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1
00:01:12,440 --> 00:01:14,180
CAPTAIN!
2
00:01:14,175 --> 00:01:16,775
SOMETHING OFF
THE PORT BOW.
3
00:01:33,461 --> 00:01:35,261
SEE IF
YOU CAN MATCH IT
4
00:01:35,263 --> 00:01:37,633
TO THAT TORSO
THAT CAME IN LAST MONTH.
5
00:01:37,631 --> 00:01:39,631
OTHERWISE, DOC,
"CIRCUMSTANCES UNDETERMINED,
6
00:01:39,633 --> 00:01:41,243
PENDING A POLICE
INVESTIGATION."
7
00:01:41,235 --> 00:01:43,835
WAIT A MINUTE.
WE GOT A HAND HERE.
8
00:01:43,837 --> 00:01:45,837
IF WE CAN GET
A FINGERPRINT,
9
00:01:45,839 --> 00:01:47,639
WE CAN MAKE THIS
A HOMICIDE.
10
00:01:47,641 --> 00:01:50,641
ALL RIGHT. YOU GIVE ME
A CAUSE OF DEATH.
11
00:01:50,644 --> 00:01:52,654
I CAN'T GIVE YOU
THE CAUSE FROM THIS,
12
00:01:52,646 --> 00:01:55,046
BUT IT'S NOT A SUICIDE,
AND IT'S NOT NATURAL.
13
00:01:55,048 --> 00:01:57,648
I CAN'T PROSECUTE A HOMICIDE
WITHOUT A CAUSE OF DEATH.
14
00:01:57,651 --> 00:02:00,251
I'D HAVE TO FIND
THE REST OF THE BODY.
15
00:02:00,254 --> 00:02:01,664
NO GOOD, DOC.
16
00:02:01,655 --> 00:02:04,255
I GOT TOO MUCH
ON MY PLATE NOW.
17
00:02:04,258 --> 00:02:06,258
JUST A NUMBERS GAME?
BODY COUNT?
18
00:02:06,260 --> 00:02:08,060
THAT'S ALL IT IS
TO YOU GUYS.
19
00:02:08,061 --> 00:02:11,731
YOU'LL ONLY PROSECUTE
IF YOU'VE GOT A GUY
SIGNING A CONFESSION!
20
00:02:11,732 --> 00:02:13,202
HAVE A NICE DAY, DOC.
21
00:02:22,075 --> 00:02:25,075
SHE AIN'T GONNA MAKE
A FOOL OUT OF ME.
22
00:02:25,078 --> 00:02:28,278
TAKES THE KEYS
AND GOES TO FLORIDA
TO SEE HER SISTER.
23
00:02:28,282 --> 00:02:30,882
LEAVES ME A NOTE.
10 YEARS.
24
00:02:30,884 --> 00:02:32,894
THEY'RE ALL SCUMBAGS.
25
00:02:32,886 --> 00:02:33,886
WHAT?
26
00:02:33,887 --> 00:02:35,887
THEY'RE ALL SCUMBAGS.
27
00:02:35,889 --> 00:02:36,919
WHO?
28
00:02:36,924 --> 00:02:38,894
ALL OF THEM.
YOU'RE BETTER OFF.
29
00:02:38,892 --> 00:02:40,292
JUST DRIVE THE CAR.
30
00:02:40,294 --> 00:02:42,904
YOU'LL BE DRIVING THIS CAR
THE REST OF YOUR LIFE.
31
00:02:42,896 --> 00:02:44,496
YOU DON'T KNOW NOTHING.
32
00:02:47,901 --> 00:02:49,301
I'LL GET THAT BITCH.
33
00:02:49,303 --> 00:02:52,313
SHE AIN'T GONNA
JERK ME AROUND.
34
00:02:52,306 --> 00:02:53,906
I'LL GET HER.
35
00:02:53,907 --> 00:02:55,307
YOU'LL GET HER.
36
00:02:55,309 --> 00:02:57,249
DAMN STRAIGHT,
I WILL.
37
00:02:59,313 --> 00:03:02,453
ONE DAY THIS WHOLE CITY'S
GONNA EXPLODE.
38
00:03:02,450 --> 00:03:06,920
USED TO BE ABLE
TO PLAY STICKBALL
ON THESE STREETS.
39
00:03:06,920 --> 00:03:09,920
NOW LOOK AT THESE GUYS.
40
00:03:09,923 --> 00:03:13,333
CHRIST, WHAT'S HAPPENING?
41
00:03:19,300 --> 00:03:21,100
HEY, GIRLS,
YOU WORKING?
42
00:03:21,101 --> 00:03:22,101
YOU BUYING?
43
00:03:22,102 --> 00:03:24,342
NO, HONEY,
I AIN'T BUYING.
44
00:03:24,338 --> 00:03:26,468
HEY, WHAT IS THAT?
45
00:03:26,474 --> 00:03:28,344
YOU BREAK YOUR ASS,
46
00:03:28,342 --> 00:03:30,342
YOU FALL DOWN
ON THOSE HIGH HEELS.
47
00:03:30,344 --> 00:03:31,954
YEAH,
SO WILL YOUR SISTER.
48
00:03:31,945 --> 00:03:33,005
MY WHAT?
49
00:03:33,013 --> 00:03:34,953
COME HERE!
I'LL BREAK YOUR FACE!
50
00:03:34,948 --> 00:03:36,018
COME HERE!
51
00:03:36,016 --> 00:03:37,946
HEY, MAN, GIVE US
A BREAK, O.K.?
52
00:03:37,951 --> 00:03:39,391
I SAID COME HERE!
53
00:03:39,387 --> 00:03:42,957
YOU ALREADY HAULED MY ASS
IN LAST WEEK, HARD-ON.
54
00:03:42,956 --> 00:03:45,356
A LOT OF GOOD
IT DID ME.
55
00:03:45,359 --> 00:03:48,499
BABY, I CANNOT HANDLE
ANOTHER BUST THIS MONTH.
56
00:03:48,496 --> 00:03:50,126
YOU'RE ON MY CORNER AGAIN,
SHITHEAD.
57
00:03:50,130 --> 00:03:52,000
YOU KNOW
WHAT THAT MEANS?
58
00:03:51,999 --> 00:03:53,369
[SPITS]
59
00:03:53,367 --> 00:03:55,367
GET IN THE CAR.
60
00:03:55,369 --> 00:03:57,969
IN THE CAR.
61
00:04:03,243 --> 00:04:05,383
PUSSY.
62
00:04:10,318 --> 00:04:13,388
YOU REMIND ME OF A FELLA
I USED TO KNOW.
63
00:04:13,387 --> 00:04:16,587
HE USED TO BE
A COKE SUCKER.
64
00:04:17,791 --> 00:04:20,991
BEFORE THAT HE WAS
A CORK SOAKER.
65
00:04:23,997 --> 00:04:26,597
YOU GUYS
ARE HILARIOUS.
66
00:04:26,600 --> 00:04:27,740
YEAH?
67
00:04:27,735 --> 00:04:29,135
COME UP HERE.
68
00:04:29,136 --> 00:04:32,136
I WANT TO SHOW YOU
MY NIGHTSTICK.
69
00:04:32,139 --> 00:04:35,009
MOVE YOUR ASS.
70
00:04:35,008 --> 00:04:37,508
GET UP HERE.
71
00:05:16,884 --> 00:05:19,394
[FUNK MUSIC PLAYS]
72
00:06:55,483 --> 00:06:58,393
DO I QUALIFY?
73
00:06:58,385 --> 00:06:59,985
I HATE CIGARETTES.
74
00:06:59,987 --> 00:07:00,787
OH? REALLY?
75
00:07:00,788 --> 00:07:02,388
I THINK
THEY'RE DISGUSTING.
76
00:07:02,389 --> 00:07:03,789
WELL, I ENJOY THEM.
77
00:07:03,791 --> 00:07:05,791
ALL IT IS
IS ANAL REGRESSIVE.
78
00:07:05,793 --> 00:07:09,163
IF YOU WANT TO QUIT,
TRY ANOTHER FORM
OF CHILDHOOD STROKING.
79
00:07:09,162 --> 00:07:10,562
I DON'T WANT TO QUIT.
80
00:07:10,564 --> 00:07:13,574
TRY AN OSTRICH FEATHER
ALONG THE SMALL OF YOUR BACK,
81
00:07:13,567 --> 00:07:15,567
UP TO THE NAPE
OF YOUR NECK.
82
00:07:15,569 --> 00:07:16,569
SOUNDS ADDICTIVE.
83
00:07:16,570 --> 00:07:18,170
WHY DO YOU COME HERE?
84
00:07:18,171 --> 00:07:19,571
WHY DO YOU?
85
00:07:19,573 --> 00:07:20,973
I'M HAVING EGO PROBLEMS.
86
00:07:20,974 --> 00:07:23,184
I NEED TO BE
WORSHIPPED AND ADORED.
87
00:07:23,176 --> 00:07:24,776
WHERE YOU FROM?
88
00:07:24,778 --> 00:07:25,578
MARS.
89
00:07:25,579 --> 00:07:26,749
TERRIFIC.
90
00:07:26,747 --> 00:07:28,747
I NEVER MADE IT
WITH A MARTIAN BEFORE.
91
00:09:31,271 --> 00:09:33,311
[CLOCK TICKING]
92
00:09:52,125 --> 00:09:54,055
[DRAWER OPENING]
93
00:09:59,066 --> 00:10:01,066
[METAL JANGLING]
94
00:10:07,340 --> 00:10:09,140
WHAT ARE YOU DOING?
95
00:10:15,148 --> 00:10:18,588
JUST LOOKING FOR
A PACK OF CIGARETTES.
96
00:10:18,585 --> 00:10:21,085
WHY, ARE YOU AFRAID?
97
00:10:23,757 --> 00:10:25,827
SHOULD I BE?
98
00:10:26,760 --> 00:10:29,360
HAVE YOU EVER
BEEN RIPPED OFF?
99
00:10:36,770 --> 00:10:40,170
I DON'T HAVE
ANYTHING TO TAKE.
100
00:10:40,173 --> 00:10:42,783
I CAN'T BELIEVE
YOU'RE NOT AFRAID.
101
00:10:42,776 --> 00:10:44,706
[METAL JANGLING]
102
00:10:58,291 --> 00:11:00,361
* WHO'S HERE? *
103
00:11:00,360 --> 00:11:02,400
* I'M HERE *
104
00:11:02,395 --> 00:11:04,255
* YOU'RE HERE **
105
00:11:06,299 --> 00:11:08,269
NOW I'M AFRAID.
106
00:11:08,268 --> 00:11:10,138
YEAH.
107
00:11:11,338 --> 00:11:12,808
LIE DOWN.
108
00:11:13,974 --> 00:11:15,084
GO ON.
109
00:11:16,143 --> 00:11:17,413
LIE DOWN.
110
00:11:23,717 --> 00:11:26,287
YEAH.
111
00:11:27,788 --> 00:11:29,818
TURN OVER.
112
00:11:30,623 --> 00:11:34,693
I SAID, TURN OVER.
113
00:11:39,432 --> 00:11:41,432
WHAT ARE YOU
GOING TO DO?
114
00:11:41,434 --> 00:11:44,444
I KNOW WHAT I HAVE TO DO.
115
00:12:09,729 --> 00:12:11,729
PLEASE.
116
00:12:13,566 --> 00:12:16,736
I DON'T
WANT TO MAKE THIS
TOO TIGHT FOR YOU.
117
00:12:16,736 --> 00:12:18,536
PLEASE.
118
00:12:18,538 --> 00:12:21,168
PLEASE. PLEASE.
119
00:12:21,174 --> 00:12:23,244
PLEASE.
120
00:12:25,879 --> 00:12:28,319
YOU MADE ME DO THAT.
121
00:12:29,582 --> 00:12:30,922
AAH!
122
00:12:32,352 --> 00:12:34,222
[SCREAMING]
123
00:12:38,391 --> 00:12:40,731
ANUS WAS DILATED
AT THE TIME OF DEATH.
124
00:12:40,727 --> 00:12:43,927
SLIGHT RUPTURE
ABOVE THE ANUS,
INDICATING INTERCOURSE.
125
00:12:43,931 --> 00:12:47,671
WE FOUND SEMEN,
BUT I CAN'T IDENTIFY IT.
126
00:12:47,667 --> 00:12:49,267
WHAT DO YOU MEAN?
127
00:12:49,269 --> 00:12:50,669
ASPERMIA.
128
00:12:50,670 --> 00:12:52,340
IN ENGLISH.
129
00:12:52,339 --> 00:12:54,669
NO SPERM.
YOUR KILLER'S
SHOOTING BLANKS.
130
00:12:54,674 --> 00:12:56,084
HIS SEMEN TESTED
POSITIVELY,
131
00:12:56,076 --> 00:12:59,176
BUT IT DOESN'T HAVE
ANY SPERM IN IT.
132
00:12:59,179 --> 00:13:00,279
WHY NOT?
133
00:13:00,280 --> 00:13:03,280
WELL, MAYBE HE HAS
SOME PHYSICAL
ABERRATION
134
00:13:03,283 --> 00:13:04,683
OR A MALFUNCTION.
135
00:13:04,684 --> 00:13:07,094
COULD BE HIS TESTES
ARE INFECTED.
136
00:13:07,087 --> 00:13:09,587
MAYBE HE, UM,
HAD A VASECTOMY.
137
00:13:09,589 --> 00:13:11,659
WHAT ELSE?
138
00:13:11,658 --> 00:13:13,458
WELL, THIS FIRST
WOUND HERE,
139
00:13:13,460 --> 00:13:17,460
THAT'S CLEAN--
WHICH MEANS HE NEVER
KNEW IT WAS COMING.
140
00:13:17,464 --> 00:13:20,104
BUT THIS ONE AND THESE,
THEY'RE DEFENSIVE,
141
00:13:20,100 --> 00:13:22,100
WHICH MEANS
HE TRIED TO RESIST.
142
00:13:22,102 --> 00:13:24,702
SO WE HAVE A TOP
TO BOTTOM GROUPING,
143
00:13:24,704 --> 00:13:26,714
AND FROM THE ANGLE
OF ENTRY,
144
00:13:26,706 --> 00:13:29,106
I'D SAY YOUR KILLER
WAS RIGHT-HANDED.
145
00:13:29,109 --> 00:13:31,709
THIS KNIFE IS LEAVING
ITS OWN FINGERPRINTS.
146
00:13:31,711 --> 00:13:33,711
THAT'S RIGHT.
AND FROM THE SERRATIONS,
147
00:13:33,713 --> 00:13:36,523
THE WIDTH AND DEPTH
OF THE CUT,
148
00:13:36,516 --> 00:13:39,946
I'D SAY IT MATCHES
THE OTHER KILLING
PRETTY CLOSE.
149
00:13:44,925 --> 00:13:46,125
I KNOW HIM.
150
00:13:46,126 --> 00:13:47,856
YEAH. I KNOW THIS GUY.
151
00:13:47,861 --> 00:13:49,861
HE DON'T COME AROUND
NO MORE.
152
00:13:49,863 --> 00:13:53,073
HE BEAT SOME GUYS
OUT OF SOME BREAD.
153
00:13:54,601 --> 00:13:58,141
I KNOW THIS DUDE, TOO.
SEE HIM ON THE DEUCE.
154
00:13:58,138 --> 00:14:01,738
HE GIVES THE BEST BEATINGS
LIKE SIX WAYS FROM SUNDAY.
155
00:14:01,741 --> 00:14:03,741
DIDN'T YOU WORK
UPTOWN WITH HIM?
156
00:14:03,743 --> 00:14:05,753
WORK UPTOWN
WITH HIM, MAN? NO.
157
00:14:05,745 --> 00:14:07,145
I DON'T WORK
WITH NOBODY.
158
00:14:07,147 --> 00:14:11,987
A JOHN COMES TO ME
AND TELLS ME WHAT HE WANTS.
159
00:14:11,985 --> 00:14:13,585
HAVE FANTASY, WILL TRAVEL.
