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(Ship's horn blows)
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(Big Ben chiming)
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(Market traders chatting indistinctly)
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Here, set of aluminium saucepans.
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Never seen daylight, moonlight
or Fanny By Gaslight.
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(Sales pitch continues indistinctly)
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(Michael Caine) Growing up in London,me and my mates
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used to hear our parents talking about
"the good old days".
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We asked ourselves,
"What was so good about them?"
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(♪ Dead End Street: The Kinks)
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♪ There's a crack up in the ceiling
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♪ And the kitchen sink is leaking
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♪ Out of work and got no money
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♪ A Sunday joint of bread and honey
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♪ What are we living for?
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♪ Two-roomed apartmenton the second floor
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♪ No money coming in
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♪ The rent collector's knocking,trying to get in
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There was depression, unemployment,
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World War II, the Blitz.
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And even when it was all over,
food was rationed.
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-♪ Dead end!
-♪ People live on dead end street
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00:02:07,794 --> 00:02:11,423
-♪ Dead end!
-♪ People are dying on dead end street
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-♪ Dead end! ♪
-♪ Gonna die on dead end street ♪
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00:02:14,217 --> 00:02:16,470
The Cockneys were always
looked upon kindly in England,
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but in the way you look kindly upon
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- Mickey Mouse or puppets, you know?
- Yeah, yeah.
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They say, "Oh, aren't they nice?
Aren't they clever?" You know.
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As though they've wound you up
and you do something.
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Well, along came a generation
of which I'm probably about the oldest.
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I feel like a grandfather
with most of them.
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00:02:30,817 --> 00:02:31,985
I'm 33.
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We decided that we weren't gonna be
Mickey Mouse any more,
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at least, we'd be people, you know,
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whether they liked it or not,
and that's what we did.
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(♪ Waterloo Sunset: The Kinks)
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♪ Dirty old river, must you keep rolling
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♪ Flowing into the night
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♪ People so busy, makes me feel dizzy
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00:03:04,309 --> 00:03:07,145
♪ Taxi light shines so bright
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♪ But I don't
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♪ Need no friends
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♪ As long as I gaze on Waterloo sunset
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♪ I am in paradise...
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For the first time in British history,
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the young working class, people like me,
stood up for ourselves and said,
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"We are here, this is our society
and we are not going away."
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00:03:41,012 --> 00:03:43,265
♪ Waterloo sunset's fine
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♪ Waterloo sunset's fine ♪
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00:03:54,568 --> 00:03:56,236
(Crew speaking indistinctly)
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00:03:56,903 --> 00:03:58,655
What was it all about?
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I'm gonna show you.
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(♪ My Generation: The Who)
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♪ People try to put us d-down
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♪ Talkin' 'bout my generation
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♪ Just because we get around
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♪ Talkin' 'bout my generation
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♪ Things they do look awful c-cold
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♪ Talkin' 'bout my generation
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♪ I hope I die before I get old
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♪ Talkin' 'bout my generation
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♪ This is my generation
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♪ This is my generation, baby
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♪ Why don't you all f-fade away
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♪ Talkin' 'bout my generation
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♪ And don't try to dig what we all s-say
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♪ Talkin' 'bout my generation
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♪ I'm not trying to causea big s-sensation
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♪ Talkin' 'bout my generation
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♪ This is my generation
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♪ This is my generation, baby
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00:05:05,388 --> 00:05:07,766
♪ People try to put us d-down
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00:05:07,849 --> 00:05:10,310
♪ Talkin' 'bout my generation
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00:05:10,393 --> 00:05:12,729
♪ Just because we get around
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♪ Talkin' 'bout my generation
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♪ This is my generation ♪
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You're only supposed to blow
the bloody doors off!
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Britain in the 1950s
was stable, conventional,
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predictable and dull.
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But that's the way our parents liked it.
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My generation demanded a new beginning.
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(♪ Something in the Air:
Thunderclap Newman)
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♪ Call out the instigators
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♪ Because there's something in the air
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♪ We've got to get togethersooner or later
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♪ Because the revolution's here
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♪ And you know it's right
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(Siren wailing)
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♪ And you know that it's right
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♪ We have got to get it together
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♪ We have got to get it together now ♪
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I wasn't always Michael Caine.
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I was born Maurice Joseph Micklewhite.
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My mother was a charlady, a cleaner.
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And my father was a Billingsgate
fish market porter.
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I was expected
to follow in his footsteps,
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but I hated the smell offish.
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Maurice Micklewhite, are you?
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(Caine) Yes, I am.
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No.
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Oh, my God, aren't you like your father?
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Cos I didn't think anybody
would be left down here.
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Your mother and I
were very good friends.
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- Yes, you were, indeed. Yes.
- And your dear old father.
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The times we used to pick up
old Mrs Faulkner.
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- Yeah! Off the floor.
-(Both laughing)
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You remember those times,
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-don't you, boy?
- Yeah, I remember. I do.
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(Male narrator)
As an English child grows,
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he becomes aware he has already
been assigned a place in a large game,
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a system as intricate
and elaborate as a maze.
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A maze of tradition,
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outmoded rules about who should succeed
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in the eyes of the establishment.
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Discipline is indispensable
to a progressive and mature society.
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Given discipline in the home
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and school,
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in college and at the work bench,
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the foundations for happiness
are well-established.
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(♪ We Gotta Get Out Of This Place:
The Animals)
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♪ Where the sun refuse to shine
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00:07:57,644 --> 00:08:01,815
♪ People tell methere ain't no use in trying
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00:08:03,400 --> 00:08:05,610
(♪ Indistinct playground song)
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00:08:05,694 --> 00:08:09,114
♪ Now my girl you're so young and pretty
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00:08:09,656 --> 00:08:12,867
♪ And one thing I know is true
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00:08:13,702 --> 00:08:17,414
♪ You'll be dead before your time is due
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00:08:17,497 --> 00:08:19,374
♪ I know
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00:08:21,292 --> 00:08:24,295
♪ Watch my daddy in bed and tired...
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00:08:24,379 --> 00:08:26,214
(Bailey) My dad was justan East End lad.
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My mum wanted something better for us.
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♪ He's been workingand slaving his life away
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00:08:32,887 --> 00:08:34,597
♪ Oh yes, I know it...
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(Twiggy) My dad wasa very talented musician
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00:08:37,142 --> 00:08:38,560
but he had to go out and work.
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00:08:41,021 --> 00:08:43,189
- As I'm sure your parents did.
-(Caine) They did, yeah.
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(Twiggy) So, all his dreamsabout becoming a musician
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went out the window.
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♪ Yeah, yeah, yeah, yeah
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00:08:52,323 --> 00:08:55,618
♪ We gotta get out of this place
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♪ If it's the last thing we ever do
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00:08:59,831 --> 00:09:03,001
♪ We gotta get out of this place
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00:09:03,084 --> 00:09:07,464
♪ Cos girl, there's a better lifeFor me and you
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♪ Believe me, baby
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♪ I know it, baby
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♪ You know it, too ♪
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(Caine) As a kid, me and my friends
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spent as much time as possible
in the cinema.
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00:09:23,229 --> 00:09:27,150
But the films we saw
had nothing to do with our lives.
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No heroes we could relate to.
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From the way they talked,
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I thought all the actors
were dukes and duchesses.
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Pure satin.
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Satin? Lace, actually.
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No, Major, I meant your voice.
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I'm so desperately in love with you.
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Well, you really think you are.
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I can't eat or sleep
for thinking of you.
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- You know Mr Gore-Brown, my new boss.
- How do you do?
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00:09:49,672 --> 00:09:50,673
Sir Henry Hazelrigg
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-and Major D'Arcy Davenport.
- How do you do?
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00:09:52,050 --> 00:09:54,010
Well, welcome to the toughest way
of earning a living
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00:09:54,094 --> 00:09:56,137
in this so-called civilised world,
Mr Gore-Brown.
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00:10:00,934 --> 00:10:03,311
Not that my East End mates would
go and see Brief Encounter
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00:10:03,394 --> 00:10:06,147
but for some reason, I saw it.
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00:10:07,148 --> 00:10:10,151
It was a love story
about a middle-aged couple.
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00:10:11,152 --> 00:10:12,153
And it was funny.
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00:10:12,445 --> 00:10:13,446
I love you.
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00:10:13,530 --> 00:10:14,531
"I love you."
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00:10:14,614 --> 00:10:15,698
You love me, too.
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00:10:15,782 --> 00:10:16,783
"I love you, too."
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00:10:16,866 --> 00:10:18,076
Yes.
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00:10:18,159 --> 00:10:20,745
I don't want to pretend anything,
either to you or to anyone else.
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What did she say?
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00:10:22,956 --> 00:10:23,957
And the other one says,
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"She says, 'I love you.'
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00:10:25,875 --> 00:10:26,876
"Shut up."
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00:10:27,418 --> 00:10:30,588
I look down on him
because I am upper class.
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00:10:31,631 --> 00:10:34,592
I look up to him
because he is upper class.
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00:10:35,426 --> 00:10:38,429
But I look down on him
because he is lower class.
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00:10:38,638 --> 00:10:39,889
(Audience laughs)
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I am middle class.
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00:10:41,766 --> 00:10:42,976
(Audience laughs)
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00:10:44,894 --> 00:10:46,187
I know my place.
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00:10:46,271 --> 00:10:47,272
(Audience laughs)
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00:10:50,066 --> 00:10:52,152
(Caine) We were supposedto respect our betters.
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00:10:52,235 --> 00:10:55,488
The nobs, the toffs,
the people who had all the power.
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00:10:56,114 --> 00:10:58,158
The establishment, as we knew them.
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00:10:58,241 --> 00:10:59,909
(♪ Changing of the Guard:
Marquis of Kensington)
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♪ The changing of the guardis part of our tradition
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00:11:02,328 --> 00:11:04,247
♪ But now we findit's been applied to us...
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00:11:04,330 --> 00:11:07,458
(O'Neill) We were all brought upto be servants.
194
00:11:07,667 --> 00:11:09,919
I mean, we were never gonna be
the masters.
195
00:11:10,003 --> 00:11:13,673
♪ And no-one can afforda chauffeur driven Rolls
196
00:11:13,756 --> 00:11:17,510
♪ If we ever get invited to the palace
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00:11:17,594 --> 00:11:20,680
♪ Then we'll all go there by bus ♪
198
00:11:20,763 --> 00:11:23,474
Lady Lewisham, what do you
think about our teenagers?
199
00:11:23,558 --> 00:11:25,310
I think they're splendid,
200
00:11:25,393 --> 00:11:27,187
and I'm delighted
you asked me that question,
201
00:11:27,270 --> 00:11:29,647
cos I sometimes think
they get rather a raw deal.
202
00:11:30,315 --> 00:11:32,400
(Daltrey) This wasthe first generation that had
203
00:11:33,276 --> 00:11:35,403
the potential to make
a mark at the time.
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00:11:37,822 --> 00:11:39,866
(Caine) But the older generation
205
00:11:39,949 --> 00:11:41,659
still clung to the days
206
00:11:41,743 --> 00:11:44,579
when Britain ruled over
half the civilised world.
207
00:11:46,873 --> 00:11:49,751
(Alf Garnett) We'll arise like lionsand get our Empire back.
208
00:11:50,543 --> 00:11:52,378
The bloody great British Empire
209
00:11:52,795 --> 00:11:54,964
that your bloody Labour rubbish
give away to,
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00:11:55,048 --> 00:11:57,175
to the people it belonged to.
211
00:12:00,970 --> 00:12:02,347
(Harold Macmillan)
Whether we like it or not,
212
00:12:02,430 --> 00:12:05,725
the wind of change
is blowing through this country.
213
00:12:08,978 --> 00:12:11,689
But we don't need generals any more.
214
00:12:11,773 --> 00:12:12,857
There isn't a war going on.
215
00:12:13,107 --> 00:12:16,277
(Caine) I wasn't prepared
to follow any of the principles,
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00:12:16,361 --> 00:12:18,947
morals, outlooks on life
217
00:12:19,030 --> 00:12:23,201
of what were, I laughingly call
"my betters".
218
00:12:23,284 --> 00:12:25,245
And which is what I was
actually taught at school,
219
00:12:25,328 --> 00:12:26,704
I was taught all about my betters.
220
00:12:27,288 --> 00:12:30,583
I never understood who my betters
were supposed to be.
221
00:12:31,751 --> 00:12:34,087
I've never seen any of my betters.
222
00:12:34,963 --> 00:12:36,631
I've seen a lot of my equals
223
00:12:37,590 --> 00:12:39,550
but I've still never seen
any of my betters.
224
00:12:40,760 --> 00:12:42,303
(Faithfull) From my generation,
225
00:12:42,470 --> 00:12:44,639
the Labour government coming in
in '45...
226
00:12:44,889 --> 00:12:46,849
-(Caine) Yeah, yeah.-...the Health Service,
227
00:12:46,933 --> 00:12:48,393
the change of diet,
228
00:12:48,476 --> 00:12:50,395
-the change of healthcare...
- Yeah.
229
00:12:50,478 --> 00:12:54,607
...and good education for everybody.
I think that set the '60s up.
230
00:12:54,691 --> 00:12:56,943
I mean, you got
a very good education, too.
231
00:12:57,026 --> 00:12:58,027
(Caine) Yeah, yeah.
232
00:12:58,111 --> 00:13:00,863
(Faithfull) we didn't haveto pay for education.
233
00:13:00,947 --> 00:13:02,115
(McCartney) I loved it
234
00:13:02,198 --> 00:13:04,075
and I was very glad to
go to a grammar school.
235
00:13:04,158 --> 00:13:05,159
(Caine) I did.
(McCartney) Did you?
236
00:13:05,243 --> 00:13:06,869
- Grammar school boys!
- Grammar school.
237
00:13:06,953 --> 00:13:08,997
(McCartney) Come on! Give it upfor grammar school.
238
00:13:09,080 --> 00:13:11,958
Well, I always say to people, you know,
I got this real posh education
239
00:13:12,041 --> 00:13:13,042
for nothing.
240
00:13:13,710 --> 00:13:16,421
(Collins) I always wanted to bean actress
241
00:13:16,504 --> 00:13:18,715
and my father said,
"No, no, you can't be an actress.
242
00:13:18,798 --> 00:13:21,217
"It's terrible.
It's a terrible profession.
243
00:13:21,301 --> 00:13:23,678
"And I want you to go
to a secretarial school
244
00:13:23,761 --> 00:13:26,931
"and find a good man, get married
and have a nice life."
245
00:13:28,182 --> 00:13:31,019
(Bailey) There was this kindascience teacher when I was about 12,
246
00:13:31,185 --> 00:13:33,021
he showed me how to develop film.
247
00:13:33,104 --> 00:13:34,605
So I used to go down my mum's cellar.
248
00:13:34,689 --> 00:13:39,110
I used to nick the chemicals from school
and process film
249
00:13:39,319 --> 00:13:40,403
from my mother's Brownie
250
00:13:41,279 --> 00:13:42,697
to see if I could photograph birds.
251
00:13:43,323 --> 00:13:44,324
(Caine) Birds?
252
00:13:44,532 --> 00:13:46,409
(Bailey) Oh, I was quite interestedin ornithology.
253
00:13:46,492 --> 00:13:48,578
(Caine) Oh, I thought...Oh, sorry, I mistook that.
254
00:13:48,661 --> 00:13:51,247
(Bailey laughing) No, no.
(Caine laughing) OK, I get it now, yeah.
255
00:13:53,875 --> 00:13:56,085
(Daltrey) When I saw Elvis,it did something to me.
256
00:13:56,169 --> 00:13:57,879
And it wasn’t just the song,
257
00:13:57,962 --> 00:14:00,673
and it wasn’t just the fact that
everybody was talking about it.
258
00:14:00,757 --> 00:14:03,051
It was something animalistic.
259
00:14:03,134 --> 00:14:06,137
-(♪ Heartbreak Hotel)
- For the first time in my life,
260
00:14:06,220 --> 00:14:08,681
I'd seen someone that was free.
261
00:14:08,765 --> 00:14:11,559
Completely and utterly free.
262
00:14:11,642 --> 00:14:14,145
And I thought, "I've gotta do that.
I've gotta do... I've gotta be...
263
00:14:14,228 --> 00:14:15,229
"That's what I wanna do."
264
00:14:15,313 --> 00:14:16,731
♪ I'll be so lonely
265
00:14:16,856 --> 00:14:19,817
♪ I'll be so lonely I could die
266
00:14:20,777 --> 00:14:23,654
♪ Well, the bell hop's tearskeep flowing
267
00:14:24,113 --> 00:14:26,157
♪ And the desk clerk's dressed in black
268
00:14:26,240 --> 00:14:29,660
♪ Well, they've been so long on LonelyStreet... ♪
269
00:14:29,744 --> 00:14:31,996
I wanted to be an actor
from the age of 10
270
00:14:32,080 --> 00:14:35,666
but I mean, people with my accent
and background
271
00:14:36,459 --> 00:14:37,919
hardly ever became actors.
272
00:14:39,128 --> 00:14:40,713
But I was in a school play
273
00:14:42,090 --> 00:14:43,091
and when I came on,
274
00:14:43,758 --> 00:14:45,134
I immediately got a laugh
275
00:14:46,469 --> 00:14:48,012
because my flies were undone.
276
00:14:49,180 --> 00:14:50,348
But
277
00:14:51,224 --> 00:14:52,225
I was hooked.
