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>> ¶ ALL BEFORE WE SAW THE
PART ¶
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PART ¶
¶ WE CRAWL INTO THE OTHER'S
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¶ WE CRAWL INTO THE OTHER'S
HEART ¶
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HEART ¶
¶ COME TO ME ¶
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¶ COME TO ME ¶
¶ WITH OPEN ARMS ¶
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¶ WITH OPEN ARMS ¶
¶ AND DON'T YOU FEAR ¶
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¶ AND DON'T YOU FEAR ¶
¶ WHAT WAITS FOR US ¶
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¶ WHAT WAITS FOR US ¶
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¶ ALL WE KNOW IS ¶
¶ THAT ONCE YOU DARE ¶
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¶ THAT ONCE YOU DARE ¶
¶ TREAD THE NEW ¶
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¶ TREAD THE NEW ¶
¶ ERASE YOUR PAST ¶
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¶ ERASE YOUR PAST ¶
¶ COME ON IN ¶
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¶ COME ON IN ¶
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¶ AGAIN YOU'RE THERE ¶
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¶ AGAIN YOU'RE THERE ¶
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>> ¶ PARTY'S COMIN' IN ¶
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>> ¶ PARTY'S COMIN' IN ¶
¶ IT'S GONNA GET YOU RIGHT ¶
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¶ IT'S GONNA GET YOU RIGHT ¶
¶ GET YOU IN YOUR RIGHT RIDE
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¶ GET YOU IN YOUR RIGHT RIDE
ALONE ¶
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ALONE ¶
¶ COME ON, COME ON IN ¶
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00:02:02,590 --> 00:02:04,556
¶ COME ON, COME ON IN ¶
¶ GONNA GET YOU RIGHT ¶
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00:02:04,558 --> 00:02:08,861
¶ GONNA GET YOU RIGHT ¶
¶ GONNA, GONNA GET YOU RIGHT ¶
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¶ GONNA, GONNA GET YOU RIGHT ¶
¶ TALK IT LIKE IT IS ¶
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¶ TALK IT LIKE IT IS ¶
¶ DON'T YOU PICK A FIGHT ¶
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¶ DON'T YOU PICK A FIGHT ¶
¶ IF YOU GET THIS NIGHT RIGHT,
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¶ IF YOU GET THIS NIGHT RIGHT,
I'LL BE YOURS ¶
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I'LL BE YOURS ¶
¶ BUT SHE WANTS TO WIN ¶
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¶ BUT SHE WANTS TO WIN ¶
¶ AND SHE NEVER RESTS ¶
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¶ AND SHE NEVER RESTS ¶
¶ WALK DOWN INTO THE LIGHT ¶
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¶ WALK DOWN INTO THE LIGHT ¶
>> ¶ ALL YOU KNOW ¶
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00:02:28,849 --> 00:02:32,918
>> ¶ ALL YOU KNOW ¶
¶ YOU SAW THE PART ¶
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¶ YOU SAW THE PART ¶
¶ WE CRAWLED INTO ¶
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¶ WE CRAWLED INTO ¶
¶ EACH OTHER'S HEART ¶
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¶ EACH OTHER'S HEART ¶
¶ COME TO ME ¶
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¶ COME TO ME ¶
¶ WITH OPEN ARMS ¶
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00:02:49,103 --> 00:02:52,571
¶ WITH OPEN ARMS ¶
¶ DON'T YOU FEAR ¶
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00:02:52,573 --> 00:02:57,042
¶ DON'T YOU FEAR ¶
¶ WHAT WAITS FOR US ¶
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¶ WHAT WAITS FOR US ¶
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00:03:05,552 --> 00:03:09,388
>> TOPLESSNESS -- FEMALE
TOPLESSNESS -- WAS DECLARED
40
00:03:09,390 --> 00:03:11,590
TOPLESSNESS -- WAS DECLARED
LEGAL IN NEW YORK BACK IN 192,
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00:03:11,592 --> 00:03:13,759
LEGAL IN NEW YORK BACK IN 192,
WHERE THE HIGHEST COURT IN THE
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00:03:13,761 --> 00:03:15,727
WHERE THE HIGHEST COURT IN THE
STATE OF NEW YORK SAID THAT
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00:03:15,729 --> 00:03:17,896
STATE OF NEW YORK SAID THAT
WHERE MEN CAN BE TOPLESS, AS A
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00:03:17,898 --> 00:03:20,165
WHERE MEN CAN BE TOPLESS, AS A
MATTER OF EQUAL PROTECTION UNDER
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00:03:20,167 --> 00:03:22,768
MATTER OF EQUAL PROTECTION UNDER
THE LAWS, WOMEN CAN BE TOPLESS,
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00:03:22,770 --> 00:03:23,435
THE LAWS, WOMEN CAN BE TOPLESS,
TOO.
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00:03:23,437 --> 00:03:25,037
TOO.
>> THIS IS A CHANNEL 2 NEWS
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00:03:25,039 --> 00:03:26,171
>> THIS IS A CHANNEL 2 NEWS
SPECIAL REPORT.
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00:03:26,173 --> 00:03:27,272
SPECIAL REPORT.
>> TO UPDATE YOU ON THIS
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00:03:27,274 --> 00:03:28,707
>> TO UPDATE YOU ON THIS
SITUATION, THERE HAS BEEN A MASS
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00:03:28,709 --> 00:03:30,142
SITUATION, THERE HAS BEEN A MASS
SHOOTING AT A MOVIE THEATER JUST
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00:03:30,144 --> 00:03:31,410
SHOOTING AT A MOVIE THEATER JUST
OUTSIDE DENVER, COLORADO, IN
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00:03:31,412 --> 00:03:32,711
OUTSIDE DENVER, COLORADO, IN
AURORA.
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00:03:32,713 --> 00:03:34,213
AURORA.
ACCORDING TO THE AURORA POLICE
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00:03:34,215 --> 00:03:37,115
ACCORDING TO THE AURORA POLICE
DEPARTMENT, A GUNMAN ACTED
ALONE, OPENING FIRE ON AUDIENCES
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00:03:37,117 --> 00:03:38,283
DEPARTMENT, A GUNMAN ACTED
ALONE, OPENING FIRE ON AUDIENCES
IN TWO MOVIE THEATERS,
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00:03:38,285 --> 00:03:39,251
ALONE, OPENING FIRE ON AUDIENCES
IN TWO MOVIE THEATERS,
AT THE PREMIERE OF
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00:03:39,253 --> 00:03:41,086
IN TWO MOVIE THEATERS,
AT THE PREMIERE OF
DARK KNIGHT RETURNS."
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00:03:41,088 --> 00:03:44,022
SO FAR, CHANNEL 2 NEWS HAS
CONFIRMED THAT THERE ARE AT
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00:03:44,024 --> 00:03:45,490
CONFIRMED THAT THERE ARE AT
LEAST 10 FATALITIES AND 20
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00:03:45,492 --> 00:03:46,258
LEAST 10 FATALITIES AND 20
INJURED.
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00:03:46,260 --> 00:03:47,993
INJURED.
WE'LL HAVE MORE INFORMATION...
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00:03:47,995 --> 00:03:50,295
WE'LL HAVE MORE INFORMATION...
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00:04:25,698 --> 00:04:28,500
>> DO YOU HAVE A POLITICAL
AGENDA?
>> TODAY WE WERE WRONGFULLY
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00:04:28,502 --> 00:04:29,868
AGENDA?
>> TODAY WE WERE WRONGFULLY
ARRESTED, AS THE CHIEF OF POLICE
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00:04:29,870 --> 00:04:30,569
>> TODAY WE WERE WRONGFULLY
ARRESTED, AS THE CHIEF OF POLICE
JUST ADMITTED.
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00:04:30,571 --> 00:04:31,770
ARRESTED, AS THE CHIEF OF POLICE
JUST ADMITTED.
AND WE WERE FORCED, BY LAW, TO
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00:04:31,772 --> 00:04:32,304
JUST ADMITTED.
AND WE WERE FORCED, BY LAW, TO
BE LET GO.
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00:04:32,306 --> 00:04:33,472
AND WE WERE FORCED, BY LAW, TO
BE LET GO.
SO KEEP YOUR LAWS OFF OUR
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00:04:33,474 --> 00:04:33,939
BE LET GO.
SO KEEP YOUR LAWS OFF OUR
BODIES.
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00:04:33,941 --> 00:04:36,975
SO KEEP YOUR LAWS OFF OUR
BODIES.
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00:04:36,977 --> 00:04:37,876
BODIES.
>> THANK YOU.
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00:04:37,878 --> 00:04:39,011
>> >> THANK YOU.
>> YOU'RE WELCOME.
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00:04:39,013 --> 00:04:40,312
>> THANK YOU.
>> YOU'RE WELCOME.
LET'S WRAP THIS UP.
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00:04:45,551 --> 00:04:48,553
>> LIV?
>> HELLO.
WHO THE FUCK ARE YOU?
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00:04:48,555 --> 00:04:49,755
>> HELLO.
WHO THE FUCK ARE YOU?
>> SORRY. MY NAME IS WITH.
77
00:04:49,757 --> 00:04:50,989
WHO THE FUCK ARE YOU?
>> SORRY. MY NAME IS WITH.
I WRITE FOR NEWS CORP, AND I WAS
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00:04:50,991 --> 00:04:52,057
>> SORRY. MY NAME IS WITH.
I WRITE FOR NEWS CORP, AND I WAS
ON WALL STREET WHEN YOU WERE
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00:04:52,059 --> 00:04:52,524
I WRITE FOR NEWS CORP, AND I WAS
ON WALL STREET WHEN YOU WERE
ARRESTED.
80
00:04:52,526 --> 00:04:53,825
ON WALL STREET WHEN YOU WERE
ARRESTED.
>> YEAH, YOU WANT TO INTERVIEW
81
00:04:53,827 --> 00:04:54,126
ARRESTED.
>> YEAH, YOU WANT TO INTERVIEW
ME?
82
00:04:54,128 --> 00:04:54,793
>> YEAH, YOU WANT TO INTERVIEW
ME?
>> WELL, YES.
83
00:04:54,795 --> 00:04:56,094
ME?
>> WELL, YES.
I THINK I'D LIKE TO DO A PIECE
84
00:04:56,096 --> 00:04:56,528
>> WELL, YES.
I THINK I'D LIKE TO DO A PIECE
ON YOU.
85
00:04:56,530 --> 00:04:57,596
I THINK I'D LIKE TO DO A PIECE
ON YOU.
>> WELL, HOW ABOUT THIS?
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00:04:57,598 --> 00:04:58,797
ON YOU.
>> WELL, HOW ABOUT THIS?
NEXT TIME, YOU JOIN US, AND I
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00:04:58,799 --> 00:04:59,831
>> WELL, HOW ABOUT THIS?
NEXT TIME, YOU JOIN US, AND I
WILL GRANT YOU WHATEVER
88
00:04:59,833 --> 00:05:00,699
NEXT TIME, YOU JOIN US, AND I
WILL GRANT YOU WHATEVER
INTERVIEW YOU LIKE.
89
00:05:00,701 --> 00:05:01,800
WILL GRANT YOU WHATEVER
INTERVIEW YOU LIKE.
>> ME TOPLESS?
90
00:05:01,802 --> 00:05:03,101
INTERVIEW YOU LIKE.
>> ME TOPLESS?
I DON'T THINK SO.
91
00:05:03,103 --> 00:05:03,635
>> ME TOPLESS?
I DON'T THINK SO.
>> WHY NOT?
92
00:05:03,637 --> 00:05:04,870
I DON'T THINK SO.
>> WHY NOT?
LOOKS LIKE YOU GOT A NICE PAIR
93
00:05:04,872 --> 00:05:05,437
>> WHY NOT?
LOOKS LIKE YOU GOT A NICE PAIR
UNDER THERE.
94
00:05:05,439 --> 00:05:07,272
LOOKS LIKE YOU GOT A NICE PAIR
UNDER THERE.
>> B-BECAUSE I'M A JOURNALIST,
95
00:05:07,274 --> 00:05:08,373
UNDER THERE.
>> B-BECAUSE I'M A JOURNALIST,
NOT AN ACTIVIST.
96
00:05:08,375 --> 00:05:09,841
>> B-BECAUSE I'M A JOURNALIST,
NOT AN ACTIVIST.
>> DO YOU HAVE TO BE AN ACTIVIST
97
00:05:09,843 --> 00:05:11,343
NOT AN ACTIVIST.
>> DO YOU HAVE TO BE AN ACTIVIST
TO AGREE THAT IT'S BULLSHIT THAT
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00:05:11,345 --> 00:05:12,778
>> DO YOU HAVE TO BE AN ACTIVIST
TO AGREE THAT IT'S BULLSHIT THAT
A MAN CAN WALK AROUND SHIRTLESS
99
00:05:12,780 --> 00:05:14,046
TO AGREE THAT IT'S BULLSHIT THAT
A MAN CAN WALK AROUND SHIRTLESS
ON A HOT SUMMER'S DAY AND A
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00:05:14,048 --> 00:05:15,480
A MAN CAN WALK AROUND SHIRTLESS
ON A HOT SUMMER'S DAY AND A
WOMAN WILL GET ARRESTED FOR IT?
101
00:05:15,482 --> 00:05:17,082
ON A HOT SUMMER'S DAY AND A
WOMAN WILL GET ARRESTED FOR IT?
>> I NEVER REALLY THOUGHT ABOUT
102
00:05:17,084 --> 00:05:17,883
WOMAN WILL GET ARRESTED FOR IT?
>> I NEVER REALLY THOUGHT ABOUT
IT LIKE THAT.
103
00:05:17,885 --> 00:05:19,384
>> I NEVER REALLY THOUGHT ABOUT
IT LIKE THAT.
>> WELL, HOW ABOUT YOU JOIN US
104
00:05:19,386 --> 00:05:20,719
IT LIKE THAT.
>> WELL, HOW ABOUT YOU JOIN US
NEXT TIME, AND I WILL THINK
105
00:05:20,721 --> 00:05:22,220
>> WELL, HOW ABOUT YOU JOIN US
NEXT TIME, AND I WILL THINK
ABOUT GIVING YOU AN INTERVIEW.
106
00:05:22,222 --> 00:05:23,455
NEXT TIME, AND I WILL THINK
ABOUT GIVING YOU AN INTERVIEW.
>> HOW ABOUT YOU GIVE ME AN
107
00:05:23,457 --> 00:05:24,856
ABOUT GIVING YOU AN INTERVIEW.
>> HOW ABOUT YOU GIVE ME AN
INTERVIEW, AND I'LL THINK ABOUT
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00:05:24,858 --> 00:05:27,259
>> HOW ABOUT YOU GIVE ME AN
INTERVIEW, AND I'LL THINK ABOUT
JOINING YOU?
109
00:05:27,261 --> 00:05:28,794
INTERVIEW, AND I'LL THINK ABOUT
JOINING YOU?
>> I WILL WIN THIS GAME.
110
00:05:28,796 --> 00:05:30,128
JOINING YOU?
>> I WILL WIN THIS GAME.
>> NO, YOU WON'T.
111
00:05:30,130 --> 00:05:32,297
>> I WILL WIN THIS GAME.
>> NO, YOU WON'T.
>> YES, I WILL.
112
00:05:32,299 --> 00:05:34,299
>> - NO, YOU WON'T.
- >> YES, I WILL.
113
00:05:44,610 --> 00:05:51,950
>> OH, GOOD, YOU'RE HOME.
UH, I NEED TWO RENT CHECKS,
BECAUSE RIGHT NOW THEY'RE ON
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00:05:51,952 --> 00:05:53,618
UH, I NEED TWO RENT CHECKS,
BECAUSE RIGHT NOW THEY'RE ON
THE VERGE OF SHUTTING OFF OUR
115
00:05:53,620 --> 00:05:55,554
BECAUSE RIGHT NOW THEY'RE ON
THE VERGE OF SHUTTING OFF OUR
CABLE, WHICH MEANS NO INTERNET,
116
00:05:55,556 --> 00:05:57,155
THE VERGE OF SHUTTING OFF OUR
CABLE, WHICH MEANS NO INTERNET,
NO E-MAIL, NO HBO, NO CONNECTION
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00:05:57,157 --> 00:05:58,757
CABLE, WHICH MEANS NO INTERNET,
NO E-MAIL, NO HBO, NO CONNECTION
TO THE OUTSIDE WORLD WHATSOEVER.
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00:05:58,759 --> 00:06:00,225
NO E-MAIL, NO HBO, NO CONNECTION
TO THE OUTSIDE WORLD WHATSOEVER.
>> I-I-I DON'T -- I DON'T GET
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00:06:00,227 --> 00:06:01,827
TO THE OUTSIDE WORLD WHATSOEVER.
>> I-I-I DON'T -- I DON'T GET
PAID TILL FRIDAY AND I HAVE LIKE
120
00:06:01,829 --> 00:06:02,794
>> I-I-I DON'T -- I DON'T GET
PAID TILL FRIDAY AND I HAVE LIKE
$88 TO MY NAME.
121
00:06:02,796 --> 00:06:04,529
PAID TILL FRIDAY AND I HAVE LIKE
$88 TO MY NAME.
CAN YOU PLEASE PIRATE THE WI-FI
122
00:06:04,531 --> 00:06:05,497
$88 TO MY NAME.
CAN YOU PLEASE PIRATE THE WI-FI
FROM NEXT DOOR?
123
00:06:05,499 --> 00:06:06,898
CAN YOU PLEASE PIRATE THE WI-FI
FROM NEXT DOOR?
I HAVE TO FINISH THIS, AND I
124
00:06:06,900 --> 00:06:07,666
FROM NEXT DOOR?
I HAVE TO FINISH THIS, AND I
WILL -- YEAH.
125
00:06:07,668 --> 00:06:09,067
I HAVE TO FINISH THIS, AND I
WILL -- YEAH.
>> YOU WANT ME TO PIRATE THE
126
00:06:09,069 --> 00:06:09,534
WILL -- YEAH.
>> YOU WANT ME TO PIRATE THE
WI-FI?
127
00:06:09,536 --> 00:06:10,102
>> YOU WANT ME TO PIRATE THE
WI-FI?
>> YEAH.
128
00:06:10,104 --> 00:06:11,069
WI-FI?
>> YEAH.
>> FROM NEXT DOOR?
129
00:06:11,071 --> 00:06:11,636
>> YEAH.
>> FROM NEXT DOOR?
>> YEAH.
130
00:06:11,638 --> 00:06:13,238
>> FROM NEXT DOOR?
>> YEAH.
>> MM-HMM. MAYBE YOU COULD GET A
131
00:06:13,240 --> 00:06:13,939
>> YEAH.
>> MM-HMM. MAYBE YOU COULD GET A
SECOND JOB?
132
00:06:13,941 --> 00:06:14,806
>> MM-HMM. MAYBE YOU COULD GET A
SECOND JOB?
>> A JOB?
133
00:06:14,808 --> 00:06:15,574
SECOND JOB?
>> A JOB?
>> YEAH.
134
00:06:15,576 --> 00:06:17,175
>> A JOB?
>> YEAH.
>> REALLY? LIKE WHAT?
135
00:06:17,177 --> 00:06:18,977
>> YEAH.
>> REALLY? LIKE WHAT?
>> WAITRESSING, HOSTING,
136
00:06:18,979 --> 00:06:20,712
>> REALLY? LIKE WHAT?
>> WAITRESSING, HOSTING,
BARTENDING, STRIPPING.
137
00:06:20,714 --> 00:06:21,947
>> WAITRESSING, HOSTING,
BARTENDING, STRIPPING.
STRIPPING IS A RESPECTABLE --
138
00:06:21,949 --> 00:06:22,981
BARTENDING, STRIPPING.
STRIPPING IS A RESPECTABLE --
IT'S AN OLD PROFESSION.
139
00:06:22,983 --> 00:06:24,049
STRIPPING IS A RESPECTABLE --
IT'S AN OLD PROFESSION.
>> FIRST OF ALL, THERE'S
140
00:06:24,051 --> 00:06:25,350
IT'S AN OLD PROFESSION.
>> FIRST OF ALL, THERE'S
THOUSANDS OF PEOPLE IN LINE FOR
141
00:06:25,352 --> 00:06:26,351
>> FIRST OF ALL, THERE'S
THOUSANDS OF PEOPLE IN LINE FOR
EVERY JOB IN THE CITY.
142
00:06:26,353 --> 00:06:27,986
THOUSANDS OF PEOPLE IN LINE FOR
EVERY JOB IN THE CITY.
AND, SECONDLY, CONCERNING THE
143
00:06:27,988 --> 00:06:29,721
EVERY JOB IN THE CITY.
AND, SECONDLY, CONCERNING THE
POLE, I CAN'T EVEN GET NAKED IN
144
00:06:29,723 --> 00:06:31,390
AND, SECONDLY, CONCERNING THE
POLE, I CAN'T EVEN GET NAKED IN
FRONT OF PEOPLE I'M ATTRACTED
145
00:06:31,392 --> 00:06:32,924
POLE, I CAN'T EVEN GET NAKED IN
FRONT OF PEOPLE I'M ATTRACTED
TO, LET ALONE RANDOM HUMANS
146
00:06:32,926 --> 00:06:33,792
FRONT OF PEOPLE I'M ATTRACTED
TO, LET ALONE RANDOM HUMANS
THROWING BILLS AT ME.
147
00:06:33,794 --> 00:06:34,826
TO, LET ALONE RANDOM HUMANS
THROWING BILLS AT ME.
>> I'M NOT THE ENEMY HERE.
148
00:06:34,828 --> 00:06:35,994
THROWING BILLS AT ME.
>> I'M NOT THE ENEMY HERE.
WE'RE BOTH IN THE SAME PRISON.
149
00:06:35,996 --> 00:06:37,062
>> I'M NOT THE ENEMY HERE.
WE'RE BOTH IN THE SAME PRISON.
>> OKAY, I'M NOT MAD AT YOU.
150
00:06:37,064 --> 00:06:37,929
WE'RE BOTH IN THE SAME PRISON.
>> OKAY, I'M NOT MAD AT YOU.
I'M JUST -- I'M DONE.
151
00:06:37,931 --> 00:06:39,064
>> OKAY, I'M NOT MAD AT YOU.
I'M JUST -- I'M DONE.
>> I FEEL LIKE YOU ARE MAD AT
152
00:06:39,066 --> 00:06:40,298
I'M JUST -- I'M DONE.
>> I FEEL LIKE YOU ARE MAD AT
ME, 'CAUSE YOU'RE NOT USING YOUR
153
00:06:40,300 --> 00:06:41,299
>> I FEEL LIKE YOU ARE MAD AT
ME, 'CAUSE YOU'RE NOT USING YOUR
INDOOR VOICE AND NOW YOU'RE
154
00:06:41,301 --> 00:06:42,467
ME, 'CAUSE YOU'RE NOT USING YOUR
INDOOR VOICE AND NOW YOU'RE
SAYING, "I'M DONE, I'M DONE, I'M
155
00:06:42,469 --> 00:06:45,437
INDOOR VOICE AND NOW YOU'RE
SAYING, "I'M DONE, I'M DONE, I'M
WALKING AWAY TO THE COUCH."
156
00:06:45,439 --> 00:06:46,471
SAYING, "I'M DONE, I'M DONE, I'M
WALKING AWAY TO THE COUCH."
YOU CAN STORM OFF AND
157
00:06:46,473 --> 00:06:47,839
WALKING AWAY TO THE COUCH."
YOU CAN STORM OFF AND
DRAMATICALLY SIT ON THE OTHER
158
00:06:47,841 --> 00:06:48,740
YOU CAN STORM OFF AND
DRAMATICALLY SIT ON THE OTHER
SIDE OF THE ROOM.
159
00:06:48,742 --> 00:06:49,574
DRAMATICALLY SIT ON THE OTHER
SIDE OF THE ROOM.
THAT'S FINE.
160
00:06:49,576 --> 00:06:50,976
SIDE OF THE ROOM.
THAT'S FINE.
I'LL MATCH YOU ON THIS.
161
00:06:50,978 --> 00:06:52,778
THAT'S FINE.
I'LL MATCH YOU ON THIS.
I'LL JUST STARE YOU DOWN UNTIL
162
00:06:52,780 --> 00:06:54,246
I'LL MATCH YOU ON THIS.
I'LL JUST STARE YOU DOWN UNTIL
YOU GIVE ME YOUR MONEY.
163
00:06:54,248 --> 00:06:56,348
I'LL JUST STARE YOU DOWN UNTIL
YOU GIVE ME YOUR MONEY.
164
00:06:56,350 --> 00:06:58,417
YOU GIVE ME YOUR MONEY.
IF I DON'T SELL THIS STORY, I
165
00:06:58,419 --> 00:07:00,685
>> IF I DON'T SELL THIS STORY, I
PROMISE, I'M GONNA SELL MY EGGS,
166
00:07:00,687 --> 00:07:02,988
IF I DON'T SELL THIS STORY, I
PROMISE, I'M GONNA SELL MY EGGS,
MY PLASMA, M-MY BLOOD, WHATEVER
167
00:07:02,990 --> 00:07:03,889
PROMISE, I'M GONNA SELL MY EGGS,
MY PLASMA, M-MY BLOOD, WHATEVER
IT TAKES.
168
00:07:03,891 --> 00:07:04,289
MY PLASMA, M-MY BLOOD, WHATEVER
IT TAKES.
>> YEAH.
169
00:07:04,291 --> 00:07:05,424
IT TAKES.
>> YEAH.
>> I'M GONNA GET YOU THE MONEY,
170
00:07:05,426 --> 00:07:07,492
>> YEAH.
>> I'M GONNA GET YOU THE MONEY,
OKAY?
171
00:07:07,494 --> 00:07:10,328
>> I'M GONNA GET YOU THE MONEY,
OKAY?
172
00:07:10,330 --> 00:07:12,264
OKAY?
>> ALL RIGHT, UM, SO, I JUST...
173
00:07:12,266 --> 00:07:12,998
>> ALL RIGHT, UM, SO, I JUST...
174
00:07:13,000 --> 00:07:14,466
>> ALL RIGHT, UM, SO, I JUST...
I JUST WANT TO GET SOME BASIC
175
00:07:14,468 --> 00:07:15,600
I JUST WANT TO GET SOME BASIC
FACTS OUT OF THE WAY.
176
00:07:15,602 --> 00:07:16,935
I JUST WANT TO GET SOME BASIC
FACTS OUT OF THE WAY.
>> OKAY.
177
00:07:16,937 --> 00:07:18,103
FACTS OUT OF THE WAY.
>> OKAY.
BRING IT ON, REPORTER GIRL.
178
00:07:18,105 --> 00:07:19,471
>> OKAY.
BRING IT ON, REPORTER GIRL.
>> PLEASE SAY YOUR NAME AND AGE.
179
00:07:19,473 --> 00:07:20,872
BRING IT ON, REPORTER GIRL.
>> PLEASE SAY YOUR NAME AND AGE.
>> LIV. 23 YEARS YOUNG.
180
00:07:20,874 --> 00:07:22,007
>> PLEASE SAY YOUR NAME AND AGE.
>> LIV. 23 YEARS YOUNG.
>> WHERE ARE YOU FROM?
181
00:07:22,009 --> 00:07:23,508
>> LIV. 23 YEARS YOUNG.
>> WHERE ARE YOU FROM?
>> CHICAGO, BUT I'VE BEEN HERE
182
00:07:23,510 --> 00:07:24,342
>> WHERE ARE YOU FROM?
>> CHICAGO, BUT I'VE BEEN HERE
SINCE I WAS 17.
183
00:07:24,344 --> 00:07:25,644
>> CHICAGO, BUT I'VE BEEN HERE
SINCE I WAS 17.
>> WHERE DO YOU LIVE?
184
00:07:25,646 --> 00:07:27,512
SINCE I WAS 17.
>> WHERE DO YOU LIVE?
>> RIGHT NOW, I'M SQUATTING IN
185
00:07:27,514 --> 00:07:29,014
>> WHERE DO YOU LIVE?
>> RIGHT NOW, I'M SQUATTING IN
A BASEMENT IN RED HOOK.
186
00:07:29,016 --> 00:07:31,349
>> RIGHT NOW, I'M SQUATTING IN
A BASEMENT IN RED HOOK.
>> AND WHAT DO YOUR PARENTS DO?
187
00:07:31,351 --> 00:07:32,751
A BASEMENT IN RED HOOK.
>> AND WHAT DO YOUR PARENTS DO?
>> THEY ARE PROFESSIONAL
188
00:07:32,753 --> 00:07:33,385
>> AND WHAT DO YOUR PARENTS DO?
>> THEY ARE PROFESSIONAL
HIPPIES.
189
00:07:33,387 --> 00:07:35,420
>> THEY ARE PROFESSIONAL
HIPPIES.
>> AND DO YOU HAVE A JOB?
190
00:07:35,422 --> 00:07:36,888
HIPPIES.
>> AND DO YOU HAVE A JOB?
>> UM, I VOLUNTEER AT THIS
191
00:07:36,890 --> 00:07:38,623
>> AND DO YOU HAVE A JOB?
>> UM, I VOLUNTEER AT THIS
WEBSITE CALLED MAGIC TRANSISTOR.
192
00:07:38,625 --> 00:07:39,658
>> UM, I VOLUNTEER AT THIS
WEBSITE CALLED MAGIC TRANSISTOR.
IT'S REALLY COOL.
193
00:07:39,660 --> 00:07:40,592
WEBSITE CALLED MAGIC TRANSISTOR.
IT'S REALLY COOL.
194
00:07:40,594 --> 00:07:41,560
IT'S REALLY COOL.
ARE YOU MARRIED?
195
00:07:41,562 --> 00:07:43,295
>> ARE YOU MARRIED?
>> ARE YOU HITTING ON ME?
196
00:07:43,297 --> 00:07:44,062
ARE YOU MARRIED?
>> ARE YOU HITTING ON ME?
>> NO, NO.
197
00:07:44,064 --> 00:07:45,797
>> ARE YOU HITTING ON ME?
>> NO, NO.
I-I'M JUST TRYING TO GET, YOU
198
00:07:45,799 --> 00:07:47,232
>> NO, NO.
I-I'M JUST TRYING TO GET, YOU
KNOW, THE FULL PICTURE.
199
00:07:47,234 --> 00:07:49,134
I-I'M JUST TRYING TO GET, YOU
KNOW, THE FULL PICTURE.
WHAT IS YOUR GOAL IN GOING
200
00:07:49,136 --> 00:07:50,969
KNOW, THE FULL PICTURE.
WHAT IS YOUR GOAL IN GOING
TOPLESS IN PUBLIC PLACES?
201
00:07:50,971 --> 00:07:52,003
WHAT IS YOUR GOAL IN GOING
TOPLESS IN PUBLIC PLACES?
>> TO EXPOSE THE DOUBLE
202
00:07:52,005 --> 00:07:52,504
TOPLESS IN PUBLIC PLACES?
>> TO EXPOSE THE DOUBLE
STANDARD.
203
00:07:52,506 --> 00:07:53,872
>> TO EXPOSE THE DOUBLE
STANDARD.
>> CAN YOU EXPLAIN TO ME THE
204
00:07:53,874 --> 00:07:54,739
STANDARD.
>> CAN YOU EXPLAIN TO ME THE
DOUBLE STANDARD?
205
00:07:54,741 --> 00:07:55,507
>> CAN YOU EXPLAIN TO ME THE
DOUBLE STANDARD?
>> ABSOLUTELY.
206
00:07:55,509 --> 00:07:56,842
DOUBLE STANDARD?
>> ABSOLUTELY.
UM, WHAT I CAN'T GET MY HEAD
207
00:07:56,844 --> 00:07:58,210
>> ABSOLUTELY.
UM, WHAT I CAN'T GET MY HEAD
AROUND IS THAT THE NIPPLE IS
208
00:07:58,212 --> 00:07:59,578
UM, WHAT I CAN'T GET MY HEAD
AROUND IS THAT THE NIPPLE IS
THE FIRST THING WE SEEN WHEN
209
00:07:59,580 --> 00:08:00,245
AROUND IS THAT THE NIPPLE IS
THE FIRST THING WE SEEN WHEN
WE'RE BORN.
210
00:08:00,247 --> 00:08:01,146
THE FIRST THING WE SEEN WHEN
WE'RE BORN.
IT NOURISHES US.
211
00:08:01,148 --> 00:08:02,714
WE'RE BORN.
IT NOURISHES US.
AND THEN SOMEHOW, THE SYMBOL OF
212
00:08:02,716 --> 00:08:03,849
IT NOURISHES US.
AND THEN SOMEHOW, THE SYMBOL OF
LIFE BECOMES ILLEGAL.
213
00:08:03,851 --> 00:08:05,383
AND THEN SOMEHOW, THE SYMBOL OF
LIFE BECOMES ILLEGAL.
I MEAN, MY OWN MOTHER WAS KICKED
214
00:08:05,385 --> 00:08:06,885
LIFE BECOMES ILLEGAL.
I MEAN, MY OWN MOTHER WAS KICKED
OUT OF CHURCH FOR BREASTFEEDING
215
00:08:06,887 --> 00:08:07,219
I MEAN, MY OWN MOTHER WAS KICKED
OUT OF CHURCH FOR BREASTFEEDING
ME.
216
00:08:07,221 --> 00:08:08,753
OUT OF CHURCH FOR BREASTFEEDING
ME.
AND WHAT'S EVEN MORE ANNOYING IS
217
00:08:08,755 --> 00:08:10,288
ME.
AND WHAT'S EVEN MORE ANNOYING IS
THAT, WHILE WE'RE ALLOWED TO SEE
218
00:08:10,290 --> 00:08:11,756
AND WHAT'S EVEN MORE ANNOYING IS
THAT, WHILE WE'RE ALLOWED TO SEE
MURDER OR VIOLENCE AND WAR ON
219
00:08:11,758 --> 00:08:13,258
THAT, WHILE WE'RE ALLOWED TO SEE
MURDER OR VIOLENCE AND WAR ON
EVERY CHANNEL, JANET JACKSON'S
220
00:08:13,260 --> 00:08:14,793
MURDER OR VIOLENCE AND WAR ON
EVERY CHANNEL, JANET JACKSON'S
NIPPLE SLIPS AND IT BECOMES THE
221
00:08:14,795 --> 00:08:16,261
EVERY CHANNEL, JANET JACKSON'S
NIPPLE SLIPS AND IT BECOMES THE
FUCKING CRIME OF THE CENTURY.
222
00:08:16,263 --> 00:08:19,097
NIPPLE SLIPS AND IT BECOMES THE
FUCKING CRIME OF THE CENTURY.
FURTHERMORE, I'M TRYING TO BRING
223
00:08:19,099 --> 00:08:20,298
FUCKING CRIME OF THE CENTURY.
FURTHERMORE, I'M TRYING TO BRING
ABOUT MORE RESPONSIBLE
224
00:08:20,300 --> 00:08:21,633
FURTHERMORE, I'M TRYING TO BRING
ABOUT MORE RESPONSIBLE
REPRESENTATIONS OF FEMALE
225
00:08:21,635 --> 00:08:22,934
ABOUT MORE RESPONSIBLE
REPRESENTATIONS OF FEMALE
NUDITY, BECAUSE THE ONLY
226
00:08:22,936 --> 00:08:24,469
REPRESENTATIONS OF FEMALE
NUDITY, BECAUSE THE ONLY
REPRESENTATIONS THAT I SEE IN
227
00:08:24,471 --> 00:08:26,505
NUDITY, BECAUSE THE ONLY
REPRESENTATIONS THAT I SEE IN
MAINSTREAM CULTURE ARE ONES THAT
228
00:08:26,507 --> 00:08:28,507
REPRESENTATIONS THAT I SEE IN
MAINSTREAM CULTURE ARE ONES THAT
ARE TOTALLY HYPER-SEXUALIZED AND
229
00:08:28,509 --> 00:08:31,142
MAINSTREAM CULTURE ARE ONES THAT
ARE TOTALLY HYPER-SEXUALIZED AND
ONES THAT MAKE ME QUESTION WHAT
230
00:08:31,144 --> 00:08:33,778
ARE TOTALLY HYPER-SEXUALIZED AND
ONES THAT MAKE ME QUESTION WHAT
IT MEANS TO BE A WOMAN IN MODERN
231
00:08:33,780 --> 00:08:34,946
ONES THAT MAKE ME QUESTION WHAT
IT MEANS TO BE A WOMAN IN MODERN
SOCIETY.
232
00:08:34,948 --> 00:08:36,915
IT MEANS TO BE A WOMAN IN MODERN
SOCIETY.
>> WOW.
233
00:08:36,917 --> 00:08:38,483
SOCIETY.
>> WOW.
HOW MANY TIMES HAVE YOU BEEN
234
00:08:38,485 --> 00:08:39,150
>> WOW.
HOW MANY TIMES HAVE YOU BEEN
ARRESTED?
235
00:08:39,152 --> 00:08:42,587
HOW MANY TIMES HAVE YOU BEEN
ARRESTED?
>> NO COMMENT.
236
00:08:42,589 --> 00:08:43,989
ARRESTED?
>> NO COMMENT.
>> WHY DO YOU THINK YOU KEEP
237
00:08:43,991 --> 00:08:45,457
>> NO COMMENT.
>> WHY DO YOU THINK YOU KEEP
GETTING ARRESTED FOR SOMETHING
238
00:08:45,459 --> 00:08:46,725
>> WHY DO YOU THINK YOU KEEP
GETTING ARRESTED FOR SOMETHING
THAT'S LEGAL IN NEW YORK?
239
00:08:46,727 --> 00:08:48,560
GETTING ARRESTED FOR SOMETHING
THAT'S LEGAL IN NEW YORK?
>> BECAUSE COPS ARE MORONS.
240
00:08:48,562 --> 00:08:52,097
THAT'S LEGAL IN NEW YORK?
>> BECAUSE COPS ARE MORONS.
>> SO, WHY DO YOU KEEP DOING IT?
241
00:08:52,099 --> 00:08:54,900
>> BECAUSE COPS ARE MORONS.
>> SO, WHY DO YOU KEEP DOING IT?
>> IT MAKES ME FEEL GOOD.
242
00:08:54,902 --> 00:08:56,434
>> SO, WHY DO YOU KEEP DOING IT?
>> IT MAKES ME FEEL GOOD.
>> WHY DON'T YOU GET A LAWYER
243
00:08:56,436 --> 00:08:57,135
>> IT MAKES ME FEEL GOOD.
>> WHY DON'T YOU GET A LAWYER
NEXT TIME?
244
00:08:57,137 --> 00:08:58,803
>> WHY DON'T YOU GET A LAWYER
NEXT TIME?
>> UM, I'VE THOUGHT ABOUT IT.
245
00:08:58,805 --> 00:09:00,138
NEXT TIME?
>> UM, I'VE THOUGHT ABOUT IT.
MAYBE YOU CAN BE IN CHARGE OF
246
00:09:00,140 --> 00:09:01,573
>> UM, I'VE THOUGHT ABOUT IT.
MAYBE YOU CAN BE IN CHARGE OF
THAT, SINCE YOU PROMISED TO JOIN
247
00:09:01,575 --> 00:09:02,274
MAYBE YOU CAN BE IN CHARGE OF
THAT, SINCE YOU PROMISED TO JOIN
US NEXT TIME.
248
00:09:02,276 --> 00:09:02,941
THAT, SINCE YOU PROMISED TO JOIN
US NEXT TIME.
>> I DID?
249
00:09:02,943 --> 00:09:04,109
US NEXT TIME.
>> I DID?
>> MM-HMM, YOU DID.
250
00:09:04,111 --> 00:09:06,711
>> I DID?
>> MM-HMM, YOU DID.
251
00:09:06,713 --> 00:09:08,313
>> MM-HMM, YOU DID.
WHAT IF I DON'T?
252
00:09:08,315 --> 00:09:10,181
>> WHAT IF I DON'T?
>> I WILL DENY EVERYTHING IN
253
00:09:10,183 --> 00:09:11,316
WHAT IF I DON'T?
>> I WILL DENY EVERYTHING IN
THIS INTERVIEW.
254
00:09:11,318 --> 00:09:13,151
>> I WILL DENY EVERYTHING IN
THIS INTERVIEW.
255
00:09:13,153 --> 00:09:16,187
- THIS INTERVIEW.
- >> I SHOULD NOT HAVE TO USE AN
256
00:09:16,189 --> 00:09:19,324
>> I SHOULD NOT HAVE TO USE AN
NFL HALFTIME SHOW AS A NEGATIVE
257
00:09:19,326 --> 00:09:23,461
>> I SHOULD NOT HAVE TO USE AN
NFL HALFTIME SHOW AS A NEGATIVE
EXAMPLE TO TEACH MY CHILDREN.
258
00:09:23,463 --> 00:09:24,596
NFL HALFTIME SHOW AS A NEGATIVE
EXAMPLE TO TEACH MY CHILDREN.
259
00:09:24,598 --> 00:09:25,897
EXAMPLE TO TEACH MY CHILDREN.
260
00:09:25,899 --> 00:09:27,766
ALLOWING TASTELESS SUPER BOWL
261
00:09:27,768 --> 00:09:30,802
ALLOWING TASTELESS SUPER BOWL
PROGRAMMING IS A NATIONWIDE
262
00:09:30,804 --> 00:09:32,771
ALLOWING TASTELESS SUPER BOWL
PROGRAMMING IS A NATIONWIDE
ENTERTAINMENT-INDUSTRY SCANDAL.
263
00:09:46,519 --> 00:09:51,656
>> I EVEN HAD A PHOTOGRAPH OF 50
MEN AND WOMEN'S HEADS, AND THEN
ONE WOMAN'S BREAST WAS SHOWING.
264
00:09:51,658 --> 00:09:52,724
MEN AND WOMEN'S HEADS, AND THEN
ONE WOMAN'S BREAST WAS SHOWING.
THEY HAD A PROBLEM WITH IT, AND
265
00:09:52,726 --> 00:09:53,825
ONE WOMAN'S BREAST WAS SHOWING.
THEY HAD A PROBLEM WITH IT, AND
I SAID, "WHY DON'T YOU JUST BLUR
266
00:09:53,827 --> 00:09:54,225
THEY HAD A PROBLEM WITH IT, AND
I SAID, "WHY DON'T YOU JUST BLUR
IT OUT?"
267
00:09:54,227 --> 00:09:55,460
I SAID, "WHY DON'T YOU JUST BLUR
IT OUT?"
AND THEY SAID, "OH, WE DON'T
268
00:09:55,462 --> 00:09:56,795
IT OUT?"
AND THEY SAID, "OH, WE DON'T
CENSOR AT THE NEW YORK TIMES."
269
00:09:56,797 --> 00:09:57,228
AND THEY SAID, "OH, WE DON'T
CENSOR AT THE NEW YORK TIMES."
>> RIGHT.
270
00:09:57,230 --> 00:09:58,330
CENSOR AT THE NEW YORK TIMES."
>> RIGHT.
THERE WERE -- YOU KNOW, THERE
271
00:09:58,332 --> 00:09:59,130
>> RIGHT.
THERE WERE -- YOU KNOW, THERE
WERE YOUNG CHILDREN.
272
00:09:59,132 --> 00:10:00,699
THERE WERE -- YOU KNOW, THERE
WERE YOUNG CHILDREN.
>> THERE WAS A 6-YEAR-OLD.
273
00:10:00,701 --> 00:10:01,900
WERE YOUNG CHILDREN.
>> THERE WAS A 6-YEAR-OLD.
>> WHAT IS THE PROBLEM WITH
274
00:10:01,902 --> 00:10:02,367
>> THERE WAS A 6-YEAR-OLD.
>> WHAT IS THE PROBLEM WITH
PEOPLE?
275
00:10:02,369 --> 00:10:03,702
>> WHAT IS THE PROBLEM WITH
PEOPLE?
AND I KNOW THAT'S NOT THE MAIN
276
00:10:03,704 --> 00:10:04,302
PEOPLE?
AND I KNOW THAT'S NOT THE MAIN
ISSUE HERE.
277
00:10:04,304 --> 00:10:06,104
AND I KNOW THAT'S NOT THE MAIN
ISSUE HERE.
THE 6-YEAR-OLD GIRL WHO DIED --
278
00:10:06,106 --> 00:10:07,806
ISSUE HERE.
