All language subtitles for The Joy of Painting S03E09 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

MUSIC: Interlude by Larry Owens

Welcome back. Glad to see you again.

Thought today we'd do
just a happy little picture

that's deep in the woods.

And for those of you who
are joining us for the first time,

I'm going to ask them to graphically
run the colours through,

so you can see all the colours
that we use

and that I have
on my palette today.

And while they're doing that,
I think we'll get started.

I'm going to take off here today
with a little bit of the Thalo Blue,

using the large brush, and really
work this colour into the bristles,

just beat it into the bristles.

Then let's just make
a happy little sky, real quick.

Most of the sky, I think
will probably disappear,

so, we'll just put a very simple
basic little sky up here.

Go from there and see what happens.

Work this paint back and forth,
making little crisscross patterns.

There we go.

Just a nice, quick,
gentle little sky.

Now, without cleaning the brush,

I think I'll just go right
into some Van Dyke Brown.

Little bit of Burnt Umber,
just mix it on the brush.

And some Sap Green.

Maybe a tiny little bit
of Prussian Blue.

Just very dark, nice colours,
and let's just go right in here

and begin dropping in some happy
little trees and bushes

and let's just see what happens,
just let them flow off your brush.

Mm, lookit there, already.

Already, we've got all those
good things happening.

Maybe there's a big one over here.

Just drop 'em in.

OK. A little brown.
Sap Green, touch of blue.

Maybe, maybe there's a large one
over here, too.

We'll just sort of close
this one in.

Push... You need to bend
these bristles.

There we go.

This is one reason you need
a very, very strong easel.

If you've noticed the easel
that I'm using here,

it's made from a platform ladder,

which you can pick up
at most any hardware store.

Or you can use any type of ladder.

It makes a very, very strong,
dependable easel.

OK.

Now, we'll take a little
bit of the Van Dyke Brown

and just lay a little right in here
and pop upward.

Just to put some dark colour
back in there.

All we're doing is touching, pop up.

Just like so.
Just here and there.

And...

..now I'm going to take
the fan brush,

going to load some brown and some
umber mixed together here.

There we are.

We'll just put
a few little indications

of some trunks back in here.

Just some little background trees.

Maybe some little indications
here and there.

There.

Oops, there's one
that's nice and crooked.

I'd hate for 'em all to be straight.

Maybe a fisherman kicked that one
when he was just a little baby

and he's got a little crook in him.

There we go.

Just here and there, drop in a few
of these little trunks.

All right.

Now, we can take the one-inch brush,

add a little bit of Magic White
to it

and let's begin
highlighting these.

Now use a little bit of Cad Yellow.

A little touch more
of the Magic White.

Cad Yellow and some Sap Green.

Yellow and green mixed together.
Mix it on the brush,

so you have a multitude of colours
happening in the brush. OK?

Now, we can begin highlighting
some of these,

just touch... Let all those
little leaves

just come right off your brush.

There.

Hey, maybe a little
on this little tree.

And...

Now beginning to add just a tiny,
tiny bit of ochre to it,

Yellow Ochre. Just to change
the colour a little bit.

And at home you can do these
in any colour that you like.

Any colour.

It's really the technique
that we're trying to teach here.

These colours stand out very well
on television,

so we use colours
that are quite bright,

but you can use very subdued,
quiet colours at home.

Whatever makes you happy,
because this is your world.

Add a little touch
of Permanent Red to it now.

Just to change the flavour.

There we go.

OK.

Let's get a clean brush.

A little bit more of the yellow
and the Sap Green.

Once again, mix it on the brush.

And we'll go right in here and,
oh, looky there,

nice little bush happening
right there.

All kinds of little things
going on in the background.

There we go.

Now, I want to take this brown
that I've put on here,

I want to take the large brush, grab
a hold of it and begin pulling down.

Just sort of let these
little paintings just happen.

And have you noticed,
another thing here?

We've put no colour into the water.

All we're going to use for colour
in the water is what we pull down.

You don't have to go
to a lot of trouble

and put colour in here,
all you do is pull it down

and just wipe across,
to give it a nice watery sheen.

And it looks like water,
without doing a thing.

OK.

Let's take a little touch
more of the Van Dyke Brown

and this is mixed with
a little bit of the ochre.

And begin forming some little banks
back in here.

There.

Just let these little banks happen.

Now, take a little brown and white

and the least little
touch of blue in it.

There we go.

Maybe a touch more of the umber.
Oh, yeah, there.

Now, lay a little highlight on here.

Just a little, just a little,
let it break...

Need a little touch over in here.

There.

Now, let's use a fan brush
a little bit today.

I'll use a little bit
of the yellow and green,

that's laying down here,
and we'll begin

popping in on the kind of
little grassy areas.