278
00:14:52,975 --> 00:14:54,310
So, you know, when he was working,
279
00:14:54,394 --> 00:14:57,188
he was always miles away, you know,
dreaming what he was gonna be
280
00:14:57,271 --> 00:14:59,565
and what he wasn't gonna be and
281
00:14:59,649 --> 00:15:02,860
-we used to think he was a bit cranky.
- We used to think he was a nutcase,
282
00:15:02,944 --> 00:15:04,070
didn't we? Let's face it.
283
00:15:04,821 --> 00:15:06,489
To be honest, I was happy
284
00:15:07,031 --> 00:15:09,742
just to make a few quid
being an actor in repertory.
285
00:15:10,910 --> 00:15:12,829
Playing in draughty theatres,
286
00:15:12,912 --> 00:15:15,039
living in draughty rooms.
287
00:15:16,207 --> 00:15:18,668
I never thought that I would be famous.
288
00:15:19,502 --> 00:15:20,503
Never.
289
00:15:20,753 --> 00:15:23,256
♪ Now, one man and his ale
290
00:15:23,339 --> 00:15:24,715
♪ What he wants is Watney's
291
00:15:25,258 --> 00:15:27,051
-♪ What he wants is...
-(Man) Watney's Pale.
292
00:15:27,135 --> 00:15:28,803
♪ What he wants is Watney's ♪
293
00:15:29,262 --> 00:15:30,930
And so you've got a long way to go.
294
00:15:32,723 --> 00:15:34,308
Don't become too good too early.
295
00:15:40,690 --> 00:15:43,276
(Caine) So, I was in rep,doing a play up in Liverpool
296
00:15:44,026 --> 00:15:46,195
and we used to go out
and have coffee and sandwiches
297
00:15:46,279 --> 00:15:48,030
at lunchtime at this coffee bar.
298
00:15:48,531 --> 00:15:50,199
And it was always smothered in girls.
299
00:15:50,616 --> 00:15:51,868
(McCartney) That's gonnaget you down there.
300
00:15:51,951 --> 00:15:53,119
(Caine laughing) Yeah.
301
00:15:53,494 --> 00:15:54,495
(McCartney) That was us, yeah.
302
00:15:55,413 --> 00:15:59,417
♪ Some other guy now
has taken my love away from me
303
00:15:59,500 --> 00:16:04,338
♪ Oh now, some other guy now
has taken my love just like I'm gone
304
00:16:04,422 --> 00:16:05,423
♪ Oh now
305
00:16:05,506 --> 00:16:09,218
♪ Some other guy now
has taken my love away from me
306
00:16:09,302 --> 00:16:14,974
♪ Oh now, I'm the lonely one,
as lonely as I can feel, all right
307
00:16:16,017 --> 00:16:18,269
♪ Oh, oh, oh ♪
308
00:16:20,521 --> 00:16:23,566
(McCartney) To get in,you had to kind of bluff a bit.
309
00:16:23,691 --> 00:16:25,818
- It was officially a blues club.
- Yeah.
310
00:16:26,152 --> 00:16:27,528
We didn't know any blues.
311
00:16:27,612 --> 00:16:29,489
- It was all rock and roll, what we knew.
- Yeah, sure.
312
00:16:29,572 --> 00:16:31,782
We were getting notes from the guy.
313
00:16:31,866 --> 00:16:33,951
-"This is not blues!"
-(Caine laughing)
314
00:16:34,035 --> 00:16:35,453
Anyway, we bluffed it.
315
00:16:37,288 --> 00:16:38,831
(Lennon) I mean, I had my guitar.
316
00:16:38,915 --> 00:16:41,000
Mick Jagger had his in London,
317
00:16:41,250 --> 00:16:43,211
and Eric Burdon was up in Newcastle
318
00:16:43,294 --> 00:16:45,379
and we're all going through
the same changes at once.
319
00:16:45,546 --> 00:16:47,173
And you could make it without
320
00:16:48,132 --> 00:16:51,219
college and education
and all those things, you know?
321
00:16:52,220 --> 00:16:55,014
♪ Let me tell you 'bout Ooh Poo Pah Doo
322
00:16:56,766 --> 00:16:58,809
♪ Well, they call me the most
323
00:17:00,311 --> 00:17:02,396
♪ Yeah, Ooh Poo Pah Doo
324
00:17:04,232 --> 00:17:05,942
♪ They call me the most
325
00:17:08,945 --> 00:17:10,863
♪ And I won't stop trying
326
00:17:10,947 --> 00:17:13,574
♪ Till I create a disturbance
in your mind ♪
327
00:17:15,326 --> 00:17:17,203
(Daltrey) Of course,with being very poor.
328
00:17:17,286 --> 00:17:19,747
there was no way I was gonna
be able to buy a guitar.
329
00:17:19,830 --> 00:17:22,124
(Caine) Yeah, how do you start?You gotta get musical instruments.
330
00:17:22,208 --> 00:17:23,251
(Daltrey) Yeah, so I went outand bought some wood
331
00:17:23,334 --> 00:17:25,086
like so many of our guys did.
332
00:17:25,670 --> 00:17:27,713
We all went out
and made our first guitars.
333
00:17:27,797 --> 00:17:30,216
- Made them?
- We made them, yeah. We made them.
334
00:17:30,299 --> 00:17:33,427
And they weren't very good.
And they didn't last very long.
335
00:17:33,886 --> 00:17:37,056
But all you needed to do
was have something that made a noise.
336
00:17:37,139 --> 00:17:38,140
(Caine) Really?
337
00:17:38,224 --> 00:17:41,310
And if you learnt three chords
you can play many, many songs.
338
00:17:46,691 --> 00:17:48,901
And after they learned
those three chords,
339
00:17:48,985 --> 00:17:51,279
most kids headed for London.
340
00:17:52,238 --> 00:17:54,824
It's where everybody
who wanted to be somebody
341
00:17:54,907 --> 00:17:56,033
wanted to be.
342
00:17:56,117 --> 00:17:57,201
You might be out of work,
343
00:17:57,702 --> 00:17:59,161
you might be broke,
344
00:17:59,245 --> 00:18:00,288
but it was cheap
345
00:18:00,955 --> 00:18:04,000
and you lived within two miles
of Buckingham Palace.
346
00:18:04,667 --> 00:18:06,252
(Lennon) Oh, that was a great time.
347
00:18:06,335 --> 00:18:09,005
We all used to just
go round London in our cars
348
00:18:09,088 --> 00:18:11,215
and meet each other
and talk about music.
349
00:18:11,757 --> 00:18:13,676
And we were very close to the Stones.
350
00:18:13,884 --> 00:18:15,886
I spent a lot of time
with Brian and Mick.
351
00:18:15,970 --> 00:18:17,471
And I admired them, you know.
352
00:18:17,638 --> 00:18:20,016
I dug them the first time
I saw them in Richmond.
353
00:18:22,393 --> 00:18:25,021
(McCartney) And you know we wrotetheir first number one?
354
00:18:25,104 --> 00:18:26,647
(Caine) Wait a minute,what one was that?
355
00:18:26,731 --> 00:18:29,442
(McCartney) So, one day, me and Johnwere in Charing Cross Road
356
00:18:29,525 --> 00:18:30,610
cos that was where all
357
00:18:30,693 --> 00:18:32,778
-the guitar shops were.
- Yeah, I remember that. Yeah.
358
00:18:32,862 --> 00:18:34,780
And we used to go down.
That was like our mecca.
359
00:18:34,864 --> 00:18:37,241
And we were coming out of a shop one day
360
00:18:37,325 --> 00:18:39,535
and we saw this taxi with Rolling Stones
361
00:18:39,702 --> 00:18:40,703
and we were, "Hey!"
362
00:18:40,953 --> 00:18:42,830
So, we got in, and we're talking,
and they say,
363
00:18:42,913 --> 00:18:45,583
"Oh, we got a record contract with
Decca, you know? Great."
364
00:18:45,666 --> 00:18:47,793
And Mick said, "Trouble is,
we haven't got a song."
365
00:18:48,377 --> 00:18:50,171
And I go, "Drr-drr-drr!"
366
00:18:50,254 --> 00:18:51,839
I go, "Well, we've got one."
367
00:18:51,922 --> 00:18:55,801
I said, "That'll suit you great. "
♪ Well, I wanna be your lover, baby
368
00:18:56,469 --> 00:18:58,471
♪ I want to be your man
369
00:18:59,305 --> 00:19:02,266
♪ I wanna be your lover, baby
370
00:19:02,391 --> 00:19:04,435
♪ I want to be your man
371
00:19:05,353 --> 00:19:08,022
♪ Tell me that you love me, baby
372
00:19:08,105 --> 00:19:10,107
♪ Tell me you understand ♪
373
00:19:12,318 --> 00:19:14,695
I thought the Stones wrote
that one themselves.
374
00:19:14,779 --> 00:19:16,572
No, we wrote that when we were so high.
375
00:19:16,656 --> 00:19:18,407
♪ I want to be your man
376
00:19:18,491 --> 00:19:20,618
(Interviewer) How do you compare your
group with The Beatles?
377
00:19:21,911 --> 00:19:24,455
I don't know. How do you
compare it with The Beatles?
378
00:19:24,538 --> 00:19:26,666
I don't compare it at all, you know.
There's no point.
379
00:19:26,749 --> 00:19:28,584
(Interviewer) Well, let's get right downto the brass tacks.
380
00:19:28,668 --> 00:19:30,294
Do you think you're better
than they are?
381
00:19:30,461 --> 00:19:33,089
(Mick Jagger) At what? You know,it's not the same group.
382
00:19:33,673 --> 00:19:35,633
(McCartney) It was part of a movement.
(Caine) Yeah.
383
00:19:35,716 --> 00:19:37,885
(McCartney) Because while we werestill up in Liverpool,
384
00:19:37,968 --> 00:19:40,221
we were seeing people like you,
385
00:19:40,805 --> 00:19:43,599
Albert Finney, Courtenay,
386
00:19:43,683 --> 00:19:45,476
who were ordinary, working-class boys,
387
00:19:45,601 --> 00:19:47,144
who talked with regional accents.
388
00:19:47,353 --> 00:19:49,480
I've only clocked you,
that's all, you're...
389
00:19:49,563 --> 00:19:51,440
You're Crafty Arthur from the Basin.
390
00:19:52,149 --> 00:19:55,319
I shouldn't worry too much, sir.
We can always shut down a reactor.
391
00:19:55,403 --> 00:19:56,404
Yes.
392
00:19:57,113 --> 00:19:58,280
Pity if we had to, though.
393
00:19:58,864 --> 00:20:00,616
(Arthur Seaton) Don't let the bastardsgrind you down!
394
00:20:00,700 --> 00:20:01,826
That's one thing I've learned.
395
00:20:03,035 --> 00:20:05,287
(McCartney) Ordinary lads, you know,and they were now making it.
396
00:20:05,746 --> 00:20:08,416
- You were expected to sort of talk posh.
- Yeah.
397
00:20:08,499 --> 00:20:11,252
And we didn't or couldn't,
and didn't want to.
398
00:20:12,712 --> 00:20:14,755
My real name was Maurice Micklewhite,
399
00:20:14,839 --> 00:20:16,674
which is a bit of a mouthful
for an actor.
400
00:20:16,757 --> 00:20:19,051
So I changed it to Michael White.
401
00:20:19,719 --> 00:20:21,095
Then I came to London
402
00:20:21,262 --> 00:20:23,931
and every night I used to go
to Leicester Square,
403
00:20:24,223 --> 00:20:25,224
in a phone booth,
404
00:20:25,558 --> 00:20:27,727
and call my agent
to see if there was any work.
405
00:20:27,810 --> 00:20:29,895
And one night she said,
"I've got a job for you.
406
00:20:30,229 --> 00:20:31,230
"It's on television."
407
00:20:31,689 --> 00:20:34,108
She said, "And you've got to join
Equity, the trade union."
408
00:20:34,191 --> 00:20:37,236
So I said, "OK, I'll join it." She said,
"But you've gotta change your name."
409
00:20:37,319 --> 00:20:39,280
She said, "Because there's another
Michael White
410
00:20:39,363 --> 00:20:40,531
"already in Equity.
411
00:20:40,948 --> 00:20:42,158
"So, I want the name now."
412
00:20:42,241 --> 00:20:44,326
She said, "Obviously, you can keep
the name Michael,
413
00:20:44,410 --> 00:20:45,619
"but I want another surname."
414
00:20:46,036 --> 00:20:48,164
So, I looked round Leicester Square
at the cinemas
415
00:20:48,247 --> 00:20:51,041
and there was my favourite actor,
Humphrey Bogart
416
00:20:51,459 --> 00:20:52,585
in The Caine Mutiny.
417
00:20:52,668 --> 00:20:54,086
And I thought, "This is fantastic."
418
00:20:54,170 --> 00:20:57,298
So I said, "Michael Caine. "
She said, "How do you spell it?"
419
00:20:57,381 --> 00:20:59,175
I said, "C-A-I-N-E."
420
00:20:59,967 --> 00:21:01,594
And that's how I became Michael Caine.
421
00:21:01,969 --> 00:21:03,971
If I'd have gone to the cinema next door
422
00:21:04,597 --> 00:21:07,099
I would've been
"Michael 101 Dalmatians."
423
00:21:07,600 --> 00:21:10,102
Music in this country
was very watery and weak
424
00:21:10,186 --> 00:21:11,604
and not really worth talking about.
425
00:21:11,687 --> 00:21:12,938
Then all of a sudden, you know,
426
00:21:13,272 --> 00:21:16,734
the kids in England were
thinking for themselves, you know.
427
00:21:16,942 --> 00:21:20,654
They were beginning to sort of build up
their own ideas about fashion.
428
00:21:20,738 --> 00:21:23,574
And build up their own ideas
about music.
429
00:21:23,657 --> 00:21:26,368
(♪ (I Can't Get No) Satisfaction:
The Rolling Stones)
430
00:21:27,870 --> 00:21:33,959
♪ I can't get no satisfaction
431
00:21:34,960 --> 00:21:40,966
♪ I can't get no satisfaction
432
00:21:41,050 --> 00:21:43,803
♪ Cos I try and I try
433
00:21:44,386 --> 00:21:46,931
♪ And I try and I try
434
00:21:47,681 --> 00:21:49,975
♪ I can't get no
435
00:21:50,935 --> 00:21:53,062
♪ I can't get no
436
00:21:54,522 --> 00:21:57,775
♪ When I'm driving in my car
437
00:21:57,858 --> 00:22:01,904
♪ And that man comes on the radio
438
00:22:01,987 --> 00:22:04,698
♪ And he's telling me more and more
439
00:22:04,782 --> 00:22:07,993
♪ About some useless information
440
00:22:08,077 --> 00:22:11,872
♪ Supposed to fire my imagination
441
00:22:11,956 --> 00:22:14,208
♪ I can't get no
442
00:22:15,709 --> 00:22:17,586
♪ Oh no, no, no...
443
00:22:17,670 --> 00:22:20,923
(Jagger) I really don't care whetherthey think we're a load of yobs or not.
444
00:22:21,090 --> 00:22:22,508
It doesn't worry me.
445
00:22:22,758 --> 00:22:25,344
Cos maybe I am. I don't really care.
I'm just what I am.
446
00:22:27,680 --> 00:22:32,268
♪ I can't get no satisfaction
447
00:22:32,351 --> 00:22:34,019
(Indistinct shouting)
448
00:22:34,478 --> 00:22:40,150
♪ I can't get no satisfaction
449
00:22:40,234 --> 00:22:43,237
♪ Cos I try and I try
450
00:22:43,779 --> 00:22:47,157
♪ And I try and I try
451
00:22:47,241 --> 00:22:49,785
♪ I can't get no
452
00:22:50,494 --> 00:22:52,746
♪ I can't get no
453
00:22:54,206 --> 00:22:55,791
♪ Oh no, no, no
454
00:22:57,376 --> 00:22:59,086
♪ Hey, hey, hey...
455
00:23:00,421 --> 00:23:02,047
(Feedback squealing)
456
00:23:02,131 --> 00:23:04,466
(Daltrey) It was likeslaughtering a beast.
457
00:23:04,550 --> 00:23:07,094
The thing could howl, it could scream.
458
00:23:07,177 --> 00:23:09,138
- It was doing all kinds of noises...
-(Caine laughs)
459
00:23:09,221 --> 00:23:11,390
...that you could only do
by smashing it.
460
00:23:11,724 --> 00:23:14,852
We were led in through that period
of the Cold War
461
00:23:14,935 --> 00:23:16,812
-where we were with the Cuban Crisis.
- Exactly! Yeah.
462
00:23:16,896 --> 00:23:19,940
We had three minutes to live.
You just did everything now.
463
00:23:22,109 --> 00:23:24,403
♪ No satisfaction ♪
464
00:23:26,739 --> 00:23:28,616
(Explosion)
465
00:23:41,837 --> 00:23:44,131
Twenty years ago, it was music,
466
00:23:44,381 --> 00:23:46,550
it was melody,
you wanted to dance to it.
467
00:23:47,843 --> 00:23:50,304
(Male announcer 1) This is Londoncalling the British Empire.
468
00:23:50,471 --> 00:23:52,556
(Male announcer 2)
This is the BBC Light Programme.
469
00:23:52,640 --> 00:23:54,016
Here is the ten o'clock news.
470
00:23:54,099 --> 00:23:56,393
(Male announcer 3)
Ladies and gentlemen...
