All language subtitles for The Joy of Painting S03E11 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

Well, hello. Welcome to the third
Joy Of Painting series.

I'm Bob Ross and I'll
be your host for the next 13 weeks,

as we experience this fantastic
wet-on-wet painting technique.

In the next few weeks,

we'll show you how to make
fantastic pictures here,

using only 12 colours, an almighty
brush and a great big palette knife.

So, I've already covered the canvas
with a thin layer of Magic White and

then we just blend it out with long
horizontal and vertical strokes,

like so.

This just assures a nice even
distribution of Magic White

all the way across the canvas.

So, while I'm washing the brush
here, I'm going to get them

to graphically run the 12 colours
that I use across the screen.

These colours will come across your
screen in the same order that I have

them on the palette, starting with
Titanium White and working around.

So, let me clean the brush.
We'll get started here.

We clean our brushes with
odourless paint thinner.

There we go.

RATTLES BRUSH

And just beat the bristles dry.

Today, let's start out with a tiny
little bit of Indian Yellow

and we'll go right in here and just
lay on a little bit of colour.

Just like so.

Then we'll go right into some
Alizarin Crimson

and pull a little bit of paint out
and beat it into your bristles,

so it's nice and even.

We'll put just a tiny
bit of Alizarin Crimson here.

And we do this,
making little crisscross strokes,

or X strokes, just back and forth.

There we go. And just let it
blend right down into the yellow.

OK.

Now up here on the top, let's
go into a tiny bit of Prussian Blue.

Now, Prussian Blue is very,
very strong. Be careful with it.

And right across the very top,

still making the little
crisscross strokes,

we'll just lay in a little
bit of Prussian Blue.

And while we have the brush dirty,

let's take a little bit of blue
and add us a little tiny

bit of water right here
and you pull from the outside in.

And leave this area open. We want
it to show when we're finished.

There we go.

And continually, your colour
is mixing with Magic White

and it blends and makes very soft,
nice, gentle colours.

OK.

Now, let's take a clean, dry brush
and just blend all this together.

Still making the little
crisscross strokes.

And then we'll hypnotise it gently.

Down here, all the way across.

The yellow will still
remain on the canvas.

And if it happens to touch the blue,
it'll just turn green which is

very nice for water,
so we can get away with it today.

OK.

Let's start out with a little
bit of Van Dyke Brown.

We'll take a small amount of brown
and we'll go right up in here

and let's put in an almighty
mountain.

There.

Just let this mountain flow
right off your knife.

And we're really pushing this
paint into the canvas.

We want to push it
right into the fabric, if possible.

Maybe another little bump
right there.

OK.

Now, with a large brush, we can very
gently pull this down a little bit.

This removes excess paint

and allows your mountain to get
lighter on the bottom.

Just pull it down.

All we're worried about is
a nice outside edge.

We could care less what's
happening inside right now.

So let's take a little
bit of Van Dyke Brown

and Burnt Umber mixed together, just
mix it right here on the palette.

And we just touch and follow
the angles in the mountain.

We'll do a nice brown
mountain today.

There. Just let the paint flow
right off your knife.

Right over here,
maybe a little light strikes.

And we can take a little bit of
white and begin adding to it

and really put some nice little
highlights on this mountain.

There we go.

And this is your world.

So let your imagination take you
wherever you want to go.

Burnt Umber and Van Dyke Brown,
just mixed together.

A little bit of the highlight
colour.

Now, let's take a little
bit of Van Dyke Brown with

a touch of Alizarin Crimson in it.

And with that, we'll put some
shadows right in here, just a tiny

bit of crimson, so when we highlight
the shadow colour, it'll sparkle.

And a little bit right over in here.

Just very basic,

quiet little mountains that are way
back in the background.

A little bit of highlight over
here in this shadow.

There.

OK.

Now, we can take a clean, dry brush
and all we're going to do is

begin tapping this bottom at first,
just tap it.

And then lift upward.

I want to pick up some of the yellow
that's underneath here.

There we go.

Just follow the angles that you
have in the mountain.

We'll add a tiny bit more
of the yellow onto the brush here.

Just want this mountain to softly,
softly disappear.

Always follow your angles.

There.

OK. And that's a super quick

nice little way to make happy little
mountains way back in the distance.

OK.

Now, let's take... Let's take...

First of all, I'll clean us up a
space, so we have somewhere to work.

Put some Sap Green, Prussian Blue
and Van Dyke Brown.

Just mix all these together,
make a very nice dark colour.

There we go.

Now...

Let's take the fan brush
and fill it full of paint,

just pull it through the paint
and fill it up.

A lot of paint in the bristles.

And we'll use it like so,
just touch-and-go down.

