All language subtitles for NYPD Blue s11e12 Bang.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,900 --> 00:00:19,400 LEAVING THE SCENE. IT JUST HAPPENED. 2 00:00:19,466 --> 00:00:21,533 WE WERE IN THE AREA, HEARD THE JOB OVER THE RADIO. 3 00:00:21,600 --> 00:00:23,833 THE GUY'S IFFY. THE GIRL'S GOING OUT OF THE PICTURE. 4 00:00:23,900 --> 00:00:25,100 OH, WHERE IS THE AMBULANCE?! 5 00:00:25,166 --> 00:00:27,166 IT'S COMING, MA'AM. ANYBODY SEE ANYTHING? 6 00:00:27,233 --> 00:00:30,633 NEIGHBOR SAW A LIGHT?COLORED SUV COME SPEEDING BY, 7 00:00:30,700 --> 00:00:32,166 HIT THE CYCLIST, JUMPED THE CURB, HIT THE GIRL. 8 00:00:32,233 --> 00:00:33,866 SHE DIDN'T GET A LICENSE PLATE. 9 00:00:33,933 --> 00:00:35,500 HEY, HER FIRST! COME ON! 10 00:00:35,566 --> 00:00:36,933 TAKE IT EASY, HUH? 11 00:00:37,000 --> 00:00:40,500 [ Sobbing ] PLEASE. 12 00:00:40,566 --> 00:00:41,433 THAT TONY GRIMALDI? 13 00:00:41,500 --> 00:00:43,766 YEAH. IT'S HIS DAUGHTER THAT'S D. O. A. 14 00:00:43,833 --> 00:00:44,966 HE'S A MOB GUY. 15 00:00:45,033 --> 00:00:46,133 DRIVER'S LUCKY HE KEPT GOING. 16 00:00:46,200 --> 00:00:47,300 THIS CROWD WOULD HAVE KILLED HIM. 17 00:00:47,366 --> 00:00:49,566 SHE'S DYING! DO SOMETHING! 18 00:00:49,633 --> 00:00:50,666 WHOA! HELP HER! 19 00:00:50,733 --> 00:00:53,966 SIR, COME ON. HE'S DOING EVERYTHING HE CAN. 20 00:00:54,033 --> 00:00:57,866 [ Sobbing ] HE LEFT HER. PLEASE, PLEASE. 21 00:00:57,933 --> 00:01:00,066 [ AMBULANCE DOOR OPENING, CLOSING ] 22 00:01:02,633 --> 00:01:05,333 GET THE LITTLE GIRL FIRST. GET HER OVER TO THE HOSPITAL. 23 00:01:05,400 --> 00:01:06,933 CAR FITTING THE DESCRIPTION 24 00:01:07,000 --> 00:01:08,866 WAS JUST SPOTTED ON BROOME AND LAFAYETTE. 25 00:01:08,933 --> 00:01:10,866 DRIVER WAS ATTACKED AT THE SCENE. 26 00:01:10,933 --> 00:01:13,200 LET'S GO. 27 00:01:16,866 --> 00:01:18,733 [ INDISTINCT SHOUTING ] 28 00:01:18,800 --> 00:01:21,333 Man: HE DID IT, MAN. IT WAS YOUR BOY THAT DID IT. 29 00:01:21,400 --> 00:01:23,200 COME ON. 30 00:01:23,266 --> 00:01:24,900 Man 2: FORGET ABOUT IT! 31 00:01:24,966 --> 00:01:27,466 ALL RIGHT, KNOCK IT OFF! COME ON. 32 00:01:27,533 --> 00:01:30,533 THESE TWO GROUPS OF GUYS WERE GOING AT IT WHEN WE ROLLED UP. 33 00:01:30,600 --> 00:01:33,366 WE'RE STILL TRYING TO FIGURE OUT WHAT WAS GOING DOWN. 34 00:01:33,433 --> 00:01:35,066 WHAT DID I SAY?! GET BACK. 35 00:01:35,133 --> 00:01:37,300 HEY, YOU?? YOU IN THE KNICKS JACKET. 36 00:01:37,366 --> 00:01:38,966 COME HERE. WHAT'S YOUR NAME? 37 00:01:39,033 --> 00:01:40,666 PETE AMECHI. 38 00:01:40,733 --> 00:01:42,133 WHAT HAPPENED HERE, PETE? 39 00:01:42,200 --> 00:01:44,066 ME AND MY BUDDIES WENT LOOKING FOR THAT GUY 40 00:01:44,133 --> 00:01:46,266 WHO RAN OVER THAT LITTLE GIRL?? WE SPOT THE CAR. 41 00:01:46,333 --> 00:01:48,233 IT'S GOT DENTS ON THE BUMPER, THE GRILLE. 42 00:01:48,300 --> 00:01:49,666 SO WE CUT THE GUY OFF, 43 00:01:49,733 --> 00:01:51,733 AND WE'RE HOLDING HIM TILL THE POLICE SHOW. 44 00:01:51,800 --> 00:01:53,233 BUT THEN THESE NUMBNUTS JUMP US 45 00:01:53,300 --> 00:01:55,466 BECAUSE THEY THINK WE'RE ATTACKING SOMEONE INNOCENT. 46 00:01:55,533 --> 00:01:57,466 WHERE'S THE BLACK GUY WHO WAS DRIVING THIS SUV? 47 00:01:57,533 --> 00:01:59,066 HE BOOGIED DURING THE FIGHT, MAN. 48 00:01:59,133 --> 00:02:00,400 PETE, WHAT ARE YOU DOING? 49 00:02:00,466 --> 00:02:02,066 MIND YOUR OWN BUSINESS, PAL. 50 00:02:02,133 --> 00:02:03,266 THAT'S ALL I KNOW, GUYS. 51 00:02:03,333 --> 00:02:05,666 LET US HANDLE THIS. UNDERSTAND? 52 00:02:05,733 --> 00:02:07,166 WE'VE HAD ENOUGH LOSS TODAY. 53 00:02:07,233 --> 00:02:09,833 WE DON'T WANT TO HAVE TO LOCK ANY OF YOU GUYS UP. 54 00:02:09,900 --> 00:02:11,133 DO WHAT YOU GOT TO DO. 55 00:02:11,200 --> 00:02:13,633 WE NEED TO KNOW WHO WAS DRIVING THIS SUV. 56 00:02:13,700 --> 00:02:16,200 WE NEED TO FIND HIM BEFORE THEY DO. 57 00:03:29,800 --> 00:03:31,633 [ TELEPHONE RINGS ] 58 00:03:34,433 --> 00:03:37,000 [ Breathing heavily ] 15th SQUAD, P. A. A. IRVIN. 59 00:03:37,900 --> 00:03:41,533 OH, UH, ONE SECOND. 60 00:03:41,600 --> 00:03:44,466 ROBERTA BLANK FROM A.C.S. CONFIRMING FOR TODAY. 61 00:03:44,533 --> 00:03:48,066 UH, TELL HER I'LL BE THERE. OR DOES SHE WANT TO TALK TO ME? 62 00:03:48,133 --> 00:03:51,500 HE'LL BE THERE. OR WOULD YOU LIKE TO SPEAK WITH HIM? 63 00:03:51,566 --> 00:03:53,000 OH, FINE. 64 00:03:53,066 --> 00:03:54,633 THANKS. 65 00:03:54,700 --> 00:03:57,133 SHE'LL SEE YOU AT 2:00. 66 00:03:57,200 --> 00:03:58,266 CHILD SERVICES? 67 00:03:58,333 --> 00:04:00,566 YEAH, MICHAEL'S BEEN STAYING WITH ME. 68 00:04:00,633 --> 00:04:03,266 I JUST GO TO MAKE IT OFFICIAL PAPERWORK?WISE. 69 00:04:03,333 --> 00:04:04,700 ARE YOU ADOPTING HIM? 70 00:04:04,766 --> 00:04:07,866 NO, NO. I'M JUST GETTING QUALIFIED AS A FOSTER PARENT. 71 00:04:07,933 --> 00:04:09,533 HOW'S IT GOING? IT'S GOOD. 72 00:04:09,600 --> 00:04:11,866 HOW LONG IS HE GONNA STAY WITH YOU? 73 00:04:11,933 --> 00:04:13,900 I DON'T KNOW. AS LONG AS HE NEEDS. 74 00:04:13,966 --> 00:04:17,566 WHITE FEMALE OVER AT BELLEVUE WAS RAPED IN HER APARTMENT. 75 00:04:17,633 --> 00:04:20,566 RITA, YOU AND GREG GO TALK TO HER IN THE HOSPITAL. 76 00:04:20,633 --> 00:04:23,800 BALDWIN, YOU HEAD DOWN TO HER APARTMENT BUILDING, 77 00:04:23,866 --> 00:04:24,900 START A CANVASS. 78 00:04:24,966 --> 00:04:25,933 WHAT'S THE LATEST? 79 00:04:26,000 --> 00:04:27,366 LITTLE GIRL'S D. O. A. 80 00:04:27,433 --> 00:04:29,333 THE GUY ON THE BIKE'S GOING INTO THE O. R. 81 00:04:29,400 --> 00:04:30,933 [ SIGHS ] ANYTHING ON THE SUV? 82 00:04:31,000 --> 00:04:33,866 BELONGS TO A 60?YEAR?OLD DOCTOR FROM THE UPPER EAST SIDE. 83 00:04:33,933 --> 00:04:35,566 HE REPORTED IT STOLEN LAST NIGHT. 84 00:04:35,633 --> 00:04:38,400 WHAT ABOUT THE DRIVER THAT WAS BEAT UP AT THE SCENE? 85 00:04:38,466 --> 00:04:40,366 WE IDENTIFY HIM YET? NOT YET. 86 00:04:40,433 --> 00:04:43,000 CRIME SCENE'S PROCESSING THE SUV FOR PRINTS. 87 00:04:43,066 --> 00:04:45,500 THE FATHER OF THE D. O. A. GIRL, HE'S MOBBED UP? 88 00:04:45,566 --> 00:04:48,833 YEAH, HE'S TONY GRIMALDI. HE'S UNDERBOSS FOR THE GAMBINOS. 89 00:04:48,900 --> 00:04:52,333 WHICH MEANS WE'RE NOT GETTING DICK AS FAR AS COOPERATION FROM ANYBODY DOWN THERE. 90 00:04:52,400 --> 00:04:54,533 IF WE DON'T FIND THE DRIVER OF THAT CAR BEFORE THEY DO, 91 00:04:54,600 --> 00:04:56,400 WE'RE GONNA WIND UP WITH ANOTHER HOMICIDE. 92 00:04:56,466 --> 00:04:58,100 KEEP IN TOUCH WITH BELLEVUE. 93 00:04:58,166 --> 00:05:00,133 IF THIS GUY ON THE BIKE PULLS THROUGH, 94 00:05:00,200 --> 00:05:02,366 YOU WANT TO BE THE FIRST GUY HE TALKS TO. 95 00:05:06,600 --> 00:05:08,466 RIGHT HERE. 96 00:05:08,533 --> 00:05:10,066 MR. AND MRS. FOSTER? 97 00:05:10,133 --> 00:05:12,200 DETECTIVES RITA ORTIZ AND GREG MEDAVOY. 98 00:05:12,266 --> 00:05:14,933 IF WE COULD TALK TO YOU A MINUTE IN PRIVATE. 99 00:05:15,000 --> 00:05:16,566 IF YOU'RE UP TO IT. 100 00:05:16,633 --> 00:05:18,000 IT'S ALL RIGHT. 101 00:05:23,833 --> 00:05:25,800 CAN YOU TELL US WHAT HAPPENED? 102 00:05:25,866 --> 00:05:27,333 A MAN RANG THE DOORBELL. 103 00:05:27,400 --> 00:05:29,966 HE SAID HE WAS FROM THE CABLE COMPANY, 104 00:05:30,033 --> 00:05:31,366 AND HE HAD THE HAT ON. 105 00:05:31,433 --> 00:05:33,833 SO I OPENED THE DOOR, AND HE PUSHED ME IN. 106 00:05:33,900 --> 00:05:35,066 WHAT DID HE LOOK LIKE? 107 00:05:35,133 --> 00:05:38,700 30, WHITE, BROWN HAIR. 108 00:05:38,766 --> 00:05:41,000 HEAVYSET, SHORT GOATEE. 109 00:05:41,066 --> 00:05:44,800 AND HE DIDN'T HAVE THE CABLE COMPANY UNIFORM ON, 110 00:05:44,866 --> 00:05:46,166 JUST THE HAT. 111 00:05:46,233 --> 00:05:47,866 WOULD YOU RECOGNIZE HIM IF YOU SAW HIM AGAIN? 112 00:05:47,933 --> 00:05:51,033 WHAT HAPPENED AFTER HE PUSHED YOU INTO YOUR APARTMENT? 113 00:05:51,100 --> 00:05:55,433 HE PUT A KNIFE TO MY THROAT AND PINNED ME DOWN 114 00:05:55,500 --> 00:05:58,600 AND SAID HE WOULD KILL ME IF I MADE ANY NOISE. 115 00:05:58,666 --> 00:06:00,200 DID HE SAY ANYTHING ELSE? 116 00:06:00,266 --> 00:06:03,966 JUST SICK, SICK THINGS LIKE... 117 00:06:04,033 --> 00:06:05,533 LIKE WAS HE BIGGER THAN MY HUSBAND. 