All language subtitles for FBI.Iternational.S03E02.The Last Stop.1080p.web.h264

[dramatic music]

♪

[camera shutter clicks]

Step forward.
[speaking Arabic]

One call.
Make it quick.

[speaks Arabic]

♪

[mutters]

[line trilling]

Hello?

- B--Beatrice.
- Hello?

Dad?

- [shouting in Arabic]
- [shouting in Arabic]

Legat Connelly.
Thanks for coming.

Things are moving
pretty fast here.

Go ahead, Amanda.

Nine years ago, five
American civilian contractors

went missing in Tripoli, Libya.

They were probably kidnapped by
one of the many armed militia

running amok
after Gaddafi was deposed

and the Libyan Civil War
broke out.

The search was called off
six years ago,

and all five Americans
were presumed dead,

but one of them just popped up
on our radar.

Bill Cormack.
I remember.

We don't know
how he escaped,

but Cormack just resurfaced
in Qamar,

the maximum security
prison complex

just outside of Tripoli.
- My God.

Have you confirmed
his identity?

Smitty has a source
inside the prison

who passed along
Cormack's intake photo.

[indistinct shouting]

Cormack was arrested for
theft and vagrancy in Tripoli

but had no form
of identification.

So as of now,
the Libyan authorities

have no idea that they have
a former FBI agent

in their custody.

And it's only
a matter of time

before the current regime
finds out his real identity,

at which point they will
sell him off to any number

of hostile powers,
and next thing you know,

Cormack is the star
of a hostage video on YouTube.

[ominous music]

♪

No. No.
No, no, no, no.

What's wrong with you?

I told you everything I know.
No!

Oh!

♪

Libya is one of the most

dangerous countries
in the world.

America hasn't had a diplomatic
presence there since Benghazi.

I hear you,
but Bill Cormack has

served honorably for 20 years.

He is part of the brotherhood,

so I'm sure you'll agree
that we have to do everything

possible to get him out.
- I do agree.

But we need to bring
the State Department here,

official channels.
- No, we can't.

The diplomatic route would
just expose his real identity.

Right now, the priority
is speed and secrecy.

We need a plan
to break him out.

We already have one.

[dramatic music]

♪

Hey.

You are American, yes?

Every foreigner
has to pay a tax in Qamar.

Hmm?

So...

if you want
to enjoy your stay here...

[grunts]

[laughs]

Don't lie like this.

Keep moving.

♪

More American prisoners.

I didn't know
we were in Cleveland.

I said keep moving.

[tense music]

♪

OK, tough guy.

I will see you again soon.

[laughs]

♪

Bill?

My name is Scott Forrester.

This is Damian Powell.

We're with the FBI.

We're gonna
get you out of here.

[suspenseful music]

♪

We've reactivated old aliases
for Forrester and Powell.

We managed to get them
both arrested

and tossed into Qamar
for trafficking

illegal antiquities.

Will those covers
hold up under scrutiny?

Well, I've patched
as many holes as I could,

but if anybody does
a deep dive, all bets are off.

Claire.

Qamar prison, the structure
was first built as a hospital

by the Italians during
their colonization campaign

of the 1930s,
converted to a prison

under the Gaddafi dictatorship.

I've heard about this place.
It's a human rights nightmare.

There was a massacre of inmates
back in the '90s, right?

1997.
Over 200 prisoners killed.

The guards have essentially
ceded control

over the yard and cell blocks
to the inmates.

It's one of the most dangerous
prisons in the world.

Libyans call it
"The Last Stop."

That's why
we needed Forrester

and Powell on the inside
to protect Cormack

until we can get him out.
- If we can get him out.

♪

[keypad beeping]

Smitty's already in Libya.

Europol maintains a covert base
of operations in Tripoli

for undercover assignments.

But officially,
she's there conducting

a different investigation.

Kyle, is she set up yet?
- Checking now.

♪

We good to go over there?

I think I have
everything I need.

It took some doing, but I'm
all set to visit the prison

and interrogate
Forrester and Powell.

Tell me about your source.

Khaled Abood.

First crossed him
three years ago during

a war crimes investigation.

It's gonna take $50,000 USD,
but he'll work with us.

Abood will put
Forrester, Powell,

and Cormack on
a medical transport arriving

tomorrow morning 8:00 a.m.

