All language subtitles for The Joy of Painting S03E08 WEB h264-WEBTUBE (1)_track3_[eng]

Well, here we are again.

And if you were with us last week,
I promised you a crazy one,

and today, you're going to get it.

I think you'll enjoy this.

Let's look at the canvas
for just a second.

I have a canvas here that's painted
half white and half black.

The bottom half, about 11 inches up,

is painted with a flat black acrylic
and allowed to dry.

The top is just plain.

On the bottom, I've taken
and made one circle of pthalo green

in the centre, covered
the rest of it with pthalo blue.

The top is covered
with magic white as usual.

So, let's do
a fantastic painting here.

I'm going to start out
with a little bit of...

This is a little bit of white and
brown and a touch of yellow in it.

And we're going to make
a seascape today,

we're going to make
a violent seascape.

And we'll just make a little circle
right up in here like so.

There we go.

Now, to that, I'm going to add
just a touch of brown

and a little bit of blue.

And we'll make another circle
right around it.

There we go.

And we'll just let that work
all the way around.

And right down in here, I'm going
to pick up a little bit of the blue

and work that right in.

Just a little bit of the pthalo blue
that's bleeding off the black.

There we go. Bring us
right up to the first circle.

And then in the very back,
this is just brown and blue,

just dark,
I want a nice dark colour back here.

Maybe, maybe in this painting
the sun's sort of sneaking through

the clouds
and the big storm's coming.

OK. Wash my brush.

And we'll blend all this together.

Mm! Looks mean and dark already.

Just blend this sky together.

There we go.

Now, right in the centre,
I'm going to take a little

bit of the titanium white
on the one-inch brush,

go straight into the canvas and
build a happy little sun back here.

Choop! There we are.

With a knife,
we take off the excess paint

and we blend that together.

Just so we have
the indication of a sun.

Now we can start the fun.

Let me get the brush clean
and off we'll go.

BRUSH BANGS

I'm going to use brown and blue.

More brown than blue
because it is much, much stronger.

The blue is much stronger
than the brown.

Maybe we'll put just
a tiny bit of crimson in it.

OK, now, a little bit of paint

and we're really going to
push this into the canvas.

Get strong with it.

Really, really push it
into the material.

Bend the knife.

Push it in.

There.

There's really not a great
deal of paint on the canvas,

it may look like it, but there's
really very little paint.

And it's pushed
very firmly into the fabric.

OK.

Now, with a clean, dry brush,
and be sure it's dry,

we're going to start
pulling that paint.

There we go.

BANGS BRUSH

Just pulling it.

Very gently.

OK.

BANGS BRUSH

Now, that went so nice,
let's go a little bit further.

Still using brown and Prussian blue,

more brown than blue...

..we'll make some, we'll make some
almighty storm clouds in here.

Woohoo, a big storm's coming!

There we go.

All right. Now, maybe there's
a happy cloud right down in here.

Just grind this paint
right into the canvas, push it.

Big cloud over here.

There he comes.

Really push that paint.

Remember that you're the creator
and this is your sea -

you can do anything that you want
to do here.

And we decided we want to build
an almighty storm today.

There. Really work that paint in.

Maybe, maybe,
maybe far back in the distance,

it's beginning to rain
a little bit.

Shoo! Just pull that down.

Make it look like there's a little
rain way off in the distance.

Now, with a large brush, I'm going
to blend this a little

just to pick up the excess paint.

The more of this excess you can
pick up, the easier it is.

Don't want it to smear
all over the canvas.

Now, if you're doing this
at home with us,

be sure your paint
is very, very firm.

If you're using a thin oily paint
I can almost guarantee you,

this won't work.

Now, then, let's put a little bit
of highlight on these clouds.

Use just a little bit
of titanium white,

and I'm just going to sprinkle
some highlights here and there.

Since this is our light source,
we can always keep that in mind.

Just a little bit.

And a little bit over in here.

There we go.

Mm.

OK. A little bit up in here. Now...

..we want to get rid of excess paint

because it'll smear.

So very gently, we take the knife
and lift that right off.

The value remains in the canvas.

Just lift it off.

And I suggest you wipe the knife
between each stroke,

otherwise you'll put a big
dark line there

when you go back.

OK, now that we've got
the excess paint off...

..we can take the large brush
and very gently, very gently

just blend this together.

It still gives the impression
of highlights without having the...

..the real bright colours.

Because we want to retain
the darkness in this one.

If we're going to have
an almighty storm coming,

we've got to keep it dark
and cloudy. Mean-looking.

We're almost letting the brush
touch the canvas right here.

Just lift it, fluff it.

Blend it out.

Now, a little more white,

and right here maybe,
maybe there's some little clouds

that just sort of float around here.

There they are.
Just let them fall in.

With a large brush, very gently,
I'll blend those.

And maybe you want to push them
even further back.

If you do, put some more little
clouds right here in the front.

And you can just push those
further and further back.

It creates a lot of distance
in your painting.

So many techniques are very flat.

This... this has tremendous,
tremendous depth in it.

And our rain way back in there.

There we go,
a little bit of that blue.

Mm.

OK.