160
00:14:13,586 --> 00:14:14,986
THAT FELLOW WAS SEEN
161
00:14:14,988 --> 00:14:16,988
WITH THE COLUMBIA
PROFESSOR
WHO GOT WHACKED,
162
00:14:16,990 --> 00:14:19,990
AND HE SAYS THAT
YOU INTRODUCED HIM.
163
00:14:19,993 --> 00:14:22,733
THAT'S POSSIBLE. SEE?
164
00:14:22,729 --> 00:14:25,129
BUT THIS GUY
AIN'T NO KILLER.
165
00:14:25,132 --> 00:14:27,232
I MEAN, HE'S A HUSTLER.
166
00:14:27,234 --> 00:14:28,444
ALL RIGHT.
167
00:14:31,804 --> 00:14:35,284
I GOT TO TALK
TO YOU...ALONE.
168
00:14:35,275 --> 00:14:36,505
O.K.
169
00:14:41,982 --> 00:14:43,982
I NEED A FAVOR, MAN.
170
00:14:43,984 --> 00:14:46,594
THESE TWO COPS
WORKING OUT
OF SIXTH PRECINCT,
171
00:14:46,586 --> 00:14:48,456
THEY BEEN LEANING ON ME.
172
00:14:48,455 --> 00:14:49,655
WHO ARE THEY?
173
00:14:49,656 --> 00:14:52,856
I THINK ONE GUY'S NAME
IS SIMONE OR SOMETHING.
174
00:14:52,859 --> 00:14:54,859
THE OTHER GUY
IS JERRY SOMETHING.
175
00:14:54,861 --> 00:14:57,261
THEY'RE PARTNERS,
REAL FUCKIN' HARD-ONS.
176
00:14:57,264 --> 00:14:59,274
THEY RUN ME
THE OTHER NIGHT,
177
00:14:59,266 --> 00:15:01,866
AND SIMONE MADE ME
GIVE HIM HEAD
178
00:15:01,868 --> 00:15:03,268
IN HIS RADIO CAR.
179
00:15:03,270 --> 00:15:05,470
TAKE YOUR FOOT
OFF THE TABLE.
180
00:15:05,472 --> 00:15:06,772
YOU'RE FULL OF SHIT.
181
00:15:06,773 --> 00:15:08,113
I SWEAR TO CHRIST!
182
00:15:08,108 --> 00:15:10,108
HOW DO YOU KNOW
THEY'RE COPS?
183
00:15:10,110 --> 00:15:11,510
'CAUSE THEY'RE
WEARING SHIELDS
184
00:15:11,511 --> 00:15:14,111
AND RIDING AROUND
IN A RADIO CAR.
185
00:15:14,114 --> 00:15:15,724
WHAT ARE THEIR
SHIELD NUMBERS?
186
00:15:15,715 --> 00:15:17,515
THEY'RE FROM
THE SIXTH PRECINCT.
187
00:15:17,517 --> 00:15:20,117
DO YOU KNOW HOW MANY
GUYS WERE ARRESTED LAST YEAR
188
00:15:20,120 --> 00:15:21,420
FOR IMPERSONATING A COP?
189
00:15:21,421 --> 00:15:23,021
THERE'S MORE GUYS
IMPERSONATING COPS
190
00:15:23,023 --> 00:15:24,493
THAN THERE ARE COPS.
191
00:15:24,491 --> 00:15:25,791
I NEED THIS FAVOR.
192
00:15:25,792 --> 00:15:27,192
YOU'LL WEAR A WIRE?
193
00:15:27,194 --> 00:15:28,804
WE'LL GO TO
INTERNAL AFFAIRS,
194
00:15:28,795 --> 00:15:30,195
DRAW UP A COMPLAINT.
195
00:15:30,197 --> 00:15:33,197
LISTEN TO ME.
THESE GUYS
ARE BAD DUDES.
196
00:15:33,200 --> 00:15:34,770
GET ME NAMES OR NUMBERS.
197
00:15:34,767 --> 00:15:37,367
OTHERWISE, DON'T
COME AROUND WITH
STORIES LIKE THAT.
198
00:15:37,370 --> 00:15:40,570
YOU NEED ME
AS MUCH AS I NEED YOU.
199
00:15:40,573 --> 00:15:42,683
TAKE A HIKE.
200
00:15:47,147 --> 00:15:50,517
[KEYPAD BEEPS]
201
00:15:50,517 --> 00:15:52,387
SON OF A BITCH.
202
00:15:52,385 --> 00:15:54,015
[DOOR OPENS]
203
00:15:54,988 --> 00:15:56,788
CAPTAIN EDELSTEIN?
204
00:15:56,789 --> 00:15:58,359
EDELSON.
205
00:15:58,358 --> 00:16:01,128
SORRY.
I'M STEVE BURNS.
206
00:16:01,128 --> 00:16:04,028
CLOSE THE DOOR.
SIT DOWN.
207
00:16:12,772 --> 00:16:14,342
BURNS...
208
00:16:14,341 --> 00:16:17,941
WHY DO YOU THINK
YOU WERE CALLED DOWN HERE?
209
00:16:17,944 --> 00:16:19,354
I DON'T KNOW.
210
00:16:19,346 --> 00:16:21,676
THEY TOLD ME
THAT THERE WAS SOME...
211
00:16:21,681 --> 00:16:22,481
SPECIAL ASSIGNMENT,
212
00:16:22,482 --> 00:16:25,092
AND THAT I WAS
RIGHT FOR IT.
213
00:16:25,085 --> 00:16:27,085
LET ME ASK YOU SOMETHING.
214
00:16:27,087 --> 00:16:31,087
HAVE YOU EVER HAD
YOUR COCK SUCKED BY A MAN?
215
00:16:31,091 --> 00:16:32,991
A MAN. NO.
216
00:16:32,992 --> 00:16:34,992
UH, WELL...
217
00:16:34,994 --> 00:16:36,404
EVER BEEN PORKED
218
00:16:36,396 --> 00:16:38,826
OR HAD A MAN
SMOKE YOUR POLE?
219
00:16:38,831 --> 00:16:40,631
YOU GOT TO BE KIDDING.
220
00:16:40,633 --> 00:16:43,473
YEAH, YOU'RE KIDDING.
I KNOW IT. UH...
221
00:16:43,470 --> 00:16:44,470
NO.
222
00:16:44,471 --> 00:16:45,511
NO?
223
00:16:45,505 --> 00:16:48,275
WELL, UM, YOU GOT
THE WRONG GUY, I GUESS.
224
00:16:48,275 --> 00:16:51,475
TAKE A LOOK
AT THE BOARD OVER THERE.
225
00:16:52,979 --> 00:16:56,749
PAUL VINCENT
WAS A PROFESSOR
AT COLUMBIA UNIVERSITY.
226
00:16:56,749 --> 00:16:59,189
LOREN LUKAS
WAS AN ACTOR.
227
00:16:59,186 --> 00:17:01,286
OH, THE ST. JAMES
HOTEL STABBING.
228
00:17:01,288 --> 00:17:02,858
I READ ABOUT THAT.
229
00:17:02,855 --> 00:17:04,855
HOW'D YOU LIKE
TO DISAPPEAR?
230
00:17:04,857 --> 00:17:06,927
DISAPPEAR?
231
00:17:06,926 --> 00:17:08,626
GO UNDERCOVER.
232
00:17:13,300 --> 00:17:15,600
THESE KILLINGS
HAVE A SIMILAR M.O.,
233
00:17:15,602 --> 00:17:18,042
BUT WE'VE ALSO
BEEN FINDING
PARTS OF BODIES
234
00:17:18,037 --> 00:17:19,837
FLOATING IN THE RIVER.
235
00:17:19,839 --> 00:17:23,139
WE DON'T KNOW
ANYTHING ABOUT THESE
TORSO VICTIMS,
236
00:17:23,143 --> 00:17:24,713
NOT EVEN WHO THEY ARE.
237
00:17:24,711 --> 00:17:28,321
IT'S MY HUNCH
THEY WERE DONE
BY THE SAME GUY
238
00:17:28,315 --> 00:17:29,915
WHO DID THESE TWO
KILLINGS.
239
00:17:29,916 --> 00:17:31,316
SO, WHY ME?
240
00:17:31,318 --> 00:17:33,318
WELL, FRANKLY,
ALL THE VICTIMS
241
00:17:33,320 --> 00:17:35,990
APPEAR TO BE THE SAME
PHYSICAL TYPE.
242
00:17:35,988 --> 00:17:37,458
THEY LOOK LIKE YOU--
243
00:17:37,457 --> 00:17:41,127
LATE 20s,
140-150 POUNDS,
244
00:17:41,128 --> 00:17:42,528
DARK HAIR,
245
00:17:42,529 --> 00:17:43,529
DARK EYES.
246
00:17:43,530 --> 00:17:44,330
I SEE.
247
00:17:44,331 --> 00:17:46,931
I WANT TO SEND YOU
OUT THERE
248
00:17:46,933 --> 00:17:49,543
TO SEE IF YOU CAN
ATTRACT THIS GUY.
249
00:17:49,536 --> 00:17:50,536
OUT WHERE?
250
00:17:51,738 --> 00:17:55,678
LUKAS AND VINCENT
WERE NOT IN THE MAINSTREAM
OF GAY LIFE.
251
00:17:55,675 --> 00:17:58,275
THEY WERE INTO
HEAVY LEATHER, S & M.
252
00:17:58,278 --> 00:18:00,008
IT'S A WORLD
UNTO ITSELF.
253
00:18:00,012 --> 00:18:02,382
I DON'T KNOW
HOW MUCH YOU KNOW
254
00:18:02,382 --> 00:18:04,382
ABOUT THAT SORT OF THING.
255
00:18:04,384 --> 00:18:06,124
IF YOU TAKE
THIS ASSIGNMENT,
256
00:18:06,119 --> 00:18:09,359
YOU'LL COME OUT
WITH MORE EXPERIENCE
257
00:18:09,356 --> 00:18:11,756
THAN ANY OF MY DETECTIVES.
258
00:18:14,161 --> 00:18:16,261
UH, DO I
CARRY A GUN?
259
00:18:16,263 --> 00:18:17,863
NO GUN. NO SHIELD.
260
00:18:17,864 --> 00:18:20,034
YOU GET PAID ONCE A MONTH.
261
00:18:20,032 --> 00:18:21,372
YOU GET A CALL
262
00:18:21,368 --> 00:18:24,368
TELLING YOU WHERE
TO PICK UP THE MONEY.
263
00:18:24,371 --> 00:18:27,371
NOBODY CAN KNOW ANYTHING
ABOUT WHAT YOU'RE DOING.
264
00:18:27,374 --> 00:18:30,584
UP THE CREEK
WITHOUT A PADDLE, HUH?
265
00:18:30,577 --> 00:18:32,177
WHAT DO YOU SAY?
266
00:18:34,581 --> 00:18:36,481
YEAH. I LOVE IT.
267
00:18:47,093 --> 00:18:49,703
WHAT'S THIS NEW THING
YOU'RE DOING?
268
00:18:51,398 --> 00:18:55,198
I CAN'T TALK ABOUT IT,
NANCE. I TOLD YOU.
269
00:18:56,603 --> 00:18:58,103
WHY NOT?
270
00:18:58,104 --> 00:19:00,514
BECAUSE I JUST CAN'T.
I'M SORRY.
271
00:19:00,507 --> 00:19:03,907
PLEASE DON'T ASK ME,
O.K.?
272
00:19:03,910 --> 00:19:05,510
DON'T ASK ME.
273
00:19:06,446 --> 00:19:10,076
HOW LONG ARE YOU
GOING TO BE GONE?
274
00:19:10,082 --> 00:19:12,392
OH, I DON'T KNOW.
275
00:19:16,889 --> 00:19:19,189
IS IT DANGEROUS?
276
00:19:20,593 --> 00:19:22,203
I DON'T KNOW.
277
00:19:22,195 --> 00:19:24,395
I THINK IT IS,
YEAH.
278
00:19:26,633 --> 00:19:28,343
WHY DO IT THEN?
279
00:19:29,769 --> 00:19:31,869
SKIP PATROL.
280
00:19:31,871 --> 00:19:35,581
GOLD SHIELD RIGHT AWAY.
281
00:19:35,575 --> 00:19:39,375
CAN WE TALK ABOUT
SOMETHING ELSE? HUH?
282
00:19:44,817 --> 00:19:46,687
YOUR FATHER CALLED TODAY.
283
00:19:47,920 --> 00:19:49,890
YEAH?
284
00:19:54,327 --> 00:19:56,227
GOLD SHIELD?
285
00:19:58,798 --> 00:20:03,468
DIDN'T REALIZE
YOU WERE SO AMBITIOUS.
286
00:20:03,470 --> 00:20:07,710
THERE'S A LOT ABOUT ME
YOU DON'T KNOW.
287
00:20:07,707 --> 00:20:09,637
SUCH AS?
288
00:21:59,619 --> 00:22:01,749
HI.
289
00:22:01,754 --> 00:22:02,394
HI.
290
00:22:02,389 --> 00:22:03,789
WHEN'D YOU MOVE IN?
291
00:22:03,790 --> 00:22:06,290
UH, YESTERDAY.
YESTERDAY AFTERNOON.
292
00:22:06,292 --> 00:22:08,292
WHEW! I MUST'VE
BEEN ASLEEP
293
00:22:08,294 --> 00:22:10,104
WITH THE AIR CONDITIONER ON.
294
00:22:10,096 --> 00:22:12,696
I'VE BEEN SLEEPING DAYS
AND WORKING NIGHTS.
295
00:22:12,699 --> 00:22:16,039
LIKE FIDEL CASTRO,
ONLY HE'S RUNNING
A WHOLE COUNTRY.
296
00:22:16,035 --> 00:22:17,495
I'M TED BAILEY.
297
00:22:17,504 --> 00:22:19,114
I'M JOHN FORBES.
298
00:22:19,105 --> 00:22:20,105
HI.
299
00:22:20,106 --> 00:22:21,106
HI.
300
00:22:21,107 --> 00:22:22,707
DOING A LITTLE
HOUSECLEANING?
301
00:22:22,709 --> 00:22:26,109
OH, THESE, YEAH.
SOMEBODY LEFT THEM
IN MY CLOSET.
302
00:22:26,112 --> 00:22:28,752
YEAH. THAT WAS BOBBY.
HE HAD EXOTIC TASTES.
303
00:22:28,748 --> 00:22:31,748
DON'T PUT THEM
IN THE TRASH BIN.
304
00:22:31,751 --> 00:22:34,151
MRS. McGUIRE LIKES US
TO STACK OUR MAGAZINES.
305
00:22:34,153 --> 00:22:35,323
SHE SELLS THEM.
306
00:22:35,321 --> 00:22:36,721
YOU'RE PUTTING ME ON.
307
00:22:36,723 --> 00:22:38,733
NO. SHE HASN'T
FIGURED OUT
308
00:22:38,725 --> 00:22:40,725
HOW TO SELL
ORDINARY GARBAGE,
309
00:22:40,727 --> 00:22:43,327
SO THAT SHE LETS US
THROW OUT.
310
00:22:43,329 --> 00:22:45,059
AND DON'T HANG
ANY PICTURES.
311
00:22:45,064 --> 00:22:47,304
I KNOW.
SHE TOLD ME.
312
00:22:47,299 --> 00:22:48,869
YOU GOT TIME
FOR COFFEE?
313
00:22:48,868 --> 00:22:50,598
REALLY PRIMO,
RIGHT DOWN THE STREET.
314
00:22:50,603 --> 00:22:52,203
DINNERTIME, I ONLY
EAT SEAFOOD.
315
00:22:52,204 --> 00:22:56,344
I GOT TO WATCH MYSELF
OR I BALLOON UP
LIKE SHELLEY WINTERS.
316
00:22:56,342 --> 00:22:58,342
IT'S WORSE WHEN
I'M WORKING ON SOMETHING.
317
00:22:58,344 --> 00:23:00,354
I HOPE MY TYPING
DIDN'T BOTHER YOU.
318
00:23:00,346 --> 00:23:01,946
WHAT ARE YOU WORKING ON?
319
00:23:01,948 --> 00:23:02,948
A PLAY.