We're cooking up paperwork
on our end to make

the transfer look official.

Our lads will just
stroll out the front door.

Bob's your uncle,
they'll be back in Budapest

by suppertime.
- Keep me posted.

Will do.

So we need an extraction

since there's
no American embassy in Libya.

I'll interface with
my counterpart in Tunisia.

If our guys
can get to the coastline,

I'll have an MH-60 helo
waiting to scoop them up.

[dramatic music]

♪

OK, your partner's
on her way.

The third man?
- He's asleep in his cell.

- Who is he?
- It's not your concern.

My life is on the line.

I need to know exactly
who I'm dealing with.

Otherwise, we're all in danger.
- We're already in danger.

Nobody said this was
gonna be easy, OK?

That's what the money's for.
So calm down.

Stick to the plan.
You'll get your payout.

Move! Come with me!

That man over there,
shot-caller, what's his deal?

Hassan Abdallah.
He was a Libyan officer.

I'd stay away from him.
- Too late for that.

We might need some help
keeping him off our backs.

Figure it out.
Welcome to Qamar.

How does that feel?

Any pain?
- No, I'm good.

How long before I can ditch
the boot and get back to work?

Well, that's up to the doctor
to decide.

Come on.
What's your best guess?

Another week?

I'd say you're still
a month away, maybe two.

Two months?

To be active, yes.

With the nerve damage,
even desk duty

is going to be a challenge
for a while.

You have to be patient.

♪

Assalamu alaikum,
Ms. Garretson.

Welcome to Qamar.

Service weapon, mobile phone.

♪

Please.

Warmest greetings.

My name is Abdel Bashir,
warden here at Qamar.

I am at your service.

Megan Garretson, Europol.

Matthew Crandall
and Justin Dobbs,

arrested for trafficking
illegal antiquities.

Hmm.

I must say,
this is a first for Qamar.

The illicit trafficking
of cultural antiquities

is a $10 billion
a year global industry.

I don't doubt that.

I'm talking about
the criminals, not the crime.

We've never had
this many American inmates

at the same time.

And they've grown
quite a bit, uh--

how do you Brits say--

chummy.

We grant some measure
of autonomy within the walls,

but I keep a very close eye
over everything

that happens in my prison.

We're looking into
your two traffickers,

but the other man
remains a mystery.

Not my problem.

I'm here to interrogate
Crandall and Dobbs

on behalf of Europol.

- Abood.
- Yeah.

[speaks Arabic]

Please come with me.

♪

Do not take long.

I swept the room for bugs.

We can talk freely.

How are you holding up?

Well, the food sucks.

How did it go with the warden?

He's no fool.

The longer you're in here,
the more questions he'll ask,

questions he'll eventually
get the answers to.

We'll be long gone by then.
What about Abood?

Can we trust him?

Absent the promise
of a financial payout, no.

But I'll meet him tonight
with the first half,

keep that carrot dangled.

How's Cormack?

He's in rough shape.

Whatever they did to him,
it wasn't pretty.

He can move well enough,
but his head might be going.

Is that gonna be a problem?

We're set to move
in less than 24 hours.

No, we will be ready
on our end.

Smashing.

Next item on the agenda,
your burner.

Warden, I didn't know
you'd be joining us.

I thought
I'd lend my expertise

to your investigation.

This is my country after all.

Please, continue.

It's pointless.

Since these blokes would rather
rot in a Libyan prison cell,

then give me
their list of buyers.

I already told you,
we're not talking

until we have
a lawyer present--

an American lawyer.

You don't seem to understand
the gravity of your situation.

Didn't they teach you
how to listen at Hogwarts?

- [grunts]
- Hey!

- [grunting]
- Get off of me.

I'm done with these two!

- Abood, take them away.
- Out! Out! Move!

Now, move.
- [groaning]

Ow, my nose.
- Move.

Ow, my nose.

[dramatic music]

♪

[door slams]

[keypad beeping]

[door whirs]

Agent Raines.
Welcome.

Security's sure been
stepped up.

[soft dramatic music]

♪

Andre!

[chuckles]
Hey, Cam.

Oh, it's so good
to see you again.

How are you feeling?
- Great.

I'm almost done with rehab.

