flowers ♪ 2084 01:44:35,600 --> 01:44:40,000 ♪ The knot is tied 2085 01:44:40,033 --> 01:44:43,633 -♪ I can visualize such happy hours ♪ 2086 01:44:43,666 --> 01:44:45,866 ♪ Close by 2087 01:44:45,900 --> 01:44:48,666 ♪ Your side 2088 01:44:48,700 --> 01:44:51,900 -♪ The honeymoon in store 2089 01:44:51,933 --> 01:44:53,800 -[ Laughs ] 2090 01:44:53,833 --> 01:44:57,433 -♪ Is one that you'll adore 2091 01:44:57,466 --> 01:45:01,000 [ Both laugh ] 2092 01:45:01,033 --> 01:45:04,833 ♪ I'm gonna take you for a ride ♪ 2093 01:45:04,866 --> 01:45:06,566 ♪♪ 2094 01:45:06,600 --> 01:45:08,366 -♪ You'll go home and get your panties ♪ 2095 01:45:08,400 --> 01:45:10,066 ♪ I'll go home and get my scanties ♪ 2096 01:45:10,100 --> 01:45:11,966 ♪ And away we'll go 2097 01:45:12,000 --> 01:45:13,800 ♪ Ooh-ooh-ooh 2098 01:45:13,833 --> 01:45:18,400 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2099 01:45:18,433 --> 01:45:20,266 ♪♪ 2100 01:45:20,300 --> 01:45:21,933 ♪ To Niagara in a sleeper 2101 01:45:21,966 --> 01:45:23,833 ♪ There's no honeymoon that's cheaper ♪ 2102 01:45:23,866 --> 01:45:25,733 ♪ And the train goes slow 2103 01:45:25,766 --> 01:45:27,666 ♪ Ooh-ooh-ooh 2104 01:45:27,700 --> 01:45:33,166 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2105 01:45:33,200 --> 01:45:37,566 ♪ Someday, the stork may pay a visit ♪ 2106 01:45:37,600 --> 01:45:40,500 ♪ And leave a little souvenir 2107 01:45:40,533 --> 01:45:44,400 ♪ Just a little cute, "What is it?" ♪ 2108 01:45:44,433 --> 01:45:47,866 ♪ But we'll discuss that later, dear ♪ 2109 01:45:47,900 --> 01:45:51,533 ♪ For a little silver quarter, we can have the Pullman porter ♪ 2110 01:45:51,566 --> 01:45:53,633 ♪ Turn the lights down low 2111 01:45:53,666 --> 01:45:55,266 ♪ Ooh-ooh-ooh 2112 01:45:55,300 --> 01:45:59,466 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2113 01:45:59,500 --> 01:46:01,633 ♪♪ 2114 01:46:01,666 --> 01:46:03,733 -♪ You'll go home and get your clothies ♪ 2115 01:46:03,766 --> 01:46:05,500 ♪ I'll go get my these and thosies ♪ 2116 01:46:05,533 --> 01:46:07,466 ♪ And away we'll go 2117 01:46:07,500 --> 01:46:09,333 ♪ Ooh-ooh-ooh 2118 01:46:09,366 --> 01:46:15,466 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2119 01:46:15,500 --> 01:46:17,500 ♪ To Niagara in a sleeper 2120 01:46:17,533 --> 01:46:19,233 ♪ There's no honeymoon that's cheaper ♪ 2121 01:46:19,266 --> 01:46:21,333 ♪ And the train goes slow 2122 01:46:21,366 --> 01:46:23,200 ♪ Ooh-ooh-ooh 2123 01:46:23,233 --> 01:46:28,566 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2124 01:46:28,600 --> 01:46:32,933 ♪ Someday, the stork may pay a visit ♪ 2125 01:46:32,966 --> 01:46:36,266 ♪ And leave a little souvenir 2126 01:46:36,300 --> 01:46:39,766 ♪ Just a little cute, "What is it?" ♪ 2127 01:46:39,800 --> 