471
00:23:56,477 --> 00:23:57,728
(Static, music and speech overlapping)
472
00:23:59,897 --> 00:24:02,149
(Male announcer 4) The BBCHome and Forces Programme.
473
00:24:02,608 --> 00:24:03,609
Here is the news.
474
00:24:05,402 --> 00:24:06,403
(Horn honking)
475
00:24:11,533 --> 00:24:13,661
(Caine) When I was a kid,the bloke who read the news
476
00:24:13,744 --> 00:24:16,956
on the BBC, he wore an evening suit.
477
00:24:18,040 --> 00:24:20,000
And that was on the radio.
478
00:24:21,335 --> 00:24:23,837
And that attitude still existed
479
00:24:23,921 --> 00:24:25,673
among the stiffs who ran the place.
480
00:24:26,131 --> 00:24:29,385
They didn't want us
to be exposed to the evils
481
00:24:29,468 --> 00:24:30,678
of the pop music
482
00:24:30,761 --> 00:24:33,931
of The Beatles, The Rolling Stones,
The Who.
483
00:24:34,890 --> 00:24:37,810
But whenever the old guard
told us what we couldn't do,
484
00:24:39,144 --> 00:24:40,646
we always found a way to do it.
485
00:24:41,981 --> 00:24:43,315
(♪ Electric guitar intro)
486
00:25:01,375 --> 00:25:03,627
We've records on radio. Lovely!
487
00:25:06,797 --> 00:25:09,008
This is Radio Caroline,
488
00:25:09,091 --> 00:25:11,135
three and a half miles
off the coast of Britain.
489
00:25:12,052 --> 00:25:15,264
The last free radio station
in the world.
490
00:25:18,308 --> 00:25:19,893
Good morning! This is Radio Caroline,
491
00:25:19,977 --> 00:25:22,521
broadcasting on 259 metres
in the medium wave.
492
00:25:22,604 --> 00:25:25,399
And welcome to the show!
You're with the Admiral Robbie Dale
493
00:25:25,482 --> 00:25:29,153
through till 9:00 this evening.
Remember, of course, it's 259...
494
00:25:29,236 --> 00:25:31,655
(All) We want food! We want food!
495
00:25:35,034 --> 00:25:36,035
(Inaudible)
496
00:25:40,539 --> 00:25:44,251
All broadcasting, ultimately,
was responsible to the government,
497
00:25:44,334 --> 00:25:45,961
to the representatives
of the government.
498
00:25:46,045 --> 00:25:49,798
Now, these people are not.
They are a law unto themselves.
499
00:25:50,257 --> 00:25:53,385
They are, in fact, pirates.
The word is a correct one.
500
00:25:54,136 --> 00:25:56,430
They are pirates.
They are, in fact, outlaws.
501
00:25:58,057 --> 00:26:01,769
(Man 1) If a new animal comes intoa group of animals
502
00:26:01,852 --> 00:26:04,563
that are already together,
the other animals will attack it.
503
00:26:05,481 --> 00:26:07,608
Because they don't know it,
and they're afraid of it.
504
00:26:07,775 --> 00:26:10,277
(Man 2) The pirates are a menace,
and I don't believe at all
505
00:26:10,778 --> 00:26:14,198
that the public wouldn't support action
to enforce the law.
506
00:26:14,615 --> 00:26:16,825
(DJ) We broadcast 24 hours a day
507
00:26:17,117 --> 00:26:20,287
to Britain, France, Holland,
many other European countries.
508
00:26:20,537 --> 00:26:21,872
We fight for freedom.
509
00:26:22,039 --> 00:26:25,667
And we will fight
until we are physically put down.
510
00:26:37,971 --> 00:26:39,598
(Caine) The old rule bookwas being torn up
511
00:26:40,265 --> 00:26:41,266
and thrown away.
512
00:26:41,767 --> 00:26:43,519
It was happening in my profession, too.
513
00:26:43,602 --> 00:26:46,814
I was up for a big film,
to play a Cockney Corporal.
514
00:26:49,149 --> 00:26:51,151
And I had to go to the audition
515
00:26:51,235 --> 00:26:52,986
and I didn't have a phone at that time.
516
00:26:53,070 --> 00:26:54,530
And when I got to the audition,
517
00:26:54,613 --> 00:26:56,698
the director said, "I'm terribly sorry."
518
00:26:56,782 --> 00:26:58,408
He said, "We couldn't
get in touch with you.
519
00:26:58,492 --> 00:27:00,494
"We've cast that part already."
You know?
520
00:27:00,577 --> 00:27:01,578
So, I was turned down.
521
00:27:01,662 --> 00:27:03,872
But I'd been turned down
so many times it didn't matter.
522
00:27:03,956 --> 00:27:05,666
And the room was very long,
523
00:27:05,749 --> 00:27:07,417
which was fortunate for my movie career,
524
00:27:07,501 --> 00:27:09,002
cos by the time I got to the door,
525
00:27:09,670 --> 00:27:11,797
the director said, "Come back a minute.
Come here."
526
00:27:12,631 --> 00:27:15,884
Now, I was very slim, 6'2",
long, blond hair.
527
00:27:16,635 --> 00:27:18,887
He said, "You sort of look like
528
00:27:19,638 --> 00:27:21,598
"an officer type, you know?"
529
00:27:22,266 --> 00:27:26,019
So I said, "Thank you."
He said, "Can you do a posh accent?"
530
00:27:27,187 --> 00:27:30,399
I said, "I have been in rep
for nine years,
531
00:27:30,482 --> 00:27:32,234
"I can do any accent you want."
532
00:27:34,069 --> 00:27:35,404
I was very nervous, I remember.
533
00:27:35,779 --> 00:27:37,906
I remember Cy Endfield,
when he did the first take,
534
00:27:39,199 --> 00:27:41,618
said "Cut!" halfway through
the very first take
535
00:27:42,202 --> 00:27:45,330
and he said, "Michael, " he said, "your
voice has gone up about three octaves."
536
00:27:45,706 --> 00:27:49,001
And my voice was up here with nerves
and they could hardly record it.
537
00:27:49,251 --> 00:27:51,628
And we had to start again,
and then I brought my voice down.
538
00:27:51,962 --> 00:27:54,047
But what had happened was,
is everybody had come out
539
00:27:54,131 --> 00:27:56,550
because they were sure this
Cockney couldn't speak like that.
540
00:27:57,217 --> 00:27:58,760
Who said you could use my men?
541
00:28:00,846 --> 00:28:03,140
They were sitting around
on their backsides doing nothing.
542
00:28:05,434 --> 00:28:07,311
Rather you asked first, old boy.
543
00:28:07,394 --> 00:28:10,689
That's how I got a starring role
in a movie for the first time.
544
00:28:12,107 --> 00:28:15,819
The thing is if that director
hadn't been an American
545
00:28:15,903 --> 00:28:18,363
but had been a British director,
546
00:28:18,447 --> 00:28:20,616
through no malice
or no fault of his own,
547
00:28:21,658 --> 00:28:23,076
he would never
548
00:28:23,160 --> 00:28:25,954
have cast this Cockney boy
as an officer,
549
00:28:26,955 --> 00:28:28,123
not in a million years.
550
00:28:29,499 --> 00:28:33,253
That's how strong the class system
was in England back then.
551
00:28:33,337 --> 00:28:35,672
(♪ Pictures of Matchstick Men:
Status Quo)
552
00:28:46,183 --> 00:28:47,559
(Inaudible)
553
00:28:53,815 --> 00:28:55,025
(Inaudible)
554
00:28:55,108 --> 00:28:56,276
(McCartney) And suddenly,
555
00:28:56,485 --> 00:29:00,113
people realised that the working class
wasn't as thick as it looked.
556
00:29:00,197 --> 00:29:01,531
- And it had talent.
-(Caine laughing) Yeah.
557
00:29:01,615 --> 00:29:03,867
There was very talented people.
558
00:29:03,951 --> 00:29:04,952
It was a revolution.
559
00:29:09,581 --> 00:29:12,209
And I don't agree with anything
that they do.
560
00:29:12,459 --> 00:29:13,961
Young people are like they are
561
00:29:14,044 --> 00:29:17,881
because our society is throwing up
this sort of problem.
562
00:29:19,049 --> 00:29:21,260
I think the whole thing is
a lot of unfresh rubbish.
563
00:29:22,636 --> 00:29:23,720
(Shaw) I just thought
564
00:29:23,804 --> 00:29:25,681
there was more of us
than there was of them.
565
00:29:25,764 --> 00:29:28,225
(Caine) Do you know,that never occurred to me? (Laughs)
566
00:29:31,436 --> 00:29:33,105
(Julie Christie) But it seems to me
567
00:29:33,605 --> 00:29:35,023
that a good time is...
568
00:29:36,066 --> 00:29:39,611
is much easier had by all now
than ever before.
569
00:29:45,742 --> 00:29:48,120
Any one thing that's preached
by our people in particular
570
00:29:48,203 --> 00:29:50,497
it's that you do what you wanna do,
when you want.
571
00:29:52,541 --> 00:29:55,168
This isn't the first generation
that's questioned the moral values
572
00:29:55,252 --> 00:29:56,628
of the last generation.
573
00:30:05,387 --> 00:30:06,888
You know, on recent trips to London
574
00:30:06,972 --> 00:30:10,642
you don't see any people
older than 25 or 30.
575
00:30:10,851 --> 00:30:12,811
It's as though they lock
them up somewhere.
576
00:30:12,894 --> 00:30:15,480
(Caine) I think they've allmoved out and left it to the teenagers.
577
00:30:15,564 --> 00:30:18,108
London, as far as I'm concerned,
as far as I can see,
578
00:30:18,191 --> 00:30:20,402
it's all young people
the whole time now.
579
00:30:20,986 --> 00:30:23,071
(News reporter) Taste no longercomes down from the rich.
580
00:30:23,155 --> 00:30:24,948
It often rises from the young,
581
00:30:25,032 --> 00:30:26,700
many of them from the working classes.
582
00:30:27,326 --> 00:30:30,245
They now seem the pace-setters.
They set the taste.
583
00:30:32,122 --> 00:30:35,584
In fact, the whole strength of this
came from the young themselves.
584
00:30:35,709 --> 00:30:38,211
They knew what they wanted.
They didn't want to imitate sort of
585
00:30:38,962 --> 00:30:41,340
Countess Biggleswade, you know?
They had their own ideas.
586
00:30:41,965 --> 00:30:44,634
(Tree) I looked atthe cover of Time magazine
587
00:30:44,718 --> 00:30:47,387
and I read this article
just talking about
588
00:30:47,471 --> 00:30:49,806
what was going on in London,
the nightclubs,
589
00:30:50,098 --> 00:30:51,975
the restaurants, the clothes,
590
00:30:52,142 --> 00:30:55,687
and I thought, "How do I get to London,
you know, like, tomorrow?"
591
00:30:56,396 --> 00:30:57,981
(Bailey) You know, when people say
592
00:30:58,065 --> 00:31:00,567
The Beatles made swinging sixties,
they didn't.
593
00:31:00,650 --> 00:31:02,736
-(Caine laughs)
- London made The Beatles.
594
00:31:03,153 --> 00:31:05,447
Never before had so many young people
595
00:31:06,114 --> 00:31:07,532
lived away from home.
596
00:31:08,575 --> 00:31:10,494
Their parents began to worry about them.
597
00:31:11,661 --> 00:31:13,080
If their kids when to art school,
598
00:31:13,830 --> 00:31:15,290
they would've worried even more.
599
00:31:16,166 --> 00:31:18,418
I don't know whether
they learned anything about painting,
600
00:31:19,127 --> 00:31:22,547
but they certainly had the
prettiest girls and the best parties.
601
00:31:23,173 --> 00:31:24,758
The pop art scene
602
00:31:24,841 --> 00:31:27,344
began to transform the face of London.
603
00:31:28,720 --> 00:31:30,889
(Edwards) People said,"It's a dull, Grey world. "
604
00:31:30,972 --> 00:31:33,600
Or "Everything's black and white
post-war."
605
00:31:33,850 --> 00:31:35,894
Even though people said that,
it was literally true.
606
00:31:36,144 --> 00:31:37,646
Everything was dull and Grey
607
00:31:37,729 --> 00:31:40,649
and we wanted colour, we wanted
to introduce colour into London.
608
00:31:40,816 --> 00:31:44,569
If we could have had coloured concrete,
coloured cement, we'd have used it.
609
00:31:45,278 --> 00:31:48,448
(Man) The world of pop art.The world of the popular imagination.
610
00:31:48,532 --> 00:31:51,827
The world of film stars, the twist.
611
00:31:52,327 --> 00:31:54,454
(Quant) Art schools werethe centre of everything.
612
00:31:54,538 --> 00:31:57,165
Well, they provoked so much
excitement and interest.
613
00:31:57,749 --> 00:32:00,377
(Bailey) And we didn't even knowyou could have art students.
614
00:32:01,086 --> 00:32:03,630
(Hockney) It was wonderfulthinking you could use anything.
615
00:32:03,880 --> 00:32:06,007
Paintings based on a packet of tea,
616
00:32:06,591 --> 00:32:08,969
just because the packets of tea
were there.
617
00:32:10,178 --> 00:32:12,222
And I used to write
on the paintings then.
618
00:32:14,057 --> 00:32:15,267
A lot of graffiti.
619
00:32:15,350 --> 00:32:20,147
Some of it, I remember finding in the
toilets in Earl's Court Tube station.
620
00:32:22,899 --> 00:32:24,651
(Boty) I often take the moment
621
00:32:24,734 --> 00:32:26,820
before something has actually happened.
622
00:32:26,987 --> 00:32:29,281
And you don't know
if it's going to be terrible
623
00:32:29,364 --> 00:32:30,699
or it might be very funny.
624
00:32:30,782 --> 00:32:34,286
The sort of stuff that I'm doing is
absolute ephemera.
625
00:32:34,411 --> 00:32:38,915
It's do it today and I wanna
forget about it by midnight.
626
00:32:39,040 --> 00:32:40,750
And I'm on to something else.
627
00:32:40,834 --> 00:32:42,169
This is how I see.
628
00:32:42,252 --> 00:32:44,713
You know, if anything is pop,
it's pop for the minute.
629
00:32:49,759 --> 00:32:53,972
It's much easier for a girl to
drift into trouble in London.
630
00:32:54,639 --> 00:32:57,809
The streets themselves,
it's true, are clear.
631
00:32:58,393 --> 00:33:00,729
But there are more temptations,
632
00:33:00,812 --> 00:33:04,733
it's more easier for anybody
who wants to exploit a girl
633
00:33:04,816 --> 00:33:06,067
to sweep her underground.
634
00:33:07,360 --> 00:33:09,696
(Faithfull) "I just happenedto be there, that's all. "
635
00:33:09,779 --> 00:33:11,448
That's a Bob Dylan line.
636
00:33:14,034 --> 00:33:16,620
They said, "Would you like to come
to a party in London?"
637
00:33:16,703 --> 00:33:19,164
And I said, "Oh, I've never been
to a party in London."
638
00:33:20,207 --> 00:33:22,751
Pretty girl with a lot of
very pretty friends.
639
00:33:23,210 --> 00:33:25,128
-(Caine) Yeah.- My friends were gorgeous, you know.
640
00:33:25,212 --> 00:33:28,131
We all went to this convent
and we were fabulous looking,
641
00:33:28,215 --> 00:33:30,634
and my God, the role model
was the Virgin Mary.
642
00:33:30,717 --> 00:33:31,718
(Caine) Yeah, exactly.
643
00:33:31,801 --> 00:33:33,678
(Faithfull) That's what madeconvent girls so sexy.
644
00:33:33,762 --> 00:33:35,847
(Caine laughs)
645
00:33:36,223 --> 00:33:37,849
(Caine) And hard to get. Yeah.
646
00:33:37,933 --> 00:33:39,601
(Faithfull) Don't know about that.
647
00:33:39,684 --> 00:33:42,312
The Rolling Stones were there
and Millie and The Crystals,
648
00:33:43,063 --> 00:33:44,064
and all these people,
649
00:33:44,856 --> 00:33:46,441
and I was looking very shabby.
650
00:33:46,983 --> 00:33:49,653
Very, very... So shabby. It was awful.
651
00:33:50,403 --> 00:33:51,404
I was stood there.
652
00:33:52,113 --> 00:33:55,492
And then people started whispering
and sort of saying, you know,
653
00:33:55,575 --> 00:33:57,410
being very embarrassing for me.
654
00:33:57,661 --> 00:33:59,621
And they came up and said
to the person I was with,
655
00:33:59,704 --> 00:34:00,872
"And can she sing?"
656
00:34:01,581 --> 00:34:04,668
Andrew Oldham, you are the person
who discovered Marianne Faithfull
657
00:34:04,751 --> 00:34:05,919
at that party.
658
00:34:06,002 --> 00:34:08,964
Is it literally possible to go to
a party and pick out someone
659
00:34:09,047 --> 00:34:12,008
with no evident talents
and make a star of them?
660
00:34:12,842 --> 00:34:14,928
- Uh, yes.
- How?
661
00:34:15,095 --> 00:34:17,430
Um, I think the first thing is
you have to be drunk.
662
00:34:18,473 --> 00:34:19,808
(Faithfull) He had an instinct.
(Caine) Yes.
663
00:34:19,891 --> 00:34:22,060
(Faithfull) I think, that's whatAndrew... I was very good at that.