Just let 'em run right on back
in to the deep woods here.

Very soft, very quiet.

There we go.

Look at the depth in there already

and we really haven't done anything,
we didn't paint any water,

it just happened.

We really haven't done a great deal.

There.

OK. Now...

I'm going to grab
the bottom of these to clean them up

and also to create reflections.

Just pull across.

And when you pull this across,

try to keep these lines as straight
as possible.

This way.

You don't want your water to run
out of the picture.

Now, a little bit of Magic White

and a little touch of brown into it
to dull it...

..and we can begin adding
some water lines in here.

All kinds of
little things happening.

And we just sort of let
this little body of water

wander around in the distance.

We don't know where it's going back
here, we really don't care.

Just letting it have fun.

There.

OK.

Let's take a little
more of the white, the Magic White,

a little Yellow Ochre.

Maybe a little touch
of the Permanent Red into it.

And let's put some
highlights on this little tree.

Oh, those are pretty.

There we go.

Just let 'em run right out
of your brush, they hide in there.

Sometimes you have to just
push 'em out...

..but they're in there.

OK. Now...

Let's take a little more of the
brown and ochre mixed together,

Van Dyke Brown and Burnt Umber

and begin making some more
landmasses right out through here.

And, maybe there's another one
over here.

I don't know, I don't know, I don't
know. I just had an idea here.

You'll do that one like that

and we'll make a nice little
bank right here.

I need a little place so
I can go out here and sit and fish,

and catch a big ole' bass
that lives out here.

There.

Now, we can add a little
bit of highlight to that.

Just right along the top here.

I want to make this look high.

Strokes are very important.
The angle of the strokes here.

There we go.

Knew you could do it.

Now, little bit of highlight
on this over in here.

Like so.

And, with the large brush
once again,

we'll grab this and pull down.

Straight down.

And then just gently come across.

Same thing over here.

Just pull down.

OK, now.

Then we'll firm this one up
a little bit.

He got a little weak on the ends,
so, we'll just firm him up.

Little touch of highlight on him.

Let a little light play
through there and strike you.

Little waterline.

There we go.

Now, now, now, you can,
you can, right there...

Just bring it right on down.

There.

Little bit of highlight.

Like so.

Large brush, pull down...

..just to create the illusion
of water.

In painting, you work with
a great deal of illusions.

There.

Little bit of the Magic White.

Make us a waterline.

There we go.

Now, we'll take the fan brush,

a little bit of yellow and ochre

and it looks like there's a little
Permanent Red in there,

just whatever happens to be laying
around your palette.

There we go.

These pictures are designed
as guides for you.

With the ideas that
we give you here,

we hope that you'll just go
absolutely wild with this

and paint your own masterpieces,
put your own dreams on canvas.

Because painting should make
you happy.

OK, let's take a little touch of the
Magic White, a little bit of yellow,

and let's put a happy little bush
that lives right here.

There he is.

OK.

And we just sort of bring this
together back here,

I want a little darker paint
in there,

so it looks like it's going
back into the woods.

There.

OK.

Now, let's see what we're going to
do over here on this other side.

Maybe there's another
little projection

that comes right out here like this.

Who knows?

It's your world.
You create your own visions here.

And we need something for it
to sit on.

So, there we are.

Now, what I did there
was just picked up

a little bit of the Magic White,

so I can put just a very small
amount of highlight into that.

Don't want a lot,
just a tiny, tiny bit.

OK, now, we'll take the large brush,

grab the bottom of it again
and pull down.

Always make these reflections,
then come across.

And let's put some little waterlines
underneath these.

There we go.

Now, maybe out here on this little
peninsula that we've built,

maybe there's an old tree
lives out here.

If you're going out here to fish,

you need a nice tree
to sit underneath,

keep the sun off your head.

So, we'll just run an old tree
right up through here.

Let's give him another side here.

There.

Trees need two sides.

There we go.

Now, we'll take just a tiny
bit of the Permanent Red,

mixed with some umber and let's put
some highlight on here.

Just touch. Just touch and hold
the knife up.

There we go.

A little bit up in here.

Like so.

Then, let's put a happy little
limb out here.

If that limb goes out like that...

..there. And drops
back in to the painting. Who knows?

Just drops right back in.

There.

A little bit of highlight
on the limb.

OK.

Now, a little bit of reflected
light on the other side,

just going to use a little
Prussian Blue.

Just, just to create the illusion
of a little reflected light.

Like so.

There.

Now, when that one dries, you'll be

able to feel the bark on it. OK.

Now, I need a lot of little limbs

and we don't have much time.

So let me just shoot some in here.

There we go. Just drop 'em in.

There.

Just put 'em in.

Maybe there's a little one
comes right out here,

lives right out through there.