I'm not breaking 100-meter dash
records anytime soon,

but I'll be clear
for field work in no time.

A couple of weeks tops.
- Really?

I'm hearing
a couple of months.

Nah.
I'm--I'm digging the new digs.

Yeah. More staff.
Ernesto.

- Hey.
- Kyle.

- Hey.
- Claire's in the back.

More security.

I mean, after the explosion,
HQ mandated more upgrades.

It's good to hear.

Oh, and congrats
on the promotion.

It's well deserved.
- [chuckles] Appreciate it.

Well, why don't you
get settled in,

caught up on the case.

Oh, fully apprised.

- Cameron.
- This is Amanda Tate.

She's our new supervisory
intelligence analyst.

She's been holding down
the fort while you've been out.

Andre Raines.

It's great to finally
meet you in person.

Same.

I'd give you the tour,

but we just got an alert
from New York.

ASAC Valentine wants to talk.

[tense music]

♪

I'm not aware
of the details,

but I heard you all might have
found Bill Cormack.

I've been talking
to Beatrice Cormack,

Bill's daughter.

She's been calling
the past few days

asking about her dad.
She was referred to me.

I made a few calls,
and here we are.

So what's up?

Yeah. It's pretty
touch and go over here,

and we usually don't involve
family at this stage of a case

unless they have
substantive information.

Well--well, I think
we can throw "usually"

out the window on this one.

I knew Bill Cormack.

He was a few years
ahead of me,

but I remember him being
a good agent, a good guy.

And if I were in his shoes,

I would want my daughter
to know.

Just talk to her.
Let her know what's going on.

Who knows?

If she's anything
like her old man,

she might even
be able to help.

Well, send me her number.

I will give her a call
when I find a minute.

Actually, I've got her
on hold right now.

Route the call
to Forrester's office.

I will take it there.

I will keep you updated.
- Thank you, Cameron.

Hey, Andre. What's up?
Welcome back.

Thanks, Jubal.

You don't look like
a Scott Forrester.

I'm Special Agent Cameron Vo,
and I'm Agent Forrester's

primary relief supervisor.

Do you know where my dad is?
Is he alive?

Let's--let's back up.

How do you even know
about this?

Four days ago, I got
a call from a Libyan number.

It only lasted
a couple seconds,

but I recognized my dad's voice
on the other end.

And since then, I have
told the exact same story

to 24 different people
in the Bureau

trying to figure out
what's going on.

You guys have put me on hold

more times than
a freaking cable company.

Ms. Cormack, I understand
your frustrations,

but this is
an active operation.

Nine years.

It has been nine years
since my dad went missing.

Nine years not knowing
whether he is alive or dead.

Do you--
do you have any idea

what it feels like to live
with that kind of cloud

hanging over you?

[somber music]

Please, I just need
a straight answer.

Is my dad alive?

♪

Yes.
He's alive.

But he is in danger,
and we are doing everything

we can to bring him home.

Please, if anything happens,
I want to know.

I need to know.

♪

[keyboard clacks]
[computer chimes]

I have never seen trauma
this bad.

I mean, now and then,
I'll get a lucid moment,

but then he just goes blank.
He's practically catatonic.

[clears throat]

Hey, Bill.
How we doing, buddy?

Look, I know that
you've been through a lot.

The fact that
you're still alive,

that's a miracle,
but I promise--

hey, I'm gonna get you home,
OK?

I'm gonna get you
all the help that you need.

Home.

Yeah.
[chuckles]

Yeah, Bill.

- No. No. No.
- Why not?

I--I can't.

I can't leave without him.

Miguel--Miguel,
he still can't walk.

And Joanne,
she needs her meds and--

I promised.
I--

It's OK, Bill.

What'd he say?

Miguel Torres
and Joanne McDuffie

were two of the four Americans
who went missing

with Cormack nine years ago.

He still thinks that he's being
held captive along with them.

I mean, if Cormack was able
to get out of there alive

somehow, there is a chance that
they could still be out there.

If that was true,
if Cormack knows

where they are, he can't
put two words together.

Look at that.

I think he's trying
to tell us something.

He's playing
tic-tac-toe by himself.

Whoa, whoa, whoa.
Hey, hey, hey.

[ominous music]

Tough guy.