THE 6-YEAR-OLD GIRL WHO DIED --
OKAY? -- SHE DIED BECAUSE SHE
279
00:10:07,808 --> 00:10:09,307
THE 6-YEAR-OLD GIRL WHO DIED --
OKAY? -- SHE DIED BECAUSE SHE
WAS, UNFORTUNATELY, IN THE SAME
280
00:10:09,309 --> 00:10:10,275
OKAY? -- SHE DIED BECAUSE SHE
WAS, UNFORTUNATELY, IN THE SAME
SPOT AS A LUNATIC.
281
00:10:10,277 --> 00:10:11,509
WAS, UNFORTUNATELY, IN THE SAME
SPOT AS A LUNATIC.
>> YEAH, BUT SHE WOULD HAVE BEEN
282
00:10:11,511 --> 00:10:12,210
SPOT AS A LUNATIC.
>> YEAH, BUT SHE WOULD HAVE BEEN
AT HOME ASLEEP.
283
00:10:12,212 --> 00:10:13,244
>> YEAH, BUT SHE WOULD HAVE BEEN
AT HOME ASLEEP.
>> AT HOME ASLEEP, AT HOME
284
00:10:13,246 --> 00:10:14,079
AT HOME ASLEEP.
>> AT HOME ASLEEP, AT HOME
PLAYING BOARD GAMES.
285
00:10:14,081 --> 00:10:15,547
>> AT HOME ASLEEP, AT HOME
PLAYING BOARD GAMES.
IT'S NOT ABOUT WHAT TIME IT WAS
286
00:10:15,549 --> 00:10:16,581
PLAYING BOARD GAMES.
IT'S NOT ABOUT WHAT TIME IT WAS
AND WHERE SHE WAS AT.
287
00:10:16,583 --> 00:10:18,783
IT'S NOT ABOUT WHAT TIME IT WAS
AND WHERE SHE WAS AT.
"BATMAN" IS A SCARY MOVIE.
288
00:10:18,785 --> 00:10:21,119
- AND WHERE SHE WAS AT.
- "BATMAN" IS A SCARY MOVIE.
289
00:10:21,121 --> 00:10:23,455
"BATMAN" IS A SCARY MOVIE.
290
00:10:38,972 --> 00:10:41,606
DISTANCE ]
291
00:10:51,617 --> 00:10:57,055
>> ¶ IT'S OKAY TO GET AWAY... ¶
>> IF YOU'RE IN THIS TO CHANGE
THE WORLD, YOU'RE IN THE WRONG
292
00:10:57,057 --> 00:10:58,857
>> IF YOU'RE IN THIS TO CHANGE
THE WORLD, YOU'RE IN THE WRONG
BUSINESS.
293
00:10:58,859 --> 00:11:00,492
THE WORLD, YOU'RE IN THE WRONG
BUSINESS.
WE HAVE A DOZEN INTERNS WHO CAN
294
00:11:00,494 --> 00:11:02,193
BUSINESS.
WE HAVE A DOZEN INTERNS WHO CAN
WRITE MORE PALATABLE STORIES FOR
295
00:11:02,195 --> 00:11:03,695
WE HAVE A DOZEN INTERNS WHO CAN
WRITE MORE PALATABLE STORIES FOR
COLLEGE CREDIT AND WHO WOULD
296
00:11:03,697 --> 00:11:06,064
WRITE MORE PALATABLE STORIES FOR
COLLEGE CREDIT AND WHO WOULD
LOVE TO HAVE YOUR JOB.
297
00:11:06,066 --> 00:11:08,433
COLLEGE CREDIT AND WHO WOULD
LOVE TO HAVE YOUR JOB.
IN FACT, CLEAR OUT YOUR DESK.
298
00:11:08,435 --> 00:11:10,535
LOVE TO HAVE YOUR JOB.
IN FACT, CLEAR OUT YOUR DESK.
YOU'RE JUST NOT WORKING OUT
299
00:11:10,537 --> 00:11:11,202
IN FACT, CLEAR OUT YOUR DESK.
YOU'RE JUST NOT WORKING OUT
HERE.
300
00:11:11,204 --> 00:11:13,638
YOU'RE JUST NOT WORKING OUT
HERE.
>> ¶ ...CAN'T EXPLAIN ¶
301
00:11:13,640 --> 00:11:16,374
HERE.
>> ¶ ...CAN'T EXPLAIN ¶
¶ ALL I SEE IS ALL I SEE THE
302
00:11:16,376 --> 00:11:18,543
>> ¶ ...CAN'T EXPLAIN ¶
¶ ALL I SEE IS ALL I SEE THE
SAME ¶
303
00:11:22,915 --> 00:11:30,121
¶ THIS IS THE WAY TO "I'LL NOT
FIND IT" ¶
¶ I HAVEN'T FOUND ANY REASON ¶
304
00:11:30,123 --> 00:11:34,793
FIND IT" ¶
¶ I HAVEN'T FOUND ANY REASON ¶
¶ TILL I MEET THE DAWN ¶
305
00:11:34,795 --> 00:11:37,195
¶ I HAVEN'T FOUND ANY REASON ¶
¶ TILL I MEET THE DAWN ¶
306
00:11:55,981 --> 00:11:59,484
>> LIV, IT'S WITH.
UM, CALL ME BACK.
I'M ON MY WAY TO YOU RIGHT NOW.
307
00:11:59,486 --> 00:12:01,453
UM, CALL ME BACK.
I'M ON MY WAY TO YOU RIGHT NOW.
ARE YOU THERE?
308
00:12:04,557 --> 00:12:08,927
>> ¶ I SAW THE CASE ¶
>> LIV? IT'S WITH.
CALL ME BACK.
309
00:12:08,929 --> 00:12:10,862
>> LIV? IT'S WITH.
CALL ME BACK.
I'M ON MY WAY TO YOU RIGHT NOW.
310
00:12:10,864 --> 00:12:12,097
CALL ME BACK.
I'M ON MY WAY TO YOU RIGHT NOW.
>> HEY. OOH, SORRY.
311
00:12:12,099 --> 00:12:13,798
I'M ON MY WAY TO YOU RIGHT NOW.
>> HEY. OOH, SORRY.
>> I'VE BEEN TEXTING YOU FOR
312
00:12:13,800 --> 00:12:14,365
>> HEY. OOH, SORRY.
>> I'VE BEEN TEXTING YOU FOR
HOURS.
313
00:12:14,367 --> 00:12:15,900
>> I'VE BEEN TEXTING YOU FOR
HOURS.
DID YOU LOSE YOUR PHONE AGAIN?
314
00:12:15,902 --> 00:12:17,135
HOURS.
DID YOU LOSE YOUR PHONE AGAIN?
>> NO, I LIVE IN A BOMB
315
00:12:17,137 --> 00:12:18,603
DID YOU LOSE YOUR PHONE AGAIN?
>> NO, I LIVE IN A BOMB
SHELTER AND HAVE AN EIGHTH OF
316
00:12:18,605 --> 00:12:19,671
>> NO, I LIVE IN A BOMB
SHELTER AND HAVE AN EIGHTH OF
A BAR OF RECEPTION.
317
00:12:19,673 --> 00:12:22,941
SHELTER AND HAVE AN EIGHTH OF
A BAR OF RECEPTION.
318
00:12:22,943 --> 00:12:25,343
A BAR OF RECEPTION.
>> WHAT?
319
00:12:25,345 --> 00:12:26,511
>> >> WHAT?
OKAY, YOU'RE FREAKING ME OUT.
320
00:12:26,513 --> 00:12:27,779
>> WHAT?
OKAY, YOU'RE FREAKING ME OUT.
WAS THERE A TERRORIST ATTACK?
321
00:12:27,781 --> 00:12:28,513
OKAY, YOU'RE FREAKING ME OUT.
WAS THERE A TERRORIST ATTACK?
SHOULD WE FLEE?
322
00:12:28,515 --> 00:12:30,648
WAS THERE A TERRORIST ATTACK?
SHOULD WE FLEE?
323
00:12:30,650 --> 00:12:33,151
SHOULD WE FLEE?
I-I COULDN'T SELL THE STORY.
324
00:12:33,153 --> 00:12:35,487
>> I-I COULDN'T SELL THE STORY.
I-I-I CALLED AND I PLEADED AND I
325
00:12:35,489 --> 00:12:37,255
I-I COULDN'T SELL THE STORY.
I-I-I CALLED AND I PLEADED AND I
BEGGED EVERYONE I KNEW.
326
00:12:37,257 --> 00:12:38,389
I-I-I CALLED AND I PLEADED AND I
BEGGED EVERYONE I KNEW.
>> WHO'S EVERYONE?
327
00:12:38,391 --> 00:12:39,991
BEGGED EVERYONE I KNEW.
>> WHO'S EVERYONE?
>> THE POST, THE TIMES,
328
00:12:39,993 --> 00:12:40,925
>> WHO'S EVERYONE?
>> THE POST, THE TIMES,INTERVIEW.
329
00:12:40,927 --> 00:12:42,761
>> THE POST, THE TIMES,INTERVIEW.
>> SO, NONE OF THE PAPARAZZI
330
00:12:42,763 --> 00:12:44,729
INTERVIEW.
>> SO, NONE OF THE PAPARAZZI
THAT WERE THERE -- NONE OF THEM
331
00:12:44,731 --> 00:12:45,964
>> SO, NONE OF THE PAPARAZZI
THAT WERE THERE -- NONE OF THEM
PRINTED ANYTHING?
332
00:12:45,966 --> 00:12:47,565
THAT WERE THERE -- NONE OF THEM
PRINTED ANYTHING?
>> NO.
333
00:12:47,567 --> 00:12:49,134
PRINTED ANYTHING?
>> NO.
>> NOT EVEN A BLOG?
334
00:12:49,136 --> 00:12:52,771
>> NO.
>> NOT EVEN A BLOG?
>> I TRIED.
335
00:12:52,773 --> 00:12:54,839
>> NOT EVEN A BLOG?
>> I TRIED.
336
00:12:54,841 --> 00:12:56,841
>> I TRIED.
LIV, I THINK IF YOU WANT TO
337
00:12:56,843 --> 00:12:59,077
>> LIV, I THINK IF YOU WANT TO
IMPACT MASS CULTURE IN AMERICA,
338
00:12:59,079 --> 00:13:01,146
LIV, I THINK IF YOU WANT TO
IMPACT MASS CULTURE IN AMERICA,
YOU NEED TO TAKE THIS TO THE
339
00:13:01,148 --> 00:13:01,780
IMPACT MASS CULTURE IN AMERICA,
YOU NEED TO TAKE THIS TO THE
NEXT LEVEL.
340
00:13:01,782 --> 00:13:03,081
YOU NEED TO TAKE THIS TO THE
NEXT LEVEL.
I THINK YOU NEED TO GO REALLY
341
00:13:03,083 --> 00:13:03,448
NEXT LEVEL.
I THINK YOU NEED TO GO REALLY
BIG.
342
00:13:03,450 --> 00:13:05,183
I THINK YOU NEED TO GO REALLY
BIG.
NATIONAL PUBLICITY STUNTS,
343
00:13:05,185 --> 00:13:07,218
BIG.
NATIONAL PUBLICITY STUNTS,
VIRAL CAMPAIGNS, ARMIES OF WOMEN
344
00:13:07,220 --> 00:13:08,486
NATIONAL PUBLICITY STUNTS,
VIRAL CAMPAIGNS, ARMIES OF WOMEN
IN EVERY SINGLE CITY!
345
00:13:08,488 --> 00:13:10,288
VIRAL CAMPAIGNS, ARMIES OF WOMEN
IN EVERY SINGLE CITY!
I THINK YOU NEED TO MAKE SO MUCH
346
00:13:10,290 --> 00:13:11,956
IN EVERY SINGLE CITY!
I THINK YOU NEED TO MAKE SO MUCH
NOISE THAT THESE POLICYMAKERS
347
00:13:11,958 --> 00:13:13,525
I THINK YOU NEED TO MAKE SO MUCH
NOISE THAT THESE POLICYMAKERS
HAVE NO OTHER CHOICE BUT TO
348
00:13:13,527 --> 00:13:14,025
NOISE THAT THESE POLICYMAKERS
HAVE NO OTHER CHOICE BUT TO
LISTEN.
349
00:13:14,027 --> 00:13:15,426
HAVE NO OTHER CHOICE BUT TO
LISTEN.
>> WITH, I CAN'T AFFORD TO EAT
350
00:13:15,428 --> 00:13:16,261
LISTEN.
>> WITH, I CAN'T AFFORD TO EAT
AT A RESTAURANT.
351
00:13:16,263 --> 00:13:17,629
>> WITH, I CAN'T AFFORD TO EAT
AT A RESTAURANT.
WHERE AM I GONNA GET THE CASH
352
00:13:17,631 --> 00:13:18,496
AT A RESTAURANT.
WHERE AM I GONNA GET THE CASH
FOR A REVOLUTION?
353
00:13:18,498 --> 00:13:19,397
WHERE AM I GONNA GET THE CASH
FOR A REVOLUTION?
>> WE'LL FIND THE MONEY.
354
00:13:19,399 --> 00:13:20,331
FOR A REVOLUTION?
>> WE'LL FIND THE MONEY.
WE'LL START A NONPROFIT.
355
00:13:20,333 --> 00:13:21,266
>> WE'LL FIND THE MONEY.
WE'LL START A NONPROFIT.
WE'RE GONNA MAKE IT WORK!
356
00:13:21,268 --> 00:13:25,036
WE'LL START A NONPROFIT.
WE'RE GONNA MAKE IT WORK!
>> WE?
357
00:13:25,038 --> 00:13:26,304
WE'RE GONNA MAKE IT WORK!
>> WE?
WHAT DO YOU MEAN "WE"?
358
00:13:26,306 --> 00:13:27,405
>> WE?
WHAT DO YOU MEAN "WE"?
WHAT ARE YOU SAYING, SNOW WHITE?
359
00:13:27,407 --> 00:13:29,307
WHAT DO YOU MEAN "WE"?
WHAT ARE YOU SAYING, SNOW WHITE?
>> I'M SAYING, I JUST LOST MY
360
00:13:29,309 --> 00:13:30,809
WHAT ARE YOU SAYING, SNOW WHITE?
>> I'M SAYING, I JUST LOST MY
JOB OVER THIS ARTICLE.
361
00:13:30,811 --> 00:13:32,811
>> I'M SAYING, I JUST LOST MY
JOB OVER THIS ARTICLE.
I'M ABOUT TO GET EVICTED, AND I
362
00:13:32,813 --> 00:13:34,546
JOB OVER THIS ARTICLE.
I'M ABOUT TO GET EVICTED, AND I
HAVE NOTHING LEFT TO LOSE.
363
00:13:34,548 --> 00:13:35,880
I'M ABOUT TO GET EVICTED, AND I
HAVE NOTHING LEFT TO LOSE.
>> YOU HONESTLY BELIEVE THAT WE
364
00:13:35,882 --> 00:13:37,081
HAVE NOTHING LEFT TO LOSE.
>> YOU HONESTLY BELIEVE THAT WE
CAN CHANGE THE LAWS IN THIS
365
00:13:37,083 --> 00:13:37,582
>> YOU HONESTLY BELIEVE THAT WE
CAN CHANGE THE LAWS IN THIS
COUNTRY?
366
00:13:37,584 --> 00:13:38,783
CAN CHANGE THE LAWS IN THIS
COUNTRY?
367
00:13:38,785 --> 00:13:40,785
COUNTRY?
YEAH.
368
00:13:48,194 --> 00:13:53,698
>> ORSON!
369
00:13:53,700 --> 00:13:55,633
PLAYS ]
>> ORSON!
ORSON!
370
00:13:55,635 --> 00:13:58,436
>> ORSON!
ORSON!
ORSON!
371
00:13:58,438 --> 00:14:00,405
ORSON!
ORSON!
ORSON!
372
00:14:05,110 --> 00:14:09,247
- ORSON!
- >> WHAT'S THAT ON YOUR HEAD?
373
00:14:09,249 --> 00:14:10,915
>> WHAT'S THAT ON YOUR HEAD?
>> CHECK FOR FUCKIN' $5,000.
374
00:14:10,917 --> 00:14:12,083
>> WHAT'S THAT ON YOUR HEAD?
>> CHECK FOR FUCKIN' $5,000.
>> WHY'D YOU PUT IT ON YOUR
375
00:14:12,085 --> 00:14:12,450
>> CHECK FOR FUCKIN' $5,000.
>> WHY'D YOU PUT IT ON YOUR
HEAD?
376
00:14:12,452 --> 00:14:13,651
>> WHY'D YOU PUT IT ON YOUR
HEAD?
THAT'S A DUMB PLACE TO PUT A
377
00:14:13,653 --> 00:14:14,052
HEAD?
THAT'S A DUMB PLACE TO PUT A
CHECK.
378
00:14:14,054 --> 00:14:14,519
THAT'S A DUMB PLACE TO PUT A
CHECK.
>> YEAH.
379
00:14:14,521 --> 00:14:15,653
CHECK.
>> YEAH.
LET'S GO PIG OUT, LIKE NOW.
380
00:14:15,655 --> 00:14:16,721
>> YEAH.
LET'S GO PIG OUT, LIKE NOW.
>> OKAY. YEAH, I'M DOWN.
381
00:14:16,723 --> 00:14:19,090
LET'S GO PIG OUT, LIKE NOW.
>> OKAY. YEAH, I'M DOWN.
>> HOW MUCH OF THAT DID YOU SEE?
382
00:14:19,092 --> 00:14:20,458
>> OKAY. YEAH, I'M DOWN.
>> HOW MUCH OF THAT DID YOU SEE?
LIKE, ALL OF THAT, OR JUST THE
383
00:14:20,460 --> 00:14:21,025
>> HOW MUCH OF THAT DID YOU SEE?
LIKE, ALL OF THAT, OR JUST THE
END PART?
384
00:14:21,027 --> 00:14:23,228
LIKE, ALL OF THAT, OR JUST THE
END PART?
385
00:14:50,055 --> 00:14:52,657
>> DO YOU HONESTLY BELIEVE THAT
WE CAN CHANGE THE LAWS IN THIS
COUNTRY?
386
00:14:52,659 --> 00:14:54,125
WE CAN CHANGE THE LAWS IN THIS
COUNTRY?
DO YOU WANT TO HEAR A QUOTE THAT
387
00:14:54,127 --> 00:14:55,393
COUNTRY?
DO YOU WANT TO HEAR A QUOTE THAT
SUMS UP MY ENTIRE THEORY OF
388
00:14:55,395 --> 00:14:55,793
DO YOU WANT TO HEAR A QUOTE THAT
SUMS UP MY ENTIRE THEORY OF
LIFE?
389
00:14:55,795 --> 00:14:56,928
SUMS UP MY ENTIRE THEORY OF
LIFE?
>> OKAY.
390
00:14:56,930 --> 00:14:59,297
LIFE?
>> OKAY.
>> "FIRST, THEY IGNORE YOU,
391
00:14:59,299 --> 00:15:01,165
>> OKAY.
>> "FIRST, THEY IGNORE YOU,
THEN THEY LAUGH AT YOU,
392
00:15:01,167 --> 00:15:02,667
>> "FIRST, THEY IGNORE YOU,
THEN THEY LAUGH AT YOU,
THEN THEY FIGHT YOU,
393
00:15:02,669 --> 00:15:04,402
THEN THEY LAUGH AT YOU,
THEN THEY FIGHT YOU,
AND THEN YOU WIN."
394
00:15:04,404 --> 00:15:05,270
THEN THEY FIGHT YOU,
AND THEN YOU WIN."
>> WHO SAID THAT?
395
00:15:05,272 --> 00:15:07,205
AND THEN YOU WIN."
>> WHO SAID THAT?
>> MAHATMA GANDHI.
396
00:15:07,207 --> 00:15:09,240
>> WHO SAID THAT?
>> MAHATMA GANDHI.
>> IT'S VERY OPTIMISTIC.
397
00:15:09,242 --> 00:15:11,009
>> MAHATMA GANDHI.
>> IT'S VERY OPTIMISTIC.
>> YEAH.
398
00:15:12,845 --> 00:15:19,617
>> WE GOT MONEY
399
00:15:35,801 --> 00:15:39,170
>> I MEAN, MONEY ISN'T REALLY
REAL.
IF YOU THINK ABOUT IT, IT'S
400
00:15:39,172 --> 00:15:40,972
REAL.
IF YOU THINK ABOUT IT, IT'S
LIKE PRETTY COLORED PAPER AND
401
00:15:40,974 --> 00:15:42,840
IF YOU THINK ABOUT IT, IT'S
LIKE PRETTY COLORED PAPER AND
LOTS OF NUMBERS IN A COMPUTER.
402
00:15:42,842 --> 00:15:43,841
LIKE PRETTY COLORED PAPER AND
LOTS OF NUMBERS IN A COMPUTER.
>> THAT'S THE SINGLE DUMBEST
403
00:15:43,843 --> 00:15:44,676
LOTS OF NUMBERS IN A COMPUTER.
>> THAT'S THE SINGLE DUMBEST
THING YOU'VE EVER SAID.
404
00:15:44,678 --> 00:15:45,643
>> THAT'S THE SINGLE DUMBEST
THING YOU'VE EVER SAID.
405
00:15:45,645 --> 00:15:47,078
THING YOU'VE EVER SAID.
>> MONEY IS 100% REAL.
406
00:15:47,080 --> 00:15:47,578
>> >> MONEY IS 100% REAL.
>> WELL...
407
00:15:47,580 --> 00:15:48,680
>> MONEY IS 100% REAL.
>> WELL...
>> IT'S THE REALEST THING I
408
00:15:48,682 --> 00:15:49,013
>> WELL...
>> IT'S THE REALEST THING I
KNOW.
409
00:15:49,015 --> 00:15:50,615
>> IT'S THE REALEST THING I
KNOW.
>> THIS IS REAL.
410
00:15:50,617 --> 00:15:51,549
KNOW.
>> THIS IS REAL.
>> THAT'S FOR ME?
411
00:15:51,551 --> 00:15:52,216
>> THIS IS REAL.
>> THAT'S FOR ME?
>> MM-HMM.
412
00:15:52,218 --> 00:15:53,718
>> THAT'S FOR ME?
>> MM-HMM.
>> YOU ARE SUCH A GOOD FRIEND.
413
00:15:53,720 --> 00:15:54,519
>> MM-HMM.
>> YOU ARE SUCH A GOOD FRIEND.
414
00:15:54,521 --> 00:15:55,987
>> YOU ARE SUCH A GOOD FRIEND.
FOR RENT AND CABLE AND $500 FOR
415
00:15:55,989 --> 00:15:57,288
>> FOR RENT AND CABLE AND $500 FOR
ALL THE TAKEOUT YOU'VE BEEN
416
00:15:57,290 --> 00:15:57,789
FOR RENT AND CABLE AND $500 FOR
ALL THE TAKEOUT YOU'VE BEEN
BUYING.
417
00:15:57,791 --> 00:15:58,856
ALL THE TAKEOUT YOU'VE BEEN
BUYING.
>> WELL, I'M NOT GONNA TAKE
418
00:15:58,858 --> 00:15:59,757
BUYING.
>> WELL, I'M NOT GONNA TAKE
MONEY FOR THE TAKEOUT.
419
00:15:59,759 --> 00:16:01,025
>> WELL, I'M NOT GONNA TAKE
MONEY FOR THE TAKEOUT.
>> WHY AREN'T YOU GONNA TAKE
420
00:16:01,027 --> 00:16:02,093
MONEY FOR THE TAKEOUT.
>> WHY AREN'T YOU GONNA TAKE
MONEY FOR THE TAKEOUT?
421
00:16:02,095 --> 00:16:03,428
>> WHY AREN'T YOU GONNA TAKE
MONEY FOR THE TAKEOUT?
>> BECAUSE THAT'S JUST ME AS A
422
00:16:03,430 --> 00:16:04,629
MONEY FOR THE TAKEOUT?
>> BECAUSE THAT'S JUST ME AS A
FRIEND BUYING YOU LUNCH OR
423
00:16:04,631 --> 00:16:05,496
>> BECAUSE THAT'S JUST ME AS A
FRIEND BUYING YOU LUNCH OR
DINNER, WHATEVER.
424
00:16:05,498 --> 00:16:06,297
FRIEND BUYING YOU LUNCH OR
DINNER, WHATEVER.
>> JUST TAKE IT.
425
00:16:06,299 --> 00:16:07,665
DINNER, WHATEVER.
>> JUST TAKE IT.
>> I'M NOT, NO, BECAUSE -- NO.
426
00:16:07,667 --> 00:16:09,734
>> JUST TAKE IT.
>> I'M NOT, NO, BECAUSE -- NO.
>> JUST RECEIVE.
427
00:16:09,736 --> 00:16:10,635
>> I'M NOT, NO, BECAUSE -- NO.
>> JUST RECEIVE.
>> FINE. OKAY.
428
00:16:10,637 --> 00:16:12,370
>> JUST RECEIVE.
>> FINE. OKAY.
I'M NOT HAPPY ABOUT IT, AND I'LL
429
00:16:12,372 --> 00:16:13,638
>> FINE. OKAY.
I'M NOT HAPPY ABOUT IT, AND I'LL
HOLD THIS AGAINST YOU.
430
00:16:13,640 --> 00:16:14,806
I'M NOT HAPPY ABOUT IT, AND I'LL
HOLD THIS AGAINST YOU.
431
00:16:14,808 --> 00:16:17,208
- HOLD THIS AGAINST YOU.
- >> OH, JIM BLACK.
432
00:16:17,210 --> 00:16:18,176
>> OH, JIM BLACK.
>> JIM BLACK?
433
00:16:18,178 --> 00:16:19,043
>> OH, JIM BLACK.
>> JIM BLACK?
WHO'S THAT?
434
00:16:19,045 --> 00:16:20,645
>> JIM BLACK?
WHO'S THAT?
INQUIRING MINDS WANT TO KNOW.
435
00:16:20,647 --> 00:16:21,312
WHO'S THAT?
INQUIRING MINDS WANT TO KNOW.
>> YEAH, YEAH.
436
00:16:21,314 --> 00:16:22,547
INQUIRING MINDS WANT TO KNOW.
>> YEAH, YEAH.
IT'S THIS D.C. P.R. GUY THAT I
437
00:16:22,549 --> 00:16:23,614
>> YEAH, YEAH.
IT'S THIS D.C. P.R. GUY THAT I
WORKED WITH AT THE PAPER.
438
00:16:23,616 --> 00:16:24,615
IT'S THIS D.C. P.R. GUY THAT I
WORKED WITH AT THE PAPER.
FINALLY TEXTED ME BACK.
439
00:16:24,617 --> 00:16:25,750
WORKED WITH AT THE PAPER.
FINALLY TEXTED ME BACK.
>> D.C. P.R. GUY?
440
00:16:25,752 --> 00:16:27,218
FINALLY TEXTED ME BACK.
>> D.C. P.R. GUY?
YEAH, WHAT DO YOU MEAN YOU'RE
441
00:16:27,220 --> 00:16:28,453
>> D.C. P.R. GUY?
YEAH, WHAT DO YOU MEAN YOU'RE
TEXTING A D.C. P.R. GUY?
442
00:16:28,455 --> 00:16:31,556
YEAH, WHAT DO YOU MEAN YOU'RE
TEXTING A D.C. P.R. GUY?
>> I AM STARTING A FULL-SCALE
443
00:16:31,558 --> 00:16:32,957
TEXTING A D.C. P.R. GUY?
>> I AM STARTING A FULL-SCALE
CULTURAL REVOLUTION.
444
00:16:32,959 --> 00:16:33,958
>> I AM STARTING A FULL-SCALE
CULTURAL REVOLUTION.
>> SERIOUSLY?
445
00:16:33,960 --> 00:16:34,692
CULTURAL REVOLUTION.
>> SERIOUSLY?
>> YEAH.
446
00:16:34,694 --> 00:16:36,527
>> SERIOUSLY?
>> YEAH.
AND I NEED HELP.
447
00:16:36,529 --> 00:16:37,295
>> YEAH.
AND I NEED HELP.
>> I --
448
00:16:37,297 --> 00:16:39,597
AND I NEED HELP.
>> I --
>> AND LISTEN BEFORE YOU -- AND
449
00:16:39,599 --> 00:16:42,400
>> I --
>> AND LISTEN BEFORE YOU -- AND
IT INVOLVES A LOT OF WOMEN.
450
00:16:42,402 --> 00:16:44,635
>> AND LISTEN BEFORE YOU -- AND
IT INVOLVES A LOT OF WOMEN.
>> I MIGHT BE ABLE TO MAKE TIME.
451
00:16:44,637 --> 00:16:45,603
IT INVOLVES A LOT OF WOMEN.
>> I MIGHT BE ABLE TO MAKE TIME.
>> YOU --
452
00:16:45,605 --> 00:16:48,139
>> I MIGHT BE ABLE TO MAKE TIME.
>> YOU --
>> HOW SINGLE ARE MOST OF THEM?
453
00:16:48,141 --> 00:16:53,444
>> YOU --
>> HOW SINGLE ARE MOST OF THEM?
454
00:16:53,446 --> 00:16:54,445
>> HOW SINGLE ARE MOST OF THEM?
455
00:16:54,447 --> 00:16:54,846
>> >> SO...
456
00:16:54,848 --> 00:16:55,246
>> SO...
>> HEY.
457
00:16:55,248 --> 00:16:56,280
>> SO...
>> HEY.
>> REMEMBER WHEN YOU SAID WE
458
00:16:56,282 --> 00:16:57,415
>> HEY.
>> REMEMBER WHEN YOU SAID WE
SHOULD GET A LAWYER TO COME WITH
459
00:16:57,417 --> 00:16:58,349
>> REMEMBER WHEN YOU SAID WE
SHOULD GET A LAWYER TO COME WITH
YOU TO YOUR NEXT TOPLESS
460
00:16:58,351 --> 00:16:58,750
SHOULD GET A LAWYER TO COME WITH
YOU TO YOUR NEXT TOPLESS
PROTEST?
461
00:16:58,752 --> 00:17:00,018
YOU TO YOUR NEXT TOPLESS
PROTEST?
>> YEAH. THAT WAS YOUR IDEA.
462
00:17:00,020 --> 00:17:01,285
PROTEST?
>> YEAH. THAT WAS YOUR IDEA.
>> OKAY, WELL, I LOOKED INTO
463
00:17:01,287 --> 00:17:02,420
>> YEAH. THAT WAS YOUR IDEA.
>> OKAY, WELL, I LOOKED INTO
IT, AND THESE LAWYERS WHO
464
00:17:02,422 --> 00:17:03,821
>> OKAY, WELL, I LOOKED INTO
IT, AND THESE LAWYERS WHO
SPECIALIZE IN FREEDOM OF SPEECH
465
00:17:03,823 --> 00:17:05,156
IT, AND THESE LAWYERS WHO
SPECIALIZE IN FREEDOM OF SPEECH
HAVE AGREED TO REPRESENT US IN
466
00:17:05,158 --> 00:17:06,257
SPECIALIZE IN FREEDOM OF SPEECH
HAVE AGREED TO REPRESENT US IN
NEW YORK AND NATIONWIDE!
467
00:17:06,259 --> 00:17:07,859
HAVE AGREED TO REPRESENT US IN
NEW YORK AND NATIONWIDE!
>> OH, MY GOD! AAH!
468
00:17:07,861 --> 00:17:09,427
NEW YORK AND NATIONWIDE!
>> OH, MY GOD! AAH!
FREEING NIPPLES STATE BY STATE!
469
00:17:09,429 --> 00:17:09,994
>> OH, MY GOD! AAH!
FREEING NIPPLES STATE BY STATE!
AMAZING!
470
00:17:09,996 --> 00:17:11,829
FREEING NIPPLES STATE BY STATE!
AMAZING!
>> ONE BY ONE.
471
00:17:11,831 --> 00:17:14,132
AMAZING!
>> ONE BY ONE.
>> SO, ARE YOU GONNA DO IT, TOO?
472
00:17:14,134 --> 00:17:15,133
>> ONE BY ONE.
>> SO, ARE YOU GONNA DO IT, TOO?
>> WHAT?
473
00:17:15,135 --> 00:17:16,000
>> SO, ARE YOU GONNA DO IT, TOO?
>> WHAT?
>> GO TOPLESS.
474
00:17:16,002 --> 00:17:17,869
>> WHAT?
>> GO TOPLESS.
>> OH, MY GOD.
475
00:17:17,871 --> 00:17:18,469
>> GO TOPLESS.
>> OH, MY GOD.
SURE. MAYBE.
476
00:17:18,471 --> 00:17:19,570
>> OH, MY GOD.
SURE. MAYBE.
MAYBE, IF I'M SURROUNDED BY
477
00:17:19,572 --> 00:17:20,805
SURE. MAYBE.
MAYBE, IF I'M SURROUNDED BY
OTHER WOMEN, BUT THAT'S NOT THE
478
00:17:20,807 --> 00:17:21,372
MAYBE, IF I'M SURROUNDED BY
OTHER WOMEN, BUT THAT'S NOT THE
POINT, LIV.
479
00:17:21,374 --> 00:17:22,707
OTHER WOMEN, BUT THAT'S NOT THE
POINT, LIV.
>> OKAY, OKAY. SORRY, SORRY.
480
00:17:22,709 --> 00:17:24,175
POINT, LIV.
>> OKAY, OKAY. SORRY, SORRY.
SO, HOW MUCH IS THIS GONNA COST
481
00:17:24,177 --> 00:17:24,509
>> OKAY, OKAY. SORRY, SORRY.
SO, HOW MUCH IS THIS GONNA COST
US?
482
00:17:24,511 --> 00:17:25,710
SO, HOW MUCH IS THIS GONNA COST
US?
>> $3,000 TO PUT THEM ON
483
00:17:25,712 --> 00:17:26,944
US?
>> $3,000 TO PUT THEM ON
RETAINER, WHICH IS A DEAL,
484
00:17:26,946 --> 00:17:27,612
>> $3,000 TO PUT THEM ON
RETAINER, WHICH IS A DEAL,
BELIEVE ME.
485
00:17:27,614 --> 00:17:28,913
RETAINER, WHICH IS A DEAL,
BELIEVE ME.
>> BUT WHERE ARE WE GONNA GET
486
00:17:28,915 --> 00:17:29,514
BELIEVE ME.
>> BUT WHERE ARE WE GONNA GET
THAT MONEY?
487
00:17:29,516 --> 00:17:32,016
>> BUT WHERE ARE WE GONNA GET
THAT MONEY?
>> ¶ DUNH-DUNH ¶
488
00:17:32,018 --> 00:17:33,818
THAT MONEY?
>> ¶ DUNH-DUNH ¶
Wshh!
489
00:17:33,820 --> 00:17:35,153
>> ¶ DUNH-DUNH ¶
Wshh!
>> WHAT IS THAT?
490
00:17:35,155 --> 00:17:36,854
Wshh!
>> WHAT IS THAT?
>> SEVERANCE CHECK FROM THE
491
00:17:36,856 --> 00:17:39,390
>> WHAT IS THAT?
>> SEVERANCE CHECK FROM THE
PAPER -- $5,000.
492
00:17:39,392 --> 00:17:41,692
>> SEVERANCE CHECK FROM THE
PAPER -- $5,000.
CONSIDER ME YOUR FIRST INVESTOR.
493
00:17:41,694 --> 00:17:44,962
PAPER -- $5,000.
CONSIDER ME YOUR FIRST INVESTOR.
>> WHOO-OOH!
494
00:17:44,964 --> 00:17:47,498
CONSIDER ME YOUR FIRST INVESTOR.
>> WHOO-OOH!
495
00:17:47,500 --> 00:17:49,067
>> WHOO-OOH!
>> OKAY.
496
00:17:49,069 --> 00:17:51,669
>> OKAY.
497
00:17:51,671 --> 00:17:53,905
>> OKAY.
>> THANK YOU, WITH.
498
00:17:53,907 --> 00:17:57,008
>> THANK YOU, WITH.
>> YOU'RE WELCOME.
499
00:17:57,010 --> 00:17:58,743
>> - THANK YOU, WITH.
- >> YOU'RE WELCOME.
500
00:17:58,745 --> 00:18:01,446
>> - YOU'RE WELCOME.
- OH, WOW! UH...
501
00:18:01,448 --> 00:18:03,381
OH, WOW! UH...
>> UH, DO YOU HAVE ANY ISSUES
502
00:18:03,383 --> 00:18:05,249
OH, WOW! UH...
>> UH, DO YOU HAVE ANY ISSUES
WITH BEING TOPLESS IN PUBLIC
503
00:18:05,251 --> 00:18:05,917
>> UH, DO YOU HAVE ANY ISSUES
WITH BEING TOPLESS IN PUBLIC
PLACES?
504
00:18:05,919 --> 00:18:06,784
WITH BEING TOPLESS IN PUBLIC
PLACES?
505
00:18:06,786 --> 00:18:08,986
PLACES?
>> I MADE A RESOLUTION THIS YEAR
506
00:18:08,988 --> 00:18:11,089
>> >> I MADE A RESOLUTION THIS YEAR
TO TRY MORE NEW, SCARY THINGS.
507
00:18:11,091 --> 00:18:12,990
>> - I MADE A RESOLUTION THIS YEAR TO TRY MORE NEW, SCARY THINGS.
- SO, THAT SOUNDS
508
00:18:12,992 --> 00:18:14,058
- TO TRY MORE NEW, SCARY THINGS.
- SO, THAT SOUNDS REALLY SCARY.
509
00:18:14,060 --> 00:18:14,725
SO, THAT SOUNDS REALLY SCARY.
YEAH.
510
00:18:14,727 --> 00:18:17,361
REALLY SCARY.
YEAH.
>> IT SAYS THAT YOU HAVE SPECIAL
511
00:18:17,363 --> 00:18:18,029
YEAH.
>> IT SAYS THAT YOU HAVE SPECIAL
SKILLS.
512
00:18:18,031 --> 00:18:21,632
>> IT SAYS THAT YOU HAVE SPECIAL
SKILLS.
>> YEAH, UM, I KNOW FINAL CUT,
513
00:18:21,634 --> 00:18:26,804
SKILLS.
>> YEAH, UM, I KNOW FINAL CUT,
EXCEL, PHOTOSHOP, JAVA, DRUPAL.
514
00:18:26,806 --> 00:18:28,272
>> YEAH, UM, I KNOW FINAL CUT,
EXCEL, PHOTOSHOP, JAVA, DRUPAL.
AND MY GRANDMOTHER WAS A
515
00:18:28,274 --> 00:18:29,540
EXCEL, PHOTOSHOP, JAVA, DRUPAL.
AND MY GRANDMOTHER WAS A
BLACK PANTHER.
516
00:18:29,542 --> 00:18:31,075
AND MY GRANDMOTHER WAS A
BLACK PANTHER.
>> THAT'S SO COOL.
517
00:18:31,077 --> 00:18:32,910
BLACK PANTHER.
>> THAT'S SO COOL.
>> I READ "MALCOLM X."
518
00:18:32,912 --> 00:18:34,846
>> THAT'S SO COOL.
>> I READ "MALCOLM X."
>> THE DESCRIPTION SAYS
519
00:18:34,848 --> 00:18:37,582
>> I READ "MALCOLM X."
>> THE DESCRIPTION SAYS
"CAMPAIGN EXPERIENCE, FILM AND
520
00:18:37,584 --> 00:18:40,918
>> THE DESCRIPTION SAYS
"CAMPAIGN EXPERIENCE, FILM AND
EDITING SKILLS WANTED, UH, MUST
521
00:18:40,920 --> 00:18:42,320
"CAMPAIGN EXPERIENCE, FILM AND
EDITING SKILLS WANTED, UH, MUST
BE COMFORTABLE WITH PUBLIC
522
00:18:42,322 --> 00:18:42,887
EDITING SKILLS WANTED, UH, MUST
BE COMFORTABLE WITH PUBLIC
NUDITY."
523
00:18:42,889 --> 00:18:43,888
BE COMFORTABLE WITH PUBLIC
NUDITY."
524
00:18:43,890 --> 00:18:45,356
NUDITY."
525
00:18:45,358 --> 00:18:47,825
>> >> UM, CAN I BE ARRESTED?
526
00:18:47,827 --> 00:18:49,527
>> >> UM, CAN I BE ARRESTED?
>> YEAH.
527
00:18:49,529 --> 00:18:50,728
>> UM, CAN I BE ARRESTED?
>> YEAH.
>> WHERE DO YOU STAND ON
528
00:18:50,730 --> 00:18:51,262
>> YEAH.
>> WHERE DO YOU STAND ON
PASTIES?
529
00:18:51,264 --> 00:18:52,864
>> WHERE DO YOU STAND ON
PASTIES?
>> DO YOU HAVE ANY OBJECTIONS TO
530
00:18:52,866 --> 00:18:54,031
PASTIES?
>> DO YOU HAVE ANY OBJECTIONS TO
GOING UNDERCOVER INSIDE
531
00:18:54,033 --> 00:18:55,633
>> DO YOU HAVE ANY OBJECTIONS TO
GOING UNDERCOVER INSIDE
GOVERNMENT ORGANIZATIONS TO FREE
532
00:18:55,635 --> 00:18:57,201
GOING UNDERCOVER INSIDE
GOVERNMENT ORGANIZATIONS TO FREE
THIS COUNTRY FROM OPPRESSION AND
533
00:18:57,203 --> 00:18:57,902
GOVERNMENT ORGANIZATIONS TO FREE
THIS COUNTRY FROM OPPRESSION AND
CENSORSHIP?
534
00:18:57,904 --> 00:18:59,837
THIS COUNTRY FROM OPPRESSION AND
CENSORSHIP?
>> FUCK YEAH.
535
00:18:59,839 --> 00:19:01,072
CENSORSHIP?
>> FUCK YEAH.
>> DO YOU HAVE ANY ISSUES
536
00:19:01,074 --> 00:19:02,306
>> FUCK YEAH.
>> DO YOU HAVE ANY ISSUES
GETTING TOPLESS IN PUBLIC
537
00:19:02,308 --> 00:19:05,543
>> DO YOU HAVE ANY ISSUES
GETTING TOPLESS IN PUBLIC
PLACES?
538
00:19:05,545 --> 00:19:06,811
GETTING TOPLESS IN PUBLIC
PLACES?
>> THANK YOU. THAT'S GREAT.
539
00:19:06,813 --> 00:19:07,545
PLACES?
>> THANK YOU. THAT'S GREAT.
>> THANK YOU.
540
00:19:07,547 --> 00:19:09,647
>> THANK YOU. THAT'S GREAT.
>> THANK YOU.
>> UM, YOU GUYS ARE BOTH
541
00:19:09,649 --> 00:19:12,316
>> THANK YOU.
>> UM, YOU GUYS ARE BOTH
FILMMAKERS.
542
00:19:12,318 --> 00:19:13,217
>> UM, YOU GUYS ARE BOTH
FILMMAKERS.
OH, I -- I'M SORRY.
543
00:19:13,219 --> 00:19:14,585
FILMMAKERS.
OH, I -- I'M SORRY.
I-I DIDN'T KNOW YOU GUYS DIDN'T
544
00:19:14,587 --> 00:19:15,953
OH, I -- I'M SORRY.
I-I DIDN'T KNOW YOU GUYS DIDN'T
SPEAK ENGLISH, BUT THAT'S GREAT
545
00:19:15,955 --> 00:19:17,021
I-I DIDN'T KNOW YOU GUYS DIDN'T
SPEAK ENGLISH, BUT THAT'S GREAT
THAT YOU GUYS ARE HERE.
546
00:19:17,023 --> 00:19:18,756
SPEAK ENGLISH, BUT THAT'S GREAT
THAT YOU GUYS ARE HERE.
>> I MEAN, I GUESS I WOULD HAVE
547
00:19:18,758 --> 00:19:20,358
THAT YOU GUYS ARE HERE.
>> I MEAN, I GUESS I WOULD HAVE
TO TELL MY HUSBAND ABOUT IT.
548
00:19:20,360 --> 00:19:22,160
>> I MEAN, I GUESS I WOULD HAVE
TO TELL MY HUSBAND ABOUT IT.
>> MY TITS ARE IN.
549
00:19:22,162 --> 00:19:25,463
TO TELL MY HUSBAND ABOUT IT.
>> MY TITS ARE IN.
>> I'M FREE TOMORROW.
550
00:19:25,465 --> 00:19:26,664
>> MY TITS ARE IN.
>> I'M FREE TOMORROW.
>> THAT'S GREAT.
551
00:19:26,666 --> 00:19:28,432
>> I'M FREE TOMORROW.
>> THAT'S GREAT.