01:46:43,366 ♪ But we'll discuss that later, dear ♪ 2128 01:46:43,400 --> 01:46:46,833 ♪ For a little silver quarter, we can have the Pullman porter ♪ 2129 01:46:46,866 --> 01:46:48,966 ♪ Turn the lights down low 2130 01:46:49,000 --> 01:46:50,933 ♪ Ooh-ooh-ooh 2131 01:46:50,966 --> 01:46:57,000 ♪ Off we're gonna shuffle, shuffle off to Buffalo ♪ 2132 01:46:57,033 --> 01:46:59,200 -♪ Matrimony is baloney 2133 01:46:59,233 --> 01:47:03,000 ♪ She'll be wanting alimony in a year or so ♪ 2134 01:47:03,033 --> 01:47:04,700 -♪ Ooh-ooh-ooh 2135 01:47:04,733 --> 01:47:09,733 -♪ Still they go and shuffle, shuffle off to Buffalo ♪ 2136 01:47:09,766 --> 01:47:11,233 ♪♪ 2137 01:47:11,266 --> 01:47:13,033 ♪ When she knows as much as we know ♪ 2138 01:47:13,066 --> 01:47:14,800 ♪ She'll be on her way to Reno 2139 01:47:14,833 --> 01:47:16,766 ♪ While he still has dough 2140 01:47:16,800 --> 01:47:18,433 -♪ Ooh-ooh-ooh 2141 01:47:18,466 --> 01:47:20,300 -♪ She'll give him the shuffle 2142 01:47:20,333 --> 01:47:24,033 -♪ When they're back from Buffalo ♪ 2143 01:47:24,066 --> 01:47:27,866 -♪ So if you're wise, you'll sew two trousseaus ♪ 2144 01:47:27,900 --> 01:47:29,033 -♪ Ooh-ooh-ooh 2145 01:47:29,066 --> 01:47:31,500 -♪ One for getting wed, of course ♪ 2146 01:47:31,533 --> 01:47:35,300 ♪ And the second trousseau you sew ♪ 2147 01:47:35,333 --> 01:47:38,000 ♪ You can wear for your divorce ♪ 2148 01:47:38,033 --> 01:47:39,233 -♪ Ooh-ooh 2149 01:47:39,266 --> 01:47:40,733 -♪ First you serve them with subpoenas ♪ 2150 01:47:40,766 --> 01:47:42,566 ♪ Then you take them to the cleaners ♪ 2151 01:47:42,600 --> 01:47:44,833 ♪ Then it's, "So long, Joel" 2152 01:47:44,866 --> 01:47:46,333 -♪ Ooh-ooh-ooh 2153 01:47:46,366 --> 01:47:47,833 -♪ Give the bum the shuffle 2154 01:47:47,866 --> 01:47:52,333 -♪ When you're back from Buffalo ♪ 2155 01:47:52,366 --> 01:47:53,833 -♪ Ooh-ooh! 2156 01:47:53,866 --> 01:48:02,400 ♪♪ 2157 01:48:02,433 --> 01:48:10,933 ♪♪ 2158 01:48:13,100 --> 01:48:16,100 ♪♪ 2159 01:48:16,133 --> 01:48:18,533 -[ Screams ] 2160 01:48:18,566 --> 01:48:19,533 [ Laughter ] 2161 01:48:19,566 --> 01:48:22,033 ♪♪ 2162 01:48:22,066 --> 01:48:23,700 [ Both scream ] 2163 01:48:23,733 --> 01:48:25,566 [ Laughter ] 2164 01:48:25,600 --> 01:48:31,700 ♪♪ 2165 01:48:31,733 --> 01:48:33,400 -♪ Ooh-ooh-ooh 2166 01:48:33,433 --> 01:48:35,000 -♪ Where'd he go to shuffle? 2167 01:48:35,033 --> 01:48:39,333 -♪ Shuffle off to Buffalo 2168 01:48:39,366 --> 01:48:43,033 -♪ For a little silver quarter, we can have the Pullman porter ♪ 2169 01:48:43,066 --> 01:48:44,500 ♪ Turn the lights down low 2170 01:48:44,533 --> 01:48:46,833 -Yoo-hoo! -♪ Ooh-ooh-ooh 2171 01:48:46,866 --> 01:48:50,233 ♪ Off we're gonna shuffle, come along and shuffle ♪ 2172 01:48:50,266 --> 01:48:51,900 ♪ Shuffle, shuffle 2173 01:48:51,933 --> 01:48:55,733 ♪ Shuffle, shuffle, shuffle, shuffle, shuffle ♪ 2174 01:48:55,766 --> 01:49:01,466 ♪ To Buffalo 2175 01:49:01,500 --> 01:49:07,466 ♪♪ 2176 01:49:07,500 --> 01:49:10,300 [ Music ends ] [ Cheers and applause ] 2177 01:49:10,333 --> 01:49:18,800 ♪♪ 2178 01:49:18,833 --> 01:49:20,466 -What is it? What the hell's wrong? 