118 00:06:05,600 --> 00:06:07,333 AND HE KNEW MY HUSBAND WAS AT WORK 119 00:06:07,400 --> 00:06:09,533 AND THAT HE WOULDN'T BE COMING HOME TO SAVE ME. 120 00:06:09,600 --> 00:06:10,900 EXCUSE ME. 121 00:06:10,966 --> 00:06:13,200 IF YOU'RE DONE, WE NEED TO FINISH THE KIT. 122 00:06:13,266 --> 00:06:16,266 PLEASE DON'T TELL MY HUSBAND. IT WOULD JUST MAKE HIM UPSET. 123 00:06:16,333 --> 00:06:17,166 SURE. 124 00:06:22,833 --> 00:06:24,166 YOU THINK SHE'S OKAY? 125 00:06:24,233 --> 00:06:26,066 SHE'S PRETTY SHOOK UP. 126 00:06:26,133 --> 00:06:28,966 MR. FOSTER, DO YOU KEEP A SET SCHEDULE? 127 00:06:29,033 --> 00:06:30,233 I GUESS, YEAH. 128 00:06:30,300 --> 00:06:31,766 ANY PROBLEMS WITH PEOPLE AT WORK? 129 00:06:31,833 --> 00:06:33,233 SOMEONE AT MY WORK DID THIS? 130 00:06:33,300 --> 00:06:35,666 IT JUST SOUNDS LIKE THE GUY WHO DID IT KNOWS YOUR SCHEDULE. 131 00:06:35,733 --> 00:06:38,233 SHOULD I BE TALKING TO PEOPLE AT MY WORK, ASKING QUESTIONS? 132 00:06:38,300 --> 00:06:40,533 YOU SHOULD BE DIRECTING YOUR ENERGY TOWARD HELPING YOUR WIFE. 133 00:06:40,600 --> 00:06:42,233 LET US HANDLE FINDING WHO DID THIS. 134 00:06:42,300 --> 00:06:43,733 YOU'RE NOT THE TYPE TO JUMP THE GUN 135 00:06:43,800 --> 00:06:46,000 AND START LOOKING INTO PEOPLE, ARE YOU, MR. FOSTER? 136 00:06:46,066 --> 00:06:49,200 NO, I'M NOT THE VIGILANTE TYPE. 137 00:06:49,266 --> 00:06:51,633 GOOD. WE'LL BE IN TOUCH. 138 00:06:55,700 --> 00:06:57,433 DO YOU KNOW HIM AT ALL? 139 00:06:57,500 --> 00:06:59,500 LISTEN TO ME. HERE'S WHAT YOU GOT TO DO. 140 00:06:59,566 --> 00:07:01,733 YOU GOT TO GET HIM TO TURN HIMSELF IN. 141 00:07:01,800 --> 00:07:03,666 UH...GONE. 142 00:07:03,733 --> 00:07:05,033 Rodriguez: WHO WAS THAT? 143 00:07:05,100 --> 00:07:07,600 ANONYMOUS CALLER ON OUR HIT?AND?RUN THIS MORNING. 144 00:07:07,666 --> 00:07:10,500 HE SAID THE BLACK GUY THE ITALIANS WERE BEATING ON 145 00:07:10,566 --> 00:07:12,000 IS CALVIN GEORGE. 146 00:07:12,066 --> 00:07:13,900 THEY GIVE ANYTHING PAST THE NAME? NOTHING. 147 00:07:13,966 --> 00:07:15,300 Andy: I'M CHECKING THE PHONE BOOK. 148 00:07:15,366 --> 00:07:17,900 OFF CHANCE THE GUY WHO RAPED MICHELLE FOSTER 149 00:07:17,966 --> 00:07:20,266 KNOWS HER OR THE HUSBAND, MAYBE A STALKER. 150 00:07:20,333 --> 00:07:22,633 I'M GONNA CALL INTO THE HUSBAND'S WORK, 151 00:07:22,700 --> 00:07:24,033 SEE IF ANYONE HAD A BEEF. 152 00:07:24,100 --> 00:07:25,366 AROUND THE TIME OF THE RAPE, 153 00:07:25,433 --> 00:07:27,366 A NEIGHBOR SAW A SUSPICIOUS?LOOKING GUY 154 00:07:27,433 --> 00:07:29,500 SPEED OFF IN A TAURUS?? SHE GOT THE PLATE. 155 00:07:29,566 --> 00:07:32,333 IT'S REGISTERED TO NORMAN REESE, BATTERY PARK CITY. 156 00:07:32,400 --> 00:07:33,333 LET'S DO IT. 157 00:07:33,400 --> 00:07:34,666 GOT IT. 158 00:07:34,733 --> 00:07:35,566 WHERE YOU GOING? 159 00:07:35,633 --> 00:07:39,200 CALVIN GEORGE IS LISTED, ADDRESS IN RED HOOK. 160 00:07:53,833 --> 00:07:55,700 JUNIOR, LOOK AT THIS. 161 00:07:55,766 --> 00:07:57,766 COME HERE. OUT OF THE CAR. 162 00:07:57,833 --> 00:07:59,633 COME ON. EVERYBODY, OUT. 163 00:08:02,066 --> 00:08:03,733 WHAT'S GOING ON, GUYS? 164 00:08:03,800 --> 00:08:05,433 ENGINE WAS OVERHEATING. 165 00:08:05,500 --> 00:08:06,600 COME HERE. 166 00:08:06,666 --> 00:08:09,500 YOUR OTHER BUDDIES LAYING INTO THAT GUY AT THE SCENE, 167 00:08:09,566 --> 00:08:10,566 THAT'S ONE THING. 168 00:08:10,633 --> 00:08:13,133 BUT IF ANYTHING HAPPENS TO HIM NOW AFTER THE FACT, 169 00:08:13,200 --> 00:08:15,366 THAT'S PREMEDITATED, AND I WILL HOLD YOU RESPONSIBLE, 170 00:08:15,433 --> 00:08:16,733 AND YOU WILL GET LOCKED UP. 171 00:08:16,800 --> 00:08:18,866 JUST LETTING THE ENGINE COOL DOWN, DETECTIVE. 172 00:08:18,933 --> 00:08:20,466 BEAT IT. 173 00:08:20,533 --> 00:08:22,800 GOT A CALL ABOUT A GROUP OF GUYS MAKING THREATS. 174 00:08:22,866 --> 00:08:23,766 YEAH, WE HANDLED IT. 175 00:08:25,733 --> 00:08:26,666 WHAT'S GOING ON? 176 00:08:26,733 --> 00:08:27,900 YOU KNOW A CALVIN GEORGE? 177 00:08:27,966 --> 00:08:28,966 YEAH, I'M HIS MOTHER. 178 00:08:29,033 --> 00:08:30,500 WHERE IS HE? I DON'T KNOW. 179 00:08:30,566 --> 00:08:32,500 HE'S NOT IN THE APARTMENT? NO. 180 00:08:32,566 --> 00:08:35,133 GO AHEAD AND LOOK IF YOU WANT. THE DOOR'S UNLOCKED. 181 00:08:35,200 --> 00:08:37,400 COULD YOU CHECK IT OUT? APARTMENT 1F. 182 00:08:37,466 --> 00:08:38,866 WE NEED TO TALK TO YOUR SON, MA'AM. 183 00:08:38,933 --> 00:08:41,066 HE MIGHT HAVE BEEN INVOLVED IN AN ACCIDENT THIS MORNING. 184 00:08:41,133 --> 00:08:42,566 I DON'T KNOW NOTHING ABOUT THAT. 185 00:08:42,633 --> 00:08:45,100 THOSE MEN THAT WERE ACROSS THE STREET, THEY DO ANYTHING? 186 00:08:45,166 --> 00:08:46,633 THEY WERE POUNDING ON THE DOOR, 187 00:08:46,700 --> 00:08:48,800 YELLING, "CALVIN, GET YOUR ASS OUT HERE." 188 00:08:48,866 --> 00:08:49,833 WHAT KIND OF ACCIDENT? 189 00:08:49,900 --> 00:08:51,233 A HIT?AND?RUN. 190 00:08:51,300 --> 00:08:54,266 BELIEVE ME WHEN I TELL YOU CALVIN IS BETTER OFF WITH US 191 00:08:54,333 --> 00:08:56,866 THAN HE IS WITH THOSE GUYS WHO JUST LEFT HERE. 192 00:08:56,933 --> 00:08:58,500 YOU UNDERSTAND ME? YEAH. 193 00:08:58,566 --> 00:09:01,700 IF CALVIN CALLS OR SHOWS UP, YOU LET US KNOW, FOR HIS SAKE. 194 00:09:01,766 --> 00:09:02,833 NOBODY INSIDE. 195 00:09:02,900 --> 00:09:05,000 YOU DO LIKE I SAY. 196 00:09:12,566 --> 00:09:15,333 SO, MR. REESE, WHAT'S A C. N. A. DO? 197 00:09:15,400 --> 00:09:17,466 IS THAT COMPUTER?RELATED? 198 00:09:17,533 --> 00:09:19,966 CERTIFIED NETWORK ADMINISTRATOR. 199 00:09:20,033 --> 00:09:22,266 WHEN ALL YOUR COMPUTERS FREEZE UP, 200 00:09:22,333 --> 00:09:24,833 AND PEOPLE START YELLING AT EACH OTHER, 201 00:09:24,900 --> 00:09:28,366 I'M THE GUY WHO GETS CALLED, AND THEN YOU YELL AT ME. 202 00:09:28,433 --> 00:09:29,666 [ LAUGHS ] 203 00:09:29,733 --> 00:09:32,966 SO, UH, YOUR SYSTEM DOWN? IS THAT WHY YOU BROUGHT ME IN? 204 00:09:33,033 --> 00:09:35,766 WHERE WERE YOU THIS MORNING, 8:00? 205 00:09:35,833 --> 00:09:37,966 UM, HOME INSTALLING A COOLER 206 00:09:38,033 --> 00:09:41,066 TO OVER?CLOCK THE PROCESSOR ON MY RIG. 207 00:09:41,133 --> 00:09:43,766 WE'LL JUST ASSUME THAT'S SOMETHING COMPUTER?ORIENTED. 208 00:09:43,833 --> 00:09:45,200 YEAH, SEE, HOW IT WORKS IS?? 209 00:09:45,266 --> 00:09:47,400 YOU KNOW A WOMAN NAMED MICHELLE FOSTER? NO. 210 00:09:47,466 --> 00:09:50,266 YOU EVER BEEN TO 742 EAST 12th STREET? I DON'T THINK SO. 211 00:09:50,333 --> 00:09:52,000 NO? 212 00:09:52,066 --> 00:09:54,733 YOU DRIVE A TAURUS WITH THAT PLATE NUMBER? 213 00:09:56,066 --> 00:09:59,133 [ CLEARING THROAT ] 214 00:09:59,200 --> 00:10:01,233 SEE, SOMEBODY SAW YOU DRIVE AWAY FROM THERE, 215 00:10:01,300 --> 00:10:03,100 AND THEY WROTE DOWN YOUR PLATE NUMBER. 216 00:10:03,166 --> 00:10:07,166 SO...HOW WE GONNA HANDLE THIS? 217 00:10:07,233 --> 00:10:09,400 I DON'T UNDERSTAND WHAT THE PROBLEM IS. 218 00:10:09,466 --> 00:10:12,033 MICHELLE FOSTER SAW YOUR FACE. YEAH, SO WHAT? 219 00:10:12,100 --> 00:10:14,166 SO YOU RAPED HER, YOU TECHIE ASSHOLE, 220 00:10:14,233 --> 00:10:17,200 IN YOUR LITTLE CABLE GUY HAT WITH A KNIFE AT HER THROAT. 221 00:10:17,266 --> 00:10:20,000 NO, I?I DID NOT RAPE HER. I MEAN, NOT TECHNICALLY. 222 00:10:20,066 --> 00:10:22,066 LITERALLY, I DID WHAT SHE WANTED. 223 00:10:22,133 --> 00:10:24,900 HOW DID SHE MAKE IT KNOWN TO YOU WHAT SHE WANTED?? 224 00:10:24,966 --> 00:10:27,133 TELEPATHY THROUGH A PEEPHOLE OF A DOOR? 225 00:10:27,200 --> 00:10:28,700 OVER INSTANT MESSAGING, MAN. 226 00:10:28,766 --> 00:10:32,033 SHE LAID IT OUT HOW SHE LIKED IT, AND ALL I DID WAS RESPOND. 227 00:10:32,100 --> 00:10:33,700 WHAT ARE YOU TALKING ABOUT? 228 00:10:33,766 --> 00:10:37,866 ME AND THIS MICHELLE WHO GOES BY "NASTY GIRL," 229 00:10:37,933 --> 00:10:40,966 MET IN A CHAT ROOM ON?LINE, OKAY? 230 00:10:41,033 --> 00:10:44,766 A RAPE FANTASY CHAT ROOM, OKAY. 231 00:10:44,833 --> 00:10:47,700 SHE TOLD ME SHE WASN'T GETTING IT ROUGH FROM HER HUSBAND, 232 00:10:47,766 --> 00:10:48,800 AND SHE WENT ON?LINE. 233 00:10:48,866 --> 00:10:50,033 ALL I DID WAS RESPOND. 234 00:10:50,100 --> 00:10:51,933 I GOT TO ADMIT, NORMAN, THAT'S A NEW ONE. 235 00:10:52,000 --> 00:10:53,166 I SAVED THE I. M.'s. 236 00:10:53,233 --> 00:10:55,633 SHE GAVE ME INSTRUCTIONS ON WHAT TO WEAR, 237 00:10:55,700 --> 00:10:57,033 WHAT TO SAY, HER ADDRESS. 238 00:10:57,100 --> 00:10:58,900 I?I EVEN GOT HER PHONE NUMBER 239 00:10:58,966 --> 00:11:00,933 TO CONFIRM THAT IT WASN'T A PUT?ON. 240 00:11:01,000 --> 00:11:02,333 I CALLED AND I CONFIRMED. 