All language subtitles for The Joy of Painting S03E14 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

Welcome back.

Today, I'm very excited because
I'm going to show you something

that you've never
seen before on television.

Today, we're going to start with
a white canvas

and we're going to use
some Magic Black on it.

So, I'm going to let you see me
cover the canvas.

And this is Magic Black, here.
We'll just cover the entire canvas.

And go all the way across.

There we go.

And a little bit more.

We apply this exactly the same
way as we do the Magic White.

And just cover the canvas.

I thought, maybe today, we'd do,
maybe a cold, little winter scene.

Something with some snow and ice
in it and maybe even a little cabin.

Let's see what happens here.

OK.

All we are looking for here is
a nice, thin, even coat,

exactly the way we put
the Magic White on.

Doesn't take but just a second
when you're using a large brush.

All right.
Just about have it finished.

And we're ready to go.

So now, we started with a white
canvas and turned it black,

but this is still wet.

And this is an oil based paint.
It'll stay wet for several days.

OK. Now we'll wash the brush.

And once again, we wash our brushes
with odourless paint thinner.

BOB CHUCKLES

That's the most fun of all! OK.

Let's take a one-inch brush
and some titanium white.

And let's figure out, maybe, maybe
there's a little light back in here,

so with the white paint, we'll just
begin making little Xs.

There we go. And let them work out.

Start here, that'll be your
lightest area

and work, sort of in an ever
growing circle.

That way, automatically,
gets darker as it works outward.

OK.

Just about to so.

Now, we can take the large
brush and very gently,

blend this together.

It's just like
putting a sky on the Magic White.

Just blend it together.

And that gives us a light source
in the background.

OK. Today I want to mix up some
alizarin crimson

and phthalo green, in about
equal parts.

We'll just make us a big pile here.
We're going to be using it all day.

This makes a beautiful grey colour.

Just mix it up real good.

There we go.

We're looking for a nice, dark grey.

It should look black on your
palette.

OK. Now...

..let's take a one-inch brush

and load some paint into it.

Just load quite
a bit of paint into the bristles.

And we can go back now

and begin putting in some little
details that are far away.

And I don't want
a lot of detail yet.

All I want is indications back here.

Just want to put some little trees,
way back in the distance.

There we go. Just some little
indications.

Far, far away.

Don't want them too close.

There we are.
Want this to be very dark.

This is a night scene, of course.

There. And already, we got a pretty
nice little background going here.

Now, maybe we'll take a one-inch
brush and first, I'm going

to put some titanium white in it.

Like so.

Load that very deep into the brush.
Very deep.

Then we'll go right into a little
bit of the grey colour.

Just on the tips of the bristles
so we have white deep down.

And grey on the ends of the
bristles, like so.

There we go.

Now, maybe there's a larger
tree back here.

And when you push real hard, a
little bit of the white will show,

just to make it stand out
a little better.

Just a big old tree laying
back here.

It's got a little bit of white
tips on it where the snow's caught

on the little tips of the tree.

Maybe right there.
A little more snow.

OK.

Now maybe, maybe right over
here in the corner, there's a

big tree that just hangs here.

Just drop some limbs on it.

See how the white comes out to
make the little tips?

And now, let's use the fan brush.

And we'll load a lot of the grey
colour on it.

And maybe, back in here,
we can see some little tree trunks.

Just here and there.

Maybe these trees don't have any
limbs on them, or leaves on them.

It's cold and wintry.

And maybe right here, maybe, maybe,
there he is!

There's a much bigger one,
right there.

And if you wanted to make that stand
out a little better,

put a little tiny bit of white on
your brush and come down the side.

That'll give him a little bit
of highlight,

just enough to make it stand out.

OK. Now, let's take
some titanium white,

very, very little paint.

And begin putting a little
hill back here.

Let it mix with the Magic Black.

Start way back here
and begin working on a little,

just a little incline,
a little hill or something.

We don't want this to be too bright.

We want this to be late at night,
very dark.

There.

And just follow the lay of the land
with your knife.

OK.

Now we can take a clean one-inch
brush and very gently,

lift upward, just, sort of,
to bring this together.

Want it to just, sort of,
disappear back here.

Quiet, misty, soft.

There we go.

OK.

Now, with a liner brush,

and a little bit of thinner on it,

I'm going to put
just a tiny bit of thinner,

just so I can thin this down until
it's almost like water,

we can begin, maybe on this
tree back here,

we'll just put
a few limbs hanging off here.

Just a few little things.

Here and there.

Maybe there's another one,
right there.

This is your world, so wherever
you think there's a limb,

that's where it's at!

Maybe there's a couple right in
here, on some of these little trees.

Just makes the painting a little
more interesting.

OK.

Now we can start coming
forward a little bit.

Now maybe, this layer of snow,
we'll bring at this angle,

just to make it
so there's a change in here.

Very little paint, very,
very little paint on your knife.

And you just, sort of, have to
make almighty decisions.

