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[THEME MUSIC PLAYING]
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NARRATOR: You're traveling
through another dimension.
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A dimension not only of
sight and sound, but of mind.
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A journey into a wondrous land
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whose boundaries are that of imagination.
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That's the signpost up ahead.
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Your next stop, the Twilight Zone.
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[CLOCK TICKING]
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[WHIMPERS]
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[WHIMPERING CONTINUES]
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[GASPS]
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[TICKING CONTINUES]
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[SWALLOWS HARD]
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[TICKING IS LOUDER]
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[HEAVY BREATHING]
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[GASP]
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[SQUEAKY FOOTSTEPS APPROACH]
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[FOOTSTEPS FADE]
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Room for one more, honey.
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[SCREAMING]
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NARRATOR: This is Miss Liz Powell.
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She's a professional dancer
and she's in the hospital
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as a result of overwork
and nervous fatigue
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and at this moment, we have just finished
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walking with her in a nightmare.
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In a moment, she'll wake up
and we'll remain at her side.
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The problem here is
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that both Miss Powell
and you will reach a point
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where it might be difficult to decide
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which is reality and which is nightmare:
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A problem uncommon perhaps
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but rather peculiar to the Twilight Zone.
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Hiya, kitten.
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You lose your way, Barney?
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Hey, you're looking great, kitten.
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You're looking just great.
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It's been a long time between talks.
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Look what I brought you, honey.
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I had it blown up.
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Why, we'll get it blown up real big
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and we'll put it in front of the chichi
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when you open there.
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Where you been, Barney?
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Well, I…
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You know how I feel
about hospitals, kitten…
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They kind of depress me.
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You ought to try it in here
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lying on your back for couple of weeks.
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Pretty soon you feel like
you're lying on a glass slide
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and all those creeps are looking
at you through a microscope
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and the only time the sun shines
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is when it's visiting hours.
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Gee, kitten, what a mind
you've got… what a mind.
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That's what bugs you, isn't it?
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My mind.
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You think I left it in a bus
station some place, don't you?
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Well, if you keep on
talking nutsy like this
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I got to think there's
something wrong, kitten.
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Barney, you got to believe me.
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You're the only one.
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You're really the only one
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I thought would believe me.
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When you didn't show up…
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When you didn't even call
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I got this wild idea
that you'd given me up,
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that you figured I was
some kind of a cuckoo
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who'd left the world behind.
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Oh, no.
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But Barney, you got to believe me.
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You're the only one.
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They aren't dreams.
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They happen… just
like I say they happen.
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I know, kitten, I know.
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Barney, don't.
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Don't write me off, will you?
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You got to believe me.
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[DOOR OPENS]
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DOCTOR: Well, good afternoon.
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Oh, I was just leaving, Doc.
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No need… I'll just be a moment.
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00:06:43,248 --> 00:06:45,866
Well, Miss Powell, you're
looking as beautiful as ever.
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I was just telling her
the same thing myself.
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I'm Barney Kavener, Liz's agent.
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How do you do?
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You make an old doctor
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wish he were a young intern.
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[STACCATO LAUGH]
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You make me wish the same thing.
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You must be great
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00:07:01,163 --> 00:07:03,165
at funerals, laughing boy.
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00:07:03,297 --> 00:07:05,700
We're a little feisty today, aren't we?
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"We" are not feisty.
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00:07:07,468 --> 00:07:09,703
We are just a little tired
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00:07:09,836 --> 00:07:12,706
of ten people an hour
walking around our bed
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like we were some kind
of a freak or something.
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00:07:16,142 --> 00:07:18,144
Why don't you guys get off the dime?
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There's nothing wrong with me.
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There most assuredly isn't, Miss Powell.
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That's what we've
been trying to tell you.
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You're in excellent physical condition.
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A little overtired, that's all.
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A little overworked, perhaps.
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I guess a dancer's life
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isn't the easiest, is it?
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00:07:34,791 --> 00:07:37,927
Well, talent like this
makes it look easy, Doc.
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00:07:38,060 --> 00:07:40,145
I've been this little
lady's agent for 12 years
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and I'm here to tell
you that she's the best
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-little stripper…
-Dancer!
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Dancer that ever came down the pike.
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[STACCATO LAUGH]
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Just listen to him laugh, Barney.
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Boy, he's great for your morale.
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00:07:53,641 --> 00:07:56,075
Well, Doc, what's it going to be tonight?
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A big discussion about Freud and dreams?
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You don't seem interested in dreams.
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In this story you recount,
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you keep rejecting the
fact that it is a dream.
