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FROM "DAYS OF OUR LIVES,"
DRAKE HOGESTYN.
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00:02:59,827 --> 00:03:02,758
YOU BROUGHT EVERYBODY FROM SALEM
WITH YOU.
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00:03:05,482 --> 00:03:11,862
I WANT TO SAY TO EVERYONE,
WELCOME TO THE 50TH ANNUAL
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00:03:11,896 --> 00:03:16,206
DAYTIME EMMYS AWARDS.
THEY INTRODUCED US BUT WE'LL DO
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00:03:16,241 --> 00:03:18,758
IT AGAIN.
I'M NISCHELLE TURNER.
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00:03:18,793 --> 00:03:21,758
AND I'M KEVIN FRAZIER.
IT'S GOOD TO BE BACK AND SEE
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00:03:21,793 --> 00:03:24,310
EVERYBODY.
50 YEARS OF CELEBRATING DAYTIME
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00:03:24,344 --> 00:03:27,000
TELEVISION.
ALL THE EXCELLENCE, IT'S BEEN
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00:03:27,034 --> 00:03:28,448
INCREDIBLE.
>> Nischelle: IT HAS BEEN WHEN
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00:03:28,482 --> 00:03:31,793
YOU CONSIDER HOW MUCH HAS
CHANGED IN THE PAST 50 YEARS AND
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00:03:31,827 --> 00:03:36,689
NOT JUST TV.
>> Kevin: 50 YEARS AGO I WAS
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00:03:36,724 --> 00:03:40,379
SITTING IN MY MOM'S LAP IN THE
FRONT SEAT OF THE CAR WITHOUT A
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00:03:40,413 --> 00:03:45,689
SEAT BELT.
NOW MY CARD IS AN EVEN START.
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00:03:45,724 --> 00:03:48,379
>> Nischelle: TO NOTE THE TOP
HAIRSTYLE WAS?
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00:03:48,413 --> 00:03:52,103
IT WAS THE SHAG.
I KNOW A BUNCH OF PEOPLE HAVE
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00:03:52,137 --> 00:04:01,344
ONE.
EVERYBODY HAVE THE SHAG.
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00:04:01,379 --> 00:04:06,517
>> Kevin: IF I COULD HAVE KEPT
IT I WOULD HAVE.
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00:04:06,551 --> 00:04:09,275
TONIGHT WE ARE ALL ABOUT 50
YEARS OF DAYTIME EMMYS HISTORY
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00:04:09,310 --> 00:04:12,586
AND WE ARE KICKING THINGS OFF
WITH A VERY NICE TASTE OF THAT
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00:04:12,620 --> 00:04:15,655
HISTORY.
>> Nischelle: INDEED WE ARE.
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00:04:15,689 --> 00:04:17,137
THIS YEAR,
WE HAVE A REALLY SPECIAL TREAT.
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00:04:17,172 --> 00:04:18,620
EACH ACTING CATEGORY WILL BE
PRESENTED BY ONE OF LAST YEAR'S
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00:04:18,654 --> 00:04:21,067
ACTING WINNERS, ALONG WITH
A LEGACY WINNER.
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00:04:21,103 --> 00:04:24,137
WE'RE CONNECTING THE DAYTIME
EMMYS WITH ITS STORIED PAST,
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00:04:24,172 --> 00:04:30,758
ITS WONDERFUL PRESENT,
AND ITS BRIGHT FUTURE.
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00:04:30,793 --> 00:04:32,655
PRESENTING OUR FIRST AWARD
FOR OUTSTANDING SUPPORTING
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00:04:32,689 --> 00:04:36,068
ACTRESS, 2022'S OUTSTANDING
SUPPORTING ACTOR WINNER,
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00:04:36,103 --> 00:04:37,034
JEFF KOBER.
>> Kevin: AND 2005'S OUTSTANDING
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00:04:37,068 --> 00:04:49,034
SUPPORTING ACTOR WINNER,
GREG RIKAART.
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00:04:49,068 --> 00:04:54,655
[APPLAUSE]
>> AS LAST YEAR'S OUTSTANDING
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00:04:54,689 --> 00:04:56,551
SUPPORTING ACTOR WINNER --
>> AND AS 2005'S OUTSTANDING
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00:04:56,586 --> 00:04:59,137
SUPPORTING ACTOR WINNER --
>> WE BOTH KNOW EXACTLY WHAT
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00:04:59,172 --> 00:05:01,931
ALL THE NOMINEES ARE FEELING
RIGHT NOW.
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00:05:01,965 --> 00:05:04,551
INCREDIBLE ELATION AT BEING
NOMINATED.
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00:05:04,586 --> 00:05:07,655
>> THE SOARING HOPE OF PERHAPS
WINNING AND TAKING HOME
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00:05:07,689 --> 00:05:09,793
THE GOLD.
>> AND THE TERROR THAT IF YOU
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00:05:09,827 --> 00:05:13,724
DO WIN, YOU MIGHT LEAVE SOMEONE
OFF YOUR ACCEPTANCE SPEECH,
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00:05:13,758 --> 00:05:16,206
LIKE I DID LAST YEAR WHEN I
DIDN'T MENTION MY MAKEUP ARTIST
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00:05:16,241 --> 00:05:26,034
ALLIE FLECK.
[APPLAUSE]
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00:05:26,068 --> 00:05:30,482
>> Nischelle: I FORGOT TO
MENTION MY EX.
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00:05:30,517 --> 00:05:37,482
[LAUGHTER]
I THINK THAT'S WHY HE'S MY EX.
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00:05:37,517 --> 00:05:40,103
>> BUT WHEN YOU HEAR YOUR NAME
CALLED...
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00:05:40,137 --> 00:05:45,344
>> THE ONLY EMOTION YOU FEEL
IN THAT MOMENT IS ABSOLUTE JOY.
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00:05:45,379 --> 00:05:46,689
>> THE NOMINEES FOR OUTSTANDING
SUPPORTING PERFORMANCE
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00:05:46,724 --> 00:05:49,448
IN A DAYTIME DRAMA SERIES
ACTRESS ARE...
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00:05:49,482 --> 00:05:53,310
>> KRISTA ALLEN,
SONYA EDDY,
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00:05:53,344 --> 00:05:57,551
STACY HAIDUK,
BROOK KERR,
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00:05:57,586 --> 00:06:11,413
KELLY THIEBAUD,
>> AND THE EMMY GOES TO...
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00:06:11,448 --> 00:06:18,758
SONYA EDDY.
AS EPIPHANY JOHNSON,
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00:06:18,793 --> 00:06:33,724
"GENERAL HOSPITAL."
[APPLAUSE]
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00:06:33,724 --> 00:06:38,206
"GENERAL HOSPITAL."
[APPLAUSE]
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00:06:38,241 --> 00:06:41,655
>>
SONYA EDDY.
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00:06:41,689 --> 00:06:45,448
JOINS A RARE GROUP OF PERFO
PERFORMERS.
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00:06:45,482 --> 00:06:52,103
>> ACCEPTING THIS IS BITTER
BITTERSWEET.
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00:06:52,137 --> 00:06:58,103
I WANT TO THANK FRANK MORE THAN
ANYTHING FOR BEING A FAITHFUL
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00:06:58,137 --> 00:07:02,103
FRIEND.
DISNEY ABC AND THE CAST AND CREW
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00:07:02,137 --> 00:07:05,689
OF "GENERAL HOSPITAL" FOR
EMBRACING HER FOR 16 YEARS.
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00:07:05,724 --> 00:07:10,172
AND I WANT TO THANK THE ACADEMY
FOR ACKNOWLEDGING HER
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00:07:10,206 --> 00:07:14,517
CONTRIBUTION AND CRAFT.
SONYA NEVER ASPIRED TO BE AN
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00:07:14,551 --> 00:07:18,310
ACTOR AND WHILE HER TALENT WAS
UNDENIABLE, I'M SURE THAT SHE'S
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00:07:18,344 --> 00:07:21,310
MORE OVERJOYED BY BEING
REMEMBERED FOR HOW SHE MADE
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00:07:21,344 --> 00:07:27,448
PEOPLE FEEL ON THE SCREEN END.
THANK YOU.
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00:07:27,482 --> 00:07:33,793
>> Announcer: PLEASE WELCOME
2022'S DAYTIME EMMY WINNER FOR
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00:07:33,827 --> 00:07:35,275
OUTSTANDING SUPPORTING ACTRESS
FOR HER ROLE AS
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00:07:35,310 --> 00:07:37,275
"GENERAL HOSPITAL'S"
DR. BRITT WESTBOURNE,
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00:07:37,310 --> 00:07:40,551
KELLY THIEBAUD.
AND DIRECTOR, PRODUCER,
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00:07:40,586 --> 00:07:43,344
AND WINNER OF THE 1980
DAYTIME EMMY FOR OUTSTANDING
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00:07:43,379 --> 00:07:48,068
SUPPORTING ACTRESS,
FRANCESCA JAMES.
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[CHEERS AND APPLAUSE]
>> HI, EVERYONE.
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00:07:57,689 --> 00:08:00,965
I LOVE HOW THEY'RE HAVING
LAST YEAR'S WINNER, ME,
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00:08:01,000 --> 00:08:03,896
PRESENT WITH FRANCESCA,
A LEGACY WINNER FROM 1980.
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00:08:03,931 --> 00:08:06,137
IT MAKES IT REALLY SPECIAL
FOR ME.
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00:08:06,172 --> 00:08:11,517
>> THANK YOU, KELLY.
WHEN I HEARD WE WERE DOING IT
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00:08:11,551 --> 00:08:15,689
TOGETHER, I THOUGHT THAT WAS AN
EXCELLENT IDEA.
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00:08:15,724 --> 00:08:19,413
REALLY LOVELY, LOVELY IDEA.
>> WELL, WHAT'S LOVELY IS YOUR
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00:08:19,448 --> 00:08:20,655
CONNECTION TO DAYTIME EMMY
HISTORY.
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00:08:20,689 --> 00:08:22,448
DID YOU GUYS KNOW FRANCESCA
IS A FIVE-TIME EMMY WINNER AND
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00:08:22,482 --> 00:08:28,137
WAS THE SECOND EVER WINNER OF
THE SUPPORTING ACTRESS AWARD?
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00:08:28,172 --> 00:08:33,241
I'M STANDING NEXT
TO DAYTIME EMMY ROYALTY, PEOPLE.
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00:08:33,275 --> 00:08:34,482
I COULD RAVE ABOUT YOU
ALL DAY.
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00:08:34,517 --> 00:08:42,379
>> WELL, I APPRECIATE THAT
COMING FROM YOU, BECAUSE YOU'RE
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00:08:42,413 --> 00:08:48,448
BEAUTIFUL AND ENVIABLY TALL.
YOU'RE REMARKABLE YOURSELF,
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00:08:48,482 --> 00:08:51,724
SHOULD WE DO WHAT WE'VE BEEN
ASKED TO DO AND MAKE THIS
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00:08:51,758 --> 00:08:54,172
PRESENTATION?
>> YES.
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00:08:54,206 --> 00:08:55,793
THE NOMINEES FOR OUTSTANDING
SUPPORTING PERFORMANCE
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00:08:55,827 --> 00:08:57,275
IN A DAYTIME DRAMA SERIES ACTOR
ARE...
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00:08:57,310 --> 00:09:03,310
>> NICHOLAS CHAVEZ,
CHAD DUELL,
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00:09:03,344 --> 00:09:05,896
DAN FEUERRIEGEL,
ROBERT GOSSETT,
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00:09:05,931 --> 00:09:20,862
JON LINDSTROM.
>> AND THE EMMY GOES TO...
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00:09:20,862 --> 00:09:21,758
JON LINDSTROM.
>> AND THE EMMY GOES TO...
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00:09:21,793 --> 00:09:26,931
ROBERT GOSSETT,
FROM "GENERAL HOSPITAL."
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00:09:26,965 --> 00:09:31,517
>> ROBERT GOSSETT WON LAST
YEAR'S GUEST PERFORMER DAYTIME
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00:09:31,551 --> 00:09:35,655
EMMYS FOR THE SAME ROLE AS
MARSHALL ASHFORD ON
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00:09:35,689 --> 00:09:39,068
"GENERAL HOSPITAL."
>> YOU'VE BEEN UP SINCE THE
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00:09:39,103 --> 00:09:42,103
CRACK OF DAWN STUDYING.
YOU'VE GOT THIS.
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00:09:42,137 --> 00:09:44,275
>> THANK YOU FOR THE
ENCOURAGEMENT.
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00:09:44,310 --> 00:09:48,724
>> I'M JUST STATING FACTS.
>> WON A FINAL PASS?
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00:09:48,758 --> 00:09:51,931
>> SO WHAT.
SO WHAT.
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00:09:51,965 --> 00:09:56,689
A VALIANT EFFORT IS NOT A
FAILURE.
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00:09:56,724 --> 00:09:57,931
FAR FROM IT.
IT'S BRAVE.
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00:09:57,965 --> 00:10:09,965
EPIPHANY, ITS CREATORS.
IT'S COURAGEOUS.
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00:10:10,000 --> 00:10:16,068
>> FRANK VALENTINI.
THANK YOU.
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00:10:16,103 --> 00:10:20,068
FRANK VALENTINI.
THANK YOU.
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00:10:20,103 --> 00:10:28,827
WE ARE, AS YOU KNOW, WE'VE HAD
LOSS IN OUR FAMILY AT "GH."
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00:10:28,862 --> 00:10:40,034
WE LOST MY LEADING LADY, SONYA
EDDY AND OUR BELOVED PRODUCER.
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00:10:40,068 --> 00:10:49,379
I LOST MY SON, MY SON.
I KNOW HE'S UP THERE WATCHING.
109
00:10:49,413 --> 00:10:51,517
I MISS YOU.
I MISS YOU EVERY DAY.
110
00:10:51,551 --> 00:10:56,172
BUT I HAVE MY OTHER SON HERE,
CALEB.
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00:10:56,206 --> 00:11:05,275
I LOVE YOU, SON.
THERE'S SO MANY PEOPLE TO THANK.
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00:11:05,310 --> 00:11:09,034
PRISCILLA, MAKE UP.
I DON'T WANT TO FORGET THAT,
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00:11:09,068 --> 00:11:15,379
RIGHT?
ALL THE DIRECTORS.
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00:11:15,413 --> 00:11:18,655
ROBERT AND GARY AND ALLISON AND
WARDROBE.
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00:11:18,689 --> 00:11:21,068
YOU KNOW, WE DO THIS.
YOU KNOW WE DO THIS.
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00:11:21,103 --> 00:11:28,068
WE ARE NOT HERE BY OURSELVES.
I STAND ON SO MANY OTHER
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00:11:28,103 --> 00:11:33,000
SHOULDERS.
MY CHILDREN, CALEB, HALEY,
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00:11:33,034 --> 00:11:39,379
DANIELLE, MICHELLE, CARMEN.
SO MANY, SO MANY PEOPLE.
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00:11:39,413 --> 00:11:46,034
THERE WAS A PLAY I DID MANY
YEARS AGO.
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00:11:46,068 --> 00:11:55,517
IT GOES "I'M SOMEBODY BECAUSE
YOU AND YOU AND YOU MAKE ME
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00:11:55,551 --> 00:11:58,724
SOMEBODY.
BECAUSE YOU AND YOU AND YOU ARE
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00:11:58,758 --> 00:12:04,931
A PART OF ME."
SO THIS IS NICE, AND I'M SO
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00:12:04,965 --> 00:12:12,310
HAPPY.
[CHEERS AND APPLAUSE]
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00:12:12,344 --> 00:12:15,655
>> Announcer: THIS ACTRESS, BEST
KNOWN FOR PLAYING NIKKI NEWMAN,
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00:12:15,689 --> 00:12:17,275
IS THE LONGEST TENURED PERFORMER
IN THE HISTORY OF "THE YOUNG
126
00:12:17,310 --> 00:12:28,068
AND THE RESTLESS,"
MELODY THOMAS SCOTT.
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00:12:28,103 --> 00:12:38,068
[APPLAUSE]
>> THERE IT IS.
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00:12:38,103 --> 00:12:41,034
WILLIAM J. BELL
AND LEE PHILLIP BELL MADE THEIR
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00:12:41,068 --> 00:12:44,206
MARK ON THE DAYTIME DRAMA
LANDSCAPE WHEN THEY CREATED
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00:12:44,241 --> 00:12:48,827
"THE YOUNG AND THE RESTLESS"
50 YEARS AGO, THANKS TO THEIR
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00:12:48,862 --> 00:12:52,586
RICH STORYTELLING OF FAMILY
DRAMA, EPIC ROMANCES,
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00:12:52,620 --> 00:12:57,000
AND THEIR ASTUTE FOCUS ON SOCIAL
ISSUES, ALL BROUGHT TO LIFE
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00:12:57,034 --> 00:13:01,000
BY COMPELLING CHARACTERS,
MANY OF WHOM CONTINUE TO
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00:13:01,034 --> 00:13:04,758
ENTERTAIN THE Y&R VIEWERS
TO THIS DAY.
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00:13:04,793 --> 00:13:09,517
AND WE CAN'T HONOR Y&R'S 50TH
ANNIVERSARY WITHOUT THANKING
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00:13:09,551 --> 00:13:17,793
OUR FANS FOR FIVE DECADES
OF LOYALTY AND SUPPORT.
137
00:13:17,827 --> 00:13:21,034
[APPLAUSE]
HERE'S TO MANY MORE YEARS
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00:13:21,068 --> 00:13:29,758
TOGETHER IN GENOA CITY.
♪ THE MEMORIES
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00:13:29,793 --> 00:13:31,689
♪ WILL REMAIN
♪ WHEN YOUR HEART
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00:13:31,724 --> 00:13:38,827
♪ IS FEELING BLUE
♪ ONE THING IN LIFE
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00:13:38,862 --> 00:13:44,000
♪ THAT DOESN'T CHANGE
♪ THERE'S ALWAYS LOVE
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00:13:44,034 --> 00:13:50,758
♪ SOMEWHERE
♪ WAITING FOR YOU
143
00:13:50,793 --> 00:13:56,896
♪ I'VE KNOWN FRIENDSHIP
♪ THAT NEVER FAILED
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00:13:56,931 --> 00:14:04,275
♪ FELT THE PAIN THAT COMES
♪ WITH BETRAYAL
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00:14:04,310 --> 00:14:09,620
♪ BUT I CAN'T DENY
♪ I LIVE LIFE WELL
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00:14:09,655 --> 00:14:16,137
♪ AND I'M GRATEFUL
>> GOOD NIGHT.