664
00:34:22,143 --> 00:34:23,311
(Caine) And he guided you through...
665
00:34:23,395 --> 00:34:26,106
- He guided me through nothing.
- Really?
666
00:34:26,189 --> 00:34:29,276
He knew whatever it was I had
he could market it.
667
00:34:29,776 --> 00:34:33,780
He just saw what he always called
a "commercial face".
668
00:34:33,863 --> 00:34:36,074
(Caine) Which you did, yeah. I mean,you were so pretty.
669
00:34:36,157 --> 00:34:39,327
(Faithfull) If you can see thatperspective. I can't see it myself
670
00:34:39,411 --> 00:34:40,412
(Caine) Take my word for it.
671
00:34:40,495 --> 00:34:41,705
-(Faithfull) OK.
-(Both laugh)
672
00:34:43,331 --> 00:34:44,791
I fell in love with Mick.
673
00:34:44,874 --> 00:34:47,752
Mick was young, rich and a rock star.
674
00:34:48,628 --> 00:34:51,381
Bailey, the same.
Probably you had your moments, too.
675
00:34:51,464 --> 00:34:53,133
Though you took your work
very seriously.
676
00:34:53,216 --> 00:34:54,217
(Caine) I did, indeed.
677
00:34:54,301 --> 00:34:56,219
(Faithfull) It was a whole team of very,
678
00:34:56,303 --> 00:34:57,762
very naughty boys, really. Very naughty.
679
00:34:57,971 --> 00:34:59,598
(Caine) Yeah, well, we couldn't help it.
680
00:35:01,850 --> 00:35:03,435
Where I grew up, it was a bit like
681
00:35:03,727 --> 00:35:06,730
Sicily in terms of morals and sex.
682
00:35:07,480 --> 00:35:09,941
If you kissed a girl, her brothers'd
come round with a shotgun
683
00:35:10,025 --> 00:35:11,359
and say you've gotta get married.
684
00:35:11,735 --> 00:35:15,280
Well, all that went out of the window.
(Laughs)
685
00:35:15,363 --> 00:35:18,283
(Quant) Women alsowere turning into voyeurs.
686
00:35:18,408 --> 00:35:20,201
They also liked the look of men.
687
00:35:20,493 --> 00:35:23,246
Given the Pill was the only
contraception that actually worked,
688
00:35:23,371 --> 00:35:26,333
a woman could then really be
in charge of her own life.
689
00:35:26,499 --> 00:35:28,251
(Woman) It's smaller
than an aspirin tablet
690
00:35:28,877 --> 00:35:31,921
and it is commonly and widely
called "the Pill".
691
00:35:32,047 --> 00:35:33,548
(Female reporter)
A revolution is on the way.
692
00:35:33,715 --> 00:35:37,302
All over the country, young girls
are sprouting, shouting and shaking.
693
00:35:37,510 --> 00:35:39,888
And if they terrify you, they mean to.
694
00:35:40,013 --> 00:35:41,890
(Woman)
I wanted to run and jump and dance
695
00:35:42,015 --> 00:35:44,684
and go on at night, straight away to
a nightclub and dance.
696
00:35:48,021 --> 00:35:49,689
(Caine) A friend of mine saidhe was gonna take me
697
00:35:49,773 --> 00:35:51,775
to the best disco in the whole world.
698
00:35:52,776 --> 00:35:54,569
It was at the top
of a very high building,
699
00:35:54,653 --> 00:35:56,279
just behind Leicester Square,
700
00:35:56,613 --> 00:35:58,490
in a club called The Ad Lib.
701
00:36:01,034 --> 00:36:03,620
And I'm looking round to see what sort
of people we've got here.
702
00:36:04,579 --> 00:36:07,957
On the dance floor,
every single Rolling Stone
703
00:36:08,166 --> 00:36:09,376
and every single Beatle.
704
00:36:10,293 --> 00:36:13,338
And I thought, "Boy,
this must be the place."
705
00:36:13,421 --> 00:36:14,464
(♪ Gimme Some Lovin':
The Spencer Davis Group)
706
00:36:14,547 --> 00:36:17,676
♪ Well, I feel so goodEverything's getting high
707
00:36:17,759 --> 00:36:20,929
♪ You better take it easyCos the place is on fire
708
00:36:21,012 --> 00:36:23,973
♪ Been a hard dayAnd I had no work to do
709
00:36:24,057 --> 00:36:27,143
♪ Wait a minute, babyLet it happen to you
710
00:36:27,227 --> 00:36:30,730
♪ And I'm so glad we made it
711
00:36:30,814 --> 00:36:33,108
♪ So glad we made it
712
00:36:33,191 --> 00:36:36,069
♪ You've gotta gimme some lovin'
713
00:36:36,152 --> 00:36:37,737
♪ Gimme some lovin'
714
00:36:37,821 --> 00:36:40,824
-♪ Gimme some lovin'
-♪ Gimme some lovin'
715
00:36:40,907 --> 00:36:43,201
♪ Gimme some lovin' every day ♪
716
00:36:43,284 --> 00:36:46,246
(Lulu) I met Albert Finney,I met Michael Caine,
717
00:36:46,329 --> 00:36:47,872
I met Sean Connery.
718
00:36:48,206 --> 00:36:51,418
(Scala) I met Stevie Winwood,Jimi Hendrix and Brian Jones.
719
00:36:51,501 --> 00:36:54,170
(Puttnam) John Lennon was there.I met Julie Christie there.
720
00:36:55,004 --> 00:36:56,256
(Lulu) It was insane.
721
00:36:57,799 --> 00:36:59,634
(Bailey) And they were all mates,weren't they?
722
00:36:59,718 --> 00:37:02,846
It was all mates. I taught Nureyev
how to twist at The Ad Lib, yeah.
723
00:37:02,929 --> 00:37:06,391
And he was very stiff. I mean,he could do all that Swan Lake shit,
724
00:37:06,474 --> 00:37:08,893
but he couldn't do the twist.
725
00:37:08,977 --> 00:37:10,478
(Bailey and Caine laughing)
726
00:37:14,232 --> 00:37:17,360
(Caine) We didn't have cell phonesin those days.
727
00:37:17,736 --> 00:37:21,573
We didn't text each other.
We talked to each other face-to-face.
728
00:37:22,240 --> 00:37:24,367
And that's what bred creativity
729
00:37:24,451 --> 00:37:27,996
because people could meet each other
and exchange ideas.
730
00:37:28,788 --> 00:37:31,499
And anyone with talent
could be a part of it.
731
00:37:43,219 --> 00:37:46,264
(Quant) We started a shopin the King's Road called Bazaar.
732
00:37:46,723 --> 00:37:50,143
It just hit the spot fromthe first day. (Laughs)
733
00:37:50,477 --> 00:37:53,146
(Caine) Why was that, then?Was that because of the miniskirt?
734
00:37:53,229 --> 00:37:57,233
Because I made the skirts much shorter
than anyone had seen at that time.
735
00:37:57,609 --> 00:37:58,985
They were provocative, you know?
736
00:38:00,612 --> 00:38:03,782
Well, I can't say that I particularly
approve of some of the styles
737
00:38:03,865 --> 00:38:06,242
and particularly the more outré ones.
738
00:38:06,326 --> 00:38:10,246
But I do appreciate that they're
the expression of, what shall I say?
739
00:38:10,330 --> 00:38:12,165
The exuberance of affluent youth.
740
00:38:12,457 --> 00:38:13,458
(Quant) City gents
741
00:38:14,125 --> 00:38:16,377
on their way to work used to
bash on the window and shout,
742
00:38:16,461 --> 00:38:19,672
"Disgusting! Outrageous!
They should not be allowed!"
743
00:38:19,756 --> 00:38:20,757
and all the rest of it, yeah.
744
00:38:20,840 --> 00:38:22,884
(Caine) I'd have thought they'dhave been sitting outside watching.
745
00:38:22,967 --> 00:38:24,135
-(Both laughing)
- Yeah, you're right.
746
00:38:24,219 --> 00:38:26,763
I had the shortest skirts ever.
747
00:38:26,846 --> 00:38:29,974
So short I had knickers made
to match my skirts.
748
00:38:30,183 --> 00:38:32,018
Yeah, micro-mini. They were like a belt.
749
00:38:32,685 --> 00:38:36,564
One day in the '60s,
my mother said to me, she said,
750
00:38:36,648 --> 00:38:39,526
"I keep reading and hearing
about all these miniskirts."
751
00:38:39,609 --> 00:38:42,320
She said, "I've never seen
a girl in a miniskirt."
752
00:38:42,570 --> 00:38:44,697
I said, "Right, Mum, I'll show you, "
I said.
753
00:38:44,781 --> 00:38:47,617
So, what I did is I took her
to King's Road in Chelsea
754
00:38:47,700 --> 00:38:49,160
on a Saturday afternoon,
755
00:38:49,828 --> 00:38:52,580
and we got out of the car
and of course, almost immediately,
756
00:38:53,248 --> 00:38:56,000
there's a young girl in a miniskirt.
757
00:38:56,084 --> 00:38:59,546
I turned to my mother and I said,
"Well, Mum, what do you think?"
758
00:39:00,421 --> 00:39:04,634
And she said, "If it's not for sale,
you shouldn't put it in the window."
759
00:39:06,135 --> 00:39:07,720
That about sums her up.
760
00:39:10,932 --> 00:39:14,227
Oh, well, fabrics are made flat
and women are round
761
00:39:14,310 --> 00:39:17,188
and there's this terrible problem
of putting the two together, you know?
762
00:39:17,522 --> 00:39:19,482
Which is why I want to make
round clothes
763
00:39:21,025 --> 00:39:22,026
with no seams,
764
00:39:22,110 --> 00:39:24,612
so that it can be rounder and
smoother than we are.
765
00:39:27,824 --> 00:39:29,492
(Sassoon) The whole young
766
00:39:29,576 --> 00:39:31,202
London thing was happening.
767
00:39:32,328 --> 00:39:33,329
In a big way.
768
00:39:33,830 --> 00:39:35,540
And I was working with Mary Quant
769
00:39:35,665 --> 00:39:38,418
and she was working with us.
770
00:39:38,501 --> 00:39:40,378
I was doing her show,
she was doing ours,
771
00:39:40,461 --> 00:39:43,298
and we were developing this whole thing,
in a sense, together.
772
00:39:44,799 --> 00:39:47,677
(Quant) I was walking down Bond Street
773
00:39:48,303 --> 00:39:50,513
and there was this stunning photograph
of a girl
774
00:39:51,222 --> 00:39:52,557
with her hair cut short
775
00:39:52,932 --> 00:39:54,309
and it said, "Vidal Sassoon."
776
00:39:54,392 --> 00:39:55,393
And I went up the steps
777
00:39:55,852 --> 00:39:57,270
and right at the top,
778
00:39:57,562 --> 00:39:58,688
there was a kind of kitchen.
779
00:39:59,439 --> 00:40:00,815
Vidal was cutting hair.
780
00:40:01,858 --> 00:40:02,859
Cuts.
781
00:40:04,319 --> 00:40:05,612
Great noise, that scissor.
782
00:40:06,112 --> 00:40:08,197
(Quant) And he was chopping hairand it was flying everywhere.
783
00:40:08,281 --> 00:40:09,490
(Caine laughs)
784
00:40:09,574 --> 00:40:11,576
And he was such a show-off,
as you can imagine.
785
00:40:11,659 --> 00:40:13,745
- No, I know. I knew him well, yeah.
- Yes.
786
00:40:14,412 --> 00:40:17,165
(Sassoon) Do you remember whenwe were open one week in 108?
787
00:40:17,248 --> 00:40:18,249
(Male interviewer) Right.
788
00:40:18,333 --> 00:40:20,543
(Sassoon) And in those days,
789
00:40:20,668 --> 00:40:23,171
when we first opened, we used to
write our name in script.
790
00:40:23,838 --> 00:40:25,298
Because we thought it was very chic.
791
00:40:25,381 --> 00:40:27,091
And it was gonna look marvellous,
you know?
792
00:40:27,926 --> 00:40:30,470
And, um, the postman,
793
00:40:30,553 --> 00:40:33,556
You couldn't tell whether
the F's were L's or S's.
794
00:40:33,640 --> 00:40:34,974
You couldn't tell what they were.
795
00:40:35,058 --> 00:40:36,976
- Do you remember this, Bob?
- That's right, yeah.
796
00:40:37,060 --> 00:40:38,686
The postman came up
with the first letter
797
00:40:39,604 --> 00:40:41,439
and he'd walked up
three flights of stairs.
798
00:40:41,522 --> 00:40:43,232
And he opened the door
and in broad Cockney,
799
00:40:43,316 --> 00:40:44,317
he looked around and said,
800
00:40:44,400 --> 00:40:46,527
"Here, which one
of you lot's Vifal Faffoon?"
801
00:41:01,167 --> 00:41:03,419
(Male reporter) Vidal Sassooninvented the geometric,
802
00:41:03,503 --> 00:41:04,879
angled style of hairdressing.
803
00:41:05,254 --> 00:41:08,841
(Quant) It was cut almost like a fabricand it was treated like a texture
804
00:41:09,175 --> 00:41:11,636
and it was free and alive.
805
00:41:12,053 --> 00:41:15,098
And so he did the hair and,
you know, I did the outfits.
806
00:41:15,181 --> 00:41:16,641
(♪ I Feel Free: Cream)
807
00:41:16,724 --> 00:41:19,769
♪ Feel when I dance with you
808
00:41:20,520 --> 00:41:24,482
♪ We move like the sea
809
00:41:25,942 --> 00:41:30,363
♪ You, you're all I want to know
810
00:41:31,322 --> 00:41:35,243
♪ I feel free
811
00:41:36,786 --> 00:41:40,915
♪ I feel free
812
00:41:42,125 --> 00:41:45,795
♪ I feel free
813
00:41:47,130 --> 00:41:49,799
♪ I can walk down the streetThere's no one there
814
00:41:49,882 --> 00:41:52,468
♪ Though the pavementsare one huge crowd
815
00:41:52,552 --> 00:41:55,346
♪ I can drive down the roadMy eyes don't see
816
00:41:55,430 --> 00:41:57,640
♪ Though my mind wants to cry out loud
817
00:41:58,349 --> 00:42:01,227
♪ I...
818
00:42:02,020 --> 00:42:05,565
(Sassoon) Very often, when somebody'shad one of our haircuts,
819
00:42:06,399 --> 00:42:07,400
they come back again.
820
00:42:07,734 --> 00:42:10,111
And in two weeks' time
they've changed their shoes
821
00:42:10,194 --> 00:42:12,071
and their skirts are a little shorter.
822
00:42:12,155 --> 00:42:14,532
And within six months,
their whole look has changed.
823
00:42:14,615 --> 00:42:16,367
(Quant) I think the point of clothes
824
00:42:17,452 --> 00:42:19,037
for women should be
825
00:42:19,412 --> 00:42:20,705
one, that you're noticed.
826
00:42:20,830 --> 00:42:23,416
Two, that you look sexy.
827
00:42:24,000 --> 00:42:25,710
And three, that you feel good.
828
00:42:27,253 --> 00:42:29,338
I can't see that we wear them
to keep warm.
829
00:42:30,298 --> 00:42:32,884
♪ I can walk down the streetThere's no one there
830
00:42:32,967 --> 00:42:35,803
♪ Though the pavementsare one huge crowd
831
00:42:35,887 --> 00:42:38,389
♪ I can drive down the roadMy eyes don't see
832
00:42:38,473 --> 00:42:41,225
♪ Though my mind wants to cry out loud
833
00:42:41,309 --> 00:42:43,770
♪ Though my mind wants to cry out loud
834
00:42:44,437 --> 00:42:49,150
♪ Dance floor is like the sea
835
00:42:50,068 --> 00:42:53,946
♪ Ceiling is the sky
836
00:42:54,655 --> 00:43:00,036
♪ You're the sun and as you shine on me
837
00:43:00,828 --> 00:43:05,333
♪ I feel free
838
00:43:06,042 --> 00:43:09,796
♪ I feel free
839
00:43:11,589 --> 00:43:15,384
♪ I feel free ♪
840
00:43:16,219 --> 00:43:18,554
(Man) It's all got to stop.They've had enough.
841
00:43:18,679 --> 00:43:19,972
The worms are turning.
842
00:43:20,056 --> 00:43:23,101
The rebellion of the long hairs
is getting underway.
843
00:43:23,184 --> 00:43:26,979
We've had comments like "Darling!" and
"Can I carry your handbag?"
844
00:43:27,230 --> 00:43:28,231
thrown at us.
845
00:43:28,356 --> 00:43:30,024
I think it just had to stop now.
846
00:43:30,108 --> 00:43:31,692
I don't like men with long hair.
847
00:43:32,735 --> 00:43:35,571
Or curlers. I like them normal.
848
00:43:36,239 --> 00:43:39,242
Well, I find it terribly difficult with
some of these long-haired young men
849
00:43:40,535 --> 00:43:42,036
to differentiate between the sexes.
850
00:43:42,120 --> 00:43:44,372
And this could be a matter
of considerable inconvenience.
851
00:43:45,289 --> 00:43:48,918
I think they're absolutely atrocious.
I like men to look like men.
852
00:43:49,085 --> 00:43:51,587
Why not for a man? Why not?
Tell me why not for a man?
853
00:43:51,671 --> 00:43:53,381
(Man) It's all right if your colours
go together.