Maybe,
maybe another happy little cloud.

Just keep building depth in it.

All right.

Now, then,
let's start making some water here.

And I'm going to start
with a palette knife

and use a little bit
of the titanium white.

Very, very little.

And where the black
and the white meet on this canvas,

automatically,
that'll give you your water line.

You don't really
have to worry about it.

But just touch.

Start in the centre and work outward
so it gets darker, darker,

darker as it works out.

And here, all we're doing is laying
just a little paint on the canvas.

There we go.

Just here and there.

We're not too concerned
about it yet,

just let it fall
wherever it pleases.

OK.

With a large brush, clean and dry,

just go across.

And we'll just blend
all that together.

Now I'm going to take
a little of the cad yellow, very,

very small amount, and a little
bit of white mixed together.

And right underneath here,
put just a little touch of yellow.

Just to make some pretty little
reflections there.

There's blue underneath

so this yellow should turn basically
green when we blend it.

Just to give some nice yellow-ish,
green-ish highlights here.

Now, with our large brush,
we'll blend this again.

Look what happens.
Oh, son of a gun.

OK. Now we're ready
to take our fan brush

and I'm going to add a tiny little
bit of magic white to it.

You need the magic white to thin it,
just a little tiny bit.

Very small amount, so it's a little
bit thinner than what's up there.

And then we can start applying
little waves and stuff.

And test your fan brush.

You'll find it bends better in one
direction than it does the other.

Keep the brush moving,
keep it playing.

Let these little waves just fall
right out of it there.

There we go.

If you put one in you don't like,
just wipe back and forth

and it'll go away, or you can put
a little shadows and highlights

and stuff underneath it
by doing that.

There.

And as we start getting closer,

we begin putting just a little more
detail here and there.

Mm! Bad sea!

The storm is coming.

If you live close to the coast,

it's a good time to be finding
a new house.

Just let that fan brush
work and play in there.

Choppy little waves.

All these little things
just happening.

Maybe some little...
Way back in the distance.

There.

Now, I'm going to take
a little bit of alizarin crimson

and Van Dyke brown mixed together.

And maybe we'll make...

Maybe there's
a little coastline back here.

Maybe there's a little hill that
runs right down into the water.

There we go.

Just a basic shape.

Now, we need to take
a little bit more of the white

and we're going to splash
some waves up on this.

Barely touch.

And whist!

Give it a little, whist,
upward pull like that!

Makes it look like that water's
hitting and splashing up the edges.

OK.

Little bit more of the brown
and crimson.

And maybe we'll have another one
right here, what the heck.

We'll put this one in front,
and maybe he's a big,

almighty cliff that
comes right down to the water.

There.

Just have your brushstrokes
going in the direction you want

the land to flow.

OK. Now, once again,

a little bit more of the white

and we'll splash some up in here.

Just let it hit and shoo...!

Let that water
slide up into the rocks.

There we go.

And over in here, we need some happy
little things that are happening.

And if you wanted to,

you could take...

And maybe put the silhouette of a
few little trees back here on this.

Just take your little fan brush
and put them up.

They're going to be in trouble soon
if there's a storm coming. Woo!

And a liner brush
with a little bit of oil.

And just put some little trunks,

all we want is silhouettes
way back here.

Just here and there.

Just to give the indication
there's something

way, way back in the distance.

There.

Them trees are really going to
catch the devil in a few days.

OK, we take a little bit of...

I'll use a tiny bit of ochre colour
here and just very lightly

put a little highlight
here and there.

Very, very lightly.
Just enough to break it up a little.

Make it look like little trees.

I told you this one was crazy.
Are you enjoying it so far?

Good.

OK, a little bit more
of the white paint.

Let's have an almighty wave in here.

That son of a gun, boy,
it just hits and splashes. Choo!

Like so. Let it go.

Let it go.

And maybe it's really splashing here
and we have foam every which way.

Mm!

Lot of foam.

And now we can begin working
on the shape of this big wave here.

It's really a big wave.

It's just piling up and getting
ready to crash on some rocks.

OK. Maybe, maybe it's beginning
to curl in some places

so let's just draw a little curl.

And then we grab this white
and pull it over.

Pull it over.

Pull it over. Pull it over
just like so.

Grab and pull.

Choo!

And that creates that.

And if you wanted to play a little
bit, maybe, maybe, maybe,

maybe, maybe there's a little light
shining through there.

Choo!

And creating a nice little,
nice little bright glow in there.

We'll just put some yellow right
on top of that, let it turn green.

Little bit of white.

Just let the light shine
through there.

LIQUID SPLASHES

OK, back to my white.

There we go. Choo.

Now, these strokes are most,
most important.

Now, grab another fan brush here.

A little bit of the straight blue

and I'm going to darken
right behind this just a touch.

Tiny little bit.

Just darken it up a little.

There we go.

RINSES BRUSH

Now, we can come down here
and begin playing a little bit.

And let this water splash
up through here.

And put it on and then
we can take the big brush

and dull it down a little.

And let's make a happy little stone
out here in the water.

Like, right here.

Water's crashing up against him.

This is straight Van Dyke brown.

Just a big old stone out here.