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You know it.
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As a matter of fact, I don't know it.
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I know quite the reverse.
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I say it is a dream.
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Now, let's run through it again.
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You say it always happens
in perfect chronology.
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You wake up.
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You feel thirsty.
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You reach for the glass.
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You hear the clock ticking loudly.
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Very loudly.
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It unnerves you.
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00:08:43,115 --> 00:08:47,719
The glass slips out of your
hand and breaks on the floor.
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And then I hear the footsteps outside.
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Footsteps?
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Whose footsteps?
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Miss Powell seems to feel
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they're the footsteps of a nurse.
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They are the footsteps of a nurse.
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I hear them.
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They come down the corridor
and stop outside my door.
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I jump out of bed.
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Now, Miss Powell.
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I open the door…
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00:09:09,371 --> 00:09:11,839
And I see this nurse
going into an elevator.
143
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I follow her.
144
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The elevator goes down
to the basement floor.
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Down at the end of the hall
there's a room: Room 22.
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What kind of room?
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It's the hospital morgue.
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Miss Powell seems to feel
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the nurse comes out of the morgue,
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looks straight at her and says…
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"Room for one more, honey."
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That's what she says, Barney:
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"Room for one more"
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00:09:42,199 --> 00:09:43,916
and then she points to that room…
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That room where all the stiffs are.
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00:09:46,068 --> 00:09:49,170
Odd dream, wouldn't you say, Mr. Kavener?
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That's a weirdo, Doc.
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That's a very weird dream.
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It isn't a dream.
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Miss Powell claims it's one of our nurses
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assigned to the basement floor.
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How should I know
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if it's one of your nurses or not?
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All I know is this dame
comes out of that room,
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looks at me and says,
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00:10:06,719 --> 00:10:08,720
"Room for one more, honey."
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00:10:08,854 --> 00:10:10,022
You bring her in here.
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I'll point her out.
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Boy, will I point her out.
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I know her face as well as I do my own.
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Very well.
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Let's see.
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This is Miss Jameson.
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She's the night nurse
assigned to the basement floor.
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The only nurse, I might add, Miss Powell.
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Look at her.
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Well, Miss Powell?
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Is this your phantom lady?
179
00:10:48,321 --> 00:10:51,791
No! This woman is tall and she's got
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00:10:51,924 --> 00:10:54,959
this crazy kind of a smile on her face.
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That will be all, thank you.
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Well, Miss Powell, it
obviously is a dream.
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00:11:04,935 --> 00:11:07,070
If it were a nurse in our hospital
184
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it would have to be that young lady
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and since it is not,
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you'll have to admit it's very unlikely
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that the woman you saw
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could have come out of the morgue.
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I know what I saw.
190
00:11:19,714 --> 00:11:22,016
I know what I did.
191
00:11:22,149 --> 00:11:23,818
I'll tell you what, Miss Powell.
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00:11:23,951 --> 00:11:25,352
To prove my point,
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00:11:25,485 --> 00:11:29,022
let's try something different.
194
00:11:29,155 --> 00:11:30,622
Like what?
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You say it always happens
196
00:11:32,191 --> 00:11:34,493
in such pure chronology…
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00:11:34,626 --> 00:11:39,697
That your actions are always the same.
198
00:11:39,831 --> 00:11:41,632
Tonight when you're dreaming,
199
00:11:41,766 --> 00:11:45,369
or as you say, when you're waking up…
200
00:11:45,502 --> 00:11:47,838
Don't reach for the glass.
201
00:11:47,971 --> 00:11:49,621
See if breaking the routine of it
202
00:11:49,705 --> 00:11:52,942
won't stop it from happening.
203
00:11:53,075 --> 00:11:55,811
BARNEY: That sounds like a groovy idea.
204
00:11:55,944 --> 00:11:57,495
Why don't you try it, kitten, huh?
205
00:11:57,579 --> 00:11:58,562
Why don't you try it?
206
00:11:58,646 --> 00:12:00,115
Barney, will you tell him?
207
00:12:00,248 --> 00:12:01,983
When the same thing happens to you
208
00:12:02,117 --> 00:12:03,684
for six nights in a row!
209
00:12:03,817 --> 00:12:07,688
Overwork, fatigue, tiredness…
210
00:12:07,821 --> 00:12:09,355
A nightmare at this point
211
00:12:09,489 --> 00:12:12,392
would not be abnormal, Mr. Kavener.
212
00:12:12,525 --> 00:12:16,027
A nightmare in this
case would be the norm.