We're going to make some
indication of some little evergreens

that are way back in the distance,
far, far away.

We don't want much detail back here.
They're too far away.

We want to show distance.

Just let them
work right down like so.

OK, maybe... Maybe there's one
who lives right here.

Just wherever you think there should
be a tree, you just drop one in.

We're not looking for detail.

There we go.
Just let these rascals fall in.

Now, one thing I should mention
for the people who are joining us

for the first time, the paint
we use is very dry and very firm,

in comparison to most oil paints.

You need a very firm paint,
one of our golden rules here.

A thin paint will stick
to a thick paint,

so we start with the thickest
possible paint we can find

and then we can put layers of thin
paint on top of it.

Same colour,
just adding some ground down here.

There we go. Just good dark colour.

One of the golden rules, you need
dark in order to show light.

So here,
we're just applying our dark colour.

And watch how easy reflections are.

They used to drive me crazy
when I was a traditional painter,

but watch right up here.
All you do is touch and pull down.

Because the canvas is wet,
you can make beautiful,

beautiful reflections, this simple.
Just touching and pulling down.

There we go.
And then gently go across.

Makes it look just like water.

And maybe... Maybe, maybe...

Way back in the background back
here, maybe there's a little...

Maybe there's a little waterfall
back here that feeds this lake.

So, touch, Titanium White... Just
touch it and come straight down.

And then we want it to splash
a little as it hits

the water down here. Just a little.

There we go.

Now, let's take a little
bit of Magic White with a little

Cad Yellow and maybe some Sap Green.

And just load this fan brush full.

And we can begin putting some
highlights back here.

Touch, push that brush,
so it bends upward.

There.

And you can make these as bright
or as dull as you want them.

If you want to show
a lot of sunlight back here,

use a lot of the yellow colour.

If it's a quiet, faraway,

maybe you want to have it much
duller in colour.

There we go.
Maybe there's a little projection

that lives right out here,
so we just drop it in.

It's your projection, you can
put it anywhere you want to.

OK.

Maybe...
Maybe there's another one over here.

Just comes right out like this.

OK.

Now we can take and gently pull
a little bit of this down, just

so you have a little of that
reflection into the water.

Go across.

Now, let's take the knife,

a little bit of Magic White,
pull it out very flat

and cut across it,
so we can do a very sharp,

small little line back here,
just to show a little water line.

There.

There it is. See?
I told you that was easy.

And this is a very,
very free form of painting.

We do no tracings, no drawings,

we just sort of let these flow
right out of our heart.

Now, maybe as we get a little
closer, the evergreens get

a little bigger, so still using
the fan brush, I'll go right there.

Evergreen lives there.
Corner of the brush

and we just begin making a nice
little evergreen.

Just sort of go back
and forth with your brush.

Make all the little limbs
that hang there.

And we'll highlight this
little tree,

so all we're looking for here is
a nice background.

And maybe... Maybe... Maybe...

..there's one right here.

You know, trees get lonely too,
so they need friends.

Give him
a little friend right there.

Now, we can take a little
bit of Sap Green

and just come back
and highlight the tree.

Now, you want to place
a lot of emphasis on putting

the highlight on the right
side of the tree,

since your mountain is showing that
the light's coming from the right.

And if you're right-handed,

you'll find that it's usually easier
to highlight things on the right,

if you're left-handed, it'll
sort of vary from person to person.

Left-handed people have been forced
all their life to do

right-handed things, so they will
find through experimenting

which way is easier for them. OK.
Now, maybe on this side over here...

Maybe we've got an almighty tree.

Maybe there's a nice big evergreen
that lives right there.

And we just start right at the top,
using very little pressure.

As we work down this tree,
we're using more pressure

and making the brush bend downward.

There we go.

Isn't that a super way to make
a little evergreen?

I used to agonise over these.

So, this really is the way to do it.

Just back and forth, let the brush
work, let the paint work.

There we go.

And we have a happy little tree,
that quick.

And maybe we want to have some leaf
trees, some big trees here,

so let's use the big brush,
fill it up full of paint,

just load a lot of paint into it
and figure out where you want

a tree and go right up in here
and just drop it in.

Bend the bristles. Make that brush
bend. Make it work for you.

And just come right on...

Maybe there's a little peninsula
right out through here,

so just drop it in.

There we go.

Now, while we've got the dirty
brush up here,

just put a few little
reflections right there.

Just let them fall in.

Pull straight down.
And go gently across.

When you're doing these reflections,
be sure you pull them straight down.

If you pull them at an angle,
they just won't look right.

So now, let's take a one inch brush
here, we'll put a little

Magic White in the brush to thin
the paint and load it full of paint.

I'm going
to load it with some Cad Yellow.

And let's go
back into the Sap Green.