320
00:23:02,949 --> 00:23:04,349
WHAT KIND OF PLAY?
321
00:23:04,350 --> 00:23:06,350
BOY MEETS BOY,
BOY LOSES BOY,
322
00:23:06,352 --> 00:23:08,352
BOY ENDS UP WITH ANALYST.
323
00:23:08,354 --> 00:23:09,764
IT'S A LIGHT
ROMANTIC COMEDY.
324
00:23:09,756 --> 00:23:11,756
IT'S OLD-FASHIONED
AND SOPHISTICATED--
325
00:23:11,758 --> 00:23:14,758
THE KIND NOBODY'S
INTERESTED IN ANYMORE.
326
00:23:14,761 --> 00:23:17,361
WELL, I HOPE
THAT DOESN'T BOTHER YOU.
327
00:23:17,363 --> 00:23:19,773
HELL, NO. IT'D BE HARDER
TO BE IGNORED
328
00:23:19,766 --> 00:23:21,596
IF I WAS PADDY CHAYEFSKY,
329
00:23:21,601 --> 00:23:24,101
BUT I'M JUST TRYING
TO MAKE A BUCK.
330
00:23:24,103 --> 00:23:25,513
THINGS ARE TOUGH NOW,
331
00:23:25,505 --> 00:23:28,505
BUT I FEEL IT'S MY DESTINY
TO BE RECOGNIZED.
332
00:23:28,508 --> 00:23:30,378
BUT MY ROOMMATE
WORKS STEADILY,
333
00:23:30,376 --> 00:23:32,206
SO WE GET BY.
334
00:23:32,211 --> 00:23:33,611
WHAT'S YOUR ROOMMATE DO?
335
00:23:33,613 --> 00:23:36,053
HE'S A DANCER.
GREGORY MILANESE.
336
00:23:36,048 --> 00:23:38,648
HE'S OUT OF TOWN
WORKING ON A MUSICAL.
337
00:23:38,651 --> 00:23:40,391
HE'S TRYING OUT
IN WESTPORT,
338
00:23:40,386 --> 00:23:43,556
SO I'M AT LOOSE ENDS.
HOW ABOUT YOURSELF?
339
00:23:43,556 --> 00:23:46,556
OH, I JUST QUIT SCHOOL--
ART SCHOOL.
340
00:23:46,559 --> 00:23:48,999
LOOKING FOR A JOB--
COMMERCIAL ARTIST.
341
00:23:48,995 --> 00:23:50,355
GOOD LUCK.
342
00:23:50,362 --> 00:23:51,362
YEAH.
343
00:23:51,363 --> 00:23:52,933
SO WHERE YOU BEEN LIVING?
344
00:23:52,932 --> 00:23:56,842
I WAS LIVING
IN THE BRONX
WITH MY FOLKS.
345
00:23:56,836 --> 00:23:58,436
THE FIRST BRAILLE WAITRESS.
346
00:23:58,437 --> 00:24:00,467
[LAUGHS]
347
00:24:00,473 --> 00:24:03,443
HEY, DID YOU READ
ABOUT THE KILLINGS?
348
00:24:03,442 --> 00:24:05,442
"HOMO KILLER ON THE PROWL"?
349
00:24:05,444 --> 00:24:07,814
TALK OF EVERY GAY BAR
IN TOWN.
350
00:24:07,814 --> 00:24:10,424
I'M SCARED TO DEATH
OF CRUISING MYSELF.
351
00:24:10,416 --> 00:24:12,816
THE COPS ARE GOING
TO GET THAT GUY.
352
00:24:12,819 --> 00:24:15,419
COPS? IF THEY GET
THEIR HANDS ON HIM,
353
00:24:15,421 --> 00:24:17,821
THEY'LL PUT HIM
ON THE VICE SQUAD.
354
00:24:17,824 --> 00:24:20,434
WE HAD ANOTHER KILLING
LIKE THIS ONE
355
00:24:20,426 --> 00:24:22,426
ABOUT FIVE OR SIX
MONTHS AGO.
356
00:24:22,428 --> 00:24:24,028
IT DIDN'T MAKE THE PAPERS,
357
00:24:24,030 --> 00:24:25,430
BUT WE HEARD ABOUT IT.
358
00:24:25,431 --> 00:24:27,871
THE VICTIM WAS A TEACHER
AT COLUMBIA.
359
00:24:27,867 --> 00:24:32,097
FOUND HIM IN HIS APARTMENT
IN ABOUT 10 PIECES.
360
00:24:34,807 --> 00:24:38,037
DETECTIVES CAME AROUND
ASKING QUESTIONS
FOR A FEW DAYS.
361
00:24:38,044 --> 00:24:39,454
NOTHING CAME OF IT.
362
00:24:39,445 --> 00:24:42,515
I GUESS YOU CAN'T
BE TOO CAREFUL, HUH?
363
00:25:07,273 --> 00:25:10,683
* THERE'S A STEEL MAN
IN YOUR UPTOWN CROWD *
364
00:25:10,677 --> 00:25:13,147
* HE NEVER GOES AWAY *
365
00:25:13,145 --> 00:25:14,845
* HE'S GOT
A HEART OF GOLD *
366
00:25:14,847 --> 00:25:16,077
* A PLATINUM SOUL *
367
00:25:16,082 --> 00:25:18,722
* HE NEVER
SHOWS HIS FACE *
368
00:25:18,718 --> 00:25:20,388
* I'VE HEARD
STORIES OF *
369
00:25:20,386 --> 00:25:21,846
* YOUR MIDNIGHT MOVES *
370
00:25:21,854 --> 00:25:24,564
* I'VE SEEN PICTURES
OF YOU MAKIN' LOVE *
371
00:25:24,557 --> 00:25:25,927
* WELL, I'M READY
TO FIGHT *
372
00:25:25,925 --> 00:25:27,185
* AND I'M GOOD
AT THAT *
373
00:25:27,193 --> 00:25:28,763
* WHEN I
CLOSE MY EYES *
374
00:25:28,761 --> 00:25:30,131
* I SEE BLOOD *
375
00:25:30,129 --> 00:25:31,859
* WHEN I
CLOSE MY EYES *
376
00:25:31,864 --> 00:25:33,434
* I SEE BLOOD *
377
00:25:33,432 --> 00:25:34,772
* WHEN I
CLOSE MY EYES *
378
00:25:34,767 --> 00:25:36,867
* I SEE BLOOD **
379
00:25:42,642 --> 00:25:45,142
* ONCE UPON A CORNER *
380
00:25:45,144 --> 00:25:46,654
* I WAITED THERE
FOR A WHILE *
381
00:25:46,646 --> 00:25:47,976
* THINGS WERE ALL
GOIN' MY WAY *
382
00:25:47,980 --> 00:25:50,320
* ONCE I MARCHED
DOWN THE AISLE *
383
00:25:50,316 --> 00:25:51,776
* OH, MERCY ME *
384
00:25:51,784 --> 00:25:53,354
* I'M DOWN ON MY KNEES *
385
00:25:53,352 --> 00:25:55,722
* SOMETHIN', SOMETHIN' *
386
00:25:55,722 --> 00:25:57,062
* PULLIN' MY STRING *
387
00:25:57,056 --> 00:25:59,626
* PULLIN' MY STRING *
388
00:25:59,626 --> 00:26:03,356
* WHO YOU FOOLIN'? *
389
00:26:03,362 --> 00:26:07,202
* I KNOW YOU
DON'T FOOL ME... **
390
00:26:07,199 --> 00:26:07,999
EXCUSE ME.
391
00:26:08,000 --> 00:26:10,670
COULD I ASK
ABOUT THESE?
392
00:26:10,670 --> 00:26:12,540
WHAT ABOUT THEM?
393
00:26:12,538 --> 00:26:14,538
WHAT ARE THEY FOR?
394
00:26:14,540 --> 00:26:16,940
A LIGHT BLUE HANKIE
IN YOUR LEFT POCKET
395
00:26:16,943 --> 00:26:18,543
MEANS YOU WANT
A BLOW JOB.
396
00:26:18,544 --> 00:26:20,954
RIGHT POCKET MEANS
YOU GIVE ONE.
397
00:26:20,947 --> 00:26:23,947
THE GREEN ONE LEFT SIDE
SAYS YOU'RE A HUSTLER,
398
00:26:23,950 --> 00:26:25,420
RIGHT SIDE
YOU'RE A BUYER.
399
00:26:25,417 --> 00:26:28,957
THE YELLOW ONE LEFT SIDE
MEANS YOU GIVE
GOLDEN SHOWER,
400
00:26:28,955 --> 00:26:30,555
RIGHT SIDE YOU RECEIVE.
401
00:26:30,556 --> 00:26:32,156
THE RED ONE MEANS--
402
00:26:32,158 --> 00:26:33,558
O.K., THANK YOU.
403
00:26:33,559 --> 00:26:34,959
SEE ANYTHING YOU WANT?
404
00:26:34,961 --> 00:26:38,261
UH...I'M GOING TO GO HOME
AND THINK ABOUT IT.
405
00:26:38,264 --> 00:26:41,074
I'M SURE YOU'LL MAKE
THE RIGHT CHOICE.
406
00:26:44,336 --> 00:26:48,166
[EDELSON]
HOW WOULD YOU LIKE
TO DISAPPEAR?
407
00:26:52,712 --> 00:26:54,582
* WELL, THERE'S THIS
LONELINESS *
408
00:26:54,580 --> 00:26:57,350
* EATING ME UP... *
409
00:26:57,349 --> 00:27:00,049
[MAN HOWLING]
410
00:27:00,052 --> 00:27:02,322
[WHISTLING]
411
00:27:02,321 --> 00:27:03,591
[BARKING]
412
00:27:03,589 --> 00:27:06,759
WHOO-HOO!
WHOO-HOO!
ALL RIGHT!
413
00:27:06,759 --> 00:27:09,599
[MEN YELLING AND HOOTING]
414
00:27:09,595 --> 00:27:13,095
* A BIOLOGICAL
PROPHECY *
415
00:27:13,099 --> 00:27:16,299
* I WANT TO
JUMP TO ACTION... *
416
00:27:16,302 --> 00:27:18,572
HEY! ALL RIGHT!
417
00:27:18,570 --> 00:27:20,070
WHOO!
418
00:27:20,072 --> 00:27:22,812
* JUST LIKE
A DETROIT SHERIFF... **
419
00:27:49,501 --> 00:27:51,301
YOU INTO WATER SPORTS?
420
00:27:52,972 --> 00:27:56,412
NO. I JUST,
I LIKE TO WATCH.
421
00:27:57,609 --> 00:27:58,609
LATER.
422
00:27:58,610 --> 00:27:59,950
YEAH.
423
00:27:59,946 --> 00:28:01,946
IF YOU LIKE TO WATCH,
424
00:28:01,948 --> 00:28:05,148
TAKE THAT HANKIE
OUT OF YOUR POCKET,
ASSHOLE.
425
00:28:07,586 --> 00:28:10,816
[CROWING]
426
00:28:19,698 --> 00:28:21,498
YES!
427
00:28:21,500 --> 00:28:24,840
* YOU KNOW
YOU'RE STRIDING DOWN *
428
00:28:24,837 --> 00:28:26,437
* FORGET YOUR HEART *
429
00:28:26,438 --> 00:28:27,708
YES!
430
00:28:27,706 --> 00:28:30,336
* YOU HAVEN'T GOT ONE *
431
00:28:33,245 --> 00:28:36,445
* JUST CLOSING
YOUR EYES *
432
00:28:36,448 --> 00:28:39,918
* SO YOU CAN'T SEE *
433
00:28:39,919 --> 00:28:43,089
* SO YOU CAN'T SEE *
434
00:28:43,089 --> 00:28:45,019
* NO, BABY,
I DON'T CARE *
435
00:28:45,024 --> 00:28:48,364
* WHAT THEY SAY,
IT'S SO EASY *
436
00:28:51,998 --> 00:28:53,998
* NO, BABY,
I DON'T CARE *
437
00:28:54,000 --> 00:28:55,700
* WHAT THEY SAY,
IT'S SO *
438
00:28:55,701 --> 00:28:57,271
* EASY... *
439
00:29:03,742 --> 00:29:05,952
[SPEAKING SPANISH]
440
00:29:06,745 --> 00:29:09,445
COMO ESTA, MARICóN?
441
00:29:12,919 --> 00:29:15,319
* DEPUTY'S
ON THE GROUND *
442
00:29:16,622 --> 00:29:19,762
* DO IT THE RIGHT WAY *
443
00:29:19,758 --> 00:29:22,428
* DO IT THE RIGHT WAY *
444
00:29:23,495 --> 00:29:24,995
* I DON'T CARE *
445
00:29:24,997 --> 00:29:26,327
* WHAT THEY SAY,
IT'S SO *
446
00:29:26,332 --> 00:29:29,042
* EASY *
447
00:29:31,637 --> 00:29:33,707
* I DON'T CARE *
448
00:29:33,705 --> 00:29:35,465
* WHAT THEY SAY,
IT'S SO *
449
00:29:35,474 --> 00:29:38,114
* HA HA HA HA HA *
450
00:29:39,145 --> 00:29:41,375
* IT'S SO EASY *
451
00:29:43,482 --> 00:29:46,022
* IT'S SO EASY *
452
00:29:47,854 --> 00:29:50,594
* IT'S SO EASY *
453
00:29:50,589 --> 00:29:52,459
* HA HA HA HA *
454
00:29:52,458 --> 00:29:54,158
* OH, BABY **
455
00:30:07,739 --> 00:30:09,139
HOW ARE YOU DOING?
456
00:30:09,141 --> 00:30:11,541
GOOD. BARTENDERS
ARE STARTING
457
00:30:11,543 --> 00:30:12,813
TO GIVE ME
SOME INFORMATION,
458
00:30:12,811 --> 00:30:14,481
LIKE WHO
THE REGULARS ARE,
459
00:30:14,480 --> 00:30:17,380
WHO'S BEEN THERE
BEFORE, WHO AIN'T--
THAT STUFF.
460
00:30:17,383 --> 00:30:18,383
GOOD.
461
00:30:18,384 --> 00:30:19,754
WHAT ELSE?
462
00:30:19,751 --> 00:30:22,961
OH, YEAH. THERE'S THIS
NAME KEEPS POPPING UP
ALL THE TIME--
463
00:30:22,955 --> 00:30:24,355
TOMMY MANCUSI.
464
00:30:24,356 --> 00:30:28,356
HE OWNS THE COCK PIT,
FOUR OR FIVE OTHER PLACES.
465
00:30:28,360 --> 00:30:30,960
TOMMY THE JOKER,
THEY CALL HIM.
466
00:30:30,963 --> 00:30:32,563
ARE YOU SERIOUS?
467
00:30:32,564 --> 00:30:33,574
YEAH.
468
00:30:33,565 --> 00:30:35,365
ARE YOU TRYING
TO TELL ME
469
00:30:35,367 --> 00:30:38,567
YOU DON'T KNOW WHO
TOMMY THE JOKER IS?
470
00:30:38,570 --> 00:30:40,970
I DON'T KNOW
WHO HE IS.
471
00:30:40,973 --> 00:30:42,573
WELL, I DO.
472
00:30:42,574 --> 00:30:44,184
I CAN'T MOVE
ON HIM.
473
00:30:44,176 --> 00:30:45,576
WHY NOT?
474
00:30:45,577 --> 00:30:47,607
I ASK THE QUESTIONS.
475
00:30:51,850 --> 00:30:53,590
YOU DROPPED YOUR CHALK.
476
00:30:54,720 --> 00:30:56,060
SEE YA LATER.
477
00:30:56,055 --> 00:30:57,255
WATCH YOURSELF.
478
00:30:57,256 --> 00:30:59,186
YOU BET.
479
00:31:07,633 --> 00:31:12,003
* WELL, THERE'S DANGER
OUT HERE TONIGHT *
480
00:31:12,004 --> 00:31:15,874
* BUT YOUR SOUL'S
GOTTA LEAVE *
481
00:31:19,145 --> 00:31:22,775
* I SEE THOSE VAMPIRES
SUCKIN' BLOOD *
482
00:31:22,781 --> 00:31:24,481
* IF YOU DON'T STOP US *
483
00:31:24,483 --> 00:31:27,493
* GET SOME EVIL
TRICK-OR-TREAT... *
484
00:31:29,989 --> 00:31:30,989
GREAT NIGHT.