2179 01:49:20,500 --> 01:49:22,166 -I don't think I can do the rest of the show. 2180 01:49:22,200 --> 01:49:24,333 I can't remember a single lyric. 2181 01:49:24,366 --> 01:49:26,433 -You will do the rest of the show. 2182 01:49:26,466 --> 01:49:28,600 And without any mistakes. 2183 01:49:28,633 --> 01:49:31,100 And without that thing, either. 2184 01:49:31,133 --> 01:49:32,733 ♪♪ 2185 01:49:32,766 --> 01:49:35,233 I'm Julian Marsh, damn it, 2186 01:49:35,266 --> 01:49:37,900 and I say you will. 2187 01:49:37,933 --> 01:49:45,900 ♪♪ 2188 01:49:45,933 --> 01:49:53,900 ♪♪ 2189 01:49:53,933 --> 01:50:01,900 ♪♪ 2190 01:50:01,933 --> 01:50:09,900 ♪♪ 2191 01:50:09,933 --> 01:50:15,666 -♪ In the heart of little old New York ♪ 2192 01:50:15,700 --> 01:50:21,566 ♪ You'll find a thoroughfare 2193 01:50:21,600 --> 01:50:26,300 ♪ It's the part of little old New York ♪ 2194 01:50:26,333 --> 01:50:32,633 ♪ That runs into Times Square 2195 01:50:32,666 --> 01:50:39,600 ♪ A crazy quilt that Wall Street Jack built ♪ 2196 01:50:39,633 --> 01:50:44,600 ♪ If you've got a little time to spare ♪ 2197 01:50:44,633 --> 01:50:52,766 ♪ I want to take you there 2198 01:50:52,800 --> 01:50:55,100 ♪ Come and meet 2199 01:50:55,133 --> 01:51:01,800 ♪ Those dancing feet 2200 01:51:01,833 --> 01:51:10,133 ♪ On the avenue I'm taking you to ♪ 2201 01:51:10,166 --> 01:51:18,200 ♪♪ 2202 01:51:18,233 --> 01:51:26,333 ♪♪ 2203 01:51:33,100 --> 01:51:35,066 ♪ Come and meet 2204 01:51:35,100 --> 01:51:38,733 ♪ Those dancing feet 2205 01:51:38,766 --> 01:51:42,266 ♪ On the avenue I'm taking you to ♪ 2206 01:51:42,300 --> 01:51:45,566 ♪ 42nd Street 2207 01:51:45,600 --> 01:51:47,566 ♪ Hear the beat 2208 01:51:47,600 --> 01:51:49,433 ♪ Of dancing feet 2209 01:51:49,466 --> 01:51:51,333 ♪♪ 2210 01:51:51,366 --> 01:51:54,666 ♪ It's the song I love the melody of ♪ 2211 01:51:54,700 --> 01:51:57,700 ♪ 42nd Street 2212 01:51:57,733 --> 01:52:01,000 ♪ Little nifties from the 50s 2213 01:52:01,033 --> 01:52:03,900 ♪ Innocent and sweet 2214 01:52:03,933 --> 01:52:06,966 ♪ Sexy ladies from the 80s 2215 01:52:07,000 --> 01:52:09,300 ♪ Who are indiscreet 2216 01:52:09,333 --> 01:52:11,800 ♪ They're side by side 2217 01:52:11,833 --> 01:52:15,500 ♪ They're glorified 2218 01:52:15,533 --> 01:52:19,366 ♪ Where the underworld can meet the elite ♪ 2219 01:52:19,400 --> 01:52:21,166 ♪♪ 2220 01:52:21,200 --> 01:52:24,833 ♪ Where the underworld can