Cad Yellow and Sap Green,
a little Magic White to thin it.

A lot of paint in the bristles.
Now, touch, push, bend the brush.

You need to bend it to make all
these beautiful little leaves here.

Let it bend
and then sort of work in patterns,

so the tree has some shape to it.

You just want a dead tree laying out
here. Let's put some life in him.

There.

Now, I'm beginning to go into
maybe a little Yellow Ochre

and we'll drop right down here and
there's another happy little bush.

There they are.

Sometimes, you can

add just a tiny bit of paint
thinner to thin your paint.

There.
And that doesn't dilute the colour.

Maybe there's another little bush
lives in front of that one.

Layer your bushes.
It gives depth to your painting.

OK. There we are.

Now, this sort of reminds me
of my home in Alaska, cos you have

so many beautiful, beautiful
mountains and water things here.

So, let's... Let's put a happy
little cabin in here.

This is just too pretty of a spot
not to have a cabin,

so we'll just take
a little Van Dyke Brown

and we'll do the back
eave of the cabin first.

There it is.

And we'll come over here and put
in the other side of the cabin.

Just drop him in.

In this series,

we're going to try to show you quite
a few buildings and how to do it.

We've had so many requests...

..from our first couple of series,
people wanting to do buildings,

so we're really going to try to do
some in this series.

OK, a little side over here.

We've already got
the makings of a little cabin there.

We'll take a little brown, white,
a little touch of umber into it.

There we go.

Now, maybe we'll just put a little
indication of some logs here.

We'll make this a little log cabin.

And at home, where you have
unlimited time, you can

put a lot more detail into it.

Here, if we go over 30 minutes,
they yell a lot at us.

So, there we go.

Now, maybe these logs
go in this direction.

Just want to show you how to do it.

As I say,
at home you have unlimited time

and you can put a tremendous amount
of detail into these paintings.

Now, on this side,
we want it to be a little darker,

so here we just want
an indication showing.

And if you had a cabin, you'd need
a little door to get in it,

so we'll put a little door
right there.

That's just straight brown.

And we'll cut it off,
so it fits the cabin.

Maybe there's a little
window right here.

Here, I'm using the little
edge of the knife,

maybe there's a window right there.

Your cabin, so you put windows
wherever you want them.

And now,
let's put some land under here.

Need something to hold all this up.

There we go.
Straight Van Dyke Brown again.

Just let the land come
out like there.

And with a large brush,
you can touch

and pull just a tiny bit of that
down into the reflection.

Very lightly go across.

Now, we'll highlight this with
a little bit of brown and white,

just so it stands out.

There.

Isn't that fantastic?

Now we'll take a little
bit of the dark Van Dyke Brown

and just put some logs over
here on the edge.

You can see the ends of them,
like so.

A few back over here.

There we are.

Maybe there's a little
colour in the roof.

I'll add just a tiny
bit of Permanent Red to some brown.

And we'll put tiny little
bit of colour up here in the roof.

And a little bit over on this edge.

There.

Makes that roof stand out a little
bit, so you can see it better.

Let's go back to the fan brush here.

We'll get right
into our Yellow Ochre and Sap Green

and a little Cad Yellow

and let's just push in some
little grassy areas.

He keeps his yard mowed nice,
so we've got...

Got some nice little grassy
areas going here.

All right.

Now, back to the Magic White.
This is a very thin paint.

It's almost water, it's a liquid,
and into that I'll put

a little bit of brown,
just to make it look like sand.

And we'll go right up through here.

And let's begin putting in maybe
a little sand bar right here.

There.

Just let it flow off your knife.

Now we can go right back into here,
get some Van Dyke Brown,

and let's just start...

Let's go all the way over here.
What the devil!

We can do anything.

Just let that dirt flow
right off your knife.

This is brown with a little
bit of umber in it.

Van Dyke Brown.

Van Dyke's a very nice chocolate
brown, beautiful colour.

One of my favourite colours.

OK, we put the dirt in first.

Then we can come back

and highlight this a little
with some grassy areas.

Just touch, let the grass grow
slightly above here. There.

Sort of bring all this together.

Now, you know,
if you had a little cabin like this,

you'd have to have a way to get to
it, so let's have a little walkway.

Maybe it starts back here
and just comes around like so,

right on out toward the front.

A little bit of brown and white,
a touch of red,

to highlight it a little.

There.

There we go.

Now, we got us a little trail,
so we can get back in there.

Now, let's take...

And begin laying a little tiny
bit of grass here that

grows down from his walk,
down to the water.

See how much a distance that
creates? It pushes everything back.

Maybe right in here...

Just like so.

There we go. Now, maybe...

Maybe when the old fella
built this cabin,

maybe he was having a good day
and he put a little porch out here.