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00:14:16,172 --> 00:14:31,103
>> GOOD NIGHT.
♪ FOR IT ALL
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00:14:31,103 --> 00:14:32,034
>> GOOD NIGHT.
♪ FOR IT ALL
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00:14:32,068 --> 00:14:45,517
[APPLAUSE]
>> Announcer: WHEN WE RETURN,
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00:14:45,551 --> 00:14:47,965
THE 50TH ANNUAL DAYTIME EMMY
AWARDS CONTINUE, FEATURING
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00:14:48,000 --> 00:14:50,344
AWARDS FOR OUTSTANDING
DAYTIME TALK SERIES AND
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00:14:50,379 --> 00:14:57,000
OUTSTANDING ENTERTAINMENT
NEWS SERIES.
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00:14:57,034 --> 00:14:59,413
THAT AND MUCH MORE.
THIS IS CBS.
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00:15:10,068 --> 00:15:11,551
>> Announcer: FROM
"GENERAL HOSPITAL,"
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00:15:11,586 --> 00:15:16,586
WELCOME DONNELL TURNER
AND EMMY WINNER LAURA WRIGHT.
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00:15:26,379 --> 00:15:29,758
[APPLAUSE]
>> WHAT A PLEASURE TO BE A PART
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00:15:29,793 --> 00:15:34,068
OF SUCH A HISTORIC SHOW.
I MEAN, 50 YEARS OF HONORING
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00:15:34,103 --> 00:15:35,172
DAYTIME TV, A SUBJECT WE
BOTH KNOW A LITTLE SOMETHING
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00:15:35,206 --> 00:15:37,827
ABOUT.
>> HEAR, HEAR!
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00:15:37,862 --> 00:15:43,034
>> TALK ABOUT CONSISTENCY.
>> LET'S TALK ABOUT CONSISTENCY.
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00:15:43,068 --> 00:15:47,827
THE SHOWS NOMINATED IN THIS NEXT
CATEGORY NOT ONLY HAVE BECOME
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00:15:47,862 --> 00:15:50,172
A BIG PART OF THE FABRIC OF
DAYTIME TV, THEY'VE ALSO
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00:15:50,206 --> 00:15:53,586
PROVIDED AUDIENCES WITH
CONSISTENTLY ENJOYABLE MOMENTS,
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00:15:53,620 --> 00:15:58,034
DAY IN AND DAY OUT.
>> WHICH IS PROBABLY WHY THEY'RE
165
00:15:58,068 --> 00:16:03,448
NOMINATED IN THE FIRST PLACE.
>> YOU'RE NOT WRONG,
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00:16:03,482 --> 00:16:06,275
LAURA WRIGHT.
SEE WHAT I DID?
167
00:16:06,310 --> 00:16:09,482
I WENT FOR IT.
THE NOMINEES FOR OUTSTANDING
168
00:16:09,517 --> 00:16:12,034
DAYTIME TALK SERIES ARE...
>> "THE DREW BARRYMORE SHOW."
169
00:16:12,068 --> 00:16:18,206
"THE JENNIFER HUDSON SHOW."
"THE KELLY CLARKSON SHOW."
170
00:16:18,241 --> 00:16:30,103
"LIVE WITH KELLY AND RYAN."
"TODAY WITH HODA AND JENNA."
171
00:16:30,137 --> 00:16:33,758
>> AND THE EMMY
GOES TO...
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00:16:33,793 --> 00:16:42,482
"THE KELLY CLARKSON SHOW."
>> ACCEPTING, THE
173
00:16:42,517 --> 00:16:47,517
EXECUTIVE PRODUCER.
ALEX DUDA.
174
00:16:57,172 --> 00:17:04,137
>> WOW, THANK YOU SO, SO MUCH.
TO THE ACADEMY, TO NBC
175
00:17:04,172 --> 00:17:08,758
UNIVERSAL, TRACY WILSON, OUR
FEARLESS LEADER, OUR FELLOW
176
00:17:08,792 --> 00:17:12,931
NOMINEES AND OUR AFFILIATES.
WE ARE SO HONORED FOR THIS
177
00:17:12,964 --> 00:17:16,068
AWARD.
IT'S BEEN QUITE A YEAR.
178
00:17:16,103 --> 00:17:19,241
KELLY COULDN'T BE HERE TONIGHT
BUT I CAN SPEAK FOR EVERYONE ON
179
00:17:19,275 --> 00:17:23,034
THIS STAFF IN ON THIS SHOW AND
SAY IT'S A PLEASURE TO WORK WITH
180
00:17:23,068 --> 00:17:25,517
HER.
SHE MAKES IT FUN.
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00:17:25,550 --> 00:17:28,103
SHE'S ENJOY EVERY DAY.
THAT MAKES IT A LITTLE EASIER.
182
00:17:28,137 --> 00:17:32,068
YOU WANT ME TO THANK ALL OF OUR
VIEWERS FOR STICKING WITH US IN
183
00:17:32,103 --> 00:17:35,551
THIS MIGRATION AS WE MOVE FROM
LOS ANGELES TO NEW YORK.
184
00:17:35,586 --> 00:17:41,000
MOSTLY WANT TO THANK THE STAFF.
THOSE PEOPLE WHO BUILT US
185
00:17:41,034 --> 00:17:43,000
ONSTAGE 1 HERE IN LOS ANGELES.
FOR THOSE PEOPLE WHO MOVED THEIR
186
00:17:43,034 --> 00:17:46,000
LIVES ACROSS THE COUNTRY BECAUSE
THEY BELIEVED IN WHAT WE WERE
187
00:17:46,034 --> 00:17:48,241
DOING.
FOR THOSE PEOPLE WHO LEARNED HOW
188
00:17:48,275 --> 00:17:52,620
TO WORK REMOTE EVEN THOUGH
THERE'S CHALLENGES WITH THE TIME
189
00:17:52,655 --> 00:17:54,379
ZONES.
AND FOR OUR NEW TEAM MEMBERS IN
190
00:17:54,413 --> 00:17:57,413
NEW YORK AND ARE AGREEABLE
PARTNERS AT 30 ROCK.
191
00:17:57,448 --> 00:18:00,000
YOU BRING NEW MAGIC TO OUR MIX.
THANK YOU.
192
00:18:00,034 --> 00:18:04,379
THIS IS FOR YOU AND BECAUSE OF
YOU.
193
00:18:04,413 --> 00:18:15,551
THANKS.
[APPLAUSE]
194
00:18:15,586 --> 00:18:17,068
>> Announcer: PLEASE WELCOME
EMMY-NOMINATED COMEDIAN,
195
00:18:17,103 --> 00:18:18,034
ACTRESS KYM WHITLEY
AND DAYTIME EMMY WINNER
196
00:18:18,068 --> 00:18:32,172
A. MARTINEZ.
[APPLAUSE]
197
00:18:32,206 --> 00:18:37,793
>> MY GOODNESS.
I ALMOST LOST MY WIG ON THAT
198
00:18:37,827 --> 00:18:40,931
SECOND STEP.
>> YOU'RE LOOKING BEAUTIFUL.
199
00:18:40,965 --> 00:18:42,344
>> ENTERTAINMENT NEWS SHOWS.
WHO DOESN'T LOVE 'EM?
200
00:18:42,379 --> 00:18:44,482
>> RIGHT?
TALK ABOUT BINGE-WORTHY TV.
201
00:18:44,517 --> 00:18:45,551
GIVEN THE CHANCE, SOME OF US
WOULD PROBABLY WATCH OUR
202
00:18:45,586 --> 00:18:47,758
FAVORITE ENTERTAINMENT NEWS SHOW
ALL DAY LONG.
203
00:18:47,793 --> 00:18:50,172
>> OH, TRUST ME, I HAVE!
AND WHY NOT?
204
00:18:50,206 --> 00:18:54,034
A BUNCH OF FUN, INFORMATIVE,
AND SMART PEOPLE GIVING US
205
00:18:54,068 --> 00:18:58,482
THE 411 ON "THE BIZ."
THAT'S MY KINDA SHOW.
206
00:18:58,517 --> 00:19:04,793
>> THERE YOU GO.
I THINK YOU MEAN "THE TEA."
207
00:19:04,827 --> 00:19:12,034
>> EXCUSE ME?
>> GIVING US THE TEA.
208
00:19:12,068 --> 00:19:19,827
YOU CAN'T SAY FOR 11 ANYMORE.
YOU'VE GOT TO SAY THE TEA.
209
00:19:19,862 --> 00:19:22,103
>>> I I SEE YOU ALL HIT ON THE
JARGON.
210
00:19:22,137 --> 00:19:24,172
I THINK I LOVE YOU EVEN MORE
NOW.
211
00:19:24,206 --> 00:19:28,000
LET'S GET DOWN TO BUSINESS.
THE NOMINEES FOR OUTSTANDING
212
00:19:28,034 --> 00:19:31,172
ENTERTAINMENT NEWS SERIES ARE...
>> "ACCESS HOLLYWOOD."
213
00:19:31,206 --> 00:19:35,482
"E! NEWS."
"ENTERTAINMENT TONIGHT."
214
00:19:35,517 --> 00:19:45,758
"EXTRA."
"INSIDE EDITION."
215
00:19:45,793 --> 00:19:53,206
[APPLAUSE]
>> AND THE EMMY GOES TO...
216
00:19:53,241 --> 00:20:04,448
THIS IS EXCITING.
"ENTERTAINMENT TONIGHT."
217
00:20:04,482 --> 00:20:09,034
>> ACCEPTING THE EMMY ARE OUR
HOSTS KEVIN FRAZIER AND
218
00:20:09,068 --> 00:20:24,000
NISCHELLE TURNER.
[APPLAUSE]
219
00:20:24,000 --> 00:20:33,103
NISCHELLE TURNER.
[APPLAUSE]
220
00:20:33,137 --> 00:20:38,482
>> CONGRATULATIONS.
221
00:20:38,517 --> 00:20:41,793
>> Nischelle: OH, BOY.
KEVIN, I REALLY JUST GOING TO
222
00:20:41,827 --> 00:20:45,620
MAKE ME DO THIS?
FIRST OF ALL, THIS IS JUST
223
00:20:45,655 --> 00:20:50,689
REALLY, REALLY AN HONOR.
I GREW UP ON A FARM IN MISSOURI.
224
00:20:50,724 --> 00:20:54,965
THIS IS WILD TO BE STANDING UP
HERE GETTING AN ENEMY.
225
00:20:55,000 --> 00:20:58,551
WE WORK WITH THE MOST INCREDIBLE
PEOPLE EVERY SINGLE DAY, WE HAVE
226
00:20:58,586 --> 00:21:03,344
THE MOST INCREDIBLE TEAM.
OUR TEAM IS LED BY A GROUP OF
227
00:21:03,379 --> 00:21:06,068
FANTASTIC, SMART, ACCOMPLISHED
WOMEN THAT I LOVE GOING TO WORK
228
00:21:06,103 --> 00:21:11,344
WITH EVERY SINGLE DAY.
THEY'RE HERE TONIGHT.
229
00:21:11,379 --> 00:21:14,172
THANK YOU SO, SO MUCH.
>> Kevin: WE WANT TO SAY FIRST
230
00:21:14,206 --> 00:21:17,137
OF ALL CONGRATULATIONS TO
EVERYONE WHO WAS NOMINATED IN
231
00:21:17,172 --> 00:21:19,103
THE CATEGORY.
WE ARE ALL FRIENDS AND WE ALL
232
00:21:19,137 --> 00:21:22,517
WORK TOGETHER OUT IN THE FIELD.
ALSO THE REST OF OUR TEAM AND
233
00:21:22,551 --> 00:21:25,896
THE FOLKS AT HOME WATCHING THIS
AND OUR SPOUSES AND OUR PARTNERS
234
00:21:25,931 --> 00:21:28,655
WHO PUT UP WITH THESE INSANE
SCHEDULES.
235
00:21:28,689 --> 00:21:31,103
MOST IMPORTANTLY YOU IN
HOLLYWOOD WHO OPENED OUR DOORS
236
00:21:31,137 --> 00:21:33,482
TO US AND ALLOW US TO COME IN
AND TELL YOUR STORIES.
237
00:21:33,517 --> 00:21:36,275
WE APPRECIATE YOU SO MUCH.
THANK YOU SO MUCH.
238
00:21:36,310 --> 00:21:40,310
WE'VE BEEN ON THE SET WITH THE
MOST ALL OF YOU.
239
00:21:40,344 --> 00:21:41,413
THANK YOU.
>> Nischelle: THANK YOU SO
240
00:21:41,448 --> 00:21:45,689
MUCH.
THANK YOU, GUYS.
241
00:21:45,724 --> 00:21:48,551
KEVIN, DON'T GO AWAY.
>> Kevin: THAT'S RIGHT.
242
00:21:48,586 --> 00:21:51,965
WE ARE HOSTING THE SHOW.
I JUST REALIZED WE HAVE TO STAY
243
00:21:52,000 --> 00:21:53,241
OUT HERE.
>> Nischelle: WE DO.
244
00:21:53,275 --> 00:21:57,206
WE HAVE TO STAY RIGHT HERE.
WE HAVE TO FOCUS AND WE HAVE TO
245
00:21:57,241 --> 00:22:00,655
KEEP THIS THING GOING.
HERE WE GO.
246
00:22:00,689 --> 00:22:03,586
SPEAK TO YOU TALK.
>> Nischelle: KEVIN AND I,
247
00:22:03,620 --> 00:22:06,344
WITH ALL THE THANK YOUS WE HAVE
A STRONG DESIRE TO EXPRESS THE
248
00:22:06,379 --> 00:22:11,034
RELEVANCE, THE IMPORTANCE, AND
REALLY THE GRAVITAS OF THE 50TH
249
00:22:11,068 --> 00:22:13,931
ANNIVERSARY OF THE DAYTIME EMMYS
AND WE REALLY WANT TO SHARE HOW
250
00:22:13,965 --> 00:22:17,758
DEEPLY SPECIAL THIS SHOW IS IN
PARTICULAR NOT ONLY TO US BUT TO
251
00:22:17,793 --> 00:22:21,896
THE MANY PEOPLE WHO HAD REALLY
RATE EXPERIENCES AND MEMORIES OF
252
00:22:21,931 --> 00:22:25,448
PAST DAYTIME EMMYS BROADCASTS.
SO, WE THOUGHT, TO HELP
253
00:22:25,482 --> 00:22:26,655
RECOGNIZE THE RICH HISTORY
OF THE DAYTIME EMMYS
254
00:22:26,689 --> 00:22:28,896
WE'D CHAT WITH A FEW AUDIENCE
MEMBERS ABOUT THEIR
255
00:22:28,931 --> 00:22:33,896
PERSONAL DAYTIME EMMY MOMENTS,
MOMENTS THAT STAND OUT IN THEIR
256
00:22:33,931 --> 00:22:37,034
OWN LIVES.
>> Kevin: I LOVE THAT YOU
257
00:22:37,068 --> 00:22:40,275
LOCKED BACK IN SO QUICKLY.
>> Nischelle: I KNOW.
258
00:22:40,310 --> 00:22:44,896
>> Kevin: HERE TO SHARE ONE
SUCH MEMORY WE HAVE, FROM
259
00:22:44,931 --> 00:22:48,896
"THE BOLD AND THE BEAUTIFUL,"
ASHLEY JONES.
260
00:22:48,931 --> 00:22:52,379
>> YOU GUYS, I THOUGHT I WOULD
GET TO BANTER WITH YOU BUT
261
00:22:52,413 --> 00:22:55,482
YOU'RE SO GOOD YOU WON THE AWARD
SO I'M HERE BY MYSELF.
262
00:22:55,517 --> 00:22:59,034
ONE OF MY FAVORITE MEMORIES WAS
COMING TO THE AWARDS NOT LONG
263
00:22:59,068 --> 00:23:01,172
AGO.
I THOUGHT I WAS GOING TO GET TO
264
00:23:01,206 --> 00:23:05,034
SEE SOMEONE VERY SPECIFIC AND I
DIDN'T SEE HER AT THE RED CARPET
265
00:23:05,068 --> 00:23:09,551
OR AT THE TABLES.
I GET UP TO GO TO THE RESTROOM.
266
00:23:09,586 --> 00:23:11,034
I OPEN THE DOOR.
AND BOOM!
267
00:23:11,068 --> 00:23:15,344
DREW BARRYMORE.
THAT WAS A REALLY SPECIAL MOMENT
268
00:23:15,379 --> 00:23:19,275
FOR ME.
IF YOU EVER GET THE CHANCE TO
269
00:23:19,310 --> 00:23:21,275
CHAT WITH DREW BARRYMORE, SHE
DOESN'T DISAPPOINT.
270
00:23:21,310 --> 00:23:26,793
THERE WAS ONE OTHER TIME WHERE I
GOT ON THE ELEVATOR AND LO AND
271
00:23:26,827 --> 00:23:28,655
BEHOLD, THE LEGENDARY
ALEX TREBEK.
272
00:23:28,689 --> 00:23:32,482
HE TRIED TO INTRODUCE HIMSELF TO
ME AND OF COURSE I WAS LIKE, I
273
00:23:32,517 --> 00:23:33,965
THINK WE ALL KNOW EXACTLY WHO
YOU ARE.
274
00:23:34,000 --> 00:23:36,758
WE ARE HUGE FANS.
ESPECIALLY MOMENT, SHORTLY AFTER
275
00:23:36,793 --> 00:23:41,275
THAT I GOT TO BE AN ACTUAL
ANSWER ON JEOPARDY.
276
00:23:41,310 --> 00:23:45,275
THAT WAS PRETTY SPECIAL FOR ME.
I'M SURE THERE'S A LOT OF OTHER
277
00:23:45,310 --> 00:23:49,655
MEMORIES TONIGHT AND IT'S SUCH A
PLEASURE TO BE HERE.