485
00:31:30,990 --> 00:31:32,590
YEAH, IT IS.
486
00:31:32,591 --> 00:31:34,131
WANT TO GET A BEER?
487
00:31:34,126 --> 00:31:35,786
IT'S KIND OF LATE.
488
00:31:35,794 --> 00:31:38,204
I'D INVITE YOU
TO MY APARTMENT,
489
00:31:38,197 --> 00:31:40,797
BUT I DON'T HAVE
AIR CONDITIONING.
490
00:31:40,799 --> 00:31:42,199
OH, THAT'S TOO BAD.
491
00:31:42,201 --> 00:31:43,801
HOW ABOUT THE PARK?
492
00:31:43,802 --> 00:31:45,142
FINE.
493
00:31:49,741 --> 00:31:52,681
* OH, THIS MUSIC
IS HELL *
494
00:31:52,678 --> 00:31:57,518
* WHY DON'T YOU
TURN IT UP REAL LOUD? *
495
00:32:00,186 --> 00:32:03,656
* HOW MUCH DANGER
IS IN TOWN? *
496
00:32:03,655 --> 00:32:08,555
* I HOPE THIS IS
THE WRONG KIND OF CROWD *
497
00:32:10,896 --> 00:32:13,626
* I'M A SPY BOY *
498
00:32:16,735 --> 00:32:22,765
* I'M A SPY *
499
00:32:22,774 --> 00:32:23,984
* BOY **
500
00:32:46,898 --> 00:32:49,668
* WHO'S HERE? *
501
00:32:49,668 --> 00:32:51,938
* I'M HERE *
502
00:32:51,937 --> 00:32:55,267
* YOU'RE HERE **
503
00:32:55,274 --> 00:32:57,714
HA HA!
504
00:32:57,709 --> 00:33:00,479
HA HA HA!
505
00:33:04,683 --> 00:33:06,393
[BREATHING HEAVILY]
506
00:33:21,667 --> 00:33:23,267
WHERE ARE YOU, MAN?
507
00:33:24,370 --> 00:33:26,440
COME ON.
508
00:33:26,438 --> 00:33:28,308
WHERE ARE YOU?
509
00:33:35,747 --> 00:33:38,317
[LAUGHTER]
510
00:33:38,317 --> 00:33:41,047
DON'T PLAY GAMES
WITH ME, MAN.
511
00:33:45,857 --> 00:33:48,827
* WHERE ARE YOU? *
512
00:33:48,827 --> 00:33:51,457
* I'M WAITING FOR YOU **
513
00:33:51,463 --> 00:33:53,073
AAH!
514
00:34:01,507 --> 00:34:05,007
* WELL, IT'S DANGEROUS
OUT HERE TONIGHT *
515
00:34:05,010 --> 00:34:09,180
* BUT A SOUL'S
GOTTA LEAVE... **
516
00:34:15,654 --> 00:34:17,224
OHH...
517
00:34:49,821 --> 00:34:51,391
EVERYTHING'S READY.
518
00:34:51,390 --> 00:34:52,420
GOOD.
519
00:34:58,063 --> 00:34:59,773
NANCE...
520
00:35:01,467 --> 00:35:05,067
WHY DON'T YOU LIE DOWN
FOR A LITTLE WHILE?
521
00:35:05,070 --> 00:35:07,610
DON'T LET ME LOSE YOU.
522
00:35:07,606 --> 00:35:08,606
UH-UH.
523
00:35:08,607 --> 00:35:09,607
O.K.?
524
00:35:11,410 --> 00:35:13,610
DON'T LET ME LOSE YOU.
525
00:35:13,612 --> 00:35:15,352
I LOVE YOU.
526
00:35:15,347 --> 00:35:17,947
YOU'RE NOT GONNA
LOSE ME.
527
00:35:17,949 --> 00:35:19,349
UH-UH.
528
00:35:19,351 --> 00:35:21,491
I LOVE YOU SO MUCH.
529
00:35:23,455 --> 00:35:25,355
GREGORY CALLED ME
LAST NIGHT.
530
00:35:25,357 --> 00:35:26,757
REMEMBER ROOMMATE
GREGORY?
531
00:35:26,758 --> 00:35:29,758
SEEMS THE STAR
OF HIS SHOW
HAS HEPATITIS.
532
00:35:29,761 --> 00:35:31,761
THE TOUR'S CANCELED
TILL HE RECOVERS.
533
00:35:31,763 --> 00:35:34,373
SHOW CLOSES TONIGHT.
HE'LL BE HOME
TOMORROW.
534
00:35:34,366 --> 00:35:36,366
THAT SHOULD
MAKE YOU HAPPY.
535
00:35:36,368 --> 00:35:38,768
OVERJOYED. I NEVER
TOLD YOU ABOUT US.
536
00:35:38,770 --> 00:35:41,970
YOU KNOW WHAT HE SAID
WHEN HE CALLED?
537
00:35:41,973 --> 00:35:44,383
HE SAID I SHOULD
FORGET MY WRITING
538
00:35:44,376 --> 00:35:45,976
AND FIND A JOB.
539
00:35:45,977 --> 00:35:48,377
HE SAYS
IT'S MY TURN TO WORK.
540
00:35:48,380 --> 00:35:52,380
HE INTENDS
TO FLOP ON THE BEACH
AND TURN NUT BROWN.
541
00:35:52,384 --> 00:35:53,794
HIS VERY WORDS. DAMN.
542
00:35:53,785 --> 00:35:56,385
I WAS COUNTING
ON HAVING THE SUMMER.
543
00:35:56,388 --> 00:35:58,588
I COULD'VE FINISHED
BY LABOR DAY.
544
00:35:58,590 --> 00:35:59,590
TELL HIM.
545
00:35:59,591 --> 00:36:02,391
I DID, AT WHICH POINT
DEAR GREGORY SAID
546
00:36:02,394 --> 00:36:04,404
THAT THE WORLD
COULD WAIT
547
00:36:04,396 --> 00:36:06,796
FOR ANY PLAY I MIGHT
TURN OUT,
548
00:36:06,798 --> 00:36:09,368
BUT THE SUMMER SUN
WAITS FOR NO MAN.
549
00:36:12,738 --> 00:36:13,638
WHO KNOWS?
550
00:36:13,639 --> 00:36:16,539
HE MIGHT BE RIGHT
ABOUT THIS PLAY.
551
00:36:16,542 --> 00:36:20,752
HE WAS RIGHT,
GOD KNOWS, ABOUT
THE OTHERS I'VE WRITTEN.
552
00:36:20,746 --> 00:36:25,046
NOBODY ELSE CARED MUCH
ABOUT THEM EITHER,
553
00:36:25,050 --> 00:36:28,420
SO I GUESS I'LL
WORK MY BRICKS OFF.
554
00:36:28,420 --> 00:36:31,220
WE NEED THE MONEY.
555
00:36:31,223 --> 00:36:33,563
GREGORY'S TIRED.
556
00:36:33,559 --> 00:36:36,229
IT'S FAIR ENOUGH,
I SUPPOSE.
557
00:36:38,264 --> 00:36:41,404
YOU, UH, YOU REALLY
FEEL LIKE THAT?
558
00:36:42,200 --> 00:36:44,640
NO.
559
00:36:44,636 --> 00:36:46,036
I'M SEETHING.
560
00:36:46,037 --> 00:36:48,437
I'M NOT MAD ENOUGH
TO KILL,
561
00:36:48,440 --> 00:36:52,780
BUT I AM MAD ENOUGH
FOR SOMETHING.
562
00:36:52,778 --> 00:36:55,848
BOBBY--THE GUY
THAT USED TO HAVE
YOUR ROOM--
563
00:36:55,847 --> 00:36:59,047
HE USED TO GET
THIS WAY, ONLY WORSE.
564
00:36:59,050 --> 00:37:00,450
HE'D SLAM THE DOOR,
565
00:37:00,452 --> 00:37:03,052
GO STOMPING OFF
DOWN THE STAIRS.
566
00:37:03,054 --> 00:37:05,464
I NEVER KNEW
WHAT SET HIM OFF,
567
00:37:05,457 --> 00:37:08,657
BUT LATER HE'D
TELL ME HE USUALLY WENT
TO THE BATHS.
568
00:37:08,660 --> 00:37:12,260
CHECK IN, BLOW
A DOZEN GUYS IN AN HOUR.
569
00:37:12,264 --> 00:37:14,274
YOU READY FOR THAT?
570
00:37:14,266 --> 00:37:15,866
NO.
571
00:37:15,867 --> 00:37:18,867
I'M NOT READY FOR THAT,
572
00:37:18,870 --> 00:37:23,880
BUT I UNDERSTAND
WHAT MADE HIM FEEL
THAT WAY.
573
00:37:27,779 --> 00:37:29,919
I HATE MONDAYS.
574
00:37:32,418 --> 00:37:35,418
OH, TED, I WISH
I COULD HELP YOU--
575
00:37:35,421 --> 00:37:38,021
DO SOMETHING
FOR YOU.
576
00:37:40,058 --> 00:37:41,928
YOU DO?
577
00:37:43,362 --> 00:37:45,332
YOU DO.
578
00:38:06,318 --> 00:38:08,948
[WHISTLES BLOW]
579
00:39:11,717 --> 00:39:14,387
WHERE YOU GOING,
FRIEND?
580
00:39:14,386 --> 00:39:15,786
WHAT DO YOU MEAN?
581
00:39:15,787 --> 00:39:18,987
GOT A KNIFE, GUN,
ANYTHING AT ALL?
582
00:39:18,990 --> 00:39:20,390
WHY, WHAT'S WRONG?
583
00:39:20,392 --> 00:39:21,992
YOU A POLICE OFFICER?
584
00:39:21,993 --> 00:39:22,993
WHAT?
585
00:39:22,994 --> 00:39:24,404
THIS IS PRECINCT NIGHT.
586
00:39:24,396 --> 00:39:26,396
YOU'VE GOT
THE WRONG ATTITUDE.
587
00:39:26,398 --> 00:39:29,598
I'M GONNA HAVE
TO ASK YOU TO LEAVE.
588
00:39:32,137 --> 00:39:33,537
RIGHT.
589
00:40:16,782 --> 00:40:19,752
YOU LOOKING
FOR SOMETHING?
590
00:40:19,751 --> 00:40:23,391
IF THAT BULGE
IN YOUR PANTS
AIN'T A KNIFE,
591
00:40:23,388 --> 00:40:25,988
WHY DON'T WE
TAKE A WALK?
592
00:40:29,194 --> 00:40:30,834
YEAH.
593
00:40:32,163 --> 00:40:33,933
NOT TONIGHT.
594
00:41:10,101 --> 00:41:12,641
[CLUB MUSIC PLAYS]
595
00:41:14,172 --> 00:41:15,172
[MEN SCREAM]
596
00:41:15,173 --> 00:41:16,813
[WHISTLES BLOW]
597
00:41:16,808 --> 00:41:20,748
* YOU'RE SO EVIL *
598
00:41:20,746 --> 00:41:24,076
* YOU'RE SO EVIL **
599
00:41:53,411 --> 00:41:57,081
JOEY, YOU'LL COME
BEFORE 7:00 ON
SUNDAY, WON'T YOU?
600
00:41:57,082 --> 00:41:58,352
CROSS MY HEART.
601
00:41:58,349 --> 00:42:00,489
I'LL BE ON
THE ISLAND TOMORROW.
602
00:42:00,485 --> 00:42:02,485
I DON'T HAVE
THAT NUMBER.
603
00:42:02,487 --> 00:42:05,487
IT'S ON THE WALL
IN YOUR KITCHEN.
604
00:42:05,490 --> 00:42:07,290
YOU KNOW HOW
PARANOID BESS GETS
605
00:42:07,292 --> 00:42:10,502
IF DINNER STARTS
LATE THE NIGHT
BEFORE SHE'S SHOOTING.
606
00:42:10,495 --> 00:42:11,825
NOT TO WORRY.
607
00:42:11,830 --> 00:42:14,500
NOT TO WORRY.
I HAVE MARGO'S DRESS
TO FINISH.
608
00:42:14,499 --> 00:42:15,499
HAVE FUN.
609
00:42:15,500 --> 00:42:17,200
I'LL TRY.
610
00:42:42,594 --> 00:42:44,604
[PUNK MUSIC PLAYS]
611
00:44:52,423 --> 00:44:53,423
AAH!
612
00:45:01,232 --> 00:45:03,302
YOU MADE ME DO THAT.
613
00:45:15,947 --> 00:45:17,777
[GREGORY]
AS IF IT'S YOUR PLACE!
614
00:45:17,783 --> 00:45:20,393
[TED] IT'S MY PLACE
AS MUCH AS YOURS!
615
00:45:20,385 --> 00:45:22,185
WHEN DID YOU PAY RENT?
616
00:45:22,187 --> 00:45:25,187
I PAID RENT
WHILE YOU WERE
IN WESTPORT.
617
00:45:25,190 --> 00:45:26,790
LISTEN. IN WESTPORT,
IS IT?
618
00:45:26,792 --> 00:45:29,592
WHEN ARE YOU GOING
TO WORK ON BROADWAY?
619
00:45:29,594 --> 00:45:33,204
AS SOON AS YOU GET
A PLAY PUBLISHED
THAT'S ON BROADWAY!
620
00:45:33,198 --> 00:45:34,798
THE STAR GOT
HEPATITIS, HUH?
621
00:45:34,800 --> 00:45:36,800
I'D LIKE TO KNOW
THAT.
622
00:45:36,802 --> 00:45:38,802
THAT'S NONE OF
YOUR GODDAMN BUSINESS.
623
00:45:38,804 --> 00:45:41,214
YOU'RE ASKING ME
ABOUT MY LIFE.
624
00:45:41,206 --> 00:45:43,806
I'M NOT ASKING YOU
ABOUT YOUR LIFE.
625
00:45:43,809 --> 00:45:45,809
I SEE WHAT IT IS.
626
00:45:45,811 --> 00:45:47,211
WHAT IS IT?
627
00:45:47,212 --> 00:45:49,412
I'VE TOLD YOU.
IT'S A RIDICULOUS--
628
00:45:49,414 --> 00:45:50,824
YOU CAN SEE IT?
629
00:45:50,816 --> 00:45:52,216
THAT'S WHAT IT IS.
630
00:45:52,217 --> 00:45:54,817
THEN WHY CAN'T
I SEE YOURS?
631
00:45:54,820 --> 00:45:57,220
YOU'RE LIFE'S
A PAIN IN MY ASS.
632
00:45:57,222 --> 00:45:59,832
WHY DON'T YOU GET
SOMEONE ELSE?
633
00:45:59,825 --> 00:46:02,225
YOU WON'T FIND ANYTHING
QUITE AS BIG.
634
00:46:02,227 --> 00:46:04,827
I CAN FIND ANYBODY
I WANT.
635
00:46:04,830 --> 00:46:07,830
OH, YOU'RE JUST
SO GOOD-LOOKING
AND SO FINE.
636
00:46:07,833 --> 00:46:10,243
I ASK YOU
JUST ONE QUESTION.
637
00:46:10,235 --> 00:46:13,835
WHEN ARE YOU
GOING TO GET IT
IN YOUR STUPID HEAD
638
00:46:13,839 --> 00:46:16,639
THAT YOU CAN'T WRITE
TO SAVE YOUR LIFE?
639
00:46:16,641 --> 00:46:19,851
YOU DON'T KNOW
WHAT THE FUCK
YOU'RE TALKING ABOUT!
640
00:46:19,845 --> 00:46:21,845
I'M MAKING $650
A WEEK DANCING...
641
00:46:21,847 --> 00:46:22,947
FUCK YOU!
642
00:46:22,948 --> 00:46:24,848
WHILE YOU'RE SITTING
HERE PLAYING!