Let's put a little
porch on the cabin.

There.

I'm using the little
edge of the knife again.

Then we can come... Needs... There!

One little post to hold
the porch up.

And a tiny bit of highlight
right out here.

There we go.

Got it.

Maybe a little highlight out
here on this post. There.

Just a tiny bit.

Now, with our fan brush,
we can bring all this together.

Just like that.

OK, now I'm going to use just
a clean knife

and cut a few little sticks
and twigs here and there.

Need some sticks to hold up all
these beautiful little bushes

that you've done.

There.

Now, let's take some more
Sap Green on the fan brush

and let's highlight these big
almighty trees here.

Once again, you want the most
emphasis on the right

side of the tree, since your light's
coming from that direction.

There.

And as it goes down the tree,
let it get darker. Start at the top.

As you work down, automatically,

your brush is going to pick up
the dark colour underneath.

It'll get darker as it works
downward.

There we go.

And now, maybe...
Maybe we'll just take...

And let's put a little bit
of highlight right around the door.

So that stands out.

A little bit around the window.

That'll sort of square it
up a little.

A little bit over here maybe.

Just an indication,
this side's very, very dark.

You won't see as much there.

OK. Let's take...

Let's take a one inch brush and I'm
going to put a little thinner in my

brush, a tiny bit of paint thinner,

so I thin the paint out a little and
go right into the Van Dyke Brown,

and load a lot of paint into the
brush. Just really fill it up.

Load it full.

And then we'll go
over into the white

and pull just one side of it
through the white,

so now we've got brown on one side,
white on the other.

There we go.
This is just double loading a brush

so you can get a fantastic
effect in one stroke.

Remember to put the lighter side
on the right and maybe we'll have...

Maybe there's a huge tree,
a big pine tree, lives right here.

Just come straight down the canvas.
Ooh! Right through the cabin.

Putting some little foots out here.

And we can darken it up a little,

if you'd like.
Just come straight down.

And that's the way you make
an almighty tree.

And add a little bit more
brown this side.

I want to darken this side
a little bit more.

And then we can work here...
Little fixes... Little foots up.

OK.

Now, let's take another
one inch brush

and go right into the Sap Green,
get a lot of Sap Green on here.

Dark colour.

Very dark.
And once again, I've added a tiny,

tiny bit of paint thinner to it,
just to thin it down a little.

A lot of paint in the bristles
though. A lot of paint.

OK, let's go right up here

and put some nice little
leaves on this great big tree.

Just use the corner of the brush

and all we're doing is just tapping,
just touching.

Just let those leaves fall
right off your brush.

By putting a large
tree into the foreground like this,

it helps push everything back
and makes the perspective better.

Makes your painting more
interesting.

Maybe there's a little limb
that comes right there.

OK. Now we can go right
into a little bit of Cad Yellow...

..and a touch of Sap Green.

We'll make a highlight colour
to drop on this tree.

And we'll just come right here.

Once again, you want more
emphasis on the right than the left.

Just put some highlights on all
those beautiful little leaves

that you made.

There we go.

OK. A little highlight right here.

Like so.

And if you wanted to, you could
take your liner brush with

a little thinner on it just to
thin the paint down

and just put the indication here
and there maybe of a little limb

that you can see a little
bit of back in here.

Just here and there.

Like so.

Maybe there's some nice little
sticks that live out here

that are growing. Some little twigs.

There.

OK.

Now, back to our fan brush
and we'll go back into this yellow

and green, a little bit of...

A little bit of Yellow Ochre and
let's work on his foots down here.

We'll just put some
grass right down here

and cut the tree off wherever
we want it.

It's your tree, you can
cut him anywhere you want him.

And maybe there's a few little
sticks that hang out over the bank.

Just here and there.

And I'm just using
the point of the knife here.

OK.

Well, I think we're about having
this painting ready to sign.

So let's take a little
bit of paint thinner,

or you can use a thin oil
if you'd like.

A thin oil probably works
a little bit better.

It works a little smoother.
A little paint thinner

and we're going to mix this till
it's like water.

Very, very loose.

Then turn this fan brush,
or this liner brush...

I'm sorry, you caught me.

Turn this liner brush to bring it
to a nice sharp point

and let's go right up in here and
sign. The paint's very, very thin.

It's almost like water.

And with that, you can
literally just write your name.

R-O-S-S.

That's what it is!

There we go.

Next week,
we hope you're here with us.

Have a big glass of iced tea ready,
got your canvas set up,

and we're going to do
a black canvas.

We'll do a happy little seascape
and show you how to very simply do a

seascape that's effective,
a lot of fun,

and we'll be looking forward
to seeing you.

Until next time, we'd like to wish
you happy painting, God bless.