278
00:23:49,689 --> 00:23:57,551
>> Announcer: THERE IS MUCH MORE
TO COME AS WE CELEBRATE 50 YEARS
279
00:23:57,586 --> 00:23:59,724
OF THE DAYTIME EMMY AWARDS,
LIVE FROM BEAUTIFUL DOWNTOWN
280
00:23:59,758 --> 00:24:01,482
LOS ANGELES.
WHEN WE RETURN, OUR GOLD AND
281
00:24:01,517 --> 00:24:02,896
SILVER CIRCLE PRESENTATIONS
WITH AN APPEARANCE BY DAYTIME
282
00:24:02,931 --> 00:24:04,965
TALK-SHOW LEGEND MAURY POVICH.
WE'LL BE RIGHT ACK.
283
00:24:05,000 --> 00:24:14,448
THIS IS CBS.
284
00:24:14,482 --> 00:24:15,413
THE 50TH ANNUAL
DAYTIME EMMY AWARDS
285
00:24:15,448 --> 00:24:16,517
IS SPONSORED BY CHARMIN.
WE ALL GO.
286
00:24:16,551 --> 00:24:21,310
WHY NOT ENJOY THE GO
WITH CHARMIN.
287
00:24:30,586 --> 00:24:32,689
>> Announcer: PLEASE WELCOME
THE CHAIRMAN OF THE NATIONAL
288
00:24:32,724 --> 00:24:41,344
ACADEMY OF TELEVISION ARTS
AND SCIENCES, TERRY O'REILLY.
289
00:24:41,379 --> 00:24:45,551
[APPLAUSE]
>> GOOD EVENING, EVERYONE.
290
00:24:45,586 --> 00:24:49,103
WONDERFUL TO HAVE YOU HERE THIS
EVENING, OUR 50TH CELEBRATION OF
291
00:24:49,137 --> 00:24:53,034
THE DAYTIME EMMYS AWARDS.
WELCOME
292
00:24:53,068 --> 00:24:56,724
ON BEHALF OF OUR 19,000 ACADEMY
MEMBERS ACROSS AMERICA, WELCOME
293
00:24:56,758 --> 00:24:59,034
THIS IS THE FIRST MAJOR AWARDS
CEREMONY SINCE THE RESOLUTION
294
00:24:59,068 --> 00:25:07,689
OF OUR INDUSTRY'S LABOR ISSUES.
WE'VE BEEN WAITING FOR THIS
295
00:25:07,724 --> 00:25:11,379
EVENING FOR SIX MONTHS,
I ASKED SUSPECT THERE ARE AT
296
00:25:11,413 --> 00:25:16,068
LEAST A FEW PEOPLE IN THIS ROOM
READY FOR A PRETTY GOOD PARTY.
297
00:25:16,103 --> 00:25:18,034
MUCH HAS CHANGED IN OUR INDUSTRY
IN THE PAST FEW YEARS.
298
00:25:18,068 --> 00:25:21,034
AMAZING ADVANCEMENTS
IN TECHNOLOGY PROVIDE US
299
00:25:21,068 --> 00:25:25,413
WITH ACCESS TO MORE AND BETTER
TELEVISION PROGRAMMING THAN EVER
300
00:25:25,448 --> 00:25:28,448
BEFORE, AND THE ABILITY TO
NEGOTIATE THESE VAST LIBRARIES
301
00:25:28,482 --> 00:25:30,103
OF CONTENT ON ANY SCREEN
ANYWHERE.
302
00:25:30,137 --> 00:25:33,275
BUT WHILE WE CELEBRATE THESE
ADVANCES, THEY ARE JUST
303
00:25:33,310 --> 00:25:36,482
AN EMPTY PIPELINE WITHOUT
THE TALENTED INDIVIDUALS
304
00:25:36,517 --> 00:25:39,517
WHO CREATE THE PROGRAMMING,
THE INDIVIDUALS THAT WE
305
00:25:39,551 --> 00:25:42,034
CELEBRATE HERE THIS EVENING.
TELEVISION, WHETHER YOU'RE
306
00:25:42,068 --> 00:25:45,413
WATCHING ON A BIG SCREEN,
A COMPUTER SCREEN,
307
00:25:45,448 --> 00:25:48,827
OR ON YOUR CELLPHONE SCREEN,
TELEVISION IS IN A GOLDEN HOUR.
308
00:25:48,862 --> 00:25:55,517
AND TONIGHT, WE HONOR ITS
BEST WITH THE EMMY,
309
00:25:55,551 --> 00:25:57,103
WHICH IS OF COURSE OUR
INDUSTRY'S GOLD STANDARD.
310
00:25:57,137 --> 00:26:00,482
NOW I'D LIKE TO TAKE A MOMENT
TO NOTE THE PASSING LAST
311
00:26:00,517 --> 00:26:07,172
WEEK OF NORMAN LEAR,
A REAL GIANT IN OUR INDUSTRY,
312
00:26:07,206 --> 00:26:08,931
[APPLAUSE]
NORMAN BROUGHT US COMEDY
313
00:26:08,965 --> 00:26:10,724
AND SATIRE,
BUT ALWAYS WITH WARMTH AND
314
00:26:10,758 --> 00:26:12,482
HEART.
HIS GROUNDBREAKING SITCOMS
315
00:26:12,517 --> 00:26:15,793
TACKLED SOCIAL ISSUES
HEAD-ON, SPARKING CONVERSATIONS
316
00:26:15,827 --> 00:26:19,862
AND CHALLENGING PERSPECTIVES.
WHILE THE BULK OF HIS WORK
317
00:26:19,896 --> 00:26:22,103
WAS FOR PRIMETIME TELEVISION,
ONE OF HIS FINAL PROJECTS
318
00:26:22,137 --> 00:26:24,034
FOR NETWORK TV WAS ACTUALLY
AN ANIMATED DAYTIME SERIES
319
00:26:24,068 --> 00:26:28,655
FOR CHILDREN.
NORMAN ONCE SAID,
320
00:26:28,689 --> 00:26:31,586
"I'M NOT IN THIS BUSINESS TO
MAKE MONEY.
321
00:26:31,620 --> 00:26:33,655
I'M IN THIS BUSINESS TO CHANGE
THE WORLD."
322
00:26:33,689 --> 00:26:40,413
WELL, HE DID JUST THAT.
[APPLAUSE]
323
00:26:40,448 --> 00:26:43,896
NORMAN LEAR BROUGHT LAUGHS AND
LIGHT TO OUR LIVES, INSPIRING US
324
00:26:43,931 --> 00:26:46,034
ALL TO PUSH BOUNDARIES IN THE
NAME OF JUSTICE.
325
00:26:46,068 --> 00:26:56,517
SO THANK YOU, NORMAN LEAR,
FOR A JOB EXCEEDINGLY WELL DONE.
326
00:26:56,551 --> 00:26:58,620
[APPLAUSE]
NOW I'M PLEASED TO INTRODUCE
327
00:26:58,655 --> 00:27:01,034
A LONG-STANDING MEMBER
OF OUR ACADEMY AND AN HONORED
328
00:27:01,068 --> 00:27:04,551
MEMBER OF OUR DAYTIME COMMUNITY.
TONIGHT, HE WILL BE INTRODUCING
329
00:27:04,586 --> 00:27:08,689
THE MEMBERS OF OUR ACADEMY'S
GOLD AND SILVER CIRCLE.
330
00:27:08,724 --> 00:27:11,965
AND TOMORROW AT OUR CREATIVE
ARTS AWARDS, HE WILL BE
331
00:27:12,000 --> 00:27:14,896
RECEIVING OUR ACADEMY'S
LIFETIME ACHIEVEMENT AWARD.
332
00:27:14,931 --> 00:27:20,448
HE IS A DAYTIME TELEVISION ICON
AND THE NAMESAKE OF ONE
333
00:27:20,482 --> 00:27:25,275
SHOWS IN AMERICAN TV HISTORY,
HAVING AIRING FOR OVER 30 YEARS.
334
00:27:25,310 --> 00:27:28,379
WILL YOU PLEASE JOIN ME
IN WELCOMING TO THE STAGE
335
00:27:28,413 --> 00:27:38,413
MAURY POVICH.
[APPLAUSE]
336
00:27:38,448 --> 00:27:47,034
♪
>> THANK YOU, TERRY.
337
00:27:47,068 --> 00:27:52,068
THANK YOU.
IT'S GOOD TO BE HERE.
338
00:27:52,103 --> 00:27:56,862
IT'S GREAT TO BE HERE!
AMONG OUR ACADEMY'S MOST
339
00:27:56,896 --> 00:28:00,862
PRESTIGIOUS RECOGNITION
IS THE INDUCTION INTO THE GOLD
340
00:28:00,896 --> 00:28:07,241
AND SILVER CIRCLE.
IT'S OUR SOCIETY OF HONOR,
341
00:28:07,275 --> 00:28:09,620
AND IT RECOGNIZES
50 OR 25 YEARS
342
00:28:09,655 --> 00:28:11,310
OF DISTINGUISHED SERVICE BY
TELEVISION PROFESSIONALS TO OUR
343
00:28:11,344 --> 00:28:13,206
INDUSTRY.
AND THOSE WHO'VE NOT ONLY
344
00:28:13,241 --> 00:28:16,862
INSPIRED US BUT HAVE HELPED MAKE
TELEVISION THE HUGE PART OF THE
345
00:28:16,896 --> 00:28:21,551
FABRIC OF AMERICAN LIFE
THAT IT IS TODAY.
346
00:28:21,586 --> 00:28:25,137
IN 2017, I HAD THE DISTINCT
HONOR OF BEING INDUCTED INTO
347
00:28:25,172 --> 00:28:33,034
THE NEW YORK CHAPTER OF THIS
HIGHLY PRESTIGIOUS SOCIETY,
348
00:28:33,068 --> 00:28:35,344
A MOMENT, BY THE WAY, THAT I
HAVE TRULY CHERISHED FROM THAT
349
00:28:35,379 --> 00:28:41,275
DAY TO THIS.
WHEN I LOOK AT IT I GET THE
350
00:28:41,310 --> 00:28:44,482
FEELING I INTERCEPTED A
GAME-WINNING PASS IN THE NFL.
351
00:28:44,517 --> 00:28:48,551
ANYHOW.
THIS YEAR IS EVEN MORE SPECIAL.
352
00:28:48,586 --> 00:28:51,068
IT'S THE FIRST TIME WE'RE
BESTOWING THESE HONORS
353
00:28:51,103 --> 00:28:53,068
AT THE NATIONAL LEVEL.
AND I COULD NOT BE PROUDER
354
00:28:53,103 --> 00:28:56,482
AND MORE HONORED TO BRING YOU
THE INAUGURAL CLASS OF
355
00:28:56,517 --> 00:28:59,275
DAYTIME INDUCTEES
OF THE EMMY GOLD AND SILVER
356
00:28:59,310 --> 00:29:05,000
FOR 2023.
TANYA HART, WENDY RICHE,
357
00:29:05,034 --> 00:29:08,068
IT'S
HERE THEY ARE.
358
00:29:08,103 --> 00:29:13,275
>> HERE THEY ARE.
CHRISTINA KNACK
359
00:29:13,310 --> 00:29:15,413
SERVES "THE YOUNG AND
THE RESTLESS" AS PRODUCTION
360
00:29:15,448 --> 00:29:18,241
COORDINATOR.
SHE KEEPS THE TEAM RUNNING
361
00:29:18,275 --> 00:29:21,034
SMOOTHLY.
FROM BIZARRE FOODS TO WILD
362
00:29:21,068 --> 00:29:26,034
TRAVEL DESTINATIONS
PATRICK WEILAND
363
00:29:26,068 --> 00:29:30,000
IS KNOWN TO BUILD RELATIONSHIPS
AND ELEVATE THE CREW AROUND HIM.
364
00:29:30,034 --> 00:29:31,655
HIS STORYTELLING AND MANAGEMENT
STYLE IS A TRUE REFLECTION OF
365
00:29:31,689 --> 00:29:37,758
HIS PERSONALITY.
ENTERING THE GOLD CIRCLE THIS
366
00:29:37,793 --> 00:29:41,965
YEAR,
TANYA HART'S CAREER
367
00:29:42,000 --> 00:29:46,482
HAS STREAMED BROADCAST,
STREAMING, SYNDICATION, CABLE
368
00:29:46,517 --> 00:29:48,482
TV.
CREATING THE ET WEST COAST
369
00:29:48,517 --> 00:29:52,482
STUDIO AND CREATING MORE THAN
300 EPISODES OF "LIVE FROM
370
00:29:52,517 --> 00:29:57,344
L.A.."
PRODUCER AND WRITER
371
00:29:57,379 --> 00:30:03,965
WENDY RICHE,
AS EXECUTIVE PRODUCER OF
372
00:30:04,000 --> 00:30:07,586
"GENERAL HOSPITAL" DURING THE
'90s, SHE WAS RECOGNIZED FOR
373
00:30:07,620 --> 00:30:10,241
BRINGING THE DRAMA BACK TO THE
FOREFRONT OF DAYTIME.
374
00:30:10,275 --> 00:30:15,206
AL SCHWARTZ'S CAREER
HAS SPAN GENRES AND GENERATIONS
375
00:30:15,241 --> 00:30:18,862
FROM SERIES, DOCUMENTARIES,
SPECIALS AND MORE THAN A FEW
376
00:30:18,896 --> 00:30:20,586
AWARD SHOWS.
HIS CELEBRITY TALENT AND
377
00:30:20,620 --> 00:30:23,275
PRODUCERS ALWAYS KNEW HE WAS
THE GO-TO PRODUCER WITH THE
378
00:30:23,310 --> 00:30:26,655
RIGHT PEN -- AND SKILL FOR
QUALITY SHOWS.
379
00:30:26,689 --> 00:30:32,137
VERNEE WATSON
BEGAN HER ACTING CAREER MORE
380
00:30:32,172 --> 00:30:35,275
THAN 30 YEARS AGO.
AFTER A STINT THAT INCLUDED MORE
381
00:30:35,310 --> 00:30:37,862
THAN 200 COMMERCIAL SHE MOVED TO
L.A. WHERE SHE CURRENTLY APPEARS
382
00:30:37,896 --> 00:30:48,000
ON A CBS COMEDY BOB HEARTS
ABISHOLA.
383
00:30:48,034 --> 00:31:03,000
VERNEE DIRECTS FOR THE STAGE
AND TEACHES ACTING.
384
00:31:03,000 --> 00:31:09,137
VERNEE DIRECTS FOR THE STAGE
AND TEACHES ACTING.
385
00:31:09,172 --> 00:31:16,448
>> Announcer: WE'VE GOT MANY
386
00:31:16,482 --> 00:31:18,965
MORE SPECIAL MOMENTS COMING YOUR
WAY AS WE FIND OUT WHO GETS
387
00:31:19,000 --> 00:31:25,000
THE OUTSTANDING WRITING TEAM
AND YOUNGER PERFORMER AWARDS
388
00:31:25,034 --> 00:31:26,724
AND LATER, WE BID A FOND
FAREWELL TO TWO OF DAYTIME
389
00:31:26,758 --> 00:31:29,448
TELEVISION'S MOST BELOVED HOSTS.
WHEN THE 50TH ANNUAL DAYTIME
390
00:31:29,482 --> 00:31:33,758
EMMYS RETURN.
THIS IS CBS.
391
00:31:49,551 --> 00:31:51,310
>> Announcer: THE REUNITED '90s
SUPER COUPLE, PLEASE WELCOME
392
00:31:51,344 --> 00:31:53,862
FROM "THE YOUNG AND THE
RESTLESS," EMMY WINNER
393
00:31:53,896 --> 00:31:58,896
LAURALEE BELL
AND MICHAEL DAMIAN.
394
00:32:01,068 --> 00:32:09,689
[APPLAUSE]
[CHEERING]
395
00:32:09,724 --> 00:32:16,931
>> SUPER COUPLE!
>> WOW, I LIKE THAT.
396
00:32:16,965 --> 00:32:24,482
>> FROM THE '90s...
>> BUT WE'RE BRINGING IT BACK!
397
00:32:24,517 --> 00:32:28,896
>> WE'VE ALL HEARD THE
SAYING "THERE'S NO I IN TEAM,"
398
00:32:28,931 --> 00:32:32,068
IN THIS NEXT CATEGORY THERE IS
NOT JUST I
399
00:32:32,103 --> 00:32:34,482
BUT TWO.
OUR NEXT CATEGORY IS FOR
400
00:32:34,517 --> 00:32:38,137
OUTSTANDING WRITING TEAM
FOR A DAYTIME DRAMA SERIES.
401
00:32:38,172 --> 00:32:41,655
>> OH, OKAY, I GET IT.
"WRITER."
402
00:32:41,689 --> 00:32:46,965
TWO Is.
THEY CREATE THE STORIES THAT ARE
403
00:32:47,000 --> 00:32:49,620
THE LIFEBLOOD OF DAYTIME
TELEVISION.
404
00:32:49,655 --> 00:32:50,862
>> HERE ARE THE NOMINEES
FOR OUTSTANDING WRITING TEAM
405
00:32:50,896 --> 00:32:56,931
FOR A DAYTIME DRAMA SERIES.
>> "THE BAY."
406
00:32:56,965 --> 00:32:59,655
"BEYOND SALEM: CHAPTER TWO."
"THE BOLD AND THE BEAUTIFUL."
407
00:32:59,689 --> 00:33:07,172
"DAYS OF OUR LIVES."
"GENERAL HOSPITAL."
408
00:33:07,206 --> 00:33:17,068
"THE YOUNG AND THE RESTLESS."
>> SUPER COUPLE.
409
00:33:17,103 --> 00:33:21,965
YOU READY?
AND THE EMMY GOES TO...
410
00:33:22,000 --> 00:33:30,068
"THE YOUNG AND THE RESTLESS."
>> ACCEPTING THE EMMY, THE HEAD
411
00:33:30,103 --> 00:33:33,103
WRITER AND EXECUTIVE PRODUCER.
JOSH GRIFFITH.
412
00:33:51,517 --> 00:33:56,517
>> HI.
I'M GOING TO READ BECAUSE I
413
00:33:56,551 --> 00:33:58,862
CAN'T SAY ANYTHING UNLESS IT'S
WRITTEN OUT.
414
00:33:58,896 --> 00:34:02,689
THIS IS A WONDERFUL HONOR.
WE FELT IT WAS A VERY TIMELY AND
415
00:34:02,724 --> 00:34:05,137
IMPORTANT STORY TO TELL.