meet the elite ♪ 2221 01:52:24,866 --> 01:52:30,033 ♪ Forty 2222 01:52:30,066 --> 01:52:34,533 ♪ Second Street 2223 01:52:34,566 --> 01:52:43,166 ♪♪ 2224 01:52:43,200 --> 01:52:51,800 ♪♪ 2225 01:52:51,833 --> 01:53:00,500 ♪♪ 2226 01:53:00,533 --> 01:53:09,133 ♪♪ 2227 01:53:09,166 --> 01:53:17,766 ♪♪ 2228 01:53:17,800 --> 01:53:26,433 ♪♪ 2229 01:53:30,900 --> 01:53:40,833 ♪♪ 2230 01:53:40,866 --> 01:53:50,800 ♪♪ 2231 01:53:50,833 --> 01:54:00,833 ♪♪ 2232 01:54:00,866 --> 01:54:10,800 ♪♪ 2233 01:54:10,833 --> 01:54:20,800 ♪♪ 2234 01:54:25,300 --> 01:54:29,600 ♪♪ 2235 01:54:31,900 --> 01:54:32,900 ♪♪ 2236 01:54:36,166 --> 01:54:45,300 ♪♪ 2237 01:54:45,333 --> 01:54:54,500 ♪♪ 2238 01:54:54,533 --> 01:55:03,733 ♪♪ 2239 01:55:03,766 --> 01:55:12,900 ♪♪ 2240 01:55:12,933 --> 01:55:22,100 ♪♪ 2241 01:55:22,133 --> 01:55:31,266 ♪♪ 2242 01:55:31,300 --> 01:55:40,466 ♪♪ 2243 01:55:40,500 --> 01:55:49,633 ♪♪ 2244 01:55:49,666 --> 01:55:58,800 ♪♪ 2245 01:55:58,833 --> 01:56:08,066 ♪♪ 2246 01:56:08,100 --> 01:56:17,233 ♪♪ 2247 01:56:17,266 --> 01:56:26,400 ♪♪ 2248 01:56:26,433 --> 01:56:35,600 ♪♪ 2249 01:56:35,633 --> 01:56:44,766 ♪♪ 2250 01:56:44,800 --> 01:56:46,366 -My purse! 2251 01:56:46,400 --> 01:56:48,466 They stole my purse! 2252 01:56:48,500 --> 01:56:52,133 ♪♪ 2253 01:56:52,166 --> 01:56:54,966 [ Gunshot ] [ Woman screams ] 2254 01:56:55,000 --> 01:56:57,300 [ Whistle blows ] -Hey, hey! 2255 01:56:57,333 --> 01:56:59,633 -[ Whimpering ] 2256 01:56:59,666 --> 01:57:09,666 ♪♪ 2257 01:57:09,700 --> 01:57:19,633 ♪♪ 2258 01:57:19,666 --> 01:57:23,566 -♪ The big parade 2259 01:57:23,600 --> 01:57:30,533 ♪ Goes on for years 2260 01:57:30,566 --> 01:57:33,000 ♪ It's the rhapsody 2261 01:57:33,033 --> 01:57:37,433 ♪ Of laughter and tears 2262 01:57:37,466 --> 01:57:41,300 ♪ Naughty, bawdy 2263 01:57:41,333 --> 01:57:45,900 ♪ Gaudy, sporty 2264 01:57:45,933 --> 01:57:51,066 ♪ 42nd 2265 01:57:51,100 --> 01:57:55,566 ♪♪ 2266 01:57:55,600 --> 01:57:57,233 [ Cheers and applause ] 2267 01:57:57,266 --> 01:58:00,633 -♪ Little nifties from the 50s 2268 01:58:00,666 --> 01:58:03,700 ♪ Innocent and sweet 2269 01:58:03,733 --> 01:58:07,066 ♪ Sexy ladies from the 80s 2270 01:58:07,100 --> 01:58:11,233 ♪ Who are indiscreet 2271 01:58:11,266 --> 01:58:17,266 ♪ The big parade goes on for years ♪ 2272 01:58:17,300 --> 01:58:20,900 ♪ It's the rhapsody of laughter and tears ♪ 2273 01:58:20,933 --> 01:58:25,166 ♪ 42nd Street! 