See, you thought I'd make a mistake
when I put that there.

I knew it was going to be there.

And I'll take just a little bit
of umber, just straight umber.

And we'll put a little
highlight on this stone.

It's quite dark so we don't want to,
don't want to use bright highlight.

Just straight umber.

Something like so.

There.

Nice rugged stone.

And we need some water that's
splashing upon this stone here.

Choo!

Choo! Let that water run down it.

And fall right up the wave.

There. Let all these little
foamy things happen.

Now, at home
when you have unlimited time,

you can have water dripping
all over the sides here.

Oh, there's just a multitude
of things that you can do with this.

It's really the idea
we're trying to give you.

And with that idea, then you're
limited only by your imagination.

And let's go right into here.

Maybe, maybe there's another
little stone here.

Stones are such fun,
let's just do several of them.

Burnt umber.

And we'll just lay a little
highlight on top of this one.

There we go.

Almighty stone.

OK. Now, we need a little bit
of water splashing around this one.

Maybe there's even
a little over here.

And once again... Peew!

Make it look like
it's running right up that.

OK.

Just some little things
happening down here,

all kinds of little actions
are going on in here.

Let all these little waves
splash and play and have fun.

If you're painting
along with us at home,

I bet you never believed
you could perform this,

could do a seascape like this
in just a matter of minutes.

Think what you could do
if you took your time.

There's really no end to it.

OK, now we'll just lift up
a little bit,

just to quieten that down a touch.

And maybe, heck fire, we're having
some much fun with stones here,

maybe, maybe there's another one
over in here somewhere that the

wave's just fixing
to sneak up and get.

You can put as many of these in
as you want. Just let them happen.

And a little more
of the burnt umber.

Touch.

There's absolutely no pressure
on the knife when you're doing this,

when you make these little rocks, no
pressure at all. It's literally...

It's just the paint
touching the canvas.

In your mind, remember,
the blade's not touching the canvas,

it's only the paint, and there's
no pressure, no pressure,

it's just barely, barely touching.

If you push hard, you're going
to just mush it in there

and look like you decorated a cake.

OK, now, put a little bit of foam
right around here.

Just let it splash. Pew!
Right up the rocks.

Make that action fast
when you do it, just phew!

Real quick.

Makes it happen so much better.

Now, if you wanted to show a little
bit of water maybe dribbling

over the rocks in places...

..use a very, very thin paint.

Thin it with magic white,
make it very, very thin.

And touch.

And just barely, barely touch it.

Barely, barely touch it.
Let it play.

See how you can make that water
just dribble right over the rocks?

OK.

Like so.

And maybe there's,
maybe there's little water

coming right across the top here.

And just run it down this rock.

With all this splashing
and the foam carried on here,

there's got to be little puddles
all up on the top up in here.

So just let this water dribble.

Dribble. That's a word
I learned in the South.

I like it.

We've been doing a lot of classes
for our friends in Florida,

and they are fantastic people.
We have really enjoyed being there.

OK.

This is a little bright
right in here,

so I'm going to take the large
brush, just very gently touch it

a little bit and that'll take
some of the brightness away.

Just blends it into the
colours underneath.

Now, in case you joined

a little bit late, let me quickly go
over what we've done here because

this is so radically different than
anything we've done in the past.

I started with a canvas, the bottom
part of it is painted black

with a flat black acrylic
and allowed to dry.

The top remains white.

We covered the top
with a thin layer of magic white.

On the bottom here,
I made a big circle of pthalo green.

And around that circle,

I put mostly pthalo blue and then
right around in here, Prussian blue.

Or you can do it all
in Prussian blue.

You really don't need the pthalo
blue but if you have it, it's a

very warm, sparkly blue that
you might enjoy playing with.

Then blend it all together with long
horizontal and vertical strokes...

..right in here.

And then we begin.

The colours that
we use are transparent.

Be sure these colours under
the black canvas are transparent.

If there's any doubt in your mind,

put a little bit on some black
and look at it.

If it doesn't look black still,
then they're not transparent.

But pthalo blue, pthalo green,
sap green, Prussian blue,

alizarin crimson,
all of these are very,

very transparent colours, and you
can do fantastic things with them.

And practice using them
in combinations.

Some of the pictures we do,

we use stripes of different
transparent colour.

So, play with it at home,
you won't believe what you can do.

Sometimes I talk too much!

So I think we'll sign this painting,
and I hope you've enjoyed it,

I hope it's given you
a lot of fantastic ideas...

..and will start your mind working
and your imagination going crazy.

And you too will come up
with some unbelievable paintings.

So let's sign this one. I've thinned
the paint with a little bit of oil.

And turn it to bring it
to a nice sharp point.

Turn it.

OK.

Boy, a signature in red
really stands out against this blue.

And now, once again,
we've mentioned on other shows,

let us know what you want to see.

And in the future,
we'll try to produce paintings

that you want at home
or that you need some help with.

So I think we're going to call
this painting finished.

The old clock on the wall tells me
it's time to go

and leave you for today.

So on behalf of everybody here
at WIPB, we'd like to wish

each and every one for you
happy painting and God bless.

Have a good day.