I'M THRILLED WE WERE ABLE TO
416
00:34:05,172 --> 00:34:09,137
PULL IT OFF.
I'D LIKE TO THANK DR. DAN RYDEN
417
00:34:09,172 --> 00:34:16,655
BERG FOR HELP AND US.
TO AMY.
418
00:34:16,688 --> 00:34:21,034
STEVE KENT.
TRULY OUTSTANDING.
419
00:34:21,068 --> 00:34:28,827
SPECIAL THANKS TO THE AMAZING
DANIELLE UNGER.
420
00:34:28,862 --> 00:34:34,827
THANKS TO OUR TERRIFIC WRITING
TEAM, ESPECIALLY MY COHEAD
421
00:34:34,862 --> 00:34:36,447
WRITER AMANDA BEAL.
DIRECTORS, ACTORS, PRODUCERS
422
00:34:36,482 --> 00:34:41,931
THAT MAKE MAGIC EVERY DAY.
YOU'RE THE BEST IN THE BUSINESS.
423
00:34:41,965 --> 00:34:46,757
LASTLY, THANK YOU TO OUR FANS.
WE WOULD NOT BE HERE WITHOUT
424
00:34:46,793 --> 00:34:51,379
YOU.
THANK YOU.
425
00:34:51,413 --> 00:34:55,482
>> Announcer: WELCOME BACK
YOUR HOSTS, KEVIN FRAZIER
426
00:34:55,516 --> 00:35:07,379
AND NISCHELLE TURNER!
>> Nischelle: EVERYBODY HAVING
427
00:35:07,413 --> 00:35:11,586
FUN?
DO YOU HEAR CAMERON MATHISON
428
00:35:11,620 --> 00:35:12,827
SCREAMING?
[LAUGHS]
429
00:35:12,862 --> 00:35:14,827
>> Kevin: NOT ONLY DO THIS
YEAR'S DAYTIME EMMY AWARDS GIVE
430
00:35:14,862 --> 00:35:19,551
US A CHANCE TO REFLECT
AND REMINISCE ON 50 YEARS OF
431
00:35:19,586 --> 00:35:22,034
GREATNESS, IT ALSO GIVES US
THE OPPORTUNITY TO LOOK AHEAD
432
00:35:22,068 --> 00:35:23,862
AND ACKNOWLEDGE
THE BRIGHT FUTURE OF
433
00:35:23,896 --> 00:35:29,655
DAYTIME TV.
>> Nischelle: IT DOES.
434
00:35:29,689 --> 00:35:32,034
EVEN THOUGH MOST OF TONIGHT'S
NOMINEES ARE PROBABLY UP PAST
435
00:35:32,068 --> 00:35:34,517
THEIR BEDTIME.
>> Kevin: BUT WE'LL MAKE SURE
436
00:35:34,551 --> 00:35:35,896
THEY GET A JUICE BOX OR
SOMETHING AT THE AFTER-PARTY.
437
00:35:35,931 --> 00:35:37,655
EITHER WAY, DAYTIME TV'S FUTURE
IS IN VERY CAPABLE HANDS,
438
00:35:37,689 --> 00:35:44,620
AS EACH OF THESE NOMINEES HAVE
PROVEN TIME AND TIME AGAIN.
439
00:35:44,655 --> 00:35:46,379
THESE KIDS ARE SO DOGGONE GOOD.
>> Nischelle: HERE ARE THE
440
00:35:46,413 --> 00:35:47,620
NOMINEES FOR OUTSTANDING YOUNGER
PERFORMER IN A DAYTIME DRAMA
441
00:35:47,655 --> 00:35:51,034
SERIES.
>> CARY CHRISTOPHER,
442
00:35:51,068 --> 00:36:01,241
EDEN McCOY,
HENRY JOSEPH SAMIRI.
443
00:36:01,275 --> 00:36:07,344
>> Nischelle: THEY GOT SOME
FANS.
444
00:36:07,379 --> 00:36:10,034
AND THE EMMY GOES TO...
EDEN McCOY,
445
00:36:10,068 --> 00:36:20,655
"GENERAL HOSPITAL."
>> EDEN McCOY BEGAN HER ROLE
446
00:36:20,689 --> 00:36:26,655
ON "GENERAL HOSPITAL" WHICH WAS
ONLY 11 YEARS OLD.
447
00:36:26,689 --> 00:36:35,896
>> WE HAD NO IDEA WHY AND
SOMEONE SAID.
448
00:36:35,931 --> 00:36:38,689
[CRYING]
THE WHOLE THING PLAYED IN FRONT
449
00:36:38,724 --> 00:36:43,103
OF THE WHOLE CLASS ON THIS GIANT
SCREEN.
450
00:36:43,137 --> 00:36:47,551
>> I DON'T UNDERSTAND.
WHAT WAS ON THE VIDEO?
451
00:36:47,586 --> 00:36:55,137
>> CAMERON.
HAVING SEX.
452
00:36:55,172 --> 00:37:00,000
SOMEONE FILMED US.
[CHEERS AND APPLAUSE]
453
00:37:00,034 --> 00:37:05,068
>> OH, MY GOD.
THIS IS LITERALLY A DREAM COME
454
00:37:05,103 --> 00:37:08,275
TRUE.
I WANT TO THANK NITA AND MY TEAM
455
00:37:08,310 --> 00:37:11,551
AT COAST FOR ALL THE SUPPORT
OVER THE YEARS AND ALL THE YEARS
456
00:37:11,586 --> 00:37:15,586
TO COME.
I AM INDEBTED TO THE "GH"
457
00:37:15,620 --> 00:37:21,310
WRITERS, PRODUCERS, DIRECTORS.
MARK, YOU STARTED THIS JOURNEY
458
00:37:21,344 --> 00:37:23,103
FOR ME.
FRANK VALENTINI.
459
00:37:23,137 --> 00:37:24,586
YOU TOOK A CHANCE AND CHANGE MY
LIFE.
460
00:37:24,620 --> 00:37:28,034
I LOVE YOU MORE THAN YOU KNOW.
MY WONDERFUL CAST AND CREW
461
00:37:28,068 --> 00:37:30,448
THANK YOU FOR ALWAYS ELEVATING%
MY WORK.
462
00:37:30,482 --> 00:37:32,206
YOU KNOW WHO YOU ARE.
LAURA WRIGHT, YOU ARE SO MUCH
463
00:37:32,241 --> 00:37:35,482
MORE THAN A MOTHER AND SO MUCH
MORE THAN A MENTOR.
464
00:37:35,517 --> 00:37:37,482
YOU GIVE NEW MEANING TO THE WORD
FRIEND.
465
00:37:37,517 --> 00:37:40,620
DAD, I LOVE YOU.
I'M SO HAPPY YOU'RE HERE.
466
00:37:40,655 --> 00:37:43,068
THIS IS FOREIGN BECAUSE OF MY
MOTHER.
467
00:37:43,103 --> 00:37:47,137
AND I JUST WANT TO SAY IT'S NOT
LOST ON ME WHAT AN ABSOLUTE
468
00:37:47,172 --> 00:37:52,206
PRIVILEGE IT IS TO DO SOMETHING
NOT ONLY I'D LIKE TO DO BUT LOVE
469
00:37:52,241 --> 00:37:56,448
TO DO.
I LOVE WHAT I DO.
470
00:37:56,482 --> 00:37:58,896
IT'S EASY TO BE GRATEFUL ON
NIGHTS LIKE THIS BUT I'M
471
00:37:58,931 --> 00:38:02,241
GRATEFUL EVERY DAY.
THANK YOU SO MUCH.
472
00:38:02,275 --> 00:38:15,586
THANK YOU SO MUCH.
>> Nischelle: THAT WAS
473
00:38:15,620 --> 00:38:19,620
FANTASTIC.
I LOVE HOW THE "GH" FOLKS RISE
474
00:38:19,655 --> 00:38:27,344
FOR THEIR PEOPLE.
LET'S GIVE A ROUND OF APPLAUSE
475
00:38:27,379 --> 00:38:31,137
FOR "DAYS OF OUR LIVES'S"
STEVEN NICHOLS
476
00:38:31,172 --> 00:38:33,724
ALL MY LIFE I'VE BEEN CALLING
YOU PATCH.
477
00:38:33,758 --> 00:38:35,655
CAN I CALL YOU PATCH.
YOU HAVE AN INCREDIBLE MEMORY
478
00:38:35,689 --> 00:38:43,551
MOMENT FOR US.
>> THANKS, NISCHELLE.
479
00:38:43,586 --> 00:38:45,344
MY MOMENT IS ABOUT MY FRIEND
TYLER CHRISTOPHER.
480
00:38:45,379 --> 00:38:49,448
I MET TYLER AT HIS AUDITION
AND I KNEW INSTANTLY THAT THOUGH
481
00:38:49,482 --> 00:38:51,206
HE WAS YOUNG, HE REALLY HAD
SOMETHING.
482
00:38:51,241 --> 00:38:55,275
SO I TOOK THE LIBERTY OF GIVING
HIM A BOOK ON ACTING THAT HAD
483
00:38:55,310 --> 00:39:01,724
HELPED ME,
HELPED ME, WHEN I WAS FIRST
484
00:39:01,758 --> 00:39:09,724
STARTING OUT.
"TO THE ACTOR,"
485
00:39:09,758 --> 00:39:11,689
MICHAEL CHEKOV.
WELL, AT THE 2016 DAYTIME
486
00:39:11,724 --> 00:39:15,586
EMMYS AFTER HE'D WON FOR
OUTSTANDING LEAD ACTOR,
487
00:39:15,620 --> 00:39:19,551
HE WANTED TO THANK EVERYBODY WHO
GOT HIM THERE.
488
00:39:19,586 --> 00:39:23,793
HE SCANNED THE AUDIENCE
AND SAID "WHERE'S STEVEN?"
489
00:39:23,827 --> 00:39:33,655
WE CAUGHT EACH OTHER'S EYES
AND THEN HE HELP UP THE VERY
490
00:39:33,689 --> 00:39:39,931
SAME BOOK I'D GIVEN HIM, NOW
AND HE THANKED ME.
491
00:39:39,965 --> 00:39:43,655
THAT WAS A MOMENT.
I MISS YOU, TYLER, AND I LOVE
492
00:39:43,689 --> 00:39:46,655
YOU.
WE ALL LOVE YOU.
493
00:39:46,689 --> 00:39:47,896
THANK YOU.
>> Nischelle: THAT WAS
494
00:39:47,931 --> 00:39:49,310
INCREDIBLE.
THANK YOU SO MUCH FOR SHARING
495
00:39:49,344 --> 00:39:55,586
WITH US.
TYLER, LIKE STEPHEN SAID, WILL
496
00:39:55,620 --> 00:40:04,724
BE SORELY MISSED.
>> TYLER CHRISTOPHER!
497
00:40:04,758 --> 00:40:10,586
>> I WANT TO MAKE IT ABOUT THE
PEOPLE WHO GOT ME HERE IN THE
498
00:40:10,620 --> 00:40:13,551
BEGINNING.
STEPHEN NICHOLS, WHERE ARE YOU,
499
00:40:13,586 --> 00:40:16,034
BROTHER?
I TOLD YOU I WOULD DO IT, MAN.
500
00:40:16,068 --> 00:40:19,241
YOU ARE MY FIRST MENTOR, MY
FIRST TEACHER.
501
00:40:19,275 --> 00:40:25,793
YOU GAVE ME THIS BOOK "TO THE
ACTOR" I APPRECIATE IT AND I'M
502
00:40:25,827 --> 00:40:32,862
NOT HERE WITHOUT YOU AND I SHARE
THIS WITH YOU.
503
00:40:32,896 --> 00:40:34,448
>> Announcer: WHEN WE RETURN,
WE PAY TRIBUTE TO A LIFETIME OF
504
00:40:34,482 --> 00:40:37,689
ACHIEVEMENT FOR ONE OF DAYTIME
TELEVISION'S FAVORITE
505
00:40:37,724 --> 00:40:40,413
PERFORMERS.
THAT AND MUCH MORE AT THE
506
00:40:40,448 --> 00:40:44,827
50TH ANNUAL DAYTIME EMMY AWARDS.
THIS IS CBS.
507
00:40:49,827 --> 00:40:52,034
>> THE 50TH ANNUAL DAYTIME EMMYS
508
00:40:52,068 --> 00:40:55,172
AWARDS WILL CONTINUE.
THIS IS CBS.
509
00:41:00,758 --> 00:41:01,965
>> Announcer: PLEASE WELCOME
510
00:41:02,000 --> 00:41:05,034
DAYTIME EMMY AWARD WINNER FOR
OUTSTANDING SUPPORTING ACTOR,
511
00:41:05,068 --> 00:41:14,275
SHEMAR MOORE.
[APPLAUSE]
512
00:41:16,517 --> 00:41:21,275
>> WHERE IS MY "THE YOUNG AND
THE RESTLESS" FAMILY AT?
513
00:41:21,310 --> 00:41:24,896
I SEE YOU.
I SEE YOU.
514
00:41:24,931 --> 00:41:29,275
CRISTOPH ST. JOHN, MY BROTHER,
REST IN PEACE.
515
00:41:29,310 --> 00:41:31,793
NEVER FORGOTTEN.
I LOVE YOU, MAN.
516
00:41:31,827 --> 00:41:37,517
WITHOUT YOU, I'M NOT HERE.
I'M NOT DOING WHAT I'M DOING.
517
00:41:37,551 --> 00:41:43,137
I NEEDED TO GET THAT OUT.
THANK YOU.
518
00:41:43,172 --> 00:41:46,724
NOW BACK TO BUSINESS.
THIS IS A VERY PROUD DAY FOR ME.
519
00:41:46,758 --> 00:41:55,310
I VERY PROUD OF THIS PERSON.
TO RECEIVE LIFETIME ACHIEVEMENT
520
00:41:55,344 --> 00:41:58,655
AWARD IN ANY FIELD IS A RARITY
INDEED.
521
00:41:58,689 --> 00:42:03,344
BUT TO RECEIVE ONE IN THE GENRE
OF ENTERTAINMENT, THAT'S
522
00:42:03,379 --> 00:42:07,379
SOMETHING ALMOST TOO INCREDIBLE
TO BELIEVE THAT WHEN YOU'VE
523
00:42:07,413 --> 00:42:10,586
HONED AND REFINED YOUR CRAFT FOR
LONGER THAN MOST CAN EVEN
524
00:42:10,620 --> 00:42:14,965
FATHOM, WHEN YOU'VE KEPT THE
SAME EAGER, BRIGHTSIDE OUTLOOK
525
00:42:15,000 --> 00:42:17,448
TOWARD EVERYONE YOU'VE EVER
WORKED WITH, WHEN YOU'VE
526
00:42:17,482 --> 00:42:22,551
ENCOURAGED OTHERS EVERY STEP OF
THE WAY, YOU DESERVE
527
00:42:22,586 --> 00:42:25,896
RECOGNITION.
TONIGHT'S RECIPIENT IS SUCH A
528
00:42:25,931 --> 00:42:27,344
PERSON.
SHE'S BEEN IN TV SERIES AS WELL
529
00:42:27,379 --> 00:42:31,482
AS IN FILM AND STAGE
WITH MULTI-EPISODIC GUEST
530
00:42:31,517 --> 00:42:33,000
APPEARANCES ON THE SERIES
"DALLAS,"
531
00:42:33,034 --> 00:42:35,137
"HOT IN CLEVELAND,"
AND "ARMY WIVES."
532
00:42:35,172 --> 00:42:41,896
SHE'S STARRED IN THE LIFETIME
SERIES "DEVIOUS MAIDS,"
533
00:42:41,931 --> 00:42:44,689
APPEARED ON "THE COLBERT
REPORT."
534
00:42:44,724 --> 00:42:46,000
AND EVEN HOSTED
"SATURDAY NIGHT LIVE."
535
00:42:46,034 --> 00:42:49,103
SHE'S BEEN RANKED AS ONE OF THE
50 GREATEST TELEVISION STARS
536
00:42:49,137 --> 00:42:53,137
OF ALL TIME.
AND I COULDN'T AGREE MORE.
537
00:42:53,172 --> 00:43:02,689
[CHEERS AND APPLAUSE]
THIS IS THE GOOD PART.
538
00:43:02,724 --> 00:43:10,034
WORLDWIDE.
ON THE ABC DAYTIME DRAMA
539
00:43:10,068 --> 00:43:18,724
"ALL MY CHILDREN" FOR NEARLY
40 YEARS,
540
00:43:18,758 --> 00:43:22,103
THIS WOMAN IS A TRUE LIVING TV
LEGEND.
541
00:43:22,137 --> 00:43:29,206
I'M SO PROUD, AS I WAS ONCE UPON
A TIME BACK IN 1999 WHEN I
542
00:43:29,241 --> 00:43:36,551
PRESENTED HER WITH HER FIRST
EMMY AFTER 19 NOMINATIONS AND I
543
00:43:36,586 --> 00:43:40,413
FLIPPED OVER THE CARD AND I
DIDN'T THINK SHE WAS GOING TO
544
00:43:40,448 --> 00:43:43,172
WIN.
I FLIPPED OVER THE CARD AND I
545
00:43:43,206 --> 00:43:47,551
ALMOST COST.
I WAS LIKE "OH!"
546
00:43:47,586 --> 00:43:54,103
AND I SAID "THE STREAK IS OVER!"
RIGHT?
547
00:43:54,137 --> 00:43:57,827
YOU ALL KNOW HORN TALKING ABOUT.
ALL RIGHT?
548
00:43:57,862 --> 00:43:59,724
THERE IS SUPPOSED TO BE MORE
SCRIPT.
549
00:43:59,758 --> 00:44:03,379
YOU ALL KNOW WARM TALKING ABOUT.
I READ IT IN THE CAR.
550
00:44:03,413 --> 00:44:09,034
LET ME WING IT.
I SAID THE STREAK IS OVER.
551
00:44:09,068 --> 00:44:12,862
TONIGHT I'M VERY PROUD
TO PRESENT THE 2023
552
00:44:12,896 --> 00:44:20,275
LIFETIME ACHIEVEMENT AWARD
TO THE ONE, TO THE ONLY,
553
00:44:20,310 --> 00:44:28,724
GIVE IT UP.
SUSAN LUCCI.