854
00:43:53,464 --> 00:43:55,758
Why not for a man?
Any colours go together.
855
00:43:56,467 --> 00:43:58,344
That's beautiful.
What's wrong with that?
856
00:44:00,096 --> 00:44:03,057
Our parents didn't have much sex
before marriage.
857
00:44:03,766 --> 00:44:05,935
A lot of 'em didn't have
a lot of sex after marriage.
858
00:44:06,018 --> 00:44:07,854
And by the time they made
a bit of money,
859
00:44:07,937 --> 00:44:09,438
it was too late to enjoy it.
860
00:44:11,023 --> 00:44:14,318
It can't have been easy for them
to see us having so much more fun
861
00:44:14,402 --> 00:44:15,736
than they ever thought possible.
862
00:44:22,702 --> 00:44:23,703
David?
863
00:44:24,287 --> 00:44:25,288
You up there?
864
00:44:27,165 --> 00:44:29,250
(Bailey) Nice! Good girl. Good.
865
00:44:30,084 --> 00:44:32,962
That's good. Hold it. Good.
866
00:44:33,462 --> 00:44:34,463
Good.
867
00:44:34,714 --> 00:44:37,216
Make that... Let me... No, Deb, who told
you to move?
868
00:44:37,300 --> 00:44:38,551
Go back to where you were.
869
00:44:38,634 --> 00:44:40,720
Come on. Back to where you were. Good.
870
00:44:40,803 --> 00:44:43,598
And that flipping hand.
871
00:44:44,599 --> 00:44:47,018
Yeah. Good. There. That's good.
872
00:44:47,143 --> 00:44:48,144
Stay like that.
873
00:44:49,395 --> 00:44:52,481
(Woman) I was very much influenced alsoby the photographers at the time.
874
00:44:52,565 --> 00:44:56,527
The new, I suppose, typically young
Cockney photographers
875
00:44:56,861 --> 00:44:58,863
that were happening and
were our great friends.
876
00:44:58,946 --> 00:45:01,407
And I'm sure we sort of
bounced ideas off each other.
877
00:45:02,158 --> 00:45:04,410
(Bailey) It's the easiest thingin the world to be a photographer.
878
00:45:04,493 --> 00:45:05,828
All you have to be is a bit rude,
879
00:45:05,912 --> 00:45:07,705
grow your hair long
and wear a leather jacket
880
00:45:07,788 --> 00:45:10,499
and buy a Pentax and you're
a photographer, cos there's no union.
881
00:45:10,875 --> 00:45:12,835
(Man) The winsome David Bailey.
882
00:45:12,919 --> 00:45:16,172
This is marvellous. Good.
Open your mouth slightly. Good.
883
00:45:16,297 --> 00:45:17,924
(Caine) David was famous for a saying.
884
00:45:18,090 --> 00:45:20,927
"David Bailey makes love daily."
885
00:45:21,219 --> 00:45:23,846
He wore a vest, jeans, Cuban heels
886
00:45:24,263 --> 00:45:25,973
and had a cheese sandwich for lunch.
887
00:45:26,474 --> 00:45:29,268
And he photographed the most
beautiful women in the world.
888
00:45:29,977 --> 00:45:30,978
Lucky bugger!
889
00:45:31,395 --> 00:45:33,731
(Tree) Bailey was extremely attractive.
890
00:45:34,065 --> 00:45:36,776
And every woman in the world
seemed to want to have
891
00:45:36,859 --> 00:45:38,486
a little bit of him.
892
00:45:38,569 --> 00:45:40,363
Well, a particular bit of him.
893
00:45:41,239 --> 00:45:43,074
(Bailey) Just stand with your legs apartand face me.
894
00:45:51,874 --> 00:45:53,459
(Tree) He came to New York
895
00:45:53,709 --> 00:45:55,795
to collect me, to take me to London.
896
00:45:56,337 --> 00:45:59,215
Completely fell in love with him
within about five minutes.
897
00:45:59,423 --> 00:46:00,424
It was pathetic.
898
00:46:00,841 --> 00:46:02,969
He sort of rang the doorbell
at my house.
899
00:46:03,344 --> 00:46:05,221
My mother came to the door,
900
00:46:05,471 --> 00:46:09,558
and as soon as she saw it was Bailey,
she tried to slam the door in his face.
901
00:46:09,642 --> 00:46:12,270
He said, "Don't worry about it, love.
Could've been worse.
902
00:46:12,603 --> 00:46:14,146
"It could've been a Rolling Stone."
903
00:46:14,605 --> 00:46:17,483
That was it. I grabbed my suitcase
and I was gone.
904
00:46:17,566 --> 00:46:19,944
Just stay like that and bring this,
905
00:46:20,236 --> 00:46:23,948
slowly bring this hand down.
More, more, more. And put it there.
906
00:46:24,782 --> 00:46:27,326
Go on. No, lower down, on your thigh,
or whatever it's called.
907
00:46:27,493 --> 00:46:28,577
Good. That's good.
908
00:46:28,828 --> 00:46:30,538
And look at me, like...
Don't twist away.
909
00:46:30,621 --> 00:46:32,164
Just keep where you are. Good girl.
910
00:46:32,331 --> 00:46:33,916
Good. There. That's lovely.
911
00:46:34,375 --> 00:46:36,085
Good, angel. Yeah.
912
00:46:36,168 --> 00:46:38,045
And it's nearly right,
if that hand was nicer.
913
00:46:38,754 --> 00:46:41,090
To the public, the camera doesn't lie.
914
00:46:41,173 --> 00:46:43,592
And therefore the best photographer
is the biggest liar.
915
00:46:44,927 --> 00:46:48,347
There certainly is a school
of English photographers.
916
00:46:48,723 --> 00:46:53,811
I call them the "black trinity"
of Duffy, Donovan and Bailey.
917
00:46:54,270 --> 00:46:57,189
Keep your legs...
Swing your arms away from your body.
918
00:46:58,232 --> 00:46:59,567
Move your legs out.
919
00:47:00,526 --> 00:47:02,987
No, you've moved. Come up, come up,
come up, come up, come up.
920
00:47:03,112 --> 00:47:05,740
And what one's trying to do is to try
and make her look beautiful.
921
00:47:05,823 --> 00:47:07,575
If you don't do that,
then you'll lose out.
922
00:47:10,036 --> 00:47:12,079
And she loses out, and then it's a bore.
923
00:47:12,163 --> 00:47:16,459
I think there is an actual pleasure
in making someone look beautiful.
924
00:47:16,959 --> 00:47:18,627
Duffy's great to work with, cos he's...
925
00:47:20,963 --> 00:47:22,757
You go in there
and sort of three hours later
926
00:47:22,840 --> 00:47:25,885
when you've finished all the bottles
of wine that are lying around, you know,
927
00:47:27,511 --> 00:47:30,014
you've sort of talked about everything,
listened to 100 records
928
00:47:30,097 --> 00:47:31,432
of old war songs.
929
00:47:33,684 --> 00:47:36,103
Somebody arrives with a sort of
handful of clothes, you know.
930
00:47:37,271 --> 00:47:38,564
Out come all the paper flowers.
931
00:47:40,399 --> 00:47:43,110
And he's standing there with a camera
and you have to go on talking.
932
00:47:43,277 --> 00:47:45,780
He makes... He makes you sing, you know.
933
00:47:47,031 --> 00:47:48,699
He won't take the shot
and he gets bolshy.
934
00:47:49,283 --> 00:47:51,452
"I'm not taking the picture
unless you sing. Go on, sing."
935
00:47:51,619 --> 00:47:54,330
So you have to sing. Stand there,
singing in the studio. It's great.
936
00:47:55,164 --> 00:47:57,708
So all the pictures are sort of
dodgy birds with teeth showing,
937
00:47:58,209 --> 00:47:59,210
but they're natural.
938
00:48:00,378 --> 00:48:03,547
(♪ You Really Got Me: The Kinks)
939
00:48:07,426 --> 00:48:10,096
♪ Girl, you really got me goin'
940
00:48:10,179 --> 00:48:13,724
♪ You got me so I don't knowwhat I'm doin'
941
00:48:14,100 --> 00:48:16,936
♪ Yeah, you really got me now
942
00:48:17,019 --> 00:48:20,147
♪ You got me so I can't sleep at night
943
00:48:21,148 --> 00:48:24,068
♪ Yeah, you really got me now
944
00:48:24,402 --> 00:48:27,613
♪ You got me so I don't knowwhat I'm doin', now
945
00:48:27,696 --> 00:48:30,991
♪ Oh yeah, you really got me now
946
00:48:31,075 --> 00:48:33,411
♪ You got me so I can't sleep at night
947
00:48:33,494 --> 00:48:36,580
♪ You really got meYou really got me
948
00:48:36,664 --> 00:48:38,416
♪ You really got me...
949
00:48:38,499 --> 00:48:40,126
(Donovan) If women are attractive,
950
00:48:40,876 --> 00:48:42,336
doesn't matter what they're wearing.
951
00:48:42,837 --> 00:48:43,963
It's only packaging.
952
00:48:44,713 --> 00:48:46,424
Like wrapping up soap in something.
953
00:48:46,882 --> 00:48:49,635
It's not any more complicated than that.
It's nicely wrapped,
954
00:48:49,718 --> 00:48:50,719
you look.
955
00:48:51,262 --> 00:48:52,513
If not, you don't bother.
956
00:48:58,811 --> 00:49:01,564
♪ See, don't ever set me free
957
00:49:01,647 --> 00:49:04,567
♪ I always wanna be by your side
958
00:49:05,901 --> 00:49:08,320
♪ Girl, you really got me now
959
00:49:08,404 --> 00:49:11,031
♪ You got me so I can't sleep at night
960
00:49:13,033 --> 00:49:15,911
♪ Yeah, you really got me now
961
00:49:15,995 --> 00:49:19,415
♪ You got me so I don't knowwhat I'm doin', now
962
00:49:19,498 --> 00:49:22,585
♪ Oh yeah, you really got me now
963
00:49:22,668 --> 00:49:24,962
♪ You got me so I can't sleep at night
964
00:49:25,045 --> 00:49:28,340
♪ You really got meYou really got me
965
00:49:28,424 --> 00:49:30,426
♪ You really got me ♪
966
00:49:30,509 --> 00:49:32,178
(Inaudible)
967
00:49:34,221 --> 00:49:35,473
An ideal woman?
968
00:49:35,556 --> 00:49:38,434
Well, that's sort of difficult
cos I think
969
00:49:38,851 --> 00:49:41,270
every woman is sort of my ideal woman.
970
00:49:41,395 --> 00:49:42,897
I mean, they're all lovely.
971
00:49:43,898 --> 00:49:45,316
Some are just lovelier than others.
972
00:49:46,567 --> 00:49:48,277
(Caine) Which brings usto Jean Shrimpton.
973
00:49:48,402 --> 00:49:49,403
(Bailey) Yeah.
974
00:49:49,487 --> 00:49:51,405
(♪ She's Not There: The Zombies)
975
00:49:51,489 --> 00:49:54,200
♪ Well, no one told me about her
976
00:49:54,867 --> 00:49:57,036
♪ The way she lied
977
00:49:58,162 --> 00:50:01,165
♪ Well, no one told me about her
978
00:50:01,832 --> 00:50:03,209
♪ How many people cried
979
00:50:03,292 --> 00:50:05,753
(Bailey) Half the studio and there wasDuffy, photographing this girl.
980
00:50:05,961 --> 00:50:08,422
He put up a blue background,
a sky blue background.
981
00:50:08,506 --> 00:50:10,674
She had these incredible blue eyes.
982
00:50:10,966 --> 00:50:14,303
♪ Well, no one told me about her
983
00:50:15,095 --> 00:50:16,347
♪ What could I do
984
00:50:16,430 --> 00:50:19,642
(Bailey) When I looked at her, I couldsee through to the background.
985
00:50:20,476 --> 00:50:21,977
And I said, "Who's that?"
986
00:50:22,561 --> 00:50:24,188
He said, "Oh, it's just
a girl I booked."
987
00:50:24,271 --> 00:50:25,481
He said, "Do you like her?"
988
00:50:25,564 --> 00:50:26,565
I said, "Yeah."
989
00:50:26,857 --> 00:50:28,651
He said, "Oh, she's too
posh for you, mate."
990
00:50:28,734 --> 00:50:30,152
I said, "Oh, we'll see about that."
991
00:50:30,236 --> 00:50:31,820
(Caine laughs) He was probably right.
992
00:50:31,946 --> 00:50:33,989
(Bailey) And so I booked her
993
00:50:35,199 --> 00:50:36,825
and I sort of
fell in love with her, really.
994
00:50:36,909 --> 00:50:38,035
- You did, didn't you?
- Yeah.
995
00:50:38,369 --> 00:50:40,621
(Shrimpton) Being with himis an influence, you know.
996
00:50:40,704 --> 00:50:43,290
He began to influence my movement
and my dress.
997
00:50:43,374 --> 00:50:46,335
And then when he'd get me on the set,
yeah, he'd put me into shape, you know.
998
00:50:46,418 --> 00:50:48,295
And he'd encourage certain expressions.
999
00:50:48,504 --> 00:50:51,507
Then I began to feel something inside
which I didn't know existed.
1000
00:50:51,674 --> 00:50:53,717
(Bailey) I photographed her every dayfor about three years.
1001
00:50:53,801 --> 00:50:55,928
♪ Well, let me tell you '
bout the way she looked
1002
00:50:56,011 --> 00:50:58,556
♪ The way she actsand the colour of her hair
1003
00:50:58,889 --> 00:51:00,766
♪ Her voice was soft and cool
1004
00:51:00,849 --> 00:51:02,726
♪ Her eyes were clear and bright
1005
00:51:02,851 --> 00:51:05,729
♪ But she's not there ♪
1006
00:51:06,063 --> 00:51:08,440
Vogue wouldn't publishthe pictures in the beginning.
1007
00:51:08,524 --> 00:51:10,609
(Caine) What, of people?
(Bailey) Of my pictures, yeah.
1008
00:51:10,693 --> 00:51:14,196
They always wanted a tree
in the background or an armchair or...
1009
00:51:14,280 --> 00:51:17,283
If I've got Jean Shrimpton, why do I
want a palm tree in the background?
1010
00:51:17,366 --> 00:51:19,577
There was even models in the '60s
Vogue wouldn't use
1011
00:51:19,660 --> 00:51:21,996
because they said,
"Oh, can't possibly use her.
1012
00:51:22,079 --> 00:51:23,706
"Have you listened to her accent?"
1013
00:51:23,831 --> 00:51:27,376
But she'll go on
until the fashions change
1014
00:51:27,459 --> 00:51:29,795
or else some other star
1015
00:51:29,878 --> 00:51:33,090
will suddenly come along
and take her place.
1016
00:51:35,301 --> 00:51:37,052
(Caine) But you were the first
1017
00:51:37,511 --> 00:51:40,889
obviously Cockney young lady
to become a model.
1018
00:51:40,973 --> 00:51:43,017
-(Twiggy) Yeah. (Laughs)
- I mean, we heard you talk.
1019
00:51:43,100 --> 00:51:46,186
I mean, mostly you didn't
hear models speak, you know.
1020
00:51:46,437 --> 00:51:49,106
But then you did. I mean,
there was a whole personality...
1021
00:51:49,189 --> 00:51:51,400
-comes with you.- And they've never shut me up. (Laughs)
1022
00:51:52,818 --> 00:51:53,902
(Twiggy) I was at school
1023
00:51:54,028 --> 00:51:55,529
and I wanted to be a model, you know.
1024
00:51:56,530 --> 00:51:59,283
Cos I was thin and that. And, um,
1025
00:52:00,200 --> 00:52:01,660
people said, "You ought to try it."
1026
00:52:01,994 --> 00:52:03,037
And I thought it would be,
1027
00:52:03,954 --> 00:52:06,749
you know, very glamorous
and all lovely clothes
1028
00:52:07,458 --> 00:52:10,252
and very easy, you know, not much to do,
and lots of money.
1029
00:52:10,794 --> 00:52:13,422
But it's not, really.
I mean, it's very hard work.
1030
00:52:13,505 --> 00:52:15,758
If you go out on location in the winter
1031
00:52:16,258 --> 00:52:18,844
in a bathing suit
or a little summer dress,
1032
00:52:18,927 --> 00:52:20,429
it's blooming freezing.
1033
00:52:21,472 --> 00:52:24,558
Bit more. There. Perfect.
Perfect. Marvellous.
1034
00:52:24,975 --> 00:52:27,227
(Caine) Twiggy's success was phenomenal.
1035
00:52:27,311 --> 00:52:29,021
It went far beyond just being a model.
1036
00:52:29,730 --> 00:52:32,775
In less than a year, her name,
her look, her brand
1037
00:52:32,983 --> 00:52:34,068
had conquered the world.
1038
00:52:34,276 --> 00:52:36,320
(Male interviewer)
Do you feel out of place
1039
00:52:36,904 --> 00:52:37,905
as a success
1040
00:52:38,155 --> 00:52:41,617
because you started from
ordinary working class beginnings?
1041
00:52:41,700 --> 00:52:42,701
No.
1042
00:52:43,243 --> 00:52:44,411
No, why should I?
1043
00:52:45,079 --> 00:52:46,914
And The Beatles broke down the barrier,
1044
00:52:46,997 --> 00:52:48,624
you know, the class barrier
and all that.