I want to apologize
for earlier.

OK.

You are foreigners.

You just don't understand
how it works in Qamar.

And I didn't explain it well,
so I'm sorry.

Apology accepted.

[speaks Arabic]

Let's go, guys.
[laughter]

I like you, Yankee.

But we still have some things
to make clear here.

You don't have
to do this, man.

Why don't you all just
go about your business?

[clicks tongue]

Look around you.

A world this small,

the only thing a man has
is his reputation.

[tense music]

♪

[shouts in Arabic]

♪

[screams]

[shouting in Arabic]

Stop! Stop!
Stop! Stop!

In your cell.

[shouting in Arabic]

You!

Move.

♪

Hey, listen,
tomorrow's off, OK?

- What?
- We have to delay.

We need a few days at least.
- No, that is not happening.

We are leaving
tomorrow morning.

That's the plan.
- The warden.

He knows something is wrong.

He looked into
your friend's cover.

I overheard him
on the phone to the army.

I don't know when,
but they want

to transfer your friend
to the Libyan Guard

for interrogation.

And if that happens,
you will never see him again.

This warden
is on me like a shadow.

Tell your people to
straighten out their aliases,

and then we'll proceed
as planned, OK?

We will be specks
on the horizon

by the time they find out
who we really are,

and this will
never come back to you.

Plus, there are 50,000 reasons

why you want to go through
with this,

half of which
you are getting tonight.

100,000.

75.

I am warning you, I am not
going to get caught for this.

This is not America, my friend.

Trying to escape from Qamar,
you do not get punished.

You get chopped up
and fed to the goats.

Oh, I'm going to need a, uh,
pencil and paper, by the way.

♪

Look at you,
sitting at the big man's desk.

If the shoe fits.

I may have lost a few months,
but I'm still

gonna be FBI director
before you.

I'll hand you the keys
to the office after my tenure.

Oh, that's my line.

What?

Andre, you clench your jaw

every time you put weight
on that leg.

You know you don't have
to front with me, right?

Agent Forrester
is on the line.

He's got an update.
- Thanks, Ernesto.

[tense music]

Given Cormack's condition, no.

But I can't be sure.

If there's
the slightest chance

these hostages are alive,
we have to move on it.

OK, we'll connect
with other agencies

in the intel community,
but can you get anything

more specific from Cormack?
- Yeah.

I'll see what I can do.

And hey,
this Hassan Abdallah,

the one who's trying
to kill me,

I want to know everything
about him.

Copy that.
[line beeps]

Um, Agent Vo?

Beatrice Cormack is here.

What do you mean she's here?

I mean, she's here
in Budapest at our front door.

[dramatic music]

I work at a tech startup
in London.

As soon as we got
off the phone,

I booked a flight to Budapest,
and I came straight here.

Beatrice, I can't imagine
what you and your family

have gone through,
but there isn't much

you can do
for your dad right now.

I think you should go home--
- No.

[scoffs]
No. No way.

I heard my dad's voice for
the first time in a decade.

I find out he's alive,

and I'm supposed to just,
what, sit on my ass?

I never understood

how everyone
could move on like that.

You know, when they
called off the search,

we had a funeral for my dad.

Casket, flowers, everything.

And I...I couldn't go.

[somber music]

I never changed my number.

I stay by the phone
in case he called.

I have never wavered.

So no, I'm not going anywhere.

♪

But if you do make me leave,
I'll--

I'll go straight to the press.

[tense music]

♪

How's he doing?

He's--
[sighs]

nothing.

[exhales]

I want to ask you
a few questions, Bill, OK?

[sighs]

The other hostages,
the Americans, the ones

who were taken with you,
what happened to them?

[somber music]

The others--the others--

I--
- Are they still out there?

The kid--
can't leave here without them.

Mm-hmm.

When you escaped,
were they still alive?

♪

Bill. Hey.

We want to help them, too,
all right?

You were trying to draw
something earlier, remember?

Show me.

♪

That looks like mountains.

The view through a window.

Is this where they kept you?

The location?

[dramatic music]

♪

Libya is bigger than Alaska.

There could be hundreds of
miles of mountains and hills.

It's like looking
for a needle in a haystack,

except the haystack
is trying to kill us.

I'll see what Vo
can do with this.

Yeah.