241 00:11:02,400 --> 00:11:04,600 YOU TALKED TO MICHELLE FOSTER? YES. 242 00:11:04,666 --> 00:11:07,933 YOU GOT ALL THE CORRESPONDENCE ON THE COMPUTER AT HOME? YES. 243 00:11:08,000 --> 00:11:09,366 THEN WHY DID YOU LIE TO US 244 00:11:09,433 --> 00:11:12,100 WHEN WE ASKED YOU IF YOU KNEW MICHELLE FOSTER? 245 00:11:12,166 --> 00:11:14,733 'CAUSE I GUESS I KNEW IT WAS TOO GOOD TO BE TRUE. 246 00:11:18,100 --> 00:11:20,300 THIS IDIOT IS CLAIMING THAT MICHELLE FOSTER 247 00:11:20,366 --> 00:11:22,433 WANTED HIM TO COME OVER AND RAPE HER. 248 00:11:22,500 --> 00:11:23,666 WHAT? 249 00:11:23,733 --> 00:11:26,300 HE SAYS HE'S GOT CORRESPONDENCE THAT'LL PROVE IT. 250 00:11:26,366 --> 00:11:29,000 WE'RE HEADING OVER TO HIS PLACE. TOSS IT GOOD. 251 00:11:29,066 --> 00:11:31,433 RITA, WILL YOU LOOK INTO THIS WITH GREG? 252 00:11:31,500 --> 00:11:33,733 I GOT THAT 2:00 I NEED TO GET TO. 253 00:11:33,800 --> 00:11:34,800 NO PROBLEM. 254 00:11:34,866 --> 00:11:36,500 [ TELEPHONE RINGS ] 255 00:11:36,566 --> 00:11:37,866 15th SQUAD. 256 00:11:37,933 --> 00:11:39,966 OH, ONE MOMENT, PLEASE. 257 00:11:40,033 --> 00:11:43,066 FLORENCE GEORGE, CALVIN'S MOTHER. 258 00:11:43,133 --> 00:11:45,100 DETECTIVE SIPOWICZ. 259 00:11:47,066 --> 00:11:48,166 [ CLEARS THROAT ] 260 00:11:48,233 --> 00:11:50,333 OKAY, CALM DOWN. YOU ALL RIGHT? 261 00:11:50,400 --> 00:11:52,133 WE'LL BE RIGHT OVER THERE. 262 00:11:52,200 --> 00:11:53,300 WHAT'S GOING ON? 263 00:11:53,366 --> 00:11:56,166 SOMEBODY JUST FIRED SHOTS INTO HER APARTMENT. 264 00:12:14,572 --> 00:12:16,372 ANY WITNESSES? 265 00:12:16,439 --> 00:12:17,572 NOTHING SOLID. 266 00:12:17,639 --> 00:12:19,006 A COUPLE PEOPLE SAW TWO WHITE GUYS 267 00:12:19,072 --> 00:12:20,639 SPEEDING OFF ON A MOTORCYCLE, 268 00:12:20,706 --> 00:12:23,839 BUT NOBODY GOT THE LICENSE?PLATE NUMBER OR MAKE OF THE BIKE. 269 00:12:23,906 --> 00:12:26,006 IF I HAD BEEN IN THE FRONT ROOM, I'D BE DEAD. 270 00:12:26,072 --> 00:12:28,472 HAS CALVIN CONTACTED YOU YET? ABOUT FIVE MINUTES AGO. 271 00:12:28,539 --> 00:12:30,839 HE SWEARS HE DIDN'T RUN OVER NO KIDS THIS MORNING. 272 00:12:30,906 --> 00:12:32,572 IS HE ON HIS WAY IN? NO. 273 00:12:32,639 --> 00:12:33,806 WHY NOT? 274 00:12:33,872 --> 00:12:35,906 HE'S GOT A WARRANT OUT ON A POT POSSESSION CHARGE, 275 00:12:35,972 --> 00:12:37,839 AND HE KNOWS Y'ALL GONNA PUT HIM IN JAIL. 276 00:12:37,906 --> 00:12:39,872 DID YOU TELL HIM YOU ALMOST GOT KILLED OVER THIS? 277 00:12:39,939 --> 00:12:41,906 HE'S SCARED. HE DON'T KNOW WHAT TO DO. 278 00:12:41,972 --> 00:12:44,572 YOUR SON IS WALKING AROUND WITH A BULL'S?EYE ON HIS CHEST. 279 00:12:44,639 --> 00:12:46,139 HE DIDN'T DO NO HIT?AND?RUN. 280 00:12:46,206 --> 00:12:49,039 THEN HE NEEDS TO GET HIS ASS IN RIGHT NOW AND EXPLAIN HIMSELF. 281 00:12:49,106 --> 00:12:51,739 AS LONG AS HE'S ON THE STREET, THERE'S NOTHING WE CAN DO. 282 00:12:51,806 --> 00:12:53,372 YOU COULD ARREST THOSE ITALIANS 283 00:12:53,439 --> 00:12:55,872 THAT WAS PARKED ACROSS THE STREET THIS MORNING. 284 00:12:55,939 --> 00:12:57,972 FOR WHAT? FOR PARKING ACROSS THE STREET? 285 00:12:58,039 --> 00:13:00,472 THEY'RE PROBABLY THE ONES WHO SHOT MY APARTMENT. 286 00:13:00,539 --> 00:13:01,906 IF YOU WANT YOUR SON TO LIVE, 287 00:13:01,972 --> 00:13:04,172 YOU NEED TO GET HIM TO TURN HIMSELF IN. 288 00:13:10,072 --> 00:13:11,472 YOU'RE NOT MARRIED, CORRECT? 289 00:13:11,539 --> 00:13:14,106 NO, BUT I AM INVOLVED IN A RELATIONSHIP WITH SOMEONE. 290 00:13:14,172 --> 00:13:16,139 ARE YOU HETEROSEXUAL? YES, VERY MUCH SO. 291 00:13:16,206 --> 00:13:18,806 AS A SQUAD DETECTIVE, ARE THOSE HOURS PRETTY REGULAR? 292 00:13:18,872 --> 00:13:21,106 IF IT BECOMES AN ISSUE, I CAN MAKE ALTERNATE PLANS 293 00:13:21,172 --> 00:13:23,072 TO HAVE SOMEONE LOOK AFTER MICHAEL. 294 00:13:23,139 --> 00:13:24,139 WHO? 295 00:13:24,206 --> 00:13:27,006 MY GIRLFRIEND, WHO'S AN ASSISTANT D. A., 296 00:13:27,072 --> 00:13:30,006 OR FELLOW DETECTIVES WHO ARE PARENTS, ALSO. 297 00:13:30,072 --> 00:13:32,806 I ASSUME YOU HAVE WEAPONS IN THE HOME. 298 00:13:32,872 --> 00:13:35,006 JUST ONE, AND I'M USUALLY ATTACHED TO IT. 299 00:13:35,072 --> 00:13:37,806 YOU HAVE ANY EXPERIENCE AT RAISING CHILDREN, MR. JONES? 300 00:13:37,872 --> 00:13:39,939 I'VE BEEN INVOLVED IN A MENTORING PROGRAM 301 00:13:40,006 --> 00:13:41,906 AS YOU CAN SEE FROM MY APPLICATION. 302 00:13:41,972 --> 00:13:44,339 IN TERMS OF MANAGING BEHAVIOR OR DISCIPLINE?? 303 00:13:44,406 --> 00:13:46,906 I WASN'T GIVEN THE IMPRESSION THAT THERE A WHOLE LOT OF PEOPLE 304 00:13:46,972 --> 00:13:48,772 JUMPING AT THE CHANCE TO TAKE MICHAEL IN. 305 00:13:48,839 --> 00:13:50,839 HE'S NOT A STRAY DOG, MR. JONES. 306 00:13:50,906 --> 00:13:53,839 HE'S A CHILD DEALING WITH SOME VERY SERIOUS ISSUES. 307 00:13:53,906 --> 00:13:56,439 I'VE KNOW MICHAEL GORMAN A COUPLE OF MONTHS NOW. 308 00:13:56,506 --> 00:13:59,172 I'VE BEEN WITH HIM THROUGH THE DEATH OF HIS MOM 309 00:13:59,239 --> 00:14:01,306 AND HIS DAD GETTING LOCKED UP. 310 00:14:01,372 --> 00:14:02,339 MM?HMM, I RESPECT THAT. 311 00:14:02,406 --> 00:14:04,606 BUT I'VE WORKED HUNDREDS OF CASES LIKE THIS. 312 00:14:04,672 --> 00:14:06,606 WHEN SOMEONE WHO'S CLOSE TO THE CHILD 313 00:14:06,672 --> 00:14:08,372 DISCOVERS THAT THEY'RE ILL?EQUIPPED 314 00:14:08,439 --> 00:14:11,039 TO DEAL WITH BAD BEHAVIOR, SOMETIMES EXTREME BEHAVIOR, 315 00:14:11,106 --> 00:14:13,472 THEY COME BACK TO ME SAYING THEY CAN'T DO IT ANYMORE, 316 00:14:13,539 --> 00:14:16,406 WHICH LEAVES THE CHILD CRUSHED WHEN THEY HAVE TO MOVE OUT. 317 00:14:18,439 --> 00:14:20,672 I WAS RAISED BY MY GRANDMA. 318 00:14:20,739 --> 00:14:22,406 SHE GOT SICK WHEN I WAS 14, 319 00:14:22,472 --> 00:14:25,672 AND I WAS BASICALLY ON MY OWN, STAYING WITH FRIENDS. 320 00:14:25,739 --> 00:14:28,239 THIS ONE BUDDY OF MINE, HIS DAD WAS A COP. 321 00:14:28,306 --> 00:14:30,506 I STARTED HAVING DINNER A LOT AT THEIR HOME, 322 00:14:30,572 --> 00:14:32,439 AND I ENDED UP MOVING IN WITH THEM 323 00:14:32,506 --> 00:14:33,839 UNTIL MY GRANDMA GOT BETTER. 324 00:14:33,906 --> 00:14:39,039 BUT MY FRIEND'S DAD WAS THE ONLY GUY I COULD GO TO, 325 00:14:39,106 --> 00:14:43,872 THE ONLY GUY I COULD CONFIDE IN, THAT I COULD TRUST. 326 00:14:43,939 --> 00:14:46,239 I'M NOT SOME DO?GOODER WITH HIS HEAD IN THE CLOUDS. 327 00:14:46,306 --> 00:14:48,672 I'VE BEEN THERE. I KNOW WHAT MICHAEL NEEDS. 328 00:14:48,739 --> 00:14:50,672 AND IF YOU GIVE ME THE OPPORTUNITY, 329 00:14:50,739 --> 00:14:52,239 I CAN PROVIDE THAT FOR HIM. 330 00:14:52,306 --> 00:14:55,472 WE'LL SCHEDULE A VISIT TO YOUR HOME, 331 00:14:55,539 --> 00:14:56,939 REVIEW YOUR REFERENCES 332 00:14:57,006 --> 00:14:59,472 AND THE REST OF YOUR APPLICATION. 333 00:14:59,539 --> 00:15:00,739 GOOD LUCK. 334 00:15:00,806 --> 00:15:02,306 THANK YOU. 335 00:15:08,506 --> 00:15:10,906 RIGHT THIS WAY. 336 00:15:14,906 --> 00:15:16,806 THAT'S MICHELLE FOSTER FROM THIS MORNING. 337 00:15:16,872 --> 00:15:18,206 THE RAPE VICTIM? 338 00:15:18,272 --> 00:15:22,572 WE CHECKED INTO THIS NORMAN REESE'S STORY. 339 00:15:22,639 --> 00:15:24,106 HE'S GOT ALL KINDS OF DOCUMENTATION 340 00:15:24,172 --> 00:15:25,939 SHOWING THAT SHE INVITED HIM OVER. 341 00:15:26,006 --> 00:15:28,772 ANY EVIDENCE THAT THEY SPOKE ON THE PHONE BEFOREHAND? 342 00:15:28,839 --> 00:15:30,739 HE GAVE US A NUMBER HE CALLED, 343 00:15:30,806 --> 00:15:33,506 AND IT WAS FOR A COFFEE PLACE IN THE EAST VILLAGE. 344 00:15:33,572 --> 00:15:35,239 THEY SAID IT'S NOT THAT UNUSUAL 345 00:15:35,306 --> 00:15:37,472 FOR CUSTOMERS TO TAKE CALLS THERE. 346 00:15:37,539 --> 00:15:39,206 YOU RUN REESE WITH B. C. I.? 347 00:15:39,272 --> 00:15:42,206 NO RECORD. NOT EVEN A PARKING TICKET. 348 00:15:42,272 --> 00:15:43,472 SEE WHAT SHE SAYS. 349 00:15:50,806 --> 00:15:54,572 SO, MICHELLE, JUST A COUPLE OF QUESTIONS FOR YOU. 350 00:15:54,639 --> 00:15:57,139 DO YOU USE THE INTERNET MUCH? 351 00:15:57,206 --> 00:15:58,239 SURE. 352 00:15:58,306 --> 00:16:00,806 YOU EVER GO INTO CHAT ROOMS? SOMETIMES. 353 00:16:00,872 --> 00:16:03,139 WHAT KIND OF CHAT ROOMS DO YOU GO INTO? 354 00:16:03,206 --> 00:16:05,372 UH... 355 00:16:05,439 --> 00:16:08,206 I WENT INTO ONE ABOUT VACATIONING IN THE BAHAMAS. 