Maybe there's a hill, like that,
right there.

Very little pressure.

OK, now if we had a...

..had another big tree, maybe
right...

..right here. Maybe there's a
nice big tree back here.

So I'm using the fan brush with
still nothing on it but the grey.

Now we'll add a tiny bit of white

so we can make that side stand out
a little more.

Just a little bit.

Want to keep the dark,
dark colour in here.

And with our liner brush, we can put
a few little limbs on this one.

Just wherever you think there might
be little limb growing.

Little bit of paint thinner to thin
your paint so it flows on here.

Maybe there's a limb up there.
Right there.

Sometime, let some of these limbs
wrap around the tree

so you have limbs on this side
of the tree also.

You don't want them all just coming
off the sides.

There.

OK.

Now, let's get a little
bit crazy here.

Let's take...

..maybe right in here,
there's a nice little cabin.

We'll take some Van Dyke brown.

And we'll begin building
on our cabin.

Maybe right there.

Just make a decision, drop it in.

And we do the back
eve of the cabin first,

the part farthest away from you.

Just like so.

Now, on this side, I'm going to use
white with a little

bit of the grey colour in it.
Just enough to dull it down.

We don't want it too bright.

And we'll just start here.

And pull down.

Just like so.

You can lay out your basic shape
of your cabin and then fill it in.

Now, over on this side of the roof,

we need a little
bit of snow over there.

OK.

And we can come in here
and put some boards right here.

Just pulling straight down.

Over here.

There we go.

Ain't that a super
way to make a little cabin?

And all buildings work
basically the same.

It's just a matter of angles
and perspective.

If we had shows that were a little
bit longer, gosh,

I'd love to show you some
fantastic buildings!

There we go.

Now, maybe we want to turn this
into a, maybe like a log cabin?

So we can take some brown
and some white.

Maybe we'll put a tiny bit of
umber into it. Burnt umber.

Want to keep it quite dark, we don't
want it to get too bright yet.

And just touch,
and give it a little pull.

Just to make it look like little
logs there.

There we go.

Just touch and, sort of, pull.

There. Don't get it too bright.

There we go.

OK. Now we can go,
sort of, in the opposite direction.

And put some logs going this way.

And all we do is touch, sort of give
it a little downward pull this time.

Just a little. Don't overdo.

And just work
right across in layers.

There.

And it'll sort of give you
the impression of little logs.

Now when you're at home and you have
unlimited time, you could

take your little liner brush
and really put some detail in there.

And as I've said before,
if we run over 30 minutes here,

they yell at me a lot
and kick me off the set!

So we'll try and keep it very
simple, just to give you some ideas.

All we want to do is give you
ideas and teach you how to do this

fantastic method
and turn you loose on the world!

Now, I want this side to be a little
darker over here, maybe.

Now, if the old fella that lived
here is like the rest of us,

he probably,
probably ran out of space...

..very quick and had to build
a little shed on his cabin.

So maybe we should do that too.

I'll take a little bit more of the
brown and let's come right in here

and build him a shed.

We'll just put a little,
little roof right here.

Coming out, like so.

Maybe this is where
he keeps his firewood.

Because, undoubtedly, this is cold.

Now, we need a little
bit of snow on the roof.

So we just take
a little of the titanium white.

And just come across there.

Touch, and come across.

Just like so.

There we are.

Now, out here in the foreground,
a little bit more brown.

Need to
put some walls on his little shed.

Maybe over here.

Just there. Good, good!

Maybe these are boards here, maybe
these aren't logs, maybe these are

slabs, so we'll just put some
indication of some boards

here and there.

OK.

Now, let's go right up in here
and give him a couple of windows.

Maybe he needs some windows.

We're are looking
at the back of his cabin.

So first, we'll take out this
paint that we have up here,

and let's go right into a little
bit of cad yellow.

And we'll just put some
light in his window.

Just give him some light.

Maybe he's got the old lantern on
tonight if there's no electricity

out here in the woods.

And we'll take a little
bit of the Magic Black

on the liner brush and then just,
sort of, outline the windows.

Just a tiny bit.

This is a very thin paint,
it's a liquid, so it flows.

There.

OK, now...

Now we need some more snow in there.

There, we can just start right here

and begin bringing the snow
right on down.

And angles are very, very important
when you're doing snow.

Turn it right up in here.

There we go.

Just let it come right on through.

There.

OK.

Mmm.

Isn't that fun?

This Magic Black is so exciting.

There's so many things
that can be done with it.

Maybe in our next series,
we'll devote several shows to using

the Magic Black
and show you how it works?

Now, if you want to soften
this snow a little bit,

it's very bright right now, you can
take the large brush, and be very

careful and follow the angles

and just gently, gently,
gently, rub it.

And you can blend it right in to
whatever degree of brightness,

or darkness, that you want.

Always follow the angles, though.

OK.

Maybe we need a little...

..maybe there's a little chimney
right here. We'll just throw it on.

Just use a little bit
of the grey colour

and the small edge of the knife.