I've digitized
Cormack's drawing

and started running an
image recognition algorithm.

Region-based convolutional
neural network.

I heard you were good.

Ernesto,
can you cross reference

with satellite imagery
in our geographic information

system database?
- On it.

If a topographical pattern
like this exists in Libya,

we might be able
to find a match.

Heavy emphasis on "might."

Well,
unless and until Forrester

can get something
more definitive from Cormack,

this is our only move.

♪

[phone buzzes]

- What's up?
- We may have a problem.

I'm leaving to meet Abood now,

but he hasn't confirmed
our location.

He's not answering
my calls or texts.

All right, I'll find him,
see what's going on.

Thanks.

[tense music]

[officers speaking in Arabic]

The hell?

Hey, hey, hey.
Hey, hey.

Whoa, whoa, whoa.

Hey.
- What's going on?

Hey!

The warden wants him
in solitary confinement

until he's transferred
to the army.

We had a deal--
[grunts]

I don't know you.

Hey, get your hands off me!
Stop!

[shouting]

Where you taking me?
What the hell?

Stop!

[grunts]
Get off me!

Plan A
is no longer an option,

so we need to pivot to whatever
the hell plan B is and fast.

I might have a way
to get them out.

The east wall
of the prison almost came down

three years ago
due to soil erosion

around its foundation.

They tried to fix it,
but the problem was structural.

Back in the 1930s,
the Italians built

a subterranean tunnel that runs
directly under the east wall.

That's why the foundation
is compromised.

The tunnel's been bricked up
on the prison side,

but there's an access hatch
50 meters outside the east wall

here.

But if the tunnel's
been bricked up,

how are we gonna
go through it?

We're not gonna
go through it.

We're gonna blow it up.

Blowing up the tunnel
will crack the foundation,

and that'll make
the whole wall come down.

Causing enough of
a distraction for our guys

to get to the gate
on the south wall,

our new extraction point.

I'll get Forrester
and Smitty hit.

Beatrice Cormack
is asking for an update.

You know what?
I need a photo of her.

Sure thing.

[dramatic music]

♪

Hey, Bill.
It's time.

Get ready.
We're breaking out of here.

- We're--we're leaving?
- Yeah. OK?

I know that you were scared
and confused, OK?

No.
No, no, no, no, no.

Joanne and Miguel, we can't--

we can't leave without them.
I promised them.

I promised them.
I--no!

We can't leave without them.
- Listen to me.

I want to live.

Do you want to live?
And I want to go home.

And I want to get you home too.

I want to show you something,
OK?

[tender music]

That's your daughter, Beatrice,

and she is waiting for you,
Bill.

She's been waiting for you
for the last nine years.

Look, we both got
a lot to live for,

but we got to get the hell
out of here,

and we got to keep it together.
Look at me.

I need you to trust me.

Do you trust me?

I trust you.

Any luck with that drawing?

The image
is just way too vague.

I've got
a thousand potential hits.

Cormack was looking at
a mountain range

through a window,
so what if we adjust

the parameters of the search

to include residential
and commercial buildings

within 50 miles?

I can try,
but I think we're gonna

end up in the same place.

[tense music]

♪

Hey, Cam, you got something?

What if it wasn't a window?

What are you doing?

Running Cormack's drawing
through a reverse image search.

I don't think that's gonna--

We've been under
the assumption that Cormack

has been trying
to show us a location,

but what if he wasn't?

Yeah, Cormack wasn't drawing
a view from a window.

He was drawing us a logo.

They're almost identical.

So Cormack must have
been held in a facility

owned or operated by Battaros.

It's slim,
but it's our best lead yet.

Kyle, start looking into
the company for any connections

to armed militias
or organized crime.

Got it.

[suspenseful music]

♪

- I need some good news.
- Quite the opposite.

They've called in
a military transport.

It's 20 minutes away
from the prison.

They're coming for Powell.

- Son of a bitch.
- I'm ready at my end.

You need to get him out and get
to the south wall right now.

All right.

♪

[speaking Arabic]

Are you crazy?
I'm gonna kill you.

Carotid artery's just 1
and 1/2 inches below the skin.

A good enough jab, and you'll
bleed out in 10 seconds.

And then what?

You think you would walk out
of here alive?