643
00:46:24,850 --> 00:46:27,550
RIGHT NOW,
WHAT ARE YOU MAKING?
644
00:46:32,223 --> 00:46:34,233
THE P.C.'s
ON THE PHONE.
645
00:46:34,225 --> 00:46:36,225
THE MAYOR'S
ON THE PHONE.
646
00:46:36,227 --> 00:46:38,827
EVERY GAY GROUP
IN THE CITY
647
00:46:38,830 --> 00:46:41,270
IS STOMPING AROUND
MY OFFICE ALL DAY.
648
00:46:41,266 --> 00:46:43,796
WHAT IN CHRIST MORE
DO YOU NEED, DAVE?
649
00:46:43,801 --> 00:46:47,911
I JUST HAVE TO DO MORE
WITH THE INFORMATION
I ALREADY HAVE.
650
00:46:47,906 --> 00:46:50,906
DAVE, YOU GOT
23 YEARS ON THE JOB.
651
00:46:50,909 --> 00:46:54,279
I'D LIKE TO
SEE YOU LEAVE
ON A HIGH NOTE,
652
00:46:54,279 --> 00:46:57,879
BUT BOTH OUR
REPUTATIONS ARE
AT STAKE ON THIS.
653
00:46:57,883 --> 00:47:00,893
I WENT TO THE P.C.,
I RECOMMENDED YOU,
654
00:47:00,886 --> 00:47:04,486
AND I'M NOT GOING
TO HAVE THIS
EXPLODE ON ME.
655
00:47:04,489 --> 00:47:05,489
I UNDERSTAND THAT.
656
00:47:05,490 --> 00:47:06,890
SO WRAP IT UP.
657
00:47:06,892 --> 00:47:09,292
I DON'T CARE
HOW YOU DO IT.
658
00:47:09,294 --> 00:47:12,364
CLEAN IT UP
BEFORE THE DEMOCRATIC
CONVENTION COMES IN,
659
00:47:12,363 --> 00:47:16,103
OR I'LL PUT SOMEBODY
IN YOUR OFFICE WHO CAN.
660
00:47:24,575 --> 00:47:27,905
SKIPPER, WE FOUND
THIS QUARTER
IN THE COIN BOX
661
00:47:27,913 --> 00:47:29,053
AT THE PEEP SHOW.
662
00:47:29,047 --> 00:47:30,917
THE BLOOD MATCHES
THE VICTIM'S,
663
00:47:30,916 --> 00:47:33,546
BUT NOT THIS PRINT
WE LIFTED FROM IT.
664
00:47:41,792 --> 00:47:43,362
* FUEL-INJECTED *
665
00:47:44,495 --> 00:47:47,595
* STAINLESS STEEL
CHROME *
666
00:47:47,598 --> 00:47:50,798
* MOVIN' ACROSS TOWN *
667
00:47:50,801 --> 00:47:53,941
* DRIVIN', DRIVIN' ON *
668
00:47:53,939 --> 00:47:55,939
* PUSH THE SPEEDOMETER *
669
00:47:55,941 --> 00:47:57,341
* LET THE CLUTCH OUT *
670
00:47:57,342 --> 00:47:58,942
* MOVE THIS MACHINE *
671
00:47:58,944 --> 00:48:00,354
* PULL THE STOPS OUT *
672
00:48:00,345 --> 00:48:03,375
* STEP ON THE GAS,
GOT TO GET GOIN' *
673
00:48:03,381 --> 00:48:07,021
* JUST GOT TO BREAK OUT
AND BREAK THE SUSPENSION *
674
00:48:07,018 --> 00:48:09,988
* SHAKE DOWN
ON THIS FREEWAY *
675
00:48:09,988 --> 00:48:13,088
* BREAK DOWN
ON THIS FREEWAY *
676
00:48:13,091 --> 00:48:16,331
* SHAKE DOWN
ON THIS FREEWAY *
677
00:48:16,327 --> 00:48:20,667
* JUST GOT TO--GOT TO--
GOT TO GET AWAY *
678
00:48:25,603 --> 00:48:29,113
* FUEL-INJECTED *
679
00:48:29,107 --> 00:48:32,477
* STAINLESS STEEL
CHROME *
680
00:48:32,477 --> 00:48:33,277
* MOVIN' *
681
00:48:33,278 --> 00:48:35,378
* ACROSS TOWN *
682
00:48:35,380 --> 00:48:39,380
* DRIVIN', DRIVIN' ON... *
683
00:48:39,384 --> 00:48:40,794
HEY, ASSHOLE!
684
00:48:40,785 --> 00:48:42,385
TAKE A WALK.
685
00:48:42,387 --> 00:48:43,787
TAKE A WALK?
686
00:48:43,788 --> 00:48:46,058
I'LL TEAR YOUR
GODDAMN HEAD OFF.
687
00:48:48,193 --> 00:48:50,603
THE GUY BY
THE PINBALL MACHINE--
688
00:48:50,595 --> 00:48:53,795
THE GUY WITH THE EAGLE
ON HIS JACKET--
689
00:48:53,798 --> 00:48:56,528
OH, YEAH. HIS NAME'S
SKIP LEE.
690
00:48:56,534 --> 00:48:57,944
HE'S A BAD DUDE.
691
00:48:57,935 --> 00:49:00,005
THE OTHER NIGHT
HE GOT STONED,
692
00:49:00,005 --> 00:49:02,405
CAME ONTO A GUY
WHO GAVE HIM THE SWERVE.
693
00:49:02,407 --> 00:49:04,607
SKIP WENT
FOR HIS THROAT.
694
00:49:04,609 --> 00:49:06,009
HE'S A SCUMBAG.
695
00:49:06,011 --> 00:49:07,711
* ON THIS FREEWAY *
696
00:49:07,712 --> 00:49:08,712
* BREAK DOWN **
697
00:49:08,713 --> 00:49:10,653
LET ME BUY YOU
A DRINK.
698
00:49:12,950 --> 00:49:15,050
HEY, BABY,
WHAT'S HAPPENING?
699
00:49:15,053 --> 00:49:16,723
I'M WITH SOMEONE.
700
00:49:18,156 --> 00:49:19,756
AREN'T WE ALL?
701
00:49:19,757 --> 00:49:20,987
WANT TO DANCE?
702
00:49:24,062 --> 00:49:26,502
[MEN SHOUT]
703
00:49:36,807 --> 00:49:38,237
WHOO!
704
00:50:35,733 --> 00:50:37,203
WHOO!
705
00:51:04,195 --> 00:51:05,195
THERE HE IS.
706
00:51:05,196 --> 00:51:07,796
THE ONE WITH
THE RED SCARF?
707
00:51:07,798 --> 00:51:10,198
NO. THE ONE
WITH THE HAT.
708
00:51:10,201 --> 00:51:11,571
HE CALLS HIMSELF SKIP.
709
00:51:11,569 --> 00:51:14,169
HE'S BEEN IN
A LOT OF HASSLES HERE.
710
00:51:14,172 --> 00:51:16,772
IS THAT THE ONE
THAT FOLLOWED YOU?
711
00:51:16,774 --> 00:51:17,584
YEAH.
712
00:51:17,575 --> 00:51:20,175
WHY DIDN'T YOU GO
WITH HIM?
713
00:51:20,178 --> 00:51:22,178
I DON'T KNOW.
I CHOKED.
714
00:51:22,180 --> 00:51:24,620
BUT I THINK
YOU SHOULD CHECK HIM.
715
00:51:24,615 --> 00:51:28,315
I SAID, RED CARD, YOU WIN.
BLACK CARD, YOU LOSE.
716
00:51:28,319 --> 00:51:31,519
THAT'S A BLACK,
AND THAT'S A BLACK.
717
00:51:31,522 --> 00:51:32,322
ANYBODY ELSE?
718
00:51:32,323 --> 00:51:34,533
FOR $10. PUT IT UP.
719
00:51:34,525 --> 00:51:35,685
$10 WILL WIN.
720
00:51:35,693 --> 00:51:38,303
HO! I GOT TO PAY.
NOW WATCH THIS.
721
00:51:38,296 --> 00:51:40,166
WATCH MY RED.
WATCH MY BLACK.
722
00:51:40,165 --> 00:51:42,065
DON'T SHOW
NOBODY THAT.
723
00:51:42,066 --> 00:51:43,066
RIGHT HERE.
724
00:51:43,067 --> 00:51:44,797
ANYBODY ELSE?
725
00:51:44,802 --> 00:51:46,472
PUT IT UP.
726
00:51:46,471 --> 00:51:49,211
NEED INFORMATION
ON A GUY CALLED
SKIP--
727
00:51:49,207 --> 00:51:51,207
26, MAYBE 27
YEARS OLD.
728
00:51:51,209 --> 00:51:53,809
HE'S A REGULAR
AT THE COCK PIT.
729
00:51:53,811 --> 00:51:55,211
YEAH. SKIP LEE?
730
00:51:55,213 --> 00:51:58,823
HE WORKS
AT A STEAK HOUSE--
THE IRON HORSE.
731
00:51:58,816 --> 00:52:00,076
GOT IT.
732
00:52:00,084 --> 00:52:01,624
HEY!
733
00:52:01,619 --> 00:52:05,219
EDELSON TAKE CARE
OF THOSE TWO COPS
FOR ME?
734
00:52:05,223 --> 00:52:06,623
HE'S WORKING ON IT.
735
00:52:06,624 --> 00:52:07,994
WELL, I GOT
SOMETHING ELSE.
736
00:52:07,992 --> 00:52:09,392
WHAT?
737
00:52:09,394 --> 00:52:12,634
YOU KNOW THAT GUY
THAT WAS KILLED
AT THE RAMBLE?
738
00:52:12,630 --> 00:52:17,240
COUPLE OF MY FRIENDS
WERE UP THERE,
AND THEY HEARD SINGING.
739
00:52:17,235 --> 00:52:18,635
A NURSERY RHYME, LIKE...
740
00:52:18,636 --> 00:52:20,366
* WHO'S HERE,
WE'RE HERE **
741
00:52:20,371 --> 00:52:21,841
SOMETHING LIKE THAT.
742
00:52:36,187 --> 00:52:37,187
GOOD EVENING.
743
00:52:37,188 --> 00:52:38,188
GOOD EVENING.
744
00:52:38,189 --> 00:52:39,789
TABLE FOR TWO?
745
00:52:39,790 --> 00:52:40,790
YEAH.
746
00:52:40,791 --> 00:52:41,791
THIS WAY, PLEASE.
747
00:52:48,599 --> 00:52:49,729
THERE YOU ARE.
748
00:52:49,734 --> 00:52:51,174
THANK YOU.
749
00:52:55,906 --> 00:52:57,376
ENJOY YOUR DINNER.
750
00:52:58,843 --> 00:53:00,253
THERE'S OUR BOY.
751
00:53:00,245 --> 00:53:01,505
MM-HMM.
752
00:53:01,512 --> 00:53:04,752
YES. WOULD YOU
LIKE A DRINK
BEFORE DINNER?
753
00:53:04,749 --> 00:53:06,779
YEAH. HEINEKEN.
754
00:53:06,784 --> 00:53:07,794
O.K.
755
00:53:09,354 --> 00:53:10,864
AND WHAT ABOUT
YOU, SIR?
756
00:53:10,855 --> 00:53:11,855
HUH?
757
00:53:11,856 --> 00:53:13,256
SOMETHING TO DRINK?
758
00:53:13,258 --> 00:53:16,458
UM, I'LL HAVE A--
I'LL HAVE A STEAK.
759
00:53:16,461 --> 00:53:17,261
O.K.
760
00:53:17,262 --> 00:53:18,332
MAKE IT TWO.
761
00:53:18,329 --> 00:53:20,159
HOW WOULD YOU LIKE
THOSE COOKED?
762
00:53:20,164 --> 00:53:21,174
RARE.
763
00:53:21,165 --> 00:53:22,895
MEDIUM.
764
00:53:22,900 --> 00:53:23,900
MMM, IT'S GOOD.
765
00:53:24,835 --> 00:53:27,565
THE PATTERN
OF LACERATIONS
MATCH THE SERRATIONS.
766
00:53:27,572 --> 00:53:31,582
THE DEPTH AND THE WIDTH
OF THE STAB WOUNDS
767
00:53:31,576 --> 00:53:34,406
COULD ALL HAVE BEEN MADE
WITH THIS TYPE BLADE.
768
00:53:34,412 --> 00:53:37,582
COULD YOU TAKE OFF
AN ARM OR LEG
WITH THAT?
769
00:53:37,582 --> 00:53:40,452
YOU'D HAVE TO BE
VERY STRONG,
770
00:53:40,451 --> 00:53:43,651
BUT, YES, IT COULD
GET THE JOB DONE.
771
00:53:53,731 --> 00:53:56,331
THIS IS WHAT YOU'RE
LOOKING FOR.
772
00:53:56,334 --> 00:53:58,304
YOUR MAN'S
CARRYING THIS.
773
00:54:27,832 --> 00:54:31,142
[SIGH]
774
00:54:31,135 --> 00:54:33,635
COME ON, GUYS,
LET'S GET IT GOING.
775
00:54:33,638 --> 00:54:36,838
ANOTHER HALF HOUR,
I'M ON OVERTIME.
776
00:54:38,142 --> 00:54:39,582
YEAH.
777
00:54:48,453 --> 00:54:50,023
LET'S GO TO WORK.
778
00:55:00,264 --> 00:55:02,004
[RADIO TUNER WHISTLES]
779
00:55:06,103 --> 00:55:07,413
HERE WE GO.
780
00:55:07,405 --> 00:55:08,735
[DOOR OPENS]
781
00:55:10,708 --> 00:55:12,678
[SKIP]
WHAT'S--WHAT'S THAT?
782
00:55:12,677 --> 00:55:16,147
[BURNS]
WELL, THERE'S TWO OF US
HERE, RIGHT?
783
00:55:16,146 --> 00:55:18,276
ARE YOU KIDDING?
784
00:55:18,282 --> 00:55:20,282
TH-THAT'S NOT MY SCENE.
785
00:55:20,284 --> 00:55:21,824
[STATIC]
786
00:55:21,819 --> 00:55:26,059
O.K., THEN,
YOU TIE ME UP.
787
00:55:26,056 --> 00:55:28,756
IT'S TOO WEIRD, MAN.
788
00:55:28,759 --> 00:55:30,029
[STATIC]
789
00:55:30,027 --> 00:55:32,697
ARE YOU SAYING
YOU'RE NOT GOING
TO DO IT?
790
00:55:32,697 --> 00:55:34,897
I JUST DON'T
GET INTO THAT.
791
00:55:34,899 --> 00:55:36,299
YEAH, BUT I DO.
792
00:55:36,300 --> 00:55:38,700
YOU WANT ME TO TIE
YOU UP,
793
00:55:38,703 --> 00:55:41,573
THEN WHAT
DO YOU WANT ME TO DO?
794
00:55:41,572 --> 00:55:42,812
WHATEVER YOU WANT.
795
00:55:42,807 --> 00:55:44,537
[SQUEAL]
796
00:55:51,315 --> 00:55:52,975
LET'S GET OUT OF HERE!
797
00:56:39,329 --> 00:56:40,329
SHH.
798
00:56:40,330 --> 00:56:42,400
[SKIP]
AND DO WHAT?
799
00:56:51,275 --> 00:56:52,275
HUH?
800
00:56:52,276 --> 00:56:54,446
WHAT THE HELL
IS THIS?
801
00:56:54,445 --> 00:56:56,445
GET YOUR ASS IN THERE!
802
00:56:56,447 --> 00:56:58,047
WHAT'S GOING ON?
803
00:56:58,048 --> 00:56:59,448
WHAT'S YOUR NAME?
804
00:56:59,450 --> 00:57:00,950
WHAT ARE YOU DOING HERE?
805
00:57:00,951 --> 00:57:02,351
DID HE TRY ANYTHING?
806
00:57:02,352 --> 00:57:03,352
NO.
807
00:57:03,353 --> 00:57:04,693
DID HE SHOW YOU
HIS KNIFE?
808
00:57:04,689 --> 00:57:07,359
WHAT WERE YOU FAGGOTS
DOING UP THERE?