1045
00:52:48,916 --> 00:52:52,086
Yeah, I don't think it really matters
what class of family you come from.
1046
00:52:52,628 --> 00:52:55,839
If you're good enough in your job,
you know, you make it anyway.
1047
00:52:56,715 --> 00:52:59,802
(Bailey) She's happenedbecause of all that rubbish
1048
00:52:59,885 --> 00:53:01,553
about swinging London.
1049
00:53:01,637 --> 00:53:03,180
Yeah, I think she's a lovely model.
1050
00:53:03,597 --> 00:53:06,016
Super. I mean, she's money in the bank
for photographers.
1051
00:53:06,100 --> 00:53:07,101
(♪ It's My Life: The Animals)
1052
00:53:07,226 --> 00:53:10,062
♪ It's a hard world to get a break in
1053
00:53:10,688 --> 00:53:14,024
♪ All the good things have been taken
1054
00:53:14,733 --> 00:53:18,404
♪ But girl there are waysto make certain things pay
1055
00:53:18,487 --> 00:53:20,364
♪ Though I'm dressed in these rags
1056
00:53:20,489 --> 00:53:23,617
♪ I'll wear sable some day
1057
00:53:24,910 --> 00:53:27,037
(Woody Allen) What are your views
on serious matters?
1058
00:53:28,247 --> 00:53:29,248
Like what?
1059
00:53:29,331 --> 00:53:31,417
Well, I don't know.
Who's your favourite philosopher?
1060
00:53:33,252 --> 00:53:35,212
I haven't got one. I don't know any.
(Laughs)
1061
00:53:36,338 --> 00:53:37,339
Who's yours?
1062
00:53:37,798 --> 00:53:40,509
Oh, I, you know, I like them all.
1063
00:53:40,592 --> 00:53:41,593
Who?
1064
00:53:41,802 --> 00:53:44,096
- All your basic philosophers.
- Who?
1065
00:53:44,179 --> 00:53:45,180
Just all of them.
1066
00:53:45,264 --> 00:53:47,391
I don't know their names, though.
What are their names?
1067
00:53:48,392 --> 00:53:50,728
Oh, gee, there's a host of them.
1068
00:53:51,019 --> 00:53:52,146
♪ Remember
1069
00:53:52,521 --> 00:53:55,524
♪ It's my life and I'll do what I want
1070
00:53:56,316 --> 00:53:59,570
♪ It's my mindand I'll think what I want
1071
00:53:59,737 --> 00:54:02,906
♪ Show me I'm wrongHurt me sometime ♪
1072
00:54:02,990 --> 00:54:05,075
(Man) England, where it all began.
1073
00:54:12,541 --> 00:54:15,043
(Photographer) I'm going to establish it
real quick.
1074
00:54:16,378 --> 00:54:18,589
(Man) Portland Streetis the headquarters
1075
00:54:18,672 --> 00:54:20,174
of Twiggy Enterprises.
1076
00:54:23,343 --> 00:54:26,138
(Woman) As short a time as six weeksago, we were here selling coats.
1077
00:54:27,055 --> 00:54:28,640
And here you are, you see Twiggy.
1078
00:54:29,933 --> 00:54:32,853
Something's been produced
in its tens and tens of thousands.
1079
00:54:33,353 --> 00:54:34,897
Just too fantastic an operation.
1080
00:54:35,939 --> 00:54:36,940
Don't you think?
1081
00:54:37,274 --> 00:54:39,234
Have you seen all the places
we've sold to?
1082
00:54:39,318 --> 00:54:40,944
Got one in Hong Kong! (Laughs)
1083
00:54:42,654 --> 00:54:44,698
Today, these youngsters
have got a know-how.
1084
00:54:45,991 --> 00:54:46,992
You know?
1085
00:54:47,493 --> 00:54:49,495
And that's something that
you can't take away from them.
1086
00:54:49,578 --> 00:54:50,579
(♪ Here Comes The Nice: The Small Faces)
1087
00:54:50,662 --> 00:54:53,749
♪ Here come the nice lookin' so good
1088
00:54:54,166 --> 00:54:57,836
♪ He makes me feellike no one else could
1089
00:54:58,378 --> 00:55:00,005
(Twiggy) I used to savemy pocket money up
1090
00:55:00,130 --> 00:55:03,717
and every Saturday,
we'd run down the road
1091
00:55:03,801 --> 00:55:07,805
and we'd buy something at Biba,
cos it was just, like, amazing.
1092
00:55:08,514 --> 00:55:10,849
♪ Here come the nice
1093
00:55:11,016 --> 00:55:12,434
♪ It's understood
1094
00:55:12,601 --> 00:55:14,728
♪ Here come the nice
1095
00:55:14,812 --> 00:55:16,688
♪ He'll make you feel so good
1096
00:55:16,814 --> 00:55:18,398
♪ I'd be just like him
1097
00:55:18,482 --> 00:55:22,611
♪ If I only could ♪
1098
00:55:23,070 --> 00:55:26,156
(Hulanicki) Anybody over 30would never dare go in there.
1099
00:55:26,240 --> 00:55:27,950
They used to just stay outside.
1100
00:55:29,576 --> 00:55:33,705
And if clothes were being done
for girls, it was done by a woman.
1101
00:55:33,914 --> 00:55:34,915
Excuse me.
1102
00:55:35,123 --> 00:55:38,544
It wasn't done by
a whole load of men in suits.
1103
00:55:40,003 --> 00:55:42,589
As a tourist attraction,
we were number two
1104
00:55:42,798 --> 00:55:44,633
after the Tower of London.
1105
00:55:45,175 --> 00:55:47,636
And Buckingham Palace was number three.
1106
00:55:47,719 --> 00:55:50,514
I think that's terribly funny, you know.
(Laughs)
1107
00:55:55,143 --> 00:55:57,563
I told you before to be careful
where you put your legs.
1108
00:55:57,646 --> 00:55:59,439
I was only trying to be helpful.
1109
00:55:59,565 --> 00:56:00,566
I can help meself.
1110
00:56:03,068 --> 00:56:04,069
Hello.
1111
00:56:06,029 --> 00:56:08,115
They never make these cars big enough,
do they?
1112
00:56:09,783 --> 00:56:11,577
Well, are you all settled in?
1113
00:56:11,660 --> 00:56:13,745
Right, we can begin. My name is...
1114
00:56:13,829 --> 00:56:14,830
Alfie?
1115
00:56:15,497 --> 00:56:17,875
(Caine) When I became an actor,
I didn't see myself like
1116
00:56:17,958 --> 00:56:19,877
playing Hamlet or King Lear.
1117
00:56:20,586 --> 00:56:21,712
All I wanted
1118
00:56:21,795 --> 00:56:24,506
was a chance to get a true
Cockney character
1119
00:56:24,590 --> 00:56:25,591
on the big screen.
1120
00:56:26,633 --> 00:56:27,885
And I got the chance to do it.
1121
00:56:30,304 --> 00:56:32,014
There is a little bit of Alfie
in everybody
1122
00:56:32,097 --> 00:56:34,057
and people saw things in themselves,
1123
00:56:34,141 --> 00:56:36,810
even if it was something
they didn't like. I...
1124
00:56:36,894 --> 00:56:38,562
I found a lot of things in Alfie.
1125
00:56:39,146 --> 00:56:41,815
Especially, as I say, I am a bachelor.
1126
00:56:42,774 --> 00:56:44,151
How do you want me?
1127
00:56:44,234 --> 00:56:46,278
How do I want you?
Well, I've got two positions.
1128
00:56:46,445 --> 00:56:49,406
Straight up or sideways,
depending on your nationality.
1129
00:56:49,573 --> 00:56:51,533
I tell you what,
I'll have you against the ships.
1130
00:56:52,075 --> 00:56:54,536
All right, I've always been
partial to the Navy.
1131
00:56:56,204 --> 00:56:57,873
Now, you look a real treat there,
you do.
1132
00:56:57,956 --> 00:56:59,750
But you see, of course,
you can't play Alfie
1133
00:56:59,833 --> 00:57:01,877
and be Alfie at the same time,
1134
00:57:01,960 --> 00:57:04,379
because playing those parts,
it takes up too much of your time.
1135
00:57:04,463 --> 00:57:05,631
You have to go to bed early.
1136
00:57:06,089 --> 00:57:08,842
I don't think I went out with one girl
the whole time I was making Alfie.
1137
00:57:10,594 --> 00:57:11,762
I did when I was finished.
1138
00:57:12,304 --> 00:57:13,305
(Laughs)
1139
00:57:14,556 --> 00:57:17,059
We used to call girls,
I know it's very male chauvinist,
1140
00:57:17,142 --> 00:57:18,977
and I'm sorry, ladies,
I don't do it any more.
1141
00:57:19,061 --> 00:57:20,270
We used to call girls "birds".
1142
00:57:20,896 --> 00:57:24,691
Or in rhyming slang, "Richards",
which is Richard III's, birds.
1143
00:57:24,775 --> 00:57:25,776
Coffee, love?
1144
00:57:26,985 --> 00:57:29,279
And my flatmate
was very much a ladies' man.
1145
00:57:29,738 --> 00:57:30,989
He had all the Richards.
1146
00:57:31,239 --> 00:57:32,741
So, our flat became like an airport.
1147
00:57:32,824 --> 00:57:34,284
The birds came flying through there
1148
00:57:34,368 --> 00:57:36,119
and I became a sort of
flight controller,
1149
00:57:37,162 --> 00:57:39,081
bringing 'em in
and getting 'em out safely,
1150
00:57:39,164 --> 00:57:41,041
and so that no one saw each other
and all that.
1151
00:57:43,502 --> 00:57:46,755
(McCartney) I was living withmy then girlfriend, Jane Asher.
1152
00:57:47,089 --> 00:57:49,216
(Caine) Who I made Alfie...And I met you on the set
1153
00:57:49,341 --> 00:57:51,134
cos you used to come
on the set for lunch.
1154
00:57:51,218 --> 00:57:53,011
(McCartney) You did Alfie
with her, yeah.
1155
00:57:53,095 --> 00:57:56,932
And so I was staying at Jane's
and going out with her.
1156
00:57:57,015 --> 00:57:58,016
But I had a piano.
1157
00:57:58,100 --> 00:57:59,559
I was living up at the top of the house
1158
00:57:59,643 --> 00:58:01,353
and I had a little piano in there.
1159
00:58:01,436 --> 00:58:03,522
So, John might write one on his own.
1160
00:58:03,605 --> 00:58:05,941
I might write one on my own,
so that started to happen.
1161
00:58:06,233 --> 00:58:09,111
But we'd always bring it back to each
other and finish it together.
1162
00:58:10,320 --> 00:58:14,199
(Lennon) We thought afterfollowing Buddy Holly records
1163
00:58:14,408 --> 00:58:17,202
and seeing how they were made
through playing them, you know,
1164
00:58:17,327 --> 00:58:18,996
"Oh, maybe we can write this, you know?"
1165
00:58:19,496 --> 00:58:22,165
Well, maybe instead of singing
"Going back to Alabam"',
1166
00:58:22,916 --> 00:58:25,002
we can sing something about Liverpool,
you know?
1167
00:58:25,669 --> 00:58:28,422
So it was just after we'd learnt how to,
you know...
1168
00:58:28,505 --> 00:58:31,258
Oh, you do this, and you do this
and how to make the music,
1169
00:58:31,591 --> 00:58:33,802
we thought, "Oh, we'll
write about ourselves," you know?
1170
00:58:34,011 --> 00:58:37,389
And of course,
the first efforts were more dumb
1171
00:58:37,514 --> 00:58:39,307
or childish than the later efforts.
1172
00:58:39,891 --> 00:58:41,476
(McCartney) We'd sit down to write.
1173
00:58:41,560 --> 00:58:45,188
And I think we wrote just short of
300 songs together.
1174
00:58:45,272 --> 00:58:46,523
Over the period.
1175
00:58:47,232 --> 00:58:50,110
And whenever we had a writing session,
1176
00:58:50,193 --> 00:58:52,571
always come up with these songs
every time.
1177
00:58:52,654 --> 00:58:55,699
We never left a session going,
"We'll finish it tomorrow."
1178
00:58:56,366 --> 00:58:58,618
(Lennon) All these songs just cameout of me, you know?
1179
00:58:59,619 --> 00:59:01,580
I didn't sit down to think
I'm gonna write about
1180
00:59:02,205 --> 00:59:03,206
this, that or the other.
1181
00:59:03,290 --> 00:59:04,499
They all came out, you know,
1182
00:59:04,583 --> 00:59:07,210
like all the best work of anybody's
ever does, you know?
1183
00:59:08,170 --> 00:59:09,713
(Caine) No sense of competitionor anything?
1184
00:59:09,796 --> 00:59:12,174
(McCartney) Oh, no, there wasa big sense of competition.
1185
00:59:12,257 --> 00:59:14,384
- Oh, yeah.- Really? (Laughs)
1186
00:59:14,468 --> 00:59:17,763
- Come on! Young guys, both writers.
- Yeah.
1187
00:59:18,180 --> 00:59:20,015
No, it was great.
It was really good for us,
1188
00:59:20,098 --> 00:59:21,892
and you know, John would say later,
he'd say,
1189
00:59:22,350 --> 00:59:24,352
"Bloody hell!" You know,
he'd hear one of my songs
1190
00:59:24,478 --> 00:59:26,563
and go, "Bloody hell,
I've gotta write a better one."
1191
00:59:27,064 --> 00:59:28,482
- It was like a nuisance.
- Yeah.
1192
00:59:28,565 --> 00:59:31,234
And then I'd hear one of his
and go, "Oh, bollocks!"
1193
00:59:31,818 --> 00:59:36,198
The taxi driver the other day had some
sheet music of a Mozart thing,
1194
00:59:36,656 --> 00:59:38,116
and I said, "What's that?" You know.
1195
00:59:38,325 --> 00:59:39,326
And he said, "Oh."
1196
00:59:39,409 --> 00:59:41,119
He said,
"Oh, that's the high-class stuff.
1197
00:59:41,203 --> 00:59:42,204
"You won't like that."
1198
00:59:42,287 --> 00:59:43,872
He said, "No, no, you won't like that."
1199
00:59:43,955 --> 00:59:45,582
And I said, "Well, what is it?"
You know.
1200
00:59:45,665 --> 00:59:47,167
He said, "Oh, no, you won't like it.
1201
00:59:47,292 --> 00:59:48,919
"You know, it's high-class, that.
1202
00:59:49,002 --> 00:59:50,212
"It's very high-brow."
1203
00:59:50,754 --> 00:59:53,965
And that kind of way,
I always used to think of it.
1204
00:59:54,049 --> 00:59:56,802
I used to think, "Well, you know,
that's very clever, all that stuff."
1205
00:59:57,219 --> 00:59:59,596
And it isn't, you know.
It's just exactly what's going on
1206
00:59:59,679 --> 01:00:00,931
in pop at the moment.
1207
01:00:01,014 --> 01:00:03,725
Pop music is the classical music of now.
1208
01:00:04,351 --> 01:00:05,811
(Caine) All of a sudden,
1209
01:00:05,894 --> 01:00:07,395
there was a bunch of people in London
1210
01:00:07,479 --> 01:00:11,525
who were considered the most interesting
and glamorous people on the planet.
1211
01:00:12,192 --> 01:00:14,986
And when people became famous
in Britain,
1212
01:00:15,070 --> 01:00:16,488
they had one thought in mind.
1213
01:00:17,239 --> 01:00:18,240
America.
1214
01:00:18,782 --> 01:00:21,118
And they took the party across the pond.
1215
01:00:21,201 --> 01:00:23,537
And the British invasion
didn't just include bands.
1216
01:00:23,620 --> 01:00:27,833
It was writers, designers, artists,
actors like myself.
1217
01:00:28,875 --> 01:00:30,210
(♪ Strawberry Fields Forever:
The Beatles)
1218
01:00:31,419 --> 01:00:33,755
♪ Let me take you down
1219
01:00:34,131 --> 01:00:35,423
♪ Cos I'm going tostrawberry fields
1220
01:00:35,507 --> 01:00:36,591
(Man) Here they come!
1221
01:00:37,592 --> 01:00:39,553
(Crowd cheering wildly)
1222
01:00:42,430 --> 01:00:44,224
♪ Nothing is real
1223
01:00:46,518 --> 01:00:48,979
♪ And nothing to get hung about
1224
01:00:50,564 --> 01:00:53,400
♪ Strawberry fields forever
1225
01:00:55,193 --> 01:00:59,364
♪ Living is easy with eyes closed
1226
01:01:00,532 --> 01:01:01,825
(Inaudible)
1227
01:01:01,908 --> 01:01:04,161
♪ Misunderstanding all you see
1228
01:01:05,871 --> 01:01:08,665
♪ It's getting hard to be someone
1229
01:01:08,748 --> 01:01:10,333
♪ But it all works out
1230
01:01:11,418 --> 01:01:14,129
♪ It doesn't matter much to me
1231
01:01:17,090 --> 01:01:19,467
♪ Let me take you down
1232
01:01:19,718 --> 01:01:25,056
♪ Cos I'm going to strawberry fields
1233
01:01:27,601 --> 01:01:29,769
♪ Nothing is real
1234
01:01:30,729 --> 01:01:33,648
♪ And nothing to get hung about
1235
01:01:34,858 --> 01:01:36,985
♪ Strawberry fields forever
1236
01:01:37,235 --> 01:01:39,446
(Male reporter) The people that startedthe English invasion,
1237
01:01:39,571 --> 01:01:41,781
the effect here in the United States,
phenomenal.