That's exactly
what I'm gonna do,

and you're
gonna help me do it.

[dramatic music]

Your name is Hassan Abdallah,
staff sergeant,

Libyan Armed Forces,
18th Battalion.

You were sentenced
to 35 years in prison

for refusing to torture
enemy combatants.

Who are you?

I'm Special Agent
Scott Forrester.

I'm with the FBI.

You don't belong here, OK?

You've done what you had
to do to survive.

You're not a criminal.

Help me and my partner
break out of here,

and you can come with us,

and I swear to you
that the U.S. government

will provide protection.
- [laughs]

You're gonna break out of here?
Off Qamar?

I know you have a family.

[soft dramatic music]

Wife, daughter.

The little girl,
what's her name?

- Safa.
- Safa.

You can be with her again
and your wife.

♪

How do I know
you are what you say?

How do I know I can trust you?

Because I'm choosing
to trust you.

But thinking time is over.

You've got to make
a decision now.

♪

Military transport
is ten minutes out.

Smitty is all geared up
waiting for the go ahead.

Tell her we're green.

[suspenseful music]

♪

Huh?

[clicks tongue]

♪

♪

Let's go.

Check out time?

Yeah.

He's coming with us.

- The more the merrier.
- Let's go.

♪

[tool whirring]

[grunts]

Tell Forrester
he's got five minutes.

[device beeps]

♪

[explosion]

Now comes the hard part.

[alarm blaring]

[indistinct chatter, screaming]

♪

Everyone OK?

All good.
Get that gate closed.

Hey, stop!

Stop. Stop.
Back inside.

I said back inside.

♪

Hey, everybody back
inside the prison.

Hey, hey, hey, hey.

Hey! Tell him
to drop his weapon now.

Walk away, man.
It's over.

Drop your weapon,
or I will kill her.

Damian.

[suspenseful music]

♪

Right.

Everybody back inside
the prison.

Think about
what you're doing, Abood.

I am a Europol officer.

You have no idea what kind
of hell that will unleash.

Shut your mouth,
or I will blow your head off.

Listen, we can still get you
the $75,000

or whatever you want.
- Go to hell.

Do you know how many medals
they will give me for this?

Now,

back inside the prison,
or I will kill her.

I'm not going to ask you again.

♪

Let's go!

♪

Target is secured.

We are en route
to extraction point now.

15 klicks out.

Let's have
that bird ready to fly.

[phone buzzing]

- Oh, my God.
- What?

They found them.

They found the hostages.

They've located Miguel Torres
and Joanne McDuffie.

[dramatic music]

♪

Bill Cormack's drawing
helped us connect

Battaros Shipping
and Exports

to a Libyan
organized crime group

led by a former militia leader.

Helmet cam footage
of a special ops raid

on a Battaros-owned warehouse
in Tripoli.

They found two
of the four Americans

Cormack was taken with,

Miguel Torres
and Joanne McDuffie.

Unfortunately, the other
hostages didn't make it--

David Brendel and Ross Gipson.

According to the two survivors,

they died a year ago under
the stress of interrogation

and captivity.

Obviously, we mourn the loss
of every American life,

but you all did a lot of good
for a lot of people.

You should be proud.

Forrester.

The State Department
has relocated

Hassan Abdallah and his family
to a safe house in Sweden.

They'll be under protection
till we can find him

a more permanent situation.
- Thank you.

First solo gig
as primary on the books.

How you feeling?

Uh, like I just went
12 rounds with Mike Tyson,

and I wasn't even
in the prison.

- You'll get used to it.
- Hey, Scott.

Yeah?

[door clicks]

[soft dramatic music]

♪

It's good to see you standing,
Bill.

Thank you. Yeah.

[exhales]

Thank you.

Are you ready?

Yeah.

Our embassy doctors
have examined

and treated his injuries,

but your father
has been through a lot.

I mean, the fact that
he held on for so long

is a testament
to his courage and strength,

but it's going to be
a long road back for him,

both physically and mentally,

so I want to make sure
that you're prepared for all--

I don't care.

I'm--I'm prepared.

I just want to see my dad.

[tender music]

[exhales]
Dad.

B...

Beatrice.

[sobbing softly]

♪

[both laugh]

[dramatic music]

♪

[wolf howls]