356 00:16:08,272 --> 00:16:10,172 HAVE YOU EVER BEEN IN A CHAT ROOM 357 00:16:10,239 --> 00:16:13,106 CALLED "FEMALE FOR MALE ROUGH PLAY"? NO. 358 00:16:13,172 --> 00:16:15,872 DO YOU KNOW A MAN NAMED NORMAN REESE? NO. 359 00:16:15,939 --> 00:16:18,839 YOU DIDN'T MEET MR. REESE IN THE ROUGH?PLAY ROOM? 360 00:16:18,906 --> 00:16:21,972 I ALREADY TOLD YOU I HAVEN'T BEEN IN THAT CHAT ROOM. 361 00:16:22,039 --> 00:16:24,739 WHEN YOU DO GO INTO ROOMS, WHAT'S THE NAME YOU USE? 362 00:16:24,806 --> 00:16:26,072 "MICHELLE F." 363 00:16:26,139 --> 00:16:28,606 HAVE YOU EVER USED THE NAME "NASTY GIRL"? 364 00:16:28,672 --> 00:16:31,006 WHAT ON EARTH ARE YOU TALKING ABOUT? 365 00:16:31,072 --> 00:16:33,006 THE MAN WHO ATTACKED YOU THIS MORNING, 366 00:16:33,072 --> 00:16:35,039 HE SAYS THAT HE MET YOU IN A CHAT ROOM 367 00:16:35,106 --> 00:16:37,172 AND THAT YOU INVITED HIM TO COME OVER. 368 00:16:37,239 --> 00:16:39,706 THAT IS OUTRAGEOUS. 369 00:16:39,772 --> 00:16:41,939 HE HAS A LOT OF EVIDENCE TO BACK IT UP, 370 00:16:42,006 --> 00:16:44,806 INCLUDING A PHONE CALL TO YOU, CONFIRMING YOUR INTEREST. 371 00:16:44,872 --> 00:16:46,339 IT'S A TOTAL LIE. 372 00:16:46,406 --> 00:16:49,806 IS THERE ANY POSSIBILITY YOU WENT INTO A CHAT ROOM, 373 00:16:49,872 --> 00:16:52,772 INVITED THIS GUY OVER, AND IT GOT OUT OF HAND? 374 00:16:52,839 --> 00:16:54,206 NO! NO! ABSOLUTELY NOT. 375 00:16:54,272 --> 00:16:56,339 I DON'T KNOW ANY... NORMAN REESE? 376 00:16:56,406 --> 00:16:59,306 AND I HAVE NEVER BEEN IN ANY ROUGH?PLAY CHAT ROOM. 377 00:16:59,372 --> 00:17:01,772 I ANSWERED MY DOOR FOR THE CABLE COMPANY, 378 00:17:01,839 --> 00:17:02,972 AND I WAS RAPED! 379 00:17:03,039 --> 00:17:04,872 I CANNOT BELIEVE THIS IS HAPPENING, 380 00:17:04,939 --> 00:17:07,239 AND I CAN'T BELIEVE YOU'RE DOING THIS TO ME! 381 00:17:07,306 --> 00:17:09,806 WE'LL LOOK INTO IT SOME MORE. YOU DO THAT. 382 00:17:16,939 --> 00:17:19,606 I TEND TO BUY HER STORY. 383 00:17:19,672 --> 00:17:22,406 YEAH, ME TOO. 384 00:17:25,906 --> 00:17:28,439 WE GOT MORE DIGGING TO DO. I'LL FILL YOU IN. 385 00:17:28,506 --> 00:17:29,439 ALL RIGHT. 386 00:17:31,272 --> 00:17:32,806 WE GOT TO GET THIS CALVIN GEORGE IN 387 00:17:32,872 --> 00:17:34,339 BEFORE THOSE LOONY ITALIANS KILL HIM. 388 00:17:34,406 --> 00:17:36,806 WE'RE RUNNING GUYS HE'S BEEN COLLARED WITH. 389 00:17:36,872 --> 00:17:38,606 I'LL PITCH IN ON THAT. 390 00:17:38,672 --> 00:17:41,806 BEFORE YOU GET GOING, I HAVE A QUICK ANNOUNCEMENT TO MAKE. 391 00:17:45,539 --> 00:17:47,106 JUST WANT TO LET YOU ALL KNOW 392 00:17:47,172 --> 00:17:50,439 THAT I'M PUTTING IN MY PAPERS FOR RETIREMENT. 393 00:17:51,472 --> 00:17:53,006 WHEN? 394 00:17:53,072 --> 00:17:56,539 I GOT MY APPOINTMENT WITH THE PENSION BOARD IN A FEW DAYS, 395 00:17:56,606 --> 00:17:58,739 SO SOON AFTER THAT?? MAYBE A WEEK. 396 00:17:58,806 --> 00:18:00,372 YOU LEAVING TO SOMETHING? 397 00:18:00,439 --> 00:18:01,806 SECURITY DIRECTOR JOB. 398 00:18:01,872 --> 00:18:04,406 WHICH YOU ACCEPTED WHEN? ANDY. 399 00:18:04,472 --> 00:18:07,272 I INTERVIEWED FOR IT LAST WEEK. 400 00:18:07,339 --> 00:18:09,239 I ACCEPTED YESTERDAY. 401 00:18:09,306 --> 00:18:11,106 SO... 402 00:18:11,172 --> 00:18:12,872 CONGRATULATIONS. 403 00:18:12,939 --> 00:18:15,106 YEAH, ABSOLUTELY. 404 00:18:15,172 --> 00:18:17,006 WE'LL MISS YOU. 405 00:18:17,072 --> 00:18:20,172 AS SOON AS MY LAST DAY'S FIRMED UP, I'LL PASS IT ON. 406 00:18:22,539 --> 00:18:23,639 WELL, HOW ABOUT THAT? 407 00:18:23,706 --> 00:18:26,439 YEAH. WELL, WE GOT WORK TO DO. 408 00:18:46,272 --> 00:18:49,172 BOSS, WE RAN THE SCREEN NAME "NASTY GIRL" 409 00:18:49,239 --> 00:18:50,572 THROUGH THE INTERNET PROVIDER. 410 00:18:50,639 --> 00:18:52,772 IT CAME BACK TO A COURTNEY BATES. 411 00:18:52,839 --> 00:18:53,506 NOT MICHELLE FOSTER? 412 00:18:53,572 --> 00:18:54,706 COURTNEY BATES. 413 00:18:54,772 --> 00:18:56,672 THAT WASN'T SOMETHING WE SHOULD HAVE CHECKED 414 00:18:56,739 --> 00:18:58,139 BEFORE LEANING ON THE VICTIM? 415 00:18:58,206 --> 00:19:00,339 THE I. S. P. WAS BEING A REAL PAIN IN THE ASS EARLIER 416 00:19:00,406 --> 00:19:02,639 ABOUT OPENING THEIR RECORDS WITHOUT A COURT ORDER. 417 00:19:02,706 --> 00:19:03,972 THEY FINALLY RELENTED. 418 00:19:04,039 --> 00:19:05,606 IT TOOK SOME CONVINCING. 419 00:19:05,672 --> 00:19:07,872 MAYBE THREATENING'S A BETTER WORD. 420 00:19:07,939 --> 00:19:11,072 I DON'T WANT TO KNOW. JUST GET THIS COURTNEY BATES IN. 421 00:19:11,139 --> 00:19:13,139 SO, UH, BOSS? 422 00:19:13,206 --> 00:19:14,806 YEAH? 423 00:19:14,872 --> 00:19:17,739 ANY PARTICULAR REASON FOR THE SUDDEN DEPARTURE? 424 00:19:17,806 --> 00:19:19,739 I KNOW THE SQUAD'S CURIOUS. 425 00:19:19,806 --> 00:19:21,806 SPEAK FOR YOURSELF, MEDAVOY. 426 00:19:21,872 --> 00:19:23,439 IT WAS TIME FOR ME TO GO. 427 00:19:23,506 --> 00:19:26,539 THE OUTCOME OF THE TRIAL, DID THAT FACTOR IN? 428 00:19:26,606 --> 00:19:28,772 NEXT, ARE YOU GONNA ASK HIM TO TURN HIS HEAD AND COUGH? 429 00:19:28,839 --> 00:19:30,072 IT'S OKAY, ANDY. 430 00:19:30,139 --> 00:19:32,139 NO, IT WAS TIME TO GO. YOU SAID IT ALREADY. 431 00:19:32,206 --> 00:19:34,306 HE DON'T NEED TO PUT YOU UNDER THE HOT LIGHT. 432 00:19:34,372 --> 00:19:36,272 I CAN'T SAY THE TRIAL DIDN'T FACTOR IN, 433 00:19:36,339 --> 00:19:38,206 BUT, UH, IT'S JUST TIME FOR ME TO GO. 434 00:19:38,272 --> 00:19:39,306 WHERE YOU GUYS AT? 435 00:19:39,372 --> 00:19:41,606 GOING TO HAVE A CONVERSATION WITH TONY GRIMALDI, 436 00:19:41,672 --> 00:19:42,806 THE FATHER OF THE D. O. A. 437 00:19:42,872 --> 00:19:44,706 SEE IF HE CAN GET HIS BOYS TO BACK OFF 438 00:19:44,772 --> 00:19:46,306 FROM HUNTING DOWN CALVIN GEORGE. 439 00:19:50,706 --> 00:19:52,506 I WAS JUST CURIOUS. 440 00:19:52,572 --> 00:19:53,772 YOU'RE NOSY. 441 00:19:53,839 --> 00:19:55,439 I'M JUST CURIOUS. 442 00:20:09,706 --> 00:20:10,939 MR. GRIMALDI. 443 00:20:11,006 --> 00:20:13,039 YOU HAVE OUR DEEPEST SYMPATHIES. 444 00:20:13,106 --> 00:20:14,239 THANK YOU. 445 00:20:14,306 --> 00:20:16,339 I KNOW THIS IS THE LAST THING YOU WANT TO DO, 446 00:20:16,406 --> 00:20:18,472 BUT WE NEED TO TALK TO YOU ABOUT THIS MORNING. 447 00:20:18,539 --> 00:20:19,939 DID YOU SEE WHAT HAPPENED? 448 00:20:20,006 --> 00:20:21,839 NO. I WAS IN THE KITCHEN. 449 00:20:21,906 --> 00:20:24,472 WE KNOW PEOPLE IN THIS NEIGHBORHOOD LOOK UP TO YOU. 450 00:20:24,539 --> 00:20:27,406 HAS ANYBODY GIVEN YOU INFORMATION THAT COULD HELP US? 451 00:20:27,472 --> 00:20:30,372 WE WERE OUT OF COFFEE. 452 00:20:30,439 --> 00:20:33,639 SO I SENT THERESA TO GET SOME FROM THE CORNER MARKET. 453 00:20:33,706 --> 00:20:36,539 IF I WOULD HAVE GOT UP OFF MY LAZY ASS AND DONE IT MYSELF, 454 00:20:36,606 --> 00:20:37,706 SHE'D STILL BE ALIVE. 455 00:20:37,772 --> 00:20:40,272 WE'RE VERY SORRY, SIR. 456 00:20:40,339 --> 00:20:43,539 MR. GRIMALDI... 457 00:20:43,606 --> 00:20:45,472 THERE'S PEOPLE OUT THERE RIGHT NOW, 458 00:20:45,539 --> 00:20:46,872 PEOPLE ASSOCIATED WITH YOU, 459 00:20:46,939 --> 00:20:49,139 WHO ARE LOOKING FOR THE DRIVER OF THAT CAR. 460 00:20:49,206 --> 00:20:51,772 THEY ALREADY FIRED SHOTS INTO HIS MOTHER'S APARTMENT. 461 00:20:51,839 --> 00:20:53,172 MY DAUGHTER'S DEAD. 462 00:20:53,239 --> 00:20:55,572 YOU THINK I GIVE A RAT'S ASS ABOUT THE SON OF A BITCH? 463 00:20:55,639 --> 00:20:58,406 WE KNOW YOU CARE ABOUT THE OTHER GUYS OUT THERE LOOKING FOR HIM. 464 00:20:58,472 --> 00:21:01,106 WE TRIED TO LET THEM KNOW IF ANYTHING HAPPENS TO OUR SUSPECT, 465 00:21:01,172 --> 00:21:03,706 THEY'RE GOING TO JAIL, BUT THEY'RE NOT LISTENING TO US. 466 00:21:03,772 --> 00:21:05,839 THAT'S 'CAUSE THEY KNOW THIS SON OF A BITCH 467 00:21:05,906 --> 00:21:07,239 AIN'T GONNA DO ANY REAL TIME. 468 00:21:07,306 --> 00:21:09,839 VEHICULAR MANSLAUGHTER, POSSIBLY TWO COUNTS, 469 00:21:09,906 --> 00:21:12,106 AND FLEEING THE SCENE OF AN ACCIDENT? 470 00:21:12,172 --> 00:21:13,506 HE'LL DO TIME. 471 00:21:13,572 --> 00:21:16,206 LET US DO OUR JOB AND LET EACH OF YOUR GUYS STAY OUT OF JAIL. 472 00:21:16,272 --> 00:21:20,006 IF THIS GUY DON'T PAY A FAIR PRICE 473 00:21:20,072 --> 00:21:22,206 FOR TAKING MY DAUGHTER'S LIFE, 474 00:21:22,272 --> 00:21:25,606 WHEN HE HITS THE STREET AGAIN... ALL BETS ARE OFF. 475 00:21:25,672 --> 00:21:29,472 YEAH, WE'LL TAKE CARE OF THAT. 476 00:21:29,539 --> 00:21:31,472 I'LL PUT OUT THE WORD. 477 00:21:43,839 --> 00:21:46,206 HE'S RIGHT HERE. DON'T HANG UP. 478 00:21:46,272 --> 00:21:47,072 IT'S CALVIN GEORGE. 