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1
00:00:26,125 --> 00:00:27,208
[WAVES BREAKING]
2
00:00:28,958 --> 00:00:32,541
[SOOTHING INTRO SONG]
3
00:00:39,375 --> 00:00:41,791
-[OLIVER] NEVER MIND.
-[GILLIAN] WHAT?
4
00:00:41,833 --> 00:00:43,458
[OLIVER] NEVER MIND,
WE CAN'T GO IN NOW.
5
00:00:43,500 --> 00:00:44,583
[LILLIAN] HOW DO YOU KNOW?
6
00:00:44,625 --> 00:00:45,708
[OLIVER] YOU WHAT?
7
00:00:45,750 --> 00:00:47,166
[LILLIAN] HOW DO YOU KNOW?
8
00:00:47,208 --> 00:00:49,458
[OLIVER] WO, WO, WO.
NO, COME ON.
9
00:00:49,500 --> 00:00:51,833
[LILLIAN]
NO, THAT IS SUCH BULLSHIT
THAT YOU CAN DIE FROM THIS,
10
00:00:51,875 --> 00:00:53,291
IT'S ACTUALLY VERY
GOOD FOR YOUR SKIN.
11
00:00:53,333 --> 00:00:55,625
UP MY NOSE.
SHIT FOAM UP MY NOSE.
12
00:00:55,666 --> 00:00:58,833
[LILLIAN LAUGHS] IT REALLY
BOTHERS YOU, DOES IT?
13
00:00:58,875 --> 00:01:01,041
-WHAT?
-JUST A BIT OF FOAM,
14
00:01:01,083 --> 00:01:03,541
ON YOUR FACE RIGHT NOW.
15
00:01:03,583 --> 00:01:08,083
[OLIVER] WOULD YOU LIKE THAT.
[LAUGHTER]
16
00:01:08,125 --> 00:01:09,791
[MUSIC]
17
00:01:11,625 --> 00:01:14,250
[OLIVER] ALRIGHT, GO ON THEN.
-[GILLIAN] IF YOU CAN'T
JUMP IN THE SEA
18
00:01:14,291 --> 00:01:16,416
-[OLIVER] RIGHT.
-[LILLIAN] THEN WE'RE
GONNA GO FOR A QUICK RUN.
19
00:01:16,458 --> 00:01:19,291
[OLIVER] WAIT A MINUTE.
I'M COMING THERE NOW, RIGHT.
20
00:01:19,333 --> 00:01:21,375
-COME ON, SWEETHEART.
-I'M COMING.
21
00:01:21,416 --> 00:01:23,625
[LILLIAN] YOU CAN DO IT.
YOU CAN DO IT!
22
00:01:23,666 --> 00:01:24,541
[MUSIC]
23
00:01:25,875 --> 00:01:27,500
-[OLIVER] ALRIGHT,
I'VE GOT IT.
-TAKE IT EASY.
24
00:01:27,541 --> 00:01:29,208
[OLIVER] I'VE GOT IT,
IT'S ALRIGHT.
25
00:01:29,250 --> 00:01:31,750
[OLIVER] YOU WON'T FALL,
LOOK AT ME, I'VE GOT THIS.
26
00:01:31,791 --> 00:01:33,708
-[LILLIAN] COME ON, OLIVER.
-ALRIGHT, IT'S JUST LIKE THAT.
27
00:01:33,750 --> 00:01:36,333
-WHAT ARE YOU DOING?
-I JUST SLIPPED.
28
00:01:37,791 --> 00:01:39,208
[OLIVER] CHEATER. LOOK.
29
00:01:39,250 --> 00:01:41,875
-IT'S SO BEAUTIFUL UP HERE.
-YEAH.
30
00:01:41,916 --> 00:01:42,791
AHH.
31
00:01:55,625 --> 00:01:57,458
-[GILLIAN] I LOVE LIVING HERE.
-[OLIVER CHUCKLES]
32
00:01:59,750 --> 00:02:03,291
IT'S JUST--
IT'S PERFECT FOR ME.
33
00:02:04,500 --> 00:02:06,166
I LOVE GETTING UP IN
THE MORNING AND BEING ABLE
34
00:02:06,208 --> 00:02:10,166
TO JUST COME OUT HERE,
SEE THIS,
35
00:02:10,208 --> 00:02:12,708
GO BACK HOME,
KEEP WRITING.
36
00:02:12,750 --> 00:02:16,291
-IT'S LIKE, IT'S THE DREAM.
-YEAH.
37
00:02:16,333 --> 00:02:19,583
I MEAN I KNOW THAT LIVING HERE
IS NOT FULL OF OPPORTUNITY,
38
00:02:19,625 --> 00:02:23,708
BUT IN TERMS OF BEING AN ARTIST,
AND IN TERMS OF ATMOSPHERE
39
00:02:23,750 --> 00:02:26,416
AND IN TERMS
OF INSPIRATION, THIS--
40
00:02:26,458 --> 00:02:29,208
THERE'S NOWHERE ELSE.
THERE'S NOWHERE ELSE FOR ME.
41
00:02:29,250 --> 00:02:32,000
NEW YORK, L.A.,
WHATEVER, THESE BIG CITIES,
42
00:02:32,041 --> 00:02:35,583
THAT'S, THAT'S OF COURSE,
LONDON. THESE ARE
THE PLACES WHERE,
43
00:02:35,625 --> 00:02:37,416
YOU KNOW,
IF YOU REALLY WANT TO GET
44
00:02:37,458 --> 00:02:38,666
YOUR CAREER OFF THE GROUND
45
00:02:38,708 --> 00:02:41,375
BUT I'M NOT QUITE THERE YET.
46
00:02:41,416 --> 00:02:44,125
[OLIVER] LOTS OF PEOPLE WORK
OUT OF CARDIFF AS WELL.
47
00:02:44,166 --> 00:02:47,208
FIGURED YOU COULD COMMUTE
TO CARDIFF FROM HERE,
48
00:02:47,250 --> 00:02:49,041
YOU COULD STILL,
HAVE ALL OF THIS.
49
00:02:49,083 --> 00:02:49,958
YEAH.
50
00:02:54,750 --> 00:02:56,958
IT'S BRILLIANT FOR KIDS HERE.
51
00:02:57,000 --> 00:02:59,166
THAT'S MY ONLY
GRIPE WITH IT.
52
00:02:59,208 --> 00:03:01,166
IF I COULD CHANGE IT,
IT WOULD JUST BE,
53
00:03:01,208 --> 00:03:04,541
A FEW LESS
FAMILIES HERE, LESS KIDS.
54
00:03:05,916 --> 00:03:08,000
YOU KNOW, IT IS GETTING
A BIT CROWDED.
55
00:03:08,041 --> 00:03:10,708
[MUSIC]
56
00:03:39,625 --> 00:03:42,291
[GROANING]
57
00:04:02,583 --> 00:04:05,750
[MOAN]
58
00:04:08,250 --> 00:04:10,333
[HUMMING]
59
00:04:11,666 --> 00:04:13,333
[HAWKING]
60
00:04:18,625 --> 00:04:20,833
WHY? WHY? WHAT IS THE--
61
00:04:22,458 --> 00:04:24,791
-OH, GOD!
-WHAT THE HELL ARE YOU DOING?
62
00:04:24,833 --> 00:04:26,458
WHAT ARE YOU DOING? I'M JUST
CLEANING MY TEETH, BABE.
63
00:04:26,500 --> 00:04:28,958
WHY DO YOU HAVE TO
[MIMIC HUMMING].
64
00:04:29,000 --> 00:04:31,583
GOD, JUST DO IT NORMALLY.
65
00:04:31,625 --> 00:04:32,833
[MUMBLES]
66
00:04:32,875 --> 00:04:34,333
NO, IT'S JUST-- [SCREAMS]
67
00:04:34,375 --> 00:04:37,666
NO, NO, NO, NO,
DO NOT! NO!
68
00:04:37,708 --> 00:04:39,666
NO, NO, NO, NO, NO, NO.
69
00:04:42,208 --> 00:04:44,666
NO, I DON'T LIKE IT.
70
00:04:44,708 --> 00:04:47,666
-CAN YOU JUST CUDDLE ME? PLEASE.
-OKAY.
71
00:04:50,250 --> 00:04:52,666
-THAT'S NICE.
-YEAH?
72
00:04:52,708 --> 00:04:53,916
MMM.
73
00:04:58,791 --> 00:05:01,041
YOU TOLD MY MOTHER
TO FUCK OFF LAST NIGHT.
74
00:05:06,125 --> 00:05:10,833
ALL I TOLD HER WAS THAT
WE NEEDED TO ESTABLISH SOME
BOUNDARIES, THAT'S ALL I SAID.
75
00:05:10,875 --> 00:05:14,625
[JANET] YEAH, BUT YOU'RE LATE THOUGH, WHAT'S THE HOLD UP FOR?
76
00:05:14,666 --> 00:05:17,125
-JANET, HI, SORRY. IT'S--
-[OLIVER] HERE WE GO.
77
00:05:17,166 --> 00:05:19,458
-HI, IT'S GILLIAN.
-[JANET] DID YOU BREAK DOWN?
78
00:05:19,500 --> 00:05:20,875
ARE YOU ON THE WAY
OR WHAT'S THE--
79
00:05:20,916 --> 00:05:22,041
NO, WE'RE NOT LATE.
80
00:05:22,083 --> 00:05:23,041
I'M SORRY, WE'RE NOT COMING,
81
00:05:23,083 --> 00:05:24,458
DID HE NOT TELL YOU?
82
00:05:24,500 --> 00:05:25,875
[OLIVER] WHEN COULD I? I WAS--
83
00:05:25,916 --> 00:05:27,791
CAN YOU STOP CALLING MY HUSBAND
84
00:05:27,833 --> 00:05:29,750
AT THIS TIME OF NIGHT?
85
00:05:29,791 --> 00:05:31,750
NO, I KNOW WE'RE
NOT AT DINNER.
86
00:05:31,791 --> 00:05:34,000
I KNOW WE'RE NOT AT DINNER.
I KNOW IT'S NOT THAT LATE,
87
00:05:34,041 --> 00:05:36,625
BUT IT'S MY HUSBAND,
AND AT SOME POINT
88
00:05:36,666 --> 00:05:40,583
YOU NEED TO UNDERSTAND
THAT I'M THE WOMAN IN HIS LIFE
89
00:05:40,625 --> 00:05:45,041
AND THAT SOMETIMES
I WANT, TO STAY HOME
WITH MY GROWN HUSBAND.
90
00:05:45,083 --> 00:05:46,666
WHY DON'T YOU JUST GIVE
ME THE PHONE BACK NOW.
91
00:05:46,708 --> 00:05:48,875
NO, NO, YOU'RE NOT GOING
TO SPEAK TO YOUR SON.
92
00:05:48,916 --> 00:05:52,000
THIS IS A SICK,
SICK RELATIONSHIP.
93
00:05:52,958 --> 00:05:54,583
YOU'RE GOING TO HAVE TO
SORT THAT OUT.
94
00:05:54,625 --> 00:05:57,083
THERE'S A SHIT STORM
COMING OF YOUR MAKING.
95
00:05:57,125 --> 00:05:58,875
OF ALL DAY YESTERDAY,
YOU WERE A BIT--
96
00:05:58,916 --> 00:06:00,708
LET'S BE HONEST,
YOU STARTED OFF.
97
00:06:00,750 --> 00:06:03,000
AND IT MIGHT HAVE
BEEN A BIT OF ME,
98
00:06:03,041 --> 00:06:07,375
BUT YOU WERE A BIT TOUCHY
WITH ALL THE BIN STUFF.
99
00:06:07,416 --> 00:06:09,083
DO YOU KNOW THAT, HOW EASY
100
00:06:09,125 --> 00:06:11,458
IT WOULD HAVE BEEN
FOR YOU TO JUST SAY
101
00:06:11,500 --> 00:06:16,166
"THANKS, THANKS, GILLIAN,
THAT WAS SO NICE
OF YOU TO LET ME SLEEP IN
102
00:06:16,208 --> 00:06:18,666
AND TO TAKE OUT
THE TRASH FOR ME." I MEAN,
103
00:06:18,708 --> 00:06:22,958
"WOW, NEXT TIME,
YOU SLEEP IN, GILLIAN,
104
00:06:23,000 --> 00:06:27,000
YOU SLEEP IN
AND I'LL DO EVERYTHING ELSE."
105
00:06:27,041 --> 00:06:30,791
-NO DON'T PULL THAT CARD ON ME
NOW. I HAVE TO WORK AT NIGHT.
-YEAH.
106
00:06:30,833 --> 00:06:32,791
I'M REALLY SORRY,
THAT'S WHAT I HAVE TO DO,
BUT SOMETIMES
107
00:06:32,833 --> 00:06:34,666
-I SLEEP IN.
-YEAH, AND THEN
I SAY YOU DO HAVE WORK
108
00:06:34,708 --> 00:06:36,291
BUT YOU DIDN'T HAVE
WORK LAST NIGHT.
109
00:06:36,333 --> 00:06:38,500
IF YOU'RE UP ALL NIGHT.
110
00:06:39,791 --> 00:06:42,375
DON'T EVEN, I DIDN'T EVEN--
IT WAS A--
111
00:06:42,416 --> 00:06:44,250
IT WAS GOING TO BE
A FUCKING SLAP IN THE HEAD.
112
00:06:44,291 --> 00:06:45,916
IT WAS A--
113
00:06:45,958 --> 00:06:48,416
WE BOTH SHOULD BE
DOING A BIGGER JOB RIGHT NOW.
114
00:06:48,458 --> 00:06:51,750
JOB? I THINK I'M THE ONE
WITH A JOB THOUGH, AIN'T I?
115
00:06:51,791 --> 00:06:54,250
I'M THE ONE WHO GOES OUT
AND EARNS MONEY.
116
00:06:54,291 --> 00:06:58,083
YES, YOU GET PAID
YOUR WHATEVER IT IS
117
00:06:58,125 --> 00:07:00,666
-100 QUID, I DON'T KNOW.
-150.
118
00:07:00,708 --> 00:07:02,375
-150.
-150 MINIMUM.
WHAT AM I PAYING FOR?
119
00:07:02,416 --> 00:07:04,416
THE FOOD, THE ROOF
OVER OUR HEAD.
120
00:07:04,458 --> 00:07:06,250
NOT THE ROOF OVER
OUR HEAD, ARE YOU?
121
00:07:06,291 --> 00:07:09,458
WELL, NO, WELL, BILLS.
I'M PAYING FOR THE BILLS,
122
00:07:09,500 --> 00:07:12,291
BUT ACTUALLY, YOU KNOW WHAT,
I KIND OF I'M PAYING FOR
THE ROOF OVER OUR HEAD,
123
00:07:12,333 --> 00:07:14,458
BECAUSE WHO DOES IT?
IT'S MY MOM.
124
00:07:14,500 --> 00:07:18,125
IT'S NOT YOUR MOM,
IT'S MY MOM.
125
00:07:18,166 --> 00:07:23,708
IT IS A BIT WEIRD
THAT WE LIVE IN A ROOF
THAT YOUR MOM HAS PAID FOR.
126
00:07:23,750 --> 00:07:28,125
YOU KNOW WHAT,
WHY DON'T WE JUST GO AND DO
OUR WORK THAT YOUR MOM GAVE US.
127
00:07:28,166 --> 00:07:32,875
OKAY, SO I WOULD LIKE,
FIRST OF ALL,
EVERYONE OFF STAGE. OFF STAGE,
128
00:07:32,916 --> 00:07:35,458
BECAUSE I WANT TO START
FROM THE TOP. THAT WAY.
129
00:07:35,500 --> 00:07:37,875
-[TONYA] WHICH WAY?
-THAT WAY? YEAH.
130
00:07:37,916 --> 00:07:39,375
WHO PUT THE
FUCKING FLOWERS THERE?
131
00:07:39,416 --> 00:07:40,541
LOOK, IN THIS PLACE,
132
00:07:40,583 --> 00:07:42,166
RAN CASSIUS' DAGGER THROUGH.
133
00:07:42,208 --> 00:07:44,125
SEE WHAT A RANT THE
ENVIOUS CASCA MADE.
134
00:07:44,166 --> 00:07:47,750
-AND TONYA GO.
-LOVE IS MERELY A MADNESS.
135
00:07:47,791 --> 00:07:51,375
-CRAIG, DON'T STOP. DON'T STOP.
-[TONYA] DO YOU
WANT ME TO STOP?
136
00:07:51,416 --> 00:07:54,541
JUST LISTEN-- NO, I WANT YOU
GUYS TO KEEP GOING, JUST LISTEN
TO ME, JUST DO IT. JUST DO IT.
137
00:07:54,583 --> 00:07:56,375
-TRUST ME,
I KNOW WHAT I'M DOING.
-[TONYA] AND, I TELL YOU,
138
00:07:56,416 --> 00:07:57,958
DESERVES AS WELL AS
A DARK HOUSE AND A WHIP
139
00:07:58,000 --> 00:08:00,458
THROUGH THIS THE WELL-BELOVED
140
00:08:00,500 --> 00:08:02,625
[CROSS TALKING]
AND AS HE PLUCKED HIS CURSED
STEEL AWAY.
141
00:08:02,666 --> 00:08:04,541
MARK HOW THE BLOOD OF CAESAR
FOLLOWED IT,
142
00:08:04,583 --> 00:08:06,250
AS RUSHING OUT OF DOORS--
143
00:08:06,291 --> 00:08:09,083
WHAT ARE YOU DOING THERE?
WHAT ARE YOU READING?
144
00:08:09,125 --> 00:08:11,250
[CRAIG] IT'S JUST JULIUS CAESAR,
BUT THIS IS UTTERLY POINTLESS
145
00:08:11,291 --> 00:08:13,500
'COS YOU CAN'T HEAR US ALL
AT THE SAME TIME, CAN YOU?
146
00:08:13,541 --> 00:08:16,125
NO, BUT THAT'S THE POINT.
I DON'T WANT TO HEAR
YOU ALL AT THE SAME TIME.
147
00:08:16,166 --> 00:08:19,000
I WANT TO HEAR THE AMBIANCE
OF THE SOUND.
IT'S A WARM-UP FOR ME,
148
00:08:19,041 --> 00:08:21,041
IT'S A WARM-UP FOR ME, OKAY?
I JUST GOT IN HERE.
149
00:08:21,083 --> 00:08:23,125
[TONYA] YOU SHOULD
HAVE WARMED UP BEFORE YOU CAME
TO REHEARSAL JUST LIKE I DID.
150
00:08:23,166 --> 00:08:24,750
ARE YOU SAYING TO ME
WHAT I SHOULD HAVE DONE?
151
00:08:24,791 --> 00:08:26,416
WHAT'S WITH EVERYONE
BEING SO FUCKING
152
00:08:26,458 --> 00:08:29,416
AGGRESSIVE THIS MORNING?
I DON'T UNDERSTAND.
153
00:08:29,458 --> 00:08:32,291
WHAT HAPPENED
TO EVERYONE THIS MORNING.
I WAS FINE!
154
00:08:33,250 --> 00:08:35,625
YOU KNOW WHAT, IF YOU DON'T WANT
TO LISTEN TO ME, THEN DON'T.
155
00:08:35,666 --> 00:08:37,416
DO WHAT YOU THINK IT SHOULD BE
AND I'LL WATCH.
156
00:08:40,375 --> 00:08:43,833
FROM WOMEN'S EYES
THIS DOCTRINE I DERIVE
157
00:08:43,875 --> 00:08:49,500
THEY SPARKLE STILL THE RIGHT
PROMETHEAN FIRE; [LAUGHS].
158
00:08:49,541 --> 00:08:50,666
HI.
159
00:08:50,708 --> 00:08:53,958
HI, I'M RACHEL, OH, MY GOD.
160
00:08:54,000 --> 00:08:56,708
SORRY, WE DON'T HAVE
THE SPACE FOR ANOTHER ACTOR.
161
00:08:56,750 --> 00:08:59,875
[OLIVER] NO, THAT'S RACHEL.
IT'S NOT ANOTHER ACTOR,
IT'S RACHEL, ISN'T IT?
162
00:08:59,916 --> 00:09:01,958
IT'S NOT ONE OF THOSE--
COME YOU, CARRY ON.
163
00:09:02,000 --> 00:09:03,416
HI.
164
00:09:03,458 --> 00:09:05,083
COME HERE.
GO ON, DO IT.
165
00:09:05,125 --> 00:09:06,333
[LAUGHTER]
166
00:09:08,375 --> 00:09:10,541
-[RACHEL] HOW ARE YOU?
-[OLIVER] I'M GOOD, HOW ARE YOU?
167
00:09:10,583 --> 00:09:11,916
-REALLY GOOD.
-I CAN'T BELIEVE THIS.
168
00:09:11,958 --> 00:09:14,208
[GILLIAN] SORRY,
I THOUGHT THAT YOU
169
00:09:14,250 --> 00:09:18,125
WERE AN ACTOR
BECAUSE YOU WERE ON THE STAGE
AND I WAS LIKE "OH".
170
00:09:18,166 --> 00:09:20,291
SORRY, WE GO BACK.
171
00:09:20,333 --> 00:09:23,375
-WE DO.
-AND WE USED TO DO THIS
SHAKESPEARE THING AT SCHOOL.
172
00:09:23,416 --> 00:09:25,416
-DO YOU REMEMBER WHEN
WE HAD TO PAIR UP...
-OF COURSE I DO
173
00:09:25,458 --> 00:09:27,125
-AND DO THE SPEECH AND I JUST...
-OF COURSE!
174
00:09:27,166 --> 00:09:29,083
THOUGHT IT WOULD
BE A FUNNY THING.
175
00:09:29,125 --> 00:09:31,375
SO I JUST GOT UP THERE
AND IT'S QUITE SCARY
176
00:09:31,416 --> 00:09:33,375
WHEN YOU HAVE ALL THE
LIGHTS ON YOU AND STUFF.
177
00:09:33,416 --> 00:09:36,375
YEAH, WELL, THAT'S WHY YOU
HAVE TO BE TRAINED AS AN ACTOR.
178
00:09:37,833 --> 00:09:40,375
GUYS, I'M REALLY SORRY,
I KNOW, THIS ONE--
179
00:09:40,416 --> 00:09:42,833
I DID NOT FORESEE THIS.