552
00:19:28,434 --> 00:19:29,567
>> THAT'S GREAT.
GREAT.
553
00:19:29,569 --> 00:19:32,770
>> GREAT.
554
00:21:03,161 --> 00:21:08,099
>> WHAT'S GOING ON?
ARE WE FUCKED?
>> IT'S WORKING.
555
00:21:08,101 --> 00:21:09,267
ARE WE FUCKED?
>> IT'S WORKING.
>> OFFICERS, EXCUSE ME.
556
00:21:09,269 --> 00:21:10,468
>> IT'S WORKING.
>> OFFICERS, EXCUSE ME.
>> WHAT'S GOING ON HERE?
557
00:21:10,470 --> 00:21:11,902
>> OFFICERS, EXCUSE ME.
>> WHAT'S GOING ON HERE?
>> THESE WOMEN ARE MY CLIENTS,
558
00:21:11,904 --> 00:21:13,304
>> WHAT'S GOING ON HERE?
>> THESE WOMEN ARE MY CLIENTS,
AND WE HAVE LEGAL PERMITS FOR
559
00:21:13,306 --> 00:21:14,305
>> THESE WOMEN ARE MY CLIENTS,
AND WE HAVE LEGAL PERMITS FOR
THIS DEMONSTRATION.
560
00:21:14,307 --> 00:21:16,073
AND WE HAVE LEGAL PERMITS FOR
THIS DEMONSTRATION.
NOW, ACCORDING TO STATUTE
561
00:21:16,075 --> 00:21:19,377
THIS DEMONSTRATION.
NOW, ACCORDING TO STATUTE
245.01, THE COURT OF APPEALS OF
562
00:21:19,379 --> 00:21:21,212
NOW, ACCORDING TO STATUTE
245.01, THE COURT OF APPEALS OF
NEW YORK HAS RULED THAT THE
563
00:21:21,214 --> 00:21:23,347
245.01, THE COURT OF APPEALS OF
NEW YORK HAS RULED THAT THE
EXPOSURE OF A BARE FEMALE BREAST
564
00:21:23,349 --> 00:21:25,149
NEW YORK HAS RULED THAT THE
EXPOSURE OF A BARE FEMALE BREAST
VIOLATES NO EXPOSURE LAWS.
565
00:21:25,151 --> 00:21:27,418
EXPOSURE OF A BARE FEMALE BREAST
VIOLATES NO EXPOSURE LAWS.
AND SO, ON BEHALF OF MY CLIENTS
566
00:21:27,420 --> 00:21:29,287
VIOLATES NO EXPOSURE LAWS.
AND SO, ON BEHALF OF MY CLIENTS
FOR THE VIOLATION OF THIS
567
00:21:29,289 --> 00:21:31,555
AND SO, ON BEHALF OF MY CLIENTS
FOR THE VIOLATION OF THIS
STATUTE, I'M OFFICIALLY ISSUING
568
00:21:31,557 --> 00:21:33,658
FOR THE VIOLATION OF THIS
STATUTE, I'M OFFICIALLY ISSUING
YOU A LAWSUIT FOR THEIR WRONGFUL
569
00:21:33,660 --> 00:21:35,192
STATUTE, I'M OFFICIALLY ISSUING
YOU A LAWSUIT FOR THEIR WRONGFUL
ARREST ON WALL STREET,
570
00:21:35,194 --> 00:21:40,097
YOU A LAWSUIT FOR THEIR WRONGFUL
ARREST ON WALL STREET,
SEPTEMBER 15, 2012.
571
00:21:40,099 --> 00:21:42,333
ARREST ON WALL STREET,
SEPTEMBER 15, 2012.
572
00:21:57,249 --> 00:22:00,951
>> SUING THEM FOR $10 MILLION,
HMM?
573
00:22:00,953 --> 00:22:02,620
>> SUING THEM FOR $10 MILLION,
HMM?
>> I MEAN, IT WAS JUST A P.R.
574
00:22:02,622 --> 00:22:03,154
HMM?
>> I MEAN, IT WAS JUST A P.R.
STUNT.
575
00:22:03,156 --> 00:22:04,855
>> I MEAN, IT WAS JUST A P.R.
STUNT.
IT'LL PROBABLY GET THROWN OUT.
576
00:22:04,857 --> 00:22:06,490
STUNT.
IT'LL PROBABLY GET THROWN OUT.
OUR LAWYERS THOUGHT IT WOULD
577
00:22:06,492 --> 00:22:08,292
IT'LL PROBABLY GET THROWN OUT.
OUR LAWYERS THOUGHT IT WOULD
LURE THE PRESS INTO COVERING IT.
578
00:22:08,294 --> 00:22:10,528
OUR LAWYERS THOUGHT IT WOULD
LURE THE PRESS INTO COVERING IT.
>> SHOULD'VE CALLED ME.
579
00:22:10,530 --> 00:22:11,495
LURE THE PRESS INTO COVERING IT.
>> SHOULD'VE CALLED ME.
>> WHAT DO YOU MEAN?
580
00:22:11,497 --> 00:22:12,797
>> SHOULD'VE CALLED ME.
>> WHAT DO YOU MEAN?
>> OH, YOU KNOW I WOULD HAVE
581
00:22:12,799 --> 00:22:13,831
>> WHAT DO YOU MEAN?
>> OH, YOU KNOW I WOULD HAVE
LEAKED IT TO REUTERS.
582
00:22:13,833 --> 00:22:14,999
>> OH, YOU KNOW I WOULD HAVE
LEAKED IT TO REUTERS.
IN SECONDS, YOU COULD'VE BEEN
583
00:22:15,001 --> 00:22:16,600
LEAKED IT TO REUTERS.
IN SECONDS, YOU COULD'VE BEEN
OUT TO 150 COUNTRIES IN 60
584
00:22:16,602 --> 00:22:18,436
IN SECONDS, YOU COULD'VE BEEN
OUT TO 150 COUNTRIES IN 60
LANGUAGES.
585
00:22:18,438 --> 00:22:20,871
OUT TO 150 COUNTRIES IN 60
LANGUAGES.
I THINK YOU ARE TAPPING INTO THE
586
00:22:20,873 --> 00:22:22,440
LANGUAGES.
I THINK YOU ARE TAPPING INTO THE
FIRST, AND PROBABLY MOST
587
00:22:22,442 --> 00:22:24,108
I THINK YOU ARE TAPPING INTO THE
FIRST, AND PROBABLY MOST
IMPORTANT AMENDMENT TO THE
588
00:22:24,110 --> 00:22:25,743
FIRST, AND PROBABLY MOST
IMPORTANT AMENDMENT TO THE
CONSTITUTION -- FREEDOM OF
589
00:22:25,745 --> 00:22:27,511
IMPORTANT AMENDMENT TO THE
CONSTITUTION -- FREEDOM OF
RELIGION, FREEDOM OF SPEECH,
590
00:22:27,513 --> 00:22:29,146
CONSTITUTION -- FREEDOM OF
RELIGION, FREEDOM OF SPEECH,
PRESS, ASSEMBLY.
591
00:22:29,148 --> 00:22:31,982
RELIGION, FREEDOM OF SPEECH,
PRESS, ASSEMBLY.
DO YOU KNOW THAT WE ARE 37th IN
592
00:22:31,984 --> 00:22:33,417
PRESS, ASSEMBLY.
DO YOU KNOW THAT WE ARE 37th IN
THE PRESS FREEDOM INDEX?
593
00:22:33,419 --> 00:22:35,019
DO YOU KNOW THAT WE ARE 37th IN
THE PRESS FREEDOM INDEX?
THERE ARE OTHER 36 COUNTRIES
594
00:22:35,021 --> 00:22:36,787
THE PRESS FREEDOM INDEX?
THERE ARE OTHER 36 COUNTRIES
THAT HAVE A FREER PRESS THAN WE
595
00:22:36,789 --> 00:22:38,622
THERE ARE OTHER 36 COUNTRIES
THAT HAVE A FREER PRESS THAN WE
DO -- 36.
596
00:22:38,624 --> 00:22:40,791
THAT HAVE A FREER PRESS THAN WE
DO -- 36.
>> WHO'S THE WORST? NORTH KOREA?
597
00:22:40,793 --> 00:22:41,559
DO -- 36.
>> WHO'S THE WORST? NORTH KOREA?
>> ERITREA.
598
00:22:41,561 --> 00:22:43,227
>> WHO'S THE WORST? NORTH KOREA?
>> ERITREA.
IT'S A LITTLE TINY COUNTRY IN
599
00:22:43,229 --> 00:22:44,895
>> ERITREA.
IT'S A LITTLE TINY COUNTRY IN
EAST AFRICA NEAR THE RED SEA.
600
00:22:44,897 --> 00:22:46,964
IT'S A LITTLE TINY COUNTRY IN
EAST AFRICA NEAR THE RED SEA.
>> JIM?
601
00:22:46,966 --> 00:22:48,599
EAST AFRICA NEAR THE RED SEA.
>> JIM?
I KNOW THAT YOU'RE -- THAT
602
00:22:48,601 --> 00:22:50,434
>> JIM?
I KNOW THAT YOU'RE -- THAT
YOU'RE CRAZY BUSY, BUT WE NEED
603
00:22:50,436 --> 00:22:51,802
I KNOW THAT YOU'RE -- THAT
YOU'RE CRAZY BUSY, BUT WE NEED
SOMEBODY WHO KNOWS THIS WORLD,
604
00:22:51,804 --> 00:22:52,937
YOU'RE CRAZY BUSY, BUT WE NEED
SOMEBODY WHO KNOWS THIS WORLD,
SOMEBODY THAT CAN HELP US
605
00:22:52,939 --> 00:22:53,804
SOMEBODY WHO KNOWS THIS WORLD,
SOMEBODY THAT CAN HELP US
CONNECT THE DOTS.
606
00:22:53,806 --> 00:22:56,807
SOMEBODY THAT CAN HELP US
CONNECT THE DOTS.
WE NEED A CONSIGLIERE, A YODA.
607
00:22:56,809 --> 00:22:58,809
CONNECT THE DOTS.
WE NEED A CONSIGLIERE, A YODA.
>> A YODA?
608
00:22:58,811 --> 00:23:01,779
WE NEED A CONSIGLIERE, A YODA.
>> A YODA?
THAT'S SOME BIG SHOES TO FILL.
609
00:23:01,781 --> 00:23:03,147
>> A YODA?
THAT'S SOME BIG SHOES TO FILL.
>> YEAH.
610
00:23:03,149 --> 00:23:05,116
THAT'S SOME BIG SHOES TO FILL.
>> YEAH.
>> I JUST DON'T KNOW HOW THIS IS
611
00:23:05,118 --> 00:23:08,719
>> YEAH.
>> I JUST DON'T KNOW HOW THIS IS
GONNA SIT IN THE BIG BAD WORLD.
612
00:23:08,721 --> 00:23:10,287
>> I JUST DON'T KNOW HOW THIS IS
GONNA SIT IN THE BIG BAD WORLD.
>> YEAH.
613
00:23:10,289 --> 00:23:11,922
GONNA SIT IN THE BIG BAD WORLD.
>> YEAH.
>> HOW'S THE PAPER?
614
00:23:11,924 --> 00:23:14,258
>> YEAH.
>> HOW'S THE PAPER?
>> OH, I'M DONE WORKING FOR
615
00:23:14,260 --> 00:23:15,326
>> HOW'S THE PAPER?
>> OH, I'M DONE WORKING FOR
DINOSAURS.
616
00:23:15,328 --> 00:23:16,560
>> OH, I'M DONE WORKING FOR
DINOSAURS.
>> YOU QUIT.
617
00:23:16,562 --> 00:23:18,562
DINOSAURS.
>> YOU QUIT.
>> NO, I GOT FIRED.
618
00:23:18,564 --> 00:23:21,065
>> YOU QUIT.
>> NO, I GOT FIRED.
>> OH.
619
00:23:21,067 --> 00:23:24,335
>> NO, I GOT FIRED.
>> OH.
FUCK 'EM.
620
00:23:24,337 --> 00:23:26,237
>> OH.
FUCK 'EM.
OKAY, WITH, HERE'S WHAT I CAN
621
00:23:26,239 --> 00:23:27,438
FUCK 'EM.
OKAY, WITH, HERE'S WHAT I CAN
DO.
622
00:23:27,440 --> 00:23:29,106
OKAY, WITH, HERE'S WHAT I CAN
DO.
LET ME PERCOLATE ON IT.
623
00:23:29,108 --> 00:23:31,308
DO.
LET ME PERCOLATE ON IT.
I-IF SOMETHING SIFTS TO THE TOP,
624
00:23:31,310 --> 00:23:32,843
LET ME PERCOLATE ON IT.
I-IF SOMETHING SIFTS TO THE TOP,
I'LL GIVE YOU A BUZZ.
625
00:23:32,845 --> 00:23:35,212
I-IF SOMETHING SIFTS TO THE TOP,
I'LL GIVE YOU A BUZZ.
OKAY?
626
00:23:35,214 --> 00:23:36,247
- I'LL GIVE YOU A BUZZ.
- OKAY?
627
00:23:36,249 --> 00:23:38,549
OKAY?
628
00:23:49,194 --> 00:23:53,798
>> HE'S PERCOLATING.
>> DEFINE "PERCOLATING."
>> I MEAN, HIS SCHEDULE'S NUTS,
629
00:23:53,800 --> 00:23:55,266
>> DEFINE "PERCOLATING."
>> I MEAN, HIS SCHEDULE'S NUTS,
BUT HE'S GONNA MAKE IT WORK.
630
00:23:55,268 --> 00:23:56,767
>> I MEAN, HIS SCHEDULE'S NUTS,
BUT HE'S GONNA MAKE IT WORK.
>> OH, MY GOD, THIS IS HUGE.
631
00:23:56,769 --> 00:23:57,401
BUT HE'S GONNA MAKE IT WORK.
>> OH, MY GOD, THIS IS HUGE.
WE'RE IN!
632
00:23:57,403 --> 00:23:58,502
>> OH, MY GOD, THIS IS HUGE.
WE'RE IN!
>> YEAH!
633
00:23:58,504 --> 00:23:59,537
WE'RE IN!
>> YEAH!
>> WHAT ARE YOU -- WHAT ARE YOU
634
00:23:59,539 --> 00:23:59,970
>> YEAH!
>> WHAT ARE YOU -- WHAT ARE YOU
COLORING?
635
00:23:59,972 --> 00:24:00,971
>> WHAT ARE YOU -- WHAT ARE YOU
COLORING?
>> I'M COLOR-CODING THE STATES
636
00:24:00,973 --> 00:24:01,839
COLORING?
>> I'M COLOR-CODING THE STATES
THAT WOMEN CAN LEGALLY BE
637
00:24:01,841 --> 00:24:02,306
>> I'M COLOR-CODING THE STATES
THAT WOMEN CAN LEGALLY BE
TOPLESS IN.
638
00:24:02,308 --> 00:24:05,142
THAT WOMEN CAN LEGALLY BE
TOPLESS IN.
>> HOW MANY STATES IN AMERICA IS
639
00:24:05,144 --> 00:24:07,344
TOPLESS IN.
>> HOW MANY STATES IN AMERICA IS
THE NIPPLE ACTUALLY LEGAL?
640
00:24:07,346 --> 00:24:08,946
>> HOW MANY STATES IN AMERICA IS
THE NIPPLE ACTUALLY LEGAL?
>> 12.
641
00:24:08,948 --> 00:24:11,649
>> ALL RIGHT, NIPS.
THIS IS OUR HIT LIST.
642
00:24:11,651 --> 00:24:13,751
THIS IS OUR HIT LIST.
>> WHOA. WHAT AM I LOOKING AT?
643
00:24:13,753 --> 00:24:15,519
>> WHOA. WHAT AM I LOOKING AT?
>> WELL, IT'S A LIST OF 32 GOOD
644
00:24:15,521 --> 00:24:18,122
>> WELL, IT'S A LIST OF 32 GOOD
AND BAD GUYS THAT WE'RE
TARGETING AS OF NOW.
645
00:24:18,124 --> 00:24:20,224
AND BAD GUYS THAT WE'RE
TARGETING AS OF NOW.
>> MADONNA?
646
00:24:20,226 --> 00:24:21,258
TARGETING AS OF NOW.
>> MADONNA?
LADY GAGA?
647
00:24:21,260 --> 00:24:21,926
>> MADONNA?
LADY GAGA?
KATIE COURIC?
648
00:24:21,928 --> 00:24:23,394
LADY GAGA?
KATIE COURIC?
>> FOR A CAMPAIGN OF THIS
649
00:24:23,396 --> 00:24:25,095
KATIE COURIC?
>> FOR A CAMPAIGN OF THIS
MAGNITUDE, WE'RE GONNA NEED TO
650
00:24:25,097 --> 00:24:26,831
>> FOR A CAMPAIGN OF THIS
MAGNITUDE, WE'RE GONNA NEED TO
FORM A COALITION OF LIKE-MINDED
651
00:24:26,833 --> 00:24:28,532
MAGNITUDE, WE'RE GONNA NEED TO
FORM A COALITION OF LIKE-MINDED
ORGANIZATIONS AND REACH OUT TO
652
00:24:28,534 --> 00:24:30,034
FORM A COALITION OF LIKE-MINDED
ORGANIZATIONS AND REACH OUT TO
HIGH-PROFILE PEOPLE WHO WILL
653
00:24:30,036 --> 00:24:31,735
ORGANIZATIONS AND REACH OUT TO
HIGH-PROFILE PEOPLE WHO WILL
CHAMPION OUR CAUSE IN THE MEDIA.
654
00:24:31,737 --> 00:24:33,370
HIGH-PROFILE PEOPLE WHO WILL
CHAMPION OUR CAUSE IN THE MEDIA.
>> HOW DO YOU EXPECT US TO JUST
655
00:24:33,372 --> 00:24:34,972
CHAMPION OUR CAUSE IN THE MEDIA.
>> HOW DO YOU EXPECT US TO JUST
REACH OUT TO THESE HUGE ICONIC
656
00:24:34,974 --> 00:24:35,473
>> HOW DO YOU EXPECT US TO JUST
REACH OUT TO THESE HUGE ICONIC
NAMES?
657
00:24:35,475 --> 00:24:36,040
REACH OUT TO THESE HUGE ICONIC
NAMES?
>> EASY.
658
00:24:36,042 --> 00:24:37,508
NAMES?
>> EASY.
WE JUST CALL THEIR HANDLERS,
659
00:24:37,510 --> 00:24:39,109
>> EASY.
WE JUST CALL THEIR HANDLERS,
THEIR HUMANS, AND SAY, "HEY, WE
660
00:24:39,111 --> 00:24:40,778
WE JUST CALL THEIR HANDLERS,
THEIR HUMANS, AND SAY, "HEY, WE
ARE ON THE FRONT LINES, FIGHTING
661
00:24:40,780 --> 00:24:41,745
THEIR HUMANS, AND SAY, "HEY, WE
ARE ON THE FRONT LINES, FIGHTING
FOR YOUR FREEDOM.
662
00:24:41,747 --> 00:24:42,680
ARE ON THE FRONT LINES, FIGHTING
FOR YOUR FREEDOM.
YOU DON'T WANT TO GIVE US
663
00:24:42,682 --> 00:24:43,681
FOR YOUR FREEDOM.
YOU DON'T WANT TO GIVE US
10 MINUTES OF YOUR CLIENT'S
664
00:24:43,683 --> 00:24:43,981
YOU DON'T WANT TO GIVE US
10 MINUTES OF YOUR CLIENT'S
TIME?
665
00:24:43,983 --> 00:24:45,749
10 MINUTES OF YOUR CLIENT'S
TIME?
THEN LET KARMA FALL WHERE IT
666
00:24:45,751 --> 00:24:46,283
TIME?
THEN LET KARMA FALL WHERE IT
MAY."
667
00:24:46,285 --> 00:24:47,751
THEN LET KARMA FALL WHERE IT
MAY."
>> THAT'S A REALLY NICE THEORY,
668
00:24:47,753 --> 00:24:49,119
MAY."
>> THAT'S A REALLY NICE THEORY,
BUT BACK HERE ON EARTH, WHAT
669
00:24:49,121 --> 00:24:50,621
>> THAT'S A REALLY NICE THEORY,
BUT BACK HERE ON EARTH, WHAT
MAKES YOU THINK THESE PEOPLE ARE
670
00:24:50,623 --> 00:24:51,722
BUT BACK HERE ON EARTH, WHAT
MAKES YOU THINK THESE PEOPLE ARE
EVEN GONNA TALK TO US?
671
00:24:51,724 --> 00:24:53,357
MAKES YOU THINK THESE PEOPLE ARE
EVEN GONNA TALK TO US?
>> CALI, EVERYONE IN THE WORLD
672
00:24:53,359 --> 00:24:54,925
EVEN GONNA TALK TO US?
>> CALI, EVERYONE IN THE WORLD
IS HUNGRY FOR SOMETHING REAL.
673
00:24:54,927 --> 00:24:56,861
>> CALI, EVERYONE IN THE WORLD
IS HUNGRY FOR SOMETHING REAL.
OUR CURRENCY IS MEANING.
674
00:24:56,863 --> 00:24:58,429
IS HUNGRY FOR SOMETHING REAL.
OUR CURRENCY IS MEANING.
>> YOU'RE JOKING, RIGHT?
675
00:24:58,431 --> 00:24:59,530
OUR CURRENCY IS MEANING.
>> YOU'RE JOKING, RIGHT?
>> NO, I'M NOT JOKING.
676
00:24:59,532 --> 00:25:00,965
>> YOU'RE JOKING, RIGHT?
>> NO, I'M NOT JOKING.
I MEAN, EVEN ICONS -- ICONS WHO
677
00:25:00,967 --> 00:25:02,433
>> NO, I'M NOT JOKING.
I MEAN, EVEN ICONS -- ICONS WHO
HAVE EVERYTHING IN THE WORLD --
678
00:25:02,435 --> 00:25:03,734
I MEAN, EVEN ICONS -- ICONS WHO
HAVE EVERYTHING IN THE WORLD --
AT THE END OF THE DAY, THEY
679
00:25:03,736 --> 00:25:04,902
HAVE EVERYTHING IN THE WORLD --
AT THE END OF THE DAY, THEY
REALIZE ALL THEY HAVE IS
680
00:25:04,904 --> 00:25:05,536
AT THE END OF THE DAY, THEY
REALIZE ALL THEY HAVE IS
THEMSELVES.
681
00:25:05,538 --> 00:25:06,804
REALIZE ALL THEY HAVE IS
THEMSELVES.
THEY WANT MEANING IN THEIR
682
00:25:06,806 --> 00:25:07,271
THEMSELVES.
THEY WANT MEANING IN THEIR
LIVES.
683
00:25:07,273 --> 00:25:08,672
THEY WANT MEANING IN THEIR
LIVES.
IT'S THE ONLY THING THAT THEY
684
00:25:08,674 --> 00:25:10,040
LIVES.
IT'S THE ONLY THING THAT THEY
CAN'T BUY, BUT WE CAN GIVE IT
685
00:25:10,042 --> 00:25:10,574
IT'S THE ONLY THING THAT THEY
CAN'T BUY, BUT WE CAN GIVE IT
TO THEM.
686
00:25:10,576 --> 00:25:11,408
CAN'T BUY, BUT WE CAN GIVE IT
TO THEM.
687
00:25:11,410 --> 00:25:13,010
- TO THEM.
- >> HEY, WE HAVE THAT MEETING.
688
00:25:13,012 --> 00:25:13,878
>> >> HEY, WE HAVE THAT MEETING.
>> WHAT MEETING?
689
00:25:13,880 --> 00:25:15,246
>> HEY, WE HAVE THAT MEETING.
>> WHAT MEETING?
>> UH, THAT MEETING WITH THE
690
00:25:15,248 --> 00:25:15,880
>> WHAT MEETING?
>> UH, THAT MEETING WITH THE
INVESTORS.
691
00:25:15,882 --> 00:25:17,014
>> UH, THAT MEETING WITH THE
INVESTORS.
>> OH.
692
00:25:17,016 --> 00:25:18,382
INVESTORS.
>> OH.
OH, WITH THE INVESTOR, YEAH.
693
00:25:18,384 --> 00:25:19,283
>> OH.
OH, WITH THE INVESTOR, YEAH.
OKAY, GREAT.
694
00:25:19,285 --> 00:25:22,419
OH, WITH THE INVESTOR, YEAH.
OKAY, GREAT.
SO, I'LL SEE YOU GUYS LATER.
695
00:25:22,421 --> 00:25:23,454
OKAY, GREAT.
SO, I'LL SEE YOU GUYS LATER.
>> SEE YOU GUYS.
696
00:25:23,456 --> 00:25:24,722
SO, I'LL SEE YOU GUYS LATER.
>> SEE YOU GUYS.
>> WHAT DO YOU THINK?
697
00:25:24,724 --> 00:25:26,790
>> SEE YOU GUYS.
>> WHAT DO YOU THINK?
>> MAYBE I'LL TAKE, LIKE...
698
00:25:26,792 --> 00:25:29,727
>> WHAT DO YOU THINK?
>> MAYBE I'LL TAKE, LIKE...
>> THAT GIRL IS A BUTTON-PUSHER.
699
00:25:29,729 --> 00:25:30,327
>> MAYBE I'LL TAKE, LIKE...
>> THAT GIRL IS A BUTTON-PUSHER.
>> IT'S NOT HER.
700
00:25:30,329 --> 00:25:31,061
>> THAT GIRL IS A BUTTON-PUSHER.
>> IT'S NOT HER.
IT'S HER PROGRAMMING.
701
00:25:31,063 --> 00:25:32,062
>> IT'S NOT HER.
IT'S HER PROGRAMMING.
SHE JUST NEEDS A NEW OPERATING
702
00:25:32,064 --> 00:25:32,396
IT'S HER PROGRAMMING.
SHE JUST NEEDS A NEW OPERATING
SYSTEM.
703
00:25:32,398 --> 00:25:33,297
SHE JUST NEEDS A NEW OPERATING
SYSTEM.
>> SHE'S A CONTRADICTARIAN.
704
00:25:33,299 --> 00:25:34,632
SYSTEM.
>> SHE'S A CONTRADICTARIAN.
>> SHE'S WORKING HER ASS OFF FOR
705
00:25:34,634 --> 00:25:34,999
>> SHE'S A CONTRADICTARIAN.
>> SHE'S WORKING HER ASS OFF FOR
FREE.
706
00:25:35,001 --> 00:25:35,533
>> SHE'S WORKING HER ASS OFF FOR
FREE.
>> WHATEV.
707
00:25:35,535 --> 00:25:36,834
FREE.
>> WHATEV.
SHE CANNOT BE TALKING TO US LIKE
708
00:25:36,836 --> 00:25:38,002
>> WHATEV.
SHE CANNOT BE TALKING TO US LIKE
THAT IN FRONT OF THE PEEPS.
709
00:25:38,004 --> 00:25:38,469
SHE CANNOT BE TALKING TO US LIKE
THAT IN FRONT OF THE PEEPS.
>> OKAY.
710
00:25:38,471 --> 00:25:39,036
THAT IN FRONT OF THE PEEPS.
>> OKAY.
>> ROOFTOP?
711
00:25:39,038 --> 00:25:41,171
>> OKAY.
>> ROOFTOP?
>> ROOFTOP. LET'S GO.
712
00:25:41,173 --> 00:25:43,240
>> - ROOFTOP?
- >> ROOFTOP. LET'S GO.
713
00:25:43,242 --> 00:25:48,646
>> - ROOFTOP. LET'S GO.
- >> ¶ JUST NOW, YOU TOOK AWAY MY
714
00:25:48,648 --> 00:25:50,347
>> ¶ JUST NOW, YOU TOOK AWAY MY
BREATH ¶
715
00:25:50,349 --> 00:25:55,719
>> ¶ JUST NOW, YOU TOOK AWAY MY
BREATH ¶
¶ I CAN'T FEEL THE WIND ¶
716
00:25:55,721 --> 00:25:58,155
BREATH ¶
¶ I CAN'T FEEL THE WIND ¶
¶ I'LL LEARN ¶
717
00:25:58,157 --> 00:25:59,790
¶ I CAN'T FEEL THE WIND ¶
¶ I'LL LEARN ¶
718
00:25:59,792 --> 00:26:01,859
¶ I'LL LEARN ¶
>> ¶ I'LL LEARN ¶
719
00:26:01,861 --> 00:26:03,627
>> >> ¶ I'LL LEARN ¶
>> "A DREAM YOU DREAM ALONE IS
720
00:26:03,629 --> 00:26:04,828
>> ¶ I'LL LEARN ¶
>> "A DREAM YOU DREAM ALONE IS
ONLY A DREAM.
721
00:26:04,830 --> 00:26:07,231
>> "A DREAM YOU DREAM ALONE IS
ONLY A DREAM.
A DREAM YOU DREAM TOGETHER IS A
722
00:26:07,233 --> 00:26:08,165
ONLY A DREAM.
A DREAM YOU DREAM TOGETHER IS A
REALITY."
723
00:26:08,167 --> 00:26:10,534
A DREAM YOU DREAM TOGETHER IS A
REALITY."
>> DID YOU JUST MAKE THAT UP?
724
00:26:10,536 --> 00:26:12,570
REALITY."
>> DID YOU JUST MAKE THAT UP?
>> NAH, IT'S JOHN LENNON.
725
00:26:12,572 --> 00:26:14,805
>> DID YOU JUST MAKE THAT UP?
>> NAH, IT'S JOHN LENNON.
>> DO YOU REALIZE YOU QUOTE SOME
726
00:26:14,807 --> 00:26:17,441
>> NAH, IT'S JOHN LENNON.
>> DO YOU REALIZE YOU QUOTE SOME
GENIUS AT LEAST TWICE A DAY?
727
00:26:17,443 --> 00:26:18,142
>> DO YOU REALIZE YOU QUOTE SOME
GENIUS AT LEAST TWICE A DAY?
>> I'M SORRY.
728
00:26:18,144 --> 00:26:19,076
GENIUS AT LEAST TWICE A DAY?
>> I'M SORRY.
I JUST LOVE QUOTES.
729
00:26:19,078 --> 00:26:20,311
>> I'M SORRY.
I JUST LOVE QUOTES.
I LOVE THEIR TIMELESSNESS.
730
00:26:20,313 --> 00:26:21,445
I JUST LOVE QUOTES.
I LOVE THEIR TIMELESSNESS.
I LOVE HOW THEY CAN LIFT
731
00:26:21,447 --> 00:26:22,613
I LOVE THEIR TIMELESSNESS.
I LOVE HOW THEY CAN LIFT
PEOPLE'S MINDS, YOU KNOW?
732
00:26:22,615 --> 00:26:26,584
I LOVE HOW THEY CAN LIFT
PEOPLE'S MINDS, YOU KNOW?
>> SO, WE'RE NOT FIRING HER?
733
00:26:26,586 --> 00:26:27,384
PEOPLE'S MINDS, YOU KNOW?
>> SO, WE'RE NOT FIRING HER?
>> NO.
734
00:26:27,386 --> 00:26:31,088
>> - SO, WE'RE NOT FIRING HER?
- >> NO.
735
00:26:31,090 --> 00:26:35,426
>> - NO.
- >> ¶ WHEN YOU'RE NEAR ¶
736
00:26:35,428 --> 00:26:37,628
>> ¶ WHEN YOU'RE NEAR ¶
¶ THERE'S SOMETHING YOU DO TO
737
00:26:37,630 --> 00:26:39,396
>> ¶ WHEN YOU'RE NEAR ¶
¶ THERE'S SOMETHING YOU DO TO
ME ¶
738
00:26:39,398 --> 00:26:40,264
¶ THERE'S SOMETHING YOU DO TO
ME ¶
¶ MMM, MMM, MMM ¶
739
00:26:40,266 --> 00:26:41,265
ME ¶
¶ MMM, MMM, MMM ¶
>> WHY ARE YOU STILL WEARING A
740
00:26:41,267 --> 00:26:41,532
¶ MMM, MMM, MMM ¶
>> WHY ARE YOU STILL WEARING A
BRA?
741
00:26:41,534 --> 00:26:42,433
>> WHY ARE YOU STILL WEARING A
BRA?
>> I DON'T KNOW.
742
00:26:42,435 --> 00:26:43,367
BRA?
>> I DON'T KNOW.
PEOPLE MIGHT SEE.
743
00:26:43,369 --> 00:26:44,435
>> I DON'T KNOW.
PEOPLE MIGHT SEE.
>> WHO CARES IF PEOPLE SEE?
744
00:26:44,437 --> 00:26:45,169
PEOPLE MIGHT SEE.
>> WHO CARES IF PEOPLE SEE?
THAT'S THE POINT.
745
00:26:45,171 --> 00:26:45,736
>> WHO CARES IF PEOPLE SEE?
THAT'S THE POINT.
>> WHATEVER.
746
00:26:45,738 --> 00:26:47,538
THAT'S THE POINT.
>> WHATEVER.
JUST STAY THERE.
747
00:26:47,540 --> 00:26:50,708
>> WHATEVER.
JUST STAY THERE.
>> WITH, ISN'T THE POINT THAT
748
00:26:50,710 --> 00:26:53,744
JUST STAY THERE.
>> WITH, ISN'T THE POINT THAT
PEOPLE SEE?
749
00:26:53,746 --> 00:26:55,946
>> WITH, ISN'T THE POINT THAT
PEOPLE SEE?
750
00:26:55,948 --> 00:26:56,814
PEOPLE SEE?
I --
751
00:26:56,816 --> 00:26:58,349
>> I --
752
00:26:58,351 --> 00:27:00,784
I --
THAT SPEAKS VOLUMES.
753
00:27:00,786 --> 00:27:01,685
>> THAT SPEAKS VOLUMES.
754
00:27:01,687 --> 00:27:03,053
THAT SPEAKS VOLUMES.
>> DROP THE BRA.
755
00:27:03,055 --> 00:27:07,491
>> >> DROP THE BRA.
FREE YOUR MIND.
756
00:27:07,493 --> 00:27:08,993
>> DROP THE BRA.
FREE YOUR MIND.
>> DROP THE BRA.
757
00:27:08,995 --> 00:27:09,693
FREE YOUR MIND.
>> DROP THE BRA.
>> JUST LIKE THAT?
758
00:27:09,695 --> 00:27:10,361
>> DROP THE BRA.
>> JUST LIKE THAT?
>> JUST LIKE THAT!
759
00:27:10,363 --> 00:27:11,528
>> JUST LIKE THAT?
>> JUST LIKE THAT!
>> ALL RIGHT.
760
00:27:11,530 --> 00:27:13,764
>> JUST LIKE THAT!
>> ALL RIGHT.
ALL RIGHT.
761
00:27:13,766 --> 00:27:15,966
>> ALL RIGHT.
ALL RIGHT.
>> WHOO!
762
00:27:15,968 --> 00:27:17,735
ALL RIGHT.
>> WHOO!
>> WHOO!
763
00:27:17,737 --> 00:27:19,403
>> WHOO!
>> WHOO!
>> WHOO-OOH!
764
00:27:19,405 --> 00:27:24,808
>> WHOO!
>> WHOO-OOH!
>> WHOO-OO!
765
00:27:24,810 --> 00:27:31,715
>> WHOO-OOH!
>> WHOO-OO!
WHOO-OO-OO!
766
00:27:31,717 --> 00:27:33,584
>> WHOO-OO!
WHOO-OO-OO!
>> YOU KNOW, I APPRECIATE YOUR
767
00:27:33,586 --> 00:27:35,319
WHOO-OO-OO!
>> YOU KNOW, I APPRECIATE YOUR
OPTIMISM, BUT YOU DO REALIZE
768
00:27:35,321 --> 00:27:37,054
>> YOU KNOW, I APPRECIATE YOUR
OPTIMISM, BUT YOU DO REALIZE
THAT SOCIETIES AND RELIGIONS
769
00:27:37,056 --> 00:27:38,922
OPTIMISM, BUT YOU DO REALIZE
THAT SOCIETIES AND RELIGIONS
HAVE BEEN OPPRESSING WOMEN FOR
770
00:27:38,924 --> 00:27:40,090
THAT SOCIETIES AND RELIGIONS
HAVE BEEN OPPRESSING WOMEN FOR
COUNTLESS MILLENNIA.
771
00:27:40,092 --> 00:27:41,625
HAVE BEEN OPPRESSING WOMEN FOR
COUNTLESS MILLENNIA.
THIS IS NOT GOING TO CHANGE
772
00:27:41,627 --> 00:27:42,326
COUNTLESS MILLENNIA.
THIS IS NOT GOING TO CHANGE
OVERNIGHT.
773
00:27:42,328 --> 00:27:43,260
THIS IS NOT GOING TO CHANGE
OVERNIGHT.
HOPE YOU KNOW THAT.
774
00:27:43,262 --> 00:27:44,495
OVERNIGHT.
HOPE YOU KNOW THAT.
>> YEAH, BUT YOU KNOW WHAT?
775
00:27:44,497 --> 00:27:45,896
HOPE YOU KNOW THAT.
>> YEAH, BUT YOU KNOW WHAT?
YOU HAVE TO REMEMBER THAT HUMANS
776
00:27:45,898 --> 00:27:47,231
>> YEAH, BUT YOU KNOW WHAT?
YOU HAVE TO REMEMBER THAT HUMANS
AND ANIMALS AND EVEN BUGS, AT
777
00:27:47,233 --> 00:27:48,565
YOU HAVE TO REMEMBER THAT HUMANS
AND ANIMALS AND EVEN BUGS, AT
A DEEP DNA LEVEL, THEY WANT TO
778
00:27:48,567 --> 00:27:49,066
AND ANIMALS AND EVEN BUGS, AT
A DEEP DNA LEVEL, THEY WANT TO
BE FREE.
779
00:27:49,068 --> 00:27:50,701
A DEEP DNA LEVEL, THEY WANT TO
BE FREE.
>> I'M JUST MERELY CURIOUS AS TO
780
00:27:50,703 --> 00:27:52,269
BE FREE.
>> I'M JUST MERELY CURIOUS AS TO
WHY YOU THINK THAT YOU -- WE --
781
00:27:52,271 --> 00:27:53,737
>> I'M JUST MERELY CURIOUS AS TO
WHY YOU THINK THAT YOU -- WE --
CAN CHANGE SOMETHING THAT HAS
782
00:27:53,739 --> 00:27:55,205
WHY YOU THINK THAT YOU -- WE --
CAN CHANGE SOMETHING THAT HAS
NEVER BEEN ABLE TO HAVE BEEN
783
00:27:55,207 --> 00:27:56,774
CAN CHANGE SOMETHING THAT HAS
NEVER BEEN ABLE TO HAVE BEEN
CHANGED IN THE HISTORY OF EVER.
784
00:27:56,776 --> 00:27:57,708
NEVER BEEN ABLE TO HAVE BEEN
CHANGED IN THE HISTORY OF EVER.
WHY US? WHY NOW?
785
00:27:57,710 --> 00:27:59,009
CHANGED IN THE HISTORY OF EVER.
WHY US? WHY NOW?
WHAT MAKES US SO UNIQUE?
786
00:27:59,011 --> 00:28:00,344
WHY US? WHY NOW?
WHAT MAKES US SO UNIQUE?
>> WE LIVE IN A TECHNOLOGICAL
787
00:28:00,346 --> 00:28:01,745
WHAT MAKES US SO UNIQUE?
>> WE LIVE IN A TECHNOLOGICAL
AGE OF SOCIAL MEDIA, WHERE ONE
788
00:28:01,747 --> 00:28:03,080
>> WE LIVE IN A TECHNOLOGICAL
AGE OF SOCIAL MEDIA, WHERE ONE
IDEA CAN REACH MORE PEOPLE IN
789
00:28:03,082 --> 00:28:04,481
AGE OF SOCIAL MEDIA, WHERE ONE
IDEA CAN REACH MORE PEOPLE IN
ONE WEEK THAN JESUS, BUDDHA, OR
790
00:28:04,483 --> 00:28:05,616
IDEA CAN REACH MORE PEOPLE IN
ONE WEEK THAN JESUS, BUDDHA, OR
MOSES CAN REACH IN OVER
791
00:28:05,618 --> 00:28:06,550
ONE WEEK THAN JESUS, BUDDHA, OR
MOSES CAN REACH IN OVER
THOUSANDS OF YEARS.
792
00:28:06,552 --> 00:28:07,251
MOSES CAN REACH IN OVER
THOUSANDS OF YEARS.
>> THANK YOU.
793
00:28:07,253 --> 00:28:08,686
THOUSANDS OF YEARS.
>> THANK YOU.
>> LET'S BE CAREFUL OF COMPARING
794
00:28:08,688 --> 00:28:10,054
>> THANK YOU.
>> LET'S BE CAREFUL OF COMPARING
OURSELVES TO BUDDHA AND JESUS,
795
00:28:10,056 --> 00:28:10,454
>> LET'S BE CAREFUL OF COMPARING
OURSELVES TO BUDDHA AND JESUS,
OKAY?
796
00:28:10,456 --> 00:28:11,422
OURSELVES TO BUDDHA AND JESUS,
OKAY?
BESIDES, THAT'S ALL RELATIVE.
797
00:28:11,424 --> 00:28:12,423
OKAY?
BESIDES, THAT'S ALL RELATIVE.
THERE ARE WAY MORE PEOPLE ON
798
00:28:12,425 --> 00:28:13,457
BESIDES, THAT'S ALL RELATIVE.
THERE ARE WAY MORE PEOPLE ON
THIS EARTH NOW THAN THERE WERE
799
00:28:13,459 --> 00:28:14,158
THERE ARE WAY MORE PEOPLE ON
THIS EARTH NOW THAN THERE WERE
5,000 YEARS AGO.
800
00:28:14,160 --> 00:28:15,392
THIS EARTH NOW THAN THERE WERE
5,000 YEARS AGO.
>> YEAH, BUT AT THE RATE YOU CAN
801
00:28:15,394 --> 00:28:16,627
5,000 YEARS AGO.
>> YEAH, BUT AT THE RATE YOU CAN
REACH PEOPLE OVERNIGHT IS IN THE
802
00:28:16,629 --> 00:28:17,094
>> YEAH, BUT AT THE RATE YOU CAN
REACH PEOPLE OVERNIGHT IS IN THE
MILLIONS.
803
00:28:17,096 --> 00:28:18,228
REACH PEOPLE OVERNIGHT IS IN THE
MILLIONS.
I MEAN, LOOK WHAT HAPPENED IN
804
00:28:18,230 --> 00:28:18,595
MILLIONS.
I MEAN, LOOK WHAT HAPPENED IN
EGYPT.
805
00:28:18,597 --> 00:28:19,730
I MEAN, LOOK WHAT HAPPENED IN
EGYPT.
THAT STARTED WITH ONE GUY AND
806
00:28:19,732 --> 00:28:20,864
EGYPT.
THAT STARTED WITH ONE GUY AND
ONE FACEBOOK PAGE.
807
00:28:20,866 --> 00:28:22,466
THAT STARTED WITH ONE GUY AND
ONE FACEBOOK PAGE.
>> I'M NOT SURE HOW ACCURATE
808
00:28:22,468 --> 00:28:24,234
ONE FACEBOOK PAGE.
>> I'M NOT SURE HOW ACCURATE
THAT STATEMENT IS, BUT, LISTEN,
809
00:28:24,236 --> 00:28:25,502
>> I'M NOT SURE HOW ACCURATE
THAT STATEMENT IS, BUT, LISTEN,
IN POLITICAL MOVEMENTS,
810
00:28:25,504 --> 00:28:27,071
THAT STATEMENT IS, BUT, LISTEN,
IN POLITICAL MOVEMENTS,
ESPECIALLY, THE LINES BETWEEN
811
00:28:27,073 --> 00:28:28,739
IN POLITICAL MOVEMENTS,
ESPECIALLY, THE LINES BETWEEN
DELUSION AND REALITY CAN BECOME
812
00:28:28,741 --> 00:28:29,506
ESPECIALLY, THE LINES BETWEEN
DELUSION AND REALITY CAN BECOME
VERY BLURRY.
813
00:28:29,508 --> 00:28:31,175
DELUSION AND REALITY CAN BECOME
VERY BLURRY.
SO HOW ABOUT I WILL STAY
814
00:28:31,177 --> 00:28:32,943
VERY BLURRY.