554
00:44:28,758 --> 00:44:32,275
>> I'M ERICA KANE.
>> I'M ERICA KANE.
555
00:44:32,310 --> 00:44:34,448
>> I'M ERICA KANE.
>> I WANT TO BE SPECIAL AND I'M
556
00:44:34,482 --> 00:44:36,620
GOING TO BE.
YOU WOULD DO THAT TO ME.
557
00:44:36,655 --> 00:44:38,965
HE WOULD PUT ME OUT, YOUR VERY
OWN DAUGHTER.
558
00:44:39,000 --> 00:44:48,517
I DO NOT NEED A MAN TO BE HAPPY.
>> I ERICA TAKE YOU TONY TO BE
559
00:44:48,551 --> 00:44:50,896
MY HUSBAND.
SPEAK I NOW PRONOUNCE YOU MAN
560
00:44:50,931 --> 00:44:53,793
AND WIFE.
YOU MAY KISS YOUR BRIDE.
561
00:44:53,827 --> 00:44:59,758
>> I AM ERICA KANE AND YOU ARE A
FILTHY BEAST!
562
00:44:59,793 --> 00:45:04,000
>> ERICA!
>> YOU BETRAYED ME.
563
00:45:04,034 --> 00:45:08,103
AND YOU BETRAYED OUR MARRIAGE.
I WILL NOT LET MY COMPANY DOWN
564
00:45:08,137 --> 00:45:16,517
AND I WILL NOT LET MY FANS DOWN
AND I WILL NOT LET MYSELF DOWN.
565
00:45:16,551 --> 00:45:18,965
>> YOU ARE A PISTOL.
>> BANG-BANG.
566
00:45:19,000 --> 00:45:22,413
YOU KNOW WHEN I WANT SOMETHING
BADLY ENOUGH I PULL OUT ALL THE
567
00:45:22,448 --> 00:45:25,413
STOPS.
HELLO.
568
00:45:25,448 --> 00:45:31,275
YOU SCARED ME.
I THOUGHT YOU WERE SVEN.
569
00:45:31,310 --> 00:45:34,517
>> DOES HE WORK HERE?
>> HE IS A LECHEROUS MAN WHO
570
00:45:34,551 --> 00:45:41,172
TOUCHES ME AN APPROPRIATE LINK
THAT I'M GOING FILE A COMPLIANT
571
00:45:41,206 --> 00:45:43,724
SOMEDAY.
>> SUSAN LUCCI AND HER PARTNER.
572
00:45:43,758 --> 00:45:46,965
>> LAST WEEK SUSAN'S CONSISTENCY
CONTINUED.
573
00:45:47,000 --> 00:45:50,068
>> ERICA KANE AND I ARE BOTH
FULL OF EMOTION AND I'M READY TO
574
00:45:50,103 --> 00:45:58,379
TAKE CONTROL OF THE TANGO.
>> SUSAN, YOU DESERVE THIS
575
00:45:58,413 --> 00:46:03,344
LIFETIME ACHIEVEMENT AWARD AND A
BOOKCASE FULL OF EMMY BURLESQUE
576
00:46:03,379 --> 00:46:04,620
FOR YOUR CONTRIBUTION
577
00:46:04,655 --> 00:46:08,586
TO DAYTIME TELEVISION AND
TELEVISION AT LARGE.
578
00:46:08,620 --> 00:46:11,448
YOU ARE THE FIRST DIVA I FELL IN
LOVE WITH AND YOU CAPTIVATED ME
579
00:46:11,482 --> 00:46:16,827
EVER SINCE.
>> TO ACCOMPLISH WHAT YOU'VE HAD
580
00:46:16,862 --> 00:46:21,965
AN DAYTIME TV, PRIME TIME TV,
FILM, BROADWAY, THE WORLD OF
581
00:46:22,000 --> 00:46:24,758
CABARET.
YOUR SUCCESS, YOUR CHARITY WORK.
582
00:46:24,793 --> 00:46:28,724
MOST RECENTLY ARE VERY IMPORTANT
HEARTFELT MESSAGE.
583
00:46:28,758 --> 00:46:31,793
TO ACCOMPLISH ALL THIS IN A
LIFETIME IS ONE HECK OF AN
584
00:46:31,827 --> 00:46:35,103
ACHIEVEMENT.
BUT I'VE SEEN YOU DO ALL OF THIS
585
00:46:35,137 --> 00:46:38,137
IN A WEEK.
SO ENJOY THIS, SUSAN.
586
00:46:38,172 --> 00:46:47,172
YOU DESERVE IT.
WE LOVE YOU.
587
00:46:47,206 --> 00:46:48,344
>> HI, MOM.
CONGRATULATIONS ON THIS AWESOME
588
00:46:48,379 --> 00:46:49,379
LIFETIME ACHIEVEMENT AWARD.
WE ARE ALSO PROUD OF YOU AND
589
00:46:49,413 --> 00:46:52,275
LOVE YOU VERY MUCH.
>> CONGRATS, SUSAN ON YOUR
590
00:46:52,310 --> 00:46:54,965
LIFETIME ACHIEVEMENT AWARD.
WE ARE SO HONORED TO CELEBRATE
591
00:46:55,000 --> 00:46:56,965
YOU AND THE ENORMOUS IMPACT
YOU'VE HAD ON THE INDUSTRY IS
592
00:46:57,000 --> 00:46:59,482
DAYTIME TELEVISION'S BIGGEST
ICON.
593
00:46:59,517 --> 00:47:04,103
>> MARK AND I HAVE SO MANY FOND
MEMORIES FROM OUR DAYS TOGETHER
594
00:47:04,137 --> 00:47:07,344
ON "ALL MY CHILDREN."
WITHOUT QUESTION THE BEST MEMORY
595
00:47:07,379 --> 00:47:12,241
EVER WAS WATCHING YOU WIN THAT
EMMY AND BREAKING THAT STREAK.
596
00:47:12,275 --> 00:47:15,034
>> THE STREAK IS OVER!
SUSAN LUCCI!
597
00:47:15,068 --> 00:47:18,862
>> IT WAS THE MOST THRILLING
THING TO HAPPEN TO ALL OF US IN
598
00:47:18,896 --> 00:47:21,206
THE ROOM.
AND YOU DESERVED IT.
599
00:47:21,241 --> 00:47:23,172
SENDING YOU SO MUCH LOVE ON THIS
SPECIAL EVENING.
600
00:47:23,206 --> 00:47:27,965
YOU DESERVE ALL GOOD THINGS.
>> CONGRATULATIONS, SUSAN.
601
00:47:28,000 --> 00:47:32,034
I'M SO EXCITED FOR YOU.
I MEAN, YOU LOOK ALTOGETHER TOO
602
00:47:32,068 --> 00:47:35,103
YOUNG AND FABULOUS TO BE
RECEIVING A LIFETIME ACHIEVEMENT
603
00:47:35,137 --> 00:47:39,965
AWARD BUT YOU'RE AN ABSOLUTE
ICON AND A TRAILBLAZER.
604
00:47:40,000 --> 00:47:42,586
ACROSS MEDIUMS.
SOMEONE I'VE ALWAYS ADORED AND
605
00:47:42,620 --> 00:47:44,896
LOOKED UP TO.
CONGRATULATIONS, MY FRIEND.
606
00:47:44,931 --> 00:47:47,137
I'M SO EXCITED FOR THIS HONOR
FOR YOU.
607
00:47:47,172 --> 00:47:51,965
SENDING YOU SO MUCH LOVE.
>> OH, SUSAN.
608
00:47:52,000 --> 00:47:55,206
I AM SO HAPPY FOR YOU.
NOBODY DESERVES THIS AWARD MORE
609
00:47:55,241 --> 00:47:59,517
THAN YOU DO.
I HAD SUCH A GOOD TIME WORKING
610
00:47:59,551 --> 00:48:04,758
WITH YOU ON "ALL MY CHILDREN."
OF COURSE YOU'RE NOT THE DIVA
611
00:48:04,793 --> 00:48:08,172
EVERYBODY THOUGHT YOU WERE.
YOU ARE JUST A TRICK OF THE
612
00:48:08,206 --> 00:48:12,000
TOTAL OPPOSITE.
LET ME JUST PUT IT THIS WAY.
613
00:48:12,034 --> 00:48:18,689
YOU ARE PERMANENTLY TERRIFIC.
CONGRATULATIONS.
614
00:48:18,724 --> 00:48:30,689
[CHEERS AND APPLAUSE]
>> LADIES AND GENTLEMEN, THE
615
00:48:30,724 --> 00:48:42,103
QUEEN HERSELF, SUSAN LUCCI.
[CHEERING]
616
00:48:42,137 --> 00:48:49,896
>> OH.
THANK YOU SO MUCH.
617
00:48:49,931 --> 00:49:04,931
OH, MY GOODNESS.
THANK YOU SO MUCH.
618
00:49:04,931 --> 00:49:05,896
OH, MY GOODNESS.
THANK YOU SO MUCH.
619
00:49:05,931 --> 00:49:10,068
SHEMAR, THANK YOU.
I'M SO HAPPY YOU'RE HERE
620
00:49:10,103 --> 00:49:12,931
PRESENTING ME THIS WONDERFUL
AWARD.
621
00:49:12,965 --> 00:49:20,827
I THANK THE ACADEMY, TO THE EMMY
COMMITTEE, CBS, FOR GIVING ME
622
00:49:20,862 --> 00:49:24,034
THIS ENORMOUS HONOR.
AND HOW LUCKY AM I TO DREAM MY
623
00:49:24,068 --> 00:49:28,965
DREAMS OF BECOMING AN ACTRESS
AND GROW UP AND HAVE MY DREAMS
624
00:49:29,000 --> 00:49:38,000
COME TRUE.
[APPLAUSE]
625
00:49:38,034 --> 00:49:41,620
THERE WERE OBSTACLES AND THERE
WERE ROADBLOCKS.
626
00:49:41,655 --> 00:49:45,724
I MEAN, THEY WERE ONE OF THE
OBSTACLES AND ROADBLOCKS.
627
00:49:45,758 --> 00:49:53,172
BUT TONIGHT IS A NIGHT TO
CELEBRATE FOR SAYING THANK YOU.
628
00:49:53,206 --> 00:49:58,034
ON THE 19TH NOMINATION WHEN I
HEARD
629
00:49:58,068 --> 00:50:03,310
SHEMAR ANNOUNCE
"THE STREAK IS OVER" AND HE SAID
630
00:50:03,344 --> 00:50:05,586
MY NAME.
I BEGAN BY THANKING GOD FOR ALL
631
00:50:05,620 --> 00:50:10,896
THE MANY BLESSINGS.
[APPLAUSE]
632
00:50:10,931 --> 00:50:15,620
I BEGIN THERE AGAIN TONIGHT,
STARTING WITH MY PARENTS FOR
633
00:50:15,655 --> 00:50:18,448
THEIR LOVE.
THEY WERE MEMBERS OF THE
634
00:50:18,482 --> 00:50:20,241
GREATEST GENERATION AND I THANK
THEM FOR THE EXAMPLE THAT THEY
635
00:50:20,275 --> 00:50:25,896
SET FOR ME.
FOR ALWAYS BEING THERE FOR ME
636
00:50:25,931 --> 00:50:29,896
AND FOR TELLING ME I COULD AIM
FOR THE STARS, FOR THE MOON AND
637
00:50:29,931 --> 00:50:33,931
THE STARS, AND NEVER TO BE
AFRAID.
638
00:50:33,965 --> 00:50:38,000
I'M SO GRATEFUL TO THEM.
I AM SO GRATEFUL TO MY TEACHERS.
639
00:50:38,034 --> 00:50:40,000
THEY TAUGHT ME WHAT I NEEDED TO
KNOW.
640
00:50:40,034 --> 00:50:43,034
THEY GAVE ME THE TOOLS.
THEY BELIEVED IN ME.
641
00:50:43,068 --> 00:50:45,379
THEY ENCOURAGED ME, AND THEY
GAVE ME THE TOOLS TO BE THE KIND
642
00:50:45,413 --> 00:50:50,482
OF ACTRESS I WANTED TO BE.
TALKING ABOUT LOCKE, HOW LUCKY
643
00:50:50,517 --> 00:50:59,862
WAS I TO BE PUT IN THE HANDS OF
AGNES NIXON?
644
00:50:59,896 --> 00:51:03,758
[APPLAUSE]
AGNES WAS THE TRAILBLAZER.
645
00:51:03,793 --> 00:51:07,758
SHE WAS THE VISIONARY
STORYTELLER.
646
00:51:07,793 --> 00:51:13,655
GAVE ME THE PART OF A LIFETIME.
THE FABULOUSLY FLAWED ERICA KA
647
00:51:13,689 --> 00:51:17,103
KANE.
[APPLAUSE]
648
00:51:17,137 --> 00:51:19,862
YEAH.
SHE WAS THE NAUGHTY GIRL IN
649
00:51:19,896 --> 00:51:21,965
TOWN.
SHE WAS THE BAD GIRL IN TOWN.
650
00:51:22,000 --> 00:51:26,758
SHE WAS THE TROUBLEMAKER.
AND YES, SHE WAS ALL THAT.
651
00:51:26,793 --> 00:51:30,965
BUT AGNES HAD OTHER PLANS FOR
HER TOO IN ADDITION AND FANS
652
00:51:31,000 --> 00:51:35,137
WERE SMART ENOUGH, THEY SAW
BEHIND THE LABELS AND THEY COULD
653
00:51:35,172 --> 00:51:39,241
SEE THAT IN ERICA, SHE WAS A
GIRL WHO HAD DREAMS FOR HERSELF.
654
00:51:39,275 --> 00:51:42,965
UNDERNEATH ALL OF THAT,
NAUGHTINESS, SHE HAD
655
00:51:43,000 --> 00:51:50,000
DETERMINATION AND DRIVE AND
SPIRIT AND SPUNK AND THAT'S WHAT
656
00:51:50,034 --> 00:51:54,517
THEY LOVED AND I'M SO GRATEFUL,
ETERNALLY GRATEFUL TO THE FANS
657
00:51:54,551 --> 00:51:58,379
FOR LOVING ERICA KANE EVEN WHEN
THE TIMES WHEN SHE WASN'T SO
658
00:51:58,413 --> 00:52:00,379
LOVABLE.
THANKS TO THEM, I GOT TO
659
00:52:00,413 --> 00:52:06,551
CONTINUE TO PLAY HER AND PLAY
HER AGAIN AND AGAIN.
660
00:52:06,586 --> 00:52:13,517
[APPLAUSE]
BUT I SURE DIDN'T PLAY ALL THOSE
661
00:52:13,551 --> 00:52:17,413
SCENES BY MYSELF.
I WAS ALSO LUCKY TO BE PART OF
662
00:52:17,448 --> 00:52:21,965
THE GREAT COMPANY OF THE MOST
ACCOMPLISHED AND TALENTED ACTORS
663
00:52:22,000 --> 00:52:26,206
IN NEW YORK AT
"ALL MY CHILDREN."
664
00:52:26,241 --> 00:52:29,172
MANY OF WHOM I SEE TONIGHT AND
IT'S THRILLING FOR ME TO SEE
665
00:52:29,206 --> 00:52:35,137
THEM.
EDEN REGAL.
666
00:52:35,172 --> 00:52:42,379
CAMERON MATHISON.
PETER BERGMAN.
667
00:52:42,413 --> 00:52:49,034
FRANCESCA JAMES.
WE WERE IN THE TRENCHES
668
00:52:49,068 --> 00:52:51,379
TOGETHER.
I KNOW YOU ALL KNOW WHAT I'M
669
00:52:51,413 --> 00:52:54,862
TALKING ABOUT BECAUSE EVERYBODY
IN THIS ROOM HAS BEEN IN THE
670
00:52:54,896 --> 00:52:57,413
TRENCHES WITH YOUR OWN CAST AND
CREW.
671
00:52:57,448 --> 00:53:03,724
I JUST NEED TO SAY THIS.
I'M SO PROUD TO BE PART OF THIS
672
00:53:03,758 --> 00:53:08,068
COMMUNITY, THIS COMMUNITY OF
STORYTELLERS IN SUCH A
673
00:53:08,103 --> 00:53:11,034
COLLABORATIVE GENRE OF WRITERS,
DIRECTORS, PRODUCERS, ACTORS,
674
00:53:11,068 --> 00:53:15,965
DESIGN TEAMS, AND CREW.
WE GET TO DO WHAT WE LOVE TO DO.
675
00:53:16,000 --> 00:53:23,206
WE GET TO ENTERTAIN.
WE TELL STORIES.
676
00:53:23,241 --> 00:53:26,103
AND WE ILLUMINATE OUR HUMAN
CONDITION.
677
00:53:26,137 --> 00:53:29,793
SOMETIMES ON OUR BEST DAYS EVEN
MAKE A LITTLE MAGIC.
678
00:53:29,827 --> 00:53:37,310
TONIGHT IS A NIGHT TO CELEBRATE.
THE ICING ON THE CAKE FOR ME
679
00:53:37,344 --> 00:53:42,517
TONIGHT
IS THAT MY SON ANDREAS
680
00:53:42,551 --> 00:53:47,724
IS WITH ME.
[APPLAUSE]
681
00:53:47,758 --> 00:53:52,275
IT MEANS SO MUCH TO ME, HONEY,
TO HAVE YOU HERE WITH ME.
682
00:53:52,310 --> 00:53:57,137
THANK YOU SO MUCH FOR BEING WITH
ME TONIGHT.
683
00:53:57,172 --> 00:54:02,758
AND YOU KNOW WHAT ELSE?
I FEEL YOUR DAD'S PRESENCE HERE
684
00:54:02,793 --> 00:54:13,034
TONIGHT WITH US TOO.
[APPLAUSE]
685
00:54:13,068 --> 00:54:16,103
I THANK MY HUSBAND
HELMUT HUBER.
686
00:54:16,137 --> 00:54:19,827
HE HAS EVERYTHING TO DO WITH MY
STANDING UP HERE TONIGHT AND
687
00:54:19,862 --> 00:54:24,344
RECEIVING THIS INCREDIBLE AWARD.
THANK YOU.
688
00:54:24,379 --> 00:54:32,379
THANK YOU.
[CHEERS AND APPLAUSE]
689
00:54:32,413 --> 00:54:34,034
>> Announcer: STAY TUNED!