Now,
when you're doing this at home,

use a liner brush with a little
bit of thin oil.

Let's try something a little
different today.

Maybe we'll put
highlights or leaves on here,

just using the palette knife.

I want to take a little bit of
Sap Green mixed with some ochre.

Just mix it until it's marbly.

There.

A little bit of paint on the knife
and we are just barely,

barely, barely going to
let it touch the canvas.

Just barely touch.

And we can drop some little
brighter highlights on there

so they stand out a little.

Barely, barely, barely let it touch.

Just about touching
the canvas with it.

Maybe there's some
right up in here.

OK.

Now, let's bring some more
stuff right down through here.

Like that.

Van Dyke Brown again.
A little bit of burnt umber in it.

And with a large brush, once again
we'll create a little

reflection there.

Come straight across.

Now, then, let's take our fan brush
with a little bit of the Sap Green,

yellow, a little touch of Permanent
Red here in there,

mix them all up together.

Let's put the little grassy areas
coming down through here.

And your colours are going to begin
picking up the brown underneath,

it makes all kinds of pretty
little things happen.

Just let it happen, don't fight it.

Maybe we'll take a little touch,

a little touch of highlight,

just lay in here.

And then we'll run grass
around that highlight.

Want to keep this part quite dark.

Don't want it to get too
bright on us.

Something like so.

OK.

We'll take the knife,

make us a happy little waterline
just flows along here.

And all we're really looking for
here is a light area to

separate the water from the land,

just to create a separation in here.

A few little sticks here and there.

That tree was so much fun,
I want to do another one.

Maybe right here,
maybe there's a bi-ig tree.

Just let him fall
right off your knife, shoo-whoom.

Great big tree.

There we go.

A little bit of the Permanent Red.

Mixed with a little burnt umber.

And we can drop some happy little
highlights on this tree.

Like so.

And we need some,
need some limbs on him

so we'll stick one right about here.

Let him go right on off the canvas
somewhere.

Maybe there's another one over here,
just like that.

A little bit of highlight on him.

There we go.

There we go.

A little bit of blue
for the refracted light.

There.

Just a little, just a little.

Now, back into the brown.

And just begin dulling it,
working it together.

OK. Now, maybe...

..maybe here we'll make some
brighter coloured

leaves on this one.

Here's some Permanent Red.

And just indication that there's
some leaves up in here.

There. How's that?

And maybe, maybe, maybe,

maybe there's a little limb that
comes down right through here.

Just let these little limbs wander
everywhere, they're really pretty.

Maybe over in here.

OK.

A little bit more of our colour.

Barely touch the canvas.

Barely, barely touch the canvas.

Maybe a little
bit of bright yellow here.

Just to highlight, just a touch.

There we go.

OK.

Let's go right over,
right over here.

And maybe, maybe we'll put just
a small little one right

here in the foreground.

It's just sort of wandering around,
having a good time.

Just a little tiny one.

A little bit of highlight on him.

There.

And, we'll put
a couple of limbs on him.

Just here and there,
a few of them will show.

OK.

That gives us some instant limbs.

This time I'll use the brush.

Going to take a little
bit of the greenish colour here.

That's yellow with a little
bit of Sap Green in it.

A lot of paint on the brush.

And then all I am going to do
is just touch,

just to make some very loose little
leaves hanging around here.

Tiny little leaves.

OK.

Like so. Maybe something
growing right down at the bottom.

OK, a few little sticks here
and there.

This painting is getting close
to being done.

And I think it was a lot of fun.

If you were painting along with us
at home,

I hope you have a happy heart by now
and you're really beginning

to stand back and admire what
you've done, and...

Oh, it's just fantastic
what can be done.

All you need to do is
practise a little bit

and take the basic technique that
we give you here and use it.

OK.

One little thing that
sometimes is fun,

maybe we'll put some little things
out here in the water.

I'll start with using
a little bit of yellow.

Then a little bit of ochre.

Right underneath it.

Just like so.

And some Van Dyke Brown all the way
under the bottom of it.

Then with a nice clean fan brush,

very gently,

just going to lift up,
just lift up.

There we go, just lift it up.

Let all these little things happen.

Just little things floating
around in the water.

And let's take a little
more of the magic white.

Just put a little waterline
underneath here.

Like so.

Just gives it a little something in
the water to break it up a little.

There.

I think we're just about ready to
call this one finished.

So let me get a little bit
of thin oil here...

..then we'll sign this one.

And next week we're going to be
doing a black canvas.

So you can pick up one at your local
art store. If you're preparing

it yourself, paint it with a flat
black acrylic and allow it to dry.

And next week we'll do a fantastic
picture so, until then,

from all of us here,
God bless and happy painting.