SO HOW ABOUT I WILL STAY
REALISTIC AND YOU TWO STAY
815
00:28:32,945 --> 00:28:34,545
SO HOW ABOUT I WILL STAY
REALISTIC AND YOU TWO STAY
OPTIMISTIC, AND WE MEET
816
00:28:34,547 --> 00:28:36,213
REALISTIC AND YOU TWO STAY
OPTIMISTIC, AND WE MEET
SOMEWHERE IN THE MIDDLE?
817
00:28:36,215 --> 00:28:37,514
OPTIMISTIC, AND WE MEET
SOMEWHERE IN THE MIDDLE?
>> I FUCKING LOVE THIS
818
00:28:37,516 --> 00:28:39,416
SOMEWHERE IN THE MIDDLE?
>> I FUCKING LOVE THIS
ICE CREAM.
819
00:28:39,418 --> 00:28:40,684
>> I FUCKING LOVE THIS
ICE CREAM.
>> I THINK THE POSTER SHOULD
820
00:28:40,686 --> 00:28:41,919
ICE CREAM.
>> I THINK THE POSTER SHOULD
LOOK LIKE A PIECE OF ELLE'S
821
00:28:41,921 --> 00:28:44,054
>> I THINK THE POSTER SHOULD
LOOK LIKE A PIECE OF ELLE'S
STREET ART.
822
00:28:44,056 --> 00:28:45,556
LOOK LIKE A PIECE OF ELLE'S
STREET ART.
>> I THINK I KNOW SOMEONE WHO
823
00:28:45,558 --> 00:28:46,223
STREET ART.
>> I THINK I KNOW SOMEONE WHO
KNOWS HER.
824
00:28:46,225 --> 00:28:47,791
>> I THINK I KNOW SOMEONE WHO
KNOWS HER.
WANT ANY TEXT ON THE POSTER?
825
00:28:47,793 --> 00:28:50,794
KNOWS HER.
WANT ANY TEXT ON THE POSTER?
TAG LINE?
826
00:28:50,796 --> 00:28:52,329
WANT ANY TEXT ON THE POSTER?
TAG LINE?
FREE THE NIPPLE.
827
00:28:52,331 --> 00:28:53,197
TAG LINE?
FREE THE NIPPLE.
>> RIGHT.
828
00:28:53,199 --> 00:28:54,732
FREE THE NIPPLE.
>> RIGHT.
"FREE THE NIPPLE" IT IS, THEN.
829
00:28:54,734 --> 00:28:56,033
>> RIGHT.
"FREE THE NIPPLE" IT IS, THEN.
830
00:28:56,035 --> 00:28:56,967
"FREE THE NIPPLE" IT IS, THEN.
>> YEAH!
831
00:28:56,969 --> 00:28:58,368
>> >> YEAH!
832
00:28:58,370 --> 00:28:59,636
>> - YEAH!
- >> DUDE, WE SERIOUSLY NEED A
833
00:28:59,638 --> 00:29:00,637
>> DUDE, WE SERIOUSLY NEED A
BIGGER PLACE TO WORK.
834
00:29:00,639 --> 00:29:01,638
>> DUDE, WE SERIOUSLY NEED A
BIGGER PLACE TO WORK.
I MEAN, ONE BATHROOM?
835
00:29:01,640 --> 00:29:02,673
BIGGER PLACE TO WORK.
I MEAN, ONE BATHROOM?
THERE'S NO WORKSPACES.
836
00:29:02,675 --> 00:29:04,041
I MEAN, ONE BATHROOM?
THERE'S NO WORKSPACES.
IT'S LIKE A MINI BIG BROTHER IN
837
00:29:04,043 --> 00:29:04,441
THERE'S NO WORKSPACES.
IT'S LIKE A MINI BIG BROTHER IN
HERE.
838
00:29:04,443 --> 00:29:05,309
IT'S LIKE A MINI BIG BROTHER IN
HERE.
>> I KNOW, YOU'RE PREACHING TO
839
00:29:05,311 --> 00:29:05,676
HERE.
>> I KNOW, YOU'RE PREACHING TO
THE CHOIR.
840
00:29:05,678 --> 00:29:06,543
>> I KNOW, YOU'RE PREACHING TO
THE CHOIR.
BUT WHAT DO YOU WANT ME TO DO?
841
00:29:06,545 --> 00:29:07,344
THE CHOIR.
BUT WHAT DO YOU WANT ME TO DO?
YOU WANT TO GO WORK OUTSIDE?
842
00:29:07,346 --> 00:29:08,178
BUT WHAT DO YOU WANT ME TO DO?
YOU WANT TO GO WORK OUTSIDE?
YOU WANT TO WORK ON THE ROOF?
843
00:29:08,180 --> 00:29:11,815
YOU WANT TO GO WORK OUTSIDE?
YOU WANT TO WORK ON THE ROOF?
WHAT?
844
00:29:11,817 --> 00:29:13,083
YOU WANT TO WORK ON THE ROOF?
WHAT?
>> ALL RIGHT, YOU GUYS.
845
00:29:13,085 --> 00:29:14,651
WHAT?
>> ALL RIGHT, YOU GUYS.
IT'S STILL UNDER CONSTRUCTION,
846
00:29:14,653 --> 00:29:16,186
>> ALL RIGHT, YOU GUYS.
IT'S STILL UNDER CONSTRUCTION,
BUT WE NEEDED A BIGGER SPACE,
847
00:29:16,188 --> 00:29:16,653
IT'S STILL UNDER CONSTRUCTION,
BUT WE NEEDED A BIGGER SPACE,
SO...
848
00:29:16,655 --> 00:29:18,856
BUT WE NEEDED A BIGGER SPACE,
SO...
849
00:29:18,858 --> 00:29:21,191
SO...
850
00:29:32,036 --> 00:29:38,475
>> OH, MY GOD.
>> WHAT DO YOU GUYS THINK?
THINGS AREN'T REALLY TOGETHER
851
00:29:38,477 --> 00:29:38,976
>> WHAT DO YOU GUYS THINK?
THINGS AREN'T REALLY TOGETHER
YET...
852
00:29:38,978 --> 00:29:40,444
THINGS AREN'T REALLY TOGETHER
YET...
>> BUT WE HAVE IT FOR FREE FOR
853
00:29:40,446 --> 00:29:41,478
YET...
>> BUT WE HAVE IT FOR FREE FOR
AS LONG AS WE WANT.
854
00:29:41,480 --> 00:29:43,113
>> BUT WE HAVE IT FOR FREE FOR
AS LONG AS WE WANT.
>> WHAT?
855
00:29:43,115 --> 00:29:44,615
AS LONG AS WE WANT.
>> WHAT?
>> TOO RUSTIC, HUH?
856
00:29:44,617 --> 00:29:47,050
>> WHAT?
>> TOO RUSTIC, HUH?
>> WHEN CAN WE MOVE IN?
857
00:29:47,052 --> 00:29:48,552
>> TOO RUSTIC, HUH?
>> WHEN CAN WE MOVE IN?
>> NOW.
858
00:29:48,554 --> 00:29:49,319
>> WHEN CAN WE MOVE IN?
>> NOW.
>> REALLY?
859
00:29:49,321 --> 00:29:51,822
>> NOW.
>> REALLY?
>> YEAH.
860
00:29:51,824 --> 00:29:54,057
>> - REALLY?
- >> YEAH.
861
00:29:54,059 --> 00:29:56,360
>> - YEAH.
- >> WHOO-HOO!
862
00:29:56,362 --> 00:29:58,529
>> WHOO-HOO!
>> WE'RE INSIDE A POOL!
863
00:30:18,583 --> 00:30:23,754
>> THE FIRST
FILM I MAKE HERE WAS
864
00:30:23,756 --> 00:30:25,489
>> THE FIRST
FILM I MAKE HERE WAS
WORD-FOR-WORD, SCENE-BY-SCENE
865
00:30:25,491 --> 00:30:27,391
FILM I MAKE HERE WAS
WORD-FOR-WORD, SCENE-BY-SCENE
REMAKE OF A FILM I DO IN EUROPE.
866
00:30:27,393 --> 00:30:29,026
WORD-FOR-WORD, SCENE-BY-SCENE
REMAKE OF A FILM I DO IN EUROPE.
867
00:30:29,028 --> 00:30:30,994
- REMAKE OF A FILM I DO IN EUROPE.
- BUT AFTER WE LOCK PICTURE, MPAA
868
00:30:30,996 --> 00:30:31,695
BUT AFTER WE LOCK PICTURE, MPAA
DESTROY.
869
00:30:31,697 --> 00:30:35,165
BUT AFTER WE LOCK PICTURE, MPAA
DESTROY.
THEY TAKE OUT THE NUDITY, DRUG,
870
00:30:35,167 --> 00:30:36,867
DESTROY.
THEY TAKE OUT THE NUDITY, DRUG,
YOU KNOW, ANYTHING THAT WAS TOO
871
00:30:36,869 --> 00:30:37,334
THEY TAKE OUT THE NUDITY, DRUG,
YOU KNOW, ANYTHING THAT WAS TOO
REAL.
872
00:30:37,336 --> 00:30:38,969
YOU KNOW, ANYTHING THAT WAS TOO
REAL.
>> BUT W-WHY -- WHY DID YOU LET
873
00:30:38,971 --> 00:30:39,803
REAL.
>> BUT W-WHY -- WHY DID YOU LET
THEM DO THAT?
874
00:30:39,805 --> 00:30:41,205
>> BUT W-WHY -- WHY DID YOU LET
THEM DO THAT?
>> YOU GET NC-17 IS, LIKE,
875
00:30:41,207 --> 00:30:42,306
THEM DO THAT?
>> YOU GET NC-17 IS, LIKE,
PORNOGRAPHY, RIGHT?
876
00:30:42,308 --> 00:30:43,974
>> YOU GET NC-17 IS, LIKE,
PORNOGRAPHY, RIGHT?
YOU KNOW, THEATER DON'T RELEASE,
877
00:30:43,976 --> 00:30:46,276
PORNOGRAPHY, RIGHT?
YOU KNOW, THEATER DON'T RELEASE,
NO DVD, NO WALMART.
878
00:30:46,278 --> 00:30:47,878
YOU KNOW, THEATER DON'T RELEASE,
NO DVD, NO WALMART.
>> I MEAN, HONESTLY, I FEEL LIKE
879
00:30:47,880 --> 00:30:49,279
NO DVD, NO WALMART.
>> I MEAN, HONESTLY, I FEEL LIKE
WE'RE IN A FUCKING COMMUNIST
880
00:30:49,281 --> 00:30:50,280
>> I MEAN, HONESTLY, I FEEL LIKE
WE'RE IN A FUCKING COMMUNIST
COUNTRY RIGHT NOW.
881
00:30:50,282 --> 00:30:51,081
WE'RE IN A FUCKING COMMUNIST
COUNTRY RIGHT NOW.
>> YOU'RE NOT.
882
00:30:51,083 --> 00:30:53,350
COUNTRY RIGHT NOW.
>> YOU'RE NOT.
BUT, YOU KNOW, GROWING UP, YOU
883
00:30:53,352 --> 00:30:55,519
>> YOU'RE NOT.
BUT, YOU KNOW, GROWING UP, YOU
ALL THE TIME HEAR AMERICA IS
884
00:30:55,521 --> 00:30:56,954
BUT, YOU KNOW, GROWING UP, YOU
ALL THE TIME HEAR AMERICA IS
HOME OF THE FREE.
885
00:30:56,956 --> 00:30:58,589
ALL THE TIME HEAR AMERICA IS
HOME OF THE FREE.
BUT AFTER I WORK HERE, I THINK
886
00:30:58,591 --> 00:30:59,923
HOME OF THE FREE.
BUT AFTER I WORK HERE, I THINK
IS MORE REPRESSED THAN I
887
00:30:59,925 --> 00:31:00,591
BUT AFTER I WORK HERE, I THINK
IS MORE REPRESSED THAN I
IMAGINED.
888
00:31:00,593 --> 00:31:01,992
IS MORE REPRESSED THAN I
IMAGINED.
>> EXCUSE ME, BUT WE'RE READY
889
00:31:01,994 --> 00:31:02,526
IMAGINED.
>> EXCUSE ME, BUT WE'RE READY
FOR YOU.
890
00:31:02,528 --> 00:31:03,493
>> EXCUSE ME, BUT WE'RE READY
FOR YOU.
>> YES. I'M SORRY.
891
00:31:03,495 --> 00:31:04,528
FOR YOU.
>> YES. I'M SORRY.
SORRY, SORRY, SORRY.
892
00:31:04,530 --> 00:31:06,163
>> YES. I'M SORRY.
SORRY, SORRY, SORRY.
BERT SENDS ME A VIDEO.
893
00:31:06,165 --> 00:31:07,564
SORRY, SORRY, SORRY.
BERT SENDS ME A VIDEO.
VERY GOOD. I LIKE.
894
00:31:07,566 --> 00:31:08,632
BERT SENDS ME A VIDEO.
VERY GOOD. I LIKE.
SO, YOU NEED MONEY?
895
00:31:08,634 --> 00:31:10,400
VERY GOOD. I LIKE.
SO, YOU NEED MONEY?
>> OH, UH, YEAH.
896
00:31:10,402 --> 00:31:12,102
SO, YOU NEED MONEY?
>> OH, UH, YEAH.
MONEY WOULD BE GREAT.
897
00:31:12,104 --> 00:31:13,637
>> OH, UH, YEAH.
MONEY WOULD BE GREAT.
>> HOW MUCH YOU NEED, AND WHAT
898
00:31:13,639 --> 00:31:14,705
MONEY WOULD BE GREAT.
>> HOW MUCH YOU NEED, AND WHAT
YOU NEEDS THIS FOR?
899
00:31:14,707 --> 00:31:16,707
>> HOW MUCH YOU NEED, AND WHAT
YOU NEEDS THIS FOR?
>> ¶ OOH OOH ¶
900
00:31:16,709 --> 00:31:19,243
YOU NEEDS THIS FOR?
>> ¶ OOH OOH ¶
>> ¶ I WANT TO BE OUT... ¶
901
00:31:19,245 --> 00:31:20,410
>> ¶ OOH OOH ¶
>> ¶ I WANT TO BE OUT... ¶
>> HERE'S WHAT YOU'RE UP
902
00:31:20,412 --> 00:31:20,911
>> ¶ I WANT TO BE OUT... ¶
>> HERE'S WHAT YOU'RE UP
AGAINST.
903
00:31:20,913 --> 00:31:25,282
>> HERE'S WHAT YOU'RE UP
AGAINST.
IN 1980, RELIGIOUS ORGANIZATIONS
904
00:31:25,284 --> 00:31:26,817
AGAINST.
IN 1980, RELIGIOUS ORGANIZATIONS
MOBILIZED AND PUT REAGAN IN THE
905
00:31:26,819 --> 00:31:27,551
IN 1980, RELIGIOUS ORGANIZATIONS
MOBILIZED AND PUT REAGAN IN THE
WHITE HOUSE.
906
00:31:27,553 --> 00:31:29,853
MOBILIZED AND PUT REAGAN IN THE
WHITE HOUSE.
BASICALLY, FROM THAT MOMENT, THE
907
00:31:29,855 --> 00:31:31,889
WHITE HOUSE.
BASICALLY, FROM THAT MOMENT, THE
REPUBLICANS MADE AN ALLIANCE
908
00:31:31,891 --> 00:31:33,757
BASICALLY, FROM THAT MOMENT, THE
REPUBLICANS MADE AN ALLIANCE
WITH THE CHRISTIAN RIGHT.
909
00:31:33,759 --> 00:31:35,359
REPUBLICANS MADE AN ALLIANCE
WITH THE CHRISTIAN RIGHT.
AND WHEN PURITANS START
910
00:31:35,361 --> 00:31:37,261
WITH THE CHRISTIAN RIGHT.
AND WHEN PURITANS START
MANIPULATING POLITICIANS AND
911
00:31:37,263 --> 00:31:39,162
AND WHEN PURITANS START
MANIPULATING POLITICIANS AND
HIJACKING GOVERNMENT, THAT'S
912
00:31:39,164 --> 00:31:41,231
MANIPULATING POLITICIANS AND
HIJACKING GOVERNMENT, THAT'S
WHEN CENSORSHIP LAWS GET WEIRD.
913
00:31:41,233 --> 00:31:42,666
HIJACKING GOVERNMENT, THAT'S
WHEN CENSORSHIP LAWS GET WEIRD.
HERE'S HOW IT WORKS.
914
00:31:42,668 --> 00:31:45,569
WHEN CENSORSHIP LAWS GET WEIRD.
HERE'S HOW IT WORKS.
LET'S SAY THERE IS A TELEVISION
915
00:31:45,571 --> 00:31:48,238
HERE'S HOW IT WORKS.
LET'S SAY THERE IS A TELEVISION
SHOW LIKE "SKINS," WHERE YOU
916
00:31:48,240 --> 00:31:49,840
LET'S SAY THERE IS A TELEVISION
SHOW LIKE "SKINS," WHERE YOU
HAVE TEENAGERS HAVING SEX,
917
00:31:49,842 --> 00:31:51,475
SHOW LIKE "SKINS," WHERE YOU
HAVE TEENAGERS HAVING SEX,
INGESTING DRUGS, ET CETERA,
918
00:31:51,477 --> 00:31:52,242
HAVE TEENAGERS HAVING SEX,
INGESTING DRUGS, ET CETERA,
ET CETERA.
919
00:31:52,244 --> 00:31:53,210
INGESTING DRUGS, ET CETERA,
ET CETERA.
>> I LIKE THAT SHOW.
920
00:31:53,212 --> 00:31:55,112
ET CETERA.
>> I LIKE THAT SHOW.
>> HERE'S WHY IT'S NO LONGER ON
921
00:31:55,114 --> 00:31:55,946
>> I LIKE THAT SHOW.
>> HERE'S WHY IT'S NO LONGER ON
IN THE U.S.
922
00:31:55,948 --> 00:31:58,282
>> HERE'S WHY IT'S NO LONGER ON
IN THE U.S.
GROUPS LIKE THE PTC RALLY THEIR
923
00:31:58,284 --> 00:32:00,584
IN THE U.S.
GROUPS LIKE THE PTC RALLY THEIR
RELIGIOUS BASE TO SEND E-MAILS
924
00:32:00,586 --> 00:32:02,920
GROUPS LIKE THE PTC RALLY THEIR
RELIGIOUS BASE TO SEND E-MAILS
AND PHONE CALLS TO D.C., TO THE
925
00:32:02,922 --> 00:32:04,888
RELIGIOUS BASE TO SEND E-MAILS
AND PHONE CALLS TO D.C., TO THE
FCC, TO THE PRESS, TO THE
926
00:32:04,890 --> 00:32:06,790
AND PHONE CALLS TO D.C., TO THE
FCC, TO THE PRESS, TO THE
NETWORKS, AND IN "SKINS'" CASE,
927
00:32:06,792 --> 00:32:07,824
FCC, TO THE PRESS, TO THE
NETWORKS, AND IN "SKINS'" CASE,
MTV.
928
00:32:07,826 --> 00:32:10,060
NETWORKS, AND IN "SKINS'" CASE,
MTV.
THE SPONSORS FREAK OUT.
929
00:32:10,062 --> 00:32:11,795
MTV.
THE SPONSORS FREAK OUT.
THEY PULL THEIR ADS.
930
00:32:11,797 --> 00:32:13,163
THE SPONSORS FREAK OUT.
THEY PULL THEIR ADS.
MTV FREAKS OUT.
931
00:32:13,165 --> 00:32:14,464
THEY PULL THEIR ADS.
MTV FREAKS OUT.
NO MORE MONEY?
932
00:32:14,466 --> 00:32:17,467
MTV FREAKS OUT.
NO MORE MONEY?
PURITANICAL IDEOLOGY, MEET
933
00:32:17,469 --> 00:32:18,835
NO MORE MONEY?
PURITANICAL IDEOLOGY, MEET
COMMERCE.
934
00:32:18,837 --> 00:32:19,736
PURITANICAL IDEOLOGY, MEET
COMMERCE.
SHOW'S OFF THE AIR.
935
00:32:19,738 --> 00:32:21,238
COMMERCE.
SHOW'S OFF THE AIR.
>> BUT, JIM, HOW DO WE GO UP
936
00:32:21,240 --> 00:32:22,673
SHOW'S OFF THE AIR.
>> BUT, JIM, HOW DO WE GO UP
AGAINST THESE HUGE GOLIATH
937
00:32:22,675 --> 00:32:23,473
>> BUT, JIM, HOW DO WE GO UP
AGAINST THESE HUGE GOLIATH
INSTITUTIONS?
938
00:32:23,475 --> 00:32:25,075
AGAINST THESE HUGE GOLIATH
INSTITUTIONS?
I MEAN, I JUST FEEL THAT WE'RE
939
00:32:25,077 --> 00:32:26,476
INSTITUTIONS?
I MEAN, I JUST FEEL THAT WE'RE
SLIGHTLY OUTGUNNED HERE.
940
00:32:26,478 --> 00:32:27,210
I MEAN, I JUST FEEL THAT WE'RE
SLIGHTLY OUTGUNNED HERE.
>> O-OKAY.
941
00:32:27,212 --> 00:32:28,946
SLIGHTLY OUTGUNNED HERE.
>> O-OKAY.
FIRST THING YOU HAVE TO
942
00:32:28,948 --> 00:32:31,214
>> O-OKAY.
FIRST THING YOU HAVE TO
UNDERSTAND IS, THIS IS NOT ABOUT
943
00:32:31,216 --> 00:32:31,949
FIRST THING YOU HAVE TO
UNDERSTAND IS, THIS IS NOT ABOUT
FIGHTING.
944
00:32:31,951 --> 00:32:33,617
UNDERSTAND IS, THIS IS NOT ABOUT
FIGHTING.
>> I'M PRETTY SURE SHE MEANT
945
00:32:33,619 --> 00:32:34,651
FIGHTING.
>> I'M PRETTY SURE SHE MEANT
METAPHORICALLY.
946
00:32:34,653 --> 00:32:36,620
>> I'M PRETTY SURE SHE MEANT
METAPHORICALLY.
>> METAPHORICALLY, LITERALLY,
947
00:32:36,622 --> 00:32:38,555
METAPHORICALLY.
>> METAPHORICALLY, LITERALLY,
YOU GOT TO FORGET ABOUT THIS
948
00:32:38,557 --> 00:32:39,823
>> METAPHORICALLY, LITERALLY,
YOU GOT TO FORGET ABOUT THIS
IDEA OF FIGHTING.
949
00:32:39,825 --> 00:32:41,792
YOU GOT TO FORGET ABOUT THIS
IDEA OF FIGHTING.
WHATEVER YOU FIGHT GROWS
950
00:32:41,794 --> 00:32:42,759
IDEA OF FIGHTING.
WHATEVER YOU FIGHT GROWS
STRONGER.
951
00:32:42,761 --> 00:32:44,261
WHATEVER YOU FIGHT GROWS
STRONGER.
>> THAT'S VERY ZEN OF YOU, BUT
952
00:32:44,263 --> 00:32:45,796
STRONGER.
>> THAT'S VERY ZEN OF YOU, BUT
I'M ASKING HOW DO WE CHANGE THE
953
00:32:45,798 --> 00:32:48,699
>> THAT'S VERY ZEN OF YOU, BUT
I'M ASKING HOW DO WE CHANGE THE
CENSORSHIP LAWS IN AMERICA.
954
00:32:48,701 --> 00:32:51,335
I'M ASKING HOW DO WE CHANGE THE
CENSORSHIP LAWS IN AMERICA.
>> THIS IS NOT ABOUT POLITICS.
955
00:32:51,337 --> 00:32:54,204
CENSORSHIP LAWS IN AMERICA.
>> THIS IS NOT ABOUT POLITICS.
THIS IS ABOUT THE HEARTS AND
956
00:32:54,206 --> 00:32:55,772
>> THIS IS NOT ABOUT POLITICS.
THIS IS ABOUT THE HEARTS AND
MINDS OF THE PEOPLE.
957
00:32:55,774 --> 00:32:57,307
THIS IS ABOUT THE HEARTS AND
MINDS OF THE PEOPLE.
YOU WANT TO SHAKE THINGS UP?
958
00:32:57,309 --> 00:32:58,642
MINDS OF THE PEOPLE.
YOU WANT TO SHAKE THINGS UP?
TAKE A PAGE OUT OF THE
959
00:32:58,644 --> 00:33:00,010
YOU WANT TO SHAKE THINGS UP?
TAKE A PAGE OUT OF THE
CHRISTIAN RIGHT'S BOOK.
960
00:33:00,012 --> 00:33:02,546
TAKE A PAGE OUT OF THE
CHRISTIAN RIGHT'S BOOK.
USE THE SAME TACTICS THEY EMPLOY
961
00:33:02,548 --> 00:33:03,847
CHRISTIAN RIGHT'S BOOK.
USE THE SAME TACTICS THEY EMPLOY
ON YOUR CAUSE.
962
00:33:03,849 --> 00:33:05,749
USE THE SAME TACTICS THEY EMPLOY
ON YOUR CAUSE.
WE'RE A PRODUCT OF THIS
963
00:33:05,751 --> 00:33:08,185
ON YOUR CAUSE.
WE'RE A PRODUCT OF THIS
PURITANICAL CULTURE, BUT LET ME
964
00:33:08,187 --> 00:33:09,419
WE'RE A PRODUCT OF THIS
PURITANICAL CULTURE, BUT LET ME
ASK YOU THIS.
965
00:33:09,421 --> 00:33:11,888
PURITANICAL CULTURE, BUT LET ME
ASK YOU THIS.
WHO DO YOU THINK RUNS THE WORLD?
966
00:33:11,890 --> 00:33:13,557
ASK YOU THIS.
WHO DO YOU THINK RUNS THE WORLD?
>> THE 1%.
967
00:33:13,559 --> 00:33:14,591
WHO DO YOU THINK RUNS THE WORLD?
>> THE 1%.
>> NO.
968
00:33:14,593 --> 00:33:16,293
>> THE 1%.
>> NO.
>> THE ILLUMINATI.
969
00:33:16,295 --> 00:33:17,561
>> NO.
>> THE ILLUMINATI.
>> NO.
970
00:33:17,563 --> 00:33:21,798
>> THE ILLUMINATI.
>> NO.
>> YOU DO -- THE PEOPLE.
971
00:33:21,800 --> 00:33:24,534
>> NO.
>> YOU DO -- THE PEOPLE.
WHEN THE MASSES ALIGN...
972
00:33:24,536 --> 00:33:26,203
>> YOU DO -- THE PEOPLE.
WHEN THE MASSES ALIGN...
ROME FALLS, EGYPT FALLS,
973
00:33:26,205 --> 00:33:27,504
WHEN THE MASSES ALIGN...
ROME FALLS, EGYPT FALLS,
IT ALL FALLS DOWN.
974
00:33:27,506 --> 00:33:28,939
ROME FALLS, EGYPT FALLS,
IT ALL FALLS DOWN.
>> IN THEORY, BUT --
975
00:33:28,941 --> 00:33:30,407
IT ALL FALLS DOWN.
>> IN THEORY, BUT --
>> NO, NOT IN THEORY!
976
00:33:30,409 --> 00:33:31,408
>> IN THEORY, BUT --
>> NO, NOT IN THEORY!
IN REAL TIME.
977
00:33:31,410 --> 00:33:33,143
>> NO, NOT IN THEORY!
IN REAL TIME.
WHAT DO YOU THINK ALL THOSE
978
00:33:33,145 --> 00:33:35,078
IN REAL TIME.
WHAT DO YOU THINK ALL THOSE
LITTLE RELIGIOUS GROUPS ACROSS
979
00:33:35,080 --> 00:33:37,848
WHAT DO YOU THINK ALL THOSE
LITTLE RELIGIOUS GROUPS ACROSS
THE GREAT UNWASHED ARE MADE OF?
980
00:33:37,850 --> 00:33:44,755
LITTLE RELIGIOUS GROUPS ACROSS
THE GREAT UNWASHED ARE MADE OF?
A BUNCH OF PEOPLE.
981
00:33:44,757 --> 00:33:46,523
THE GREAT UNWASHED ARE MADE OF?
A BUNCH OF PEOPLE.
WHAT YOU NEED IS A
982
00:33:46,525 --> 00:33:49,593
A BUNCH OF PEOPLE.
WHAT YOU NEED IS A
STATE-OF-THE-ART CAMPAIGN THAT
983
00:33:49,595 --> 00:33:51,328
WHAT YOU NEED IS A
STATE-OF-THE-ART CAMPAIGN THAT
WILL BE THE BUTTERFLY WING THAT
984
00:33:51,330 --> 00:33:52,829
STATE-OF-THE-ART CAMPAIGN THAT
WILL BE THE BUTTERFLY WING THAT
WILL TRIGGER THE TSUNAMI OF
985
00:33:52,831 --> 00:33:54,931
WILL BE THE BUTTERFLY WING THAT
WILL TRIGGER THE TSUNAMI OF
SIGNATURES TO PETITIONS YOU
986
00:33:54,933 --> 00:33:56,933
WILL TRIGGER THE TSUNAMI OF
SIGNATURES TO PETITIONS YOU
DRIVE TO WASHINGTON VIA
987
00:33:56,935 --> 00:33:59,002
SIGNATURES TO PETITIONS YOU
DRIVE TO WASHINGTON VIA
SOCIAL MEDIA.
988
00:33:59,004 --> 00:34:00,537
DRIVE TO WASHINGTON VIA
SOCIAL MEDIA.
WHEN YOU REACH YOUR CRITICAL
989
00:34:00,539 --> 00:34:02,039
SOCIAL MEDIA.
WHEN YOU REACH YOUR CRITICAL
MASS, I'LL TAKE CARE OF THE
990
00:34:02,041 --> 00:34:05,575
WHEN YOU REACH YOUR CRITICAL
MASS, I'LL TAKE CARE OF THE
PRESS -- CNN, FOX, THE BBC.
991
00:34:05,577 --> 00:34:07,844
MASS, I'LL TAKE CARE OF THE
PRESS -- CNN, FOX, THE BBC.
I'LL MAKE A FEW PHONE CALLS, AND
992
00:34:07,846 --> 00:34:09,679
PRESS -- CNN, FOX, THE BBC.
I'LL MAKE A FEW PHONE CALLS, AND
SUDDENLY, THE GREAT MEDIA
993
00:34:09,681 --> 00:34:11,948
I'LL MAKE A FEW PHONE CALLS, AND
SUDDENLY, THE GREAT MEDIA
MONSTER'S EYES WILL TURN TOWARDS
994
00:34:11,950 --> 00:34:13,784
SUDDENLY, THE GREAT MEDIA
MONSTER'S EYES WILL TURN TOWARDS
YOU...
995
00:34:13,786 --> 00:34:16,053
MONSTER'S EYES WILL TURN TOWARDS
YOU...
FOR 15 MINUTES...
996
00:34:16,055 --> 00:34:19,022
YOU...
FOR 15 MINUTES...
MAYBE 15 SECONDS.
997
00:34:19,024 --> 00:34:22,793
FOR 15 MINUTES...
MAYBE 15 SECONDS.
IN THAT MOMENT, WHAT ARE YOU
998
00:34:22,795 --> 00:34:26,596
MAYBE 15 SECONDS.
IN THAT MOMENT, WHAT ARE YOU
GONNA SAY?
999
00:34:26,598 --> 00:34:27,631
IN THAT MOMENT, WHAT ARE YOU
GONNA SAY?
>> WE RESEARCHED THE NAME
1000
00:34:27,633 --> 00:34:28,765
GONNA SAY?
>> WE RESEARCHED THE NAME
"TOPLESS WARRIORS," AND IT'S
1001
00:34:28,767 --> 00:34:29,833
>> WE RESEARCHED THE NAME
"TOPLESS WARRIORS," AND IT'S
ALREADY BEING TAKEN BY SOME
1002
00:34:29,835 --> 00:34:30,567
"TOPLESS WARRIORS," AND IT'S
ALREADY BEING TAKEN BY SOME
GROUP IN RUSSIA.
1003
00:34:30,569 --> 00:34:31,668
ALREADY BEING TAKEN BY SOME
GROUP IN RUSSIA.
>> WHAT?
1004
00:34:31,670 --> 00:34:33,804
GROUP IN RUSSIA.
>> WHAT?
YOU FUCKING MY TITS?
1005
00:34:33,806 --> 00:34:34,538
>> WHAT?
YOU FUCKING MY TITS?
>> ORSON!
1006
00:34:34,540 --> 00:34:35,705
YOU FUCKING MY TITS?
>> ORSON!
>> HEY. WHAT'S UP?
1007
00:34:35,707 --> 00:34:36,540
>> ORSON!
>> HEY. WHAT'S UP?
>> TALK TO ME.
1008
00:34:36,542 --> 00:34:37,607
>> HEY. WHAT'S UP?
>> TALK TO ME.
WHO ARE THESE GIRLS?
1009
00:34:37,609 --> 00:34:38,875
>> TALK TO ME.
WHO ARE THESE GIRLS?
>> UH, THESE ARE FEMEN.
1010
00:34:38,877 --> 00:34:40,343
WHO ARE THESE GIRLS?
>> UH, THESE ARE FEMEN.
ACCORDING TO THIS SITE, THEY
1011
00:34:40,345 --> 00:34:41,711
>> UH, THESE ARE FEMEN.
ACCORDING TO THIS SITE, THEY
HAVE OVER 300 MEMBERS, AND
1012
00:34:41,713 --> 00:34:43,380
ACCORDING TO THIS SITE, THEY
HAVE OVER 300 MEMBERS, AND
THEY'VE PROTESTED ISSUES RANGING
1013
00:34:43,382 --> 00:34:44,481
HAVE OVER 300 MEMBERS, AND
THEY'VE PROTESTED ISSUES RANGING
FROM THE PLIGHT OF THE
1014
00:34:44,483 --> 00:34:45,816
THEY'VE PROTESTED ISSUES RANGING
FROM THE PLIGHT OF THE
UKRAINIAN PROSTITUTE TO THE
1015
00:34:45,818 --> 00:34:47,184
FROM THE PLIGHT OF THE
UKRAINIAN PROSTITUTE TO THE
ELECTION OF PRESIDENT PUTIN.
1016
00:34:47,186 --> 00:34:47,684
UKRAINIAN PROSTITUTE TO THE
ELECTION OF PRESIDENT PUTIN.
>> WOW.
1017
00:34:47,686 --> 00:34:48,919
ELECTION OF PRESIDENT PUTIN.
>> WOW.
THESE HUMANS ARE HARDCORE.
1018
00:34:48,921 --> 00:34:50,087
>> WOW.
THESE HUMANS ARE HARDCORE.
>> HOW DID THEY GET SO MUCH
1019
00:34:50,089 --> 00:34:50,520
THESE HUMANS ARE HARDCORE.
>> HOW DID THEY GET SO MUCH
PRESS?
1020
00:34:50,522 --> 00:34:51,321
>> HOW DID THEY GET SO MUCH
PRESS?
>> THEY'RE SMART.
1021
00:34:51,323 --> 00:34:52,389
PRESS?
>> THEY'RE SMART.
THEY TARGET HIGH-PROFILE
1022
00:34:52,391 --> 00:34:53,723
>> THEY'RE SMART.
THEY TARGET HIGH-PROFILE
INTERNATIONAL EVENTS LIKE DAVOS
1023
00:34:53,725 --> 00:34:54,424
THEY TARGET HIGH-PROFILE
INTERNATIONAL EVENTS LIKE DAVOS
AND ELECTIONS.
1024
00:34:54,426 --> 00:34:55,826
INTERNATIONAL EVENTS LIKE DAVOS
AND ELECTIONS.
THEY HIT THE VATICAN. WOW.
1025
00:34:55,828 --> 00:34:57,060
AND ELECTIONS.
THEY HIT THE VATICAN. WOW.
>> WE NEED TO DO THAT.
1026
00:34:57,062 --> 00:34:57,661
THEY HIT THE VATICAN. WOW.
>> WE NEED TO DO THAT.
>> WHAT?
1027
00:34:57,663 --> 00:34:59,329
>> WE NEED TO DO THAT.
>> WHAT?
>> STORM HIGH-PROFILE LANDMARKS
1028
00:34:59,331 --> 00:35:01,031
>> WHAT?
>> STORM HIGH-PROFILE LANDMARKS
WITH THOUSANDS OF TOPLESS WOMEN.
1029
00:35:01,033 --> 00:35:02,232
>> STORM HIGH-PROFILE LANDMARKS
WITH THOUSANDS OF TOPLESS WOMEN.
>> WHAT'S THE EQUIVALENT TO THE
1030
00:35:02,234 --> 00:35:03,033
WITH THOUSANDS OF TOPLESS WOMEN.
>> WHAT'S THE EQUIVALENT TO THE
VATICAN IN AMERICA?
1031
00:35:03,035 --> 00:35:04,234
>> WHAT'S THE EQUIVALENT TO THE
VATICAN IN AMERICA?
>> ST. PATRICK'S CATHEDRAL?
1032
00:35:04,236 --> 00:35:05,469
VATICAN IN AMERICA?
>> ST. PATRICK'S CATHEDRAL?
>> PROBABLY THE WHITE HOUSE.
1033
00:35:05,471 --> 00:35:06,803
>> ST. PATRICK'S CATHEDRAL?
>> PROBABLY THE WHITE HOUSE.
>> YES! WE NEED TO INVADE D.C.
1034
00:35:06,805 --> 00:35:08,071
>> PROBABLY THE WHITE HOUSE.
>> YES! WE NEED TO INVADE D.C.
>> UH, WITH?
1035
00:35:08,073 --> 00:35:09,272
>> YES! WE NEED TO INVADE D.C.
>> UH, WITH?
>> CAN I TALK TO YOU JUST FOR A
1036
00:35:09,274 --> 00:35:09,673
>> UH, WITH?
>> CAN I TALK TO YOU JUST FOR A
SECOND?
1037
00:35:09,675 --> 00:35:10,207
>> CAN I TALK TO YOU JUST FOR A
SECOND?
>> YEAH.
1038
00:35:10,209 --> 00:35:11,541
SECOND?
>> YEAH.
WE'RE GONNA GO GET SOME FOOD.
1039
00:35:11,543 --> 00:35:12,909
>> YEAH.
WE'RE GONNA GO GET SOME FOOD.
WOULD YOU GUYS WANT ANYTHING?
1040
00:35:12,911 --> 00:35:13,443
WE'RE GONNA GO GET SOME FOOD.
WOULD YOU GUYS WANT ANYTHING?
>> YEAH.
1041
00:35:13,445 --> 00:35:14,878
WOULD YOU GUYS WANT ANYTHING?
>> YEAH.
COULD YOU GRAB SOME DUNKAROOS?
1042
00:35:14,880 --> 00:35:15,812
>> YEAH.
COULD YOU GRAB SOME DUNKAROOS?
>> DUNKAROOS. WHAT'S THAT?
1043
00:35:15,814 --> 00:35:17,114
COULD YOU GRAB SOME DUNKAROOS?
>> DUNKAROOS. WHAT'S THAT?
>> THOSE LITTLE COOKIES THAT YOU
1044
00:35:17,116 --> 00:35:17,747
>> DUNKAROOS. WHAT'S THAT?
>> THOSE LITTLE COOKIES THAT YOU
DIP INTO MILK.
1045
00:35:17,749 --> 00:35:18,915
>> THOSE LITTLE COOKIES THAT YOU
DIP INTO MILK.
>> COOKIE WITH THE KANGAROO.
1046
00:35:18,917 --> 00:35:20,217
DIP INTO MILK.
>> COOKIE WITH THE KANGAROO.
>> THEY'RE SHAPED IN A KANGAROO,
1047
00:35:20,219 --> 00:35:21,384
>> COOKIE WITH THE KANGAROO.
>> THEY'RE SHAPED IN A KANGAROO,
AND YOU DROP THEM INTO THE --
1048
00:35:21,386 --> 00:35:22,619
>> THEY'RE SHAPED IN A KANGAROO,
AND YOU DROP THEM INTO THE --
>> THE KANGAROO JUMPS INTO THE
1049
00:35:22,621 --> 00:35:22,986
AND YOU DROP THEM INTO THE --
>> THE KANGAROO JUMPS INTO THE
CREAM.
1050
00:35:22,988 --> 00:35:24,721
>> THE KANGAROO JUMPS INTO THE
CREAM.
>> THEY'RE LIKE LITTLE, UM...
1051
00:35:24,723 --> 00:35:26,890
CREAM.
>> THEY'RE LIKE LITTLE, UM...
>> THEY'RE --
1052
00:35:26,892 --> 00:35:27,691
>> THEY'RE LIKE LITTLE, UM...
>> THEY'RE --
>> I KNOW WHAT THEY ARE.
1053
00:35:27,693 --> 00:35:28,058
>> THEY'RE --
>> I KNOW WHAT THEY ARE.
COME ON.
1054
00:35:28,060 --> 00:35:28,658
>> I KNOW WHAT THEY ARE.
COME ON.
>> OKAY.
1055
00:35:28,660 --> 00:35:30,227
COME ON.
>> OKAY.
>> GET WHATEVER VARIETIES THEY
1056
00:35:30,229 --> 00:35:31,828
>> OKAY.
>> GET WHATEVER VARIETIES THEY
HAVE -- CHOCOLATE AND VANILLA.
1057
00:35:31,830 --> 00:35:32,863
>> GET WHATEVER VARIETIES THEY
HAVE -- CHOCOLATE AND VANILLA.
>> AND SOME -- SOME STRING
1058
00:35:32,865 --> 00:35:35,298
HAVE -- CHOCOLATE AND VANILLA.
>> AND SOME -- SOME STRING
CHEESE.
1059
00:35:35,300 --> 00:35:36,366
>> AND SOME -- SOME STRING
CHEESE.
>> WE SHOULD TRY TO GET IN TOUCH
1060
00:35:36,368 --> 00:35:37,334
CHEESE.
>> WE SHOULD TRY TO GET IN TOUCH
WITH THAT PORN STAR THAT'S IN
1061
00:35:37,336 --> 00:35:39,302
>> WE SHOULD TRY TO GET IN TOUCH
WITH THAT PORN STAR THAT'S IN
PARLIAMENT, TOO.
1062
00:35:48,613 --> 00:35:53,884
>> WHAT'S UP?
>> NOTHING.
>> COME ON.
1063
00:35:53,886 --> 00:35:55,719
>> NOTHING.
>> COME ON.
>> WELL, WE HAVE A PROBLEM.
1064
00:35:55,721 --> 00:35:56,453
>> COME ON.
>> WELL, WE HAVE A PROBLEM.
>> YEAH?
1065
00:35:56,455 --> 00:35:57,554
>> WELL, WE HAVE A PROBLEM.
>> YEAH?
>> ROZ, TELL HER.
1066
00:35:57,556 --> 00:35:58,488
>> YEAH?
>> ROZ, TELL HER.
>> WHAT IS IT?
1067
00:35:58,490 --> 00:36:00,524
>> ROZ, TELL HER.
>> WHAT IS IT?
>> I-I RAN THE NUMBERS ON THE
1068
00:36:00,526 --> 00:36:02,626
>> WHAT IS IT?
>> I-I RAN THE NUMBERS ON THE
INVOICES AND THE RECEIPTS, AND
1069
00:36:02,628 --> 00:36:04,361
>> I-I RAN THE NUMBERS ON THE
INVOICES AND THE RECEIPTS, AND
AS OF NOW, WE'RE DOWN TO
1070
00:36:04,363 --> 00:36:07,297
INVOICES AND THE RECEIPTS, AND
AS OF NOW, WE'RE DOWN TO
$397.21.
1071
00:36:07,299 --> 00:36:09,032
AS OF NOW, WE'RE DOWN TO
$397.21.
AND, GIRLS, IF WE'RE SERIOUSLY
1072
00:36:09,034 --> 00:36:10,867
$397.21.
AND, GIRLS, IF WE'RE SERIOUSLY
PLANNING ON PRODUCING A CAMPAIGN
1073
00:36:10,869 --> 00:36:12,702
AND, GIRLS, IF WE'RE SERIOUSLY
PLANNING ON PRODUCING A CAMPAIGN
WITH THOUSANDS OF WOMEN IN D.C.,
1074
00:36:12,704 --> 00:36:14,604
PLANNING ON PRODUCING A CAMPAIGN
WITH THOUSANDS OF WOMEN IN D.C.,
WE'RE GOING TO NEED REAL MONEY,
1075
00:36:14,606 --> 00:36:16,540
WITH THOUSANDS OF WOMEN IN D.C.,
WE'RE GOING TO NEED REAL MONEY,
OR THIS WHOLE THING IS GOING TO
1076
00:36:16,542 --> 00:36:17,374
WE'RE GOING TO NEED REAL MONEY,
OR THIS WHOLE THING IS GOING TO
FALL APART.