2274 01:58:25,200 --> 01:58:26,966 ♪ Come and meet 2275 01:58:27,000 --> 01:58:30,400 ♪ Those dancing feet 2276 01:58:30,433 --> 01:58:34,266 ♪ On the avenue I'm taking you to ♪ 2277 01:58:36,433 --> 01:58:40,600 ♪ Hear the beat of dancing feet ♪ 2278 01:58:42,700 --> 01:58:47,600 ♪♪ 2279 01:58:47,633 --> 01:58:50,500 ♪ Little nifties from the 50s 2280 01:58:50,533 --> 01:58:53,233 ♪ Innocent and sweet 2281 01:58:53,266 --> 01:58:56,766 ♪ Sexy ladies from the 80s 2282 01:59:23,300 --> 01:59:25,100 [ Cheers and applause ] 2283 01:59:25,133 --> 01:59:35,066 ♪♪ 2284 01:59:35,100 --> 01:59:37,900 ♪ Naughty, bawdy 2285 01:59:37,933 --> 01:59:40,766 ♪ Gaudy, sporty 2286 01:59:40,800 --> 01:59:50,266 ♪ 42nd Street 2287 01:59:50,300 --> 01:59:53,466 [ Music ends ] [ Cheers and applause ] 2288 01:59:58,233 --> 02:00:01,333 [ Cheers and applause continue ] 2289 02:00:06,433 --> 02:00:09,566 [ Cheers and applause continue ] 2290 02:00:09,600 --> 02:00:12,766 [ Indistinct talking ] 2291 02:00:17,466 --> 02:00:20,400 -Annie, Peggy, Billy, kids, 2292 02:00:20,433 --> 02:00:22,600 you've all got jobs! 2293 02:00:22,633 --> 02:00:24,766 -For the next two years! 2294 02:00:24,800 --> 02:00:27,000 -Wasn't she terrific? 2295 02:00:27,033 --> 02:00:29,166 -Oh, turn off the waterworks, would you? 2296 02:00:29,200 --> 02:00:31,166 We've got a party to go to. 2297 02:00:31,200 --> 02:00:33,133 -My place. The booze is on me, 2298 02:00:33,166 --> 02:00:34,766 and everybody kicks in two bits for the eats. 2299 02:00:34,800 --> 02:00:36,200 -You're gonna be there, aren't you, Peggy? 2300 02:00:36,233 --> 02:00:38,033 The whole shindig's in your honor. 2301 02:00:38,066 --> 02:00:41,866 -Of course she is, escorted by Mr. Billy Lawlor himself! 2302 02:00:41,900 --> 02:00:43,233 -Now, come along. 2303 02:00:43,266 --> 02:00:45,566 We're giving a little party at The Ritz in your honor. 2304 02:00:45,600 --> 02:00:46,666 -For me? 2305 02:00:46,700 --> 02:00:48,000 I'll be there in a minute, Miss Jones. 2306 02:00:48,033 --> 02:00:50,433 -Girlie, you were just swell. 2307 02:00:50,466 --> 02:00:53,266 Now, any time you want a Kiddie Kar, 2308 02:00:53,300 --> 02:00:54,766 you just say the word. 2309 02:00:54,800 --> 02:00:56,933 -Abner! -Yes, dear? 2310 02:00:56,966 --> 02:00:59,266 -Come on. -[ Chuckles ] 2311 02:00:59,300 --> 02:01:02,300 See you at the Ritz. 2312 02:01:02,333 --> 02:01:04,133 -Billy, it's so exciting! 2313 02:01:04,166 --> 02:01:05,300 They all love the show. 2314 02:01:05,333 --> 02:01:07,133 -They all loved you. 2315 02:01:07,166 --> 02:01:09,133 And that goes double for me. 2316 02:01:09,166 --> 02:01:11,466 Now, come on. We got a party to go to. 2317 02:01:11,500 --> 02:01:14,200 -Gee, Billy, I'm not sure I can. 2318 02:01:14,233 --> 02:01:16,700 What about the party at The Ritz? 2319 02:01:16,733 --> 02:01:18,400 Billy... 2320 02:01:18,433 --> 02:01:19,566 am I really a star? 2321 02:01:19,600 --> 02:01:21,633 -From now on and forever. 2322 02:01:21,666 --> 02:01:23,300 -And can stars do anything they want? 2323 02:01:23,333 --> 02:01:24,400 -Anything. 2324 02:01:24,433 --> 02:01:25,866 -Then I wanna go to the kids' party. 