WHEN WE RETURN,
690
00:54:34,068 --> 00:54:37,448
AWARDS FOR DIRECTING TEAM AND
GUEST PERFORMANCE.
691
00:54:37,482 --> 00:54:38,931
PLUS, WE CELEBRATE A MILESTONE
OF DAYTIME ICON
692
00:54:38,965 --> 00:54:42,551
"GENERAL HOSPITAL."
THE 50TH ANNUAL DAYTIME
693
00:54:42,586 --> 00:54:45,965
EMMY AWARDS WILL BE RIGHT BACK.
THIS IS CBS.
694
00:54:53,586 --> 00:54:55,000
>> Announcer: PLEASE WELCOME,
FROM "THE BOLD
695
00:54:55,034 --> 00:54:57,379
AND THE BEAUTIFUL,"
SIX-TIME EMMY WINNER
696
00:54:57,413 --> 00:55:02,000
HEATHER TOM
AND DON DIAMONT.
697
00:55:04,034 --> 00:55:12,379
[CHEERS AND APPLAUSE]
>> NOW, IF THERE'S ONE THING
698
00:55:12,413 --> 00:55:15,586
DON AND I KNOW ALL ABOUT,
IT'S TEAMWORK.
699
00:55:15,620 --> 00:55:18,551
>> YOU KNOW HOW MUCH I LOVE YOU
BUT ARE YOU A TEAM PLAYER?
700
00:55:18,586 --> 00:55:22,448
>> I AM.
>> ARE YOU?
701
00:55:22,482 --> 00:55:26,965
HAVE YOU EVER SAID HEY, DONALD,
I WANT YOU TO HAVE ONE OF MY
702
00:55:27,000 --> 00:55:28,379
EMMYS AS A TOKEN OF MY
APPRECIATION?
703
00:55:28,413 --> 00:55:32,551
>> WHAT DO YOU CARE?
YOU'VE BEEN ONE OF PEOPLE
704
00:55:32,586 --> 00:55:41,793
MAGAZINE'S SEXIEST MAN ALIVE!
THAT'S A MANTEL YOU WILL CARRY
705
00:55:41,827 --> 00:55:48,586
FOR THE REST OF YOUR LIFE.
>> THAT IS WHAT I TELL MY WIFE.
706
00:55:48,620 --> 00:55:50,344
I'M NOT BITTER.
GO AHEAD, READ THE PROMPTER.
707
00:55:50,379 --> 00:55:55,793
YOU'LL PROBABLY WIN AN EMMY
FOR PROMPTER READING.
708
00:55:55,827 --> 00:55:58,724
>> THE NOMINEES FOR OUTSTANDING
DIRECTING TEAM FOR A DAYTIME
709
00:55:58,758 --> 00:56:04,103
DRAMA SERIES ARE...
>> "THE BAY."
710
00:56:04,137 --> 00:56:12,620
"BEYOND SALEM: CHAPTER TWO."
"THE BOLD AND THE BEAUTIFUL."
711
00:56:12,655 --> 00:56:15,310
"DAYS OF OUR LIVES."
"GENERAL HOSPITAL."
712
00:56:15,344 --> 00:56:27,103
"THE YOUNG AND THE RESTLESS."
>> AND THE EMMY GOES TO
713
00:56:27,137 --> 00:56:30,137
"GENERAL HOSPITAL."
714
00:56:34,275 --> 00:56:38,275
>> ACCEPTING THE EMMY, THE
DIRECTOR PHIDEAUX XAVIER.
715
00:57:00,689 --> 00:57:02,000
>> IN THE YEAR WERE WE FACE
716
00:57:02,034 --> 00:57:05,793
DIVISION AND CHALLENGES, WE
CELEBRATE TONIGHT CELEBRATING
717
00:57:05,827 --> 00:57:09,034
THE RETURN OF OUR WRITERS.
THIS ESTEEMED HONOR.
718
00:57:09,068 --> 00:57:14,206
TO OUR AUDIENCE AND EMMY VOTERS,
YOUR SUPPORT HAS HUMBLED AND
719
00:57:14,241 --> 00:57:17,827
ELATED US.
AS THE DIRECTORS OF
720
00:57:17,862 --> 00:57:25,137
"GENERAL HOSPITAL" WE BRING
THESE TO LIFE GUIDED BY OUR
721
00:57:25,172 --> 00:57:29,586
TEAM, OUR PHENOMENAL CAST, OUR
CREW AND PRODUCERS, SKILLED
722
00:57:29,620 --> 00:57:32,034
ENGINEERING DEPARTMENT,
IMAGINATIVE PROJECTION DESIGNERS
723
00:57:32,068 --> 00:57:35,758
AND ARTISTS AND MAKEUP AND HAIR
AND COSTUMES TEAMS ALL SUPPORTED
724
00:57:35,793 --> 00:57:37,758
BY OUR DILIGENT PRODUCTION
STAFF.
725
00:57:37,793 --> 00:57:41,137
SPECIAL THANK YOU TO EVERYONE AT
ABC TELEVISION AND ALL THOSE WHO
726
00:57:41,172 --> 00:57:43,275
CONTRIBUTE TO THIS INCREDIBLE
JOURNEY.
727
00:57:43,310 --> 00:57:46,517
THIS EMMY IS NOT JUST AN AWARD.
IT'S A SYMBOL OF OUR SHARED
728
00:57:46,551 --> 00:57:49,137
PASSION AND DEDICATION TO
STORYTELLING THAT RESONATES AND
729
00:57:49,172 --> 00:57:51,517
UNITES.
HERE'S TO CONTINUING THIS
730
00:57:51,551 --> 00:57:53,482
JOURNEY WITH THE SAME FERVOR AND
COMMITMENT.
731
00:57:53,517 --> 00:58:04,379
THANK YOU ALL.
[CHEERS AND APPLAUSE]
732
00:58:04,413 --> 00:58:06,620
>> Announcer: PRESENTING THE
EMMY AWARD FOR OUTSTANDING GUEST
733
00:58:06,655 --> 00:58:07,965
PERFORMANCE IN A DAYTIME DRAMA
SERIES, PLEASE WELCOME CO-HOSTS
734
00:58:08,000 --> 00:58:09,172
OF CBS'S "THE TALK,"
AMANDA KLOOTS
735
00:58:09,206 --> 00:58:17,344
AND AKBAR GBAJABIAMILA.
>> THIS IS COOL.
736
00:58:17,379 --> 00:58:24,620
I'VE GOT TO SAY 26 YEARS AGO I
WAS IN THIS VERY ROOM AS THE
737
00:58:24,655 --> 00:58:26,862
PROM KING AT CRENSHAW
HIGH SCHOOL.
738
00:58:26,896 --> 00:58:30,689
I WAS SITTING RIGHT OVER THERE.
I WAS SITTING OVER THERE.
739
00:58:30,724 --> 00:58:33,172
IT WAS PRETTY COOL.
>> IT'S AN HONOR TO BE WITH A
740
00:58:33,206 --> 00:58:37,034
KING TODAY.
TO BE NOMINATED IN THIS
741
00:58:37,068 --> 00:58:39,034
CATEGORY MEANS YOUR PERFORMANCE
WAS SO MEMORABLE AND POWERFUL
742
00:58:39,068 --> 00:58:44,068
AND DOWN-RIGHT GOOD,
IT SIMPLY HAD TO BE HONORED.
743
00:58:44,103 --> 00:58:48,965
>> THAT'S RIGHT.
THIS CATEGORY HAS UNDERGONE
744
00:58:49,000 --> 00:58:50,068
SEVERAL NAME CHANGES SINCE ITS
FIRST APPEARANCE IN 1980.
745
00:58:50,103 --> 00:58:52,310
>> THAT'S RIGHT.
IT WAS FIRST CALLED
746
00:58:52,344 --> 00:58:58,034
OUTSTANDING CAMEO APPEARANCE.
>> NOWADAYS AN OUTSTANDING CAMEO
747
00:58:58,068 --> 00:59:00,344
APPEARANCE WOULD PROBABLY BE
SOMETHING LIKE GEORGE SANTOS
748
00:59:00,379 --> 00:59:03,655
IN THE BACK OF A TAXI
DOING SHOUTOUTS.
749
00:59:03,689 --> 00:59:04,896
YEAH.
>> ONE THING HAS REMAINED
750
00:59:04,931 --> 00:59:07,965
ROCK-SOLID: IF YOU'RE NOMINATED
IN THIS CATEGORY, YOU GAVE
751
00:59:08,000 --> 00:59:09,862
ONE HELLUVA SHOW.
>> HERE ARE THE NOMINEES FOR
752
00:59:09,896 --> 00:59:14,172
OUTSTANDING GUEST PERFORMANCE
IN A DAYTIME DRAMA SERIES.
753
00:59:14,206 --> 00:59:18,620
>> STEVE BURTON,
CASSANDRA CREECH,
754
00:59:18,655 --> 00:59:23,068
ALLEY MILLS,
ROBERT NEWMAN,
755
00:59:23,103 --> 00:59:32,896
KEVIN SPIRTAS.
>> ALL RIGHT.
756
00:59:32,931 --> 00:59:40,793
AND THE EMMY GOES TO...
>> HURRY UP AND OPEN IT.
757
00:59:40,827 --> 00:59:46,482
>> ALLEY MILLS.
>> DESPITE BEING AMERICA'S MOM
758
00:59:46,517 --> 00:59:50,413
NORMA ARNOLD, THIS IS THE FIRST
EVER EMMY NOMINATION AT WIN FOR
759
00:59:50,448 --> 01:00:04,137
THE LEGENDARY ALLEY MILLS.
[CHEERING]
760
01:00:04,172 --> 01:00:09,482
>> AND I'M 20 YEARS OLDER THAN
SUSAN LUCCI.
761
01:00:09,517 --> 01:00:13,103
I JUST HAVE TO SAY I'M HONORED
TO BE IN THIS FAMILY.
762
01:00:13,137 --> 01:00:16,206
THIS DAYTIME FAMILY, IT'S THE
HARDEST WORKING GROUP OF PEOPLE
763
01:00:16,241 --> 01:00:20,344
I'VE EVER SEEN IN SHOW BUSINESS,
WORKED WITH IN SHOW BUSINESS.
764
01:00:20,379 --> 01:00:27,034
ALL OF YOU, DIRECTORS, WRITERS,
ACTORS.
765
01:00:27,068 --> 01:00:28,068
MY "THE BOLD AND THE BEAUTIFUL"
FAMILY.
766
01:00:28,103 --> 01:00:37,034
"GENERAL HOSPITAL."
I REALLY HAVE TO THANK CHRIS
767
01:00:37,068 --> 01:00:39,551
FANON FOR WRITING THIS CRAZY
CHARACTER.
768
01:00:39,586 --> 01:00:45,379
FRANK VALENTINI.
I FEEL LIKE I WAS SEEING THE
769
01:00:45,413 --> 01:00:49,862
FIRST SECOND THAT I MET YOU.
YOU LOOK RIGHT INTO PEOPLE'S
770
01:00:49,896 --> 01:00:52,965
SOULS AND IT MAKES YOU FEEL LIKE
YOU'RE IN THE THEATER.
771
01:00:53,000 --> 01:00:58,068
MOSTLY I HAVE THIS MOMENT IN MY
LIFE HAVE TO GOD BECAUSE IT
772
01:00:58,103 --> 01:01:01,448
HAPPENED AT A VERY TENDER MOMENT
FOR ME.
773
01:01:01,482 --> 01:01:05,275
I JUST LOST MY BELOVED HUSBAND.
IT WAS PRETTY DRAMATIC AND THEN
774
01:01:05,310 --> 01:01:10,551
I GET ASKED TO PLAY A SERIOUSL
TRAUMATIZED PERSON WHO KILLS A
775
01:01:10,586 --> 01:01:16,000
LOT OF PEOPLE.
BUT SHE'S GOT A HEART OF GOLD.
776
01:01:16,034 --> 01:01:20,896
I PROMISE YOU.
SHE'S BARRELING TOWARDS THE
777
01:01:20,931 --> 01:01:25,137
LIGHT ALL THE TIME.
IT GAVE ME THAT ABILITY TO KEEP
778
01:01:25,172 --> 01:01:28,413
GOING AND BARRELED TOWARDS THE
LIGHT IN THE WORLD IS SO SCREWED
779
01:01:28,448 --> 01:01:32,068
UP RIGHT NOW BUT ALL I CAN SAY
IS TO ALL YOU TRAUMATIZED PEOPLE
780
01:01:32,103 --> 01:01:35,931
OUT THERE AND I'M THE HEAD OF
THE HOMELESS COMMITTEE IN
781
01:01:35,965 --> 01:01:38,034
VENICE, JUST KEEP BARRELING
TOWARDS THE LIGHT.
782
01:01:38,068 --> 01:01:50,689
I LOVE YOU ALL.
THANK YOU SO MUCH.
783
01:01:50,724 --> 01:01:54,793
>> ALLEY MILLS WAS FANTASTIC.
SHE SPRINTED ON STAGE.
784
01:01:54,827 --> 01:01:57,793
AND NOW A MAN WHO'S ALSO HAD THE
PRIVILEGE OF HOSTING THE DAYTIME
785
01:01:57,827 --> 01:02:03,655
EMMYS, CAMERON MATHISON.
TELL ME ABOUT YOUR MEMORY AND
786
01:02:03,689 --> 01:02:06,724
YOUR MOMENT.
>> 50 YEARS, SO MANY GREAT
787
01:02:06,758 --> 01:02:10,758
MOMENTS.
2006, KEVIN.
788
01:02:10,793 --> 01:02:17,034
WE WERE AT HOLLYWOOD
AND HIGHLAND AND
789
01:02:17,068 --> 01:02:24,206
OUTSIDE IN THE FAN ZONE.
HE'S PLAYING A WIRELESS ELECTRIC
790
01:02:24,241 --> 01:02:25,862
GUITAR.
PLAYING "JESSE'S GIRL PICKLES
791
01:02:25,896 --> 01:02:30,655
BUT THERE'S A THOUSAND FANS, THE
CAMERAS FOLLOW HIM INTO THE
792
01:02:30,689 --> 01:02:35,448
THEATER.
HE NEVER MISSES A BEAT.
793
01:02:35,482 --> 01:02:38,551
PAST OPENS.
NEVER FORGET IT.
794
01:02:38,586 --> 01:02:40,310
>> YOU HAVEN'T FORGOTTEN THE
SECOND OF IT.
795
01:02:40,344 --> 01:02:44,241
>> THE CLOSEST I EVER CAME TO
BEING A ROCK STAR.
796
01:02:44,275 --> 01:02:48,758
>> THANKS, CAMERON.
ALWAYS GOOD TALKING TO YOU, MY
797
01:02:48,793 --> 01:02:54,034
MAN.
>> Announcer: THE 50TH ANNUAL
798
01:02:54,068 --> 01:02:56,103
DAYTIME EMMY AWARDS WILL RETURN
WITH MORE GREAT MOMENTS
799
01:02:56,137 --> 01:03:00,068
AFTER THESE MESSAGES.
THIS IS CBS.
800
01:03:03,413 --> 01:03:07,275
THE 50TH DAYTIME EMMY AWARDS IS
SPONSORED BY SECRET.
801
01:03:07,310 --> 01:03:09,827
SECRET WORKS!
802
01:03:16,241 --> 01:03:19,241
>> Announcer: PLEASE WELCOME
AMERICAN JOURNALIST, REVERED
803
01:03:19,275 --> 01:03:25,241
NEWS ANCHOR, AND MULTIPLE EMMY
AWARD WINNER, CONNIE CHUNG.
804
01:03:25,275 --> 01:03:34,655
[CHEERS AND APPLAUSE]
>> CAN YOU IMAGINE HOW GRATEFUL
805
01:03:34,689 --> 01:03:38,931
I AM TO BE INTRODUCING IN
MEMORIAM.
806
01:03:38,965 --> 01:03:43,896
YOU FIGURE IT OUT.
WE ARE HERE TONIGHT TO HONOR
807
01:03:43,931 --> 01:03:46,034
BARBARA WALTERS.
SHE REVOLUTIONIZED THE FACE OF
808
01:03:46,068 --> 01:03:49,000
DAYTIME TELEVISION WITH HER
GROUNDBREAKING SHOW
809
01:03:49,034 --> 01:03:54,034
"THE VIEW."
BUT BARBARA WAS THE CREATOR
810
01:03:54,068 --> 01:03:57,413
AND THE PRODUCER AND THE STAR,
AND THE ENGINE.
811
01:03:57,448 --> 01:04:02,689
AND THIS WAS ON TOP OF HER
PIONEERING CAREER IN NEWS
812
01:04:02,724 --> 01:04:05,896
AND INTERVIEWS.
SHE WAS THE ICON WHO PAVED
813
01:04:05,931 --> 01:04:10,344
THE WAY FOR ALL WOMEN IN
TELEVISION NEWS, ESPECIALLY ME.
814
01:04:10,379 --> 01:04:16,275
SHE MOM'D ME.
NONE OF THE MEN WOULD EVER ADMIT
815
01:04:16,310 --> 01:04:18,551
IT, SHE TAUGHT THEM A THING OR
TWO.
816
01:04:18,586 --> 01:04:24,586
I CAN'T FATHOM SHE'S GONE.
WE REMEMBER HER AND ALL THE
817
01:04:24,620 --> 01:04:29,137
OTHERS WHO PASSED, FOR THEIR
CONTRIBUTIONS TO TELEVISION.
818
01:04:29,172 --> 01:04:31,482
HERE IS MY PERSONAL FAVORITE
JENNIFER NETTLES WITH
819
01:04:31,517 --> 01:04:39,034
"LIFE IS SWEET."
JENNIFER.