1077
00:36:17,376 --> 00:36:17,908
OR THIS WHOLE THING IS GOING TO
FALL APART.
>> OKAY.
1078
00:36:17,910 --> 00:36:19,276
FALL APART.
>> OKAY.
THE UNIVERSE IS NOT GOING TO
1079
00:36:19,278 --> 00:36:20,577
>> OKAY.
THE UNIVERSE IS NOT GOING TO
FALL APART, CHICKEN LITTLE.
1080
00:36:20,579 --> 00:36:22,045
THE UNIVERSE IS NOT GOING TO
FALL APART, CHICKEN LITTLE.
THE UNIVERSE HAS A PLAN.
1081
00:36:22,047 --> 00:36:24,214
FALL APART, CHICKEN LITTLE.
THE UNIVERSE HAS A PLAN.
IN QUANTUM PHYSICS, THEY HAVE
1082
00:36:24,216 --> 00:36:26,416
THE UNIVERSE HAS A PLAN.
IN QUANTUM PHYSICS, THEY HAVE
PROVEN THAT SPACE AND TIME ARE
1083
00:36:26,418 --> 00:36:27,384
IN QUANTUM PHYSICS, THEY HAVE
PROVEN THAT SPACE AND TIME ARE
ILLUSIONS.
1084
00:36:27,386 --> 00:36:29,219
PROVEN THAT SPACE AND TIME ARE
ILLUSIONS.
SO, IF TIME DOESN'T REALLY
1085
00:36:29,221 --> 00:36:31,288
ILLUSIONS.
SO, IF TIME DOESN'T REALLY
EXIST, THEN THE IMPACT THAT WE
1086
00:36:31,290 --> 00:36:33,490
SO, IF TIME DOESN'T REALLY
EXIST, THEN THE IMPACT THAT WE
ARE GOING TO MAKE, WE'VE ALREADY
1087
00:36:33,492 --> 00:36:34,090
EXIST, THEN THE IMPACT THAT WE
ARE GOING TO MAKE, WE'VE ALREADY
MADE.
1088
00:36:34,092 --> 00:36:35,392
ARE GOING TO MAKE, WE'VE ALREADY
MADE.
AND EVERYTHING THAT WE ARE GOING
1089
00:36:35,394 --> 00:36:36,493
MADE.
AND EVERYTHING THAT WE ARE GOING
TO DO, WE'VE ALREADY DONE.
1090
00:36:36,495 --> 00:36:37,694
AND EVERYTHING THAT WE ARE GOING
TO DO, WE'VE ALREADY DONE.
>> LIV, I DON'T NEED THE
1091
00:36:37,696 --> 00:36:38,862
TO DO, WE'VE ALREADY DONE.
>> LIV, I DON'T NEED THE
CARL SAGAN EXPLANATION.
1092
00:36:38,864 --> 00:36:39,529
>> LIV, I DON'T NEED THE
CARL SAGAN EXPLANATION.
>> EXACTLY.
1093
00:36:39,531 --> 00:36:40,997
CARL SAGAN EXPLANATION.
>> EXACTLY.
>> ALL I NEED TO KNOW IS, DO WE
1094
00:36:40,999 --> 00:36:41,665
>> EXACTLY.
>> ALL I NEED TO KNOW IS, DO WE
HAVE MONEY?
1095
00:36:41,667 --> 00:36:43,967
>> ALL I NEED TO KNOW IS, DO WE
HAVE MONEY?
BECAUSE, LIKE, THE WALL -- WE'RE
1096
00:36:43,969 --> 00:36:45,969
HAVE MONEY?
BECAUSE, LIKE, THE WALL -- WE'RE
AT IT.
1097
00:36:49,840 --> 00:36:53,476
>> I-I...
I HAVE TO START LOOKING FOR A
JOB, SERIOUSLY.
1098
00:36:53,478 --> 00:36:56,379
I HAVE TO START LOOKING FOR A
JOB, SERIOUSLY.
I'M NOT EVEN KIDDING ANYMORE.
1099
00:36:56,381 --> 00:36:57,814
JOB, SERIOUSLY.
I'M NOT EVEN KIDDING ANYMORE.
>> WE'RE IN THE MIDDLE OF A
1100
00:36:57,816 --> 00:36:58,515
I'M NOT EVEN KIDDING ANYMORE.
>> WE'RE IN THE MIDDLE OF A
REVOLUTION.
1101
00:36:58,517 --> 00:36:59,649
>> WE'RE IN THE MIDDLE OF A
REVOLUTION.
YOU CAN'T GET A JOB.
1102
00:36:59,651 --> 00:37:00,951
REVOLUTION.
YOU CAN'T GET A JOB.
>> I HAVE TO PAY RENT IN FOUR
1103
00:37:00,953 --> 00:37:02,252
YOU CAN'T GET A JOB.
>> I HAVE TO PAY RENT IN FOUR
DAYS, AND MY PHONE'S ABOUT TO
1104
00:37:02,254 --> 00:37:02,919
>> I HAVE TO PAY RENT IN FOUR
DAYS, AND MY PHONE'S ABOUT TO
GET CUT OFF.
1105
00:37:02,921 --> 00:37:04,421
DAYS, AND MY PHONE'S ABOUT TO
GET CUT OFF.
>> WITH, YOU CANNOT AFFORD THE
1106
00:37:04,423 --> 00:37:05,822
GET CUT OFF.
>> WITH, YOU CANNOT AFFORD THE
LUXURY OF A NEGATIVE THOUGHT
1107
00:37:05,824 --> 00:37:06,456
>> WITH, YOU CANNOT AFFORD THE
LUXURY OF A NEGATIVE THOUGHT
RIGHT NOW.
1108
00:37:06,458 --> 00:37:08,225
LUXURY OF A NEGATIVE THOUGHT
RIGHT NOW.
>> WE'RE OUT OF MONEY AND WE
1109
00:37:08,227 --> 00:37:11,828
RIGHT NOW.
>> WE'RE OUT OF MONEY AND WE
NEED A PLAN.
1110
00:37:11,830 --> 00:37:13,863
>> WE'RE OUT OF MONEY AND WE
NEED A PLAN.
>> WELL, CALI HAD AN IDEA, BUT,
1111
00:37:13,865 --> 00:37:14,531
NEED A PLAN.
>> WELL, CALI HAD AN IDEA, BUT,
WELL...
1112
00:37:14,533 --> 00:37:17,033
>> WELL, CALI HAD AN IDEA, BUT,
WELL...
>> BUT WHAT?
1113
00:37:17,035 --> 00:37:18,001
WELL...
>> BUT WHAT?
>> ALL RIGHT, WELL, YOU KNOW
1114
00:37:18,003 --> 00:37:18,935
>> BUT WHAT?
>> ALL RIGHT, WELL, YOU KNOW
THOSE WEBSITES WHERE YOU CAN
1115
00:37:18,937 --> 00:37:20,003
>> ALL RIGHT, WELL, YOU KNOW
THOSE WEBSITES WHERE YOU CAN
UPLOAD A VIDEO TO GET PEOPLE TO
1116
00:37:20,005 --> 00:37:21,037
THOSE WEBSITES WHERE YOU CAN
UPLOAD A VIDEO TO GET PEOPLE TO
CARE ABOUT YOUR CAUSE, AND THEY
1117
00:37:21,039 --> 00:37:21,705
UPLOAD A VIDEO TO GET PEOPLE TO
CARE ABOUT YOUR CAUSE, AND THEY
CAN DONATE TO YOU?
1118
00:37:21,707 --> 00:37:22,606
CARE ABOUT YOUR CAUSE, AND THEY
CAN DONATE TO YOU?
-- YEAH, LIKE KICKSTARTER.
1119
00:37:22,608 --> 00:37:23,240
CAN DONATE TO YOU?
-- YEAH, LIKE KICKSTARTER.
>> YEAH, EXACTLY.
1120
00:37:23,242 --> 00:37:24,908
-- YEAH, LIKE KICKSTARTER.
>> YEAH, EXACTLY.
WELL, WE COULD MAKE A VIRAL
1121
00:37:24,910 --> 00:37:26,810
>> YEAH, EXACTLY.
WELL, WE COULD MAKE A VIRAL
VIDEO RIGHT NOW IF WE WANTED TO.
1122
00:37:26,812 --> 00:37:28,311
WELL, WE COULD MAKE A VIRAL
VIDEO RIGHT NOW IF WE WANTED TO.
WE'VE GOT iPHONES.
1123
00:37:28,313 --> 00:37:32,115
VIDEO RIGHT NOW IF WE WANTED TO.
WE'VE GOT iPHONES.
>> AND SHOOT WHAT?
1124
00:37:32,117 --> 00:37:34,050
WE'VE GOT iPHONES.
>> AND SHOOT WHAT?
>> ALL RIGHT, HEADS, I RUN
1125
00:37:34,052 --> 00:37:36,353
>> AND SHOOT WHAT?
>> ALL RIGHT, HEADS, I RUN
TOPLESS THROUGH TIMES SQUARE AND
1126
00:37:36,355 --> 00:37:37,220
>> ALL RIGHT, HEADS, I RUN
TOPLESS THROUGH TIMES SQUARE AND
YOU FILM.
1127
00:37:37,222 --> 00:37:39,055
TOPLESS THROUGH TIMES SQUARE AND
YOU FILM.
TAILS, YOU RUN TOPLESS THROUGH
1128
00:37:39,057 --> 00:37:40,790
YOU FILM.
TAILS, YOU RUN TOPLESS THROUGH
TIMES SQUARE AND I FILM YOU.
1129
00:37:40,792 --> 00:37:41,791
TAILS, YOU RUN TOPLESS THROUGH
TIMES SQUARE AND I FILM YOU.
>> NO. NO. NO!
1130
00:37:41,793 --> 00:37:43,293
TIMES SQUARE AND I FILM YOU.
>> NO. NO. NO!
I MEAN, IN FRONT OF YOU IS ONE
1131
00:37:43,295 --> 00:37:44,828
>> NO. NO. NO!
I MEAN, IN FRONT OF YOU IS ONE
THING, BUT IN FRONT OF COMPLETE
1132
00:37:44,830 --> 00:37:46,363
I MEAN, IN FRONT OF YOU IS ONE
THING, BUT IN FRONT OF COMPLETE
STRANGERS, I MEAN, THAT'S IN MY
1133
00:37:46,365 --> 00:37:47,831
THING, BUT IN FRONT OF COMPLETE
STRANGERS, I MEAN, THAT'S IN MY
TOP 10 WORST FEARS EVER, RIGHT
1134
00:37:47,833 --> 00:37:49,199
STRANGERS, I MEAN, THAT'S IN MY
TOP 10 WORST FEARS EVER, RIGHT
NEXT TO BEING BURIED ALIVE.
1135
00:37:49,201 --> 00:37:50,934
TOP 10 WORST FEARS EVER, RIGHT
NEXT TO BEING BURIED ALIVE.
>> NO.
1136
00:37:50,936 --> 00:37:52,168
NEXT TO BEING BURIED ALIVE.
>> NO.
>> NO, WHAT?
1137
00:37:52,170 --> 00:37:53,370
>> NO.
>> NO, WHAT?
>> NO!
1138
00:37:53,372 --> 00:37:55,272
>> NO, WHAT?
>> NO!
YOU KNOW, YOU CAN'T BE HALFWAY
1139
00:37:55,274 --> 00:37:56,039
>> NO!
YOU KNOW, YOU CAN'T BE HALFWAY
PREGNANT.
1140
00:37:56,041 --> 00:37:57,374
YOU KNOW, YOU CAN'T BE HALFWAY
PREGNANT.
YOU CAN'T BE HALF-COMMITTED
1141
00:37:57,376 --> 00:37:57,874
PREGNANT.
YOU CAN'T BE HALF-COMMITTED
EITHER.
1142
00:37:57,876 --> 00:38:00,176
YOU CAN'T BE HALF-COMMITTED
EITHER.
WHAT'S IT GONNA BE, YES OR NO?
1143
00:38:04,882 --> 00:38:09,052
>> ALL RIGHT!
FLIP THE FUCKING COIN!
1144
00:38:09,054 --> 00:38:12,289
FLIP THE FUCKING COIN!
1145
00:38:26,003 --> 00:38:30,407
>> ¶ FREE THE NIPPLE IF YOU DARE
TO ¶
1146
00:38:30,409 --> 00:38:34,644
TO ¶
¶ LIFE IS ALL TOO SHORT ¶
1147
00:38:34,646 --> 00:38:37,714
¶ LIFE IS ALL TOO SHORT ¶
¶ GATHER 'ROUND THE GALLANT
1148
00:38:37,716 --> 00:38:39,015
¶ GATHER 'ROUND THE GALLANT
BABY ¶
1149
00:38:39,017 --> 00:38:43,586
BABY ¶
¶ YOU KNOW THAT YOU SHOULD ¶
1150
00:38:43,588 --> 00:38:47,590
¶ YOU KNOW THAT YOU SHOULD ¶
¶ FREE THE NIPPLE, EVERYONE WHO
1151
00:38:47,592 --> 00:38:55,799
¶ FREE THE NIPPLE, EVERYONE WHO
KEEPS AN OPEN DOOR ¶
¶ THEY ARE FREE TO LEAD YOU INTO
1152
00:38:55,801 --> 00:39:00,804
KEEPS AN OPEN DOOR ¶
¶ THEY ARE FREE TO LEAD YOU INTO
THEIR UNIVERSE ¶
1153
00:39:00,806 --> 00:39:01,738
¶ THEY ARE FREE TO LEAD YOU INTO
THEIR UNIVERSE ¶
1154
00:39:01,740 --> 00:39:05,075
THEIR UNIVERSE ¶
¶ AH AH ¶
1155
00:39:05,077 --> 00:39:09,579
¶ AH AH ¶
¶ OH OH ¶
1156
00:39:09,581 --> 00:39:13,717
¶ AH AH ¶
¶ OH OH ¶
¶ AH AH ¶
1157
00:39:13,719 --> 00:39:17,654
¶ OH OH ¶
¶ AH AH ¶
¶ OH ¶
1158
00:39:17,656 --> 00:39:20,223
¶ AH AH ¶
¶ OH ¶
¶ AND MAKE IT RIGHT ¶
1159
00:39:20,225 --> 00:39:22,559
¶ OH ¶
¶ AND MAKE IT RIGHT ¶
1160
00:39:22,561 --> 00:39:24,794
¶ AND MAKE IT RIGHT ¶
1161
00:39:24,796 --> 00:39:26,329
>> HEY.
1162
00:39:26,331 --> 00:39:27,497
HEY.
THIS IS THE BEST BET EVER.
1163
00:39:27,499 --> 00:39:28,565
HEY.
THIS IS THE BEST BET EVER.
NOW I DON'T GIVE A FUCK.
1164
00:39:28,567 --> 00:39:29,666
THIS IS THE BEST BET EVER.
NOW I DON'T GIVE A FUCK.
>> YOU DON'T GIVE A FUCK?
1165
00:39:29,668 --> 00:39:31,835
- NOW I DON'T GIVE A FUCK.
- >> YOU DON'T GIVE A FUCK?
1166
00:39:31,837 --> 00:39:38,842
>> - YOU DON'T GIVE A FUCK?
- >> ¶ AND MAKE IT RIGHT ¶
1167
00:39:40,745 --> 00:39:54,157
¶ DON'T LET ME BE THE LAST TO
LET IT GO ¶
¶ AND MAKE IT RIGHT ¶
1168
00:39:54,159 --> 00:39:58,294
LET IT GO ¶
¶ AND MAKE IT RIGHT ¶
¶ YEAH ¶
1169
00:39:58,296 --> 00:40:02,599
¶ AND MAKE IT RIGHT ¶
¶ YEAH ¶
¶ DON'T LET ME BE THE LAST TO
1170
00:40:02,601 --> 00:40:07,170
¶ YEAH ¶
¶ DON'T LET ME BE THE LAST TO
LET IT GO ¶
1171
00:40:07,172 --> 00:40:12,075
¶ DON'T LET ME BE THE LAST TO
LET IT GO ¶
1172
00:40:12,077 --> 00:40:14,544
LET IT GO ¶
>> GET THEM!
1173
00:40:14,546 --> 00:40:16,079
>> GET THEM!
>> HEY, HEY, HEY, HEY!
1174
00:40:16,081 --> 00:40:16,679
>> GET THEM!
>> HEY, HEY, HEY, HEY!
>> AAH!
1175
00:40:16,681 --> 00:40:17,747
>> HEY, HEY, HEY, HEY!
>> AAH!
>> HEY, HEY, HEY!
1176
00:40:17,749 --> 00:40:18,915
>> AAH!
>> HEY, HEY, HEY!
1177
00:40:18,917 --> 00:40:20,550
>> HEY, HEY, HEY!
RUN! GO ON!
1178
00:40:20,552 --> 00:40:23,653
>> RUN! GO ON!
RUN! RUN, RUN, RUN!
1179
00:40:23,655 --> 00:40:25,588
RUN! GO ON!
RUN! RUN, RUN, RUN!
GO!
1180
00:40:25,590 --> 00:40:27,090
RUN! RUN, RUN, RUN!
GO!
OKAY, OKAY, OKAY, OKAY.
1181
00:40:27,092 --> 00:40:27,957
GO!
OKAY, OKAY, OKAY, OKAY.
COME ON.
1182
00:40:27,959 --> 00:40:28,925
OKAY, OKAY, OKAY, OKAY.
COME ON.
>> HEY, HEY.
1183
00:40:28,927 --> 00:40:31,027
COME ON.
>> HEY, HEY.
HEY.
1184
00:40:31,029 --> 00:40:31,995
>> HEY, HEY.
HEY.
>> I DON'T KNOW WHAT SHE'S
1185
00:40:31,997 --> 00:40:32,328
HEY.
>> I DON'T KNOW WHAT SHE'S
DOING.
1186
00:40:32,330 --> 00:40:33,396
>> I DON'T KNOW WHAT SHE'S
DOING.
SHE'S NOT ANSWERING HER PHONE.
1187
00:40:33,398 --> 00:40:35,031
DOING.
SHE'S NOT ANSWERING HER PHONE.
>> OH, I DON'T KNOW.
1188
00:40:35,033 --> 00:40:36,399
SHE'S NOT ANSWERING HER PHONE.
>> OH, I DON'T KNOW.
HOW BAD IS IT?
1189
00:40:36,401 --> 00:40:37,367
>> OH, I DON'T KNOW.
HOW BAD IS IT?
>> IT'S BAD.
1190
00:40:37,369 --> 00:40:38,668
HOW BAD IS IT?
>> IT'S BAD.
>> THEY'RE CHARGING HER WITH
1191
00:40:38,670 --> 00:40:40,103
>> IT'S BAD.
>> THEY'RE CHARGING HER WITH
DISTURBING THE PEACE, RESISTING
1192
00:40:40,105 --> 00:40:41,304
>> THEY'RE CHARGING HER WITH
DISTURBING THE PEACE, RESISTING
ARREST, RECKLESS ASSAULT.
1193
00:40:41,306 --> 00:40:43,139
DISTURBING THE PEACE, RESISTING
ARREST, RECKLESS ASSAULT.
>> RECKLESS ASSAULT FOR WHAT?
1194
00:40:43,141 --> 00:40:43,840
ARREST, RECKLESS ASSAULT.
>> RECKLESS ASSAULT FOR WHAT?
>> HOW MUCH IS THE BAIL?
1195
00:40:43,842 --> 00:40:44,974
>> RECKLESS ASSAULT FOR WHAT?
>> HOW MUCH IS THE BAIL?
>> $25,000.
1196
00:40:44,976 --> 00:40:46,743
>> HOW MUCH IS THE BAIL?
>> $25,000.
>> $25,000?!
1197
00:40:46,745 --> 00:40:48,611
>> $25,000.
>> $25,000?!
WITH, WHERE ARE YOU GOING?
1198
00:40:48,613 --> 00:40:49,712
>> $25,000?!
WITH, WHERE ARE YOU GOING?
>> TO BAIL HER OUT.
1199
00:40:49,714 --> 00:40:50,780
WITH, WHERE ARE YOU GOING?
>> TO BAIL HER OUT.
WHAT DO YOU THINK?
1200
00:40:50,782 --> 00:40:53,483
>> TO BAIL HER OUT.
WHAT DO YOU THINK?
COME ON, LET'S GO.
1201
00:40:53,485 --> 00:40:57,053
WHAT DO YOU THINK?
COME ON, LET'S GO.
1202
00:40:57,055 --> 00:40:58,254
COME ON, LET'S GO.
>> IS THERE ANY WAY AROUND
1203
00:40:58,256 --> 00:40:59,522
>> >> IS THERE ANY WAY AROUND
PAYING FOR THIS PERMIT, JIM?
1204
00:40:59,524 --> 00:41:02,025
>> IS THERE ANY WAY AROUND
PAYING FOR THIS PERMIT, JIM?
I HAVE A MONEY PROBLEM.
1205
00:41:02,027 --> 00:41:03,226
PAYING FOR THIS PERMIT, JIM?
I HAVE A MONEY PROBLEM.
>> OH, YOU COULD CALL IT
1206
00:41:03,228 --> 00:41:04,761
I HAVE A MONEY PROBLEM.
>> OH, YOU COULD CALL IT
PERFORMANCE ART AND GET A PERMIT
1207
00:41:04,763 --> 00:41:06,296
>> OH, YOU COULD CALL IT
PERFORMANCE ART AND GET A PERMIT
TO SET UP A TEMPORARY ART MUSEUM
1208
00:41:06,298 --> 00:41:06,863
PERFORMANCE ART AND GET A PERMIT
TO SET UP A TEMPORARY ART MUSEUM
FOR FREE.
1209
00:41:06,865 --> 00:41:07,730
TO SET UP A TEMPORARY ART MUSEUM
FOR FREE.
>> THAT'S BRILLIANT!
1210
00:41:07,732 --> 00:41:08,932
FOR FREE.
>> THAT'S BRILLIANT!
WHY DIDN'T WE DO THAT TO BEGIN
1211
00:41:08,934 --> 00:41:10,166
>> THAT'S BRILLIANT!
WHY DIDN'T WE DO THAT TO BEGIN
WITH?
1212
00:41:10,168 --> 00:41:11,000
WHY DIDN'T WE DO THAT TO BEGIN
WITH?
>> IT'S RISKY.
1213
00:41:11,002 --> 00:41:12,168
WITH?
>> IT'S RISKY.
MOST CURATORS DON'T WANT THE
1214
00:41:12,170 --> 00:41:12,735
>> IT'S RISKY.
MOST CURATORS DON'T WANT THE
CONTROVERSY.
1215
00:41:12,737 --> 00:41:14,003
MOST CURATORS DON'T WANT THE
CONTROVERSY.
THERE'S NO GUARANTEE YOU'LL GET
1216
00:41:14,005 --> 00:41:17,240
CONTROVERSY.
THERE'S NO GUARANTEE YOU'LL GET
THE PERMIT.
1217
00:41:17,242 --> 00:41:20,210
THERE'S NO GUARANTEE YOU'LL GET
THE PERMIT.
WITH? YOU THERE?
1218
00:41:20,212 --> 00:41:23,313
THE PERMIT.
WITH? YOU THERE?
>> JIM, LET'S DO IT.
1219
00:41:23,315 --> 00:41:26,883
WITH? YOU THERE?
>> JIM, LET'S DO IT.
>> ARE YOU SURE?
1220
00:41:26,885 --> 00:41:29,252
>> JIM, LET'S DO IT.
>> ARE YOU SURE?
>> YES.
1221
00:41:29,254 --> 00:41:32,422
>> ARE YOU SURE?
>> YES.
>> WE REQUIRE A 10% DEPOSIT.
1222
00:41:32,424 --> 00:41:35,258
>> YES.
>> WE REQUIRE A 10% DEPOSIT.
SO, FOR YOU, THAT'S $2,500.
1223
00:41:35,260 --> 00:41:37,060
>> WE REQUIRE A 10% DEPOSIT.
SO, FOR YOU, THAT'S $2,500.
AS SOON AS WE -- AS SOON AS WE
1224
00:41:37,062 --> 00:41:38,862
SO, FOR YOU, THAT'S $2,500.
AS SOON AS WE -- AS SOON AS WE
GET THE CHECK FROM YOU, WE CAN
1225
00:41:38,864 --> 00:41:40,196
AS SOON AS WE -- AS SOON AS WE
GET THE CHECK FROM YOU, WE CAN
GET HER OUT OF THERE.
1226
00:41:40,198 --> 00:41:41,130
GET THE CHECK FROM YOU, WE CAN
GET HER OUT OF THERE.
>> THANKS.
1227
00:41:41,132 --> 00:41:43,199
GET HER OUT OF THERE.
>> THANKS.
>> YEAH.
1228
00:41:43,201 --> 00:41:44,467
>> THANKS.
>> YEAH.
>> ROZ, HOW MUCH MONEY DO WE
1229
00:41:44,469 --> 00:41:45,335
>> YEAH.
>> ROZ, HOW MUCH MONEY DO WE
HAVE IN THE BANK?
1230
00:41:45,337 --> 00:41:46,736
>> ROZ, HOW MUCH MONEY DO WE
HAVE IN THE BANK?
>> THE NEXT CHECK JUST CLEARED.
1231
00:41:46,738 --> 00:41:48,705
HAVE IN THE BANK?
>> THE NEXT CHECK JUST CLEARED.
IT'S, LIKE, $1.500
1232
00:41:48,707 --> 00:41:50,206
>> THE NEXT CHECK JUST CLEARED.
IT'S, LIKE, $1.500
>> YOU CANNOT USE THAT MONEY FOR
1233
00:41:50,208 --> 00:41:50,607
IT'S, LIKE, $1.500
>> YOU CANNOT USE THAT MONEY FOR
BAIL.
1234
00:41:50,609 --> 00:41:51,708
>> YOU CANNOT USE THAT MONEY FOR
BAIL.
THAT MONEY IS FOR D.C.
1235
00:41:51,710 --> 00:41:52,709
BAIL.
THAT MONEY IS FOR D.C.
>> WE'RE GETTING HER OUT.
1236
00:41:52,711 --> 00:41:53,810
THAT MONEY IS FOR D.C.
>> WE'RE GETTING HER OUT.
SHE'S THE REASON THIS WHOLE
1237
00:41:53,812 --> 00:41:54,444
>> WE'RE GETTING HER OUT.
SHE'S THE REASON THIS WHOLE
THING STARTED.
1238
00:41:54,446 --> 00:41:56,012
SHE'S THE REASON THIS WHOLE
THING STARTED.
>> I SHOULD BE THE ONE IN JAIL.
1239
00:41:56,014 --> 00:41:56,880
THING STARTED.
>> I SHOULD BE THE ONE IN JAIL.
>> SO, YOU'RE JUST GONNA
1240
00:41:56,882 --> 00:41:57,881
>> I SHOULD BE THE ONE IN JAIL.
>> SO, YOU'RE JUST GONNA
JEOPARDIZE OUR ENTIRE PLAN TO
1241
00:41:57,883 --> 00:42:01,751
>> SO, YOU'RE JUST GONNA
JEOPARDIZE OUR ENTIRE PLAN TO
GET LIV OUT OF JAIL?
1242
00:42:01,753 --> 00:42:03,052
JEOPARDIZE OUR ENTIRE PLAN TO
GET LIV OUT OF JAIL?
>> NO, THERE'S ANOTHER WAY.
1243
00:42:03,054 --> 00:42:04,420
GET LIV OUT OF JAIL?
>> NO, THERE'S ANOTHER WAY.
WE CAN GET PERMITS FOR FREE.
1244
00:42:04,422 --> 00:42:05,588
>> NO, THERE'S ANOTHER WAY.
WE CAN GET PERMITS FOR FREE.
>> WHAT ARE YOU TALKING ABOUT?
1245
00:42:05,590 --> 00:42:06,923
WE CAN GET PERMITS FOR FREE.
>> WHAT ARE YOU TALKING ABOUT?
>> I SPOKE TO JIM, AND HE SAID
1246
00:42:06,925 --> 00:42:08,057
>> WHAT ARE YOU TALKING ABOUT?
>> I SPOKE TO JIM, AND HE SAID
THAT IF WE GET MUSEUMS TO
1247
00:42:08,059 --> 00:42:09,225
>> I SPOKE TO JIM, AND HE SAID
THAT IF WE GET MUSEUMS TO
SPONSOR US, WE'LL BE FINE.
1248
00:42:09,227 --> 00:42:12,495
THAT IF WE GET MUSEUMS TO
SPONSOR US, WE'LL BE FINE.
>> AND IF WE CAN'T?
1249
00:42:12,497 --> 00:42:14,330
SPONSOR US, WE'LL BE FINE.
>> AND IF WE CAN'T?
>> THEN THAT'S -- THAT'S A RISK
1250
00:42:14,332 --> 00:42:16,165
>> AND IF WE CAN'T?
>> THEN THAT'S -- THAT'S A RISK
I'M WILLING TO TAKE.
1251
00:42:16,167 --> 00:42:18,167
>> THEN THAT'S -- THAT'S A RISK
I'M WILLING TO TAKE.
>> OKAY, LOOK, I KNOW HOW YOU
1252
00:42:18,169 --> 00:42:18,768
I'M WILLING TO TAKE.
>> OKAY, LOOK, I KNOW HOW YOU
FEEL.
1253
00:42:18,770 --> 00:42:20,003
>> OKAY, LOOK, I KNOW HOW YOU
FEEL.
WE ALL LOVE LIV.
1254
00:42:20,005 --> 00:42:21,671
FEEL.
WE ALL LOVE LIV.
>> THIS IS MUCH BIGGER THAN HER
1255
00:42:21,673 --> 00:42:22,071
WE ALL LOVE LIV.
>> THIS IS MUCH BIGGER THAN HER
NOW.
1256
00:42:22,073 --> 00:42:24,007
>> THIS IS MUCH BIGGER THAN HER
NOW.
OKAY? YOU CANNOT DO THIS.
1257
00:42:24,009 --> 00:42:25,441
NOW.
OKAY? YOU CANNOT DO THIS.
>> I'M NOT LETTING HER STAY IN
1258
00:42:25,443 --> 00:42:26,876
OKAY? YOU CANNOT DO THIS.
>> I'M NOT LETTING HER STAY IN
JAIL ONE MORE HOUR, AND THAT'S
1259
00:42:26,878 --> 00:42:27,310
>> I'M NOT LETTING HER STAY IN
JAIL ONE MORE HOUR, AND THAT'S
FINAL.
1260
00:42:27,312 --> 00:42:30,980
JAIL ONE MORE HOUR, AND THAT'S
FINAL.
>> THAT'S FINAL?
1261
00:42:30,982 --> 00:42:32,382
FINAL.
>> THAT'S FINAL?
WHO SAYS?
1262
00:42:32,384 --> 00:42:33,683
>> THAT'S FINAL?
WHO SAYS?
>> I SAY.
1263
00:42:33,685 --> 00:42:36,553
WHO SAYS?
>> I SAY.
NOT HAPPY? WALK AWAY.
1264
00:42:36,555 --> 00:42:37,220
>> I SAY.
NOT HAPPY? WALK AWAY.
>> YOU KNOW WHAT?
1265
00:42:37,222 --> 00:42:37,987
NOT HAPPY? WALK AWAY.
>> YOU KNOW WHAT?
THAT'S A GOOD IDEA.
1266
00:42:37,989 --> 00:42:39,055
>> YOU KNOW WHAT?
THAT'S A GOOD IDEA.
THAT'S WHAT I'M GONNA DO RIGHT
1267
00:42:39,057 --> 00:42:39,355
THAT'S A GOOD IDEA.
THAT'S WHAT I'M GONNA DO RIGHT
NOW.
1268
00:42:39,357 --> 00:42:40,123
THAT'S WHAT I'M GONNA DO RIGHT
NOW.
I'M GONNA WALK AWAY.
1269
00:42:40,125 --> 00:42:41,624
NOW.
I'M GONNA WALK AWAY.
>> WHAT?! CALI, STOP!
1270
00:42:41,626 --> 00:42:45,261
I'M GONNA WALK AWAY.
>> WHAT?! CALI, STOP!
>> DON'T.
1271
00:42:45,263 --> 00:42:49,532
>> - WHAT?! CALI, STOP!
- >> DON'T.
1272
00:42:49,534 --> 00:42:50,833
>> - DON'T.
- >> WHAT ARE YOU DOING?
1273
00:42:50,835 --> 00:42:51,634
>> WHAT ARE YOU DOING?
WE NEED HER.
1274
00:42:51,636 --> 00:42:52,635
>> WHAT ARE YOU DOING?
WE NEED HER.
>> WE DON'T NEED CALI.
1275
00:42:52,637 --> 00:42:56,573
WE NEED HER.
>> WE DON'T NEED CALI.
WE NEED LIV.
1276
00:42:56,575 --> 00:42:58,908
>> WE DON'T NEED CALI.
WE NEED LIV.
>> WE STILL NEED ANOTHER $1,000!
1277
00:43:20,497 --> 00:43:26,669
>> ARE YOU OKAY?
WE'VE BEEN LOOKING FOR YOU ALL
1278
00:43:26,671 --> 00:43:30,940
>> ARE YOU OKAY?
WE'VE BEEN LOOKING FOR YOU ALL
NIGHT!
1279
00:43:30,942 --> 00:43:32,442
WE'VE BEEN LOOKING FOR YOU ALL
NIGHT!
EVERY REVOLUTION MEETS
1280
00:43:32,444 --> 00:43:34,177
NIGHT!
EVERY REVOLUTION MEETS
RESISTANCE, AND THAT'S WHEN
1281
00:43:34,179 --> 00:43:35,345
EVERY REVOLUTION MEETS
RESISTANCE, AND THAT'S WHEN
THINGS GET REAL.
1282
00:43:35,347 --> 00:43:37,447
RESISTANCE, AND THAT'S WHEN
THINGS GET REAL.
>> ROZ, I APPRECIATE THE
1283
00:43:37,449 --> 00:43:39,782
THINGS GET REAL.
>> ROZ, I APPRECIATE THE
HALF-TIME SPEECH, BUT WE'RE
1284
00:43:39,784 --> 00:43:41,250
>> ROZ, I APPRECIATE THE
HALF-TIME SPEECH, BUT WE'RE
BROKE AND LIV IS IN JAIL
1285
00:43:41,252 --> 00:43:42,151
HALF-TIME SPEECH, BUT WE'RE
BROKE AND LIV IS IN JAIL
INDEFINITELY.
1286
00:43:42,153 --> 00:43:44,287
BROKE AND LIV IS IN JAIL
INDEFINITELY.
WE'RE DONE.
1287
00:43:44,289 --> 00:43:47,857
INDEFINITELY.
WE'RE DONE.
THE WHOLE THING JUST...
1288
00:43:47,859 --> 00:43:49,726
WE'RE DONE.
THE WHOLE THING JUST...
IT'S DEAD.
1289
00:43:49,728 --> 00:43:50,994
THE WHOLE THING JUST...
IT'S DEAD.
>> IT'S NOT DEAD.
1290
00:43:50,996 --> 00:43:52,228
IT'S DEAD.
>> IT'S NOT DEAD.
>> IT'S NOT DEAD.
1291
00:43:52,230 --> 00:43:53,563
>> IT'S NOT DEAD.
>> IT'S NOT DEAD.
IT JUST GOT HIT BY A FREIGHT
1292
00:43:53,565 --> 00:43:56,566
>> IT'S NOT DEAD.
IT JUST GOT HIT BY A FREIGHT
TRAIN, SURE, BUT IT IS NOT DEAD.
1293
00:43:56,568 --> 00:43:58,935
IT JUST GOT HIT BY A FREIGHT
TRAIN, SURE, BUT IT IS NOT DEAD.
WITH...
1294
00:43:58,937 --> 00:44:00,303
TRAIN, SURE, BUT IT IS NOT DEAD.
WITH...
DO YOU EVEN REMEMBER WHY YOU
1295
00:44:00,305 --> 00:44:00,903
WITH...
DO YOU EVEN REMEMBER WHY YOU
HIRED ME?
1296
00:44:00,905 --> 00:44:02,739
DO YOU EVEN REMEMBER WHY YOU
HIRED ME?
>> I DON'T KNOW.
1297
00:44:02,741 --> 00:44:04,273
HIRED ME?
>> I DON'T KNOW.
'CAUSE YOU'RE COOL AND YOU WERE
1298
00:44:04,275 --> 00:44:05,541
>> I DON'T KNOW.
'CAUSE YOU'RE COOL AND YOU WERE
WILLING TO WORK FOR FREE.
1299
00:44:05,543 --> 00:44:06,576
'CAUSE YOU'RE COOL AND YOU WERE
WILLING TO WORK FOR FREE.
>> NO.
1300
00:44:06,578 --> 00:44:08,311
WILLING TO WORK FOR FREE.
>> NO.
SHE DIDN'T EVEN READ MY RéSUMé.
1301
00:44:08,313 --> 00:44:10,680
>> NO.
SHE DIDN'T EVEN READ MY RéSUMé.
BEFORE THIS, I THREW EVENTS AND
1302
00:44:10,682 --> 00:44:11,814
SHE DIDN'T EVEN READ MY RéSUMé.
BEFORE THIS, I THREW EVENTS AND
FUNDRAISERS.
1303
00:44:11,816 --> 00:44:13,282
BEFORE THIS, I THREW EVENTS AND
FUNDRAISERS.
LIKE, THIS IS WHAT I DO.
1304
00:44:13,284 --> 00:44:15,184
FUNDRAISERS.
LIKE, THIS IS WHAT I DO.
LIV IS A POLITICAL PRISONER.
1305
00:44:15,186 --> 00:44:17,053
LIKE, THIS IS WHAT I DO.
LIV IS A POLITICAL PRISONER.
THIS IS MORE THAN ENOUGH TO GET
1306
00:44:17,055 --> 00:44:18,955
LIV IS A POLITICAL PRISONER.
THIS IS MORE THAN ENOUGH TO GET
PEOPLE TOGETHER TO THROW A BAIL
1307
00:44:18,957 --> 00:44:19,522
THIS IS MORE THAN ENOUGH TO GET
PEOPLE TOGETHER TO THROW A BAIL
PARTY.
1308
00:44:19,524 --> 00:44:20,390
PEOPLE TOGETHER TO THROW A BAIL
PARTY.
>> ARE YOU SERIOUS?
1309
00:44:20,392 --> 00:44:21,791
PARTY.
>> ARE YOU SERIOUS?
>> IT'S NOT THAT COMPLICATED.
1310
00:44:21,793 --> 00:44:23,826
>> ARE YOU SERIOUS?
>> IT'S NOT THAT COMPLICATED.
WE JUST GET A VENUE...
1311
00:44:23,828 --> 00:44:25,228
>> IT'S NOT THAT COMPLICATED.
WE JUST GET A VENUE...
SOME CHEAP LIQUOR AND FOOD,
1312
00:44:25,230 --> 00:44:26,629
WE JUST GET A VENUE...
SOME CHEAP LIQUOR AND FOOD,
AND -- BOOM -- SHE'S OUT OF
1313
00:44:26,631 --> 00:44:27,063
SOME CHEAP LIQUOR AND FOOD,
AND -- BOOM -- SHE'S OUT OF
JAIL.
1314
00:44:27,065 --> 00:44:27,730
AND -- BOOM -- SHE'S OUT OF
JAIL.
>> BOOM.
1315
00:44:27,732 --> 00:44:28,665
JAIL.
>> BOOM.
>> YEAH, BOOM.
1316
00:44:28,667 --> 00:44:29,832
>> BOOM.
>> YEAH, BOOM.
NOW, GET THE FUCK UP OFF THE
1317
00:44:29,834 --> 00:44:30,233
>> YEAH, BOOM.
NOW, GET THE FUCK UP OFF THE
FLOOR.
1318
00:44:30,235 --> 00:44:31,934
NOW, GET THE FUCK UP OFF THE
FLOOR.
OUR FEARLESS LEADER IS PROBABLY
1319
00:44:31,936 --> 00:44:33,336
FLOOR.
OUR FEARLESS LEADER IS PROBABLY
ROTTING IN A JAIL CELL...
1320
00:44:33,338 --> 00:44:33,970
OUR FEARLESS LEADER IS PROBABLY
ROTTING IN A JAIL CELL...
>> OKAY.
1321
00:44:33,972 --> 00:44:35,672
ROTTING IN A JAIL CELL...
>> OKAY.
>> ...ON A DIRTY, URINE-STAINED
1322
00:44:35,674 --> 00:44:37,173
>> OKAY.
>> ...ON A DIRTY, URINE-STAINED
FLOOR, GETTING GANG-BANGED.
1323
00:44:37,175 --> 00:44:38,207
>> ...ON A DIRTY, URINE-STAINED
FLOOR, GETTING GANG-BANGED.
>> "OH, LIV! LIV!
1324
00:44:38,209 --> 00:44:39,475
FLOOR, GETTING GANG-BANGED.
>> "OH, LIV! LIV!
OH, YOU'RE SO PRETTY!"
1325
00:44:39,477 --> 00:44:40,143
>> "OH, LIV! LIV!
OH, YOU'RE SO PRETTY!"
>> COME ON!
1326
00:44:40,145 --> 00:44:41,511
OH, YOU'RE SO PRETTY!"
>> COME ON!
LET THIS BE YOUR MOTIVATION.
1327
00:44:41,513 --> 00:44:42,679
>> COME ON!
LET THIS BE YOUR MOTIVATION.
GET UP.
1328
00:44:47,285 --> 00:44:49,218
>> WE ARE ORGANIZING A MASSIVE
1329
00:44:49,220 --> 00:44:52,288
>> WE ARE ORGANIZING A MASSIVE
PROTEST WITH THOUSANDS OF
TOPLESS WOMEN IN D.C.
1330
00:44:52,290 --> 00:44:53,990
PROTEST WITH THOUSANDS OF
TOPLESS WOMEN IN D.C.
>> BUT THE REAL GOAL IS TO GET
1331
00:44:53,992 --> 00:44:55,725
TOPLESS WOMEN IN D.C.
>> BUT THE REAL GOAL IS TO GET
ON THE FLOOR OF CONGRESS, SPEAK
1332
00:44:55,727 --> 00:44:57,260
>> BUT THE REAL GOAL IS TO GET
ON THE FLOOR OF CONGRESS, SPEAK
TO THEM ABOUT THE FACT THAT
1333
00:44:57,262 --> 00:44:58,761
ON THE FLOOR OF CONGRESS, SPEAK
TO THEM ABOUT THE FACT THAT
THERE ARE THESE CENSORSHIP
1334
00:44:58,763 --> 00:45:00,496
TO THEM ABOUT THE FACT THAT
THERE ARE THESE CENSORSHIP
GIANTS THAT CONTROL THE FLOW OF
1335
00:45:00,498 --> 00:45:02,098
THERE ARE THESE CENSORSHIP
GIANTS THAT CONTROL THE FLOW OF
NUDITY AND VIOLENCE INTO OUR
1336
00:45:02,100 --> 00:45:04,033
GIANTS THAT CONTROL THE FLOW OF
NUDITY AND VIOLENCE INTO OUR
THEATERS AND OUR TELEVISIONS.
1337
00:45:04,035 --> 00:45:04,967
NUDITY AND VIOLENCE INTO OUR
THEATERS AND OUR TELEVISIONS.
>> YES.
1338
00:45:04,969 --> 00:45:06,569
THEATERS AND OUR TELEVISIONS.
>> YES.
>> I THINK YOU'D BE A GREAT ALLY
1339
00:45:06,571 --> 00:45:07,403
>> YES.
>> I THINK YOU'D BE A GREAT ALLY
FOR OUR CAUSE.
1340
00:45:07,405 --> 00:45:08,438
>> I THINK YOU'D BE A GREAT ALLY
FOR OUR CAUSE.
HOLD ON ONE SECOND.
1341
00:45:08,440 --> 00:45:09,572
FOR OUR CAUSE.
HOLD ON ONE SECOND.
HEY, WITH? COME HERE.
1342
00:45:09,574 --> 00:45:10,273
HOLD ON ONE SECOND.
HEY, WITH? COME HERE.
ORSON.
1343
00:45:10,275 --> 00:45:11,908
HEY, WITH? COME HERE.
ORSON.
GUYS, THIS IS DAVE.