1238
01:01:41,948 --> 01:01:46,369
♪ No one I think is in my tree
1239
01:01:47,370 --> 01:01:50,165
♪ I mean it must be high or low
1240
01:01:52,500 --> 01:01:55,295
♪ That is you can'tYou know, tune in
1241
01:01:55,378 --> 01:01:56,796
♪ But it's all right
1242
01:01:57,547 --> 01:02:00,675
♪ That is, I think, it's not too bad
1243
01:02:02,636 --> 01:02:05,138
♪ Let me take you down
1244
01:02:05,305 --> 01:02:10,602
♪ Cos I'm going to strawberry fields
1245
01:02:13,021 --> 01:02:15,482
♪ Nothing is real
1246
01:02:16,358 --> 01:02:19,027
♪ And nothing to get hung about
1247
01:02:20,153 --> 01:02:24,115
And now, to be Cockney
is right at the top, isn't it?
1248
01:02:24,324 --> 01:02:26,117
- Yeah, it helps a little.
- Yeah, yeah.
1249
01:02:26,201 --> 01:02:28,078
It's not doing me any harm
in America. (Laughs)
1250
01:02:28,161 --> 01:02:29,162
I know.
1251
01:02:29,329 --> 01:02:32,207
♪ Always, no, sometimes think it's me
1252
01:02:33,166 --> 01:02:34,626
♪ But you know I knowwhen it's a dream
1253
01:02:34,709 --> 01:02:36,169
(Man) His name is Michael Caine.
1254
01:02:36,628 --> 01:02:37,629
(Woman) Michael Caine.
1255
01:02:38,046 --> 01:02:40,715
♪ I think, er, no, I mean, er, yes
1256
01:02:40,799 --> 01:02:42,425
♪ But it's all wrong
1257
01:02:43,218 --> 01:02:46,221
♪ That is I think I disagree
1258
01:02:48,348 --> 01:02:50,767
♪ Let me take you down
1259
01:02:50,976 --> 01:02:55,021
♪ Cos I'm going to strawberry fields
1260
01:02:55,105 --> 01:02:56,564
(Inaudible)
1261
01:02:59,150 --> 01:03:01,236
♪ Nothing is real
1262
01:03:02,362 --> 01:03:04,906
♪ And nothing to get hung about
1263
01:03:06,408 --> 01:03:09,119
♪ Strawberry fields forever
1264
01:03:10,745 --> 01:03:12,789
♪ Strawberry fields forever ♪
1265
01:03:12,872 --> 01:03:15,417
I don't know, you know,
if you can say that war's no good
1266
01:03:15,500 --> 01:03:18,044
and a few people believe you,
then it may be good. I don't know.
1267
01:03:18,128 --> 01:03:20,088
You can't say it too much, though,
that's the trouble.
1268
01:03:20,171 --> 01:03:21,548
(Lennon) Seems a bit silly
to be in America
1269
01:03:21,631 --> 01:03:24,718
and for none of them to mention Vietnam
as if nothing was happening.
1270
01:03:26,052 --> 01:03:27,887
(Man 1) And the kids wanna be free, man.
1271
01:03:27,971 --> 01:03:29,931
Like, that's where it's at.
1272
01:03:30,015 --> 01:03:32,267
(Woman 1) Youth is alwaysan exciting time.
1273
01:03:32,350 --> 01:03:35,437
(Woman 2) Well, it's certainlymore exciting than it ever was before.
1274
01:03:35,854 --> 01:03:38,565
(Woman 3) You can do anything,that makes it exciting.
1275
01:03:38,648 --> 01:03:40,066
(Man 2) Everything's constantly changing
1276
01:03:40,150 --> 01:03:42,193
and attitudes are constantly changing.
1277
01:03:42,277 --> 01:03:43,695
(Woman 4) Well, everything is happening.
1278
01:03:43,778 --> 01:03:46,114
(Man 3) Everything is happeningall over the world.
1279
01:03:49,409 --> 01:03:51,286
(Man) Right over there,
the little girl running down,
1280
01:03:51,369 --> 01:03:53,121
the famous model
just came here from Europe.
1281
01:03:53,204 --> 01:03:54,497
(Interviewer) What do you think of her?
1282
01:03:54,581 --> 01:03:56,583
- What do I think of her?
- I think she's cute but I...
1283
01:03:56,666 --> 01:04:00,337
- I think she's cute, except she's...
-(Indistinct question)
1284
01:04:00,420 --> 01:04:02,964
I don't know. It'll last a couple of
weeks, like everything else.
1285
01:04:03,048 --> 01:04:04,049
(Interviewer) Will it?
1286
01:04:05,467 --> 01:04:07,260
To think that our next generation
1287
01:04:07,344 --> 01:04:09,179
is supposed to be
taking care of this country.
1288
01:04:09,346 --> 01:04:11,348
They don't take no pride
in anything, hardly.
1289
01:04:11,431 --> 01:04:14,351
I think we have to find out
who is to blame for it all.
1290
01:04:15,226 --> 01:04:18,271
(Man) When they look at me,and I happen to have long hair
1291
01:04:18,355 --> 01:04:21,024
and wear kinda freaky clothes,
they really hate me.
1292
01:04:21,107 --> 01:04:23,735
You can look
and you see this hatred in their eyes.
1293
01:04:24,152 --> 01:04:26,279
(♪ Sunshine Superman: Donovan)
1294
01:04:35,455 --> 01:04:37,874
(Caine) Back home,all was not as it seemed.
1295
01:04:39,000 --> 01:04:45,090
♪ Sunshine came softlyA-through my a-window today
1296
01:04:46,007 --> 01:04:48,385
(Caine) It became clearthat there was now a campaign
1297
01:04:48,676 --> 01:04:51,930
to bring down those
the establishment were thinking
1298
01:04:52,514 --> 01:04:54,391
were corrupting youth.
1299
01:04:54,474 --> 01:04:56,393
(Donovan) The youth didn't needmuch corrupting, actually.
1300
01:04:56,476 --> 01:04:59,521
They were corrupting themselves
all up and down the country,
1301
01:05:00,063 --> 01:05:01,523
in the new found freedom,
1302
01:05:01,689 --> 01:05:03,108
communicating with music
1303
01:05:03,316 --> 01:05:04,859
and smoking a bit of dope.
1304
01:05:06,277 --> 01:05:08,279
(Male reporter)
A brain under the influence of marijuana
1305
01:05:08,363 --> 01:05:10,365
distorts the sense of space and time.
1306
01:05:10,865 --> 01:05:14,327
Whether it's pills or LSD or cannabis,
1307
01:05:15,078 --> 01:05:17,664
the use of drugs as
a central part of youth culture
1308
01:05:17,747 --> 01:05:20,583
becomes very important
in the last two or three years.
1309
01:05:20,792 --> 01:05:22,544
I only smoked marijuana once
1310
01:05:22,627 --> 01:05:24,671
and I laughed for five hours.
1311
01:05:26,464 --> 01:05:27,757
I couldn't get a taxi home.
1312
01:05:28,425 --> 01:05:29,426
I had to walk.
1313
01:05:30,677 --> 01:05:32,345
I never smoked marijuana again.
1314
01:05:33,346 --> 01:05:34,347
Honest.
1315
01:05:36,182 --> 01:05:38,476
It was the Mods who started it,
you know.
1316
01:05:38,560 --> 01:05:41,187
Purple hearts, amphetamines, speed.
1317
01:05:41,813 --> 01:05:44,649
But there was nothing new in that.
People used to take them in the war
1318
01:05:44,816 --> 01:05:45,817
to stay awake.
1319
01:05:46,234 --> 01:05:48,027
But they used to take
one or two tablets.
1320
01:05:48,820 --> 01:05:50,738
The Mods took them by the jarful.
1321
01:05:52,157 --> 01:05:54,617
(Daltrey) All I really cared aboutin those days was being...
1322
01:05:54,868 --> 01:05:57,203
The band being good.
I'd started this band.
1323
01:05:57,454 --> 01:05:59,664
And I couldn't take them.
They used to dry me up.
1324
01:05:59,831 --> 01:06:01,124
- And so I couldn't sing.
- Really?
1325
01:06:01,207 --> 01:06:03,501
I thought, "Well, these are
no good for me, I can't sing.
1326
01:06:03,585 --> 01:06:04,794
"There's no point doing this."
1327
01:06:04,878 --> 01:06:05,879
So, I had to be straight.
1328
01:06:07,088 --> 01:06:09,799
We played one gig, it was just so bad.
1329
01:06:10,508 --> 01:06:13,595
- The band had been up for three days.
-(Laughs)
1330
01:06:13,678 --> 01:06:16,014
They'd started to take
more and more pills.
1331
01:06:16,097 --> 01:06:17,807
The songs are getting faster and faster
1332
01:06:17,891 --> 01:06:19,851
-so I can't get the words in.
-(Laughs)
1333
01:06:19,934 --> 01:06:23,229
I mean, oh, my God, the state of us.
Literally, it was so awful
1334
01:06:24,230 --> 01:06:28,109
I came off the stage
in just a terrible temper.
1335
01:06:32,071 --> 01:06:34,365
(Lennon) I've been on pillssince I was 15 or...
1336
01:06:34,449 --> 01:06:35,992
no, since I was 17.
1337
01:06:36,534 --> 01:06:38,328
Since I became a musician.
1338
01:06:38,786 --> 01:06:41,289
The only way to survive in Hamburg,
to play eight hours a night,
1339
01:06:41,372 --> 01:06:42,874
was to take pills.
1340
01:06:42,957 --> 01:06:45,084
I've always needed a drug to survive.
1341
01:06:45,543 --> 01:06:47,003
I can't... You know.
1342
01:06:47,086 --> 01:06:49,172
The others, too.
But I always had more, you know.
1343
01:06:49,255 --> 01:06:50,840
I always took more pills
1344
01:06:50,924 --> 01:06:53,176
and more of everything,
cos I'm more crazy.
1345
01:06:53,259 --> 01:06:55,053
(Woman) Do you rely on drugsto keep you going?
1346
01:06:55,136 --> 01:06:56,679
No, it just means that,
1347
01:06:56,763 --> 01:07:00,016
you know,
there are certain things which,
1348
01:07:00,099 --> 01:07:03,353
more levels of perception which
are opened up by certain drugs.
1349
01:07:03,436 --> 01:07:04,729
(Reporter) To many youngsters,the glamour drugs
1350
01:07:04,812 --> 01:07:06,981
are those which produce hallucinations.
1351
01:07:07,774 --> 01:07:10,068
The best known are marijuana and LSD.
1352
01:07:10,693 --> 01:07:12,987
Huxley wrote these two books, he wrote
1353
01:07:13,279 --> 01:07:15,281
Heaven and Hell and Doors of Perception.
1354
01:07:15,907 --> 01:07:20,370
And of the two, people have taken
Heaven and Hell as the symbol,
1355
01:07:20,453 --> 01:07:22,497
and they've taken the wrong one.
1356
01:07:22,580 --> 01:07:27,043
Because the one that...
The really explicit phrase
1357
01:07:27,168 --> 01:07:30,547
is "doors of perception",
and that is what drugs are.
1358
01:07:30,630 --> 01:07:32,131
They are the doors.
1359
01:07:32,215 --> 01:07:33,550
They're not anywhere.
1360
01:07:33,633 --> 01:07:37,387
I mean, you don't go anywhere.
You just see a crack,
1361
01:07:37,470 --> 01:07:38,680
like I'm looking through.
1362
01:07:38,805 --> 01:07:42,141
That the state that we should be in
is perfection.
1363
01:07:42,225 --> 01:07:44,185
And that the reason we're here
is to find it.
1364
01:07:44,811 --> 01:07:45,979
(♪ Tomorrow Never Knows: The Beatles)
1365
01:07:46,104 --> 01:07:50,692
♪ Turn off your mindRelax and float down stream
1366
01:07:52,610 --> 01:07:55,238
♪ It is not dying
1367
01:07:56,781 --> 01:07:59,075
♪ It is not dying
1368
01:08:00,868 --> 01:08:06,416
♪ Lay down all thoughtsSurrender to the void
1369
01:08:07,625 --> 01:08:11,421
♪ It is shining
1370
01:08:11,629 --> 01:08:14,757
♪ It is shining
1371
01:08:16,009 --> 01:08:20,513
♪ Yet you may see the meaning of within
1372
01:08:23,141 --> 01:08:25,602
♪ It is being
1373
01:08:26,728 --> 01:08:29,105
♪ It is being ♪
1374
01:08:39,616 --> 01:08:42,619
If you haven't heard of LSD, you will.
1375
01:08:42,702 --> 01:08:45,580
They can take it if they want,
we can't prevent them,
1376
01:08:45,663 --> 01:08:47,290
but they're really
fooling with dynamite.
1377
01:08:51,169 --> 01:08:54,047
(Woman) Giving us a worldwe can't handle as it is,
1378
01:08:55,465 --> 01:08:57,342
so we're gonna change it.
1379
01:08:57,425 --> 01:08:59,719
Because they have shaped their world,
1380
01:09:00,595 --> 01:09:04,015
our world, into what it is
with guns and bombs.
1381
01:09:04,098 --> 01:09:09,020
It's obvious to our generation
that their way doesn't work.
1382
01:09:09,103 --> 01:09:11,147
It hasn't worked.
It isn't going to work.
1383
01:09:12,357 --> 01:09:14,859
So, a change has to be made.
1384
01:09:14,942 --> 01:09:18,112
And if somebody has to get
turned upside-down to do it,
1385
01:09:19,155 --> 01:09:20,740
well, then. (Laughs)
1386
01:09:21,741 --> 01:09:24,243
(Eric Burdon) The people who lived
through the LSD experience
1387
01:09:24,327 --> 01:09:27,413
went through a complete
facet of learning, you know.
1388
01:09:28,247 --> 01:09:30,875
And it's just, you know,
it must have been done
1389
01:09:30,958 --> 01:09:33,294
some other way when me father was a kid.
1390
01:09:33,753 --> 01:09:35,380
Maybe they did it by going to war.
1391
01:09:36,005 --> 01:09:38,591
The kids who take LSD
aren't gonna fight your wars,
1392
01:09:38,758 --> 01:09:41,427
middle-class, middle-aged,
whisky-drinking generals.
1393
01:09:41,511 --> 01:09:44,222
Uh, they're not going to
join your corporations,
1394
01:09:44,305 --> 01:09:47,809
middle-class, middle-aged,
whisky-drinking corporation presidents.
1395
01:09:50,728 --> 01:09:52,146
(Indistinct)
1396
01:09:52,230 --> 01:09:53,439
(♪ It's All Over Now Baby Blue:
Van Morrison)
1397
01:09:53,523 --> 01:09:55,942
♪ You must leave now take what you need
1398
01:09:56,734 --> 01:09:58,444
♪ You think will last
1399
01:10:01,531 --> 01:10:06,828
♪ But whatever you wish to keepYou better grab it fast
1400
01:10:10,873 --> 01:10:15,503
♪ Yonder stands your orphan with his gun
1401
01:10:19,340 --> 01:10:24,178
♪ Crying like a fire in the sun
1402
01:10:24,470 --> 01:10:25,763
(Indistinct chanting)
1403
01:10:25,847 --> 01:10:27,640
(Indistinct speech)
1404
01:10:29,058 --> 01:10:34,147
They need to come down and sort
these bastards out. Get 'em out!
1405
01:10:34,605 --> 01:10:36,649
Bring them down the canal
and drown them.
1406
01:10:37,233 --> 01:10:39,485
Drown them,
that's what you wanna do with them.
1407
01:10:41,070 --> 01:10:44,490
Communist muck. Get rid of them.
1408
01:10:45,116 --> 01:10:48,244
♪ The highway is for gamblers
1409
01:10:48,369 --> 01:10:49,829
(Inaudible)
1410
01:10:49,912 --> 01:10:51,205
♪ Better use your sense
1411
01:10:54,083 --> 01:10:58,963
♪ Take what you have gatheredfrom coincidence
1412
01:11:02,425 --> 01:11:07,680
♪ The empty-handed painterfrom your streets ♪
1413
01:11:12,351 --> 01:11:15,897
(Man) I haven't got their morals,and they haven't got mine.
1414
01:11:17,648 --> 01:11:19,692
(McCartney) They've got all these rulesfor everything.
1415
01:11:19,776 --> 01:11:22,904
Rules of how to live, how to paint,
how to make music.
1416
01:11:23,905 --> 01:11:25,281
And it's just not true any more.
1417
01:11:25,698 --> 01:11:27,200
(Man) The governmentdoesn't exist for us,
1418
01:11:27,492 --> 01:11:28,534
they exist for themselves.
1419
01:11:29,160 --> 01:11:30,912
Sooner or later,
the government is gonna find
1420
01:11:30,995 --> 01:11:33,873
that there's something going on
that they've got no control over at all.
1421
01:11:34,999 --> 01:11:37,376
(Keith Richards) They haven't beenfucked since Cromwell, man.
1422
01:11:38,211 --> 01:11:40,880
Youth thinks itself wise
1423
01:11:40,963 --> 01:11:44,258
just as drunk men
think themselves sober.
1424
01:11:45,676 --> 01:11:48,387
Youth knows nothing about anything
except on massive clichés.