180
00:09:42,875 --> 00:09:45,250
AND, YEAH I'M SURE
YOU'RE REALLY GOOD
181
00:09:45,291 --> 00:09:49,750
-AND I'D LOVE TO HEAR--
-FROM WOMEN'S EYES
THIS DOCTRINE I DERIVE,
182
00:09:49,791 --> 00:09:53,958
TO SPARKLE STILL THE
GREAT PROMETHEAN FIRE.
183
00:09:54,000 --> 00:09:56,666
-[OLIVER] WOW!
-WE'RE NOT DOING THAT ONE NOW.
184
00:09:56,708 --> 00:09:58,083
WE'RE NOT DOING THAT ONE.
185
00:09:58,125 --> 00:09:59,375
RIGHT, I'M SORRY, GUYS.
186
00:09:59,416 --> 00:10:00,625
I'M SO SORRY,
THIS IS THE DAY.
187
00:10:00,666 --> 00:10:02,583
THE PAID ONES, THEY'RE LIKE,
188
00:10:02,625 --> 00:10:05,333
STOOD THERE, LIKE READING IT.
SHE DIDN'T EVEN HAVE A BOOK
189
00:10:05,375 --> 00:10:07,791
-AND SHE KNEW IT ALL,
WHEN SHE CAME ON...
-STOP THAT NOW!
190
00:10:07,833 --> 00:10:10,500
-WHAT?
-WHY DON'T WE JUST GO
AND CALL THAT RACHEL NOW.
191
00:10:10,541 --> 00:10:12,958
WE GO AND TAKE A PICTURE OF HER
AND BLOW IT OUT REALLY BIG
192
00:10:13,000 --> 00:10:15,375
AND I'LL PRINT LIKE,
FIVE FUCKING THOUSANDS OF THEM.
193
00:10:15,416 --> 00:10:18,583
AND WE JUST HAVE RACHEL
BE THE POSTER!
194
00:10:18,625 --> 00:10:20,500
AND THEN WE JUST PUT
SHAKESPEARE OVER AND
195
00:10:20,541 --> 00:10:22,083
IT'S JUST RACHEL IT'LL BE LIKE--
196
00:10:22,125 --> 00:10:23,291
YOU KNOW, AND THEN
UNDERNEATH
197
00:10:23,333 --> 00:10:24,541
I PUT-- WE JUST PUTTING
198
00:10:24,583 --> 00:10:26,791
A TINY, TINY, TINY, BIT LITTLE
199
00:10:26,833 --> 00:10:29,750
GIVE ME A LITTLE CORNER
THAT SAYS "BY GILLIAN".
200
00:10:29,791 --> 00:10:33,375
BY GILLIAN BLAH BLAH,
I'M JUST LIKE
"FUCK MY LAST NAME. FUCK IT."
201
00:10:33,416 --> 00:10:35,333
SHALL I LET IT FALL OFF THE END.
I THINK SHE'LL LOOK GREAT.
202
00:10:35,375 --> 00:10:36,458
NOW YOU'RE JUST TAKING THE PISS
203
00:10:36,500 --> 00:10:37,958
I WAS TRYING TO HELP THEN,
204
00:10:38,000 --> 00:10:39,250
JUST SELLING
TICKETS FOR YOUR THING.
205
00:10:40,750 --> 00:10:42,458
YOU WERE PROBABLY DROPPING
BOMBS YESTERDAY, WEREN'T YOU?
206
00:10:42,500 --> 00:10:44,500
"EVERYTHING'S GOING ALRIGHT
LET'S HAVE A CHAT WITH MY DAD."
207
00:10:44,541 --> 00:10:46,250
"HE'S COOL BECAUSE HE IS."
208
00:10:46,291 --> 00:10:50,041
YOU HAVE A GO AT MY MOM
WITH THAT STAB ME.
209
00:10:50,083 --> 00:10:52,083
JIMMY, DID YOU MEET RACHEL?
210
00:10:52,125 --> 00:10:53,291
[GROANING]
211
00:10:53,333 --> 00:10:55,500
[CHATTERING]
212
00:10:55,541 --> 00:10:57,500
DARLING DAVID.
213
00:10:57,541 --> 00:11:02,708
WE'RE SO FULL TONIGHT. I HATE
TO BE THE BEARER OF BAD NEWS.
214
00:11:02,750 --> 00:11:04,333
-I'M SO PROUD.
-[GILLIAN] OLLIE, I'M DYING!
215
00:11:04,375 --> 00:11:05,750
YOU'VE DONE SOMETHING REALLY
IMPORTANT
216
00:11:05,791 --> 00:11:07,708
AND SPECIAL, AND MEANINGFUL.
217
00:11:07,750 --> 00:11:09,750
[JANET] ANY MOTHER-IN-LAW
WOULD BE PROUD OF YOU.
218
00:11:09,791 --> 00:11:10,875
[JANET] YEAH.
219
00:11:10,916 --> 00:11:14,916
[CRIES IN AGONY]
220
00:11:14,958 --> 00:11:16,875
HOLD YOUR WIFE.
221
00:11:16,916 --> 00:11:19,958
-IS SHE OKAY?
-I DON'T KNOW IF SHE'S OKAY.
222
00:11:20,000 --> 00:11:22,041
[GILLIAN] IF YOU WON'T
HELP ME...
223
00:11:22,916 --> 00:11:24,833
[GROANS]
224
00:11:24,875 --> 00:11:26,583
[RACHEL] I'LL SAVE YOU, GILLIAN.
225
00:11:26,625 --> 00:11:28,041
SHE'S KILLING HERSELF.
226
00:11:28,083 --> 00:11:29,208
[GILLIAN LAUGHS]
227
00:11:29,250 --> 00:11:30,833
OH NO, SHE'S DYING.
228
00:11:32,166 --> 00:11:36,708
I LOVED YOU.
ALL I DID WAS LOVE YOU.
229
00:11:36,750 --> 00:11:40,833
HER GUTS ARE ON THE FLOOR,
LET'S PUT THEM BACK IN. SORRY.
230
00:11:40,875 --> 00:11:47,458
I'M SORRY.
I WAS NOT DOING THAT.
I WAS JUST BEING STUPID.
231
00:11:47,500 --> 00:11:49,500
-A BIT OF A DRAMA QUEEN,
ISN'T SHE?
-IT'S WHAT SHE DOES.
232
00:11:49,541 --> 00:11:51,833
-BUT SHE LOVES IT.
-YEAH, SHE DOES, SHE LOVES IT,
233
00:11:51,875 --> 00:11:54,208
-BUT SHE'S DONE
ALL OF THIS, MIND.
-DID SHE?
234
00:11:54,250 --> 00:11:56,708
-YEAH, SHE DID ALL OF THAT.
-HELLO, HOW ARE YOU?
235
00:11:56,750 --> 00:11:58,000
[OLIVER] COME IN HERE
AND DOING HER THING.
236
00:11:58,041 --> 00:11:59,041
OLLIE'S FATHER.
237
00:11:59,083 --> 00:12:00,166
ARE YOU AROUND TONIGHT
238
00:12:00,208 --> 00:12:01,875
TO COME AROUND FOR DINNER?
239
00:12:01,916 --> 00:12:03,875
DAVID, ARE WE AROUND TONIGHT?
240
00:12:03,916 --> 00:12:05,708
CAN WE GO TO
CLARA AND DICKS
241
00:12:05,750 --> 00:12:07,291
WITH HER AND THE REST
OF THE FAMILY?
242
00:12:07,333 --> 00:12:09,166
-OH.
-WE'RE DOING RIBS.
243
00:12:09,208 --> 00:12:10,708
-[DAVID] WHO?
-RIBS.
244
00:12:10,750 --> 00:12:12,625
OH RIBS, SORRY,
THANK YOU VERY MUCH.
245
00:12:12,666 --> 00:12:14,125
ARE YOU COMING, OLLIE POP?
246
00:12:14,166 --> 00:12:16,208
OH!
OH YEAH, I'M GOING.
247
00:12:16,250 --> 00:12:18,250
-AH, GOOD, GOOD.
-YEAH.
248
00:12:18,291 --> 00:12:19,083
THANK GOD FOR THAT.
249
00:12:19,125 --> 00:12:20,083
AND THEN MAKE ME
250
00:12:20,125 --> 00:12:21,250
NOT GO TO THAT MEAL?
251
00:12:22,208 --> 00:12:23,833
YOU WERE, YOU STOPPED ME.
252
00:12:23,875 --> 00:12:26,791
ARE YOU-- "MAKING YOU
NOT GO TO THAT MEAL"?
253
00:12:26,833 --> 00:12:29,750
-WE'VE GOT TO SELL SOME TICKETS.
-YOU SAID SORRY TO ME.
254
00:12:29,791 --> 00:12:31,958
-I DID.
-YOU SAID SORRY
AND THEN IT WAS SO NICE THAT
255
00:12:32,000 --> 00:12:33,583
WE DECIDED TO STAY IN.
AND WE STAYED--
256
00:12:33,625 --> 00:12:36,791
YOU OFFERED TO STAY,
I'M MAKING YOU GO.
257
00:12:36,833 --> 00:12:39,125
SUDDENLY, WE'RE RIGHT
BACK HERE, AREN'T WE?
258
00:12:39,166 --> 00:12:40,250
WE'RE RIGHT BACK.
259
00:12:40,291 --> 00:12:41,833
LOTS OF PEOPLE KNOW HER.
260
00:12:41,875 --> 00:12:46,208
CAN YOU STOP?
PLEASE STOP THIS, OKAY?
261
00:12:46,250 --> 00:12:48,750
IT IS NOT COOL THAT YOU
MAKE THIS WHOLE THING
262
00:12:48,791 --> 00:12:50,083
ABOUT MOTHERFUCKING RACHEL.
263
00:12:50,125 --> 00:12:51,666
[PHONE RINGING]
264
00:12:55,541 --> 00:12:56,958
MIKE.
265
00:12:59,000 --> 00:13:01,375
[MIKE] THE SHAKESPEARE
EXTRAVAGANZA IS OFF.
266
00:13:01,416 --> 00:13:04,625
-WHAT DO YOU MEAN OFF?
-WE'VE HAD SOME SERIOUS HEALTH
267
00:13:04,666 --> 00:13:07,958
AND SAFETY ISSUES
AT THE THEATER TODAY.
THE THEATER IS CLOSED,
268
00:13:08,000 --> 00:13:10,333
I'M UP TO MY FUCKING
EYEBALLS HERE, MATE.
269
00:13:10,375 --> 00:13:14,125
OKAY, BEFORE YOU SAY THE THEATER
IS-- BEFORE YOU ALL GET ALL--
270
00:13:14,166 --> 00:13:18,625
"THE THEATER IS CLOSED,"
HOW LONG IS IT GOING
TO TAKE TO FIX IT?
271
00:13:18,666 --> 00:13:23,625
[MIKE] GOD, WE'RE TALKING
ABOUT AT LEAST TWO,
THREE WEEKS MINIMUM.
272
00:13:23,666 --> 00:13:26,416
THREE WEEKS.
SEE, HE'S PROBABLY GOING
TO SHOW IN FOUR DAYS, MATE.
273
00:13:26,458 --> 00:13:30,083
-BUT YOU CAN'T--
- HOLD UP, WHAT?
274
00:13:30,125 --> 00:13:34,500
I'M NOT PUTTING THE LIVES
OF THE PUBLIC AT RISK.
I'M SORRY, BUT THIS IS IT.
275
00:13:34,541 --> 00:13:37,041
-I'M GOING TO JUMP
IN THE VAN NOW.
-SHIT, YEAH.
276
00:13:37,083 --> 00:13:38,666
I'M UP TO MY
ANKLES IN SHIT.
277
00:13:38,708 --> 00:13:41,083
-OH, MY GOD!
-I CAN'T COME THERE.
278
00:13:41,125 --> 00:13:43,500
OF COURSE
YOU CAN, I CAN'T GET THERE
YOU GOT TO DRIVE ME DOWN THERE.
279
00:13:43,541 --> 00:13:45,416
I DIDN'T REALIZE WHAT TIME
IT IS, I HAVE A MEETING.
280
00:13:45,458 --> 00:13:46,958
GILLIAN'S GOING TO DRIVE ME
281
00:13:47,000 --> 00:13:48,583
-DOWN THERE NOW IN THE VAN
-BUT I HAVE... HAVE...
282
00:13:48,625 --> 00:13:50,083
I'LL SPEAK TO YOU
IN A MINUTE, OKAY?
283
00:13:50,125 --> 00:13:51,541
OKAY, ON THE WAY, ON THE WAY.
284
00:13:51,583 --> 00:13:54,250
OKAY, I'M GOING.
BYE. COME ON.
285
00:13:54,291 --> 00:13:55,833
I'M NOT DRIVING YOU
DOWN THERE NOW.
286
00:13:55,875 --> 00:13:57,208
I ACTUALLY DO HAVE A MEETING.
287
00:13:57,250 --> 00:13:58,416
SCHEDULE IT AGAIN. CHANGE IT.
288
00:13:58,458 --> 00:13:59,583
I'VE BEEN PREPARING FOR THIS.
289
00:13:59,625 --> 00:14:01,083
I'VE ALREADY REDRAFTED THE PLAY,
290
00:14:01,125 --> 00:14:03,250
FOR THIS VERY MEETING.
I HAVE TO GO.
291
00:14:03,291 --> 00:14:04,875
THERE'S SEWAGE SEEPING
292
00:14:04,916 --> 00:14:06,125
ALL THROUGH THE PLACE.
293
00:14:06,166 --> 00:14:07,625
SEEPAGE WERE THE WORDS HE SAID.
294
00:14:07,666 --> 00:14:09,166
-YES.
-IT'S GOING TO BE EVERYWHERE,
295
00:14:09,208 --> 00:14:11,416
-SO WE CAN'T REALLY JUST--
-I'M GOING.
296
00:14:11,458 --> 00:14:13,500
NO, YOU CAN'T JUST GO LIKE THAT.
WHERE DO YOU THINK YOU'RE GOING?
297
00:14:13,541 --> 00:14:16,750
COME ON!
WHAT ARE THEY GONNA--
298
00:14:16,791 --> 00:14:18,166
HOW I'M I GOING TO
GET DOWN THERE NOW?
299
00:14:20,041 --> 00:14:22,083
YOU'RE GOING TO LEAVE
ME HERE LIKE THIS?
300
00:14:22,125 --> 00:14:24,583
[ENGINE STARTS]
HOW I'M I GOING TO
GET TO MIKE'S?
301
00:14:24,625 --> 00:14:26,666
-SORRY?
-ARE YOU SERIOUSLY
JUST GOING TO LEAVE ME
302
00:14:26,708 --> 00:14:28,458
-HERE NOW, KNOWING YOU'RE
JUST GOING TO LEAVE NOW?
-YEAH.
303
00:14:28,500 --> 00:14:30,250
-YOU'RE JUST GOING
TO DRIVE AWAY NOW?
-YEAH.
304
00:14:30,291 --> 00:14:32,125
-BUT I LOVE YOU.
-WHAT? YOU'VE GOT TO BE--
305
00:14:33,958 --> 00:14:35,166
SHE'S BUT--
306
00:14:35,208 --> 00:14:36,625
[MUSIC]
307
00:14:38,958 --> 00:14:40,166
YOU--
308
00:14:40,208 --> 00:14:41,583
[SOFT MUSIC]
309
00:14:56,291 --> 00:14:58,208
OLL? WHAT?
310
00:14:58,250 --> 00:15:00,041
[CHUCKLES] I DON'T KNOW.
311
00:15:01,833 --> 00:15:06,041
I'VE BEEN WALKING LIKE--
AND YOU JUST BEEN--
312
00:15:06,083 --> 00:15:07,458
SITTING.
313
00:15:07,500 --> 00:15:09,166
-HI. [LAUGHS]
-HIYA.
314
00:15:09,208 --> 00:15:11,708
-HI, HI YOU.
-HI.
315
00:15:11,750 --> 00:15:13,958
-LOOK I'M--
-YOU'RE SO FUNNY.
316
00:15:14,000 --> 00:15:15,500
I JUST WANT TO SAY
TO YOU STRAIGHT AWAY
317
00:15:15,541 --> 00:15:17,583
I'M SO SORRY
318
00:15:17,625 --> 00:15:19,666
THAT WE COULDN'T MAKE IT
LAST NIGHT. I'M SO SORRY.
319
00:15:19,708 --> 00:15:24,750
-NOT COOL.
-I KNEW IT WAS GOING TO
BE NOT COOL, BUT AS WELL.
320
00:15:24,791 --> 00:15:28,666
ONE COOKS AND SHOPS
AND CHOPS AND MARINADES, AND...
321
00:15:30,250 --> 00:15:31,416
SIX HOURS.
322
00:15:31,458 --> 00:15:33,666
DELICIOUS STICKY BARBECUE SAUCE.
323
00:15:34,583 --> 00:15:36,166
I'M JOKING. [LAUGHS]
324
00:15:36,208 --> 00:15:38,208
I DON'T GIVE A FUCK.
I'M JOKING.
325
00:15:38,250 --> 00:15:39,583
-OH, REALLY?
-YOU BELIEVED ME.
326
00:15:39,625 --> 00:15:41,291
I DID, I TOTALLY DID
327
00:15:41,333 --> 00:15:43,541
BELIEVE YOU AS WELL, YEAH, WOW.
328
00:15:43,583 --> 00:15:45,958
WHOA, OKAY, SO
WE'RE OKAY, YEAH?
329
00:15:46,000 --> 00:15:47,083
-WE'RE FINE.
-WE'RE GOOD TO FORGET.
330
00:15:47,125 --> 00:15:49,458
WE MISSED YOU AND GILLIAN.
331
00:15:49,500 --> 00:15:52,333
I DID A LITTLE THING FOR HER.
332
00:15:52,375 --> 00:15:53,500
DID YOU?
333
00:15:55,041 --> 00:15:57,958
-IT'S TOO KEEN, ISN'T IT?
-NO, IT'S JUST KIND OF,
YOU KNOW.
334
00:15:58,000 --> 00:15:59,583
IT'S FINE.
335
00:15:59,625 --> 00:16:02,000
SHE'S HARD NUT TO CRACK,
ISN'T SHE?
336
00:16:02,041 --> 00:16:06,375
NO, NOT THAT, YOU CAME INTO
A SLIGHTLY TENSE ENVIRONMENT.
337
00:16:06,416 --> 00:16:08,708
I KNOW YOU'RE A BIT WORRIED
ABOUT IT, BUT GILLIAN
338
00:16:08,750 --> 00:16:11,916
WE WERE TALKING ABOUT YOU,
YOU FANTASTICALLY RUN THE STAGE.
339
00:16:11,958 --> 00:16:14,666
YEAH, YOU WERE IN A BUNCH
OF PROFESSIONAL ACTORS
340
00:16:14,708 --> 00:16:16,875
AND YOU JUST KIND OF,
341
00:16:16,916 --> 00:16:20,541
-ENTERED AND NATURALLY
HAVE A FEEL FOR THE LANGUAGE.
-STOP IT.
342
00:16:20,583 --> 00:16:22,125
YEAH, IT'S JUST THAT
GILLIAN HAS EVEN MENTIONED
343
00:16:22,166 --> 00:16:24,041
ABOUT YOU MAYBE KIND OF
344
00:16:24,083 --> 00:16:26,291
ON A POSTER
OR SOMETHING IF WE COULD--
345
00:16:26,333 --> 00:16:27,958
OKAY, YOU'RE TAKING
THE MICK NOW.
346
00:16:28,000 --> 00:16:30,166
I WISH I WAS,
BUT I'M NOT. THAT WAS ALL HER.
347
00:16:30,208 --> 00:16:31,791
-BECAUSE I'VE ALWAYS
THOUGHT ABOUT IT.
-IT WAS ALL HER.
348
00:16:31,833 --> 00:16:32,958
WE WERE TALKING ABOUT IT.
349
00:16:33,000 --> 00:16:34,208
FROM WOMEN'S EYES
350
00:16:34,250 --> 00:16:37,083
THIS DOCTRINE I DERIVE
351
00:16:37,125 --> 00:16:42,208
TO SPARKLE STILL THE
RIGHT PROMETHEAN FIRE.
352
00:16:42,250 --> 00:16:44,916
HARK, WHAT IS THAT I HEAR?
353
00:16:44,958 --> 00:16:47,083
GILLIAN'S MEN ARE SLAYING?
354
00:16:47,125 --> 00:16:49,708
I MUST GO
IN THE MIDDLE OF THE NIGHT
355
00:16:49,750 --> 00:16:52,208
AND SEEK FOR ALL OF US COMFORT.
356
00:16:52,250 --> 00:16:56,000
LOOK, I'M REALLY SORRY,
BUT I'VE GOT TO GO.
357
00:16:56,041 --> 00:16:58,125
-OH, YEAH.
-I'M SORRY, I'M NOT GOING
TO ALWAYS DO THIS TO YOU,
358
00:16:58,166 --> 00:17:00,458
BUT I'VE GOT TO GET
TO THE PAVILION.
359
00:17:00,500 --> 00:17:02,750
-I'LL WALK WITH YOU.
-ARE YOU SURE?
I DON'T WANT TO FORCE YOU TO GO.
360
00:17:02,791 --> 00:17:04,708
-NO, NO. I WAS GOING THAT WAY.
-YEAH?
361
00:17:04,750 --> 00:17:07,041
YEAH, YEAH.
IT IS SO NICE TO SEE YOU.
[PHONE RINGING]
362
00:17:07,083 --> 00:17:09,208
[VOICE MAIL] HELLO, YOU'VE GOT
THROUGH TO OLIVER'S PHONE,
363
00:17:09,250 --> 00:17:12,083
PLEASE LEAVE A MESSAGE
AFTER THE TONE.
364
00:17:13,500 --> 00:17:16,041
HI, OLLIE, IT'S GILLIAN.
365
00:17:16,083 --> 00:17:21,083
I GOT HERE IN ONE PIECE, AND...
366
00:17:22,166 --> 00:17:26,875
LISTEN, I'M SORRY FOR THE WAY
EVERYTHING JUST WENT DOWN.
367
00:17:26,916 --> 00:17:29,041
I WAS JUST TOO NERVOUS
ABOUT THIS MORNING
368
00:17:29,083 --> 00:17:31,208
AND I SHOULD HAVE BEEN
MORE COMMUNICATIVE.
369
00:17:32,208 --> 00:17:33,541
I WISH I COULD GET YOU
ON THE PHONE.