1344
00:45:11,910 --> 00:45:13,042
ORSON.
GUYS, THIS IS DAVE.
DAVE, WITH AND ORSON.
1345
00:45:13,044 --> 00:45:14,243
GUYS, THIS IS DAVE.
DAVE, WITH AND ORSON.
>> HOW'S IT GOIN', MAN?
1346
00:45:14,245 --> 00:45:15,211
DAVE, WITH AND ORSON.
>> HOW'S IT GOIN', MAN?
NICE TO MEET YOU.
1347
00:45:15,213 --> 00:45:16,779
>> HOW'S IT GOIN', MAN?
NICE TO MEET YOU.
>> DAVE IS AN INVESTOR, AND HIS
1348
00:45:16,781 --> 00:45:18,281
NICE TO MEET YOU.
>> DAVE IS AN INVESTOR, AND HIS
FAMILY IS IN THE BEEF AND CATTLE
1349
00:45:18,283 --> 00:45:18,848
>> DAVE IS AN INVESTOR, AND HIS
FAMILY IS IN THE BEEF AND CATTLE
INDUSTRY.
1350
00:45:18,850 --> 00:45:20,249
FAMILY IS IN THE BEEF AND CATTLE
INDUSTRY.
AND HE'S REALLY INTERESTED IN
1351
00:45:20,251 --> 00:45:21,050
INDUSTRY.
AND HE'S REALLY INTERESTED IN
HELPING US OUT.
1352
00:45:21,052 --> 00:45:22,285
AND HE'S REALLY INTERESTED IN
HELPING US OUT.
WHY DON'T YOU TELL HIM ABOUT
1353
00:45:22,287 --> 00:45:23,119
HELPING US OUT.
WHY DON'T YOU TELL HIM ABOUT
WHAT WE'RE DOING?
1354
00:45:23,121 --> 00:45:24,387
WHY DON'T YOU TELL HIM ABOUT
WHAT WE'RE DOING?
>> YEAH, SO, WE ARE TRYING TO
1355
00:45:24,389 --> 00:45:25,688
WHAT WE'RE DOING?
>> YEAH, SO, WE ARE TRYING TO
HACK SOCIAL MEDIA, DEMOCRATIZE
1356
00:45:25,690 --> 00:45:26,355
>> YEAH, SO, WE ARE TRYING TO
HACK SOCIAL MEDIA, DEMOCRATIZE
THE INTERNET.
1357
00:45:26,357 --> 00:45:27,290
HACK SOCIAL MEDIA, DEMOCRATIZE
THE INTERNET.
WE'RE TRYING TO JUST KILL
1358
00:45:27,292 --> 00:45:28,391
THE INTERNET.
WE'RE TRYING TO JUST KILL
CENSORSHIP ONCE AND FOR ALL IN
1359
00:45:28,393 --> 00:45:28,958
WE'RE TRYING TO JUST KILL
CENSORSHIP ONCE AND FOR ALL IN
THIS COUNTRY.
1360
00:45:28,960 --> 00:45:29,992
CENSORSHIP ONCE AND FOR ALL IN
THIS COUNTRY.
>> AND THE LEADER OF OUR
1361
00:45:29,994 --> 00:45:31,160
THIS COUNTRY.
>> AND THE LEADER OF OUR
MOVEMENT GOT ARRESTED FOR A
1362
00:45:31,162 --> 00:45:31,794
>> AND THE LEADER OF OUR
MOVEMENT GOT ARRESTED FOR A
PUBLIC STUNT.
1363
00:45:31,796 --> 00:45:32,228
MOVEMENT GOT ARRESTED FOR A
PUBLIC STUNT.
>> YES.
1364
00:45:32,230 --> 00:45:33,629
PUBLIC STUNT.
>> YES.
>> BAIL IS $25,000, SO WE'RE
1365
00:45:33,631 --> 00:45:35,098
>> YES.
>> BAIL IS $25,000, SO WE'RE
TRYING TO RAISE SOME MONEY TO
1366
00:45:35,100 --> 00:45:35,832
>> BAIL IS $25,000, SO WE'RE
TRYING TO RAISE SOME MONEY TO
GET HER OUT.
1367
00:45:35,834 --> 00:45:36,399
TRYING TO RAISE SOME MONEY TO
GET HER OUT.
>> AWESOME.
1368
00:45:36,401 --> 00:45:37,633
GET HER OUT.
>> AWESOME.
>> WHY DON'T I GET YOU A DRINK?
1369
00:45:37,635 --> 00:45:38,501
>> AWESOME.
>> WHY DON'T I GET YOU A DRINK?
DO YOU WANT A DRINK?
1370
00:45:38,503 --> 00:45:39,469
>> WHY DON'T I GET YOU A DRINK?
DO YOU WANT A DRINK?
LET ME GET YOU A DRINK.
1371
00:45:39,471 --> 00:45:40,169
DO YOU WANT A DRINK?
LET ME GET YOU A DRINK.
MISS BARTENDER?
1372
00:45:40,171 --> 00:45:41,237
LET ME GET YOU A DRINK.
MISS BARTENDER?
DO YOU HAVE ANY EVERCLEAR?
1373
00:45:41,239 --> 00:45:41,938
MISS BARTENDER?
DO YOU HAVE ANY EVERCLEAR?
>> SURE.
1374
00:45:41,940 --> 00:45:43,573
DO YOU HAVE ANY EVERCLEAR?
>> SURE.
>> WITH, WAIT, WAIT, WAIT.
1375
00:45:43,575 --> 00:45:45,274
>> SURE.
>> WITH, WAIT, WAIT, WAIT.
I WANT YOU TO MEET -- SO,
1376
00:45:45,276 --> 00:45:47,243
>> WITH, WAIT, WAIT, WAIT.
I WANT YOU TO MEET -- SO,
ALEXANDRA, THIS IS WITH AND...
1377
00:45:47,245 --> 00:45:47,810
I WANT YOU TO MEET -- SO,
ALEXANDRA, THIS IS WITH AND...
>> PIPI.
1378
00:45:47,812 --> 00:45:49,112
ALEXANDRA, THIS IS WITH AND...
>> PIPI.
>> PIPI, NICE TO MEET YOU.
1379
00:45:49,114 --> 00:45:50,113
>> PIPI.
>> PIPI, NICE TO MEET YOU.
>> NICE TO MEET YOU.
1380
00:45:50,115 --> 00:45:51,547
>> PIPI, NICE TO MEET YOU.
>> NICE TO MEET YOU.
>> SO, WE'RE HELPING THEM RAISE
1381
00:45:51,549 --> 00:45:52,982
>> NICE TO MEET YOU.
>> SO, WE'RE HELPING THEM RAISE
MONEY FOR THE CAMPAIGN AND NOW,
1382
00:45:52,984 --> 00:45:54,317
>> SO, WE'RE HELPING THEM RAISE
MONEY FOR THE CAMPAIGN AND NOW,
IT WOULD SEEM, FOR TRIAL AND
1383
00:45:54,319 --> 00:45:55,351
MONEY FOR THE CAMPAIGN AND NOW,
IT WOULD SEEM, FOR TRIAL AND
BAIL MONEY TOO, YEAH?
1384
00:45:55,353 --> 00:45:56,285
IT WOULD SEEM, FOR TRIAL AND
BAIL MONEY TOO, YEAH?
1385
00:45:56,287 --> 00:45:57,453
BAIL MONEY TOO, YEAH?
>> SO, TELL ABOUT THE
1386
00:45:57,455 --> 00:45:58,287
>> >> SO, TELL ABOUT THE
REVOLUTION.
1387
00:45:58,289 --> 00:45:59,689
>> SO, TELL ABOUT THE
REVOLUTION.
>> IT'S NOT EXACTLY REVOLUTION,
1388
00:45:59,691 --> 00:46:00,890
REVOLUTION.
>> IT'S NOT EXACTLY REVOLUTION,
SEE, BECAUSE REVOLUTION --
1389
00:46:00,892 --> 00:46:01,457
>> IT'S NOT EXACTLY REVOLUTION,
SEE, BECAUSE REVOLUTION --
>> PARDON?
1390
00:46:01,459 --> 00:46:02,592
SEE, BECAUSE REVOLUTION --
>> PARDON?
>> BECAUSE REVOLUTION --
1391
00:46:02,594 --> 00:46:03,893
>> PARDON?
>> BECAUSE REVOLUTION --
REVOLUTION IMPLIES REVOLVE --
1392
00:46:03,895 --> 00:46:05,228
>> BECAUSE REVOLUTION --
REVOLUTION IMPLIES REVOLVE --
LIKE SOMETHING THAT SPINS BUT
1393
00:46:05,230 --> 00:46:06,529
REVOLUTION IMPLIES REVOLVE --
LIKE SOMETHING THAT SPINS BUT
COMES BACK TO THE SAME PLACE.
1394
00:46:06,531 --> 00:46:08,331
LIKE SOMETHING THAT SPINS BUT
COMES BACK TO THE SAME PLACE.
WE WANT TO TRANSCEND THAT.
1395
00:46:08,333 --> 00:46:09,799
COMES BACK TO THE SAME PLACE.
WE WANT TO TRANSCEND THAT.
IT'S TIME TO EVOLVE.
1396
00:46:09,801 --> 00:46:11,033
WE WANT TO TRANSCEND THAT.
IT'S TIME TO EVOLVE.
>> YEAH, THIS IS MORE OF AN
1397
00:46:11,035 --> 00:46:12,201
IT'S TIME TO EVOLVE.
>> YEAH, THIS IS MORE OF AN
EVOLUTION, NEXT LEVEL -- A
1398
00:46:12,203 --> 00:46:13,402
>> YEAH, THIS IS MORE OF AN
EVOLUTION, NEXT LEVEL -- A
CULTURAL OPERATING-SYSTEM
1399
00:46:13,404 --> 00:46:15,138
EVOLUTION, NEXT LEVEL -- A
CULTURAL OPERATING-SYSTEM
UPGRADE.
1400
00:46:15,140 --> 00:46:16,139
CULTURAL OPERATING-SYSTEM
UPGRADE.
>> HELLO.
1401
00:46:16,141 --> 00:46:17,740
UPGRADE.
>> HELLO.
>> HI. I'M DRUNK.
1402
00:46:17,742 --> 00:46:19,709
>> HELLO.
>> HI. I'M DRUNK.
>> ME TOO. NICE TO MEET YOU.
1403
00:46:19,711 --> 00:46:20,777
>> HI. I'M DRUNK.
>> ME TOO. NICE TO MEET YOU.
>> THIS IS MY FRIEND.
1404
00:46:20,779 --> 00:46:22,178
>> ME TOO. NICE TO MEET YOU.
>> THIS IS MY FRIEND.
I'M GONNA TAKE HER AWAY FOR A
1405
00:46:22,180 --> 00:46:23,679
>> THIS IS MY FRIEND.
I'M GONNA TAKE HER AWAY FOR A
MOMENT, IF THAT'S OKAY WITH YOU.
1406
00:46:23,681 --> 00:46:24,680
I'M GONNA TAKE HER AWAY FOR A
MOMENT, IF THAT'S OKAY WITH YOU.
>> OKAY, VERY GOOD.
1407
00:46:24,682 --> 00:46:27,083
MOMENT, IF THAT'S OKAY WITH YOU.
>> OKAY, VERY GOOD.
HAVE FUN. ONWARD AND UPWARD.
1408
00:46:27,085 --> 00:46:28,050
>> OKAY, VERY GOOD.
HAVE FUN. ONWARD AND UPWARD.
YES.
1409
00:46:28,052 --> 00:46:29,318
- HAVE FUN. ONWARD AND UPWARD.
- YES.
1410
00:46:29,320 --> 00:46:32,555
- YES.
- >> ORSON, BUY YOU A DRINK.
1411
00:46:32,557 --> 00:46:33,556
>> ORSON, BUY YOU A DRINK.
>> I HEARD THAT.
1412
00:46:33,558 --> 00:46:35,024
>> ORSON, BUY YOU A DRINK.
>> I HEARD THAT.
CAN I GET ANOTHER WHISKEY,
1413
00:46:35,026 --> 00:46:39,662
>> I HEARD THAT.
CAN I GET ANOTHER WHISKEY,
PLEASE?
1414
00:46:39,664 --> 00:46:42,265
CAN I GET ANOTHER WHISKEY,
PLEASE?
>> HEY, HOW GOES THE REVOLUTION?
1415
00:46:42,267 --> 00:46:44,634
PLEASE?
>> HEY, HOW GOES THE REVOLUTION?
>> WE RAISED $450, BUT HER
1416
00:46:44,636 --> 00:46:46,068
>> HEY, HOW GOES THE REVOLUTION?
>> WE RAISED $450, BUT HER
BAIL'S $25,000.
1417
00:46:46,070 --> 00:46:47,170
>> WE RAISED $450, BUT HER
BAIL'S $25,000.
WE STILL HAVE TO PAY THE BOND
1418
00:46:47,172 --> 00:46:49,138
BAIL'S $25,000.
WE STILL HAVE TO PAY THE BOND
AND HIRE A LAWYER.
1419
00:46:54,778 --> 00:46:58,147
>> NO.
NO, NO, JIM, STOP.
PLEASE, YOU'VE HELPED ME OUT SO
1420
00:46:58,149 --> 00:46:58,514
NO, NO, JIM, STOP.
PLEASE, YOU'VE HELPED ME OUT SO
MUCH.
1421
00:46:58,516 --> 00:46:58,881
PLEASE, YOU'VE HELPED ME OUT SO
MUCH.
STOP.
1422
00:46:58,883 --> 00:46:59,749
MUCH.
STOP.
>> OH, CUT IT OUT.
1423
00:46:59,751 --> 00:47:01,984
STOP.
>> OH, CUT IT OUT.
>> UH...
1424
00:47:01,986 --> 00:47:02,785
>> OH, CUT IT OUT.
>> UH...
>> YEAH.
1425
00:47:02,787 --> 00:47:04,020
>> UH...
>> YEAH.
JUST FILL IT OUT FOR WHAT YOU
1426
00:47:04,022 --> 00:47:04,387
>> YEAH.
JUST FILL IT OUT FOR WHAT YOU
NEED.
1427
00:47:04,389 --> 00:47:08,825
JUST FILL IT OUT FOR WHAT YOU
NEED.
DON'T GO CRAZY.
1428
00:47:08,827 --> 00:47:09,892
NEED.
DON'T GO CRAZY.
OKAY! GET BACK.
1429
00:47:09,894 --> 00:47:10,860
DON'T GO CRAZY.
OKAY! GET BACK.
KIDDO, COME ON.
1430
00:47:10,862 --> 00:47:12,829
OKAY! GET BACK.
KIDDO, COME ON.
I LOVE YOU, TOO. COME ON.
1431
00:47:12,831 --> 00:47:16,833
- KIDDO, COME ON.
- I LOVE YOU, TOO. COME ON.
1432
00:47:16,835 --> 00:47:17,633
- I LOVE YOU, TOO. COME ON.
- >> I'M SO EXCITED.
1433
00:47:17,635 --> 00:47:20,436
>> I'M SO EXCITED.
1434
00:47:20,438 --> 00:47:21,938
>> I'M SO EXCITED.
>> HEY!
1435
00:47:21,940 --> 00:47:23,005
>> >> HEY!
>> LOOK AT THAT!
1436
00:47:23,007 --> 00:47:23,940
>> HEY!
>> LOOK AT THAT!
A VISION.
1437
00:47:23,942 --> 00:47:26,609
>> - LOOK AT THAT!
- A VISION.
1438
00:47:40,157 --> 00:47:43,059
>> YAY!
>> WHOO!
1439
00:48:26,370 --> 00:48:34,410
>> YOU'RE THE MOST BEAUTIFUL
HUMANS ON EARTH.
1440
00:48:34,412 --> 00:48:37,613
>> YOU'RE THE MOST BEAUTIFUL
HUMANS ON EARTH.
I LOVE YOU ALL UNCONDITIONALLY.
1441
00:48:37,615 --> 00:48:39,048
HUMANS ON EARTH.
I LOVE YOU ALL UNCONDITIONALLY.
>> GIVE CALI AND ROZ SOME LOVE.
1442
00:48:39,050 --> 00:48:40,316
I LOVE YOU ALL UNCONDITIONALLY.
>> GIVE CALI AND ROZ SOME LOVE.
THEY'RE THE REAL REASON WHY
1443
00:48:40,318 --> 00:48:42,385
>> GIVE CALI AND ROZ SOME LOVE.
THEY'RE THE REAL REASON WHY
YOU'RE OUT OF PRISON.
1444
00:48:46,657 --> 00:48:52,094
>> I'M SORRY...
FOR BEING SUCH A BITCH...
ALL THE TIME.
1445
00:48:52,096 --> 00:48:55,298
FOR BEING SUCH A BITCH...
ALL THE TIME.
1446
00:48:55,300 --> 00:48:57,099
ALL THE TIME.
DO YOU FORGIVE ME?
1447
00:48:57,101 --> 00:48:58,768
DO YOU FORGIVE ME?
>> OH.
1448
00:48:58,770 --> 00:49:01,871
DO YOU FORGIVE ME?
>> OH.
GUESS I HAVE TO.
1449
00:49:01,873 --> 00:49:04,006
>> OH.
GUESS I HAVE TO.
OH! EW!
1450
00:49:04,008 --> 00:49:06,208
GUESS I HAVE TO.
OH! EW!
1451
00:49:06,210 --> 00:49:10,313
OH! EW!
>> SLIMY, GREASY FUCKIN' KISS.
1452
00:49:10,315 --> 00:49:13,316
>> >> SLIMY, GREASY FUCKIN' KISS.
I KNEW YOU HAD A CRUSH ON ME.
1453
00:49:13,318 --> 00:49:14,317
>> - SLIMY, GREASY FUCKIN' KISS.
- I KNEW YOU HAD A CRUSH ON ME.
1454
00:49:14,319 --> 00:49:15,351
- I KNEW YOU HAD A CRUSH ON ME.
- SHE DID.
1455
00:49:15,353 --> 00:49:17,920
SHE DID.
YOU TOTALLY DID.
1456
00:49:17,922 --> 00:49:20,456
SHE DID.
YOU TOTALLY DID.
OH, MY GOD, THAT WAS MAKE-- THAT
1457
00:49:20,458 --> 00:49:22,658
YOU TOTALLY DID.
OH, MY GOD, THAT WAS MAKE-- THAT
WAS MAKE-OUT SESSION.
1458
00:49:22,660 --> 00:49:24,927
OH, MY GOD, THAT WAS MAKE-- THAT
WAS MAKE-OUT SESSION.
1459
00:49:30,200 --> 00:49:32,735
>> CALI, WHAT'S HAPPENING WITH
D.C.?
>> I'M TRYING TO GET THE PERMITS
1460
00:49:32,737 --> 00:49:33,636
D.C.?
>> I'M TRYING TO GET THE PERMITS
FOR 10,000 WOMEN AT THE
1461
00:49:33,638 --> 00:49:34,303
>> I'M TRYING TO GET THE PERMITS
FOR 10,000 WOMEN AT THE
LINCOLN MEMORIAL.
1462
00:49:34,305 --> 00:49:35,671
FOR 10,000 WOMEN AT THE
LINCOLN MEMORIAL.
>> WHY THE LINCOLN MEMORIAL?
1463
00:49:35,673 --> 00:49:37,139
LINCOLN MEMORIAL.
>> WHY THE LINCOLN MEMORIAL?
>> MLK, FORREST GUMP.
1464
00:49:37,141 --> 00:49:38,274
>> WHY THE LINCOLN MEMORIAL?
>> MLK, FORREST GUMP.
IT'S THE VENUE.
1465
00:49:38,276 --> 00:49:39,442
>> MLK, FORREST GUMP.
IT'S THE VENUE.
>> I THOUGHT WE WERE TRYING TO
1466
00:49:39,444 --> 00:49:40,576
IT'S THE VENUE.
>> I THOUGHT WE WERE TRYING TO
GET ON THE FLOORS OF CONGRESS.
1467
00:49:40,578 --> 00:49:41,010
>> I THOUGHT WE WERE TRYING TO
GET ON THE FLOORS OF CONGRESS.
>> WITH?
1468
00:49:41,012 --> 00:49:42,578
GET ON THE FLOORS OF CONGRESS.
>> WITH?
D.C. IS A FUCKING LOGISTICAL
1469
00:49:42,580 --> 00:49:43,279
>> WITH?
D.C. IS A FUCKING LOGISTICAL
NIGHTMARE.
1470
00:49:43,281 --> 00:49:44,714
D.C. IS A FUCKING LOGISTICAL
NIGHTMARE.
OKAY? IT'S NOT HAPPENING.
1471
00:49:44,716 --> 00:49:45,548
NIGHTMARE.
OKAY? IT'S NOT HAPPENING.
HELLO?
1472
00:49:45,550 --> 00:49:46,549
OKAY? IT'S NOT HAPPENING.
HELLO?
>> READY TO SEE SOME PROPAGANDA?
1473
00:49:46,551 --> 00:49:47,550
HELLO?
>> READY TO SEE SOME PROPAGANDA?
>> I WANT TO SEE, I WANT TO SEE.
1474
00:49:47,552 --> 00:49:51,320
>> READY TO SEE SOME PROPAGANDA?
>> I WANT TO SEE, I WANT TO SEE.
>> YAY!
1475
00:49:51,322 --> 00:49:52,955
>> I WANT TO SEE, I WANT TO SEE.
>> YAY!
1476
00:49:52,957 --> 00:49:54,390
>> YAY!
>> OH!
1477
00:49:54,392 --> 00:49:56,225
>> >> OH!
>> SEE THOSE STICKERS!
1478
00:49:56,227 --> 00:49:57,426
>> OH!
>> SEE THOSE STICKERS!
>> I FINALLY GOT AHOLD OF ELLE,
1479
00:49:57,428 --> 00:49:58,694
>> SEE THOSE STICKERS!
>> I FINALLY GOT AHOLD OF ELLE,
AND SHE REQUESTED A MEETING WITH
1480
00:49:58,696 --> 00:49:58,995
>> I FINALLY GOT AHOLD OF ELLE,
AND SHE REQUESTED A MEETING WITH
YOU.
1481
00:49:58,997 --> 00:50:00,196
AND SHE REQUESTED A MEETING WITH
YOU.
>> OH, MY GOD, YOU GOT ELLE?
1482
00:50:00,198 --> 00:50:00,963
YOU.
>> OH, MY GOD, YOU GOT ELLE?
>> YOU GOT ELLE?
1483
00:50:00,965 --> 00:50:01,664
>> OH, MY GOD, YOU GOT ELLE?
>> YOU GOT ELLE?
>> WHO'S ELLE?
1484
00:50:01,666 --> 00:50:02,565
>> YOU GOT ELLE?
>> WHO'S ELLE?
>> WHO'S ELLE?
1485
00:50:02,567 --> 00:50:03,599
>> WHO'S ELLE?
>> WHO'S ELLE?
SHE'S EVERYWHERE.
1486
00:50:03,601 --> 00:50:04,133
>> WHO'S ELLE?
SHE'S EVERYWHERE.
1487
00:50:04,135 --> 00:50:04,767
SHE'S EVERYWHERE.
>> SHE'S NEXT UP.
1488
00:50:04,769 --> 00:50:05,701
>> >> SHE'S NEXT UP.
BOMIT. BANKSY.
1489
00:50:05,703 --> 00:50:06,836
>> SHE'S NEXT UP.
BOMIT. BANKSY.
THE LONDON POLICE.
1490
00:50:06,838 --> 00:50:08,104
BOMIT. BANKSY.
THE LONDON POLICE.
SHE'S THE NEXT BULLET IN THE
1491
00:50:08,106 --> 00:50:08,571
THE LONDON POLICE.
SHE'S THE NEXT BULLET IN THE
BARREL.
1492
00:50:08,573 --> 00:50:09,672
SHE'S THE NEXT BULLET IN THE
BARREL.
SO, WHEN ARE YOU FREE TO MEET?
1493
00:50:09,674 --> 00:50:10,573
BARREL.
SO, WHEN ARE YOU FREE TO MEET?
>> NOW.
1494
00:50:10,575 --> 00:50:11,440
SO, WHEN ARE YOU FREE TO MEET?
>> NOW.
>> YAY!
1495
00:50:11,442 --> 00:50:12,675
>> NOW.
>> YAY!
>> WHOO-HOO!
1496
00:50:12,677 --> 00:50:14,643
>> YAY!
>> WHOO-HOO!
>> YEAH!
1497
00:50:17,614 --> 00:50:21,450
>> SO, MILK'S DRIVING US TO AN
UNDISCLOSED LOCATION.
YOU NEED TO PUT THIS SKI MASK
1498
00:50:21,452 --> 00:50:23,519
UNDISCLOSED LOCATION.
YOU NEED TO PUT THIS SKI MASK
ON, ALL RIGHT?
1499
00:50:32,462 --> 00:50:35,097
>> YOU'RE SAFE.
YOU CAN TAKE IT OFF.
1500
00:50:45,108 --> 00:50:51,280
SO, KILO TOLD ME THAT YOU'RE
ORGANIZING A BIG EVENT IN D.C.
>> YEAH, WELL, WE'RE PLANNING ON
1501
00:50:51,282 --> 00:50:52,715
ORGANIZING A BIG EVENT IN D.C.
>> YEAH, WELL, WE'RE PLANNING ON
GETTING PERMITS FOR 10,000
1502
00:50:52,717 --> 00:50:54,417
>> YEAH, WELL, WE'RE PLANNING ON
GETTING PERMITS FOR 10,000
TOPLESS WOMEN TO ASSEMBLE AT THE
1503
00:50:54,419 --> 00:50:56,052
GETTING PERMITS FOR 10,000
TOPLESS WOMEN TO ASSEMBLE AT THE
LINCOLN MEMORIAL, AND WE WOULD
1504
00:50:56,054 --> 00:50:58,454
TOPLESS WOMEN TO ASSEMBLE AT THE
LINCOLN MEMORIAL, AND WE WOULD
LOVE FOR YOU TO GET INVOLVED IN
1505
00:50:58,456 --> 00:50:59,922
LINCOLN MEMORIAL, AND WE WOULD
LOVE FOR YOU TO GET INVOLVED IN
ANY POSSIBLE WAY.
1506
00:50:59,924 --> 00:51:00,656
LOVE FOR YOU TO GET INVOLVED IN
ANY POSSIBLE WAY.
>> WHEN IS IT?
1507
00:51:00,658 --> 00:51:02,091
ANY POSSIBLE WAY.
>> WHEN IS IT?
>> WE'RE TRYING TO DO IT BEFORE
1508
00:51:02,093 --> 00:51:02,825
>> WHEN IS IT?
>> WE'RE TRYING TO DO IT BEFORE
THE ELECTIONS.
1509
00:51:02,827 --> 00:51:04,827
>> WE'RE TRYING TO DO IT BEFORE
THE ELECTIONS.
>> HMM.
1510
00:51:04,829 --> 00:51:06,429
THE ELECTIONS.
>> HMM.
HERE'S WHAT I CAN DO.
1511
00:51:06,431 --> 00:51:08,431
>> HMM.
HERE'S WHAT I CAN DO.
A WEEK BEFORE YOUR EVENT, I CAN
1512
00:51:08,433 --> 00:51:10,433
HERE'S WHAT I CAN DO.
A WEEK BEFORE YOUR EVENT, I CAN
TRIGGER MY TEAMS TO CARPET-BOMB
1513
00:51:10,435 --> 00:51:12,268
A WEEK BEFORE YOUR EVENT, I CAN
TRIGGER MY TEAMS TO CARPET-BOMB
AND TAG THE ENTIRE TRI-STATE
1514
00:51:12,270 --> 00:51:12,701
TRIGGER MY TEAMS TO CARPET-BOMB
AND TAG THE ENTIRE TRI-STATE
AREA.
1515
00:51:12,703 --> 00:51:13,936
AND TAG THE ENTIRE TRI-STATE
AREA.
>> WOW.
1516
00:51:13,938 --> 00:51:14,870
AREA.
>> WOW.
>> BUT THERE'S A PROBLEM.
1517
00:51:14,872 --> 00:51:16,405
>> WOW.
>> BUT THERE'S A PROBLEM.
>> WHAT'S THE PROBLEM?
1518
00:51:16,407 --> 00:51:17,573
>> BUT THERE'S A PROBLEM.
>> WHAT'S THE PROBLEM?
>> YEAH, WHAT'S...
1519
00:51:17,575 --> 00:51:19,141
>> WHAT'S THE PROBLEM?
>> YEAH, WHAT'S...
>> WHAT'S YOUR IDENTITY?
1520
00:51:19,143 --> 00:51:20,342
>> YEAH, WHAT'S...
>> WHAT'S YOUR IDENTITY?
WHAT'S YOUR NAME?
1521
00:51:20,344 --> 00:51:21,444
>> WHAT'S YOUR IDENTITY?
WHAT'S YOUR NAME?
FREE THE NIPPLE?
1522
00:51:21,446 --> 00:51:22,111
WHAT'S YOUR NAME?
FREE THE NIPPLE?
>> YEAH.
1523
00:51:22,113 --> 00:51:23,312
FREE THE NIPPLE?
>> YEAH.
YOU DON'T LIKE IT?
1524
00:51:23,314 --> 00:51:25,014
>> YEAH.
YOU DON'T LIKE IT?
>> I MEAN, IT'S A CATCHY PHRASE.
1525
00:51:25,016 --> 00:51:26,715
YOU DON'T LIKE IT?
>> I MEAN, IT'S A CATCHY PHRASE.
I DON'T MEAN TO OFFEND, BUT IT'S
1526
00:51:26,717 --> 00:51:27,450
>> I MEAN, IT'S A CATCHY PHRASE.
I DON'T MEAN TO OFFEND, BUT IT'S
A TAG LINE.
1527
00:51:27,452 --> 00:51:28,751
I DON'T MEAN TO OFFEND, BUT IT'S
A TAG LINE.
IT'S NOT AN IDENTITY.
1528
00:51:28,753 --> 00:51:30,086
A TAG LINE.
IT'S NOT AN IDENTITY.
YOU WANT TO KNOW WHO I THINK YOU
1529
00:51:30,088 --> 00:51:30,419
IT'S NOT AN IDENTITY.
YOU WANT TO KNOW WHO I THINK YOU
ARE?
1530
00:51:30,421 --> 00:51:32,588
YOU WANT TO KNOW WHO I THINK YOU
ARE?
>> YEAH.
1531
00:51:37,928 --> 00:51:43,532
"GIRLRILLAZ."
I LOVE IT.
>> FUCKIN' BRILLIANT.
1532
00:51:43,534 --> 00:51:46,936
- I LOVE IT.
- >> FUCKIN' BRILLIANT.
1533
00:51:46,938 --> 00:51:48,571
>> - FUCKIN' BRILLIANT.
- >> BASTA, PER FAVORE.
1534
00:51:48,573 --> 00:51:51,040
>> BASTA, PER FAVORE.
I AM AWARE THAT THE VATICAN ARE
1535
00:51:51,042 --> 00:51:53,109
>> BASTA, PER FAVORE.
I AM AWARE THAT THE VATICAN ARE
ACCUSING MY SHOW OF BEING
1536
00:51:53,111 --> 00:51:55,044
I AM AWARE THAT THE VATICAN ARE
ACCUSING MY SHOW OF BEING
SINFUL AND BLASPHEMOUS.
1537
00:51:55,046 --> 00:51:57,346
ACCUSING MY SHOW OF BEING
SINFUL AND BLASPHEMOUS.
I DO NOT ENDORSE A WAY OF LIFE,
1538
00:51:57,348 --> 00:51:58,781
SINFUL AND BLASPHEMOUS.
I DO NOT ENDORSE A WAY OF LIFE,
BUT DESCRIBE ONE.
1539
00:51:58,783 --> 00:52:01,150
I DO NOT ENDORSE A WAY OF LIFE,
BUT DESCRIBE ONE.
AND THE AUDIENCE IS LEFT TO MAKE
1540
00:52:01,152 --> 00:52:03,285
BUT DESCRIBE ONE.
AND THE AUDIENCE IS LEFT TO MAKE
ITS OWN DECISIONS AND JUDGMENTS.
1541
00:52:03,287 --> 00:52:05,121
AND THE AUDIENCE IS LEFT TO MAKE
ITS OWN DECISIONS AND JUDGMENTS.
THIS IS WHAT I CONSIDER FREEDOM
1542
00:52:05,123 --> 00:52:06,455
ITS OWN DECISIONS AND JUDGMENTS.
THIS IS WHAT I CONSIDER FREEDOM
OF SPEECH, FREEDOM OF
1543
00:52:06,457 --> 00:52:08,057
THIS IS WHAT I CONSIDER FREEDOM
OF SPEECH, FREEDOM OF
EXPRESSION, AND FREEDOM OF
1544
00:52:08,059 --> 00:52:08,724
OF SPEECH, FREEDOM OF
EXPRESSION, AND FREEDOM OF
THOUGHT.
1545
00:52:08,726 --> 00:52:10,960
EXPRESSION, AND FREEDOM OF
THOUGHT.
IF YOU DO NOT BELIEVE IN THESE
1546
00:52:10,962 --> 00:52:12,428
THOUGHT.
IF YOU DO NOT BELIEVE IN THESE
FREEDOMS, YOU, THE
1547
00:52:12,430 --> 00:52:14,797
IF YOU DO NOT BELIEVE IN THESE
FREEDOMS, YOU, THE
CATHOLIC CHURCH, ARE IMPRISONING
1548
00:52:14,799 --> 00:52:16,198
FREEDOMS, YOU, THE
CATHOLIC CHURCH, ARE IMPRISONING
EVERYONE'S MINDS.
1549
00:52:16,200 --> 00:52:17,933
CATHOLIC CHURCH, ARE IMPRISONING
EVERYONE'S MINDS.
>> I WOULD HAVE THAT WOMAN'S
1550
00:52:17,935 --> 00:52:18,567
EVERYONE'S MINDS.
>> I WOULD HAVE THAT WOMAN'S
BABIES.
1551
00:52:18,569 --> 00:52:19,368
>> I WOULD HAVE THAT WOMAN'S
BABIES.
>> DO YOU THINK WE'LL ACTUALLY
1552
00:52:19,370 --> 00:52:21,770
BABIES.
>> DO YOU THINK WE'LL ACTUALLY
GET TO MADONNA?
1553
00:52:21,772 --> 00:52:25,541
>> DO YOU THINK WE'LL ACTUALLY
GET TO MADONNA?
>> IF IT'S IN THE STARS.
1554
00:52:25,543 --> 00:52:26,575
GET TO MADONNA?
>> IF IT'S IN THE STARS.
>> OH, NO MORE QUOTES.
1555
00:52:26,577 --> 00:52:27,476
>> IF IT'S IN THE STARS.
>> OH, NO MORE QUOTES.
>> READY? COME ON.
1556
00:52:27,478 --> 00:52:31,213
>> OH, NO MORE QUOTES.
>> READY? COME ON.
>> IT'S FOR OUR D.C. SPEECH.
1557
00:52:31,215 --> 00:52:32,414
>> READY? COME ON.
>> IT'S FOR OUR D.C. SPEECH.
ALL RIGHT.
1558
00:52:32,416 --> 00:52:34,750
>> IT'S FOR OUR D.C. SPEECH.
ALL RIGHT.
"IN A COUNTRY WHERE OBSCENITY IS
1559
00:52:34,752 --> 00:52:36,819
ALL RIGHT.
"IN A COUNTRY WHERE OBSCENITY IS
DEFINED, IN LARGE, BY THINGS
1560
00:52:36,821 --> 00:52:39,121
"IN A COUNTRY WHERE OBSCENITY IS
DEFINED, IN LARGE, BY THINGS
SEXUAL INSTEAD OF THINGS RELATED
1561
00:52:39,123 --> 00:52:41,323
DEFINED, IN LARGE, BY THINGS
SEXUAL INSTEAD OF THINGS RELATED
TO WAR AND KILLING AND HATRED,
1562
00:52:41,325 --> 00:52:43,225
SEXUAL INSTEAD OF THINGS RELATED
TO WAR AND KILLING AND HATRED,
WHAT KIND OF WORLD IS THAT?"
1563
00:52:43,227 --> 00:52:44,093
TO WAR AND KILLING AND HATRED,
WHAT KIND OF WORLD IS THAT?"
>> WHO SAID THAT?
1564
00:52:44,095 --> 00:52:44,760
WHAT KIND OF WORLD IS THAT?"
>> WHO SAID THAT?
>> HUGH HEFNER.
1565
00:52:44,762 --> 00:52:45,995
>> WHO SAID THAT?
>> HUGH HEFNER.
>> I LOVE IT, BUT HE'S A
1566
00:52:45,997 --> 00:52:46,762
>> HUGH HEFNER.
>> I LOVE IT, BUT HE'S A
PORNOGRAPHER.
1567
00:52:46,764 --> 00:52:47,863
>> I LOVE IT, BUT HE'S A
PORNOGRAPHER.
>> WELL, THEN YOU'RE GONNA HATE
1568
00:52:47,865 --> 00:52:50,466
PORNOGRAPHER.
>> WELL, THEN YOU'RE GONNA HATE
THIS QUOTE.
1569
00:52:50,468 --> 00:52:53,202
>> WELL, THEN YOU'RE GONNA HATE
THIS QUOTE.
"I THINK THE REAL OBSCENITY
1570
00:52:53,204 --> 00:52:55,037
THIS QUOTE.
"I THINK THE REAL OBSCENITY
COMES FROM RAISING OUR YOUTH TO
1571
00:52:55,039 --> 00:52:58,174
"I THINK THE REAL OBSCENITY
COMES FROM RAISING OUR YOUTH TO
BELIEVE THAT SEX IS BAD AND UGLY
1572
00:52:58,176 --> 00:53:01,043
COMES FROM RAISING OUR YOUTH TO
BELIEVE THAT SEX IS BAD AND UGLY
AND DIRTY, AND YET IT IS HEROIC
1573
00:53:01,045 --> 00:53:03,379
BELIEVE THAT SEX IS BAD AND UGLY
AND DIRTY, AND YET IT IS HEROIC
TO GO SPILL GUTS AND BLOOD IN
1574
00:53:03,381 --> 00:53:05,381
AND DIRTY, AND YET IT IS HEROIC
TO GO SPILL GUTS AND BLOOD IN
THE MOST GHASTLY MANNER IN THE
1575
00:53:05,383 --> 00:53:06,415
TO GO SPILL GUTS AND BLOOD IN
THE MOST GHASTLY MANNER IN THE
NAME OF HUMANITY."
1576
00:53:06,417 --> 00:53:07,383
THE MOST GHASTLY MANNER IN THE
NAME OF HUMANITY."
>> WHO SAID THAT?
1577
00:53:07,385 --> 00:53:08,384
NAME OF HUMANITY."
>> WHO SAID THAT?
>> LET ME FINISH!
1578
00:53:08,386 --> 00:53:09,451
>> WHO SAID THAT?
>> LET ME FINISH!
IT'S LARRY FLYNT.
1579
00:53:09,453 --> 00:53:11,387
>> LET ME FINISH!
IT'S LARRY FLYNT.
"BUT ASK YOURSELF THIS QUESTION.
1580
00:53:11,389 --> 00:53:14,089
IT'S LARRY FLYNT.
"BUT ASK YOURSELF THIS QUESTION.
WHAT IS MORE OBSCENE, SEX OR
1581
00:53:14,091 --> 00:53:14,924
"BUT ASK YOURSELF THIS QUESTION.
WHAT IS MORE OBSCENE, SEX OR
WAR?"
1582
00:53:14,926 --> 00:53:15,925
WHAT IS MORE OBSCENE, SEX OR
WAR?"
>> THAT'S MY LINE.
1583
00:53:15,927 --> 00:53:16,859
WAR?"
>> THAT'S MY LINE.
HE STOLE MY LINE.
1584
00:53:16,861 --> 00:53:18,060
>> THAT'S MY LINE.
HE STOLE MY LINE.
>> YOU WEREN'T EVEN BORN WHEN
1585
00:53:18,062 --> 00:53:18,994
HE STOLE MY LINE.
>> YOU WEREN'T EVEN BORN WHEN
THIS SPEECH WAS MADE.
1586
00:53:18,996 --> 00:53:19,562
>> YOU WEREN'T EVEN BORN WHEN
THIS SPEECH WAS MADE.
>> WHATEVER.
1587
00:53:19,564 --> 00:53:20,729
THIS SPEECH WAS MADE.
>> WHATEVER.
IT'S JUST A CONFIRMATION OF MY
1588
00:53:20,731 --> 00:53:21,297
>> WHATEVER.
IT'S JUST A CONFIRMATION OF MY
INSPIRATION.
1589
00:53:21,299 --> 00:53:22,464
IT'S JUST A CONFIRMATION OF MY
INSPIRATION.
>> OH.
1590
00:53:22,466 --> 00:53:23,732
INSPIRATION.
>> OH.
1591
00:53:23,734 --> 00:53:25,467
>> OH.
1592
00:53:25,469 --> 00:53:26,869
>> "EVERY DAY, THE MEDIA PLAYS
1593
00:53:26,871 --> 00:53:28,304
"EVERY DAY, THE MEDIA PLAYS
GLORIFIED IMAGES OF VIOLENCE
1594
00:53:28,306 --> 00:53:29,805
"EVERY DAY, THE MEDIA PLAYS
GLORIFIED IMAGES OF VIOLENCE
INSTEAD OF SHOWING THE FACTS.
1595
00:53:29,807 --> 00:53:31,340
GLORIFIED IMAGES OF VIOLENCE
INSTEAD OF SHOWING THE FACTS.
OVER 2 MILLION JUVENILES EVERY
1596
00:53:31,342 --> 00:53:32,641
INSTEAD OF SHOWING THE FACTS.
OVER 2 MILLION JUVENILES EVERY
YEAR ARE INCARCERATED FOR
1597
00:53:32,643 --> 00:53:33,509
OVER 2 MILLION JUVENILES EVERY
YEAR ARE INCARCERATED FOR
VIOLENT CRIMES.
1598
00:53:33,511 --> 00:53:35,678
YEAR ARE INCARCERATED FOR
VIOLENT CRIMES.
FACT -- ON AVERAGE, 32 PEOPLE
1599
00:53:35,680 --> 00:53:37,780
VIOLENT CRIMES.
FACT -- ON AVERAGE, 32 PEOPLE
ARE KILLED BY HANDGUNS EVERY
1600
00:53:37,782 --> 00:53:38,414
FACT -- ON AVERAGE, 32 PEOPLE
ARE KILLED BY HANDGUNS EVERY
SINGLE DAY.
1601
00:53:38,416 --> 00:53:39,748
ARE KILLED BY HANDGUNS EVERY
SINGLE DAY.
BEHAVIORAL SCIENCE SHOWS THAT
1602
00:53:39,750 --> 00:53:41,016
SINGLE DAY.
BEHAVIORAL SCIENCE SHOWS THAT
CHILDREN UNDER THE AGE OF 8
1603
00:53:41,018 --> 00:53:42,184
BEHAVIORAL SCIENCE SHOWS THAT
CHILDREN UNDER THE AGE OF 8
CAN'T TELL THE DIFFERENCE
1604
00:53:42,186 --> 00:53:43,485
CHILDREN UNDER THE AGE OF 8
CAN'T TELL THE DIFFERENCE
BETWEEN REALITY AND FANTASY,
1605
00:53:43,487 --> 00:53:44,687
CAN'T TELL THE DIFFERENCE
BETWEEN REALITY AND FANTASY,
MAKING THEM VULNERABLE TO
1606
00:53:44,689 --> 00:53:45,821
BETWEEN REALITY AND FANTASY,
MAKING THEM VULNERABLE TO
ADOPTING THE VIOLENCE...
1607
00:53:45,823 --> 00:53:47,256
MAKING THEM VULNERABLE TO
ADOPTING THE VIOLENCE...
KIDS LIKE TO IMITATE THEIR
1608
00:53:47,258 --> 00:53:48,724
ADOPTING THE VIOLENCE...
KIDS LIKE TO IMITATE THEIR
HEROES, AND SO MANY OF OUR
1609
00:53:48,726 --> 00:53:50,292
KIDS LIKE TO IMITATE THEIR
HEROES, AND SO MANY OF OUR
HEROES SOLVE PROBLEMS THROUGH
1610
00:53:50,294 --> 00:53:52,595
HEROES, AND SO MANY OF OUR
HEROES SOLVE PROBLEMS THROUGH
KILLING AND VIOLENCE."