820
01:04:39,068 --> 01:04:48,310
[APPLAUSE]
♪
821
01:04:48,344 --> 01:04:53,206
♪ I'M NOT ONE TO BACK DOWN
♪ BUT I KNOW WHAT IT'S LIKE
822
01:04:53,241 --> 01:04:59,068
♪ TO FALL
♪ GOTTA LOT OF GET UP
823
01:04:59,103 --> 01:05:01,689
♪ AND FIGHT NOW
♪ BUT I HIT MY KNEES
824
01:05:01,724 --> 01:05:06,517
♪ WHEN I GOT THAT CALL
♪ DO YOU KNOW WHAT IT'S LIKE
825
01:05:06,551 --> 01:05:08,310
♪ TO LOOK YOUR DEMONS
♪ IN THE EYE
826
01:05:08,344 --> 01:05:14,413
♪ DO YOU KNOW WHAT IT'S LIKE
♪ TO TELL YOUR BEAUTIFUL WIFE
827
01:05:14,448 --> 01:05:18,379
♪ THAT THE MAN SHE LOVES
♪ THE FABRIC OF HER LIFE
828
01:05:18,413 --> 01:05:24,448
♪ IS BREAKIN' DOWN
♪ BUT I DON'T ASK WHY
829
01:05:24,482 --> 01:05:29,862
♪ ME I JUST SAY WHY
♪ NOT TAKE ALL THAT
830
01:05:29,896 --> 01:05:34,241
♪ I'VE BEEN GIVIN'
♪ TURN IT INTO LIVIN'
831
01:05:34,275 --> 01:05:40,103
♪ FOR SOMEBODY ELSE
♪ 'CAUSE I KNOW THAT I
832
01:05:40,137 --> 01:05:47,034
♪ AM LOVED AND I CAN SAY
♪ IT'S ENOUGH TO TRY MY BEST
833
01:05:47,068 --> 01:05:50,448
♪ TO LEARN TO GIVE LOVE
♪ IN RETURN
834
01:05:50,482 --> 01:06:05,482
♪ TO EVERYONE WE MEET
♪ YEAH, I SAY LIFE IS SWEET
835
01:06:05,482 --> 01:06:07,724
♪ TO EVERYONE WE MEET
♪ YEAH, I SAY LIFE IS SWEET
836
01:06:07,758 --> 01:06:11,517
♪ THERE'S A RIGHT
♪ AND A WRONG WAY
837
01:06:11,551 --> 01:06:16,172
♪ THERE'S A COST
♪ FOR EVERY GOAL
838
01:06:16,206 --> 01:06:19,517
♪ BUT THERE'S A LIGHT
♪ DOWN THE HALLWAY
839
01:06:19,551 --> 01:06:23,896
♪ AND IN THAT ROOM SLEEPS
♪ THE MOST PRECIOUS SOULS
840
01:06:23,931 --> 01:06:26,137
♪ DO YOU KNOW WHAT IT'S LIKE
♪ TO WATCH YOUR
841
01:06:26,172 --> 01:06:30,068
♪ SLEEPIN' CHILD
♪ FEEL HER HEART
842
01:06:30,103 --> 01:06:33,103
♪ BENEATH YOUR HAND
♪ LIKE A HUMMINGBIRD WILD
843
01:06:33,137 --> 01:06:34,551
♪ AND YOU'LL DO
♪ ALL THAT YOU CAN
844
01:06:34,586 --> 01:06:42,551
♪ TO GO THE EXTRA MILE
♪ TO WATCH HER GROW
845
01:06:42,586 --> 01:06:45,517
♪ THERE ARE MONSTERS
♪ THAT HIDE
846
01:06:45,551 --> 01:06:51,655
♪ IN THE DARKNESS TO SCARE US
♪ ALONE
847
01:06:51,689 --> 01:06:54,275
♪ BUT WE FOLLOW THE LIGHT
♪ AND WE'RE BLESSED
848
01:06:54,310 --> 01:07:09,310
♪ WHEN WE FIND OUR WAY HOME
♪ TAKE ALL THAT
849
01:07:09,310 --> 01:07:10,482
♪ WHEN WE FIND OUR WAY HOME
♪ TAKE ALL THAT
850
01:07:10,517 --> 01:07:12,448
♪ WE'VE BEEN GIVIN'
♪ AND TURN IT INTO LIVIN'
851
01:07:12,482 --> 01:07:24,448
♪ FOR SOMEBODY ELSE
♪ 'CAUSE I KNOW I AM LOVED
852
01:07:24,482 --> 01:07:28,206
♪ AND I CAN SAY
♪ IT'S ENOUGH TO TRY MY BEST
853
01:07:28,241 --> 01:07:30,482
♪ TO LEARN TO GIVE LOVE
♪ IN RETURN
854
01:07:30,517 --> 01:07:42,896
♪ TO EVERYONE WE MEET
♪ YEAH, I SAY LIFE IS SWEET
855
01:07:42,931 --> 01:07:57,862
♪ LIFE IS SWEET
[APPLAUSE]
856
01:07:57,862 --> 01:07:58,931
♪ LIFE IS SWEET
[APPLAUSE]
857
01:08:09,172 --> 01:08:12,586
THE 50TH ANNUAL DAYTIME EMMY
AWARDS WILL CONTINUE.
858
01:08:12,620 --> 01:08:16,620
THIS IS CBS.
859
01:08:25,586 --> 01:08:34,274
YOU CHANGED FOR THE AFTER PARTY?
>> Nischelle: HERE WE GO.
860
01:08:34,310 --> 01:08:38,448
HE DOES THIS TO ME EVERY SINGLE
NIGHT ON "ENTERTAINMENT
861
01:08:38,482 --> 01:08:40,792
TONIGHT."
EVEN THE BEST OF TIMES
862
01:08:40,827 --> 01:08:42,033
CAN HAVE A BITTER-SWEET
COMPONENT TO THEM.
863
01:08:42,068 --> 01:08:48,792
>> Kevin: LIKE GRADUATION DAY.
YOU GET SO HYPED.
864
01:08:48,827 --> 01:08:53,068
THE DAY COMES,
THEN HE REALIZED HE MAY NEVER
865
01:08:53,103 --> 01:08:56,344
SEE HER BEST FRIENDS AGAIN.
>> Nischelle: THAT'S EXACTLY HOW
866
01:08:56,379 --> 01:08:58,033
WE FEEL ABOUT TWO OF DAYTIME
TELEVISION'S MOST BELOVED
867
01:08:58,068 --> 01:09:04,033
AND ICONIC TALK SHOWS.
>> Kevin: WE ARE GRATEFUL FOR
868
01:09:04,068 --> 01:09:06,310
THE YEARS OF HEARTFELT
ENTERTAINMENT THE SHOWS ON THEIR
869
01:09:06,344 --> 01:09:09,654
HOSTS HAVE GIVEN US.
>> Nischelle: WE ARE.
870
01:09:09,689 --> 01:09:10,689
YET HONESTLY,
A LITTLE BIT SAD THAT THEY'RE
871
01:09:10,724 --> 01:09:12,033
LEAVING US.
BUT AS THE SAYING GOES...
872
01:09:12,068 --> 01:09:14,171
>> Kevin: ALL GOOD THINGS
MUST COME TO AN END.
873
01:09:14,206 --> 01:09:16,654
SO LET'S SEND BOTH OF THES
SHOWS AND THEIR BELOVED HOSTS
874
01:09:16,689 --> 01:09:22,724
OFF IN STYLE.
>> WE LAUNCHED DR. PHIL TO HELP
875
01:09:22,758 --> 01:09:26,206
CHANGE THE LIVES OF OUR GUESTS
ON STAGE AS WELL AS VIEWERS AT
876
01:09:26,241 --> 01:09:28,862
HOME.
>> I LOVE FIRSTS.
877
01:09:28,895 --> 01:09:34,136
THIS IS THE FIRST SHOW.
>> WHEN YOU CHOOSE TO BEHAVE.
878
01:09:34,171 --> 01:09:39,586
>> THERE'S A CONSEQUENCE.
>> COME ON NOW.
879
01:09:39,620 --> 01:09:45,586
>> DOING SOMETHING AT SOMEONE'S
EXPENSE, IT'S AT OUR EXPENSE
880
01:09:45,620 --> 01:09:46,517
TOO.
>> THE STRONGEST PEOPLE I'VE
881
01:09:46,551 --> 01:09:50,792
EVER MET.
>> SHE HAS A RIGHT TO SAY WHAT
882
01:09:50,827 --> 01:09:54,896
SHE WANTS.
>> THIS IS MY MIDLIFE CRISIS.
883
01:09:54,931 --> 01:09:58,551
>> YOU HAVEN'T USED DRUGS SINCE
HE WALKED OFF THE STAGE.
884
01:09:58,586 --> 01:10:08,448
>> WE HAVE MADE IT POSSIBLE TO
BE 11 MILLION.
885
01:10:08,482 --> 01:10:12,827
>> YOU NEVER SAY OKAY, THE
DISEASE WINS.
886
01:10:12,862 --> 01:10:15,379
I QUIT.
I GIVE UP.
887
01:10:15,413 --> 01:10:17,206
I MADE A COMMITMENT TO POINT YOU
IN THE RIGHT DIRECTION TELL YOU
888
01:10:17,241 --> 01:10:23,586
LIKE IT IS.
>> WHAT AN AMAZING PLACE TO BE.
889
01:10:23,620 --> 01:10:26,241
>> Announcer: AND NOW, FROM
"DAYS OF OUR LIVES,"
890
01:10:26,275 --> 01:10:34,344
PLEASE WELCOME MARY BETH EVANS
AND DRAKE HOGESTYN.
891
01:10:34,379 --> 01:10:39,137
>> THIS IS EXCITING, ISN'T IT?
THE DAYTIME TALK SHOW HOST
892
01:10:39,172 --> 01:10:45,034
IS A VERY UNIQUE POSITION.
YOU NEED TO BE VERY BRIGHT AND
893
01:10:45,068 --> 01:10:46,379
WELL-INFORMED.
>> AND THEY MUST ALSO SHARE
894
01:10:46,413 --> 01:10:50,482
INFORMATION WITH THEIR AUDIENCE
WITH STYLE, WITH GRACE,
895
01:10:50,517 --> 01:10:52,206
AND WITH A TRUE
SENSE OF COMRADERY.
896
01:10:52,241 --> 01:10:54,931
A GOOD DAYTIME TALK SHOW HOST
FEELS LIKE AN OLD FRIEND
897
01:10:54,965 --> 01:10:59,241
WHO'S DROPPED BY
TO BRIGHTEN YOUR DAY.
898
01:10:59,275 --> 01:11:02,517
>> AND LUCKY FOR US,
THESE NOMINEES HAVE
899
01:11:02,551 --> 01:11:03,620
BRIGHTENED ALL OUR DAYS
FOR YEARS.
900
01:11:03,655 --> 01:11:05,551
>> HERE ARE THE NOMINEES
FOR OUTSTANDING DAYTIME
901
01:11:05,586 --> 01:11:11,275
TALK SERIES HOST.
>> DREW BARRYMORE,
902
01:11:11,310 --> 01:11:19,793
KELLY CLARKSON,
TAMRON HALL,
903
01:11:19,827 --> 01:11:22,655
KELLY RIPA
RYAN SEACREST,
904
01:11:22,689 --> 01:11:32,551
SHERRI SHEPHERD.
>> AND THE OSCAR GOES TO...
905
01:11:32,586 --> 01:11:34,551
>> OSCAR?
WRONG PLACE.
906
01:11:34,586 --> 01:11:37,931
YOU'RE AT THE WRONG PLACE.
START AGAIN.
907
01:11:37,965 --> 01:11:42,517
>> THEY DIDN'T HAVE IT UP THERE.
HERE IT IS.
908
01:11:42,551 --> 01:11:50,965
AND THE EMMY GOES TO...
HOLD ON, HOLD ON.
909
01:11:51,000 --> 01:12:05,310
>> KELLY CLARKSON.
KELLY CLARKSON COULD NOT BE HERE
910
01:12:05,344 --> 01:12:08,620
TONIGHT.
THE ACADEMY ACCEPTS THIS AWARD
911
01:12:08,655 --> 01:12:13,275
ON HER BEHALF.
>> Announcer: PLEASE WELCOME
912
01:12:13,310 --> 01:12:19,310
FROM "GENERAL HOSPITAL,"
REBECCA HERBST.
913
01:12:27,586 --> 01:12:31,793
>> SO MANY FORMATIVE MEMORIES
BEGIN WITH WATCHING A DAYTIME
914
01:12:31,827 --> 01:12:36,758
DRAMA WITH GRANDMA ON AN ANALOG
RABBIT EAR TV OR PERHAPS
915
01:12:36,793 --> 01:12:39,896
CATCHING A GLIMPSE OF A SAUCY
STORY LINE AS A TREAT ON A SICK
916
01:12:39,931 --> 01:12:44,103
DAY HOME FROM SCHOOL.
NOW THOSE CHILDREN HAVE
917
01:12:44,137 --> 01:12:47,413
INTRODUCED THE SAME PROGRAMMING
TO THEIR CHILDREN,
918
01:12:47,448 --> 01:12:51,275
GRANDCHILDREN, EVEN THEIR
GREAT-GRANDCHILDREN.
919
01:12:51,310 --> 01:12:54,827
DAYTIME DRAMAS ARE
MULTIGENERATIONAL ENTERTAINMENT.
920
01:12:54,862 --> 01:12:59,068
FOR 60 YEARS THE ICONIC
"GENERAL HOSPITAL" HAS
921
01:12:59,103 --> 01:13:04,965
ENTERTAINED MILLIONS OF VIEWERS
WITH ITS BRAND OF INTENSE
922
01:13:05,000 --> 01:13:11,965
STORYTELLING.
FROM LOVE TO HATE TO ANGER,
923
01:13:12,000 --> 01:13:14,620
THE RESIDENCE OF PORT CHARLES
HAVE BEEN THERE FOR SIX DECADES.
924
01:13:14,655 --> 01:13:19,413
LET'S TAKE A LOOK AT THE
MEMORABLE MOMENTS.
925
01:13:19,448 --> 01:13:23,896
>> TO "GH."
>> 60 YEARS.
926
01:13:23,931 --> 01:13:38,862
YOU KNOW YOU MUST BE SPECIAL.
♪
927
01:13:38,862 --> 01:13:43,344
YOU KNOW YOU MUST BE SPECIAL.
♪
928
01:13:51,034 --> 01:13:58,103
>> DON'T TOUCH ME!
>> PLEASE SAY THAT YOU LOVE ME
929
01:13:58,137 --> 01:14:01,034
AND YOU WANT TO MARRY ME.
>> I LOVE YOU VERY MUCH.
930
01:14:01,068 --> 01:14:10,034
>> YOU KNOW WHAT TO DO.
>> IS HE THE REASON WHY WE BROKE
931
01:14:10,068 --> 01:14:11,103
UP?
>> I'M SORRY.
932
01:14:11,137 --> 01:14:16,137
>> WANT YOU TO KNOW IT'S ALWAYS
FAMILY FIRST.
933
01:14:20,275 --> 01:14:35,206
[APPLAUSE]
934
01:14:35,206 --> 01:14:37,965
[APPLAUSE]
935
01:14:38,000 --> 01:14:39,931
>> Announcer: THERE'S MUCH MORE
FUN AND EXCITEMENT WHEN WE
936
01:14:39,965 --> 01:14:42,724
RETURN, AS WE FIND OUT WHO WILL
TAKE HOME THE LEAD ACTING
937
01:14:42,758 --> 01:14:46,896
STATUETTES.
ON THE 50TH ANNUAL
938
01:14:46,931 --> 01:14:48,275
DAYTIME EMMY AWARDS.
STAY TUNED.
939
01:14:48,310 --> 01:14:50,310
THIS IS CBS!
940
01:14:54,551 --> 01:14:57,758
THE 50TH ANNUAL DAYTIME EMMY
AWARDS WILL CONTINUE.
941
01:14:57,793 --> 01:15:00,206
THIS IS CBS.
942
01:15:06,310 --> 01:15:07,448
>> Announcer: WELCOME BACK
TO THE 50TH ANNUAL DAYTIME EMMY
943
01:15:07,482 --> 01:15:09,655
AWARDS.
PRESENTING THE AWARD FOR
944
01:15:09,689 --> 01:15:13,896
OUTSTANDING LEAD ACTOR
IN A DAYTIME DRAMA SERIES,
945
01:15:13,931 --> 01:15:18,068
PLEASE WELCOME 2022 OUTSTANDING
LEAD PERFORMANCE IN A DAYTIME
946
01:15:18,103 --> 01:15:22,793
DRAMA SERIES ACTRESS
EMMY WINNER MISHAEL MORGAN
947
01:15:22,827 --> 01:15:27,827
JOINED BY THE 1998 WINNER,
CYNTHIA WATROS.
948
01:15:29,206 --> 01:15:39,206
>> WOW, THIS IS SO EXCITING.
>> SO EXCITING.
949
01:15:48,137 --> 01:15:52,206
AS AN ACTOR, YOU'VE JOINED
AN ELITE AND EXCLUSIVE CLUB,
950
01:15:52,241 --> 01:15:56,620
WHOSE PERFORMANCES ARE NOT JUST
GOOD, BUT CONSISTENTLY GREAT.
951
01:15:56,655 --> 01:16:00,310
>> RIGHT?
EVERYONE IN THIS CATEGORY
952
01:16:00,344 --> 01:16:04,034
HAS BEEN PREVIOUSLY NOMINATED,
FOUR HAVE WON.
953
01:16:04,068 --> 01:16:09,000
TALK ABOUT CONSISTENCY.
MAYBE WE CAN RENAME THIS
954
01:16:09,034 --> 01:16:12,931
CATEGORY.
>> I LIKE THAT.
955
01:16:12,965 --> 01:16:16,034
>> I'M THINKING
THE "AWARD FOR
956
01:16:16,068 --> 01:16:20,000
CONSISTENT GREATNESS"?
>> YOU KNOW WHAT?
957
01:16:20,034 --> 01:16:21,896
LET'S DO IT.
LET'S DO IT.
958
01:16:21,931 --> 01:16:24,862
HERE ARE THE NOMINEES FOR
OUTSTANDING LEAD ACTOR
959
01:16:24,896 --> 01:16:29,206
PERFORMANCE IN A DAYTIME DRAMA
SERIES, OR AS MISHAEL AND I
960
01:16:29,241 --> 01:16:31,965
WANT TO REFER IT TO
>> THE AWARD FOR CONSISTENT
961
01:16:32,000 --> 01:16:39,034
GREATNESS.
>> MAURICE BENARD,
962
01:16:39,068 --> 01:16:43,310
PETER BERGMAN,
BILLY FLYNN,
963
01:16:43,344 --> 01:16:49,344
THORSTEN KAYE,
JASON THOMPSON.