370
00:17:33,583 --> 00:17:37,583
I WAS THINKING
ABOUT THE SHOW,
371
00:17:37,625 --> 00:17:42,958
AND I THOUGHT MAYBE
WHAT IF WE JUST CHANGED
THE VENUE OR LIKE PUSH IT BACK?
372
00:17:43,000 --> 00:17:45,291
I MEAN THESE KINDS
OF THINGS HAPPEN.
373
00:17:45,333 --> 00:17:48,375
I MEAN, THIS IS NOT THE END,
THE BE-ALL END-ALL.
374
00:17:48,416 --> 00:17:52,500
AND, ANYWAY, LET ME KNOW
WHAT YOU THINK
375
00:17:52,541 --> 00:17:59,458
AND I LOVE YOU AND CALL
ME LATER. OKAY, BYE.
376
00:18:01,541 --> 00:18:03,250
[CHEERFUL MUSIC]
377
00:18:08,583 --> 00:18:13,041
-CAN I SHOW YOU SOMETHING?
IT STARTED GROWING.
-YOU HAVE AS WELL.
378
00:18:13,083 --> 00:18:14,541
I HAVE.
379
00:18:14,583 --> 00:18:17,791
IT DOES--
-DID YOU JUST SNIFF YOUR ARMPIT?
380
00:18:17,833 --> 00:18:20,791
DID YOU JUST [SNIFFS]
YOUR OWN ARMPIT?
381
00:18:20,833 --> 00:18:22,416
DON'T YOU FIND
IT SORT OF SEXY?
382
00:18:38,958 --> 00:18:41,166
NO, YOU DON'T
HAVE TO DO THAT.
383
00:18:41,208 --> 00:18:42,583
WHY? WHAT?
384
00:18:42,625 --> 00:18:44,125
IT'S ALRIGHT,
YOU DON'T HAVE TO.
385
00:18:44,166 --> 00:18:45,125
COME BACK UP HERE.
386
00:18:46,250 --> 00:18:48,166
SORRY, IT DOESN'T WORK FOR ME.
387
00:18:49,416 --> 00:18:52,750
-OKAY. YEAH.
-ALRIGHT, I DON'T--
IT'S NOT YOU.
388
00:18:52,791 --> 00:18:55,333
I JUST DON'T,
YOU KNOW I DON'T--
ANYONE, NOT WITH ANYONE.
389
00:18:55,375 --> 00:18:57,500
-I JUST DON'T--
-I'M NOT-- I JUST DON'T.
390
00:18:59,708 --> 00:19:01,541
[CHEERFUL MUSIC]
391
00:19:05,208 --> 00:19:07,541
[MOANS]
392
00:19:08,708 --> 00:19:11,791
NO, DON'T COME IN.
DON'T COME IN.
YOU ARE NOT COMING IN.
393
00:19:11,833 --> 00:19:14,166
-THE WHOLE THING'S FUCKED UP.
-YEAH, BUT IT'S
GOING TO BE ALRIGHT.
394
00:19:14,208 --> 00:19:16,166
-NO.
-WE'VE GOT FOUR DAYS, SO THAT'S
GOING TO BE PLENTY OF TIME.
395
00:19:16,208 --> 00:19:17,666
IT'S NOT GOING TO BE
ALRIGHT FOR WEEKS.
396
00:19:17,708 --> 00:19:19,125
CAN I HAVE A LOOK?
397
00:19:19,166 --> 00:19:21,125
YOU DON'T WANT TO SEE.
LOOK, LOOK.
398
00:19:21,166 --> 00:19:23,333
-I DO WANT--
-JUST CANCEL IT. YOU'RE GONNA
HAVE TO DO
399
00:19:23,375 --> 00:19:26,791
YOUR SHAKESPEARE
SOMEWHERE ELSE.
IT'S OFF, IT'S NOT MY PROBLEM.
400
00:19:26,833 --> 00:19:30,791
THIS JUST SEEMS LIKE
SUCH A SHAME REALLY, BECAUSE
YOU PUT SO MUCH WORK INTO THIS.
401
00:19:30,833 --> 00:19:34,791
THAT'S ONE OF THE THINGS YOU
DO HAVE, YOU HAVE A GREAT SHOW,
402
00:19:34,833 --> 00:19:38,375
YOU HAVE A
403
00:19:38,416 --> 00:19:42,125
TALENTED DIRECTOR,
YOU HAVE PEOPLE WHO ARE COMING.
404
00:19:42,166 --> 00:19:45,375
-WHAT YOU'RE MISSING IS A VENUE.
-YEAH, WE HAVEN'T
GOT THAT ANYMORE, HAVE WE?
405
00:19:45,416 --> 00:19:48,083
-THAT'S WHAT WE'VE
NOT GOT, IS THAT.
-WHY DON'T I CALL MY DAD AND SEE
406
00:19:48,125 --> 00:19:52,708
IF WE CAN GET LIKE SOME
SORT OF TEMPORARY STRUCTURE OR
407
00:19:52,750 --> 00:19:54,250
SOME SORT OF, I DON'T KNOW,
408
00:19:54,291 --> 00:19:56,416
UHM, MARQUEE OR SOMETHING.
409
00:20:00,083 --> 00:20:01,375
A MARQUEE WOULD WORK,
COULDN'T IT?
410
00:20:03,791 --> 00:20:06,750
-[JERRY] THIS IS IT.
-OH, MY GOD.
411
00:20:06,791 --> 00:20:09,541
-MY WOMAN CAVE.
-WOW!
412
00:20:09,583 --> 00:20:11,958
-INCREDIBLE, ISN'T IT.
-GOD, IT'S AMAZING.
413
00:20:12,000 --> 00:20:15,875
IT'S AMAZING.
IT GIVES ME VERTIGO
JUST LOOKING AT IT.
414
00:20:15,916 --> 00:20:17,875
I MEAN, WE CAN HAVE ABOUT
FIVE MINUTES HERE.
415
00:20:17,916 --> 00:20:21,333
THANKS, YEAH, I'D LOVE THAT.
[YELLS] OH, MY GOD.
416
00:20:21,375 --> 00:20:25,833
I KNOW, IT'S AMAZING.
[HOWLS] OH, MY GOD,
THE SOUND IS SO GOOD.
417
00:20:25,875 --> 00:20:27,500
I KNOW.
418
00:20:27,541 --> 00:20:30,375
[SINGING]
419
00:20:30,416 --> 00:20:33,458
[LAUGHS] YOU'D HAVE
TO BE A TRAINED SINGER
420
00:20:33,500 --> 00:20:35,458
TO MAKE THAT SOUND
GOOD, BUT [SCREAMS].
421
00:20:35,500 --> 00:20:37,666
HOO!
IT'S FUN, ISN'T IT?
422
00:20:37,708 --> 00:20:39,833
[HOWLS]
423
00:20:42,916 --> 00:20:47,000
NO, BUT JUST HOLD ON.
[HOWLS] YEAH.
424
00:20:47,041 --> 00:20:50,125
-YEAH.
-YEEHAW!
425
00:20:50,166 --> 00:20:51,708
[LAUGHTER]
426
00:20:52,750 --> 00:20:55,583
-DON'T TOUCH THAT.
-NO, I WASN'T ACTUALLY.
427
00:20:55,625 --> 00:21:00,708
IT'S SORT OF GREASEPROOF.
IF YOU'RE WORRIED
ABOUT HOW FAR BACK IT GOES
428
00:21:00,750 --> 00:21:04,166
-IT GOES BACK A FUCK UP
A LONG WAY.
-RIGHT, YEAH.
429
00:21:04,208 --> 00:21:07,500
THEIR APARTMENT, I THINK IS
GOING TO BE ON THIS SIDE
AND THEN TO THE LEFT OF IT
430
00:21:07,541 --> 00:21:10,000
IS GOING TO BE, YOU KNOW,
EVERYTHING ELSE HAPPENED OUTSIDE
431
00:21:10,041 --> 00:21:12,708
THE APARTMENT, BUT YOU'LL
ALWAYS SEE THE APARTMENT.
432
00:21:12,750 --> 00:21:16,166
AND THEN I WAS THINKING, WHEN
THEY'RE WATCHING THAT PLAY
433
00:21:16,208 --> 00:21:18,208
YOU KNOW, I THINK IT'S
GOING TO BE SOMETHING
A BIT LIKE HAMILTON.
434
00:21:18,250 --> 00:21:20,791
THEY'RE SITTING ON THEIR CHAIRS,
THEY'RE SITTING SIDE BY SIDE,
435
00:21:20,833 --> 00:21:24,791
THE AUDIENCE IS THE
AUDIENCE, WHO DO YOU FANCY?
436
00:21:24,833 --> 00:21:28,625
THEN IT'S REALLY SMALL, LIKE...
WHICH IS NICE IN CONTRAST TO
HOW BIG THE ROOM IS.
437
00:21:28,666 --> 00:21:31,375
THEN HE'S LIKE
"NOT GOING TO ANSWER THAT,
THAT'S A TRICK QUESTION."
438
00:21:31,416 --> 00:21:33,833
AND THEN SHE'S LIKE,
"JUST TELL ME WHO YOU FANCY
I DON'T THINK YOU WANT
439
00:21:33,875 --> 00:21:39,916
-TO FUCK THEM OR ANYTHING
BUT WHO DO YOU FANCY?"
-OSCAR, I READ YOUR LETTER.
440
00:21:39,958 --> 00:21:43,958
-I DON'T DO IT GOOD
BECAUSE I'M NOT AN ACTOR BUT--
-I DON'T WANT TO GO THROUGH IT.
441
00:21:44,000 --> 00:21:47,750
HE'S LIKE,
"SHUT THE FUCK UP, RACHEL"
YOU KNOW, BECAUSE HE LOVES HER.
442
00:21:47,791 --> 00:21:51,708
I LOVE SAYING FUCK
IN THIS ROOM IN PARTICULAR
BECAUSE IT FEELS LIKE
443
00:21:51,750 --> 00:21:56,791
SUCH A-- WITH THIS, THE
ACOUSTICS IN HERE
I THINK WILL BE REALLY--
444
00:21:56,833 --> 00:22:00,666
IF YOU CAN GET FUCKING TO IT,
THEN THAT WILL SELL TICKETS.
445
00:22:00,708 --> 00:22:03,000
-AS MANY FUCKS
ON THE PAGE AS YOU CAN.
-YEAH.
446
00:22:03,041 --> 00:22:06,083
-A COUPLE OF CUNTS,
THAT BUMS ON SEATS.
-I CAN DO THAT. YEAH.
447
00:22:06,125 --> 00:22:07,666
-BECAUSE YOU'RE A FEMALE WRITER
-YEAH.
448
00:22:07,708 --> 00:22:09,666
SO PEOPLE, THEY DON'T
WANT TO COME IN
449
00:22:09,708 --> 00:22:11,958
AND WATCH SOMETHING ABOUT
A '50S HOUSEWIFE, YOU KNOW?
450
00:22:12,000 --> 00:22:14,166
-NO.
-THEY WANT TO COME IN AND
THEY WANT TO SEE SOME FUCKING
451
00:22:14,208 --> 00:22:17,416
SOME RIMMING, AND SOME LIKE,
FISTING, AND WHATEVER
YOU'VE GOT.
452
00:22:17,458 --> 00:22:19,708
I WANT TO EAT YOUR BODY,
I WANT TO EAT YOU.
453
00:22:19,750 --> 00:22:21,708
LIKE YOU KNOW WHEN
YOU LOVE SOMEONE SO MUCH
454
00:22:21,750 --> 00:22:25,166
THAT YOU JUST
WANT TO CONSUME THEM?
455
00:22:25,208 --> 00:22:27,333
YOU WISH YOU COULD PUT
THAT PERSON INSIDE YOU.
456
00:22:27,375 --> 00:22:28,750
DO YOU WANT TO GO TO LUNCH?
457
00:22:30,375 --> 00:22:32,208
-YEAH.
-ARE YOU HUNGRY?
458
00:22:33,375 --> 00:22:38,166
OH, SO, OK. YEAH,
I AM STARVING ACTUALLY.
I WOULD LOVE, YEAH.
459
00:22:38,208 --> 00:22:40,208
-I'M BUYING.
-THANK YOU.
460
00:22:40,250 --> 00:22:42,041
[MUSIC]
461
00:22:48,750 --> 00:22:50,000
[PHONE RINGS]
462
00:22:52,083 --> 00:22:54,666
-OH, IT'S GERALD.
-RIGHT, RIGHT, RIGHT.
463
00:22:57,375 --> 00:23:00,083
HI GERALD, IT'S RACHEL.
464
00:23:00,125 --> 00:23:03,583
THANKS FOR CALLING ME BACK.
RACHEL, DICK'S DAUGHTER.
465
00:23:04,625 --> 00:23:09,250
DICK. DICK.
YES, HIS DAUGHTER.
466
00:23:09,291 --> 00:23:12,333
HI, SOME FRIENDS OF MINE,
LOVELY PEOPLE,
467
00:23:12,375 --> 00:23:14,541
THEY'VE PUT TOGETHER
THIS SHAKESPEARE FESTIVAL.
468
00:23:14,583 --> 00:23:18,416
THEY'RE REALLY INTO PLAYS
AND ACTORS AND THINGS.
469
00:23:18,458 --> 00:23:21,416
AND UNFORTUNATELY,
THE PAVILION THAT THEY
WERE GOING TO HOST IT AT
470
00:23:21,458 --> 00:23:22,958
HAS FALLEN THROUGH.
471
00:23:27,625 --> 00:23:31,000
YEAH, NO, I DIDN'T
THINK THAT WOULD--
472
00:23:33,458 --> 00:23:36,166
AMAZING!
THANK YOU!
473
00:23:36,208 --> 00:23:38,291
THANK YOU, GERALD,
THAT'S SO KIND.
474
00:23:39,291 --> 00:23:40,291
YEAH, I'M ON FACEBOOK.
475
00:23:42,833 --> 00:23:45,125
OKAY, BYE NOW.
476
00:23:45,166 --> 00:23:50,375
YEAH, BYE, WILL DO.
YEAH, BYE. DONE.
477
00:23:50,416 --> 00:23:53,416
JUST DONE?
DONE? WE'VE GOT A MARQUEE?
478
00:23:53,458 --> 00:23:56,416
-WE HAVE A MARQUEE.
-WE'VE GOT A MARQUEE!
WE'VE GOT A MARQUEE!
479
00:23:56,458 --> 00:23:57,625
WE'VE GOT A MARQUEE!
480
00:23:57,666 --> 00:23:59,916
[LAUGHTER]
481
00:24:03,625 --> 00:24:05,916
[CLEARS THROAT]
482
00:24:06,958 --> 00:24:07,875
WE'VE GOT A MARQUEE!
[LAUGHTER]
483
00:24:09,208 --> 00:24:10,666
-WE'VE GOT A MARQUEE!
-ARE YOU SERIOUS?
484
00:24:10,708 --> 00:24:13,291
I MEAN I--
I MADE ONE CALL.
485
00:24:13,333 --> 00:24:16,208
CONGRATULATIONS.
TO THE MARQUEE.
486
00:24:16,250 --> 00:24:18,500
-TO THE MARQUEE.
-TO THE MARQUEE.
487
00:24:18,541 --> 00:24:20,125
-YEAH.
-WE'VE GOT A MARQUEE.
488
00:24:20,166 --> 00:24:22,000
-YOU'VE GOT A MARQUEE.
-DON'T MOVE.
489
00:24:22,041 --> 00:24:24,000
I'VE GOT HALF A MARQUEE
WITH YOU.
490
00:24:24,041 --> 00:24:25,708
I'VE GOT HALF A MARQUEE
WITH YOU, MATE.
491
00:24:39,708 --> 00:24:41,041
[SIGHS]
492
00:24:42,500 --> 00:24:45,125
GOD, IT'S SO SLOW,
I CAN'T BELIEVE IT.
493
00:24:45,166 --> 00:24:47,083
OKAY.
DOWNING ONE.
494
00:24:53,125 --> 00:24:57,416
OOOH, I JUST FIND THAT
WAKES ME UP FOR SOME REASON.
495
00:24:57,458 --> 00:24:59,291
I KNOW. NO, IT BURNS
REALLY GOOD RIGHT HERE.
496
00:24:59,333 --> 00:25:02,041
HERE I'M KIND OF A BIG FISH
IN A SMALL POND,
497
00:25:02,083 --> 00:25:04,583
-BUT I LIKE BEING A BIG FISH.
-YEAH, WHO DOESN'T?
498
00:25:04,625 --> 00:25:06,625
WHO WOULD WANT TO BE
A SMALL FISH?
499
00:25:06,666 --> 00:25:09,041
-DO YOU KNOW WHAT I MEAN?
-I'M SORT OF A BIG FISH
IN A SMALL POND TOO IN THE SENSE
500
00:25:09,083 --> 00:25:11,041
THAT AMONGST MY FRIENDS
501
00:25:11,083 --> 00:25:14,208
I'M LIKE THE LOUDEST,
FUNNIEST ONE.
502
00:25:14,250 --> 00:25:18,083
YEAH, THAT'S SO FUNNY,
WE HAVE SO MUCH IN COMMON.
503
00:25:18,125 --> 00:25:22,500
-YEAH.
-I'VE HAD SEVERAL REALLY
TERRIBLE EXPERIENCES WITH MEN
504
00:25:22,541 --> 00:25:24,333
AND THAT'S WHAT I LIKED
ABOUT YOUR PLAY.
505
00:25:24,375 --> 00:25:30,625
YOU JUST CAPTURED THE COMPLETE
POINTLESSNESS OF MEN.
506
00:25:32,333 --> 00:25:34,958
-RIGHT.
-I SEE YOU AS A BRIGHT LIGHT.
507
00:25:36,083 --> 00:25:39,458
AND I MEAN, YOU KNOW, THERE'S
A POINT IN YOUR LIFE
WHERE YOU HAVE TO SAY
508
00:25:39,500 --> 00:25:45,041
"I'M GREAT, I'M FANTASTIC.
I AM THE LIGHT. I AM THE LIGHT."
509
00:25:45,083 --> 00:25:47,041
I SAY IT TO MYSELF
ALL THE TIME.
510
00:25:47,083 --> 00:25:48,833
"I'M A FANTASTIC WOMAN."
511
00:25:50,083 --> 00:25:52,125
I LOOK IN THE MIRROR
AND I THINK:
512
00:25:52,166 --> 00:25:55,500
-"YEAH, YOU DON'T
NEED ANYONE."
-YEAH.
513
00:25:55,541 --> 00:25:59,958
AND WHO NEEDS A RELATIONSHIP
WHEN THEY KEEP FUCKING YOU UP?
514
00:26:00,000 --> 00:26:04,000
[LAUGHS] DO YOU KNOW WHAT
I JUST FEEL LIKE YOU'RE
ALL THE WAY OVER THERE
515
00:26:04,041 --> 00:26:09,083
-YEAH.
-AND I'M SORT OF SHOUTING
AND THERE'S A SPACE HERE.
516
00:26:11,541 --> 00:26:13,291
THE THING IS, I SHOULD HAVE
SAT THERE IN THE BEGINNING
517
00:26:13,333 --> 00:26:15,666
BUT I REALLY HAVE TO GO NOW
518
00:26:15,708 --> 00:26:19,166
-WHY?
-BECAUSE I FEEL LIKE I'VE
HAD ONE TOO MANY ALREADY
519
00:26:19,208 --> 00:26:22,083
AND I SHOULD GET GOING.
YOU KNOW IT'S JUST--
520
00:26:22,125 --> 00:26:25,708
THAT'S A SHAME, I JUST
FEEL LIKE WE'VE GOT MUCH
MORE TO TALK ABOUT THE PLAY.
521
00:26:27,375 --> 00:26:28,875
-YEAH.
-DO YOU KNOW WHAT I MEAN?
522
00:26:28,916 --> 00:26:31,000
ABSOLUTELY.
I AGREE ACTUALLY,
523
00:26:31,041 --> 00:26:33,333
I DON'T EVEN KNOW
WHAT I WAS THINKING.
524
00:26:33,375 --> 00:26:35,833
I MEAN WHAT ARE
YOUR PRIORITIES, RIGHT?
525
00:26:36,916 --> 00:26:41,708
-ARE YOU ASKING ME?
-YEAH, I WANT TO GET
INTO THE CORE OF YOU.
526
00:26:41,750 --> 00:26:44,125
YOU'VE GOT SO MUCH GOING
FOR YOU, YOU'RE PHOTOGENIC.
527
00:26:44,166 --> 00:26:46,083
I DON'T WANT TO BE
LIKE, SLEAZY ABOUT THAT
528
00:26:46,125 --> 00:26:49,125
BUT THE THING IS THAT SELLS.
YOU CAN DO A LOT OF PRESS.
529
00:26:49,166 --> 00:26:51,708
-OH MY GOD.
-SO WE'RE GOING TO
PUT YOU ON THE POSTER.
530
00:26:51,750 --> 00:26:54,791
-WHAT DO YOU MEAN I'M
GOING ON A POSTER?
-OF COURSE YOU ARE.
531
00:26:54,833 --> 00:26:58,875
SHUT UP. I MEAN, I WOULD
ACTUALLY LIKE TO KEEP MY FACE
OUT OF IT AS MUCH POSSIBLE.
532
00:26:58,916 --> 00:26:59,833
-NO.
-NO?
533
00:26:59,875 --> 00:27:00,875
-NO.
-OKAY.
534
00:27:00,916 --> 00:27:03,000
NO. I GOT TO PUT A-- NO.
535
00:27:03,041 --> 00:27:06,625
-WHY?
-YOU ARE THE PLAY.
536
00:27:06,666 --> 00:27:08,791
-I'M THE PLAY?
-YOU ARE THE PLAY.
537
00:27:08,833 --> 00:27:12,416
WELL, I JUST SORT OF THOUGHT
THE PLAY WAS THE PLAY.
538
00:27:12,458 --> 00:27:17,541
I JUST THINK A COUPLE MORE
OF THIS AND THE PLAY IS ON.
539
00:27:18,833 --> 00:27:24,166
WAIT, WHAT DO YOU MEAN
THE PLAY IS ON? CLARIFY.
540
00:27:26,625 --> 00:27:30,041
OH, MY GOD, YEAH,
THE PLAY IS ON.
541
00:27:30,083 --> 00:27:31,666
LET'S GET A PEN AND PAPER.
542
00:27:31,708 --> 00:27:34,583
NO, LET'S FUCKING
CARVE IT IN MY ARMS.