809
00:57:07,357 --> 00:57:09,357
WHAT IS THIS SHIT,
HUH?
810
00:57:09,359 --> 00:57:11,359
YOU WERE GONNA
STICK HIM.
811
00:57:11,361 --> 00:57:12,961
WHAT ARE YOU
TALKING ABOUT?
812
00:57:12,963 --> 00:57:13,963
WHOSE ROOM WAS IT?
813
00:57:13,964 --> 00:57:14,974
HIS.
814
00:57:16,366 --> 00:57:17,766
IS THAT RIGHT?
815
00:57:17,768 --> 00:57:21,368
I--I TOLD YOU
WHAT WE WERE DOING
816
00:57:21,371 --> 00:57:22,471
ISN'T
YOUR BUSINESS.
817
00:57:22,473 --> 00:57:25,383
YOU HAD NO RIGHT
TO COME IN THERE.
818
00:57:25,375 --> 00:57:28,375
I WANT TO KNOW
WHAT YOU WERE DOING.
819
00:57:28,378 --> 00:57:29,378
NOTHING.
820
00:57:29,379 --> 00:57:30,379
NOTHING?
821
00:57:30,380 --> 00:57:33,120
HE'S TIED UP
LYING FACE DOWN.
822
00:57:33,117 --> 00:57:34,947
NOTHING?
823
00:57:34,952 --> 00:57:38,362
IS THIS WHAT
YOU HAD IN MIND FOR HIM?
824
00:57:38,355 --> 00:57:42,325
WE GOT ENOUGH
TO STICK YOU AWAY
FOR THREE YEARS.
825
00:57:42,326 --> 00:57:44,726
IT'S AS TIGHT
AS A CHICKEN'S ASS.
826
00:57:44,729 --> 00:57:46,329
DO YOURSELF A FAVOR.
827
00:57:46,330 --> 00:57:48,730
LISTEN, THIS GUY
CRUISED ME.
828
00:57:48,733 --> 00:57:51,343
I DON'T EVEN KNOW
HIS NAME.
829
00:57:51,335 --> 00:57:53,335
HE GOT ME
TO GO TO HIS ROOM.
830
00:57:53,337 --> 00:57:54,337
THAT'S BULLSHIT.
831
00:57:54,338 --> 00:57:55,738
IS THAT RIGHT?
832
00:57:55,740 --> 00:57:57,740
I TOLD YOU
IT WAS MY ROOM.
833
00:57:57,742 --> 00:58:00,882
THAT'S ALL I'M SAYING.
I WANT A LAWYER.
834
00:58:10,354 --> 00:58:11,394
AAH!
835
00:58:11,388 --> 00:58:12,788
WHAT THE HELL WAS THAT?
836
00:58:12,790 --> 00:58:14,630
DID HE SHOW YOU
HIS KNIFE?
837
00:58:14,625 --> 00:58:16,625
WHAT'D HE HIT ME FOR?
838
00:58:16,627 --> 00:58:18,097
WHO PAID
FOR THE ROOM?
839
00:58:18,095 --> 00:58:19,495
WHAT WAS THAT?
840
00:58:19,496 --> 00:58:21,366
WHO PAID
FOR THE ROOM?
841
00:58:21,365 --> 00:58:24,365
WHAT'D HE HIT ME FOR?
I SAID I DID!
842
00:58:24,368 --> 00:58:25,368
HE DID, MAN!
843
00:58:25,369 --> 00:58:26,769
FUCK.
844
00:58:26,771 --> 00:58:30,711
ALL RIGHT, LET'S SEPARATE
THESE TWO GIRLS.
845
00:58:31,676 --> 00:58:33,276
COME ON. GET UP.
846
00:58:33,277 --> 00:58:34,277
LET'S GO.
GET UP.
847
00:58:36,614 --> 00:58:38,684
GO ON.
GET IN THERE.
848
00:58:42,753 --> 00:58:45,363
YOU CAME IN TOO SOON,
SONNY.
849
00:58:45,355 --> 00:58:46,985
YOU WERE TOO SOON.
850
00:58:51,662 --> 00:58:54,972
HEY, YOU REALLY
HIT ME, MAN.
851
00:58:58,435 --> 00:59:00,605
YOU KNOW THIS MAN?
852
00:59:01,872 --> 00:59:03,412
NO.
853
00:59:03,407 --> 00:59:05,007
WHAT ABOUT HIM, SKIP?
854
00:59:05,009 --> 00:59:06,609
RECOGNIZE HIM?
855
00:59:07,812 --> 00:59:11,022
HAVE YOU EVER
SEEN HIM BEFORE?
856
00:59:11,015 --> 00:59:14,015
[SOBBING]
857
00:59:15,019 --> 00:59:16,189
HIM?
858
00:59:16,186 --> 00:59:17,616
WHAT DO YOU WANT, HUH?
859
00:59:17,622 --> 00:59:19,422
I NEVER KILLED NOBODY!
860
00:59:19,423 --> 00:59:22,163
YOU BETTER LET ME
SEE A LAWYER, MAN.
861
00:59:22,159 --> 00:59:23,629
[DOOR OPENS]
862
00:59:25,029 --> 00:59:26,029
TREMENDOUS.
863
00:59:26,030 --> 00:59:27,830
OH, NOLAN RYAN.
864
00:59:27,832 --> 00:59:30,372
DID YOU SEE
THAT TWO-HITTER?
865
00:59:30,367 --> 00:59:32,037
LET ME OUT OF HERE.
866
00:59:33,037 --> 00:59:35,237
OH, COME ON!
867
00:59:35,239 --> 00:59:38,039
A COUPLE
OF DAYS AGO,
WE WERE ALL...
868
00:59:38,042 --> 00:59:39,042
AAH!
869
00:59:39,043 --> 00:59:40,443
WHO'S THAT GUY?
870
00:59:40,444 --> 00:59:42,854
EVER SEE A KNIFE
LIKE THIS, SKIP?
871
00:59:42,847 --> 00:59:45,447
EVERY DAY.
THEY GIVE THEM OUT
WHERE I WORK.
872
00:59:45,449 --> 00:59:47,449
DO YOU HAVE
ONE LIKE IT?
873
00:59:47,451 --> 00:59:49,851
WHAT DO YOU WANT
FROM ME, HUH?
874
00:59:49,854 --> 00:59:52,824
YOU'RE A LYING
SON OF A BITCH.
875
00:59:55,592 --> 00:59:59,262
SKIP, THE DAY MARTINO PERRY
WAS KILLED,
876
00:59:59,263 --> 01:00:01,873
YOU WERE SEEN COMING
OUT OF HIS STORE.
877
01:00:01,866 --> 01:00:06,266
I BOUGHT HIM
AN OUNCE OF GRASS.
878
01:00:06,270 --> 01:00:08,170
GET UP!
879
01:00:08,172 --> 01:00:09,812
GET ON
YOUR FEET!
880
01:00:12,877 --> 01:00:15,077
GET YOUR
PANTS DOWN.
881
01:00:15,079 --> 01:00:16,079
WHAT?
882
01:00:16,080 --> 01:00:17,480
WATCH MY LIPS!
883
01:00:17,481 --> 01:00:19,081
GET YOUR
PANTS DOWN!
884
01:00:19,083 --> 01:00:20,423
GET 'EM OFF!
885
01:00:20,417 --> 01:00:22,287
YOU'RE GONNA
JERK OFF, MISTER.
886
01:00:22,286 --> 01:00:25,386
WE'RE GONNA
GET A SAMPLE
OF YOUR SPERM.
887
01:00:25,389 --> 01:00:29,089
THEN YOU'RE GONNA TAKE
THE FLOATING BALL TEST.
888
01:00:29,093 --> 01:00:31,903
W-WHAT'S THAT?
889
01:00:31,896 --> 01:00:34,296
WE'RE GOING TO FILL
THAT SINK WITH WATER.
890
01:00:34,298 --> 01:00:37,498
THEN WE'RE GOING TO DIP
YOUR BALLS IN IT,
891
01:00:37,501 --> 01:00:38,901
AND IF THEY
DON'T FLOAT,
892
01:00:38,903 --> 01:00:41,113
YOU'RE OUR MAIN MAN.
893
01:00:42,907 --> 01:00:45,107
DO YOU UNDERSTAND THAT?
894
01:00:47,111 --> 01:00:49,151
[SOBBING]
895
01:00:58,923 --> 01:01:01,533
THE PRINTS DON'T MATCH.
896
01:01:01,525 --> 01:01:02,925
THE PRINT
ON THE QUARTER'S
897
01:01:02,927 --> 01:01:05,127
DIFFERENT THAN
THE KID'S PRINT.
898
01:01:09,934 --> 01:01:12,704
LISTEN, BOSS,
LET ME HAVE THIS GUY.
899
01:01:12,703 --> 01:01:15,113
I CAN MAKE HIM
GIVE IT UP.
900
01:01:15,105 --> 01:01:17,705
HE'S ONLY BEEN WORKING
IN THAT STEAK JOINT
901
01:01:17,708 --> 01:01:20,538
A LITTLE
OVER TWO MONTHS.
902
01:01:20,544 --> 01:01:22,554
YOU GOT NOTHING.
903
01:01:22,546 --> 01:01:24,146
HE'S THE WRONG GUY.
904
01:01:52,576 --> 01:01:53,706
HI.
905
01:01:53,710 --> 01:01:54,910
HELLO.
906
01:01:58,582 --> 01:02:01,322
WHY DIDN'T YOU
USE YOUR KEY?
907
01:02:06,590 --> 01:02:09,130
CAN I COME IN?
908
01:02:09,126 --> 01:02:10,456
UM...
909
01:02:10,460 --> 01:02:13,200
I'M ON MY WAY OUT.
910
01:02:13,197 --> 01:02:14,827
O.K.
911
01:02:29,213 --> 01:02:31,223
WHAT'S GOING ON?
912
01:02:31,215 --> 01:02:33,515
NOTHING.
913
01:02:33,517 --> 01:02:36,017
WHY CAN'T YOU
TRUST ME?
914
01:02:36,020 --> 01:02:39,490
I DON'T WANT TO TALK
ABOUT IT, NANCE.
915
01:02:39,489 --> 01:02:40,889
IS IT ME?
916
01:02:40,891 --> 01:02:43,061
ARE YOU TURNED OFF
TO ME?
917
01:02:43,060 --> 01:02:44,060
NO.
918
01:02:45,629 --> 01:02:48,469
WHY DON'T YOU
WANT ME ANYMORE?
919
01:02:50,234 --> 01:02:51,674
I'M TIRED,
920
01:02:51,668 --> 01:02:53,838
THAT'S ALL.
921
01:02:58,042 --> 01:02:59,782
I'M NOT AN IDIOT.
922
01:02:59,776 --> 01:03:03,176
NANCE, WHAT I'M DOING
IS AFFECTING ME.
923
01:03:07,051 --> 01:03:09,851
I'M ON YOUR SIDE,
YOU KNOW?
924
01:03:12,056 --> 01:03:14,056
I DON'T KNOW. I...
925
01:03:14,058 --> 01:03:16,658
I DON'T UNDERSTAND
WHAT'S HAPPENING TO YOU.
926
01:03:16,660 --> 01:03:18,400
NEITHER DO I.
927
01:03:22,066 --> 01:03:25,266
MAYBE WE SHOULD
CUT LOOSE FOR A WHILE.
928
01:03:27,271 --> 01:03:28,871
YEAH.
929
01:03:36,280 --> 01:03:37,280
YEAH.
930
01:03:37,281 --> 01:03:38,521
O.K.
931
01:03:50,827 --> 01:03:52,397
STEVE...
932
01:03:57,301 --> 01:03:59,301
FORGET IT.
933
01:04:23,127 --> 01:04:25,727
I DON'T UNDERSTAND
HOW YOU LET THOSE GUYS
934
01:04:25,729 --> 01:04:27,129
WORK ME OVER LIKE THAT.
935
01:04:27,131 --> 01:04:29,131
WELCOME TO
THE DETECTIVE DIVISION.
936
01:04:29,133 --> 01:04:31,543
WE'RE GONNA HAVE
TO FIND ANOTHER WAY
937
01:04:31,535 --> 01:04:34,735
BECAUSE I'M NOT
GETTING PAID ENOUGH
TO GO THROUGH THIS.
938
01:04:34,738 --> 01:04:36,138
WE'RE LOOKING
FOR A KILLER.
939
01:04:36,140 --> 01:04:38,140
WE GOT TO MAKE IT
CONVINCING.
940
01:04:38,142 --> 01:04:39,542
LOOK, THE GUY
WAS INNOCENT.
941
01:04:39,543 --> 01:04:42,753
YOU WORKED HIM OVER
LIKE HE SHOT
THE PRESIDENT.
942
01:04:42,746 --> 01:04:44,146
YOU DESTROYED
THAT KID.
943
01:04:44,148 --> 01:04:46,748
YOU DIDN'T EVEN HAVE
A CASE AGAINST HIM.
944
01:04:46,750 --> 01:04:48,290
YOU FINGERED HIM.
945
01:04:48,285 --> 01:04:51,555
I DIDN'T THINK ANYBODY
WAS GOING TO GO
THAT FAR WITH HIM.
946
01:04:51,555 --> 01:04:54,585
SOMETIMES YOU ONLY GET
THAT ONE CHANCE.
947
01:04:54,591 --> 01:04:55,991
HE DIDN'T HAVE
A KNIFE.
948
01:04:55,993 --> 01:04:59,003
I DIDN'T COME
ON THIS JOB
TO SHITCAN SOME GUY
949
01:04:58,996 --> 01:05:00,626
JUST 'CAUSE
HE'S GAY, CAPTAIN.
950
01:05:00,630 --> 01:05:02,430
YOU'RE GONNA
COME INTO DAYS
951
01:05:02,432 --> 01:05:05,642
WHERE YOU HAVE TO COLLAR
A DOZEN GUYS LIKE THAT--
952
01:05:05,635 --> 01:05:07,035
SCARED, WEIRD LITTLE GUYS
953
01:05:07,037 --> 01:05:10,037
WHO DON'T KNOW
WHY THEY HAVE TO DO
WHAT THEY DO.
954
01:05:10,040 --> 01:05:12,040
IT ISN'T THEIR FAULT
OR YOURS.
955
01:05:12,042 --> 01:05:13,642
IT'S THE JOB.
956
01:05:13,643 --> 01:05:15,383
I CAN'T DO THE JOB.
957
01:05:21,185 --> 01:05:24,185
I DON'T THINK I CAN DO
THE JOB, CAPTAIN.
958
01:05:24,188 --> 01:05:26,788
I DON'T THINK
I CAN HANDLE IT,
959
01:05:26,790 --> 01:05:28,790
THAT'S ALL.
960
01:05:28,792 --> 01:05:30,792
I DON'T KNOW.
961
01:05:30,794 --> 01:05:31,804
IT'S JUST...
962
01:05:31,795 --> 01:05:33,495
IT'S JUST...
963
01:05:34,798 --> 01:05:37,198
THINGS HAPPENING TO ME,
YOU KNOW?
964
01:05:37,201 --> 01:05:40,201
I DON'T KNOW
THAT I CAN HANDLE IT.
965
01:05:40,204 --> 01:05:41,614
I WANT YOU TO KNOW
966
01:05:41,605 --> 01:05:44,405
THAT'S IT'S NOT
BECAUSE I'M AFRAID
OR ANYTHING.
967
01:05:46,210 --> 01:05:47,810
THERE'S JUST STUFF
GOING DOWN
968
01:05:47,811 --> 01:05:49,211
I DON'T THINK I CAN...
969
01:05:49,213 --> 01:05:51,423
I CAN DEAL WITH IT.
970
01:05:52,916 --> 01:05:55,016
I NEED YOU.
971
01:05:56,220 --> 01:05:57,820
YOU'RE MY PARTNER,
972
01:05:57,821 --> 01:06:00,161
AND YOU CAN'T
LET ME DOWN.
973
01:06:00,157 --> 01:06:02,827
WE'RE UP TO OUR ASS
IN THIS,
974
01:06:02,826 --> 01:06:04,426
AND I'M COUNTING
ON YOU.