1611
00:54:13,283 --> 00:54:18,420
WAKE UP.
1612
00:54:22,959 --> 00:54:27,696
WHEN DID YOU GO TO BED?
>> 4:00 OR 5:00.
>> UGH.
1613
00:54:27,698 --> 00:54:29,164
>> 4:00 OR 5:00.
>> UGH.
>> MM-HMM.
1614
00:54:29,166 --> 00:54:30,699
>> UGH.
>> MM-HMM.
I FINISHED MY SPEECH.
1615
00:54:30,701 --> 00:54:31,900
>> MM-HMM.
I FINISHED MY SPEECH.
>> REALLY?
1616
00:54:31,902 --> 00:54:32,601
I FINISHED MY SPEECH.
>> REALLY?
>> DO YOU WANT TO READ IT?
1617
00:54:32,603 --> 00:54:33,636
>> REALLY?
>> DO YOU WANT TO READ IT?
>> YES.
1618
00:54:33,638 --> 00:54:35,904
>> DO YOU WANT TO READ IT?
>> YES.
CAN WE DO IT OUTSIDE, THOUGH?
1619
00:54:35,906 --> 00:54:37,973
>> YES.
CAN WE DO IT OUTSIDE, THOUGH?
I NEED NATURE.
1620
00:54:37,975 --> 00:54:41,577
CAN WE DO IT OUTSIDE, THOUGH?
I NEED NATURE.
1621
00:54:41,579 --> 00:54:43,479
I NEED NATURE.
I LOVE THIS, I LOVE THIS.
1622
00:54:43,481 --> 00:54:44,280
I LOVE THIS, I LOVE THIS.
>> WHICH ONE?
1623
00:54:44,282 --> 00:54:45,581
I LOVE THIS, I LOVE THIS.
>> WHICH ONE?
>> "DEMOCRACY
1624
00:54:45,583 --> 00:54:46,548
>> - WHICH ONE?
- >> "DEMOCRACY DON'T RULE THE WORLD.
1625
00:54:46,550 --> 00:54:47,983
>> "DEMOCRACY DON'T RULE THE WORLD.
YOU BETTER GET THAT IN YOUR
1626
00:54:47,985 --> 00:54:48,450
DON'T RULE THE WORLD.
YOU BETTER GET THAT IN YOUR
HEAD.
1627
00:54:48,452 --> 00:54:50,152
YOU BETTER GET THAT IN YOUR
HEAD.
THIS WORLD IS RULED BY VIOLENCE,
1628
00:54:50,154 --> 00:54:51,787
HEAD.
THIS WORLD IS RULED BY VIOLENCE,
BUT I GUESS THAT'S BETTER LEFT
1629
00:54:51,789 --> 00:54:52,388
THIS WORLD IS RULED BY VIOLENCE,
BUT I GUESS THAT'S BETTER LEFT
UNSAID."
1630
00:54:52,390 --> 00:54:53,956
BUT I GUESS THAT'S BETTER LEFT
UNSAID."
>> DYLAN.
1631
00:54:53,958 --> 00:54:54,757
UNSAID."
>> DYLAN.
>> I LOVE IT.
1632
00:54:54,759 --> 00:54:55,491
>> DYLAN.
>> I LOVE IT.
>> YOU DO?
1633
00:54:55,493 --> 00:54:56,091
>> I LOVE IT.
>> YOU DO?
>> YES.
1634
00:54:56,093 --> 00:54:56,659
>> YOU DO?
>> YES.
>> DO YOU MEAN IT?
1635
00:54:56,661 --> 00:55:00,296
>> YES.
>> DO YOU MEAN IT?
>> YES!
1636
00:55:00,298 --> 00:55:01,530
>> DO YOU MEAN IT?
>> YES!
1637
00:55:01,532 --> 00:55:02,331
>> YES!
>> WHOO!
1638
00:55:02,333 --> 00:55:03,465
>> >> WHOO!
>> INCOMING!
1639
00:55:03,467 --> 00:55:04,233
>> WHOO!
>> INCOMING!
>> WHOA!
1640
00:55:04,235 --> 00:55:05,334
>> INCOMING!
>> WHOA!
>> HERE IT IS.
1641
00:55:05,336 --> 00:55:06,869
>> WHOA!
>> HERE IT IS.
>> A LITTLE SURPRISE.
1642
00:55:06,871 --> 00:55:08,404
>> HERE IT IS.
>> A LITTLE SURPRISE.
>> UH-OH.
1643
00:55:08,406 --> 00:55:10,039
>> A LITTLE SURPRISE.
>> UH-OH.
>> A LITTLE HOMAGE TO OUR
1644
00:55:10,041 --> 00:55:11,740
>> UH-OH.
>> A LITTLE HOMAGE TO OUR
SISTERS IN PUSSY RIOT.
1645
00:55:11,742 --> 00:55:13,976
>> A LITTLE HOMAGE TO OUR
SISTERS IN PUSSY RIOT.
1646
00:55:13,978 --> 00:55:16,211
SISTERS IN PUSSY RIOT.
1647
00:55:34,597 --> 00:55:38,901
>> FREE THE NIPPLE!
>> FREE THE NIPPLE!
>> HEY!
1648
00:55:38,903 --> 00:55:41,270
>> FREE THE NIPPLE!
>> HEY!
FREE THE NIPPLE!
1649
00:55:41,272 --> 00:55:43,605
>> - HEY!
- FREE THE NIPPLE!
1650
00:55:46,976 --> 00:55:50,913
FREE THE NIPPLE!
1651
00:56:01,424 --> 00:56:04,426
>> THERE YOU GO!
>> HEY!
>> YOU KNOW WHAT I READ?
1652
00:56:04,428 --> 00:56:06,195
>> HEY!
>> YOU KNOW WHAT I READ?
I READ ONCE THAT IF YOU TAKE THE
1653
00:56:06,197 --> 00:56:07,863
>> YOU KNOW WHAT I READ?
I READ ONCE THAT IF YOU TAKE THE
BEST ORGASM YOU'VE EVER HAD --
1654
00:56:07,865 --> 00:56:09,465
I READ ONCE THAT IF YOU TAKE THE
BEST ORGASM YOU'VE EVER HAD --
RIGHT? -- AND YOU MULTIPLY IT
1655
00:56:09,467 --> 00:56:11,900
BEST ORGASM YOU'VE EVER HAD --
RIGHT? -- AND YOU MULTIPLY IT
TIMES 100, IT'S LITERALLY A DROP
1656
00:56:11,902 --> 00:56:13,235
RIGHT? -- AND YOU MULTIPLY IT
TIMES 100, IT'S LITERALLY A DROP
IN THE BUCKET COMPARED TO THE
1657
00:56:13,237 --> 00:56:14,203
TIMES 100, IT'S LITERALLY A DROP
IN THE BUCKET COMPARED TO THE
BLISS YOU FEEL FROM
1658
00:56:14,205 --> 00:56:14,937
IN THE BUCKET COMPARED TO THE
BLISS YOU FEEL FROM
ENLIGHTENMENT.
1659
00:56:14,939 --> 00:56:16,205
BLISS YOU FEEL FROM
ENLIGHTENMENT.
>> WELL, NO WONDER ORGANIZED
1660
00:56:16,207 --> 00:56:17,473
ENLIGHTENMENT.
>> WELL, NO WONDER ORGANIZED
RELIGIONS HATE PLEASURE FOR
1661
00:56:17,475 --> 00:56:18,273
>> WELL, NO WONDER ORGANIZED
RELIGIONS HATE PLEASURE FOR
PLEASURE'S SAKE.
1662
00:56:18,275 --> 00:56:19,375
RELIGIONS HATE PLEASURE FOR
PLEASURE'S SAKE.
>> YOU CAN'T GENERALIZE
1663
00:56:19,377 --> 00:56:19,908
PLEASURE'S SAKE.
>> YOU CAN'T GENERALIZE
RELIGION.
1664
00:56:19,910 --> 00:56:20,642
>> YOU CAN'T GENERALIZE
RELIGION.
>> YES, I CAN.
1665
00:56:20,644 --> 00:56:21,510
RELIGION.
>> YES, I CAN.
THEY DEMONIZE IT.
1666
00:56:21,512 --> 00:56:22,911
>> YES, I CAN.
THEY DEMONIZE IT.
THEY MAKE YOU FEEL GUILTY ABOUT
1667
00:56:22,913 --> 00:56:23,212
THEY DEMONIZE IT.
THEY MAKE YOU FEEL GUILTY ABOUT
IT.
1668
00:56:23,214 --> 00:56:24,513
THEY MAKE YOU FEEL GUILTY ABOUT
IT.
MY ENTIRE CHILDHOOD, I THOUGHT
1669
00:56:24,515 --> 00:56:25,848
IT.
MY ENTIRE CHILDHOOD, I THOUGHT
THAT GOD WAS UP THERE WATCHING
1670
00:56:25,850 --> 00:56:27,116
MY ENTIRE CHILDHOOD, I THOUGHT
THAT GOD WAS UP THERE WATCHING
ME FUCK MYSELF IN MY BATHTUB.
1671
00:56:27,118 --> 00:56:27,783
THAT GOD WAS UP THERE WATCHING
ME FUCK MYSELF IN MY BATHTUB.
1672
00:56:27,785 --> 00:56:28,450
ME FUCK MYSELF IN MY BATHTUB.
1673
00:56:28,452 --> 00:56:29,852
>> >> WHY ARE YOU SO OBSESSED WITH
1674
00:56:29,854 --> 00:56:30,552
>> >> WHY ARE YOU SO OBSESSED WITH
MASTURBATING?
1675
00:56:30,554 --> 00:56:31,520
>> WHY ARE YOU SO OBSESSED WITH
MASTURBATING?
>> I'M NOT OBSESSED.
1676
00:56:31,522 --> 00:56:32,855
MASTURBATING?
>> I'M NOT OBSESSED.
I JUST NEED A VARIETY OF WAYS
1677
00:56:32,857 --> 00:56:33,722
>> I'M NOT OBSESSED.
I JUST NEED A VARIETY OF WAYS
TO GET TURNED ON.
1678
00:56:33,724 --> 00:56:34,456
I JUST NEED A VARIETY OF WAYS
TO GET TURNED ON.
>> HMM.
1679
00:56:34,458 --> 00:56:36,592
TO GET TURNED ON.
>> HMM.
>> FOR EXAMPLE, I HAVE STARTED
1680
00:56:36,594 --> 00:56:39,762
>> HMM.
>> FOR EXAMPLE, I HAVE STARTED
MASTURBATING TO VIDEOS OF MYSELF
1681
00:56:39,764 --> 00:56:40,929
>> FOR EXAMPLE, I HAVE STARTED
MASTURBATING TO VIDEOS OF MYSELF
MASTURBATING.
1682
00:56:40,931 --> 00:56:42,398
MASTURBATING TO VIDEOS OF MYSELF
MASTURBATING.
LIKE THIS MASTURBATION VIA
1683
00:56:42,400 --> 00:56:43,298
MASTURBATING.
LIKE THIS MASTURBATION VIA
FEEDBACK LOOP.
1684
00:56:43,300 --> 00:56:43,999
LIKE THIS MASTURBATION VIA
FEEDBACK LOOP.
>> NO WAY.
1685
00:56:44,001 --> 00:56:45,267
FEEDBACK LOOP.
>> NO WAY.
>> YEAH, IT'S AMAZING.
1686
00:56:45,269 --> 00:56:46,635
>> NO WAY.
>> YEAH, IT'S AMAZING.
I ACTUALLY CAME -- LIKE,
1687
00:56:46,637 --> 00:56:47,403
>> YEAH, IT'S AMAZING.
I ACTUALLY CAME -- LIKE,
EJACULATED.
1688
00:56:47,405 --> 00:56:48,003
I ACTUALLY CAME -- LIKE,
EJACULATED.
>> STOP.
1689
00:56:48,005 --> 00:56:49,438
EJACULATED.
>> STOP.
>> YOU'VE NEVER EJACULATED
1690
00:56:49,440 --> 00:56:50,005
>> STOP.
>> YOU'VE NEVER EJACULATED
BEFORE?
1691
00:56:50,007 --> 00:56:51,173
>> YOU'VE NEVER EJACULATED
BEFORE?
>> OH, MY GOD, STOP.
1692
00:56:51,175 --> 00:56:52,374
BEFORE?
>> OH, MY GOD, STOP.
YOU'RE MAKING THIS SHIT UP.
1693
00:56:52,376 --> 00:56:53,108
>> OH, MY GOD, STOP.
YOU'RE MAKING THIS SHIT UP.
YOU REALLY ARE.
1694
00:56:53,110 --> 00:56:54,176
YOU'RE MAKING THIS SHIT UP.
YOU REALLY ARE.
>> NO, I'M NOT, I SWEAR.
1695
00:56:54,178 --> 00:56:55,744
YOU REALLY ARE.
>> NO, I'M NOT, I SWEAR.
IT'S AMAZING.
1696
00:56:55,746 --> 00:56:56,445
>> NO, I'M NOT, I SWEAR.
IT'S AMAZING.
>> SO, HANG ON.
1697
00:56:56,447 --> 00:56:57,513
IT'S AMAZING.
>> SO, HANG ON.
LET ME ASK YOU A QUESTION.
1698
00:56:57,515 --> 00:56:57,946
>> SO, HANG ON.
LET ME ASK YOU A QUESTION.
>> YEAH?
1699
00:56:57,948 --> 00:57:01,550
LET ME ASK YOU A QUESTION.
>> YEAH?
>> SO, YOU -- YOU MASTURBATE...
1700
00:57:01,552 --> 00:57:02,484
>> YEAH?
>> SO, YOU -- YOU MASTURBATE...
1701
00:57:02,486 --> 00:57:03,986
>> SO, YOU -- YOU MASTURBATE...
>> ...TO VIDEOS OF YOURSELF
1702
00:57:03,988 --> 00:57:04,820
>> >> ...TO VIDEOS OF YOURSELF
MASTURBATING.
1703
00:57:04,822 --> 00:57:06,455
>> ...TO VIDEOS OF YOURSELF
MASTURBATING.
>> YES. IT IS SO NARCISSISTIC,
1704
00:57:06,457 --> 00:57:07,656
MASTURBATING.
>> YES. IT IS SO NARCISSISTIC,
BUT IT TOTALLY WORKS.
1705
00:57:07,658 --> 00:57:09,224
>> YES. IT IS SO NARCISSISTIC,
BUT IT TOTALLY WORKS.
>> DAMN.
1706
00:57:09,226 --> 00:57:10,392
BUT IT TOTALLY WORKS.
>> DAMN.
>> JESUS CHRIST!
1707
00:57:10,394 --> 00:57:11,927
>> DAMN.
>> JESUS CHRIST!
YOU FUCKING DOUCHE-BAG.
1708
00:57:11,929 --> 00:57:15,130
>> JESUS CHRIST!
YOU FUCKING DOUCHE-BAG.
>> WE'RE TALKING ABOUT ORGASMS!
1709
00:57:15,132 --> 00:57:16,565
YOU FUCKING DOUCHE-BAG.
>> WE'RE TALKING ABOUT ORGASMS!
>> ORGASMS!
1710
00:57:16,567 --> 00:57:17,966
>> WE'RE TALKING ABOUT ORGASMS!
>> ORGASMS!
>> YEAH, IF WE CAN ACTUALLY,
1711
00:57:17,968 --> 00:57:19,435
>> ORGASMS!
>> YEAH, IF WE CAN ACTUALLY,
LIKE, COLLABORATE AND MORPH IT
1712
00:57:19,437 --> 00:57:20,869
>> YEAH, IF WE CAN ACTUALLY,
LIKE, COLLABORATE AND MORPH IT
INTO ONE EVENT, THAT WOULD BE
1713
00:57:20,871 --> 00:57:21,403
LIKE, COLLABORATE AND MORPH IT
INTO ONE EVENT, THAT WOULD BE
AMAZING.
1714
00:57:21,405 --> 00:57:24,540
INTO ONE EVENT, THAT WOULD BE
AMAZING.
YEAH, I THINK THAT WOULD BE SO
1715
00:57:24,542 --> 00:57:25,974
AMAZING.
YEAH, I THINK THAT WOULD BE SO
DISRUPTIVE.
1716
00:57:25,976 --> 00:57:26,975
YEAH, I THINK THAT WOULD BE SO
DISRUPTIVE.
THANK YOU.
1717
00:57:26,977 --> 00:57:28,343
DISRUPTIVE.
THANK YOU.
OH, MY GOD,
1718
00:57:28,345 --> 00:57:29,778
THANK YOU.
OH, MY GOD,
SPENCER, YOU HAVE NO IDEA.
1719
00:57:29,780 --> 00:57:30,979
OH, MY GOD,
SPENCER, YOU HAVE NO IDEA.
YOU ARE MY GOD TODAY!
1720
00:57:30,981 --> 00:57:32,314
SPENCER, YOU HAVE NO IDEA.
YOU ARE MY GOD TODAY!
YES.
1721
00:57:32,316 --> 00:57:33,549
YOU ARE MY GOD TODAY!
YES.
THANK YOU. THANK YOU.
1722
00:57:33,551 --> 00:57:34,383
YES.
THANK YOU. THANK YOU.
OKAY.
1723
00:57:34,385 --> 00:57:35,584
THANK YOU. THANK YOU.
OKAY.
YEAH, WE'LL SEND YOU ALL THE
1724
00:57:35,586 --> 00:57:36,218
OKAY.
YEAH, WE'LL SEND YOU ALL THE
INFORMATION.
1725
00:57:36,220 --> 00:57:38,821
YEAH, WE'LL SEND YOU ALL THE
INFORMATION.
OKAY, BYE.
1726
00:57:38,823 --> 00:57:40,689
INFORMATION.
OKAY, BYE.
NYMPHO!
1727
00:57:40,691 --> 00:57:43,692
OKAY, BYE.
NYMPHO!
¶ GET YOUR ASS IN HERE ¶
1728
00:57:43,694 --> 00:57:45,227
NYMPHO!
¶ GET YOUR ASS IN HERE ¶
>> ¶ ...ONT CHANGé ¶
1729
00:57:45,229 --> 00:57:47,896
¶ GET YOUR ASS IN HERE ¶
>> ¶ ...ONT CHANGé ¶
¶ BUT-EE-SO-SEE-SO ¶
1730
00:57:47,898 --> 00:57:48,430
>> ¶ ...ONT CHANGé ¶
¶ BUT-EE-SO-SEE-SO ¶
>> COME HERE.
1731
00:57:48,432 --> 00:57:49,565
¶ BUT-EE-SO-SEE-SO ¶
>> COME HERE.
>> ¶ BUH DUNH BUH-BUH ¶
1732
00:57:49,567 --> 00:57:51,166
>> COME HERE.
>> ¶ BUH DUNH BUH-BUH ¶
¶ DUH-DUH DUH DUH DUH ¶
1733
00:57:51,168 --> 00:57:52,167
>> ¶ BUH DUNH BUH-BUH ¶
¶ DUH-DUH DUH DUH DUH ¶
¶ DUH DUH-DUH DUH ¶
1734
00:57:52,169 --> 00:57:52,835
¶ DUH-DUH DUH DUH DUH ¶
¶ DUH DUH-DUH DUH ¶
>> OH, MY GOD.
1735
00:57:52,837 --> 00:57:53,769
¶ DUH DUH-DUH DUH ¶
>> OH, MY GOD.
>> ¶ DUH-DUH DUH ¶
1736
00:57:53,771 --> 00:57:54,570
>> OH, MY GOD.
>> ¶ DUH-DUH DUH ¶
>> WE ARE SO LUCKY.
1737
00:57:54,572 --> 00:57:55,704
>> ¶ DUH-DUH DUH ¶
>> WE ARE SO LUCKY.
YOU KNOW WHO JUST CONTACTED ME
1738
00:57:55,706 --> 00:57:56,205
>> WE ARE SO LUCKY.
YOU KNOW WHO JUST CONTACTED ME
RIGHT NOW?
1739
00:57:56,207 --> 00:57:56,605
YOU KNOW WHO JUST CONTACTED ME
RIGHT NOW?
>> WHO?
1740
00:57:56,607 --> 00:57:57,372
RIGHT NOW?
>> WHO?
>> SPENCER TUNICK.
1741
00:57:57,374 --> 00:57:58,173
>> WHO?
>> SPENCER TUNICK.
>> AMAZING.
1742
00:57:58,175 --> 00:57:59,107
>> SPENCER TUNICK.
>> AMAZING.
>> HE'S HUGE!
1743
00:57:59,109 --> 00:58:00,843
>> AMAZING.
>> HE'S HUGE!
SO, HE'S GONNA BE COLLABORATING
1744
00:58:00,845 --> 00:58:01,477
>> HE'S HUGE!
SO, HE'S GONNA BE COLLABORATING
WITH US!
1745
00:58:01,479 --> 00:58:02,544
SO, HE'S GONNA BE COLLABORATING
WITH US!
>> KICK-ASS!
1746
00:58:02,546 --> 00:58:05,481
WITH US!
>> KICK-ASS!
>> WHEW.
1747
00:58:05,483 --> 00:58:06,448
>> KICK-ASS!
>> WHEW.
OH, I THOUGHT WE WERE GONNA DO
1748
00:58:06,450 --> 00:58:07,316
>> WHEW.
OH, I THOUGHT WE WERE GONNA DO
THE OTHER ONE FROM NOW ON.
1749
00:58:07,318 --> 00:58:08,350
OH, I THOUGHT WE WERE GONNA DO
THE OTHER ONE FROM NOW ON.
>> OH, YEAH, YEAH, YEAH, YEAH.
1750
00:58:08,352 --> 00:58:08,784
THE OTHER ONE FROM NOW ON.
>> OH, YEAH, YEAH, YEAH, YEAH.
OH, OKAY.
1751
00:58:08,786 --> 00:58:10,085
>> OH, YEAH, YEAH, YEAH, YEAH.
OH, OKAY.
UH, YOU GO LIKE THIS?
1752
00:58:10,087 --> 00:58:10,719
OH, OKAY.
UH, YOU GO LIKE THIS?
>> YEAH.
1753
00:58:10,721 --> 00:58:11,453
- UH, YOU GO LIKE THIS?
- >> YEAH.
1754
00:58:11,455 --> 00:58:11,720
>> - YEAH.
- OH.
1755
00:58:11,722 --> 00:58:12,721
OH.
>> DID I JUST CRACK YOUR
1756
00:58:12,723 --> 00:58:13,155
OH.
>> DID I JUST CRACK YOUR
FINGERS?
1757
00:58:13,157 --> 00:58:13,589
>> DID I JUST CRACK YOUR
FINGERS?
>> YEAH.
1758
00:58:13,591 --> 00:58:14,923
- FINGERS?
- >> YEAH.
1759
00:58:14,925 --> 00:58:21,530
>> - YEAH.
- >> ¶ ILS ONT CHANGé MA CHANSON,
1760
00:58:21,532 --> 00:58:23,799
>> ¶ ILS ONT CHANGé MA CHANSON,MA ¶
1761
00:58:23,801 --> 00:58:24,266
>> ¶ ILS ONT CHANGé MA CHANSON,MA ¶
1762
00:58:24,268 --> 00:58:27,336
MA ¶
¶ ILS ONT CHANGé MA CHANS-- ¶
1763
00:58:27,338 --> 00:58:28,036
¶ ILS ONT CHANGé MA CHANS-- ¶
1764
00:58:28,038 --> 00:58:29,471
¶ ILS ONT CHANGé MA CHANS-- ¶
>> OH. JIM BLACK.
1765
00:58:29,473 --> 00:58:31,507
>> OH. JIM BLACK.
>> OH, NO.
1766
00:58:31,509 --> 00:58:32,174
>> OH. JIM BLACK.
>> OH, NO.
HELLO?
1767
00:58:32,176 --> 00:58:34,009
>> OH, NO.
HELLO?
>> WITH, THEY AREN'T GONNA GIVE
1768
00:58:34,011 --> 00:58:36,211
HELLO?
>> WITH, THEY AREN'T GONNA GIVE
US THE PERMITS.
1769
00:58:36,213 --> 00:58:38,247
>> WITH, THEY AREN'T GONNA GIVE
US THE PERMITS.
>> WHAT DO YOU MEAN?
1770
00:58:38,249 --> 00:58:39,648
US THE PERMITS.
>> WHAT DO YOU MEAN?
I THOUGHT YOU SAID YOU COULD DO
1771
00:58:39,650 --> 00:58:40,048
>> WHAT DO YOU MEAN?
I THOUGHT YOU SAID YOU COULD DO
THIS.
1772
00:58:40,050 --> 00:58:42,084
I THOUGHT YOU SAID YOU COULD DO
THIS.
>> I'M SORRY. I TRIED.
1773
00:58:42,086 --> 00:58:43,151
THIS.
>> I'M SORRY. I TRIED.
I COULDN'T CONVINCE THEM.
1774
00:58:43,153 --> 00:58:44,286
>> I'M SORRY. I TRIED.
I COULDN'T CONVINCE THEM.
THE MUSEUM IS AFRAID IT'LL
1775
00:58:44,288 --> 00:58:47,489
I COULDN'T CONVINCE THEM.
THE MUSEUM IS AFRAID IT'LL
ENDANGER THEIR BUDGET.
1776
00:58:47,491 --> 00:58:48,657
THE MUSEUM IS AFRAID IT'LL
ENDANGER THEIR BUDGET.
I'M SORRY, WITH.
1777
00:58:48,659 --> 00:58:50,259
ENDANGER THEIR BUDGET.
I'M SORRY, WITH.
I WISH I HAD BETTER NEWS.
1778
00:58:50,261 --> 00:58:51,426
I'M SORRY, WITH.
I WISH I HAD BETTER NEWS.
>> ALL RIGHT.
1779
00:58:51,428 --> 00:58:53,395
I WISH I HAD BETTER NEWS.
>> ALL RIGHT.
I HAVE TO FIGURE SOMETHING OUT,
1780
00:58:53,397 --> 00:58:53,896
>> ALL RIGHT.
I HAVE TO FIGURE SOMETHING OUT,
JIM.
1781
00:58:53,898 --> 00:58:55,864
I HAVE TO FIGURE SOMETHING OUT,
JIM.
BYE.
1782
00:59:00,670 --> 00:59:07,709
>> WHAT?
>> WE LOST THE PERMITS.
>> WHAT?!
1783
00:59:07,711 --> 00:59:09,411
>> WE LOST THE PERMITS.
>> WHAT?!
>> IT'S OVER.
1784
00:59:09,413 --> 00:59:10,245
>> WHAT?!
>> IT'S OVER.
I FUCKED THIS UP.
1785
00:59:10,247 --> 00:59:11,146
>> IT'S OVER.
I FUCKED THIS UP.
>> IT'S OKAY, OKAY?
1786
00:59:11,148 --> 00:59:12,548
I FUCKED THIS UP.
>> IT'S OKAY, OKAY?
WE'LL FIGURE SOMETHING ELSE OUT,
1787
00:59:12,550 --> 00:59:13,081
>> IT'S OKAY, OKAY?
WE'LL FIGURE SOMETHING ELSE OUT,
YOU KNOW?
1788
00:59:13,083 --> 00:59:14,850
WE'LL FIGURE SOMETHING ELSE OUT,
YOU KNOW?
FORGET D.C.
1789
00:59:14,852 --> 00:59:17,319
YOU KNOW?
FORGET D.C.
>> THIS IS ALL MY FAULT.
1790
00:59:17,321 --> 00:59:19,421
FORGET D.C.
>> THIS IS ALL MY FAULT.
1791
00:59:19,423 --> 00:59:21,757
>> THIS IS ALL MY FAULT.
WITH?
1792
00:59:21,759 --> 00:59:23,725
>> WITH?
LOOK AT ME.
1793
00:59:23,727 --> 00:59:26,128
WITH?
LOOK AT ME.
LOOK AT ME.
1794
00:59:29,299 --> 00:59:34,403
>> I FEEL
LIKE I'M LETTING EVERYBODY DOWN,
YOU KNOW?
1795
00:59:34,405 --> 00:59:36,538
LIKE I'M LETTING EVERYBODY DOWN,
YOU KNOW?
>> YOU DIDN'T LET ME DOWN.
1796
00:59:49,752 --> 00:59:58,093
SORRY.
>> IT'S FINE.
UM...
1797
01:00:03,499 --> 01:00:10,772
>> I DON'T KNOW WHY I DID THAT.
THAT WAS REALLY WEIRD.
I WASN'T, LIKE, UM, PLANNING ON
1798
01:00:10,774 --> 01:00:13,942
THAT WAS REALLY WEIRD.
I WASN'T, LIKE, UM, PLANNING ON
DOING THAT OR ANYTHING.
1799
01:00:13,944 --> 01:00:15,711
I WASN'T, LIKE, UM, PLANNING ON
DOING THAT OR ANYTHING.
WHERE ARE YOU GOING?
1800
01:00:15,713 --> 01:00:20,582
DOING THAT OR ANYTHING.
WHERE ARE YOU GOING?
>> UM, I'M GOING OUT.
1801
01:00:20,584 --> 01:00:21,783
WHERE ARE YOU GOING?
>> UM, I'M GOING OUT.
>> WITH, YOU STILL HAVE A TOWEL
1802
01:00:21,785 --> 01:00:23,719
>> UM, I'M GOING OUT.
>> WITH, YOU STILL HAVE A TOWEL
ON YOUR HEAD.
1803
01:00:23,721 --> 01:00:25,787
>> WITH, YOU STILL HAVE A TOWEL
ON YOUR HEAD.
AND YOU'RE NOT WEARING SHOES.
1804
01:00:25,789 --> 01:00:27,756
- ON YOUR HEAD.
- AND YOU'RE NOT WEARING SHOES.
1805
01:00:33,062 --> 01:00:40,502
SORRY.
>> CALI, WHO'S YOUR CONTACT IN
D.C.?
1806
01:00:40,504 --> 01:00:41,436
>> CALI, WHO'S YOUR CONTACT IN
D.C.?
GIVE ME THE NUMBER.
1807
01:00:41,438 --> 01:00:42,437
D.C.?
GIVE ME THE NUMBER.
I WANT TO CALL THEM.
1808
01:00:42,439 --> 01:00:43,872
GIVE ME THE NUMBER.
I WANT TO CALL THEM.
>> WHAT IS IT THAT YOU THINK
1809
01:00:43,874 --> 01:00:45,240
I WANT TO CALL THEM.
>> WHAT IS IT THAT YOU THINK
YOU'RE GOING TO ACCOMPLISH?
1810
01:00:45,242 --> 01:00:46,141
>> WHAT IS IT THAT YOU THINK
YOU'RE GOING TO ACCOMPLISH?
>> CALI?
1811
01:00:46,143 --> 01:00:47,876
YOU'RE GOING TO ACCOMPLISH?
>> CALI?
PLEASE GIVE ME THE NUMBER?
1812
01:00:47,878 --> 01:00:49,011
>> CALI?
PLEASE GIVE ME THE NUMBER?
>> LOOK, I DON'T KNOW HOW MANY
1813
01:00:49,013 --> 01:00:50,178
PLEASE GIVE ME THE NUMBER?
>> LOOK, I DON'T KNOW HOW MANY
TIMES I HAVE TO TELL YOU THIS.
1814
01:00:50,180 --> 01:00:51,380
>> LOOK, I DON'T KNOW HOW MANY
TIMES I HAVE TO TELL YOU THIS.
EVERYTHING IS BOOKED.
1815
01:00:51,382 --> 01:00:53,048
TIMES I HAVE TO TELL YOU THIS.
EVERYTHING IS BOOKED.
AND EVEN IF IT WASN'T, WE CAN'T
1816
01:00:53,050 --> 01:00:53,849
EVERYTHING IS BOOKED.
AND EVEN IF IT WASN'T, WE CAN'T
GET PERMITS.
1817
01:00:53,851 --> 01:00:55,484
AND EVEN IF IT WASN'T, WE CAN'T
GET PERMITS.
ORGANIZING THOUSANDS OF TOPLESS
1818
01:00:55,486 --> 01:00:57,119
GET PERMITS.
ORGANIZING THOUSANDS OF TOPLESS
WOMEN COSTS A SHITLOAD OF MONEY
1819
01:00:57,121 --> 01:00:57,986
ORGANIZING THOUSANDS OF TOPLESS
WOMEN COSTS A SHITLOAD OF MONEY
WE DON'T HAVE.
1820
01:00:57,988 --> 01:00:59,888
WOMEN COSTS A SHITLOAD OF MONEY
WE DON'T HAVE.
>> UH, PARDON ME FOR A SECOND.
1821
01:00:59,890 --> 01:01:01,089
WE DON'T HAVE.
>> UH, PARDON ME FOR A SECOND.
WE'RE LOOKING FOR EYEBALLS,
1822
01:01:01,091 --> 01:01:01,490
>> UH, PARDON ME FOR A SECOND.
WE'RE LOOKING FOR EYEBALLS,
RIGHT?
1823
01:01:01,492 --> 01:01:02,391
WE'RE LOOKING FOR EYEBALLS,
RIGHT?
>> OBVIOUSLY.
1824
01:01:02,393 --> 01:01:04,059
RIGHT?
>> OBVIOUSLY.
>> WELL, SO, I MEAN, HOW DO YOU
1825
01:01:04,061 --> 01:01:05,627
>> OBVIOUSLY.
>> WELL, SO, I MEAN, HOW DO YOU
GET ATTENTION IN THIS DAY AND
1826
01:01:05,629 --> 01:01:06,028
>> WELL, SO, I MEAN, HOW DO YOU
GET ATTENTION IN THIS DAY AND
AGE?
1827
01:01:06,030 --> 01:01:07,663
GET ATTENTION IN THIS DAY AND
AGE?
YOU KNOW, IT'S, LIKE, GET SOME
1828
01:01:07,665 --> 01:01:09,364
AGE?
YOU KNOW, IT'S, LIKE, GET SOME
SORT OF VIRAL HIT COUNT, BIEBER,
1829
01:01:09,366 --> 01:01:11,867
YOU KNOW, IT'S, LIKE, GET SOME
SORT OF VIRAL HIT COUNT, BIEBER,
"GANGNAM STYLE," CATBABY THING,
1830
01:01:11,869 --> 01:01:12,634
SORT OF VIRAL HIT COUNT, BIEBER,
"GANGNAM STYLE," CATBABY THING,
RIGHT?
1831
01:01:12,636 --> 01:01:13,502
"GANGNAM STYLE," CATBABY THING,
RIGHT?
>> NO, NO, NO, NO.
1832
01:01:13,504 --> 01:01:14,803
RIGHT?
>> NO, NO, NO, NO.
YOU ARE NOT SUGGESTING WE ARE
1833
01:01:14,805 --> 01:01:15,737
>> NO, NO, NO, NO.
YOU ARE NOT SUGGESTING WE ARE
DOING A MUSIC VIDEO.
1834
01:01:15,739 --> 01:01:17,039
YOU ARE NOT SUGGESTING WE ARE
DOING A MUSIC VIDEO.
>> I'M NOT, BUT THAT'S A VALID
1835
01:01:17,041 --> 01:01:17,539
DOING A MUSIC VIDEO.
>> I'M NOT, BUT THAT'S A VALID
ART FORM.
1836
01:01:17,541 --> 01:01:18,640
>> I'M NOT, BUT THAT'S A VALID
ART FORM.
LOOK, WHAT I'M SAYING IS, WHAT
1837
01:01:18,642 --> 01:01:19,608
ART FORM.
LOOK, WHAT I'M SAYING IS, WHAT
DO YOU DO WHEN YOU HAVE AN
1838
01:01:19,610 --> 01:01:20,742
LOOK, WHAT I'M SAYING IS, WHAT
DO YOU DO WHEN YOU HAVE AN
IMPORTANT MESSAGE THAT YOU WANT
1839
01:01:20,744 --> 01:01:21,677
DO YOU DO WHEN YOU HAVE AN
IMPORTANT MESSAGE THAT YOU WANT
TO GET OUT TO THE PEOPLE?
1840
01:01:21,679 --> 01:01:22,644
IMPORTANT MESSAGE THAT YOU WANT
TO GET OUT TO THE PEOPLE?
>> OOH, YOU UPDATE YOUR FACEBOOK
1841
01:01:22,646 --> 01:01:22,978
TO GET OUT TO THE PEOPLE?
>> OOH, YOU UPDATE YOUR FACEBOOK
STATUS.
1842
01:01:22,980 --> 01:01:24,546
>> OOH, YOU UPDATE YOUR FACEBOOK
STATUS.
>> OKAY. BUT TO MORE PEOPLE.
1843
01:01:24,548 --> 01:01:26,014
STATUS.
>> OKAY. BUT TO MORE PEOPLE.
YOU KNOW? TO -- TO THE WORLD.
1844
01:01:26,016 --> 01:01:27,215
>> OKAY. BUT TO MORE PEOPLE.
YOU KNOW? TO -- TO THE WORLD.
IF YOU WANT TO ANNOUNCE YOU'RE
1845
01:01:27,217 --> 01:01:28,183
YOU KNOW? TO -- TO THE WORLD.
IF YOU WANT TO ANNOUNCE YOU'RE
RUNNING FOR PRESIDENT...
1846
01:01:28,185 --> 01:01:29,017
IF YOU WANT TO ANNOUNCE YOU'RE
RUNNING FOR PRESIDENT...
>> PRESS CONFERENCE.
1847
01:01:29,019 --> 01:01:30,118
RUNNING FOR PRESIDENT...
>> PRESS CONFERENCE.
>> HOLD A PRESS CONFERENCE.
1848
01:01:30,120 --> 01:01:30,552
>> PRESS CONFERENCE.
>> HOLD A PRESS CONFERENCE.
EXACTLY.
1849
01:01:30,554 --> 01:01:31,053
>> HOLD A PRESS CONFERENCE.
EXACTLY.
>> OKAY.
1850
01:01:31,055 --> 01:01:32,421
EXACTLY.
>> OKAY.
>> SO, YOU GOT YOUR FRIEND, JIM,
1851
01:01:32,423 --> 01:01:32,854
>> OKAY.
>> SO, YOU GOT YOUR FRIEND, JIM,
RIGHT?
1852
01:01:32,856 --> 01:01:33,955
>> SO, YOU GOT YOUR FRIEND, JIM,
RIGHT?
HE'S GOT THE PRESS IN HIS
1853
01:01:33,957 --> 01:01:34,423
RIGHT?
HE'S GOT THE PRESS IN HIS
POCKET.
1854
01:01:34,425 --> 01:01:35,590
HE'S GOT THE PRESS IN HIS
POCKET.
WHY DON'T WE PUT ALL THAT
1855
01:01:35,592 --> 01:01:36,825
POCKET.
WHY DON'T WE PUT ALL THAT
TOGETHER AND GRAB A MICROPHONE.
1856
01:01:36,827 --> 01:01:38,193
WHY DON'T WE PUT ALL THAT
TOGETHER AND GRAB A MICROPHONE.
>> WHY WOULD ANYONE ELSE CARE?
1857
01:01:38,195 --> 01:01:38,994
TOGETHER AND GRAB A MICROPHONE.
>> WHY WOULD ANYONE ELSE CARE?
>> YEAH, AND NO ONE'S GONNA GIVE
1858
01:01:38,996 --> 01:01:40,328
>> WHY WOULD ANYONE ELSE CARE?
>> YEAH, AND NO ONE'S GONNA GIVE
THREE SHITS ABOUT SOME SPEECH,
1859
01:01:40,330 --> 01:01:40,962
>> YEAH, AND NO ONE'S GONNA GIVE
THREE SHITS ABOUT SOME SPEECH,
NO OFFENSE.
1860
01:01:40,964 --> 01:01:42,264
THREE SHITS ABOUT SOME SPEECH,
NO OFFENSE.
>> YEAH, THAT'S TRUE.
1861
01:01:42,266 --> 01:01:43,799
NO OFFENSE.
>> YEAH, THAT'S TRUE.
>> UNLESS YOU'RE TOPLESS.
1862
01:01:43,801 --> 01:01:45,734
>> YEAH, THAT'S TRUE.
>> UNLESS YOU'RE TOPLESS.
>> WELL, WHAT'S THE HOOK?
1863
01:01:45,736 --> 01:01:47,102
>> UNLESS YOU'RE TOPLESS.
>> WELL, WHAT'S THE HOOK?
OKAY, WHAT WOULD BE SO
1864
01:01:47,104 --> 01:01:48,937
>> WELL, WHAT'S THE HOOK?
OKAY, WHAT WOULD BE SO
UNDENIABLE THAT THE PRESS WOULD
1865
01:01:48,939 --> 01:01:51,073
OKAY, WHAT WOULD BE SO
UNDENIABLE THAT THE PRESS WOULD
HAVE TO COVER IT?
1866
01:01:51,075 --> 01:01:53,041
UNDENIABLE THAT THE PRESS WOULD
HAVE TO COVER IT?
>> WAIT.
1867
01:01:56,179 --> 01:02:00,716
THIS IS THE PERFECT OPPORTUNITY
FOR US TO JUST WREAK SOME
SERIOUS STREET-ART HAVOC.
1868
01:02:00,718 --> 01:02:01,750
FOR US TO JUST WREAK SOME
SERIOUS STREET-ART HAVOC.
>> CAN WE DEFINE "HAVOC" QUICKLY
1869
01:02:01,752 --> 01:02:02,517
SERIOUS STREET-ART HAVOC.
>> CAN WE DEFINE "HAVOC" QUICKLY
BEFORE THIS DOESN'T...
1870
01:02:02,519 --> 01:02:03,518
>> CAN WE DEFINE "HAVOC" QUICKLY
BEFORE THIS DOESN'T...
>> YEAH, AND WE DON'T HAVE ANY
1871
01:02:03,520 --> 01:02:03,952
BEFORE THIS DOESN'T...
>> YEAH, AND WE DON'T HAVE ANY
BAIL MONEY.
1872
01:02:03,954 --> 01:02:04,886
>> YEAH, AND WE DON'T HAVE ANY
BAIL MONEY.
>> JUST HEAR ME OUT.
1873
01:02:04,888 --> 01:02:05,620
BAIL MONEY.
>> JUST HEAR ME OUT.
JUST A THOUGHT.
1874
01:02:05,622 --> 01:02:07,022
>> JUST HEAR ME OUT.
JUST A THOUGHT.
BUT WHAT IF, ON HALLOWEEN, WHILE
1875
01:02:07,024 --> 01:02:08,323
JUST A THOUGHT.
BUT WHAT IF, ON HALLOWEEN, WHILE
THE COPS ARE BUSY, WE GOT KILO
1876
01:02:08,325 --> 01:02:10,425
BUT WHAT IF, ON HALLOWEEN, WHILE
THE COPS ARE BUSY, WE GOT KILO
AND ELLE TO JUST GO OUT ON THE
1877
01:02:10,427 --> 01:02:12,294
THE COPS ARE BUSY, WE GOT KILO
AND ELLE TO JUST GO OUT ON THE
STREET AND PASTE "FREE THE
1878
01:02:12,296 --> 01:02:14,229
AND ELLE TO JUST GO OUT ON THE
STREET AND PASTE "FREE THE
FUCKING NIPPLE" EVERYWHERE.
1879
01:02:14,231 --> 01:02:15,797
STREET AND PASTE "FREE THE
FUCKING NIPPLE" EVERYWHERE.
SO, WHEN EVERYBODY WAKES UP ON
1880
01:02:15,799 --> 01:02:17,265
FUCKING NIPPLE" EVERYWHERE.
SO, WHEN EVERYBODY WAKES UP ON
NOVEMBER 1st, IT'S LIKE THE
1881
01:02:17,267 --> 01:02:17,999
SO, WHEN EVERYBODY WAKES UP ON
NOVEMBER 1st, IT'S LIKE THE
FIRST SNOW.
1882
01:02:18,001 --> 01:02:18,433
NOVEMBER 1st, IT'S LIKE THE
FIRST SNOW.
>> YES!
1883
01:02:18,435 --> 01:02:19,735
FIRST SNOW.
>> YES!
YES, I LIKE WHERE YOU'RE GOING
1884
01:02:19,737 --> 01:02:20,268
>> YES!
YES, I LIKE WHERE YOU'RE GOING
WITH THIS.
1885
01:02:20,270 --> 01:02:20,769
YES, I LIKE WHERE YOU'RE GOING
WITH THIS.
KEEP GOING.
1886
01:02:20,771 --> 01:02:21,403
WITH THIS.
KEEP GOING.
>> OKAY, GREAT.