479 00:21:47,139 --> 00:21:49,072 I'M PUTTING HIM ON THE PHONE RIGHT NOW. 480 00:21:49,139 --> 00:21:50,939 NO, IT'S HIM. YOU HAVE MY WORD. 481 00:21:52,606 --> 00:21:55,072 DETECTIVE SIPOWICZ. 482 00:21:55,139 --> 00:21:57,372 COME IN AND TELL ME WHERE YOU WERE THIS MORNING. 483 00:21:57,439 --> 00:21:59,772 CALVIN, HOW CAN I SAY I BELIEVE YOU'RE NOT 484 00:21:59,839 --> 00:22:01,406 BASED ON A PHONE CONVERSATION, HUH? 485 00:22:01,472 --> 00:22:03,772 DON'T WORRY ABOUT YOUR DAMN POT POSSESSION. 486 00:22:03,839 --> 00:22:05,772 WORRY ABOUT YOUR MOM WHO GOT SHOT AT. 487 00:22:05,839 --> 00:22:08,072 WORRY ABOUT NOT GETTING KILLED BY THAT LYNCH MOB 488 00:22:08,139 --> 00:22:10,072 WHO'S OUT THERE LOOKING FOR YOU RIGHT NOW. 489 00:22:10,139 --> 00:22:12,372 NOW, WHERE CAN WE MEET YOU? 490 00:22:12,439 --> 00:22:16,306 I'M GONNA GET THE CAR. I'LL MEET YOU IN FRONT. 491 00:22:16,372 --> 00:22:17,506 YEAH. UH?HUH. 492 00:22:17,572 --> 00:22:19,172 HAVE A SEAT, COURTNEY. 493 00:22:19,239 --> 00:22:20,206 OKAY. 494 00:22:21,706 --> 00:22:22,872 YOU A STUDENT? 495 00:22:22,939 --> 00:22:25,506 YEAH, BUT I'M TAKING A SEMESTER OFF. 496 00:22:25,572 --> 00:22:27,839 YOU KNOW MICHELLE FOSTER? NO. 497 00:22:27,906 --> 00:22:29,339 YOU DIDN'T GO ON THE INTERNET 498 00:22:29,406 --> 00:22:31,572 PRETENDING TO BE MICHELLE FOSTER? PARDON ME? 499 00:22:31,639 --> 00:22:34,739 WE GOT INFORMATION THAT YOU'VE BEEN GOING INTO CHAT ROOMS 500 00:22:34,806 --> 00:22:36,572 UNDER THE MONIKER "NASTY GIRL" 501 00:22:36,639 --> 00:22:38,939 AND CLAIMING TO BE MICHELLE FOSTER. 502 00:22:39,006 --> 00:22:41,406 WELL, I, UH, DON'T KNOW THAT PERSON, 503 00:22:41,472 --> 00:22:44,872 AND I'VE NEVER IN MY LIFE CALLED MYSELF "NASTY GIRL." 504 00:22:44,939 --> 00:22:47,472 MICHELLE FOSTER WAS RAPED THIS MORNING 505 00:22:47,539 --> 00:22:51,306 BY A GUY WHO THOUGHT SHE WAS INVITING HIM OVER FOR ROUGH SEX. 506 00:22:51,372 --> 00:22:53,806 BECAUSE OF WHAT THIS "NASTY GIRL" SAID 507 00:22:53,872 --> 00:22:54,839 IN A CHAT ROOM? 508 00:22:54,906 --> 00:22:56,139 THERE YOU GO. 509 00:22:56,206 --> 00:22:58,039 WELL, I'M SORRY TO HEAR THAT, 510 00:22:58,106 --> 00:23:00,072 BUT I HAD NOTHING TO DO WITH IT. 511 00:23:00,139 --> 00:23:02,872 THEN HOW'S THE NAME "NASTY GIRL" GET BACK TO YOUR ACCOUNT? 512 00:23:02,939 --> 00:23:04,672 I BOUGHT MY COMPUTER SECONDHAND. 513 00:23:04,739 --> 00:23:06,539 IT WAS SOMEBODY ELSE'S BEFORE THAT. 514 00:23:06,606 --> 00:23:09,239 I SOMETIMES LEND IT TO THE SPACE CADET DOWN THE HALL. 515 00:23:09,306 --> 00:23:11,839 THERE'S A THOUSAND WAYS I COULD HAVE BEEN HACKED. 516 00:23:11,906 --> 00:23:14,339 ALL OF WHICH WE'LL BE LOOKING INTO. 517 00:23:14,406 --> 00:23:15,539 FINE. 518 00:23:15,606 --> 00:23:16,872 WE NEED YOUR COMPUTER. 519 00:23:16,939 --> 00:23:19,206 AND THE NAME OF THE SPACE CADET DOWN THE HALL 520 00:23:19,272 --> 00:23:21,339 AND WHO YOU BOUGHT THE COMPUTER FROM. 521 00:23:22,606 --> 00:23:25,439 LET ME GET THIS STRAIGHT. YOU STOLE THE CAR? RIGHT. 522 00:23:25,506 --> 00:23:28,006 BUT YOU DIDN'T DO THE HIT?AND?RUN? EXACTLY. 523 00:23:28,072 --> 00:23:29,639 [ SCOFFS ] HOW'S THAT WORK? 524 00:23:29,706 --> 00:23:31,106 I'M WALKING DOWN THE STREET, 525 00:23:31,172 --> 00:23:33,372 AND I SEE THIS WHITE BOY PULL UP IN THIS DOPE SUV... 526 00:23:33,439 --> 00:23:35,706 AND HE HOPPED OUT AND HEADED AROUND THE CORNER... 527 00:23:35,772 --> 00:23:37,872 WITH THE DOORS OPEN, THE KEYS IN IT. 528 00:23:37,939 --> 00:23:40,206 IT'S LIKE HE WAS ASKING ME TO STEAL IT. 529 00:23:40,272 --> 00:23:41,206 SO I DID. 530 00:23:41,272 --> 00:23:43,872 AND YOU WERE DRIVING, AND THESE ITALIANS CUT YOU OFF. 531 00:23:43,939 --> 00:23:45,806 AND START BEATING THE HELL OUT OF ME. 532 00:23:45,872 --> 00:23:47,872 I FIGURE IT'S 'CAUSE I STOLE THE TRUCK. 533 00:23:47,939 --> 00:23:50,472 IF YOU BOOSTED THIS CAR ON ELIZABETH STREET, LIKE YOU SAY, 534 00:23:50,539 --> 00:23:53,072 WHAT WERE YOU DOING IN LITTLE ITALY TO BEGIN WITH? 535 00:23:53,139 --> 00:23:55,439 I WAS LOOKING FOR MY WALLET. YEAH, HUH? 536 00:23:55,506 --> 00:23:58,439 I'M AT A BAR DOWN IN THE VILLAGE LAST NIGHT?? TRICKY'S. 537 00:23:58,506 --> 00:24:01,239 I START TALKING TO THIS WHITE CHICK?? ANNE MARIE. 538 00:24:01,306 --> 00:24:03,239 SHE INVITES ME BACK TO HER PLACE. 539 00:24:03,306 --> 00:24:05,439 I'M THINKING MAYBE SHE GOT THE FEVER. 540 00:24:05,506 --> 00:24:08,172 BUT WE GET THERE, AND I'M ALREADY DRUNK AS IT IS, 541 00:24:08,239 --> 00:24:10,772 BUT NOW SHE LIGHTS UP SOME WEED?? THAT WAS IT. 542 00:24:10,839 --> 00:24:12,372 I PASSED OUT ON THE FUTON. 543 00:24:12,439 --> 00:24:13,706 WHEN'D YOU LEAVE HER PLACE? 544 00:24:13,772 --> 00:24:15,139 ABOUT 5:00 A. M. 545 00:24:15,206 --> 00:24:17,972 IT WAS STILL DARK OUT, WHICH IS GONNA FACTOR IN LATER. 546 00:24:18,039 --> 00:24:20,039 SO I HEAD HOME, BUT WHEN I GET THERE, 547 00:24:20,106 --> 00:24:22,172 I REALIZE I DON'T HAVE MY WALLET ON ME. 548 00:24:22,239 --> 00:24:24,906 SO I GO ALL THE WAY BACK TO ANNE MARIE'S. 549 00:24:24,972 --> 00:24:27,939 THE PROBLEM IS, I DON'T KNOW WHERE SHE LIVE EXACTLY 550 00:24:28,006 --> 00:24:30,139 'CAUSE IT WAS DARK OUT WHEN I LEFT, 551 00:24:30,206 --> 00:24:32,472 AND I WAS STILL HALF DRUNK ANYHOW. 552 00:24:32,539 --> 00:24:35,772 THE NEXT THING I SEE IS THE SUV WITH THE KEYS IN IT. 553 00:24:35,839 --> 00:24:37,539 WHAT'S THIS ANNE MARIE'S LAST NAME? 554 00:24:37,606 --> 00:24:39,039 I DON'T KNOW. I NEVER GOT IT. 555 00:24:39,106 --> 00:24:41,272 WHAT ARE THE CROSS STREETS WHERE ANNE MARIE LIVES? 556 00:24:41,339 --> 00:24:43,406 I DON'T KNOW THAT, EITHER. I WISH TO HELL I DID. 557 00:24:43,472 --> 00:24:46,506 BUT YOUR WALLET'S STILL GONNA BE AT THIS ANNE MARIE'S APARTMENT. 558 00:24:46,572 --> 00:24:47,906 NO, SEE, 'CAUSE HERE'S THE THING. 559 00:24:47,972 --> 00:24:50,139 AFTER I GOT ATTACKED AND WAS WALKING AROUND 560 00:24:50,206 --> 00:24:52,039 TRYING TO FIGURE OUT WHAT TO DO, 561 00:24:52,106 --> 00:24:54,706 I FELT SOMETHING IN MY JACKET IN THIS POCKET UP HERE, 562 00:24:54,772 --> 00:24:55,972 AND IT WAS MY WALLET. 563 00:24:56,039 --> 00:24:56,839 AMAZING. 564 00:24:56,906 --> 00:24:58,572 SEE, I NEVER PUT IT THERE. 565 00:24:58,639 --> 00:25:00,806 SO I MUST'VE BEEN DRUNK LAST NIGHT. 566 00:25:00,872 --> 00:25:03,106 THERE'S NO WAY OF PROVING THAT STORY. 567 00:25:03,172 --> 00:25:05,472 IT'S THE TRUTH. I'M STARTING TO THINK IT AIN'T, CALVIN. 568 00:25:05,539 --> 00:25:08,072 WE GOT A WITNESS WHO PUTS YOU BEHIND THE WHEEL OF THAT SUV 569 00:25:08,139 --> 00:25:09,172 AT THE SCENE OF THE ACCIDENT. 570 00:25:09,239 --> 00:25:11,306 THEY GOT THE WRONG BROTHER, PLAIN AND SIMPLE. 571 00:25:11,372 --> 00:25:13,072 'CAUSE YOU'RE JUST AN INNOCENT BYSTANDER 572 00:25:13,139 --> 00:25:14,672 LOOKING FOR A MYSTERY APARTMENT 573 00:25:14,739 --> 00:25:16,139 SO YOU CAN FIND YOUR LOST WALLET 574 00:25:16,206 --> 00:25:17,806 WHICH WASN'T REALLY LOST TO BEGIN WITH. 575 00:25:17,872 --> 00:25:20,339 YO, IS THIS A RIDE? 576 00:25:20,406 --> 00:25:22,972 IS THIS GETTING SHOVED DOWN MY THROAT NO MATTER WHAT I SAY? 577 00:25:23,039 --> 00:25:25,339 CALVIN, YOU NEED TO KEEP IN MIND ONE THING. 578 00:25:25,406 --> 00:25:28,039 IF YOU KEEP LYING, THE FAMILY OF THAT LITTLE GIRL 579 00:25:28,106 --> 00:25:30,072 ARE GONNA STAY PISSED OFF AT YOU. 580 00:25:30,139 --> 00:25:32,672 AND WE'RE NOT GONNA BE THERE TO WATCH YOUR BACK 581 00:25:32,739 --> 00:25:34,606 EVERY DAY THE REST OF YOUR LIFE. 582 00:25:34,672 --> 00:25:37,506 SO SHOW REMORSE, ADMIT WHAT YOU DID. 583 00:25:37,572 --> 00:25:38,539 IT'S THE BEST WAY. 584 00:25:38,606 --> 00:25:40,239 AND IF YOU DON'T BELIEVE US, CALVIN, 585 00:25:40,306 --> 00:25:42,539 ASK YOUR MOM IF THOSE WERE REAL BULLETS 586 00:25:42,606 --> 00:25:44,339 SHOT THROUGH HER WINDOW THIS MORNING. 587 00:25:44,406 --> 00:25:46,739 I WAS LOOKING FOR A GIRL NAMED ANNE MARIE'S?? 588 00:25:46,806 --> 00:25:48,972 I DON'T WANT TO HEAR THAT BULLSHIT STORY AGAIN. 589 00:25:49,039 --> 00:25:51,706 IF I DID IT, I'D TELL YOU. BUT IT WASN'T ME. 590 00:25:51,772 --> 00:25:53,539 YOU'RE MAKING A BIG MISTAKE, CALVIN. 