2325 02:01:25,900 --> 02:01:28,200 -Ha, Peggy! -Billy, wait a minute. 2326 02:01:28,233 --> 02:01:29,433 -Well, you haven't changed your mind? 2327 02:01:29,466 --> 02:01:30,933 -Of course not. I'll be along in a minute. 2328 02:01:30,966 --> 02:01:32,100 Wait for me at the stage door. 2329 02:01:32,133 --> 02:01:33,666 -Okay, but just one minute. 2330 02:01:33,700 --> 02:01:36,500 You know how temperamental tenors are. 2331 02:01:36,533 --> 02:01:38,333 [ Exhales deeply ] 2332 02:01:38,366 --> 02:01:40,366 [ Applause ] 2333 02:01:45,366 --> 02:01:47,200 -Mr. Marsh. 2334 02:01:50,200 --> 02:01:51,833 -Peggy. 2335 02:01:51,866 --> 02:01:53,166 Say, what is the matter with me? 2336 02:01:53,200 --> 02:01:56,033 In all the excitement, I forgot to congratulate you. 2337 02:01:58,966 --> 02:02:00,933 Congratulations, kid. 2338 02:02:00,966 --> 02:02:03,166 -Thank you, Mr. Marsh, 2339 02:02:03,200 --> 02:02:04,966 but you and I both know who was really out there 2340 02:02:05,000 --> 02:02:06,600 on that stage tonight. 2341 02:02:06,633 --> 02:02:10,633 Oh, I said the lines and sang the songs and did the steps, 2342 02:02:10,666 --> 02:02:12,800 but you were inside me, pulling the strings, 2343 02:02:12,833 --> 02:02:15,633 so I congratulate you. 2344 02:02:15,666 --> 02:02:18,000 [ Laughter ] 2345 02:02:18,033 --> 02:02:20,500 -You're quite a girl, Miss Peggy Sawyer, 2346 02:02:20,533 --> 02:02:23,133 quite a girl, 2347 02:02:23,166 --> 02:02:26,733 and you're on your way to becoming quite a star. 2348 02:02:26,766 --> 02:02:28,733 You've broken through, Peggy. 2349 02:02:28,766 --> 02:02:32,900 You're the million to one shot that comes home a winner. 2350 02:02:32,933 --> 02:02:35,400 For years to come, thousands of little chorus girls 2351 02:02:35,433 --> 02:02:37,233 will go to auditions and say to themselves, 2352 02:02:37,266 --> 02:02:39,566 "Who knows? 2353 02:02:39,600 --> 02:02:44,266 I might come out of this another Peggy Sawyer." 2354 02:02:46,600 --> 02:02:48,433 I ask you only to be the sort of star 2355 02:02:48,466 --> 02:02:51,966 those little girls would want you to be. 2356 02:02:52,000 --> 02:02:55,300 Shine your light over this glorious gulch 2357 02:02:55,333 --> 02:02:58,000 they call 42nd Street. 2358 02:02:58,033 --> 02:03:01,366 Give it your talent, your strength, 2359 02:03:01,400 --> 02:03:03,400 your youth. 2360 02:03:05,400 --> 02:03:07,666 But try, if you can, 2361 02:03:07,700 --> 02:03:10,266 not to give it all your heart, 2362 02:03:10,300 --> 02:03:12,566 because it's a very loving heart, 2363 02:03:12,600 --> 02:03:15,800 and I'd never wanna see it broken. 2364 02:03:15,833 --> 02:03:18,466 [ Light laughter ] 2365 02:03:21,400 --> 02:03:23,700 Now, go along to The Ritz 2366 02:03:23,733 --> 02:03:25,433 and enjoy yourself. 