213
00:12:16,161 --> 00:12:18,697
Well, Miss Powell,
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00:12:18,830 --> 00:12:21,432
let's see what this evening brings.
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00:12:21,565 --> 00:12:23,768
Shall we?
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00:12:23,901 --> 00:12:25,002
Yeah, well, I…
217
00:12:25,136 --> 00:12:26,720
I gotta be running along, kitten.
218
00:12:26,804 --> 00:12:29,038
Stay hip to what the
doc here is telling you.
219
00:12:29,172 --> 00:12:30,856
I'm sure glad to see you feelin'…
220
00:12:30,940 --> 00:12:33,276
Uh, looking so good again.
221
00:12:33,410 --> 00:12:36,011
Thanks a heap, Barney.
222
00:12:36,145 --> 00:12:38,647
You know, you couldn't boost morale
223
00:12:38,781 --> 00:12:40,397
if it weighed a quarter of a pound
224
00:12:40,481 --> 00:12:41,949
and you had a Derrick.
225
00:12:42,083 --> 00:12:43,918
Thanks for coming over.
226
00:12:44,051 --> 00:12:46,920
You must do it again sometime
227
00:12:47,053 --> 00:12:49,256
only make it next year, will you?
228
00:12:49,389 --> 00:12:50,323
Oh, kitten, baby.
229
00:12:50,457 --> 00:12:54,427
Get out, will you, Barney?
230
00:12:54,560 --> 00:12:57,229
Sure, Liz. Sure.
231
00:13:13,509 --> 00:13:16,045
Remember about tonight, Miss Powell.
232
00:13:16,179 --> 00:13:21,950
When you feel a compulsion
to repeat the nightmare…
233
00:13:22,083 --> 00:13:24,953
Don't do it.
234
00:13:25,085 --> 00:13:27,388
Now, relax.
235
00:13:27,521 --> 00:13:30,391
Get to sleep.
236
00:13:30,524 --> 00:13:34,561
I think we're on our way to recovery.
237
00:13:34,694 --> 00:13:39,431
We're just delighted…
That we feel that way.
238
00:13:56,946 --> 00:13:58,481
[CLOCK TICKING]
239
00:14:01,550 --> 00:14:04,252
[WHIMPERING]
240
00:14:04,385 --> 00:14:05,854
[GASPS]
241
00:14:05,987 --> 00:14:07,922
[CLOCK TICKS LOUDER]
242
00:14:26,938 --> 00:14:28,873
[CLOCK TICKS SOFTLY]
243
00:14:48,089 --> 00:14:49,590
[LIGHTER CLATTERS ON FLOOR]
244
00:14:49,724 --> 00:14:51,792
[TICKING GROWS LOUDER]
245
00:14:51,926 --> 00:14:53,461
[GLASS SHATTERS]
246
00:14:53,594 --> 00:14:55,695
[SQUEAKY FOOTSTEPS APPROACH]
247
00:15:03,836 --> 00:15:07,572
[FOOTSTEPS FADE]
248
00:16:55,930 --> 00:16:58,899
Room for one more, honey.
249
00:17:12,311 --> 00:17:13,912
[MOANING]
250
00:17:24,421 --> 00:17:26,356
Don't leave her until she's asleep.
251
00:17:42,002 --> 00:17:43,637
Well, I think she'll sleep now.
252
00:17:43,771 --> 00:17:46,172
Good.
253
00:17:46,305 --> 00:17:49,042
That's odd.
254
00:17:49,175 --> 00:17:50,476
Now, that's really odd.
255
00:17:50,610 --> 00:17:52,277
What is, Doctor?
256
00:17:52,411 --> 00:17:54,411
This afternoon when I was talking to her
257
00:17:54,513 --> 00:17:57,082
she was telling me
about this… this dream.
258
00:17:57,215 --> 00:17:58,916
What about it?
259
00:17:59,050 --> 00:18:01,552
Following someone down the corridor,
260
00:18:01,686 --> 00:18:04,188
getting into the elevator,
261
00:18:04,321 --> 00:18:05,571
going down to the morgue.
262
00:18:05,655 --> 00:18:07,390
The morgue?
263
00:18:07,524 --> 00:18:09,092
Yes.
264
00:18:09,225 --> 00:18:10,827
She's never been there before.
265
00:18:10,960 --> 00:18:12,928
Patients aren't allowed there.
266
00:18:13,062 --> 00:18:14,846
And yet, when she tells me the story
267
00:18:14,930 --> 00:18:17,632
she mentions Room 22.