543
00:27:34,625 --> 00:27:38,500
-LET'S GET ANOTHER DRINK.
-I WOULD LOVE ANOTHER ONE,
THANK YOU.
544
00:27:38,541 --> 00:27:40,875
-THE SAME AGAIN OR TWO?
-OKAY.
545
00:27:40,916 --> 00:27:42,916
-TWO AND A SHOT?
-OKAY, OKAY, OKAY.
546
00:27:42,958 --> 00:27:46,250
-ABSOLUTELY FINE,
LET'S DRINK UP.
-YEAH, OKAY.
547
00:27:46,291 --> 00:27:47,666
THANK YOU.
548
00:27:49,291 --> 00:27:50,916
[CHEERFUL MUSIC]
549
00:27:53,291 --> 00:27:55,791
[ROCK MUSIC]
550
00:28:34,208 --> 00:28:36,250
[JEFF] SHE LEFT ME FOR
ANOTHER WOMAN.
551
00:28:36,291 --> 00:28:39,333
-I'M A LAUGHING STOCK.
-SHE DOESN'T GET YOU.
552
00:28:39,375 --> 00:28:41,750
-SHE DOESN'T GET YOU.
-SHE DOESN'T GET ESSENCE OF ME.
553
00:28:41,791 --> 00:28:44,083
EVEN MY KIDS THINK I'M AN IDIOT.
554
00:28:44,125 --> 00:28:46,000
WHO CARES ABOUT IT?
WHO CARES, REALLY?
555
00:28:46,041 --> 00:28:48,833
BUT I STILL LOVE HER.
I LOVE HER SO MUCH.
556
00:28:50,125 --> 00:28:52,291
OH, MY GOD.
557
00:28:53,541 --> 00:28:56,083
LOOK AT THIS HAIR.
558
00:28:56,125 --> 00:28:58,541
[INDISTINCT]
559
00:28:59,500 --> 00:29:01,375
[LOUD MUSIC]
560
00:29:01,416 --> 00:29:02,916
[PHONE RINGS]
561
00:29:04,458 --> 00:29:06,958
-HELLO!
-OLIVER!
562
00:29:07,000 --> 00:29:08,625
YEAH. HELLO,
YOU ALRIGHT?
563
00:29:08,666 --> 00:29:12,166
YEAH, I'M GOOD.
WHAT ARE YOU DOING?
564
00:29:12,208 --> 00:29:16,083
WAIT A MINUTE, IT'S QUITE
LOUD HERE, WAIT A MINUTE.
565
00:29:16,125 --> 00:29:17,416
YEAH, ARE YOU ALRIGHT?
566
00:29:19,333 --> 00:29:21,750
YEAH, IT'S ALL GOOD,
JUST HAVING A COUPLE OF PEOPLE.
567
00:29:21,791 --> 00:29:24,416
NOTHING, JUST LISTENING TO
STUFF. ARE YOU ALRIGHT?
568
00:29:24,458 --> 00:29:28,166
THAT SOUNDS FUN.
THAT SOUNDS SO--
I'M STILL IN CARDIFF.
569
00:29:28,208 --> 00:29:30,750
-IT WENT SO WELL.
-OKAY.
570
00:29:30,791 --> 00:29:32,708
-SO WELL!
-GOOD, GOOD.
571
00:29:32,750 --> 00:29:37,125
-OLLIE, ARE YOU THERE?
-YEAH, I'M HERE, I'M HERE.
572
00:29:37,166 --> 00:29:39,833
I SAID MY PLAY IS
GOING TO GET PRODUCED.
573
00:29:39,875 --> 00:29:43,166
THAT'S GREAT STUFF, THAT'S GOOD,
SO WHEN ARE YOU COMING HOME?
574
00:29:44,041 --> 00:29:47,625
WELL, HERE'S THE THING I'VE HAD
A COUPLE OF DRINKS, NOT MANY.
575
00:29:47,666 --> 00:29:52,000
NOT LIKE A--
JUST LIKE ONE OR TWO,
BUT I DON'T WANT TO DRIVE
576
00:29:52,041 --> 00:29:53,541
BECAUSE I THINK THAT
WOULD BE IRRESPONSIBLE.
577
00:29:53,583 --> 00:29:55,916
I THOUGHT YOU
WERE AT A MEETING.
578
00:29:57,000 --> 00:29:58,208
I THOUGHT YOU
HAD A MEETING.
579
00:29:58,250 --> 00:30:00,208
YOU'RE RIGHT, I KNOW. I WAS,
580
00:30:00,250 --> 00:30:04,500
BUT WE HAD A DRINK TO
CELEBRATE. BECAUSE YOU KNOW...
581
00:30:04,541 --> 00:30:05,916
ARE YOU GOING TO
GET BACK THEN?
582
00:30:05,958 --> 00:30:08,750
DO YOU WANT ME TO COME HOME?
583
00:30:08,791 --> 00:30:11,750
-YEAH, OF COURSE, I DO.
YOU JUST--
-DO YOU?
584
00:30:11,791 --> 00:30:14,333
-YEAH, COURSE I DO. OF COURSE,
I WANT YOU TO COME BACK.
-I WANT TO COME HOME.
585
00:30:14,375 --> 00:30:15,875
WELL, YEAH.
WHERE ELSE ARE YOU GOING TO GO
586
00:30:15,916 --> 00:30:17,333
IF YOU DON'T COME HOME?
587
00:30:17,375 --> 00:30:19,250
-ALRIGHT.
-I LOVE YOU.
588
00:30:19,291 --> 00:30:20,875
YEAH!
YEAH!
589
00:30:20,916 --> 00:30:23,666
-OKAY.
-IT'S GOOD HERE.
IT'S GOOD, YEAH.
590
00:30:23,708 --> 00:30:25,791
-OKAY.
-ALRIGHT, THEN.
591
00:30:25,833 --> 00:30:28,000
-I WAS HOPING--
-JUST GET IN A TAXI,
I'LL SEE YOU IN A BIT.
592
00:30:28,041 --> 00:30:30,041
-YEAH, I'LL JUMP IN A CAB.
-I'LL SEE YOU
593
00:30:30,083 --> 00:30:31,333
WHEN YOU GET BACK HERE, YEAH?
594
00:30:32,375 --> 00:30:34,416
CAN I--
HEY, OLLIE, OLLIE, OLLIE.
595
00:30:36,416 --> 00:30:37,500
GREAT.
596
00:30:41,458 --> 00:30:46,125
-WOW, WE'RE GOING THERE,
AREN'T WE?
-CHEERS.
597
00:30:51,541 --> 00:30:53,708
-DO YOU WANT TO
COME TO MY PLACE?
-YES.
598
00:30:55,375 --> 00:30:56,791
YEAH.
599
00:30:56,833 --> 00:30:58,708
[ROCK MUSIC]
600
00:31:05,666 --> 00:31:09,791
WHEN I MEET GILL,
I MEAN THE GIRL THAT HE MEETS
601
00:31:09,833 --> 00:31:12,708
SORT OF THIS NICE,
NORMAL GIRL.
602
00:31:12,750 --> 00:31:14,958
YOU LOOK AMAZING IN THAT.
603
00:31:15,000 --> 00:31:15,958
IN THIS?
604
00:31:22,166 --> 00:31:23,833
SLOWLY KISS ME.
605
00:31:27,625 --> 00:31:29,833
[ROCK MUSIC]
606
00:31:29,875 --> 00:31:32,083
[MUTED TALK]
607
00:31:34,833 --> 00:31:37,083
[MUTED TALK]
608
00:31:47,750 --> 00:31:49,916
-KISS ME.
-JUST KISS YOU?
609
00:31:49,958 --> 00:31:54,000
-YOU'RE NOT SCARED, ARE YOU?
-NO, I'M JUST-- I'M NOT.
610
00:31:54,041 --> 00:31:56,166
[ROCK MUSIC]
611
00:32:09,291 --> 00:32:10,458
[LAUGHTER]
612
00:32:12,625 --> 00:32:15,916
-OH, MY GOD.
-WHAT?
613
00:32:15,958 --> 00:32:17,375
SOME MORE KISSING, IS IT?
614
00:32:17,416 --> 00:32:18,541
[ELECTRIC GUITAR]
615
00:32:40,541 --> 00:32:41,625
[MUSIC ENDS]
616
00:32:41,666 --> 00:32:43,916
[SNORING]
617
00:32:45,916 --> 00:32:48,708
[KNOCK ON THE DOOR]
618
00:32:48,750 --> 00:32:51,916
[HEAVY BREATHING]
619
00:32:51,958 --> 00:32:53,416
[KNOCKING]
620
00:32:53,458 --> 00:32:54,416
[LOUD KNOCKING]
621
00:32:57,750 --> 00:32:59,583
AH, FUCKING HELL.
622
00:33:03,041 --> 00:33:05,333
OH, MY GOD, BABE,
WHERE HAVE YOU BEEN?
623
00:33:05,375 --> 00:33:07,750
-ARE YOU ALRIGHT?
-MM-HMM.
624
00:33:08,833 --> 00:33:10,000
[OLIVER MOANS]
625
00:33:11,625 --> 00:33:15,625
-WHERE HAVE YOU BEEN?
-I'VE BEEN OUT.
626
00:33:15,666 --> 00:33:18,583
-I'VE BEEN OUT.
-OUT? THAT'S WHAT
I'M GOING TO GET? OUT?
627
00:33:18,625 --> 00:33:19,833
[MOANING]
628
00:33:19,875 --> 00:33:21,500
COME ON,
HOW DID YOU NOT--
629
00:33:21,541 --> 00:33:24,791
I LOVE YOU. JUST COME HERE,
JUST SHUT UP.
630
00:33:24,833 --> 00:33:26,541
JUST SHUT UP,
AND COME AND CUDDLE.
631
00:33:28,875 --> 00:33:30,583
[OLIVER MOANS]
632
00:33:32,375 --> 00:33:33,625
[GILLIAN MOANS]
633
00:33:34,833 --> 00:33:37,500
-OLIVER.
-YEAH.
634
00:33:40,291 --> 00:33:42,416
DO YOU PROMISE
YOU'LL NEVER LEAVE ME?
635
00:33:50,500 --> 00:33:51,708
YOU ALRIGHT, BABE?
636
00:33:54,375 --> 00:33:58,708
-HEY.
-YEAH, I'M GOOD. I FEEL GOOD.
637
00:33:58,750 --> 00:33:59,833
-YEAH?
-YEAH.
638
00:33:59,875 --> 00:34:02,000
-ARE YOU SURE?
-MM-HMM.
639
00:34:02,041 --> 00:34:04,750
[SWALLOWING AND SMATTERING]
640
00:34:27,625 --> 00:34:29,708
30 SECONDS. 28.
641
00:34:32,916 --> 00:34:35,041
I THINK IT'S A REALLY
GOOD THING THAT IT'S DONE.
642
00:34:35,083 --> 00:34:37,458
-WHAT?
-THAT WE'VE HAD
THIS LITTLE KIND OF,
643
00:34:37,500 --> 00:34:39,041
I DON'T KNOW, LITTLE BLIP.
644
00:34:39,083 --> 00:34:40,875
IF WE CAN GET THROUGH THAT...
645
00:34:40,916 --> 00:34:43,125
[MAKING BUBBLES]
646
00:34:43,166 --> 00:34:47,916
IF I CAN GET THROUGH THAT
AS WELL AS EVERYTHING ELSE,
WE'LL BE FINE.
647
00:34:47,958 --> 00:34:50,041
-I WOULD HOPE SO.
-YOU CAN'T HOPE IT,
648
00:34:50,083 --> 00:34:53,750
YOU'VE GOT TO BE MORE POSITIVE
THAN THAT, WE WILL DO IT.
649
00:34:53,791 --> 00:34:58,958
-I DO WANT TO SAY SORRY,
I DON'T WANT TO
JUST BRUSH IT OFF LIKE THAT.
650
00:34:59,000 --> 00:35:02,625
I AM SORRY THAT
I CAME LAST NIGHT.
651
00:35:02,666 --> 00:35:05,041
CAME BACK THIS
MORNING ACTUALLY.
652
00:35:05,083 --> 00:35:08,958
JUST FORGET ABOUT IT NOW
I GUESS, YEAH?
JUST MOVE ON FROM IT.
653
00:35:09,000 --> 00:35:10,666
YEAH.
654
00:35:10,708 --> 00:35:14,583
IT'S A BLIP AND NOW IT'S DONE,
SO THAT'S GOOD.
655
00:35:14,625 --> 00:35:17,791
IT MAKES US
STRONGER, ACTUALLY.
656
00:35:17,833 --> 00:35:19,625
-YEAH.
-YEAH?
657
00:35:19,666 --> 00:35:24,333
MAYBE WHEN WE GET THROUGH
ENOUGH OFF THESE.
658
00:35:24,375 --> 00:35:26,458
-HOPEFULLY, THIS IS THE ONE.
-NO MORE OF THESE.
659
00:35:26,500 --> 00:35:30,541
YEAH, WELL NO--
I DON'T FANCY ANY MORE OF THOSE.
660
00:35:30,583 --> 00:35:34,708
-MAYBE WE'LL HAVE A BABY?
-YEAH.
661
00:35:35,666 --> 00:35:37,458
-YEAH!
-YEAH.
662
00:35:37,500 --> 00:35:39,416
-YEAH.
-YEAH!
663
00:35:39,458 --> 00:35:45,083
YEAH, BUT YOU HAVE TO HAVE
SEX WITH ME TO HAVE A BABY.
664
00:35:45,125 --> 00:35:47,916
YEAH, I KNOW THAT.
WE HAVE SEX,
WE'RE NORMALLY LIKE--
665
00:35:49,375 --> 00:35:52,000
OH, UHM.
WE HAVE SOME.
666
00:35:52,041 --> 00:35:54,333
WE DO IT A LOT AT HOME.
667
00:35:54,375 --> 00:35:57,083
-WE DON'T.
-WE'VE DONE IT IN THE KITCHEN.
668
00:35:58,916 --> 00:36:04,000
WE DID. WE DIDN'T EVEN
TAKE OUR SHOES OFF
AND WE CAME IN HERE
669
00:36:04,041 --> 00:36:06,416
AND THEN I DID YOU OVER
THE KITCHEN THING, DIDN'T I?
670
00:36:06,458 --> 00:36:10,083
-I MEAN, YOU WERE HAVING IT AND
WE WERE ON THAT TABLE.
-STOP IT!
671
00:36:10,125 --> 00:36:13,875
-OH, PLEASE, I DON'T LIKE
THE WAY YOU TALK ABOUT ME.
-WHAT ARE YOU TALKING ABOUT?
672
00:36:13,916 --> 00:36:18,458
DID YOU NOT COME FUCKING--
LIKE I'M A PROJECT. STOP!
673
00:36:18,500 --> 00:36:21,750
I THINK YOU WERE THINKING ABOUT
THE MOVES THEN, BECAUSE WE
DID THE MOVES THE FIRST TIME
674
00:36:21,791 --> 00:36:24,333
-AND THEN YOU WANTED THE
MOVES AGAIN IF I REMEMBER.
-STOP WITH THE MOVES!
675
00:36:24,375 --> 00:36:26,875
-OKAY, THE--
-THE FACT THAT YOU CAN GO
676
00:36:26,916 --> 00:36:29,541
"REMEMBER THIS TIME, REMEMBER
THIS TIME, REMEMBER THIS TIME",
677
00:36:29,583 --> 00:36:32,250
WELL, IT SHOULD JUST
BE ALL ONE BIG BLUR.
678
00:36:32,291 --> 00:36:34,958
YOU REMEMBER THE TIME BECAUSE
ISN'T IT EVERY DAY, BABY?
679
00:36:35,000 --> 00:36:38,833
I CAN'T DO IT EVERY--
COME ON YOU'VE GOT TO HAVE A BIT
OF SENSE NOW AS WELL, EVERY DAY?
680
00:36:38,875 --> 00:36:41,416
COOL HEAD, THAT'S JUST
BEING DAFT AS WELL.
681
00:36:41,458 --> 00:36:44,750
NOBODY DOES IT EVERY DAY,
YOU ONLY NEED TO DO IT ONCE
TO HAVE A BABY, ANYWAY.
682
00:36:48,083 --> 00:36:49,625
[COOKER IGNITER SOUND].
683
00:36:55,375 --> 00:37:00,000
-DO WE HAVE ANY GARLIC?
-NO, I DIDN'T-- SORRY I
DIDN'T KNOW WE NEEDED ANY.
684
00:37:00,041 --> 00:37:03,291
IT'LL BE A GARLIC-LESS
PASTA SAUCE.
685
00:37:03,333 --> 00:37:04,458
ALRIGHT.
686
00:37:11,166 --> 00:37:13,416
-GARLIC WON'T MAKE A DIFFERENCE
ANYWAY REALLY.
-IT WON'T, YOU KNOW WHAT?
687
00:37:13,458 --> 00:37:15,583
-IT'LL BE FINE.
-IT...
688
00:37:16,708 --> 00:37:22,041
FUCK IT, IT WILL. LET'S NOT
PRETEND, RIGHT? ALREADY.
689
00:37:22,083 --> 00:37:23,250
I LIKE IT ANYWAY.
690
00:37:30,500 --> 00:37:32,083
[MOANS]
691
00:37:35,458 --> 00:37:36,500
HOW IS THAT?
692
00:37:38,250 --> 00:37:39,666
-IT'S ALRIGHT.
-IT'S ALRIGHT, YEAH.
693
00:37:39,708 --> 00:37:40,958
-IT'S ALRIGHT.
-IT'S A BIT SWEET.
694
00:37:41,000 --> 00:37:42,541
IT'S NOT THE BEST, NOT.
695
00:37:43,791 --> 00:37:46,208
NO, IT WAS GOOD.
IT WAS A GOOD NIGHT.
696
00:37:46,250 --> 00:37:51,125
I'M GLAD THAT I WENT,
I'M GLAD THAT I STAYED LATE,
NOT THAT LATE OBVIOUSLY
697
00:37:51,166 --> 00:37:55,375
I COULD HAVE DONE WITHOUT THAT,
BUT IT WAS GOOD FOR
698
00:37:55,416 --> 00:37:57,500
THE JOB, IT WAS GOOD
FOR THE RELATIONSHIP, YOU KNOW.
699
00:37:58,416 --> 00:38:01,416
YOU WANT TO STAY
IN THEIR CONSCIOUSNESS
700
00:38:01,458 --> 00:38:04,208
YOU WANT THEM TO BE THINKING
ABOUT YOU THE NEXT DAY LIKE
"YEAH, I LOVE THAT GIRL."
701
00:38:04,250 --> 00:38:07,250
SHE WAS LIKING YOUR PLAY.
LIKING YOUR PLAY.
702
00:38:07,291 --> 00:38:09,250
-SHE LOVES MY--
OF COURSE SHE LOVES MY PLAY.
-GOOD.
703
00:38:09,291 --> 00:38:12,083
THAT IS WHAT'S SO VALIDATING
IS JUST TO HAVE SOMEONE,
704
00:38:12,125 --> 00:38:15,958
YOU KNOW,
WHO'S NOT MY FAMILY MEMBER, NOT
SOMEONE WHO LOVES ME, THINK THAT
705
00:38:16,000 --> 00:38:19,708
WHAT I'M MAKING
IS BRILLIANT, YOU KNOW.
706
00:38:19,750 --> 00:38:22,541
IT'S FUNNY BECAUSE
SHE IS SO FUCKING SMART.
707
00:38:22,583 --> 00:38:24,750
SHE'S SO ON IT, ESPECIALLY
WITH THIS KIND OF STUFF.
708
00:38:24,791 --> 00:38:27,875
WE REALLY, LIKE, WE REALLY
UNDERSTAND, SHE LIKES
THE SAME PLAYS
709
00:38:27,916 --> 00:38:29,291
AND IT WAS JUST LIKE
BOOM, BOOM, BOOM, BOOM.
710
00:38:29,333 --> 00:38:31,625
-AND DO YOU KNOW
-IT'S GOOD.
711
00:38:31,666 --> 00:38:35,875
THAT-- THIS WAS WILD,
BUT LIKE, I KISSED HER.
712
00:38:35,916 --> 00:38:38,791
I MEAN SHE KISSED ME,
BUT, YEAH.
713
00:38:38,833 --> 00:38:39,791
WE KISSED.
714
00:38:39,833 --> 00:38:42,125
LIKE WHAT?
715
00:38:42,166 --> 00:38:48,541
I JUST-- THAT IS SO...
[LAUGHS] IT'S SO NOT ME.
716
00:38:48,583 --> 00:38:49,916
I KISSED A GIRL.
717
00:38:51,416 --> 00:38:55,416
[LAUGHS] I KI-- LIKE SNOGGED.
718
00:38:55,458 --> 00:39:01,041
LIKE PROPERLY LIKE:
"OH, MY GOD, WHAT AM I DOING?
I MUST BE SO DRUNK."
719
00:39:01,083 --> 00:39:04,041
WOW! IS IT JUST IN YOUR 30'S
THAT YOU START BEING LIKE:
720
00:39:04,083 --> 00:39:06,375
"WHATEVER, I'M JUST GOING
TO KISS SOME GIRL NOW."
721
00:39:06,416 --> 00:39:07,541
I TOTALLY KISSED HER.
722
00:39:08,541 --> 00:39:09,583
JUST...
723
00:39:11,458 --> 00:39:13,083
I GUESS I SHOULD
HAVE DONE IT IN HIGH SCHOOL
AND GOT THAT OUT MY SYSTEM.
724
00:39:14,625 --> 00:39:16,500
I'M KIND OF...
725
00:39:17,458 --> 00:39:18,916
SO DID I.
726
00:39:18,958 --> 00:39:22,166
SHUT UP!
WHAT ARE YOU-- DON'T EVEN.
727
00:39:22,208 --> 00:39:24,791
YOU GOT--
I GOT KISSED BY SOMEONE AS WELL.
728
00:39:31,333 --> 00:39:32,583
[LAUGHTER]
729
00:39:34,416 --> 00:39:38,000
WHAT? THAT'S NOT THE SAME,
IS IT THOUGH?
730
00:39:39,291 --> 00:39:40,958
NO, IT'S NOT EXACTLY THE SAME,
BUT IT'S...
731
00:39:42,625 --> 00:39:46,541
-SIMILAR.
-IT'S NOT. I DON'T THINK
IT'S THE SAME AT ALL.