591 00:25:53,606 --> 00:25:54,772 ONLY GOD CAN JUDGE ME. 592 00:25:54,839 --> 00:25:57,139 WELL, YOU HOLD ON TO THAT. 593 00:25:57,206 --> 00:25:59,206 HEY. 594 00:25:59,272 --> 00:26:01,306 [ CAMERA SHUTTER CLICKS, FILM WINDING ] 595 00:26:02,539 --> 00:26:04,639 [ KNOCK ON DOOR ] 596 00:26:04,706 --> 00:26:05,739 CALVIN GEORGE? 597 00:26:05,806 --> 00:26:07,606 HE'S DENYING IT. BIG SURPRISE. 598 00:26:07,672 --> 00:26:09,806 WE'LL GO BACK AT HIM IN A BIT. GOOD. 599 00:26:14,306 --> 00:26:15,239 WHAT'S THE STORY? 600 00:26:15,306 --> 00:26:16,306 RETIRING? 601 00:26:16,372 --> 00:26:18,306 NO, YOUR CHOICE OF TIE. 602 00:26:18,372 --> 00:26:19,772 IT'S JUST TIME. 603 00:26:19,839 --> 00:26:21,706 DON'T GO SELLING THAT WEAK CRAP TO ME. 604 00:26:21,772 --> 00:26:23,406 THERE'S NO HOODWINK HERE, ANDY. 605 00:26:23,472 --> 00:26:24,472 IS IT ORTIZ? 606 00:26:24,539 --> 00:26:26,072 WHAT DO YOU KNOW ABOUT THAT? 607 00:26:26,139 --> 00:26:28,539 IT WAS A HUNCH I HAD, BUT YOU JUST CONFIRMED IT. 608 00:26:28,606 --> 00:26:29,839 THERE'S NOTHING GOING ON, 609 00:26:29,906 --> 00:26:31,939 BUT IF IT WERE, IT'D BE A PRIVATE MATTER. 610 00:26:32,006 --> 00:26:33,272 AND THIS SECURITY GIG, 611 00:26:33,339 --> 00:26:35,539 I'M SURE HE WAS REAL SWEET AT THE INTERVIEW, 612 00:26:35,606 --> 00:26:37,072 BUT IT'S JUST A MATTER OF TIME 613 00:26:37,139 --> 00:26:39,139 BEFORE YOU'RE SNAPPING UP WHORES FOR HIM. 614 00:26:39,206 --> 00:26:40,406 WHO KNOWS? 615 00:26:40,472 --> 00:26:43,072 I'M ALREADY SIGNED ON, SO... 616 00:26:43,139 --> 00:26:46,339 THEN THIS IS 'CAUSE YOU GOT DROPPED OFF THE LIST 617 00:26:46,406 --> 00:26:47,506 FOR CAPTAIN'S PAY? 618 00:26:47,572 --> 00:26:50,239 IT TELLS ME I'M NOT GETTING ANY FURTHER ON THE JOB. 619 00:26:50,306 --> 00:26:51,406 THAT'S A PUNK MOVE. 620 00:26:51,472 --> 00:26:55,772 NEVER ONCE IN MY LIFE HAVE I PUNKED OUT OF ANYTHING. 621 00:26:55,839 --> 00:26:57,506 IF YOU CARED ABOUT THIS JOB, 622 00:26:57,572 --> 00:26:59,239 IF IT HAD ANY MEANING TO YOU AT ALL, 623 00:26:59,306 --> 00:27:01,406 YOU'D TURN IT BACK ON THEM AND FIGHT. 624 00:27:01,472 --> 00:27:02,472 I DON'T WANT TO LEAVE. 625 00:27:02,539 --> 00:27:05,072 BUT I GAVE THE DEPARTMENT EVERYTHING FOR 18 YEARS. 626 00:27:05,139 --> 00:27:07,739 I TOOK A BULLET, AND THEY LET ME DOWN. 627 00:27:07,806 --> 00:27:09,606 [ KNOCK ON DOOR ] 628 00:27:09,672 --> 00:27:11,039 GOT A CALL FROM BELLEVUE. 629 00:27:11,106 --> 00:27:13,039 RAY ESPINOZA, THE GUY ON THE BIKE, 630 00:27:13,106 --> 00:27:14,639 HE'S IN RECOVERY AND ALERT. 631 00:27:14,706 --> 00:27:17,172 [ DOOR CLOSES ] 632 00:27:19,272 --> 00:27:22,206 YOU STILL WANT TO BE UPDATED, OR DID THE BUS ALREADY LEAVE? 633 00:27:22,272 --> 00:27:25,172 YES, I WANT TO BE UPDATED. AND DON'T PUSH ME ANY MORE. 634 00:27:33,206 --> 00:27:34,706 RAY ESPINOZA? 635 00:27:34,772 --> 00:27:37,239 DETECTIVES FROM THE 15th SQUAD. 636 00:27:37,306 --> 00:27:38,372 YOU MADE IT. 637 00:27:38,439 --> 00:27:41,172 YOU THINK I'M BAD? YOU SHOULD SEE THE TRUCK. 638 00:27:41,239 --> 00:27:42,306 [ CHUCKLES ] 639 00:27:42,372 --> 00:27:44,939 YOU GOT A LOT OF FAMILY OUTSIDE WAITING TO SEE YOU. 640 00:27:45,006 --> 00:27:46,172 FIRST, REAL QUICK, THOUGH, 641 00:27:46,239 --> 00:27:48,772 DID YOU GET A LOOK AT THE GUY DRIVING THE SUV? 642 00:27:48,839 --> 00:27:50,639 YEAH. ALL RIGHT. 643 00:27:50,706 --> 00:27:53,039 WE GOT A PHOTO ARRAY WE'RE GONNA SHOW YOU. 644 00:27:53,106 --> 00:27:55,306 TELL US IF YOU RECOGNIZE THE GUY, OKAY? 645 00:27:56,706 --> 00:27:58,039 DRIVER WAS A WHITE GUY. 646 00:27:58,106 --> 00:28:00,106 WE'RE TALKING ABOUT THE DRIVER OF THE SUV WHO HIT YOU. 647 00:28:00,172 --> 00:28:03,272 YEAH, WHITE GUY, YOUNG, DARK HAIR. 648 00:28:03,339 --> 00:28:05,406 YOU'RE SURE? POSITIVE. 649 00:28:05,472 --> 00:28:07,906 I LOOKED RIGHT AT HIM WHEN HE WAS COMING AT ME. 650 00:28:07,972 --> 00:28:09,872 WAS THERE A BLACK GUY IN THE CAR AT ALL? 651 00:28:09,939 --> 00:28:11,172 NO, NOT IN THE FRONT. 652 00:28:11,239 --> 00:28:14,306 ONLY GUY I SAW WAS THE DRIVER, AND HE WAS WHITE. 653 00:28:27,990 --> 00:28:29,457 I'D JUST LIKE YOU TO KNOW 654 00:28:29,523 --> 00:28:32,323 THAT MY WIFE HASN'T STOPPED CRYING ALL TODAY. 655 00:28:32,390 --> 00:28:33,890 WE'RE SORRY TO HEAR THAT. 656 00:28:33,957 --> 00:28:36,257 THERE'S A LOT OF WAYS TO DO THINGS IN THE WORLD. 657 00:28:36,323 --> 00:28:38,323 YOU GOT A CASE TO SOLVE. I RESPECT THAT. 658 00:28:38,390 --> 00:28:40,923 BUT STOMPING ON THE VICTIM? YOU GOT A LOT OF BALLS. 659 00:28:40,990 --> 00:28:42,590 TELL US ABOUT COURTNEY BATES. 660 00:28:42,657 --> 00:28:44,523 I DON'T THINK YOU'RE LISTENING TO ME. 661 00:28:44,590 --> 00:28:46,823 YOU KNOW THE NAME? I CAN'T PLACE IT. 662 00:28:46,890 --> 00:28:48,357 COURTNEY BATES, BLOND HAIR, 663 00:28:48,423 --> 00:28:50,857 CALLED YOUR OFFICE 19 TIMES THE LAST TWO WEEKS. 664 00:28:50,923 --> 00:28:52,123 PLACE IT NOW? 665 00:28:52,190 --> 00:28:53,790 [ CHUCKLES ] 666 00:28:53,857 --> 00:28:54,857 WHAT'S GOING ON? 667 00:28:54,923 --> 00:28:56,223 YOU HAVING AN AFFAIR WITH HER? 668 00:28:56,290 --> 00:28:57,323 HOW DOES THIS PERTAIN 669 00:28:57,390 --> 00:28:59,123 TO CATCHING THE GUY WHO RAPED MY WIFE? 670 00:28:59,190 --> 00:29:01,557 WE GOT THE GUY WHO RAPED YOUR WIFE. 671 00:29:01,623 --> 00:29:05,290 BUT HE WAS DUPED ON?LINE INTO THINKING HE HAD HER CONSENT. 672 00:29:05,357 --> 00:29:07,957 WHAT WE NEED TO FIGURE OUT NOW IS WHO PUT HIM UP TO IT?? 673 00:29:08,023 --> 00:29:09,623 YOU AND COURTNEY OR COURTNEY ALONE? 674 00:29:09,690 --> 00:29:11,990 THIS GUY THOUGHT HE HAD CONSENT, AND YOU BELIEVE THAT? 675 00:29:12,057 --> 00:29:14,557 MR. FOSTER, IF YOU WANT TO KEEP YOURSELF OUT OF JAIL, 676 00:29:14,623 --> 00:29:16,957 YOU NEED TO STOP SLAPPING BACK EVERYTHING WE SAY 677 00:29:17,023 --> 00:29:18,357 AND JUST ANSWER THE QUESTIONS. 678 00:29:18,423 --> 00:29:21,690 ARE YOU SCREWING COURTNEY BATES? YES OR NO. 679 00:29:23,223 --> 00:29:25,790 IT'S MORE OF AN EMOTIONAL INTIMACY. 680 00:29:27,490 --> 00:29:29,657 WHAT'D I JUST SAY ABOUT ANSWERING THE QUESTIONS? 681 00:29:29,723 --> 00:29:31,723 OKAY, YES, FINE. 682 00:29:31,790 --> 00:29:33,823 BUT I HAD NO IDEA SHE WOULD DO SOMETHING LIKE THIS. 683 00:29:33,890 --> 00:29:36,490 SHE EVER SHOWN CRAZY BEHAVIOR BEFORE? NO. 684 00:29:36,557 --> 00:29:39,590 HAS SHE EVER THREATENED TO DO HARM TO YOUR WIFE IN ANY WAY? NO. 685 00:29:39,657 --> 00:29:41,423 DID YOU PUT THOUGHTS INTO COURTNEY'S HEAD ABOUT 686 00:29:41,490 --> 00:29:43,690 WHAT LIFE WOULD BE LIKE IF YOUR WIFE WAS OUT OF THE PICTURE? 687 00:29:43,757 --> 00:29:45,390 NO, NO WAY. 688 00:29:45,457 --> 00:29:47,090 YOU UNDERSTAND, IF THAT WERE TRUE, 689 00:29:47,157 --> 00:29:50,023 YOU'D BE THE FIRST GUY BANGING AROUND ON HIS WIFE WHO DIDN'T. 690 00:29:50,090 --> 00:29:52,890 I SWEAR TO YOU, COURTNEY AND I HAD A MUTUAL AGREEMENT?? 691 00:29:52,957 --> 00:29:54,157 SEX AND NOTHING ELSE. 692 00:29:54,990 --> 00:29:56,923 LOOK, I LOVE MY WIFE. 693 00:29:56,990 --> 00:29:59,257 SHE'S JUST OLD?FASHIONED. 694 00:29:59,323 --> 00:30:01,023 AS FAR AS FIDELITY AND WHATNOT? 695 00:30:01,090 --> 00:30:04,057 IN THE BEDROOM. 696 00:30:04,123 --> 00:30:05,857 SHE'S PURITANICAL. 697 00:30:05,923 --> 00:30:08,123 BUT I NEVER MEANT FOR HER TO BE RAPED, AND... 698 00:30:08,190 --> 00:30:09,623 [ SIGHS ] 699 00:30:09,690 --> 00:30:12,490 IF COURTNEY HAD ANYTHING TO DO WITH THIS, SHE CAN GO TO HELL. 700 00:30:12,557 --> 00:30:14,423 ALL RIGHT. GO BE WITH YOUR WIFE. 701 00:30:14,490 --> 00:30:17,057 BUT IF WE CALL AND YOU'RE NOT THERE, 702 00:30:17,123 --> 00:30:18,890 SHE HEARS ABOUT COURTNEY. 703 00:30:29,723 --> 00:30:32,057 EXCUSE US, MA'AM. MAY I HELP YOU? 704 00:30:32,123 --> 00:30:34,923 DETECTIVES CLARK AND SIPOWICZ. HAVE YOU BEEN HERE ALL DAY? 705 00:30:34,990 --> 00:30:36,523 YES. 706 00:30:36,590 --> 00:30:39,457 WE'VE BEEN TOLD THAT THERE WAS A CAR STOLEN THIS MORNING?? 707 00:30:39,523 --> 00:30:41,823 A BIG, SILVER SUV?? FROM RIGHT OUT FRONT HERE. 708 00:30:41,890 --> 00:30:44,157 TO STAY IN BUSINESS IN THIS NEIGHBORHOOD, 709 00:30:44,223 --> 00:30:46,157 YOU GOT TO MIND YOUR OWN BUSINESS. 