268
00:18:17,765 --> 00:18:19,133
Room 22?
269
00:18:19,267 --> 00:18:20,817
Well, if she'd never been there
270
00:18:20,902 --> 00:18:23,705
how would she know?
271
00:18:23,838 --> 00:18:25,205
How would she?
272
00:18:40,885 --> 00:18:42,887
Everything packed?
273
00:18:43,021 --> 00:18:44,021
That does it.
274
00:18:44,154 --> 00:18:45,222
Your agent is here.
275
00:18:45,355 --> 00:18:46,439
He said to phone down to the lobby
276
00:18:46,523 --> 00:18:47,558
when you're ready.
277
00:18:47,691 --> 00:18:48,875
He'll meet you at the elevator.
278
00:18:48,959 --> 00:18:50,993
My cup runneth over.
279
00:18:51,127 --> 00:18:52,895
Is there a back door to this place?
280
00:18:53,029 --> 00:18:55,431
Well, he seems like quite a devoted man.
281
00:18:55,565 --> 00:18:58,200
Oh, he's devoted… to 10% commission
282
00:18:58,333 --> 00:19:00,736
and 12 hours' sleep every night.
283
00:19:00,869 --> 00:19:03,237
Well, are we ready to leave?
284
00:19:03,370 --> 00:19:05,206
All ready, Doctor. Bye.
285
00:19:05,339 --> 00:19:06,874
Ready and overdue.
286
00:19:07,007 --> 00:19:10,443
Let me take that for you.
287
00:19:10,577 --> 00:19:12,879
Send me a postcard from
Miami Beach, will you?
288
00:19:13,012 --> 00:19:15,414
Sure.
289
00:19:15,547 --> 00:19:19,752
Miss Powell… they were dreams.
290
00:19:19,885 --> 00:19:21,268
Just a part of your fatigue.
291
00:19:21,352 --> 00:19:23,788
You were susceptible to nerves.
292
00:19:23,921 --> 00:19:26,357
That's what happens
when a mind is overwrought.
293
00:19:26,491 --> 00:19:28,458
It plays tricks.
294
00:19:28,592 --> 00:19:31,192
I don't want to see you
back here again, Miss Powell.
295
00:19:31,294 --> 00:19:33,746
The next time I see you,
I'll be at a ringside table
296
00:19:33,830 --> 00:19:37,566
and I'd appreciate, a… a subtle wink.
297
00:19:37,700 --> 00:19:41,736
[CHUCKLES]
298
00:19:41,870 --> 00:19:43,138
Miss Powell?
299
00:19:43,271 --> 00:19:45,673
Yeah. Yeah, I'm ready.
300
00:19:55,414 --> 00:19:56,849
You're all set, Miss Powell.
301
00:19:56,983 --> 00:19:58,384
That's the nonstop to Miami
302
00:19:58,518 --> 00:20:02,287
departing from Area C in
approximately five minutes.
303
00:20:02,420 --> 00:20:04,723
Your seat assignment's
on the envelope there.
304
00:20:04,856 --> 00:20:07,291
Thank you very much.
305
00:20:07,424 --> 00:20:08,759
Did anyone ever tell you
306
00:20:08,893 --> 00:20:10,761
that you have eyes like a tarantula?
307
00:20:10,895 --> 00:20:13,062
Oh, I'm sorry, miss. I
didn't mean to stare.
308
00:20:13,196 --> 00:20:14,264
Forget it.
309
00:20:14,397 --> 00:20:15,932
Is that Area C out there?
310
00:20:16,065 --> 00:20:17,100
Yes, ma'am.
311
00:20:17,233 --> 00:20:18,416
Flight 22 is loading now
312
00:20:18,500 --> 00:20:20,050
and you can get aboard any time.
313
00:20:21,470 --> 00:20:22,638
Uh…
314
00:20:22,771 --> 00:20:24,673
Is there anything wrong, Miss Powell?
315
00:20:24,807 --> 00:20:26,574
What flight?
316
00:20:26,707 --> 00:20:28,810
22… nonstop to Miami
317
00:20:28,943 --> 00:20:30,443
right out through that door…
318
00:20:30,545 --> 00:20:31,912
You can board now.
319
00:20:32,045 --> 00:20:33,346
Thank you.
320
00:20:33,480 --> 00:20:35,182
Thank you very much.
321
00:20:35,315 --> 00:20:38,150
MAN [ON SPEAKER]:
Passenger Porter, please report
322
00:20:38,284 --> 00:20:40,419
to ticket confirmation desk immediately.