732
00:39:46,583 --> 00:39:49,916
OTHER PEOPLE CAN KISS GIRLS
AS WELL, NOT JUST YOU, MAYBE.
733
00:39:49,958 --> 00:39:53,083
OF COURSE THEY CAN--
OF COURSE OTHER PEOPLE
CAN KISS GIRLS.
734
00:39:53,125 --> 00:39:55,458
MAYBE OTHER GIRLS
WANT TO KISS ME.
735
00:39:55,500 --> 00:39:56,916
MAYBE SOMEBODY
KISSED ME LAST NIGHT.
736
00:39:56,958 --> 00:39:59,041
I'M SURE OTHER PEOPLE
WANT TO KISS YOU
737
00:39:59,083 --> 00:40:01,041
I WANT TO KISS YOU
ALL THE FUCKING TIME.
738
00:40:01,083 --> 00:40:02,458
I KNOW SOMEBODY ELSE
WANTED TO KISS ME
739
00:40:02,500 --> 00:40:03,750
BECAUSE I KISSED SOMEONE
ELSE LAST NIGHT.
740
00:40:12,125 --> 00:40:13,541
A BIT OF FUN.
741
00:40:17,666 --> 00:40:20,416
[DEEP BREATH]
742
00:40:20,458 --> 00:40:21,625
UHM...
743
00:40:23,791 --> 00:40:27,500
WOW, WHO DID YOU KISS?
744
00:40:31,416 --> 00:40:33,375
I DON'T WANT TO KNOW. I DON'T
WANT TO KNOW WHO YOU KISSED.
745
00:40:33,416 --> 00:40:35,916
-YOU DO KNOW.
-I DON'T WANT TO KNOW
WHO YOU KISSED.
746
00:40:35,958 --> 00:40:38,916
-OKAY.
-ACTUALLY, JUST DON'T
EVEN FUCKING TELL ME.
747
00:40:38,958 --> 00:40:42,416
-I WON'T THEN. I WON'T.
-DON'T FUCKING--
DO NOT EVEN TRY.
748
00:40:42,458 --> 00:40:44,958
WHATEVER YOU DID IS NOT
THE SAME AS WHAT I DID.
749
00:40:47,458 --> 00:40:49,375
NO, I WASN'T UP ALL NIGHT.
750
00:40:51,166 --> 00:40:52,166
UHM...
751
00:41:04,708 --> 00:41:06,291
-YEAH?
-YEAH.
752
00:41:07,875 --> 00:41:09,375
[GILLIAN SCOFFS]
753
00:41:09,416 --> 00:41:13,166
[OLIVER] YEAH, JUST...
754
00:41:17,125 --> 00:41:20,166
OH, SHIT!
I FORGOT THE SPAGHETTI.
755
00:41:20,208 --> 00:41:25,541
DO YOU KNOW WHAT? I CANNOT
BELIEVE WHAT IS GOING ON?
IT'S A BIT DRY.
756
00:41:25,583 --> 00:41:29,041
THAT WAS ALWAYS GONNA HAPPEN
WITH THAT HEAT ON IT.
757
00:41:29,083 --> 00:41:32,458
I KNEW IT!
I KNEW RACHEL LIKED YOU.
I KNEW SHE LIKED YOU.
758
00:41:32,500 --> 00:41:36,250
-YEAH, BUT IT WAS NOT--
-I KNEW IT.
I KNEW SHE HAD A CRUSH ON YOU.
759
00:41:36,291 --> 00:41:37,208
I CALLED IT.
760
00:41:37,250 --> 00:41:38,208
[OLIVER] IT WAS...
761
00:42:02,916 --> 00:42:03,916
[RACHEL] HI, GUYS!
762
00:42:05,000 --> 00:42:06,291
GUYS!
763
00:42:07,583 --> 00:42:08,458
HIYA.
764
00:42:10,500 --> 00:42:14,375
HI! WOW!
OH, MY GOD!
765
00:42:14,416 --> 00:42:15,833
IT'S GOOD, ISN'T IT? YEAH.
766
00:42:15,875 --> 00:42:17,000
[GILLIAN] THANK YOU.
767
00:42:17,041 --> 00:42:20,000
-YEAH, WOW!
-YEAH.
768
00:42:20,625 --> 00:42:23,375
DON'T LET US STOP YOU.
IF WE'RE IN THE MIDDLE OF IT,
DON'T LET IT STOP YOU, THOUGH.
769
00:42:23,416 --> 00:42:25,958
-BECAUSE WE GOT TO--
-I'LL LEAVE YOU TO IT.
770
00:42:26,000 --> 00:42:28,000
-OKAY.
-YEAH.
771
00:42:28,041 --> 00:42:30,500
-BYE, GUYS.
-OKAY, BYE-BYE NOW, TA-TA.
772
00:42:30,541 --> 00:42:34,000
-TA-TA.
-[RACHEL] BYE! BYE!
773
00:42:34,041 --> 00:42:37,541
THANK YOU FOR
BOTH TURNING UP. WE'VE GOT
A PROBLEM WITH THE ACTORS.
774
00:42:37,583 --> 00:42:39,750
-WHAT'S WRONG?
-THE ACTORS ARE SAYING
THAT THEY DON'T THINK
775
00:42:39,791 --> 00:42:41,750
-YOU WERE REALLY INTO THIS.
-THAT'S NOT THE POINT.
776
00:42:41,791 --> 00:42:44,458
IT DOESN'T MATTER WHAT I WANT
AND DON'T WANT, WE'RE HERE
777
00:42:44,500 --> 00:42:48,500
TO DO A JOB, AREN'T WE, JEFF?
AM I NOT THERE AND PRESENT
EVERY FUCKING DAY, AM I NOT?
778
00:42:48,541 --> 00:42:51,250
-I'M SORRY, WHAT MORE DO YOU
WANT? DO YOU WANT ME TO LOVE IT?
-LET'S DO YOUR PLAY.
779
00:42:51,291 --> 00:42:53,291
JUST TELLING YOU WHAT
THE ACTORS HAVE SAID.
780
00:42:53,333 --> 00:42:56,166
-LET'S DO YOUR PLAY.
-WHAT DO YOU MEAN
LET'S DO MY PLAY?
781
00:42:56,208 --> 00:42:58,625
-WHAT ABOUT YOUR MOM?
-FORGET ABOUT MY MOTHER.
782
00:42:58,666 --> 00:43:01,416
MY MOTHER WILL JUST SIT THERE
AND BE HAPPY WITH ANYTHING.
783
00:43:01,458 --> 00:43:03,916
-NO, SHE WON'T BE HAPPY.
-THERE'S A TENT AND
THERE'LL BE A PLAY
784
00:43:03,958 --> 00:43:07,125
AND MY MOTHER WILL BE HAPPY.
IF WE DO YOURS, I'LL BE HAPPY.
785
00:43:08,708 --> 00:43:12,791
-IT'S READY, LET'S JUST DO IT.
-[JEFF] COME ON, GUYS.
786
00:43:12,833 --> 00:43:14,916
-LET ME ASK THEM.
LET ME JUST SHOW THEM
-JEFF'S RIGHT, LET'S DO IT.
787
00:43:14,958 --> 00:43:16,958
-I WANT TO HEAR THEIR THOUGHTS.
-LET'S GO AND ASK THEM AND SEE.
788
00:43:17,000 --> 00:43:18,750
I WANT TO SEE WHO WOULD--
789
00:43:18,791 --> 00:43:20,500
JUST GIVE ME A SECOND.
790
00:43:22,875 --> 00:43:26,500
-ARE YOU GUYS OKAY?
-YEAH, WE'RE FINE.
791
00:43:37,208 --> 00:43:38,916
[DAVID] I USED TO COME DOWN
HERE WITH YOUR MOTHER.
792
00:43:38,958 --> 00:43:41,291
-[OLIVER] YEAH?
-[DAVID] YEAH, WE WERE COURTING.
793
00:43:41,333 --> 00:43:43,500
[LAUGHS]
794
00:43:43,541 --> 00:43:45,208
-ALL THOSE YEARS AGO.
-YEAH.
795
00:43:48,000 --> 00:43:52,541
-THINGS AREN'T
GOING THE BEST, REALLY.
-WHAT, WITH YOU AND GILLIAN?
796
00:43:54,291 --> 00:43:55,583
-YEAH.
-WHY?
797
00:43:58,416 --> 00:44:00,791
I'VE DONE SOME
THINGS WRONG.
798
00:44:00,833 --> 00:44:03,833
WHAT DID YOU-- COME ON.
799
00:44:05,875 --> 00:44:08,708
I KISSED RACHEL.
800
00:44:11,875 --> 00:44:14,375
IT WAS JUST--
JUST KISSED HER?
801
00:44:14,416 --> 00:44:17,750
JUST KISSED HER.
SHE KISSED ME BACK.
802
00:44:17,791 --> 00:44:21,625
THERE'S NOTHING WRONG
KISSING SOMEBODY ELSE,
YOU KNOW, I MEAN.
803
00:44:21,666 --> 00:44:24,791
-ISN'T THERE?
-NO, CHRIST NO.
SHE'S A LOVELY GIRL.
804
00:44:24,833 --> 00:44:29,916
-SHE IS, YEAH.
-AND I--
EVEN AN OLD TWAT LIKE ME
805
00:44:29,958 --> 00:44:33,291
I CAN REALIZE THAT SHE'S A VERY,
VERY, VERY ATTRACTIVE GIRL.
806
00:44:34,333 --> 00:44:38,291
-ALRIGHT.
-I WOULDN'T BLAME YOU
FOR A MINUTE.
807
00:44:38,333 --> 00:44:41,083
-IT'S A BIT MORE COMPLICATED.
-WHAT?
808
00:44:41,125 --> 00:44:43,875
-IT'S A BIT MORE COMPLICATED.
-WHAT, DO YOU MEAN YOU--
809
00:44:43,916 --> 00:44:48,750
NO, NOT ME
DOING ANYTHING, BUT GILLIAN,
810
00:44:48,791 --> 00:44:50,875
SHE KISSED A LADY AS WELL,
THOUGH. I KISSED A WOMAN
811
00:44:50,916 --> 00:44:52,666
-AND SHE KISSED A WOMAN.
-WHAT?
812
00:44:52,708 --> 00:44:54,208
YEAH.
813
00:44:54,250 --> 00:44:57,458
-GILLIAN?
-YEAH.
814
00:44:59,791 --> 00:45:01,625
OH, GOD.
815
00:45:01,666 --> 00:45:05,666
I THOUGHT THAT THAT WAS
A BLOODY, YOU KNOW-- BUT...
816
00:45:07,958 --> 00:45:11,125
-ONE OF THEM WOMEN.
-YEAH.
817
00:45:11,166 --> 00:45:14,583
-LESBIAN, DAD, YOU CAN
SAY IT, IT'S ALRIGHT.
-ALRIGHT, A FUCKING LESBIAN.
818
00:45:14,625 --> 00:45:17,750
YEAH, YOU CAN STILL SAY LESBIAN
WITHOUT THE FUCKING,
819
00:45:17,791 --> 00:45:20,625
IT'S ALRIGHT.
I DON'T THINK SHE IS ONE.
820
00:45:20,666 --> 00:45:24,666
NO, I DON'T THINK SHE IS EITHER.
CHRIST, IT'S JUST ONE OF THOSE--
821
00:45:24,708 --> 00:45:28,500
YOU KNOW, ONE OF THOSE--
822
00:45:28,541 --> 00:45:30,500
SHE DID SAY SHE WAS DRUNK.
823
00:45:30,541 --> 00:45:31,916
THERE YOU GO THEN.
THERE YOU ARE.
824
00:45:31,958 --> 00:45:34,583
I MEAN THAT'S IT, ISN'T IT?
825
00:45:34,625 --> 00:45:37,250
IT'S AS SIMPLE AS THAT.
YOU KNOW.
826
00:45:37,291 --> 00:45:41,041
-I JUST LOVE HER, DAD. I CANT--
-I KNOW THAT.
827
00:45:41,083 --> 00:45:45,666
SHE'S A GOOD KID.
SHE'S STUCK BY YOU
LIKE GLUE, REALLY.
828
00:45:45,708 --> 00:45:48,250
SHE DESERVES A MEDAL, ACTUALLY
FOR PUTTING UP WITH YOU.
829
00:45:48,291 --> 00:45:50,333
-[LAUGHS]
-NO, SHE DOES.
830
00:45:50,375 --> 00:45:52,791
-SHE DOES.
-GREAT PEP TALK, DAD.
831
00:45:52,833 --> 00:45:55,875
SHE DESERVES A MEDAL
FOR PUTTING UP WITH ME.
832
00:45:55,916 --> 00:45:58,875
IT'S THE BEER TALKING.
THE FUCK IT IS.
833
00:45:58,916 --> 00:46:00,375
SHE HAS STUCK AROUND, THOUGH,
HASN'T SHE?
834
00:46:00,416 --> 00:46:04,083
YEAH. I MEAN, MAYBE IF
YOU HAD A JOB,
835
00:46:04,125 --> 00:46:08,166
-A PROPER, PROPER JOB.
-WELL, I'VE GOT A JOB.
836
00:46:08,208 --> 00:46:10,166
DEEJAYING IS
A PROPER JOB, IS IT?
837
00:46:10,208 --> 00:46:12,125
WELL, YEAH.
838
00:46:12,166 --> 00:46:16,041
HOW MUCH DO YOU MAKE ON THAT?
150 QUID A WEEK?
839
00:46:16,083 --> 00:46:19,416
-A NIGHT-- 150 QUID A NIGHT.
-A NIGHT, HOW MANY
NIGHTS A WEEK?
840
00:46:19,458 --> 00:46:22,291
-ONE NIGHT A WEEK.
-ONE NIGHT A WEEK,
150 QUID A WEEK?
841
00:46:22,333 --> 00:46:25,500
-ALRIGHT.
-150 QUID A WEEK,
THAT'S WHAT IT'S ABOUT?
842
00:46:25,541 --> 00:46:27,333
YEAH. YEAH.
843
00:46:27,375 --> 00:46:30,125
WHAT I SUGGEST YOU DO NOW,
IS YOU GO OUT, RIGHT?
844
00:46:30,166 --> 00:46:32,916
GO ALL THE HOME,
DON'T STOP, OKAY?
845
00:46:32,958 --> 00:46:37,041
-YEAH.
-YOU PICK UP A MEAL,
TAKEAWAY, AN INDIAN OR CHINESE.
846
00:46:37,083 --> 00:46:38,458
-SHE LIKES CHINESE, DOESN'T SHE?
-YEAH.
847
00:46:38,500 --> 00:46:39,916
-CHINESE, OKAY.
-YEAH.
848
00:46:39,958 --> 00:46:43,458
-FLOWERS, RIGHT?
-YEAH, THE FULL SHEBANG.
849
00:46:43,500 --> 00:46:45,375
-WOMEN LOVE THAT.
-YEAH?
850
00:46:45,416 --> 00:46:50,250
THEY DO. YOU NEED TO
SORT IT OUT. JUST SORT IT OUT.
851
00:46:50,291 --> 00:46:51,458
RIGHT.
852
00:46:53,916 --> 00:46:56,583
[UPBEAT MUSIC]
853
00:47:00,625 --> 00:47:02,583
JUST LIKE-- I'M YOUNG.
854
00:47:05,500 --> 00:47:09,708
JUST BECAUSE YOU KISSED A GIRL,
DOESN'T MEAN YOU DON'T
LOVE YOUR HUSBAND.
855
00:47:09,750 --> 00:47:12,041
[UPBEAT MUSIC]
856
00:47:16,333 --> 00:47:22,208
I LOVE MY HUSBAND,
THAT DOESN'T MEAN I DON'T LIKE
TO HAVE SEX AS WELL WITH GIRLS.
857
00:47:22,250 --> 00:47:26,000
I THINK THAT'S WHAT PEOPLE DO
AS A RITE OF PASSAGE, ISN'T IT?
858
00:47:26,041 --> 00:47:27,666
[UPBEAT MUSIC]
859
00:47:31,500 --> 00:47:33,833
HE LOVES GIRLS TOO,
HE LOVES A GIRL NAMED RACHEL.
860
00:47:33,875 --> 00:47:35,000
THAT'S AMAZING.
861
00:47:36,833 --> 00:47:39,541
WE'RE NOT--
WE'RE NOT THE CONVENTIONAL SORT.
862
00:47:39,583 --> 00:47:42,333
[UPBEAT MUSIC]
863
00:47:52,166 --> 00:47:57,208
-MATT, WOW, HI.
-GILLIAN, BEEN LOOKING FOR YOU.
864
00:47:57,250 --> 00:48:01,291
WHAT ARE YOU DOING HERE?
[LAUGHS] OLLIE'S NOT HERE.
865
00:48:01,333 --> 00:48:04,416
I'M NOT HERE FOR OLLIE,
I'M HERE FOR YOU.
866
00:48:04,458 --> 00:48:07,375
-YOU GOT ME FLOWERS.
-CAN YOU JUST LISTEN.
867
00:48:07,416 --> 00:48:09,166
I JUST WANT TO TALK TO YOU,
IF THAT'S ALRIGHT?
868
00:48:09,208 --> 00:48:10,625
OKAY.
869
00:48:10,666 --> 00:48:12,291
YOU KNOW I WENT TO LONDON
AND I WENT
870
00:48:12,333 --> 00:48:13,875
TO GET AWAY BECAUSE
871
00:48:13,916 --> 00:48:16,041
YOU'RE WITH MY MATE
AND THAT'S NOT RIGHT
872
00:48:16,083 --> 00:48:18,333
THAT I SHOULD
HAVE THE THOUGHTS THAT I HAVE,
BUT I HAVE THEM
873
00:48:18,375 --> 00:48:20,166
-AND I'VE DECIDED--
-HOLD ON RIGHT THERE.
874
00:48:20,208 --> 00:48:22,166
JUST COME IN,
COME IN A SEC.
875
00:48:22,208 --> 00:48:24,125
I WOULD LIKE THAT VERY MUCH.
876
00:48:24,166 --> 00:48:26,500
-WHAT ARE YOU TALKING ABOUT?
-IT MADE ME REALIZE SOMETHING.
877
00:48:26,541 --> 00:48:28,791
THE RIGHT THING TO DO,
IS TO BE WITH YOU.
878
00:48:28,833 --> 00:48:32,208
NOW, I KNOW THAT MAYBE
YOU THINK "YOU LIKE,
AS IN YOU LIKE WRITING"
879
00:48:32,250 --> 00:48:36,125
AND MAYBE YOU THINK I CAN'T BE
THAT SORT OF GUY, BUT I CAN BE.
880
00:48:36,166 --> 00:48:39,125
I WROTE YOU A POEM.
CAN I READ IT TO YOU?
881
00:48:39,166 --> 00:48:41,791
OH, YEAH, PLEASE,
I'D LOVE TO HEAR YOUR POEM.
882
00:48:41,833 --> 00:48:43,833
I'VE NEVER WRITTEN BEFORE,
I'VE DONE THIS FOR YOU.
883
00:48:45,250 --> 00:48:47,291
-IT'S CALLED GILLIAN.
-OK.
884
00:48:47,333 --> 00:48:52,958
I THINK OF YOU NIGHT AND DAY AND
HOW YOU'D BE THE GREATEST LAY.
885
00:48:53,000 --> 00:48:55,541
I THINK OF US
TOGETHER AT LAST.
886
00:48:55,583 --> 00:48:58,750
I THINK OF BANGING YOU
OUT ON THE GRASS
887
00:48:58,791 --> 00:49:04,458
TO KISS YOUR NECK WOULD BE
MY TASK, BUT IN THE END,
I'D WANT YOUR ASS.
888
00:49:05,375 --> 00:49:09,500
THERE IS NO ONE FINER
FROM HERE TO NORTH CAROLINA,
889
00:49:09,541 --> 00:49:13,000
AND IF YOU DON'T MIND,
I'D LIKE TO KISS YOUR VAGINA.
890
00:49:13,041 --> 00:49:14,958
OH, MY GOD, YEAH.
891
00:49:15,000 --> 00:49:17,583
[UPBEAT MUSIC]
892
00:49:17,625 --> 00:49:19,375
THAT WAS SO GOOD.
893
00:49:30,416 --> 00:49:32,916
HELLO, BABE, YOU ALRIGHT?
894
00:49:32,958 --> 00:49:34,250
[MOANING]
895
00:49:35,583 --> 00:49:38,000
I FEEL LIKE I'M DEEP INSIDE YOU.
896
00:49:39,083 --> 00:49:41,541
IF SHE'S IN THERE WITH YOU,
I'M COMING IN NOW!
897
00:49:41,583 --> 00:49:44,291
-I'M JUST TELLING YOU NOW,
-[GILLIAN]
DON'T BE SO FUCKING LOUD.
898
00:49:44,333 --> 00:49:45,625
I DON'T KNOW WHAT'S GOING--
899
00:49:51,708 --> 00:49:54,125
-YOU ALRIGHT, MATE?
-ALRIGHT.
900
00:49:55,250 --> 00:49:57,666
YOU KNOW IT'S NOT BEEN RIGHT
BETWEEN YOU TWO
901
00:49:57,708 --> 00:50:00,625
AND YOU KNOW IT'S ALWAYS
BEEN RIGHT BETWEEN US.
902
00:50:00,666 --> 00:50:04,333
YOU NEED SOMEONE YOUR OWN SIZE,
AND SHE'S MY FIT.
903
00:50:04,375 --> 00:50:07,500
-MATT.
-IN MANY WAYS,
I'VE DONE YOU A FAVOR.
904
00:50:07,541 --> 00:50:10,875
YOU NEED TO JUST STOP. JUST GO.
905
00:50:10,916 --> 00:50:12,666
-[MATT] I'LL BE WAITING.
-I DON'T THINK?
906
00:50:12,708 --> 00:50:17,625
I KNOW. WHAT ARE YOU--
WHAT ARE YOU DOING?
907
00:50:20,958 --> 00:50:25,458
-YOU FELL IN LOVE WITH SOMEONE.
-OH, GOD!
908
00:50:25,500 --> 00:50:28,041
"IN LOVE WITH SOMEONE."
OF COURSE I'M NOT.
909
00:50:28,083 --> 00:50:30,541
I DON'T BELIEVE IT FOR A SECOND.