964
01:16:52,965 --> 01:17:01,896
>> OKAY.
>> AND THE EMMY GOES TO...
965
01:17:06,103 --> 01:17:11,344
THE NAILS.
THORSTEN KAYE.
966
01:17:11,379 --> 01:17:24,379
"THE BOLD AND THE BEAUTIFUL."
[CHEERS AND APPLAUSE]
967
01:17:30,965 --> 01:17:33,827
>> THANK YOU.
HELLO I'M NOT A THORSTEN KAYE.
968
01:17:33,862 --> 01:17:36,034
I AM BRAD BELL EXCEPTING FOR
THORSTEN KAYE WHO COULDN'T BE
969
01:17:36,068 --> 01:17:41,379
HERE TONIGHT.
TO WRITE FOR THIS MAN IS SUCH A
970
01:17:41,413 --> 01:17:44,344
JOY.
HE IS THE COMPLETE ORIGINAL AND
971
01:17:44,379 --> 01:17:49,379
A GREAT GUY AND THORSTEN, YOU
WON!
972
01:17:55,068 --> 01:17:56,793
>> Announcer: PLEASE WELCOME
LAST YEAR'S LEAD ACTOR EMMY
973
01:17:56,827 --> 01:18:00,758
WINNER JOHN McCOOK
AND THREE-TIME LEAD ACTOR
974
01:18:00,793 --> 01:18:14,137
EMMY WINNER, PETER BERGMAN.
>> THORSTEN WOULD HAVE THANKED
975
01:18:14,172 --> 01:18:16,413
ME BECAUSE I HELPED HIM THROUGH
EVERYTHING.
976
01:18:16,448 --> 01:18:20,482
EARLIER THIS EVENING THE
LIFETIME ACHIEVEMENT AWARD WAS
977
01:18:20,517 --> 01:18:25,068
GIVEN TO ONE OF DAYTIME
TELEVISION'S ICONS, ONE OF THE
978
01:18:25,103 --> 01:18:26,379
MOST MEMORABLE ACTRESSES EVER.
ABSOLUTELY.
979
01:18:26,413 --> 01:18:31,448
NOW THE WINNER OF THIS ESTEEMED
CATEGORY WILL GET TO JOIN HER
980
01:18:31,482 --> 01:18:35,586
RANKS.
>> WHAT SAY WE MAKE OUR
981
01:18:35,620 --> 01:18:38,482
PRESENTATION AND NOT CHANGE THE
NAMES OF PEOPLE BEFORE US.
982
01:18:38,517 --> 01:18:44,000
>> THAT'S A GOOD IDEA.
>> WE COULDN'T HAVE COME UP WITH
983
01:18:44,034 --> 01:18:47,586
ANYTHING BETTER THAN ANYWAY.
>> JOHN AND I PROUDLY PRESENT
984
01:18:47,620 --> 01:18:48,655
THE NOMINEES FOR OUTSTANDING
LEAD ACTRES PERFORMANCE
985
01:18:48,689 --> 01:18:53,862
IN A DAYTIME DRAMA SERIES.
>> SHARON CASE,
986
01:18:53,896 --> 01:18:58,241
MELISSA CLAIRE EGAN,
FINOLA HUGHES,
987
01:18:58,275 --> 01:19:11,034
MICHELLE STAFFORD,
JACQUELINE MACINNES WOOD.
988
01:19:11,068 --> 01:19:12,206
[APPLAUSE]
>> ALL RIGHT,
989
01:19:12,241 --> 01:19:24,206
THE EMMY GOES TO...
I'LL LET YOU READ THIS.
990
01:19:24,241 --> 01:19:27,206
>> JACQUELINE MACINNES WOOD.
[CHEERS AND APPLAUSE]
991
01:19:27,241 --> 01:19:39,310
"THE BOLD AND THE BEAUTIFUL."
>> JACK LANE'S THIRD WIN --
992
01:19:39,344 --> 01:19:45,172
JACQUELINE.
>> OH, MY GOSH, WOW.
993
01:19:45,206 --> 01:19:47,206
I'VE GOT IT.
THANK YOU.
994
01:19:47,241 --> 01:19:49,551
AWESOME.
OH, MY GOD.
995
01:19:49,586 --> 01:19:54,551
THANK YOU.
THANK YOU SO MUCH, SO MUCH.
996
01:19:54,586 --> 01:19:56,137
CONGRATULATIONS TO THE DAYTIME
EMMYS ON THEIR 50TH.
997
01:19:56,172 --> 01:20:01,344
THIS IS SPECTACULAR.
THANK YOU.
998
01:20:01,379 --> 01:20:05,034
I WANT TO THANK, SHOW MY
APPRECIATION TO MY FELLOW
999
01:20:05,068 --> 01:20:10,137
NOMINEES, I HAD SO MUCH FUN WITH
YOU THE OTHER DAY, GIRLS LUNCH,
1000
01:20:10,172 --> 01:20:15,275
YOU ARE WONDERFUL AND I'M
HONORED TO BE IN YOUR PRESENCE.
1001
01:20:15,310 --> 01:20:17,655
THANK YOU TO CBS AND "THE BOLD
AND THE BEAUTIFUL."
1002
01:20:17,689 --> 01:20:19,724
BRADLEY BELL.
YOU LEGEND, YOU.
1003
01:20:19,758 --> 01:20:23,931
YOU REALLY ARE THE BEST BOSS.
I'M SO GRATEFUL FOR THIS RIDE
1004
01:20:23,965 --> 01:20:28,103
AND THANK YOU FOR ALLOWING US TO
REALLY EXIST IN THOSE SCENES AND
1005
01:20:28,137 --> 01:20:31,482
ARE VERY FAST-PACED SHOW, AS YOU
GUYS KNOW.
1006
01:20:31,517 --> 01:20:43,137
I SHARE THIS WITH KIMBERLY
BROWN, I ADORE YOU.
1007
01:20:43,172 --> 01:20:47,931
TANNER, THANK YOU FOR NAVIGATING
THESE SCENES WITH ME.
1008
01:20:47,965 --> 01:20:50,896
THORSTEN KAYE, CONGRATULATIONS.
YOU FUELED MY CREATIVITY.
1009
01:20:50,931 --> 01:20:55,448
I ADORE ALL OF YOU.
WRITERS, DIRECTORS, PRODUCERS,
1010
01:20:55,482 --> 01:20:59,379
PROPS, STAGE MANAGER, EVERYONE.
ALL THE ACTORS.
1011
01:20:59,413 --> 01:21:04,862
ONE OF THE HARDEST WORKING WOMEN
I KNOW, EVA BASLER, LOVE YOU.
1012
01:21:04,896 --> 01:21:07,827
TO MY HUSBAND, MY CHILDREN, I
LOVE YOU.
1013
01:21:07,862 --> 01:21:15,862
SO VERY HONORED.
THANK YOU.
1014
01:21:15,896 --> 01:21:18,896
♪
>> THE ENERGY IN THIS ROOM IS
1015
01:21:18,931 --> 01:21:23,482
INCREDIBLE, WOULDN'T YOU SAY?
>> I WOULD SAY MAGICAL.
1016
01:21:23,517 --> 01:21:27,517
>> Nischelle: LADIES AND
GENTLEMEN, FROM "THE YOUNG AND
1017
01:21:27,551 --> 01:21:31,517
THE RESTLESS."
GIVE HER A ROUND OF APPLAUSE.
1018
01:21:31,551 --> 01:21:34,517
YOU'VE A GREAT MEMORY MOMENT FOR
US.
1019
01:21:34,551 --> 01:21:42,862
>> THIS IS A WHILE NOW, 1985.
THEY ANNOUNCED MY NAME AND I'M
1020
01:21:42,896 --> 01:21:45,586
YOUNG AND INEXPERIENCED.
I FREAKED OUT AND I RUSH UP ON
1021
01:21:45,620 --> 01:21:49,172
THE STAGE.
IT WAS LIKE THIS, LONG STAIRS.
1022
01:21:49,206 --> 01:21:53,241
I WALKED RIGHT OUT OF MY SHOE.
SO YOU PANIC AND YOU THINK,
1023
01:21:53,275 --> 01:21:57,827
SHOULD I PICK IT UP?
KICK IT OFF THE STAGE?
1024
01:21:57,862 --> 01:22:00,931
KEEP GOING?
I GRABBED MY SHOE, POINTED AT
1025
01:22:00,965 --> 01:22:03,275
HER, TOOK THIS BEAUTIFUL STATUE
OF MY OTHER HAND.
1026
01:22:03,310 --> 01:22:07,758
I HAD A STRAPLESS PUMP.
MY FRIENDS WERE SO NICE ABOUT
1027
01:22:07,793 --> 01:22:11,344
IT.
THEY SAID
1028
01:22:11,379 --> 01:22:17,068
"YOU WERE A SHOE-IN."
>> Nischelle: THAT'S AN
1029
01:22:17,103 --> 01:22:20,931
INCREDIBLE STORY.
REAL-LIFE CINDERELLA MOMENT.
1030
01:22:20,965 --> 01:22:25,206
YOU TOOK YOUR SLIPPER AND NOBODY
ELSE HAD TO GET IT FOR YOU.
1031
01:22:25,241 --> 01:22:29,862
I LOVE THAT, BETH.
THANK YOU SO MUCH.
1032
01:22:29,896 --> 01:22:36,655
YOU'VE GOT ON BOTH SHOES?
>> THEY ARE FLAT AND THEY ARE O
1033
01:22:36,689 --> 01:22:37,827
ON.
>> WHEN WE RETURN,
1034
01:22:37,862 --> 01:22:38,724
WE FIND OUT WHO TAKES HOME
THE COVETED GOLDEN STATUETTE
1035
01:22:38,758 --> 01:22:46,206
FOR OUTSTANDING DAYTIME
DRAMA SERIES.
1036
01:22:55,793 --> 01:22:59,793
>> Announcer: AMERICAN ACTRESS,
COMEDIAN, AUTHOR, BROADCASTER,
1037
01:22:59,827 --> 01:23:02,448
PODCASTER, AND HOST OF
THE DAILY SYNDICATED DAYTIME
1038
01:23:02,482 --> 01:23:09,034
TALK SHOW "SHERRI,"
PLEASE WELCOME SHERRI SHEPHERD.
1039
01:23:09,068 --> 01:23:16,482
[CHEERS AND APPLAUSE]
>> HI, EVERYONE.
1040
01:23:16,517 --> 01:23:22,172
I CANNOT TELL YOU HOW PROUD I AM
TO BE HERE AT THIS MOMENT,
1041
01:23:22,206 --> 01:23:27,793
TAKING PART IN SUCH A WONDERFUL
NIGHT OF CELEBRATING THE PAST,
1042
01:23:27,827 --> 01:23:30,551
THE PRESENT, AND THE FUTURE OF
DAYTIME TELEVISION.
1043
01:23:30,586 --> 01:23:32,620
AND TO BE HERE AT THE 50TH
ANNIVERSARY OF THE DAYTIME
1044
01:23:32,655 --> 01:23:37,000
EMMYS MAKES IT EVEN MORE SPECIAL
FOR ME.
1045
01:23:37,034 --> 01:23:39,586
I GOTTA TELL YOU.
THEY SAY BLACK DON'T CRACK.
1046
01:23:39,620 --> 01:23:47,620
BUT IF YOU ASK ME, THE DAYTIME
EMMYS SURE LOOKS GOOD FOR 50.
1047
01:23:50,862 --> 01:23:52,896
[APPLAUSE]
NOW, THEY GOT ME.
1048
01:23:52,931 --> 01:23:55,310
I WAS GONNA CHANGE COSTUMES
FOR MY INTERPRETIVE
1049
01:23:55,344 --> 01:23:58,310
DANCE NUMBER --
WHICH MEANS I'M GONNA BE
1050
01:23:58,344 --> 01:24:07,896
AT THE AFTER-PARTY --
WABBLE?
1051
01:24:07,931 --> 01:24:12,896
OH, IT'S GONNA BE FIRE.
IT'S TIME FOR THE OUTSTANDING
1052
01:24:12,931 --> 01:24:16,551
DAYTIME DRAMA SERIES AWARD.
THIS IS THE BIGGIE, FOLKS.
1053
01:24:16,586 --> 01:24:21,448
THE CATEGORY THAT RECOGNIZES
EVERY ASPECT OF A SUCCESSFUL,
1054
01:24:21,482 --> 01:24:26,206
POPULAR DAYTIME DRAMA SERIES.
HONORING THOSE WHO HAVE GIVEN
1055
01:24:26,241 --> 01:24:29,827
THEIR BLOOD, THEIR SWEAT,
AND TEARS,
1056
01:24:29,862 --> 01:24:33,344
IN MOST CASES QUITE LITERALLY,
TO MAKE THE DAYTIME TELEVISION
1057
01:24:33,379 --> 01:24:36,965
DRAMA A MAINSTAY OF AMERICAN
TELEVISION CULTURE.
1058
01:24:37,000 --> 01:24:42,724
ARE WE READY?
[APPLAUSE]
1059
01:24:42,758 --> 01:24:48,586
THE NOMINEES FOR OUTSTANDING
DAYTIME DRAMA SERIES ARE...
1060
01:24:48,620 --> 01:24:52,620
>> "THE BAY,"
"THE BOLD AND THE BEAUTIFUL,"
1061
01:24:52,655 --> 01:24:57,068
"DAYS OF OUR LIVES,"
"GENERAL HOSPITAL,"
1062
01:24:57,103 --> 01:25:08,034
"THE YOUNG AND THE RESTLESS."
>> AND THE EMMY GOES TO...
1063
01:25:16,965 --> 01:25:22,034
"GENERAL HOSPITAL."
ABC!
1064
01:25:22,068 --> 01:25:25,137
>> ACCEPTING THE EMMY,
EXECUTIVE PRODUCER FRANK
1065
01:25:25,172 --> 01:25:34,172
VALENTINI.
>> I'M COMING.
1066
01:25:39,586 --> 01:25:45,413
I'M COMING.
>> IT'S OKAY, IT'S OKAY.
1067
01:25:45,448 --> 01:25:53,448
I'VE GOT YOU.
>> OH, OH.
1068
01:25:56,068 --> 01:26:00,896
>> THERE IS A LOT OF US.
WE'VE HAD A REALLY INCREDIBLE
1069
01:26:00,931 --> 01:26:04,689
WEEK.
WE JUST FINISHED DOING OUR PRIME
1070
01:26:04,724 --> 01:26:08,517
TIME SPECIAL WHICH AIRS JAN
JANUARY 4TH.
1071
01:26:08,551 --> 01:26:09,551
A SHAMELESS PLUG.
THANK YOU TO OUR INCREDIBLE
1072
01:26:09,586 --> 01:26:12,724
WRITERS, EVERYONE AT THE NETWORK
AT ABC.
1073
01:26:12,758 --> 01:26:17,206
DANA, CRAG, NATHAN.
THANK YOU SO MUCH.
1074
01:26:17,241 --> 01:26:22,379
TOM, LISA.
WHOM I FORGETTING?
1075
01:26:22,413 --> 01:26:27,310
THE CAST, THE CREW.
PROPS, THE WRITERS, THE ACTORS.
1076
01:26:27,344 --> 01:26:32,379
I'M SORRY.
THIS IS REALLY A SPECIAL NIGHT
1077
01:26:32,413 --> 01:26:36,103
AND I FEEL REALLY APPRECIATIVE
AND A LITTLE BIT ANXIOUS.
1078
01:26:36,137 --> 01:26:38,344
THANK YOU SO MUCH, EVERYBODY,
FOR EVERYTHING.
1079
01:26:38,379 --> 01:26:43,103
AND ALSO A SPECIAL SHOUT OUT TO
OUR FRIEND EVA BASLER.
1080
01:26:43,137 --> 01:26:48,103
WE LOVE YOU.
WE LIKE TO DEDICATE THIS TO
1081
01:26:48,137 --> 01:26:52,206
SONYA EDDY AND TO NICO GARLAND.
WE LOVE YOU.
1082
01:26:52,241 --> 01:27:07,241
THANK YOU SO MUCH.
>> Kevin: WELL, FOLKS, THAT'S IT
1083
01:27:07,241 --> 01:27:08,172
THANK YOU SO MUCH.
>> Kevin: WELL, FOLKS, THAT'S IT
1084
01:27:08,206 --> 01:27:09,482
FOR THE 50TH ANNUAL DAYTIME
EMMY AWARDS.
1085
01:27:09,517 --> 01:27:12,896
>> Nischelle: KEVIN AND I ARE
TRULY HONORED TO HAVE BEEN YOUR
1086
01:27:12,931 --> 01:27:15,379
HOSTS.
SO CONGRATULATIONS TO ALL OF
1087
01:27:15,413 --> 01:27:17,965
TONIGHT'S NOMINEES AND
RECIPIENTS.
1088
01:27:18,000 --> 01:27:22,034
AND REMEMBER...
>> IT'S BETTER IN THE DAYTIME!
1089
01:27:22,068 --> 01:27:27,344
>> Kevin: GOOD NIGHT, EVERYONE.
AND ALSO HAPPY HOLIDAYS!
1090
01:27:27,379 --> 01:27:31,379
>> LET'S GO PARTY!
1091
01:27:33,379 --> 01:27:38,448
♪
1092
01:27:38,448 --> 01:27:48,275
♪
1093
01:27:59,586 --> 01:28:02,172
>> IN ALL CATEGORIES THE DAYTIME
EMMYS AWARDS ARE JUDGED BY
1094
01:28:02,206 --> 01:28:03,689
MEMBERS OF THE NATIONAL ACADEMY
OF TELEVISION ARTS AND SCIENCES
1095
01:28:03,724 --> 01:28:08,413
INC. OR OTHER EXPERIENCED
TELEVISION PROFESSIONALS.
1096
01:28:08,448 --> 01:28:11,034
VOTING IS CONDUCTED SECURELY
ONLINE VIA PANELS OF INDUSTRY
1097
01:28:11,068 --> 01:28:14,275
PEERS.
THE RESULTS OF THE SECRET VOTING
1098
01:28:14,310 --> 01:28:17,034
ARE KNOWN ONLY TO THE
INDEPENDENT ACCOUNTING FIRM
1099
01:28:17,068 --> 01:28:21,137
UNTIL THE BROADCAST.
89336
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