1425
01:11:49,680 --> 01:11:53,309
The permissive society
is considered by some youngsters
1426
01:11:53,434 --> 01:11:55,269
to be trendy and with it.
1427
01:11:55,353 --> 01:12:00,441
Personally, I consider it condones
moral laxity and promiscuity,
1428
01:12:00,942 --> 01:12:03,778
it leads to uncertainty and instability,
1429
01:12:04,153 --> 01:12:06,906
a soggy mind and mental impoverishment
1430
01:12:07,532 --> 01:12:10,076
and contains all the disruptive elements
1431
01:12:10,201 --> 01:12:14,080
which would tear down
the pillars of our society.
1432
01:12:14,831 --> 01:12:17,208
It really is about time we realised
1433
01:12:17,375 --> 01:12:22,713
that the fault lies in the fact that
we have created a permissive society.
1434
01:12:23,798 --> 01:12:28,010
Now, the epidemic drug taking
in this country
1435
01:12:28,094 --> 01:12:31,305
is now so extensive that many of you,
1436
01:12:32,390 --> 01:12:34,767
whatever your jobs,
will have come across it.
1437
01:12:35,184 --> 01:12:39,856
We must rid the country of this
insidious disease of "don't care".
1438
01:12:46,070 --> 01:12:47,905
(Donovan) And I was the firstto be busted.
1439
01:12:54,662 --> 01:12:56,122
What do you know of this Donovan?
1440
01:12:57,623 --> 01:13:00,167
I've had him on the special
attention list for some time.
1441
01:13:00,251 --> 01:13:01,252
Right.
1442
01:13:01,335 --> 01:13:04,589
(Donovan) That next day, when we werelet out at 4:00 in the morning,
1443
01:13:04,755 --> 01:13:06,674
the phone rang,
and it was George Harrison.
1444
01:13:06,757 --> 01:13:09,760
And he said, "Is everything all right?"
1445
01:13:10,011 --> 01:13:12,555
I said, "Yeah, we're out."
1446
01:13:13,472 --> 01:13:14,640
He said, "What you gonna do?"
1447
01:13:14,724 --> 01:13:17,184
I said, "We're gonna go away
for a while."
1448
01:13:18,019 --> 01:13:21,188
He said, "If you want
£10,000 by 12 noon..."
1449
01:13:21,939 --> 01:13:23,566
I said, "No, I'm OK with the money.
1450
01:13:24,734 --> 01:13:27,069
"We're gonna go to Scotland
until it blows over."
1451
01:13:28,112 --> 01:13:30,865
He said, "It'll never blow over, Don.
1452
01:13:30,948 --> 01:13:32,450
"We'll be next."
1453
01:13:32,533 --> 01:13:34,827
(Male interviewer) Paul, how often
have you taken LSD?
1454
01:13:37,163 --> 01:13:38,164
About four times.
1455
01:13:39,206 --> 01:13:40,416
And where did you get it from?
1456
01:13:41,417 --> 01:13:43,836
Oh, you know, I mean,
if I was to say where I'd got it from,
1457
01:13:43,920 --> 01:13:45,463
you know, it's illegal and everything.
1458
01:13:45,546 --> 01:13:47,882
It's silly to say that,
so I'd rather not say that.
1459
01:13:48,215 --> 01:13:51,844
Don't you believe that this was a matter
which you should have kept private?
1460
01:13:52,345 --> 01:13:54,555
I mean, you're spreading this now,
at this moment.
1461
01:13:55,181 --> 01:13:57,975
This is going into all the homes,
you know, in Britain.
1462
01:13:59,018 --> 01:14:00,978
And I'd rather it didn't, you know.
1463
01:14:01,062 --> 01:14:03,439
But you're asking me the question.
You want me to be honest.
1464
01:14:03,564 --> 01:14:04,565
I'll be honest, you know?
1465
01:14:05,274 --> 01:14:08,027
But as a public figure,
surely you've got a responsibility
1466
01:14:08,110 --> 01:14:11,822
-to lots and lots of teenagers?
- No, it's you've got the responsibility.
1467
01:14:11,906 --> 01:14:14,533
You've got the responsibility
not to spread this now.
1468
01:14:15,242 --> 01:14:18,412
You know, I'm quite prepared
to keep it as a very personal thing.
1469
01:14:18,788 --> 01:14:20,122
If you will, too.
1470
01:14:20,581 --> 01:14:23,334
What I do with things is
I look at examples
1471
01:14:23,876 --> 01:14:24,877
of people who do things.
1472
01:14:24,961 --> 01:14:28,714
If I saw somebody
who took drugs who became
1473
01:14:29,298 --> 01:14:33,010
more intelligent, nicer,
earned more money, more handsome,
1474
01:14:33,094 --> 01:14:36,555
a better lover or got
a better physique through it
1475
01:14:36,639 --> 01:14:38,099
and he set a good example,
1476
01:14:38,182 --> 01:14:40,977
I would be the first to take drugs,
and suggest everybody else should.
1477
01:14:41,477 --> 01:14:44,772
But most of the people I know
who've taken drugs over a period of time
1478
01:14:44,855 --> 01:14:47,400
seem to have gone to wrack and ruin
and I don't wanna go there.
1479
01:14:47,525 --> 01:14:50,486
I never wanted to
talk about drugs in public
1480
01:14:50,569 --> 01:14:52,780
because I don't want to
influence anybody
1481
01:14:53,823 --> 01:14:54,824
in anything.
1482
01:14:55,366 --> 01:14:57,952
But if you ask me,
I guess I have to say that
1483
01:14:58,035 --> 01:15:00,454
of course I took drugs, like everyone.
1484
01:15:01,580 --> 01:15:03,165
But not because of everyone.
1485
01:15:11,841 --> 01:15:14,218
It came from the FBI to MI5 to the...
1486
01:15:14,301 --> 01:15:15,302
(Caine) Really?
1487
01:15:15,386 --> 01:15:19,015
- Yes! It's like one of your films, man.
- It sounds like it!
1488
01:15:26,397 --> 01:15:29,025
(Faithfull) You know, we say there were300 people in the '60s
1489
01:15:29,191 --> 01:15:31,569
and all the people who said
they were at the Redlands bust,
1490
01:15:32,069 --> 01:15:35,239
we would have had to have
a marquee on the lawn, you know.
1491
01:15:35,322 --> 01:15:37,116
It was basically a party
1492
01:15:37,616 --> 01:15:40,619
where good friends got together
to take a bit of LSD.
1493
01:15:47,585 --> 01:15:49,211
That was one of my first trips.
1494
01:15:49,295 --> 01:15:51,756
It was a pretty rough experience,
actually...
1495
01:15:51,839 --> 01:15:53,924
- Yeah.
-...to have 25 cops walk in.
1496
01:15:54,008 --> 01:15:57,887
- Is that what happened?
- Yeah, and I was rather naughty, too.
1497
01:15:58,846 --> 01:16:00,264
- I'd gone to have a bath.
- Yeah.
1498
01:16:01,640 --> 01:16:04,143
- I was in a fur rug.
- And nothing else?
1499
01:16:04,226 --> 01:16:06,771
- And I dropped the fur rug.
-(Caine laughs)
1500
01:16:06,937 --> 01:16:09,690
- And gave a flash at the constabulary.
- At the coppers?
1501
01:16:09,940 --> 01:16:12,485
And they were so stunned, you know.
1502
01:16:12,568 --> 01:16:13,736
I was showing off, wasn't I?
1503
01:16:13,903 --> 01:16:16,947
(Caine) Yeah, obviously. And why not?You were young, beautiful.
1504
01:16:17,031 --> 01:16:19,700
(Faithfull) I was beautiful,I was naked, I was in a fur rug.
1505
01:16:19,784 --> 01:16:23,037
Hey! And I was naughty and defiant.
1506
01:16:24,872 --> 01:16:27,750
Evidence that an unnamed naked woman
1507
01:16:27,875 --> 01:16:30,461
was sitting on a sofa
with a rug around her
1508
01:16:30,544 --> 01:16:34,840
when police raided Keith Richards' house
at West Wittering
1509
01:16:34,924 --> 01:16:36,300
was given in court today.
1510
01:16:36,383 --> 01:16:37,718
(Richards) First of all,they don't like
1511
01:16:37,802 --> 01:16:39,220
young kids with a lot of money,
you know?
1512
01:16:39,303 --> 01:16:40,429
They don't like that anyway.
1513
01:16:40,513 --> 01:16:43,849
But as long as you're sort of cool
and do your, you know,
1514
01:16:44,183 --> 01:16:45,184
and don't...
1515
01:16:47,520 --> 01:16:49,772
bother them, you know.
But we bothered 'em.
1516
01:16:49,855 --> 01:16:51,065
You know, we bothered them
1517
01:16:52,358 --> 01:16:54,944
because of the way we look,
because of the way we act, because...
1518
01:16:55,694 --> 01:16:58,072
And we never showed any
reverence for them whatsoever.
1519
01:16:58,197 --> 01:17:02,243
(Reporter) This is not Golden Gate Park
or Central Park,
1520
01:17:02,618 --> 01:17:04,662
this is Hyde Park in London.
1521
01:17:05,538 --> 01:17:07,373
And these are British hippies
1522
01:17:07,540 --> 01:17:10,167
gathered to protest the heavy sentences
1523
01:17:10,251 --> 01:17:11,961
against two Rolling Stones.
1524
01:17:12,294 --> 01:17:16,340
Mick Jagger, for having four tablets
of Benzedrine in his pocket
1525
01:17:16,715 --> 01:17:19,885
and Keith Richards,
for allowing his premises
1526
01:17:19,969 --> 01:17:22,138
to be used for the smoking of marijuana.
1527
01:17:24,473 --> 01:17:28,102
(Faithfull) And then I started gettingpoisonous letters,
1528
01:17:29,228 --> 01:17:32,731
basically saying,
"The sooner you die, the better."
1529
01:17:33,941 --> 01:17:36,694
You know, "You are a contamination
on our island's shores."
1530
01:17:38,571 --> 01:17:40,865
And I took all this very much to heart.
1531
01:17:40,948 --> 01:17:41,991
(♪ You Can't Always Get What You Want:
The Rolling Stones)
1532
01:17:42,116 --> 01:17:45,619
♪ I saw her today at the reception
1533
01:17:47,997 --> 01:17:51,250
♪ A glass of wine in her hand
1534
01:17:53,210 --> 01:17:57,590
♪ I knew she was gonnameet her connection
1535
01:17:57,882 --> 01:18:00,885
(Faithfull) And I thoughtI would die and I almost welcomed it.
1536
01:18:00,968 --> 01:18:03,470
But I started to get into hard drugs
1537
01:18:03,554 --> 01:18:04,638
and that's what did it.
1538
01:18:06,640 --> 01:18:09,935
(Caine) There was a feelingthat something special was over.
1539
01:18:11,187 --> 01:18:12,646
We'd pushed for change,
1540
01:18:13,856 --> 01:18:16,192
now change was pushing us.
1541
01:18:17,818 --> 01:18:19,737
Maybe, for some of us,
1542
01:18:20,946 --> 01:18:22,531
the party had gone on too long.
1543
01:18:22,656 --> 01:18:24,992
♪ But if you try sometimes
1544
01:18:25,367 --> 01:18:27,494
♪ You just might find
1545
01:18:27,828 --> 01:18:29,538
♪ You get what you need
1546
01:18:29,622 --> 01:18:32,124
(McCartney) We'd sort of doneeverything we'd wanted to do.
1547
01:18:32,958 --> 01:18:36,253
We were getting a bit fed up of
having to have a group mentality,
1548
01:18:36,629 --> 01:18:38,422
so we were pissing each other off.
1549
01:18:39,048 --> 01:18:43,552
♪ I went down to the demonstration
1550
01:18:44,553 --> 01:18:48,933
♪ To get my fair share of abuse
1551
01:18:49,808 --> 01:18:53,562
♪ Singing, we're gonnavent our frustration
1552
01:18:55,064 --> 01:18:59,026
♪ If we don'twe're gonna blow a fifty-amp fuse
1553
01:19:00,986 --> 01:19:04,490
♪ You can't always get what you want
1554
01:19:06,325 --> 01:19:09,954
♪ You can't always get what you want
1555
01:19:11,247 --> 01:19:13,832
(Keith Richards) Although it was a shockwhen it actually happened,
1556
01:19:14,333 --> 01:19:16,585
nobody was really that surprised,
you know.
1557
01:19:17,002 --> 01:19:18,504
Everybody knows people that...
1558
01:19:19,088 --> 01:19:21,215
You just have that feeling
that they're not gonna be,
1559
01:19:21,340 --> 01:19:24,051
they're not gonna be 70 years old,
ever, you know.
1560
01:19:24,134 --> 01:19:26,387
Not everybody makes it, you know.
1561
01:19:31,141 --> 01:19:34,520
(Caine) Looking back, what strikesme most about the '60s
1562
01:19:34,603 --> 01:19:36,355
is that it was a time,
1563
01:19:36,438 --> 01:19:37,898
maybe the first time,
1564
01:19:37,982 --> 01:19:40,359
when the future was shaped
by young people.
1565
01:19:41,151 --> 01:19:44,488
We were utterly convinced that it was
our time.
1566
01:19:44,571 --> 01:19:46,198
The best time of our lives.
1567
01:19:49,201 --> 01:19:51,287
Youth is not a time of life,
1568
01:19:51,370 --> 01:19:52,830
it's a state of mind.
1569
01:20:09,596 --> 01:20:12,599
(Lennon) So, they, whoever they are,
don't stand a chance,
1570
01:20:12,683 --> 01:20:14,059
because they can't beat love.
1571
01:20:20,065 --> 01:20:21,525
(Inaudible)
1572
01:20:25,154 --> 01:20:26,613
(Inaudible)
1573
01:20:29,658 --> 01:20:33,162
Never look back in anger,
always look forward in hope.
1574
01:20:34,955 --> 01:20:38,334
And never, ever, ever dream small.
1575
01:21:11,158 --> 01:21:13,160
(♪ Sunshine Superman: Donovan)
1576
01:21:25,798 --> 01:21:31,762
♪ Sunshine came softlyA-through my a-window today
1577
01:21:33,263 --> 01:21:39,144
♪ Could've tripped out easyA-but I've a-changed my ways
1578
01:21:41,063 --> 01:21:46,026
♪ It'll take timeI know it but in a while
1579
01:21:48,278 --> 01:21:54,076
♪ You're gonna be mineI know it, we'll do it in style
1580
01:21:54,827 --> 01:22:00,707
♪ Cos I made my mind upYou're going to be mine
1581
01:22:00,833 --> 01:22:02,543
♪ I'll tell you right now
1582
01:22:02,626 --> 01:22:08,507
♪ Any trick in the book a-now
Baby, all that I can find
1583
01:22:09,550 --> 01:22:15,055
♪ Superman or Green LanternAin't got a-nothin' on me
1584
01:22:17,141 --> 01:22:23,272
♪ I can make like a turtleAnd dive for your pearls in the sea
1585
01:22:24,857 --> 01:22:30,028
♪ A-you can just sit thereThinking on your velvet throne
1586
01:22:31,822 --> 01:22:37,286
♪ I ride all the rainbowsSo you can a-have for your own
1587
01:22:38,328 --> 01:22:44,543
♪ Cos I made my mind upYou're going to be mine
1588
01:22:44,626 --> 01:22:46,378
♪ I'll tell you right now
1589
01:22:46,503 --> 01:22:51,758
♪ Any trick in the book a-now, babyAll that I can find
1590
01:22:53,385 --> 01:22:59,099
♪ Everybody's hustlin'A-just to have a little scene
1591
01:23:00,726 --> 01:23:06,482
♪ When I say we'll be coolI think that you know what I mean
1592
01:23:08,358 --> 01:23:13,363
♪ We stood on a beach at sunsetDo you remember when
1593
01:23:15,449 --> 01:23:21,413
♪ I know a beach where, babyA-it never ends
1594
01:23:22,414 --> 01:23:28,337
♪ When you've made your mind upForever to be mine
1595
01:23:30,172 --> 01:23:36,136
♪ I'll pick up your hand and slowlyBlow your little mind
1596
01:23:36,720 --> 01:23:42,893
♪ Cos I made my mind upYou're going to be mine
1597
01:23:43,060 --> 01:23:44,770
♪ I'll tell you right now
1598
01:23:44,895 --> 01:23:49,983
♪ Any trick in the book a-nowBaby, that I can find
1599
01:24:34,528 --> 01:24:41,368
♪ Superman or Green LanternAin't got a-nothin' on me
1600
01:24:42,244 --> 01:24:48,458
♪ I can make like a turtle andDive for your pearls in the sea, yep
1601
01:24:49,459 --> 01:24:55,507
♪ A-you you you can just sit thereWhile thinking on your velvet throne
1602
01:24:57,342 --> 01:25:02,306
♪ 'Bout all the rainbowsA-you can a-have for your own
1603
01:25:03,849 --> 01:25:10,230
♪ When you've made your mind upForever to be mine
1604
01:25:11,523 --> 01:25:17,070
♪ I'll pick up your handAnd slowly blow your little mind
1605
01:25:18,071 --> 01:25:23,994
♪ When you've made your mind upForever to be mine
1606
01:25:24,369 --> 01:25:27,581
♪ I'll pick up your handI'll pick up your hand
1607
01:25:27,706 --> 01:25:31,376
♪ And slowly blow your little mind
1608
01:25:33,128 --> 01:25:35,922
♪ Blow your little mind
131046
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