323
00:20:40,553 --> 00:20:42,688
Passenger Porter, please report
324
00:20:42,822 --> 00:20:44,989
to ticket confirmation desk immediately.
325
00:20:45,123 --> 00:20:46,724
[CLOCK TICKING]
326
00:20:49,694 --> 00:20:52,563
LIZ: It's that… that crazy feeling.
327
00:20:52,696 --> 00:20:54,364
I'm thirsty.
328
00:20:54,498 --> 00:20:58,668
I'm thirsty but… but I'm awake.
329
00:20:58,801 --> 00:21:02,939
It's that same feeling, but I'm awake.
330
00:21:03,071 --> 00:21:05,607
This isn't a dream.
331
00:21:05,740 --> 00:21:07,075
This couldn't be a dream.
332
00:21:07,209 --> 00:21:13,447
[CLOCK TICKS VERY LOUDLY]
333
00:21:13,581 --> 00:21:15,482
[POWELL SCREAMS]
334
00:21:22,721 --> 00:21:29,721
[TICKING GROWS LOUDER]
335
00:21:30,628 --> 00:21:32,430
You'd better hurry, miss.
336
00:21:32,563 --> 00:21:33,664
That's your flight
337
00:21:33,798 --> 00:21:35,432
ready for departure out there.
338
00:21:35,565 --> 00:21:37,400
[WHIMPERS SOFTLY]
339
00:22:41,721 --> 00:22:43,757
Room for one more, honey.
340
00:22:46,926 --> 00:22:49,528
[CONTINUES SCREAMING]
341
00:22:58,201 --> 00:23:00,737
[AIRPLANE ENGINES START]
342
00:23:03,273 --> 00:23:05,841
[ROARING OF PLANE ENGINE]
343
00:23:17,885 --> 00:23:19,853
LIZ: This couldn't be a dream.
344
00:23:19,987 --> 00:23:23,890
It's not a dream.
345
00:23:24,023 --> 00:23:26,492
It just couldn't be… not now.
346
00:23:26,626 --> 00:23:28,461
It just couldn't be.
347
00:23:30,629 --> 00:23:34,366
[NO AUDIO]
348
00:23:34,499 --> 00:23:37,268
[SIRENS WAIL]
349
00:23:37,401 --> 00:23:41,105
NARRATOR: Miss Elizabeth
Powell, profession, dancer.
350
00:23:41,238 --> 00:23:42,939
Hospital diagnosis:
351
00:23:43,073 --> 00:23:46,242
Acute anxiety brought on
by overwork and fatigue.
352
00:23:46,376 --> 00:23:50,913
Prognosis: with rest and
care, she'll probably recover.
353
00:23:51,046 --> 00:23:53,582
But the cure to some
nightmares is not to be found
354
00:23:53,716 --> 00:23:55,850
in known medical journals.
355
00:23:55,984 --> 00:23:58,987
You look for it under
"Potions for Bad Dreams"
356
00:23:59,120 --> 00:24:01,655
to be found in the Twilight Zone.
357
00:24:03,824 --> 00:24:06,493
PRESENTER: Rod Serling,
creator of The Twilight Zone
358
00:24:06,626 --> 00:24:08,561
will tell you about next week's story
359
00:24:08,694 --> 00:24:10,963
after this word from
our alternate sponsor.
360
00:24:12,531 --> 00:24:14,132
And now, Mr. Serling.
361
00:24:14,265 --> 00:24:16,250
Next week you'll find each of your names
362
00:24:16,334 --> 00:24:18,636
on the passenger
manifest of this jet aircraft
363
00:24:18,770 --> 00:24:20,838
that travels from
London to New York City.
364
00:24:20,971 --> 00:24:22,439
You'll sit in these seats
365
00:24:22,573 --> 00:24:24,391
and you'll go through an
experience unique beyond words
366
00:24:24,475 --> 00:24:27,110
and tense beyond anything
I believe you've ever seen.
367
00:24:27,243 --> 00:24:29,612
You'll be departing next
week at about this time
368
00:24:29,746 --> 00:24:32,648
in a vehicle we call
"The Odyssey of Flight 33."
369
00:24:32,782 --> 00:24:36,451
But be prepared for a stop
midway in the Twilight Zone.
370
00:25:21,122 --> 00:25:24,658
PRESENTER: Be sure and see
the Colgate-Palmolive Company's
371
00:25:24,792 --> 00:25:27,227
new comedy show My Sister Eileen
372
00:25:27,361 --> 00:25:30,163
Wednesday night on many
of these same stations.
25844
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