There we are.

Maybe you can see the least little
amount of red on this chimney.

And we won't have a fire
going right now.

OK.

Make the snow a little bit
thicker on the roof.

And I think we're ready to,

ready to start playing with
some other things.

Now I'm going to take a fan brush

and start out loading it with
titanium white.

Lot of paint in the bristles
and very deep, very,

very deep into the bristles.

Then go right over here into the
grey colour and load the tips.

So we've got the dark grey right on
the tips and the white farther down.

Just double load your brush.

And maybe we'll put
a couple of pretty little evergreens

that are sitting, right in here.

And we start by just
touching the canvas.

And we use
just the corner of the brush.

And as we push harder,
the white shows up.

Just put a little white
highlight on the tree.

Look at that son of a gun!

There!

Now, load a little bit
more of the grey colour in here.

Let's give him a little friend.

Maybe, maybe there's another little
tree that lives right here.

There we are.

Now we have a couple of
nice little evergreens, right there.

And we can take

a clean brush and just lift upward,

just to make it look
sort of misty back there.

OK.

I think maybe, maybe we'll put a
very large tree, right over in here.

So I've got a little
white in the bristles.

And I'll load it full
of the grey colour.

And remember, this grey is made from
phthalo green

and alizarin crimson.

And maybe, maybe there's a large
tree that just hangs, right here.

Nice, big limbs that just hang out.

Comes right over in front
of the cabin here.

Pick up a little bit of white and
we can highlight this a little bit.

I'm just picking up a little
bit of the snow and going back.

Don't want these shapes too
distinct.

This is supposed to be
late at night.

Just indications.

Now, with a liner brush,
little bit of paint thinner,

and a little bit of the yellow,
just a tiny bit of the yellow,

maybe we want to put a little light
reflecting across the snow here.

So we can just lay it on with
a little bit of the liner.

Just barely touching.

Let a little bit of the yellow shine
out across the snow.

And we're not too
worried at this time.

Then we'll take the large brush
and very gently,

just blend it right in.

You know the stories about
yellow snow, so be careful!

There.

There we go.

I'm going to wash
our little liner brush.

Now maybe, maybe there's a...

..maybe there's a big tree,
right out in here.

Let's start with some
Van Dyke brown,

let me clean off a spot
to work here.

Take Van Dyke brown.

And maybe today we can,

let's get a close-up of what the
knife looks like when it's loaded.

There's a small roll of paint,
right on the edge of the knife.

There. You see that roll of paint?

That's what we work with. OK.

Now, let's put a big tree,
right up through here.

All we're going to do is touch
the canvas, just touch it.

The roll of paint just,
just comes off and...

..makes your tree for you.

OK, we'll just let this one
go right on up.

OK. You got one side done. Now let's
do the other side of the tree.

There we are.

And just keep going there.

And you can make as many
trees as you want in your painting.

That's what's
so nice about painting,

you create your own world
and you control it.

You can make anything happen
in your world that you want.

Give him some roots down here.

Got to have something for him
to stand up on.

And maybe, maybe he's got a nice
arm, right here.

Little limb that just goes
right on off the canvas.

There.

And you might be able to see
the beginning of another one

over here somewhere.

And just put 'em
where you think they should be.

OK, now let's go into a little bit
of the grey and white.

Just a little bit.

And let's lay a little bit of
highlight, right along here.

Just to make this tree stand out
a little better.

Just follow right on up the tree.

Let it go.

Little bit of light shining on it.

Want to keep this painting very dark
to give the impression of night.

And this tree is very thick.

When it's dry,
you can feel the bark on it.

It'll have dimension.

Maybe there's a little highlight,
right there.

Little touch here and there.

There we go.

I knew you could do it!

And down here at the bottom,

maybe there's a little snow

that's, sort of, piled up on his
little foots!

There we are.

And you can take the large brush
and very gently, just blend that.

So it just flows right up the tree.

Like so.

And maybe, maybe, here and there,

we'll take a little bit
of Magic White this time.

Little bit of the grey colour,
we don't want it to get too bright.

Maybe there's a little bush or two
that's right along in here.

Just a couple of little bushes
that grow.

They're still hanging on.

And it sort of breaks up
the little snowy areas

and makes it look
a little more interesting.

Don't want to get carried away
with these. Just a few.

OK.

I think we have a painting that's
almost finished

and ready for a signature.

So I'm going to use a little
bit of thin oil

and back to my permanent red.

I always like to
sign in permanent red.

And we'll just
go right down in here.

And put a quick little signature
on it.

And you know, if, during the course
of the series,

I don't answer all your questions,
please feel free to drop us a line.

And I'll try to answer any
question that you have.

If there's things that you want
to see that we're not painting,

let us know and we'll try
to paint 'em for you

or we'll surely find
somebody who can!

So on behalf of everybody
here at the station,

we'd like to wish each and every one
of you happy painting.

God bless. We'll see you next time.

Bye-bye!