I THINK YOU'RE JUST SAYING THAT
910
00:50:30,583 --> 00:50:33,083
AND I THINK YOU'VE
FALLEN IN LOVE WITH HER,
AND I THINK YOU KISSING HER
911
00:50:33,125 --> 00:50:36,208
IS WORSE THAN
ANY FUCKING DICK I COULD
TAKE IN MY PUSSY, RIGHT NOW.
912
00:50:36,250 --> 00:50:38,583
-I'M IN LOVE WITH YOU.
-WHAT THE FUCK DO YOU MEAN
WITH SOME CONNECTION?
913
00:50:38,625 --> 00:50:40,666
I DON'T BELIEVE YOU FOR A SECOND
THAT YOU'RE IN LOVE WITH ME.
914
00:50:40,708 --> 00:50:42,708
I CAN SEE
YOU CONNECTING JUST NOW.
915
00:50:42,750 --> 00:50:43,916
YOU'VE HAD A WOMAN AND MAN.
916
00:50:43,958 --> 00:50:46,458
I'VE JUST HAVE ONE KISS.
917
00:50:46,500 --> 00:50:48,583
WHAT ARE WE EVEN DOING?
918
00:50:48,625 --> 00:50:49,791
I DON'T KNOW,
I'M NOT DOING ANYTHING.
919
00:50:49,833 --> 00:50:51,208
YOU'RE THE ONE DOING EVERYONE.
920
00:50:51,250 --> 00:50:53,375
THAT'S THE THING,
THAT'S THE THING.
921
00:50:53,416 --> 00:50:58,375
YOU THINK THAT, IS YOU THINK
YOU'RE NOT DOING ANYTHING.
GET OUT.
922
00:51:00,541 --> 00:51:03,875
COME ON, GROW UP.
WHAT DO YOU MEAN, "GET OUT"?
923
00:51:03,916 --> 00:51:07,708
"COME ON, GROW UP."
WHY AM I GROW--
GROW UP? GET OUT. GET OUT!
924
00:51:07,750 --> 00:51:10,708
GET OUT!
WE ARE NOT DOING WELL. GET OUT!
925
00:51:10,750 --> 00:51:13,041
NO, NO. YOU GET OUT!
926
00:51:14,583 --> 00:51:18,708
GET OUT OF MY MOTHER'S HOUSE!
HOW'S THAT?
927
00:51:18,750 --> 00:51:20,583
-OH YEAH, IT'S YOUR
MOMMY'S HOUSE.
-YOU GET OUT.
928
00:51:20,625 --> 00:51:23,000
-WHOSE HOUSE IS IT?
-STAY IN MOMMY'S HOUSE, THEN.
929
00:51:23,041 --> 00:51:25,875
DON'T BRING MY MOTHER
INTO IT, NOW!
930
00:51:25,916 --> 00:51:28,666
YOU'RE DISGUSTING
KICKING A WOMAN OUT
OF HER OWN FUCKING HOUSE.
931
00:51:28,708 --> 00:51:30,666
[OLIVER] OH, FUCK OFF!
932
00:51:30,708 --> 00:51:33,250
[FATEFUL MUSIC]
933
00:51:47,333 --> 00:51:49,250
[ROMANTIC SONG]
934
00:52:01,625 --> 00:52:05,500
I'M GOING DO REALLY--
I'M GOING TO SURPRISE YOU NOW.
OKAY, ARE YOU READY?
935
00:52:05,541 --> 00:52:09,375
-I'M READY?
-OH, MY GOD, YOU DON'T DO IT.
936
00:52:09,416 --> 00:52:11,458
LEFT HANDED.
937
00:52:11,500 --> 00:52:13,333
THAT'S A FIT.
I'M GONNA BE OFF A NEW DRILL.
938
00:52:26,916 --> 00:52:28,791
[OLIVER] ARE YOU READY? I'M
GOING TO THROW TO YOU, RIGHT?
939
00:52:31,416 --> 00:52:32,791
-OH, SORRY BABE,
I DIDN'T MEAN TO-
-AWW!
940
00:52:34,500 --> 00:52:36,583
-THAT ONE HURT.
-ALL OF ME, THAT WAS ALL
ON ME, THAT WAS MY THROW.
941
00:52:36,625 --> 00:52:37,541
COME HERE, COME HERE.
942
00:52:38,416 --> 00:52:39,833
MY FAULT. MORE?
943
00:52:43,375 --> 00:52:46,166
-BETTER, YEAH?
-YEAH.
944
00:52:47,750 --> 00:52:48,708
THANK YOU.
945
00:52:53,291 --> 00:52:57,291
[OLIVER] OH, YES!
DID YOU SEE THE WAY YOU DID
THAT? STRAIGHT UP, LIKE A BOOM?
946
00:52:57,333 --> 00:52:59,166
YOU LIKE WHEN
I GO LIKE THAT? FRISBEE.
947
00:52:59,208 --> 00:53:00,458
YOU LOOK GORGEOUS.
948
00:53:00,500 --> 00:53:02,500
[FATEFUL MUSIC]
949
00:53:18,041 --> 00:53:19,333
YOU'RE HAVING A THINK?
950
00:53:24,291 --> 00:53:26,000
-ARE YOU HAVING A THINK?
-YEAH.
951
00:53:29,375 --> 00:53:30,458
IT'S GOING
TO TAKE A WHILE?
952
00:53:34,833 --> 00:53:36,000
CAN YOU HAVE A THINK
IN THE CAR?
953
00:53:36,041 --> 00:53:37,333
IT'S JUST,
954
00:53:37,375 --> 00:53:39,666
I FORGOT WWE SMACKDOWN
955
00:53:39,708 --> 00:53:42,041
AND IT'S ON IN 23 MINUTES.
956
00:53:42,083 --> 00:53:46,125
HEY, MATT.
957
00:53:46,166 --> 00:53:47,083
YEAH.
958
00:53:48,750 --> 00:53:50,625
-DO YOU LIKE THE BEACH?
-YEAH, I LOVE IT.
959
00:53:51,625 --> 00:53:54,291
YOU KNOW HOW
PARENTS TAKE LIKE A SHELL
960
00:53:54,333 --> 00:53:57,750
AND THEY PUT IT TO YOUR EAR,
AND THEY GO:
"YOU KNOW, THAT'S THE OCEAN."
961
00:53:57,791 --> 00:54:01,750
-YEAH.
-MY DAD DID THAT.
HE SAID: "THIS IS THE SEA."
962
00:54:01,791 --> 00:54:04,500
AND THEN, YOU LISTEN AND
IT'S LIKE [WHISTLING].
963
00:54:04,541 --> 00:54:08,916
IT SOUNDS LIKE THE SEA,
BUT ACTUALLY IT'S NOT.
964
00:54:08,958 --> 00:54:14,416
-WHAT IS IT?
-IT'S JUST THE WAY THAT
THE SHELL IS STRUCTURED
965
00:54:14,458 --> 00:54:16,041
AND THEN, YOU LOOK
LIKE A FUCKING IDIOT
966
00:54:16,083 --> 00:54:18,375
WHEN YOU FINALLY TELL SOMEONE:
967
00:54:18,416 --> 00:54:21,458
"THAT'S THE SEA IN THERE."
AND THEY'RE LIKE:
"NO, IT'S NOT."
968
00:54:21,500 --> 00:54:24,958
AND I KNOW HE WASN'T LYING,
HE WAS JUST TRYING
TO MAKE IT NICE,
969
00:54:25,000 --> 00:54:27,291
BUT IT ACTUALLY
DID END UP BEING A LIE
BECAUSE THEN YOU BELIEVE IT
970
00:54:27,333 --> 00:54:29,208
-AND THEN, YOU LOOK LIKE
A FUCKING IDIOT.
-RIGHT.
971
00:54:30,583 --> 00:54:31,833
IT'S HORRIBLE, ISN'T IT?
972
00:54:33,625 --> 00:54:35,875
YEAH, YEAH.
973
00:54:35,916 --> 00:54:38,750
I MEAN, IT SOUNDS LIKE IT WAS
QUITE A LONG TIME AGO, THOUGH,
974
00:54:38,791 --> 00:54:43,916
SO, PROBABLY BEST NOT
TO THINK ABOUT IT ANYMORE.
975
00:54:51,125 --> 00:54:56,125
DO YOU EVER THINK
ABOUT WHAT LOVE IS?
976
00:54:57,000 --> 00:55:00,791
-ACTUAL LOVE?
-YEAH. WHAT IS IT?
WHAT DO PEOPLE MEAN?
977
00:55:00,833 --> 00:55:04,541
BECAUSE IT'S THIS MYTH,
ISN'T IT?
IT'S JUST A CONCEPT.
978
00:55:04,583 --> 00:55:07,708
-NO. LOVE IS A THING.
-WHAT IS IT?
979
00:55:07,750 --> 00:55:11,625
IT'S A CHEMICAL
REACTION IN THE BODY.
I LOOK AT YOU, AND I LOVE YOU
980
00:55:11,666 --> 00:55:14,125
AND WHAT THAT MEANS IS,
I SEE YOU.
981
00:55:14,166 --> 00:55:17,250
THE IMAGE PASS THROUGH
MY EYES TO MY BRAIN
982
00:55:17,291 --> 00:55:19,625
DOWN TO MY HEART,
AND INTO MY KNOB
983
00:55:19,666 --> 00:55:23,416
AND I GET A BONER,
AND THAT MEANS I LOVE YOU,
984
00:55:23,458 --> 00:55:25,250
AND YOU RECIPROCATE IT.
985
00:55:25,291 --> 00:55:28,583
YOU LOOK AT ME, AND YOU
SEE ME THROUGH YOUR EYES
986
00:55:28,625 --> 00:55:31,041
AND IT GOES THROUGH YOUR HEAD,
THROUGH YOUR HEART
987
00:55:31,083 --> 00:55:37,291
AND YOU GET WIDE ON.
AND, IF I HAVE A BONER AND
YOU HAVE A WIDE ON, THAT'S LOVE.
988
00:55:37,333 --> 00:55:39,375
IF I HAVE A BONER,
AND YOU DON'T HAVE A WIDE ON
989
00:55:39,416 --> 00:55:43,708
THAT'S UNREQUITED,
AND VICE VERSA.
990
00:55:43,750 --> 00:55:48,166
AND WHEN WE KISS, THAT'S
SOULMATES, FOR THAT MOMENT.
991
00:55:48,208 --> 00:55:52,041
YEAH. I THINK YOU'RE RIGHT.
992
00:55:52,083 --> 00:55:55,291
-I AM RIGHT.
-I THINK YOU ARE RIGHT. THAT'S
IT, THOUGH. IT'S JUST SIMPLE.
993
00:55:55,333 --> 00:55:57,666
IT'S JUST SIMPLE.
IT'S JUST...
994
00:55:57,708 --> 00:55:59,958
PEOPLE HAVE BEEN WRITING
WHAT THEY'VE BEEN WRITING
995
00:56:00,000 --> 00:56:02,333
CREATING WHAT
THEY'VE BEEN CREATING
THE MESSES THEY'VE BEEN MAKING
996
00:56:02,375 --> 00:56:04,833
AND THE PEOPLE THEY'VE
BEEN MURDERING FOR THIS
997
00:56:04,875 --> 00:56:06,458
ALL BECAUSE THEY'RE
FUCKING HORNY.
998
00:56:08,041 --> 00:56:09,875
-YEAH.
-YOU MIGHT BE RIGHT.
999
00:56:09,916 --> 00:56:12,916
I'M COMPLETELY RIGHT.
I'VE PROVED IT MANY TIMES.
1000
00:56:15,541 --> 00:56:17,250
YOU LOVE ME?
1001
00:56:17,291 --> 00:56:19,916
RIGHT NOW,
I LOVE THE SHIT OUT OF YOU.
1002
00:56:19,958 --> 00:56:21,666
DO YOU WANT TO LOVE ME
IN THE VAN?
1003
00:56:21,708 --> 00:56:23,500
I WANT TO LOVE YOU
TILL YOU'RE DEAD.
1004
00:56:23,541 --> 00:56:26,875
OKAY, IN THE CAR.
TAKE ME TO THE VAN.
1005
00:56:28,833 --> 00:56:31,541
ONE SECOND, LET ME ADJUST THIS.
1006
00:56:33,291 --> 00:56:37,875
YOU LIE DOWN,
I'M JUST GOING TO CLIMB ON.
1007
00:56:37,916 --> 00:56:39,875
FUCKING HELL, HOLD ON.
1008
00:56:39,916 --> 00:56:41,916
[ROMANTIC SONG]
1009
00:56:41,958 --> 00:56:42,875
OKAY.
1010
00:56:44,500 --> 00:56:45,666
[MOANING]
1011
00:56:53,625 --> 00:56:57,666
THAT'S SO NICE.
THAT IS-- WAIT.
1012
00:56:57,708 --> 00:57:00,375
WAIT, WAIT LET ME JUST
GET MY LEG. IT'S CRAMPING.
1013
00:57:05,250 --> 00:57:10,291
IF YOU JUST STAY STILL,
I CAN JUST DO IT.
IF YOU JUST STAY RIGHT--
1014
00:57:10,333 --> 00:57:12,541
JUST STICK YOUR TONGUE OUT.
1015
00:57:12,583 --> 00:57:13,875
MMM.
1016
00:57:16,291 --> 00:57:18,375
WHAT ARE YOU DOING?
1017
00:57:18,416 --> 00:57:21,583
I'M DOING 20 MINUTE INTERVALS,
YOU KNOW WHAT I MEAN, SO THAT--
1018
00:57:21,625 --> 00:57:23,250
WE'RE TO START WITH THIS
AND WE'RE GOING TO MOVE ON
1019
00:57:23,291 --> 00:57:26,791
[CROSS TALK]
TO DIFFERENT-- YEAH.
1020
00:57:26,833 --> 00:57:29,625
I'LL LET YOU KNOW.
I HAVE A CLUE.
1021
00:57:29,666 --> 00:57:32,000
I'VE GOT THE PHONE
RIGHT HERE, BABY.
1022
00:57:33,875 --> 00:57:35,333
[MOANING]
1023
00:57:35,375 --> 00:57:37,375
[ROMANTIC SONG]
1024
00:57:37,416 --> 00:57:38,458
[MOANING]
1025
00:57:40,708 --> 00:57:42,833
[MOANING]
1026
00:57:58,583 --> 00:57:59,458
[MATT] THAT IS IT?
1027
00:58:01,500 --> 00:58:04,791
-[GILLIAN] THIS IS THE--
-[MATT] SO, THIS IS IT?
1028
00:58:04,833 --> 00:58:07,041
-[GILLIAN] THIS IS THE TENT?
-[MATT] THIS IS ALL YOURS?
1029
00:58:07,083 --> 00:58:08,416
[GILLIAN]
IT'S MINE AND OLIVER'S.
1030
00:58:08,458 --> 00:58:11,041
-THE-- GENERALLY--
-AMERICANO?
1031
00:58:11,083 --> 00:58:14,666
HI. GOOD MORNING.
YOU GOT THIS FOR ME?
1032
00:58:14,708 --> 00:58:17,791
-YEAH, I KNOW YOU LIKE IT.
-ALRIGHT, MATE.
1033
00:58:17,833 --> 00:58:19,458
-ALRIGHT, YEAH.
-THANK YOU.
1034
00:58:19,500 --> 00:58:21,458
I ONLY GOT ONE,
I DIDN'T KNOW HE WAS COMING.
1035
00:58:21,500 --> 00:58:23,291
THAT'S ALRIGHT, MATE.
COFFEE IS BAD FOR YOU.
1036
00:58:25,000 --> 00:58:29,208
HOW IS THIS FEELING FOR YOU NOW?
IS THIS ALL LOOKING RIGHT?
1037
00:58:29,250 --> 00:58:31,333
OH, WOW. OKAY.
DID YOU DO THIS?
1038
00:58:31,375 --> 00:58:33,041
YEAH.
AND TONY SET IT ALL UP.
1039
00:58:33,083 --> 00:58:35,041
DID YOU PUT UP THAT FABRIC?
1040
00:58:35,083 --> 00:58:37,375
-YEAH, I PUT IT OVER THE THING.
-THAT'S GREAT. THANK YOU.
1041
00:58:37,416 --> 00:58:40,166
IT'S SMALL, BECAUSE
THE RATIO OF THE STAGE
1042
00:58:40,208 --> 00:58:42,416
TO THE TENT
IS A LITTLE BIT WEAK.
1043
00:58:42,458 --> 00:58:43,583
IT'S MORE THAN WEAK, YEAH.
1044
00:58:43,625 --> 00:58:44,958
YOU CAN PUT STUFF UP TO BREAK UP
1045
00:58:45,000 --> 00:58:47,125
THE WHITE A LITTLE BIT. TWIGS.
1046
00:58:47,166 --> 00:58:50,583
I HATE THE TWIGS.
I REALLY HATE THE TWIGS.
1047
00:58:50,625 --> 00:58:53,541
-DO WHATEVER YOU WANT, I'M NOT--
-I'LL GIVE THEM A TRY.
I WILL GIVE THEM A TRY.
1048
00:58:53,583 --> 00:58:56,375
YEAH? OR WE'LL GET SOMETHING
ELSE, THEN, MAYBE?
1049
00:58:56,416 --> 00:58:58,541
I THINK YOU'RE RIGHT
ABOUT THE FOLIAGE, ACTUALLY.
1050
00:59:00,833 --> 00:59:03,541
CAN I--
AND YOU WANT THESE?
1051
00:59:03,583 --> 00:59:05,208
YEAH, WE CAN PUT THOSE
WHEREVER YOU WANT.
1052
00:59:06,333 --> 00:59:09,333
MATE, CAN I HAVE A WORD?
1053
00:59:09,375 --> 00:59:12,916
-YEAH, SORRY, I'VE JUST GOT
TO GO AND HAVE A WORD.
-JUST BE A MINUTE, BABE.
1054
00:59:12,958 --> 00:59:14,458
I'LL JUST BE A SECOND, NOW.
1055
00:59:14,500 --> 00:59:15,875
YEAH, BE NICE.
1056
00:59:15,916 --> 00:59:17,958
I RE-DID THE LIFE TABLE.
1057
00:59:18,000 --> 00:59:19,666
-WHAT?
-SCORES HAVE CHANGED.
1058
00:59:19,708 --> 00:59:20,666
I'M AMAZED
YOU'RE STILL DOING THIS?
1059
00:59:20,708 --> 00:59:21,666
CRISSCROSS,
1060
00:59:21,708 --> 00:59:24,000
YOU, BLANK. JEFF, SPOTS.
1061
00:59:24,041 --> 00:59:28,958
JEFF, STANDARD AS USUAL.
GIRLFRIENDS, ME WAY MORE. WHYS?
1062
00:59:29,000 --> 00:59:32,750
YES, YOU HAD ONE,
BUT I FUCKED HER.
ONE NIGHTERS, LOADS MORE.
1063
00:59:32,791 --> 00:59:36,541
COOL JOBS, ME,
WAY MORE. HOLIDAYS--
1064
00:59:36,583 --> 00:59:39,375
-COOL JOBS?
-YEAH, MATE.
I'M A PERSONAL TRAINER.
1065
00:59:39,416 --> 00:59:41,250
-ARE YOU?
-YES, MATE.
1066
00:59:41,291 --> 00:59:43,250
-ARE YOU ACTUALLY
A PERSONAL TRAINER?
-YES, MATE.
1067
00:59:43,291 --> 00:59:45,833
-OR...
-I WORK WITH WOMEN.
I MAKE THEIR BUTTS BIGGER.
1068
00:59:45,875 --> 00:59:50,333
-YEAH, I'M A DJ.
-YOU ARE WEDDING DJ.
IT'S NOT QUITE THE SAME.
1069
00:59:50,375 --> 00:59:53,166
WHAT DO YOU WANT?
I'VE HAD THE TIME OF MY LIFE
AGAIN? ALRIGHT.
1070
00:59:53,208 --> 00:59:57,666
-I'VE GOT A RESIDENCY.
-YOU'RE LIKE AN UNCLE.
YOU ARE A RESIDENT UNCLE.
1071
00:59:57,708 --> 01:00:00,958
I DO BIRTHDAY PARTIES AND
I DO ANY CELEBRATION YOU WANT
1072
01:00:01,000 --> 01:00:03,375
REALLY, I CAN GO AROUND.
I DO ALL OF THE STUFF.
1073
01:00:03,416 --> 01:00:05,958
MOVING ON, HOLIDAYS--
LOOK, I GAVE YOU THAT.
1074
01:00:06,000 --> 01:00:07,625
-OKAY.
-FRIENDS, EVEN.
1075
01:00:07,666 --> 01:00:11,000
FASHION, NO COMPETITION.
FEASANCE, NO COMPETITION,
1076
01:00:11,041 --> 01:00:15,666
ANAL, ALTHOUGH, LOOK, THERE WAS
THAT ONE TIME YOU TOLD ME ABOUT
BUT I'M SURE THAT WAS A MISTAKE.
1077
01:00:15,708 --> 01:00:19,458
-TRUE LOVE.
-TRUE LOVE?
HOW HAVE YOU DONE THAT?
1078
01:00:19,500 --> 01:00:23,166
I SHOULD BE AT THE TOP OF THAT.
GIVE ME-- YOU CAN'T
JUST BE DOING THAT, "TRUE LOVE"
1079
01:00:23,208 --> 01:00:25,875
JUST ALL OF A SUDDEN--
JEFF'S ON THE SAME
AS ME AS TRUE LOVE.
1080
01:00:25,916 --> 01:00:30,333
MATE, WHAT DID RIHANNA SAY?
"ALL'S FAIR IN LOVE AND WAR."
1081
01:00:30,375 --> 01:00:34,708
LOOK, OKAY.
ALL IS FAIR AND ALL THAT,
BUT COME ON, NOW.
1082
01:00:34,750 --> 01:00:36,583
YOU'VE HAD A BIT OF
A LAUGH NOW, RIGHT?
1083
01:00:36,625 --> 01:00:38,250
YOU'VE DONE THAT NOW, JUST--
1084
01:00:38,291 --> 01:00:41,166
I'VE DONE THAT A FEW TIMES.
WHAT DO MATES DO?
1085
01:00:41,208 --> 01:00:44,166
THEY STEP ASIDE
WHEN A MATE FINDS LOVE.
1086
01:00:44,208 --> 01:00:46,541
-EXACTLY, MATE. SO--
-AND THEY LET LOVE BLOOM.