710 00:30:46,223 --> 00:30:48,590 SEE, THE THING IS, MA'AM, THE OWNER OF THE CAR, 711 00:30:48,657 --> 00:30:51,190 HE'S AN ELDERLY MAN WHO BOUGHT IT FOR HIS KIDS, 712 00:30:51,257 --> 00:30:53,490 AND THE INSURANCE COMPANY IS REFUSING TO PAY 713 00:30:53,557 --> 00:30:55,423 BECAUSE THE STORY DOESN'T ADD UP. 714 00:30:55,490 --> 00:30:57,557 HE'S SAYING THAT A WHITE KID STOLE IT, 715 00:30:57,623 --> 00:31:00,190 BUT ULTIMATELY A BLACK GUY WAS FOUND DRIVING IT. 716 00:31:00,257 --> 00:31:02,757 WE'RE JUST TRYING TO STRAIGHTEN EVERYTHING OUT. 717 00:31:02,823 --> 00:31:04,090 SO THIS HAS NOTHING TO DO 718 00:31:04,157 --> 00:31:06,357 WITH TONY GRIMALDI'S DAUGHTER BEING KILLED? 719 00:31:06,423 --> 00:31:08,257 [ CLEARS THROAT ] UH, IT MIGHT. 720 00:31:08,323 --> 00:31:10,557 THEN WHY DIDN'T YOU JUST COME OUT AND SAY IT? 721 00:31:10,623 --> 00:31:13,123 BECAUSE EVERYBODY'S BEEN LYING TO US TODAY. 722 00:31:13,190 --> 00:31:15,257 AND IF EVERYBODY KEEPS ON LYING, 723 00:31:15,323 --> 00:31:17,557 AN INNOCENT GUY IS GONNA GET KILLED. 724 00:31:17,623 --> 00:31:20,590 A BOY FROM THE NEIGHBORHOOD, SOMETHING OF A HOODLUM, 725 00:31:20,657 --> 00:31:23,223 PARKED IT OUT FRONT HERE, AND THEN HE RAN OFF. 726 00:31:23,290 --> 00:31:24,523 A MINUTE OR SO LATER, 727 00:31:24,590 --> 00:31:26,890 A YOUNG BLACK MAN GOT IN AND DROVE AWAY. 728 00:31:26,957 --> 00:31:29,757 THE BOY FROM THE NEIGHBORHOOD, WHAT'S HIS NAME? 729 00:31:29,823 --> 00:31:32,857 THE OLD MAN AND HIS INSURANCE?? YOU'RE A GOOD LIAR. 730 00:31:32,923 --> 00:31:36,557 I APOLOGIZE FOR NOT BEING COMPLETELY UP FRONT. 731 00:31:36,623 --> 00:31:39,757 THERESA GRIMALDI WAS A BEAUTIFUL YOUNG GIRL. 732 00:31:39,823 --> 00:31:43,290 OUT OF RESPECT FOR HER MEMORY, I'M GONNA TELL YOU WHAT I KNOW. 733 00:31:43,357 --> 00:31:45,657 BUT I'LL NEVER TALK ABOUT IT AGAIN. 734 00:31:47,223 --> 00:31:48,723 DANNY PUGLIESI. 735 00:31:48,790 --> 00:31:50,090 THANKS, MA'AM. 736 00:31:50,157 --> 00:31:52,157 APPRECIATE YOUR HELP. 737 00:31:58,923 --> 00:32:01,257 YOU NEVER BEEN IN A POLICE STATION BEFORE THIS MORNING, 738 00:32:01,323 --> 00:32:02,623 HAVE YOU, COURTNEY? NO. 739 00:32:02,690 --> 00:32:06,057 THEN WE'LL JUST CHALK UP ALL THE LYING YOU DID THEN 740 00:32:06,123 --> 00:32:08,290 TO AN IGNORANCE OF THE PROCESS. 741 00:32:08,357 --> 00:32:10,690 I'M SORRY, BUT WHAT ARE YOU TALKING ABOUT? 742 00:32:10,757 --> 00:32:13,090 YOU SLEEPING WITH JASON FOSTER, FOR ONE. 743 00:32:13,157 --> 00:32:16,390 YOU CAN'T SAY I LIED ABOUT SOMETHING YOU NEVER BROUGHT UP. 744 00:32:16,457 --> 00:32:18,257 WHAT, ARE YOU 3 YEARS OLD? 745 00:32:18,323 --> 00:32:19,357 WELL, YOU DIDN'T. 746 00:32:19,423 --> 00:32:20,990 WE'LL MAKE THIS SIMPLE, THEN. 747 00:32:21,057 --> 00:32:22,490 YOU CHOOSE BETWEEN "A"?? 748 00:32:22,557 --> 00:32:25,357 YOU PLOTTED MICHELLE FOSTER'S RAPE AND DON'T GIVE A DAMN. 749 00:32:25,423 --> 00:32:27,857 OR "B"?? IT WAS A PRANK THAT GOT OUT OF CONTROL. 750 00:32:29,523 --> 00:32:30,323 "B." 751 00:32:30,390 --> 00:32:32,157 HOW'D IT START? 752 00:32:32,223 --> 00:32:34,290 WELL, SHE'S CONTROLLING AND MANIPULATIVE, 753 00:32:34,357 --> 00:32:36,690 AND SHE USES THE FACT THAT HE'S A DECENT GUY 754 00:32:36,757 --> 00:32:37,890 TO GET WHAT SHE WANTS. 755 00:32:37,957 --> 00:32:40,290 YOU KNOW ALL THIS ABOUT A WOMAN YOU'VE NEVER MET? 756 00:32:40,357 --> 00:32:41,790 JASON TOLD ME. GOT IT. 757 00:32:41,857 --> 00:32:45,523 HE'S A SUCCESSFUL STOCKBROKER, AND HE NEEDS TO BE IN NEW YORK. 758 00:32:45,590 --> 00:32:48,757 BUT SHE KEEPS WHINING ABOUT MOVING BACK TO NORTH CAROLINA. 759 00:32:48,823 --> 00:32:50,723 WHAT ELSE DID JASON SAY ABOUT HIS WIFE? 760 00:32:50,790 --> 00:32:54,523 THEY STOPPED HAVING SEX A MONTH AFTER GETTING MARRIED. 761 00:32:54,590 --> 00:32:57,257 SHE TAKES PILLS, DRINKS ALL THE TIME. 762 00:32:57,323 --> 00:32:58,623 HE'S MISERABLE. 763 00:32:58,690 --> 00:33:00,923 HOW'D YOU GET THE IDEA OF THE RAPE CHAT ROOM? 764 00:33:00,990 --> 00:33:02,857 ONE NIGHT I, UM... 765 00:33:02,923 --> 00:33:05,223 I HAD TOO MUCH SANGRIA WITH SOME GIRLFRIENDS, 766 00:33:05,290 --> 00:33:07,190 AND I JUST THOUGHT MAYBE A LITTLE SCARE 767 00:33:07,257 --> 00:33:08,957 MIGHT GIVE HER SOME MOTIVATION. 768 00:33:09,023 --> 00:33:11,757 SO I WENT ON?LINE. IT WAS A JOKE. 769 00:33:11,823 --> 00:33:14,290 DID YOU DISCUSS YOUR JOKE WITH JASON? 770 00:33:14,357 --> 00:33:17,357 IF IT WORKED AND SHE MOVED OUT, I WAS GONNA TELL HIM. 771 00:33:17,423 --> 00:33:20,890 AND THEN YOU'D GET MARRIED AND BE HAPPY TOGETHER? 772 00:33:20,957 --> 00:33:22,323 I DON'T KNOW. MAYBE. 773 00:33:22,390 --> 00:33:25,123 I DIDN'T MEAN FOR HER TO GET RAPED. 774 00:33:25,190 --> 00:33:27,923 THAT WAS ABSOLUTELY NOT MY INTENTION. 775 00:33:27,990 --> 00:33:30,223 I'M SORRY IF IT WENT TOO FAR. 776 00:33:30,290 --> 00:33:32,990 I'LL DO WHATEVER YOU WANT ME TO DO. 777 00:33:33,057 --> 00:33:35,657 I'LL WRITE A NOTE, APOLOGIZE, OKAY? 778 00:33:35,723 --> 00:33:37,057 CAN I LEAVE NOW? 779 00:33:37,123 --> 00:33:39,990 COURTNEY, YOU'RE NOT GOING ANYWHERE. 780 00:33:40,057 --> 00:33:41,690 YOU'RE UNDER ARREST. 781 00:33:41,757 --> 00:33:42,857 WHAT?! 782 00:33:42,923 --> 00:33:44,323 GET UP. 783 00:33:50,123 --> 00:33:51,623 [ KNOCK ON DOOR ] 784 00:33:54,123 --> 00:33:55,257 WHAT DO YOU WANT? 785 00:33:55,323 --> 00:33:57,557 WE'RE LOOKING FOR DANNY PUGLIESI. 786 00:33:57,623 --> 00:33:58,657 YOU HIS DAD? 787 00:33:58,723 --> 00:34:00,323 YEAH. WHAT DO YOU NEED DANNY FOR? 788 00:34:00,390 --> 00:34:02,457 WE HEARD HE MIGHT BE A WITNESS TO THE HIT?AND?RUN. 789 00:34:02,523 --> 00:34:04,290 HE WOULD'VE SAID SOMETHING TO ME IF HE DID. 790 00:34:04,357 --> 00:34:05,757 WE NEED TO TALK TO YOUR KID. 791 00:34:05,823 --> 00:34:07,590 COME IN. 792 00:34:09,957 --> 00:34:11,257 DANNY, GET OUT HERE! 793 00:34:11,323 --> 00:34:13,890 HEARD YOU GOT CALVIN GEORGE IN CUSTODY. 794 00:34:13,957 --> 00:34:16,057 HE BETTER STAY THERE IF HE KNOWS WHAT'S GOOD FOR HIM. 795 00:34:16,123 --> 00:34:17,457 CALVIN DIDN'T DO THE HIT?AND?RUN. 796 00:34:17,523 --> 00:34:20,657 WHAT, AL SHARPTON HAVE A PROTEST MARCH OR SOMETHING? 797 00:34:20,723 --> 00:34:23,423 YOU DIDN'T SEE THAT HIT?AND?RUN, DID YOU? NO. 798 00:34:23,490 --> 00:34:25,390 BEEN BUSTED BEFORE?? GRAND LARCENY AUTO? 799 00:34:25,457 --> 00:34:26,990 OH, WHAT'S THAT ABOUT? 800 00:34:27,057 --> 00:34:28,590 WE GOT A WITNESS SAW YOU DUMP THAT SUV 801 00:34:28,657 --> 00:34:30,523 ON BROOME OFF LAFAYETTE THIS MORNING. 802 00:34:30,590 --> 00:34:32,623 THEN CALVIN HOPPED IN AND TOOK IT FROM THERE. 803 00:34:32,690 --> 00:34:34,990 BUT IT WAS YOU THAT HIT THERESA GRIMALDI 804 00:34:35,057 --> 00:34:36,423 AND THAT GUY ON THE BIKE. 805 00:34:36,490 --> 00:34:38,890 DON'T EVEN THINK ABOUT PINNING THIS ON MY SON. 806 00:34:38,957 --> 00:34:41,823 HE DIDN'T DO NOTHING. DANNY, RIGHT? RIGHT. 807 00:34:41,890 --> 00:34:44,490 OKAY, THEN THE NEXT STEP IS RUNNING A LINEUP?? 808 00:34:44,557 --> 00:34:46,290 MATCHING YOUR SON'S FINGERPRINTS 809 00:34:46,357 --> 00:34:47,923 WITH WHAT WE GOT OFF THE CAR, 810 00:34:47,990 --> 00:34:50,557 COMPARING DNA FROM HAIR WE GOT OFF THE DRIVER'S SEAT. 811 00:34:50,623 --> 00:34:52,790 YOU'RE GONNA WANT TO AVOID ALL THAT. 812 00:34:52,857 --> 00:34:54,157 DANNY, YOU DIDN'T DO THIS. 813 00:34:54,223 --> 00:34:56,190 HE DID DO IT, AND ALL YOUR DOUCHE?BAG BUDDIES 814 00:34:56,257 --> 00:34:58,257 THAT YOU WERE GOING AFTER CALVIN GEORGE WITH 815 00:34:58,323 --> 00:35:00,190 ARE GONNA KNOW DANNY'S WHO WE'RE LOOKING AT. 816 00:35:00,257 --> 00:35:01,490 SO IF HE DON'T COME CLEAN 817 00:35:01,557 --> 00:35:03,757 AND START PROTECTING HIMSELF RIGHT NOW, 818 00:35:03,823 --> 00:35:04,790 IT'S GONNA BE OPEN SEASON. 819 00:35:08,223 --> 00:35:09,490 IT WAS AN ACCIDENT. 820 00:35:09,557 --> 00:35:11,023 OH, MY GOD. 821 00:35:11,090 --> 00:35:12,857 I WAS PARTYING UPTOWN WITH SOME GUYS. 822 00:35:12,923 --> 00:35:14,890 WE TOOK THE CAR FOR FUN. 823 00:35:14,957 --> 00:35:18,057 I WAS ON MY WAY HOME, AND I THOUGHT I SAW A COP BEHIND ME. 824 00:35:18,123 --> 00:35:20,057 SO I TURNED ONTO BROOME AND I GUNNED IT. 825 00:35:20,123 --> 00:35:21,790 IT WAS AN ACCIDENT. 826 00:35:21,857 --> 00:35:24,157 WE'RE GONNA HAVE TO TAKE HIM IN, MR. PUGLIESI. 