975
01:06:16,806 --> 01:06:18,436
STEVE.
976
01:06:26,250 --> 01:06:29,250
THIS IS FROM
THE COLUMBIA UNIVERSITY
YEARBOOK.
977
01:06:29,253 --> 01:06:31,663
THESE PICTURES
GO BACK TWO YEARS.
978
01:06:31,655 --> 01:06:34,255
THERE'S A CHECK MARK
NEXT TO EVERY STUDENT
979
01:06:34,258 --> 01:06:35,658
WHO EVER TOOK A CLASS
980
01:06:35,659 --> 01:06:38,859
FROM THAT COLUMBIA PROFESSOR
WHO GOT KILLED.
981
01:06:38,862 --> 01:06:40,862
I'D LIKE YOU
TO TAKE THIS
982
01:06:40,864 --> 01:06:43,474
AND SEE IF YOU CAN
RECOGNIZE ANYBODY.
983
01:07:42,959 --> 01:07:45,729
[TELEPHONE RINGS]
984
01:07:47,397 --> 01:07:49,897
[RING]
985
01:07:49,899 --> 01:07:51,839
REGISTRAR'S OFFICE.
GOOD MORNING.
986
01:07:51,835 --> 01:07:55,035
UH, YES. I'M TRYING
TO LOCATE A STUDENT,
STUART RICHARDS.
987
01:07:55,038 --> 01:07:58,038
HE'S IN THE DEPARTMENT
OF MUSIC AND SPEECH.
988
01:07:58,041 --> 01:08:01,041
IS HE ENROLLED
IN THE SUMMER SESSION?
989
01:08:01,044 --> 01:08:03,754
UH, YES,
I BELIEVE HE IS.
990
01:08:03,747 --> 01:08:06,547
O.K., WOULD YOU WAIT
JUST A MOMENT, PLEASE?
991
01:08:06,550 --> 01:08:07,550
YES.
992
01:08:13,523 --> 01:08:14,523
HOLD ON.
993
01:08:14,524 --> 01:08:15,634
YES.
994
01:08:15,625 --> 01:08:17,955
THE LAST ADDRESS I HAVE
ON A STUART RICHARDS--
995
01:08:17,961 --> 01:08:19,561
HOLD ON JUST A SECOND.
996
01:08:19,563 --> 01:08:20,363
YES.
997
01:08:20,364 --> 01:08:23,374
IT'S
140 CLAREMONT AVENUE,
998
01:08:23,367 --> 01:08:24,967
MORNINGSIDE HEIGHTS.
999
01:08:24,968 --> 01:08:26,168
THANK YOU.
1000
01:08:48,124 --> 01:08:49,694
[INHALING]
1001
01:08:49,693 --> 01:08:50,733
[EXHALING]
1002
01:09:01,505 --> 01:09:04,105
GOD, WHAT IS THIS,
SHEEP SHIT?
1003
01:09:04,107 --> 01:09:06,907
WHAT DO YOU EXPECT
FOR 50 CENTS A PACK?
1004
01:09:06,910 --> 01:09:09,250
I DIDN'T REALIZE THINGS
WERE GETTING THAT ROUGH.
1005
01:09:09,246 --> 01:09:11,646
MY OLD MAN'S
ABOUT TO DRAW THE LINE.
1006
01:09:11,648 --> 01:09:14,048
HE TURNED ME DOWN
ON THE CAR.
1007
01:09:14,050 --> 01:09:17,850
HE DOESN'T UNDERSTAND
WHY I WOULD WANT A CAR
ALL SUMMER LONG
1008
01:09:17,854 --> 01:09:19,664
TO DO RESEARCH
IN A LIBRARY
1009
01:09:19,656 --> 01:09:22,256
THAT'S ACROSS THE STREET
FROM WHERE I LIVE.
1010
01:09:22,259 --> 01:09:24,629
SO WHAT ARE YOU
GONNA DO?
1011
01:09:24,628 --> 01:09:26,258
LIVE WITHIN
MY MEAGER MEANS
1012
01:09:26,263 --> 01:09:27,663
AND CONTINUE MY THESIS
1013
01:09:27,664 --> 01:09:30,674
ON THE ROOTS
OF THE AMERICAN
MUSICAL THEATER,
1014
01:09:30,667 --> 01:09:33,667
ALL IN THE WAY
OF BUYING TWO MORE YEARS
1015
01:09:33,670 --> 01:09:36,270
BEFORE I HAVE TO GO OUT
IN THE WORLD.
1016
01:09:36,273 --> 01:09:38,883
I DIDN'T MEAN YOUR PLANS
FOR LIFE, STUEY.
1017
01:09:38,875 --> 01:09:40,275
WHAT ABOUT TONIGHT?
1018
01:09:40,277 --> 01:09:41,877
DON'T CALL ME STUEY,
O.K.?
1019
01:09:41,878 --> 01:09:43,278
SORRY.
1020
01:09:43,280 --> 01:09:46,280
I GOT A LOT OF STUFF
TO DO TONIGHT.
1021
01:09:46,283 --> 01:09:48,053
I SHOULD DO
SOME MORE WORK.
1022
01:09:48,051 --> 01:09:49,851
IF YOU GET TIRED
OF STUDYING,
1023
01:09:49,853 --> 01:09:53,063
MAYBE I CAN GET MY OLD MAN
TO ADOPT YOU.
1024
01:09:53,056 --> 01:09:54,656
YOU'RE TOO KIND.
1025
01:09:54,658 --> 01:09:55,788
YOU NOTICED.
1026
01:09:56,793 --> 01:09:58,333
[SIGHS]
1027
01:11:28,251 --> 01:11:32,321
* I'M BREATHLESS AND DAZED *
1028
01:11:32,322 --> 01:11:34,622
* FROM WORKIN' OUT
FOR DAYS *
1029
01:11:34,624 --> 01:11:37,364
* GOTTA PROVE *
1030
01:11:37,361 --> 01:11:40,001
* THAT ENDURANCE PAYS *
1031
01:11:39,996 --> 01:11:42,396
* WELL *
1032
01:11:42,399 --> 01:11:45,539
* IF YOU JUMP *
1033
01:11:45,535 --> 01:11:47,395
* YOU'LL BE
THROWN HARDER *
1034
01:11:47,404 --> 01:11:50,444
* YOU'RE LIKE
A LONG-DISTANCE RUNNER *
1035
01:11:50,440 --> 01:11:53,140
* PASSING MY HEART
LIKE I'M A TORCH *
1036
01:11:53,142 --> 01:11:55,752
* IN THE RELAY RACE
OF LIFE *
1037
01:11:57,213 --> 01:11:59,653
* I'VE BEEN
EXERCISIN' *
1038
01:11:59,649 --> 01:12:01,589
* EVERY ANGLE *
1039
01:12:01,585 --> 01:12:02,615
* LOVE'S A SPORT *
1040
01:12:02,619 --> 01:12:04,419
* THAT'S HARD
TO HANDLE *
1041
01:12:04,421 --> 01:12:06,461
* I WON'T REST *
1042
01:12:06,456 --> 01:12:08,426
* UNTIL I WIN **
1043
01:13:18,728 --> 01:13:20,528
[CRASH]
1044
01:14:25,028 --> 01:14:26,028
[DOOR CLOSES]
1045
01:17:11,394 --> 01:17:13,904
[PLAYING PIANO]
1046
01:17:52,368 --> 01:17:54,368
[SOUND OF A BEATING]
1047
01:17:54,370 --> 01:17:57,370
[VOICES SHOUT]
1048
01:18:03,112 --> 01:18:04,982
I GOT IT!
1049
01:18:06,382 --> 01:18:09,152
HEY! I GOT IT!
1050
01:18:09,152 --> 01:18:10,752
HEY, DOWN HERE!
1051
01:18:11,788 --> 01:18:14,158
I GOT IT!
I GOT IT!
1052
01:18:18,261 --> 01:18:19,061
FATHER,
1053
01:18:19,062 --> 01:18:22,202
I NEED TO TALK
TO YOU.
1054
01:18:26,135 --> 01:18:29,735
I WISH JUST ONCE
YOU'D SAY SOMETHING
POSITIVE TO ME.
1055
01:18:30,840 --> 01:18:32,810
I'VE TRIED TO DO
EVERYTHING YOU WANTED,
1056
01:18:32,809 --> 01:18:34,239
BUT IT'S NEVER
GOOD ENOUGH.
1057
01:18:34,243 --> 01:18:38,013
I'VE TAKEN IT FOR GRANTED
THAT YOU UNDERSTOOD, STUEY.
1058
01:18:41,217 --> 01:18:44,017
YOU KNOW
WHAT YOU HAVE TO DO.
1059
01:18:46,823 --> 01:18:50,063
YOU KNOW
WHAT YOU HAVE TO DO.
1060
01:20:05,101 --> 01:20:05,901
YES?
1061
01:20:05,902 --> 01:20:07,502
I'M LOOKING FOR TED.
1062
01:20:07,503 --> 01:20:09,313
I GOT THE ROOM
NEXT DOOR.
1063
01:20:09,305 --> 01:20:11,905
YOU MUST BE
THE FAMOUS JOHN FORBES.
1064
01:20:11,908 --> 01:20:13,308
YOU MUST BE GREG.
1065
01:20:13,309 --> 01:20:16,509
AND LOOKS
AS IF I GOT BACK
JUST IN TIME.
1066
01:20:16,512 --> 01:20:17,752
WHAT DO YOU MEAN?
1067
01:20:17,746 --> 01:20:20,716
DO YOU USUALLY
COME BARGING IN ON TED
AT DINNERTIME?
1068
01:20:20,716 --> 01:20:23,916
WELL, I DON'T KNOW
THAT THAT'S ANY
OF YOUR BUSINESS.
1069
01:20:23,920 --> 01:20:25,320
WRONG. IT'S EXACTLY
MY BUSINESS.
1070
01:20:25,321 --> 01:20:27,391
ANYWAY, YOU STRUCK OUT
TONIGHT.
1071
01:20:27,390 --> 01:20:28,820
TED ISN'T HERE.
1072
01:20:28,824 --> 01:20:30,934
WHERE IS HE?
1073
01:20:30,927 --> 01:20:32,327
IF YOU MUST KNOW,
1074
01:20:32,328 --> 01:20:34,928
HE'S OUT WORKING
AN IBM MACHINE
1075
01:20:34,931 --> 01:20:36,731
IN A PRIMO
BROKERAGE HOUSE.
1076
01:20:36,732 --> 01:20:39,942
IT PAYS WELL BECAUSE
NORMAL FOLK DON'T LIKE
WORKING AT NIGHT.
1077
01:20:39,936 --> 01:20:41,336
ANYWAY, IT'S GOOD FOR HIM,
1078
01:20:41,337 --> 01:20:42,937
'CAUSE WHEN
HE'S OUT WORKING,
1079
01:20:42,939 --> 01:20:44,539
HE'S NOT OUT
GETTING INVOLVED,
1080
01:20:44,540 --> 01:20:46,340
IF YOU KNOW
WHAT I MEAN.
1081
01:20:46,342 --> 01:20:49,712
NO, I DON'T KNOW
WHAT YOU MEAN.
1082
01:20:49,712 --> 01:20:51,352
NO? TED IS TOO SENSITIVE
1083
01:20:51,347 --> 01:20:52,947
TO HAVE TOO MANY
INVOLVEMENTS.
1084
01:20:52,949 --> 01:20:54,479
WE FOUND THAT OUT
1085
01:20:54,483 --> 01:20:57,953
WITH THE LAST PIECE
OF TRASH THAT MOVED IN
DOWN THE HALL.
1086
01:20:57,954 --> 01:21:00,964
I'D SAY IT MUST
BE SOMETHING
ABOUT THAT ROOM,
1087
01:21:00,957 --> 01:21:03,557
THE PEOPLE IT ATTRACTS,
DO YOU SUPPOSE?
1088
01:21:03,559 --> 01:21:05,459
YOU BASTARD.
1089
01:21:05,461 --> 01:21:06,861
PUSSY.
1090
01:21:08,831 --> 01:21:10,571
COME ON,
YOU COCKSUCKER!
1091
01:21:10,566 --> 01:21:11,966
YOU DO IT AGAIN,
1092
01:21:11,968 --> 01:21:14,168
I'LL CALL
THE POLICE, ASSHOLE!
1093
01:21:17,606 --> 01:21:18,866
FUCK.
1094
01:21:21,410 --> 01:21:22,410
FUCK.
1095
01:21:23,412 --> 01:21:24,482
[SIGHS]
1096
01:21:25,581 --> 01:21:27,121
OH, SHIT.
1097
01:21:33,923 --> 01:21:35,493
[SIGHS]
1098
01:21:37,426 --> 01:21:38,456
[DOOR CLOSES]
1099
01:21:50,473 --> 01:21:52,143
YOU MOTHERFUCKER!
1100
01:21:52,141 --> 01:21:53,741
YOU AIN'T NORMAL!
1101
01:21:53,742 --> 01:21:56,082
YOU ARE SHIT, DOG SHIT!
1102
01:22:02,885 --> 01:22:04,285
YOU'RE CRAZY, MISTER!
1103
01:22:04,287 --> 01:22:06,287
YOU OUGHT TO BE
COMMITTED!
1104
01:22:06,289 --> 01:22:09,359
YOU WANT TO PLAY?
I'LL PLAY WITH YOU.
1105
01:22:21,370 --> 01:22:23,340
GET OUT.
1106
01:23:52,828 --> 01:23:55,058
[BUZZER]
1107
01:26:14,270 --> 01:26:16,340
GOT A LIGHT?
1108
01:26:33,622 --> 01:26:34,762
THANKS.
1109
01:27:24,072 --> 01:27:25,372
* WHO'S HERE? *
1110
01:27:25,374 --> 01:27:26,444
* I'M HERE *
1111
01:27:26,442 --> 01:27:28,382
* YOU'RE HERE **
1112
01:27:35,351 --> 01:27:37,821
YOU'RE VERY FUNNY.
1113
01:27:39,355 --> 01:27:41,485
YOU GOT A PLACE?
1114
01:27:41,490 --> 01:27:44,330
YEAH, I HAVE A PLACE...
1115
01:27:47,696 --> 01:27:50,696
BUT IT'S NOT
AVAILABLE RIGHT NOW.
1116
01:27:50,699 --> 01:27:52,899
WE COULD GO
TO MY PLACE.
1117
01:27:52,901 --> 01:27:54,301
YEAH? WHERE'S THAT?
1118
01:27:54,303 --> 01:27:55,303
WEST VILLAGE.
1119
01:27:55,304 --> 01:27:56,314
TOO FAR.
1120
01:27:56,305 --> 01:27:58,305
HOW ABOUT
RIGHT DOWN THERE
1121
01:27:58,307 --> 01:27:59,907
IN THE TUNNEL?
1122
01:28:01,310 --> 01:28:02,710
I, UH...
1123
01:28:02,711 --> 01:28:05,311
I'M NOT TOO CRAZY
ABOUT PUBLIC PLACES.
1124
01:28:05,314 --> 01:28:08,924
DON'T WORRY, DOROTHY,
THERE'S NOBODY AROUND.
1125
01:28:44,487 --> 01:28:46,357
HOW BIG ARE YOU?
1126
01:28:46,355 --> 01:28:47,355
PARTY SIZE.
1127
01:28:47,356 --> 01:28:48,956
WHAT ARE YOU INTO?
1128
01:28:48,957 --> 01:28:50,557
I GO ANYWHERE.
1129
01:28:51,360 --> 01:28:52,960
I DON'T DO ANYTHING.
1130
01:28:52,961 --> 01:28:54,361
THAT'S COOL.
1131
01:28:54,363 --> 01:28:55,963
HIPS OR LIPS?
1132
01:29:11,547 --> 01:29:14,347
[BREATHING HEAVILY]
1133
01:29:15,984 --> 01:29:17,724
BASHFUL?
1134
01:29:19,321 --> 01:29:20,991
NO.
1135
01:29:20,989 --> 01:29:23,389
THEN GET THEM DOWN.