1087
01:00:46,583 --> 01:00:50,625
-OKAY. SO, AS A MATE, YOU
SHOULD STEP ASIDE, OUT OF YOUR--
-[GILLIAN] YOU TWO,
1088
01:00:50,666 --> 01:00:53,041
WOULD YOU MIND? I'M JUST
TRYING TO WORK OVER HERE.
1089
01:00:53,083 --> 01:00:55,000
-JUST KEEP IT DOWN A BIT.
-DO YOU NEED ANY HELP
MOVING ANYTHING?
1090
01:00:55,041 --> 01:00:57,041
I CAN MOVE THE WHOLE THING
IF YOU NEED IT.
1091
01:00:57,083 --> 01:00:58,166
WE DON'T NEED
THE WHOLE THING MOVED
1092
01:00:58,208 --> 01:01:00,000
WE JUST NEED THAT MOVING.
1093
01:01:00,041 --> 01:01:02,041
-WE JUST--
-HOW MUCH OF THE
STUFF DID YOU NEED MOVED?
1094
01:01:02,083 --> 01:01:03,166
I CAN MOVE STUFF, AS WELL.
1095
01:01:03,208 --> 01:01:04,458
I'M JUST TRYING TO FOCUS,
1096
01:01:04,500 --> 01:01:06,000
IT'S HARD TO FOCUS.
1097
01:01:06,041 --> 01:01:07,250
[OLIVER] ALRIGHT, SORRY.
1098
01:01:07,291 --> 01:01:08,208
[GILLIAN] IT'S OKAY.
1099
01:01:09,458 --> 01:01:10,916
THAT'S A BIT
CHILDISH, ISN'T IT?
1100
01:01:10,958 --> 01:01:12,875
BIT CHILDISH,
DOING THAT LIKE THAT.
1101
01:01:12,916 --> 01:01:15,958
IS IT LIKE THAT?
GO ON.
1102
01:01:17,000 --> 01:01:19,333
[GROANING]
1103
01:01:27,125 --> 01:01:28,833
[OLIVER] GET OFF.
1104
01:01:36,750 --> 01:01:38,625
[GROANS]
1105
01:01:52,625 --> 01:01:54,541
-WHAT'S THAT?
-THIS NEEDS REDOING?
1106
01:01:54,583 --> 01:01:56,000
WHAT'RE YOU DOING THERE?
1107
01:01:59,250 --> 01:02:02,416
-FIGHTING.
-FOR A DRAW?
IT WAS A DRAW, MATE.
1108
01:02:02,458 --> 01:02:05,583
[CHEERFUL MUSIC]
1109
01:02:09,250 --> 01:02:12,000
-IS THERE A PLUG HOLE
IN THE TENT?
-YEAH.
1110
01:02:13,375 --> 01:02:15,791
I LOVE THE TENT.
I REALLY LOVE IT.
1111
01:02:16,666 --> 01:02:19,708
-IT'LL BREAK UP THE WHITE.
-YEAH.
1112
01:02:19,750 --> 01:02:22,083
WHY HAVE YOU BROUGHT A FRISBEE
I THOUGHT WE WERE WORKING OUT.
1113
01:02:22,125 --> 01:02:24,041
OKAY, CATCH IT.
JUST KEEP YOUR EYE ON IT,
1114
01:02:24,083 --> 01:02:26,708
AND THEN YOU DEFINITELY
WILL CATCH IT.
1115
01:02:26,750 --> 01:02:28,166
ALRIGHT, THROW IT.
1116
01:02:28,208 --> 01:02:30,458
I'M SORRY, I'M SO SORRY.
1117
01:02:30,500 --> 01:02:31,958
MATT, WHAT ARE YOU DOING?
1118
01:02:32,000 --> 01:02:34,041
MATT, NOT RIGHT HERE.
1119
01:02:34,083 --> 01:02:35,750
I JUST WANTED TO
PLAY FRISBEE.
1120
01:02:35,791 --> 01:02:38,333
THAT'S ALL I WANTED.
GET ON MY BACK.
1121
01:02:38,375 --> 01:02:40,333
-WHY?
-BECAUSE WE'RE DOING A WORKOUT.
1122
01:02:40,375 --> 01:02:41,583
I WANTED TO
SHOW YOU SOMETHING.
1123
01:02:41,625 --> 01:02:42,625
OKAY.
1124
01:02:45,333 --> 01:02:47,500
-AND NOW WHAT?
-WELL, IF YOU'RE NOT
GOING TO DO IT PROPERLY,
1125
01:02:47,541 --> 01:02:49,041
FORGET IT.
1126
01:02:49,083 --> 01:02:50,916
BUT I'M JUST DOING
WHAT YOU TOLD ME TO.
1127
01:02:50,958 --> 01:02:52,666
-YOU'RE BEING
HEAVIER ON PURPOSE.
-IS THAT IT?
1128
01:02:52,708 --> 01:02:53,791
WHERE'D THE FRISBEE GO, THEN?
1129
01:02:53,833 --> 01:02:54,750
FUCK THE FRISBEE.
1130
01:02:55,958 --> 01:02:57,541
-WHY?
-LET'S GO GET BACK.
1131
01:02:57,583 --> 01:02:58,791
WE'VE GOT TO SET UP
THE BARBECUE.
1132
01:03:00,208 --> 01:03:01,583
WE HARDLY PLAYED.
1133
01:03:01,625 --> 01:03:03,250
[CHEERFUL MUSIC]
1134
01:03:16,125 --> 01:03:18,916
-OLIVER.
-YEAH?
1135
01:03:19,833 --> 01:03:23,458
IT'S OKAY.
IT'S GOING TO BE OKAY.
1136
01:03:23,500 --> 01:03:26,125
IT'S ALL GOING TO BE FINE,
AND I'M SORRY FOR--
1137
01:03:26,166 --> 01:03:29,666
OH, YEAH, NO, THERE'S NOTHING
TO BE SORRY ABOUT.
1138
01:03:29,708 --> 01:03:31,958
OH, NO, I FEEL REALLY
AWFUL ABOUT IT.
1139
01:03:32,000 --> 01:03:33,166
DON'T FEEL AWFUL
ABOUT IT.
1140
01:03:33,208 --> 01:03:36,166
I MEAN, I DIDN'T FEEL AWFUL...
1141
01:03:36,208 --> 01:03:39,166
KISSING YOU WAS NICE.
1142
01:03:40,875 --> 01:03:42,833
JUST WAS A HAPPY MOMENT.
1143
01:03:42,875 --> 01:03:44,166
IT WAS JUST A HAPPY MOMENT.
1144
01:03:44,208 --> 01:03:45,583
IT WAS JUST A HAPPY MOMENT.
1145
01:03:54,583 --> 01:03:56,083
I HAVE TO GET HER BACK.
1146
01:03:59,333 --> 01:04:02,541
WHAT IF WE GO
TO THE BARBECUE?
1147
01:04:02,583 --> 01:04:04,208
WHO'S BARBECUE?
1148
01:04:04,250 --> 01:04:07,458
MATT'S HAVING A BARBECUE
AT HIS PARENT'S HOUSE.
1149
01:04:07,500 --> 01:04:10,333
IF WE TURN UP TOGETHER THEN,
1150
01:04:10,375 --> 01:04:13,375
GO IN THERE FAIRLY STRONG,
AND THEN YOU GET STRAIGHT IN
1151
01:04:13,416 --> 01:04:18,166
IN BETWEEN MATT AND GILLIAN,
AND JUST TAKE HIM AWAY.
1152
01:04:18,208 --> 01:04:19,333
-OH, I SEE.
-JUST GET HIM AWAY,
1153
01:04:19,375 --> 01:04:22,208
BECAUSE HE'LL BE REALLY INTO
1154
01:04:22,250 --> 01:04:25,333
THE WAY YOU LOOK, AND STUFF.
IF YOU CAN JUST THEN
KEEP HIM OUT OF THE WAY,
1155
01:04:25,375 --> 01:04:30,583
IT WOULD JUST
REALLY LET ME GET--
1156
01:04:30,625 --> 01:04:31,583
I SEE WHAT YOU'RE SAYING.
1157
01:04:33,041 --> 01:04:34,416
-ALRIGHT.
-DEAL?
1158
01:04:34,458 --> 01:04:36,083
-DEAL.
-DEAL.
1159
01:04:41,583 --> 01:04:43,000
YOU REALLY WANT HER BACK,
DON'T YOU?
1160
01:04:44,500 --> 01:04:45,791
I DON'T KNOW
WHAT TO DO WITHOUT HER.
1161
01:04:48,250 --> 01:04:50,958
-OI, YOU'RE NOT
VEGETARIAN, ARE YOU?
-WHAT?
1162
01:04:51,000 --> 01:04:52,208
YOU'RE NOT
VEGETARIAN, ARE YOU?
1163
01:04:52,250 --> 01:04:54,958
-NO.
-THANK GOD FOR THAT.
1164
01:04:55,000 --> 01:04:57,708
IT IS VERY PICNICKY. HEADS UP.
1165
01:04:57,750 --> 01:04:58,750
OH, SHIT.
1166
01:05:04,375 --> 01:05:06,333
IN SCENE TWO,
SHE ALREADY FEELS
1167
01:05:06,375 --> 01:05:07,958
LIKE THEIR MARRIAGE
IS FALLING APART
1168
01:05:08,000 --> 01:05:09,875
AND SHE SAYS:
"WHO DO YOU FANCY IN HERE?"
1169
01:05:09,916 --> 01:05:11,916
IT IS A TRICK QUESTION.
IF YOU ASK SOMEONE
1170
01:05:11,958 --> 01:05:14,750
WHO YOU'RE WITH, IF THEY FANCY--
1171
01:05:14,791 --> 01:05:17,375
WHO THEY FANCY, WHAT DO
YOU THINK THEY MEAN?
1172
01:05:17,416 --> 01:05:20,541
-THEY MEAN--
-HANG ON, IF YOU ASK
ME "WHO DO I FANCY?"
1173
01:05:20,583 --> 01:05:22,875
-YEAH.
-YOU.
1174
01:05:22,916 --> 01:05:24,250
THANK YOU.
1175
01:05:25,750 --> 01:05:27,833
I WAS JUST ON THE PHONE
TO ONE OF MY ACTORS,
1176
01:05:27,875 --> 01:05:32,041
SHE'S A FUCKING NIGHTMARE.
SHE'S TRYING TO INFUSE HER OWN
1177
01:05:32,083 --> 01:05:34,541
MEANINGS INTO MY WRITING.
1178
01:05:34,583 --> 01:05:39,125
ALL I WANT HER TO DO,
IS SIMPLY SAY THE LINE,
YOU KNOW.
1179
01:05:39,166 --> 01:05:43,041
LIKE I DON'T ACTUALLY NEED HER
TO DO LIKE PREGNANT PAUSES.
1180
01:05:43,083 --> 01:05:46,166
-OH, YEAH.
-BUT ANYWAY,
I JUST TOLD HER THAT.
1181
01:05:46,208 --> 01:05:48,750
PLEASE, JUST SAY THE LINES.
1182
01:05:49,625 --> 01:05:52,125
-AND...
-WHAT DID SHE SAY?
1183
01:05:52,166 --> 01:05:56,375
SHE SAID:
"SURE." BUT LISTEN
1184
01:05:56,416 --> 01:05:58,875
I JUST DON'T HAVE A GOOD
RELATIONSHIP WITH THESE ACTORS.
1185
01:05:58,916 --> 01:06:01,333
THEY HATE ME,
THEY THINK I'M SOME SORT
1186
01:06:01,375 --> 01:06:04,166
OF CONTROLLING BITCH,
BUT I AM, BECAUSE IT'S MY PLAY.
1187
01:06:04,208 --> 01:06:05,750
YEAH, YOU'RE THE BOSS.
1188
01:06:05,791 --> 01:06:07,666
I'M JUST GOING TO
SPREAD THIS BLANKET OUT.
1189
01:06:08,791 --> 01:06:10,000
OKAY.
1190
01:06:11,208 --> 01:06:12,708
IT'S A NICE BLANKET.
1191
01:06:12,750 --> 01:06:14,125
YEAH, IT'S A SOLID BLANKET.
1192
01:06:18,500 --> 01:06:20,458
DO YOU WANT TO COME
ON THE BLANKET WITH ME?
1193
01:06:21,416 --> 01:06:23,083
WELL, I MEAN,
I'M STILL COOKING, SO.
1194
01:06:24,208 --> 01:06:25,333
VERY SOFT.
1195
01:06:26,916 --> 01:06:29,291
DO YOU WANT TO COME
LIE DOWN ON IT WITH ME?
1196
01:06:29,333 --> 01:06:32,333
I CAN'T TAKE MY EYES OF THIS,
YOU OVERCOOK THESE,
YOU RUIN IT.
1197
01:06:34,000 --> 01:06:36,958
BUT I WANTED TO CELEBRATE.
1198
01:06:39,125 --> 01:06:40,833
WHAT DO YOU MEAN?
1199
01:06:40,875 --> 01:06:43,541
WELL, I WANT TO HAVE
A CELEBRATORY SHAG.
1200
01:06:44,833 --> 01:06:47,083
IN YOUR MOM'S GARDEN.
1201
01:06:49,666 --> 01:06:50,791
WHAT ARE YOU CELEBRATING?
1202
01:06:50,833 --> 01:06:53,541
MY PLAY BEING PRODUCED, FINALLY.
1203
01:06:54,625 --> 01:06:58,250
YEAH, IN A TENT
FOR LIKE 40 PEOPLE.
1204
01:07:00,166 --> 01:07:01,583
IT'S GOOD.
1205
01:07:05,291 --> 01:07:07,541
IT'S SOMETHING.
1206
01:07:07,583 --> 01:07:10,000
SOME PEOPLE NEVER GET THAT,
NOT EVEN A TENT.
1207
01:07:10,041 --> 01:07:13,666
THAT'S TRUE.
LISTEN, I'D LOVE TO SHAG YOU,
1208
01:07:13,708 --> 01:07:17,958
BUT JEFF IS COMING AROUND,
AND MY MOM COULD WALK IN.
1209
01:07:19,125 --> 01:07:22,375
WHAT WE HAVE IS LIKE--
IT'S MORE THAN JUST SEX.
1210
01:07:22,416 --> 01:07:24,625
NOT JUST-- YOU CAN'T JUST
HAVE SEX ALL THE TIME.
1211
01:07:24,666 --> 01:07:27,291
I LOVE SEX,
I'M ALL ABOUT SEX,
1212
01:07:27,333 --> 01:07:29,875
BUT THE FACT IS,
THERE IS MORE TO LIFE.
1213
01:07:31,666 --> 01:07:33,916
SOMETIMES I JUST WANT
TO KNOW ABOUT YOU.
1214
01:07:35,250 --> 01:07:36,333
THE REAL YOU.
1215
01:07:37,333 --> 01:07:38,791
SHOULD I HAVE BROUGHT SOME MEAT?
1216
01:07:39,875 --> 01:07:41,416
NO, I DON'T THINK SO.
1217
01:07:41,458 --> 01:07:42,958
I HAVEN'T BOUGHT ANYTHING,
1218
01:07:43,000 --> 01:07:45,666
-NOT EVEN SAUSAGE.
-DON'T WORRY ABOUT THAT,
1219
01:07:45,708 --> 01:07:48,375
GUYS, I'M NOT SURE
THIS IS A GOOD IDEA.
1220
01:07:48,416 --> 01:07:52,291
-IT'LL BE FINE.
-IT'S OKAY, WE'VE GOT
QUITE A ROBUST PLAN.
1221
01:07:52,333 --> 01:07:56,166
-HE SPECIFICALLY INVITED ME,
NOT YOU GUYS, I MEAN--
-[RACHEL] YOU'LL BE FINE.
1222
01:07:56,208 --> 01:07:59,125
-[OLIVER] YOU'LL BE FINE.
-YOU'LL BE ABSOLUTELY FINE,
YOU'LL HAVE A LOVELY TIME,
1223
01:07:59,166 --> 01:08:01,166
-AND I'M GOING TO--
-[OLIVER] YEAH, THAT'D BE GREAT.
1224
01:08:03,458 --> 01:08:07,250
-[RACHEL] WHAT A LOVELY HOUSE.
-YEAH, IT'S HIS PARENTS' HOUSE,
IT'S NOT HIS. IT LOOKS GOOD.
1225
01:08:07,291 --> 01:08:09,458
JEFFREY! HOW ARE YOU?
1226
01:08:09,500 --> 01:08:10,625
I'VE GOT SOME
PEOPLE WITH ME.
1227
01:08:10,666 --> 01:08:12,458
GREAT, THE MORE THE MERRIER.
1228
01:08:12,500 --> 01:08:13,833
-HI.
-HI.
1229
01:08:13,875 --> 01:08:16,208
RACHEL, DO YOU REMEMBER ME?
1230
01:08:16,250 --> 01:08:19,583
RACHEL.
FUCKING HELL, YOU LOOK GREAT.
1231
01:08:19,625 --> 01:08:21,125
-HELLO, MATE.
-YOU KNOW OLIVER.
1232
01:08:21,166 --> 01:08:24,708
-YEAH.
-HI, MATE. THANK YOU.
1233
01:08:26,583 --> 01:08:27,500
-ALRIGHT,
-YOU'RE ALRIGHT, MATE.
1234
01:08:29,583 --> 01:08:30,833
DO YOU MIND IF I--
1235
01:08:32,041 --> 01:08:34,333
-[RACHEL] WHAT A LOVELY
BARBECUE.
-YEAH.
1236
01:08:34,375 --> 01:08:36,875
[MATT] I BOUGHT SOME EXTRA CORN
JUST IN CASE ANY MORE WOMEN WERE
COMING.
1237
01:08:36,916 --> 01:08:39,333
-SO CORN FOR THE GIRLS--
-MEAT FOR THE BOYS.
1238
01:08:39,375 --> 01:08:41,125
OH, THAT'S CONSIDERATE.
1239
01:08:42,125 --> 01:08:43,166
WHAT'RE YOU DOING HERE?
1240
01:08:44,833 --> 01:08:46,583
JEFF ASKED ME TO COME ALONG.
1241
01:08:49,583 --> 01:08:53,875
OKAY, BUT WHY DID YOU
COME TO THE BARBECUE?
1242
01:08:57,625 --> 01:08:58,916
I WANTED TO SEE YOU.
1243
01:09:02,125 --> 01:09:03,250
RIGHT.
1244
01:09:05,166 --> 01:09:11,416
-IT'S QUITE HOT WITH THAT THERE,
ISN'T IT?
-I LIKE IT.
1245
01:09:11,458 --> 01:09:13,500
-[MATT] WHAT ABOUT YOU, I MEAN--
-[RACHEL] GOD, WELL
I'VE BEEN TRAVELLING
1246
01:09:13,541 --> 01:09:14,875
A LOT, ACTUALLY, FOR WORK.
1247
01:09:14,916 --> 01:09:17,250
-HAVE YOU?
-YEAH.
1248
01:09:17,291 --> 01:09:19,791
-CAN I ASK YOU SOMETHING?
-GO ON.
1249
01:09:19,833 --> 01:09:23,333
I DON'T WANT TO BE RUDE, BUT
COULD YOU OPEN YOUR COAT A BIT?
1250
01:09:23,375 --> 01:09:27,541
JUST A BIT SO I COULD SEE JUST
WHAT'S GOING ON UNDER THERE?
1251
01:09:27,583 --> 01:09:30,458
YEAH, THAT IS TREMENDOUS.
1252
01:09:32,083 --> 01:09:33,333
YOU SEE HOW I HANDLED THAT.
1253
01:09:33,375 --> 01:09:34,875
VERY GOOD.
1254
01:09:34,916 --> 01:09:38,500
STOICISM.
AND THEN IT JUST GOES AWAY.
1255
01:09:39,375 --> 01:09:42,500
I PREFER THAT THING THAT I DO,
LIKE THAT.
1256
01:09:42,541 --> 01:09:45,208
THAT'S JUST WORK, IS IT?
WHAT KIND OF WORK YOU DO?
WHAT ARE YOU DOING NOW?
1257
01:09:45,250 --> 01:09:46,791
-BATS.
-YOU'RE WORKING WITH BATS?
1258
01:09:46,833 --> 01:09:48,166
-YEAH.
-FUCK ME, WELL THAT'S GREAT.
1259
01:09:48,208 --> 01:09:51,250
I MEAN, YOU COULD, IF YOU WANT.
1260
01:09:51,291 --> 01:09:53,583
THAT IS GOOD.
DO YOU KNOW WHAT?
FOR SOMEONE YOUR SIZE AND SHAPE,
1261
01:09:54,500 --> 01:09:56,916
-THAT IS SOLID.
-THANK YOU.
1262
01:09:56,958 --> 01:09:59,375
REMEMBER THAT BARBECUE
WE HAD DOWN ON THE BEACH?
1263
01:09:59,416 --> 01:10:01,625
-I LOOKED REALLY YOUNG.
-YEAH.
1264
01:10:02,500 --> 01:10:03,875
LOOK, WHAT YOU'VE DONE TO ME.
1265
01:10:04,750 --> 01:10:05,666
IT'S ALRIGHT.
1266
01:10:07,125 --> 01:10:09,541
-I LIKE YOUR WRINKLES.
-THERE ARE NO WRINKLES!
1267
01:10:09,583 --> 01:10:11,458
OKAY. SORRY,
THERE ARE NO WRINKLES.
1268
01:10:13,541 --> 01:10:15,875
-IF THERE WERE, I'D LIKE THEM.
-I KNOW YOU WOULD.
1269
01:10:17,000 --> 01:10:18,791
[MATT] I STARTED
DOING POETRY NOW,
1270
01:10:18,833 --> 01:10:21,000
SO I'M NOT JUST,
YOU KNOW, A MUSCLE MAN.
1271
01:10:21,041 --> 01:10:23,583
I'M ALSO AN ARTIST.
IT'S LIKE:
1272
01:10:23,625 --> 01:10:27,000
LOOK AT YOU, LOOK AT YOU,
YOUR EYES SO BROWN
1273
01:10:27,041 --> 01:10:30,333
I'D REALLY LIKE TO HEAR
YOUR SEX SOUND
1274
01:10:30,375 --> 01:10:33,583
I'D LIKE TO LIE DOWN
WITH YOU ON YOUR FRONT
1275
01:10:33,625 --> 01:10:37,083
OR TURN YOU OVER
AND IGNORE YOUR--
1276
01:10:37,125 --> 01:10:39,666
I JUST HAVE LOTS OF THINGS--
I HAVE OTHER
IDEAS THAT I HAVE.