827 00:35:24,223 --> 00:35:26,223 WHAT'S MR. GRIMALDI GONNA DO TO ME, DAD? 828 00:35:26,290 --> 00:35:28,690 I'LL TALK TO TONY. I'LL MAKE IT RIGHT WITH HIM... 829 00:35:28,757 --> 00:35:30,690 BEFORE HE HEARS FROM SOMEONE ELSE. 830 00:35:32,557 --> 00:35:35,157 YOUR SON WILL BE AT THE 15th PRECINCT, MR. PUGLIESI. 831 00:35:35,223 --> 00:35:36,790 I'M SORRY, DAD. 832 00:35:36,857 --> 00:35:37,823 COME ON. 833 00:35:37,890 --> 00:35:38,957 KEEP HIM SAFE? 834 00:35:39,023 --> 00:35:41,657 YOU HAVE OUR WORD. 835 00:35:45,923 --> 00:35:47,323 ANY QUESTION AS TO WHETHER 836 00:35:47,390 --> 00:35:49,257 COURTNEY BATES ACTED WITH MALICE? 837 00:35:49,323 --> 00:35:50,690 GOING INTO THAT CHAT ROOM, 838 00:35:50,757 --> 00:35:53,190 SHE ABSOLUTELY EXPECTED THAT SOMETHING BAD 839 00:35:53,257 --> 00:35:55,390 WAS GOING TO HAPPEN TO MICHELLE FOSTER. 840 00:35:55,457 --> 00:35:58,223 THEN IT'S CONSPIRACY TO COMMIT RAPE OR RAPE BY PROXY. 841 00:35:58,290 --> 00:35:59,657 EITHER WAY, SHE'S A COLLAR. 842 00:35:59,723 --> 00:36:01,723 IS IT WORTH PURSUING THE HUSBAND? 843 00:36:01,790 --> 00:36:05,157 SOUNDS LIKE HE WAS TELLING COURTNEY LIES ABOUT HIS WIFE 844 00:36:05,223 --> 00:36:06,590 TO KEEP HER IN THE SACK. 845 00:36:06,657 --> 00:36:09,023 HE'S A DOG, BUT IT'S NOT CRIMINAL. 846 00:36:09,090 --> 00:36:10,990 WHAT ABOUT THE GUY WHO DID THE RAPE? 847 00:36:11,057 --> 00:36:12,657 THIS IS A BAD GUY WITH BAD INSTINCTS. 848 00:36:12,723 --> 00:36:14,657 STILL, IT BOILS DOWN TO CONSENT. 849 00:36:14,723 --> 00:36:16,857 AND FROM EVERYTHING YOU'RE TELLING ME, 850 00:36:16,923 --> 00:36:18,090 REESE THOUGHT HE HAD IT. 851 00:36:18,157 --> 00:36:19,790 SO WE GET HIM ON THE NEXT ONE? 852 00:36:19,857 --> 00:36:23,257 I'LL SEE THAT IT'S PUT IN FRONT OF THE GRAND JURY. 853 00:36:23,323 --> 00:36:24,890 STILL, HE COULD WALK. 854 00:36:24,957 --> 00:36:28,057 DANNY PUGLIESI WENT FOR IT. JUNIOR'S TAKING HIS STATEMENT. 855 00:36:28,123 --> 00:36:29,257 PAGE ME WHEN HE'S DONE. 856 00:36:29,323 --> 00:36:31,157 AND WE WANT TO KICK CALVIN GEORGE. 857 00:36:31,223 --> 00:36:33,157 FOR THE FAILURE?TO?APPEAR WARRANT? 858 00:36:33,223 --> 00:36:35,390 IT'S OUR THINKING HE'S HAD A BAD ENOUGH DAY. 859 00:36:35,457 --> 00:36:37,023 I'LL HAVE THE WARRANT VACATED. 860 00:36:37,090 --> 00:36:38,457 AND GET WITH TONY GRIMALDI. 861 00:36:38,523 --> 00:36:41,090 MAKE SURE HE KNOWS WHO REALLY KILLED HIS DAUGHTER 862 00:36:41,157 --> 00:36:43,257 AND TO KEEP HIS GOONS OFF OF CALVIN GEORGE. 863 00:36:43,323 --> 00:36:44,623 HEADING THERE RIGHT NOW. 864 00:36:44,690 --> 00:36:46,823 WE'LL BREAK THE NEWS TO COURTNEY AND GET HER TO BOOKING. 865 00:36:46,890 --> 00:36:48,623 [ TELEPHONE RINGS ] 866 00:36:48,690 --> 00:36:49,723 15th SQUAD. 867 00:36:49,790 --> 00:36:53,690 HEY, I'M GONNA HEAD HOME FIRST AND CHANGE. 868 00:36:53,757 --> 00:36:57,023 THERE'S A D. O. A. OVER ON RIVINGTON. 869 00:36:57,090 --> 00:36:59,390 WHO'S UP? WE GOT IT COVERED. 870 00:37:05,057 --> 00:37:06,523 [ SIREN WAILS ] 871 00:37:14,290 --> 00:37:16,623 TWO IN THE HEAD EXECUTION?STYLE. 872 00:37:16,690 --> 00:37:17,890 NO I. D. ON HIM. 873 00:37:17,957 --> 00:37:19,657 HIS NAME'S GIO PUGLIESI. 874 00:37:19,723 --> 00:37:22,057 WE'LL NOTIFY OCCB, SEE IF THEM OR THE FEDS 875 00:37:22,123 --> 00:37:24,157 HAVE GOTTEN ANYTHING OVER THEIR WIRES. 876 00:37:24,223 --> 00:37:25,457 SO, A MOB HIT? YEAH. 877 00:37:25,523 --> 00:37:27,890 COME ON. WE'LL BE BACK. 878 00:37:39,623 --> 00:37:43,923 WE'RE WITH OUR PRIEST. IF YOU COULD KEEP IT SHORT. 879 00:37:43,990 --> 00:37:46,623 WE FOUND GIO PUGLIESI'S BODY. 880 00:37:46,690 --> 00:37:48,090 GIO'S DEAD NOW? 881 00:37:48,157 --> 00:37:51,223 YEAH. AND WE KNOW HE CAME TO TALK TO YOU. 882 00:37:51,290 --> 00:37:54,157 [ EXHALES SHARPLY ] I CAN'T BELIEVE IT. 883 00:37:54,223 --> 00:37:55,657 ALL THIS IN ONE DAY. 884 00:37:55,723 --> 00:37:58,423 WHERE'S IT STAND WITH GIO'S SON? 885 00:38:00,523 --> 00:38:03,523 I SUPPOSE WHOEVER DID THIS FELT IT WAS BETTER PUNISHMENT 886 00:38:03,590 --> 00:38:05,790 FOR THE SON TO SPEND THE REST OF HIS LIFE 887 00:38:05,857 --> 00:38:08,823 KNOWING HE WAS RESPONSIBLE FOR HIS FATHER'S DEATH, 888 00:38:08,890 --> 00:38:14,157 JUST LIKE I HAVE TO SPEND MY LIFE THINKING ABOUT WHAT I LOST. 889 00:38:14,223 --> 00:38:17,590 WE'LL BE LOOKING AT THIS HARD, TONY. 890 00:38:17,657 --> 00:38:21,257 I'D LIKE TO GET BACK WITH FATHER DEBENIDETTI, 891 00:38:21,323 --> 00:38:22,923 IF YOU DON'T MIND. 892 00:38:38,690 --> 00:38:42,157 SO, THIS LADY AT CHILD SERVICES, IS SHE GONNA TALK TO ME? 893 00:38:42,223 --> 00:38:43,257 PROBABLY. 894 00:38:43,323 --> 00:38:46,123 I'LL TELL HER THIS IS WHERE I WANT TO BE. 895 00:38:46,190 --> 00:38:47,623 [ SIGHS ] 896 00:38:47,690 --> 00:38:49,957 WHEN DO THEY DECIDE? 897 00:38:50,023 --> 00:38:51,323 THEY DIDN'T GIVE ME A TIME FRAME, 898 00:38:51,390 --> 00:38:53,023 BUT I DON'T THINK IT'LL BE A PROBLEM. 899 00:38:53,090 --> 00:38:54,490 SHE SAID IT WOULDN'T BE A PROBLEM? 900 00:38:54,557 --> 00:38:55,890 THAT'S THE IMPRESSION I GOT. 901 00:38:55,957 --> 00:38:59,690 AND IF SHE TURNS US DOWN, WE CAN GO TO SOMEBODY ELSE? 902 00:38:59,757 --> 00:39:01,290 DON'T WORRY, MICHAEL. 903 00:39:01,357 --> 00:39:04,357 ONE OF THE THINGS THEY WERE ASKING WAS WHO'D WATCH YOU 904 00:39:04,423 --> 00:39:06,823 IF I GOT STUCK ON A CASE THAT WENT LATE. 905 00:39:06,890 --> 00:39:07,957 WHAT'D YOU TELL THEM? 906 00:39:08,023 --> 00:39:10,157 'CAUSE I'LL BE ALL RIGHT ON MY OWN. 907 00:39:10,223 --> 00:39:12,223 JUST TO BE SAFE, VALERIE VOLUNTEERED TO BE BACKUP 908 00:39:12,290 --> 00:39:13,657 IF I CAN'T GET HOME AT NIGHT. 909 00:39:13,723 --> 00:39:15,923 YOU COME HERE OR I GO TO YOUR PLACE? 910 00:39:15,990 --> 00:39:18,123 UH, EITHER. WE'D WORK IT OUT. 911 00:39:18,190 --> 00:39:20,790 OKAY. 912 00:39:20,857 --> 00:39:22,357 IT'S GOOD. THANKS. 913 00:39:22,423 --> 00:39:24,957 I GOT TO FINISH MY HOMEWORK. 914 00:39:25,023 --> 00:39:25,890 HIT IT. 915 00:39:30,557 --> 00:39:32,723 AND I REALLY APPRECIATE YOUR HELP. 916 00:39:32,790 --> 00:39:33,990 YOU'RE GONNA NEED IT. 917 00:39:34,057 --> 00:39:36,057 I'M NOT SAYING THAT IN A BAD WAY, 918 00:39:36,123 --> 00:39:37,990 BUT THIS MAY GET OVERWHELMING. 919 00:39:38,057 --> 00:39:39,857 SO JUST CALL ME WHEN IT DOES. 920 00:39:39,923 --> 00:39:41,223 YEAH. 921 00:39:42,323 --> 00:39:43,923 EVERYTHING'S GONNA WORK OUT. 922 00:39:43,990 --> 00:39:44,890 ABSOLUTELY. 923 00:39:56,623 --> 00:39:59,323 SO, WHEN'S THE NEW JOB START? 924 00:39:59,390 --> 00:40:03,190 I THINK NEXT FRIDAY IS MY LAST DAY IN THE SQUAD, 925 00:40:03,257 --> 00:40:05,223 SO A WEEK OR SO AFTER THAT. 926 00:40:05,290 --> 00:40:06,990 NO DOWNTIME. 927 00:40:07,057 --> 00:40:08,190 I DON'T WANT ANY. 928 00:40:08,257 --> 00:40:11,923 I GOT TO ADMIT, THE TRANSITION TO PRIVATE SECTOR... 929 00:40:11,990 --> 00:40:14,357 YOU'RE WEARING IT PRETTY GOOD. 930 00:40:14,423 --> 00:40:18,190 THE DECISION'S MADE. IT'S PUBLIC KNOWLEDGE. 931 00:40:18,257 --> 00:40:20,090 IT'S A WEIGHT OFF. 932 00:40:20,157 --> 00:40:23,257 AND IT'S GIVEN ME A LITTLE PERSPECTIVE. 933 00:40:23,323 --> 00:40:26,190 I MIGHT HAVE TAKEN THE JOB A LITTLE TOO SERIOUSLY. 934 00:40:26,257 --> 00:40:28,757 IT'S SERIOUS WORK. 935 00:40:28,823 --> 00:40:32,323 STILL, THERE'S NOTHING WRONG WITH A SMILE NOW AND THEN... 936 00:40:32,390 --> 00:40:33,790 AND HAVING A LIFE. 937 00:40:33,857 --> 00:40:35,623 IS THAT WHERE I COME IN? 938 00:40:35,690 --> 00:40:37,157 I HOPE SO. 939 00:40:37,223 --> 00:40:41,357 BEING HONEST, I'M A LITTLE SCARED BY IT. 940 00:40:42,357 --> 00:40:44,090 I DON'T DATE AROUND A LOT. 941 00:40:44,157 --> 00:40:46,957 WHEN I GET INVOLVED, I TAKE IT SERIOUSLY. 942 00:40:47,023 --> 00:40:50,590 RITA, FOR ONE, YOU'RE BEAUTIFUL. 943 00:40:50,657 --> 00:40:54,157 YOU'RE A GREAT DETECTIVE. AND YOU'RE EASY TO TALK TO. 944 00:40:54,223 --> 00:40:55,623 I HAVEN'T COME ACROSS SOMEONE 945 00:40:55,690 --> 00:40:58,023 WITH ALL THAT GOING FOR THEM MUCH IN MY LIFE. 946 00:40:58,090 --> 00:41:00,157 IT'S NOT SOMETHING I WOULD TAKE LIGHTLY. 947 00:41:00,223 --> 00:41:01,790 EXCUSE ME. 948 00:41:03,957 --> 00:41:07,423 I?I GOT THAT. THANKS. 949 00:41:07,490 --> 00:41:09,623 WAIT. 950 00:41:10,890 --> 00:41:12,523 THIS IS A HOTEL, RIGHT? 951 00:41:12,573 --> 00:41:17,123 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 71559

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.