1136
01:29:23,392 --> 01:29:25,862
I WANT TO SEE
THE WORLD.
1137
01:29:27,996 --> 01:29:29,996
GO FOR IT.
1138
01:29:51,153 --> 01:29:52,493
OWW!
1139
01:30:02,264 --> 01:30:05,934
[MOANING]
1140
01:30:08,403 --> 01:30:11,073
[SOBBING]
1141
01:30:15,678 --> 01:30:18,278
STUART, THE MAN YOU
ATTACKED THE OTHER NIGHT
1142
01:30:18,280 --> 01:30:20,550
WAS A POLICE OFFICER.
1143
01:30:23,051 --> 01:30:25,251
HE ATTACKED ME.
1144
01:30:25,253 --> 01:30:27,823
WE KNOW YOU KILLED
MARTINO PERRY.
1145
01:30:27,823 --> 01:30:29,793
YOUR FINGERPRINT
WAS ON THE QUARTER.
1146
01:30:29,792 --> 01:30:31,792
WE'RE GOING
TO INDICT ON THAT.
1147
01:30:31,794 --> 01:30:34,864
THE UPSIDE FOR YOU
IS 20-TO-LIFE.
1148
01:30:36,264 --> 01:30:38,274
THAT'S ALL
YOU'RE GONNA GET
1149
01:30:38,266 --> 01:30:40,466
IS AN INDICTMENT.
1150
01:30:47,676 --> 01:30:51,146
IF YOU CONFESS
TO THE MURDER
OF MARTINO PERRY
1151
01:30:51,146 --> 01:30:52,676
AND LOREN LUKAS
1152
01:30:52,681 --> 01:30:54,151
AND ERIC ROSSMAN
1153
01:30:54,149 --> 01:30:57,289
AND FOUR OR FIVE
OTHERS WE THINK
YOU'RE INVOLVED IN,
1154
01:30:57,285 --> 01:30:59,685
WE'LL REDUCE
YOUR SENTENCE.
1155
01:30:59,688 --> 01:31:01,258
YOU'LL DO EIGHT YEARS,
1156
01:31:01,256 --> 01:31:02,456
NO MORE.
1157
01:31:03,559 --> 01:31:04,959
I'VE TALKED
TO THE D.A.,
1158
01:31:04,960 --> 01:31:07,900
AND HE'S WILLING
TO GO ALONG.
1159
01:31:10,699 --> 01:31:13,499
I NEVER KILLED ANYONE.
1160
01:31:19,842 --> 01:31:23,052
YOU'LL HAVE TO RUN IT
DOWN FOR THE GRAND JURY.
1161
01:31:23,045 --> 01:31:24,045
GRAND JURY?
1162
01:31:24,046 --> 01:31:25,446
JUST A FORMALITY.
1163
01:31:25,447 --> 01:31:26,847
ONCE YOU'VE
BEEN CLEARED,
1164
01:31:26,849 --> 01:31:29,849
YOU CAN NEVER BE SUED
OR FACE ANY CHARGES.
1165
01:31:29,852 --> 01:31:31,452
WE'LL PRESENT
THE EVIDENCE,
1166
01:31:31,453 --> 01:31:33,463
TELL THEM WHAT
YOUR ASSIGNMENT WAS.
1167
01:31:33,455 --> 01:31:35,555
THEY'LL GO
FOR NECESSARY FORCE,
1168
01:31:35,558 --> 01:31:37,528
AND YOU'LL WALK AWAY.
1169
01:31:39,327 --> 01:31:40,927
YOU KNOW, CAPTAIN,
1170
01:31:40,929 --> 01:31:41,859
UH...
1171
01:31:41,864 --> 01:31:44,734
I APPRECIATE
THE CHANCE YOU GAVE ME.
1172
01:31:44,733 --> 01:31:46,333
YOU WERE THERE FOR ME.
1173
01:31:46,334 --> 01:31:48,344
I--I--
1174
01:31:48,336 --> 01:31:49,736
I APPRECIATE IT.
1175
01:31:49,738 --> 01:31:51,338
YOUR ORDERS
SHOULD COME DOWN
1176
01:31:51,339 --> 01:31:52,739
AFTER THE GRAND JURY.
1177
01:31:52,741 --> 01:31:55,541
MEANWHILE, TAKE THE REST
OF THE WEEK OFF.
1178
01:32:01,349 --> 01:32:02,919
BURNS...
1179
01:32:03,752 --> 01:32:06,352
WELCOME TO
THE DETECTIVE DIVISION.
1180
01:32:06,354 --> 01:32:07,364
[BELL DINGS]
1181
01:32:07,355 --> 01:32:08,685
THANKS...
1182
01:32:10,358 --> 01:32:11,888
CAPTAIN EDELMAN.
1183
01:32:11,894 --> 01:32:13,564
EDELSTEIN.
1184
01:32:18,200 --> 01:32:19,800
HEY, DOWN HERE!
1185
01:32:21,169 --> 01:32:24,969
YOU KNOW ANY
OF THESE PEOPLE,
MR. GAINES?
1186
01:32:24,973 --> 01:32:26,373
UM...
1187
01:32:26,374 --> 01:32:28,384
THEY LOOK LIKE PICTURES
OF STUART
1188
01:32:28,376 --> 01:32:29,776
WHEN HE WAS A KID.
1189
01:32:29,778 --> 01:32:32,378
I GOT A BOX
OF OLD LETTERS HERE,
1190
01:32:32,380 --> 01:32:34,780
ALL ADDRESSED
TO, UH...
1191
01:32:34,783 --> 01:32:36,793
THE SAME GUY...
1192
01:32:36,785 --> 01:32:38,385
JOHN L. RICHARDS,
1193
01:32:38,386 --> 01:32:39,386
ST. LOUIS.
1194
01:32:39,387 --> 01:32:40,787
THAT WAS HIS FATHER.
1195
01:32:40,789 --> 01:32:43,989
I WONDER WHY
HE NEVER SENT THESE.
1196
01:32:55,403 --> 01:32:56,813
I'M SITTING IN MY ROOM.
1197
01:32:56,805 --> 01:32:59,805
ALL OF A SUDDEN I HEAR
ALL THESE SIRENS.
1198
01:32:59,808 --> 01:33:01,808
I DON'T KNOW
WHAT'S GOING ON,
1199
01:33:01,810 --> 01:33:04,410
SO I GET OUT
OF MY HOUSE,
1200
01:33:04,412 --> 01:33:05,812
COME DOWNSTAIRS.
1201
01:33:05,814 --> 01:33:07,824
ANYWAY, I SEE
ALL THESE PEOPLE,
1202
01:33:07,816 --> 01:33:10,416
AND I DON'T KNOW
WHAT'S GOING ON.
1203
01:33:10,418 --> 01:33:11,418
ANY IDEAS?
1204
01:33:11,419 --> 01:33:13,119
NO, I DON'T KNOW.
1205
01:33:13,121 --> 01:33:14,521
ARE YOU MISS ELLA?
1206
01:33:14,522 --> 01:33:15,922
RIGHT IN THERE,
CAPTAIN.
1207
01:33:15,924 --> 01:33:18,534
WHAT TIME DID YOU
HEAR THE VOICES?
1208
01:33:18,526 --> 01:33:19,796
2:15, 2:30.
1209
01:33:19,795 --> 01:33:22,225
DID YOU HEAR ANYTHING
THEY WERE SAYING?
1210
01:33:22,230 --> 01:33:24,000
NOT REALLY, NO.
1211
01:33:23,999 --> 01:33:25,769
CAPTAIN...
1212
01:33:25,768 --> 01:33:29,808
LANDLADY DISCOVERED
THE BODY ABOUT 2:30 A.M.
1213
01:33:29,805 --> 01:33:31,805
THE GUY DOWNSTAIRS
HEARD SOME SCREAMING.
1214
01:33:31,807 --> 01:33:35,137
HE'S GIVING THE DETAILS
TO PATROLMAN DESHER
OUTSIDE.
1215
01:33:35,143 --> 01:33:36,543
WHO IS HE?
1216
01:33:36,544 --> 01:33:37,954
NAME IS TED BAILEY.
1217
01:33:37,946 --> 01:33:40,146
WORKS IN A BROKERAGE
HOUSE DOWNTOWN,
1218
01:33:40,148 --> 01:33:41,348
PART-TIME, NIGHTS.
1219
01:33:41,349 --> 01:33:44,549
WENT TO THE BEACH TODAY
WITH THREE FRIENDS,
1220
01:33:44,552 --> 01:33:46,152
GOT BACK ABOUT 6:00,
1221
01:33:46,154 --> 01:33:47,564
WENT TO WORK,
1222
01:33:47,555 --> 01:33:48,955
AND HE MUST'VE GOT HIT
1223
01:33:48,957 --> 01:33:50,557
JUST AFTER
HE CAME HOME.
1224
01:33:50,558 --> 01:33:52,558
THERE'S NO SIGN
OF A STRUGGLE.
1225
01:33:52,560 --> 01:33:53,960
MUST'VE BEEN
SOMEONE HE KNEW.
1226
01:33:53,962 --> 01:33:55,562
WE GOT
THE MURDER WEAPON.
1227
01:33:55,563 --> 01:33:57,233
IT WAS A KITCHEN KNIFE.
1228
01:33:57,232 --> 01:34:00,442
HAD A ROOMMATE
BY THE NAME OF, UH...
1229
01:34:00,435 --> 01:34:01,435
GREGORY MILANESE.
1230
01:34:01,436 --> 01:34:02,836
HE'S A DANCER.
1231
01:34:02,838 --> 01:34:05,438
WE GOT AN ALARM
OUT FOR HIM.
1232
01:34:05,440 --> 01:34:07,440
LOOKS LIKE
A LOVER'S QUARREL.
1233
01:34:07,442 --> 01:34:08,442
DiSIMONE.
1234
01:34:08,443 --> 01:34:09,853
SIR?
1235
01:34:09,845 --> 01:34:11,445
SIXTH PRECINCT.
1236
01:34:11,446 --> 01:34:13,046
YES, SIR.
1237
01:34:17,452 --> 01:34:20,222
WHO LIVES
IN THAT APARTMENT
DOWN THE HALL?
1238
01:34:20,222 --> 01:34:21,622
A GUY CALLED CASEY.
1239
01:34:21,623 --> 01:34:23,193
HE'S AWAY
FOR THE SUMMER.
1240
01:34:23,191 --> 01:34:26,461
THE ONE NEXT DOOR IS
REGISTERED IN THE NAME
OF JOHN FORBES.
1241
01:34:26,461 --> 01:34:29,871
THE LANDLADY AIN'T SEEN
HIM IN A COUPLE OF DAYS.
1242
01:34:29,865 --> 01:34:31,465
WHAT'S THAT NAME?
1243
01:34:31,466 --> 01:34:33,066
JOHN FORBES.
1244
01:34:52,387 --> 01:34:54,387
JESUS CHRIST.
1245
01:34:54,389 --> 01:34:56,089
SIR?
1246
01:35:18,113 --> 01:35:20,723
WE WERE PLAYING POKER
ALL NIGHT LONG.
1247
01:35:20,715 --> 01:35:22,115
I LOST EVERYTHING.
1248
01:35:22,117 --> 01:35:24,717
AS USUAL.
DON'T YOU KNOW
WHEN TO QUIT?
1249
01:35:24,719 --> 01:35:27,319
THIS HAPPENS TO YOU
EVERY TIME YOU PLAY.
1250
01:35:31,393 --> 01:35:33,403
[WATER RUNNING]
1251
01:35:39,935 --> 01:35:41,535
WHEN'D YOU GET IN?
1252
01:35:41,536 --> 01:35:43,406
A LITTLE WHILE AGO.
1253
01:35:43,405 --> 01:35:45,665
I'M BACK.
1254
01:35:45,673 --> 01:35:48,143
CAN I STAY?
1255
01:35:48,143 --> 01:35:49,743
SURE.
1256
01:35:50,545 --> 01:35:51,945
I'M GLAD.
1257
01:35:51,947 --> 01:35:53,947
I NEED TO TALK TO YOU,
1258
01:35:53,949 --> 01:35:56,549
BUT I WANT TO TELL YOU
EVERYTHING. O.K.?
1259
01:35:56,551 --> 01:35:58,551
LET ME JUST
GET THIS OFF.
1260
01:35:58,553 --> 01:36:00,163
O.K.
1261
01:36:15,971 --> 01:36:19,011
[MUSIC PLAYS]
1262
01:37:46,061 --> 01:37:48,861
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
1263
01:37:48,863 --> 01:37:52,073
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
1264
01:37:52,067 --> 01:37:55,267
CAPTIONS COPYRIGHT 1994
WARNER BROS.
1265
01:37:56,972 --> 01:37:59,942
* YOU KNOW,
YOU'RE SLIDIN' DOWN *
1266
01:37:59,942 --> 01:38:02,142
* FORGET YOUR HEART *
1267
01:38:03,111 --> 01:38:05,211
* YOU HAVEN'T GOT ONE *
1268
01:38:08,783 --> 01:38:11,993
* JUST CLOSING YOUR EYES *
1269
01:38:11,987 --> 01:38:15,217
* SO YOU CAN'T SEE *
1270
01:38:15,223 --> 01:38:18,263
* SO YOU CAN'T SEE *
1271
01:38:18,260 --> 01:38:20,200
* NO, BABY,
I DON'T CARE *
1272
01:38:20,195 --> 01:38:21,195
* WHAT THEY SAY *
1273
01:38:21,196 --> 01:38:23,596
* IT'S SO EASY *
1274
01:38:27,102 --> 01:38:29,502
* NO, BABY,
I DON'T CARE *
1275
01:38:29,504 --> 01:38:30,514
* WHAT THEY SAY *
1276
01:38:30,505 --> 01:38:32,405
* IT'S SO EASY *
1277
01:38:35,777 --> 01:38:37,907
* YEAH, IT'S COMIN' ON *
1278
01:38:39,314 --> 01:38:42,054
* IT'S GETTIN' SWEETER *
1279
01:38:43,018 --> 01:38:45,088
* AND SWEETER *
1280
01:38:45,887 --> 01:38:48,117
* HA HA HA *
1281
01:38:48,123 --> 01:38:50,333
* IF YOU'RE GONNA DROWN *
1282
01:38:51,826 --> 01:38:54,896
* DO IT THE RIGHT WAY *
1283
01:38:54,896 --> 01:38:56,926
* DO IT THE RIGHT WAY *
1284
01:38:58,733 --> 01:38:59,933
* I DON'T CARE *
1285
01:38:59,934 --> 01:39:01,004
* WHAT THEY SAY *
1286
01:39:01,003 --> 01:39:04,073
* IT'S SO EASY *
1287
01:39:07,275 --> 01:39:08,905
* I DON'T CARE *
1288
01:39:08,910 --> 01:39:10,280
* WHAT THEY SAY,
IT'S SO *
1289
01:39:10,278 --> 01:39:13,278
* HA HA HA HA HA *
1290
01:39:14,216 --> 01:39:16,576
* IT'S SO EASY *
1291
01:39:18,586 --> 01:39:21,056
* IT'S SO EASY *
1292
01:39:22,757 --> 01:39:25,927
* IT'S SO EASY *
1293
01:39:25,927 --> 01:39:27,397
* HEH HEH HEH *
1294
01:39:27,395 --> 01:39:29,295
* OH, BABY, COME HERE *
1295
01:39:29,297 --> 01:39:31,597
* I'M IN LOVE,
LOVE, LOVE, LOVE *
1296
01:39:31,599 --> 01:39:33,199
* LOVE, LOVE, LOVE *
1297
01:39:34,969 --> 01:39:36,739
* YEAH, HA HA HA *
1298
01:39:36,738 --> 01:39:38,768
* YEAH, YEAH *
1299
01:39:38,773 --> 01:39:41,313
* IT'S SO EASY *
1300
01:39:41,309 --> 01:39:44,109
* IT'S SO EASY *
1301
01:39:44,112 --> 01:39:47,052
* OH, IT'S SO EASY *
1302
01:39:47,049 --> 01:39:49,249
* IT'S SO EASY **
79564
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