1887
01:02:21,405 --> 01:02:22,537
KEEP GOING.
>> OKAY, GREAT.
AND THEN, THE NEXT DAY, WE HOLD
1888
01:02:22,539 --> 01:02:24,172
>> OKAY, GREAT.
AND THEN, THE NEXT DAY, WE HOLD
A PRESS CONFERENCE AND WE TAKE
1889
01:02:24,174 --> 01:02:25,674
AND THEN, THE NEXT DAY, WE HOLD
A PRESS CONFERENCE AND WE TAKE
FULL RESPONSIBILITY FOR THE
1890
01:02:25,676 --> 01:02:26,575
A PRESS CONFERENCE AND WE TAKE
FULL RESPONSIBILITY FOR THE
TERRORIST ACT.
1891
01:02:26,577 --> 01:02:28,410
FULL RESPONSIBILITY FOR THE
TERRORIST ACT.
>> I FUCKING LOVE IT. I LOVE IT.
1892
01:02:28,412 --> 01:02:29,945
TERRORIST ACT.
>> I FUCKING LOVE IT. I LOVE IT.
I'M GONNA CALL JIM RIGHT NOW.
1893
01:02:29,947 --> 01:02:30,879
>> I FUCKING LOVE IT. I LOVE IT.
I'M GONNA CALL JIM RIGHT NOW.
I'M ON IT, GUYS.
1894
01:02:30,881 --> 01:02:32,047
I'M GONNA CALL JIM RIGHT NOW.
I'M ON IT, GUYS.
>> WHAT DAY ARE YOU GONNA DO
1895
01:02:32,049 --> 01:02:32,380
I'M ON IT, GUYS.
>> WHAT DAY ARE YOU GONNA DO
THIS?
1896
01:02:32,382 --> 01:02:34,015
>> WHAT DAY ARE YOU GONNA DO
THIS?
>> NOVEMBER 1st.
1897
01:02:34,017 --> 01:02:35,650
THIS?
>> NOVEMBER 1st.
JIM?
1898
01:02:35,652 --> 01:02:37,319
>> NOVEMBER 1st.
JIM?
DID YOU -- DID YOU READ MY
1899
01:02:37,321 --> 01:02:37,986
JIM?
DID YOU -- DID YOU READ MY
SPEECH?
1900
01:02:37,988 --> 01:02:38,820
DID YOU -- DID YOU READ MY
SPEECH?
>> YEAH.
1901
01:02:38,822 --> 01:02:40,522
SPEECH?
>> YEAH.
THE TOPLESS THING IS THE
1902
01:02:40,524 --> 01:02:42,357
>> YEAH.
THE TOPLESS THING IS THE
TROJAN HORSE, BUT THE REAL
1903
01:02:42,359 --> 01:02:44,326
THE TOPLESS THING IS THE
TROJAN HORSE, BUT THE REAL
DIALOGUE THAT'S HAPPENING IS
1904
01:02:44,328 --> 01:02:45,827
TROJAN HORSE, BUT THE REAL
DIALOGUE THAT'S HAPPENING IS
ABOUT VIOLENCE.
1905
01:02:45,829 --> 01:02:47,062
DIALOGUE THAT'S HAPPENING IS
ABOUT VIOLENCE.
1906
01:02:47,064 --> 01:02:48,697
ABOUT VIOLENCE.
YOUR MOVEMENT IS BECOMING
1907
01:02:48,699 --> 01:02:49,464
YOUR MOVEMENT IS BECOMING
POIGNANT.
1908
01:02:49,466 --> 01:02:50,398
YOUR MOVEMENT IS BECOMING
POIGNANT.
>> GREAT. THANK YOU.
1909
01:02:50,400 --> 01:02:51,533
POIGNANT.
>> GREAT. THANK YOU.
>> WELL, LET ME OFF THE PHONE.
1910
01:02:51,535 --> 01:02:52,601
>> GREAT. THANK YOU.
>> WELL, LET ME OFF THE PHONE.
I'VE GOT SOME CALLS TO MAKE.
1911
01:02:52,603 --> 01:02:53,502
>> WELL, LET ME OFF THE PHONE.
I'VE GOT SOME CALLS TO MAKE.
>> OKAY, COOL.
1912
01:02:53,504 --> 01:02:54,669
I'VE GOT SOME CALLS TO MAKE.
>> OKAY, COOL.
THANK YOU. BYE.
1913
01:02:54,671 --> 01:02:56,338
>> OKAY, COOL.
THANK YOU. BYE.
1914
01:02:56,340 --> 01:02:57,973
THANK YOU. BYE.
1915
01:03:01,712 --> 01:03:03,011
HEY, CATHY.
1916
01:03:03,013 --> 01:03:04,646
>> HEY, CATHY.
YEAH, IT'S JIM.
1917
01:03:04,648 --> 01:03:05,881
HEY, CATHY.
YEAH, IT'S JIM.
IS HE THERE?
1918
01:03:05,883 --> 01:03:07,048
YEAH, IT'S JIM.
IS HE THERE?
WELL, GET HIM OUT OF THAT
1919
01:03:07,050 --> 01:03:09,050
IS HE THERE?
WELL, GET HIM OUT OF THAT
MEETING.
1920
01:03:12,855 --> 01:03:16,691
>> HEY, UH, WITH?
>> YEAH?
>> COME CHECK THIS OUT.
1921
01:03:16,693 --> 01:03:18,426
>> YEAH?
>> COME CHECK THIS OUT.
I EDITED SOME STUFF TOGETHER.
1922
01:03:18,428 --> 01:03:20,295
>> COME CHECK THIS OUT.
I EDITED SOME STUFF TOGETHER.
IT'S VERY ROUGH, BUT IT CAN GIVE
1923
01:03:20,297 --> 01:03:21,997
I EDITED SOME STUFF TOGETHER.
IT'S VERY ROUGH, BUT IT CAN GIVE
YOU SORT OF A GENERAL IDEA OF
1924
01:03:21,999 --> 01:03:23,298
IT'S VERY ROUGH, BUT IT CAN GIVE
YOU SORT OF A GENERAL IDEA OF
WHERE THIS IS GOING.
1925
01:03:23,300 --> 01:03:24,633
YOU SORT OF A GENERAL IDEA OF
WHERE THIS IS GOING.
>> OH, THAT'S -- YOU FINISHED
1926
01:03:24,635 --> 01:03:24,966
WHERE THIS IS GOING.
>> OH, THAT'S -- YOU FINISHED
IT.
1927
01:03:24,968 --> 01:03:25,500
>> OH, THAT'S -- YOU FINISHED
IT.
EVERYONE!
1928
01:03:25,502 --> 01:03:26,635
IT.
EVERYONE!
>> NO, IT'S NOT FINISHED.
1929
01:03:26,637 --> 01:03:27,502
EVERYONE!
>> NO, IT'S NOT FINISHED.
>> PEOPLE! HUMANS!
1930
01:03:27,504 --> 01:03:28,904
>> NO, IT'S NOT FINISHED.
>> PEOPLE! HUMANS!
STOP. COME AND WATCH THIS.
1931
01:03:28,906 --> 01:03:30,272
>> PEOPLE! HUMANS!
STOP. COME AND WATCH THIS.
ORSON JUST FINISHED THE CUT.
1932
01:03:30,274 --> 01:03:31,673
STOP. COME AND WATCH THIS.
ORSON JUST FINISHED THE CUT.
>> IT'S A ROUGH CUT, THOUGH,
1933
01:03:31,675 --> 01:03:33,208
ORSON JUST FINISHED THE CUT.
>> IT'S A ROUGH CUT, THOUGH,
NOT FINISHED, SO DON'T JUDGE TOO
1934
01:03:33,210 --> 01:03:34,242
>> IT'S A ROUGH CUT, THOUGH,
NOT FINISHED, SO DON'T JUDGE TOO
HARSHLY.
1935
01:03:34,244 --> 01:03:35,310
NOT FINISHED, SO DON'T JUDGE TOO
HARSHLY.
>> WAIT.
1936
01:03:35,312 --> 01:03:39,147
HARSHLY.
>> WAIT.
THERE.
1937
01:03:39,149 --> 01:03:41,016
>> WAIT.
THERE.
WE LIVE IN OPPRESSIVE TIMES.
1938
01:03:41,018 --> 01:03:43,185
THERE.
WE LIVE IN OPPRESSIVE TIMES.
WE, AS A NATION, BECOME OUR OWN
1939
01:03:43,187 --> 01:03:43,985
WE LIVE IN OPPRESSIVE TIMES.
WE, AS A NATION, BECOME OUR OWN
THOUGHT.
1940
01:03:43,987 --> 01:03:45,654
WE, AS A NATION, BECOME OUR OWN
THOUGHT.
JESUS CHRIST IS ONE OF THE MOST
1941
01:03:45,656 --> 01:03:46,755
THOUGHT.
JESUS CHRIST IS ONE OF THE MOST
HISTORIC VICTIMS OF
1942
01:03:46,757 --> 01:03:47,489
JESUS CHRIST IS ONE OF THE MOST
HISTORIC VICTIMS OF
CENSORSHIP.
1943
01:03:47,491 --> 01:03:48,890
HISTORIC VICTIMS OF
CENSORSHIP.
AND EVEN MORE DISTURBING,
1944
01:03:48,892 --> 01:03:50,125
CENSORSHIP.
AND EVEN MORE DISTURBING,
EVERY...
1945
01:03:50,127 --> 01:03:51,660
AND EVEN MORE DISTURBING,
EVERY...
AND EVEN MORE -- AW.
1946
01:03:51,662 --> 01:03:52,928
EVERY...
AND EVEN MORE -- AW.
AND EVEN MORE DISTURBING...
1947
01:03:52,930 --> 01:03:54,663
AND EVEN MORE -- AW.
AND EVEN MORE DISTURBING...
VICTIM OF CENSORSHIP, AND
1948
01:03:54,665 --> 01:03:56,665
AND EVEN MORE DISTURBING...
VICTIM OF CENSORSHIP, AND
PONTIUS PILATE WAS HIS CENSOR.
1949
01:03:56,667 --> 01:03:58,633
VICTIM OF CENSORSHIP, AND
PONTIUS PILATE WAS HIS CENSOR.
AND IF YOU HATE FREEDOM, MOVE TO
1950
01:03:58,635 --> 01:03:59,234
PONTIUS PILATE WAS HIS CENSOR.
AND IF YOU HATE FREEDOM, MOVE TO
CHINA.
1951
01:03:59,236 --> 01:04:00,202
AND IF YOU HATE FREEDOM, MOVE TO
CHINA.
CENSORSHIP...
1952
01:04:00,204 --> 01:04:01,169
CHINA.
CENSORSHIP...
CENSORSHIP...
1953
01:04:01,171 --> 01:04:02,704
CENSORSHIP...
CENSORSHIP...
CENSORSHIP IS AN OBVIOUS
1954
01:04:02,706 --> 01:04:04,706
CENSORSHIP...
CENSORSHIP IS AN OBVIOUS
HALLMARK OF ANY FASCIST,
1955
01:04:04,708 --> 01:04:07,142
CENSORSHIP IS AN OBVIOUS
HALLMARK OF ANY FASCIST,
TYRANNICAL REGIME.
1956
01:04:07,144 --> 01:04:09,244
HALLMARK OF ANY FASCIST,
TYRANNICAL REGIME.
>> HEY.
1957
01:04:09,246 --> 01:04:10,745
TYRANNICAL REGIME.
>> HEY.
>> HEY.
1958
01:04:10,747 --> 01:04:11,279
>> HEY.
>> HEY.
1959
01:04:11,281 --> 01:04:11,947
>> HEY.
>> IT'S 4:00 A.M.
1960
01:04:11,949 --> 01:04:14,950
>> >> IT'S 4:00 A.M.
UH, YOU MUST CRASH.
1961
01:04:14,952 --> 01:04:17,152
>> IT'S 4:00 A.M.
UH, YOU MUST CRASH.
GOT A BIG NIGHT TOMORROW.
1962
01:04:17,154 --> 01:04:20,488
UH, YOU MUST CRASH.
GOT A BIG NIGHT TOMORROW.
1963
01:04:20,490 --> 01:04:21,890
GOT A BIG NIGHT TOMORROW.
FUCK.
1964
01:04:21,892 --> 01:04:23,425
>> FUCK.
THIS IS REALLY HAPPENING.
1965
01:04:23,427 --> 01:04:24,659
FUCK.
THIS IS REALLY HAPPENING.
>> YEAH.
1966
01:04:24,661 --> 01:04:26,061
THIS IS REALLY HAPPENING.
>> YEAH.
1967
01:04:26,063 --> 01:04:27,829
>> YEAH.
>> IT IS.
1968
01:04:27,831 --> 01:04:30,665
>> >> IT IS.
OH, AND WE HAVE TO CALL A...
1969
01:04:30,667 --> 01:04:33,201
>> IT IS.
OH, AND WE HAVE TO CALL A...
LAWYER TO ARRANGE FOR SOME
1970
01:04:33,203 --> 01:04:35,303
OH, AND WE HAVE TO CALL A...
LAWYER TO ARRANGE FOR SOME
BAIL MONEY, BECAUSE SOMEONE IS
1971
01:04:35,305 --> 01:04:37,505
LAWYER TO ARRANGE FOR SOME
BAIL MONEY, BECAUSE SOMEONE IS
DEFINITELY, DEFINITELY GETTING
1972
01:04:37,507 --> 01:04:38,473
BAIL MONEY, BECAUSE SOMEONE IS
DEFINITELY, DEFINITELY GETTING
ARRESTED.
1973
01:04:38,475 --> 01:04:40,742
DEFINITELY, DEFINITELY GETTING
ARRESTED.
>> YEAH.
1974
01:04:40,744 --> 01:04:43,011
ARRESTED.
>> YEAH.
>> YOU NERVOUS?
1975
01:04:43,013 --> 01:04:44,880
>> YEAH.
>> YOU NERVOUS?
>> YEAH.
1976
01:04:44,882 --> 01:04:47,482
>> YOU NERVOUS?
>> YEAH.
>> "DESTINY COMES TO THOSE WHO
1977
01:04:47,484 --> 01:04:49,818
>> YEAH.
>> "DESTINY COMES TO THOSE WHO
LISTEN, AND FATE SORTS OUT
1978
01:04:49,820 --> 01:04:51,086
>> "DESTINY COMES TO THOSE WHO
LISTEN, AND FATE SORTS OUT
THE REST."
1979
01:04:51,088 --> 01:04:53,288
LISTEN, AND FATE SORTS OUT
THE REST."
>> YEAH.
1980
01:04:53,290 --> 01:04:54,155
THE REST."
>> YEAH.
>> I'M SO
1981
01:04:54,157 --> 01:04:54,623
>> YEAH.
>> I'M SO
PROUD OF YOU.
1982
01:04:54,625 --> 01:04:56,691
>> I'M SO
PROUD OF YOU.
>> PROUD OF ME?
1983
01:04:56,693 --> 01:04:58,727
PROUD OF YOU.
>> PROUD OF ME?
>> AND OF US.
1984
01:04:58,729 --> 01:05:00,028
>> PROUD OF ME?
>> AND OF US.
>> DON'T DO THIS RIGHT NOW.
1985
01:05:00,030 --> 01:05:02,130
>> AND OF US.
>> DON'T DO THIS RIGHT NOW.
1986
01:05:06,202 --> 01:05:08,670
>> I'M REALLY PROUD OF US, TOO.
1987
01:05:13,476 --> 01:05:15,710
I'M PROUD OF YOU.
1988
01:08:45,654 --> 01:08:50,725
>> WE ARE GETTING REPORTS IN
THAT THERE ARE HUNDREDS OF
NUDE AND SEMI-NUDE WOMEN RUNNING
1989
01:08:50,727 --> 01:08:52,026
THAT THERE ARE HUNDREDS OF
NUDE AND SEMI-NUDE WOMEN RUNNING
AROUND THE STREETS OF
1990
01:08:52,028 --> 01:08:53,428
NUDE AND SEMI-NUDE WOMEN RUNNING
AROUND THE STREETS OF
NEW YORK CITY.
1991
01:08:53,430 --> 01:08:56,831
SOURCES ARE SAYING THAT
GIRLRILLAZ -- NIPPLE LIBERATION
1992
01:08:56,833 --> 01:08:58,700
GIRLRILLAZ -- NIPPLE LIBERATION
FRONT -- IS BEHIND THIS FRENZY
1993
01:08:58,702 --> 01:09:01,736
FRONT -- IS BEHIND THIS FRENZY
OF...
>> ...FLASH MOB OF TOPLESS
1994
01:09:01,738 --> 01:09:04,372
WOMEN, AS EVIDENCED BY THIS
INFLUX OF "FREE THE NIPPLE"
1995
01:09:04,374 --> 01:09:05,473
INFLUX OF "FREE THE NIPPLE"
POSTERS.
1996
01:09:05,475 --> 01:09:06,774
POSTERS.
VARIOUS GIRLRILLAZ ART
1997
01:09:06,776 --> 01:09:09,010
VARIOUS GIRLRILLAZ ART
INSTALLATIONS...
1998
01:09:29,031 --> 01:09:32,500
ONE...TWO...ACTION!
1999
01:09:43,979 --> 01:09:46,915
SET UP, TWO, ACTION!
2000
01:09:53,355 --> 01:10:07,001
>> ¶ I'M DOWN, I'M DOWN ¶
¶ I'M DOWN, HEY, HEY ¶
¶ MMM, MMM, MMM-MMM ¶
2001
01:10:07,003 --> 01:10:11,172
¶ I'M DOWN, HEY, HEY ¶
¶ MMM, MMM, MMM-MMM ¶
¶ MMM MMM MMM-MMM MMM-MMM-MMM ¶
2002
01:10:11,174 --> 01:10:15,710
¶ MMM, MMM, MMM-MMM ¶
¶ MMM MMM MMM-MMM MMM-MMM-MMM ¶
2003
01:10:15,712 --> 01:10:18,313
¶ MMM MMM MMM-MMM MMM-MMM-MMM ¶
¶ AND THE SUN WILL RISE ¶
2004
01:10:18,315 --> 01:10:20,748
¶ AND THE SUN WILL RISE ¶
¶ AND I'LL LOOK INTO THOSE
2005
01:10:20,750 --> 01:10:22,016
¶ AND THE SUN WILL RISE ¶
¶ AND I'LL LOOK INTO THOSE
EYES ¶
2006
01:10:22,018 --> 01:10:25,386
¶ AND I'LL LOOK INTO THOSE
EYES ¶
¶ THAT SOMETIMES APPEAR AS MY
2007
01:10:25,388 --> 01:10:27,822
EYES ¶
¶ THAT SOMETIMES APPEAR AS MY
OWN ¶
2008
01:10:27,824 --> 01:10:29,624
¶ THAT SOMETIMES APPEAR AS MY
OWN ¶
¶ AND WE'LL SPREAD OUT OUR
2009
01:10:29,626 --> 01:10:30,959
OWN ¶
¶ AND WE'LL SPREAD OUT OUR
WINGS ¶
2010
01:10:30,961 --> 01:10:32,694
¶ AND WE'LL SPREAD OUT OUR
WINGS ¶
¶ AND WE'LL FORGET ALL THESE
2011
01:10:32,696 --> 01:10:34,162
WINGS ¶
¶ AND WE'LL FORGET ALL THESE
THINGS ¶
2012
01:10:34,164 --> 01:10:40,835
¶ AND WE'LL FORGET ALL THESE
THINGS ¶
¶ AND INTO YOUR SOUL I WILL GO ¶
2013
01:10:40,837 --> 01:10:44,339
THINGS ¶
¶ AND INTO YOUR SOUL I WILL GO ¶
¶ I'M DOWN, I'M DOWN ¶
2014
01:10:44,341 --> 01:10:50,144
¶ AND INTO YOUR SOUL I WILL GO ¶
¶ I'M DOWN, I'M DOWN ¶
¶ I'M DOWN, HEY, HEY ¶
2015
01:10:50,146 --> 01:10:53,781
¶ I'M DOWN, I'M DOWN ¶
¶ I'M DOWN, HEY, HEY ¶
¶ BUMH BUMH BUH ¶
2016
01:10:53,783 --> 01:10:57,652
¶ I'M DOWN, HEY, HEY ¶
¶ BUMH BUMH BUH ¶
>> ¶ OOH-OOH OOH ¶
2017
01:10:57,654 --> 01:11:00,755
¶ BUMH BUMH BUH ¶
>> ¶ OOH-OOH OOH ¶
>> ¶ YEAH, YEAH ¶
2018
01:11:00,757 --> 01:11:04,592
>> ¶ OOH-OOH OOH ¶
>> ¶ YEAH, YEAH ¶
2019
01:11:04,594 --> 01:11:06,561
>> ¶ YEAH, YEAH ¶
2020
01:11:09,798 --> 01:11:13,701
>> - HOLY MOLY, LIZ.
- SHE ACTUALLY LEFT HER HOUSE.
2021
01:11:13,703 --> 01:11:15,136
- SHE ACTUALLY LEFT HER HOUSE.
- ALERT THE MEDIA!
2022
01:11:15,138 --> 01:11:17,005
ALERT THE MEDIA!
2023
01:11:17,007 --> 01:11:18,406
- ALERT THE MEDIA!
- ALL RIGHT, THANK YOU FOR COMING.
2024
01:11:18,408 --> 01:11:20,108
ALL RIGHT, THANK YOU FOR COMING.
I'M SURE THAT A LOT OF YOU ARE
2025
01:11:20,110 --> 01:11:21,809
ALL RIGHT, THANK YOU FOR COMING.
I'M SURE THAT A LOT OF YOU ARE
HERE PURELY BECAUSE YOU OWE ME
2026
01:11:21,811 --> 01:11:22,377
I'M SURE THAT A LOT OF YOU ARE
HERE PURELY BECAUSE YOU OWE ME
FAVORS.
2027
01:11:22,379 --> 01:11:23,478
HERE PURELY BECAUSE YOU OWE ME
FAVORS.
2028
01:11:23,480 --> 01:11:26,681
- FAVORS.
- OR I ONCE BAILED YOU OUT...
2029
01:11:26,683 --> 01:11:27,849
OR I ONCE BAILED YOU OUT...
PETER.
2030
01:11:27,851 --> 01:11:28,750
- OR I ONCE BAILED YOU OUT...
- PETER.
2031
01:11:28,752 --> 01:11:30,184
- PETER.
- >> OH, PETER.
2032
01:11:30,186 --> 01:11:32,820
>> OH, PETER.
>> BUT, NO, REALLY, YOU ARE ALL
2033
01:11:32,822 --> 01:11:34,489
>> OH, PETER.
>> BUT, NO, REALLY, YOU ARE ALL
SOME OF THE MOST INFLUENTIAL
2034
01:11:34,491 --> 01:11:36,357
>> BUT, NO, REALLY, YOU ARE ALL
SOME OF THE MOST INFLUENTIAL
BLOGGERS AND OPINION WRITERS I
2035
01:11:36,359 --> 01:11:38,293
SOME OF THE MOST INFLUENTIAL
BLOGGERS AND OPINION WRITERS I
KNOW, SO I THANK YOU VERY MUCH.
2036
01:11:38,295 --> 01:11:41,296
BLOGGERS AND OPINION WRITERS I
KNOW, SO I THANK YOU VERY MUCH.
I AM HERE IN LIEU OF MY GOOD
2037
01:11:41,298 --> 01:11:42,864
KNOW, SO I THANK YOU VERY MUCH.
I AM HERE IN LIEU OF MY GOOD
FRIEND WITH.
2038
01:11:42,866 --> 01:11:46,467
I AM HERE IN LIEU OF MY GOOD
FRIEND WITH.
2039
01:11:46,469 --> 01:11:49,370
- FRIEND WITH.
- >> OKAY, GUYS.
2040
01:11:49,372 --> 01:11:50,872
>> OKAY, GUYS.
>> AND MAYBE YOU'VE HEARD SOME
2041
01:11:50,874 --> 01:11:52,307
>> OKAY, GUYS.
>> AND MAYBE YOU'VE HEARD SOME
MURMURINGS ABOUT HER GROUP OF
2042
01:11:52,309 --> 01:11:53,741
>> AND MAYBE YOU'VE HEARD SOME
MURMURINGS ABOUT HER GROUP OF
GIRLS THAT HAVE BEEN TAGGING
2043
01:11:53,743 --> 01:11:54,709
MURMURINGS ABOUT HER GROUP OF
GIRLS THAT HAVE BEEN TAGGING
NEW YORK CITY WITH
2044
01:11:54,711 --> 01:11:56,077
GIRLS THAT HAVE BEEN TAGGING
NEW YORK CITY WITH
"FREE THE NIPPLE."
2045
01:11:56,079 --> 01:11:58,613
NEW YORK CITY WITH
"FREE THE NIPPLE."
I JUST ASK FOR A FEW MOMENTS OF
2046
01:11:58,615 --> 01:12:00,815
"FREE THE NIPPLE."
I JUST ASK FOR A FEW MOMENTS OF
YOUR TIME TO WATCH A VIDEO
2047
01:12:00,817 --> 01:12:02,483
I JUST ASK FOR A FEW MOMENTS OF
YOUR TIME TO WATCH A VIDEO
THAT WITH PUT TOGETHER.
2048
01:12:02,485 --> 01:12:04,252
YOUR TIME TO WATCH A VIDEO
THAT WITH PUT TOGETHER.
AND IF NOT, WELL, I'LL JUST FUCK
2049
01:12:04,254 --> 01:12:05,787
THAT WITH PUT TOGETHER.
AND IF NOT, WELL, I'LL JUST FUCK
OFF AND POST IT ON YouTube.
2050
01:12:05,789 --> 01:12:06,954
AND IF NOT, WELL, I'LL JUST FUCK
OFF AND POST IT ON YouTube.
OKAY, I'LL SHUT UP.
2051
01:12:06,956 --> 01:12:09,157
- OFF AND POST IT ON YouTube.
- OKAY, I'LL SHUT UP.
2052
01:12:54,803 --> 01:13:00,174
>> FILM CENSORS IN AMERICA, LIKE
THE MPAA, ALLOW EXCESSIVE
VIOLENCE, YET DISCOURAGE NUDITY
2053
01:13:00,176 --> 01:13:01,876
THE MPAA, ALLOW EXCESSIVE
VIOLENCE, YET DISCOURAGE NUDITY
IN ONE OF THE MOST BEAUTIFUL
2054
01:13:01,878 --> 01:13:03,544
VIOLENCE, YET DISCOURAGE NUDITY
IN ONE OF THE MOST BEAUTIFUL
ACTS OF HUMANKIND -- MAKING
2055
01:13:03,546 --> 01:13:05,913
IN ONE OF THE MOST BEAUTIFUL
ACTS OF HUMANKIND -- MAKING
LOVE.
2056
01:13:05,915 --> 01:13:08,549
ACTS OF HUMANKIND -- MAKING
LOVE.
2057
01:13:08,551 --> 01:13:12,120
- LOVE.
- >> ¶ FREE THE NIPPLE IF YOU DARE
2058
01:13:12,122 --> 01:13:12,820
>> ¶ FREE THE NIPPLE IF YOU DARE
TO ¶
2059
01:13:12,822 --> 01:13:16,023
>> ¶ FREE THE NIPPLE IF YOU DARE
TO ¶
¶ LIFE IS ALL TOO SHORT ¶
2060
01:13:16,025 --> 01:13:17,625
TO ¶
¶ LIFE IS ALL TOO SHORT ¶
>> WELL, OUR SEXUALITY HAS BEEN
2061
01:13:17,627 --> 01:13:18,926
¶ LIFE IS ALL TOO SHORT ¶
>> WELL, OUR SEXUALITY HAS BEEN
TAKEN AWAY FROM US AND IS
2062
01:13:18,928 --> 01:13:20,461
>> WELL, OUR SEXUALITY HAS BEEN
TAKEN AWAY FROM US AND IS
ESSENTIALLY BEING SOLD BACK TO
2063
01:13:20,463 --> 01:13:21,929
TAKEN AWAY FROM US AND IS
ESSENTIALLY BEING SOLD BACK TO
US THROUGH ADVERTISEMENT AND
2064
01:13:21,931 --> 01:13:23,164
ESSENTIALLY BEING SOLD BACK TO
US THROUGH ADVERTISEMENT AND
ALL THIS STUFF.
2065
01:13:23,166 --> 01:13:30,204
>> ¶ ...THAT YOU SHOULD ¶
¶ FREE THE NIPPLE, EVERYONE WHO
2066
01:13:30,206 --> 01:13:34,175
¶ FREE THE NIPPLE, EVERYONE WHO
KEEPS AN OPEN DOOR ¶
2067
01:13:34,177 --> 01:13:37,678
KEEPS AN OPEN DOOR ¶
¶ THEY ARE FREE TO LEAD YOU... ¶
2068
01:13:37,680 --> 01:13:42,784
ASHAMED OF!
>> ¶ ...INTO THEIR UNIVERSE ¶
2069
01:13:42,786 --> 01:13:44,018
>> ¶ ...INTO THEIR UNIVERSE ¶
2070
01:13:44,020 --> 01:13:47,088
¶ AH AH ¶
2071
01:13:47,090 --> 01:13:51,626
¶ AH AH ¶
¶ OH OH ¶
2072
01:13:51,628 --> 01:13:56,330
¶ OH OH ¶
¶ AH AH ¶
2073
01:13:56,332 --> 01:14:00,067
¶ AH AH ¶
¶ OH ¶
2074
01:14:00,069 --> 01:14:02,170
¶ OH ¶
¶ AND MAKE IT RIGHT ¶
2075
01:14:02,172 --> 01:14:04,172
¶ AND MAKE IT RIGHT ¶
2076
01:14:06,443 --> 01:14:11,345
>> >> ¶ AH ¶
2077
01:14:17,753 --> 01:14:23,958
>> AS A CITIZEN OF ONE OF THE
MOST VIOLENT COUNTRIES IN THE
WORLD, I JUST WANT TO ASK ONE
2078
01:14:23,960 --> 01:14:26,093
MOST VIOLENT COUNTRIES IN THE
WORLD, I JUST WANT TO ASK ONE
SIMPLE QUESTION.
2079
01:14:26,095 --> 01:14:27,628
WORLD, I JUST WANT TO ASK ONE
SIMPLE QUESTION.
WHAT IS SO OBSCENE ABOUT A
2080
01:14:27,630 --> 01:14:28,729
SIMPLE QUESTION.
WHAT IS SO OBSCENE ABOUT A
WOMAN'S BODY?
2081
01:14:28,731 --> 01:14:29,931
WHAT IS SO OBSCENE ABOUT A
WOMAN'S BODY?
IF RELIGIOUS LEADERS...
2082
01:14:29,933 --> 01:14:31,666
WOMAN'S BODY?
IF RELIGIOUS LEADERS...
>> ...BELIEVE GOD CREATED MAN
2083
01:14:31,668 --> 01:14:33,234
IF RELIGIOUS LEADERS...
>> ...BELIEVE GOD CREATED MAN
AND WOMAN, AND THEY ARE SO
2084
01:14:33,236 --> 01:14:35,203
>> ...BELIEVE GOD CREATED MAN
AND WOMAN, AND THEY ARE SO
OFFENDED BY OUR BODIES...
2085
01:14:35,205 --> 01:14:36,370
AND WOMAN, AND THEY ARE SO
OFFENDED BY OUR BODIES...
>> ...DON'T ARREST US FOR
2086
01:14:36,372 --> 01:14:37,104
OFFENDED BY OUR BODIES...
>> ...DON'T ARREST US FOR
PUBLIC NUDITY.
2087
01:14:37,106 --> 01:14:39,240
>> ...DON'T ARREST US FOR
PUBLIC NUDITY.
>> COMPLAIN TO THE MANUFACTURER!
2088
01:14:39,242 --> 01:14:41,609
PUBLIC NUDITY.
>> COMPLAIN TO THE MANUFACTURER!
GET ON YOUR KNEES AND PRAY FOR
2089
01:14:41,611 --> 01:14:43,678
>> COMPLAIN TO THE MANUFACTURER!
GET ON YOUR KNEES AND PRAY FOR
GOD TO MAKE A LESS OBSCENE
2090
01:14:43,680 --> 01:14:45,046
GET ON YOUR KNEES AND PRAY FOR
GOD TO MAKE A LESS OBSCENE
VERSION OF US!
2091
01:14:45,048 --> 01:14:45,880
GOD TO MAKE A LESS OBSCENE
VERSION OF US!
>> WHOO!
2092
01:14:45,882 --> 01:14:50,952
- VERSION OF US!
- >> WHOO!
2093
01:14:50,954 --> 01:14:53,087
>> - WHOO!
- >> SO, YOU'RE WATCHING THE MOVIE
2094
01:14:53,089 --> 01:14:55,590
>> SO, YOU'RE WATCHING THE MOVIE
WE MADE -- ALL OF US.
2095
01:14:55,592 --> 01:14:58,192
>> SO, YOU'RE WATCHING THE MOVIE
WE MADE -- ALL OF US.
JUST A BUNCH OF GIRLS WHO'D
2096
01:14:58,194 --> 01:15:00,928
WE MADE -- ALL OF US.
JUST A BUNCH OF GIRLS WHO'D
NEVER MADE A MOVIE BEFORE.
2097
01:15:00,930 --> 01:15:03,130
JUST A BUNCH OF GIRLS WHO'D
NEVER MADE A MOVIE BEFORE.
SO, WHY DID WE MAKE IT?
2098
01:15:03,132 --> 01:15:04,899
NEVER MADE A MOVIE BEFORE.
SO, WHY DID WE MAKE IT?
BECAUSE IT'S HARD TO CHANGE THE
2099
01:15:04,901 --> 01:15:05,433
SO, WHY DID WE MAKE IT?
BECAUSE IT'S HARD TO CHANGE THE
WORLD.
2100
01:15:05,435 --> 01:15:08,202
BECAUSE IT'S HARD TO CHANGE THE
WORLD.
YOU HAVE TO START SOMEWHERE.
2101
01:15:08,204 --> 01:15:11,739
WORLD.
YOU HAVE TO START SOMEWHERE.
WE NEED NEW HEROES, NEW STORIES,
2102
01:15:11,741 --> 01:15:13,441
YOU HAVE TO START SOMEWHERE.
WE NEED NEW HEROES, NEW STORIES,
AND WE NEED THEM NOW.
2103
01:15:13,443 --> 01:15:18,579
WE NEED NEW HEROES, NEW STORIES,
AND WE NEED THEM NOW.
>> ¶ AND MAKE IT RIGHT ¶
2104
01:15:18,581 --> 01:15:21,215
- AND WE NEED THEM NOW.
- >> ¶ AND MAKE IT RIGHT ¶
2105
01:15:21,217 --> 01:15:23,284
>> ¶ AND MAKE IT RIGHT ¶
2106
01:15:27,689 --> 01:15:37,131
>> ¶ LOOK WHAT THEY'VE DONE TO
MY SONG, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2107
01:15:37,133 --> 01:15:39,433
MY SONG, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2108
01:15:39,435 --> 01:15:41,602
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
¶ WELL, IT'S THE ONLY THING I
2109
01:15:41,604 --> 01:15:43,004
SONG ¶
¶ WELL, IT'S THE ONLY THING I
COULD DO HALF RIGHT ¶
2110
01:15:43,006 --> 01:15:45,706
¶ WELL, IT'S THE ONLY THING I
COULD DO HALF RIGHT ¶
¶ IT'S TURNIN' OUT ALL WRONG,
2111
01:15:45,708 --> 01:15:46,774
COULD DO HALF RIGHT ¶
¶ IT'S TURNIN' OUT ALL WRONG,
MA ¶
2112
01:15:46,776 --> 01:15:49,777
¶ IT'S TURNIN' OUT ALL WRONG,
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2113
01:15:49,779 --> 01:15:53,114
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2114
01:15:53,116 --> 01:15:56,284
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2115
01:15:56,286 --> 01:15:59,487
SONG ¶
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN, MA ¶
2116
01:15:59,489 --> 01:16:03,224
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2117
01:16:03,226 --> 01:16:05,026
BRAIN, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
2118
01:16:05,028 --> 01:16:07,328
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
¶ WELL, THEY PICKED IT LIKE A
2119
01:16:07,330 --> 01:16:08,529
BRAIN ¶
¶ WELL, THEY PICKED IT LIKE A
CHICKEN BONE ¶
2120
01:16:08,531 --> 01:16:11,265
¶ WELL, THEY PICKED IT LIKE A
CHICKEN BONE ¶
¶ AND I THINK I'M HALF INSANE,
2121
01:16:11,267 --> 01:16:12,466
CHICKEN BONE ¶
¶ AND I THINK I'M HALF INSANE,
MA ¶
2122
01:16:12,468 --> 01:16:15,503
¶ AND I THINK I'M HALF INSANE,
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2123
01:16:15,505 --> 01:16:18,706
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
2124
01:16:18,708 --> 01:16:21,175
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
¶ I WISH I COULD FIND A BOOK
2125
01:16:21,177 --> 01:16:24,612
BRAIN ¶
¶ I WISH I COULD FIND A BOOK
TO LIVE IN ¶
2126
01:16:24,614 --> 01:16:28,983
¶ I WISH I COULD FIND A BOOK
TO LIVE IN ¶
¶ WISH I COULD FIND A GOOD
2127
01:16:28,985 --> 01:16:30,685
TO LIVE IN ¶
¶ WISH I COULD FIND A GOOD
BOOK ¶
2128
01:16:30,687 --> 01:16:33,287
¶ WISH I COULD FIND A GOOD
BOOK ¶
¶ BECAUSE IF I COULD FIND A REAL
2129
01:16:33,289 --> 01:16:34,055
BOOK ¶
¶ BECAUSE IF I COULD FIND A REAL
GOOD BOOK ¶
2130
01:16:34,057 --> 01:16:36,390
¶ BECAUSE IF I COULD FIND A REAL
GOOD BOOK ¶
¶ I'D NEVER HAVE TO COME OUT AND
2131
01:16:36,392 --> 01:16:38,025
GOOD BOOK ¶
¶ I'D NEVER HAVE TO COME OUT AND
LOOK AT ¶
2132
01:16:38,027 --> 01:16:41,295
¶ I'D NEVER HAVE TO COME OUT AND
LOOK AT ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2133
01:16:41,297 --> 01:16:44,432
LOOK AT ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2134
01:16:44,434 --> 01:16:48,569
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
¶ BUH DUH-DUH-DUH DUH-DUH-DUH
2135
01:16:48,571 --> 01:16:50,805
SONG ¶
¶ BUH DUH-DUH-DUH DUH-DUH-DUH
DUH ¶
2136
01:16:50,807 --> 01:16:56,344
¶ BUH DUH-DUH-DUH DUH-DUH-DUH
DUH ¶
¶ BUH DUH-DUH-DUH DUH-DUH DUH ¶
2137
01:16:56,346 --> 01:16:59,146
DUH ¶
¶ BUH DUH-DUH-DUH DUH-DUH DUH ¶
¶ WELL, IF THE PEOPLE ARE BUYING
2138
01:16:59,148 --> 01:16:59,880
¶ BUH DUH-DUH-DUH DUH-DUH DUH ¶
¶ WELL, IF THE PEOPLE ARE BUYING
TEARS ¶
2139
01:16:59,882 --> 01:17:03,651
¶ WELL, IF THE PEOPLE ARE BUYING
TEARS ¶
¶ I'LL BE RICH SOME DAY, MA ¶
2140
01:17:03,653 --> 01:17:06,954
TEARS ¶
¶ I'LL BE RICH SOME DAY, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2141
01:17:06,956 --> 01:17:09,924
¶ I'LL BE RICH SOME DAY, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
2142
01:17:09,926 --> 01:17:12,460
¶ LOOK WHAT THEY'VE DONE TO MY
BRAIN ¶
>> ¶ YEAH, MAYBE I'LL BE
2143
01:17:12,462 --> 01:17:16,364
BRAIN ¶
>> ¶ YEAH, MAYBE I'LL BE
ALL RIGHT, MA ¶
2144
01:17:16,366 --> 01:17:21,102
>> ¶ YEAH, MAYBE I'LL BE
ALL RIGHT, MA ¶
¶ AND MAYBE I'LL BE OKAY ¶
2145
01:17:21,104 --> 01:17:24,739
ALL RIGHT, MA ¶
¶ AND MAYBE I'LL BE OKAY ¶
¶ MA, IF THE PEOPLE ARE BUYING
2146
01:17:24,741 --> 01:17:25,539
¶ AND MAYBE I'LL BE OKAY ¶
¶ MA, IF THE PEOPLE ARE BUYING
TEARS ¶
2147
01:17:25,541 --> 01:17:29,210
¶ MA, IF THE PEOPLE ARE BUYING
TEARS ¶
¶ I'LL BE RICH SOME DAY, MA ¶
2148
01:17:29,212 --> 01:17:32,279
TEARS ¶
¶ I'LL BE RICH SOME DAY, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2149
01:17:32,281 --> 01:17:35,082
¶ I'LL BE RICH SOME DAY, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2150
01:17:35,084 --> 01:17:38,953
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2151
01:17:38,955 --> 01:17:41,989
SONG ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG, MA ¶
2152
01:17:41,991 --> 01:17:45,660
¶ LOOK WHAT THEY'VE DONE TO MY
SONG, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2153
01:17:45,662 --> 01:17:47,361
SONG, MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2154
01:17:47,363 --> 01:17:49,997
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
¶ WELL, THEY TIED IT IN A
2155
01:17:49,999 --> 01:17:50,798
SONG ¶
¶ WELL, THEY TIED IT IN A
PLASTIC BAG ¶
2156
01:17:50,800 --> 01:17:53,734
¶ WELL, THEY TIED IT IN A
PLASTIC BAG ¶
¶ AND THEY SHOOK ME UPSIDE DOWN,
2157
01:17:53,736 --> 01:17:55,102
PLASTIC BAG ¶
¶ AND THEY SHOOK ME UPSIDE DOWN,
MA ¶
2158
01:17:55,104 --> 01:17:58,205
¶ AND THEY SHOOK ME UPSIDE DOWN,
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
2159
01:17:58,207 --> 01:18:00,875
MA ¶
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2160
01:18:00,877 --> 01:18:03,911
¶ LOOK WHAT THEY'VE DONE TO MY
SONG ¶
2161
01:18:03,913 --> 01:18:05,279
SONG ¶
2162
01:18:05,281 --> 01:18:10,618
>> ¶ THERE'S A SHOWER OF LIGHT ¶
2163
01:18:10,620 --> 01:18:15,456
>> ¶ THERE'S A SHOWER OF LIGHT ¶
¶ SHOOTS ACROSS THE SKY ¶
2164
01:18:15,458 --> 01:18:20,795
>> ¶ THERE'S A SHOWER OF LIGHT ¶
¶ SHOOTS ACROSS THE SKY ¶
¶ GENTLY FLOWING THE ENERGY ¶
2165
01:18:20,797 --> 01:18:24,465
¶ SHOOTS ACROSS THE SKY ¶
¶ GENTLY FLOWING THE ENERGY ¶
¶ THE STARS FLICKER IN TIME FOR
2166
01:18:24,467 --> 01:18:26,901
¶ GENTLY FLOWING THE ENERGY ¶
¶ THE STARS FLICKER IN TIME FOR
YOU TONIGHT ¶
2167
01:18:26,903 --> 01:18:32,306
¶ THE STARS FLICKER IN TIME FOR
YOU TONIGHT ¶
¶ IF I SEEM OUT OF PLACE NOW ¶
2168
01:18:32,308 --> 01:18:35,543
YOU TONIGHT ¶
¶ IF I SEEM OUT OF PLACE NOW ¶
¶ I CAN SEE A WAY WHERE I MIGHT
2169
01:18:35,545 --> 01:18:37,778
¶ IF I SEEM OUT OF PLACE NOW ¶
¶ I CAN SEE A WAY WHERE I MIGHT
BE FOUND ¶
2170
01:18:37,780 --> 01:18:39,914
¶ I CAN SEE A WAY WHERE I MIGHT
BE FOUND ¶
¶ THERE'S A REASON THAT I'M
2171
01:18:39,916 --> 01:18:43,017
BE FOUND ¶
¶ THERE'S A REASON THAT I'M
NEVER FOUND RIGHT ¶
2172
01:18:43,019 --> 01:18:46,520
¶ THERE'S A REASON THAT I'M
NEVER FOUND RIGHT ¶
¶ YOU ALWAYS PAINTED ME WRONG ¶
227066
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