2367 02:03:25,466 --> 02:03:27,100 -I'm going to the kids' party. 2368 02:03:27,133 --> 02:03:29,600 -[ Chuckles ] 2369 02:03:29,633 --> 02:03:31,766 -I was right -- 2370 02:03:31,800 --> 02:03:33,433 quite a girl. 2371 02:03:33,466 --> 02:03:35,800 -Good night, Mr. Marsh. 2372 02:03:38,933 --> 02:03:40,400 -Good night... 2373 02:03:40,433 --> 02:03:42,066 Allentown. 2374 02:03:42,100 --> 02:03:44,433 -[ Laughs ] -Er... 2375 02:03:46,100 --> 02:03:47,400 Where is the kids' party? 2376 02:03:49,533 --> 02:03:50,966 -At Lorraine's! 2377 02:03:51,000 --> 02:03:53,966 The address is on the callboard! 2378 02:03:54,000 --> 02:03:55,500 [ Light laughter ] 2379 02:03:58,966 --> 02:04:01,766 And, Mr. Marsh, 2380 02:04:01,800 --> 02:04:04,500 it would be grand, 2381 02:04:04,533 --> 02:04:08,966 grand, grand... 2382 02:04:09,000 --> 02:04:11,800 if you would come. 2383 02:04:11,833 --> 02:04:14,500 [ Applause ] 2384 02:04:22,366 --> 02:04:24,533 -Good night, Mr. Marsh. 2385 02:04:24,566 --> 02:04:26,900 -Night, Andy. 2386 02:04:26,933 --> 02:04:27,900 Mac. 2387 02:04:27,933 --> 02:04:29,433 -Night, boss. 2388 02:04:45,533 --> 02:04:55,033 ♪♪ 2389 02:04:55,066 --> 02:04:57,366 -[ Sighs ] 2390 02:04:57,400 --> 02:05:01,266 ♪♪ 2391 02:05:01,300 --> 02:05:04,766 ♪ Come and meet 2392 02:05:04,800 --> 02:05:11,166 ♪ Those dancing feet 2393 02:05:11,200 --> 02:05:16,666 ♪ On the avenue I'm taking you to ♪ 2394 02:05:16,700 --> 02:05:21,833 ♪ 42nd Street 2395 02:05:21,866 --> 02:05:24,500 ♪ Hear the beat 2396 02:05:24,533 --> 02:05:30,333 ♪ Of dancing feet 2397 02:05:30,366 --> 02:05:34,833 ♪ It's the song I love the melody of ♪ 2398 02:05:34,866 --> 02:05:38,666 ♪ 42nd Street 2399 02:05:38,700 --> 02:05:42,166 ♪ Little nifties from the 50s 2400 02:05:42,200 --> 02:05:45,166 ♪ Innocent and sweet 2401 02:05:45,200 --> 02:05:48,666 ♪ Sexy ladies from the 80s 2402 02:05:48,700 --> 02:05:51,000 ♪ Who are indiscreet 2403 02:05:51,033 --> 02:05:54,166 ♪ They're side by side 2404 02:05:54,200 --> 02:05:58,533 ♪ And glorified 2405 02:05:58,566 --> 02:06:05,466 ♪ Where the underworld can meet the elite ♪ 2406 02:06:05,500 --> 02:06:08,733 ♪ Naughty 2407 02:06:08,766 --> 02:06:11,633 ♪ Bawdy 2408 02:06:11,666 --> 02:06:14,700 ♪ Gaudy 2409 02:06:14,733 --> 02:06:18,700 ♪ Sporty 2410 02:06:18,733 --> 02:06:21,400 ♪♪ 2411 02:06:23,466 --> 02:06:25,300 [ Chuckles ] 2412 02:06:30,766 --> 02:06:33,266 ♪ Forty 2413 02:06:33,300 --> 02:06:40,366 ♪ Second 2414 02:06:40,400 --> 02:06:47,200 ♪ Street 2415 02:06:47,233 --> 02:06:52,200 ♪♪ 2416 02:06:52,233 --> 02:06:56,866 [ Cheers and applause ] 2417 02:06:56,900 --> 02:07:06,266 ♪♪ 2418 02:07:06,300 --> 02:07:08,266 [ Cheers and applause continue ] 2419 02:07:08,300 --> 02:07:13,066 ♪♪ 2420 02:07:13,100 --> 02:07:14,833 -♪ Dames! 