1277
01:10:39,708 --> 01:10:42,291
-[RACHEL] SO GOOD.
-POETRY? SINCE WHEN?
1278
01:10:42,333 --> 01:10:44,916
SINCE AGES. IT'S JUST LIKE
I LOOK AT SOMETHING
1279
01:10:44,958 --> 01:10:47,666
AND IF I'M INSPIRED BY IT,
THEN I'LL DO A POEM LIKE:
1280
01:10:47,708 --> 01:10:50,958
JEFFREY, JEFFREY,
YOUR TIMING'S QUITE SHIT.
1281
01:10:51,000 --> 01:10:54,166
JEFFREY, JEFFREY, COULD YOU
GET THE FUCK OUT OF IT?
1282
01:10:54,208 --> 01:10:57,166
JEFFREY, JEFFREY,
WE'VE GOT A THING HAPPENING.
1283
01:10:57,208 --> 01:11:00,416
JEFFREY, JEFFREY,
YOUR PRESENCE IS CRAPPENING.
1284
01:11:15,083 --> 01:11:20,208
[GILLIAN] WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
1285
01:11:20,250 --> 01:11:24,208
I'M JUST TRYING TO
HOLD ON TO SOMETHING.
1286
01:11:27,125 --> 01:11:28,541
I DON'T WORK WITHOUT YOU.
1287
01:11:32,333 --> 01:11:36,375
SIMPLE AS THAT, I JUST
DON'T... WORK WITHOUT YOU.
1288
01:11:40,541 --> 01:11:42,458
-MATT!
-DON'T CALL HIM.
1289
01:11:42,500 --> 01:11:44,250
-MATT!
-YEAH?
1290
01:11:44,291 --> 01:11:46,541
COULD YOU TAKE ME BACK
TO YOUR FLAT, PLEASE?
1291
01:11:48,500 --> 01:11:51,875
I'M SORT OF ALRIGHT HERE
WITH RACHEL, AS IT GOES.
1292
01:11:51,916 --> 01:11:53,916
-[GILLIAN] OH YEAH.
-[RACHEL] WE'RE
REALLY GETTING ON.
1293
01:11:53,958 --> 01:11:56,958
-WE HAVEN'T--
-OK, NO, NO, ENJOY.
1294
01:11:57,000 --> 01:11:59,250
YOU CAN'T LEAVE NOW.
1295
01:12:01,000 --> 01:12:02,166
IT'S FOR THE BEST,
ISN'T IT?
1296
01:12:02,208 --> 01:12:03,666
-YEAH.
-IT'S ALL OKAY.
1297
01:12:05,666 --> 01:12:07,041
[RACHEL] TAKE CARE.
1298
01:12:07,083 --> 01:12:09,041
[MATT] YOU KNOW,
FOR SOMEONE SO FIT,
1299
01:12:09,083 --> 01:12:11,458
SHE'S REALLY LIKE COMPLICATED.
1300
01:12:11,500 --> 01:12:14,125
WHAT, BECAUSE
SHE LOOKS LIKE THAT,
SHE CAN'T BE COMPLICATED?
1301
01:12:14,166 --> 01:12:16,625
I JUST THINK,
WHY BOTHER, LIKE--
1302
01:12:16,666 --> 01:12:19,125
WHY BOTHER WITH WHAT?
WITH WHAT? JUST COMING
1303
01:12:19,166 --> 01:12:21,166
AND TAKING HER OFF ME, BREAKING
HER HEART, BREAKING MY HEART?
1304
01:12:21,208 --> 01:12:26,208
LISTEN, IF YOU WANT HER BACK,
YOU KNOW, I WISH YOU LUCK, MATE.
1305
01:12:26,250 --> 01:12:29,750
THAT'S IT, SO I JUST HAVE HER
BACK, NOW? THAT'S IT,
SO YOU'VE MOVED ON, NOW?
1306
01:12:29,791 --> 01:12:32,750
I'M SAYING YOU SHOULD FIGHT
FOR HER BECAUSE SHE'S,
YOU KNOW, A NIGHTMARE
1307
01:12:32,791 --> 01:12:35,083
AND I WANT YOU TO HAVE THAT.
1308
01:12:35,125 --> 01:12:37,583
SO, YOU WANT--
YOU KNOW WHAT, I DO WANT THAT,
1309
01:12:37,625 --> 01:12:38,916
AND I WOULDN'T
MAKE IT A NIGHTMARE.
1310
01:12:38,958 --> 01:12:40,958
WHAT HAVE I SAID
MATES ARE FOR?
1311
01:12:41,000 --> 01:12:43,000
-MATES ARE
FOR STEPPING ASIDE WHEN...
-OK, THANK YOU FOR
1312
01:12:43,041 --> 01:12:44,416
-STEPPING ASIDE.
-...LOVE IS IN THE WAY.
1313
01:12:44,458 --> 01:12:46,708
[MUSIC]
1314
01:12:57,291 --> 01:13:00,750
IT'S ALWAYS,
ALWAYS GOING TO BE COMPLICATED
1315
01:13:00,791 --> 01:13:03,833
AND YOU'RE NEVER
GOING TO HAVE A NINE TO FIVE.
1316
01:13:05,125 --> 01:13:10,083
HE KNEW VERY WELL WHO I WAS
1317
01:13:10,125 --> 01:13:11,166
WHEN HE MARRIED ME.
1318
01:13:14,708 --> 01:13:15,666
AND HE LOVED IT.
1319
01:13:15,708 --> 01:13:17,666
[LIGHT MUSIC]
1320
01:13:22,541 --> 01:13:25,041
SO, WE'VE ACCEPTED
THAT THERE ARE COMPLICATIONS
1321
01:13:25,083 --> 01:13:29,666
WITH ME CONSTANTLY CHANGING,
BEING A FUCKING MOODY BITCH,
1322
01:13:32,291 --> 01:13:33,708
AND HE HAS TO
ADJUST TO THAT
1323
01:13:33,750 --> 01:13:35,500
AND I HAVE TO ADJUST TO HIM.
1324
01:13:35,541 --> 01:13:37,000
HE WORSHIPS ME.
1325
01:13:38,375 --> 01:13:40,500
I MEAN, HE DID.
1326
01:13:44,250 --> 01:13:48,625
HE USED TO,
JUST NOT AT THE MOMENT.
1327
01:13:48,666 --> 01:13:50,583
[LIGHT MUSIC]
1328
01:13:58,125 --> 01:13:59,250
IS IT COLD, THOUGH?
1329
01:14:00,750 --> 01:14:02,458
IT IS COLD. IT IS COLD.
IT IS COLD.
1330
01:14:04,083 --> 01:14:05,625
[LAUGHTER]
1331
01:14:05,666 --> 01:14:07,541
YOU'VE GOT YOUR PLAY,
1332
01:14:07,583 --> 01:14:10,458
YOU'VE GOT YOUR PLAY,
FINALLY, GILLIAN.
1333
01:14:13,416 --> 01:14:16,458
AND YOU'RE MISERABLE.
THE FUCK!
1334
01:14:18,375 --> 01:14:21,666
AM I GOING TO BE THE ONLY ONE
SITTING AT MY FUCKING PLAY?
1335
01:14:23,416 --> 01:14:26,125
I WANT HIM TO CARE ABOUT ME.
I REALLY DO WANT HIM TO.
1336
01:14:26,166 --> 01:14:28,916
I CARE ABOUT--
I CARE ABOUT HIM SEEING IT.
1337
01:14:28,958 --> 01:14:31,458
I NEED HIM TO SEE IT,
I WANT HIM TO SEE IT, I WANT--
1338
01:14:32,375 --> 01:14:34,625
[GILLIAN] SAY HELLO, WE'LL SEND THIS ONE TO YOUR MOM.
1339
01:14:34,666 --> 01:14:36,125
HI, JANET.
1340
01:14:36,166 --> 01:14:37,625
[INDISTINCT] MOM.
1341
01:14:39,083 --> 01:14:40,125
[LAUGHTER]
1342
01:14:41,625 --> 01:14:44,458
SHOULD I TRY THE TRICK?
WIND'S GOING TO TAKE IT.
1343
01:14:44,500 --> 01:14:46,666
[OLIVER] GO ON.
1344
01:14:46,708 --> 01:14:49,166
-HOW THE FUCK DID
I HURT MYSELF?
-DID IT HURT YOU?
1345
01:14:49,208 --> 01:14:51,458
BUT YOU COULD HAVE
HAD IT DIFFERENTLY.
1346
01:14:51,500 --> 01:14:53,375
HE COULD'VE SAT THERE WITH YOU,
1347
01:14:53,416 --> 01:14:55,541
WATCHING YOUR PLAY WITH YOU
1348
01:14:55,583 --> 01:14:58,375
BEING SO FUCKING PROUD OF YOU.
1349
01:14:58,416 --> 01:15:00,208
[SIGHS]
1350
01:15:02,750 --> 01:15:06,000
OH, GOD.
PLEASE SHOW UP,
PLEASE SHOW UP, PLEASE SHOW UP.
1351
01:15:06,041 --> 01:15:08,833
[LIGHT MUSIC]
1352
01:15:24,000 --> 01:15:27,541
[GILLIAN] DEAR, OLIVER,
I'M NOT THE PERFECT WIFE,
1353
01:15:27,583 --> 01:15:32,833
THAT'S FOR SURE, AND I REALIZE
YOU COULD LEAVE AT ANY POINT
1354
01:15:32,875 --> 01:15:35,000
AND MAKE SOMEONE ELSE
WILDLY HAPPY,
1355
01:15:36,541 --> 01:15:40,458
BUT PLEASE,
PLEASE STICK AROUND.
1356
01:15:41,666 --> 01:15:45,541
I'M GETTING THERE.
LOVE, HONEY-PIE.
1357
01:15:47,041 --> 01:15:48,833
[RACHEL] HOW ARE YOU
GONNA PITCH IT?
1358
01:15:51,166 --> 01:15:55,250
[OLIVER] I'M JUST GOING TO GO
IN, I'M GOING TO SAY: "I THINK
YOU NEED TO COME AND SEE THIS."
1359
01:16:00,041 --> 01:16:01,916
-I'M GOING TO GIVE HIM
ANOTHER TRY.
-IT'S NOT GOING TO WORK,
1360
01:16:01,958 --> 01:16:03,333
-I JUST CALLED HIM A SECOND--
-STRAIGHT TO VOICEMAIL.
1361
01:16:03,375 --> 01:16:05,416
LIKE I SAID,
I JUST CALLED HIM.
1362
01:16:05,458 --> 01:16:06,708
IT WENT STRAIGHT TO VOICEMAIL.
1363
01:16:06,750 --> 01:16:10,541
OLIVER! IT'S JEFFREY!
CALL ME!
1364
01:16:10,583 --> 01:16:13,666
WE'RE GOING TO JUST
HAVE TO PRESUME THAT
WE'RE GOING AHEAD WITHOUT HIM.
1365
01:16:13,708 --> 01:16:16,625
SO, YOU'VE TRIED HIM, I'VE
LEFT HIM MULTIPLE TEXT MESSAGES,
1366
01:16:16,666 --> 01:16:18,458
-I'M SURE.
-DOES HE NOT CARE?
1367
01:16:18,500 --> 01:16:20,375
THAT'S WHAT I DON'T UNDERSTAND,
DOES HE NOT CARE?
1368
01:16:20,416 --> 01:16:24,625
I'M SURE HE-- YOU KNOW WHAT,
ACTUALLY, I DON'T CARE.
1369
01:16:24,666 --> 01:16:26,166
NO, I CARE ABOUT THIS,
I DON'T CARE.
1370
01:16:26,208 --> 01:16:31,000
IF HE MAKES IT,
HE MAKES IT.
1371
01:16:31,041 --> 01:16:33,625
OKAY, YOU GO,
AND I'LL PARK UP.
1372
01:16:33,666 --> 01:16:35,125
-OKAY.
-SEE YOU IN A SEC.
1373
01:16:35,166 --> 01:16:36,125
YEAH.
1374
01:16:50,416 --> 01:16:51,666
BOTHERED?
1375
01:16:58,875 --> 01:17:00,041
OLLY!
1376
01:17:02,541 --> 01:17:05,625
[VIDEO PLAYING]
1377
01:17:48,125 --> 01:17:49,083
OLLY!
1378
01:18:15,166 --> 01:18:16,416
OLIVER?
1379
01:18:23,833 --> 01:18:25,375
I'M SORRY.
1380
01:18:31,500 --> 01:18:32,916
[HUMMING]
1381
01:18:36,625 --> 01:18:38,375
-HELLO, ARE YOU JERRY?
-PLEASE DON'T TOUCH ME.
1382
01:18:38,416 --> 01:18:40,333
YOU NEED TO COME WITH ME NOW.
WOULD YOU BE WILLING TO
1383
01:18:40,375 --> 01:18:41,541
-DO THAT WITH ME, NOW?
-GET YOUR HANDS OFF ME,
1384
01:18:41,583 --> 01:18:42,625
I DON'T WANT YOU TOUCHING ME.
1385
01:18:42,666 --> 01:18:45,833
JERRY. SORRY ABOUT HIM.
1386
01:18:45,875 --> 01:18:48,625
-HI, I'M RACHEL.
YOU DON'T KNOW ME,
-NO.
1387
01:18:48,666 --> 01:18:50,458
-YOU DON'T KNOW MY FRIEND.
-NO.
1388
01:18:50,500 --> 01:18:51,625
I WONDERED IF THERE'S ANY WAY
1389
01:18:51,666 --> 01:18:53,166
THAT WE COULD SHOW YOU
1390
01:18:53,208 --> 01:18:54,291
THIS PERFORMANCE?
1391
01:18:56,583 --> 01:18:59,500
I FEEL LIKE I'M IN A PIECE
OF THEATER RIGHT NOW.
1392
01:18:59,541 --> 01:19:02,625
JUST A BIT OF A DIFFERENT WAY.
I'M USED TO PEOPLE
JUST POSTING A SCRIPT.
1393
01:19:02,666 --> 01:19:05,791
RIGHT, NO, OBVIOUSLY.
I'VE HEARD A LOT ABOUT YOU.
1394
01:19:05,833 --> 01:19:07,875
YOU'VE A VERY GOOD
REPUTATION IN THE INDUSTRY.
1395
01:19:07,916 --> 01:19:10,208
WHO TOLD YOU THAT?
[LAUGHTER]
1396
01:19:10,250 --> 01:19:14,041
-I GOOGLED IT.
-YOU GOOGLED ME, DID YOU?
1397
01:19:14,083 --> 01:19:19,375
YEAH, IT'S QUITE
AN IMPRESSIVE THREAD.
1398
01:19:19,416 --> 01:19:21,333
YOU ARE WINNING ME OVER,
1399
01:19:21,375 --> 01:19:25,000
SORT OF MESMERIZING ME INTO
LIKE GOING SOMEWHERE WITH YOU.
1400
01:19:25,041 --> 01:19:28,250
-IS HE COMING TOO,
THIS OAF?
-YEAH, THIS WAY, YEAH.
1401
01:19:33,291 --> 01:19:35,750
-EXCUSE ME, SORRY, HI.
-HI.
1402
01:19:35,791 --> 01:19:37,666
ACTUALLY, WE'RE
NOT QUITE READY YET,
1403
01:19:37,708 --> 01:19:41,083
ALMOST THOUGH.
SO, JUST WAIT
OVER THERE A MINUTE.
1404
01:19:41,125 --> 01:19:43,250
HI. YEAH, NOT READY YET,
1405
01:19:43,291 --> 01:19:46,833
ALMOST, YOU'RE EARLY.
[LAUGHS] HI, JEFF.
1406
01:19:46,875 --> 01:19:49,541
WE'RE GOING TO JUST HAVE
TO START WITHOUT OLLY.
1407
01:19:49,583 --> 01:19:51,375
OKAY. ALRIGHT.
1408
01:19:51,416 --> 01:19:54,000
EVERYONE, HI.
THANKS FOR COMING.
1409
01:19:54,041 --> 01:19:56,208
BOY, WHAT A SHOW WE'VE
GOT FOR YOU TONIGHT.
1410
01:19:56,250 --> 01:20:00,375
THIS IS ACTUALLY WRITTEN BY
A NEW WRITER, GILLIAN WALKER.
1411
01:20:00,416 --> 01:20:03,875
SO, PLEASE, COME IN,
TAKE A SEAT AND ENJOY THE SHOW.
1412
01:20:06,666 --> 01:20:09,875
-ARE YOU READY?
-YEAH, I'LL BE RIGHT THERE.
1413
01:20:32,791 --> 01:20:35,000
-NOT YOU.
-NOT ME, ALRIGHT.
1414
01:20:36,166 --> 01:20:39,333
-I FEEL LIKE I'M IN PRISON.
-YES, I KNOW WHAT YOU MEAN.
1415
01:20:39,375 --> 01:20:42,375
-IS THAT INTENDED?
-JILLY WANTED TO HAVE A KIND OF
1416
01:20:42,416 --> 01:20:46,125
INCARCERATED BEAT
IN THE NARRATIVE.
1417
01:20:46,166 --> 01:20:49,458
-JUST ON TO THAT, NEXT.
-OKAY, I'M FEELING
A BIT MANHANDLED, NOW.
1418
01:20:49,500 --> 01:20:52,208
-SORRY.
-IT'S ABOUT OPPRESSION
OF WOMEN, RIGHT?
1419
01:20:52,250 --> 01:20:54,208
YEAH, I'M GETTING IT RIGHT
1420
01:20:54,250 --> 01:20:57,708
BECAUSE I FELT LIKE HE'S
MY OWNER, OR MY EXECUTIONER.
1421
01:20:57,750 --> 01:21:01,375
WATCH YOUR HEAD, GET IN.
1422
01:21:01,416 --> 01:21:05,666
OKAY, EVERYTHING IS GOING
TO BE ABSOLUTELY FINE.
1423
01:21:09,375 --> 01:21:12,166
-[JILL]WHO DO YOU FANCY?
-WHO DO I FANCY?
1424
01:21:12,208 --> 01:21:17,166
IN HERE, RIGHT NOW.
IF I WASN'T AROUND,
WHO'D YOU BE EYEING UP?
1425
01:21:17,208 --> 01:21:21,416
-[MAN] THAT'S A TRICK QUESTION,
I'M NOT FALLING FOR THAT.
-[JILL]WHO DO YOU FANCY?
1426
01:21:21,458 --> 01:21:28,208
-[JERRY] WHERE ARE WE NOW?
-[RACHEL] VERY NEARLY THERE.
THIS IS YOUR NEW THEATER SPACE.
1427
01:21:28,250 --> 01:21:32,291
-YOUR NEW THEATRICAL EXPERIENCE.
-[JILL]
WHY ARE YOU SO DEFENSIVE?
1428
01:21:32,333 --> 01:21:34,958
IT'S NOT LIKE I'M SAYING: "PICK SOMEONE AND FUCK THEM," IS IT?
1429
01:21:35,000 --> 01:21:39,875
[ACTOR] YOU'RE BEING SILLY, JILL AND I'M NOT PLAYING YOUR GAMES. WHO DO YOU FANCY?
1430
01:21:39,916 --> 01:21:43,000
-[JILL] CRACKING ASS.
-[ACTOR] MY ASS.
1431
01:21:43,041 --> 01:21:46,791
[JILL] YOUR ASS IS MIDDLE-AGED, FLABBY AND SPOTTY.
1432
01:21:46,833 --> 01:21:51,750
[ACTOR] OI, THAT'S-- WELL, YEAH,
ACTUALLY THAT'S FAIR ENOUGH.
1433
01:21:51,791 --> 01:21:53,583
LITERALLY, IT WAS EXHAUSTING,
1434
01:21:53,625 --> 01:21:55,833
LIKE ALL THE
THINGS THAT ARE AWESOME
1435
01:21:55,875 --> 01:21:59,041
-IN THE WORLD, AT ONE TIME.
-[JILL] FORGET ABOUT IT.
1436
01:21:59,083 --> 01:22:02,791
[JILL] HE WAS SO
EMBARRASSED, HE DIDN'T
HAVE A CLUE WHERE TO LOOK.
1437
01:22:02,833 --> 01:22:05,000
[ACTRESS] IF HE WANTS TO
FUCK AROUND WITH RAQUEL--
1438
01:22:05,041 --> 01:22:07,791
[JILL] BUT JOHN SAID
SHE WAS OKAY.
1439
01:22:07,833 --> 01:22:12,041
[JILL] TITS, ASS,
FANNIES, COCKS.
1440
01:22:12,083 --> 01:22:15,375
[ACTRESS] OH, MY GOD,
THAT SOUNDS AMAZING!
1441
01:22:15,416 --> 01:22:19,458
-[ACTRESS 2] IT WAS BAD.
-[JILL] UNTIL HE DIDN'T GET UP
WITH THE KIDS IN THE MORNING.
1442
01:22:19,500 --> 01:22:21,583
[ACTOR] IT WAS YOUR TURN.
1443
01:22:21,625 --> 01:22:25,375
I WAS POUNDED LAST NIGHT,
1444
01:22:25,416 --> 01:22:27,708
-I'M STILL SORE.
-[JILL] POUNDED.
1445
01:22:27,750 --> 01:22:29,166
OH, I CAN FEEL YOUR PAIN!
1446
01:22:29,208 --> 01:22:31,375
[LAUGHS]
1447
01:22:34,291 --> 01:22:41,041
[ACTORS] SLOW. DEEP, DEEP SLOW.
1448
01:22:42,125 --> 01:22:48,458
MOVE, DEEP, MOVE!
MOVE!
1449
01:22:48,500 --> 01:22:51,875
[SCREAMING]
1450
01:22:51,916 --> 01:22:54,208
[JILL] I FEEL SO LONELY.
1451
01:22:54,250 --> 01:22:56,875
[LIGHT MUSIC]
1452
01:23:58,625 --> 01:24:01,875
[SIGHS]
1453
01:24:01,916 --> 01:24:03,916
[PLAYING LOVE LETTER
BY NICK CAVE ]
1454
01:25:06,958 --> 01:25:08,291
I LOVE YOU.
1455
01:25:09,958 --> 01:25:12,000
I NEVER WANT TO BE
WITHOUT YOU AGAIN.
1456
01:25:14,000 --> 01:25:19,000
[MUSIC CONTINUES]
114929
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