2421 02:07:14,866 --> 02:07:17,566 ♪ Are temporary flames 2422 02:07:17,600 --> 02:07:19,133 ♪ To you 2423 02:07:19,166 --> 02:07:20,833 ♪ Dames! 2424 02:07:20,866 --> 02:07:23,566 ♪ You don't recall their names 2425 02:07:23,600 --> 02:07:25,133 ♪ Do you? 2426 02:07:25,166 --> 02:07:28,033 -♪ Slim, trim, or curvy 2427 02:07:28,066 --> 02:07:30,333 ♪ Sweet, shy, or nervy 2428 02:07:30,366 --> 02:07:33,900 ♪ There is nothing as divine, as beautiful ♪ 2429 02:07:33,933 --> 02:07:36,833 ♪ No sun can shine like beautiful ♪ 2430 02:07:36,866 --> 02:07:39,333 ♪ Bring on that line of beautiful ♪ 2431 02:07:39,366 --> 02:07:42,233 ♪ Dames, dames, dames, dames 2432 02:07:42,266 --> 02:07:46,166 ♪ Dames, dames, dames, dames ♪ 2433 02:07:46,200 --> 02:07:49,966 ♪ Come on along and listen to 2434 02:07:50,000 --> 02:07:52,900 ♪ The lullaby of Broadway 2435 02:07:52,933 --> 02:07:55,766 ♪ The hi-de-hi and whoop-di-doo ♪ 2436 02:07:55,800 --> 02:07:58,700 ♪ The lullaby of Broadway 2437 02:07:58,733 --> 02:08:01,900 ♪ The band begins to go to town ♪ 2438 02:08:01,933 --> 02:08:04,500 ♪ And everyone goes crazy 2439 02:08:04,533 --> 02:08:07,600 ♪ You rock-a-bye your baby 'round ♪ 2440 02:08:07,633 --> 02:08:10,166 ♪ And sleep all day 2441 02:08:10,200 --> 02:08:15,900 ♪ Good night, baby 2442 02:08:15,933 --> 02:08:18,900 ♪ Sleep tight 2443 02:08:18,933 --> 02:08:23,233 ♪ Let's call it a day 2444 02:08:23,266 --> 02:08:28,166 ♪ Listen to the lullaby 2445 02:08:28,200 --> 02:08:31,066 ♪ Of old 2446 02:08:31,100 --> 02:08:40,900 ♪ Broadway! 2447 02:08:40,933 --> 02:08:42,500 [ Music ends ] 2448 02:08:42,533 --> 02:08:45,933 [ Cheers and applause ] 2449 02:08:45,966 --> 02:08:49,366 [ Cheers and applause continue ] 2450 02:08:49,400 --> 02:08:58,866 ♪♪ 2451 02:08:58,900 --> 02:09:08,466 ♪♪ 2452 02:09:08,500 --> 02:09:17,966 ♪♪ 2453 02:09:18,000 --> 02:09:27,500 ♪♪ 2454 02:09:27,533 --> 02:09:37,000 ♪♪ 2455 02:09:37,033 --> 02:09:46,533 ♪♪ 2456 02:09:46,566 --> 02:09:56,033 ♪♪ 2457 02:09:56,066 --> 02:10:05,533 ♪♪ 2458 02:10:05,566 --> 02:10:15,066 ♪♪ 2459 02:10:15,100 --> 02:10:24,566 ♪♪ 2460 02:10:24,600 --> 02:10:34,100 ♪♪ 2461 02:10:34,133 --> 02:10:43,633 ♪♪ 2462 02:10:47,866 --> 02:10:50,666 ♪♪ 2463 02:10:50,700 --> 02:10:54,500 [ Cheers and applause ] 2464 02:10:54,533 --> 02:11:02,533 ♪♪ 2465 02:11:05,966 --> 02:11:10,733 ♪♪ 2466 02:11:10,766 --> 02:11:12,266 -To find out more, 2467 02:11:12,300 --> 02:11:15,466 visit pbs.org/greatperformances, 2468 02:11:15,500 --> 02:11:16,633 find us on Facebook 2469 02:11:16,666 --> 02:11:18,633 and follow us on Twitter. 2470 02:11:18,666 --> 02:11:26,966 ♪♪ 2471 02:11:27,000 --> 02:11:35,300 ♪♪ 2472 02:11:35,333 --> 02:11:43,600 ♪♪ 2473 02:11:43,633 --> 02:11:51,933 ♪♪ 2474 02:11:51,966 --> 02:12:00,366 ♪♪ 161533